For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RANDOM THOUGHT — JUSTIN ENCO BAND
OMR Cue Map
Track: RANDOM THOUGHT Clean Intro: Moderate Edit Points: RANDOM THOUGHT offers edit points around Acoustic Guitar / Percussion / Synth entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: RANDOM THOUGHT bed sections built from Acoustic Guitar movement; mid-track memory passage; outro or refrain section for scene transitions.
Use Case:
Strong use for old friends meeting again, quiet bedroom reflection, coming-of-age regret, romantic uncertainty, or small indie-drama memory scenes. The track’s Sing / Song foundation and emotive, hopeful, minimal, sad, warm emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: Ab Major
BPM: 112
Genres: Sing/Song
Vocals: Male Vocal
Moods: Emotive / Hopeful / Minimal / Sad / Warm
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Time
Type: One Stop
Track Summary:
RANDOM THOUGHT blends expressive vocals, emotive, hopeful, minimal, sad, warm, and Acoustic Guitar / Percussion / Synth into a supervisor-facing cue designed for memory, reconnection, intimate acoustic uncertainty.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Sync themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Human Stories & Emotional Consequence placements with crossover utility for memory, reconnection, intimate acoustic uncertainty.
Stem Tracks
Yes
Track Narrative
RANDOM THOUGHT blends expressive vocals, emotive, hopeful, minimal, sad, warm, and Acoustic Guitar / Percussion / Synth into a supervisor-facing cue designed for memory, reconnection, intimate acoustic uncertainty.
Lyrics
You are
And finally we meet again
It's been so long, where to begin?
You ask me if I remember
I say I can't et
Seems now is the time to take a chance
Two steps forward and three steps back
Been running on empty in search of something new
But you say to me everything is jaded
And all the stars have faded
The one I always fought
You're my favorite random thought
And you are
So close to reality
Losing sleep comes naturally
These times are not easy
This place is deceiving
And so are some you knew
Remember the times that passed
Thinking all of this would last
Strong and secure
This tale unsure
Of what you thought you meant
And to me everything is shaded
And all the stars have faded
The one I always fought
You're my favorite random thought
And everything is shaded
And all the stars have faded
The one I always fought
You're my favorite random thought
You are
Artist Bio
JUSTIN ENCO BAND creates heartfelt singer-songwriter material with warm acoustic textures, vulnerable vocals, and strong placement value for indie drama and coming-of-age scenes.
REAL JOY
Human Stories & Emotional Consequence
REAL JOY
TIFFANY JOY
Female Vocal
REAL JOY delivers optimistic recovery, self-belief, warm emotional lift in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REAL JOY — TIFFANY JOY
OMR Cue Map
Track: REAL JOY Clean Intro: Moderate Edit Points: REAL JOY offers edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: REAL JOY bed sections built from Acoustic Guitar movement; mid-track optimistic recovery passage; outro or refrain section for scene transitions.
Use Case:
Strong use for recovery montage, family warmth, coming-of-age confidence, light romantic optimism, or choosing happiness after doubt. The track’s Pop / Sing / Song foundation and hopeful, positive, reflective, warm emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: C Major
BPM: 88
Genres: Pop / Sing/Song
Vocals: Female Vocal
Moods: Hopeful / Positive / Reflective / Warm
Sync Themes: Children / Comedy / Coming Of Age / Romance
Lyric Themes: Dream / Happiness / Strength / Success
Type: One Stop
Track Summary:
REAL JOY blends expressive vocals, hopeful, positive, reflective, warm, and Acoustic Guitar / Bass / Drums / Electric Guitar / Keyboard / Percussion / Synth into a supervisor-facing cue designed for optimistic recovery, self-belief, warm emotional lift.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Sync themes: Children / Comedy / Coming Of Age / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Human Stories & Emotional Consequence placements with crossover utility for optimistic recovery, self-belief, warm emotional lift.
Stem Tracks
Yes
Track Narrative
REAL JOY blends expressive vocals, hopeful, positive, reflective, warm, and Acoustic Guitar / Bass / Drums / Electric Guitar / Keyboard / Percussion / Synth into a supervisor-facing cue designed for optimistic recovery, self-belief, warm emotional lift.
Lyrics
I might be all right this time if I could just see the silver lining
Maybe I would fly so high if I could just see my stars were shining
I've been asleep for days, just dreaming of a happier times
But when I wake I know that I'm the only one who can find a real joy
I'm talking about a real joy, I want it, I want it, yeah
A real joy
I gotta find a real joy, I want it, I want it, yeah
I'm kicking, I'm crying, I'm screaming, I'm fighting with myself
We should be a team but I'm so damn mean, it hurts my health
If the choice is mine then why does the answer elude me?
All I need's just a bottle of wine and my guitar just to soothe me, help me find a real joy
I gotta find a real joy, I want it, I want it, yeah
A real joy
I'm talking about a real joy, I want it, I want it, yeah
And Lord knows I've been here so many times
I've been down this road before
And it's so clear to me, you know I know I gotta find the answers to all of my dreams
Oh I'm talking about a real joy
To know that I'm a real joy, I want it, I want it, yeah
To show them that I'm a real joy
I gotta find a real joy, I want it, I want it, yeah
Don't you know that I'm a real joy, real joy
Don't you know that I'm a real, real joy
Don't you know that I'm a real joy, baby
Gotta find a real joy, real joy
Gotta find a real, real joy
Gotta find a real joy, baby
A real joy
I'm talking about, I'm saying about, I'm saying I'm a real real joy, I know
A real joy
I'm talking about, I'm singing about, I'm saying I'm a real real joy, I know
Don't you know that I'm a real joy
Don't you know that I'm a real joy
Don't you know that I'm a real joy
Don't you know that I'm a real joy, real joy
Artist Bio
TIFFANY JOY creates bright, emotionally generous pop and singer-songwriter music with warmth, optimism, and an accessible sense of human uplift.
REFLECTION OF YOU
Human Stories & Emotional Consequence
REFLECTION OF YOU
ASTERIA
Female Vocal
REFLECTION OF YOU delivers family pain, forgiveness, generational reflection in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REFLECTION OF YOU — ASTERIA
OMR Cue Map
Track: REFLECTION OF YOU Clean Intro: Moderate Edit Points: REFLECTION OF YOU offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: REFLECTION OF YOU bed sections built from Bass movement; mid-track family pain passage; outro or refrain section for scene transitions.
Use Case:
Strong use for family reconciliation, mother-daughter reflection, healing montage, relationship repair, or naming old hurt with warmth. The track’s Pop / Reggae / Soul foundation and catchy, hopeful, positive emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: C Major
BPM: 104
Genres: Pop / Reggae / Soul
Vocals: Female Vocal
Moods: Catchy / Hopeful / Positive
Sync Themes: Art House / Drama / Romance
Lyric Themes: Pain
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Piano
Track Summary:
REFLECTION OF YOU blends expressive vocals, catchy, hopeful, positive, and Bass / Drums / Electric Guitar / Percussion / Piano into a supervisor-facing cue designed for family pain, forgiveness, generational reflection.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Secondary utility: family pain, forgiveness, generational reflection
Sync themes: Art House / Drama / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Human Stories & Emotional Consequence placements with crossover utility for family pain, forgiveness, generational reflection.
Stem Tracks
Yes
Track Narrative
REFLECTION OF YOU blends expressive vocals, catchy, hopeful, positive, and Bass / Drums / Electric Guitar / Percussion / Piano into a supervisor-facing cue designed for family pain, forgiveness, generational reflection.
Lyrics
I hope that you find peace
I'm sorry that we didn't have
Sorry that we didn't have those days together
For so many years I
I resented you
My memories are clouded and I still work through the pain
I am a reflection of you
Reflection of you
Through and through, I am you, that's the truth
Yeah, I reflect you
I know you were confused
But you were well-intentioned
You didn't know
But life has taught you better
I see how you have grown
But your conscience won't let you be
Can you hear me? I can help you now give me your hand
I am a reflection of you
Reflection of you
Through and through, I am you, that's the truth, yeah
I reflect you
I am a reflection of you
Reflection of you
The good and the bad, the happy and sad
That's the truth
I wouldn't change anything, I reflect you
My heart is on the mend
Now that we can be friends
I will forgive, never forget
We can be friends
I am a reflection of you
Reflection of you
Through and through, I am you, that's the truth, yes
I reflect you
I am a reflection of you
Reflection of you
The good and the bad, the happy and sad
I wouldn't change anything
The good and the bad, happy and sad
The good and the bad, happy and sad
I wouldn't change a thing
The good and the bad, happy and sad
I wouldn't change anything
I am a reflection of you
Reflection of you
That's the truth, yeah
I reflect you
Artist Bio
ASTERIA creates polished pop and soul-leaning songs with emotional clarity, rhythmic warmth, and modern relationship-driven sync potential.
RENACIMIENTO
Human Stories & Emotional Consequence
RENACIMIENTO
ELMER FERRER
Male Vocal
RENACIMIENTO delivers rebirth, spiritual resilience, warm romantic renewal in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RENACIMIENTO — ELMER FERRER
OMR Cue Map
Track: RENACIMIENTO Clean Intro: Moderate Edit Points: RENACIMIENTO offers edit points around Acoustic Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: RENACIMIENTO bed sections built from Acoustic Guitar movement; mid-track rebirth passage; outro or refrain section for scene transitions.
Use Case:
Strong use for renewal montage, spiritual return, romantic healing, family reunion, or stepping into a warmer second chapter. The track’s Ambient / Ballads / Folk / Latin / Sing / Song / World foundation and bright, carefree, dramatic, hopeful, relaxing, romantic, sad emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Major
BPM: 82
Genres: Ambient / Ballads / Folk / Latin / Sing/Song / World
Vocals: Male Vocal
Moods: Bright / Carefree / Dramatic / Hopeful / Relaxing / Romantic / Sad / Warm
Sync Themes: Drama / Fantasy / Mystery / Romance
Lyric Themes: Destiny / Faith / Hope / Strength / Time
Type: One Stop
Instrumentation:
Acoustic Guitar
Track Summary:
RENACIMIENTO blends instrumental textures, bright, carefree, dramatic, hopeful, relaxing, romantic, sad, and Acoustic Guitar into a supervisor-facing cue designed for rebirth, spiritual resilience, warm romantic renewal.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Best suited for Human Stories & Emotional Consequence placements with crossover utility for rebirth, spiritual resilience, warm romantic renewal.
Stem Tracks
Yes
Track Narrative
RENACIMIENTO blends instrumental textures, bright, carefree, dramatic, hopeful, relaxing, romantic, sad, and Acoustic Guitar into a supervisor-facing cue designed for rebirth, spiritual resilience, warm romantic renewal.
Instrumental Usage
Fully instrumental and one-stop, “RENACIMIENTO” supports cinematic storytelling without lyrical distraction. Especially useful for rebirth, spiritual resilience, warm romantic renewal.
Artist Bio
ELMER FERRER creates cinematic instrumental and vocal music built around atmosphere, movement, emotional pacing, and scene-ready underscore utility.
RHYTHM
Human Stories & Emotional Consequence
RHYTHM
JUSTIN ENCO BAND
Male Vocal
RHYTHM delivers hard-won hope, identity recovery, emotional momentum in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RHYTHM — JUSTIN ENCO BAND
OMR Cue Map
Track: RHYTHM Clean Intro: Moderate Edit Points: RHYTHM offers edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: RHYTHM bed sections built from Acoustic Guitar movement; mid-track hard-won hope passage; outro or refrain section for scene transitions.
Use Case:
Strong use for recovery montage, coming-of-age breakthrough, relationship repair, training with emotional stakes, or refusing to stay stuck. The track’s Folk / Sing / Song foundation and emotive, hopeful, powerful, warm emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Major
BPM: 149
Genres: Folk / Sing/Song
Vocals: Male Vocal
Moods: Emotive / Hopeful / Powerful / Warm
Sync Themes: Coming Of Age / Drama / Indie / Romance / Thriller
Lyric Themes: Happiness / Hope / Love / Strength / Time
Type: One Stop
Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar
Track Summary:
RHYTHM blends expressive vocals, emotive, hopeful, powerful, warm, and Acoustic Guitar / Bass / Drums / Electric Guitar into a supervisor-facing cue designed for hard-won hope, identity recovery, emotional momentum.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Sync themes: Coming Of Age / Drama / Indie / Romance / Thriller
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Human Stories & Emotional Consequence placements with crossover utility for hard-won hope, identity recovery, emotional momentum.
Stem Tracks
Yes
Track Narrative
RHYTHM blends expressive vocals, emotive, hopeful, powerful, warm, and Acoustic Guitar / Bass / Drums / Electric Guitar into a supervisor-facing cue designed for hard-won hope, identity recovery, emotional momentum.
