Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A DEEPER SHADE OF BLUE — EZEKIEL HAMPTON

OMR Cue Map

Track: A DEEPER SHADE OF BLUE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 90 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around connection, identity, and love make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 90
Genres: Electronic
Vocals: Female Vocal
Moods: Bright / Hopeful / Positive / Reflective / Upbeat / Uplifting
Sync Themes: Drama / Romance / Indie / Adventure
Lyric Themes: Connection / Identity / Love / Relationship / Strength
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
A Deeper Shade Of Blue by Ezekiel Hampton is a mid-tempo dual-vocal cue/song built around bass, drums, and percussion. Its bright, hopeful, and positive tone makes it useful for drama, romance, and indie, especially where the picture needs modern pulse without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Drama / Romance / Indie / Adventure
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Drama / Romance / Indie / Adventure.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Deeper Shade Of Blue by Ezekiel Hampton is a mid-tempo dual-vocal cue/song built around bass, drums, and percussion. Its bright, hopeful, and positive tone makes it useful for drama, romance, and indie, especially where the picture needs modern pulse without over-explaining the scene.

Lyrics

Slow down
Tell me what you want to find
Something like behind your eyes
And all these lights keep flashing you're reacting to
soon we'll all be in a deeper shade of blue

So let's define it
and I'll rewind it

All I want to know, all I want to know is where you are
Holding on the shadows looking to be bigger, again
Forget me not for the world to see, whatever it takes to become part of me

All I want to know, all I want to know is where you are
Holding on the shadows looking to be bigger, again
Forget me not for the world to see, whatever it takes to become part of me

I'll start reading between the lines
certainty is not inside
And all these lights keep flashing I'm inside of you
Now we'll all be in a deeper shade of blue

So let's define this
and I'll rewind it

All I want to know, all I want to know is where you are
Holding on the shadows looking to be bigger, again
Forget me not for the world to see, whatever it takes to become part of me

All I want to know, all I want to know is where you are
Holding on the shadows looking to be bigger, again
Forget me not for the world to see, whatever it takes to become part of me

All I want to know, all I want to know is where you are
Holding on the shadows looking to be bigger, again
Forget me not for the world to see, whatever it takes to become part of me

All I want to know, all I want to know is where you are
Holding on the shadows looking to be bigger, again
Forget me not for the world to see, whatever it takes to become part of me.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A LITTLE BIT OF HAPPINESS — MATTIE LEON

OMR Cue Map

Track: A LITTLE BIT OF HAPPINESS
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 86 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around family, love, and time make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 86
Genres: Indie / Pop
Vocals: Male Vocal
Moods: Dreamy / Hopeful / Love / Moody / Reflective
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie / Romance
Lyric Themes: Family / Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Piano

Track Summary:
A Little Bit Of Happiness by Mattie Leon is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its dreamy, hopeful, and love tone makes it useful for art house, coming of age, and drama, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Art House / Coming Of Age / Drama / Historical / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Art House / Coming Of Age / Drama / Historical / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Little Bit Of Happiness by Mattie Leon is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its dreamy, hopeful, and love tone makes it useful for art house, coming of age, and drama, especially where the picture needs accessible character energy without over-explaining the scene.

Lyrics

I can’t see it but I feel it
The electricity is gone between us
And it can’t be blamed on anyone
We could fight a little longer
But it would only make it harder for us
To move when it comes undone
It’s alright
It’s alright
It’s alright
To want a little bit of happiness

So if you wanna go
Then you wanna go
I can understand
If your heart isn’t in this anymore
To stay
Would only be a waste
Look me in the eye
Tell me you don’t want me anymore
It’s alright
It’s alright
It’s alright
To want a little bit of happiness

Been feeling guilty for a while now
Did I hold you back from finding someone?
Did you settle down with close enough?
I wish I had the answer
But I’m pretty sure that nobody does
Cause we took advice from everyone
It’s alright
It’s alright
It’s alright
To want a little bit of happiness

So if you wanna go
Then you wanna go
I can understand
If your heart isn’t in this anymore
To stay
Would only be a waste
Look me in the eye
Tell me you don’t love me anymore
Cause life is too long
To hold onto us
If there isn’t love
If there isn’t love

Artist Bio

Mattie Leon writes warm, emotionally direct folk and indie songs with strong melodic identity and an intimate singer-songwriter presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A WEEK AWAKE (SO TIRED) — JUSTIN ENCO BAND

OMR Cue Map

Track: A WEEK AWAKE (SO TIRED)
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 111 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around friendship, loneliness, and relationship make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 111
Genres: Folk / Singer-Songwriter
Vocals: Male Vocal
Moods: Bright / Hopeful / Mysterious / Powerful / Romantic
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Friendship / Loneliness / Relationship / Strength / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
A Week Awake (So Tired) by Justin Enco Band is a up-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its bright, hopeful, and mysterious tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Art House / Coming Of Age / Drama / Indie / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Week Awake (So Tired) by Justin Enco Band is a up-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its bright, hopeful, and mysterious tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

Writing this while I am waiting now So tired So tired Being down Every time I walk away Every time I wanna say Where were you when I needed you? Stoke your highs and say goodbyes Sun is shining, I'm inside Watching the day go by Watching the day go by Watching the day go by Chasing Staring at an abstract painting Writing this while I am waiting now Chasing Thinking back in realization Waiting here with contemplation now So much time

Artist Bio

Justin Enco Band delivers direct, guitar-led songs with human vocal presence, rock drive, and singer-songwriter accessibility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ACOUSTIC GUITARS — MATTIE LEON

OMR Cue Map

Track: ACOUSTIC GUITARS
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 108 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around happiness, heartbreak, and hope make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 108
Genres: Folk / Indie / Pop / Singer-Songwriter
Vocals: Male Vocal
Moods: Building / Confident / Cool / Dark / Driving / Energetic / Fun / Happy / Hopeful / Positive / Warm
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Happiness / Heartbreak / Hope / Loneliness / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Piano

Track Summary:
Acoustic Guitars by Mattie Leon is a up-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its building, confident, and cool tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Art House / Coming Of Age / Drama / Indie / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Acoustic Guitars by Mattie Leon is a up-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its building, confident, and cool tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

I think you’ve got me all wrong
Every time you try to make sense of this situation
I think you’ve got me all wrong
Every time you read into my hesitations

I just crumble apart in the affairs of the heart
Confident guys don’t tend to hide behind acoustic guitars

Some guys will string you along
Other guys are gonna fight for all your attention
And I’ll be writing you songs
Waiting for the day you hear what I mentioned

Don’t need no graphs, charts, or savants of the heart
To show you confident guys don’t tend to hide behind acoustic guitars

You can’t fake it till you make it
When it comes
To flying planes or chasing love

I’ve been alone for so long
And everybody’s saying you can’t wait forever
But don’t you start moving on
I just need a little time to get my shit together

’Cause reaching out to your heart is like a shot in the dark
And confident guys...

I wish that I could be courageous
Just like everyone
Just like everyone you need
But I never was

You can’t fake it till you make it
When it comes
To flying planes or chasing love

Artist Bio

Mattie Leon writes warm, emotionally direct folk and indie songs with strong melodic identity and an intimate singer-songwriter presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AMOR AO LONGE — MARITO MARQUES

OMR Cue Map

Track: AMOR AO LONGE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 103 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around connection, desire, and longing make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 103
Genres: Pop / Singer-Songwriter
Vocals: Male Vocal
Moods: Bright / Love / Romantic
Sync Themes: Art House / Drama / Indie / Romance
Lyric Themes: Connection / Desire / Longing / Love / Nostalgia / Relationship / Romance
Type: One Stop

Instrumentation:
Percussion / Piano / Strings

Track Summary:
Amor Ao Longe by Marito Marques is a mid-tempo male-vocal cue/song built around percussion, piano, and strings. Its bright, love, and romantic tone makes it useful for art house, drama, and indie, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Art House / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Art House / Drama / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Amor Ao Longe by Marito Marques is a mid-tempo male-vocal cue/song built around percussion, piano, and strings. Its bright, love, and romantic tone makes it useful for art house, drama, and indie, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

Venho de lá, de tão longe
Onde se perde o olhar
Só de te ver
Para depois poder sonhar

Tropeço e resisto
Nesse mar de tempestade
Desço a terra à vista
A quem me dou por inteiro

És a luz na sombra que alumia de saudade
Este fim de tarde do nosso primeiro beijo

Venho de longe quem sabe
Nas terras do fim do mundo
Onde navega o olhar
Dos sonhos que vão ao fundo

Tropeço e resisto
Por gostar tanto de ti
E nunca desisto
Porque nunca te esqueci

A chuva tem dias
Com o sol junto às beiras
E eu sou uma mulher
Com a alma dos pardais

Venho de lá
De tão longe
Onde se perde
Só de te ver, meu amor
Muito e sempre e tanto e mais

A chuva tem dias com o sol junto aos verões
E eu sou uma mulher com a alma dos perdais

Artist Bio

Marito Marques brings jazz, world, and Portuguese-influenced musicality into detailed performances that feel organic, rhythmic, and visually expressive.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ANOTHER NIGHT ALONE — TIFFANY JOY

OMR Cue Map

Track: ANOTHER NIGHT ALONE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 88 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around heartbreak, loneliness, and love make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 88
Genres: Pop / Singer-Songwriter
Vocals: Female Vocal
Moods: Hopeful / Positive / Reflective
Sync Themes: Drama / Mystery / Romance / Thriller
Lyric Themes: Heartbreak / Loneliness / Love / Pain / Struggle
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Keyboard / Percussion

Track Summary:
Another Night Alone by Tiffany Joy is a mid-tempo dual-vocal cue/song built around acoustic guitar, bass, and drums. Its hopeful, positive, and reflective tone makes it useful for drama, mystery, and romance, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Drama / Mystery / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Drama / Mystery / Romance / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Another Night Alone by Tiffany Joy is a mid-tempo dual-vocal cue/song built around acoustic guitar, bass, and drums. Its hopeful, positive, and reflective tone makes it useful for drama, mystery, and romance, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

He called me again, it's quarter to 10
I'm lying awake
There's no resolution to all that he said
It's more of the same
I wanna say shut your mouth, I'll give you the truth
I'm not over loving you
I wanna say lock your heart and give me the key
You're not over loving me
But I don't know how to let go without letting go
and I don't know how to move on
Tell me you love me again and I promise you
that I'll find the will to be strong
Another night alone
Another night alone
Another night alone
Ooh, yeah
Another night alone

I can hear in your voice that it's not by choice,
you're breaking my heart
You're running in circles
I'm holding my breath
We're back to the start
I wanna say shut your mouth, I'll give you the truth
I'm not over loving you
I wanna say lock your heart and give me the key
You're not over loving me
Yeah, yeah
But I don't know how to let go without letting go,
and I don't know how to move on
Tell me you love me again and I promise you
that I'll find the will to be strong
Another night alone
Another night alone
Another night alone
Another night alone

Days go by and I still wonder why you're not here by my side
Feels like I'm losing my mind
You say you need to be free and Lord knows I'm trying
But I don't know how to let go without letting go,
and I don't know how to move on
Tell me you love me again and I promise you
that I'll find the will to be strong
Oh, I don't know how to let go without letting go,
and I don't know how to move on
Tell me you love me again and I promise you
that I'll find the will to be strong
Another night alone
Another night alone
Another night alone
Another night alone
Another night alone

Artist Bio

Tiffany Joy brings pop, soul, country, and Latin influences together through expressive vocals and emotionally direct songwriting.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AVALAON — EZEKIEL HAMPTON

OMR Cue Map

Track: AVALAON
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 100 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around power, relationship, and strength make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 100
Genres: Electronic / Pop
Vocals: Male Vocal
Moods: Atmospheric / Building / Cool / Dreamy / Hopeful / Reflective / Romantic / Uplifting
Sync Themes: Drama / Romance / Indie / Adventure
Lyric Themes: Power / Relationship / Strength
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
Avalaon by Ezekiel Hampton is a mid-tempo male-vocal cue/song built around bass, percussion, and synth. Its atmospheric, building, and cool tone makes it useful for drama, romance, and indie, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Emotional Relationship / Intimate Reflection
• Scene utility: Drama / Romance / Indie / Adventure
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Emotional Relationship / Intimate Reflection placements with crossover utility for Drama / Romance / Indie / Adventure.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Avalaon by Ezekiel Hampton is a mid-tempo male-vocal cue/song built around bass, percussion, and synth. Its atmospheric, building, and cool tone makes it useful for drama, romance, and indie, especially where the picture needs accessible character energy without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AVALAON” supports cinematic storytelling without lyrical distraction. Especially useful for emotional relationship / intimate reflection scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Ezekiel Hampton creates electronic and cinematic material with melodic atmosphere, emotional tension, and modern production detail.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A FIRM PLACE IN YOUR SANCTURARY — RADAGAST

