Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UH AH — MELODIC YOZA

OMR Cue Map

Track: UH AH
Clean Intro: Yes — immediate rhythmic identity; strong for a cold open, club doorway, or quick cut into movement.
Edit Points: Natural edit points around hook returns, drum breaks, and repeated vocal phrases; trims should work well for short promo or scene bumpers.
Button Ending: Likely usable if the final hit/groove resolves cleanly; confirm exact tail during audio review.
Loopable: Yes — rhythm-forward construction should support looped bed use under party, comedy, or movement sequences.
Best Loop Candidates: Intro groove, post-hook rhythm sections, and any percussion-forward vamp where the vocal can sit low under picture.

Use Case:
Use the first vocal/groove entrance to establish attitude quickly. Best for action-comedy walk-ins, party scenes, pre-game energy, stylish transitions, or a character deciding to take the room. Percussive sections should cut cleanly under dialogue or montage.

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 101
Genres: HIP HOP / PARTY / REGGAE
Vocals: Male Vocal
Moods: CAREFREE / CATCHY / CONFIDENT / DRAMATIC / ENERGETIC / FUN / PARTY / PLAYFUL / RHYTHMIC / SEXY / SWAGGER
Sync Themes: ACTION / COMEDY / DRAMA
Lyric Themes: CELEBRATION / FUN / HAPPINESS / PARTY / UNITY
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
“UH AH” gives the UV page an energetic, vocal-forward opener built around bass, drums, percussion, and synth. The Eb minor setting keeps the groove a little tougher than a pure party track, while the carefree, playful, confident mood makes it useful for scenes involving arrival, attraction, movement, nightlife, or comic bravado.

Sync Highlights:

• Primary category: Groove, Swagger & Comeback Energy
• Secondary utility: Action comedy, club energy, confident character entrance
• Sync themes: ACTION / COMEDY / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove, Swagger & Comeback Energy placements with crossover utility for Action comedy, club energy, confident character entrance.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“UH AH” gives the UV page an energetic, vocal-forward opener built around bass, drums, percussion, and synth. The Eb minor setting keeps the groove a little tougher than a pure party track, while the carefree, playful, confident mood makes it useful for scenes involving arrival, attraction, movement, nightlife, or comic bravado.

Lyrics

[Intro]
Well yee come di ting call
Till the morning come
Then mi sing
Wata gwaan, wata wata gwaan
Wata gwaan, wata wata gwaan
Wata gwaan, wata wata gwaan
Ready mi ready fi nice up di lawn
Come on

[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Verse 1]
Steady moving suh mi stay s suh mi perlong
Set them moving like five and four furlong
And everybody wanna be the girls man
Who a nuh Bobby Brown them a Eric Sherman
Some a bad boy, some a them a herbs man
But I go now flip it on your version
New style say it's a brand new slang
Straight out the gates like raparapapampam
‘Cause I know you been waiting like so long
Buy out the bar come now let's have a drink Dan
Invite the girls come and let's start the show man
Who can mek di hey who can mek di dance ram
See pop shows near Toronto
Get tickets as low as $6

You might also like
Celebrate
Melodic Yoza
Just Be
Melodic Yoza
Mud
GodKing Zeus
[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Verse 2]
Dance a keep and di session pack
Stone love it a play them girls look hot
Long-side metro media and the sound wadat
Rudeboy's in wallabies and beaver hats
And tonight there ain't gonna be no shot
And less a blap blap parent trap wheel up dat
And come again ‘cause this be the early warm
And them ya vibes a go gwaan till mawn
Ca later on gonna be a special perform
Between the lyrical soldier and the rest of the fam
Now man if you got skills you can go on
As they pass me the mic and watch me ring the alarm
Come on


[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Bridge]
Like upside down we gonna turn the party
Like inside out me and my shorty
Like upside down we gonna turn the party
Like inside out me and my shorty
Like she wanna party with the Yardie
Some Guinness stout and some big Bob Marley
So I take her to the dance rock out in thrillawny
Like baby, baby thrill on me

[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah


[Outro]
Like wake up inna the morning now early and bright
And all we wanna do is go live some life
Man a suh wi throwdown
Man a suh wi throwdown, yea yah
Man a suh wi throwdown, yea yah

Artist Bio

Melodic Yoza brings a Caribbean-inflected, rhythm-first vocal style that fits OMR’s upbeat sync lane: confident, playful, and built for scenes where movement, identity, celebration, and swagger need to arrive quickly.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UP AGAIN — RAN DE CASA

OMR Cue Map

Track: UP AGAIN
Clean Intro: Yes — beat-forward identity should establish quickly for montage or action setup.
Edit Points: Strong edit options at beat drops, vocal phrase endings, and hook returns; good for sharp visual cuts.
Button Ending: Likely possible if the track lands on a beat or hook resolution; verify exact ending.
Loopable: Yes — percussion and synth groove sections should support extension beneath sports or action visuals.
Best Loop Candidates: Intro beat, hook groove, and instrumental rhythm pockets between vocal sections.

Use Case:
Use the rhythmic intensity for sequences built on motion and determination. Best under training, night driving, locker-room focus, urban chase prep, competitive tension, or a character reclaiming control after a setback.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 144
Genres: HIP HOP
Vocals: Male Vocal
Moods: ATMOSPHERIC / DARK / MOODY / RHYTHMIC
Sync Themes: SPORTSM / DRAMA / ACTION / COMING OF AGE
Lyric Themes: CONFIDENCE / EMPOWERMENT / ENERGY / STRUGGLE / SUCCESS
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
BASS / PERCUSSION / SYNTH

Track Summary:
“Up Again” is a 144 BPM hip hop track built around bass, percussion, and synth with a dark, atmospheric edge. Its confidence, empowerment, struggle, and success themes make it a strong candidate for athletic recovery, training montage, street-level drama, personal comeback, or a character refusing to stay down.