Lyrics
You cannot define me
I've burned myself for you
You cannot confide me
For what you've put me through
Spent the last few years
Boxing shadows
Hoping life would flip the script
But in the end we're low content
And time can play the cruelest games
Now I know that you're the air I breathe
Now I know you're stitched into my clothes
Scent of heaven, a taste of life
You're the only thing that's right
Rhyme and reason to our rhythm now
Now
Troubled soul, you stood and shined
A remedy love took us blind
A stroke of good luck, you took my heart
I should be told I've come full circle
Mirrors cracked, not broken
I'd fight them all for you
If you only knew
Now I know that you're here, I breathe
Now I know you're stitched into my clothes
Sent for heaven, a taste of life
You're the only thing that's right
Rhyming reason to our rhythm now
These days are not the same without you in my life
You don't know how empty I've become
And now I walk a thousand steps
Stand above, above the rest
The hands of time can prove to you it's real
Seeking truth and honest answers
Brand new days full of laughter
Rhyme and reason to our rhythm now
Artist Bio
JUSTIN ENCO BAND creates heartfelt singer-songwriter material with warm acoustic textures, vulnerable vocals, and strong placement value for indie drama and coming-of-age scenes.
RISE IN LOVE
Human Stories & Emotional Consequence
RISE IN LOVE
ANTHONY DIDOMENICO
Male Vocal
RISE IN LOVE delivers uplifting romance, resilience, choosing connection in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RISE IN LOVE — ANTHONY DIDOMENICO
OMR Cue Map
Track: RISE IN LOVE Clean Intro: Moderate Edit Points: RISE IN LOVE offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: RISE IN LOVE bed sections built from Bass movement; mid-track uplifting romance passage; outro or refrain section for scene transitions.
Use Case:
Strong use for romantic reconciliation, motivational montage, community uplift, sports-drama recovery, or choosing connection during struggle. The track’s Electronic / Hip Hop / Pop / Rock foundation and anthemic, bright, catchy, confident, cool, dramatic, driving emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: Db Major
BPM: 80
Genres: Electronic / Hip Hop / Pop / Rock
Vocals: Male Vocal
Moods: Anthemic / Bright / Catchy / Confident / Cool / Dramatic / Driving / Energetic / Light / Love / Moody / Positive / Powerful / Rhythmic / Serious / Upbeat / Uplifting
Sync Themes: Action / Comedy / Drama / Romance
Lyric Themes: Change / Love / Strength / Struggle
Type: One Stop
Track Summary:
RISE IN LOVE blends expressive vocals, anthemic, bright, catchy, confident, cool, dramatic, driving, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for uplifting romance, resilience, choosing connection.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Best suited for Human Stories & Emotional Consequence placements with crossover utility for uplifting romance, resilience, choosing connection.
Stem Tracks
Yes
Track Narrative
RISE IN LOVE blends expressive vocals, anthemic, bright, catchy, confident, cool, dramatic, driving, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for uplifting romance, resilience, choosing connection.
Lyrics
Lyrics
Falling in love
Falling you see
We don't say
Rising into love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love
Some days when things aren't going your way
It feels life's a struggle and
Wake up
Go to work
Pay bills
It's the same
Someone get me off this train
I know
There's something deeper
Beyond the thoughts
We feel it clearer
And I know
When I'm knocked down
I get up
Rise in love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love
And all I can say
Put aside your fears
You'll be okay
Because I'm not giving up
When things get down
We rise in love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love
The time is flowing
Your minds an ocean
It's kinda wavy
Inside a boat
And I'm coasting
Until I find my lady
It's kinda crazy
How we're giving up
Just before
We touch the door
Love is yours
There's no other course
Changing deep inside
Reframing the pain
To a piece of light
Break free
When you feel the vibe
Make peace
And see the guides yea
I'm letting it go
Exit the mind
As I enter my soul
It's time for the message though
Rise in love
Let 'em know
Cuz I'm not giving up
When things get down
Not losing touch
Not losing touch
There's something's changing us
That's deep inside
We rise in love
And all I can say
Put aside your fears
You'll be okay
Because I'm not giving up
When things get down
We rise in love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love
Artist Bio
ANTHONY DIDOMENICO creates anthemic pop, hip hop, and rock-influenced tracks with uplifting hooks, emotional resilience, and commercial scene energy.
REUNION
Human Stories & Emotional Consequence
REUNION
AMHED MITCHEL
Instrumental
REUNION delivers warm reunion, gospel-jazz tenderness, romantic return in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REUNION — AMHED MITCHEL
OMR Cue Map
Track: REUNION Clean Intro: Yes Edit Points: REUNION offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: REUNION bed sections built from Bass movement; mid-track warm reunion passage; outro or refrain section for scene transitions.
Use Case:
Strong use for quiet reunion, romantic return, family healing, end-of-episode warmth, or comfort after a long absence. The track’s Ambient / Gospel / Jazz foundation and atmospheric, chill, happy, hopeful, relaxing, romantic, somber emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: G Major
BPM: 133
Genres: Ambient / Gospel / Jazz
Vocals: Instrumental
Moods: Atmospheric / Chill / Happy / Hopeful / Relaxing / Romantic / Somber / Warm
Sync Themes: Mystery / Romance
Lyric Themes:
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Piano
Track Summary:
REUNION blends instrumental textures, atmospheric, chill, happy, hopeful, relaxing, romantic, somber, and Bass / Drums / Electric Guitar / Piano into a supervisor-facing cue designed for warm reunion, gospel-jazz tenderness, romantic return.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Best suited for Human Stories & Emotional Consequence placements with crossover utility for warm reunion, gospel-jazz tenderness, romantic return.
Stem Tracks
Yes
Track Narrative
REUNION blends instrumental textures, atmospheric, chill, happy, hopeful, relaxing, romantic, somber, and Bass / Drums / Electric Guitar / Piano into a supervisor-facing cue designed for warm reunion, gospel-jazz tenderness, romantic return.
Instrumental Usage
Fully instrumental and one-stop, “REUNION” supports cinematic storytelling without lyrical distraction. Especially useful for warm reunion, gospel-jazz tenderness, romantic return.
Artist Bio
AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.
ROSA
Human Stories & Emotional Consequence
ROSA
MARITO MARQUES
Male Vocal
ROSA delivers minimal world-folk lament, intimate grief, human dignity in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROSA — MARITO MARQUES
OMR Cue Map
Track: ROSA Clean Intro: Moderate Edit Points: ROSA offers edit points around Acoustic Guitar / Flute / Keyboard entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: ROSA bed sections built from Acoustic Guitar movement; mid-track minimal world-folk lament passage; outro or refrain section for scene transitions.
Use Case:
Strong use for mourning, village or family memory, art-house drama, personal tribute, or dignity-centered emotional scenes. The track’s Blues / Folk / Sing / Song foundation and minimal, sad emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: F Major
BPM: 139
Genres: Blues / Folk / Sing/Song
Vocals: Male Vocal
Moods: Minimal / Sad
Sync Themes: Art House / Drama / Indie / Romance
Lyric Themes:
Type: One Stop
Track Summary:
ROSA blends expressive vocals, minimal, sad, and Acoustic Guitar / Flute / Keyboard / Percussion / Piano into a supervisor-facing cue designed for minimal world-folk lament, intimate grief, human dignity.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Secondary utility: minimal world-folk lament, intimate grief, human dignity
Sync themes: Art House / Drama / Indie / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Human Stories & Emotional Consequence placements with crossover utility for minimal world-folk lament, intimate grief, human dignity.
Stem Tracks
Yes
Track Narrative
ROSA blends expressive vocals, minimal, sad, and Acoustic Guitar / Flute / Keyboard / Percussion / Piano into a supervisor-facing cue designed for minimal world-folk lament, intimate grief, human dignity.
Lyrics
Uuhm
Ki ki baye nafé
Jëf jëf bu ken dul fate
Tanku tanku jambar la
Ci yoonu yoonu moom sa boppë
Rosa
Da nga
Rosa
Da nga
Aah, ki ki baye nafé
Jëf jëf bu ken dul fate
Tanku tanku jambar la
Ci yoonu yoonu moom sa boppë
Rosa
Da nga
Aah Rosa
Da nga
Jëf mu gën ay kaddu moom jaa
Jigeen bu ëpp doole koo am fit ndax du noo
Fu mu toog bañ fa joge, doon dem ca bamay lëw
Te ki yéen wey, te bu mu jàmbat doxna waaw
Bala ñuy tëyé askan séddé
Bala ñuy tëyé moom da nga
Tey te ba sum sum mbëkte
Bu mu jàmbat jàmbat doxna
Jigeen jigeen xawna ko goor
Ñi ko xam, gëm na ñu la
Ñépp fay fay fay fay fay la
bu mu jàmbat doxna
Ki ki baye nafé
Jëf jëf bu ken dul fate
Bañ fa joge, doon dem
Aah Rosa daan ga say maas jàmbari way low yow
Aah Rosa
Aah Rosa
Rosa
Rosa, Rosa, Rosa
Artist Bio
MARITO MARQUES creates intimate world, folk, and singer-songwriter music with fragile emotional tone, human-scale drama, and distinctive vocal atmosphere.
ROUND THIS TIME OF YEAR
Human Stories & Emotional Consequence
ROUND THIS TIME OF YEAR
PAUL REDDICK
Male Vocal
ROUND THIS TIME OF YEAR delivers seasonal longing, quiet yearning, intimate blues memory in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROUND THIS TIME OF YEAR — PAUL REDDICK
OMR Cue Map
Track: ROUND THIS TIME OF YEAR Clean Intro: Moderate Edit Points: ROUND THIS TIME OF YEAR offers edit points around Acoustic Guitar / Electric Guitar / Harmonica entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: ROUND THIS TIME OF YEAR bed sections built from Acoustic Guitar movement; mid-track seasonal longing passage; outro or refrain section for scene transitions.
Use Case:
Strong use for seasonal reflection, lost love, lonely travel, letter-reading, or waiting for someone who may not return. The track’s Blues foundation and atmospheric, bright, love, minimal, moody, reflective emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Major
BPM: 60
Genres: Blues
Vocals: Male Vocal
Moods: Atmospheric / Bright / Love / Minimal / Moody / Reflective
Sync Themes: Art House / Drama / Indie / Mystery / Romance
Lyric Themes: Longing / Love / Relationship / Time
Type: One Stop
Instrumentation:
Acoustic Guitar / Electric Guitar / Harmonica / Strings
Track Summary:
ROUND THIS TIME OF YEAR blends expressive vocals, atmospheric, bright, love, minimal, moody, reflective, and Acoustic Guitar / Electric Guitar / Harmonica / Strings into a supervisor-facing cue designed for seasonal longing, quiet yearning, intimate blues memory.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Secondary utility: seasonal longing, quiet yearning, intimate blues memory
Sync themes: Art House / Drama / Indie / Mystery / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Human Stories & Emotional Consequence placements with crossover utility for seasonal longing, quiet yearning, intimate blues memory.
Stem Tracks
Yes
Track Narrative
ROUND THIS TIME OF YEAR blends expressive vocals, atmospheric, bright, love, minimal, moody, reflective, and Acoustic Guitar / Electric Guitar / Harmonica / Strings into a supervisor-facing cue designed for seasonal longing, quiet yearning, intimate blues memory.
Lyrics
See the clouds follow the sun
When will you be returning
Three nights I’ve dreamt about it now
Three day long my yearning
Gone in such a hurry
Troubles in your way
The wind blows fierce at the windowpane
The wheels wind away
Lots of people walk the street
Some might treat you fair
Someday I’ll remember you
Round this time of year
Lots of people walk the street
Some might treat you fair
Someday I’ll remember you
Round this time of year
Artist Bio
PAUL REDDICK brings gritty blues, harmonica bite, and roots-rock attitude to sync placements that need swagger, danger, humour, longing, or lived-in character.
RUNNING TOO HOT
Human Stories & Emotional Consequence
RUNNING TOO HOT
TOM CONNEELY
Male Vocal
RUNNING TOO HOT delivers burnout, road-worn regret, urgent self-reflection in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RUNNING TOO HOT — TOM CONNEELY
OMR Cue Map
Track: RUNNING TOO HOT Clean Intro: Moderate Edit Points: RUNNING TOO HOT offers edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: RUNNING TOO HOT bed sections built from Acoustic Guitar movement; mid-track burnout passage; outro or refrain section for scene transitions.
Use Case:
Strong use for road montage, sports-drama emotional reset, burnout confession, end-of-season reflection, or realizing the cost of constant motion. The track’s Folk / Sing / Song foundation and positive, reflective, romantic, upbeat, uplifting emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: F# Major
BPM: 135
Genres: Folk / Sing/Song
Vocals: Male Vocal
Moods: Positive / Reflective / Romantic / Upbeat / Uplifting
Sync Themes: Action / Drama / Sports / Thriller
Lyric Themes: Death / Heartbreak / Loss / Regret / Time
Type: One Stop
Track Summary:
RUNNING TOO HOT blends expressive vocals, positive, reflective, romantic, upbeat, uplifting, and Acoustic Guitar / Bass / Drums / Percussion / Synth into a supervisor-facing cue designed for burnout, road-worn regret, urgent self-reflection.
