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Please reference:
TAKE YOUR MASK OFF — TIFFANY JOY

OMR Cue Map

Track: TAKE YOUR MASK OFF
Clean Intro: Moderate
Edit Points: TAKE YOUR MASK OFF offers usable edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 hidden identity passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, suspense builds, character consequences, especially where the scene needs hidden identity, romantic suspicion, thriller-pop tension with a distinct pop and r&b identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 144
Genres: POP / R&B
Vocals: Female Vocal
Moods: BRIGHT / REFLECTIVE
Sync Themes: CRIME / DRAMA / MYSTERY / THRILLER
Lyric Themes: CONNECTION / HOME / IDENTITY / LOVE / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / PERCUSSION

Track Summary:
TAKE YOUR MASK OFF blends expressive vocal storytelling, bright and reflective emotion, and Acoustic Guitar / Bass / Drums within a Pop / R&B frame, giving supervisors a clear cue for hidden identity, romantic suspicion, thriller-pop tension.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: hidden identity, romantic suspicion, thriller-pop tension
• Sync themes: CRIME / DRAMA / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for hidden identity, romantic suspicion, thriller-pop tension.

Stem Tracks

Yes

Track Narrative

TAKE YOUR MASK OFF blends expressive vocal storytelling, bright and reflective emotion, and Acoustic Guitar / Bass / Drums within a Pop / R&B frame, giving supervisors a clear cue for hidden identity, romantic suspicion, thriller-pop tension.

Lyrics

A week to the day since I met you and already I'm feeling afraid
Our first rendezvous and I let you sweep me up in a passionate charade
You and your fooleries have me embarrassed
I'm stifled by your inhibitions, you're incessantly moving and ever so crazed
Take your mask off, boy
I wanna see you, to know you, the real you shining through
Take your mask off, boy, for the show was over hours ago
When you take your mask off, boy, I can see you, to know you, and what I see is wonderful
It brings me so much joy to be lying here with you
What's beautiful is when we're alone, all alone
You hold me in your arms, oh God, it feels like home
And there in the silence, you tell more than any spoken phrase
You burrow under my skin and I'm lost, I'm lost in your passionate gaze
When you take your mask off, boy, I can see you to know you, and what I see is wonderful
It brings me so much joy to be lying here with you
When you take your mask off, boy, I can see you to know you, and what I see is wonderful
It brings me so much joy to be lying here with you
Take your mask off, boy
I wanna see you, to know you, the real you shining through
Take your mask off, boy, the show was over hours ago
When you take your mask off, boy, I can see you to know you, and what I see is wonderful
It brings me so much joy to be lying here with you
It brings me so much joy to be lying here with you
It brings me so much joy to be lying here with you

Artist Bio

TIFFANY JOY brings bright global-pop warmth, intimate vocal phrasing, and relationship-centred storytelling. On “TAKE YOUR MASK OFF,” the focus lands on hidden identity, romantic suspicion, thriller-pop tension, making it useful for groove / motion / rhythm placements.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TALK SHOW HOST — NORMAL MACHINE

OMR Cue Map

Track: TALK SHOW HOST
Clean Intro: Moderate
Edit Points: TALK SHOW HOST offers usable edit points around Synth / Electric Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 verbal tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, suspense builds, character consequences, movement sequences, especially where the scene needs verbal tension, public mask, talk show electronic colour with a distinct electronic identity.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 85
Genres: ELECTRONIC
Vocals: Female Vocal
Moods: ANTHEMIC / ATMOSPHERIC / CATCHY / CONFIDENT / COOL / MOODY / RHYTHMIC / SEXY / SWAGGER / UPBEAT / UPLIFTING
Sync Themes: ACTION / ART HOUSE / CRIME / DRAMA / HORROR / INDIE / MYSTERY / THRILLER
Lyric Themes: ESCAPE / HEARTBREAK / IDENTITY / LONELINESS / STRUGGLE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
TALK SHOW HOST blends expressive vocal storytelling, anthemic, atmospheric, and catchy emotion, and Synth / Electric Guitar / Bass within a Electronic frame, giving supervisors a clear cue for verbal tension, public mask, talk show electronic colour.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: verbal tension, public mask, talk show electronic colour
• Sync themes: ACTION / ART HOUSE / CRIME / DRAMA / HORROR / INDIE / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for verbal tension, public mask, talk show electronic colour.

Stem Tracks

Yes

Track Narrative

TALK SHOW HOST blends expressive vocal storytelling, anthemic, atmospheric, and catchy emotion, and Synth / Electric Guitar / Bass within a Electronic frame, giving supervisors a clear cue for verbal tension, public mask, talk show electronic colour.

Lyrics

I want to, I want to be someone else or I'll explode
Oh and upon the surface of the bed, the bed, the bed
You want me?
Yeah, walk in and come and find me
I'll be waiting
With a gun and a pack of sandwiches and nothing
Nothing
Nothing
Nothing
You want me?
Well, come on and break the door down
You want me?
Well, you come on and break the door down, baby
I'm ready, I'm ready
I'm ready
I'm ready
(you know you know you know you know you know)

Artist Bio

NORMAL MACHINE brings stylish electronic edge, nocturnal tension, and alt-pop pressure. On “TALK SHOW HOST,” the focus lands on verbal tension, public mask, talk show electronic colour, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TE LO PROMETO — INDIVIDUO

OMR Cue Map

Track: TE LO PROMETO
Clean Intro: Moderate
Edit Points: TE LO PROMETO offers usable edit points around Acoustic Guitar / Percussion / Keyboard entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:12–0:40 Acoustic Guitar-led bed; 0:58–1:26 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, quirky character energy with a distinct ballads and latin identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 85
Genres: BALLADS / LATIN / POP / SING / SONG / WORLD
Vocals: Female Vocal, Male Vocal
Moods: CONFIDENT / HOPEFUL / POSITIVE / REFLECTIVE
Sync Themes: COMEDY / DRAMA / ROMANCE
Lyric Themes: FAMILY / HOPE / LOVE / STRENGTH
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / KEYBOARD / PERCUSSION

Track Summary:
TE LO PROMETO blends expressive vocal storytelling, confident, hopeful, and positive emotion, and Acoustic Guitar / Percussion / Keyboard within a Ballads / Latin frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, quirky character energy.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: romantic consequence, relationship intimacy, quirky character energy
• Sync themes: COMEDY / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for romantic consequence, relationship intimacy, quirky character energy.

Stem Tracks

Yes

Track Narrative

TE LO PROMETO blends expressive vocal storytelling, confident, hopeful, and positive emotion, and Acoustic Guitar / Percussion / Keyboard within a Ballads / Latin frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, quirky character energy.

Lyrics

Hace algunos años ya,
en un día como hoy
nacía ella
y con ella mi esperanza,
mi fortaleza
Hace algunos años ya,
en un día como hoy nacía ella
Incansable luchador,
ese enorme corazón que vive en ella
Su caricia es mi refugio,
su sonrisa es mi bandera
Incansable luchador,
corazón que me enseñó
a soñar
despierto,
amar
sin guardarme nada dentro,
y a cantar
con sentimiento,
que lo que vale es lo que soy,
no lo que tengo
Has sembrado tanto en mí,
no te vas a arrepentir,
te lo prometo
Estuviste siempre ahí,
cuando el cielo estaba gris
y no había estrellas
Y comprendí que eras mi madre,
la alegría en mis tristezas
Estuviste siempre ahí
alentándome a vivir
y a soñar
despierto,
amar
sin guardarme nada dentro
y a cantar con sentimiento,
que lo que vale es lo que soy,
no lo que tengo
Has sembrado tanto en mí,
no te vas a arrepentir,
te lo prometo
Te lo prometo

Artist Bio

INDIVIDUO brings Latin-pop emotion, romantic vocal interplay, and accessible human warmth. On “TE LO PROMETO,” the focus lands on romantic consequence, relationship intimacy, quirky character energy, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE NEXT DAY — JUSTIN ENCO BAND

OMR Cue Map

Track: THE NEXT DAY
Clean Intro: Moderate
Edit Points: THE NEXT DAY offers usable edit points around Synth / Electric Guitar / Acoustic Guitar entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40 Synth-led bed; 0:58–1:26 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for suspense builds, relationship turns, character consequences, especially where the scene needs crime tension, night movement, next day folk colour with a distinct folk and rock identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 136
Genres: FOLK / ROCK
Vocals: Male Vocal
Moods: EMOTIVE / HOPEFUL / POWERFUL
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE / THRILLER
Lyric Themes: LOVE / SUCCESS
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
THE NEXT DAY blends expressive vocal storytelling, emotive, hopeful, and powerful emotion, and Synth / Electric Guitar / Acoustic Guitar within a Folk / Rock frame, giving supervisors a clear cue for crime tension, night movement, next day folk colour.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: crime tension, night movement, next day folk colour
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for crime tension, night movement, next day folk colour.

Stem Tracks

Yes

Track Narrative

THE NEXT DAY blends expressive vocal storytelling, emotive, hopeful, and powerful emotion, and Synth / Electric Guitar / Acoustic Guitar within a Folk / Rock frame, giving supervisors a clear cue for crime tension, night movement, next day folk colour.

Lyrics

The next day couldn't help but notice
You're standing there alone
Times are tough right now
I know my ears will listen for a while
Feeling strange, I'm on my own
Nowhere to turn, nowhere to go
Can you help me escape this life?
But if you were to show me your way
I know my youthfulness would stay
And when you open up your arms I give in
'Cause you're my alcohol
I've been drinking, I've been thinking
All I know is that I'm sinking
I've been drinking, I've been thinking
All I know is that I'm sinking in love
Love of the next day
Love of the next day
So you'll spend the night with him
Hurt me some more
I'll get the shape I'm in
I know you mean not what you do
So give me a chance and I'll succeed
I'll play the role in your philosophy
Why can't I get you in this time?
But should I go and leave this place
Would it be a condemned embrace
When you open up your arms again
Cause you're my alcohol
I've been drinking, I've been thinking
And all I know is that I am sinking
I've been drinking, I've been thinking
All I know is that I am sinking
No, on the next day
No, on the next day
The next day, the next day
The next day, couldn't help but notice
You're standing there all alone
Times are tough right now
I know my ears will listen for a while

LEGAL & PRIVACY POLICIE

Artist Bio

JUSTIN ENCO BAND brings JUSTIN ENCO BAND creates scene-aware music with emotional pacing and sync-focused production. On “THE NEXT DAY,” the focus lands on crime tension, night movement, next day folk colour, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THINKIN' TWICE — ANTHONY DIDOMENICO

OMR Cue Map

Track: THINKIN' TWICE
Clean Intro: Moderate
Edit Points: THINKIN' TWICE offers usable edit points around Synth / Electric Guitar / Bass entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Synth-led bed; 1:10–1:38 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, movement sequences, especially where the scene needs romantic consequence, relationship intimacy, thinkin' twice electronic colour with a distinct electronic and pop identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 97
Genres: ELECTRONIC / POP / ROCK
Vocals: Female Vocal, Male Vocal
Moods: ANTHEMIC / CAREFREE / CATCHY / CONFIDENT / DARK / DRAMATIC / ENERGETIC / FUN / HOPEFUL / POWERFUL / RHYTHMIC / SAD / SERIOUS
Sync Themes: ACTION / COMEDY / COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: CONNECTION / IDENTITY / LIFE / STRENGTH / STRUGGLE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / SYNTH

Track Summary:
THINKIN' TWICE blends expressive vocal storytelling, anthemic, carefree, and catchy emotion, and Synth / Electric Guitar / Bass within a Electronic / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, thinkin' twice electronic colour.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: romantic consequence, relationship intimacy, thinkin' twice electronic colour
• Sync themes: ACTION / COMEDY / COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for romantic consequence, relationship intimacy, thinkin' twice electronic colour.

Stem Tracks

Yes

Track Narrative

THINKIN' TWICE blends expressive vocal storytelling, anthemic, carefree, and catchy emotion, and Synth / Electric Guitar / Bass within a Electronic / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, thinkin' twice electronic colour.

Lyrics

I've been living a lie
Searching for proof of the truth
But can't find it on the outside
Mirrors are wise
Reflect and sell nothing else
I'm connected to the one kind
Running in circles again
Trying to figure it out
But there's fog in my lens
Is this life all we have?
Is it all just pretend?
With nothing to do
Give me purpose instead
Should we take, should we let?
And is it all about the blend?
Should I carry a fight
When I'm lost in the end?
Do we rise and defend
From the storm up ahead?
String the dead, the dead
Screaming in my head
What's on your mind?
Can we let it go and embrace the night away?
This thoughts inside
How we did ourselves could change our life
I'm like
I'm thinking twice
When dark thoughts creep inside
'Cause of what's on your mind?
Can we let it go and embrace the night?
It's on your mind, I can't express the compressed feelings on the inside
Why do we hide behind the walls and we fall time after time
Running in circles again, trying to figure it out
But there's fog in my lens, is this life all we have, is it all just pretend
With nothing to do, give me purpose instead
Should we take, should we let, is it all about the blend
I can't reify it when I'm lost in the end
Do we rise or defend from the storm up ahead?
Stripped and trampled down, screaming in my head
What's on your mind?
Can't we let it go and brace the night, right?
This thoughts inside
How we treat ourselves can change our life, right?
Not thinking twice
Or when dark thoughts are creeping inside
'Cause of what's on your mind?
Can't we let it go and brace the night?
What's on your mind
And can we let it go and embrace the night
This thoughts inside
How we treat ourselves can change our life like
Nothing gets wise when dark thoughts are creeping inside
'Cause of what's on your mind
And can we let it go and break tonight
What's on your mind
And can we let it go and break tonight
This thoughts inside
How we treat ourselves can change our life like
Nothing gets wise when dark thoughts are creeping inside
'Cause of what
It's all in your mind
But can we let it go and embrace the night?

Artist Bio

ANTHONY DIDOMENICO brings anthemic pop-rock movement and emotionally direct dramatic energy. On “THINKIN' TWICE,” the focus lands on romantic consequence, relationship intimacy, thinkin' twice electronic colour, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THIS FEELS LIKE ONE OF THOSE DAYS — LEE PALMER

OMR Cue Map

Track: THIS FEELS LIKE ONE OF THOSE DAYS
Clean Intro: Moderate
Edit Points: THIS FEELS LIKE ONE OF THOSE DAYS offers usable edit points around Piano / Electric Guitar / Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Piano-led bed; 1:18–1:46 quirky character energy passage; outro or refrain texture for transitions.

Use Case:
Strong use for offbeat transitions, especially where the scene needs quirky character energy, light comic timing, feels like country colour with a distinct country and folk identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 102
Genres: COUNTRY / FOLK / SING / SONG
Vocals: Male Vocal
Moods: CAREFREE / CHILL / FUN / RELAXING
Sync Themes: COMEDY / WESTERN
Lyric Themes: ESCAPE / FUN / HOME / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PIANO

Track Summary:
THIS FEELS LIKE ONE OF THOSE DAYS blends expressive vocal storytelling, carefree, chill, and fun emotion, and Piano / Electric Guitar / Acoustic Guitar within a Country / Folk frame, giving supervisors a clear cue for quirky character energy, light comic timing, feels like country colour.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: quirky character energy, light comic timing, feels like country colour
• Sync themes: COMEDY / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for quirky character energy, light comic timing, feels like country colour.

Stem Tracks

Yes

Track Narrative

THIS FEELS LIKE ONE OF THOSE DAYS blends expressive vocal storytelling, carefree, chill, and fun emotion, and Piano / Electric Guitar / Acoustic Guitar within a Country / Folk frame, giving supervisors a clear cue for quirky character energy, light comic timing, feels like country colour.

Lyrics

I woke up at the crack of noon
Feels like that was about two hours too soon
I got dressed in the usual fashion
No matter what I tried everything was clashing this feels
Like one of those days, this feels
Like one of those days, I'm sure
Things are gonna be okay
This feels like one of those days
I thought I'd get me a bunch of stuff done
I couldn't see where that would be much fun
I'm not so prone to procrastination
It must be a sign that I need a vacation
This feels like one of those days
This feels like one of those days
I'm sure things are gonna be okay
This feels like one of those days
I decided to watch my favorite TV show
A few hours later I was good to go
I had to eat something before my afternoon nap
Where does the time go?
Holy crap, this feels
Like one of those days, this feels
Like one of those days, I'm sure
Things are gonna be okay, this feels
Like one of those days
This feels like one of those days
This feels like one of those days

Artist Bio

LEE PALMER brings roots storytelling, blues/country warmth, and lived-in character detail. On “THIS FEELS LIKE ONE OF THOSE DAYS,” the focus lands on quirky character energy, light comic timing, feels like country colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TONIGHT'S THE NIGHT — MELODIC YOZA

OMR Cue Map

Track: TONIGHT'S THE NIGHT
Clean Intro: Moderate
Edit Points: TONIGHT'S THE NIGHT offers usable edit points around Synth / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, tonight's night electronic colour with a distinct electronic and pop identity.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 81
Genres: ELECTRONIC / POP / REGGAE / ROCK / SOUL
Vocals: Male Vocal
Moods: CATCHY / CONFIDENT / COOL / DRAMATIC / FUN / RHYTHMIC / ROMANTIC / SEXY / SWAGGER
Sync Themes: COMEDY / DRAMA / MYSTERY / ROMANCE
Lyric Themes: IDENTITY / LOVE / RELATIONSHIP / TIME
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
TONIGHT'S THE NIGHT blends expressive vocal storytelling, catchy, confident, and cool emotion, and Synth / Bass / Drums within a Electronic / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tonight's night electronic colour.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: romantic consequence, relationship intimacy, tonight's night electronic colour
• Sync themes: COMEDY / DRAMA / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for romantic consequence, relationship intimacy, tonight's night electronic colour.

Stem Tracks

Yes

Track Narrative

TONIGHT'S THE NIGHT blends expressive vocal storytelling, catchy, confident, and cool emotion, and Synth / Bass / Drums within a Electronic / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tonight's night electronic colour.

Lyrics

Lovey-dovey, shoot lovey-dovey
Yeah
Lovey-dovey
Baby don't leave
Lovey-dovey, shoot lovey-dovey
If you gon' love me, tonight's the night
(Lovey-dovey, shoot, lovey-dovey)
And if you gon' leave me, tonight's the night
(Tonight's the night)
Well, if you gon' love me, tonight's the night
(Lovey-dovey, shoot, lovey-dovey)
And if you gon' leave me
Tonight, tonight, tonight, tonight
And I've been through
Oh many a diamonds
But I never met a one that tried to change my mind
But I looked her with my eyes
And see with my mind
I really thought what we had
Was genuine
But it was just
Yeah, I met her one time
For what felt like a mistime
She crossed the line
And said that she wanna be my spiritual friend
But to think about it now, man, I look back and
I ain't no silly problems
Oh, really, it couldn't mean
But you'd rather sit back and listen up to a friend
It was a mystic beginning and the way it ends
It's my all defense
If you don't love me
Tonight's the night (lovey, lovey, shoot, lovey, lovey)
And if you gonna leave me
Tonight's the night (tonight's the night)
And if you gonna love me
Tonight's the night (lovey, lovey, shoot, lovey, lovey)
And if you gonna leave me
Tonight, tonight, tonight, tonight
I was a king on the throne, she was a queen in my own
But I asked her to marry me without a ring
If you could work it out, now we could do a whole thing
Well, I'ma keep it tight, what a joy it bring
See your pretty looks, I know you shine a face
I thought you was the mother of the human race
I'm yearning for your love because I needed a taste
So it felt like a Oreo, it was my face
And just in case, just before I rest my case
I know you try so hard just to regulate
But that's not the way how I operate
If you don't love me
Tonight's the night
Lovey-dovey, shoop, lovey-dovey
Don't ever be gon' leave me
Tonight's the night
Girl, if you gon' love me
Tonight's the night
Lovey-dovey, shoop, lovey-dovey
Don't ever be gon' leave me
Tonight's the night
Tonight's the night
Come, my baby love
Come, my baby love
Come, my baby love
Come
Baby, don't go
Baby, don't go
If you don't love me
Tonight's the night
(Love it, love it, shoot, love it, love it)
Then you're gonna leave me
Tonight's the night
(Tonight's the night)
And just in case
Just before it's okay
And just in case
Just before it's okay
And just in case
Just before it's okay

Artist Bio

MELODIC YOZA brings reggae, hip hop, pop, and soul-infused confidence with rhythmic scene utility. On “TONIGHT'S THE NIGHT,” the focus lands on romantic consequence, relationship intimacy, tonight's night electronic colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TOO DEEP — JEROME TUCKER

OMR Cue Map

Track: TOO DEEP
Clean Intro: Moderate
Edit Points: TOO DEEP offers usable edit points around Electric Guitar / Bass / Drums entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Electric Guitar-led bed; 1:10–1:38 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, especially where the scene needs romantic consequence, relationship intimacy, forward drive with a distinct funk and r&b identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 116
Genres: FUNK / R&B / SOUL
Vocals: Male Vocal
Moods: CAREFREE / DRAMATIC / FUN / POWERFUL / ROMANTIC / SERIOUS
Sync Themes: ACTION / DRAMA
Lyric Themes: HOME / LOVE / MONEY / STRENGTH / STRUGGLE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HORNS

Track Summary:
TOO DEEP blends expressive vocal storytelling, carefree, dramatic, and fun emotion, and Electric Guitar / Bass / Drums within a Funk / R&B frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, forward drive.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: romantic consequence, relationship intimacy, forward drive
• Sync themes: ACTION / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for romantic consequence, relationship intimacy, forward drive.