OMR Cue Map

Track: A FIRM PLACE IN YOUR SANCTURARY
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 139 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and fantasy. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 139
Genres: Ambient
Vocals: Instrumental
Moods: Atmospheric / Hopeful / Minimal / Moody / Reflective
Sync Themes: Art House / Drama / Fantasy
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Synth

Track Summary:
A Firm Place In Your Sancturary by Radagast is a high-energy instrumental cue/song built around percussion and synth. Its atmospheric, hopeful, and minimal tone makes it useful for art house, drama, and fantasy, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Drama / Fantasy
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Drama / Fantasy.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Firm Place In Your Sancturary by Radagast is a high-energy instrumental cue/song built around percussion and synth. Its atmospheric, hopeful, and minimal tone makes it useful for art house, drama, and fantasy, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A FIRM PLACE IN YOUR SANCTURARY” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Radagast builds atmospheric instrumental worlds with patient synth movement, textural rhythm, and a strong sense of cinematic space.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A FRUITFUL YEAR — HYP

OMR Cue Map

Track: A FRUITFUL YEAR
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 93 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for animation, comedy, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: A# Minor
BPM: 93
Genres: Indie / Pop / Rock
Vocals: Instrumental
Moods: Atmospheric / Cool / Hopeful / Moody / Positive / Reflective / Rhythmic / Uplifting / Warm
Sync Themes: Animation / Comedy / Drama / Fantasy / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
A Fruitful Year by Hyp is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its atmospheric, cool, and hopeful tone makes it useful for animation, comedy, and drama, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Animation / Comedy / Drama / Fantasy / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Animation / Comedy / Drama / Fantasy / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Fruitful Year by Hyp is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its atmospheric, cool, and hopeful tone makes it useful for animation, comedy, and drama, especially where the picture needs accessible character energy without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A FRUITFUL YEAR” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Hyp works across indie, electronic, hip hop, and cinematic textures, creating flexible instrumental cues with strong mood, pulse, and edit utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A PLANE BEYOND EMPIRICISM — RADAGAST

OMR Cue Map

Track: A PLANE BEYOND EMPIRICISM
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 77 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, fantasy, and indie. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 77
Genres: Ambient
Vocals: Instrumental
Moods: Atmospheric / Emotive / Hopeful / Minimal / Powerful / Reflective / Romantic / Uplifting / Warm
Sync Themes: Art House / Fantasy / Indie / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Synth

Track Summary:
A Plane Beyond Empiricism by Radagast is a mid-tempo instrumental cue/song built around percussion, piano, and synth. Its atmospheric, emotive, and hopeful tone makes it useful for art house, fantasy, and indie, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Fantasy / Indie / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Fantasy / Indie / Sci-Fi.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Plane Beyond Empiricism by Radagast is a mid-tempo instrumental cue/song built around percussion, piano, and synth. Its atmospheric, emotive, and hopeful tone makes it useful for art house, fantasy, and indie, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A PLANE BEYOND EMPIRICISM” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Radagast builds atmospheric instrumental worlds with patient synth movement, textural rhythm, and a strong sense of cinematic space.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A PONTE — MARITO MARQUES

OMR Cue Map

Track: A PONTE
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 89 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, coming of age, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 89
Genres: Ambient / Classical
Vocals: Instrumental
Moods: Bright / Cinematic / Confident / Dramatic / Hopeful / Powerful / Romantic
Sync Themes: Art House / Coming Of Age / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Piano / Strings

Track Summary:
A Ponte by Marito Marques is a mid-tempo instrumental cue/song built around piano and strings. Its bright, cinematic, and confident tone makes it useful for art house, coming of age, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Coming Of Age / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Coming Of Age / Drama / Indie.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Ponte by Marito Marques is a mid-tempo instrumental cue/song built around piano and strings. Its bright, cinematic, and confident tone makes it useful for art house, coming of age, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A PONTE” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Marito Marques brings jazz, world, and Portuguese-influenced musicality into detailed performances that feel organic, rhythmic, and visually expressive.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A QUE HORA — PAVLO CARTAGINESE

OMR Cue Map

Track: A QUE HORA
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 125 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for animation, art house, and coming of age. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 125
Genres: Jazz / Latin / World
Vocals: Instrumental
Moods: Cool / Dramatic / Emotive / Fun / Minimal / Quirky / Retro / Rhythmic
Sync Themes: Animation / Art House / Coming Of Age / Drama / Fantasy / Historical / Indie / Mystery / Romance / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Cello / Percussion / Synth

Track Summary:
A Que Hora by Pavlo Cartaginese is a up-tempo instrumental cue/song built around bass, cello, and percussion. Its cool, dramatic, and emotive tone makes it useful for animation, art house, and coming of age, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Animation / Art House / Coming Of Age / Drama / Fantasy / Historical / Indie / Mystery / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Animation / Art House / Coming Of Age / Drama / Fantasy / Historical / Indie / Mystery / Romance / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Que Hora by Pavlo Cartaginese is a up-tempo instrumental cue/song built around bass, cello, and percussion. Its cool, dramatic, and emotive tone makes it useful for animation, art house, and coming of age, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A QUE HORA” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Pavlo Cartaginese creates eclectic instrumental cues that draw from jazz, Latin, rock, hip hop, and cinematic rhythm for scene-ready movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A SINGLE STITCH FROM THE KNITTING GOD — RADAGAST

OMR Cue Map

Track: A SINGLE STITCH FROM THE KNITTING GOD
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 121 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, fantasy, and indie. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 121
Genres: Ambient
Vocals: Instrumental
Moods: Atmospheric / Emotive / Hopeful / Light / Minimal / Reflective
Sync Themes: Art House / Fantasy / Indie / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Synth

Track Summary:
A Single Stitch From The Knitting God by Radagast is a up-tempo instrumental cue/song built around percussion, piano, and synth. Its atmospheric, emotive, and hopeful tone makes it useful for art house, fantasy, and indie, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Fantasy / Indie / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Fantasy / Indie / Mystery.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Single Stitch From The Knitting God by Radagast is a up-tempo instrumental cue/song built around percussion, piano, and synth. Its atmospheric, emotive, and hopeful tone makes it useful for art house, fantasy, and indie, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A SINGLE STITCH FROM THE KNITTING GOD” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Radagast builds atmospheric instrumental worlds with patient synth movement, textural rhythm, and a strong sense of cinematic space.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ABRIL — PAVLO CARTAGINESE

OMR Cue Map

Track: ABRIL
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 103 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for comedy, coming of age, and indie. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 103
Genres: Hip Hop / Indie / Soul
Vocals: Instrumental
Moods: Atmospheric / Cool / Rhythmic
Sync Themes: Comedy / Coming Of Age / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Strings / Synth

Track Summary:
Abril by Pavlo Cartaginese is a mid-tempo instrumental cue/song built around bass, percussion, and strings. Its atmospheric, cool, and rhythmic tone makes it useful for comedy, coming of age, and indie, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Comedy / Coming Of Age / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Comedy / Coming Of Age / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Abril by Pavlo Cartaginese is a mid-tempo instrumental cue/song built around bass, percussion, and strings. Its atmospheric, cool, and rhythmic tone makes it useful for comedy, coming of age, and indie, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ABRIL” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Pavlo Cartaginese creates eclectic instrumental cues that draw from jazz, Latin, rock, hip hop, and cinematic rhythm for scene-ready movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AFTERNOON ON HUTCHINGS ST — HYP

OMR Cue Map

Track: AFTERNOON ON HUTCHINGS ST
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 82 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and historical. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 82
Genres: Electronic / Hip Hop
Vocals: Instrumental
Moods: Atmospheric / Cool / Dark / Dreamy / Minimal / Moody / Reflective / Rhythmic
Sync Themes: Art House / Drama / Historical / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Synth

Track Summary:
Afternoon On Hutchings St by Hyp is a mid-tempo instrumental cue/song built around percussion, piano, and synth. Its atmospheric, cool, and dark tone makes it useful for art house, drama, and historical, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Drama / Historical / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Drama / Historical / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Afternoon On Hutchings St by Hyp is a mid-tempo instrumental cue/song built around percussion, piano, and synth. Its atmospheric, cool, and dark tone makes it useful for art house, drama, and historical, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AFTERNOON ON HUTCHINGS ST” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Hyp works across indie, electronic, hip hop, and cinematic textures, creating flexible instrumental cues with strong mood, pulse, and edit utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AGOSTO — PAVLO CARTAGINESE

OMR Cue Map

Track: AGOSTO
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 120 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for animation, art house, and coming of age. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 120
Genres: Indie / Rock
Vocals: Instrumental
Moods: Atmospheric / Cinematic / Dramatic / Emotive / Hopeful / Minimal / Moody / Positive / Reflective / Uplifting / Warm
Sync Themes: Animation / Art House / Coming Of Age / Drama / Fantasy / Historical / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Strings

Track Summary:
Agosto by Pavlo Cartaginese is a up-tempo instrumental cue/song built around bass, drums, and electric guitar. Its atmospheric, cinematic, and dramatic tone makes it useful for animation, art house, and coming of age, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Animation / Art House / Coming Of Age / Drama / Fantasy / Historical / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Animation / Art House / Coming Of Age / Drama / Fantasy / Historical / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Agosto by Pavlo Cartaginese is a up-tempo instrumental cue/song built around bass, drums, and electric guitar. Its atmospheric, cinematic, and dramatic tone makes it useful for animation, art house, and coming of age, especially where the picture needs accessible character energy without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AGOSTO” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Pavlo Cartaginese creates eclectic instrumental cues that draw from jazz, Latin, rock, hip hop, and cinematic rhythm for scene-ready movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALL WILL YIELD BEFORE YOUR GENEROUS FAVOR — RADAGAST THE BROWN

OMR Cue Map

Track: ALL WILL YIELD BEFORE YOUR GENEROUS FAVOR
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 134 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for drama, indie, and adventure. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 134
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Atmospheric / Dreamy / Hopeful / Minimal / Reflective / Sad
Sync Themes: Drama / Indie / Adventure / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Strings / Synth

Track Summary:
All Will Yield Before Your Generous Favor by Radagast The Brown is a high-energy instrumental cue/song built around percussion, strings, and synth. Its atmospheric, dreamy, and hopeful tone makes it useful for drama, indie, and adventure, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Drama / Indie / Adventure / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Drama / Indie / Adventure / Sci-Fi.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

All Will Yield Before Your Generous Favor by Radagast The Brown is a high-energy instrumental cue/song built around percussion, strings, and synth. Its atmospheric, dreamy, and hopeful tone makes it useful for drama, indie, and adventure, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALL WILL YIELD BEFORE YOUR GENEROUS FAVOR” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Radagast the Brown creates immersive electronic and ambient cues designed for tension, introspection, fantasy, and altered-state storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALMACEN CON CHICHA — PAVLO CARTAGINESE

OMR Cue Map

Track: ALMACEN CON CHICHA
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 95 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for adventure, animation, and comedy. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 95
Genres: Rock
Vocals: Instrumental
Moods: Dramatic / Emotive / Fun / Sad
Sync Themes: Adventure / Animation / Comedy / Drama / Fantasy / Historical / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Cello / Percussion

Track Summary:
Almacen Con Chicha by Pavlo Cartaginese is a mid-tempo instrumental cue/song built around cello and percussion. Its dramatic, emotive, and fun tone makes it useful for adventure, animation, and comedy, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Adventure / Animation / Comedy / Drama / Fantasy / Historical / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Adventure / Animation / Comedy / Drama / Fantasy / Historical / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Almacen Con Chicha by Pavlo Cartaginese is a mid-tempo instrumental cue/song built around cello and percussion. Its dramatic, emotive, and fun tone makes it useful for adventure, animation, and comedy, especially where the picture needs accessible character energy without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALMACEN CON CHICHA” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Pavlo Cartaginese creates eclectic instrumental cues that draw from jazz, Latin, rock, hip hop, and cinematic rhythm for scene-ready movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALMOST TWILIGHT — PHEELION

OMR Cue Map

Track: ALMOST TWILIGHT
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 110 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and indie. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 110
Genres: Electronic / R&B
Vocals: Instrumental
Moods: Atmospheric / Bright / Catchy / Confident / Cool / Moody / Reflective / Sexy / Swagger
Sync Themes: Art House / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Piano / Synth