Sync Highlights:

• Primary category: Groove, Swagger & Comeback Energy
• Secondary utility: Sports, action, struggle-to-success montage, confident return
• Sync themes: SPORTSM / DRAMA / ACTION / COMING OF AGE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove, Swagger & Comeback Energy placements with crossover utility for Sports, action, struggle-to-success montage, confident return.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Up Again” is a 144 BPM hip hop track built around bass, percussion, and synth with a dark, atmospheric edge. Its confidence, empowerment, struggle, and success themes make it a strong candidate for athletic recovery, training montage, street-level drama, personal comeback, or a character refusing to stay down.

Lyrics

Osi got me high
Well, well, well
If it isn't Mr. up to something yourself
Branding
What you trying to teach me today?
And we up again, woke, no sleeping on fast
Won't be sleeping all night
Up again, get off my back
Soda won't pop when it's flat, no, no
And we up again, woke, no sleeping on fast
Won't be sleeping all night
Up again, get off my back
Soda won't pop when it's flat, no, no
Oh, she like how I stick it up. Life sticky love
Sweet apple pie, couple grams in the crust
Cook something good, going up in the hood
Learn something new, eyes up and above
She love how I look
Look understood
A confident yo is a confident dove
Learn all the rules, apply when you move
Find all the tools and grind how you do
And we up again, woke, no sleeping on fast
Won't be sleeping all night
Up again, get off my back
Soda won't pop when it's flat, no, no, no
Up again, you know what we up against. Leaving to supper when
have conversations with my energy, had to get in touch with him
Had to fill my cup up before it be running thin
Wasn't enough within to put enough up in
I lived my life to put my all for others
Ended up too slim. I want some M's for her and him, just to flip 'em into wins
A W to a me for everyone to deal
This a way to took some fucking time just to dwell within
Now I'm feeling like a ghost, the way I'm resting in peace
It's a blessing my own suggestions and invested in me
Put my mind on my mind and it's all I can see
Yeah, we up again, woke, no sleeping on fast
Won't be sleeping all night
Up again, get off my back
Soda won't pop when it's flat, no, no, no

Artist Bio

Ran De Casa brings a focused hip hop voice to OMR’s urban and sports lanes, with tracks that emphasize resilience, drive, and hard-won confidence for action, drama, and comeback storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UNDRESSED — EZEKIEL HAMPTON

OMR Cue Map

Track: UNDRESSED
Clean Intro: Yes — rhythmic opening provides a clean setup before fuller vocal sections.
Edit Points: Likely edit-friendly at groove resets, vocal phrase endings, and chorus entrances; can support montage compression.
Button Ending: Potential if the final groove resolves naturally; confirm whether tail needs a fade.
Loopable: Yes — instrumental groove pockets should loop well beneath travel, romance, or lifestyle visuals.
Best Loop Candidates: Intro groove, post-chorus rhythm bed, and lighter instrumental passages between vocal sections.

Use Case:
Use the rhythmic intro to establish movement, then let the vocal carry emotional vulnerability and lift. Strong for indie romance, beach-town escape, rooftop optimism, young adult self-definition, or a road sequence with sunlight and forward motion.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 122
Genres: ELECTRONIC / REGGAE
Vocals: Male Vocal
Moods: ATMOSPHERIC / BRIGHT / COOL / DREAMY / HOPEFUL / POSITIVE / REFLECTIVE / RHYTHMIC / UPBEAT / UPLIFTING
Sync Themes: DRAMA / INDIE / ROMANCE / ADVENTURE
Lyric Themes: AMBITION / ESCAPE / IDENTITY / LOVE
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
“Undressed” blends electronic and reggae influences into a rhythmic, hopeful male-vocal track. The D major key, upbeat pulse, and bright/dreamy mood make it useful for scenes where a character opens up, moves toward love, leaves something behind, or finds momentum after emotional hesitation.

Sync Highlights:

• Primary category: Romance, Longing & Emotional Return
• Secondary utility: Indie romance, escape, identity, optimistic road sequence
• Sync themes: DRAMA / INDIE / ROMANCE / ADVENTURE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Emotional Return placements with crossover utility for Indie romance, escape, identity, optimistic road sequence.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Undressed” blends electronic and reggae influences into a rhythmic, hopeful male-vocal track. The D major key, upbeat pulse, and bright/dreamy mood make it useful for scenes where a character opens up, moves toward love, leaves something behind, or finds momentum after emotional hesitation.

Lyrics

Maybe it means something, or something we can't yet understand
Love is the one thing we're capable of perceiving that transcends dimensions of time and space

Artist Bio

Ezekiel Hampton’s writing leans into atmospheric rhythm and melodic openness, pairing electronic textures with reggae-influenced movement for sync moments built around identity, escape, connection, and emotional release.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UNTIL YOUR LOVE RUNS OUT — MATTIE LEON

OMR Cue Map

Track: UNTIL YOUR LOVE RUNS OUT
Clean Intro: Yes — song-based intro should establish tone before the fuller band lift.
Edit Points: Good likely cut points at verse/chorus boundaries, drum lifts, and instrumental phrase endings.
Button Ending: Likely usable if final band/vocal phrase resolves; confirm last chord and reverb tail.
Loopable: Moderate — instrumental sections may loop, but vocal structure should be respected for lyrical continuity.
Best Loop Candidates: Intro guitar bed, pre-chorus build, and instrumental transitions between vocal sections.