Stem Tracks

Yes

Track Narrative

TOO DEEP blends expressive vocal storytelling, carefree, dramatic, and fun emotion, and Electric Guitar / Bass / Drums within a Funk / R&B frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, forward drive.

Lyrics

Fuck poles on my house today
Cut the gas and lights off last week
Lord, I swear I'm so mad, mad, mad
That I clear I can't even speak
Lost my job a month ago
But I just can't lose a beat
Can't hold my head in defeat
Decided I'd say, "I love you, girl"
Said, "My car was bad, I ain't got nothin' in there
And I don't even care
'Cause I still have you, baby
And that we can share"
I walk a million miles just to prove to you
Just to prove this love is true
I made it way too deep
Oh, oh, oh, oh, oh, oh
I got in way too deep
I got in way too deep
I got in way too deep
Said I walk around with no money in my pocket, baby
I still, I still have that feeling for you, baby
I know I ain't got nothing to give ya
And I ain't got nothing to receive
But I still have that feeling for you, baby
I got it way too deep
I tell you that
I got it way too deep
I got it way too deep
I got it way too deep
Friday, gonna write me a check
Pay some bills, then blow the rest
Friday, gonna write me a chair
Pay some bills, then blow the rest
I got it way too deep
I got it way too deep
I got in way too deep
I got in way too deep
I got in way too deep
I got in way too deep
Ride me, you gonna ride me a chair

Artist Bio

JEROME TUCKER brings soul, funk, and R&B conviction with emotional weight and human warmth. On “TOO DEEP,” the focus lands on romantic consequence, relationship intimacy, forward drive, making it useful for groove / motion / rhythm placements.

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sergio@omrmusicproduction.com

Please reference:
TUMBLIN' DOWN — PAUL REDDICK

OMR Cue Map

Track: TUMBLIN' DOWN
Clean Intro: Moderate
Edit Points: TUMBLIN' DOWN offers usable edit points around Synth / Electric Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, tumblin' down folk colour with a distinct folk and rock identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 81
Genres: FOLK / ROCK / SING / SONG
Vocals: Male Vocal
Moods: ATMOSPHERIC / BRIGHT / FUN / HOPEFUL / LOVE / MOODY / REFLECTIVE
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: HEARTBREAK / LONGING / LOVE / STRENGTH / STRUGGLE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
TUMBLIN' DOWN blends expressive vocal storytelling, atmospheric, bright, and fun emotion, and Synth / Electric Guitar / Bass within a Folk / Rock frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tumblin' down folk colour.

Sync Highlights:

• Primary category: Human Stories & Emotional Consequence
• Secondary utility: romantic consequence, relationship intimacy, tumblin' down folk colour
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories & Emotional Consequence placements with crossover utility for romantic consequence, relationship intimacy, tumblin' down folk colour.

Stem Tracks

Yes

Track Narrative

TUMBLIN' DOWN blends expressive vocal storytelling, atmospheric, bright, and fun emotion, and Synth / Electric Guitar / Bass within a Folk / Rock frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tumblin' down folk colour.

Lyrics

I been slippin and slidin in the world somewhere
I'm all set up so I hardly even care
Well I'm doin alright I get my foolin around
But when you step out of my mind
It all comes tumblin down
You know I'm livin I'm livin fairly well
I even quit tryin to break the spell
Been a long time now I've had my feet back on the ground
But when you step out of my mind
It all comes tumblin down
It ain't no trouble you know trouble don't bother me
I got a good friend and she keeps my company
I have my fun I like to go out on the town
But when you step from of my mind
You know it all comes tumblin down

Artist Bio

PAUL REDDICK brings gritty blues character, harmonica bite, and wry dramatic momentum. On “TUMBLIN' DOWN,” the focus lands on romantic consequence, relationship intimacy, tumblin' down folk colour, making it useful for retro / americana / roots character placements.

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sergio@omrmusicproduction.com

Please reference:
TE PERDONO — MAQUI

OMR Cue Map

Track: TE PERDONO
Clean Intro: Moderate
Edit Points: TE PERDONO offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:16–0:44 Electric Guitar-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, te perdono country colour with a distinct country and pop identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 94
Genres: COUNTRY / POP / SING / SONG
Vocals: Male Vocal
Moods: ENERGETIC / POSITIVE / UPBEAT
Sync Themes: COMEDY / COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: BETRAYAL / ESCAPE / HEARTBREAK / LOVE / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
TE PERDONO blends expressive vocal storytelling, energetic, positive, and upbeat emotion, and Electric Guitar / Acoustic Guitar / Bass within a Country / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, te perdono country colour.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: romantic consequence, relationship intimacy, te perdono country colour
• Sync themes: COMEDY / COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for romantic consequence, relationship intimacy, te perdono country colour.

Stem Tracks

Yes

Track Narrative

TE PERDONO blends expressive vocal storytelling, energetic, positive, and upbeat emotion, and Electric Guitar / Acoustic Guitar / Bass within a Country / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, te perdono country colour.

Lyrics

Has
como si no me vieras
Has
como si no estuviera
Guarda silencio
y ajusta la puerta
que quiero hablarte con la luz a medias
Te perdono las traiciones, las mentiras, las escapadas a escondidas por la ventana de atrás
Te perdono las llamadas evasivas y las citas clandestinas con el de la universidad
Te perdono las miradas atrevidas, cada vez que alguien te mira, solamente si me juras
no irte más
Sé, mi amor no te interesa
Y
aunque ajustes la puerta
estás afuera, quédate adentro
que mi alma desea
robarte un beso con la luz a medias
Te perdono las traiciones, las mentiras, las escapadas a escondidas por la ventana de atrás
Te perdono las llamadas evasivas y las citas clandestinas con el de la universidad
Te perdono las miradas atrevidas, cada vez que alguien te mira, solamente si me juras
no irte más
Te perdono que te pongas mis camisas y que me robes las cobijas cuando me mandas al sofá
Te perdono que cuentes a tus amigas esos secretos que hace un rato me juraste no contar
Te perdono que no escuches estas líneas por andar buscando a otro que no te ama
ni la mitad\

Artist Bio

MAQUI brings bright Latin-leaning singer-songwriter energy and emotionally direct pop hooks. On “TE PERDONO,” the focus lands on romantic consequence, relationship intimacy, te perdono country colour, making it useful for groove / motion / rhythm placements.

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sergio@omrmusicproduction.com

Please reference:
TEAR US APART — THADEUS GONZALEZ

OMR Cue Map

Track: TEAR US APART
Clean Intro: Moderate
Edit Points: TEAR US APART offers usable edit points around Electric Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Electric Guitar-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, mystery atmosphere with a distinct metal and punk identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 109
Genres: METAL / PUNK / ROCK
Vocals: Male Vocal
Moods: ATMOSPHERIC / DREAMY / LOVE / MOODY / REFLECTIVE
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: LOVE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
TEAR US APART blends expressive vocal storytelling, atmospheric, dreamy, and love emotion, and Electric Guitar / Bass / Drums within a Metal / Punk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, mystery atmosphere.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: romantic consequence, relationship intimacy, mystery atmosphere
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for romantic consequence, relationship intimacy, mystery atmosphere.

Stem Tracks

Yes

Track Narrative

TEAR US APART blends expressive vocal storytelling, atmospheric, dreamy, and love emotion, and Electric Guitar / Bass / Drums within a Metal / Punk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, mystery atmosphere.

Lyrics

Don't ask me
what you know is true
Don't have to tell you
I love your precious heart
I
I was standing
You were there
Two worlds collided
and they could never tear us apart
We could live
for a thousand years
But if I hurt you
I'd make wine from your tears
I told you
that if we could fly
See we all have wings
but some of us don't know why
I
I was standing
You were there
Two worlds collided
and they could never tear us apart
We could live
for a thousand years
If I hurt you
I'd make wine from your tears
I told you
that we can fly
We all have wings
some of us don't know why
I
I was standing
You were there
Two worlds collided
and they could never tear us apart
We can live
for a thousand years
If I hurt you
I'd make wine from your tears

Artist Bio

THADEUS GONZALEZ brings urgent guitar-forward rock with emotional bite, swagger, and conflict-driven storytelling. On “TEAR US APART,” the focus lands on romantic consequence, relationship intimacy, mystery atmosphere, making it useful for atmospheric / reflective / cinematic placements.

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Please reference:
TELL ME WHAT YOU WANT — THADEUS GONZALEZ

OMR Cue Map

Track: TELL ME WHAT YOU WANT
Clean Intro: Moderate
Edit Points: TELL ME WHAT YOU WANT offers usable edit points around Synth / Electric Guitar / Bass entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Synth-led bed; 1:10–1:38 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, tell what metal colour with a distinct metal and rock identity.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 76
Genres: METAL / ROCK
Vocals: Male Vocal
Moods: CONFIDENT / LOVE / MOODY / POWERFUL / SAD
Sync Themes: COMING OF AGE / DRAMA / MYSTERY / ROMANCE
Lyric Themes: HEARTBREAK / LOVE / REGRET / RELATIONSHIP / TIME
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
TELL ME WHAT YOU WANT blends expressive vocal storytelling, confident, love, and moody emotion, and Synth / Electric Guitar / Bass within a Metal / Rock frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tell what metal colour.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: romantic consequence, relationship intimacy, tell what metal colour
• Sync themes: COMING OF AGE / DRAMA / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for romantic consequence, relationship intimacy, tell what metal colour.

Stem Tracks

Yes

Track Narrative

TELL ME WHAT YOU WANT blends expressive vocal storytelling, confident, love, and moody emotion, and Synth / Electric Guitar / Bass within a Metal / Rock frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tell what metal colour.

Lyrics

I've been wasting my time
all that I’ve had
I am losing my mind
my head’s on the floor forevermore
I have given you all that I had
But with a slam of the door
you've driven me mad now I'm sad
Tell me what you want
You have taken it all, all of my love
Unrelenting you told
you told me a lie so I can cry
There aren't words for it all that I feel
with a palm of your hand
You pushed me for real what the deal?
want it now?
So tell me now wishing to god you say you’re gonna miss me
Crossing my fingers that you say you're gonna kiss me
I got my fingers crossed you'll kiss me one more time
I can't take anymore

Artist Bio

THADEUS GONZALEZ brings urgent guitar-forward rock with emotional bite, swagger, and conflict-driven storytelling. On “TELL ME WHAT YOU WANT,” the focus lands on romantic consequence, relationship intimacy, tell what metal colour, making it useful for human stories / emotional consequence placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE LAKESIDE STROLL — RICH BROWN

OMR Cue Map

Track: THE LAKESIDE STROLL
Clean Intro: Moderate
Edit Points: THE LAKESIDE STROLL offers usable edit points around Synth / Piano / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Synth-led bed; 1:10–1:38 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, suspense builds, character consequences, movement sequences, especially where the scene needs crime tension, night movement, lakeside stroll funk colour with a distinct funk and jazz identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 110
Genres: FUNK / JAZZ
Vocals: Female Vocal
Moods: CONFIDENT / COOL / DRAMATIC / FUN / LOVE / POSITIVE / REFLECTIVE / ROMANTIC / UPBEAT / UPLIFTING
Sync Themes: ACTION / ART HOUSE / CRIME / DRAMA / MYSTERY / THRILLER
Lyric Themes: CELEBRATION / ENERGY / FUN / HAPPINESS / TOGETHER
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / PIANO / SAXOPHONE / SYNTH

Track Summary:
THE LAKESIDE STROLL blends expressive vocal storytelling, confident, cool, and dramatic emotion, and Synth / Piano / Bass within a Funk / Jazz frame, giving supervisors a clear cue for crime tension, night movement, lakeside stroll funk colour.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: crime tension, night movement, lakeside stroll funk colour
• Sync themes: ACTION / ART HOUSE / CRIME / DRAMA / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for crime tension, night movement, lakeside stroll funk colour.

Stem Tracks

Yes

Track Narrative

THE LAKESIDE STROLL blends expressive vocal storytelling, confident, cool, and dramatic emotion, and Synth / Piano / Bass within a Funk / Jazz frame, giving supervisors a clear cue for crime tension, night movement, lakeside stroll funk colour.

Instrumental Usage

Fully instrumental and one-stop, “THE LAKESIDE STROLL” supports cinematic storytelling without lyrical distraction. Especially useful for crime tension, night movement, lakeside stroll funk colour.

Artist Bio

RICH BROWN brings adventurous jazz, funk, and electronic texture with cinematic intelligence. On “THE LAKESIDE STROLL,” the focus lands on crime tension, night movement, lakeside stroll funk colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE LUCUMA CONNECTION — TIFFANY JOY

OMR Cue Map

Track: THE LUCUMA CONNECTION
Clean Intro: Moderate
Edit Points: THE LUCUMA CONNECTION offers usable edit points around Acoustic Guitar / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for movement sequences, especially where the scene needs romantic consequence, relationship intimacy, lucuma connection pop colour with a distinct pop and world identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 132
Genres: POP / WORLD
Vocals: Female Vocal
Moods: BRIGHT / CONFIDENT / COOL / ROMANTIC / SAD / SEXY
Sync Themes: ADVENTURE / ART HOUSE / INDIE / MYSTERY
Lyric Themes: DESIRE / HEARTBREAK / LONGING / LOVE / STRUGGLE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / PERCUSSION

Track Summary:
THE LUCUMA CONNECTION blends expressive vocal storytelling, bright, confident, and cool emotion, and Acoustic Guitar / Percussion within a Pop / World frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, lucuma connection pop colour.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: romantic consequence, relationship intimacy, lucuma connection pop colour
• Sync themes: ADVENTURE / ART HOUSE / INDIE / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for romantic consequence, relationship intimacy, lucuma connection pop colour.

Stem Tracks

Yes

Track Narrative

THE LUCUMA CONNECTION blends expressive vocal storytelling, bright, confident, and cool emotion, and Acoustic Guitar / Percussion within a Pop / World frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, lucuma connection pop colour.

Lyrics

I don't wanna another heartache
I don't want another mistake
But this feeling I can't shake, oh how I want your love around
For your touch is like a cool breeze, yeah, I love your kisses and the way you tease
Oh baby, you know how to please, I'm hungry for your love around
I tried to understand how your love had touched me
Your feelings squeeze my hand and I can't breathe
I can't breathe
Oh yeah
Ooh hey
A whole new world I've found feels empty when you leave
And I know I miss you so I can't breathe, I can't breathe
so I don't want another heartache
And I don't want another mistake
But this feeling I can't shake, how I want your love around
Oh how I need your love around
Oh how I want your love around
Oh how I need your love around
Oh how I want your love around
Oh how I need your love around
Oh how I want your love around

Artist Bio

TIFFANY JOY brings bright global-pop warmth, intimate vocal phrasing, and relationship-centred storytelling. On “THE LUCUMA CONNECTION,” the focus lands on romantic consequence, relationship intimacy, lucuma connection pop colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TOGETHER WE ROLL — LEE PALMER

OMR Cue Map

Track: TOGETHER WE ROLL
Clean Intro: Moderate
Edit Points: TOGETHER WE ROLL offers usable edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:12–0:40 Acoustic Guitar-led bed; 0:58–1:26 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, together we country colour with a distinct country and folk identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 106
Genres: COUNTRY / FOLK / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT / CAREFREE / CATCHY / FUN / HAPPY / PLAYFUL / QUIRKY
Sync Themes: COMEDY / WESTERN
Lyric Themes: FRIENDSHIP / LOVE / TOGETHER
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / HARMONICA / PERCUSSION

Track Summary:
TOGETHER WE ROLL blends expressive vocal storytelling, bright, carefree, and catchy emotion, and Acoustic Guitar / Bass / Drums within a Country / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, together we country colour.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: romantic consequence, relationship intimacy, together we country colour
• Sync themes: COMEDY / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for romantic consequence, relationship intimacy, together we country colour.

Stem Tracks

Yes

Track Narrative

TOGETHER WE ROLL blends expressive vocal storytelling, bright, carefree, and catchy emotion, and Acoustic Guitar / Bass / Drums within a Country / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, together we country colour.

Lyrics

Well, buddy me, we love to pick
We love to play that six-stringed stick
We can pull off a note or two
We can play it hard, we can play it cool
Together we roll, together we roll
We say our goodbyes and off we go
Keep it in time, keep it in tune
Two pals, two players, two pickers together in harmony
Together we roll, Buddy and Me
Buddy and Me, we have our own voices
Play our own tunes, make our own choices
They played us hands, so here we sit
Pickin' side by side, we'll never quit
Together we roll, together we roll
Say our goodbyes and off we go
Keep it in time, keep it in tune
Two pals, two players, two pickers together in harmony
Together we roll, buddy and me
Buddy me, we love to pick, we love to play those guitar licks
We can pull off a note or three, we can rip it out, we can set you free
Together we roll, together we roll
Say our goodbyes and off we go
Keep it in time, keep it in tune
Two pals, two players, two pickers together in harmony
Together we roll, buddy and me
Together we roll, buddy and me
Together we roll, buddy and me

Artist Bio

LEE PALMER brings roots storytelling, blues/country warmth, and lived-in character detail. On “TOGETHER WE ROLL,” the focus lands on romantic consequence, relationship intimacy, together we country colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TOXIC — KELSEY KINDALL

OMR Cue Map

Track: TOXIC
Clean Intro: Moderate
Edit Points: TOXIC offers usable edit points around Synth / Bass / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Synth-led bed; 0:58–1:26 relational danger passage; outro or refrain texture for transitions.

Use Case:
Strong use for suspense builds, relationship turns, character consequences, especially where the scene needs relational danger, seductive unease, emotional fallout with a distinct pop and r&b identity.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 150
Genres: pop / r&b
Vocals: female vocal
Moods: atmospheric / dark / dreamy / minimal / moody / rhythmic
Sync Themes: drama / romance / thriller / indie / art house
Lyric Themes: conflict / energy / power
Type: One Stop

Instrumentation:
bass / percussion / synth

Track Summary:
TOXIC blends expressive vocal storytelling, atmospheric, dark, and dreamy emotion, and Synth / Bass / Percussion within a Pop / R&B frame, giving supervisors a clear cue for relational danger, seductive unease, emotional fallout.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: relational danger, seductive unease, emotional fallout
• Sync themes: drama / romance / thriller / indie / art house
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for relational danger, seductive unease, emotional fallout.