Sync Highlights:
Primary category: Human Stories & Emotional Consequence
Best suited for Human Stories & Emotional Consequence placements with crossover utility for burnout, road-worn regret, urgent self-reflection.
Stem Tracks
Yes
Track Narrative
RUNNING TOO HOT blends expressive vocals, positive, reflective, romantic, upbeat, uplifting, and Acoustic Guitar / Bass / Drums / Percussion / Synth into a supervisor-facing cue designed for burnout, road-worn regret, urgent self-reflection.
Lyrics
All the rose-colored lenses,
empty bottle thoughts
I'm more tired of me than myself,
but monsters still want more
Don't leave a light on for me,
just dream I'm coming home
I've been running too hard, running too hard, running too hard,
just a little too long
I've been running too hard, running too hard, running too hard,
just a little too long
I've been running too hard, running too hard, running too hard,
just a little too long
So brush my hair back for me
and tell me I'll be fine
It's too late now,
too late to make up time
And dress me in my finest suit and paint my face with a kiss goodbye
It's too late now,
too late to make up time
I've been running too hard, running too hard, running too hard,
just a little too long
I've been running too hard, running too hard, running too hard,
just a little too long
I've been running too hard, running too hard, running too hard
Just a little
I've been running too hard, running too hard, running too hard,
just a little too long
Artist Bio
TOM CONNEELY creates reflective folk and singer-songwriter material with emotional lift, lyrical vulnerability, and strong use for road, drama, and sports-adjacent scenes.
Atmospheric & Reflective Cinematic
Emotionally immersive and visually rich R tracks designed for introspection, emotional transition, landscape, discovery, memory, and cinematic atmosphere.
RAIN DANCE
Atmospheric & Reflective Cinematic
RAIN DANCE
EZEKIEL HAMPTON
Male Vocal
RAIN DANCE delivers anthemic indie longing, storm-clearing romance, emotional release in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RAIN DANCE — EZEKIEL HAMPTON
OMR Cue Map
Track: RAIN DANCE Clean Intro: Moderate Edit Points: RAIN DANCE offers edit points around Bass / Percussion / Synth entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: RAIN DANCE bed sections built from Bass movement; mid-track anthemic indie longing passage; outro or refrain section for scene transitions.
Use Case:
Strong use for romantic aftermath, rain-soaked montage, indie-drama recovery, bittersweet travel, or grief moving toward light. The track’s Electronic / Indie foundation and anthemic, bright, catchy, dreamy, emotive, hopeful, positive emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: G# Minor
BPM: 75
Genres: Electronic / Indie
Vocals: Male Vocal
Moods: Anthemic / Bright / Catchy / Dreamy / Emotive / Hopeful / Positive / Powerful / Reflective / Romantic / Sad / Upbeat / Uplifting
Sync Themes: Drama / Indie / Romance / Adventure
Lyric Themes: Death / Fear / Loneliness / Pain / Struggle
Type: One Stop
Instrumentation:
Bass / Percussion / Synth
Track Summary:
RAIN DANCE blends expressive vocals, anthemic, bright, catchy, dreamy, emotive, hopeful, positive, and Bass / Percussion / Synth into a supervisor-facing cue designed for anthemic indie longing, storm-clearing romance, emotional release.
Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for anthemic indie longing, storm-clearing romance, emotional release.
Stem Tracks
Yes
Track Narrative
RAIN DANCE blends expressive vocals, anthemic, bright, catchy, dreamy, emotive, hopeful, positive, and Bass / Percussion / Synth into a supervisor-facing cue designed for anthemic indie longing, storm-clearing romance, emotional release.
Lyrics
It's all the circles I should've been in line
Where waving angels hold their hands and die
To pull the stitches push the curtain wide
This will be the greatest story of all
With teeth and sharp and claws and what I'm finding
Throughout the press mistake for not aligning
With ears all to the ground, it's us they're hearing
A rumble and a stamp is what they're feeling
Save yourself from all of us while we're oblivious and the doldrum, we know
Cast the anchor below and halt the engines in tow, we're not waving, but drowning
Sweep this narrow here upon the floor
Lending weight until the eyelids worn
A ghosting armored train with candlelight
And moves the spirit in the rain tonight
With skin and shattered bones and air I'm floating
My ribs all bruised and black and scarlet showing
Return the salt and sands with airless feeling
Hold out the broken hand where hearts are healing
Save yourself from all of us while we're oblivious and the doldrum we know
Cast the anchor below and halt the engines in tow, we're not waving, but drowning
It's all the circles I should've been in line
Where waving angels hold their hands and die
To pull the stitches, push the curtain wide
This will be the greatest story of all
It's all the circles I should've been in line
where waving angels hold their hands and die
To pull the stitches push the curtain wide
This will be the greatest story of all
Artist Bio
EZEKIEL HAMPTON writes atmospheric indie and electronic songs that combine intimate vocal storytelling with cinematic synth movement and emotional drift.
RIVERS
Atmospheric & Reflective Cinematic
RIVERS
THE GREEN DOOR
Instrumental
RIVERS delivers string-led journey, reflective crossing, understated adventure in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RIVERS — THE GREEN DOOR
OMR Cue Map
Track: RIVERS Clean Intro: Yes Edit Points: RIVERS offers edit points around Strings entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: RIVERS bed sections built from Strings movement; mid-track string-led journey passage; outro or refrain section for scene transitions.
Use Case:
Strong use for travel through nature, reflective transition, quiet adventure, emotional distance, or forward motion in indie drama. The track’s Indie / World foundation and reflective emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Minor
BPM: 129
Genres: Indie / World
Vocals: Instrumental
Moods: Reflective
Sync Themes: Drama / Indie / Adventure
Lyric Themes:
Type: One Stop
Instrumentation:
strings
Track Summary:
RIVERS blends instrumental textures, reflective, and Strings into a supervisor-facing cue designed for string-led journey, reflective crossing, understated adventure.
Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for string-led journey, reflective crossing, understated adventure.
Stem Tracks
Yes
Track Narrative
RIVERS blends instrumental textures, reflective, and Strings into a supervisor-facing cue designed for string-led journey, reflective crossing, understated adventure.
Instrumental Usage
Fully instrumental and one-stop, “RIVERS” supports cinematic storytelling without lyrical distraction. Especially useful for string-led journey, reflective crossing, understated adventure.
Artist Bio
THE GREEN DOOR creates gritty rock, punk, and world-tinged instrumentals with character, tension, and left-field cinematic edge.
ROSE OF THE WOOD
Atmospheric & Reflective Cinematic
ROSE OF THE WOOD
KRISTIN SWEETLAND
Instrumental
ROSE OF THE WOOD delivers historic folk atmosphere, woodland memory, mythic restraint in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROSE OF THE WOOD — KRISTIN SWEETLAND
OMR Cue Map
Track: ROSE OF THE WOOD Clean Intro: Yes Edit Points: ROSE OF THE WOOD offers edit points around Acoustic Guitar / Electric Guitar / Percussion entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: ROSE OF THE WOOD bed sections built from Acoustic Guitar movement; mid-track historic folk atmosphere passage; outro or refrain section for scene transitions.
Use Case:
Strong use for historical landscape, woodland travel, period transition, ancestral memory, or restrained fantasy with natural texture. The track’s Folk / World foundation and anthemic, dreamy, minimal emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Major
BPM: 88
Genres: Folk / World
Vocals: Instrumental
Moods: Anthemic / Dreamy / Minimal
Sync Themes: Historical
Lyric Themes:
Type: One Stop
Track Summary:
ROSE OF THE WOOD blends instrumental textures, anthemic, dreamy, minimal, and Acoustic Guitar / Electric Guitar / Percussion / Strings / Synth into a supervisor-facing cue designed for historic folk atmosphere, woodland memory, mythic restraint.
Secondary utility: historic folk atmosphere, woodland memory, mythic restraint
Sync themes: Historical
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for historic folk atmosphere, woodland memory, mythic restraint.
Stem Tracks
Yes
Track Narrative
ROSE OF THE WOOD blends instrumental textures, anthemic, dreamy, minimal, and Acoustic Guitar / Electric Guitar / Percussion / Strings / Synth into a supervisor-facing cue designed for historic folk atmosphere, woodland memory, mythic restraint.
Instrumental Usage
Fully instrumental and one-stop, “ROSE OF THE WOOD” supports cinematic storytelling without lyrical distraction. Especially useful for historic folk atmosphere, woodland memory, mythic restraint.
Artist Bio
KRISTIN SWEETLAND creates roots, folk, and world-influenced music with emotional atmosphere, vivid imagery, and strong narrative usefulness for picture.
ROOMS
Atmospheric & Reflective Cinematic
ROOMS
ELMER FERRER
Instrumental
ROOMS delivers empty spaces, quiet memory, intimate solitude in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROOMS — ELMER FERRER
OMR Cue Map
Track: ROOMS Clean Intro: Yes Edit Points: ROOMS offers edit points around Acoustic Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: ROOMS bed sections built from Acoustic Guitar movement; mid-track empty spaces passage; outro or refrain section for scene transitions.
Use Case:
Strong use for empty-house scenes, breakup aftermath, late-night solitude, intimate indie drama, or sitting with what remains unsaid. The track’s Folk / Sing / Song / World foundation and dreamy, light, minimal, reflective, sad, warm emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Major
BPM: 56
Genres: Folk / Sing/Song / World
Vocals: Instrumental
Moods: Dreamy / Light / Minimal / Reflective / Sad / Warm
Sync Themes: Drama / Indie / Romance
Lyric Themes:
Type: One Stop
Instrumentation:
Acoustic Guitar
Track Summary:
ROOMS blends instrumental textures, dreamy, light, minimal, reflective, sad, warm, and Acoustic Guitar into a supervisor-facing cue designed for empty spaces, quiet memory, intimate solitude.
Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for empty spaces, quiet memory, intimate solitude.
Stem Tracks
Yes
Track Narrative
ROOMS blends instrumental textures, dreamy, light, minimal, reflective, sad, warm, and Acoustic Guitar into a supervisor-facing cue designed for empty spaces, quiet memory, intimate solitude.
Instrumental Usage
Fully instrumental and one-stop, “ROOMS” supports cinematic storytelling without lyrical distraction. Especially useful for empty spaces, quiet memory, intimate solitude.
Artist Bio
ELMER FERRER creates cinematic instrumental and vocal music built around atmosphere, movement, emotional pacing, and scene-ready underscore utility.
Americana, Roots & Character
Road songs, roots storytelling, Americana character pieces, folk authenticity, and lived-in human experience.
ROAD SODA
Americana, Roots & Character
ROAD SODA
KRISTIN SWEETLAND
Instrumental
ROAD SODA delivers bright road travel, banjo motion, rustic uplift in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROAD SODA — KRISTIN SWEETLAND
OMR Cue Map
Track: ROAD SODA Clean Intro: Yes Edit Points: ROAD SODA offers edit points around Acoustic Guitar / Banjo / Strings entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: ROAD SODA bed sections built from Acoustic Guitar movement; mid-track bright road travel passage; outro or refrain section for scene transitions.
Use Case:
Strong use for rural road montage, outdoor travel, light adventure, quirky Americana transitions, or moving toward optimism. The track’s Country / Folk / World foundation and bright, light, positive, upbeat, uplifting emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: G Major
BPM: 94
Genres: Country / Folk / World
Vocals: Instrumental
Moods: Bright / Light / Positive / Upbeat / Uplifting
Sync Themes: Action / Adventure / Art House / Drama / Thriller
Lyric Themes:
Type: One Stop
Sync themes: Action / Adventure / Art House / Drama / Thriller
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Americana, Roots & Character placements with crossover utility for bright road travel, banjo motion, rustic uplift.
Stem Tracks
Yes
Track Narrative
ROAD SODA blends instrumental textures, bright, light, positive, upbeat, uplifting, and Acoustic Guitar / Banjo / Strings into a supervisor-facing cue designed for bright road travel, banjo motion, rustic uplift.
Instrumental Usage
Fully instrumental and one-stop, “ROAD SODA” supports cinematic storytelling without lyrical distraction. Especially useful for bright road travel, banjo motion, rustic uplift.
Artist Bio
KRISTIN SWEETLAND creates roots, folk, and world-influenced music with emotional atmosphere, vivid imagery, and strong narrative usefulness for picture.