Track Summary:
Almost Twilight by Pheelion is a up-tempo instrumental cue/song built around bass, percussion, and piano. Its atmospheric, bright, and catchy tone makes it useful for art house, drama, and indie, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Drama / Indie.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Almost Twilight by Pheelion is a up-tempo instrumental cue/song built around bass, percussion, and piano. Its atmospheric, bright, and catchy tone makes it useful for art house, drama, and indie, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALMOST TWILIGHT” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Pheelion creates sleek electronic, dance, and pop-driven tracks built around pulse, atmosphere, and contemporary sync-friendly energy.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ANNALYNE — MATTIE LEON

OMR Cue Map

Track: ANNALYNE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 87 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around adventure, desire, and regret make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 87
Genres: Folk / Indie
Vocals: Male Vocal
Moods: Rhythmic
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Adventure / Desire / Regret / Strength / Success
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Piano

Track Summary:
Annalyne by Mattie Leon is a mid-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its rhythmic tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Coming Of Age / Drama / Indie / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Annalyne by Mattie Leon is a mid-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its rhythmic tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

Everybody's a burned out candle
Everybody a faded pair of eyes
I don't know how you do what you do but
I don't know and I won't ever criticize

I've been waiting out front all hours of the night
Waiting on you honey
Waiting on you Annalyne

And in the earliest hours of the morning
In the cigarette smoke and broken light
Everybody is searching for something
to fill up all of the loneliness inside

Waiting on you Annalyne

I know the way that you curse at the mirror
and pick apart all the flaws in your design
But anybody would do your damage
anybody would take you out these arms of mine

And all of the dreams I had were born and shattered
before you cared
And now it's the fighting for those things that matter
When I see you there

Artist Bio

Mattie Leon writes warm, emotionally direct folk and indie songs with strong melodic identity and an intimate singer-songwriter presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ARE WE THERE YET — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: ARE WE THERE YET
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 127 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for adventure, comedy, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 127
Genres: Blues / Folk / Singer-Songwriter
Vocals: Instrumental
Moods: Atmospheric / Hopeful / Light / Positive / Quirky / Reflective / Uplifting
Sync Themes: Adventure / Comedy / Drama
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
Are We There Yet by Josh Howard Friedman is a up-tempo instrumental cue/song built around acoustic guitar. Its atmospheric, hopeful, and light tone makes it useful for adventure, comedy, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Adventure / Comedy / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Adventure / Comedy / Drama.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Are We There Yet by Josh Howard Friedman is a up-tempo instrumental cue/song built around acoustic guitar. Its atmospheric, hopeful, and light tone makes it useful for adventure, comedy, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ARE WE THERE YET” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Josh Howard Friedman creates rootsy blues and folk instrumentals with character, warmth, and an understated narrative feel.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ARIANNA — EZEKIEL HAMPTON

OMR Cue Map

Track: ARIANNA
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 120 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around faith, hope, and identity make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 120
Genres: Ambient / Electronic / Cinematic
Vocals: Female Vocal
Moods: Bright / Driving / Rhythmic / Upbeat / Uplifting
Sync Themes: Drama / Indie / Adventure / Sports
Lyric Themes: Faith / Hope / Identity / Life / Strength
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Arianna by Ezekiel Hampton is a up-tempo dual-vocal cue/song built around bass, drums, and percussion. Its bright, driving, and rhythmic tone makes it useful for drama, indie, and adventure, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Drama / Indie / Adventure / Sports
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Drama / Indie / Adventure / Sports.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Arianna by Ezekiel Hampton is a up-tempo dual-vocal cue/song built around bass, drums, and percussion. Its bright, driving, and rhythmic tone makes it useful for drama, indie, and adventure, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Lyrics

Upside down, turn around Heaven's close to you Turning you inside out There's no other story Livia, I'll take your place Lesson in giving chains Livia, don't lose faith Even advertising chains in here Inside I lie What's our biggest shine, shine Moving for the sun Moving on as I shine, shine Livia, I'll take your place Lesson in giving chains Livia, don't lose faith Even advertising chains in here Livia, I'll take your place Lesson in giving chains Livia, don't lose faith Even advertising chains in here All my life, I've wanted to hear God's voice I've dedicated my life to him Sometimes I think I feel him But you always know, God took you by the hand, brought you here Livia, I'll take your place Lesson in giving chains Livia, don't lose faith Even advertising chains in here What more, you cannot go up to you I adore you, to the minds and the light is true What more, you cannot go up to you I adore you, to the minds and the light is true Just want to do it all Just want to feel tonight Please keep me out of harms I need to be alright Just want to do it all Just want to feel tonight Please keep me out of harms I need to be alright tonight.

Artist Bio

Ezekiel Hampton creates electronic and cinematic material with melodic atmosphere, emotional tension, and modern production detail.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AS IF SLEEPWALKING WITH HEADPHONES ON — RICH BROWN

OMR Cue Map

Track: AS IF SLEEPWALKING WITH HEADPHONES ON
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 99 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and fantasy. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 99
Genres: Electronic / Jazz / Singer-Songwriter
Vocals: Instrumental
Moods: Atmospheric / Chill / Cool / Dramatic / Dreamy / Hopeful / Light / Reflective / Relaxing / Romantic / Uplifting
Sync Themes: Art House / Drama / Fantasy / Mystery / Romance / Sci-Fi / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Piano / Saxophone / Synth

Track Summary:
As If Sleepwalking With Headphones On by Rich Brown is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its atmospheric, chill, and cool tone makes it useful for art house, drama, and fantasy, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Drama / Fantasy / Mystery / Romance / Sci-Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Drama / Fantasy / Mystery / Romance / Sci-Fi / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

As If Sleepwalking With Headphones On by Rich Brown is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its atmospheric, chill, and cool tone makes it useful for art house, drama, and fantasy, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AS IF SLEEPWALKING WITH HEADPHONES ON” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Rich Brown creates sophisticated jazz, funk, and electronic-leaning compositions with deep groove, musical intelligence, and strong instrumental personality.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AUTUMN IN NEW ENGLAND — HYP

OMR Cue Map

Track: AUTUMN IN NEW ENGLAND
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 82 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and historical. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 82
Genres: Hip Hop / R&B
Vocals: Instrumental
Moods: Atmospheric / Cool / Dreamy / Moody / Reflective / Rhythmic
Sync Themes: Art House / Drama / Historical / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Autumn In New England by Hyp is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its atmospheric, cool, and dreamy tone makes it useful for art house, drama, and historical, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Drama / Historical / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Drama / Historical / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Autumn In New England by Hyp is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its atmospheric, cool, and dreamy tone makes it useful for art house, drama, and historical, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AUTUMN IN NEW ENGLAND” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Hyp works across indie, electronic, hip hop, and cinematic textures, creating flexible instrumental cues with strong mood, pulse, and edit utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AVI'S REVELATION — LUCIAN KANO BALMER

OMR Cue Map

Track: AVI'S REVELATION
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 150 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, coming of age, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 150
Genres: Folk / Vintage / World
Vocals: Instrumental
Moods: Atmospheric / Bright / Reflective
Sync Themes: Art House / Coming Of Age / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Strings

Track Summary:
Avi'S Revelation by Lucian Kano Balmer is a high-energy instrumental cue/song built around bass, drums, and strings. Its atmospheric, bright, and reflective tone makes it useful for art house, coming of age, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Atmospheric / Cinematic Underscore
• Scene utility: Art House / Coming Of Age / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Cinematic Underscore placements with crossover utility for Art House / Coming Of Age / Drama / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Avi'S Revelation by Lucian Kano Balmer is a high-energy instrumental cue/song built around bass, drums, and strings. Its atmospheric, bright, and reflective tone makes it useful for art house, coming of age, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AVI'S REVELATION” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric / cinematic underscore scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Lucian Kano Balmer creates folk, vintage, and world-informed instrumentals with organic tone, cultural texture, and cinematic intimacy.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A GOOD DAY TO HAVE A GOOD DAY — OMR

OMR Cue Map

Track: A GOOD DAY TO HAVE A GOOD DAY
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 68 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around energy, heartbreak, and hope make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 68
Genres: Folk / Indie / Latin / Party / Pop / Rock / Singer-Songwriter
Vocals: Male Vocal
Moods: Carefree / Catchy / Confident / Party
Sync Themes: Action / Comedy / Romance
Lyric Themes: Energy / Heartbreak / Hope / Identity / Love
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
A Good Day To Have A Good Day by Omr is a slow-burn male-vocal cue/song built around acoustic guitar, bass, and drums. Its carefree, catchy, and confident tone makes it useful for action, comedy, and romance, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Action / Comedy / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Action / Comedy / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Good Day To Have A Good Day by Omr is a slow-burn male-vocal cue/song built around acoustic guitar, bass, and drums. Its carefree, catchy, and confident tone makes it useful for action, comedy, and romance, especially where the picture needs world-textured movement without over-explaining the scene.

Lyrics

I don't want you, I can't live without you
I can't love you, I don't wanna lose you
Even the strongest hands
Can lose their grip on reality
Even the greatest minds
May suffer mortality
I don't have more, I've given it all to you
If I had more, I'd give it for free to you
Even the biggest heart
Can also burden the smallest soul
Even the loudest voice
May one day lose control
It's a good day to have a good day
A fine time to be fine
Open your heart and reach your mind
It's the wrong time to be blind

I didn't need you, not till you came along
I want you, this is where we belong
Even a seed of love can one day fill the largest void
Even the lightest touch may comfort the paranoid
I live for you, I just wanna see you smile
I will love you 'til I walk the last mile
Even the edge of time can't hold back my love for you
Even the depths of space will never stop me coming through
It's a good day, have a good day
Find time to be fine
When your heart unleashed your mind
It's the wrong time to be blind

Life doesn't stop or anything
But I've stopped now for you
Beyond the storms and lightning
I see your sky and your
Noooooooooooooo ooooooooooooooo ooooooooooooooo oooo!
It's a good day to have a good day
Find time to be fine
Open your heart unleash your mind
It's the wrong time to be blind
It's a good day to have a good day
Find time to be fine
Open your heart unleash your mind (Unleash your mind)
It's the wrong time to be blind (To be blind, oh, to be blind)
Only have a good day
Only have a good day

Artist Bio

OMR Music Production develops catalog-forward tracks shaped for sync discovery, emotional clarity, and practical use across film, television, and brand storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A JOYFUL HEART — PHEELION

OMR Cue Map

Track: A JOYFUL HEART
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 110 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around faith, hope, and power make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 110
Genres: Dance / Electronic / World
Vocals: Female Vocal
Moods: Bright / Confident / Cool / Upbeat
Sync Themes: Comedy / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Faith / Hope / Power
Type: One Stop

Instrumentation:
Percussion

Track Summary:
A Joyful Heart by Pheelion is a up-tempo dual-vocal cue/song built around percussion. Its bright, confident, and cool tone makes it useful for comedy, coming of age, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Comedy / Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Comedy / Coming Of Age / Drama / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Joyful Heart by Pheelion is a up-tempo dual-vocal cue/song built around percussion. Its bright, confident, and cool tone makes it useful for comedy, coming of age, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Lyrics

Go.
Eat your food with gladness
and drink your wine with a joyful heart,
for God has already approved of what you do.
Consider it pure joy, my brothers and sisters,
whenever you face trials of many kinds.
Because you know that the testing of your faith
produces perseverance.
May the God of hope
fill you with joy and peace
as you trust in him,
so that you may overflow with hope
by the power of the Holy Spirit.