Stem Tracks

Yes

Track Narrative

TOXIC blends expressive vocal storytelling, atmospheric, dark, and dreamy emotion, and Synth / Bass / Percussion within a Pop / R&B frame, giving supervisors a clear cue for relational danger, seductive unease, emotional fallout.

Lyrics

My ears are burning and you're holding the match
My stomach's turning to hear what you say next
Go collect all your friends, tell them your opinions
Dare to start a war that you can't end
Get off your pedestal so you can look me in the eye
And say it to my face before I walk away
I don't fight for toxic, one red flag I'm done
You live for the gossip but my life has moved on
Think you'll keep me lovesick but I am not your pawn
Take your shot and miss it 'cause I'm already gone
Toxic, toxic, toxic
My head is spinning, you mess around
Nobody's listening so you don't have to be so loud
Go collect your pity and put your hate on me
Keep on trying to waste my energy
Get off your pedestal so you can look me in the eye
And say it to my face before I walk away
I don't fight for toxic, one red flag I'm done
You live for the gossip but my life has moved on
Think you'll keep me lovesick but I am not your pawn
Take your shot and miss it 'cause I'm already gone
Toxic, toxic, toxic
Why do you keep playing with the fire?
I don't want to have to watch you burn
I don't fight for toxic, I don't fight for toxic
One red flag I'm done, you live for the gossip
But my life has moved on
Think you'll keep me lovesick but I am not your pawn
Take your shot and miss it 'cause I'm already gone

Artist Bio

KELSEY KINDALL brings KELSEY KINDALL creates scene-aware music with emotional pacing and sync-focused production. On “TOXIC,” the focus lands on relational danger, seductive unease, emotional fallout, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TRUST IN ME — PHEELION

OMR Cue Map

Track: TRUST IN ME
Clean Intro: Moderate
Edit Points: TRUST IN ME offers usable edit points around Synth / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, trust dance colour with a distinct dance and folk identity.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 110
Genres: DANCE / FOLK / WORLD
Vocals: Female Vocal
Moods: REFLECTIVE
Sync Themes: COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: FAITH / LOVE / POWER
Type: One Stop

Instrumentation:
PERCUSSION / SYNTH

Track Summary:
TRUST IN ME blends expressive vocal storytelling, reflective emotion, and Synth / Percussion within a Dance / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, trust dance colour.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: romantic consequence, relationship intimacy, trust dance colour
• Sync themes: COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for romantic consequence, relationship intimacy, trust dance colour.

Stem Tracks

Yes

Track Narrative

TRUST IN ME blends expressive vocal storytelling, reflective emotion, and Synth / Percussion within a Dance / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, trust dance colour.

Lyrics

Trust in the Lord with all your heart and lean not on your own understanding.
In all your ways, submit to him, and he will make your paths straight.
Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God.
And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.
For the spirit God gave us does not make us timid, but gives us power, love, and self-discipline.

Artist Bio

PHEELION brings spiritual folk, ambient, and world-influenced songwriting with meditative emotional force. On “TRUST IN ME,” the focus lands on romantic consequence, relationship intimacy, trust dance colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TWO SUN SUMMER — SYD AND I

OMR Cue Map

Track: TWO SUN SUMMER
Clean Intro: Moderate
Edit Points: TWO SUN SUMMER offers usable edit points around Synth / Bass / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Synth-led bed; 1:10–1:38 youthful escape passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, relationship turns, character consequences, movement sequences, especially where the scene needs youthful escape, sunlit romance, bright electronic motion with a distinct electronic and pop identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 118
Genres: ELECTRONIC / POP
Vocals: Female Vocal
Moods: ATMOSPHERIC / UPBEAT
Sync Themes: ACTION / ADVENTURE / ANIMATION / ART HOUSE / COMING OF AGE / CRIME / DRAMA / INDIE / ROMANCE
Lyric Themes: ADVENTURE / CONNECTION / DESIRE / RELATIONSHIP / ROMANCE
Type: One Stop

Instrumentation:
BASS / PERCUSSION / SYNTH

Track Summary:
TWO SUN SUMMER blends expressive vocal storytelling, atmospheric and upbeat emotion, and Synth / Bass / Percussion within a Electronic / Pop frame, giving supervisors a clear cue for youthful escape, sunlit romance, bright electronic motion.

Sync Highlights:

• Primary category: Romance, Longing & Relationship Stories
• Secondary utility: youthful escape, sunlit romance, bright electronic motion
• Sync themes: ACTION / ADVENTURE / ANIMATION / ART HOUSE / COMING OF AGE / CRIME / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Romance, Longing & Relationship Stories placements with crossover utility for youthful escape, sunlit romance, bright electronic motion.

Stem Tracks

Yes

Track Narrative

TWO SUN SUMMER blends expressive vocal storytelling, atmospheric and upbeat emotion, and Synth / Bass / Percussion within a Electronic / Pop frame, giving supervisors a clear cue for youthful escape, sunlit romance, bright electronic motion.

Lyrics

I did all that I could do
Never went to the peaks without you
maybe once or twice
but never with the two suns shining through
I want to see it again, it doesn't got to be too too good to be true
But all this pessimistic thoughts are coming through
I did all that I could do
So was it once in a lifetime for this two-sun summer to shine on through to me
Once in a blue moon for this two-sun summer, two-sun summer with you
And I got what I wanted
afraid of commitment
he said
what I needed
we went
over those bridges
I want to do it again, don't know if I can but I'll trust him with this
and he says it'll be cool
So I did all that I could do
for our
once in a lifetime for this two-sun summer to shine on through to me
Once in a blue moon for this two-sun summer, two-sun summer with you
Summer sun doesn't shine without you
You made me believe in more than I used to
Always thought it was me who couldn't see things through
But you showed me
two sun summers
Once in a lifetime for this two-sun summer to shine on through to me
Once in a blue moon for this two-sun summer, two-sun summer with you
it's a two sun summer
with you
a two sun summer
with you
Never went to the peaks
with you
never went without you
A two-sun summer with you
with you
two-sun summer with you

Artist Bio

SYD AND I brings bright electronic-pop atmosphere and youthful relationship energy. On “TWO SUN SUMMER,” the focus lands on youthful escape, sunlit romance, bright electronic motion, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE LIGHT AT THE END — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: THE LIGHT AT THE END
Clean Intro: Yes
Edit Points: THE LIGHT AT THE END offers usable edit points around Acoustic Guitar entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Acoustic Guitar-led bed; 1:18–1:46 atmospheric underscore passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, especially where the scene needs atmospheric underscore, textural transition, hopeful lift with a distinct ambient and classical identity.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 112
Genres: AMBIENT / CLASSICAL
Vocals: Instrumental
Moods: ATMOSPHERIC / HOPEFUL / LIGHT / MINIMAL / REFLECTIVE / ROMANTIC / WARM
Sync Themes: ADVENTURE / ART HOUSE / DRAMA
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
THE LIGHT AT THE END blends instrumental textures, atmospheric, hopeful, and light emotion, and Acoustic Guitar within a Ambient / Classical frame, giving supervisors a clear cue for atmospheric underscore, textural transition, hopeful lift.

Sync Highlights:

• Primary category: Atmospheric & Reflective Cinematic
• Secondary utility: atmospheric underscore, textural transition, hopeful lift
• Sync themes: ADVENTURE / ART HOUSE / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for atmospheric underscore, textural transition, hopeful lift.

Stem Tracks

Yes

Track Narrative

THE LIGHT AT THE END blends instrumental textures, atmospheric, hopeful, and light emotion, and Acoustic Guitar within a Ambient / Classical frame, giving supervisors a clear cue for atmospheric underscore, textural transition, hopeful lift.

Instrumental Usage

Fully instrumental and one-stop, “THE LIGHT AT THE END” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric underscore, textural transition, hopeful lift.

Artist Bio

JOSH HOWARD FRIEDMAN brings handmade folk, blues, and classical-leaning instrumental storytelling. On “THE LIGHT AT THE END,” the focus lands on atmospheric underscore, textural transition, hopeful lift, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM — RADAGAST THE BROWN

OMR Cue Map

Track: THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM
Clean Intro: Yes
Edit Points: THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM offers usable edit points around Synth / Piano / Strings entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 otherworldly atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, heightened world-building, especially where the scene needs otherworldly atmosphere, mythic scale, more they ambient colour with a distinct ambient identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 67
Genres: AMBIENT
Vocals: Instrumental
Moods: ATMOSPHERIC / DREAMY / MOODY / REFLECTIVE
Sync Themes: DRAMA / INDIE / MYSTERY / SCI-FI
Lyric Themes:
Type: One Stop

Instrumentation:
PIANO / STRINGS / SYNTH

Track Summary:
THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM blends instrumental textures, atmospheric, dreamy, and moody emotion, and Synth / Piano / Strings within a Ambient frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, more they ambient colour.

Sync Highlights:

• Primary category: Atmospheric & Reflective Cinematic
• Secondary utility: otherworldly atmosphere, mythic scale, more they ambient colour
• Sync themes: DRAMA / INDIE / MYSTERY / SCI-FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for otherworldly atmosphere, mythic scale, more they ambient colour.

Stem Tracks

Yes

Track Narrative

THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM blends instrumental textures, atmospheric, dreamy, and moody emotion, and Synth / Piano / Strings within a Ambient frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, more they ambient colour.

Instrumental Usage

Fully instrumental and one-stop, “THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM” supports cinematic storytelling without lyrical distraction. Especially useful for otherworldly atmosphere, mythic scale, more they ambient colour.

Artist Bio

RADAGAST THE BROWN brings minimal ambient drift, emotional distance, and slow-burn psychological space. On “THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM,” the focus lands on otherworldly atmosphere, mythic scale, more they ambient colour, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TINTO TANTO QUANTO CANTO — MARITO MARQUES

OMR Cue Map

Track: TINTO TANTO QUANTO CANTO
Clean Intro: Moderate
Edit Points: TINTO TANTO QUANTO CANTO offers usable edit points around Synth / Bass / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 quirky character energy passage; outro or refrain texture for transitions.

Use Case:
Strong use for offbeat transitions, movement sequences, especially where the scene needs quirky character energy, light comic timing, tinto tanto folk colour with a distinct folk and pop identity.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 56
Genres: FOLK / POP / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT
Sync Themes: ADVENTURE / ART HOUSE / COMEDY / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / PERCUSSION / STRINGS / SYNTH

Track Summary:
TINTO TANTO QUANTO CANTO blends expressive vocal storytelling, bright emotion, and Synth / Bass / Percussion within a Folk / Pop frame, giving supervisors a clear cue for quirky character energy, light comic timing, tinto tanto folk colour.

Sync Highlights:

• Primary category: Atmospheric & Reflective Cinematic
• Secondary utility: quirky character energy, light comic timing, tinto tanto folk colour
• Sync themes: ADVENTURE / ART HOUSE / COMEDY / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for quirky character energy, light comic timing, tinto tanto folk colour.

Stem Tracks

Yes

Track Narrative

TINTO TANTO QUANTO CANTO blends expressive vocal storytelling, bright emotion, and Synth / Bass / Percussion within a Folk / Pop frame, giving supervisors a clear cue for quirky character energy, light comic timing, tinto tanto folk colour.

Lyrics

Sinto sede quando canto cantigas ao meu amor
Se for água já nem tanto, com vinho muito melhor
De dia sou retraído
À noite bem mais aberto
E cantar faz mais sentido
Com um copinho por perto
Viva o tinto que desperta o que vai dentro de mim
Deixa a porta mais aberta da casa para o jardim
E depois uma janela dos tempos que sempre quis
Nos braços dos olhos dela, bem perto de ser feliz
De dia sou retraído
À noite bem mais aberto
E cantar faz mais sentido com o copinho por perto
Viva o tinto que desperta o que vai dentro de mim
Deixa a porta mais aberta da casa para o jardim
A vida com mais sabor
Cantando aquilo que sinto
Ao brinde de um grande amor
Pode ser de branco ou tinto
Viva o tinto que desperta o que vai dentro de mim
Deixa a porta mais aberta da casa para o jardim

Artist Bio

MARITO MARQUES brings MARITO MARQUES creates scene-aware music with emotional pacing and sync-focused production. On “TINTO TANTO QUANTO CANTO,” the focus lands on quirky character energy, light comic timing, tinto tanto folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TRACING MY STEPS BACK TO YOU — RADAGAST THE BROWN

OMR Cue Map

Track: TRACING MY STEPS BACK TO YOU
Clean Intro: Yes
Edit Points: TRACING MY STEPS BACK TO YOU offers usable edit points around Synth / Percussion / Strings entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 otherworldly atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, heightened world-building, especially where the scene needs otherworldly atmosphere, mythic scale, atmospheric underscore with a distinct ambient identity.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 142
Genres: AMBIENT
Vocals: Instrumental
Moods: ATMOSPHERIC / CINEMATIC / HOPEFUL / MINIMAL / POWERFUL / REFLECTIVE
Sync Themes: DRAMA / INDIE / ADVENTURE / SCI-FI
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / STRINGS / SYNTH

Track Summary:
TRACING MY STEPS BACK TO YOU blends instrumental textures, atmospheric, cinematic, and hopeful emotion, and Synth / Percussion / Strings within a Ambient frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, atmospheric underscore.

Sync Highlights:

• Primary category: Atmospheric & Reflective Cinematic
• Secondary utility: otherworldly atmosphere, mythic scale, atmospheric underscore
• Sync themes: DRAMA / INDIE / ADVENTURE / SCI-FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric & Reflective Cinematic placements with crossover utility for otherworldly atmosphere, mythic scale, atmospheric underscore.

Stem Tracks

Yes

Track Narrative

TRACING MY STEPS BACK TO YOU blends instrumental textures, atmospheric, cinematic, and hopeful emotion, and Synth / Percussion / Strings within a Ambient frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, atmospheric underscore.

Instrumental Usage

Fully instrumental and one-stop, “TRACING MY STEPS BACK TO YOU” supports cinematic storytelling without lyrical distraction. Especially useful for otherworldly atmosphere, mythic scale, atmospheric underscore.

Artist Bio

RADAGAST THE BROWN brings minimal ambient drift, emotional distance, and slow-burn psychological space. On “TRACING MY STEPS BACK TO YOU,” the focus lands on otherworldly atmosphere, mythic scale, atmospheric underscore, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TELL MY HEART — TIFFANY JOY

OMR Cue Map

Track: TELL MY HEART
Clean Intro: Moderate
Edit Points: TELL MY HEART offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Electric Guitar-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, heightened world-building, especially where the scene needs romantic consequence, relationship intimacy, tell heart pop colour with a distinct pop and singer-songwriter identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 127
Genres: POP / SING / SONG
Vocals: Female Vocal
Moods: CONFIDENT / POSITIVE / REFLECTIVE / RETRO / SAD
Sync Themes: COMING OF AGE / DRAMA / FANTASY / ROMANCE
Lyric Themes: HEARTBREAK / IDENTITY / LONELINESS / LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
TELL MY HEART blends expressive vocal storytelling, confident, positive, and reflective emotion, and Electric Guitar / Acoustic Guitar / Bass within a Pop / Singer-Songwriter frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tell heart pop colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: romantic consequence, relationship intimacy, tell heart pop colour
• Sync themes: COMING OF AGE / DRAMA / FANTASY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for romantic consequence, relationship intimacy, tell heart pop colour.

Stem Tracks

Yes

Track Narrative

TELL MY HEART blends expressive vocal storytelling, confident, positive, and reflective emotion, and Electric Guitar / Acoustic Guitar / Bass within a Pop / Singer-Songwriter frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tell heart pop colour.

Lyrics

I'm walking home in the pouring rain
I'm all alone again
Another man, but it's more of the same old game
He makes me want to leave before the goodbye, leave before the goodbye
And I just want to leave before the goodbye, leave before the goodbye
And every time they say my name,
I can only see your face
Would somebody tell my heart?
Would somebody tell my heart?
Would somebody tell my heart to stop loving you?
Dinner at 800 and I'm dancing by 10
I'm such a busy girl
Nothing but sunshine to all of her friends
Why can't they see that I'm crying on the inside, dying on the inside?
Why can't they see that I'm crying on the inside, dying on the inside?
And every time they say my name, I can only see your face
Would somebody tell my heart?
Would somebody tell my heart?
Would somebody tell my heart to stop loving you?
You, you, you
You
You
Do you feel it somewhere too?
There are nights when I find myself alone crying 'cause no one's ever seen me like you
Do you feel it somewhere too?
It's impossible to see where you are when you're standing if you'll find your way to me
Am I going crazy?
'Cause no one's ever seen me like you
And every time they say my name,
I can only see your face
Would somebody tell my heart?
Would somebody tell my heart?
Would somebody tell my heart to stop loving you?
You, you, you
You
You, you, you
You

Artist Bio

TIFFANY JOY brings bright global-pop warmth, intimate vocal phrasing, and relationship-centred storytelling. On “TELL MY HEART,” the focus lands on romantic consequence, relationship intimacy, tell heart pop colour, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TEMPO DE BOREA E DOUBLE — NATO

OMR Cue Map

Track: TEMPO DE BOREA E DOUBLE
Clean Intro: Yes
Edit Points: TEMPO DE BOREA E DOUBLE offers usable edit points around Strings entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Strings-led bed; 1:10–1:38 period atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for movement sequences, period or legacy moments, heightened world-building, especially where the scene needs period atmosphere, historical reflection, otherworldly atmosphere with a distinct classical identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 86
Genres: CLASSICAL
Vocals: Instrumental
Moods: BRIGHT / CINEMATIC / DRAMATIC / EMOTIVE / ENERGETIC / FUN / HAPPY / POSITIVE / POWERFUL / QUIRKY / REFLECTIVE / SAD / UPBEAT
Sync Themes: ACTION / ADVENTURE / FANTASY / HISTORICAL / WAR
Lyric Themes:
Type: One Stop

Instrumentation:
STRINGS

Track Summary:
TEMPO DE BOREA E DOUBLE blends instrumental textures, bright, cinematic, and dramatic emotion, and Strings within a Classical frame, giving supervisors a clear cue for period atmosphere, historical reflection, otherworldly atmosphere.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: period atmosphere, historical reflection, otherworldly atmosphere
• Sync themes: ACTION / ADVENTURE / FANTASY / HISTORICAL / WAR
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for period atmosphere, historical reflection, otherworldly atmosphere.

Stem Tracks

Yes

Track Narrative

TEMPO DE BOREA E DOUBLE blends instrumental textures, bright, cinematic, and dramatic emotion, and Strings within a Classical frame, giving supervisors a clear cue for period atmosphere, historical reflection, otherworldly atmosphere.

Instrumental Usage

Fully instrumental and one-stop, “TEMPO DE BOREA E DOUBLE” supports cinematic storytelling without lyrical distraction. Especially useful for period atmosphere, historical reflection, otherworldly atmosphere.

Artist Bio

NATO brings classical form, historical motion, and dramatic string-led architecture. On “TEMPO DE BOREA E DOUBLE,” the focus lands on period atmosphere, historical reflection, otherworldly atmosphere, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TEMPO DI CIACCONA — NATO

OMR Cue Map

Track: TEMPO DI CIACCONA
Clean Intro: Yes
Edit Points: TEMPO DI CIACCONA offers usable edit points around Synth / Percussion / Strings entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for suspense builds, character consequences, period or legacy moments, especially where the scene needs crime tension, night movement, period atmosphere with a distinct classical and world identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 89
Genres: CLASSICAL / WORLD
Vocals: Instrumental
Moods: CATCHY / DRAMATIC / EMOTIVE / FUN / POSITIVE / REFLECTIVE / ROMANTIC / SAD
Sync Themes: DRAMA / HORROR / MYSTERY / THRILLER / WAR
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / STRINGS / SYNTH

Track Summary:
TEMPO DI CIACCONA blends instrumental textures, catchy, dramatic, and emotive emotion, and Synth / Percussion / Strings within a Classical / World frame, giving supervisors a clear cue for crime tension, night movement, period atmosphere.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: crime tension, night movement, period atmosphere
• Sync themes: DRAMA / HORROR / MYSTERY / THRILLER / WAR
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for crime tension, night movement, period atmosphere.