ROCKIN' STRAWBERRY JAM
Americana, Roots & Character
ROCKIN' STRAWBERRY JAM
LEE PALMER
Male Vocal
ROCKIN' STRAWBERRY JAM delivers retro romance, playful desire, bar-band charm in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROCKIN' STRAWBERRY JAM — LEE PALMER
OMR Cue Map
Track: ROCKIN' STRAWBERRY JAM Clean Intro: Moderate Edit Points: ROCKIN' STRAWBERRY JAM offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: ROCKIN' STRAWBERRY JAM bed sections built from Bass movement; mid-track retro romance passage; outro or refrain section for scene transitions.
Use Case:
Strong use for diner scenes, playful romance, bar-band source, character introductions, or affectionate humour with retro confidence. The track’s Rock foundation and catchy, confident, cool, dramatic, energetic, fun, retro emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Minor
BPM: 117
Genres: Rock
Vocals: Male Vocal
Moods: Catchy / Confident / Cool / Dramatic / Energetic / Fun / Retro / Swagger
Sync Themes: Comedy / Drama / Romance
Lyric Themes: Fun / Gratitude / Happiness / Love / Power
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Saxophone
Track Summary:
ROCKIN' STRAWBERRY JAM blends expressive vocals, catchy, confident, cool, dramatic, energetic, fun, retro, and Bass / Drums / Electric Guitar / Saxophone into a supervisor-facing cue designed for retro romance, playful desire, bar-band charm.
Best suited for Americana, Roots & Character placements with crossover utility for retro romance, playful desire, bar-band charm.
Stem Tracks
Yes
Track Narrative
ROCKIN' STRAWBERRY JAM blends expressive vocals, catchy, confident, cool, dramatic, energetic, fun, retro, and Bass / Drums / Electric Guitar / Saxophone into a supervisor-facing cue designed for retro romance, playful desire, bar-band charm.
Lyrics
My gal, she's sweet, makes my life complete
She loves me 'cause she can
Should be in the news for the things she do
She says that I'm a man
That's not what keeps me coming back
It's her rockin' strawberry jam
She takes what's old and truth be told
She brings it back to life
She knows ways to amaze
Makes everything taste right
There's no doubt that I'm a fan
Of her rockin' strawberry jam
Rockin' Strawberry Jam
I love that
Rockin' Strawberry Jam
Gotta get some
Rockin' Strawberry Jam
Oh my
She makes it like no one else can
That Rockin' Strawberry Jam
Pssst, not nice
Rockin' Strawberry Jam, I love that
Rockin' Strawberry Jam, better get some
Rockin' Strawberry Jam, oh my
She makes it like no one else can
That Rockin' Strawberry Jam
Artist Bio
LEE PALMER creates sync-focused music shaped around emotional pacing, scene utility, and cinematic storytelling for film and television.
ROCKIN' THIS CHAIR
Americana, Roots & Character
ROCKIN' THIS CHAIR
LEE PALMER
Male Vocal
ROCKIN' THIS CHAIR delivers comic loneliness, front-porch blues, country humour in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROCKIN' THIS CHAIR — LEE PALMER
OMR Cue Map
Track: ROCKIN' THIS CHAIR Clean Intro: Moderate Edit Points: ROCKIN' THIS CHAIR offers edit points around Accordion / Bass / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: ROCKIN' THIS CHAIR bed sections built from Accordion movement; mid-track comic loneliness passage; outro or refrain section for scene transitions.
Use Case:
Strong use for small-town comedy, western-adjacent character scenes, porch reflection, diner humour, or laughing through heartache. The track’s Blues / Country / Pop foundation and chill, fun, happy, retro emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Major
BPM: 120
Genres: Blues / Country / Pop
Vocals: Male Vocal
Moods: Chill / Fun / Happy / Retro
Sync Themes: Comedy / Western
Lyric Themes: Identity / Life / Love / Relationship / Time
Type: One Stop
Track Summary:
ROCKIN' THIS CHAIR blends expressive vocals, chill, fun, happy, retro, and Accordion / Bass / Drums / Electric Guitar / Horns into a supervisor-facing cue designed for comic loneliness, front-porch blues, country humour.
Sync Highlights:
Primary category: Americana, Roots & Character
Secondary utility: comic loneliness, front-porch blues, country humour
Sync themes: Comedy / Western
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Americana, Roots & Character placements with crossover utility for comic loneliness, front-porch blues, country humour.
Stem Tracks
Yes
Track Narrative
ROCKIN' THIS CHAIR blends expressive vocals, chill, fun, happy, retro, and Accordion / Bass / Drums / Electric Guitar / Horns into a supervisor-facing cue designed for comic loneliness, front-porch blues, country humour.
Lyrics
She ain't long and lean, she ain't rolly polly
She's somewhere in between, now listen to my story
She left me here beside myself
Now I'm my own best friend, there ain't no one else
I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
I'm chillin' back in my baby's arms
I'm rockin' his chair
She ain't five foot two, she ain't five foot ten
She's somewhere in the middle of that, my friend
Life is all about the in-betweens
I can tell you it's true, it's all I've seen
I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
'Til I'm back in my baby's arms
I'm rockin' in a chair
I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
'Til I'm back in my baby's arms
I'm rockin' this chair
I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
'Til I'm back in my baby's arms
I'm rockin', I'm rockin', I'm rockin' this chair
Artist Bio
LEE PALMER creates sync-focused music shaped around emotional pacing, scene utility, and cinematic storytelling for film and television.
ROOM FOR ALL
Americana, Roots & Character
ROOM FOR ALL
ELMER FERRER
Instrumental
ROOM FOR ALL delivers inclusive warmth, reflective travel, open-hearted folk atmosphere in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROOM FOR ALL — ELMER FERRER
OMR Cue Map
Track: ROOM FOR ALL Clean Intro: Yes Edit Points: ROOM FOR ALL offers edit points around Acoustic Guitar / Keyboard entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: ROOM FOR ALL bed sections built from Acoustic Guitar movement; mid-track inclusive warmth passage; outro or refrain section for scene transitions.
Use Case:
Strong use for community scenes, road-travel warmth, family arrival, gentle romance, or hospitality and emotional openness. The track’s Blues / Folk / World foundation and hopeful, reflective, romantic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Minor
BPM: 123
Genres: Blues / Folk / World
Vocals: Instrumental
Moods: Hopeful / Reflective / Romantic
Sync Themes: Drama / Indie / Romance / Adventure
Lyric Themes:
Type: One Stop
Instrumentation:
Acoustic Guitar / Keyboard
Track Summary:
ROOM FOR ALL blends instrumental textures, hopeful, reflective, romantic, and Acoustic Guitar / Keyboard into a supervisor-facing cue designed for inclusive warmth, reflective travel, open-hearted folk atmosphere.
Sync Highlights:
Primary category: Americana, Roots & Character
Secondary utility: inclusive warmth, reflective travel, open-hearted folk atmosphere
Sync themes: Drama / Indie / Romance / Adventure
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Americana, Roots & Character placements with crossover utility for inclusive warmth, reflective travel, open-hearted folk atmosphere.
Stem Tracks
Yes
Track Narrative
ROOM FOR ALL blends instrumental textures, hopeful, reflective, romantic, and Acoustic Guitar / Keyboard into a supervisor-facing cue designed for inclusive warmth, reflective travel, open-hearted folk atmosphere.
Instrumental Usage
Fully instrumental and one-stop, “ROOM FOR ALL” supports cinematic storytelling without lyrical distraction. Especially useful for inclusive warmth, reflective travel, open-hearted folk atmosphere.
Artist Bio
ELMER FERRER creates cinematic instrumental and vocal music built around atmosphere, movement, emotional pacing, and scene-ready underscore utility.
RARE BIRD
Americana, Roots & Character
RARE BIRD
PAT CAREY
Instrumental
RARE BIRD delivers noir elegance, wounded romance, late-night jazz mystery in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RARE BIRD — PAT CAREY
OMR Cue Map
Track: RARE BIRD Clean Intro: Yes Edit Points: RARE BIRD offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: RARE BIRD bed sections built from Bass movement; mid-track noir elegance passage; outro or refrain section for scene transitions.
Use Case:
Strong use for lounge interiors, detective reflection, romantic distance, rain-on-glass mood, or sophisticated mystery pacing. The track’s Ambient / Blues / Jazz foundation and chill, dramatic, somber emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Major
BPM: 105
Genres: Ambient / Blues / Jazz
Vocals: Instrumental
Moods: Chill / Dramatic / Somber
Sync Themes: Art House / Drama / Mystery / Romance
Lyric Themes:
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Horns / Piano / Saxophone
Track Summary:
RARE BIRD blends instrumental textures, chill, dramatic, somber, and Bass / Drums / Electric Guitar / Horns / Piano / Saxophone into a supervisor-facing cue designed for noir elegance, wounded romance, late-night jazz mystery.
Sync Highlights:
Primary category: Americana, Roots & Character
Secondary utility: noir elegance, wounded romance, late-night jazz mystery
Sync themes: Art House / Drama / Mystery / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Americana, Roots & Character placements with crossover utility for noir elegance, wounded romance, late-night jazz mystery.
Stem Tracks
Yes
Track Narrative
RARE BIRD blends instrumental textures, chill, dramatic, somber, and Bass / Drums / Electric Guitar / Horns / Piano / Saxophone into a supervisor-facing cue designed for noir elegance, wounded romance, late-night jazz mystery.
Instrumental Usage
Fully instrumental and one-stop, “RARE BIRD” supports cinematic storytelling without lyrical distraction. Especially useful for noir elegance, wounded romance, late-night jazz mystery.
Artist Bio
PAT CAREY creates jazz-forward instrumental cues with strong ensemble character, saxophone colour, and polished sync utility for drama, romance, mystery, and period-adjacent settings.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROUND TREE — AMHED MITCHEL
OMR Cue Map
Track: ROUND TREE Clean Intro: Yes Edit Points: ROUND TREE offers edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: ROUND TREE bed sections built from Acoustic Guitar movement; mid-track quirky jazz-indie motion passage; outro or refrain section for scene transitions.
Use Case:
Strong use for animation, sports-lite montage, comedic movement, indie travel, or video-game exploration with organic warmth. The track’s Indie / Jazz foundation and moody, rhythmic, upbeat emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Major
BPM: 95
Genres: Indie / Jazz
Vocals: Instrumental
Moods: Moody / Rhythmic / Upbeat
Sync Themes: Adventure / Animation / Comedy / Indie / Sports / Video Game
Lyric Themes:
Type: One Stop
Sync themes: Adventure / Animation / Comedy / Indie / Sports / Video Game
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Groove, Motion & Momentum placements with crossover utility for quirky jazz-indie motion, playful rhythm, animated momentum.
Stem Tracks
Yes
Track Narrative
ROUND TREE blends instrumental textures, moody, rhythmic, upbeat, and Acoustic Guitar / Bass / Drums / Percussion / Synth into a supervisor-facing cue designed for quirky jazz-indie motion, playful rhythm, animated momentum.
Instrumental Usage
Fully instrumental and one-stop, “ROUND TREE” supports cinematic storytelling without lyrical distraction. Especially useful for quirky jazz-indie motion, playful rhythm, animated momentum.
Artist Bio
AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.
ROYAL HUT
Groove, Motion & Momentum
ROYAL HUT
ELMER FERRER
Instrumental
ROYAL HUT delivers cinematic Latin-funk adventure, playful mystery, ensemble momentum in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROYAL HUT — ELMER FERRER
OMR Cue Map
Track: ROYAL HUT Clean Intro: Yes Edit Points: ROYAL HUT offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: ROYAL HUT bed sections built from Bass movement; mid-track cinematic Latin-funk adventure passage; outro or refrain section for scene transitions.
Use Case:
Strong use for caper movement, animated travel, market chase, playful mystery, or bright action with musicianship and style. The track’s Cinematic / Funk / Jazz / Latin foundation and bright, carefree, cinematic, cool, dramatic, fun, rhythmic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Major
BPM: 113
Genres: Cinematic / Funk / Jazz / Latin
Vocals: Instrumental
Moods: Bright / Carefree / Cinematic / Cool / Dramatic / Fun / Rhythmic
Sync Themes: Action / Adventure / Animation / Comedy / Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop
Track Summary:
ROYAL HUT blends instrumental textures, bright, carefree, cinematic, cool, dramatic, fun, rhythmic, and Bass / Drums / Electric Guitar / Percussion / Strings / Synth into a supervisor-facing cue designed for cinematic Latin-funk adventure, playful mystery, ensemble momentum.
Best suited for Groove, Motion & Momentum placements with crossover utility for cinematic Latin-funk adventure, playful mystery, ensemble momentum.
Stem Tracks
Yes
Track Narrative
ROYAL HUT blends instrumental textures, bright, carefree, cinematic, cool, dramatic, fun, rhythmic, and Bass / Drums / Electric Guitar / Percussion / Strings / Synth into a supervisor-facing cue designed for cinematic Latin-funk adventure, playful mystery, ensemble momentum.
