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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
O QUANTA QUALIA — KRISTIN SWEETLAND

OMR Cue Map

Track: O QUANTA QUALIA
Clean Intro: Moderate
Edit Points: Percussion entries, string swells, and vocal phrase endings provide edit handles.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro atmosphere; percussion bed; string-synth undercurrent.

Use Case:
Strong sync usability for candlelit interiors, ritual movement, dreamlike romance, reflective fantasy, or an art-house transition into the unseen.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 83
Genres: Ambient / World
Vocals: Female Vocal
Moods: Atmospheric / Bright / Dark / Dreamy / Minimal / Reflective / Rhythmic
Sync Themes: Art House / Drama / Fantasy / Romance / Thriller
Lyric Themes: Celebration
Type: One Stop

Instrumentation:
Acoustic Guitar / Percussion / Strings / Synth

Track Summary:
O QUANTA QUALIA blends expressive vocals, atmospheric, bright, dark, dreamy, minimal, reflective, rhythmic textures and sync-focused pacing into a cue designed for mystical art-house storytelling.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: ritual atmosphere, dream sequence, spiritual reflection
• Sync themes: Art House / Drama / Fantasy / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for ritual atmosphere, dream sequence, spiritual reflection.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

O QUANTA QUALIA blends expressive vocals, atmospheric, bright, dark, dreamy, minimal, reflective, rhythmic textures and sync-focused pacing into a cue designed for mystical art-house storytelling.

Lyrics

"O quanta qualia
Sunt illa sabbata
Quae semper celebrat
Superna curia
Quae fessis requies
Quae merces fortibus
Cum erit omnia
Deus in omnibus
Oh how many, how great are the Sabbaths
Which the celestial court celebrates eternally
Which are the rest of the weary, the reward of the strong
When god will be all things
In all things…"

Artist Bio

KRISTIN SWEETLAND creates emotionally grounded folk, ambient, and world-influenced music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONCE A BRIGHT SHINE ONLY TO RECLUSE — RADAGAST THE BROWN

OMR Cue Map

Track: ONCE A BRIGHT SHINE ONLY TO RECLUSE
Clean Intro: Yes
Edit Points: Texture shifts, piano motifs, and swell points create flexible edit handles.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Piano motif; synth drone; string-swell bed.

Use Case:
Strong sync usability for investigative quiet, isolated rooms, science-fiction loneliness, character withdrawal, or a slow reveal that remains emotionally controlled.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 119
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Atmospheric / Light / Minimal / Moody / Reflective / Tension
Sync Themes: Drama / Mystery / Indie / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Strings / Synth

Track Summary:
ONCE A BRIGHT SHINE ONLY TO RECLUSE blends instrumental textures, atmospheric, minimal, moody, reflective, tension and sync-focused pacing into a cue designed for ambient mystery and psychological drift.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: memory haze, sci-fi unease, restrained suspense
• Sync themes: Drama / Mystery / Indie / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for memory haze, sci-fi unease, restrained suspense.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONCE A BRIGHT SHINE ONLY TO RECLUSE blends instrumental textures, atmospheric, minimal, moody, reflective, tension and sync-focused pacing into a cue designed for ambient mystery and psychological drift.

Instrumental Usage

Fully instrumental and one-stop, “ONCE A BRIGHT SHINE ONLY TO RECLUSE” supports cinematic storytelling without lyrical distraction. Especially useful for memory haze, sci-fi unease, restrained suspense.

Artist Bio

RADAGAST THE BROWN creates ambient and electronic cues with cinematic restraint, focused on mood, isolation, memory, and slow psychological movement.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONE MORE TIME — CARLOS MIYARES

OMR Cue Map

Track: ONE MORE TIME
Clean Intro: Yes
Edit Points: Sax phrases, horn entries, and rhythm changes create flexible edits.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Sax motif bed; guitar rhythm pocket; horn-supported lift.

Use Case:
Strong sync usability for late-night drives, noir investigation, lonely city movement, unresolved romance, or a dramatic transition with sophistication.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 80
Genres: Cinematic / Jazz / Rock
Vocals: Instrumental
Moods: Atmospheric / Chill / Cinematic / Dramatic / Hopeful / Moody / Reflective / Rhythmic / Romantic / Sad / Serious / Warm
Sync Themes: Adventure / Drama / Horror / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Saxophone

Track Summary:
ONE MORE TIME blends instrumental textures, atmospheric, chill, cinematic, dramatic, hopeful, moody, reflective, rhythmic, romantic, sad, serious, warm, and sync-focused pacing into a cue designed for cinematic jazz-rock reflection.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: noir travel, emotional investigation, restrained danger
• Sync themes: Adventure / Drama / Horror / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for noir travel, emotional investigation, restrained danger.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONE MORE TIME blends instrumental textures, atmospheric, chill, cinematic, dramatic, hopeful, moody, reflective, rhythmic, romantic, sad, serious, warm, and sync-focused pacing into a cue designed for cinematic jazz-rock reflection.

Instrumental Usage

Fully instrumental and one-stop, “ONE MORE TIME” supports cinematic storytelling without lyrical distraction. Especially useful for noir travel, emotional investigation, restrained danger.

Artist Bio

CARLOS MIYARES creates cinematic jazz instrumentals blending melodic saxophone colour with drama, atmosphere, and scene-ready motion.

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sergio@omrmusicproduction.com

Please reference:
ONLY IN THE LEAP FROM THE LION'S HEAD — RADAGAST THE BROWN

OMR Cue Map

Track: ONLY IN THE LEAP FROM THE LION'S HEAD
Clean Intro: Yes
Edit Points: Drone shifts, percussion entrances, and tension swells provide subtle edit points.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Dark synth bed; low pulse; tension swell.