Stem Tracks

Yes

Track Narrative

TEMPO DI CIACCONA blends instrumental textures, catchy, dramatic, and emotive emotion, and Synth / Percussion / Strings within a Classical / World frame, giving supervisors a clear cue for crime tension, night movement, period atmosphere.

Instrumental Usage

Fully instrumental and one-stop, “TEMPO DI CIACCONA” supports cinematic storytelling without lyrical distraction. Especially useful for crime tension, night movement, period atmosphere.

Artist Bio

NATO brings classical form, historical motion, and dramatic string-led architecture. On “TEMPO DI CIACCONA,” the focus lands on crime tension, night movement, period atmosphere, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THAT SPECIAL CHRISTMAS DAY — OMR

OMR Cue Map

Track: THAT SPECIAL CHRISTMAS DAY
Clean Intro: Moderate
Edit Points: THAT SPECIAL CHRISTMAS DAY offers usable edit points around Acoustic Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:16–0:44 Acoustic Guitar-led bed; 1:04–1:32 holiday warmth passage; outro or refrain texture for transitions.

Use Case:
Strong use for offbeat transitions, heightened world-building, especially where the scene needs holiday warmth, family nostalgia, seasonal uplift with a distinct folk and holiday identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 95
Genres: FOLK / HOLIDAY / POP / VINTAGE
Vocals: Female Vocal
Moods: CAREFREE / DREAMY / HOPEFUL / MOODY / REFLECTIVE / UPLIFTING / WARM
Sync Themes: COMEDY / FANTASY
Lyric Themes: CHRISTMAS / FAITH / HAPPINESS
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / STRINGS

Track Summary:
THAT SPECIAL CHRISTMAS DAY blends expressive vocal storytelling, carefree, dreamy, and hopeful emotion, and Acoustic Guitar / Bass / Drums within a Folk / Holiday frame, giving supervisors a clear cue for holiday warmth, family nostalgia, seasonal uplift.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: holiday warmth, family nostalgia, seasonal uplift
• Sync themes: COMEDY / FANTASY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for holiday warmth, family nostalgia, seasonal uplift.

Stem Tracks

Yes

Track Narrative

THAT SPECIAL CHRISTMAS DAY blends expressive vocal storytelling, carefree, dreamy, and hopeful emotion, and Acoustic Guitar / Bass / Drums within a Folk / Holiday frame, giving supervisors a clear cue for holiday warmth, family nostalgia, seasonal uplift.

Lyrics

VERSE 1
You won’t believe what I just heard
At the mall the other day
A mother told her little girl
Don’t you be led astray
There’s no such thing as Santa Claus
It’s all just make believe.
“Then Mommy please tell me
What I saw on Christmas Eve”
CHORUS
A jolly old man dressed in red
And a beard as white as snow
I almost fell out of bed
When he rumbled Oh Ho Ho Ho
A merry man with rosy cheeks
And a reindeer powered sleigh
That flew o’er rooftop peaks
That special Christmas Day

VERSE 2
I heard a girl tell a boy
At school the other day
It’s all a trick to sell more toys
To lead us all astray
Cause there’s no such thing as Santa Claus
You’re just a bit naive.
“So silly girl explain to me
What I saw that Christmas Eve”
CHORUS
INTERLUDE

VERSE 3
You won’t believe what I just heard
And the magic I saw Christmas Eve
When snowflakes fell and filled the sky
And Santa left gifts for me

Artist Bio

OMR brings direct roots, blues, and cinematic songcraft built for clear sync utility. On “THAT SPECIAL CHRISTMAS DAY,” the focus lands on holiday warmth, family nostalgia, seasonal uplift, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE ABBESS — KRISTIN SWEETLAND

OMR Cue Map

Track: THE ABBESS
Clean Intro: Yes
Edit Points: THE ABBESS offers usable edit points around Acoustic Guitar / Bass / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Acoustic Guitar-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, heightened world-building, especially where the scene needs romantic consequence, relationship intimacy, otherworldly atmosphere with a distinct folk and latin identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 71
Genres: FOLK / LATIN / SING / SONG
Vocals: Instrumental
Moods: DARK / HOPEFUL / ROMANTIC / WARM
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
Lyric Themes: CHANGE / DEATH / DESIRE / LOSS / LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / PERCUSSION

Track Summary:
THE ABBESS blends instrumental textures, dark, hopeful, and romantic emotion, and Acoustic Guitar / Bass / Percussion within a Folk / Latin frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, otherworldly atmosphere.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: romantic consequence, relationship intimacy, otherworldly atmosphere
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for romantic consequence, relationship intimacy, otherworldly atmosphere.

Stem Tracks

Yes

Track Narrative

THE ABBESS blends instrumental textures, dark, hopeful, and romantic emotion, and Acoustic Guitar / Bass / Percussion within a Folk / Latin frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, otherworldly atmosphere.

Instrumental Usage

Master, my father, my husband, no brother
Handmaid, your sister, your daughter, no lover
As gold is to silver, as ink is to pen
As quill is to paper, I write you again

How I remember it, when we did part
Change of my habit and change of my heart
Now there is nothing but wormwood and gall
Blood on the cross and the stones in the wall

Hallelujah hallelujah ave vera unice ave

Morning will rise and the rivers will run
But never you write me and never you come
Love, you are shapeless and restless as wind
I take a deep breath and I hold you in

Dark of the midnight I’ll never forget
Your hands on the strings I’m a marionette
Lay down low in a bed of perfume
And a dark cloud will shadow the moon

Hallelujah hallelujah ave vera unice ave

Soon we will rise in the clear of the blue
From down in the grave when they lay me beside you
Ashes to ashes and then we will fall
Farewell my loveliness, farewell my all

Hallelujah hallelujah ave vera unice ave
Hallelujah hallelujah ave vera unice ave

Artist Bio

KRISTIN SWEETLAND brings folk, world, and roots textures with vivid imagery and mythic emotional atmosphere. On “THE ABBESS,” the focus lands on romantic consequence, relationship intimacy, otherworldly atmosphere, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE BATTLE NOT FORGOTTEN — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: THE BATTLE NOT FORGOTTEN
Clean Intro: Yes
Edit Points: THE BATTLE NOT FORGOTTEN offers usable edit points around Acoustic Guitar entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 historical memory passage; outro or refrain texture for transitions.

Use Case:
Strong use for suspense builds, character consequences, movement sequences, period or legacy moments, especially where the scene needs historical memory, solemn resolve, aftermath reflection with a distinct classical identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 150
Genres: CLASSICAL
Vocals: Instrumental
Moods: ATMOSPHERIC / BRIGHT / HOPEFUL / LIGHT / MINIMAL / REFLECTIVE / UPLIFTING / WARM
Sync Themes: ACTION / ADVENTURE / DRAMA / HISTORICAL / THRILLER
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
THE BATTLE NOT FORGOTTEN blends instrumental textures, atmospheric, bright, and hopeful emotion, and Acoustic Guitar within a Classical frame, giving supervisors a clear cue for historical memory, solemn resolve, aftermath reflection.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: historical memory, solemn resolve, aftermath reflection
• Sync themes: ACTION / ADVENTURE / DRAMA / HISTORICAL / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for historical memory, solemn resolve, aftermath reflection.

Stem Tracks

Yes

Track Narrative

THE BATTLE NOT FORGOTTEN blends instrumental textures, atmospheric, bright, and hopeful emotion, and Acoustic Guitar within a Classical frame, giving supervisors a clear cue for historical memory, solemn resolve, aftermath reflection.

Instrumental Usage

Fully instrumental and one-stop, “THE BATTLE NOT FORGOTTEN” supports cinematic storytelling without lyrical distraction. Especially useful for historical memory, solemn resolve, aftermath reflection.

Artist Bio

JOSH HOWARD FRIEDMAN brings handmade folk, blues, and classical-leaning instrumental storytelling. On “THE BATTLE NOT FORGOTTEN,” the focus lands on historical memory, solemn resolve, aftermath reflection, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE BEST THINGS — MATTIE LEON

OMR Cue Map

Track: THE BEST THINGS
Clean Intro: Moderate
Edit Points: THE BEST THINGS offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Electric Guitar-led bed; 1:18–1:46 youthful self-discovery passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, period or legacy moments, especially where the scene needs youthful self-discovery, coming-of-age momentum, period atmosphere with a distinct folk and indie identity.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 121
Genres: FOLK / INDIE / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT / RHYTHMIC
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
Lyric Themes: ADVENTURE / DESIRE / REGRET / STRENGTH / SUCCESS
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
THE BEST THINGS blends expressive vocal storytelling, bright and rhythmic emotion, and Electric Guitar / Acoustic Guitar / Bass within a Folk / Indie frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, period atmosphere.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: youthful self-discovery, coming-of-age momentum, period atmosphere
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for youthful self-discovery, coming-of-age momentum, period atmosphere.

Stem Tracks

Yes

Track Narrative

THE BEST THINGS blends expressive vocal storytelling, bright and rhythmic emotion, and Electric Guitar / Acoustic Guitar / Bass within a Folk / Indie frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, period atmosphere.

Lyrics

Oh to be bold
Never to hesitate
To live in the light
of every desire
you've been afraid to face

Ohh
You've gotta see the best things through
You've gotta see the best things through
You've gotta see the best things through

When you are torn
Stuck in a doubtful state
When you're too afraid to move
cause it's always been this way

Don't wait up too long for luck
Playing back a life you've wasted
Cause we're all tied up
in minutiae
with brilliant desires in view
see them through

I've been around
I know how regret can taste
But we sift the heavy heart
to find the gold in the remains

We're not written in the stars
We're not dealt our luck like cards at a table
There's a hunger in the heart
and that is your road

Artist Bio

MATTIE LEON brings open-hearted indie folk writing, coming-of-age emotion, and melodic sincerity. On “THE BEST THINGS,” the focus lands on youthful self-discovery, coming-of-age momentum, period atmosphere, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE CHRISTMAS SONG — SAMUEL WILLIAMS

OMR Cue Map

Track: THE CHRISTMAS SONG
Clean Intro: Moderate
Edit Points: THE CHRISTMAS SONG offers usable edit points around Synth / Piano / Percussion entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 holiday warmth passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, heightened world-building, especially where the scene needs holiday warmth, family nostalgia, christmas song electronic colour with a distinct electronic and holiday identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 136
Genres: ELECTRONIC / HOLIDAY / JAZZ / POP / SOUL / VINTAGE
Vocals: Female Vocal
Moods: ATMOSPHERIC / COOL / FUN / HAPPY / NOSTALGIC / POWERFUL
Sync Themes: FANTASY / ROMANCE
Lyric Themes: CELEBRATION / CHRISTMAS / FAMILY / LOVE / TIME
Type: One Stop

Instrumentation:
FLUTE / PERCUSSION / PIANO / SYNTH

Track Summary:
THE CHRISTMAS SONG blends expressive vocal storytelling, atmospheric, cool, and fun emotion, and Synth / Piano / Percussion within a Electronic / Holiday frame, giving supervisors a clear cue for holiday warmth, family nostalgia, christmas song electronic colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: holiday warmth, family nostalgia, christmas song electronic colour
• Sync themes: FANTASY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for holiday warmth, family nostalgia, christmas song electronic colour.

Stem Tracks

Yes

Track Narrative

THE CHRISTMAS SONG blends expressive vocal storytelling, atmospheric, cool, and fun emotion, and Synth / Piano / Percussion within a Electronic / Holiday frame, giving supervisors a clear cue for holiday warmth, family nostalgia, christmas song electronic colour.

Lyrics

Do-do-do-do-do- do-do-be-be-be- be-be-be-be-be- be-be-be-be-be- be-be-be-be-be-
Chestnuts roasting on an open fire
Jack Frost nipping at your nose
Yuletide carols being sung from choir and foes
Dressed up like Eskimos
Everybody knows
Some turkey at a mistletoe
Helps to make the season bright
Tiny tots with their eyes all aglow
Will find it hard to sleep tonight
They know that Santa's on his way
He's loading lots of toys and goodies on his sleigh
And every mother's child is gonna spy to see
If reindeers really know how to fly
And so I'm offering this simple phrase
To kids from one to ninety-two
Although it's been said many times many ways
Merry Christmas to you
Diva, move it baby, love the bad, move it baby
And so I'm offering this simple phrase
To kids from one to ninety-two
Although it's been said many times, many ways
Every Christmas
I said Merry Christmas
Merry, merry, merry, merry Christmas
To you, to you, to you, to you, to you, to you, to you, to you
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
To you
Have a happy, happy new year
To you, to you and your family
Merry, merry Christmas
To you, to you, to you
Merry, merry Christmas
To

Artist Bio

SAMUEL WILLIAMS brings groove-forward instrumental writing with jazz, soul, and cinematic movement. On “THE CHRISTMAS SONG,” the focus lands on holiday warmth, family nostalgia, christmas song electronic colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE COMPASS ROSE — KRISTIN SWEETLAND

OMR Cue Map

Track: THE COMPASS ROSE
Clean Intro: Moderate
Edit Points: THE COMPASS ROSE offers usable edit points around Acoustic Guitar / Accordion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 otherworldly atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, heightened world-building, especially where the scene needs otherworldly atmosphere, mythic scale, mystery atmosphere with a distinct country and folk identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 128
Genres: COUNTRY / FOLK / SING / SONG
Vocals: Female Vocal
Moods: BRIGHT / SAD
Sync Themes: ADVENTURE / ART HOUSE / DRAMA / FANTASY / MYSTERY
Lyric Themes: HOME / HOPE / STRENGTH / TIME / UNITY
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / ACCORDION

Track Summary:
THE COMPASS ROSE blends expressive vocal storytelling, bright and sad emotion, and Acoustic Guitar / Accordion within a Country / Folk frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, mystery atmosphere.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: otherworldly atmosphere, mythic scale, mystery atmosphere
• Sync themes: ADVENTURE / ART HOUSE / DRAMA / FANTASY / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for otherworldly atmosphere, mythic scale, mystery atmosphere.

Stem Tracks

Yes

Track Narrative

THE COMPASS ROSE blends expressive vocal storytelling, bright and sad emotion, and Acoustic Guitar / Accordion within a Country / Folk frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, mystery atmosphere.

Lyrics

O star in the sky
O star in the sky
Letting us know where we lie

O lamp in the night
O lamp in the night
Guide us with shimmering light

Burn with a fever
Like fire but sweeter
Until we are homeward again

Chorus:
Go slow compass rose
Only the road that we travel on knows
Roll with the valleys and sail with the sea
Always remember

O rose of the winds
O rose of the winds
Give us our bearings within

Carry us safely
With courage and bravery
So far away from our home

Chorus

O star in the sky
O star in the sky
Letting us know where we lie

Guide us ’till morning
Through calm and through storm
And until we are homeward again

Chorus

Artist Bio

KRISTIN SWEETLAND brings folk, world, and roots textures with vivid imagery and mythic emotional atmosphere. On “THE COMPASS ROSE,” the focus lands on otherworldly atmosphere, mythic scale, mystery atmosphere, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE DAYS AND THE NIGHTS — MATTIE LEON

OMR Cue Map

Track: THE DAYS AND THE NIGHTS
Clean Intro: Moderate
Edit Points: THE DAYS AND THE NIGHTS offers usable edit points around Electric Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Electric Guitar-led bed; 1:18–1:46 youthful self-discovery passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, period or legacy moments, especially where the scene needs youthful self-discovery, coming-of-age momentum, days nights indie colour with a distinct indie and rock identity.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 101
Genres: INDIE / ROCK
Vocals: Male Vocal
Moods: BRIGHT / FUN / HAPPY / QUIRKY / ROMANTIC
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
Lyric Themes: HEARTBREAK / LONELINESS / TIME
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
THE DAYS AND THE NIGHTS blends expressive vocal storytelling, bright, fun, and happy emotion, and Electric Guitar / Bass / Drums within a Indie / Rock frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, days nights indie colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: youthful self-discovery, coming-of-age momentum, days nights indie colour
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for youthful self-discovery, coming-of-age momentum, days nights indie colour.

Stem Tracks

Yes

Track Narrative

THE DAYS AND THE NIGHTS blends expressive vocal storytelling, bright, fun, and happy emotion, and Electric Guitar / Bass / Drums within a Indie / Rock frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, days nights indie colour.

Lyrics

This city wakes up from a storm
like there's a good thing on the other end of a day being born
But it's hard to find a point of view
that doesn't point it's way to you
It's harder still to think it's true

Cause the day's and the night's are harder to forget when
The days and the nights are all we ever get to see
Oh loneliness is over me
Loneliness is over me

I walk myself out to the bridge
to fill my day with all these subtle things the two of us never did
Whatever keeps my mind from you
With all these days we're born to use
I'm bound to be alone a few

If you can find a place in your heart
to move on
Then I can find a place in my mind
to be fine
sometime

Artist Bio

MATTIE LEON brings open-hearted indie folk writing, coming-of-age emotion, and melodic sincerity. On “THE DAYS AND THE NIGHTS,” the focus lands on youthful self-discovery, coming-of-age momentum, days nights indie colour, making it useful for human stories / emotional consequence placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE FÊTED ONE — THADEUS GONZALEZ

OMR Cue Map

Track: THE FÊTED ONE
Clean Intro: Moderate
Edit Points: THE FÊTED ONE offers usable edit points around Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Acoustic Guitar-led bed; 1:04–1:32 otherworldly atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for heightened world-building, especially where the scene needs otherworldly atmosphere, mythic scale, f ted folk colour with a distinct folk and singer-songwriter identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 130
Genres: FOLK / SING / SONG
Vocals: Male Vocal
Moods: MINIMAL / POSITIVE
Sync Themes: ART HOUSE / FANTASY / MYSTERY / SCI FI
Lyric Themes: POWER / REBELLION / STRENGTH / STRUGGLE / SUCCESS
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
THE FÊTED ONE blends expressive vocal storytelling, minimal and positive emotion, and Acoustic Guitar within a Folk / Singer-Songwriter frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, f ted folk colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: otherworldly atmosphere, mythic scale, f ted folk colour
• Sync themes: ART HOUSE / FANTASY / MYSTERY / SCI FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for otherworldly atmosphere, mythic scale, f ted folk colour.

Stem Tracks

Yes

Track Narrative

THE FÊTED ONE blends expressive vocal storytelling, minimal and positive emotion, and Acoustic Guitar within a Folk / Singer-Songwriter frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, f ted folk colour.

Lyrics

You gonna be the one
whose back’s against the wall
determined not to crawl
You gonna be the one
who stands in front of a crowd
and tells them they're all wrong
Gonna be the one
sometimes

Artist Bio

THADEUS GONZALEZ brings urgent guitar-forward rock with emotional bite, swagger, and conflict-driven storytelling. On “THE FÊTED ONE,” the focus lands on otherworldly atmosphere, mythic scale, f ted folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE JOURNEY — PAT CAREY

OMR Cue Map

Track: THE JOURNEY
Clean Intro: Yes
Edit Points: THE JOURNEY offers usable edit points around Piano / Electric Guitar / Percussion entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Piano-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, heightened world-building, especially where the scene needs romantic consequence, relationship intimacy, journey ambient colour with a distinct ambient and blues identity.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 57
Genres: AMBIENT / BLUES / JAZZ / SING / SONG
Vocals: Instrumental
Moods: BRIGHT / CHILL / DRAMATIC / HOPEFUL / SAD / SOMBER
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
ELECTRIC GUITAR / HORNS / KEYBOARD / PERCUSSION / PIANO / SAXOPHONE

Track Summary:
THE JOURNEY blends instrumental textures, bright, chill, and dramatic emotion, and Piano / Electric Guitar / Percussion within a Ambient / Blues frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, journey ambient colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: romantic consequence, relationship intimacy, journey ambient colour
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for romantic consequence, relationship intimacy, journey ambient colour.