Instrumental Usage
Fully instrumental and one-stop, “ROYAL HUT” supports cinematic storytelling without lyrical distraction. Especially useful for cinematic Latin-funk adventure, playful mystery, ensemble momentum.
Artist Bio
ELMER FERRER creates cinematic instrumental and vocal music built around atmosphere, movement, emotional pacing, and scene-ready underscore utility.
RUMBA EN STA 32
Groove, Motion & Momentum
RUMBA EN STA 32
CARLOS MIYARES
Instrumental
RUMBA EN STA 32 delivers Latin street rhythm, romantic comedy movement, urban warmth in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RUMBA EN STA 32 — CARLOS MIYARES
OMR Cue Map
Track: RUMBA EN STA 32 Clean Intro: Yes Edit Points: RUMBA EN STA 32 offers edit points around Bass / Drums / Horns entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RUMBA EN STA 32 bed sections built from Bass movement; mid-track Latin street rhythm passage; outro or refrain section for scene transitions.
Use Case:
Strong use for street festivals, kitchen or café scenes, romantic comedy transitions, dance-adjacent montage, or warm travel sequences. The track’s Latin / World foundation and bright, carefree, confident, energetic, rhythmic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: B Minor
BPM: 120
Genres: Latin / World
Vocals: Instrumental
Moods: Bright / Carefree / Confident / Energetic / Rhythmic
Sync Themes: Comedy / Romance
Lyric Themes:
Type: One Stop
Track Summary:
RUMBA EN STA 32 blends instrumental textures, bright, carefree, confident, energetic, rhythmic, and Bass / Drums / Horns / Percussion / Piano / Saxophone into a supervisor-facing cue designed for Latin street rhythm, romantic comedy movement, urban warmth.
Sync Highlights:
Primary category: Groove, Motion & Momentum
Secondary utility: Latin street rhythm, romantic comedy movement, urban warmth
Sync themes: Comedy / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Groove, Motion & Momentum placements with crossover utility for Latin street rhythm, romantic comedy movement, urban warmth.
Stem Tracks
Yes
Track Narrative
RUMBA EN STA 32 blends instrumental textures, bright, carefree, confident, energetic, rhythmic, and Bass / Drums / Horns / Percussion / Piano / Saxophone into a supervisor-facing cue designed for Latin street rhythm, romantic comedy movement, urban warmth.
Instrumental Usage
Fully instrumental and one-stop, “RUMBA EN STA 32” supports cinematic storytelling without lyrical distraction. Especially useful for Latin street rhythm, romantic comedy movement, urban warmth.
Artist Bio
CARLOS MIYARES creates Latin and jazz instrumentals with vibrant musicianship, rhythmic sophistication, and strong placement value for comedy, romance, and travel scenes.
RUN
Groove, Motion & Momentum
RUN
ELMER FERRER
Instrumental
RUN delivers sleek electronic pursuit, cool athletic motion, night drive in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RUN — ELMER FERRER
OMR Cue Map
Track: RUN Clean Intro: Yes Edit Points: RUN offers edit points around Bass / Percussion / Synth entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RUN bed sections built from Bass movement; mid-track sleek electronic pursuit passage; outro or refrain section for scene transitions.
Use Case:
Strong use for sports prep, crime movement, night driving, stylish pursuit, or dialogue-free motion. The track’s Electronic foundation and atmospheric, confident, cool, dreamy, moody, rhythmic, sexy emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Major
BPM: 75
Genres: Electronic
Vocals: Instrumental
Moods: Atmospheric / Confident / Cool / Dreamy / Moody / Rhythmic / Sexy / Upbeat
Sync Themes: Action / Crime / Sports / Drama
Lyric Themes:
Type: One Stop
Instrumentation:
Bass / Percussion / Synth
Track Summary:
RUN blends instrumental textures, atmospheric, confident, cool, dreamy, moody, rhythmic, sexy, and Bass / Percussion / Synth into a supervisor-facing cue designed for sleek electronic pursuit, cool athletic motion, night drive.
Sync Highlights:
Primary category: Groove, Motion & Momentum
Secondary utility: sleek electronic pursuit, cool athletic motion, night drive
Sync themes: Action / Crime / Sports / Drama
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Groove, Motion & Momentum placements with crossover utility for sleek electronic pursuit, cool athletic motion, night drive.
Stem Tracks
Yes
Track Narrative
RUN blends instrumental textures, atmospheric, confident, cool, dreamy, moody, rhythmic, sexy, and Bass / Percussion / Synth into a supervisor-facing cue designed for sleek electronic pursuit, cool athletic motion, night drive.
Instrumental Usage
Fully instrumental and one-stop, “RUN” supports cinematic storytelling without lyrical distraction. Especially useful for sleek electronic pursuit, cool athletic motion, night drive.
Artist Bio
ELMER FERRER creates cinematic instrumental and vocal music built around atmosphere, movement, emotional pacing, and scene-ready underscore utility.
REALIDAD INVENTADA (Trash Polka)
Groove, Motion & Momentum
REALIDAD INVENTADA (Trash Polka)
PAVLO CARTAGINESE
Male Vocal
REALIDAD INVENTADA (Trash Polka) delivers stylish urban swagger, invented reality, art-crime momentum in a concise, scene-ready cue built for fast supervisor review.
Track: REALIDAD INVENTADA (Trash Polka) Clean Intro: Moderate Edit Points: REALIDAD INVENTADA (Trash Polka) offers edit points around Bass / Cello / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: REALIDAD INVENTADA (Trash Polka) bed sections built from Bass movement; mid-track stylish urban swagger passage; outro or refrain section for scene transitions.
Use Case:
Strong use for fashion-crime montage, urban night movement, art-house pursuit, stylish relationship tension, or constructed-persona scenes. The track’s Electronic / Funk / Indie foundation and atmospheric, confident, cool, dark, fun, moody, rhythmic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: C Minor
BPM: 130
Genres: Electronic / Funk / Indie
Vocals: Male Vocal
Moods: Atmospheric / Confident / Cool / Dark / Fun / Moody / Rhythmic / Sexy / Swagger
Sync Themes: Action / Art House / Crime / Drama / Indie / Romance
Lyric Themes:
Type: One Stop
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RED HOT HOT ROD — PURPLE FOX & THE HEEBIE JEEBIES
OMR Cue Map
Track: RED HOT HOT ROD Clean Intro: Moderate Edit Points: RED HOT HOT ROD offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RED HOT HOT ROD bed sections built from Bass movement; mid-track retro car-commercial energy passage; outro or refrain section for scene transitions.
Use Case:
Strong use for car reveals, sports comedy, kids’ racing scenes, garage montage, retro commercial energy, or over-the-top entrances. The track’s Funk / R&B / Soul foundation and driving, fun, positive, quirky, retro, swagger, upbeat emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Minor
BPM: 120
Genres: Funk / R&B / Soul
Vocals: Male Vocal
Moods: Driving / Fun / Positive / Quirky / Retro / Swagger / Upbeat
Sync Themes: Action / Comedy / Sports
Lyric Themes: Energy / Escape / Fun / Power / Success
Type: One Stop
Track Summary:
RED HOT HOT ROD blends expressive vocals, driving, fun, positive, quirky, retro, swagger, upbeat, and Bass / Drums / Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for retro car-commercial energy, comic speed, funk confidence.
Best suited for Groove, Motion & Momentum placements with crossover utility for retro car-commercial energy, comic speed, funk confidence.
Stem Tracks
Yes
Track Narrative
RED HOT HOT ROD blends expressive vocals, driving, fun, positive, quirky, retro, swagger, upbeat, and Bass / Drums / Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for retro car-commercial energy, comic speed, funk confidence.
Lyrics
You don't need a freeway
You just need a runway
Taking off a thousand miles an hour
Coming through, out of my way
If you want a cool car
If you want a fast car
taking off a thousand miles an hour
Turbo rocket cylinder
It's electric
Red hot hot rod
Get those fancy cars
Red hot hot rod
Faster than a shooting star
Red hot hot rod
That engine is a work of art
Red hot, hot, hot, hot, hot, hot car
You don't need a gas tank
You just need an electric bank
Taking off a thousand miles an hour
Sleekest hybrid boosters inside at the top of the rank
Red hot hot rod
Get those fancy cars
Red hot hot rod
Faster than a shooting star
Red hot hot rod
That engine is a work of art
Red hot, hot, hot, hot, hot, hot car
Hot!
Getting all the fancy cars
No
Faster than a shooting star
That engine is a work of art
It's electric
Artist Bio
PURPLE FOX & THE HEEBIE JEEBIES deliver playful funk, soul, and family-friendly energy with bold grooves, humour, and high-use montage potential.
RED HOT LAVA
Groove, Motion & Momentum
RED HOT LAVA
PURPLE FOX & THE HEEBIE JEEBIES
Male Vocal
RED HOT LAVA delivers playground adventure, animated danger, family-friendly adrenaline in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RED HOT LAVA — PURPLE FOX & THE HEEBIE JEEBIES
OMR Cue Map
Track: RED HOT LAVA Clean Intro: Moderate Edit Points: RED HOT LAVA offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RED HOT LAVA bed sections built from Bass movement; mid-track playground adventure passage; outro or refrain section for scene transitions.
Use Case:
Strong use for animated chase, schoolyard adventure, family comedy, fantasy play, or light action montage with bounce. The track’s Funk / Soul foundation and confident, positive, quirky, upbeat emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Minor
BPM: 112
Genres: Funk / Soul
Vocals: Male Vocal
Moods: Confident / Positive / Quirky / Upbeat
Sync Themes: Action / Adventure / Animation
Lyric Themes: Adventure / Escape / Fear / Fun
Type: One Stop
Track Summary:
RED HOT LAVA blends expressive vocals, confident, positive, quirky, upbeat, and Bass / Drums / Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for playground adventure, animated danger, family-friendly adrenaline.
Best suited for Groove, Motion & Momentum placements with crossover utility for playground adventure, animated danger, family-friendly adrenaline.
Stem Tracks
Yes
Track Narrative
RED HOT LAVA blends expressive vocals, confident, positive, quirky, upbeat, and Bass / Drums / Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for playground adventure, animated danger, family-friendly adrenaline.
Lyrics
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
Freestyle down the sidewalk, flyin' like a red-tailed hawk
Playin' hopscotch to a diet song
Balance on the high step, hang on tight like a spider's web
You think I touched the ground 'cause then they're gone
It's all red hot lava
Watch out where you step
It's all red hot lava
But just hold your breath
It's all red hot lava
Heads up, this ain't no test
It's all red hot lava, red hot lava
Watch out!
Aww!
You might think I'm crazy, but the ground is made of lava gravy
Shocks the fur and the socks right out your shoes
Beware the shadow it attacks, a crack might break your mama's back
But watch out for that magma molten ooze
Red hot lava
Watch out where you step
It's all red hot lava
But just hold your breath
It's all red hot lava
Heads up, this ain't no test
It's all red hot lava, red hot lava
Watch out!
Aww!
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
R-E-D H-O-T L-A-V-A
Artist Bio
PURPLE FOX & THE HEEBIE JEEBIES deliver playful funk, soul, and family-friendly energy with bold grooves, humour, and high-use montage potential.
RIDE ON NATTY
Groove, Motion & Momentum
RIDE ON NATTY
MELODIC YOZA
Male Vocal
RIDE ON NATTY delivers street resilience, reggae-hip hop survival, compassionate movement in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RIDE ON NATTY — MELODIC YOZA
OMR Cue Map
Track: RIDE ON NATTY Clean Intro: Moderate Edit Points: RIDE ON NATTY offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RIDE ON NATTY bed sections built from Bass movement; mid-track street resilience passage; outro or refrain section for scene transitions.
Use Case:
Strong use for street-level character montage, urban travel, social realism, underdog resilience, or groove with compassion beneath it. The track’s Dance / Hip Hop / Indie / Pop / Reggae foundation and carefree, catchy, confident, cool, energetic, fun, rhythmic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: F Major
BPM: 88
Genres: Dance / Hip Hop / Indie / Pop / Reggae
Vocals: Male Vocal
Moods: Carefree / Catchy / Confident / Cool / Energetic / Fun / Rhythmic / Swagger
Sync Themes: Action / Comedy / Fantasy
Lyric Themes: Pain / Struggle
Type: One Stop
Track Summary:
RIDE ON NATTY blends expressive vocals, carefree, catchy, confident, cool, energetic, fun, rhythmic, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for street resilience, reggae-hip hop survival, compassionate movement.
Sync Highlights:
Primary category: Groove, Motion & Momentum
Secondary utility: street resilience, reggae-hip hop survival, compassionate movement
Sync themes: Action / Comedy / Fantasy
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Groove, Motion & Momentum placements with crossover utility for street resilience, reggae-hip hop survival, compassionate movement.
Stem Tracks
Yes
Track Narrative
RIDE ON NATTY blends expressive vocals, carefree, catchy, confident, cool, energetic, fun, rhythmic, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for street resilience, reggae-hip hop survival, compassionate movement.