Use Case:
Strong sync usability for hidden corridors, tense discovery, sci-fi thresholds, psychological uncertainty, or a quiet decision before action begins.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 121
Genres: Ambient
Vocals: Instrumental
Moods: Atmospheric / Dark / Minimal / Moody / Mysterious / Reflective / Tension
Sync Themes: Thriller / Mystery / Drama / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
ONLY IN THE LEAP FROM THE LION'S HEAD blends instrumental textures, atmospheric, dark, minimal, moody, mysterious, reflective, tension and sync-focused pacing into a cue designed for dark ambient suspense.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: threshold, leap of faith, sci-fi mystery, psychological pressure
• Sync themes: Thriller / Mystery / Drama / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for threshold, leap of faith, sci-fi mystery, psychological pressure.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONLY IN THE LEAP FROM THE LION'S HEAD blends instrumental textures, atmospheric, dark, minimal, moody, mysterious, reflective, tension and sync-focused pacing into a cue designed for dark ambient suspense.

Instrumental Usage

Fully instrumental and one-stop, “ONLY IN THE LEAP FROM THE LION'S HEAD” supports cinematic storytelling without lyrical distraction. Especially useful for threshold, leap of faith, sci-fi mystery, psychological pressure.

Artist Bio

RADAGAST THE BROWN creates ambient work for slow-burn tension, mystery, and atmospheric restraint without overt melodrama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OPEN SPACE — ELMER FERRER

OMR Cue Map

Track: OPEN SPACE
Clean Intro: Yes
Edit Points: Synth transitions, pulse changes, and ambient swells create edit points.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Main synth bed; rhythmic pulse; ambient outro.

Use Case:
Strong sync usability for open-road visuals, science-fiction environments, reflective montage, city-at-night movement, or a character stepping into unknown space.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 149
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Reflective
Sync Themes: Drama / Sci-Fi / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
OPEN SPACE blends instrumental textures, reflective mood, and sync-focused pacing into a cue designed for expansive electronic underscore.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: open landscape, sci-fi drift, internal horizon
• Sync themes: Drama / Sci-Fi / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for open landscape, sci-fi drift, internal horizon.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OPEN SPACE blends instrumental textures, reflective mood, and sync-focused pacing into a cue designed for expansive electronic underscore.

Instrumental Usage

Fully instrumental and one-stop, “OPEN SPACE” supports cinematic storytelling without lyrical distraction. Especially useful for open landscape, sci-fi drift, internal horizon.

Artist Bio

ELMER FERRER creates cinematic instrumental music built around atmosphere, movement, and emotional utility for underscore and scene transitions.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OPENNG TITLES — EZEKIEL HAMPTON

OMR Cue Map

Track: OPENNG TITLES
Clean Intro: Moderate
Edit Points: Phrase endings, synth changes, and percussion entries provide edit handles.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro bed; soft groove; reflective vocal-light passages.

Use Case:
Strong sync usability for opening titles, gentle montage, young romance, reflective indie drama, or a first look at a character’s private world.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 60
Genres: Indie
Vocals: Female Vocal
Moods: Atmospheric / Hopeful / Positive / Reflective
Sync Themes: Drama / Indie / Romance
Lyric Themes: Friendship / Heartbreak / Loss / Love
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
OPENNG TITLES blends expressive vocals, atmospheric, hopeful, positive, reflective, and sync-focused pacing into a cue designed for indie opening sequence and emotional setup.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: title card, memory montage, relationship beginning
• Sync themes: Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for title card, memory montage, relationship beginning.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OPENNG TITLES blends expressive vocals, atmospheric, hopeful, positive, reflective, and sync-focused pacing into a cue designed for indie opening sequence and emotional setup.

Lyrics

"I've learned something about love I never knew before
Think of love, then it's too late
Love was in this house once
Always listen closely when people say goodbye, because sometimes they are, they're really saying farewell"

Artist Bio

EZEKIEL HAMPTON creates indie and ambient-leaning music with emotional atmosphere and personal perspective for title sequences and intimate story openings.

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sergio@omrmusicproduction.com

Please reference:
ORBIT — KELSEY KINDALL (THE PARTIES)

OMR Cue Map

Track: ORBIT
Clean Intro: Yes
Edit Points: Vocal phrases, groove turns, and synth/piano movements create natural edit handles.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Minimal intro bed; verse groove; atmospheric refrain.

Use Case:
Strong sync usability for relationship tension, late-night longing, emotional relapse, art-house romance, or a character caught in someone else’s gravity.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 81
Genres: Pop / World
Vocals: Female Vocal
Moods: Atmospheric / Dark / Dreamy / Minimal / Moody / Rhythmic
Sync Themes: Romance / Drama / Indie / Art House / Thriller
Lyric Themes: Connection / Desire / Escape / Love / Struggle
Type: One Stop

Instrumentation:
Bass / Percussion / Piano / Synth

Track Summary:
ORBIT blends expressive vocals, atmospheric, dark, dreamy, minimal, moody, rhythmic, and sync-focused pacing into a cue designed for relationship gravity and unresolved attraction.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: gravity, attraction, emotional pattern, relationship pull
• Sync themes: Romance / Drama / Indie / Art House / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for gravity, attraction, emotional pattern, relationship pull.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ORBIT blends expressive vocals, atmospheric, dark, dreamy, minimal, moody, rhythmic, and sync-focused pacing into a cue designed for relationship gravity and unresolved attraction.