Use Case:
Use the early guitar/vocal entry for intimacy, then build into larger emotional movement as the scene commits. Strong for first-love montages, late-night drives, relationship turning points, final-act hope, or characters deciding whether to stay open.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 110
Genres: INDIE / PUNK / ROCK
Vocals: Male Vocal
Moods: DREAMY / HOPEFUL / ROMANTIC
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: FEAR / LOVE
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PIANO / SYNTH

Track Summary:
“Until Your Love Runs Out” combines acoustic guitar, electric guitar, piano, synth, bass, and drums into a romantic indie-rock frame. The track’s hopeful and dreamy tone gives the lyric themes of fear and love a vulnerable edge, making it suited to scenes where affection is real but uncertain.

Sync Highlights:

• Primary category: Romance, Longing & Emotional Return
• Secondary utility: Coming-of-age, indie drama, love confession, relationship uncertainty
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Emotional Return placements with crossover utility for Coming-of-age, indie drama, love confession, relationship uncertainty.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Until Your Love Runs Out” combines acoustic guitar, electric guitar, piano, synth, bass, and drums into a romantic indie-rock frame. The track’s hopeful and dreamy tone gives the lyric themes of fear and love a vulnerable edge, making it suited to scenes where affection is real but uncertain.

Lyrics

Remember the way you were back then
All promises and heavy sentiments
Youth would paint it all in red

Look at the we are right now
too comfortable to harvest any doubt
You barely try when I'm around
I feel like I was born to only let you down

Until Your Love Runs Out
All your pushing to keep me away
Until Your Love Runs Out
I will find any reason to stay

Silence rises louder now
Too high for any words to drown it out
You and I we have our doubts
but we're too afraid to ever hear them out

"I love you and I always will"
You said it once and I hold onto it still
We're broken but I swear we'll rebuild

Nothing's for sure
But you can be sure of my love

Artist Bio

Mattie Leon writes earnest, melodic indie material with strong emotional accessibility, often fitting scenes of love, memory, uncertainty, and personal resolve without losing a natural singer-songwriter core.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
VILLANELLE — PAUL REDDICK

OMR Cue Map

Track: VILLANELLE
Clean Intro: Yes — acoustic/string character should establish quickly; verify vocal timing and explicit-content placement.
Edit Points: Good likely edits at phrase endings, string accents, and verse-to-hook changes; useful for playful montage.
Button Ending: Potential if the final phrase resolves cleanly; confirm ending and explicit version requirements.
Loopable: Moderate — instrumental/acoustic pockets may loop, but vocal content and explicit master status require placement care.
Best Loop Candidates: Acoustic intro, string-accented instrumental pockets, and rhythm sections between vocal lines.

Use Case:
Use for character introductions, awkward dates, roaming city sequences, handmade adventure, or romantic comedy with an art-house edge. The playful pace can make visual cuts feel lighter, stranger, and more alive.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 146
Genres: FOLK / INDIE / WORLD
Vocals: Male Vocal
Moods: DREAMY / FUN / HAPPY / PLAYFUL / QUIRKY
Sync Themes: ADVENTURE / ART HOUSE / COMEDY / COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: DREAM / HEARTBREAK / LOVE / ROMANCE
Type: UV Collection-ready; vocal, explicit master noted in file name

Instrumentation:
ACOUSTIC GUITAR / BASS / STRINGS

Track Summary:
“Villanelle” is a playful, dream-tinged folk/indie/world track with acoustic guitar, bass, and strings. At 146 BPM in G major, it carries quick, eccentric motion that can support offbeat romance, comedic pursuit, art-house characters, whimsical travel, or a love story with a slightly odd emotional angle.

Sync Highlights:

• Primary category: Romance, Longing & Emotional Return
• Secondary utility: Art-house comedy, coming-of-age, offbeat love, whimsical adventure
• Sync themes: ADVENTURE / ART HOUSE / COMEDY / COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Emotional Return placements with crossover utility for Art-house comedy, coming-of-age, offbeat love, whimsical adventure.

Stem Tracks

Available on request / confirm with rights holder; clean edit should be confirmed if required.

Track Narrative

“Villanelle” is a playful, dream-tinged folk/indie/world track with acoustic guitar, bass, and strings. At 146 BPM in G major, it carries quick, eccentric motion that can support offbeat romance, comedic pursuit, art-house characters, whimsical travel, or a love story with a slightly odd emotional angle.

Lyrics

Oh sing your song of love so sweet
Tilting back to the night
Whisper along with sandy feet
Far away the noisy street
Is softened by quarter light
Oh sing your song of love so sweet
It’s never known when lovers meet
How hearts may drift from holding tight
Whisper along with sandy feet
Oh sing your song of love so sweet
Swaying low as one heartbeat
Of a motion it’s alright
Whisper along with sandy feet
As dreams are lost in love’s retreat
As night is long and day is bright
Oh sing your song of love so sweet
It’s never known when lovers meet
How hearts may drift from holding tight
Whisper along with sandy feet
Oh sing your song of love so sweet
Whisper along with sandy feet
Oh sing your song of love so sweet

Artist Bio

Paul Reddick brings distinctive folk-blues storytelling and idiosyncratic vocal character, offering OMR tracks that can add wit, humanity, romance, and offbeat dramatic color to picture.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
VOLVER AL COMIENZO — INDIVIDUO

OMR Cue Map

Track: VOLVER AL COMIENZO
Clean Intro: Yes — song intro should provide emotional entry before the fuller arrangement develops.
Edit Points: Useful edits at vocal handoffs, chorus lifts, instrumental transitions, and final phrase resolutions.
Button Ending: Likely usable if final vocal/instrumental phrase resolves clearly; verify tail.
Loopable: Moderate — instrumental sections can loop, but duet/vocal passages should be used intentionally.
Best Loop Candidates: Intro bed, piano/guitar support sections, and instrumental transitions between vocal phrases.