Lyrics
Yeah, you know
I wanna dedicate this one to all my peoples in the garrison
You know all the cats who walkin' round like Chuck Harrison
And whole vets pushin' wheelchairs and carts
I know it's embarrassing
But you still gotta ride on, Nati
Yeah, you know
You know what I'm talkin' 'bout
It's like the homeless not asking for change
And I told them, man there ain't no change
And things won't change
It always stays the same
Not telling me what you got to gain
Not living in a world where no one feeds my pain
My life is down the drain
And all I feel is this burning acid rain
This burning acid rain
But still I'ma ride on, yeah
I gotta still let you ride on
You got to just ride on, yeah
Na-ti, na-ti, na-ti, ride on
You got to just ride on
Yeah, na-ti, na-ti, na-ti, ride on
You got to just ride on
Yeah, na-ti, na-ti, na-ti, ride on
And as I travel along, I'm on my way
Just yesterday, no wonder MTA
I heard someone say, "Brother help me today"
Can't find no food or no place to stay
Say he's feeling stuck, down on his luck
I gave him a buck and tell him don't give up
'Cause when times get tougher, the going gets rougher
So ride on and be a one, don't give up
You got to ride on
Yeah, notty, notty, notty ride on
You got to just ride on
Yeah, notty, notty, notty ride on
You got to just ride on
Yeah, notty, notty, notty ride on
You got to just ride on
Yeah, notty, notty, notty ride
It's like I woke up this morning, couldn't wall to anger
I'm pleading for the men who sleep in the bus shed
And etting the ones who a walk and beg
How this kind of have a do hurt my head
'Cause I know what it's like not having a place to rest
You remember those days I used to sleep on the step
When people walk by I would call you homeless
But right now nothing 'cause you just ain't home yet
Oh yes, I'ma ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
Good evening, ladies and gentlemen
I may have a small commercial break
I'm really down on my luck
And whatever you could give me right now
Would be highly appreciated
Thanks for your time
And have a beautiful day
May God bless you
Please stand clear
Closing door
Straight yowza
Ride on
But still I'ma ride on
Yeah
Natti natti natti ride on
You got to just ride on
Yeah
Natti natti natti ride
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
Yeah, get on
Ricky Rick, what up, my ninja?
Hey Gabe, I see you
Hey yo, you left, what up, my ninja?
I like your voice, so ciao, ride on
Artist Bio
MELODIC YOZA creates reggae, hip hop, and pop-leaning tracks with street-level empathy, rhythmic persistence, and character-driven uplift.
ROLLER RAN
Groove, Motion & Momentum
ROLLER RAN
RAN DE CASA
Male Vocal
ROLLER RAN delivers modern swagger, kinetic roll, sports-lifestyle confidence in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROLLER RAN — RAN DE CASA
OMR Cue Map
Track: ROLLER RAN Clean Intro: Moderate Edit Points: ROLLER RAN offers edit points around Bass / Percussion / Synth entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: ROLLER RAN bed sections built from Bass movement; mid-track modern swagger passage; outro or refrain section for scene transitions.
Use Case:
Strong use for sports montage, video-game energy, streetwear/lifestyle sequence, confident comedy entrance, or quick-cut urban motion. The track’s Dance / Hip Hop foundation and confident, cool, love, moody, rhythmic, sexy, swagger emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: C Minor
BPM: 155
Genres: Dance / Hip Hop
Vocals: Male Vocal
Moods: Confident / Cool / Love / Moody / Rhythmic / Sexy / Swagger / Upbeat
Sync Themes: Action / Comedy / Sports / Video Game
Lyric Themes: Connection / Empowerment / Strength / Success / Unity
Type: One Stop
Instrumentation:
Bass / Percussion / Synth
Track Summary:
ROLLER RAN blends expressive vocals, confident, cool, love, moody, rhythmic, sexy, swagger, and Bass / Percussion / Synth into a supervisor-facing cue designed for modern swagger, kinetic roll, sports-lifestyle confidence.
Sync Highlights:
Primary category: Groove, Motion & Momentum
Secondary utility: modern swagger, kinetic roll, sports-lifestyle confidence
Sync themes: Action / Comedy / Sports / Video Game
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Groove, Motion & Momentum placements with crossover utility for modern swagger, kinetic roll, sports-lifestyle confidence.
Stem Tracks
Yes
Track Narrative
ROLLER RAN blends expressive vocals, confident, cool, love, moody, rhythmic, sexy, swagger, and Bass / Percussion / Synth into a supervisor-facing cue designed for modern swagger, kinetic roll, sports-lifestyle confidence.
Lyrics
Prezi, Prezi, Prezi.
Ah! Okay Kassa
Yeah.
Okay Kassa.
So we rollin'
And we rollin'
And we rollin'
I learned early on how to just roll with the flow.
Slow down let me see the room.
It's my intuition stickin' to the code.
Hold ground gon' peep the view, the vision.
Watching all of the moves, got the wisdom keepin' distance.
Firewall from the fools, good business pay attention if you are in the room.
'Cause there's people operatin' outside of the rules.
So we rollin'
And we rollin'
And we rollin'
Doing our, doing our thing.
You and I doing our thing.
You and now, you and our thing.
You and I doing our thing.
Unified doing our thing.
You and I doing our thing.
Unified doing our thing.
You and I, doing our...
Back from the rollin', refresh button moment.
Trying to be the coldest, blaze the rarest locusts.
Hope you damned jokers got the same focus.
Open up my lane, find a deal and a closing.
Papers and we rollin'.
And we rollin'
And we rollin'
If you're coming with me, I swear you'll love it.
This understanding we have, I swear it's solid.
If you're coming with me, we gonna manage.
Introduce yourself to runnin' from again.
If you're coming with me I swear you'll love it.
Stop seein' runnin' from again.
Take away their growth when they, find closed minds, turn key then I open them.
Stacy wanna roll again, but girl I got the holiest.
When it come to fixin' a demand, I got the brokerage.
Get it and we rollin'
And we rollin'
And we rollin'
I keep it rollin', rollin', rollin' to the goal.
Going from A to B, keep it simple.
Solely, solely on a go.
Girl you won't roll with me?
Keep it rollin', rollin', rollin' to the goal.
Going from A to B, keep it simple.
Simple, simple, solely on the go.
Girl won't you roll with me?
Coldest don't need no jacket.
Roll it on me, no wrap it.
Oh.
Coldest don't need no jacket.
Rollin' don't need no wrap it.
Alright, so we rollin'.
Artist Bio
RAN DE CASA creates confident dance and hip hop tracks with rhythmic swagger, modern movement, and strong sports, comedy, and lifestyle sync potential.
Jazz, Character & Sophisticated Drama
Jazz-forward storytelling cues suited to mature drama, romance, mystery, urban character studies, and sophisticated emotional narratives.
REALIZATION
Jazz, Character & Sophisticated Drama
REALIZATION
PAT CAREY
Instrumental
REALIZATION delivers cinematic jazz reveal, procedural gravity, serious discovery in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REALIZATION — PAT CAREY
OMR Cue Map
Track: REALIZATION Clean Intro: Yes Edit Points: REALIZATION offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: REALIZATION bed sections built from Bass movement; mid-track cinematic jazz reveal passage; outro or refrain section for scene transitions.
Use Case:
Strong use for investigation boards, courtroom-adjacent reflection, strategic planning, mystery reveals, or absorbing difficult information. The track’s Cinematic / Jazz foundation and cinematic, dramatic, serious emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: G Minor
BPM: 101
Genres: Cinematic / Jazz
Vocals: Instrumental
Moods: Cinematic / Dramatic / Serious
Sync Themes: Action / Adventure / Crime / Drama / Mystery
Lyric Themes:
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Horns / Keyboard / Piano / Saxophone / Trumpet
Track Summary:
REALIZATION blends instrumental textures, cinematic, dramatic, serious, and Bass / Drums / Electric Guitar / Horns / Keyboard / Piano / Saxophone / Trumpet into a supervisor-facing cue designed for cinematic jazz reveal, procedural gravity, serious discovery.
Sync Highlights:
Primary category: Jazz, Character & Sophisticated Drama
Secondary utility: cinematic jazz reveal, procedural gravity, serious discovery
Best suited for Jazz, Character & Sophisticated Drama placements with crossover utility for cinematic jazz reveal, procedural gravity, serious discovery.
Stem Tracks
Yes
Track Narrative
REALIZATION blends instrumental textures, cinematic, dramatic, serious, and Bass / Drums / Electric Guitar / Horns / Keyboard / Piano / Saxophone / Trumpet into a supervisor-facing cue designed for cinematic jazz reveal, procedural gravity, serious discovery.
Instrumental Usage
Fully instrumental and one-stop, “REALIZATION” supports cinematic storytelling without lyrical distraction. Especially useful for cinematic jazz reveal, procedural gravity, serious discovery.
Artist Bio
PAT CAREY creates jazz-forward instrumental cues with strong ensemble character, saxophone colour, and polished sync utility for drama, romance, mystery, and period-adjacent settings.
RECUERDOS
Jazz, Character & Sophisticated Drama
RECUERDOS
AMHED MITCHEL
Instrumental
RECUERDOS delivers memory, melancholy romance, old-city mystery in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RECUERDOS — AMHED MITCHEL
OMR Cue Map
Track: RECUERDOS Clean Intro: Yes Edit Points: RECUERDOS offers edit points around Horns / Percussion / Piano entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Yes Best Loop Candidates: RECUERDOS bed sections built from Horns movement; mid-track memory passage; outro or refrain section for scene transitions.
Use Case:
Strong use for flashback, travel memory, romantic regret, old-world mystery, or walking through places that carry emotional history. The track’s Jazz / World foundation and chill, dramatic, nostalgic, playful, relaxing, romantic, sad emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Minor
BPM: 136
Genres: Jazz / World
Vocals: Instrumental
Moods: Chill / Dramatic / Nostalgic / Playful / Relaxing / Romantic / Sad / Somber
Sync Themes: Crime / Drama / Mystery
Lyric Themes:
Type: One Stop
Instrumentation:
Horns / Percussion / Piano / Saxophone / Strings
Track Summary:
RECUERDOS blends instrumental textures, chill, dramatic, nostalgic, playful, relaxing, romantic, sad, and Horns / Percussion / Piano / Saxophone / Strings into a supervisor-facing cue designed for memory, melancholy romance, old-city mystery.
Sync Highlights:
Primary category: Jazz, Character & Sophisticated Drama
Best suited for Jazz, Character & Sophisticated Drama placements with crossover utility for memory, melancholy romance, old-city mystery.
Stem Tracks
Yes
Track Narrative
RECUERDOS blends instrumental textures, chill, dramatic, nostalgic, playful, relaxing, romantic, sad, and Horns / Percussion / Piano / Saxophone / Strings into a supervisor-facing cue designed for memory, melancholy romance, old-city mystery.
Instrumental Usage
Fully instrumental and one-stop, “RECUERDOS” supports cinematic storytelling without lyrical distraction. Especially useful for memory, melancholy romance, old-city mystery.
Artist Bio
AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.
ROSEMARY
Jazz, Character & Sophisticated Drama
ROSEMARY
PAUL REDDICK
Male Vocal
ROSEMARY delivers blues regret, old bargains, haunted romance in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: ROSEMARY — PAUL REDDICK
OMR Cue Map
Track: ROSEMARY Clean Intro: Moderate Edit Points: ROSEMARY offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Moderate Loopable: Moderate Best Loop Candidates: ROSEMARY bed sections built from Bass movement; mid-track blues regret passage; outro or refrain section for scene transitions.
Use Case:
Strong use for late-night confession, troubled romance, barroom memory, noir-adjacent regret, or consequences of old choices. The track’s Blues / Jazz foundation and dreamy, sad, warm emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Major
BPM: 103
Genres: Blues / Jazz
Vocals: Male Vocal
Moods: Dreamy / Sad / Warm
Sync Themes: Art House / Drama / Indie / Mystery / Romance
Lyric Themes: Life / Regret / Strength / Struggle / Success
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Horns
Track Summary:
ROSEMARY blends expressive vocals, dreamy, sad, warm, and Bass / Drums / Electric Guitar / Horns into a supervisor-facing cue designed for blues regret, old bargains, haunted romance.
Sync Highlights:
Primary category: Jazz, Character & Sophisticated Drama
Secondary utility: blues regret, old bargains, haunted romance
Sync themes: Art House / Drama / Indie / Mystery / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Jazz, Character & Sophisticated Drama placements with crossover utility for blues regret, old bargains, haunted romance.
Stem Tracks
Yes
Track Narrative
ROSEMARY blends expressive vocals, dreamy, sad, warm, and Bass / Drums / Electric Guitar / Horns into a supervisor-facing cue designed for blues regret, old bargains, haunted romance.