Lyrics

"This feels familiar
A tightening in my chest when you're with her
It doesn't matter
Find myself again stuck in this pattern

Spinning 'round in circles I'm upbeat
Can't seem to escape your gravity
Stuck in orbit I am
Stuck in orbit I am
Stuck in orbit I am
Stuck in orbit I am

I feel you pulling
Me to where you are it's so confusing
Know what you're doing
Try to resist but you always find a way to close the distance

Spinning 'round in circles I'm upbeat
Can't seem to escape your gravity
Stuck in orbit I am
Stuck in orbit I am
Stuck in orbit I am
Stuck in orbit I am

The whole world beams around you
I know you've got used to that
I would've given you the world but that wouldn't be enough to you

Stuck stuck in orbit I am
Stuck stuck in orbit I am
Stuck stuck in orbit I am
Stuck stuck in orbit I am"

Artist Bio

KELSEY KINDALL creates atmospheric cinematic pop with vulnerable vocals and emotional precision, useful for relationship tension and character-driven scenes.

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sergio@omrmusicproduction.com

Please reference:
OSCURO Y CLARO — ASTERIA

OMR Cue Map

Track: OSCURO Y CLARO
Clean Intro: Moderate
Edit Points: Rhythmic breaks, synth accents, and chorus returns provide edit handles.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Cool groove; synth motif; chorus bed.

Use Case:
Strong sync usability for stylish drama, relationship ambiguity, night movement, psychological contrast, or an art-house scene shifting between danger and beauty.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 90
Genres: Pop
Vocals: Female Vocal
Moods: Atmospheric / Bright / Cool / Dark / Moody / Mysterious / Rhythmic
Sync Themes: Art House / Drama / Thriller
Lyric Themes: Fear / Life / Strength
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard / Percussion / Synth

Track Summary:
OSCURO Y CLARO blends expressive vocals, atmospheric, bright, cool, dark, moody, mysterious, rhythmic, and sync-focused pacing into a cue designed for Latin pop mystery and duality.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: light-dark contrast, stylish drama, emotional tension
• Sync themes: Art House / Drama / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for light-dark contrast, stylish drama, emotional tension.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OSCURO Y CLARO blends expressive vocals, atmospheric, bright, cool, dark, moody, mysterious, rhythmic, and sync-focused pacing into a cue designed for Latin pop mystery and duality.

Lyrics

"Tengo el universo en mí
I have the darkness and the light
Lo bueno y lo malo,
oscuro y claro
Tengo el universo en mí
I have the universe inside
oscuro y claro, oscuro y claro
Intento ser la mejor versión que pueda, siempre fallaré
No tengo miedo de intentarlo una y otra vez
La vida es un constante, constante aprendizaje
que nunca se termina mientras aún respiras
Tengo el universo en mí
I have the universe inside
oscuro y claro
Yes I do
Tengo el universo en mí misma
I have the darkness and the light
oscuro
Yes I do
Dentro de mi cuerpo, lo oscuro infinito, tan denso como agujero negro, que atrapa mi luz en el abismo
Creando pesadillas que transtornan, vividos sueños que están dentro de mí, sé lo que quieren decir
Sé lo que quieren decir
Tengo el universo en mí
I have the darkness and the light
Oh yeah
claro
Yes I do
Tengo el universo en mí misma
I have the universe inside
oscuro y claro
Yes I do
Todo lo que sucede, suele suceder
El cuerpo cambia y la mente cambia también
Tengo espacio en mi soledad, tengo paz para crear
Dejar que me lleve el viento y con mis hojas volar
I have the universe, it's inside of me, there's no denying it
I have the universe, there's no denying it, there's no hiding it
I have the universe, it's inside of me, there's no hiding it, no denying it
I have the universe, it's inside
Tengo el universo
all good, bad, darkness and light
inside
inside of me
Tengo el universo en mí
I have the universe inside
It's inside
Tengo el universo en mí
I have the darkness and the light
Tengo el universo en mí misma
I have the universe."

Artist Bio

ASTERIA creates polished atmospheric pop with rhythmic detail, useful for stylish drama, emotional contrast, and modern character-driven scenes.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
OUR CHANCES — ELMER FERRER

OMR Cue Map

Track: OUR CHANCES
Clean Intro: Yes
Edit Points: Natural transitions present throughout with strong pulse and atmospheric movement.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro pulse; mid-section tension bed; ambient rhythmic passages.

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, crime tension, and mystery escalation.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 85
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Atmospheric / Bright / Building / Dark / Dramatic / Intense / Minimal / Moody / Mysterious / Percussive / Reflective / Rhythmic / Tension
Sync Themes: Thriller / Crime / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Synth

Track Summary:
OUR CHANCES blends instrumental textures, atmospheric, bright, building, dark, dramatic, intense, minimal, moody, mysterious, percussive, reflective, rhythmic, tension and sync-focused pacing into a cue designed for suspenseful cinematic underscore.

Sync Highlights:

• Primary category: Atmospheric / Art House / Cinematic Reflection
• Secondary utility: dialogue support, transitions, and narrative bed
• Sync themes: Thriller / Crime / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Art House / Cinematic Reflection placements with crossover utility for dialogue support, transitions, and narrative bed.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OUR CHANCES blends instrumental textures, atmospheric, bright, building, dark, dramatic, intense, minimal, moody, mysterious, percussive, reflective, rhythmic, tension and sync-focused pacing into a cue designed for suspenseful cinematic underscore.

Instrumental Usage

Fully instrumental and one-stop, “OUR CHANCES” supports cinematic storytelling without lyrical distraction. Especially useful for dialogue support, transitions, and narrative bed.

Artist Bio

ELMER FERRER creates cinematic instrumental music built around atmosphere, movement, and emotional utility for underscore and scene transitions.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OLD PICTURE, OLD FRAME — LEE PALMER

OMR Cue Map

Track: OLD PICTURE, OLD FRAME
Clean Intro: Moderate
Edit Points: Harmonica phrases, sax/piano fills, and verse endings provide natural edits.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Harmonica bed; piano/sax fills; acoustic groove.