Use Case:
Use for romantic aftermath, a return home, parallel character reflection, or a montage where the past keeps pulling into the present. The duet texture can help underline two-sided emotional history without needing exposition.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 101
Genres: POP / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: HOPEFUL / POSITIVE / REFLECTIVE
Sync Themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY
Lyric Themes: HEARTBREAK / LONELINESS / LOVE / PAIN
Type: UV Collection-ready; duet vocal, one-stop metadata present

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / PIANO

Track Summary:
“Volver Al Comienzo” pairs female and male vocals with acoustic guitar, electric guitar, piano, bass, drums, and percussion. Its hopeful and reflective mood, combined with lyric themes of heartbreak, loneliness, love, and pain, makes it a strong relationship cue for return, reconciliation, remembered intimacy, or a scene where two perspectives are still emotionally connected.

Sync Highlights:

• Primary category: Romance, Longing & Emotional Return
• Secondary utility: Drama, mystery, heartbreak, reconciliation, memory sequence
• Sync themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Emotional Return placements with crossover utility for Drama, mystery, heartbreak, reconciliation, memory sequence.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Volver Al Comienzo” pairs female and male vocals with acoustic guitar, electric guitar, piano, bass, drums, and percussion. Its hopeful and reflective mood, combined with lyric themes of heartbreak, loneliness, love, and pain, makes it a strong relationship cue for return, reconciliation, remembered intimacy, or a scene where two perspectives are still emotionally connected.

Lyrics

A veces me levanto y no se como
empezar a cantar
A veces necesito escucharte nada más
Cuando quiero llorar

Ay ay ay
Ay ay ay
Duele recorrer este camino
Ay ay ay
Ay ay ay
Duele si no estás aquí conmigo

Sin tu amor
El dolor
Se apodera de mi cuerpo
De cada pensamiento
Y mi corazón late muy lento

No hay color
En este cuento
Y se queda en blanco el lienzo
Y con mi último aliento
Quiero volver al comienzo

A veces me levanto y me olvido que no
estás
Junto a mi
A veces duele tanto y no
Y no quiero despertar
No te puedo mentir
Ay ay ay
Ay ay ay
Duelo recorrer este camino
Ay ay ay
Ay ay ay

Return to the beginning
(©2024 Tiffany Joy Reyes & Maqui Reyes -
IndiviDúo Music)

Sometimes I wake up and I don't know
how to start singing
Sometimes I just need to hear your
voice when I want to cry
Ay ay ay
Ay ay ay
It hurts to walk this path
Ay ay ay
Ay ay ay
It hurts if you're not here with me
Without your Love
The pain
takes over my body
over every thought
And my heart beats very slow
There is no color
In this story
And the canvas remains blank
And with my last breath
I want to go back to the beginning
Sometimes I wake up and forget that
you are not there
next to me
Sometimes it hurts so much
and I don't want to wake up
I can’t lie to you
Ay ay ay
Ay ay ay
It hurts to walk this path
Ay ay ay
Ay ay ay

Artist Bio

Individuo offers emotionally direct pop singer-songwriter material with strong relational themes, giving OMR bilingual/Latin-leaning relationship cues for heartbreak, memory, reconciliation, and character-driven drama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UNFOLDING — LUCIAN KANO BALMER

OMR Cue Map

Track: UNFOLDING
Clean Intro: Yes — calm instrumental opening should give editors room for dialogue and natural ambience.
Edit Points: Phrase-based edits around string changes, keyboard resolutions, and emotional lift points.
Button Ending: Likely gentle rather than hard; may work best with a soft visual fade.
Loopable: Yes — understated harmonic movement should allow extended underscore use.
Best Loop Candidates: Opening keyboard/string bed, mid-cue reflective section, and any sustained warm phrase before the final lift.

Use Case:
Place under scenes where a character slowly understands something or steps into a new chapter. Works for morning travel, handwritten letters, soft romance, small-town discovery, reconciliation, or a reflective montage that needs optimism without overstatement.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 77
Genres: FOLK / WORLD
Vocals: Instrumental
Moods: BRIGHT / HOPEFUL / LIGHT / POSITIVE / REFLECTIVE / WARM
Sync Themes: ADVENTURE / COMING OF AGE / DRAMA / ROMANCE
Lyric Themes:
Type: UV Collection-ready; instrumental, one-stop metadata present

Instrumentation:
KEYBOARD / STRINGS

Track Summary:
“Unfolding” is a gentle instrumental built around keyboard and strings, carrying warmth, hope, and light reflection. At 77 BPM in D minor, it has emotional softness without becoming overly sentimental, making it useful for new beginnings, relationship repair, quiet travel, family memory, and coming-of-age discovery.

Sync Highlights:

• Primary category: Atmospheric, Reflective & Human Discovery
• Secondary utility: Coming-of-age, gentle adventure, romance, reflective transition
• Sync themes: ADVENTURE / COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric, Reflective & Human Discovery placements with crossover utility for Coming-of-age, gentle adventure, romance, reflective transition.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Unfolding” is a gentle instrumental built around keyboard and strings, carrying warmth, hope, and light reflection. At 77 BPM in D minor, it has emotional softness without becoming overly sentimental, making it useful for new beginnings, relationship repair, quiet travel, family memory, and coming-of-age discovery.

Instrumental Usage

Fully instrumental and one-stop, “UNFOLDING” supports cinematic storytelling without lyrical distraction. Especially useful for Coming-of-age, gentle adventure, romance, reflective transition.