Stem Tracks

Yes

Track Narrative

THE JOURNEY blends instrumental textures, bright, chill, and dramatic emotion, and Piano / Electric Guitar / Percussion within a Ambient / Blues frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, journey ambient colour.

Instrumental Usage

Fully instrumental and one-stop, “THE JOURNEY” supports cinematic storytelling without lyrical distraction. Especially useful for romantic consequence, relationship intimacy, journey ambient colour.

Artist Bio

PAT CAREY brings jazz-forward ensemble writing, saxophone colour, and polished dramatic utility. On “THE JOURNEY,” the focus lands on romantic consequence, relationship intimacy, journey ambient colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE LORD IS MY SHEPHARD — PHEELION

OMR Cue Map

Track: THE LORD IS MY SHEPHARD
Clean Intro: Moderate
Edit Points: THE LORD IS MY SHEPHARD offers usable edit points around Synth / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 youthful self-discovery passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, period or legacy moments, especially where the scene needs youthful self-discovery, coming-of-age momentum, lord shephard blues colour with a distinct blues and singer-songwriter identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 64
Genres: BLUES / SING / SONG
Vocals: Female Vocal
Moods: CONFIDENT / MINIMAL / POSITIVE / UPBEAT
Sync Themes: COMING OF AGE / DRAMA / HISTORICAL
Lyric Themes: CONNECTION / FAITH / HOPE / LIFE / STRENGTH
Type: One Stop

Instrumentation:
PERCUSSION / SYNTH

Track Summary:
THE LORD IS MY SHEPHARD blends expressive vocal storytelling, confident, minimal, and positive emotion, and Synth / Percussion within a Blues / Singer-Songwriter frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, lord shephard blues colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: youthful self-discovery, coming-of-age momentum, lord shephard blues colour
• Sync themes: COMING OF AGE / DRAMA / HISTORICAL
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for youthful self-discovery, coming-of-age momentum, lord shephard blues colour.

Stem Tracks

Yes

Track Narrative

THE LORD IS MY SHEPHARD blends expressive vocal storytelling, confident, minimal, and positive emotion, and Synth / Percussion within a Blues / Singer-Songwriter frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, lord shephard blues colour.

Lyrics

The hidden life of trees
What are they here for?
The hidden life of trees
They talk to each other
Across the forest floor
Release the touch one another
Branches reach for the sky
Between heaven and earth
They live and they die
So much to learn from fear
Time moves real slow
They take time to grow
And I'm like us who fade away
For them a year is just another day
So much to learn from them
The hidden life of trees
What are they here for?
The hidden life of trees
They talk to each other across the forest floor
They made the air that we breathe
And they talk with the priests
Communicating with ease
Making scent with their leaves
The hidden life of trees
What are they here for?
The hidden life of trees
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Don't cut it down
In life of dreams
All of the seeds that have fallen
Only one becomes a new tree
In life of dreams
Respond to what's out there
They like to live in communities
In life of dreams
Scientists wonder
Do they have a brain like you and me
In life of dreams
Responding to danger
Protect each other like family
Across the forest floor
Across the forest floor

Artist Bio

PHEELION brings spiritual folk, ambient, and world-influenced songwriting with meditative emotional force. On “THE LORD IS MY SHEPHARD,” the focus lands on youthful self-discovery, coming-of-age momentum, lord shephard blues colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE SOLID ROCK — PHEELION

OMR Cue Map

Track: THE SOLID ROCK
Clean Intro: Moderate
Edit Points: THE SOLID ROCK offers usable edit points around Synth / Piano entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 youthful self-discovery passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, period or legacy moments, especially where the scene needs youthful self-discovery, coming-of-age momentum, solid rock folk colour with a distinct folk and singer-songwriter identity.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 110
Genres: FOLK / SING / SONG
Vocals: Female Vocal
Moods: HOPEFUL / LIGHT / POSITIVE / REFLECTIVE
Sync Themes: COMING OF AGE / DRAMA / HISTORICAL
Lyric Themes: FAITH / POWER / STRENGTH / SUCCESS
Type: One Stop

Instrumentation:
PIANO / SYNTH

Track Summary:
THE SOLID ROCK blends expressive vocal storytelling, hopeful, light, and positive emotion, and Synth / Piano within a Folk / Singer-Songwriter frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, solid rock folk colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: youthful self-discovery, coming-of-age momentum, solid rock folk colour
• Sync themes: COMING OF AGE / DRAMA / HISTORICAL
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for youthful self-discovery, coming-of-age momentum, solid rock folk colour.

Stem Tracks

Yes

Track Narrative

THE SOLID ROCK blends expressive vocal storytelling, hopeful, light, and positive emotion, and Synth / Piano within a Folk / Singer-Songwriter frame, giving supervisors a clear cue for youthful self-discovery, coming-of-age momentum, solid rock folk colour.

Lyrics

A million times a million, Lord,
you proved yourself to me.
So I stand on the solid rock
of my Lord,
Jesus Christ.
and not on my own understanding
nor the shifting sands of the world
or the lies of the evil one.
I stand on the solid rock
of my Lord,
Jesus Christ
who is faithful
and unshakable.

Artist Bio

PHEELION brings spiritual folk, ambient, and world-influenced songwriting with meditative emotional force. On “THE SOLID ROCK,” the focus lands on youthful self-discovery, coming-of-age momentum, solid rock folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE SPARK OF KNOWLEDGE — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: THE SPARK OF KNOWLEDGE
Clean Intro: Yes
Edit Points: THE SPARK OF KNOWLEDGE offers usable edit points around Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Acoustic Guitar-led bed; 1:04–1:32 period atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, period or legacy moments, especially where the scene needs period atmosphere, historical reflection, roots character with a distinct folk identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 150
Genres: FOLK
Vocals: Instrumental
Moods: DREAMY / HOPEFUL / LIGHT / MINIMAL / POSITIVE / REFLECTIVE / ROMANTIC / SAD / WARM
Sync Themes: ADVENTURE / ART HOUSE / DRAMA / HISTORICAL
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
THE SPARK OF KNOWLEDGE blends instrumental textures, dreamy, hopeful, and light emotion, and Acoustic Guitar within a Folk frame, giving supervisors a clear cue for period atmosphere, historical reflection, roots character.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: period atmosphere, historical reflection, roots character
• Sync themes: ADVENTURE / ART HOUSE / DRAMA / HISTORICAL
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for period atmosphere, historical reflection, roots character.

Stem Tracks

Yes

Track Narrative

THE SPARK OF KNOWLEDGE blends instrumental textures, dreamy, hopeful, and light emotion, and Acoustic Guitar within a Folk frame, giving supervisors a clear cue for period atmosphere, historical reflection, roots character.

Instrumental Usage

Fully instrumental and one-stop, “THE SPARK OF KNOWLEDGE” supports cinematic storytelling without lyrical distraction. Especially useful for period atmosphere, historical reflection, roots character.

Artist Bio

JOSH HOWARD FRIEDMAN brings handmade folk, blues, and classical-leaning instrumental storytelling. On “THE SPARK OF KNOWLEDGE,” the focus lands on period atmosphere, historical reflection, roots character, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE WAY THAT I KEEP LOVING YOU — MATTIE LEON

OMR Cue Map

Track: THE WAY THAT I KEEP LOVING YOU
Clean Intro: Moderate
Edit Points: THE WAY THAT I KEEP LOVING YOU offers usable edit points around Synth / Piano / Electric Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, period or legacy moments, especially where the scene needs romantic consequence, relationship intimacy, way i folk colour with a distinct folk and indie identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 97
Genres: FOLK / INDIE / SING / SONG
Vocals: Male Vocal
Moods: ATMOSPHERIC / BRIGHT / DREAMY / LIGHT / LOVE / MINIMAL / MOODY / POSITIVE / REFLECTIVE / WARM
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
Lyric Themes: FAMILY / HEARTBREAK / HOME / LOVE / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / DRUMS / ELECTRIC GUITAR / PERCUSSION / PIANO / SYNTH

Track Summary:
THE WAY THAT I KEEP LOVING YOU blends expressive vocal storytelling, atmospheric, bright, and dreamy emotion, and Synth / Piano / Electric Guitar within a Folk / Indie frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, way i folk colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: romantic consequence, relationship intimacy, way i folk colour
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for romantic consequence, relationship intimacy, way i folk colour.

Stem Tracks

Yes

Track Narrative

THE WAY THAT I KEEP LOVING YOU blends expressive vocal storytelling, atmospheric, bright, and dreamy emotion, and Synth / Piano / Electric Guitar within a Folk / Indie frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, way i folk colour.

Lyrics

If I could I'd keep everything
Every word you're going to say to me
Every picture there is of you
Every drawing that you drew
I'd keep it all

You could never know
the way it feels just sitting in the room
with you
while you're falling asleep and
You could never know
the places in my heart you brought with you
It's true
I never loved anything
the way that I keep loving you

There's nothing you could ever be
that'd make you any less than everything to me
Nothing you could do
Nobody you could choose
No one at all

You could never know
the way it feels just sitting in the room
with you
while you're falling asleep and
You could never know
the places in my heart you brought with you
It's true
I never loved anything
the way that I keep loving you

I tear up when someone says your name
and reminds me that there comes a day
when you'll grow up and move
out of this house
out of this room
Oh I don't know what I'll do

You could never know
the way it feels just sitting in the room
with you
while you're falling asleep and
You could never know
the places in my heart you brought with you
It's true
I never loved anything
the way that I keep loving you

Artist Bio

MATTIE LEON brings open-hearted indie folk writing, coming-of-age emotion, and melodic sincerity. On “THE WAY THAT I KEEP LOVING YOU,” the focus lands on romantic consequence, relationship intimacy, way i folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THOSE THAT CAME BEFORE US — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: THOSE THAT CAME BEFORE US
Clean Intro: Yes
Edit Points: THOSE THAT CAME BEFORE US offers usable edit points around Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 period atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, period or legacy moments, especially where the scene needs period atmosphere, historical reflection, came before folk colour with a distinct folk and world identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 144
Genres: FOLK / WORLD
Vocals: Instrumental
Moods: ATMOSPHERIC / DREAMY / HOPEFUL / LIGHT / MINIMAL / REFLECTIVE / WARM
Sync Themes: ADVENTURE / ART HOUSE / DRAMA / HISTORICAL
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
THOSE THAT CAME BEFORE US blends instrumental textures, atmospheric, dreamy, and hopeful emotion, and Acoustic Guitar within a Folk / World frame, giving supervisors a clear cue for period atmosphere, historical reflection, came before folk colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: period atmosphere, historical reflection, came before folk colour
• Sync themes: ADVENTURE / ART HOUSE / DRAMA / HISTORICAL
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for period atmosphere, historical reflection, came before folk colour.

Stem Tracks

Yes

Track Narrative

THOSE THAT CAME BEFORE US blends instrumental textures, atmospheric, dreamy, and hopeful emotion, and Acoustic Guitar within a Folk / World frame, giving supervisors a clear cue for period atmosphere, historical reflection, came before folk colour.

Instrumental Usage

Fully instrumental and one-stop, “THOSE THAT CAME BEFORE US” supports cinematic storytelling without lyrical distraction. Especially useful for period atmosphere, historical reflection, came before folk colour.

Artist Bio

JOSH HOWARD FRIEDMAN brings handmade folk, blues, and classical-leaning instrumental storytelling. On “THOSE THAT CAME BEFORE US,” the focus lands on period atmosphere, historical reflection, came before folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THREE PIPE NIGHT — KRISTIN SWEETLAND

OMR Cue Map

Track: THREE PIPE NIGHT
Clean Intro: Yes
Edit Points: THREE PIPE NIGHT offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Electric Guitar-led bed; 0:58–1:26 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, heightened world-building, especially where the scene needs romantic consequence, relationship intimacy, three pipe folk colour with a distinct folk and world identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 83
Genres: FOLK / WORLD
Vocals: Instrumental
Moods: BRIGHT / DREAMY / HOPEFUL / QUIRKY / ROMANTIC
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / ELECTRIC GUITAR / PERCUSSION / STRINGS

Track Summary:
THREE PIPE NIGHT blends instrumental textures, bright, dreamy, and hopeful emotion, and Electric Guitar / Acoustic Guitar / Bass within a Folk / World frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, three pipe folk colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: romantic consequence, relationship intimacy, three pipe folk colour
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for romantic consequence, relationship intimacy, three pipe folk colour.

Stem Tracks

Yes

Track Narrative

THREE PIPE NIGHT blends instrumental textures, bright, dreamy, and hopeful emotion, and Electric Guitar / Acoustic Guitar / Bass within a Folk / World frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, three pipe folk colour.

Instrumental Usage

Fully instrumental and one-stop, “THREE PIPE NIGHT” supports cinematic storytelling without lyrical distraction. Especially useful for romantic consequence, relationship intimacy, three pipe folk colour.

Artist Bio

KRISTIN SWEETLAND brings folk, world, and roots textures with vivid imagery and mythic emotional atmosphere. On “THREE PIPE NIGHT,” the focus lands on romantic consequence, relationship intimacy, three pipe folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TREATING THE WOUNDS OF PERMISSIVE ANGELS — RADAGAST

OMR Cue Map

Track: TREATING THE WOUNDS OF PERMISSIVE ANGELS
Clean Intro: Yes
Edit Points: TREATING THE WOUNDS OF PERMISSIVE ANGELS offers usable edit points around Synth / Percussion / Strings entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:16–0:44 Synth-led bed; 1:04–1:32 otherworldly atmosphere passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, heightened world-building, especially where the scene needs otherworldly atmosphere, mythic scale, treating wounds ambient colour with a distinct ambient identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 121
Genres: AMBIENT
Vocals: Instrumental
Moods: ATMOSPHERIC / EMOTIVE / HOPEFUL / MINIMAL / REFLECTIVE
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / STRINGS / SYNTH

Track Summary:
TREATING THE WOUNDS OF PERMISSIVE ANGELS blends instrumental textures, atmospheric, emotive, and hopeful emotion, and Synth / Percussion / Strings within a Ambient frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, treating wounds ambient colour.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: otherworldly atmosphere, mythic scale, treating wounds ambient colour
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for otherworldly atmosphere, mythic scale, treating wounds ambient colour.

Stem Tracks

Yes

Track Narrative

TREATING THE WOUNDS OF PERMISSIVE ANGELS blends instrumental textures, atmospheric, emotive, and hopeful emotion, and Synth / Percussion / Strings within a Ambient frame, giving supervisors a clear cue for otherworldly atmosphere, mythic scale, treating wounds ambient colour.

Instrumental Usage

Fully instrumental and one-stop, “TREATING THE WOUNDS OF PERMISSIVE ANGELS” supports cinematic storytelling without lyrical distraction. Especially useful for otherworldly atmosphere, mythic scale, treating wounds ambient colour.

Artist Bio

RADAGAST brings minimal ambient drift, emotional distance, and slow-burn psychological space. On “TREATING THE WOUNDS OF PERMISSIVE ANGELS,” the focus lands on otherworldly atmosphere, mythic scale, treating wounds ambient colour, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TROWDOWN — MELODIC YOZA

OMR Cue Map

Track: TROWDOWN
Clean Intro: Moderate
Edit Points: TROWDOWN offers usable edit points around Synth / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Synth-led bed; 0:58–1:26 quirky character energy passage; outro or refrain texture for transitions.

Use Case:
Strong use for offbeat transitions, heightened world-building, especially where the scene needs quirky character energy, light comic timing, otherworldly atmosphere with a distinct hip hop and indie identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 82
Genres: HIP HOP / INDIE / PARTY / REGGAE
Vocals: Male Vocal
Moods: CAREFREE / CATCHY / CONFIDENT / COOL / ENERGETIC / FUN / LOVE / MOODY / PARTY / RHYTHMIC / SEXY / SWAGGER / UPBEAT / UPLIFTING
Sync Themes: COMEDY / FANTASY
Lyric Themes: CELEBRATION / ENERGY / FUN / PARTY
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
TROWDOWN blends expressive vocal storytelling, carefree, catchy, and confident emotion, and Synth / Bass / Drums within a Hip Hop / Indie frame, giving supervisors a clear cue for quirky character energy, light comic timing, otherworldly atmosphere.

Sync Highlights:

• Primary category: Classical, Historical & Art-House
• Secondary utility: quirky character energy, light comic timing, otherworldly atmosphere
• Sync themes: COMEDY / FANTASY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Classical, Historical & Art-House placements with crossover utility for quirky character energy, light comic timing, otherworldly atmosphere.

Stem Tracks

Yes

Track Narrative

TROWDOWN blends expressive vocal storytelling, carefree, catchy, and confident emotion, and Synth / Bass / Drums within a Hip Hop / Indie frame, giving supervisors a clear cue for quirky character energy, light comic timing, otherworldly atmosphere.

Lyrics

[Intro]
Well yee come di ting call
Till the morning come
Then mi sing
Wata gwaan, wata wata gwaan
Wata gwaan, wata wata gwaan
Wata gwaan, wata wata gwaan
Ready mi ready fi nice up di lawn
Come on

[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Verse 1]
Steady moving suh mi stay s suh mi perlong
Set them moving like five and four furlong
And everybody wanna be the girls man
Who a nuh Bobby Brown them a Eric Sherman
Some a bad boy, some a them a herbs man
But I go now flip it on your version
New style say it's a brand new slang
Straight out the gates like raparapapampam
‘Cause I know you been waiting like so long
Buy out the bar come now let's have a drink Dan
Invite the girls come and let's start the show man
Who can mek di hey who can mek di dance ram
See pop shows near Toronto
Get tickets as low as $6

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[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Verse 2]
Dance a keep and di session pack
Stone love it a play them girls look hot
Long-side metro media and the sound wadat
Rudeboy's in wallabies and beaver hats
And tonight there ain't gonna be no shot
And less a blap blap parent trap wheel up dat
And come again ‘cause this be the early warm
And them ya vibes a go gwaan till mawn
Ca later on gonna be a special perform
Between the lyrical soldier and the rest of the fam
Now man if you got skills you can go on
As they pass me the mic and watch me ring the alarm
Come on


[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Bridge]
Like upside down we gonna turn the party
Like inside out me and my shorty
Like upside down we gonna turn the party
Like inside out me and my shorty
Like she wanna party with the Yardie
Some Guinness stout and some big Bob Marley
So I take her to the dance rock out in thrillawny
Like baby, baby thrill on me

[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah


[Outro]
Like wake up inna the morning now early and bright
And all we wanna do is go live some life
Man a suh wi throwdown
Man a suh wi throwdown, yea yah
Man a suh wi throwdown, yea yah

Artist Bio

MELODIC YOZA brings reggae, hip hop, pop, and soul-infused confidence with rhythmic scene utility. On “TROWDOWN,” the focus lands on quirky character energy, light comic timing, otherworldly atmosphere, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TAKE A NUMBER — TIFFANY JOY

OMR Cue Map

Track: TAKE A NUMBER
Clean Intro: Moderate
Edit Points: TAKE A NUMBER offers usable edit points around Acoustic Guitar / Bass / Keyboard entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 emotional pull passage; outro or refrain texture for transitions.

Use Case:
Strong use for suspense builds, relationship turns, character consequences, especially where the scene needs emotional pull, decision point, relationship movement with a distinct folk and latin identity.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 132
Genres: FOLK / LATIN / WORLD
Vocals: Female Vocal
Moods: HOPEFUL / LIGHT / POSITIVE / QUIRKY / REFLECTIVE / WARM
Sync Themes: DRAMA / MYSTERY / ROMANCE / THRILLER
Lyric Themes: DREAM / FEAR / LONELINESS / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / KEYBOARD

Track Summary:
TAKE A NUMBER blends expressive vocal storytelling, hopeful, light, and positive emotion, and Acoustic Guitar / Bass / Keyboard within a Folk / Latin frame, giving supervisors a clear cue for emotional pull, decision point, relationship movement.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: emotional pull, decision point, relationship movement
• Sync themes: DRAMA / MYSTERY / ROMANCE / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for emotional pull, decision point, relationship movement.