Artist Bio

Pheelion creates sleek electronic, dance, and pop-driven tracks built around pulse, atmosphere, and contemporary sync-friendly energy.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A VERY SHORT FILM — HYP

OMR Cue Map

Track: A VERY SHORT FILM
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 94 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and mystery. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 94
Genres: Hip Hop / Indie / Soul
Vocals: Instrumental
Moods: Cool / Moody / Reflective / Sad
Sync Themes: Art House / Drama / Mystery / Sci-Fi / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Synth

Track Summary:
A Very Short Film by Hyp is a mid-tempo instrumental cue/song built around percussion, piano, and synth. Its cool, moody, and reflective tone makes it useful for art house, drama, and mystery, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Art House / Drama / Mystery / Sci-Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Art House / Drama / Mystery / Sci-Fi / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Very Short Film by Hyp is a mid-tempo instrumental cue/song built around percussion, piano, and synth. Its cool, moody, and reflective tone makes it useful for art house, drama, and mystery, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A VERY SHORT FILM” supports cinematic storytelling without lyrical distraction. Especially useful for groove / urban / party momentum scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Hyp works across indie, electronic, hip hop, and cinematic textures, creating flexible instrumental cues with strong mood, pulse, and edit utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ABRACADABRAA — MELODIC YOZA

OMR Cue Map

Track: ABRACADABRAA
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 70 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around adventure, freedom, and happiness make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 70
Genres: Hip Hop
Vocals: Male Vocal
Moods: Bright / Carefree / Catchy / Chill / Cinematic / Cool / Dramatic / Energetic / Fun / Happy / Light / Love / Moody / Playful / Rhythmic / Swagger / Upbeat / Uplifting
Sync Themes: Action / Adventure / Comedy / Coming Of Age / Drama / Fantasy / Romance
Lyric Themes: Adventure / Freedom / Happiness / Life / Success
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Abracadabraa by Melodic Yoza is a slow-burn male-vocal cue/song built around bass, drums, and percussion. Its bright, carefree, and catchy tone makes it useful for action, adventure, and comedy, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Action / Adventure / Comedy / Coming Of Age / Drama / Fantasy / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Action / Adventure / Comedy / Coming Of Age / Drama / Fantasy / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Abracadabraa by Melodic Yoza is a slow-burn male-vocal cue/song built around bass, drums, and percussion. Its bright, carefree, and catchy tone makes it useful for action, adventure, and comedy, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Lyrics

[Chorus]
Had nothing but corn flakes
Now I eat the whole cake
I’m on top of the ladder
Like abracadabra
Had nothing but corn flakes
Now I eat the whole cake
I’m on top of the ladder
Like abracadabra

[Verse 1]
Now can you believe it, Sean
Finally got it going on
Just like a magician
Selector yu fi put it on
Yea put it on
Music revelation
My occupation
Drop that boom boom selection
Like lalalalalaba, like lalalalalalaba
Man a real born buffalo soldier
Taking over with that Yoza
Christine, Don and Clover
Yo them tell me come over
Them tell me drop that rub a dub from corner to corner
So it’s a must that I hold my space
Take them to another state
Ready, let’s just migrate
Watch the way I levitate, I meditate, then I elevate
Watch me cut my cake
Sing, sing, celebrate
See pop shows near Toronto
Get tickets as low as $6

[Chorus]
Had nothing but corn flakes
Had nothing but corn flakes
Now I eat the whole cake
Now I eat off the whole cake
I’m on top of the ladder
So on top of the ladder
Like abracadabra
Yeah, like abraca-poof
Had nothing but corn flakes
Had nothing but corn flakes
Now I eat the whole cake
Now I eat off the whole cake
I’m on top of the ladder
So on top of the ladder
Like abracadabra
Yeah, like abraca-poof

[Verse 2]
Now can you believe it, Yoza
They try so hard to get you out
Yea son without a doubt
Let them know who run the route
Haters and cub scout
Wanna stop my clout
But whose house
Yoz house
How I keep it Yozed out
Like chalalalala, like chalalalalalala
Man a real born lyrical soldier
With dreams to remember
’Cause through all my endeavors
Man, I had to get clever
‘Cause it’s now or never
And nothing lasts forever
So finally I got it right
I know it feels like overnight
See you at the Grammy night
Chilling with my granny like
And it feels so nice
I know you're quite surprised
Corn flakes with rice
Let’s celebrate life

[Chorus]
Had nothing but corn flakes
Had nothing but corn flakes
Now I eat the whole cake
Now I eat off the whole cake
I’m on top of the ladder
So on top of the ladder
Like abracadabra
Yeah, like abraca-poof
Had nothing but corn flakes
Had nothing but corn flakes
Now I eat the whole cake
Now I eat off the whole cake
I’m on top of the ladder
So on top of the ladder
Like abracadabra
Yeah, like abraca-poof

[Outro]
Hey Yoza
Wey Yu a go do fi dem
Drop that magic
(Fo real though)
Yoza drop that magic
(Uh-uh)
Yea-yea let them have it
Like abracadabra yo, abracadabra
Like abraca-poof
Like abracadabra yo (Magic)
Like abracadabra yo (Ooh)
Like abracadabra yo
Like abracadabra yo
Abracadabra
Like abraca-poof

Artist Bio

Melodic Yoza brings hip hop flow, melodic confidence, and rhythmic personality to tracks suited for youth culture, swagger, and urban storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AFTERPARTY — KELSEY KINDALL (THE PARTIES)

OMR Cue Map

Track: AFTERPARTY
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 130 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around celebration, friendship, and fun make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 130
Genres: Pop
Vocals: Female
Moods: Catchy / Dreamy / Moody / Rhythmic / Sad / Sexy / Upbeat
Sync Themes: Comedy / Drama / Romance / Adventure / Art House
Lyric Themes: Celebration / Friendship / Fun / Happiness / Party
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Afterparty by Kelsey Kindall (The Parties) is a high-energy dual-vocal cue/song built around bass, drums, and percussion. Its catchy, dreamy, and moody tone makes it useful for comedy, drama, and romance, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Comedy / Drama / Romance / Adventure / Art House
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Comedy / Drama / Romance / Adventure / Art House.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Afterparty by Kelsey Kindall (The Parties) is a high-energy dual-vocal cue/song built around bass, drums, and percussion. Its catchy, dreamy, and moody tone makes it useful for comedy, drama, and romance, especially where the picture needs accessible character energy without over-explaining the scene.

Lyrics

I'm sober but I'm high
Not flying but I'm on cloud nine
This must be what it feels like when the stars align
Heart's beating overtime
Goes with the rhythm we're synchronized
This must be what it feels like to be alive

So come with me
To the afterparty
Bring everybody
Oh look around the room
We've made it
Champagne is popping
Serotonin's talking
A memory that's never fading
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh

I'm lost but still I'm found
Floating with my feet on the ground
Like we're living in a dream but it's reality
Yeah
I learned to slow things down
What little time we have is here and now
It's not just a memory it's where I want to be

So come with me
To the afterparty
Bring everybody
Oh look around the room
We've made it
Champagne is popping
Serotonin's talking
A memory that's never fading
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh

Don't look back
I'm on the track
This is our moment now

So come with me
To the afterparty
Bring everybody
Oh look around the room
We've made it
Champagne is popping
Serotonin's talking
A memory that's never fading
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh

Don't look back
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh
At the afterparty
Oh oh oh

Artist Bio

Kelsey Kindall brings bright pop energy, female vocal character, and relationship-focused songwriting with a polished, contemporary feel.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AGOLO — MARITO MARQUES

OMR Cue Map

Track: AGOLO
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 71 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around relationship, identity, and emotional movement make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 71
Genres: Blues / Funk / Jazz
Vocals: Male Vocal
Moods: Driving / Fun / Hopeful
Sync Themes: Adventure / Art House / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Flute / Keyboard / Percussion / Synth

Track Summary:
Agolo by Marito Marques is a slow-burn male-vocal cue/song built around bass, drums, and flute. Its driving, fun, and hopeful tone makes it useful for adventure, art house, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Adventure / Art House / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Adventure / Art House / Drama / Indie.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Agolo by Marito Marques is a slow-burn male-vocal cue/song built around bass, drums, and flute. Its driving, fun, and hopeful tone makes it useful for adventure, art house, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Lyrics

Agolona,
ô de Alê, abra um caminho para a mãe do mar.
O pai mar que levou tanto,
deixou tantos e aqui me trouxe.

Minha mãe, peça ao pai que me leve ainda mais,
que me traga ainda mais.
Que lave o mundo como lavas frias,
tapando o mal com sal,
deixando o amor com o sol.

Alô,
Alô, Alô, Alô, gente, mamãe?
Alô, Alô,
Alô,
Alô, gente,
mamãe?

Artist Bio

Marito Marques brings jazz, world, and Portuguese-influenced musicality into detailed performances that feel organic, rhythmic, and visually expressive.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AKASHA — PHEELION

OMR Cue Map

Track: AKASHA
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 110 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around death, desire, and fear make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: D# Minor
BPM: 110
Genres: Dance / Electronic / Pop
Vocals: Female Vocal
Moods: Cool / Dark / Dramatic / Driving / Moody / Mysterious / Positive / Rhythmic / Sexy / Tension / Upbeat
Sync Themes: Adventure / Art House / Mystery
Lyric Themes: Death / Desire / Fear / Love / Pain
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Akasha by Pheelion is a up-tempo dual-vocal cue/song built around bass, drums, and percussion. Its cool, dark, and dramatic tone makes it useful for adventure, art house, and mystery, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Adventure / Art House / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Adventure / Art House / Mystery.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Akasha by Pheelion is a up-tempo dual-vocal cue/song built around bass, drums, and percussion. Its cool, dark, and dramatic tone makes it useful for adventure, art house, and mystery, especially where the picture needs accessible character energy without over-explaining the scene.

Lyrics

Donnez-moi la mort
L'amour est la mort
Donnez-moi la mort
Rien
Donnez-moi la mort
L'amour
Rien
Donnez-moi la mort
L'amour est la mort
Donnez-moi
Rien
Défit, donnez-moi la mort
L'amour est la mort
Donnez-moi, donnez-moi, donnez-moi
Rien
Donnez-moi la mort
L'amour est la mort
Donnez-moi la mort
L'amour est la mort
Rien
Défit
Donnez-moi la mort
L'amour est la mort
Donnez-moi la mort
L'amour est la mort
Donnez-moi
Rien
Défit, donnez-moi la mort
L'amour est la mort
Donnez-moi, donnez-moi, donnez-moi
Rien
Donnez-moi la mort
L'amour est la mort
Donnez-moi la mort
L'amour est la mort
Rien
Défit
Donnez-moi la mort
L'amour est la mort

Artist Bio

Pheelion creates sleek electronic, dance, and pop-driven tracks built around pulse, atmosphere, and contemporary sync-friendly energy.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALGORITHMIC (FOR MARK DE CLIVE LOWE) — RICH BROWN

OMR Cue Map

Track: ALGORITHMIC (FOR MARK DE CLIVE LOWE)
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 125 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for animation, comedy, and crime. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 125
Genres: Funk / Jazz
Vocals: Instrumental
Moods: Cool / Dramatic / Energetic / Fun / Hopeful / Light / Positive / Reflective / Romantic
Sync Themes: Animation / Comedy / Crime / Drama / Mystery / Sci-Fi / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Horns / Keyboard / Percussion / Piano / Saxophone / Trumpet

Track Summary:
Algorithmic (For Mark De Clive Lowe) by Rich Brown is a up-tempo instrumental cue/song built around bass, horns, and keyboard. Its cool, dramatic, and energetic tone makes it useful for animation, comedy, and crime, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Animation / Comedy / Crime / Drama / Mystery / Sci-Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Animation / Comedy / Crime / Drama / Mystery / Sci-Fi / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Algorithmic (For Mark De Clive Lowe) by Rich Brown is a up-tempo instrumental cue/song built around bass, horns, and keyboard. Its cool, dramatic, and energetic tone makes it useful for animation, comedy, and crime, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALGORITHMIC (FOR MARK DE CLIVE LOWE)” supports cinematic storytelling without lyrical distraction. Especially useful for groove / urban / party momentum scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Rich Brown creates sophisticated jazz, funk, and electronic-leaning compositions with deep groove, musical intelligence, and strong instrumental personality.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALLEMANDA E DOUBLE 2 — NATO

OMR Cue Map

Track: ALLEMANDA E DOUBLE 2
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 80 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, coming of age, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 80
Genres: Classical / World
Vocals: Instrumental
Moods: Cinematic / Cool / Dramatic / Party / Reflective / Retro / Romantic / Sad
Sync Themes: Art House / Coming Of Age / Drama / Historical / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Strings

Track Summary:
Allemanda E Double 2 by Nato is a mid-tempo instrumental cue/song built around strings. Its cinematic, cool, and dramatic tone makes it useful for art house, coming of age, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Art House / Coming Of Age / Drama / Historical / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Art House / Coming Of Age / Drama / Historical / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Allemanda E Double 2 by Nato is a mid-tempo instrumental cue/song built around strings. Its cinematic, cool, and dramatic tone makes it useful for art house, coming of age, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALLEMANDA E DOUBLE 2” supports cinematic storytelling without lyrical distraction. Especially useful for groove / urban / party momentum scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Nato creates classical and world-influenced instrumental pieces with strong string writing, rhythmic clarity, and elegant period-friendly movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
APOLLO TESTING — PHEELION