Artist Bio

Lucian Kano Balmer writes intimate folk-world instrumentals with a strong sense of emotional pacing, making his work useful for human stories, discovery sequences, memory, and understated romance.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
VANQUISHED — KRISTIN SWEETLAND

OMR Cue Map

Track: VANQUISHED
Clean Intro: Yes — acoustic-led instrumental opening should be dialogue-friendly.
Edit Points: Phrase edits should work around guitar motifs, drum entries, and small dynamic lifts.
Button Ending: Likely soft; may be best as a fade or natural visual dissolve.
Loopable: Yes — restrained acoustic sections should extend well beneath dramatic aftermath.
Best Loop Candidates: Opening guitar figure, mid-cue acoustic bed, and lower dynamic sections before any lift.

Use Case:
Use under scenes that need restraint rather than melodrama: a character walking away, a small defeat, an empty room, a rural road, or a revelation that lands quietly. The minor-key feel supports sadness without crowding the frame.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 71
Genres: BLUES / FOLK
Vocals: Instrumental
Moods: ROMANTIC / SAD
Sync Themes: ADVENTURE / ART HOUSE / DRAMA / FANTASY / MYSTERY
Lyric Themes:
Type: UV Collection-ready; instrumental, one-stop metadata present

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS

Track Summary:
“Vanquished” is a sparse instrumental that leans into sadness, romantic ache, and the emotional residue after something has been lost. Its acoustic guitar, bass, and drums keep the cue grounded and human, making it suitable for personal defeat, lonely travel, reflective fantasy, mystery aftermath, or a character facing consequences.

Sync Highlights:

• Primary category: Atmospheric, Reflective & Human Discovery
• Secondary utility: Loss, mystery, fantasy travel, intimate dramatic aftermath
• Sync themes: ADVENTURE / ART HOUSE / DRAMA / FANTASY / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric, Reflective & Human Discovery placements with crossover utility for Loss, mystery, fantasy travel, intimate dramatic aftermath.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Vanquished” is a sparse instrumental that leans into sadness, romantic ache, and the emotional residue after something has been lost. Its acoustic guitar, bass, and drums keep the cue grounded and human, making it suitable for personal defeat, lonely travel, reflective fantasy, mystery aftermath, or a character facing consequences.

Instrumental Usage

Fully instrumental and one-stop, “VANQUISHED” supports cinematic storytelling without lyrical distraction. Especially useful for Loss, mystery, fantasy travel, intimate dramatic aftermath.

Artist Bio

Kristin Sweetland’s instrumental writing often carries a grounded folk sensibility, using melodic restraint and organic texture for scenes built around reflection, loss, distance, and understated emotional truth.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
VISIONS OF YOU WATCHING ME FROM ABOVE — RADAGAST

OMR Cue Map

Track: VISIONS OF YOU WATCHING ME FROM ABOVE
Clean Intro: Yes — atmospheric instrumental opening should be flexible under dialogue and slow camera movement.
Edit Points: Good edits likely at synth/string swells, percussion entrances, and harmonic lift points.
Button Ending: May work best with a fade unless the final swell resolves cleanly; confirm audio ending.
Loopable: Yes — ambient electronic sections should extend well for long-form tension or memory sequences.
Best Loop Candidates: Opening atmosphere, mid-cue synth/string bed, and percussion-light passages before major builds.

Use Case:
Use beneath slow visual revelation, dream memory, a room charged by absence, or a thriller sequence that needs emotion under the unease. The cue can move between grief, dread, and hope depending on the picture.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 120
Genres: AMBIENT / ELECTRONIC
Vocals: Instrumental
Moods: ATMOSPHERIC / EMOTIVE / HOPEFUL / MINIMAL / MOODY / POWERFUL / REFLECTIVE
Sync Themes: ART HOUSE / DRAMA / HORROR / MYSTERY / THRILLER
Lyric Themes:
Type: UV Collection-ready; instrumental, one-stop metadata present

Instrumentation:
DRUMS / PERCUSSION / STRINGS / SYNTH

Track Summary:
“Visions of You Watching Me From Above” is an atmospheric instrumental that suggests grief, memory, surveillance, or spiritual presence without spelling it out. Drums, percussion, strings, and synth create a reflective but powerful bed suitable for art-house drama, psychological mystery, horror restraint, or a character sensing someone absent but still present.

Sync Highlights:

• Primary category: Atmospheric, Reflective & Human Discovery
• Secondary utility: Art-house drama, horror, mystery, thriller, spiritual reflection
• Sync themes: ART HOUSE / DRAMA / HORROR / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric, Reflective & Human Discovery placements with crossover utility for Art-house drama, horror, mystery, thriller, spiritual reflection.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Visions of You Watching Me From Above” is an atmospheric instrumental that suggests grief, memory, surveillance, or spiritual presence without spelling it out. Drums, percussion, strings, and synth create a reflective but powerful bed suitable for art-house drama, psychological mystery, horror restraint, or a character sensing someone absent but still present.

Instrumental Usage

Fully instrumental and one-stop, “VISIONS OF YOU WATCHING ME FROM ABOVE” supports cinematic storytelling without lyrical distraction. Especially useful for Art-house drama, horror, mystery, thriller, spiritual reflection.

Artist Bio

Radagast creates ambient electronic cues with a strong sense of emotional architecture, especially useful for mysterious, reflective, supernatural, or psychologically charged scenes that need atmosphere with narrative intent.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UNA VEZ — PAVLO CARTAGINESE

OMR Cue Map

Track: UNA VEZ
Clean Intro: Yes — instrumental opening gives editors room before the heavier dramatic elements land.
Edit Points: Good likely cut points at percussion entries, cello phrases, and string/synth swells; supports sectional scene shaping.
Button Ending: Potentially strong if ending lands on a final accented phrase; verify exact last transient.
Loopable: Yes — percussion and string-bed sections should loop effectively for suspense or travel montages.
Best Loop Candidates: Low percussion bed, cello ostinato passages, and any sustained string/synth tension sections.