Stem Tracks

Yes

Track Narrative

TAKE A NUMBER blends expressive vocal storytelling, hopeful, light, and positive emotion, and Acoustic Guitar / Bass / Keyboard within a Folk / Latin frame, giving supervisors a clear cue for emotional pull, decision point, relationship movement.

Lyrics

I sit here on a sunny day when sadness comes a walking my way
Big black hat and a cigarette, like so many men I've met
He tips his brim, tries to catch my eye, when suddenly I realize
that he could merely pass me by if only I would let him
Take a number, sit down next to loneliness and sorrow
Take a number and maybe I'll get to you tomorrow
Here comes fear, he's so clever, follows me like stormy weather
Every time I find my way, he's there to knock me down
There's too much good wrapped up in my dreams to let this fear debilitate me
So I won't wave at his parade, instead I'll smile and say,
Take a number, sit down next to loneliness and sorrow
Take a number, and maybe I'll get to you tomorrow
Today is lovely, today is fine
It's always sunny in my mind
Take a number, 'cause I can't find the time for you
Nowadays it's so easy to lose all the reasons there are to smile
and let the dark consume you
But deep inside, there's a light and a peace and a love that never fades
To anything that stings, I smile and say,
Take a number, sit down next to loneliness and sorrow
Take a number, and maybe I'll get to you tomorrow
Today is lovely, today is fine
It's always sunny in my mind
Take a number, 'cause I can't find the time for you
I can't find the time for you
I can't find the time for you
I can't find the time for you
I can't find the time for you

Artist Bio

TIFFANY JOY brings bright global-pop warmth, intimate vocal phrasing, and relationship-centred storytelling. On “TAKE A NUMBER,” the focus lands on emotional pull, decision point, relationship movement, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TAKE ME — OMR

OMR Cue Map

Track: TAKE ME
Clean Intro: Moderate
Edit Points: TAKE ME offers usable edit points around Synth / Electric Guitar / Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 emotional pull passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs emotional pull, decision point, take blues colour with a distinct blues and funk identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 95
Genres: BLUES / FUNK / INDIE
Vocals: Male Vocal
Moods: CHILL / DARK / DRAMATIC / FUN / LOVE / MOODY / RETRO / SAD
Sync Themes: DRAMA / ROMANCE
Lyric Themes: DREAM / LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
TAKE ME blends expressive vocal storytelling, chill, dark, and dramatic emotion, and Synth / Electric Guitar / Acoustic Guitar within a Blues / Funk frame, giving supervisors a clear cue for emotional pull, decision point, take blues colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: emotional pull, decision point, take blues colour
• Sync themes: DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for emotional pull, decision point, take blues colour.

Stem Tracks

Yes

Track Narrative

TAKE ME blends expressive vocal storytelling, chill, dark, and dramatic emotion, and Synth / Electric Guitar / Acoustic Guitar within a Blues / Funk frame, giving supervisors a clear cue for emotional pull, decision point, take blues colour.

Lyrics

VERSE 1
HOW DOES IT FEEL?
YOU SET ME FREE, HOW CAN WE HEAL?
BY LETTING ME GO
YOU DARED TO RELEASE ME
I CARED ENOUGH TO AGREE
I CARED ENOUGH TO BE ME

CHORUS
TAKE ME WITH YOU
DON’T WANT TO BE BRAVE
I’LL PAY BACK WHAT’S DUE
I WANT TO BE SAVED
PLEASE TAKE MY HANDS
LET’S SPREAD OUR WINGS
MAKE NO DEMANDS
WHATEVER LIFE BRINGS

INTERLUDE

VERSE 3
WE SHARED DREAMS OF PEACE
STOP MISERIES, BREATHE
I SWEAR TIL WE’RE GONE
TO SHAPE A LOVE, WE CAN BUILD ON
I CARED ENOUGH TO AGREE
I CARED ENOUGH TO BE ME

CHORUS

BRIDGE
WHY DO WE FIGHT
ITS NOT ABOUT MIGHT
WE’LL BE ALRUGHT

Artist Bio

OMR brings direct roots, blues, and cinematic songcraft built for clear sync utility. On “TAKE ME,” the focus lands on emotional pull, decision point, take blues colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TAKE MY ADVICE — OMR

OMR Cue Map

Track: TAKE MY ADVICE
Clean Intro: Moderate
Edit Points: TAKE MY ADVICE offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44 Electric Guitar-led bed; 1:04–1:32 confrontation passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, relationship turns, character consequences, especially where the scene needs confrontation, relationship warning, blues-rock attitude with a distinct blues and indie identity.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 120
Genres: BLUES / INDIE / ROCK
Vocals: Male Vocal
Moods: ANGRY / CATCHY / DRAMATIC / HOPEFUL / RETRO / SERIOUS
Sync Themes: CRIME / DRAMA / ROMANCE
Lyric Themes: BETRAYAL / CONFLICT / POWER / RELATIONSHIP / STRUGGLE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / SAXOPHONE

Track Summary:
TAKE MY ADVICE blends expressive vocal storytelling, angry, catchy, and dramatic emotion, and Electric Guitar / Acoustic Guitar / Bass within a Blues / Indie frame, giving supervisors a clear cue for confrontation, relationship warning, blues-rock attitude.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: confrontation, relationship warning, blues-rock attitude
• Sync themes: CRIME / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for confrontation, relationship warning, blues-rock attitude.

Stem Tracks

Yes

Track Narrative

TAKE MY ADVICE blends expressive vocal storytelling, angry, catchy, and dramatic emotion, and Electric Guitar / Acoustic Guitar / Bass within a Blues / Indie frame, giving supervisors a clear cue for confrontation, relationship warning, blues-rock attitude.

Lyrics

VERSE 1
I find it quite appalling
You keep on calling
Even though you know what she’s like
Put down that phone
And let it be known
It’s time she took a hike

CHORUS
Here’s some advice I’ll give you for free
Don’t let her do to you what she’s done to me
Here’s some advice I’m sure you can use
Give her the news and quit singing the blues

VERSE 2
If she won’t start talking
Better get on walking
Don’t get caught up in her game
I can see your body quaking
Just quit your bellyaching
Come right out and ask his name

CHORUS

VERSE 3
When you see her coming
You better start running
Get away as fast as you can
Quick as a flash
Make a mad dash
You don’t wanna be her man

CHORUS

SOLO

BRIDGE
Take my advice
Take it it’s free
Take my advice
Just leave her be
Take my advice
Get out of town
Take my advice
Or you’re going down

Artist Bio

OMR brings direct roots, blues, and cinematic songcraft built for clear sync utility. On “TAKE MY ADVICE,” the focus lands on confrontation, relationship warning, blues-rock attitude, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TAKING OUR TIME GROWING UP — MATTIE LEON

OMR Cue Map

Track: TAKING OUR TIME GROWING UP
Clean Intro: Moderate
Edit Points: TAKING OUR TIME GROWING UP offers usable edit points around Electric Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Electric Guitar-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, movement sequences, especially where the scene needs romantic consequence, relationship intimacy, youthful self-discovery with a distinct indie and pop identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 125
Genres: INDIE / POP / SING / SONG
Vocals: Male Vocal
Moods: DREAMY / POSITIVE
Sync Themes: ADVENTURE / ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: DREAM / HEARTBREAK / LOVE / TIME
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
TAKING OUR TIME GROWING UP blends expressive vocal storytelling, dreamy and positive emotion, and Electric Guitar / Bass / Drums within a Indie / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, youthful self-discovery.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, youthful self-discovery
• Sync themes: ADVENTURE / ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, youthful self-discovery.

Stem Tracks

Yes

Track Narrative

TAKING OUR TIME GROWING UP blends expressive vocal storytelling, dreamy and positive emotion, and Electric Guitar / Bass / Drums within a Indie / Pop frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, youthful self-discovery.

Lyrics

I have stumbled
made mistakes
I regret some things I did in those days
but in a heartbeat now
I'd do it all again if I could

Pinching pennies just to throw them away
at old dive bars
with brand new flames
and the weekend lasted
as long as we thought it should

With some distance now
it all rushes to me

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was
to be young
to be young

Broken drywall
we never replaced
every hole was like a priceless Monet
Kept the music loud
and the company good

I remember the
solo cups
porch cigarettes
Way it felt beside a cute brunette
and the morning after
hurting less than it should

With some distance now
it all rushes to me

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was

And everybody drifts away, darling
You barely hear their names anymore
I wonder if they're all still out there
brilliant as they were before
brilliant as they were before

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was
to be young
to be young

Artist Bio

MATTIE LEON brings open-hearted indie folk writing, coming-of-age emotion, and melodic sincerity. On “TAKING OUR TIME GROWING UP,” the focus lands on romantic consequence, relationship intimacy, youthful self-discovery, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TEMPLATE BLUES — PAUL REDDICK

OMR Cue Map

Track: TEMPLATE BLUES
Clean Intro: Moderate
Edit Points: TEMPLATE BLUES offers usable edit points around Electric Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Electric Guitar-led bed; 0:58–1:26 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, template blues blues colour with a distinct blues and funk identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 106
Genres: BLUES / FUNK / JAZZ
Vocals: Male Vocal
Moods: BRIGHT / COOL / FUN / RETRO
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: DREAM / ESCAPE / LONELINESS
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HARMONICA / HORNS

Track Summary:
TEMPLATE BLUES blends expressive vocal storytelling, bright, cool, and fun emotion, and Electric Guitar / Bass / Drums within a Blues / Funk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, template blues blues colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, template blues blues colour
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, template blues blues colour.

Stem Tracks

Yes

Track Narrative

TEMPLATE BLUES blends expressive vocal storytelling, bright, cool, and fun emotion, and Electric Guitar / Bass / Drums within a Blues / Funk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, template blues blues colour.

Lyrics

I’m climbing to the lookout
I’m climbing by myself
I’m climbing to the lookout
I’m climbing by myself
Seeing west and north
Baby east and south
I’m dreamin of a railway
You know I’m dreamin of a train
I’m dreamin of a railway
You know I’m dreamin of a train
Of dust and rust
Baby wind and rain
I’m moving to the outskirts
I’m moving as I stand
I’m moving to the outskirts
I’m moving as I stand
Cross the overnight
Cross the overland

Artist Bio

PAUL REDDICK brings gritty blues character, harmonica bite, and wry dramatic momentum. On “TEMPLATE BLUES,” the focus lands on romantic consequence, relationship intimacy, template blues blues colour, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THAT'S NO WAY TO GO — LEE PALMER

OMR Cue Map

Track: THAT'S NO WAY TO GO
Clean Intro: Moderate
Edit Points: THAT'S NO WAY TO GO offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40 Electric Guitar-led bed; 0:58–1:26 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, character consequences, movement sequences, especially where the scene needs crime tension, night movement, romantic consequence with a distinct ballads and blues identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 105
Genres: BALLADS / BLUES / COUNTRY / FOLK / ROCK / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT / CHILL / DRAMATIC / EMOTIVE / LOVE / POWERFUL / REFLECTIVE / ROMANTIC / SAD / SOMBER / WARM
Sync Themes: ADVENTURE / CRIME / DRAMA / WESTERN
Lyric Themes: LIFE / LONELINESS / LOSS / LOVE / PAIN
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
THAT'S NO WAY TO GO blends expressive vocal storytelling, bright, chill, and dramatic emotion, and Electric Guitar / Acoustic Guitar / Bass within a Ballads / Blues frame, giving supervisors a clear cue for crime tension, night movement, romantic consequence.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: crime tension, night movement, romantic consequence
• Sync themes: ADVENTURE / CRIME / DRAMA / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for crime tension, night movement, romantic consequence.

Stem Tracks

Yes

Track Narrative

THAT'S NO WAY TO GO blends expressive vocal storytelling, bright, chill, and dramatic emotion, and Electric Guitar / Acoustic Guitar / Bass within a Ballads / Blues frame, giving supervisors a clear cue for crime tension, night movement, romantic consequence.

Lyrics

That's no way to go
It's cruel, it's not kind
You et every face
You et every place
As you're losing your mind
The gift that you had
You gave to the end
A long, lonesome road
That's no way to go
You had a wild ride
Lived life more than most
You could never look back
You're on a runaway track
A blank canvas, a ghost
Confusion and loss
Anger and pain
Your love stands by your side
You've otten their name
A sinister pride
No one should play
Affects those you love most
As all your memories fade
And I would agree
That's no way to go
That's no way to go
It's cruel, it's not kind
You et every place
You et every face
As you're losing your mind
The gift that you had
Gave to the end
A long, lonesome road
That's no way to go
That's no way to go
That's no way to go

Artist Bio

LEE PALMER brings roots storytelling, blues/country warmth, and lived-in character detail. On “THAT'S NO WAY TO GO,” the focus lands on crime tension, night movement, romantic consequence, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE BALLAD OF WISHBONE — PAUL REDDICK

OMR Cue Map

Track: THE BALLAD OF WISHBONE
Clean Intro: Moderate
Edit Points: THE BALLAD OF WISHBONE offers usable edit points around Piano / Electric Guitar / Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:16–0:44 Piano-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, ballad wishbone blues colour with a distinct blues identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 78
Genres: BLUES
Vocals: Male Vocal
Moods: DARK / HOPEFUL
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: HOME / LOVE / STRUGGLE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PIANO

Track Summary:
THE BALLAD OF WISHBONE blends expressive vocal storytelling, dark and hopeful emotion, and Piano / Electric Guitar / Acoustic Guitar within a Blues frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, ballad wishbone blues colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, ballad wishbone blues colour
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, ballad wishbone blues colour.

Stem Tracks

Yes

Track Narrative

THE BALLAD OF WISHBONE blends expressive vocal storytelling, dark and hopeful emotion, and Piano / Electric Guitar / Acoustic Guitar within a Blues frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, ballad wishbone blues colour.

Lyrics

His rocky journey takes him cross rolling slanted days
Crimson and fragrant he carries them always
My mind is all sky he said and anywhere's my home
At dawn I'll cross that river there I can't linger long
He can't see what brought him here every shadow is a stream
With a knife in his dark mind she's carved upon his dreams
I travel without light he said this road is hard to see
The songs among the branches drawing close to me
He was a stranger here in deep dark air
Came in on the train of love
Straight out of nowhere
Straight out of nowhere
Oh love's the fire and sigh's the smoke he'll soon give up his trade
Don't talk everything he knows he is not afraid
I'll praise you if I can he said with one suspicious eye
You don't have to be so good I love your pretty lies
Ain't it fierce to be a beauty rich in ribbons and rings
He used to sing your glory sweet and pretty things
It's you it's you it's you he said oh tell me tell me why
I long so long I long for her across this life gone by
He was a stranger here in deep dark air
Came in on the train of love
Straight out of nowhere
Straight out of nowhere
He was gone and he was caught he tossed it all away
Thorns and briars they're all bad liars I thought I heard him say
These red hot wheels that burn he said make this old world ride
I'm a wayfaring stranger I'm never satisfied
He was a stranger here in deep dark air
Came in on the train of love
Straight out of nowhere
Straight out of nowhere
Straight out of nowhere
Straight out of nowhere

Artist Bio

PAUL REDDICK brings gritty blues character, harmonica bite, and wry dramatic momentum. On “THE BALLAD OF WISHBONE,” the focus lands on romantic consequence, relationship intimacy, ballad wishbone blues colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE HIDDEN LIFE OF TREES — FREE SPIRITS

OMR Cue Map

Track: THE HIDDEN LIFE OF TREES
Clean Intro: Moderate
Edit Points: THE HIDDEN LIFE OF TREES offers usable edit points around Synth / Electric Guitar / Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, relationship turns, character consequences, especially where the scene needs crime tension, night movement, hidden life indie colour with a distinct indie and pop identity.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 115
Genres: INDIE / POP / ROCK / SING / SONG
Vocals: Male Vocal
Moods: ATMOSPHERIC / COOL / DRAMATIC / DREAMY / MOODY / REFLECTIVE / RHYTHMIC / SERIOUS / UPLIFTING
Sync Themes: CRIME / DRAMA / MYSTERY / ROMANCE / SPORTS
Lyric Themes: CONNECTION / FAMILY / LIFE / NATURE / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / FLUTE / PERCUSSION / SYNTH

Track Summary:
THE HIDDEN LIFE OF TREES blends expressive vocal storytelling, atmospheric, cool, and dramatic emotion, and Synth / Electric Guitar / Acoustic Guitar within a Indie / Pop frame, giving supervisors a clear cue for crime tension, night movement, hidden life indie colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: crime tension, night movement, hidden life indie colour
• Sync themes: CRIME / DRAMA / MYSTERY / ROMANCE / SPORTS
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for crime tension, night movement, hidden life indie colour.

Stem Tracks

Yes

Track Narrative

THE HIDDEN LIFE OF TREES blends expressive vocal storytelling, atmospheric, cool, and dramatic emotion, and Synth / Electric Guitar / Acoustic Guitar within a Indie / Pop frame, giving supervisors a clear cue for crime tension, night movement, hidden life indie colour.

Lyrics

The hidden life of trees
What are they here for?
The hidden life of trees
They talk to each other
Across the forest floor
Release the touch one another
Branches reach for the sky
Between heaven and earth
They live and they die
So much to learn from fear
Time moves real slow
They take time to grow
And I'm like us who fade away
For them a year is just another day
So much to learn from them
The hidden life of trees
What are they here for?
The hidden life of trees
They talk to each other across the forest floor
They made the air that we breathe
And they talk with the priests
Communicating with ease
Making scent with their leaves
The hidden life of trees
What are they here for?
The hidden life of trees
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Don't cut it down
In life of dreams
All of the seeds that have fallen
Only one becomes a new tree
In life of dreams
Respond to what's out there
They like to live in communities
In life of dreams
Scientists wonder
Do they have a brain like you and me
In life of dreams
Responding to danger
Protect each other like family
Across the forest floor
Across the forest floor

Artist Bio

FREE SPIRITS brings wide-screen indie energy, emotional uplift, and ensemble-driven storytelling. On “THE HIDDEN LIFE OF TREES,” the focus lands on crime tension, night movement, hidden life indie colour, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE LILY — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: THE LILY
Clean Intro: Yes
Edit Points: THE LILY offers usable edit points around Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Acoustic Guitar-led bed; 0:58–1:26 roots character passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, especially where the scene needs roots character, human-scale storytelling, hopeful lift with a distinct blues and folk identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 96
Genres: BLUES / FOLK
Vocals: Instrumental
Moods: ATMOSPHERIC / BRIGHT / DREAMY / HOPEFUL / LIGHT / MINIMAL / POSITIVE / REFLECTIVE / WARM
Sync Themes: ADVENTURE / ART HOUSE / DRAMA
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
THE LILY blends instrumental textures, atmospheric, bright, and dreamy emotion, and Acoustic Guitar within a Blues / Folk frame, giving supervisors a clear cue for roots character, human-scale storytelling, hopeful lift.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: roots character, human-scale storytelling, hopeful lift
• Sync themes: ADVENTURE / ART HOUSE / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for roots character, human-scale storytelling, hopeful lift.

Stem Tracks

Yes

Track Narrative

THE LILY blends instrumental textures, atmospheric, bright, and dreamy emotion, and Acoustic Guitar within a Blues / Folk frame, giving supervisors a clear cue for roots character, human-scale storytelling, hopeful lift.

Instrumental Usage

Fully instrumental and one-stop, “THE LILY” supports cinematic storytelling without lyrical distraction. Especially useful for roots character, human-scale storytelling, hopeful lift.