Lyrics
Way way over the cold motor town
Up the road where the wind pours down
Rosemary
Rosemary
Rosemary
A brand new apple for the same old snake
Another deal some broken make
Rosemary
Rosemary
Rosemary
Long time has spoken good skies are blue
Scrape that devil off your shoe
Rosemary
Rosemary
Rosemary
Artist Bio
PAUL REDDICK brings gritty blues, harmonica bite, and roots-rock attitude to sync placements that need swagger, danger, humour, longing, or lived-in character.
Rock, Tension & Impact
High-energy rock, rebellion, confrontation, pursuit, empowerment, crime pressure, dramatic tension, and emotional impact.
RAICES
Rock, Tension & Impact
RAICES
AMHED MITCHEL
Instrumental
RAICES delivers Latin-jazz urgency, cartel-boardroom tension, decisive undercurrent in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RAICES — AMHED MITCHEL
OMR Cue Map
Track: RAICES Clean Intro: Yes Edit Points: RAICES offers edit points around Bass / Drums / Horns entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RAICES bed sections built from Bass movement; mid-track Latin-jazz urgency passage; outro or refrain section for scene transitions.
Use Case:
Strong use for investigative montages, street-level pursuit, tense negotiations, procedural reveals, or stylish crime-drama sequences. The track’s Jazz foundation and dramatic, energetic, powerful, romantic, serious, tension emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: G Minor
BPM: 111
Genres: Jazz
Vocals: Instrumental
Moods: Dramatic / Energetic / Powerful / Romantic / Serious / Tension
Sync Themes: Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop
Best suited for Rock, Tension & Impact placements with crossover utility for Latin-jazz urgency, cartel-boardroom tension, decisive undercurrent.
Stem Tracks
Yes
Track Narrative
RAICES blends instrumental textures, dramatic, energetic, powerful, romantic, serious, tension, and Bass / Drums / Horns / Percussion / Piano / Saxophone / Synth / Trumpet into a supervisor-facing cue designed for Latin-jazz urgency, cartel-boardroom tension, decisive undercurrent.
Instrumental Usage
Fully instrumental and one-stop, “RAICES” supports cinematic storytelling without lyrical distraction. Especially useful for Latin-jazz urgency, cartel-boardroom tension, decisive undercurrent.
Artist Bio
AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.
RATTLEBAG
Rock, Tension & Impact
RATTLEBAG
PAUL REDDICK
Male Vocal
RATTLEBAG delivers dirty blues-rock swagger, reckless motion, outlaw mischief in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RATTLEBAG — PAUL REDDICK
OMR Cue Map
Track: RATTLEBAG Clean Intro: Moderate Edit Points: RATTLEBAG offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RATTLEBAG bed sections built from Bass movement; mid-track dirty blues-rock swagger passage; outro or refrain section for scene transitions.
Use Case:
Strong use for getaway prep, barroom swagger, rough-edged sports montage, rebellious entrances, or comic-crime trouble. The track’s Punk / Rock foundation and anthemic, catchy, confident, cool, dramatic, driving, energetic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D Minor
BPM: 120
Genres: Punk / Rock
Vocals: Male Vocal
Moods: Anthemic / Catchy / Confident / Cool / Dramatic / Driving / Energetic / Fun / Gritty / Intense / Powerful / Swagger / Tension
Sync Themes: Action / Adventure / Crime / Drama / Indie / Sports / Thriller
Lyric Themes: Dream / Life / Love / Relationship / Time
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Harmonica
Track Summary:
RATTLEBAG blends expressive vocals, anthemic, catchy, confident, cool, dramatic, driving, energetic, and Bass / Drums / Electric Guitar / Harmonica into a supervisor-facing cue designed for dirty blues-rock swagger, reckless motion, outlaw mischief.
Best suited for Rock, Tension & Impact placements with crossover utility for dirty blues-rock swagger, reckless motion, outlaw mischief.
Stem Tracks
Yes
Track Narrative
RATTLEBAG blends expressive vocals, anthemic, catchy, confident, cool, dramatic, driving, energetic, and Bass / Drums / Electric Guitar / Harmonica into a supervisor-facing cue designed for dirty blues-rock swagger, reckless motion, outlaw mischief.
Lyrics
Oh reach into your rattlebag
Toss your bones on out
Oh reach into your rattlebag
Toss your bones on out
Won't you tell me darlin
What I'm thinkin bout
Drivin in your 66
Turquoise shade of green
Drivin in your 66
Turquoise shade of green
Slow goes that beauty box
Life is but a dream
Oh honey you can roll
Roll your crimson dice
Oh honey you can roll
Roll your crimson dice
Oh believe me baby
You give good advice
Oh reach into your rattlebag
Toss your bones on out
Oh reach into your rattlebag
Toss your bones on out
Won't you tell me darlin
What I'm thinkin bout
Artist Bio
PAUL REDDICK brings gritty blues, harmonica bite, and roots-rock attitude to sync placements that need swagger, danger, humour, longing, or lived-in character.
RENAISSANCE WOMAN
Rock, Tension & Impact
RENAISSANCE WOMAN
OMR
Female Vocal
RENAISSANCE WOMAN delivers female empowerment, self-definition, bold reinvention in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RENAISSANCE WOMAN — OMR
OMR Cue Map
Track: RENAISSANCE WOMAN Clean Intro: Moderate Edit Points: RENAISSANCE WOMAN offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RENAISSANCE WOMAN bed sections built from Bass movement; mid-track female empowerment passage; outro or refrain section for scene transitions.
Use Case:
Strong use for empowerment montage, entrepreneurial reveal, confident character entrance, fashion/career sequence, or reclaiming a future. The track’s Indie / Rock foundation and carefree, confident, dramatic, fun, powerful emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Minor
BPM: 125
Genres: Indie / Rock
Vocals: Female Vocal
Moods: Carefree / Confident / Dramatic / Fun / Powerful
Sync Themes: Action / Comedy / Drama / Romance
Lyric Themes: Empowerment / Identity / Strength / Success / Time
Type: One Stop
Best suited for Rock, Tension & Impact placements with crossover utility for female empowerment, self-definition, bold reinvention.
Stem Tracks
Yes
Track Narrative
RENAISSANCE WOMAN blends expressive vocals, carefree, confident, dramatic, fun, powerful, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for female empowerment, self-definition, bold reinvention.
Lyrics
VERSE 1
YOU’VE GOT TO TRUST YOURSELF
BE WHO YOU ARE
DO WHAT YOU WANT TO DO
DISCOVER YOU
YOUR POINT OF VIEW
KNOW YOURSELF THROUGH AND THROUGH
CHORUS
RENAISSANCE WOMAN
IN A GOLDEN AGE
AN OPEN MIND
ON A GLOBAL STAGE
I LEFT MY TROUBLES BEHIND
AND I TURNED THE PAGE
IT’S A PRIVLAGE OF THIS MODERN AGE
VERSE 2
I WANT TO MAKE IT CLEAR
I’M THE NEW FRONTIER
WHAT YOU SEE IS WHAT YOU GET
I’M NOT AFRAID
I JUST INSIST
ON AVOIDING EMOTIONAL DEBT
CHORUS
BRIDGE
THERE’S A TIME FOR WORK
AND A TIME FOR LOVE
AIN’T GOT NO TIME TO TALK
YEAH, IT’S TIME TO WALK
CHORUS
SOLO
CHORUS
Artist Bio
OMR Music Production develops sync-focused songs and cues designed for fast clearance, strong emotional storytelling, and practical film and television use.
REQUIEM
Rock, Tension & Impact
REQUIEM
THE GREEN DOOR
Male Vocal
REQUIEM delivers punk requiem, judgment, dangerous moral atmosphere in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REQUIEM — THE GREEN DOOR
OMR Cue Map
Track: REQUIEM Clean Intro: Moderate Edit Points: REQUIEM offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: REQUIEM bed sections built from Bass movement; mid-track punk requiem passage; outro or refrain section for scene transitions.
Use Case:
Strong use for outlaw aftermath, crime reckoning, grim walk-up, revenge tension, or stylized indie scenes with moral weight. The track’s Metal / Punk / Rock foundation and atmospheric, moody, retro, upbeat emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: C Minor
BPM: 93
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Atmospheric / Moody / Retro / Upbeat
Sync Themes: Drama / Indie / Crime
Lyric Themes:
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar / Percussion
Track Summary:
REQUIEM blends expressive vocals, atmospheric, moody, retro, upbeat, and Bass / Drums / Electric Guitar / Percussion into a supervisor-facing cue designed for punk requiem, judgment, dangerous moral atmosphere.
Sync Highlights:
Primary category: Rock, Tension & Impact
Secondary utility: punk requiem, judgment, dangerous moral atmosphere
Sync themes: Drama / Indie / Crime
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Rock, Tension & Impact placements with crossover utility for punk requiem, judgment, dangerous moral atmosphere.
Stem Tracks
Yes
Track Narrative
REQUIEM blends expressive vocals, atmospheric, moody, retro, upbeat, and Bass / Drums / Electric Guitar / Percussion into a supervisor-facing cue designed for punk requiem, judgment, dangerous moral atmosphere.
Lyrics
Sugar down, Sacramento, judge you quick, forget
from my gun, salvation, on your knees, bow your head
Requiem aeternam, dona eis, Domine
Et lux perpetua, luceat, eis
In your hands, blood and sand, did you lose or win?
Requiem aeternam dona eis, Domine
Shine inside, all on your soul
You live on some side,
you go alone
Come on, fall in line, circle girl to the sky
Requiem aeternam dona eis, Domine
Requiem aeternam dona eis, Domine
Et lux perpetua, luceat, eis
Artist Bio
THE GREEN DOOR creates gritty rock, punk, and world-tinged instrumentals with character, tension, and left-field cinematic edge.
REVOLVER
Rock, Tension & Impact
REVOLVER
THE GREEN DOOR
Male Vocal
REVOLVER delivers high-noon showdown, loaded-gun swagger, crime-western pressure in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REVOLVER — THE GREEN DOOR
OMR Cue Map
Track: REVOLVER Clean Intro: Moderate Edit Points: REVOLVER offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: REVOLVER bed sections built from Bass movement; mid-track high-noon showdown passage; outro or refrain section for scene transitions.
Use Case:
Strong use for standoff builds, criminal entrances, revenge walk-ups, gritty action montage, or no-winner confrontation. The track’s Metal / Rock foundation and retro, upbeat emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Minor
BPM: 126
Genres: Metal / Rock
Vocals: Male Vocal
Moods: Retro / Upbeat
Sync Themes: Crime / Action / Drama
Lyric Themes: Conflict / Power / Strength / Struggle / Survival
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar
Track Summary:
REVOLVER blends expressive vocals, retro, upbeat, and Bass / Drums / Electric Guitar into a supervisor-facing cue designed for high-noon showdown, loaded-gun swagger, crime-western pressure.
Best suited for Rock, Tension & Impact placements with crossover utility for high-noon showdown, loaded-gun swagger, crime-western pressure.
Stem Tracks
Yes
Track Narrative
REVOLVER blends expressive vocals, retro, upbeat, and Bass / Drums / Electric Guitar into a supervisor-facing cue designed for high-noon showdown, loaded-gun swagger, crime-western pressure.
Lyrics
Swagger down to town square
Found there high noon showdown
Opponent glares with cold stares
Revolver
Coming round again
Fired like a bullet
Locomotion
From a loaded gun
Sinks into himself
Feels the earth
Slip right through his fingers
Sometimes there are no winners
Circle in the sky
Like a vulture
Savior
Savior to the silence
Savior
Savior to the silence
Staggers to his feet
Each time the blow arrives
The ground shutters beneath
Above the sun will rise
Artist Bio
THE GREEN DOOR creates gritty rock, punk, and world-tinged instrumentals with character, tension, and left-field cinematic edge.
REWOUND
Rock, Tension & Impact
REWOUND
GODGIFU
Instrumental
REWOUND delivers dark mechanical build, thriller pressure, heavy pursuit in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: REWOUND — GODGIFU
OMR Cue Map
Track: REWOUND Clean Intro: Yes Edit Points: REWOUND offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: REWOUND bed sections built from Bass movement; mid-track dark mechanical build passage; outro or refrain section for scene transitions.
Use Case:
Strong use for chase preparation, thriller montage, underground movement, criminal surveillance, or action gathering force. The track’s Metal / Punk / Rock foundation and atmospheric, building, dark, dramatic, mysterious, powerful emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Minor
BPM: 82
Genres: Metal / Punk / Rock
Vocals: Instrumental
Moods: Atmospheric / Building / Dark / Dramatic / Mysterious / Powerful
Sync Themes: Action / Crime / Drama / Arthouse / Thriller
Lyric Themes:
Type: One Stop
Track Summary:
REWOUND blends instrumental textures, atmospheric, building, dark, dramatic, mysterious, powerful, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for dark mechanical build, thriller pressure, heavy pursuit.