Use Case:
Strong sync usability for photo-album moments, returning to an old room, late-life reflection, romantic memory, or a gentle western-tinged transition.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 104
Genres: Blues / Folk / Singer-Songwriter
Vocals: Male Vocal
Moods: Hopeful / Nostalgic / Positive / Reflective / Sad / Serious
Sync Themes: Romance / Western
Lyric Themes: Friendship / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Percussion / Piano / Saxophone

Track Summary:
OLD PICTURE, OLD FRAME blends expressive vocals, hopeful, nostalgic, positive, reflective, sad, serious, and sync-focused pacing into a cue designed for memory and relationship history.

Sync Highlights:

• Primary category: Human Connection / Emotional Consequence
• Secondary utility: memory, old photographs, intimate relationship history
• Sync themes: Romance / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Emotional Consequence placements with crossover utility for memory, old photographs, intimate relationship history.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OLD PICTURE, OLD FRAME blends expressive vocals, hopeful, nostalgic, positive, reflective, sad, serious, and sync-focused pacing into a cue designed for memory and relationship history.

Lyrics

"It's an old picture in an old frame
Weathered and worn, tarnished and stained
Time has taken its toll, showing its age
Memories abound
They're beginning to fade

It's an old picture
Alone on the shelf
Covered in dust
Stories to tell

I'm taking it with me
Packed up in a box
No one will see it
Just like it was lost

I've had a chance to ponder
It's all part of this game
I'm that old picture
In an old frame
I'm that old picture
In an old frame

Time flies by
Like a jet airliner
Soon disappearing
Into the horizon

Can't fall asleep
I'll miss the ride
Gonna keep moving
Eyes open wide

I've had a chance to ponder
It's all part of this game
I'm that old picture
And an old friend
I'm that old picture
And an old friend

Na, na, na, na, na, na, na, na, na, na, na, na, na, na, na"

Artist Bio

LEE PALMER creates roots-based songs with narrative weight, giving supervisors strong options for memory, regret, warmth, and character history.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OLHA O SOL — MARITO MARQUES

OMR Cue Map

Track: OLHA O SOL
Clean Intro: Moderate
Edit Points: String entrances, guitar phrases, and vocal line endings create subtle edit points.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Acoustic guitar bed; piano-string support; soft outro texture.

Use Case:
Strong sync usability for quiet departures, family separation, reflective indie drama, foreign-language atmosphere, or a character sitting with loss.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 61
Genres: Folk / Singer-Songwriter / World
Vocals: Male Vocal
Moods: Sad
Sync Themes: Art House / Coming Of Age / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Percussion / Piano / Strings

Track Summary:
OLHA O SOL blends expressive vocals, sad emotional tone, and sync-focused pacing into a cue designed for intimate world-folk drama.

Sync Highlights:

• Primary category: Human Connection / Emotional Consequence
• Secondary utility: longing, quiet grief, human-scale emotional scenes
• Sync themes: Art House / Coming Of Age / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Emotional Consequence placements with crossover utility for longing, quiet grief, human-scale emotional scenes.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OLHA O SOL blends expressive vocals, sad emotional tone, and sync-focused pacing into a cue designed for intimate world-folk drama.

Lyrics

Hum de oh, e ra e ra e ra, e re e re oh
De oh de oh, hum de oh, e ra e ra e ra, e re e re oh
De da e da e da de da de
Hum-ka-hum-ka, hum-ka-hum-ka, hum-ka, hum-ka, hum-ka
Hum-ka, hum-ka, hum-ka
Hum-ka, hum-ka, hum-ka, hum-ka, hum-ka
Hum-ka, hum-ka, hum-ka, hum-ka, hum-ka, hum-ka
Olha o sol, amanhã vamos renascer
Rasga o céu, colhe estrelas dentro do teu ser
Canta o mar, canta os sonhos que temos para reviver
Vive sem mim, canto por ti
Tu, tu, tu, tu, tu, tu, tu
(tu, tu, tu, tu, tu, tu)
Olha o sol, amanhã vamos renascer
Rasga o céu, colhe estrelas dentro do teu ser
Canta o mar, tantos sonhos que temos para reviver
Vives em mim, canto por ti

Artist Bio

MARITO MARQUES creates world, folk, and singer-songwriter music with emotionally direct performances suited to intimate human drama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ON ALL FOURS — DANE HARTSELL

OMR Cue Map

Track: ON ALL FOURS
Clean Intro: Moderate
Edit Points: Dynamic lifts, guitar changes, and vocal phrase endings offer strong edit points.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Moody verse bed; guitar build; restrained chorus section.

Use Case:
Strong sync usability for bedroom aftermath, late-night regret, strained romance, personal collapse, or a character trying to stay composed while unraveling.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 75
Genres: Ballads / Indie / Rock / Singer-Songwriter
Vocals: Male Vocal
Moods: Chill / Dramatic / Intense / Light / Love / Moody / Powerful / Retro / Sad / Serious / Tension
Sync Themes: Drama / Romance
Lyric Themes: Betrayal / Conflict / Escape / Freedom / Heartbreak / Identity / Loneliness / Loss / Pain / Power / Rebellion / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
ON ALL FOURS blends expressive vocals, dramatic tension, retro colour, and sync-focused pacing into a cue designed for messy relationship scenes and character vulnerability.

Sync Highlights:

• Primary category: Human Connection / Emotional Consequence
• Secondary utility: breakup aftermath, emotional volatility, confessional rock drama
• Sync themes: Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Emotional Consequence placements with crossover utility for breakup aftermath, emotional volatility, confessional rock drama.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ON ALL FOURS blends expressive vocals, dramatic tension, retro colour, and sync-focused pacing into a cue designed for messy relationship scenes and character vulnerability.