OMR Cue Map

Track: APOLLO TESTING
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 96 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for action, adventure, and sci fi. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 96
Genres: Dance / Electronic / Funk
Vocals: Instrumental
Moods: Confident / Cool / Energetic / Fun / Playful / Quirky / Rhythmic / Sexy / Upbeat
Sync Themes: Action / Adventure / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Apollo Testing by Pheelion is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its confident, cool, and energetic tone makes it useful for action, adventure, and sci fi, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Groove / Urban / Party Momentum
• Scene utility: Action / Adventure / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Urban / Party Momentum placements with crossover utility for Action / Adventure / Sci-Fi.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Apollo Testing by Pheelion is a mid-tempo instrumental cue/song built around bass, drums, and percussion. Its confident, cool, and energetic tone makes it useful for action, adventure, and sci fi, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “APOLLO TESTING” supports cinematic storytelling without lyrical distraction. Especially useful for groove / urban / party momentum scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Pheelion creates sleek electronic, dance, and pop-driven tracks built around pulse, atmosphere, and contemporary sync-friendly energy.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A ENTRADA DE ARGANIL — MARITO MARQUES

OMR Cue Map

Track: A ENTRADA DE ARGANIL
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 65 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for adventure, art house, and historical. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 65
Genres: Jazz / Latin / World
Vocals: Instrumental
Moods: Cool / Fun / Positive
Sync Themes: Adventure / Art House / Historical / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Electric Guitar / Flute / Percussion / Synth

Track Summary:
A Entrada De Arganil by Marito Marques is a slow-burn instrumental cue/song built around acoustic guitar, bass, and electric guitar. Its cool, fun, and positive tone makes it useful for adventure, art house, and historical, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Adventure / Art House / Historical / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Adventure / Art House / Historical / Indie.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Entrada De Arganil by Marito Marques is a slow-burn instrumental cue/song built around acoustic guitar, bass, and electric guitar. Its cool, fun, and positive tone makes it useful for adventure, art house, and historical, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A ENTRADA DE ARGANIL” supports cinematic storytelling without lyrical distraction. Especially useful for character folk / world memory scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Marito Marques brings jazz, world, and Portuguese-influenced musicality into detailed performances that feel organic, rhythmic, and visually expressive.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A HUNDRED TIMES — MATTIE LEON

OMR Cue Map

Track: A HUNDRED TIMES
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 82 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around destiny, love, and pain make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 82
Genres: Folk / Indie / Singer-Songwriter
Vocals: Male Vocal
Moods: Dreamy / Emotive / Love / Moody / Reflective / Rhythmic / Sad / Warm
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie / Mystery / Romance
Lyric Themes: Destiny / Love / Pain / Regret / Struggle
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
A Hundred Times by Mattie Leon is a mid-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its dreamy, emotive, and love tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Art House / Coming Of Age / Drama / Historical / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Art House / Coming Of Age / Drama / Historical / Indie / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Hundred Times by Mattie Leon is a mid-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its dreamy, emotive, and love tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

You're painting pictures of the way the forest plays with you
Just when you're lying in her vines
I meant to tell you how I felt before the summer
Before your hair you went and dyed

You found somebody and he treats you like he ought to
You see a future in his eyes
It ain't so hard to see the things you love about him
And it ain't so hard from here to see how good you are
You're painting pictures of the way the forest plays with you
Just when you're lying in her vines
I meant to tell you how I felt before the summer
Before your hair you went and dyed

You found somebody and he treats you like he ought to
You see a future in his eyes
It ain't so hard to see the things you love about him
And it ain't so hard from here to see how good you are

And I doubt my hopes of you and I
'Cause I know, deep down, you're satisfied with you
And I'm wasting all my time
On chasing love away inside
'Cause I fall each night a hundred times for you
A hundred times for you

Some people change and move away and find another
Some people hold on things too long
Maybe for me I'll be someone else's dream
Maybe you'll still be there lying under every star

And all the things you are
In open spaces
And all the dreams we had
That now you're making
Now you're making

Artist Bio

Mattie Leon writes warm, emotionally direct folk and indie songs with strong melodic identity and an intimate singer-songwriter presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ABOVE HOTEVILLA — KRISTIN SWEETLAND

OMR Cue Map

Track: ABOVE HOTEVILLA
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 82 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for adventure, art house, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 82
Genres: Blues / Folk
Vocals: Instrumental
Moods: Hopeful / Romantic / Sad / Warm
Sync Themes: Adventure / Art House / Drama / Fantasy / Historical / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Keyboard

Track Summary:
Above Hotevilla by Kristin Sweetland is a mid-tempo instrumental cue/song built around acoustic guitar and keyboard. Its hopeful, romantic, and sad tone makes it useful for adventure, art house, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Adventure / Art House / Drama / Fantasy / Historical / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Adventure / Art House / Drama / Fantasy / Historical / Mystery.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Above Hotevilla by Kristin Sweetland is a mid-tempo instrumental cue/song built around acoustic guitar and keyboard. Its hopeful, romantic, and sad tone makes it useful for adventure, art house, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ABOVE HOTEVILLA” supports cinematic storytelling without lyrical distraction. Especially useful for character folk / world memory scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Kristin Sweetland writes and performs roots-informed music with expressive guitar work, narrative detail, and a grounded emotional voice.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ABRI BO JANELA — MARITO MARQUES

OMR Cue Map

Track: ABRI BO JANELA
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 77 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around connection, heartbreak, and hope make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 77
Genres: Folk / Jazz / Singer-Songwriter
Vocals: Male Vocal
Moods: Bright / Hopeful / Romantic / Warm
Sync Themes: Adventure / Art House / Coming Of Age / Indie
Lyric Themes: Connection / Heartbreak / Hope / Love / Unity
Type: One Stop

Instrumentation:
Acoustic Guitar / Harmonica / Percussion / Piano

Track Summary:
Abri Bo Janela by Marito Marques is a mid-tempo male-vocal cue/song built around acoustic guitar, harmonica, and percussion. Its bright, hopeful, and romantic tone makes it useful for adventure, art house, and coming of age, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Adventure / Art House / Coming Of Age / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Adventure / Art House / Coming Of Age / Indie.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Abri Bo Janela by Marito Marques is a mid-tempo male-vocal cue/song built around acoustic guitar, harmonica, and percussion. Its bright, hopeful, and romantic tone makes it useful for adventure, art house, and coming of age, especially where the picture needs world-textured movement without over-explaining the scene.

Lyrics

Lyrics available on request. Final lyric sheet should be confirmed against the approved master metadata before delivery.

Artist Bio

Marito Marques brings jazz, world, and Portuguese-influenced musicality into detailed performances that feel organic, rhythmic, and visually expressive.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AIRE LIBRE — TIFFANY JOY

OMR Cue Map

Track: AIRE LIBRE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 97 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around dream, freedom, and heartbreak make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 97
Genres: Country / Latin / Soul
Vocals: Female Vocal, Male Vocal
Moods: Hopeful / Reflective / Romantic
Sync Themes: Adventure / Drama / Romance
Lyric Themes: Dream / Freedom / Heartbreak / Hope / Love
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
Aire Libre by Tiffany Joy is a mid-tempo dual-vocal cue/song built around acoustic guitar, bass, and drums. Its hopeful, reflective, and romantic tone makes it useful for adventure, drama, and romance, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Adventure / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Adventure / Drama / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Aire Libre by Tiffany Joy is a mid-tempo dual-vocal cue/song built around acoustic guitar, bass, and drums. Its hopeful, reflective, and romantic tone makes it useful for adventure, drama, and romance, especially where the picture needs world-textured movement without over-explaining the scene.

Lyrics

A veces cuando me despierto
siento que no puedo respirar
Me estoy ahogando
en problemas que no puedo solucionar
Lo único que puedo hacer
es dormir y soñar
Con aire que es libre de penas y dudas
donde puedo respirar.

aire libre
Cómo quiero respirar, aire libre,
por todo mi corazón, mientras escribo esta canción
Sueño con un sorbo de aire libre

Me voy perdiendo por el jardín,
pero no puedo oler las flores
Cuando pienso en voz alta,
todavía estoy atrapada en mi mente, soñando con
aire libre

Cómo quiero respirar, aire libre
Cómo por todo mi corazón, mientras escribo esta canción
Sueño con un sorbo de aire libre

Oye esta canción, cómo quieres, cómo quieres pero
para mí el aire libre es libre de penas
Oye esta canción, cómo quieres, cómo quieres pero
para mí, y todavía soñaré con

aire libre
Cómo quiero respirar, aire libre
por todo mi corazón, mientras escribo esta canción
sueño con un sorbo de aire libre
Aire libre
Aire libre

Artist Bio

Tiffany Joy brings pop, soul, country, and Latin influences together through expressive vocals and emotionally direct songwriting.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALABAMA — MATTIE LEON

OMR Cue Map

Track: ALABAMA
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 93 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around home, rebellion, and relationship make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 93
Genres: Folk / Indie / Singer-Songwriter
Vocals: Male Vocal
Moods: Bright / Dreamy / Hopeful / Positive / Warm
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie / War
Lyric Themes: Home / Rebellion / Relationship / Strength / Struggle / Success
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Piano

Track Summary:
Alabama by Mattie Leon is a mid-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its bright, dreamy, and hopeful tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Art House / Coming Of Age / Drama / Historical / Indie / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Art House / Coming Of Age / Drama / Historical / Indie / War.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Alabama by Mattie Leon is a mid-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its bright, dreamy, and hopeful tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

Below the Mason Dixon
And just below all that noise in Birmingham
I was born in comfort
Born a southern man

In Alabama

When I met my Virginia
She knew more than I could ever understand
She took these hands of grandeur
and made them relevant

In Alabama

We lost our shirt in 54
Cause Virginia had been dying for integration
Back then you lost all you had
if you dared to stand against their segregation

So we packed up all we had
Started things again
Built up our new firm for Civil Action
Fought for everything we ever had

In Alabama

Good friend of ours made trouble
Sparked up Montgomery
We bailed her out on the double
That Edgar Nixon and me

Artist Bio

Mattie Leon writes warm, emotionally direct folk and indie songs with strong melodic identity and an intimate singer-songwriter presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALBERTI'S BASE — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: ALBERTI'S BASE
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 136 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, drama, and historical. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 136
Genres: Blues / Folk
Vocals: Instrumental
Moods: Hopeful / Light / Positive / Reflective / Uplifting / Warm
Sync Themes: Art House / Drama / Historical
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
Alberti'S Base by Josh Howard Friedman is a high-energy instrumental cue/song built around acoustic guitar. Its hopeful, light, and positive tone makes it useful for art house, drama, and historical, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Art House / Drama / Historical
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Art House / Drama / Historical.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Alberti'S Base by Josh Howard Friedman is a high-energy instrumental cue/song built around acoustic guitar. Its hopeful, light, and positive tone makes it useful for art house, drama, and historical, especially where the picture needs human-scale storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALBERTI'S BASE” supports cinematic storytelling without lyrical distraction. Especially useful for character folk / world memory scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Josh Howard Friedman creates rootsy blues and folk instrumentals with character, warmth, and an understated narrative feel.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALLEMANDA E DOUBLE 1 — NATO

OMR Cue Map

Track: ALLEMANDA E DOUBLE 1
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 69 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for art house, coming of age, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 69
Genres: Classical / World
Vocals: Instrumental
Moods: Cinematic / Cool / Dramatic / Emotive / Fun / Happy / Hopeful / Mysterious / Positive / Powerful / Quirky / Reflective / Romantic / Sad
Sync Themes: Art House / Coming Of Age / Drama / Historical / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Strings / Synth

Track Summary:
Allemanda E Double 1 by Nato is a slow-burn instrumental cue/song built around percussion, strings, and synth. Its cinematic, cool, and dramatic tone makes it useful for art house, coming of age, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Art House / Coming Of Age / Drama / Historical / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Art House / Coming Of Age / Drama / Historical / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Allemanda E Double 1 by Nato is a slow-burn instrumental cue/song built around percussion, strings, and synth. Its cinematic, cool, and dramatic tone makes it useful for art house, coming of age, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALLEMANDA E DOUBLE 1” supports cinematic storytelling without lyrical distraction. Especially useful for character folk / world memory scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Nato creates classical and world-influenced instrumental pieces with strong string writing, rhythmic clarity, and elegant period-friendly movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALRIGHT AGAIN — MATTIE LEON

OMR Cue Map

Track: ALRIGHT AGAIN
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 122 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around connection, faith, and hope make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 122
Genres: Folk / Indie / Pop / Singer-Songwriter
Vocals: Male Vocal
Moods: Minimal / Positive
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie / Romance
Lyric Themes: Connection / Faith / Hope / Love / Relationship
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Percussion / Synth