Sync Highlights:
Primary category: Rock, Tension & Impact
Secondary utility: dark mechanical build, thriller pressure, heavy pursuit
Best suited for Rock, Tension & Impact placements with crossover utility for dark mechanical build, thriller pressure, heavy pursuit.
Stem Tracks
Yes
Track Narrative
REWOUND blends instrumental textures, atmospheric, building, dark, dramatic, mysterious, powerful, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for dark mechanical build, thriller pressure, heavy pursuit.
Instrumental Usage
Fully instrumental and one-stop, “REWOUND” supports cinematic storytelling without lyrical distraction. Especially useful for dark mechanical build, thriller pressure, heavy pursuit.
Artist Bio
GODGIFU creates dark, building rock and electronic instrumentals with dramatic pressure, heavy atmosphere, and strong thriller-oriented motion.
RID THE WORLD OF GREED
Rock, Tension & Impact
RID THE WORLD OF GREED
OMR
Male Vocal
RID THE WORLD OF GREED delivers environmental protest, social urgency, righteous rock pressure in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RID THE WORLD OF GREED — OMR
OMR Cue Map
Track: RID THE WORLD OF GREED Clean Intro: Moderate Edit Points: RID THE WORLD OF GREED offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RID THE WORLD OF GREED bed sections built from Bass movement; mid-track environmental protest passage; outro or refrain section for scene transitions.
Use Case:
Strong use for activist montage, dystopian warning, political drama, corporate corruption, or moral outrage becoming movement. The track’s Electronic / Grunge / Indie / Metal / Rock foundation and angry, anthemic, confident, cool, dark, dramatic, driving emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: E Minor
BPM: 140
Genres: Electronic / Grunge / Indie / Metal / Rock
Vocals: Male Vocal
Moods: Angry / Anthemic / Confident / Cool / Dark / Dramatic / Driving / Light / Moody / Positive / Powerful / Rhythmic / Serious / Sexy / Swagger
Sync Themes: Action / Crime / Drama / Thriller
Lyric Themes: Hope / Nature / Strength / Time / Unity
Type: One Stop
Track Summary:
RID THE WORLD OF GREED blends expressive vocals, angry, anthemic, confident, cool, dark, dramatic, driving, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for environmental protest, social urgency, righteous rock pressure.
Sync Highlights:
Primary category: Rock, Tension & Impact
Secondary utility: environmental protest, social urgency, righteous rock pressure
Sync themes: Action / Crime / Drama / Thriller
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Rock, Tension & Impact placements with crossover utility for environmental protest, social urgency, righteous rock pressure.
Stem Tracks
Yes
Track Narrative
RID THE WORLD OF GREED blends expressive vocals, angry, anthemic, confident, cool, dark, dramatic, driving, and Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for environmental protest, social urgency, righteous rock pressure.
Lyrics
VERSE 1
HIDING THERE IN PLAIN SIGHT
HOLDING ON FOR DEAR LIFE
LIVING IN THIS WORLD OF GREED
ASKING WHAT THEY REALLY NEED
THEN WILL WE SEE
THERE ARE NO GUARANTEES
LEADERS TAKE AWAY OUR JOYS
LEAVING HOPE DESTROYED
CHORUS
WHEN THE EARTH CRIES OUT
WE WILL PLANT THE SEED
WITHOUT A DOUBT
RID THE WORLD OF GREED
WHEN THE TIME IS RIGHT
WITH TRUE INSIGHT
WE WILL PLANT THE SEED
RID THE WORLD OF GREED
VERSE 2
THE SUN A FADING LIGHT
THE DAY HAS TURNED TO THE NIGHT
SHADOWS FORMING IN THE TREES
BRANCHES SWAYING IN THE BREEZE
FAREWELL TO SAND AND SEA
GOODBYE TO ALL THE FREE
NATURE HAS BEEN REPLACED
RAINBOW COLORS ALL ERASED
CHORUS
INTERLUDE
CHORUS
OUTRO
Artist Bio
OMR Music Production develops sync-focused songs and cues designed for fast clearance, strong emotional storytelling, and practical film and television use.
RIPE
Rock, Tension & Impact
RIPE
THADEUS GONZALEZ
Male Vocal
RIPE delivers coming-of-age confidence, fleeting prime, urgent youth energy in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RIPE — THADEUS GONZALEZ
OMR Cue Map
Track: RIPE Clean Intro: Moderate Edit Points: RIPE offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RIPE bed sections built from Bass movement; mid-track coming-of-age confidence passage; outro or refrain section for scene transitions.
Use Case:
Strong use for teen confidence, party montage, reckless romance, sports swagger, or realizing the moment is now. The track’s Metal / Punk / Rock foundation and confident, cool, dark, driving, fun, intense, powerful emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: D# Minor
BPM: 124
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Confident / Cool / Dark / Driving / Fun / Intense / Powerful / Upbeat
Sync Themes: Comedy / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Destiny / Life / Struggle / Success / Time
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar
Track Summary:
RIPE blends expressive vocals, confident, cool, dark, driving, fun, intense, powerful, and Bass / Drums / Electric Guitar into a supervisor-facing cue designed for coming-of-age confidence, fleeting prime, urgent youth energy.
Sync Highlights:
Primary category: Rock, Tension & Impact
Secondary utility: coming-of-age confidence, fleeting prime, urgent youth energy
Sync themes: Comedy / Coming Of Age / Drama / Indie / Romance
One-stop licensing supports streamlined clearance
Sync Potential
Best suited for Rock, Tension & Impact placements with crossover utility for coming-of-age confidence, fleeting prime, urgent youth energy.
Stem Tracks
Yes
Track Narrative
RIPE blends expressive vocals, confident, cool, dark, driving, fun, intense, powerful, and Bass / Drums / Electric Guitar into a supervisor-facing cue designed for coming-of-age confidence, fleeting prime, urgent youth energy.
Lyrics
There ain't no time like the time when you're ripe
It's the best you'll taste in your life
Everything clicks, fits like a glove
Every step you take is it from above
Then it's stripped away
Then it's stripped away
Then it's stripped away
Before your time
A whole new life is seen through your eyes
It's the best prize of your life
Soon time will test your mind all the things you've left behind
Juice will fall from the vine
Then it's stripped away
Then it's stripped away
Then it's stripped away
Before you're ripe
Before you're ripe
Before you're ripe
Before you're ripe
Oh Oh
Oh Oh
Oh oh oh
There ain't no time, there ain't no time when you're
There ain't no time, there ain't no time when you're
There ain't no time, there ain't no time when you're
There ain't no time, there ain't no time
I know
Then it's stripped away
Then it's stripped away
Then it's stripped away
Before you're ripe
Before you're ripe
Before you're ripe
Before you're ripe
Artist Bio
THADEUS GONZALEZ creates guitar-forward rock with emotional bite, character conflict, and strong usefulness for rebellion, tension, and relationship friction.
RUN THROUGH YOU (HIDEAWAY)
Rock, Tension & Impact
RUN THROUGH YOU (HIDEAWAY)
THADEUS GONZALEZ
Male Vocal
RUN THROUGH YOU (HIDEAWAY) delivers inner conflict, hunted identity, alt-rock pursuit in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RUN THROUGH YOU (HIDEAWAY) — THADEUS GONZALEZ
OMR Cue Map
Track: RUN THROUGH YOU (HIDEAWAY) Clean Intro: Moderate Edit Points: RUN THROUGH YOU (HIDEAWAY) offers edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RUN THROUGH YOU (HIDEAWAY) bed sections built from Acoustic Guitar movement; mid-track inner conflict passage; outro or refrain section for scene transitions.
Use Case:
Strong use for psychological chase, romantic tension, self-sabotage, mystery pursuit, or confronting the worst version of oneself. The track’s Metal / Punk / Rock foundation and bright, cool, moody, quirky, reflective, retro, upbeat emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: A Minor
BPM: 104
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Bright / Cool / Moody / Quirky / Reflective / Retro / Upbeat
Sync Themes: Drama / Mystery / Romance / Thriller
Lyric Themes: Identity / Strength / Struggle / Success / Time
Type: One Stop
Track Summary:
RUN THROUGH YOU (HIDEAWAY) blends expressive vocals, bright, cool, moody, quirky, reflective, retro, upbeat, and Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for inner conflict, hunted identity, alt-rock pursuit.
Best suited for Rock, Tension & Impact placements with crossover utility for inner conflict, hunted identity, alt-rock pursuit.
Stem Tracks
Yes
Track Narrative
RUN THROUGH YOU (HIDEAWAY) blends expressive vocals, bright, cool, moody, quirky, reflective, retro, upbeat, and Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Synth into a supervisor-facing cue designed for inner conflict, hunted identity, alt-rock pursuit.
Lyrics
It's the thing you can't tame
standing in your way
You'll never get passed
So you’re turning around
but this thing hunts you down
Back where the standoff began
And all they'll say when a fool is fooled
Is you let the worst of you run through
And all they'll say when cool ain’t cool
Is you let the best of you hideaway
It’s the endless test of time
fight for your mind
Mountains you must climb
With every chance and choice
find your own voice
No condemnation lasts
Artist Bio
THADEUS GONZALEZ creates guitar-forward rock with emotional bite, character conflict, and strong usefulness for rebellion, tension, and relationship friction.
RUN, RUN, RUN
Rock, Tension & Impact
RUN, RUN, RUN
OMR
Male Vocal
RUN, RUN, RUN delivers breakup escape, dramatic flight, fun-but-bitter chase energy in a concise, scene-ready cue built for fast supervisor review.
For WAV files, stems, alt mixes, clearance details, or more information, contact:
sergio@omrmusicproduction.com
Please reference: RUN, RUN, RUN — OMR
OMR Cue Map
Track: RUN, RUN, RUN Clean Intro: Moderate Edit Points: RUN, RUN, RUN offers edit points around Bass / Drums / Electric Guitar entrances, phrase endings, dynamic lifts, and arrangement transitions. Button Ending: Yes Loopable: Yes Best Loop Candidates: RUN, RUN, RUN bed sections built from Bass movement; mid-track breakup escape passage; outro or refrain section for scene transitions.
Use Case:
Strong use for breakup montage, comic escape, romantic-stakes chase, crime-light sequence, or leaving a bad relationship behind. The track’s Folk / Indie / Party / Pop / Rock foundation and confident, dramatic, fun, hopeful, party, powerful, romantic emotional profile give it clear scene utility without feeling generic.
Sync Pitch Sheet
Song Profile:
Key: C# Major
BPM: 120
Genres: Folk / Indie / Party / Pop / Rock
Vocals: Male Vocal
Moods: Confident / Dramatic / Fun / Hopeful / Party / Powerful / Romantic
Sync Themes: Action / Comedy / Crime / Drama / Romance
Lyric Themes: Betrayal / Heartbreak / Regret / Struggle
Type: One Stop
Instrumentation:
Bass / Drums / Electric Guitar
Track Summary:
RUN, RUN, RUN blends expressive vocals, confident, dramatic, fun, hopeful, party, powerful, romantic, and Bass / Drums / Electric Guitar into a supervisor-facing cue designed for breakup escape, dramatic flight, fun-but-bitter chase energy.
Sync Highlights:
Primary category: Rock, Tension & Impact
Secondary utility: breakup escape, dramatic flight, fun-but-bitter chase energy
Best suited for Rock, Tension & Impact placements with crossover utility for breakup escape, dramatic flight, fun-but-bitter chase energy.
Stem Tracks
Yes
Track Narrative
RUN, RUN, RUN blends expressive vocals, confident, dramatic, fun, hopeful, party, powerful, romantic, and Bass / Drums / Electric Guitar into a supervisor-facing cue designed for breakup escape, dramatic flight, fun-but-bitter chase energy.
Lyrics
CHORUS
Run, run, run, Baby
Run away from you
Done, done, done, Darling
You and I are through
If I had of stuck around
I know you wouldn’t stay true
VERSE 1
I remember when we first met
I believed everything you said
And then I woke and realized
That it was all a pack of lies
I cried when you promised me the moon
It might have been a bit too soon
But I promised you the sun, Baby
Now all I want to do is run
CHORUS
VERSE 2
Now looking back on our first night
We talked until the dawn of light
Your words all sounded so sincere
Until the fog disappeared
I took a glimpse beyond the sound
Startled by the things I had found
Realized what you had done Baby
Now all I wanna do is run
CHORUS
INTERLUDE
BRIDGE
There’s been a time or two when I looked back
Before love slipped between the cracks
The game was lost before it was won
Now all I could do is turn and run
CHORUS
VERSE 3
I wish it could have been different then
I couldn’t do it over again
I won’t stick around for fun
Now all I wanna do is run
CHORUS (Repeat)
Artist Bio
OMR Music Production develops sync-focused songs and cues designed for fast clearance, strong emotional storytelling, and practical film and television use.