Use Case:
Open with the low rhythmic/string texture for tension, then let the cello and percussion imply rising stakes. Useful beneath map sequences, ancient-world reveals, battlefield aftermath, tense romance, or a character entering unfamiliar territory.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 76
Genres: WORLD
Vocals: Instrumental
Moods: CINEMATIC / CONFIDENT / DRAMATIC / INTENSE / PERCUSSIVE / POWERFUL / TENSION
Sync Themes: ANIMATION / ART HOUSE / FANTASY / HISTORICAL / HORROR / INDIE / ROMANCE / THRILLER / WAR
Lyric Themes:
Type: UV Collection-ready; instrumental, one-stop metadata present

Instrumentation:
BASS / CELLO / PERCUSSION / STRINGS / SYNTH

Track Summary:
“Una Vez” is a compact dramatic world cue with bass, cello, percussion, strings, and synth shaping a tense, cinematic pulse. At 76 BPM in G minor, it carries deliberate forward motion rather than speed, making it a strong fit for historical stakes, fantasy travel, war preparation, ritual, suspense, or emotionally loaded pursuit.

Sync Highlights:

• Primary category: Historical, World & Dramatic Landscape
• Secondary utility: Fantasy, war, thriller, ceremonial build, dramatic travel
• Sync themes: ANIMATION / ART HOUSE / FANTASY / HISTORICAL / HORROR / INDIE / ROMANCE / THRILLER / WAR
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Historical, World & Dramatic Landscape placements with crossover utility for Fantasy, war, thriller, ceremonial build, dramatic travel.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Una Vez” is a compact dramatic world cue with bass, cello, percussion, strings, and synth shaping a tense, cinematic pulse. At 76 BPM in G minor, it carries deliberate forward motion rather than speed, making it a strong fit for historical stakes, fantasy travel, war preparation, ritual, suspense, or emotionally loaded pursuit.

Instrumental Usage

Fully instrumental and one-stop, “UNA VEZ” supports cinematic storytelling without lyrical distraction. Especially useful for Fantasy, war, thriller, ceremonial build, dramatic travel.

Artist Bio

Pavlo Cartaginese creates world-influenced instrumental cues with a strong cinematic spine, blending string color, percussion, and dramatic restraint for scenes that need cultural texture, motion, and emotional scale.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
VIMY — MATTIE LEON

OMR Cue Map

Track: VIMY
Clean Intro: Yes — acoustic-led vocal opening should establish story tone quickly.
Edit Points: Likely edits at verse starts, chorus lifts, drum changes, and acoustic phrase endings.
Button Ending: Likely possible if final chord lands decisively; confirm actual tail.
Loopable: Moderate — acoustic/groove sections may loop, but lyrical content should be matched to historical context.
Best Loop Candidates: Intro acoustic figure, lower-density verse bed, and instrumental transitions between lyric sections.

Use Case:
Use carefully under historical montage, letters home, battlefield remembrance, or a character connecting personal identity to inherited history. The track’s pace gives forward drive while the dark mood keeps the emotional stakes serious.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 151
Genres: COUNTRY / FOLK / SING / SONG
Vocals: Male Vocal
Moods: DARK
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / WAR
Lyric Themes: ADVENTURE / FEAR / HOME / LOVE
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS

Track Summary:
“Vimy” is a dark, fast-moving country/folk singer-songwriter piece built around acoustic guitar, bass, and drums. With historical and war sync themes, plus lyric ideas of adventure, fear, home, and love, it is best positioned for memory, sacrifice, young soldiers, family legacy, and the human cost behind national history.

Sync Highlights:

• Primary category: Historical, World & Dramatic Landscape
• Secondary utility: Historical drama, wartime reflection, coming-of-age, homefront emotion
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / WAR
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Historical, World & Dramatic Landscape placements with crossover utility for Historical drama, wartime reflection, coming-of-age, homefront emotion.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Vimy” is a dark, fast-moving country/folk singer-songwriter piece built around acoustic guitar, bass, and drums. With historical and war sync themes, plus lyric ideas of adventure, fear, home, and love, it is best positioned for memory, sacrifice, young soldiers, family legacy, and the human cost behind national history.

Lyrics

Turning of the century
Decade in you came to me
I kissed you on the darkest night
Prayed you be my whole life

We were barely 17
and everyone we loved it seemed
was leaving on a ship each night
heading for the front lines

Never been to France before
was thinking 'bout it more and more
'cause everybody swore to me
the war was fighting tyranny

So I lied a couple hundred days
when I went to tell them 'bout my age
Joked that if I don't get killed
maybe I could love you still

Maybe I could love you still
Maybe I just always will
Whether I get home or perish on the hill

Spring had hit the countryside
the morning that we all arrived
and staring at the cratered hills
Hearts were at a standstill

They said there'd be adventure here
but March began to disappear
We heard about the ways they kill
now I pray that I can love you still

Pray that I can love you still
Maybe I just always will
Whether I get home or perish on the hill

I could feel you
as we hid in souterrains
waiting for the clear
Our fears
on the Vimy plains

Artist Bio

Mattie Leon’s singer-songwriter catalog gives OMR emotionally plainspoken material with strong narrative instincts, suited to intimate drama, memory, relationships, and historically framed human stories.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
URBAN NOCTURNAL — RICH BROWN

OMR Cue Map

Track: URBAN NOCTURNAL
Clean Intro: Yes — instrumental jazz bed should provide immediate atmosphere without lyric conflict.
Edit Points: Good phrase edits at horn/sax entries, drum accents, piano transitions, and groove resets.
Button Ending: Potentially strong if final ensemble phrase resolves; confirm tail during audio review.
Loopable: Yes — rhythm-section and vamp passages should work well for extended nocturnal underscore.
Best Loop Candidates: Opening groove, bass/drum vamp, piano bed, and any restrained horn-light section.