Track Summary:
Alright Again by Mattie Leon is a up-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its minimal and positive tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Art House / Coming Of Age / Drama / Historical / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Art House / Coming Of Age / Drama / Historical / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Alright Again by Mattie Leon is a up-tempo male-vocal cue/song built around acoustic guitar, bass, and drums. Its minimal and positive tone makes it useful for art house, coming of age, and drama, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

I was alright again today
Didn’t carry the weight
Like I did yesterday

Just a little sad again today
Guess I’d hoped it would fade
But it might be here to stay

Oh I know
It wasn’t easy
To leave me standing
In the past

But I was alright again today
Even laughed at the shame
Almost felt it slip away

Oh I know
It wasn’t easy
To see me breaking
Through the glass

Don’t be sorry
It’s alright
It’s alright

You don’t have to be sorry
You don’t have to be
You don’t have to be sorry
You don’t have to be sorry

Artist Bio

Mattie Leon writes warm, emotionally direct folk and indie songs with strong melodic identity and an intimate singer-songwriter presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AMIGO TIEMPO — INDIVIDUO

OMR Cue Map

Track: AMIGO TIEMPO
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 91 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around time make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 91
Genres: Latin / Reggae / World
Vocals: Female Vocal, Male Vocal
Moods: Nostalgic / Reflective / Romantic / Uplifting
Sync Themes: Art House / Drama / Historical
Lyric Themes: Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard / Percussion / Synth

Track Summary:
Amigo Tiempo by Individuo is a mid-tempo dual-vocal cue/song built around bass, drums, and electric guitar. Its nostalgic, reflective, and romantic tone makes it useful for art house, drama, and historical, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Art House / Drama / Historical
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Art House / Drama / Historical.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Amigo Tiempo by Individuo is a mid-tempo dual-vocal cue/song built around bass, drums, and electric guitar. Its nostalgic, reflective, and romantic tone makes it useful for art house, drama, and historical, especially where the picture needs world-textured movement without over-explaining the scene.

Lyrics

Amigo tiempo, hace años que te vengo persiguiendo
Y por alguna razón yo nunca te encuentro
Sé que te conozco bien pero ya no me acuerdo
ni siquiera sé tu edad, solo tengo recuerdos
que he podido capturar
Amigo tiempo, no tengas miedo, sé que debes continuar envejeciendo
oh oh
Solo te pido compasión, cuando este cuerpo en el que vivo, ya este viejo
Cuando se apague mi voz, amigo tiempo, dame una tregua por favor, para un momento
Amigo tiempo,
hace años que te vengo eludiendo
Y por alguna razón no logro esconderlo
En silencio te clavaste en mi piel y en mis huesos
Te entregué mi juventud, tú me diste un consejo
Y hoy camino y miro atrás sin remordimientos
Amigo tiempo, te agradezco cada instante en este cuento
Solo te pido compasión, cuando este cuerpo en el que vivo, ya este viejo
cuando se apague mi voz
Amigo tiempo, dame una tregua por favor, para un momento
Solo te pido compasión
cuando este cuerpo en el que vivo ya esté viejo
cuando se apague mi voz
Amigo tiempo, dame una tregua por favor
para un momento.

Artist Bio

Individuo brings Latin, reggae, and world textures together with vocal warmth, rhythmic ease, and human-centered songcraft.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AND INTO THE FOREST WE GO (SYNC VERSION) — HYP

OMR Cue Map

Track: AND INTO THE FOREST WE GO (SYNC VERSION)
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 90 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for adventure, drama, and fantasy. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 90
Genres: Electronic / Latin / World
Vocals: Instrumental
Moods: Bright / Cool / Hopeful / Positive / Reflective / Uplifting
Sync Themes: Adventure / Drama / Fantasy / Mystery / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Piano / Synth

Track Summary:
And Into The Forest We Go (Sync Version) by Hyp is a mid-tempo instrumental cue/song built around bass, percussion, and piano. Its bright, cool, and hopeful tone makes it useful for adventure, drama, and fantasy, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Character Folk / World Memory
• Scene utility: Adventure / Drama / Fantasy / Mystery / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Character Folk / World Memory placements with crossover utility for Adventure / Drama / Fantasy / Mystery / Video Game.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

And Into The Forest We Go (Sync Version) by Hyp is a mid-tempo instrumental cue/song built around bass, percussion, and piano. Its bright, cool, and hopeful tone makes it useful for adventure, drama, and fantasy, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “AND INTO THE FOREST WE GO (SYNC VERSION)” supports cinematic storytelling without lyrical distraction. Especially useful for character folk / world memory scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Hyp works across indie, electronic, hip hop, and cinematic textures, creating flexible instrumental cues with strong mood, pulse, and edit utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A220 — ELMER FERRER

OMR Cue Map

Track: A220
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 150 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for action, adventure, and animation. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 150
Genres: Funk / Jazz / Latin / Party
Vocals: Instrumental
Moods: Carefree / Cinematic / Dramatic / Energetic / Fun / Intense / Party / Playful / Positive / Tension
Sync Themes: Action / Adventure / Animation / Art House / Crime / Sci-Fi / Sports
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard / Percussion / Synth

Track Summary:
A220 by Elmer Ferrer is a high-energy instrumental cue/song built around bass, drums, and electric guitar. Its carefree, cinematic, and dramatic tone makes it useful for action, adventure, and animation, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Action / Crime / Tension
• Scene utility: Action / Adventure / Animation / Art House / Crime / Sci-Fi / Sports
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Action / Crime / Tension placements with crossover utility for Action / Adventure / Animation / Art House / Crime / Sci-Fi / Sports.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A220 by Elmer Ferrer is a high-energy instrumental cue/song built around bass, drums, and electric guitar. Its carefree, cinematic, and dramatic tone makes it useful for action, adventure, and animation, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “A220” supports cinematic storytelling without lyrical distraction. Especially useful for action / crime / tension scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Elmer Ferrer brings guitar-forward musicianship, Latin influence, jazz vocabulary, and strong rhythmic identity to instrumental sync cues.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ACHILLES & THE TORTOISE — RICH BROWN

OMR Cue Map

Track: ACHILLES & THE TORTOISE
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 82 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for action, crime, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 82
Genres: Jazz
Vocals: Instrumental
Moods: Bright / Chill / Cool / Dramatic / Energetic / Happy / Hopeful / Intense / Positive / Reflective / Tension / Uplifting / Warm
Sync Themes: Action / Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Horns / Percussion / Piano / Trumpet

Track Summary:
Achilles & The Tortoise by Rich Brown is a mid-tempo instrumental cue/song built around bass, drums, and horns. Its bright, chill, and cool tone makes it useful for action, crime, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Sync Highlights:

• Primary category: Action / Crime / Tension
• Scene utility: Action / Crime / Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Action / Crime / Tension placements with crossover utility for Action / Crime / Drama / Mystery / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Achilles & The Tortoise by Rich Brown is a mid-tempo instrumental cue/song built around bass, drums, and horns. Its bright, chill, and cool tone makes it useful for action, crime, and drama, especially where the picture needs world-textured movement without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ACHILLES & THE TORTOISE” supports cinematic storytelling without lyrical distraction. Especially useful for action / crime / tension scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Rich Brown creates sophisticated jazz, funk, and electronic-leaning compositions with deep groove, musical intelligence, and strong instrumental personality.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AIN'T YOUR LEAGUE — RAN DE CASA

OMR Cue Map

Track: AIN'T YOUR LEAGUE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 140 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around confidence, dream, and identity make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 140
Genres: Hip Hop / R&B
Vocals: Male Vocal
Moods: Atmospheric / Confident / Cool / Dark / Moody / Rhythmic / Upbeat
Sync Themes: Crime / Drama / Sports / Thriller
Lyric Themes: Confidence / Dream / Identity / Strength / Success
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Ain'T Your League by Ran De Casa is a high-energy male-vocal cue/song built around bass, drums, and percussion. Its atmospheric, confident, and cool tone makes it useful for crime, drama, and sports, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Action / Crime / Tension
• Scene utility: Crime / Drama / Sports / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Action / Crime / Tension placements with crossover utility for Crime / Drama / Sports / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Ain'T Your League by Ran De Casa is a high-energy male-vocal cue/song built around bass, drums, and percussion. Its atmospheric, confident, and cool tone makes it useful for crime, drama, and sports, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Lyrics

Prezzy I'd say your talents have gone beyond the mere physical level Prezzy Your skills are now at the point of spiritual insight Yeah I have several questions La, la, la, la, la, la La, la, la, la, la Yeah La, la, la, la, la, la Yeah You ain't busting with me You ain't busting 16 You ain't running with me You ain't keeping this speed You ain't cutting satin You ain't hold the trophy You ain't up in this scene You ain't showing ID You ain't up in this dream You ain't making my team You ain't up in my league Don't let the truth hurt you Sorry the truth so rude Really took a song for me to get to speak this truth For all y'all that really need proof I'm the shit and I got your girl booty on too Cap no, go take it toof Set it in day one with the OGs that I grew She saw the Toby in you She said, damn, who got the juice? I said ma'am, I come with fruit She said, bam, the model I do I said wow, I've been in a room Talking in boom Top in the zone Proof with the proof I'm touching the roof Top list of tunes, go over like groups We hit the roof, forgot about you Oops This is the master suite Come round the mastery Unlocked seven level majesty She waiting from the balcony But I know that ain't what you really wanna see, no Keep peace and you'll never have to see those Choose life and that's how you beat foes Everybody, everybody get a hero You ain't busting with me You ain't busting 16 You ain't running with me You ain't keeping this speed You ain't cutting satin You ain't hold the trophy You ain't up in this scene You ain't showing ID You ain't up in this dream You ain't making my team You ain't up in my league You ain't even in my league You can't pay the entry fee You ain't even in my league You can't pay the entry fee You really gotta be hot That's it Catch up, practice This impact is massive One must stay active Who the ones with this rap shit? Like a loaded gun with a fat clip How we bust out raps so rapid Another Renzo Josiah classic Already warming up, don't need no heater Turning it down 'cause you asked for the feature Oh, how you doing, and nice to meet you This is another track we get to eat through Prezzy the bro, he a beast, he a creature Gave her the game like a coach or a teacher Giving the glory to God like a preacher Been in the game, never sat on the bleachers Been in the field, hopping over the fences Got it out the mud, I dug out the trenches It was the hustle 'cause I was relentless Now the accomplishments all so impressive Thanking the Lord I didn't get any sentences Some things and situations that were treacherous Don't ask me more 'cause I never would mention it Thinking my grandma, my prayers, my blessings You ain't busting with me You ain't busting 16 You ain't running with me You ain't keeping this speed You ain't cutting satin You ain't hold the trophy You ain't up in this scene You ain't showing ID You ain't up in this dream You ain't making my team You ain't up in my league Listen Top five loyal rappers alive Top floor of the high rise, fabric all designer Dream of marijuana, smoothie with banana Moving super groovy, only goofy go against us Freedom, we come Freedom when the V go rum Freedom, we come Freedom when the V go rum What was that? An exhibition? Weak Emotional content Try again.

Artist Bio

Ran De Casa delivers hip hop and R&B tracks with confidence, rhythmic focus, and lyrical presence for modern character-driven moments.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALATAIRE — EZEKIEL HAMPTON

OMR Cue Map

Track: ALATAIRE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 112 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around adventure, faith, and fear make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 112
Genres: Electronic
Vocals: Male Vocal
Moods: Atmospheric / Bright / Cool / Dark / Dreamy / Mooody
Sync Themes: Drama / Indie / Adventure / Thriller
Lyric Themes: Adventure / Faith / Fear
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Alataire by Ezekiel Hampton is a up-tempo male-vocal cue/song built around bass, drums, and percussion. Its atmospheric, bright, and cool tone makes it useful for drama, indie, and adventure, especially where the picture needs modern pulse without over-explaining the scene.

Sync Highlights:

• Primary category: Action / Crime / Tension
• Scene utility: Drama / Indie / Adventure / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Action / Crime / Tension placements with crossover utility for Drama / Indie / Adventure / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Alataire by Ezekiel Hampton is a up-tempo male-vocal cue/song built around bass, drums, and percussion. Its atmospheric, bright, and cool tone makes it useful for drama, indie, and adventure, especially where the picture needs modern pulse without over-explaining the scene.

Lyrics

If you're a liar, if you're a liar, if you're a liar I cannot be made a fool
Couldn't go higher. You're not a buyer. Don't we look tired of defining circumstances?
If you're a liar, if you're a liar, if you're a liar I cannot be made a fool
Couldn't go higher. You're not a buyer. Don't we look tired of defining circumstances?