Lyrics

"So much that I've given
I feel like walking now
You took more than you needed
Now you're lying on the ground

I don't believe a word that you say
I'm down on my knees
Begging to please don't leave you
I'm down on all fours
You're begging for more from me, yeah

Crawling out the bathroom
Turn and say goodnight
No, I won't be back soon
Don't care how much you cry

Not open, diva
Word that you'll say
Oh, down on your knees
Begging me please don't leave you

Oh, down on our phones
You're begging for more from me

Just let it happen
Just let it run away
Just let it happen
Just let it run away

Down on your knees, begging me please don't leave
Down
Down on your knees, begging me please don't leave you
Down on all fours
You're begging for more from me, yeah

Oh
Down on your knees
Begging and pleading from me, yeah"

Artist Bio

DANE HARTSELL creates emotionally exposed indie and rock material with a strong narrative voice, useful for heartbreak, identity, and internal conflict.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONE DAY — JEROME TUCKER

OMR Cue Map

Track: ONE DAY
Clean Intro: Moderate
Edit Points: Horn phrases, chorus lifts, and drum/guitar changes provide clear edits.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Retro rhythm bed; horn responses; chorus lift.

Use Case:
Strong sync usability for church-adjacent reflection, family reconciliation, recovery montage, romantic forgiveness, or a dramatic moment of moral resolve.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 56
Genres: Gospel / R&B / Rock / Soul
Vocals: Male Vocal
Moods: Bright / Dark / Dramatic / Powerful / Retro
Sync Themes: Adventure / Drama / Romance
Lyric Themes: Faith / Life / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion

Track Summary:
ONE DAY blends expressive vocals, bright, dark, dramatic, powerful, retro, and sync-focused pacing into a cue designed for perseverance and emotional uplift.

Sync Highlights:

• Primary category: Human Connection / Emotional Consequence
• Secondary utility: faith, perseverance, reconciliation, emotional uplift
• Sync themes: Adventure / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Emotional Consequence placements with crossover utility for faith, perseverance, reconciliation, emotional uplift.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONE DAY blends expressive vocals, bright, dark, dramatic, powerful, retro, and sync-focused pacing into a cue designed for perseverance and emotional uplift.

Lyrics

"So shine
Some morning I don't even know where I am
It's so beautiful
Sometimes the days just seem like they get harder and harder
It's always
Pull it together and make it do something

First day you're born
And then you live your life
Then the good Lord says it's over anytime

But trust yourself
Don't trust no one else, no, no
'Cause in the good life, baby
No one knows you, no one knows you
As good as yourself

Life's trials
And tribulation
Will always try to get you down
Hold on to your love
Because it comes to you
Hold on, hold on to faith
'Cause it's up to you, oh

Sunshine all day
It's so beautiful
So much time on the day
It's so beautiful this highway

Yes Lord, I've been shooting so hard
Make it, put it together
One day, yeah, now

I'd like to look at the stars
And see the beauty, the beauty, the beauty of the dark
I'd like to see the beauty of the dark
One day, one day, one day

I'd like to look into the sky
See beyond the galaxy
Far, far over to the night

'Cause life's a trial
And tribulation
Will always try to get, ah, get you down, listen, ah, ah

Hold on to your love
And faith will come, faith will come
To hold on to you

(So shine on the day)
It's so beautiful
It's a wonderful world
Some way
It's a wonderful world and a
Some
Ocean
It's a wonderful world
All day

It's a wonderful
It's so beautiful
And a
Some way
Life
Meant for me and you
Ocean
All day

Life, life was meant to
It's so beautiful
Life, life was meant
Me and you
Soul to share
All day
It's so beautiful"

Artist Bio

JEROME TUCKER creates gospel, soul, R&B, and rock-informed music with conviction and emotional uplift for scenes built around faith, love, and resilience.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
O LEANDER — KRISTIN SWEETLAND

OMR Cue Map

Track: O LEANDER
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Banjo groove beds; rhythm section passages; chorus lift sections.

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for road montage, family memory, rural drama, and roots character storytelling.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 83
Genres: Country / Folk
Vocals: Female Vocal
Moods: Driving / Hopeful
Sync Themes: Adventure / Art House / Drama / Thriller
Lyric Themes: Family / Home / Identity / Love / Time
Type: One Stop

Instrumentation:
Banjo / Bass / Drums / Electric Guitar

Track Summary:
O LEANDER blends expressive vocals, driving, hopeful, and sync-focused pacing into a cue designed for roots character, road memory, family history.

Sync Highlights:

• Primary category: Americana / Roots / Character Stories
• Secondary utility: roots character, road memory, family history
• Sync themes: Adventure / Art House / Drama / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana / Roots / Character Stories placements with crossover utility for roots character, road memory, family history.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

O LEANDER blends expressive vocals, driving, hopeful, and sync-focused pacing into a cue designed for roots character, road memory, family history.

Lyrics

"Driving by, say hello
Witchita, New Mexico
Carolina, Iowa
Oglala, Omaha
Late night, radio
Arizona, Navajo
Ride away, hide away heart

O Leander O Leander
Since you left across the black waters wide
O Leander O Leander
There is none save the thunder inside

Here we go again
Colorado, Oregon
Wheat fields, graveyards
Coal mines, postcards
Indiana, Manitoba
Old Chicago, Oklahoma
Rain clouds, water runs down

O Leander O Leander
Since you left across the black waters wide
O Leander O Leander
There is none save the thunder inside

Big snow, drive slow
Homeland, Ontario
Smoke stack silhouettes
Coffee cups, cigarettes
Go south, white line
Blueridge, moonshine
Shenandoah River run wild

4 wheels, 2 lanes
Say goodbye, people change
I’ll come back somehow
Or alone I’ll always be
A sailor on the ever sea
No wind, no sail, no sound

O Leander O Leander
Light the torch in the signal tower
O Leander O Leander
Waves break foam like the whitest flower

O Leander O Leander
Since you left across the black waters wide
O Leander O Leander
There is none save the thunder inside"

Artist Bio

KRISTIN SWEETLAND creates emotionally grounded folk and roots music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OLD DOG TOO — LEE PALMER

OMR Cue Map

Track: OLD DOG TOO
Clean Intro: Moderate
Edit Points: Verse turnarounds, piano/guitar breaks, and chorus returns offer clean edit options.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Piano-guitar groove; bluesy turnaround; chorus bed.