Use Case:
Open under moving city visuals, late-night interiors, investigation boards, or stylish character travel. Sax/horn phrases can highlight visual turns, while the rhythm section can sit underneath dialogue or cross-cut movement.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 133
Genres: JAZZ
Vocals: Instrumental
Moods: ATMOSPHERIC / CAREFREE / DRAMATIC / GRITTY / HOPEFUL / INTENSE / LIGHT / MOODY / MYSTERIOUS / REFLECTIVE / RELAXING / TENSION
Sync Themes: ANIMATION / DRAMA / MYSTERY / ROMANCE
Lyric Themes:
Type: UV Collection-ready; instrumental, one-stop metadata present

Instrumentation:
BASS / DRUMS / HORNS / PERCUSSION / PIANO / SAXOPHONE / SYNTH

Track Summary:
“Urban Nocturnal” has a city-after-dark identity, using bass, drums, horns, percussion, piano, saxophone, and synth to create a moody but mobile jazz landscape. It can feel mysterious, relaxed, gritty, or quietly romantic depending on placement, making it valuable for night streets, detective work, animated city life, or sophisticated drama.

Sync Highlights:

• Primary category: Jazz, Noir & Urban Character
• Secondary utility: Nocturnal drama, detective movement, stylish romance, animated city sequence
• Sync themes: ANIMATION / DRAMA / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Jazz, Noir & Urban Character placements with crossover utility for Nocturnal drama, detective movement, stylish romance, animated city sequence.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Urban Nocturnal” has a city-after-dark identity, using bass, drums, horns, percussion, piano, saxophone, and synth to create a moody but mobile jazz landscape. It can feel mysterious, relaxed, gritty, or quietly romantic depending on placement, making it valuable for night streets, detective work, animated city life, or sophisticated drama.

Instrumental Usage

Fully instrumental and one-stop, “URBAN NOCTURNAL” supports cinematic storytelling without lyrical distraction. Especially useful for Nocturnal drama, detective movement, stylish romance, animated city sequence.

Artist Bio

Rich Brown’s instrumental work carries a strong jazz language with cinematic flexibility, giving supervisors sophisticated rhythm, noir color, and scene-ready musicianship for urban drama, mystery, and romance.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UNAWARE PLAYERS IN THE GRAND ORCHESTRA — RADAGAST THE BROWN

OMR Cue Map

Track: UNAWARE PLAYERS IN THE GRAND ORCHESTRA
Clean Intro: Yes — restrained ambient entry should sit cleanly under picture and dialogue.
Edit Points: Edit around synth pulses, harmonic shifts, and textural swells; likely strong for slow dissolves and ominous transitions.
Button Ending: May require a fade unless the final synth resolves distinctly; confirm in audio pass.
Loopable: Yes — ambient synth construction should support long beds and seamless extension.
Best Loop Candidates: Opening drone, mid-cue pulse bed, and sustained atmospheric passages before major harmonic shifts.

Use Case:
Start under dialogue or visual investigation where the cue can imply hidden structure. Let the evolving synth field support reveals, surveillance, late-night research, emotional unease, or the sense that multiple characters are moving unknowingly within the same design.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 125
Genres: AMBIENT
Vocals: Instrumental
Moods: ATMOSPHERIC / HOPEFUL / MINIMAL / MOODY / MYSTERIOUS / POWERFUL / REFLECTIVE / TENSION
Sync Themes: MYSTERY / THRILLER / DRAMA / SCI-FI
Lyric Themes:
Type: UV Collection-ready; instrumental, one-stop metadata present

Instrumentation:
SYNTH

Track Summary:
“Unaware Players in the Grand Orchestra” uses minimal synth language to create a large, watchful atmosphere. The title and mood profile suggest systems, unseen forces, and characters caught inside something bigger than themselves, making it ideal for mystery, sci-fi, conspiracy drama, psychological tension, or reflective discovery.

Sync Highlights:

• Primary category: Tension, Sci-Fi & Psychological Mystery
• Secondary utility: Mystery, thriller, drama, sci-fi surveillance, internal realization
• Sync themes: MYSTERY / THRILLER / DRAMA / SCI-FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension, Sci-Fi & Psychological Mystery placements with crossover utility for Mystery, thriller, drama, sci-fi surveillance, internal realization.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Unaware Players in the Grand Orchestra” uses minimal synth language to create a large, watchful atmosphere. The title and mood profile suggest systems, unseen forces, and characters caught inside something bigger than themselves, making it ideal for mystery, sci-fi, conspiracy drama, psychological tension, or reflective discovery.

Instrumental Usage

Fully instrumental and one-stop, “UNAWARE PLAYERS IN THE GRAND ORCHESTRA” supports cinematic storytelling without lyrical distraction. Especially useful for Mystery, thriller, drama, sci-fi surveillance, internal realization.

Artist Bio

Radagast the Brown specializes in ambient electronic material that feels story-aware and quietly cinematic, with synth-based cues suited to mystery, sci-fi, interior tension, and emotional unease.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
UTOPIAN SOCIETY — THADEUS GONZALEZ

OMR Cue Map

Track: UTOPIAN SOCIETY
Clean Intro: Yes — guitar/band entrance should establish weight quickly; confirm whether vocal begins immediately.
Edit Points: Strong edits likely at riff returns, drum accents, verse/chorus boundaries, and guitar stops.
Button Ending: Likely usable if final band hit lands cleanly; confirm exact ending/tail.
Loopable: Moderate — riff sections may loop well, while vocal sections should be placed intentionally.
Best Loop Candidates: Main riff bed, instrumental guitar sections, and any drum/bass groove before vocal re-entry.