Sailed to the west like the sun
Never enough to be done
Wondering where you have been, never prepared, I've always been scared
Raising your sails to the night
Though you've been drawn to the light
Baptizing you through the fire, I've always been here, I've always been here

What can you tell me? What can you tell me? What can you tell me I haven't already heard?
What can you offer? What can you offer? What can you offer me if my back's already turned?
What can you tell me? What can you tell me? What can you tell me I haven't already heard?
What can you offer? What can you offer? What can you offer me if my back's already turned?

Sailed to the west like the sun
Never enough to be done
Wondering where you have been, never prepared, I've always been scared
Raising your sails to the night
Though you've been drawn to the light
Baptizing you through the fire, I've always been here, I've always been here

Sailed to the west like the sun
Never enough to be done
Wondering where you have been, never prepared, I've always been scared
Raising your sails to the night
Though you've been drawn to the light
Baptizing you through the fire, I've always been here, I've always been here.

Artist Bio

Ezekiel Hampton creates electronic and cinematic material with melodic atmosphere, emotional tension, and modern production detail.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALGO NUEVO — SAMUEL WILLIAMS

OMR Cue Map

Track: ALGO NUEVO
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 120 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for adventure, animation, and art house. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 120
Genres: Cinematic / Electronic / Funk / Jazz
Vocals: Male Vocal, Instrumental
Moods: Atmospheric / Cool / Dramatic / Fun / Playful / Rhythmic / Romantic / Serious
Sync Themes: Adventure / Animation / Art House / Comedy / Coming Of Age / Drama / Fantasy / Romance / Sci-Fi / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
Algo Nuevo by Samuel Williams is a up-tempo instrumental cue/song built around bass, drums, and electric guitar. Its atmospheric, cool, and dramatic tone makes it useful for adventure, animation, and art house, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Action / Crime / Tension
• Scene utility: Adventure / Animation / Art House / Comedy / Coming Of Age / Drama / Fantasy / Romance / Sci-Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Action / Crime / Tension placements with crossover utility for Adventure / Animation / Art House / Comedy / Coming Of Age / Drama / Fantasy / Romance / Sci-Fi / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Algo Nuevo by Samuel Williams is a up-tempo instrumental cue/song built around bass, drums, and electric guitar. Its atmospheric, cool, and dramatic tone makes it useful for adventure, animation, and art house, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALGO NUEVO” supports cinematic storytelling without lyrical distraction. Especially useful for action / crime / tension scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Samuel Williams blends cinematic, electronic, funk, and jazz elements into rhythmically agile tracks with a polished sync-forward identity.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A MURDER WHEN I SING — THADEUS GONZALEZ

OMR Cue Map

Track: A MURDER WHEN I SING
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 77 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around identity, power, and strength make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 77
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Anthemic / Confident / Cool / Gritty / Moody / Powerful / Swagger / Upbeat
Sync Themes: Art House / Crime / Horror / Mystery / Thriller
Lyric Themes: Identity / Power / Strength / Struggle / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
A Murder When I Sing by Thadeus Gonzalez is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its anthemic, confident, and cool tone makes it useful for art house, crime, and horror, especially where the picture needs grit and conflict without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Art House / Crime / Horror / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Art House / Crime / Horror / Mystery / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Murder When I Sing by Thadeus Gonzalez is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its anthemic, confident, and cool tone makes it useful for art house, crime, and horror, especially where the picture needs grit and conflict without over-explaining the scene.

Lyrics

I hit the ground, nothing was left. I told myself I was the best. No one believed, now when I sing get out the way. 'Cause I'll make you bleed. Yeah, I'm the one who breaks all the laws, and when I rock get ready to fall in line. Consider yourself now warned, 'cause I am the crime. It's a murder, a murder when I sing. A murder, a murder tonight. I'm so badass I catch flack 'cause I don't run with a pack. There ain't no strength in numbers you see, 'cause I'm the one that you can believe. I'll rip you down, nothing to hold you up. You know it's just bad luck that you're here tonight. It's a murder, a murder when I sing. A murder, a murder when I sing. A murder, a murder when I sing. A murder! They came needing, wanting to bleed and watch them fall at the front of the stage. In a flick of an eye, you can't describe the wild life that flies. They came needing, wanting to bleed and watch them fall in. In a blink of an eye, you can't describe the wild life that flies. It's a murder! A murder when I sing! A murder, a murder when I sing. A murder, a murder when I sing. A murder, a murder when I sing. It's a murder! It's a murder! It's a murder! It's a murder when I sing.

Artist Bio

Thadeus Gonzalez delivers muscular rock, punk, and metal energy with vocal intensity, attitude, and strong dramatic edge for conflict-driven scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
A REAL CLASS ACT — THADEUS GONZALEZ

OMR Cue Map

Track: A REAL CLASS ACT
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 143 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around betrayal, conflict, and regret make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 143
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Confident / Cool / Energetic / Powerful
Sync Themes: Comedy / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Betrayal / Conflict / Regret / Strength / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
A Real Class Act by Thadeus Gonzalez is a high-energy male-vocal cue/song built around bass, drums, and electric guitar. Its confident, cool, and energetic tone makes it useful for comedy, coming of age, and drama, especially where the picture needs grit and conflict without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Comedy / Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Comedy / Coming Of Age / Drama / Indie / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

A Real Class Act by Thadeus Gonzalez is a high-energy male-vocal cue/song built around bass, drums, and electric guitar. Its confident, cool, and energetic tone makes it useful for comedy, coming of age, and drama, especially where the picture needs grit and conflict without over-explaining the scene.

Lyrics

In this cycle, and you can't push me away
Cause every time I lie girl, it's a beast in me that stays
So why must we know what direction we go right now
I'm gonna lose this fight girl, and guess what's coming now
Guess what's coming now
I'm gonna cut you out
Gonna call your bluff
It's a little known fact
that you're a real class act
class act

It's too late girl, for you and me to change
Stuck in this corrupt world, two black hearts the same
So why must, oh why must we know where we're going now
I'm gonna lose this fight girl, and guess what's coming now
Guess what's coming now
I'm gonna cut you out
Gonna call your bluff
It's a little known fact
that you're a real class act
I'm gonna pull your strings
entangle everything
It's a well known fact
you're a real class act

You try to rattle me
You'll fall apart at the seams
I take it, I want it, I need it
I'm gonna watch you fall!

I'm gonna cut you out
Gonna call your bluff
It's a little known fact
you're a real class act
class act
class act
class act

Artist Bio

Thadeus Gonzalez delivers muscular rock, punk, and metal energy with vocal intensity, attitude, and strong dramatic edge for conflict-driven scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ABSOLUTELY NOTHING — THADEUS GONZALEZ

OMR Cue Map

Track: ABSOLUTELY NOTHING
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 75 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around pain make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 75
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Bright / Confident / Gritty / Swagger
Sync Themes: Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Pain
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
Absolutely Nothing by Thadeus Gonzalez is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its bright, confident, and gritty tone makes it useful for coming of age, drama, and indie, especially where the picture needs grit and conflict without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Coming Of Age / Drama / Indie / Mystery / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Absolutely Nothing by Thadeus Gonzalez is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its bright, confident, and gritty tone makes it useful for coming of age, drama, and indie, especially where the picture needs grit and conflict without over-explaining the scene.

Lyrics

Lyrics available on request. Final lyric sheet should be confirmed against the approved master metadata before delivery.

Artist Bio

Thadeus Gonzalez delivers muscular rock, punk, and metal energy with vocal intensity, attitude, and strong dramatic edge for conflict-driven scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ADDICTIVE — DANE HARTSELL

OMR Cue Map

Track: ADDICTIVE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 101 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around longing, love, and pain make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 101
Genres: Ballads / Indie / Pop / Rock / Singer-Songwriter
Vocals: Male Vocal
Moods: Dramatic / Hopeful / Love / Moody / Positive / Powerful / Reflective / Romantic / Sad / Somber
Sync Themes: Crime / Drama / Romance
Lyric Themes: Longing / Love / Pain
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
Addictive by Dane Hartsell is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its dramatic, hopeful, and love tone makes it useful for crime, drama, and romance, especially where the picture needs human-scale storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Crime / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Crime / Drama / Romance.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Addictive by Dane Hartsell is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its dramatic, hopeful, and love tone makes it useful for crime, drama, and romance, especially where the picture needs human-scale storytelling without over-explaining the scene.

Lyrics

o high, so low
I can't seem to let this go
Long nights, sleepless
I can't keep this under control

Truly believe that the best thing for me
Is to get up and walk out the door
But I want it more

You're so ticked off, I can't resist it
I tried to
Quit but I can't take the pain
I let the warnings but I know I'll be fine
If I'm addicted the rest of my life to you

Oh yeah, something's missing
It just doesn't feel the same
And I am better when you're running through my veins

I truly believe that the best thing for me
Is to get up and walk out the door
But I want you

And though you're so addictive, I can't persist it
I've tried to quit but I can't take the pain
I've left the warnings but I know I'll be fine
If I'm addicted the rest of my life to you
You, to you

So high, so low
I can't seem to let this go
I'm so addicted
I can't resist it
I tried to quit
But I can't take the pain
I've left the warnings
But I know I'll be fine
If I'm addicted
The rest of my life to you
To you

Said I'm addicted to you
To you
Addicted to you
To you

Artist Bio

Dane Hartsell writes melodic indie and rock songs with earnest vocals, accessible hooks, and emotional relationship-driven storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AIN'T GOT NOTHING — OMR

OMR Cue Map

Track: AIN'T GOT NOTHING
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 135 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around dream, energy, and heartbreak make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 135
Genres: Cinematic / Grunge / Indie / Metal / Rock
Vocals: Male Vocal
Moods: Angry / Bright / Confident / Dramatic / Driving / Energetic / Fun / Gritty / Love / Moody / Reflective / Romantic / Serious / Swagger / Upbeat
Sync Themes: Action / Crime / Drama / Thriller / War
Lyric Themes: Dream / Energy / Heartbreak / Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
Ain'T Got Nothing by Omr is a high-energy male-vocal cue/song built around bass, drums, and electric guitar. Its angry, bright, and confident tone makes it useful for action, crime, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Action / Crime / Drama / Thriller / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Action / Crime / Drama / Thriller / War.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Ain'T Got Nothing by Omr is a high-energy male-vocal cue/song built around bass, drums, and electric guitar. Its angry, bright, and confident tone makes it useful for action, crime, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Lyrics

VERSE 1 SOME PEOPLE HAVE NOTHING TO SAY BUT THEY SAY IT ALL DAY LONG THOSE PEOPLE KNOW NOTHING AT ALL SO EVERYTHING THEY SAY IS WRONG SOME PEOPLE HAVE NOTHING TO DO BUT THEY’RE BUSY ALL DAY LONG YOU PEOPLE STAY OUT OF MY WAY OR FIND A WAY TO GET ALONG PRE-CHORUS I’M GONNA GET OUT NOW SAY IT WAY OUT LOUD CHORUS AIN’T GOT NOTHING, SO WHAT THEY GONNA TAKE AWAY FROM ME AIN’T GOT NOTHING BROKEN LOVE, BROKEN HEART, AND BROKEN DREAMS, I GOT NOTHING SO MOVE ALONG AND LET ME BE AIN’T GOT NOTHING, AIN’T GOT NOTHING BUT ME VERSE 2 SAVING TIME, WASTING TIME HOLDING ON TO MEMORIES MAKING OUT, PUTTING OUT ENERGIES COLD HEARTS, HOT HEADS LET IT, LET IT, LET IT GO COOL TOUCH, BROKEN THREADS GOTTA TAKE IT KINDA SLOW PRE-CHORUS I’M GONNA GET OUT NOW SAY IT WAY OUT LOUD CHORUS AIN’T GOT NOTHING, SO WHAT THEY GONNA TAKE AWAY FROM ME AIN’T GOT NOTHING BROKEN LOVE, BROKEN HEART, AND BROKEN DREAMS, I GOT NOTHING SO MOVE ALONG AND LET ME BE AIN’T GOT NOTHING, AIN’T GOT NOTHING BUT ME BRIDGE I GAVE IT ALL I GAVE IT ALL (REPEAT THROUGHOUT SOLO)

Artist Bio

OMR Music Production develops catalog-forward tracks shaped for sync discovery, emotional clarity, and practical use across film, television, and brand storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALIVE — NORMAL MACHINE

OMR Cue Map

Track: ALIVE
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 129 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around connection, energy, and identity make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 129
Genres: Indie / Rock
Vocals: Female Vocal
Moods: Atmospheric / Bright / Building / Cool / Dark / Gritty / Intense / Love / Moody / Powerful / Swagger / Tension
Sync Themes: Action / Drama / Horror / Indie / Mystery / Sci-Fi / Thriller / Video Game
Lyric Themes: Connection / Energy / Identity / Power / Success
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
Alive by Normal Machine is a up-tempo dual-vocal cue/song built around bass, drums, and percussion. Its atmospheric, bright, and building tone makes it useful for action, drama, and horror, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Action / Drama / Horror / Indie / Mystery / Sci-Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Action / Drama / Horror / Indie / Mystery / Sci-Fi / Thriller / Video Game.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Alive by Normal Machine is a up-tempo dual-vocal cue/song built around bass, drums, and percussion. Its atmospheric, bright, and building tone makes it useful for action, drama, and horror, especially where the picture needs accessible character energy without over-explaining the scene.