Use Case:
Strong sync usability for diner scenes, barroom conversations, quirky introductions, low-stakes mystery, or reflective characters trading old stories.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 84
Genres: Blues / Country / Singer-Songwriter
Vocals: Female Vocal / Male Vocal
Moods: Carefree / Chill / Relaxing / Somber / Warm
Sync Themes: Comedy / Mystery / Video Game
Lyric Themes: Identity / Life / Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Piano

Track Summary:
OLD DOG TOO blends expressive vocals, carefree, chill, relaxing, somber, warm, and sync-focused pacing into a cue designed for wry Americana character moments.

Sync Highlights:

• Primary category: Americana / Roots / Character Stories
• Secondary utility: barroom warmth, aging friendship, offbeat small-town scenes
• Sync themes: Comedy / Mystery / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana / Roots / Character Stories placements with crossover utility for barroom warmth, aging friendship, offbeat small-town scenes.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OLD DOG TOO blends expressive vocals, carefree, chill, relaxing, somber, warm, and sync-focused pacing into a cue designed for wry Americana character moments.

Lyrics

"I'm an old dog too
Just like you
I still got a bark
I still got a bite
I still got things I like to chew
All in all I would say
You've helped me make it through
I'm just like you
I'm an old dog too
I've got some aches
Slow me down
But that ain't nothing, there's a pill for every something
Yeah, that ends up coming 'round
Life is good, don't you agree?
There's no rush to get through, I'm just like you
I'm an old dog too
When they lay me down
I plan to go with grace
Red rosy cheeks
Twinkle in my eye
Every hair I have in place
Till that day comes
I'll keep on
Just doing what I do
I'm just like you
I'm an old dog too
I'm just like you
I'm an old dog too"

Artist Bio

LEE PALMER creates blues, country, and roots storytelling with weathered character, humour, romance, and reflective life experience built into the performances.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONE FOR JIMMY C — PAT CAREY

OMR Cue Map

Track: ONE FOR JIMMY C
Clean Intro: Yes
Edit Points: Solo handoffs, horn stabs, and section turns offer excellent edit points.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Piano-guitar comp; sax solo bed; horn ensemble passages.

Use Case:
Strong sync usability for cocktail lounges, dinner scenes, classy comedic entrances, vintage interiors, or romantic city-night transitions.

Sync Pitch Sheet

Song Profile:
Key: Bb Minor
BPM: 86
Genres: Jazz / Party
Vocals: Instrumental
Moods: Confident / Cool / Party / Romantic
Sync Themes: Comedy / Historical / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Piano / Saxophone

Track Summary:
ONE FOR JIMMY C blends instrumental textures, confident, cool, party, romantic and sync-focused pacing into a cue designed for cool jazz character.

Sync Highlights:

• Primary category: Americana / Roots / Character Stories
• Secondary utility: lounge, classy comedy, romantic sophistication
• Sync themes: Comedy / Historical / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana / Roots / Character Stories placements with crossover utility for lounge, classy comedy, romantic sophistication.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONE FOR JIMMY C blends instrumental textures, confident, cool, party, romantic and sync-focused pacing into a cue designed for cool jazz character.

Instrumental Usage

Fully instrumental and one-stop, “ONE FOR JIMMY C” supports cinematic storytelling without lyrical distraction. Especially useful for lounge, classy comedy, romantic sophistication.

Artist Bio

PAT CAREY creates jazz-forward instrumental music with swing, ensemble character, and strong performance energy for classy, human, scene-ready cues.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONE MORE RIVER TO CROSS — OMR

OMR Cue Map

Track: ONE MORE RIVER TO CROSS
Clean Intro: Moderate
Edit Points: Harmonica breaks, chorus lifts, and rhythm transitions provide strong edit anchors.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Harmonica groove; driving acoustic-electric bed; chorus lift.

Use Case:
Strong sync usability for frontier travel, road struggle, protest-era drama, western montage, or a character deciding to keep going despite resistance.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 123
Genres: Ballads / Country / Folk / Rock / Singer-Songwriter / Vintage
Vocals: Male Vocal
Moods: Angry / Dramatic / Hopeful / Love / Serious
Sync Themes: Action / Adventure / Drama / Historical / Romance / Western
Lyric Themes: Conflict / Hope / Love / Power
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Harmonica / Percussion

Track Summary:
ONE MORE RIVER TO CROSS blends expressive vocals, angry, dramatic, hopeful, love, serious, and sync-focused pacing into a cue designed for physical, emotional, and moral movement.

Sync Highlights:

• Primary category: Americana / Roots / Character Stories
• Secondary utility: crossing, struggle, western resolve, historical movement
• Sync themes: Action / Adventure / Drama / Historical / Romance / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana / Roots / Character Stories placements with crossover utility for crossing, struggle, western resolve, historical movement.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONE MORE RIVER TO CROSS blends expressive vocals, angry, dramatic, hopeful, love, serious, and sync-focused pacing into a cue designed for physical, emotional, and moral movement.