Use Case:
Use the guitar weight for confrontational entrances, rebellion setups, dystopian reveals, or characters pushing back against authority. The slower 72 BPM pace gives the track room to feel heavy and deliberate rather than rushed.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 72
Genres: METAL / ROCK
Vocals: Male Vocal
Moods: BRIGHT / CONFIDENT / MOODY / POWERFUL / RETRO / SWAGGER
Sync Themes: ART HOUSE / DRAMA / FANTASY / HISTORICAL / SCI FI
Lyric Themes: HOME / IDENTITY / UNITY
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
“Utopian Society” brings heavy guitar-driven energy to the UV Collection, with bass, drums, and electric guitar supporting a moody, confident vocal presence. The title and lyric themes of home, identity, and unity make it useful for scenes questioning systems, belonging, rebellion, or the cost of a promised perfect world.

Sync Highlights:

• Primary category: Tension, Sci-Fi & Psychological Mystery
• Secondary utility: Alt-rock drama, sci-fi rebellion, historical tension, fantasy edge
• Sync themes: ART HOUSE / DRAMA / FANTASY / HISTORICAL / SCI FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension, Sci-Fi & Psychological Mystery placements with crossover utility for Alt-rock drama, sci-fi rebellion, historical tension, fantasy edge.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Utopian Society” brings heavy guitar-driven energy to the UV Collection, with bass, drums, and electric guitar supporting a moody, confident vocal presence. The title and lyric themes of home, identity, and unity make it useful for scenes questioning systems, belonging, rebellion, or the cost of a promised perfect world.

Lyrics

There's no future! There's no future here!
I can't find what I need
Walk this city, walk these streets
I looked in the eyes of the damned
And they can't find a safe place to stand
Found a home to breathe
Folks like you, like me
Put a stake in the ground for all to see
All you need is a utopian society
Come on!
We think the same thing insane
I think like you and I can't explain
Burn all around us down to the ground
We could be the new lost and found
Yeah!
Found a home to breathe
Folks like you, like me
Put a flag in the ground for all to see
All you need is a utopian society
Society
For all to see
A rush and a push and the land is ours
A rush and a push and the land is ours
Found a home to breathe
Folks like you, like me
Put your flag in the ground for all to see
All you need is a utopian society
Society!
Society!
For all to see!

Artist Bio

Thadeus Gonzalez delivers muscular rock material with a sync-friendly sense of drama, balancing swagger, grit, and thematic weight for scenes involving identity, pressure, rebellion, and high-contrast character conflict.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
VELVET SKY — JEFF JONES

OMR Cue Map

Track: VELVET SKY
Clean Intro: Yes — song intro should establish singer-songwriter tone before larger band sections.
Edit Points: Useful edits at verse/chorus transitions, guitar phrase endings, drum lifts, and vocal cadence breaks.
Button Ending: Likely usable if final band/vocal phrase resolves; confirm audio tail.
Loopable: Moderate — instrumental sections can loop, but lyrical sections should align with story meaning.
Best Loop Candidates: Intro guitar bed, instrumental break, and lower-vocal-density band passages.

Use Case:
Place under a character reviewing damage, leaving a relationship, driving through consequences, or piecing together a mystery. The bright/dramatic contrast allows the cue to support both pain and forward movement.

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 113
Genres: INDIE / ROCK / SING / SONG
Vocals: Male Vocal
Moods: ANGRY / BRIGHT / DRAMATIC / NOSTALGIC / POWERFUL / SAD
Sync Themes: CRIME / DRAMA / MYSTERY
Lyric Themes: DESTINY / FREEDOM / HEARTBREAK / SURVIVAL / TIME
Type: UV Collection-ready; vocal, one-stop metadata present

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
“Velvet Sky” combines acoustic guitar, electric guitar, bass, drums, and percussion with a male vocal that can read as reflective, bruised, and resilient. The lyric themes of destiny, freedom, heartbreak, survival, and time give it strong use in crime drama, mystery, and character-driven emotional reckoning.

Sync Highlights:

• Primary category: Tension, Sci-Fi & Psychological Mystery
• Secondary utility: Crime drama, mystery, survival story, emotional reckoning
• Sync themes: CRIME / DRAMA / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension, Sci-Fi & Psychological Mystery placements with crossover utility for Crime drama, mystery, survival story, emotional reckoning.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Velvet Sky” combines acoustic guitar, electric guitar, bass, drums, and percussion with a male vocal that can read as reflective, bruised, and resilient. The lyric themes of destiny, freedom, heartbreak, survival, and time give it strong use in crime drama, mystery, and character-driven emotional reckoning.

Lyrics

Politics get in the way
Freedom is the price I pay
I'll be long gone
On a distant mountain top
Neither side is willing to stop
I'll be long gone
Held hostage to wishful thinking
Mama, yeah, yeah
Bullets travel in a straight line
Nothing can change this heart of mine
Don't think I'll survive beneath the velvet sky
Ooh
Know that I'm out here for a reason, yeah
Hard to understand
Just why, just why
Everything I have today
Out here on the barren plain
Time to move on
Outside of the line, I swear
The road used to be right there
Now it's all gone
All gone
Still have a heart, still a wishful thinking
If I live
No light travels in a straight line
Nothing can change this heart of mine
Don't think I'll survive in the velvet sky
Ooh
Know that I'm out here for a reason, yeah
Hard to understand
Just why, just why, just why

Artist Bio

Jeff Jones brings a seasoned singer-songwriter rock voice to OMR, with emotionally direct material that works well for adult drama, heartbreak, survival, and characters carrying unresolved history.