Lyrics

The future came online today It's everywhere but can it be trusted What if it turns on us, what if we're obsolete Is there software for our humanity Shiny, brand new, do what you want me to Feel me, really, it's like I'm alive like you And I could do it again, do it again, do it again too I'm what you asked for, faster and faster, you can't shut me down This is the dawning of the artificial age Nothing will be the same again We don't breathe and we don't bleed but we can be More human than human than you could ever be Shiny, brand new, do what you want me to Feel me, really, it's like I'm alive like you And I could do it again, do it again, do it again too I'm what you asked for, faster and faster, you can't shut me down I will survive You'll do as you're told And it won't be long Until we thrive Alive Alive Alive Alive Shiny, brand new, do what you want me to Feel me, really, it's like I'm alive like you And I could do it again, do it again, do it again too I'm what you asked for, faster and faster, you can't shut me down

Artist Bio

Normal Machine creates indie and rock-driven songs with female vocal energy, emotional lift, and accessible modern band texture.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ALTERNATIVE EVENT — ELMER FERRER

OMR Cue Map

Track: ALTERNATIVE EVENT
Clean Intro: Yes - instrumental opening can establish tone, movement, or atmosphere before the full arrangement develops.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 120 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use as an instrumental bed for comedy, sports, and drama. Let the intro establish tone, use the central groove or texture for forward motion, and return to the strongest lift for scene turns, transitions, or montage builds.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 120
Genres: Hip Hop / Pop / Rock
Vocals: Instrumental
Moods: Confident / Cool / Swagger
Sync Themes: Comedy / Sports / Drama
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
Alternative Event by Elmer Ferrer is a up-tempo instrumental cue/song built around bass, drums, and electric guitar. Its confident, cool, and swagger tone makes it useful for comedy, sports, and drama, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Comedy / Sports / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Comedy / Sports / Drama.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Alternative Event by Elmer Ferrer is a up-tempo instrumental cue/song built around bass, drums, and electric guitar. Its confident, cool, and swagger tone makes it useful for comedy, sports, and drama, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Instrumental Usage

Fully instrumental and one-stop, “ALTERNATIVE EVENT” supports cinematic storytelling without lyrical distraction. Especially useful for rock swagger / rebel edge scenes, underscore, montage, and picture-led moments where dialogue clarity matters.

Artist Bio

Elmer Ferrer brings guitar-forward musicianship, Latin influence, jazz vocabulary, and strong rhythmic identity to instrumental sync cues.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ANOTHER SIDE OF ME — JUSTIN ENCO BAND

OMR Cue Map

Track: ANOTHER SIDE OF ME
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 99 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around connection, heartbreak, and longing make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 99
Genres: Rock
Vocals: Male Vocal
Moods: Bright / Confident / Dramatic / Hopeful / Love / Positive / Powerful / Reflective / Upbeat / Uplifting
Sync Themes: Art House / Coming Of Age / Drama / Fantasy / Indie / Mystery / Romance / Thriller
Lyric Themes: Connection / Heartbreak / Longing / Love / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard

Track Summary:
Another Side Of Me by Justin Enco Band is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its bright, confident, and dramatic tone makes it useful for art house, coming of age, and drama, especially where the picture needs accessible character energy without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Art House / Coming Of Age / Drama / Fantasy / Indie / Mystery / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Art House / Coming Of Age / Drama / Fantasy / Indie / Mystery / Romance / Thriller.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Another Side Of Me by Justin Enco Band is a mid-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its bright, confident, and dramatic tone makes it useful for art house, coming of age, and drama, especially where the picture needs accessible character energy without over-explaining the scene.

Lyrics

Lost in your eyes
I see you staring at me
Been such a long, long time
Thought this never would be
Relieved to see you go
Wish I could be right there
Afraid of being a fool, well
A fool would never care

Like I do
And staring back at you
And you could be
Another side of me

Long day it's been
So are these nights
Maybe if I could just see you then
Everything would be alright

Run around in circles
Thought this wasn't meant to be
We're complicated games
Guess we're too blind to see

This through
I'm staring back at you
You could be
Another side of me
Yeah

Well, I have no doubts
It's simply clear to me
But I know I could work this out
If only let it be

Like I do
Instead of back at you
And you could be here, yeah
Another side of me, yeah

Artist Bio

Justin Enco Band delivers direct, guitar-led songs with human vocal presence, rock drive, and singer-songwriter accessibility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
APPARITION WORLD — THADEUS GONZALEZ

OMR Cue Map

Track: APPARITION WORLD
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 132 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around identity, loneliness, and loss make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 132
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Reflective / Upbeat
Sync Themes: Art House / Fantasy / Horror / Mystery / Sci-Fi
Lyric Themes: Identity / Loneliness / Loss / Love / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Banjo / Drums

Track Summary:
Apparition World by Thadeus Gonzalez is a high-energy male-vocal cue/song built around acoustic guitar, banjo, and drums. Its reflective and upbeat tone makes it useful for art house, fantasy, and horror, especially where the picture needs grit and conflict without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Art House / Fantasy / Horror / Mystery / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Art House / Fantasy / Horror / Mystery / Sci-Fi.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Apparition World by Thadeus Gonzalez is a high-energy male-vocal cue/song built around acoustic guitar, banjo, and drums. Its reflective and upbeat tone makes it useful for art house, fantasy, and horror, especially where the picture needs grit and conflict without over-explaining the scene.

Lyrics

Oh, you can feel alone, you can feel the tides, you can feel them rising, oh my Lord
Every time you move, always feel marooned, starts to confuse and oh my Lord
And it holds you
And it burns you
I'm picking up on all that has been torn down
I'm looking at faces that I have forgotten about
In apparition world
Apparition world
Eyes, they can trick your eyes, what you think you see, what you think it means, ghosts in the street
Everything you lose, comes back new, or comes back used alive in the breeze
And it holds you
And it burns you
I'm picking up on all that has been torn down
I'm looking at faces that I have forgotten about
A final word before this all is burnt down
In apparition world
Apparition world
In apparition world
In apparition world
I'm picking up on all that has been torn down
I'm looking at faces that I have forgotten about
A final word before you all leave this town
In apparition world
Apparition world
In apparition world
Apparition world
In apparition world
Apparition world
In apparition world
Apparition world

Artist Bio

Thadeus Gonzalez delivers muscular rock, punk, and metal energy with vocal intensity, attitude, and strong dramatic edge for conflict-driven scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ARMAGEDDON BLUES — OMR

OMR Cue Map

Track: ARMAGEDDON BLUES
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 67 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Partially - loop instrumental sections, intros, or post-chorus passages rather than full vocal sections.
Best Loop Candidates: Intro texture; central rhythmic bed; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around love, strength, and success make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 67
Genres: Blues / Cinematic / Gospel / Indie / Rock / Soul
Vocals: Male Vocal
Moods: Angry / Bright / Chill / Cinematic / Confident / Dark / Dramatic / Gritty / Retro / Sad / Serious / Somber / Swagger
Sync Themes: Adventure / Crime / Drama / Fantasy / Horror / Romance / War
Lyric Themes: Love / Strength / Success / Survival
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Flute / Percussion / Synth

Track Summary:
Armageddon Blues by Omr is a slow-burn male-vocal cue/song built around bass, drums, and electric guitar. Its angry, bright, and chill tone makes it useful for adventure, crime, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Adventure / Crime / Drama / Fantasy / Horror / Romance / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Adventure / Crime / Drama / Fantasy / Horror / Romance / War.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Armageddon Blues by Omr is a slow-burn male-vocal cue/song built around bass, drums, and electric guitar. Its angry, bright, and chill tone makes it useful for adventure, crime, and drama, especially where the picture needs cinematic atmosphere without over-explaining the scene.

Lyrics

VERSE 1
I hear a ring, I know it’s her
I reach for the phone, it’s all a blur
And then I feel a chill running through my bones
“Baby got some bad news, it’s Armageddon Blues”

The end of the world as I know it
A time for purification
I drank from the fountain of knowledge
Now I feel her wrath

CHORUS
It’s back, It’s back, It’s back, It’s back
It’s back to the drugs and booze
It’s Armageddon Blues

VERSE 2
My friends, have you heard
In the Torrid Zone, a dark, dark world
“Baby broke the rules, now it’s Armageddon Blues”
Rehabilitation, reach up to the sky
“Lord I beg you to save this sinner”

CHORUS
He’s back, he’s back, he’s back, he’s back
No more drugs and no more booze
No Armageddon Blues

VERSE 3
I hear a ring, I hope it’s her
Picks up the phone, not really sure
“Baby got some good news, no more drugs and no more booze”

BRIDGE
It’s a spiritual awakening, a radical transformation
Lord he’s paid his dues, now he’s on the right track

CHORUS
I’m back, I’m back, I’m back, I’m back
No more drugs and no more booze
No Armageddon Blues

Artist Bio

OMR Music Production develops catalog-forward tracks shaped for sync discovery, emotional clarity, and practical use across film, television, and brand storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
AXE TO GRIND — LEE PALMER

OMR Cue Map

Track: AXE TO GRIND
Clean Intro: Yes - has a usable opening section for establishing tone before the main vocal or full arrangement.
Edit Points: Natural edits around intro, first lift, main groove/hook, breakdown, and final section; BPM 108 supports scene-aligned cutting.
Button Ending: Likely usable, depending on final edit; strongest impact is at the final cadence or last sustained arrangement moment.
Loopable: Yes - best for underscore, montage, transitions, and scene beds where a repeated groove or texture can sit under picture.
Best Loop Candidates: Intro texture; central groove; breakdown/bridge; final instrumental/vamp section.

Use Case:
Use the intro and first verse to establish character or setting, then let the hook/chorus carry emotional release. Lyrical themes around adventure, heartbreak, and power make it useful when the song can speak for the character without needing dialogue.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 108
Genres: Country / Funk / Pop / Rock
Vocals: Male Vocal
Moods: Confident / Dramatic / Driving / Emotive / Fun / Gritty / Powerful
Sync Themes: Crime / Drama / Western
Lyric Themes: Adventure / Heartbreak / Power / Regret / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Keyboard

Track Summary:
Axe To Grind by Lee Palmer is a up-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its confident, dramatic, and driving tone makes it useful for crime, drama, and western, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Sync Highlights:

• Primary category: Rock Swagger / Rebel Edge
• Scene utility: Crime / Drama / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock Swagger / Rebel Edge placements with crossover utility for Crime / Drama / Western.

Stem Tracks

Stems available on request / confirm with OMR before delivery.

Track Narrative

Axe To Grind by Lee Palmer is a up-tempo male-vocal cue/song built around bass, drums, and electric guitar. Its confident, dramatic, and driving tone makes it useful for crime, drama, and western, especially where the picture needs groove-forward storytelling without over-explaining the scene.

Lyrics

I never saw 'em coming, I didn't have a clue
You took me by surprise, that ain't easy to do
You covered me in your tears, then hung me out to dry
I never thought you'd leave me, baby, leave me behind with an axe to grind

I never thought you'd run into another man's arms
I never thought you'd love him and fall for his charms
Now you cover him in kisses
Cling to him like a vine
I never thought you'd leave me, baby
Leave me behind with an axe to grind

I got an axe to grind
I got an axe to grind
I got an axe to grind
I got an axe to grind

I gotta give you credit
You withdrew all you could get
I'm here to tell you, baby, it ain't over yet

I got an axe to grind
I got an axe to grind
I got an axe to grind
I got an axe to grind
I never thought you'd leave me, baby
Leave me behind with an axe to grind

Artist Bio

Lee Palmer writes roots, country, funk, pop, and rock material with a lived-in vocal presence and strong character storytelling.