Artist Bio

JOSH HOWARD FRIEDMAN brings handmade folk, blues, and classical-leaning instrumental storytelling. On “THE LILY,” the focus lands on roots character, human-scale storytelling, hopeful lift, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THESE ARE THE DAYS — MATTIE LEON

OMR Cue Map

Track: THESE ARE THE DAYS
Clean Intro: Moderate
Edit Points: THESE ARE THE DAYS offers usable edit points around Piano / Electric Guitar / Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:12–0:40 Piano-led bed; 0:58–1:26 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, are days ballads colour with a distinct ballads and folk identity.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 82
Genres: BALLADS / FOLK / INDIE / SING / SONG
Vocals: Male Vocal
Moods: ATMOSPHERIC / BRIGHT / DREAMY / MOODY / REFLECTIVE
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: DREAM / HAPPINESS / HOME / LIFE / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PIANO

Track Summary:
THESE ARE THE DAYS blends expressive vocal storytelling, atmospheric, bright, and dreamy emotion, and Piano / Electric Guitar / Acoustic Guitar within a Ballads / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, are days ballads colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, are days ballads colour
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, are days ballads colour.

Stem Tracks

Yes

Track Narrative

THESE ARE THE DAYS blends expressive vocal storytelling, atmospheric, bright, and dreamy emotion, and Piano / Electric Guitar / Acoustic Guitar within a Ballads / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, are days ballads colour.

Lyrics

Every night I lie awake
thinking about us
and everything we've made
The life you've given up
for her and me

Your hands are always tied
If you're running out of steam
you can use a bit of mine
We'll catch our breath some day
You'll see
You'll see

I know right now
life seems hard
but someday it'll be our favourite part
Even when it feels like nothing goes our way
Trust me, babe, we've got it made

Hanging pictures on the wall
of places that we've been
for days I can't recall
what it's like to go somewhere
with you
with you

I know right now
life seems hard
but someday it'll be our favourite part
Even when it feels like nothing goes our way
Trust me, babe, we've got it made

We've got it made, babe
look at us now
Beautiful girl
Beautiful house
These are the days we were dreaming about
Everything we wanted
Ya, we've found

We've got it made, babe
look at us now
Beautiful girl
Beautiful house
These are the days we were dreaming about
Everything we wanted
Ya, we've found

Ya, we've found it

I know right now
life seems hard
but someday it'll be our favourite part
Even when it feels like nothing goes our way
Trust me, babe, we've got it made

Artist Bio

MATTIE LEON brings open-hearted indie folk writing, coming-of-age emotion, and melodic sincerity. On “THESE ARE THE DAYS,” the focus lands on romantic consequence, relationship intimacy, are days ballads colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THINGS ARE TOO GOOD TO BE BLUE — LEE PALMER

OMR Cue Map

Track: THINGS ARE TOO GOOD TO BE BLUE
Clean Intro: Moderate
Edit Points: THINGS ARE TOO GOOD TO BE BLUE offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:16–0:44 Electric Guitar-led bed; 1:04–1:32 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, things are blues colour with a distinct blues and country identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 123
Genres: BLUES / COUNTRY / FOLK / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT / CAREFREE / CATCHY / FUN / LOVE / POSITIVE / QUIRKY / RETRO / UPBEAT / UPLIFTING
Sync Themes: COMEDY / ROMANCE / WESTERN
Lyric Themes: IDENTITY / LIFE / LOVE / SUCCESS / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / HARMONICA / PERCUSSION

Track Summary:
THINGS ARE TOO GOOD TO BE BLUE blends expressive vocal storytelling, bright, carefree, and catchy emotion, and Electric Guitar / Acoustic Guitar / Bass within a Blues / Country frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, things are blues colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, things are blues colour
• Sync themes: COMEDY / ROMANCE / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, things are blues colour.

Stem Tracks

Yes

Track Narrative

THINGS ARE TOO GOOD TO BE BLUE blends expressive vocal storytelling, bright, carefree, and catchy emotion, and Electric Guitar / Acoustic Guitar / Bass within a Blues / Country frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, things are blues colour.

Lyrics

I heard Dutchie say that things were too good
To sing the blues like he knew he could
Those words stuck with me 'til this day
I finally get what he meant and I'm here to say
If things are too good to be blue
I got all that I need
All that I need
If things are too good to be blue
I got all that I need with you
Well, I had my schooling in love and in life
I paid my dues and my ex-wife said, "It's all worked out"
But I had to wait, it took a long, long time to feel this great
Things are too good to be blue
I got all that I need
All that I need
Things are too good to be blue
I got all that I need with you
Things are too good to be blue
I got all that I need, all that I need
Things are too good to be blue
I got all that I need with you
I got all that I need with you
Yeah, things are too good to be blue

Artist Bio

LEE PALMER brings roots storytelling, blues/country warmth, and lived-in character detail. On “THINGS ARE TOO GOOD TO BE BLUE,” the focus lands on romantic consequence, relationship intimacy, things are blues colour, making it useful for groove / motion / rhythm placements.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THOSE WINTER BLUES — LEE PALMER

OMR Cue Map

Track: THOSE WINTER BLUES
Clean Intro: Moderate
Edit Points: THOSE WINTER BLUES offers usable edit points around Piano / Electric Guitar / Acoustic Guitar entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Piano-led bed; 1:18–1:46 cold-weather melancholy passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, character consequences, especially where the scene needs cold-weather melancholy, late-night blues, quiet isolation with a distinct blues identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 129
Genres: BLUES
Vocals: Male Vocal
Moods: BRIGHT / CHILL / COOL / DARK / DRAMATIC / MINIMAL / ROMANTIC / SOMBER
Sync Themes: CRIME / DRAMA / MYSTERY
Lyric Themes: HEARTBREAK / HOPE / LONGING / LOSS / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / PIANO

Track Summary:
THOSE WINTER BLUES blends expressive vocal storytelling, bright, chill, and cool emotion, and Piano / Electric Guitar / Acoustic Guitar within a Blues frame, giving supervisors a clear cue for cold-weather melancholy, late-night blues, quiet isolation.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: cold-weather melancholy, late-night blues, quiet isolation
• Sync themes: CRIME / DRAMA / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for cold-weather melancholy, late-night blues, quiet isolation.

Stem Tracks

Yes

Track Narrative

THOSE WINTER BLUES blends expressive vocal storytelling, bright, chill, and cool emotion, and Piano / Electric Guitar / Acoustic Guitar within a Blues frame, giving supervisors a clear cue for cold-weather melancholy, late-night blues, quiet isolation.

Lyrics

Those winter blues, baby, they're bitter cold
Stop you in your tracks
Whether you're young or whether you're old
I got those winter blues
Yeah, I'm waiting for the sun to shine
I got those winter blues
My baby, my baby
My baby, she's no longer mine
Those winter blues
Find you in the dark
Slide you out of drive
Slip you into park
I got those winter blues
Waiting for the sun to shine
I've got those winter blues
My baby, my baby
My baby, she's no longer mine
Hey, hey, hey, hey
Hey, hey, hey, hey
Those winter blues came after you and me
Came after the fall of what was never meant to be
I've got those winter blues
Yeah, I'm waiting for the sun to shine
I got those winter blues
My baby, my baby
My baby, she's no longer mine
Hey, hey, hey, hey
Hey, hey, hey, hey

Artist Bio

LEE PALMER brings roots storytelling, blues/country warmth, and lived-in character detail. On “THOSE WINTER BLUES,” the focus lands on cold-weather melancholy, late-night blues, quiet isolation, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TIGHT LITTLE SWEATER — KRISTIN SWEETLAND

OMR Cue Map

Track: TIGHT LITTLE SWEATER
Clean Intro: Yes
Edit Points: TIGHT LITTLE SWEATER offers usable edit points around Electric Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Electric Guitar-led bed; 1:10–1:38 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for suspense builds, movement sequences, especially where the scene needs crime tension, night movement, tight little folk colour with a distinct folk and singer-songwriter identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 138
Genres: FOLK / SING / SONG
Vocals: Instrumental
Moods: DREAMY / HAPPY / ROMANTIC
Sync Themes: ACTION / ADVENTURE / ART HOUSE / MYSTERY / THRILLER
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
TIGHT LITTLE SWEATER blends instrumental textures, dreamy, happy, and romantic emotion, and Electric Guitar / Bass / Drums within a Folk / Singer-Songwriter frame, giving supervisors a clear cue for crime tension, night movement, tight little folk colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: crime tension, night movement, tight little folk colour
• Sync themes: ACTION / ADVENTURE / ART HOUSE / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for crime tension, night movement, tight little folk colour.

Stem Tracks

Yes

Track Narrative

TIGHT LITTLE SWEATER blends instrumental textures, dreamy, happy, and romantic emotion, and Electric Guitar / Bass / Drums within a Folk / Singer-Songwriter frame, giving supervisors a clear cue for crime tension, night movement, tight little folk colour.

Instrumental Usage

Fully instrumental and one-stop, “TIGHT LITTLE SWEATER” supports cinematic storytelling without lyrical distraction. Especially useful for crime tension, night movement, tight little folk colour.

Artist Bio

KRISTIN SWEETLAND brings folk, world, and roots textures with vivid imagery and mythic emotional atmosphere. On “TIGHT LITTLE SWEATER,” the focus lands on crime tension, night movement, tight little folk colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TROUBLE AGAIN — PAUL REDDICK

OMR Cue Map

Track: TROUBLE AGAIN
Clean Intro: Moderate
Edit Points: TROUBLE AGAIN offers usable edit points around Synth / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Synth-led bed; 1:10–1:38 reckless choices passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, especially where the scene needs reckless choices, comic danger, rootsy mischief with a distinct country and folk identity.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 95
Genres: COUNTRY / FOLK
Vocals: Male Vocal
Moods: CONFIDENT / DARK / FUN / HAPPY / HOPEFUL / QUIRKY / ROMANTIC
Sync Themes: COMEDY / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: CHANGE / HEARTBREAK
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / HARMONICA / KEYBOARD / PERCUSSION / SYNTH

Track Summary:
TROUBLE AGAIN blends expressive vocal storytelling, confident, dark, and fun emotion, and Synth / Acoustic Guitar / Bass within a Country / Folk frame, giving supervisors a clear cue for reckless choices, comic danger, rootsy mischief.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: reckless choices, comic danger, rootsy mischief
• Sync themes: COMEDY / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for reckless choices, comic danger, rootsy mischief.

Stem Tracks

Yes

Track Narrative

TROUBLE AGAIN blends expressive vocal storytelling, confident, dark, and fun emotion, and Synth / Acoustic Guitar / Bass within a Country / Folk frame, giving supervisors a clear cue for reckless choices, comic danger, rootsy mischief.

Lyrics

Well it's trouble again
Up from the ground
A blue weathervane
That whirls around
For all that's gone
And tumbles down
Like a lonesome song
Make a change blues
Been sung so long
Blues what will you do
Dark rumble shakes
Through daytime too
Change in the ocean
Change in the deep blue sea
Take me back now baby
You'll see some change in me
Makes a good heart break
Standing in the rain
From four til late
In your back lane
I didn't see it comin
Oh it's trouble again
Didn't see it comin
You know it's trouble again
Oh I didn't see it comin
You know it's trouble again

Artist Bio

PAUL REDDICK brings gritty blues character, harmonica bite, and wry dramatic momentum. On “TROUBLE AGAIN,” the focus lands on reckless choices, comic danger, rootsy mischief, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TU - YO — INDIVIDUO

OMR Cue Map

Track: TU - YO
Clean Intro: Moderate
Edit Points: TU - YO offers usable edit points around Electric Guitar / Acoustic Guitar / Bass entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Electric Guitar-led bed; 1:10–1:38 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, tu - yo pop colour with a distinct pop and singer-songwriter identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 115
Genres: POP / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: REFLECTIVE
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: LIFE / LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
TU - YO blends expressive vocal storytelling, reflective emotion, and Electric Guitar / Acoustic Guitar / Bass within a Pop / Singer-Songwriter frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tu - yo pop colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, tu - yo pop colour
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, tu - yo pop colour.

Stem Tracks

Yes

Track Narrative

TU - YO blends expressive vocal storytelling, reflective emotion, and Electric Guitar / Acoustic Guitar / Bass within a Pop / Singer-Songwriter frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, tu - yo pop colour.

Lyrics

Un día sí y otro día no,
todo dependía de tu ánimo
Una milla o tal vez un millón,
para ti es lo mismo, siempre hay tráfico
Yo
estoy cansado de verte dudando día tras día, tras día
Hoy
vine desde lejos a decirte que mi vida es mía
Yo me juego el cuello mientras que tú
quieres encontrar
una luz que caiga del cielo
para poder saltar
Nunca arriesgas un pelo mientras que yo
le apuesto al azar
Nunca olvidas el suelo y por eso no puedes volar
Si era un auto, un yate o un avión,
nunca me alcanzaba pa' ganar tu amor
Si te traigo un verso o una flor,
para ti es lo mismo, no tiene valor
Yo
estoy cansado de verte dudando día tras día, tras día
Hoy
vine desde lejos pa' decirte que mi vida es mía
Yo me juego el cuello mientras que tú
quieres encontrar
una luz que caiga del cielo
para poder saltar
Nunca arriesgas un pelo mientras que yo
le apuesto al azar
Nunca olvidas el suelo y por eso no puedes volar
Me juego el cuello mientras que tú
quieres encontrar
una luz que caiga del cielo
para poder saltar
Nunca arriesgas un pelo mientras que yo
le apuesto al azar
Nunca olvidas el suelo y por eso no puedes volar
Un día sí y otro día no,
esa fue la historia de este corto amor

Artist Bio

INDIVIDUO brings Latin-pop emotion, romantic vocal interplay, and accessible human warmth. On “TU - YO,” the focus lands on romantic consequence, relationship intimacy, tu - yo pop colour, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TU BOCA SIN PALABRAS — TIFFANY JOY

OMR Cue Map

Track: TU BOCA SIN PALABRAS
Clean Intro: Moderate
Edit Points: TU BOCA SIN PALABRAS offers usable edit points around Acoustic Guitar / Bass / Drums entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:24–0:52 Acoustic Guitar-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, boca sin country colour with a distinct country and folk identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 90
Genres: COUNTRY / FOLK / POP
Vocals: Female Vocal
Moods: ANTHEMIC / BUILDING / CATCHY / DARK / HOPEFUL / MOODY / POSITIVE / REFLECTIVE / RETRO / SAD
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: LIFE / LOSS / LOVE / PAIN / REGRET
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / PERCUSSION

Track Summary:
TU BOCA SIN PALABRAS blends expressive vocal storytelling, anthemic, building, and catchy emotion, and Acoustic Guitar / Bass / Drums within a Country / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, boca sin country colour.

Sync Highlights:

• Primary category: Americana, Blues & Roots Character
• Secondary utility: romantic consequence, relationship intimacy, boca sin country colour
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Americana, Blues & Roots Character placements with crossover utility for romantic consequence, relationship intimacy, boca sin country colour.

Stem Tracks

Yes

Track Narrative

TU BOCA SIN PALABRAS blends expressive vocal storytelling, anthemic, building, and catchy emotion, and Acoustic Guitar / Bass / Drums within a Country / Folk frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, boca sin country colour.

Lyrics

Recuerdas mi amor, cuando nos besamos
toda la noche
toda la noche
Recuerdas el olor
de mi piel en la mañana
Recuerdas mi amor cuando me amaste
cuando me amaste
y podíamos pasar el día en el calor
de las sábanas
Uh, dime que sí
Por qué te odio en este momento con tu boca sin palabras
y no me dices lo que necesito oír
Porque te odio en este momento con tus ojos sin lágrimas,
un alma que no se permite ir
sin ti
Mi vida sin ti es tan aburrida,
tan aburrida
y paso las noches con solo el calor de mi guitarra
Sueño con tus manos, el sabor de tus besos
y los días cuando fuiste solo mío
Dime lo que sientes, pero no me digas mentiras
No las quiero oír
Porque te odio en este momento con tu boca sin palabras
y no me dices lo que necesito oír
Porque te odio en este momento con tus ojos sin lágrimas,
un alma que no se permite ir
Mi vida sin ti es como un poeta sin palabras
Vuelves a mí y no me lastimes más
Mi vida sin ti es como un arcoíris sin colores
Vuelves a mí y no me lastimes más
Porque te odio en este momento con tu boca sin palabras
y no me dices lo que necesito oír
Porque te odio en este momento con tus ojos sin lágrimas,
un alma que no se permite ir
no se permite ir
Porque te odio en este momento con tu boca sin palabras
y no me dices lo que necesito oír
Porque te odio en este momento con tus ojos sin lágrimas,
un alma que no se permite ir
sentir

Artist Bio

TIFFANY JOY brings bright global-pop warmth, intimate vocal phrasing, and relationship-centred storytelling. On “TU BOCA SIN PALABRAS,” the focus lands on romantic consequence, relationship intimacy, boca sin country colour, making it useful for retro / americana / roots character placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TALK — KELSEY KINDALL (THE PARTIES)

OMR Cue Map

Track: TALK
Clean Intro: Moderate
Edit Points: TALK offers usable edit points around Synth / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Synth-led bed; 0:58–1:26 verbal tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, especially where the scene needs verbal tension, public mask, relationship friction with a distinct pop identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 100
Genres: pop
Vocals: female
Moods: bright / catchy / positive / rhythmic / upbeat
Sync Themes: comedy / drama / romance / indie / art house
Lyric Themes: conflict / power
Type: One Stop

Instrumentation:
bass / drums / percussion / synth

Track Summary:
TALK blends expressive vocal storytelling, bright, catchy, and positive emotion, and Synth / Bass / Drums within a Pop frame, giving supervisors a clear cue for verbal tension, public mask, relationship friction.

Sync Highlights:

• Primary category: Groove, Motion & Momentum
• Secondary utility: verbal tension, public mask, relationship friction
• Sync themes: comedy / drama / romance / indie / art house
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove, Motion & Momentum placements with crossover utility for verbal tension, public mask, relationship friction.

Stem Tracks

Yes

Track Narrative

TALK blends expressive vocal storytelling, bright, catchy, and positive emotion, and Synth / Bass / Drums within a Pop frame, giving supervisors a clear cue for verbal tension, public mask, relationship friction.

Lyrics

Proudly in the eruption
You think you're onto something
Everything you say profound, found, found, found, found
Nod your head like you're listenin'
All the points that you're missin'
I know you try to work a crowd, crowd, crowd, crowd, crowd
And the more you go ramble on, your ego grows
I try to take the high road, but you go low
I thought you'd get it by now, you clearly don't
You don't
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Anything, you just want to set the function
What a bold assumption
A ringing in my ears
Finish what you started
Sit down when you argue with me about nothing, something, everything in between
And the more you go ramble on, your ego grows
I try to take the high road, but you go low
I thought you'd get it by now, you clearly don't
You don't
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Neverending sound of my limited
I think you get it, an insane word count under your limited
Hate to have to be the one to point it out
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Think you said it all
All those words fall
Why you argue?
Far from you are you

Artist Bio

KELSEY KINDALL (THE PARTIES) brings modern cinematic pop with vulnerable vocals, rhythmic detail, and emotional precision. On “TALK,” the focus lands on verbal tension, public mask, relationship friction, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THAT'S ALL — LEE PALMER

OMR Cue Map

Track: THAT'S ALL
Clean Intro: Moderate
Edit Points: THAT'S ALL offers usable edit points around Electric Guitar / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:20–0:48 Electric Guitar-led bed; 1:10–1:38 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, offbeat transitions, especially where the scene needs crime tension, night movement, quirky character energy with a distinct blues and pop identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 101
Genres: BLUES / POP / SOUL
Vocals: Female Vocal, Male Vocal
Moods: EMOTIVE / FUN / RELAXING / RETRO
Sync Themes: COMEDY / COMING OF AGE / CRIME / MYSTERY / VIDEO GAME
Lyric Themes: AMBITION / CONFIDENCE / STRENGTH / STRUGGLE / SUCCESS
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HORNS / PERCUSSION

Track Summary:
THAT'S ALL blends expressive vocal storytelling, emotive, fun, and relaxing emotion, and Electric Guitar / Bass / Drums within a Blues / Pop frame, giving supervisors a clear cue for crime tension, night movement, quirky character energy.