Lyrics

Verse 1
I spent seven long years in a Tupelo jail
They said I killed a man
I was framed for a crime I didn’t commit
Now I’m ready to make my stand
He locked me in this six by eight
I counted every single day
I knew one day that I’d get out
And I’d make that Marshal pay
Chorus
I’ve got one more river to cross
One more mountain to climb
One more man to kill
Before I take back all that’s mine
Verse 2
She spent seven long years in this house
With that poor excuse of a man
Shoulder to shoulder with the devil himself
It was time to make my stand
I called him out with the sun at my back
He pushed his way through the door
With a star on his chest and all dressed in black
He looked ready to fight a war
Chorus
I’ve got one more river to cross
One more mountain to climb
One more man to kill
Before I take back all that’s mine
Verse 3
He looked at me with a smirk on his face
Asked me “why had I come?”
I said I was there to take it all back
Then I saw the twitch of his thumb
He held a Winchester across his arms
Had his sights on me
I drew and shot him between the eyes
And watched as he dropped to his knees
Chorus (x2)
I’ve got one more river to cross
One more mountain to climb
One more man to kill
Before I take back all that’s mine
Bridge
I lifted her head and looked in her eyes
Tears falling onto my hand
She turned to look at the fallen dead
And spit on that evil man
I held her body close to mine
Could feel there was no more pain
She pushed me away with the hint of a smile
And said we can start over again
Chorus (Repeat)
I’ve got one more river to cross
One more mountain to climb
One more man to kill
Before I take back all that’s mine

Artist Bio

OMR Music Production develops emotionally resonant cinematic music blending melodic atmosphere, emotional momentum, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OCEAN BEACH — TIFFANY JOY

OMR Cue Map

Track: OCEAN BEACH
Clean Intro: Yes
Edit Points: Percussion breaks, guitar phrases, and chorus returns create obvious edit anchors.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Acoustic guitar groove; percussion pocket; chorus vamp.

Use Case:
Strong sync usability for beach arrivals, street-market movement, first-date travel, lifestyle montage, or a young character stepping into a brighter chapter.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 84
Genres: Latin / R&B / Singer-Songwriter
Vocals: Female Vocal
Moods: Positive / Romantic / Upbeat
Sync Themes: Adventure / Comedy / Coming Of Age / Indie
Lyric Themes: Desire / Identity / Power / Success / Unity
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Percussion

Track Summary:
OCEAN BEACH blends expressive vocals, positive, romantic, upbeat, and sync-focused pacing into a cue designed for coastal movement and relationship warmth.

Sync Highlights:

• Primary category: Groove / Motion / Travel Energy
• Secondary utility: beach montage, playful escape, warm relationship energy
• Sync themes: Adventure / Comedy / Coming Of Age / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Travel Energy placements with crossover utility for beach montage, playful escape, warm relationship energy.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OCEAN BEACH blends expressive vocals, positive, romantic, upbeat, and sync-focused pacing into a cue designed for coastal movement and relationship warmth.

Lyrics

"Maybe as the tide rolls in
An ocean breeze upon my skin
It's quite a pensive state I'm in
On such a pleasant night
Thinking of how fortune lies
Just anywhere I set my eyes
Another tempting to disguise
Just waiting to be revealed
And the only way I'll ever make it to the point of bearing naked my soul desires, heart conspires is just by learning to see me
not as a captive to a plan, but rather the controlling man who holds the power in his hand
To unleash creativity, yeah

Underneath this midnight sky
A late-night dream has passed me by
That's not me and I'm sitting dry
Soaked in melodic splendor
And the only way I'll ever make it to the point of bearing naked my soul desires, heart conspires is just by learning to see me
not as a captive to a plan, but rather the controlling man who holds the power in his hand
To unleash creativity, yeah
And spill the truth of poetry
spill the truth of poetry
On every and only face I see, yeah
every face I see
To define my reality
And learn to love my face
And learn to love my face
And learn to love my face"

Artist Bio

TIFFANY JOY creates bright, rhythm-forward music blending global pop warmth, relationship energy, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OCTUBRE — PAVLO CARTAGINESE

OMR Cue Map

Track: OCTUBRE
Clean Intro: Yes
Edit Points: Pulse shifts, cello phrases, and synth transitions create strong edit points.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Main synth pulse; cello motif bed; rhythm groove.

Use Case:
Strong sync usability for urban tracking shots, relationship tension, mystery montage, boutique crime movement, or art-house momentum.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 125
Genres: Electronic / Indie / Rock
Vocals: Instrumental
Moods: Atmospheric / Dreamy / Moody / Rhythmic
Sync Themes: Action / Art House / Indie / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Cello / Strings / Synth

Track Summary:
OCTUBRE blends instrumental textures, atmospheric, dreamy, moody, rhythmic, and sync-focused pacing into a cue designed for stylish night movement.

Sync Highlights:

• Primary category: Groove / Motion / Travel Energy
• Secondary utility: urban movement, stylish mystery, nocturnal romance
• Sync themes: Action / Art House / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Travel Energy placements with crossover utility for urban movement, stylish mystery, nocturnal romance.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OCTUBRE blends instrumental textures, atmospheric, dreamy, moody, rhythmic, and sync-focused pacing into a cue designed for stylish night movement.

Instrumental Usage

Fully instrumental and one-stop, “OCTUBRE” supports cinematic storytelling without lyrical distraction. Especially useful for urban movement, stylish mystery, nocturnal romance.

Artist Bio

PAVLO CARTAGINESE creates instrumental music with indie, rock, world, and cinematic textures, pairing melodic movement with scene-ready rhythmic drive.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONE TAKE — LEE PALMER

OMR Cue Map

Track: ONE TAKE
Clean Intro: Moderate
Edit Points: Riff breaks, drum fills, and chorus hits create strong edit points.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Main guitar riff; drum groove; blues-rock vamp.

Use Case:
Strong sync usability for roadhouse entrances, low-level crime movement, confident walk-ins, bar confrontations, or dramatic small-town standoffs.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 104
Genres: Blues / Rock / Soul
Vocals: Female Vocal / Male Vocal
Moods: Bright / Confident / Cool / Dramatic / Powerful / Retro / Serious
Sync Themes: Adventure / Crime / Drama / Mystery
Lyric Themes: Identity / Life / Love / Strength / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
ONE TAKE blends expressive vocals, bright, confident, cool, dramatic, powerful, retro, serious, and sync-focused pacing into a cue designed for swaggering blues-rock energy.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: roadhouse confidence, chase setup, character attitude
• Sync themes: Adventure / Crime / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for roadhouse confidence, chase setup, character attitude.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONE TAKE blends expressive vocals, bright, confident, cool, dramatic, powerful, retro, serious, and sync-focused pacing into a cue designed for swaggering blues-rock energy.

Lyrics

"Some folks have good looks
Some have personality
Some seem like they got it all going on
Others are walking tragedy

But there's someday you'll get
One chance (that changes everything)
One move
One dance, this life is one truth, one take
Don't wait

Some folks make a few mistakes
Some folks make a bundle
Some of us get stuck where we don't belong
Lost inside this jungle

Still there's some days we get
One chance (that changes everything)
One move, one dance
This life is one truth
There's one take
Don't wait

Some lives are filled with heartache
Some are filled with laughter
Well, it's time for actions now, baby
Not down the road or the hereafter

Yeah, there's some days we get
One chance (that changes everything)
One move, one dance
This life is one truth, one take
Don't wait

Yeah, baby, there's one take"

Artist Bio

LEE PALMER creates roots-rock and blues songs with gritty character, humour, and lived-in confidence for scenes needing human texture and attitude.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ONE WAY TRIP — PAUL REDDICK

OMR Cue Map

Track: ONE WAY TRIP
Clean Intro: Moderate
Edit Points: Harmonica riffs, groove breaks, and chorus returns offer strong edit handles.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Harmonica riff; shuffle groove; guitar-vocal break.

Use Case:
Strong sync usability for heist prep, dive-bar swagger, reckless road montage, sports attitude, or a comic-crime sequence with grit.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 95
Genres: Blues / Rock
Vocals: Male Vocal
Moods: Fun / Party / Quirky
Sync Themes: Action / Adventure / Crime / Drama / Indie / Sports / Thriller
Lyric Themes: Betrayal / Money / Power / Struggle / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica

Track Summary:
ONE WAY TRIP blends expressive vocals, fun, party, quirky, and sync-focused pacing into a cue designed for gritty blues-rock trouble.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: crime, rebellion, risky fun, reckless momentum
• Sync themes: Action / Adventure / Crime / Drama / Indie / Sports / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for crime, rebellion, risky fun, reckless momentum.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

ONE WAY TRIP blends expressive vocals, fun, party, quirky, and sync-focused pacing into a cue designed for gritty blues-rock trouble.

Lyrics

"Well you look so good in your fancy clothes
But you don't know about the way it goes
Ain't no trouble when we got the stuff
Oh there ain't no lovin when the times get tough

Now you're thinkin maybe this is hip
Well I'm sorry to say
You're on a one way trip

We done went on down to have a good time
You spend my dollar darlin like you spend my dime
It feels so good spendin cash
But I ain't got none ain't that the trash

Now you're thinkin maybe this is hip
Well I'm sorry to say darlin
You're on a one way trip

You can live it up when things are rockin
When the deal goes south you get to walkin
You had your chance you played your hand
Bad luck and trouble weren't in your plan

Now you're thinkin maybe this is hip
I'm sorry to say
You're on a one way trip"

Artist Bio

PAUL REDDICK creates blues music with grit, wit, and swagger, giving supervisors strong options for crime, road, rebellion, and character-driven edge.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
OPPOSITE — THADEUS GONZALEZ

OMR Cue Map

Track: OPPOSITE
Clean Intro: Moderate
Edit Points: Riff stops, chorus hits, and drum transitions offer strong edit points.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Main guitar riff; verse groove; chorus drive.

Use Case:
Strong sync usability for argument aftermath, rebellious driving, conflicted romance, teen/young-adult identity scenes, or indie-drama confrontation.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 79
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Confident / Dark / Driving / Moody / Powerful
Sync Themes: Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Conflict / Connection / Identity / Rebellion / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
OPPOSITE blends expressive vocals, confident, dark, driving, moody, powerful, and sync-focused pacing into a cue designed for alt-rock relationship conflict.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: rebellion, identity clash, tense romance
• Sync themes: Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for rebellion, identity clash, tense romance.

Stem Tracks

Stems not confirmed; request from OMR if needed.

Track Narrative

OPPOSITE blends expressive vocals, confident, dark, driving, moody, powerful, and sync-focused pacing into a cue designed for alt-rock relationship conflict.

Lyrics

"What you gonna see if you look
What you gonna see if you look now
feels like a fist in the jaw
Every time you turn around
you don't wanna see what goes on
Always scream everything's wrong
World could be burning outside
You'll never know why
Never know why
With opposite faces, everything's wasted
nobody looks you in the eye
Everyone's turning, nobody's learning
nobody looks, 'cause they can't decide
if you're look at me tonight
Different from you and from me
Different than what you wanna see
Only see what you want
So let the riot start up
Everything's wrong and you're right
You never give in, always fight
Don't turn your head towards me
'Cause you don't wanna see what I believe
With opposite faces, everything's wasted
nobody looks you in the eye
Everyone's turning, nobody's learning
nobody looks, 'cause they can't decide
with opposite faces
everything's wasted
with opposite faces
look at me, look at me tonight
All the eyes that roam
Looking up and down
Seeing all the changes
what I gotta know now
How we all up in the strangest places, places, places, places
with opposite faces
How we all up in the strangest places, places, places
with opposite faces
With opposite faces
everything's wasted
with opposite faces
Look at me, look at me tonight, tonight, tonight
Look at me tonight, tonight, tonight
Look at me tonight"

Artist Bio

THADEUS GONZALEZ creates guitar-forward rock with emotional bite, useful for rebellion, romantic friction, and character conflict.