Step 1
Understand the Approach
OMR is built with a supervisor-first mindset. Music is not evaluated only on style or genre, but on how effectively it works in picture. The focus is on usability, clarity, and how easily a track can support a scene.
Function over category
Tracks are considered for what they do in a scene. Emotional tone, pacing, and editability matter more than genre labels. Music that clearly supports a moment tends to move further.
Designed for picture
Strong openings, clear development, and defined endings are essential. Tracks that provide space for dialogue and can be shaped easily in the edit are significantly more usable.
Editability matters
Music that cuts cleanly, loops naturally, and adapts to different scene lengths creates flexibility. Subtle structure and restraint often outperform complexity in real-world use.
Quiet clarity
Music does not need to be loud to be effective. Tracks that communicate clearly, leave space, and support the narrative without competing for attention are often the most valuable.
Step 2
Prepare Your Submission
Before submitting, make sure the music is ready not only to be heard, but to be used. The strongest submissions are clear, complete, and easy to evaluate from both a creative and rights standpoint.
Submit finished material
Tracks should be fully produced, mixed, and ready for professional review. Demos, rough ideas, and unfinished versions are less useful in a sync context, where clarity and readiness matter immediately.
Think in scenes, not labels
It helps to know what your track actually does. Instead of only describing it by genre, consider how it functions in picture: tension, emotional underscore, propulsion, restraint, release, intimacy, atmosphere, or lift.
Prepare your metadata
Track titles, writer and publisher information, PRO details, and split clarity should be accurate before submission. Complete metadata reduces friction and helps move strong material forward more quickly.
Include useful versions where possible
Instrumentals, clean versions, alternate mixes, and stems are not always required at the first stage, but they add real value. Tracks that can adapt easily to picture tend to be more competitive.
Readiness creates momentum
The more complete the submission, the easier it is to assess fit and move quickly when something aligns. Preparation is not separate from opportunity. It is often what makes opportunity possible.
Before submitting, please review the OMR Artist Agreement.
Review Artist Agreement
Step 4
Submission Received
Once your submission is sent, our team reviews the music, metadata, and overall sync readiness. We are listening for strong songwriting and production, but also for editability, scene usefulness, and whether the material fits the supervisor-first standard we are building at OMR.
Review
Initial Evaluation
We assess fit, quality, mix readiness, metadata completeness, and sync potential.
Shortlist
Follow-Up If Aligned
If the material feels like a strong fit, we will reach out to continue the conversation.
Next Stage
Catalog & Workflow Review
Selected artists may be asked for assets, stems, alternates, split details, and delivery items.
What we look for
We respond best to music that is emotionally clear, professionally produced, metadata-ready, and genuinely useful in picture. That includes strong openings, workable edit points, clean endings, dependable ownership clarity, and assets that help us move quickly when a request comes in.
Due to submission volume, not every artist will receive an individual response. If there is a strong fit, we will be in touch.
Thank you for considering OMR.
Step 5
Delivery Standards
If your music moves forward, we may request additional materials to prepare it for placement. These standards are not barriers, but part of ensuring that when an opportunity appears, everything is ready to move quickly and without friction.
Audio Delivery
Final mixes should be delivered as high-quality WAV files (typically 24-bit), or MP3 files. Clean intros, workable edit points, and defined endings are essential for use in picture.
Versions & Alternates
Where applicable, we may request instrumental versions, clean versions, shortened edits, or alternate mixes. These variations make a track significantly more usable in real-world sync scenarios.
Stems & Flexibility
Stems are often requested to allow for dialogue adjustments, edits, and custom versions. Tracks that can be deconstructed cleanly tend to move further and faster.
Metadata & Ownership
Accurate metadata is essential. This includes writer and publisher information, PRO affiliation, split percentages, and confirmation of rights. One-stop clarity is strongly preferred wherever possible.
Lyrics & Content
For vocal tracks, lyrics may be requested along with clean versions where applicable. Clarity of language and editability are important considerations for placement.
Responsiveness
Timing matters. When a request comes in, decisions and deliveries often move quickly. Being responsive and prepared is one of the most important factors in successful placements.
Step 6
Frequently Asked Questions
Below are answers to common questions about submissions, review, and next steps.
Will I receive a response to my submission?
Due to submission volume, we are not able to respond to every submission. If there is a strong fit, we will reach out directly.
How long does the review process take?
Review times can vary depending on volume and project flow. Some submissions are reviewed quickly, while others may take additional time.
Can I submit more than one track?
Yes. You can submit multiple tracks within a single form. If needed, you can also submit additional material at a later time.
Do you accept full catalogs?
We often begin with a focused selection rather than full catalogs. If there is alignment, we can explore broader catalog integration.
Do I need to be one-stop?
One-stop tracks are preferred because they allow for faster clearance. However, we do review material that involves multiple rights holders if the process is clearly defined.
Can I update or replace tracks after submitting?
Yes. If your material evolves or improves, you are welcome to resubmit or provide updated versions when appropriate.
Does submission guarantee representation or placement?
No. Submission is the first step in a review process. Placement opportunities depend on fit, timing, and project needs.
What kind of music are you looking for?
We focus on music that is emotionally clear, well-produced, and useful in picture. Tracks with strong openings, edit points, and clean endings tend to perform best.
What happens if my music is selected?
If there is a strong fit, we will follow up with next steps, which may include asset requests, rights confirmation, and workflow alignment.
Not Sure Yet
Take your time
If your music isn’t quite ready, or you’re still refining your catalog, there’s no need to rush the submission. The strongest results tend to come from material that is fully prepared, clearly positioned, and ready for use in picture.
You can return at any time when the material feels complete.