Sync Highlights:

• Primary category: Groove, Motion & Momentum
• Secondary utility: crime tension, night movement, quirky character energy
• Sync themes: COMEDY / COMING OF AGE / CRIME / MYSTERY / VIDEO GAME
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove, Motion & Momentum placements with crossover utility for crime tension, night movement, quirky character energy.

Stem Tracks

Yes

Track Narrative

THAT'S ALL blends expressive vocal storytelling, emotive, fun, and relaxing emotion, and Electric Guitar / Bass / Drums within a Blues / Pop frame, giving supervisors a clear cue for crime tension, night movement, quirky character energy.

Lyrics

I'll do the best, what I got, that's all
I'll leave the rest, for higher powers, to call
I'll pay the cost, I've been down
I'll lay 'em down, the way I felt
I'd do the best (I'd do the best) for what I got (for what I got)
Yeah, that's all
I'd play the black, play the red, let it ride
I don't hold back, lady luck is on my side
If I should win, or I should lose
It's not my choice to even choose
I'll do the best with what I got, that's all
Oh, oh, oh
I don't wait for nothing
Come a knockin' at my door
I'll move ahead even when I'm not that sure
Through every twist and every turn
I may fall short but I will learn
Do the best (do, do the best)
What I got (what I got)
That's all
I'll do the best (I'll do the best)
What I got (what I got)
That's all
I'll do the best (I'll do the best)
What I got (what I got)
That's all
That's all, baby

Artist Bio

LEE PALMER brings roots storytelling, blues/country warmth, and lived-in character detail. On “THAT'S ALL,” the focus lands on crime tension, night movement, quirky character energy, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THAT'S MY MAN — KELSEY KINDALL (THE PARTIES)

OMR Cue Map

Track: THAT'S MY MAN
Clean Intro: Moderate
Edit Points: THAT'S MY MAN offers usable edit points around Synth / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, that's man pop colour with a distinct pop and r&b identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 100
Genres: pop / R&B
Vocals: female
Moods: bright / catchy / confident / cool / energetic / fun / moody / playful / positive / quirky / rhythmic / sexy / swagger / upbeat
Sync Themes: romance / drama / comedy / indie / art house
Lyric Themes: connection / identity / love / power / relationship
Type: One Stop

Instrumentation:
bass / drums / percussion / synth

Track Summary:
THAT'S MY MAN blends expressive vocal storytelling, bright, catchy, and confident emotion, and Synth / Bass / Drums within a Pop / R&B frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, that's man pop colour.

Sync Highlights:

• Primary category: Groove, Motion & Momentum
• Secondary utility: romantic consequence, relationship intimacy, that's man pop colour
• Sync themes: romance / drama / comedy / indie / art house
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove, Motion & Momentum placements with crossover utility for romantic consequence, relationship intimacy, that's man pop colour.

Stem Tracks

Yes

Track Narrative

THAT'S MY MAN blends expressive vocal storytelling, bright, catchy, and confident emotion, and Synth / Bass / Drums within a Pop / R&B frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, that's man pop colour.

Lyrics

Oh he's my legal crush, grabbed my bag, made me blush. You can look but you can't touch
We be out in public, any kiss or touchin', claim me with his lovin'. And everybody knows, everybody knows that's my..
That's my man, understand. It's all it takes, that's my man, tried to get. Oh I'm a fan, that's my man, oh you can't. He's mine either way, that's my man, not a chance, tried your best, that's my..
None of your business. His passenger princess. I got him obsessed
I could go with this. I could go with that. And you're just a witness. No wonder why he's keep tellin' me he's mine, that's my..
That's my man, understand. It's all it takes, that's my man, tried to get. Oh I'm a fan, that's my man, oh you can't. He's mine either way, that's my man, not a chance, tried your best, that's my..
That's my little baby, make her laugh every day. We could see Dubai, just tell me when you're ready. My MRT and I'mma show you why. I ain't worried about the talkin', they don't know what's up
If you and I illegal, we could break the law. I'mma push the needle, just to show 'em off. Baby girl you mine. All other boys is wastin' time
So what you tryna do, just let me know. Drop the pin and we can go. It's you and me, we can keep it low. The way you lookin' got me movin' in a different mode
I'm lovin' on a real man. Keep it subtle like a secret. Let it out on the weekend. All in like a deep end, that's my man
Spendin' all this money like a bonus. Givin' me the credit 'cause I own it. Oh that's my, that's my..
That's my man, understand. It's all it takes, that's my man, tried to get. Oh I'm a fan, that's my man, oh you can't. He's mine either way, that's my man, not a chance, tried your best, that's my..
Man

Artist Bio

KELSEY KINDALL (THE PARTIES) brings modern cinematic pop with vulnerable vocals, rhythmic detail, and emotional precision. On “THAT'S MY MAN,” the focus lands on romantic consequence, relationship intimacy, that's man pop colour, making it useful for groove / motion / rhythm placements.

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sergio@omrmusicproduction.com

Please reference:
THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT — EZEKIEL HAMPTON

OMR Cue Map

Track: THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT
Clean Intro: Moderate
Edit Points: THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT offers usable edit points around Synth / Bass / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:12–0:40 Synth-led bed; 0:58–1:26 quirky character energy passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, offbeat transitions, movement sequences, especially where the scene needs quirky character energy, light comic timing, hopeful lift with a distinct indie and pop identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 90
Genres: INDIE / POP / SINGER / SONGWRITER
Vocals: Female Vocal
Moods: BRIGHT / ENERGETIC / POSITIVE / UPBEAT
Sync Themes: DRAMA / INDIE / ADVENTURE / COMEDY
Lyric Themes: ADVENTURE / DESIRE / DISCOVERY / DREAM / HOPE
Type: One Stop

Instrumentation:
BASS / PERCUSSION / SYNTH

Track Summary:
THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT blends expressive vocal storytelling, bright, energetic, and positive emotion, and Synth / Bass / Percussion within a Indie / Pop frame, giving supervisors a clear cue for quirky character energy, light comic timing, hopeful lift.

Sync Highlights:

• Primary category: Groove, Motion & Momentum
• Secondary utility: quirky character energy, light comic timing, hopeful lift
• Sync themes: DRAMA / INDIE / ADVENTURE / COMEDY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove, Motion & Momentum placements with crossover utility for quirky character energy, light comic timing, hopeful lift.

Stem Tracks

Yes

Track Narrative

THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT blends expressive vocal storytelling, bright, energetic, and positive emotion, and Synth / Bass / Percussion within a Indie / Pop frame, giving supervisors a clear cue for quirky character energy, light comic timing, hopeful lift.

Lyrics

Stop.
I need to ask for more
Tepid to soar
Spark a little riot now

Carry to the core
Enough to score
All of the omissions loud

Set the sequence code
All systems go
Seven in a miry mode

Fire down below
A warm blue glow

See you in the morning light (3x) And so I fall
When everything will be alright Through a wall
See you in the morning light (3x) So I fall, caught in the middle

Calling ground control
Lost in fold
Feather in a canyon cross

At once I felt the cold
Faces of old
Haunting in a starlit gloss

See ellipse of gold
Visions untold
Artificial memory

In all the seven seas
I did not see

And when the vessel cracks
It all turns black
Searching for significance

All too much for me
Seventeen seems
A great responsibility

In an effort to dream
We split the seam
The operation is complete

Trapped in the mezzanine
Await new scenes

Rectify
The eye inside
Turn the tide
Calling me

Look! the sky
Heard my cry
It recognized
All I had seen

Artist Bio

EZEKIEL HAMPTON brings EZEKIEL HAMPTON creates scene-aware music with emotional pacing and sync-focused production. On “THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT,” the focus lands on quirky character energy, light comic timing, hopeful lift, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TEA WITH THE REST — ELMER FERRER

OMR Cue Map

Track: TEA WITH THE REST
Clean Intro: Yes
Edit Points: TEA WITH THE REST offers usable edit points around Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Bass-led bed; 1:10–1:38 quirky character energy passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, offbeat transitions, especially where the scene needs quirky character energy, light comic timing, rhythmic confidence with a distinct folk and funk identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 120
Genres: FOLK / FUNK / WORLD
Vocals: Instrumental
Moods: FUN / HAPPY / LIGHT / MINIMAL / PLAYFUL / QUIRKY / RHYTHMIC / ROMANTIC
Sync Themes: COMEDY / DRAMA / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS

Track Summary:
TEA WITH THE REST blends instrumental textures, fun, happy, and light emotion, and Bass / Drums within a Folk / Funk frame, giving supervisors a clear cue for quirky character energy, light comic timing, rhythmic confidence.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: quirky character energy, light comic timing, rhythmic confidence
• Sync themes: COMEDY / DRAMA / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global & Cultural Expression placements with crossover utility for quirky character energy, light comic timing, rhythmic confidence.

Stem Tracks

Yes

Track Narrative

TEA WITH THE REST blends instrumental textures, fun, happy, and light emotion, and Bass / Drums within a Folk / Funk frame, giving supervisors a clear cue for quirky character energy, light comic timing, rhythmic confidence.

Instrumental Usage

Fully instrumental and one-stop, “TEA WITH THE REST” supports cinematic storytelling without lyrical distraction. Especially useful for quirky character energy, light comic timing, rhythmic confidence.

Artist Bio

ELMER FERRER brings cinematic instrumental architecture, atmosphere, rhythm, and scene-aware guitar language. On “TEA WITH THE REST,” the focus lands on quirky character energy, light comic timing, rhythmic confidence, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE FIVE STEP — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: THE FIVE STEP
Clean Intro: Yes
Edit Points: THE FIVE STEP offers usable edit points around Acoustic Guitar / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48 Acoustic Guitar-led bed; 1:10–1:38 roots character passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, movement sequences, especially where the scene needs roots character, human-scale storytelling, sophisticated movement with a distinct blues and folk identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 147
Genres: BLUES / FOLK / LATIN
Vocals: Instrumental
Moods: DRIVING / MINIMAL / MYSTERIOUS / PERCUSSIVE / POSITIVE / QUIRKY / RHYTHMIC / TENSION / UPBEAT / UPLIFTING
Sync Themes: ADVENTURE / ART HOUSE / DRAMA
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / PERCUSSION

Track Summary:
THE FIVE STEP blends instrumental textures, driving, minimal, and mysterious emotion, and Acoustic Guitar / Percussion within a Blues / Folk frame, giving supervisors a clear cue for roots character, human-scale storytelling, sophisticated movement.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: roots character, human-scale storytelling, sophisticated movement
• Sync themes: ADVENTURE / ART HOUSE / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global & Cultural Expression placements with crossover utility for roots character, human-scale storytelling, sophisticated movement.

Stem Tracks

Yes

Track Narrative

THE FIVE STEP blends instrumental textures, driving, minimal, and mysterious emotion, and Acoustic Guitar / Percussion within a Blues / Folk frame, giving supervisors a clear cue for roots character, human-scale storytelling, sophisticated movement.

Instrumental Usage

Fully instrumental and one-stop, “THE FIVE STEP” supports cinematic storytelling without lyrical distraction. Especially useful for roots character, human-scale storytelling, sophisticated movement.

Artist Bio

JOSH HOWARD FRIEDMAN brings handmade folk, blues, and classical-leaning instrumental storytelling. On “THE FIVE STEP,” the focus lands on roots character, human-scale storytelling, sophisticated movement, making it useful for rock / tension / impact placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE GLASS BOAT — PHEELION

OMR Cue Map

Track: THE GLASS BOAT
Clean Intro: Yes
Edit Points: THE GLASS BOAT offers usable edit points around Synth / Percussion entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40 Synth-led bed; 0:58–1:26 atmospheric underscore passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, especially where the scene needs atmospheric underscore, textural transition, sophisticated movement with a distinct electronic and world identity.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 110
Genres: ELECTRONIC / WORLD
Vocals: Instrumental
Moods: ATMOSPHERIC / DARK / DRAMATIC / MINIMAL / MOODY / MYSTERIOUS / PERCUSSIVE / RHYTHMIC / TENSION
Sync Themes: ART HOUSE / DRAMA
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / SYNTH

Track Summary:
THE GLASS BOAT blends instrumental textures, atmospheric, dark, and dramatic emotion, and Synth / Percussion within a Electronic / World frame, giving supervisors a clear cue for atmospheric underscore, textural transition, sophisticated movement.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: atmospheric underscore, textural transition, sophisticated movement
• Sync themes: ART HOUSE / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global & Cultural Expression placements with crossover utility for atmospheric underscore, textural transition, sophisticated movement.

Stem Tracks

Yes

Track Narrative

THE GLASS BOAT blends instrumental textures, atmospheric, dark, and dramatic emotion, and Synth / Percussion within a Electronic / World frame, giving supervisors a clear cue for atmospheric underscore, textural transition, sophisticated movement.

Instrumental Usage

Fully instrumental and one-stop, “THE GLASS BOAT” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric underscore, textural transition, sophisticated movement.

Artist Bio

PHEELION brings spiritual folk, ambient, and world-influenced songwriting with meditative emotional force. On “THE GLASS BOAT,” the focus lands on atmospheric underscore, textural transition, sophisticated movement, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE PLAN — ELMER FERRER

OMR Cue Map

Track: THE PLAN
Clean Intro: Yes
Edit Points: THE PLAN offers usable edit points around Synth / Bass / Drums entrances, phrase endings, groove turns, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 crime tension passage; outro or refrain texture for transitions.

Use Case:
Strong use for investigation beats, suspense builds, character consequences, especially where the scene needs crime tension, night movement, rhythmic confidence with a distinct electronic and reggae identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 60
Genres: ELECTRONIC / REGGAE
Vocals: Instrumental
Moods: ATMOSPHERIC / COOL / DARK / MOODY / RHYTHMIC
Sync Themes: CRIME / THRILLER / DRAMA / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
THE PLAN blends instrumental textures, atmospheric, cool, and dark emotion, and Synth / Bass / Drums within a Electronic / Reggae frame, giving supervisors a clear cue for crime tension, night movement, rhythmic confidence.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: crime tension, night movement, rhythmic confidence
• Sync themes: CRIME / THRILLER / DRAMA / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global & Cultural Expression placements with crossover utility for crime tension, night movement, rhythmic confidence.

Stem Tracks

Yes

Track Narrative

THE PLAN blends instrumental textures, atmospheric, cool, and dark emotion, and Synth / Bass / Drums within a Electronic / Reggae frame, giving supervisors a clear cue for crime tension, night movement, rhythmic confidence.

Instrumental Usage

Fully instrumental and one-stop, “THE PLAN” supports cinematic storytelling without lyrical distraction. Especially useful for crime tension, night movement, rhythmic confidence.

Artist Bio

ELMER FERRER brings cinematic instrumental architecture, atmosphere, rhythm, and scene-aware guitar language. On “THE PLAN,” the focus lands on crime tension, night movement, rhythmic confidence, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
THE RABBIT — ELMER FERRER

OMR Cue Map

Track: THE RABBIT
Clean Intro: Yes
Edit Points: THE RABBIT offers usable edit points around Synth / Percussion entrances, dynamic lifts, phrase endings, and section changes.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Synth-led bed; 1:18–1:46 playful pursuit passage; outro or refrain texture for transitions.

Use Case:
Strong use for character consequences, offbeat transitions, movement sequences, especially where the scene needs playful pursuit, quirky movement, animated mischief with a distinct electronic and world identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 120
Genres: ELECTRONIC / WORLD
Vocals: Instrumental
Moods: BUILDING / CATCHY / COOL / FUN / HAPPY / MYSTERIOUS / PERCUSSIVE / PLAYFUL / POSITIVE / QUIRKY / RHYTHMIC / UPBEAT / UPLIFTING
Sync Themes: COMEDY / ADVENTURE / DRAMA / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / SYNTH

Track Summary:
THE RABBIT blends instrumental textures, building, catchy, and cool emotion, and Synth / Percussion within a Electronic / World frame, giving supervisors a clear cue for playful pursuit, quirky movement, animated mischief.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: playful pursuit, quirky movement, animated mischief
• Sync themes: COMEDY / ADVENTURE / DRAMA / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global & Cultural Expression placements with crossover utility for playful pursuit, quirky movement, animated mischief.

Stem Tracks

Yes

Track Narrative

THE RABBIT blends instrumental textures, building, catchy, and cool emotion, and Synth / Percussion within a Electronic / World frame, giving supervisors a clear cue for playful pursuit, quirky movement, animated mischief.

Instrumental Usage

Fully instrumental and one-stop, “THE RABBIT” supports cinematic storytelling without lyrical distraction. Especially useful for playful pursuit, quirky movement, animated mischief.

Artist Bio

ELMER FERRER brings cinematic instrumental architecture, atmosphere, rhythm, and scene-aware guitar language. On “THE RABBIT,” the focus lands on playful pursuit, quirky movement, animated mischief, making it useful for groove / motion / rhythm placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TOSCANA — AMHED MITCHEL

OMR Cue Map

Track: TOSCANA
Clean Intro: Yes
Edit Points: TOSCANA offers usable edit points around Piano / Electric Guitar / Drums entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Piano-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, character consequences, especially where the scene needs romantic consequence, relationship intimacy, toscana ambient colour with a distinct ambient and jazz identity.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 85
Genres: AMBIENT / JAZZ / SING / SONG / WORLD
Vocals: Instrumental
Moods: BRIGHT / DRAMATIC / HOPEFUL
Sync Themes: DRAMA / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
DRUMS / ELECTRIC GUITAR / PIANO / SAXOPHONE

Track Summary:
TOSCANA blends instrumental textures, bright, dramatic, and hopeful emotion, and Piano / Electric Guitar / Drums within a Ambient / Jazz frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, toscana ambient colour.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: romantic consequence, relationship intimacy, toscana ambient colour
• Sync themes: DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global & Cultural Expression placements with crossover utility for romantic consequence, relationship intimacy, toscana ambient colour.

Stem Tracks

Yes

Track Narrative

TOSCANA blends instrumental textures, bright, dramatic, and hopeful emotion, and Piano / Electric Guitar / Drums within a Ambient / Jazz frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, toscana ambient colour.

Instrumental Usage

Fully instrumental and one-stop, “TOSCANA” supports cinematic storytelling without lyrical distraction. Especially useful for romantic consequence, relationship intimacy, toscana ambient colour.

Artist Bio

AMHED MITCHEL brings rhythmically alive jazz and cinematic instrumental colour shaped for movement and story. On “TOSCANA,” the focus lands on romantic consequence, relationship intimacy, toscana ambient colour, making it useful for atmospheric / reflective / cinematic placements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
TROVA — ELMER FERRER

OMR Cue Map

Track: TROVA
Clean Intro: Yes
Edit Points: TROVA offers usable edit points around Acoustic Guitar / Saxophone / Harmonica entrances, texture shifts, motif repeats, and gradual transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:52 Acoustic Guitar-led bed; 1:18–1:46 romantic consequence passage; outro or refrain texture for transitions.

Use Case:
Strong use for relationship turns, offbeat transitions, especially where the scene needs romantic consequence, relationship intimacy, trova ambient colour with a distinct ambient and country identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 123
Genres: AMBIENT / COUNTRY / FOLK / JAZZ / LATIN / SING / SONG / WORLD
Vocals: Instrumental
Moods: CHILL / DARK / HOPEFUL / RHYTHMIC / SAD / SOMBER / WARM
Sync Themes: COMEDY / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / HARMONICA / SAXOPHONE

Track Summary:
TROVA blends instrumental textures, chill, dark, and hopeful emotion, and Acoustic Guitar / Saxophone / Harmonica within a Ambient / Country frame, giving supervisors a clear cue for romantic consequence, relationship intimacy, trova ambient colour.

Sync Highlights:

• Primary category: Global & Cultural Expression
• Secondary utility: romantic consequence, relationship intimacy, trova ambient colour
• Sync themes: COMEDY / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance