Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SI DEJO DE CREER — INDIVIDUO

OMR Cue Map

Track: SI DEJO DE CREER
Clean Intro: Moderate
Edit Points: SI DEJO DE CREER offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for faith under pressure, Latin resilience, hopeful emotional rise, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ballads / Latin / Pop / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 61
Genres: BALLADS / LATIN / POP / SING / SONG
Vocals: Female Vocal
Moods: BRIGHT / HOPEFUL / POSITIVE / REFLECTIVE
Sync Themes: DRAMA / SPORTS
Lyric Themes: DREAM / FAITH / HOPE / STRENGTH
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
SI DEJO DE CREER blends expressive vocals, bright, hopeful, positive, reflective, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for faith under pressure, Latin resilience, hopeful emotional rise.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: faith under pressure, Latin resilience, hopeful emotional rise
• Sync themes: DRAMA / SPORTS
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for faith under pressure, Latin resilience, hopeful emotional rise.

Stem Tracks

Yes

Track Narrative

SI DEJO DE CREER blends expressive vocals, bright, hopeful, positive, reflective, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for faith under pressure, Latin resilience, hopeful emotional rise.

Lyrics

Casi sin pensar voy viviendo
y no logro ver el camino
Pierdo la fe, comienzo a dudar de mi sueño
Quisiera saber que el destino aún no está escrito
Si dejo de creer, el camino perderé
A dónde llegaré a ningún lugar
Si dejo de creer y no escucho lo que canté,
jamás lo intentaré
Como desafiando al miedo
un niño al caer se levanta
no pierde la fe y lo intentará de nuevo
Quisiera saber si este niño aún vive adentro
Si dejo de creer, el camino perderé
A dónde llegaré a ningún lugar
Si dejo de creer y no escucho lo que canté,
jamás lo intentaré
Aunque el camino sea complejo
encontraremos la señal
Si dejo de creer, el camino perderé
A dónde llegaré a ningún lugar
Si dejo de creer y no escucho lo que canté,
jamás lo intentaré
Si dejo de creer, el camino perderé
A dónde llegaré a ningún lugar
Si dejo de creer y no escucho lo que canté,
jamás lo intentaré
Si dejo de creer, el camino perderé

Artist Bio

INDIVIDUO creates Latin pop and singer-songwriter material with melodic warmth, romantic tension, and emotional accessibility for drama, romance, and coming-of-age scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SI NO LO HICISTE POR AMOR — INDIVIDUO

OMR Cue Map

Track: SI NO LO HICISTE POR AMOR
Clean Intro: Moderate
Edit Points: SI NO LO HICISTE POR AMOR offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for romantic regret, relationship reckoning, reflective pop closure, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Pop / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 125
Genres: POP / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: BRIGHT / POSITIVE / REFLECTIVE
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: HEARTBREAK / LOSS / LOVE / REGRET / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
SI NO LO HICISTE POR AMOR blends expressive vocals, bright, positive, reflective, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for romantic regret, relationship reckoning, reflective pop closure.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: romantic regret, relationship reckoning, reflective pop closure
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for romantic regret, relationship reckoning, reflective pop closure.

Stem Tracks

Yes

Track Narrative

SI NO LO HICISTE POR AMOR blends expressive vocals, bright, positive, reflective, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for romantic regret, relationship reckoning, reflective pop closure.

Lyrics

Si No lo Hiciste Por Amor

Trajiste el hambre pero no el mercado
lograste silenciar mi melodía
Rompiste mi ilusión y sin embargo
Tu has sido lo más lindo de mi vida
Bloqueaste mi camino con tu huella
Hiciste siempre amarga la sangría
Me quitas y me escondes la cabeza
Tu has sido lo más lindo de mi vida

Y así es la vida

Si no lo hiciste por amor
Debiste hacerlo por respeto
Siempre te amé sin precaución
Me rompiste el corazón
Con solo un beso
Hoy veo que todo fue un error
Solo me quedan los recuerdos
Te fuiste sin decir adios
Me dejaste aquí muriéndome por dentro

El cuento lo dejamos empezado
Hiciste realidad mi pesadilla
Seremos ecuación sin resultado
Que lindo que te fuiste de mi vida

Y así es la vida

Si no lo hiciste por amor
Debiste hacerlo por respeto
Y aunque no tenga explicación
Tu serás siempre el mejor de
De mis recuerdos

Artist Bio

INDIVIDUO creates Latin pop and singer-songwriter material with melodic warmth, romantic tension, and emotional accessibility for drama, romance, and coming-of-age scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SILENT GOODBYES — JUSTIN ENCO BAND

OMR Cue Map

Track: SILENT GOODBYES
Clean Intro: Moderate
Edit Points: SILENT GOODBYES offers edit points at vocal phrase endings, Synth / Electric Guitar / Acoustic Guitar changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for farewell pain, relationship closure, dramatic acoustic heartbreak, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 70
Genres: FOLK / INDIE / SING / SONG
Vocals: Male Vocal
Moods: DRAMATIC / LOVE / POWERFUL / REFLECTIVE / SAD / SOMBER
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: CONNECTION / FEAR / LOVE / RELATIONSHIP / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / PIANO / SYNTH

Track Summary:
SILENT GOODBYES blends expressive vocals, dramatic, love, powerful, reflective, sad, somber, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for farewell pain, relationship closure, dramatic acoustic heartbreak.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: farewell pain, relationship closure, dramatic acoustic heartbreak
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for farewell pain, relationship closure, dramatic acoustic heartbreak.

Stem Tracks

Yes

Track Narrative

SILENT GOODBYES blends expressive vocals, dramatic, love, powerful, reflective, sad, somber, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for farewell pain, relationship closure, dramatic acoustic heartbreak.

Lyrics

In your eyes makes me want to believe
Everything is true
And this is meant to be
Who's wrong and who's right
We both fell short tonight
Everything's alright
We're here for you
We're here for you
Last time I left, last on your face
You looked at me with silent goodbyes
Now I can't contest, yes everything's a mess
But I'll stand by you baby till I die
Times are not always so easy
But I know we can see this through
And I might be wrong
And cannot move along
'Cause baby I belong with you
With you
Songs live on
Like memories save us space
In our hearts
Like a place to run to
And the scar marks the past
And will forever last
Sometimes we just can't see through
We can go back and forth in our minds and in our hearts
The outcome is a start with no end
So no more goodbyes when I look into your eyes
Please just let me shine on you
Let's run away from our fears and the past
We'll move right along, I know it's meant to last
The love in my heart I will forever show
And I'm sorry baby, I just don't wanna let you know
That I will not let you go
That I will not let you go
That I will not let you go
It's true

Artist Bio

JUSTIN ENCO BAND creates intimate folk and indie songs with acoustic honesty, emotional pacing, and strong usefulness for coming-of-age, romance, memory, and regret.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SO MUCH MORE WITH ME — MATTIE LEON

OMR Cue Map

Track: SO MUCH MORE WITH ME
Clean Intro: Moderate
Edit Points: SO MUCH MORE WITH ME offers edit points at vocal phrase endings, Synth / Electric Guitar / Acoustic Guitar changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for romantic promise, anthemic indie lift, devoted self-offering, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Indie / Rock identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 104
Genres: INDIE / ROCK
Vocals: Male Vocal
Moods: ANTHEMIC / RHYTHMIC
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: CONNECTION / IDENTITY / LOVE / RELATIONSHIP / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / STRINGS / SYNTH

Track Summary:
SO MUCH MORE WITH ME blends expressive vocals, anthemic, rhythmic, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for romantic promise, anthemic indie lift, devoted self-offering.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: romantic promise, anthemic indie lift, devoted self-offering
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for romantic promise, anthemic indie lift, devoted self-offering.

Stem Tracks

Yes

Track Narrative

SO MUCH MORE WITH ME blends expressive vocals, anthemic, rhythmic, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for romantic promise, anthemic indie lift, devoted self-offering.

Lyrics

I'll wait until the days get longer
to count up all the ways I want to
tell you from me
you used to be everything
and you're still everything right now

I could belong to no one other
I couldn't feel more certainty
You've got your arms wrapped up in another's
You could be so much more with me

We wear it like an old spring jacket,
the feelings that we used to have
They make us believe
time will spoil everything
but I don't think you'd ever let me down

Artist Bio

MATTIE LEON creates folk, indie, pop, and rock songs with melodic warmth, character intimacy, and strong story utility for memory, home, romance, and self-discovery.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOMETHING FROM ME — MATTIE LEON

OMR Cue Map

Track: SOMETHING FROM ME
Clean Intro: Moderate
Edit Points: SOMETHING FROM ME offers edit points at vocal phrase endings, Piano / Strings changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Piano movement.

Use Case:
Strong use for minimal offering, romantic vulnerability, indie confession, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Pop / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 54
Genres: POP / SING / SONG
Vocals: Male Vocal
Moods: HOPEFUL / MINIMAL
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
Lyric Themes: LOVE / MONEY / RELATIONSHIP / TIME
Type: One Stop

Instrumentation:
PIANO / STRINGS

Track Summary:
SOMETHING FROM ME blends expressive vocals, hopeful, minimal, and Piano / Strings into a supervisor-facing cue designed for minimal offering, romantic vulnerability, indie confession.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: minimal offering, romantic vulnerability, indie confession
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for minimal offering, romantic vulnerability, indie confession.

Stem Tracks

Yes

Track Narrative

SOMETHING FROM ME blends expressive vocals, hopeful, minimal, and Piano / Strings into a supervisor-facing cue designed for minimal offering, romantic vulnerability, indie confession.

Lyrics

YOU ALWAYS TELL ME
THE SAME THING EACH YEAR
YOU DON'T NEED TO GET ME
A THING
DON'T WASTE YOUR MONEY
DON'T WASTE YOUR TIME
IT'S NOT WORTH THE TROUBLE IT BRINGS
WHEN I GO OUT THERE
AND WAIT IN THE LINES
THAT'S NOT FOR YOU
THAT'S FOR ME
MY FAVORITE GIFT
IS THE LOOK IN YOUR EYE
WHEN YOU OPEN UP
SOMETHING FROM ME
I'M ALWAYS GUESSING
ON WHAT YOU MIGHT LIKE
A NECKLACE, A SILK DRESS,
A RING
BOUQUETS OF FLOWERS
DON'T LAST ENOUGH HOURS
BUT LOOK AT THE JOY
THAT THEY BRING
WHEN I GO OUT THERE
AND CLAW THROUGH THE MALL
IT'S NOT AS BAD AS IT SEEMS
MY FAVORITE GIFT
IS THE LOOK IN YOUR EYE
WHEN YOU OPEN UP
SOMETHING FROM ME
OH
THERE WAS SOMETHING
THAT YOU TOLD ME
THAT YOU WANTED
IN NOVEMBER
IF I COULD JUST REMEMBER
OH
AND EVERYBODY
THAT WE KNOW
WILL START TO
GET TOGETHER
ASK HOW
YOU AND I'VE BEEN
I'LL SAY
"NEVER BETTER"
SO WHEN I GO OUT THERE
AND WAIT IN THE LINES
IT'S NOT AS BAD
AS IT SEEMS
MY FAVORITE GIFT IS
THE LOOK IN YOUR EYE
WHEN YOU OPEN UP
SOMETHING FROM ME

Artist Bio

MATTIE LEON creates folk, indie, pop, and rock songs with melodic warmth, character intimacy, and strong story utility for memory, home, romance, and self-discovery.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOMETIMES (OMR) — OMR

OMR Cue Map

Track: SOMETIMES (OMR)
Clean Intro: Moderate
Edit Points: SOMETIMES (omr) offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for sometimes (omr) atmosphere, bright, dramatic movement, action, crime scene support, especially where action scenes need clear emotional direction, natural editorial movement, and a distinct Country / Gospel / Indie / Pop / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 110
Genres: COUNTRY / GOSPEL / INDIE / POP / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT / DRAMATIC / MOODY / POWERFUL / SERIOUS / UPLIFTING
Sync Themes: ACTION / CRIME / DRAMA
Lyric Themes: ESCAPE / FEAR / HOPE / POWER / STRUGGLE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
SOMETIMES (omr) blends expressive vocals, bright, dramatic, moody, powerful, serious, uplifting, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for sometimes (omr) atmosphere, bright, dramatic movement, action, crime scene support.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: sometimes (omr) atmosphere, bright, dramatic movement, action, crime scene support
• Sync themes: ACTION / CRIME / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for sometimes (omr) atmosphere, bright, dramatic movement, action, crime scene support.

Stem Tracks

Yes

Track Narrative

SOMETIMES (omr) blends expressive vocals, bright, dramatic, moody, powerful, serious, uplifting, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for sometimes (omr) atmosphere, bright, dramatic movement, action, crime scene support.

Lyrics

VERSE 1
PEOPLE WHO DON’T UNDERSTAND OUR WAY
WILL NEVER BELIEVE WE HAVE THINGS TO SAY
WE SPEAK OUR MIND, WE’VE PUT IN OUR TIME
HOLD OUR HEADS HIGH AS WE GO OUR WAY

HERE WE LAY AMONG THE RUIN AND DECAY
WAITING TO FIGHT ANOTHER DAY
OUR FACES WORN, OUR CLOTHING TORN
YOU’VE GOT TO BELIEVE US WHEN WE SAY

PRE-CHORUS
THERE IS A WAY OUT
WE CAN ESCAPE
DON’T FEAR SUCCEEDING
THERE ARE NO MISTAKES

CHORUS
SOMETIMES THEY’RE WAITING, WAITING ON YOU
TO MAKE THE FIRST MOVE TO SEE WHAT YOU’LL DO
SOMETIMES THEY’RE RACING, RACING RIGHT BY
THEY WON’T SAY A WORD THEY DON’T CARE IF YOU DIE
SOMETIMES I’VE JUST, I’VE JUST HAD ENOUGH
I LOOK AT MY WORLD AND I WANT IT TO STOP
SOMETIMES I CAN’T, CAN’T GET ENOUGH
GOTTA DO WHAT I DO AND NEVER GIVE UP
YOU NEVER GIVE UP, OH YOU NEVER GIVE UP

VERSE 2
GOT NO RELIGION BUT WE STILL BELIEVE
THE MORE WE DO THE LESS WE GRIEVE
WE DON’T NEED VISION TO HELP US SEE
THEY LOCK US UP IN CHAINS TO SET US FREE

PRE-CHORUS

CHORUS 2
SOMETIMES THEY’RE WAITING, WAITING ON YOU
TO MAKE THE FIRST MOVE TO SEE WHAT YOU’LL DO
SOMETIMES THEY’RE RACING, RACING RIGHT BY
THEY WON’T SAY A WORD THEY DON’T CARE IF YOU DIE

SOMETIMES YOU HAVE TO, HAVE TO FIGHT BACK
GATHER YOUR HEROS AND PLAN YOUR ATTACK
SOMETIMES YOU’RE ALL, YOU’RE ALL THE WAY IN
YOU DO WHAT YOU HAVE TO, TO PICK UP THE WIN

BRIDGE
SOMETIMES, YOU LOSE
SOMETIMES YOU WIN
SOMETIMES YOU’RE USED
SOMETIMES YOU’RE IN
SOMETIMES IT’S THERE
SOMETIMES IT’S GONE
SOMETIMES THEY CARE
SOMETIMES YOU’RE ON
(REPEAT)

Artist Bio

OMR Music Production develops scene-aware music with emotional clarity, cinematic pacing, and clearance-focused delivery for supervisors working across drama, comedy, romance, and action.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOMOS DOS — INDIVIDUO

OMR Cue Map

Track: SOMOS DOS
Clean Intro: Moderate
Edit Points: SOMOS DOS offers edit points at vocal phrase endings, Acoustic Guitar / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for two-person connection, bright Latin romance, shared survival, especially where coming of age scenes need clear emotional direction, natural editorial movement, and a distinct Latin / Pop identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 134
Genres: LATIN / POP
Vocals: Female Vocal, Male Vocal
Moods: BRIGHT / CATCHY / CONFIDENT / FUN / HAPPY / POSITIVE / REFLECTIVE / ROMANTIC / UPBEAT / UPLIFTING
Sync Themes: COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: CONNECTION / DREAM / FEAR / SURVIVAL
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / PERCUSSION

Track Summary:
SOMOS DOS blends expressive vocals, bright, catchy, confident, fun, happy, positive, and Acoustic Guitar / Percussion / Drums into a supervisor-facing cue designed for two-person connection, bright Latin romance, shared survival.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: two-person connection, bright Latin romance, shared survival
• Sync themes: COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for two-person connection, bright Latin romance, shared survival.

Stem Tracks

Yes

Track Narrative

SOMOS DOS blends expressive vocals, bright, catchy, confident, fun, happy, positive, and Acoustic Guitar / Percussion / Drums into a supervisor-facing cue designed for two-person connection, bright Latin romance, shared survival.

Lyrics

En la casa que soñamos muy cerquita al mar
duerme aquella historia que jamás voy a olvidar
Dos casualidades y un papel para escribir
y la música siempre nos lleva a dónde debemos ir
No tengas miedo, somos dos, somos más
Somos todo lo que quieras, todo lo que quieras
Somos dos, qué más da
Somos todo lo que quieras, te sigo a donde quieras
Te sigo a donde quieras
En la casa que soñamos muy cerquita al mar,
vive aquella estrella que te alumbra sin parar
Milagros a melodía para sobrevivir
Y la música siempre nos lleva a dónde debemos ir
No tengas miedo, somos dos, somos más
Somos todo lo que quieras, todo lo que quieras
Somos dos, qué más da
Somos todo lo que quieras, te sigo a donde quieras
Somos dos, somos más
Somos todo lo que quieras, todo lo que quieras
Somos dos, qué más da
Somos todo lo que quieras, te sigo a donde quieras
Somos dos, somos más,
somos todo lo que quieras, todo lo que quieras
Somos dos, qué más da
Somos todo lo que quieras, te sigo a donde quieras
Somos dos, somos más
Somos todo lo que quieras, todo lo que quieras
Somos dos, qué más da
Somos todo lo que quieras, te sigo a donde quieras
Somos dos,
somos más
Somos todo lo que quieras,
todo lo que quieras
Somos dos

Artist Bio

INDIVIDUO creates Latin pop and singer-songwriter material with melodic warmth, romantic tension, and emotional accessibility for drama, romance, and coming-of-age scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOUL CAPTAIN — KRISTIN SWEETLAND

OMR Cue Map

Track: SOUL CAPTAIN
Clean Intro: Yes
Edit Points: SOUL CAPTAIN offers usable edit points around Electric Guitar / Acoustic Guitar / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Electric Guitar-led bed sections; mid-track moody folk voyage passage; outro texture for transitions.

Use Case:
Strong use for moody folk voyage, spiritual command, dark reflective travel, especially where action scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 114
Genres: FOLK / SING / SONG
Vocals: Instrumental
Moods: ATMOSPHERIC / DARK / MOODY / REFLECTIVE / SAD
Sync Themes: ACTION / ADVENTURE / ART HOUSE / COMING OF AGE / DRAMA / MYSTERY
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
SOUL CAPTAIN blends instrumental textures, atmospheric, dark, moody, reflective, sad, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for moody folk voyage, spiritual command, dark reflective travel.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: moody folk voyage, spiritual command, dark reflective travel
• Sync themes: ACTION / ADVENTURE / ART HOUSE / COMING OF AGE / DRAMA / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for moody folk voyage, spiritual command, dark reflective travel.

Stem Tracks

Yes

Track Narrative

SOUL CAPTAIN blends instrumental textures, atmospheric, dark, moody, reflective, sad, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for moody folk voyage, spiritual command, dark reflective travel.

Instrumental Usage

Fully instrumental and one-stop, “SOUL CAPTAIN” supports cinematic storytelling without lyrical distraction. Especially useful for moody folk voyage, spiritual command, dark reflective travel.

Artist Bio

KRISTIN SWEETLAND creates scene-aware music with emotional pacing, distinctive performance character, and sync-focused utility for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SPEAKS WITH NO WORDS — THE GREEN DOOR

OMR Cue Map

Track: SPEAKS WITH NO WORDS
Clean Intro: Yes
Edit Points: SPEAKS WITH NO WORDS offers usable edit points around Electric Guitar / Percussion / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Electric Guitar-led bed sections; mid-track wordless tension passage; outro texture for transitions.

Use Case:
Strong use for wordless tension, indie-rock atmosphere, unspoken character conflict, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Indie / Rock identity.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 97
Genres: INDIE / ROCK
Vocals: Instrumental
Moods: ATMOSPHERIC / MOODY
Sync Themes: DRAMA / INDIE / MYSTERY
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
SPEAKS WITH NO WORDS blends instrumental textures, atmospheric, moody, and Electric Guitar / Percussion / Drums into a supervisor-facing cue designed for wordless tension, indie-rock atmosphere, unspoken character conflict.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: wordless tension, indie-rock atmosphere, unspoken character conflict
• Sync themes: DRAMA / INDIE / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for wordless tension, indie-rock atmosphere, unspoken character conflict.

Stem Tracks

Yes

Track Narrative

SPEAKS WITH NO WORDS blends instrumental textures, atmospheric, moody, and Electric Guitar / Percussion / Drums into a supervisor-facing cue designed for wordless tension, indie-rock atmosphere, unspoken character conflict.

Instrumental Usage

Fully instrumental and one-stop, “SPEAKS WITH NO WORDS” supports cinematic storytelling without lyrical distraction. Especially useful for wordless tension, indie-rock atmosphere, unspoken character conflict.

Artist Bio

THE GREEN DOOR creates gritty rock, punk, and world-tinged instrumentals with character, tension, atmosphere, and left-field cinematic edge.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
S SENSE — SAMUEL WILLIAMS

OMR Cue Map

Track: S SENSE
Clean Intro: Yes
Edit Points: S SENSE offers usable edit points around Synth / Piano / Saxophone entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track stylish investigation passage; outro texture for transitions.

Use Case:
Strong use for stylish investigation, jazz-shadow movement, late-night procedural tension, especially where crime scenes need clear emotional direction, natural editorial movement, and a distinct Indie / Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 142
Genres: INDIE / JAZZ
Vocals: Instrumental
Moods: ATMOSPHERIC / BRIGHT / CAREFREE / DRAMATIC / DREAMY / HAPPY / MINIMAL / MOODY / MYSTERIOUS / REFLECTIVE / RHYTHMIC / SERIOUS
Sync Themes: CRIME / DRAMA / MYSTERY
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / KEYBOARD / PERCUSSION / PIANO / SAXOPHONE / SYNTH

Track Summary:
S SENSE blends instrumental textures, atmospheric, bright, carefree, dramatic, dreamy, happy, and Synth / Piano / Saxophone into a supervisor-facing cue designed for stylish investigation, jazz-shadow movement, late-night procedural tension.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: stylish investigation, jazz-shadow movement, late-night procedural tension
• Sync themes: CRIME / DRAMA / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for stylish investigation, jazz-shadow movement, late-night procedural tension.

Stem Tracks

Yes

Track Narrative

S SENSE blends instrumental textures, atmospheric, bright, carefree, dramatic, dreamy, happy, and Synth / Piano / Saxophone into a supervisor-facing cue designed for stylish investigation, jazz-shadow movement, late-night procedural tension.

Instrumental Usage

Fully instrumental and one-stop, “S SENSE” supports cinematic storytelling without lyrical distraction. Especially useful for stylish investigation, jazz-shadow movement, late-night procedural tension.

Artist Bio

SAMUEL WILLIAMS creates groove-forward instrumental music with jazz, soul, and cinematic texture, giving supervisors usable beds for movement, character, comedy, and emotional release.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SARABANDE E DOUBLE 1 — NATO

OMR Cue Map

Track: SARABANDE E DOUBLE 1
Clean Intro: Yes
Edit Points: SARABANDE E DOUBLE 1 offers usable edit points around Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Strings-led bed sections; mid-track baroque sorrow passage; outro texture for transitions.

Use Case:
Strong use for baroque sorrow, period restraint, romantic historical reflection, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Classical / World identity.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 65
Genres: CLASSICAL / WORLD
Vocals: Instrumental
Moods: DRAMATIC / POWERFUL / REFLECTIVE / ROMANTIC / SAD
Sync Themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
STRINGS

Track Summary:
SARABANDE E DOUBLE 1 blends instrumental textures, dramatic, powerful, reflective, romantic, sad, and Strings into a supervisor-facing cue designed for baroque sorrow, period restraint, romantic historical reflection.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: baroque sorrow, period restraint, romantic historical reflection
• Sync themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for baroque sorrow, period restraint, romantic historical reflection.

Stem Tracks

Yes

Track Narrative

SARABANDE E DOUBLE 1 blends instrumental textures, dramatic, powerful, reflective, romantic, sad, and Strings into a supervisor-facing cue designed for baroque sorrow, period restraint, romantic historical reflection.

Instrumental Usage

Fully instrumental and one-stop, “SARABANDE E DOUBLE 1” supports cinematic storytelling without lyrical distraction. Especially useful for baroque sorrow, period restraint, romantic historical reflection.

Artist Bio

NATO creates classical and world-influenced instrumental pieces with strong string writing, historic colour, and precise emotional movement for drama, romance, and period storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SARABANDE E DOUBLE 2 — NATO

OMR Cue Map

Track: SARABANDE E DOUBLE 2
Clean Intro: Yes
Edit Points: SARABANDE E DOUBLE 2 offers usable edit points around Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Strings-led bed sections; mid-track classical motion passage; outro texture for transitions.

Use Case:
Strong use for classical motion, heightened drama, period mystery acceleration, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Classical / World identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 139
Genres: CLASSICAL / WORLD
Vocals: Instrumental
Moods: CATCHY / CINEMATIC / DARK / DRAMATIC / ENERGETIC / FUN / HAPPY / MOODY / POSITIVE / POWERFUL / QUIRKY / REFLECTIVE / SAD / TENSION
Sync Themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
STRINGS

Track Summary:
SARABANDE E DOUBLE 2 blends instrumental textures, catchy, cinematic, dark, dramatic, energetic, fun, and Strings into a supervisor-facing cue designed for classical motion, heightened drama, period mystery acceleration.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: classical motion, heightened drama, period mystery acceleration
• Sync themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for classical motion, heightened drama, period mystery acceleration.

Stem Tracks

Yes

Track Narrative

SARABANDE E DOUBLE 2 blends instrumental textures, catchy, cinematic, dark, dramatic, energetic, fun, and Strings into a supervisor-facing cue designed for classical motion, heightened drama, period mystery acceleration.

Instrumental Usage

Fully instrumental and one-stop, “SARABANDE E DOUBLE 2” supports cinematic storytelling without lyrical distraction. Especially useful for classical motion, heightened drama, period mystery acceleration.

Artist Bio

NATO creates classical and world-influenced instrumental pieces with strong string writing, historic colour, and precise emotional movement for drama, romance, and period storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SCABIAS — MARITO MARQUES

OMR Cue Map

Track: SCABIAS
Clean Intro: Yes
Edit Points: SCABIAS offers usable edit points around Saxophone / Percussion / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Saxophone-led bed sections; mid-track world-jazz playfulness passage; outro texture for transitions.

Use Case:
Strong use for world-jazz playfulness, bright travel energy, ensemble warmth, especially where adventure scenes need clear emotional direction, natural editorial movement, and a distinct Jazz / Latin / World identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 100
Genres: JAZZ / LATIN / WORLD
Vocals: Instrumental
Moods: FUN / HAPPY / HOPEFUL / PLAYFUL / QUIRKY / WARM
Sync Themes: ADVENTURE / ART HOUSE / DRAMA / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
ACCORDION / BASS / DRUMS / KEYBOARD / PERCUSSION / SAXOPHONE

Track Summary:
SCABIAS blends instrumental textures, fun, happy, hopeful, playful, quirky, warm, and Saxophone / Percussion / Drums into a supervisor-facing cue designed for world-jazz playfulness, bright travel energy, ensemble warmth.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: world-jazz playfulness, bright travel energy, ensemble warmth
• Sync themes: ADVENTURE / ART HOUSE / DRAMA / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for world-jazz playfulness, bright travel energy, ensemble warmth.

Stem Tracks

Yes

Track Narrative

SCABIAS blends instrumental textures, fun, happy, hopeful, playful, quirky, warm, and Saxophone / Percussion / Drums into a supervisor-facing cue designed for world-jazz playfulness, bright travel energy, ensemble warmth.

Instrumental Usage

Fully instrumental and one-stop, “SCABIAS” supports cinematic storytelling without lyrical distraction. Especially useful for world-jazz playfulness, bright travel energy, ensemble warmth.

Artist Bio

MARITO MARQUES brings world, jazz, and folk sensitivity into sync-ready instrumental writing, with rhythmic warmth and human emotion suited to intimate global storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SEARCHING FOR THE LIGHT — OMR

OMR Cue Map

Track: SEARCHING FOR THE LIGHT
Clean Intro: Moderate
Edit Points: SEARCHING FOR THE LIGHT offers edit points at vocal phrase endings, Synth / Electric Guitar / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for dark searching, spiritual struggle, emotional redemption, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Ballads / Cinematic / Indie / Rock / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 57
Genres: AMBIENT / BALLADS / CINEMATIC / INDIE / ROCK / SING / SONG
Vocals: Male Vocal
Moods: CHILL / CINEMATIC / DARK / DRAMATIC / SAD / SERIOUS / SOMBER
Sync Themes: DRAMA / FANTASY / SCI FI
Lyric Themes: CHANGE / HOPE / IDENTITY / PAIN / STRUGGLE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / KEYBOARD / PERCUSSION / SYNTH

Track Summary:
SEARCHING FOR THE LIGHT blends expressive vocals, chill, cinematic, dark, dramatic, sad, serious, and Synth / Electric Guitar / Percussion into a supervisor-facing cue designed for dark searching, spiritual struggle, emotional redemption.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: dark searching, spiritual struggle, emotional redemption
• Sync themes: DRAMA / FANTASY / SCI FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for dark searching, spiritual struggle, emotional redemption.

Stem Tracks

Yes

Track Narrative

SEARCHING FOR THE LIGHT blends expressive vocals, chill, cinematic, dark, dramatic, sad, serious, and Synth / Electric Guitar / Percussion into a supervisor-facing cue designed for dark searching, spiritual struggle, emotional redemption.

Lyrics

VERSE 1
DESOLATE MAN, LOSES HIS HAT
FEELS THE COLD
CAN’T KEEP HIS HEAD WARM
BEGGING FOR HIS DINNER
EMPTY SOUL
HE HAS BECOME THE NORM

VERSE 2
BROTHER MAN, WALKS WITH THE PEOPLE
KNOWS THEIR PAIN
WANTS TO LEND A HAND
EMPTYS OUT HIS POCKETS
STUCK IN A DARK HOLE
SINKING IN THE SAND

CHORUS
YOUR TRUTH AND MY TRUTH
DON’T ALWAYS MAKE IT RIGHT
YOUR DREAMS AND MY DREAMS
SEARCHING FOR THE LIGHT

VERSE 3
KNOW IT ALL MAN, THE MASTERMIND
SEES IT ALL
BUT HE IS STILL BLIND
SAYS HE’S ON THE RIGHT PATH
STILL LOOKING AROUND
AN EMPTY MIND

VERSE 4
WONDER MAN, CLOSES HIS EYES
SEES THE WORLD
NOT FOR THE FIRST TIME
LOOKING FOR THE HIGH ROAD
CAN’T FIND IT
SOME WOULD CALL HIM BLIND

CHORUS

SOLO

BRIDGE
ONE MORE REASON FOR BEING
ONE MORE PURPOSE TO LIVE
MOTIVATION TO WAKE UP
ANOTHER CHANCE TO GIVE

CHORUS

Artist Bio

OMR Music Production develops scene-aware music with emotional clarity, cinematic pacing, and clearance-focused delivery for supervisors working across drama, comedy, romance, and action.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SELF PORTRAIT — AMHED MITCHEL

OMR Cue Map

Track: SELF PORTRAIT
Clean Intro: Yes
Edit Points: SELF PORTRAIT offers usable edit points around Synth / Piano / Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track inner reflection passage; outro texture for transitions.

Use Case:
Strong use for inner reflection, intimate identity, melancholy jazz portraiture, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Folk / Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 103
Genres: AMBIENT / FOLK / JAZZ
Vocals: Instrumental
Moods: ATMOSPHERIC / DRAMATIC / HOPEFUL / MINIMAL / POWERFUL / SAD / SOMBER
Sync Themes: DRAMA / MYSTERY / ROMANCE / THRILLER
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / PIANO / SAXOPHONE / STRINGS / SYNTH

Track Summary:
SELF PORTRAIT blends instrumental textures, atmospheric, dramatic, hopeful, minimal, powerful, sad, and Synth / Piano / Strings into a supervisor-facing cue designed for inner reflection, intimate identity, melancholy jazz portraiture.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: inner reflection, intimate identity, melancholy jazz portraiture
• Sync themes: DRAMA / MYSTERY / ROMANCE / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for inner reflection, intimate identity, melancholy jazz portraiture.

Stem Tracks

Yes

Track Narrative

SELF PORTRAIT blends instrumental textures, atmospheric, dramatic, hopeful, minimal, powerful, sad, and Synth / Piano / Strings into a supervisor-facing cue designed for inner reflection, intimate identity, melancholy jazz portraiture.

Instrumental Usage

Fully instrumental and one-stop, “SELF PORTRAIT” supports cinematic storytelling without lyrical distraction. Especially useful for inner reflection, intimate identity, melancholy jazz portraiture.

Artist Bio

AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SELF-FULFILLING PROPHECIES — EZEKIEL HAMPTON

OMR Cue Map

Track: SELF-FULFILLING PROPHECIES
Clean Intro: Moderate
Edit Points: SELF-FULFILLING PROPHECIES offers edit points at vocal phrase endings, Synth / Percussion / Bass changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for bright self-belief, comic momentum, optimistic indie pop lift, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Electronic / Pop identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 124
Genres: ELECTRONIC / POP
Vocals: Male Vocal
Moods: BRIGHT / CONFIDENT / FUN / HOPEFUL / POSITIVE / UPBEAT / UPLIFTING
Sync Themes: DRAMA / COMEDY / SPORTS / INDIE
Lyric Themes: FEAR / LOVE / POWER / RELATIONSHIP / TIME
Type: One Stop

Instrumentation:
BASS / PERCUSSION / SYNTH

Track Summary:
SELF-FULFILLING PROPHECIES blends expressive vocals, bright, confident, fun, hopeful, positive, upbeat, and Synth / Percussion / Bass into a supervisor-facing cue designed for bright self-belief, comic momentum, optimistic indie pop lift.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: bright self-belief, comic momentum, optimistic indie pop lift
• Sync themes: DRAMA / COMEDY / SPORTS / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for bright self-belief, comic momentum, optimistic indie pop lift.

Stem Tracks

Yes

Track Narrative

SELF-FULFILLING PROPHECIES blends expressive vocals, bright, confident, fun, hopeful, positive, upbeat, and Synth / Percussion / Bass into a supervisor-facing cue designed for bright self-belief, comic momentum, optimistic indie pop lift.

Lyrics

i want to get lost with you
let everything slip away
but i don’t want to keep you hostage if it’s all a mistake
don’t hold a candle for me
you couldn’t leave it alone
we gotta pay the debt on the time that we borrowed
it was a hell of a show
we put on at the revue
but there were limitations on what i was able to do
all of this to prove a point
without regard for the cost
i never meant for this loss

what are we fighting for? A long delay
what are we looking for, so far away

i’m only dragging you down
i’m dimming all of the lights
i’m just afraid of what i will do if i don’t make this right
self-fulfilling prophecies
they organize all the grief
to oversimplify in my mind’s eye all the deceit

you need more, for me to stay
call it a jealousy, with no one to blame
what are we fighting for? A long delay
what are we looking for, so far away

i wanna turn down the noise
i wanna switch to reset
the sun is going down and i just know that we will regret
when everything is at stake
how can i really move on
i know this wasn’t just chance it was a phenomenon

easy now, we lost today
baby, I’m sorry, that I can’t change
you need more, for me to stay
call it a jealousy, with no one to blame
what are we fighting for? A long delay
what are we looking for, so far away

Artist Bio

EZEKIEL HAMPTON writes atmospheric indie and electronic songs that combine intimate vocal storytelling with cinematic synth movement and emotional drift.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SEPTIEMBRE — PAVLO CARTAGINESE

OMR Cue Map

Track: SEPTIEMBRE
Clean Intro: Yes
Edit Points: SEPTIEMBRE offers usable edit points around Synth / Percussion / Bass entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track moody September drift passage; outro texture for transitions.

Use Case:
Strong use for moody September drift, stylish romance, art-house night movement, especially where adventure scenes need clear emotional direction, natural editorial movement, and a distinct Electronic / Pop identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 90
Genres: ELECTRONIC / POP
Vocals: Instrumental
Moods: ATMOSPHERIC / COOL / DARK / DRAMATIC / DREAMY / LIGHT / MOODY / PERCUSSIVE / RHYTHMIC
Sync Themes: ADVENTURE / ART HOUSE / COMEDY / COMING OF AGE / DRAMA / FANTASY / INDIE / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / CELLO / PERCUSSION / SYNTH

Track Summary:
SEPTIEMBRE blends instrumental textures, atmospheric, cool, dark, dramatic, dreamy, light, and Synth / Percussion / Bass into a supervisor-facing cue designed for moody September drift, stylish romance, art-house night movement.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: moody September drift, stylish romance, art-house night movement
• Sync themes: ADVENTURE / ART HOUSE / COMEDY / COMING OF AGE / DRAMA / FANTASY / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for moody September drift, stylish romance, art-house night movement.

Stem Tracks

Yes

Track Narrative

SEPTIEMBRE blends instrumental textures, atmospheric, cool, dark, dramatic, dreamy, light, and Synth / Percussion / Bass into a supervisor-facing cue designed for moody September drift, stylish romance, art-house night movement.

Instrumental Usage

Fully instrumental and one-stop, “SEPTIEMBRE” supports cinematic storytelling without lyrical distraction. Especially useful for moody September drift, stylish romance, art-house night movement.

Artist Bio

PAVLO CARTAGINESE writes electronic, indie, and cinematic instrumental music with rhythmic motion and melodic atmosphere for art-house, mystery, romance, and travel scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SI ME BESAS — INDIVIDUO

OMR Cue Map

Track: SI ME BESAS
Clean Intro: Moderate
Edit Points: SI ME BESAS offers edit points at vocal phrase endings, Synth / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for romantic spark, playful duet chemistry, bright Latin escape, especially where comedy scenes need clear emotional direction, natural editorial movement, and a distinct Ballads / Electronic / Latin / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 130
Genres: BALLADS / ELECTRONIC / LATIN / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: BRIGHT / COOL / LIGHT / POSITIVE / QUIRKY / REFLECTIVE / ROMANTIC / UPBEAT
Sync Themes: COMEDY / ROMANCE
Lyric Themes: ESCAPE / FEAR / LOVE / SUCCESS
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
SI ME BESAS blends expressive vocals, bright, cool, light, positive, quirky, reflective, and Synth / Percussion / Drums into a supervisor-facing cue designed for romantic spark, playful duet chemistry, bright Latin escape.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: romantic spark, playful duet chemistry, bright Latin escape
• Sync themes: COMEDY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for romantic spark, playful duet chemistry, bright Latin escape.

Stem Tracks

Yes

Track Narrative

SI ME BESAS blends expressive vocals, bright, cool, light, positive, quirky, reflective, and Synth / Percussion / Drums into a supervisor-facing cue designed for romantic spark, playful duet chemistry, bright Latin escape.

Lyrics

Hola, ábreme la puerta
Quiero esconderme allá en tu alma para tenerte cerca
Te escribiré canciones bellas
Para cantártelas mi amor, cuando nadie nos veía
Hola, ajusta la puerta
Escaparé por la ventana cuando el mundo se duerma
Regresaré con un ramo de estrellas
Para pegarlas en tu piel y que nunca te pierdas
Y todo esto es lo que haré
Y todo esto es lo que haré
Y todo esto es lo que haré solamente si tú me besas
Pasa, enciende la hoguera
Y sanarán nuestras heridas para cuando amanezca
Encontraré la luz perfecta
Para que nazca la pasión y el temor duerma afuera
Y todo esto es lo que haré
Y todo esto es lo que haré
Y todo esto es lo que haré solamente si tú
Y todo esto es lo que haré
Y todo esto es lo que haré
Y todo esto es lo que haré solamente si tú me besas
Y todo esto es lo que haré
Y todo esto es lo que haré
Y todo esto es lo que haré solamente si tú
Y todo esto es lo que haré
Y todo esto es lo que haré
solamente si tú
Me besas

Artist Bio

INDIVIDUO creates Latin pop and singer-songwriter material with melodic warmth, romantic tension, and emotional accessibility for drama, romance, and coming-of-age scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SIEMPRE SE PUEDE — ELMER FERRER

OMR Cue Map

Track: SIEMPRE SE PUEDE
Clean Intro: Yes
Edit Points: SIEMPRE SE PUEDE offers usable edit points around Strings / Percussion / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Strings-led bed sections; mid-track quiet perseverance passage; outro texture for transitions.

Use Case:
Strong use for quiet perseverance, Latin atmosphere, reflective cinematic movement, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Cinematic / Indie / Latin / World identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 95
Genres: AMBIENT / CINEMATIC / INDIE / LATIN / WORLD
Vocals: Instrumental
Moods: ATMOSPHERIC / DREAMY / MOODY / REFLECTIVE
Sync Themes: DRAMA / INDIE / MYSTERY
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / STRINGS

Track Summary:
SIEMPRE SE PUEDE blends instrumental textures, atmospheric, dreamy, moody, reflective, and Strings / Percussion / Drums into a supervisor-facing cue designed for quiet perseverance, Latin atmosphere, reflective cinematic movement.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: quiet perseverance, Latin atmosphere, reflective cinematic movement
• Sync themes: DRAMA / INDIE / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for quiet perseverance, Latin atmosphere, reflective cinematic movement.

Stem Tracks

Yes

Track Narrative

SIEMPRE SE PUEDE blends instrumental textures, atmospheric, dreamy, moody, reflective, and Strings / Percussion / Drums into a supervisor-facing cue designed for quiet perseverance, Latin atmosphere, reflective cinematic movement.

Instrumental Usage

Fully instrumental and one-stop, “SIEMPRE SE PUEDE” supports cinematic storytelling without lyrical distraction. Especially useful for quiet perseverance, Latin atmosphere, reflective cinematic movement.

Artist Bio

ELMER FERRER creates cinematic instrumental music built around atmosphere, movement, emotional utility, and edit-ready underscore for drama, mystery, sci-fi, and transition work.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SIGNAL HILL — MATTIE LEON

OMR Cue Map

Track: SIGNAL HILL
Clean Intro: Moderate
Edit Points: SIGNAL HILL offers edit points at vocal phrase endings, Acoustic Guitar / Strings / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for homeward memory, hopeful folk romance, elevated place-based reflection, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 172
Genres: FOLK / INDIE / SING / SONG
Vocals: Male Vocal
Moods: DREAMY / HOPEFUL / ROMANTIC / WARM
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
Lyric Themes: HOME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / STRINGS

Track Summary:
SIGNAL HILL blends expressive vocals, dreamy, hopeful, romantic, warm, and Acoustic Guitar / Strings / Drums into a supervisor-facing cue designed for homeward memory, hopeful folk romance, elevated place-based reflection.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: homeward memory, hopeful folk romance, elevated place-based reflection
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for homeward memory, hopeful folk romance, elevated place-based reflection.

Stem Tracks

Yes

Track Narrative

SIGNAL HILL blends expressive vocals, dreamy, hopeful, romantic, warm, and Acoustic Guitar / Strings / Drums into a supervisor-facing cue designed for homeward memory, hopeful folk romance, elevated place-based reflection.

Lyrics

Across the blue and boundless still
Silver constellations spill
on the Atlantic
Pointing west to where I will
See the sun that will rise
Over Signal Hill

The fading colours of our home
we left for grace and grace alone
Hold me now
and leave I never will
Sure as the sun that will rise
Over Signal Hill

Don't give up
Don't give up on us yet
Don't give up on us yet

They'll receive us you and I
the way the cliffs receive the tide
and for a moment
we'll be safe and be still
Watch the sun that will rise
Over Signal Hill

Artist Bio

MATTIE LEON creates folk, indie, pop, and rock songs with melodic warmth, character intimacy, and strong story utility for memory, home, romance, and self-discovery.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SIGNS — AMHED MITCHEL

OMR Cue Map

Track: SIGNS
Clean Intro: Yes
Edit Points: SIGNS offers usable edit points around Electric Guitar / Piano / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Electric Guitar-led bed sections; mid-track gentle clues passage; outro texture for transitions.

Use Case:
Strong use for gentle clues, romantic mystery, warm jazz atmosphere, especially where animation scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Jazz / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 95
Genres: AMBIENT / JAZZ / SING / SONG
Vocals: Instrumental
Moods: ATMOSPHERIC / DARK / DREAMY / HOPEFUL / LIGHT / MINIMAL / REFLECTIVE / ROMANTIC / SAD / SOMBER / WARM
Sync Themes: ANIMATION / CRIME / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / ELECTRIC GUITAR / PERCUSSION / PIANO

Track Summary:
SIGNS blends instrumental textures, atmospheric, dark, dreamy, hopeful, light, minimal, and Electric Guitar / Piano / Percussion into a supervisor-facing cue designed for gentle clues, romantic mystery, warm jazz atmosphere.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: gentle clues, romantic mystery, warm jazz atmosphere
• Sync themes: ANIMATION / CRIME / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for gentle clues, romantic mystery, warm jazz atmosphere.

Stem Tracks

Yes

Track Narrative

SIGNS blends instrumental textures, atmospheric, dark, dreamy, hopeful, light, minimal, and Electric Guitar / Piano / Percussion into a supervisor-facing cue designed for gentle clues, romantic mystery, warm jazz atmosphere.

Instrumental Usage

Fully instrumental and one-stop, “SIGNS” supports cinematic storytelling without lyrical distraction. Especially useful for gentle clues, romantic mystery, warm jazz atmosphere.

Artist Bio

AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SILENT ERA — AMHED MITCHEL

OMR Cue Map

Track: SILENT ERA
Clean Intro: Yes
Edit Points: SILENT ERA offers usable edit points around Synth / Electric Guitar / Saxophone entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track vintage charm passage; outro texture for transitions.

Use Case:
Strong use for vintage charm, silent-film elegance, playful historical romance, especially where animation scenes need clear emotional direction, natural editorial movement, and a distinct Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 127
Genres: JAZZ
Vocals: Instrumental
Moods: ATMOSPHERIC / HOPEFUL / LIGHT / POSITIVE / ROMANTIC
Sync Themes: ANIMATION / ART HOUSE / CRIME / HISTORICAL / INDIE / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / KEYBOARD / PERCUSSION / SAXOPHONE / SYNTH

Track Summary:
SILENT ERA blends instrumental textures, atmospheric, hopeful, light, positive, romantic, and Synth / Electric Guitar / Saxophone into a supervisor-facing cue designed for vintage charm, silent-film elegance, playful historical romance.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: vintage charm, silent-film elegance, playful historical romance
• Sync themes: ANIMATION / ART HOUSE / CRIME / HISTORICAL / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for vintage charm, silent-film elegance, playful historical romance.

Stem Tracks

Yes

Track Narrative

SILENT ERA blends instrumental textures, atmospheric, hopeful, light, positive, romantic, and Synth / Electric Guitar / Saxophone into a supervisor-facing cue designed for vintage charm, silent-film elegance, playful historical romance.

Instrumental Usage

Fully instrumental and one-stop, “SILENT ERA” supports cinematic storytelling without lyrical distraction. Especially useful for vintage charm, silent-film elegance, playful historical romance.

Artist Bio

AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SIMPLE — AMHED MITCHEL

OMR Cue Map

Track: SIMPLE
Clean Intro: Moderate
Edit Points: SIMPLE offers edit points at vocal phrase endings, Electric Guitar / Piano / Saxophone changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for easy romance, jazz-pop lightness, sincere emotional connection, especially where animation scenes need clear emotional direction, natural editorial movement, and a distinct Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 55
Genres: JAZZ
Vocals: Female Vocal
Moods: BRIGHT / COOL / POSITIVE / REFLECTIVE / ROMANTIC
Sync Themes: ANIMATION / ART HOUSE / COMING OF AGE / DRAMA / FANTASY / INDIE / ROMANCE
Lyric Themes: CONNECTION / ENERGY / HAPPINESS / INDIVIDUALITY / LOVE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / PIANO / SAXOPHONE

Track Summary:
SIMPLE blends expressive vocals, bright, cool, positive, reflective, romantic, and Electric Guitar / Piano / Saxophone into a supervisor-facing cue designed for easy romance, jazz-pop lightness, sincere emotional connection.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: easy romance, jazz-pop lightness, sincere emotional connection
• Sync themes: ANIMATION / ART HOUSE / COMING OF AGE / DRAMA / FANTASY / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for easy romance, jazz-pop lightness, sincere emotional connection.

Stem Tracks

Yes

Track Narrative

SIMPLE blends expressive vocals, bright, cool, positive, reflective, romantic, and Electric Guitar / Piano / Saxophone into a supervisor-facing cue designed for easy romance, jazz-pop lightness, sincere emotional connection.

Lyrics

Oh oh
Ayy yeah
Oh
Hey ya
Hey ya
Babe, a little bird
Hey ya
Oh la
Oh
Oh, hey ya
Hey ya
Hey ya
Hey ya
Oh
Simple como el un, dos, tres
Simple como el A, B, C, como el un, dos, tres, A, B, C, D, E
Simple como el un, dos, tres, A, B, L, L, entérate la belleza que está en la simpleza.
Simple como el un, dos, tres
Oh, A, B, a la, eh, a la B
Michel, padre, donde quiera que estés, que mi canto llegue a ti.

Artist Bio

AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SING TO ME IN SLIGHTS — RADAGAST THE BROWN

OMR Cue Map

Track: SING TO ME IN SLIGHTS
Clean Intro: Yes
Edit Points: SING TO ME IN SLIGHTS offers usable edit points around Synth / Piano / Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track ambient communication passage; outro texture for transitions.

Use Case:
Strong use for ambient communication, oblique intimacy, minimal psychological drift, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ambient identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 139
Genres: AMBIENT
Vocals: Instrumental
Moods: ATMOSPHERIC / MINIMAL / MOODY / REFLECTIVE
Sync Themes: DRAMA / INDIE / MYSTERY
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / PIANO / STRINGS / SYNTH

Track Summary:
SING TO ME IN SLIGHTS blends instrumental textures, atmospheric, minimal, moody, reflective, and Synth / Piano / Strings into a supervisor-facing cue designed for ambient communication, oblique intimacy, minimal psychological drift.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: ambient communication, oblique intimacy, minimal psychological drift
• Sync themes: DRAMA / INDIE / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for ambient communication, oblique intimacy, minimal psychological drift.

Stem Tracks

Yes

Track Narrative

SING TO ME IN SLIGHTS blends instrumental textures, atmospheric, minimal, moody, reflective, and Synth / Piano / Strings into a supervisor-facing cue designed for ambient communication, oblique intimacy, minimal psychological drift.

Instrumental Usage

Fully instrumental and one-stop, “SING TO ME IN SLIGHTS” supports cinematic storytelling without lyrical distraction. Especially useful for ambient communication, oblique intimacy, minimal psychological drift.

Artist Bio

RADAGAST THE BROWN creates ambient, electronic, and left-field cues with cinematic restraint, focused on mood, isolation, memory, mystery, and slow psychological movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SISTER SIMONE — MATTIE LEON

OMR Cue Map

Track: SISTER SIMONE
Clean Intro: Moderate
Edit Points: SISTER SIMONE offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for retro affection, sisterly connection, hopeful character warmth, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie / Pop / Rock / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 87
Genres: FOLK / INDIE / POP / ROCK / SING / SONG
Vocals: Male Vocal
Moods: BRIGHT / FUN / HAPPY / QUIRKY / RETRO
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
Lyric Themes: CONNECTION / FAITH / HOPE / LOVE / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
SISTER SIMONE blends expressive vocals, bright, fun, happy, quirky, retro, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for retro affection, sisterly connection, hopeful character warmth.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: retro affection, sisterly connection, hopeful character warmth
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / HISTORICAL / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for retro affection, sisterly connection, hopeful character warmth.

Stem Tracks

Yes

Track Narrative

SISTER SIMONE blends expressive vocals, bright, fun, happy, quirky, retro, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for retro affection, sisterly connection, hopeful character warmth.

Lyrics

Where the Appalachians jigsaw into Tennessee
There's a feeling
There's a whisper in the evergreens
Saying "Head back down the seven states and provinces,
and be there with Simone before the morning is"

I gave her all the space she said she didn't need
As logic choked the air from one more fantasy
it's been 40 nights I haven't slept a wink of them
Make it right whatever shape I get to Memphis in

And I'm terrified to live and die all by myself
I'm ready to be saved
Sister Simone

Thumbing through the decades of a rosary
I close my eyes and search for where my faith should be
Cause courage disappears whenever tears arrive
and in the gospel of Simone I will be reconciled

Forgive me for the doubt I left in you and me
I never thought that good things come this easily
Forgive me for the feeling I was wasting time
I didn't want for you to think you'd wasted mine
So let me take you out to where the city ends
watch the Memphis lights till we're alright again

Artist Bio

MATTIE LEON creates folk, indie, pop, and rock songs with melodic warmth, character intimacy, and strong story utility for memory, home, romance, and self-discovery.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SITTIN' PRETTY — PAT CAREY

OMR Cue Map

Track: SITTIN' PRETTY
Clean Intro: Yes
Edit Points: SITTIN' PRETTY offers usable edit points around Electric Guitar / Saxophone / Horns entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Electric Guitar-led bed sections; mid-track cool comic confidence passage; outro texture for transitions.

Use Case:
Strong use for cool comic confidence, jazz strut, polished character entrance, especially where action scenes need clear emotional direction, natural editorial movement, and a distinct Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 89
Genres: JAZZ
Vocals: Instrumental
Moods: COOL / PLAYFUL / QUIRKY / SERIOUS
Sync Themes: ACTION / ADVENTURE / ANIMATION / COMEDY
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HORNS / SAXOPHONE

Track Summary:
SITTIN' PRETTY blends instrumental textures, cool, playful, quirky, serious, and Electric Guitar / Saxophone / Horns into a supervisor-facing cue designed for cool comic confidence, jazz strut, polished character entrance.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: cool comic confidence, jazz strut, polished character entrance
• Sync themes: ACTION / ADVENTURE / ANIMATION / COMEDY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for cool comic confidence, jazz strut, polished character entrance.

Stem Tracks

Yes

Track Narrative

SITTIN' PRETTY blends instrumental textures, cool, playful, quirky, serious, and Electric Guitar / Saxophone / Horns into a supervisor-facing cue designed for cool comic confidence, jazz strut, polished character entrance.

Instrumental Usage

Fully instrumental and one-stop, “SITTIN' PRETTY” supports cinematic storytelling without lyrical distraction. Especially useful for cool comic confidence, jazz strut, polished character entrance.

Artist Bio

PAT CAREY creates scene-aware music with emotional pacing, distinctive performance character, and sync-focused utility for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SLOW FAST — ELMER FERRER

OMR Cue Map

Track: SLOW FAST
Clean Intro: Yes
Edit Points: SLOW FAST offers usable edit points around Synth / Percussion / Bass entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track contrasting pulse passage; outro texture for transitions.

Use Case:
Strong use for contrasting pulse, stealth tension, electronic procedural movement, especially where thriller scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic / World identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 153
Genres: AMBIENT / ELECTRONIC / WORLD
Vocals: Instrumental
Moods: ATMOSPHERIC / BRIGHT / BUILDING / DARK / MINIMAL / MOODY / MYSTERIOUS / RHYTHMIC / TENSION
Sync Themes: THRILLER / MYSTERY / CRIME / DRAMA
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / PERCUSSION / SYNTH

Track Summary:
SLOW FAST blends instrumental textures, atmospheric, bright, building, dark, minimal, moody, and Synth / Percussion / Bass into a supervisor-facing cue designed for contrasting pulse, stealth tension, electronic procedural movement.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: contrasting pulse, stealth tension, electronic procedural movement
• Sync themes: THRILLER / MYSTERY / CRIME / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for contrasting pulse, stealth tension, electronic procedural movement.

Stem Tracks

Yes

Track Narrative

SLOW FAST blends instrumental textures, atmospheric, bright, building, dark, minimal, moody, and Synth / Percussion / Bass into a supervisor-facing cue designed for contrasting pulse, stealth tension, electronic procedural movement.

Instrumental Usage

Fully instrumental and one-stop, “SLOW FAST” supports cinematic storytelling without lyrical distraction. Especially useful for contrasting pulse, stealth tension, electronic procedural movement.

Artist Bio

ELMER FERRER creates cinematic instrumental music built around atmosphere, movement, emotional utility, and edit-ready underscore for drama, mystery, sci-fi, and transition work.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOBREVIENDO — TIFFANY JOY

OMR Cue Map

Track: SOBREVIENDO
Clean Intro: Moderate
Edit Points: SOBREVIENDO offers edit points at vocal phrase endings, Acoustic Guitar changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for survival, intimate reflection, historical emotional endurance, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Pop / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 112
Genres: FOLK / POP / SING / SONG
Vocals: Female Vocal
Moods: MINIMAL / REFLECTIVE
Sync Themes: DRAMA / HISTORICAL / THRILLER / WAR
Lyric Themes: DESIRE / FEAR / LIFE / STRUGGLE / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
SOBREVIENDO blends expressive vocals, minimal, reflective, and Acoustic Guitar into a supervisor-facing cue designed for survival, intimate reflection, historical emotional endurance.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: survival, intimate reflection, historical emotional endurance
• Sync themes: DRAMA / HISTORICAL / THRILLER / WAR
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for survival, intimate reflection, historical emotional endurance.

Stem Tracks

Yes

Track Narrative

SOBREVIENDO blends expressive vocals, minimal, reflective, and Acoustic Guitar into a supervisor-facing cue designed for survival, intimate reflection, historical emotional endurance.

Lyrics

I walk in again unknowingly
to a world that seems too fast to my desires
Faces pass me by unassumingly
And I'm all alone again, I don't know why
Why do I strive to live by little daily dreams?
When I've got all the time this life can buy?
I should enjoy the ride while the board is free
Swallow my pride and realize que necesito
Dejar de sobrevivir
Y empezar a vivir, necesito y necesitas cariño
Dejar de sobrevivir
y empezar a vivir
Still I come crashing down on a lonely bed
and lay there staring blankly at the wall
Plan a million scenarios all in my head
And fear the task of fulfilling them all
Funny cuz the chaos of this busyness
It eats away, it eats away at me
Still I'm the one who chooses how I spend my days
If only I could see que necesito
Dejar de sobrevivir
Y empezar a vivir, necesito y necesitas cariño
Dejar de sobrevivir
Y empezar a vivir, sé
No sé por qué mi vida es así, es así
Me preocupa, a veces me gusta mi vida
Y lo que necesito hacer es dejar de sobrevivir
y empezar a vivir, empezar a vivir
Empezar a vivir, empezar a vivir

Artist Bio

TIFFANY JOY delivers bright, rhythm-forward songs with global pop and acoustic warmth, useful for relationship scenes, travel energy, resilience, and optimistic character movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOFIA (THE WHITE SHARK) — ELMER FERRER

OMR Cue Map

Track: SOFIA (THE WHITE SHARK)
Clean Intro: Yes
Edit Points: SOFIA (THE WHITE SHARK) offers usable edit points around Synth entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track gentle threat passage; outro texture for transitions.

Use Case:
Strong use for gentle threat, oceanic mystery, sci-fi emotional drift, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 82
Genres: AMBIENT / ELECTRONIC
Vocals: Instrumental
Moods: ATMOSPHERIC / CINEMATIC / HOPEFUL / LIGHT / MINIMAL / MYSTERIOUS / REFLECTIVE / SAD / TENSION / UPLIFTING / WARM
Sync Themes: DRAMA / MYSTERY / INDIE / SCI-FI
Lyric Themes:
Type: One Stop

Instrumentation:
SYNTH

Track Summary:
SOFIA (THE WHITE SHARK) blends instrumental textures, atmospheric, cinematic, hopeful, light, minimal, mysterious, and Synth into a supervisor-facing cue designed for gentle threat, oceanic mystery, sci-fi emotional drift.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: gentle threat, oceanic mystery, sci-fi emotional drift
• Sync themes: DRAMA / MYSTERY / INDIE / SCI-FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for gentle threat, oceanic mystery, sci-fi emotional drift.

Stem Tracks

Yes

Track Narrative

SOFIA (THE WHITE SHARK) blends instrumental textures, atmospheric, cinematic, hopeful, light, minimal, mysterious, and Synth into a supervisor-facing cue designed for gentle threat, oceanic mystery, sci-fi emotional drift.

Instrumental Usage

Fully instrumental and one-stop, “SOFIA (THE WHITE SHARK)” supports cinematic storytelling without lyrical distraction. Especially useful for gentle threat, oceanic mystery, sci-fi emotional drift.

Artist Bio

ELMER FERRER creates cinematic instrumental music built around atmosphere, movement, emotional utility, and edit-ready underscore for drama, mystery, sci-fi, and transition work.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOLARIUM — AMHED MITCHEL

OMR Cue Map

Track: SOLARIUM
Clean Intro: Yes
Edit Points: SOLARIUM offers usable edit points around Piano / Strings / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Piano-led bed sections; mid-track sunlit jazz ease passage; outro texture for transitions.

Use Case:
Strong use for sunlit jazz ease, light comic romance, bright interior warmth, especially where comedy scenes need clear emotional direction, natural editorial movement, and a distinct Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 78
Genres: JAZZ
Vocals: Instrumental
Moods: CAREFREE / HOPEFUL / ROMANTIC
Sync Themes: COMEDY / FANTASY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / PIANO / STRINGS

Track Summary:
SOLARIUM blends instrumental textures, carefree, hopeful, romantic, and Piano / Strings / Percussion into a supervisor-facing cue designed for sunlit jazz ease, light comic romance, bright interior warmth.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: sunlit jazz ease, light comic romance, bright interior warmth
• Sync themes: COMEDY / FANTASY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for sunlit jazz ease, light comic romance, bright interior warmth.

Stem Tracks

Yes

Track Narrative

SOLARIUM blends instrumental textures, carefree, hopeful, romantic, and Piano / Strings / Percussion into a supervisor-facing cue designed for sunlit jazz ease, light comic romance, bright interior warmth.

Instrumental Usage

Fully instrumental and one-stop, “SOLARIUM” supports cinematic storytelling without lyrical distraction. Especially useful for sunlit jazz ease, light comic romance, bright interior warmth.

Artist Bio

AMHED MITCHEL creates rhythmically alive jazz and cinematic instrumental music built around ensemble colour, melodic urgency, and emotionally intelligent scene movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOME AFTERNOON ALONE — PAUL REDDICK

OMR Cue Map

Track: SOME AFTERNOON ALONE
Clean Intro: Moderate
Edit Points: SOME AFTERNOON ALONE offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for sunny loneliness, blues memory, reflective afternoon travel, especially where adventure scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Folk / World identity.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 83
Genres: BLUES / FOLK / WORLD
Vocals: Male Vocal
Moods: BRIGHT / HAPPY / LOVE / MOODY / POSITIVE / RETRO / UPBEAT
Sync Themes: ADVENTURE / ART HOUSE / COMING OF AGE / CRIME / DRAMA / MYSTERY / ROMANCE / WESTERN
Lyric Themes: CHANGE / HOME / LONGING / LOVE / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
SOME AFTERNOON ALONE blends expressive vocals, bright, happy, love, moody, positive, retro, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for sunny loneliness, blues memory, reflective afternoon travel.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: sunny loneliness, blues memory, reflective afternoon travel
• Sync themes: ADVENTURE / ART HOUSE / COMING OF AGE / CRIME / DRAMA / MYSTERY / ROMANCE / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for sunny loneliness, blues memory, reflective afternoon travel.

Stem Tracks

Yes

Track Narrative

SOME AFTERNOON ALONE blends expressive vocals, bright, happy, love, moody, positive, retro, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for sunny loneliness, blues memory, reflective afternoon travel.

Lyrics

Why did you stay there?
You loved the colours on the land
Why did you stay there?
You loved the colours on the land
In the howlin wind of nowhere
The cover found hand in hand
You loved the colours
Did you forget some place along?
You loved the colours
Did you forget some place along?
The cover found hand in hand
Long gone as a song
Did you forget some place?
Some time some afternoon alone
Did you forget some place?
Some time some afternoon alone
Along and gone as a song
A vision of our happy home
Some afternoon alone
You called me long back when
Some afternoon alone
You called me long back when
A vision of our happy home
Here I am that was then
You called me long back when
I never did the things I should
You called me long back when
I never did the things I should
But here I am that was then
The moon is rising red as blood

Artist Bio

PAUL REDDICK creates blues, roots, and rock songs with grit, wit, swagger, and danger, giving supervisors strong options for crime, road, rebellion, and character-driven edge.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOMETIMES — LEE PALMER

OMR Cue Map

Track: SOMETIMES
Clean Intro: Moderate
Edit Points: SOMETIMES offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for lived-in love, country comfort, gentle romantic reflection, especially where fantasy scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Country / Folk / Pop identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 100
Genres: BLUES / COUNTRY / FOLK / POP
Vocals: Female Vocal, Male Vocal
Moods: CAREFREE / HAPPY / LOVE / POSITIVE / POWERFUL / REFLECTIVE / RELAXING / ROMANTIC / WARM
Sync Themes: FANTASY / ROMANCE / WESTERN
Lyric Themes: LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / HARMONICA / PERCUSSION

Track Summary:
SOMETIMES blends expressive vocals, carefree, happy, love, positive, powerful, reflective, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for lived-in love, country comfort, gentle romantic reflection.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: lived-in love, country comfort, gentle romantic reflection
• Sync themes: FANTASY / ROMANCE / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for lived-in love, country comfort, gentle romantic reflection.

Stem Tracks

Yes

Track Narrative

SOMETIMES blends expressive vocals, carefree, happy, love, positive, powerful, reflective, and Electric Guitar / Acoustic Guitar / Percussion into a supervisor-facing cue designed for lived-in love, country comfort, gentle romantic reflection.

Lyrics

Sometimes love finds you, sometimes it can't
Sometimes you find love, it can be as simple as that
If you keep your heart and eyes wide open
You might see those words left unspoken
Sometimes, sometimes
Sometimes you get it wrong
Sometimes you don't
Sometimes you get it right when you were thinking that you won't
When you take a chance the next time
Taking a chance is on your mind
Sometimes, sometimes
Sometimes stars align, sometimes they fall
Sometimes on the way down you see
The brightest stars of all
When you're close enough to steal a kiss
You get the point of stars like this
Sometimes, sometimes
Sometimes, sometimes

Artist Bio

LEE PALMER creates roots, blues, country, and singer-songwriter material with lived-in character, humour, romance, and reflective life experience built into the performances.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SPEAK TO ME THROUGH STRANGERS — RADAGAST THE BROWN

OMR Cue Map

Track: SPEAK TO ME THROUGH STRANGERS
Clean Intro: Yes
Edit Points: SPEAK TO ME THROUGH STRANGERS offers usable edit points around Synth / Piano / Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track indirect connection passage; outro texture for transitions.

Use Case:
Strong use for indirect connection, ambient yearning, sci-fi emotional distance, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Ambient identity.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 120
Genres: AMBIENT
Vocals: Instrumental
Moods: ATMOSPHERIC / BUILDING / CINEMATIC / DREAMY / EMOTIVE / HOPEFUL / MINIMAL / REFLECTIVE / UPLIFTING
Sync Themes: DRAMA / INDIE / ADVENTURE / SCI-FI
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / PIANO / STRINGS / SYNTH

Track Summary:
SPEAK TO ME THROUGH STRANGERS blends instrumental textures, atmospheric, building, cinematic, dreamy, emotive, hopeful, and Synth / Piano / Strings into a supervisor-facing cue designed for indirect connection, ambient yearning, sci-fi emotional distance.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: indirect connection, ambient yearning, sci-fi emotional distance
• Sync themes: DRAMA / INDIE / ADVENTURE / SCI-FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for indirect connection, ambient yearning, sci-fi emotional distance.

Stem Tracks

Yes

Track Narrative

SPEAK TO ME THROUGH STRANGERS blends instrumental textures, atmospheric, building, cinematic, dreamy, emotive, hopeful, and Synth / Piano / Strings into a supervisor-facing cue designed for indirect connection, ambient yearning, sci-fi emotional distance.

Instrumental Usage

Fully instrumental and one-stop, “SPEAK TO ME THROUGH STRANGERS” supports cinematic storytelling without lyrical distraction. Especially useful for indirect connection, ambient yearning, sci-fi emotional distance.

Artist Bio

RADAGAST THE BROWN creates ambient, electronic, and left-field cues with cinematic restraint, focused on mood, isolation, memory, mystery, and slow psychological movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SPIDERS IN THE STORM — KRISTIN SWEETLAND

OMR Cue Map

Track: SPIDERS IN THE STORM
Clean Intro: Yes
Edit Points: SPIDERS IN THE STORM offers usable edit points around Acoustic Guitar / Strings / Keyboard entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Acoustic Guitar-led bed sections; mid-track fairytale danger passage; outro texture for transitions.

Use Case:
Strong use for fairytale danger, storm ritual, warm folk-world suspense, especially where action scenes need clear emotional direction, natural editorial movement, and a distinct Folk / World identity.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 134
Genres: FOLK / WORLD
Vocals: Instrumental
Moods: HOPEFUL / ROMANTIC / WARM
Sync Themes: ACTION / ART HOUSE / FANTASY / MYSTERY / THRILLER
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / ACCORDION / KEYBOARD / STRINGS

Track Summary:
SPIDERS IN THE STORM blends instrumental textures, hopeful, romantic, warm, and Acoustic Guitar / Strings / Keyboard into a supervisor-facing cue designed for fairytale danger, storm ritual, warm folk-world suspense.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: fairytale danger, storm ritual, warm folk-world suspense
• Sync themes: ACTION / ART HOUSE / FANTASY / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for fairytale danger, storm ritual, warm folk-world suspense.

Stem Tracks

Yes

Track Narrative

SPIDERS IN THE STORM blends instrumental textures, hopeful, romantic, warm, and Acoustic Guitar / Strings / Keyboard into a supervisor-facing cue designed for fairytale danger, storm ritual, warm folk-world suspense.

Instrumental Usage

Fully instrumental and one-stop, “SPIDERS IN THE STORM” supports cinematic storytelling without lyrical distraction. Especially useful for fairytale danger, storm ritual, warm folk-world suspense.

Artist Bio

KRISTIN SWEETLAND creates scene-aware music with emotional pacing, distinctive performance character, and sync-focused utility for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SPY BLOWN MIND — EZEKIEL HAMPTON

OMR Cue Map

Track: SPY BLOWN MIND
Clean Intro: Yes
Edit Points: SPY BLOWN MIND offers usable edit points around Synth / Piano / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track spy-game cool passage; outro texture for transitions.

Use Case:
Strong use for spy-game cool, blown-cover tension, electronic stealth, especially where thriller scenes need clear emotional direction, natural editorial movement, and a distinct Electronic identity.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 105
Genres: ELECTRONIC
Vocals: Instrumental
Moods: COOL
Sync Themes: THRILLER / CRIME / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / PERCUSSION / PIANO / SYNTH

Track Summary:
SPY BLOWN MIND blends instrumental textures, cool, and Synth / Piano / Percussion into a supervisor-facing cue designed for spy-game cool, blown-cover tension, electronic stealth.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: spy-game cool, blown-cover tension, electronic stealth
• Sync themes: THRILLER / CRIME / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for spy-game cool, blown-cover tension, electronic stealth.

Stem Tracks

Yes

Track Narrative

SPY BLOWN MIND blends instrumental textures, cool, and Synth / Piano / Percussion into a supervisor-facing cue designed for spy-game cool, blown-cover tension, electronic stealth.

Instrumental Usage

Fully instrumental and one-stop, “SPY BLOWN MIND” supports cinematic storytelling without lyrical distraction. Especially useful for spy-game cool, blown-cover tension, electronic stealth.

Artist Bio

EZEKIEL HAMPTON writes atmospheric indie and electronic songs that combine intimate vocal storytelling with cinematic synth movement and emotional drift.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
STARLIGHT IN THE BLOOD — EZEKIEL HAMPTON

OMR Cue Map

Track: STARLIGHT IN THE BLOOD
Clean Intro: Moderate
Edit Points: STARLIGHT IN THE BLOOD offers edit points at vocal phrase endings, Synth / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for cosmic regret, uplifted indie bloodline, sci-fi emotional glow, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Indie / Ambient / Cinematic identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 124
Genres: INDIE / AMBIENT / CINEMATIC
Vocals: Male Vocal
Moods: ATMOSPHERIC / DREAMY / UPBEAT / UPLIFTING
Sync Themes: DRAMA / INDIE / ADVENTURE / SCI-FI
Lyric Themes: REGRET
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
STARLIGHT IN THE BLOOD blends expressive vocals, atmospheric, dreamy, upbeat, uplifting, and Synth / Percussion / Drums into a supervisor-facing cue designed for cosmic regret, uplifted indie bloodline, sci-fi emotional glow.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: cosmic regret, uplifted indie bloodline, sci-fi emotional glow
• Sync themes: DRAMA / INDIE / ADVENTURE / SCI-FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for cosmic regret, uplifted indie bloodline, sci-fi emotional glow.

Stem Tracks

Yes

Track Narrative

STARLIGHT IN THE BLOOD blends expressive vocals, atmospheric, dreamy, upbeat, uplifting, and Synth / Percussion / Drums into a supervisor-facing cue designed for cosmic regret, uplifted indie bloodline, sci-fi emotional glow.

Lyrics

Starlight, precious starlight
In the bloodline, watch for landmines
Moondust, fallen moondust
With this I trust, commence our tryst
Now she's breaking it off, she's making a scene
She said, I caught you in a lie
He's regretting it all, repenting his sins
He says, I want to come alive
Now she's breaking it off, she's making a scene
She said, I caught him in a lie
He's regretting it all, repenting his sins
He says, I want to come alive
Starlight, precious starlight
In the bloodline, watch for landmines
Moondust, fallen moondust
With this I trust, commence our tryst
Now she's breaking it off, she's making a scene
She said, I caught you in a lie
He's regretting it all, repenting his sins
He says, I want to come alive
Now she's breaking it off, she's making a scene
She said, I caught you in a lie
He's regretting it all, repenting his sins
He says, I want to come alive
I just want to come alive
I just want to come alive
I just want to come alive
I just want to come alive
I just want to come alive
come alive
come alive
come alive
come alive
come alive

Artist Bio

EZEKIEL HAMPTON writes atmospheric indie and electronic songs that combine intimate vocal storytelling with cinematic synth movement and emotional drift.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
STRANGE OBSESSION — JEFF JONES

OMR Cue Map

Track: STRANGE OBSESSION
Clean Intro: Moderate
Edit Points: STRANGE OBSESSION offers edit points at vocal phrase endings, Synth / Electric Guitar / Acoustic Guitar changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for romantic fixation, cinematic mystery, powerful emotional pull, especially where comedy scenes need clear emotional direction, natural editorial movement, and a distinct Cinematic / Folk / Pop / Rock / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 90
Genres: CINEMATIC / FOLK / POP / ROCK / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: BRIGHT / CINEMATIC / LOVE / MOODY / POWERFUL / REFLECTIVE / UPLIFTING
Sync Themes: COMEDY / FANTASY / MYSTERY / SPORTS
Lyric Themes: HEARTBREAK / LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
STRANGE OBSESSION blends expressive vocals, bright, cinematic, love, moody, powerful, reflective, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for romantic fixation, cinematic mystery, powerful emotional pull.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: romantic fixation, cinematic mystery, powerful emotional pull
• Sync themes: COMEDY / FANTASY / MYSTERY / SPORTS
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for romantic fixation, cinematic mystery, powerful emotional pull.

Stem Tracks

Yes

Track Narrative

STRANGE OBSESSION blends expressive vocals, bright, cinematic, love, moody, powerful, reflective, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for romantic fixation, cinematic mystery, powerful emotional pull.

Lyrics

These months and years just fly
There's a strange obsession
Every time you walk by
Now you're off to California
That's just one more cliche
You know I'm such a fool
There's nothing I can do
If you hate to see me cry
Turn your glance away, oh baby
And if it sounds like your heart is breaking
What more can I say?
You know I'm such a fool
Nothing I can do
It's always been about you
Move me to tears when I heard you say
You'll have to let me go forever
Effective today
Hey, hey
And if it sounds like your heart is breaking
What more can I say, oh baby
You know I'm such a fool
Not much I can do
It's always been about you
I'll always be your fool
Some twists of fate are cruel
It's always been about you

Artist Bio

JEFF JONES creates cinematic folk, pop, and rock material with emotional lift, relationship tension, and broad scene utility across mystery, fantasy, comedy, and drama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
STRAWBERRY MOON — FREE SPIRITS

OMR Cue Map

Track: STRAWBERRY MOON
Clean Intro: Moderate
Edit Points: STRAWBERRY MOON offers edit points at vocal phrase endings, Synth / Electric Guitar / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for dreamy moonlit romance, playful folk-pop escape, intimate glow, especially where fantasy scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie / Pop identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 120
Genres: FOLK / INDIE / POP
Vocals: Female Vocal
Moods: CAREFREE / CHILL / CONFIDENT / DREAMY / FUN / LIGHT / LOVE / RELAXING / RHYTHMIC / ROMANTIC / SEXY / UPBEAT / UPLIFTING
Sync Themes: FANTASY / ROMANCE
Lyric Themes: DREAM / HAPPINESS / IDENTITY / LOVE / ROMANCE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / FLUTE / KEYBOARD / PERCUSSION / SYNTH

Track Summary:
STRAWBERRY MOON blends expressive vocals, carefree, chill, confident, dreamy, fun, light, and Synth / Electric Guitar / Percussion into a supervisor-facing cue designed for dreamy moonlit romance, playful folk-pop escape, intimate glow.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: dreamy moonlit romance, playful folk-pop escape, intimate glow
• Sync themes: FANTASY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for dreamy moonlit romance, playful folk-pop escape, intimate glow.

Stem Tracks

Yes

Track Narrative

STRAWBERRY MOON blends expressive vocals, carefree, chill, confident, dreamy, fun, light, and Synth / Electric Guitar / Percussion into a supervisor-facing cue designed for dreamy moonlit romance, playful folk-pop escape, intimate glow.

Lyrics

Yeah, yeah, yeah
This night is not over, it's only just begun
Even though I'm whacked, I just wanna have fun
I can feel the wind and how it shakes the trees
Standing over me and I'm down on my knees
Even all the birds that fly in the sky
Call your name out as they fly by
I cannot imagine leaving this place
I will stay where I can't see your face
By the light of a strawberry moon
Hopelessly romantic, that is you and me
Poetry in motion, living our dreams
I can hear the angels singing our love song
Everything is perfect and nothing is wrong
I know that you love me like I love you
I will be faithful, I will be true
I have spent my lifetime searching for this
And I found it with the first kiss
Under the light of the strawberry moon
You are all I long for, worship and adore
I gave you all my heart and you gave me back more
I was always wishing until I came to you
Everything I wished for has become true
Even the birds that fly in the sky
Call your name out as they fly by
I cannot imagine leaving this place
I will stay where I can't see your face
By the light of the strawberry moon
Strawberry night
Strawberry night
Strawberry night
Strawberry night
Strawberry mood
Strawberry mood

Artist Bio

FREE SPIRITS creates atmospheric indie and folk-rock songs with emotional mystery, dramatic movement, and strong story utility for suspense, relationship, and character scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
STRUGGLE RESILIENCE AND RETRIBUTION PART 1 — HYP

OMR Cue Map

Track: STRUGGLE RESILIENCE AND RETRIBUTION PART 1
Clean Intro: Yes
Edit Points: STRUGGLE RESILIENCE AND RETRIBUTION PART 1 offers usable edit points around Synth / Piano / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track slow-burn conflict passage; outro texture for transitions.

Use Case:
Strong use for slow-burn conflict, resilience under pressure, cinematic retribution, especially where action scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic identity.

Sync Pitch Sheet

Song Profile:
Key: A# Minor
BPM: 80
Genres: AMBIENT / ELECTRONIC
Vocals: Instrumental
Moods: ATMOSPHERIC / DRAMATIC / MOODY / REFLECTIVE
Sync Themes: ACTION / CRIME / DRAMA / THRILLER / WAR
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / PIANO / SYNTH

Track Summary:
STRUGGLE RESILIENCE AND RETRIBUTION PART 1 blends instrumental textures, atmospheric, dramatic, moody, reflective, and Synth / Piano / Percussion into a supervisor-facing cue designed for slow-burn conflict, resilience under pressure, cinematic retribution.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: slow-burn conflict, resilience under pressure, cinematic retribution
• Sync themes: ACTION / CRIME / DRAMA / THRILLER / WAR
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for slow-burn conflict, resilience under pressure, cinematic retribution.

Stem Tracks

Yes

Track Narrative

STRUGGLE RESILIENCE AND RETRIBUTION PART 1 blends instrumental textures, atmospheric, dramatic, moody, reflective, and Synth / Piano / Percussion into a supervisor-facing cue designed for slow-burn conflict, resilience under pressure, cinematic retribution.

Instrumental Usage

Fully instrumental and one-stop, “STRUGGLE RESILIENCE AND RETRIBUTION PART 1” supports cinematic storytelling without lyrical distraction. Especially useful for slow-burn conflict, resilience under pressure, cinematic retribution.

Artist Bio

HYP creates electronic, hip hop, R&B, and ambient cues with texture, groove, and cinematic edge for mystery, sci-fi, urban movement, and stylish emotional tension.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUBMERGENCE (SYNC VERSION) — HYP

OMR Cue Map

Track: SUBMERGENCE (SYNC VERSION)
Clean Intro: Yes
Edit Points: SUBMERGENCE (SYNC VERSION) offers usable edit points around Synth / Percussion / Bass entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track underwater unease passage; outro texture for transitions.

Use Case:
Strong use for underwater unease, sci-fi immersion, dark electronic seduction, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic identity.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 125
Genres: AMBIENT / ELECTRONIC
Vocals: Instrumental
Moods: ATMOSPHERIC / BRIGHT / COOL / DARK / DREAMY / MINIMAL / MOODY / MYSTERIOUS / REFLECTIVE / RHYTHMIC / SEXY / SWAGGER
Sync Themes: ART HOUSE / MYSTERY / SCI FI / THRILLER / VIDEO GAME
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / PERCUSSION / SYNTH

Track Summary:
SUBMERGENCE (SYNC VERSION) blends instrumental textures, atmospheric, bright, cool, dark, dreamy, minimal, and Synth / Percussion / Bass into a supervisor-facing cue designed for underwater unease, sci-fi immersion, dark electronic seduction.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: underwater unease, sci-fi immersion, dark electronic seduction
• Sync themes: ART HOUSE / MYSTERY / SCI FI / THRILLER / VIDEO GAME
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for underwater unease, sci-fi immersion, dark electronic seduction.

Stem Tracks

Yes

Track Narrative

SUBMERGENCE (SYNC VERSION) blends instrumental textures, atmospheric, bright, cool, dark, dreamy, minimal, and Synth / Percussion / Bass into a supervisor-facing cue designed for underwater unease, sci-fi immersion, dark electronic seduction.

Instrumental Usage

Fully instrumental and one-stop, “SUBMERGENCE (SYNC VERSION)” supports cinematic storytelling without lyrical distraction. Especially useful for underwater unease, sci-fi immersion, dark electronic seduction.

Artist Bio

HYP creates electronic, hip hop, R&B, and ambient cues with texture, groove, and cinematic edge for mystery, sci-fi, urban movement, and stylish emotional tension.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUCCUMBING TO FORLORN FANTASIES — RADAGAST

OMR Cue Map

Track: SUCCUMBING TO FORLORN FANTASIES
Clean Intro: Yes
Edit Points: SUCCUMBING TO FORLORN FANTASIES offers usable edit points around Synth / Piano / Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track dream surrender passage; outro texture for transitions.

Use Case:
Strong use for dream surrender, forlorn beauty, ambient emotional collapse, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 82
Genres: AMBIENT / ELECTRONIC
Vocals: Instrumental
Moods: ATMOSPHERIC / BUILDING / CINEMATIC / DREAMY / EMOTIVE / HOPEFUL / REFLECTIVE / UPLIFTING
Sync Themes: ART HOUSE / DRAMA / INDIE / THRILLER
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / PIANO / STRINGS / SYNTH

Track Summary:
SUCCUMBING TO FORLORN FANTASIES blends instrumental textures, atmospheric, building, cinematic, dreamy, emotive, hopeful, and Synth / Piano / Strings into a supervisor-facing cue designed for dream surrender, forlorn beauty, ambient emotional collapse.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: dream surrender, forlorn beauty, ambient emotional collapse
• Sync themes: ART HOUSE / DRAMA / INDIE / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for dream surrender, forlorn beauty, ambient emotional collapse.

Stem Tracks

Yes

Track Narrative

SUCCUMBING TO FORLORN FANTASIES blends instrumental textures, atmospheric, building, cinematic, dreamy, emotive, hopeful, and Synth / Piano / Strings into a supervisor-facing cue designed for dream surrender, forlorn beauty, ambient emotional collapse.

Instrumental Usage

Fully instrumental and one-stop, “SUCCUMBING TO FORLORN FANTASIES” supports cinematic storytelling without lyrical distraction. Especially useful for dream surrender, forlorn beauty, ambient emotional collapse.

Artist Bio

RADAGAST creates ambient and electronic pieces shaped around emotional drift, dream logic, and cinematic tension for art-house, drama, and psychological storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUENO — INDIVIDUO

OMR Cue Map

Track: SUENO
Clean Intro: Moderate
Edit Points: SUENO offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Piano changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for dreamed romance, warm country hope, reflective Latin longing, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Country / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 144
Genres: COUNTRY / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: HOPEFUL / POSITIVE / REFLECTIVE / UPLIFTING / WARM
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY
Lyric Themes: CONNECTION / DREAM / HAPPINESS / LOVE / RELATIONSHIP
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / PIANO

Track Summary:
SUENO blends expressive vocals, hopeful, positive, reflective, uplifting, warm, and Electric Guitar / Acoustic Guitar / Piano into a supervisor-facing cue designed for dreamed romance, warm country hope, reflective Latin longing.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: dreamed romance, warm country hope, reflective Latin longing
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for dreamed romance, warm country hope, reflective Latin longing.

Stem Tracks

Yes

Track Narrative

SUENO blends expressive vocals, hopeful, positive, reflective, uplifting, warm, and Electric Guitar / Acoustic Guitar / Piano into a supervisor-facing cue designed for dreamed romance, warm country hope, reflective Latin longing.

Lyrics

Te miro y no puede ser que en toda mi vida no has estado junto a mí
Y ahora te tengo aquí
Me entrego y comparto todo
Me enloqueces y me curas a la vez
Qué lindo fue encontrarte
Sueño, parece un sueño
Y si me despierto, terminará el sueño
Así que prefiero quedarme fundido en tu calor
Y si es un sueño que no acabe, por favor
Hoy miro atrás y encuentro que todo ha cambiado desde que llegaste a mí
Desde que vi tu risa
Para seguir el sueño hoy, solo tenemos que estar juntos, por favor
No olvides mi caricia
Sueño, parece un sueño
Y si me despierto, terminará el sueño
Así que prefiero quedarme fundido en tu calor
Y si es un sueño que no acabe, por favor
Oh
Oh
Sueño, parece un sueño
Y si me despierto, terminará el sueño
Así que prefiero quedarme fundido en tu calor
Y si es un sueño que no acabe, por favor

Artist Bio

INDIVIDUO creates Latin pop and singer-songwriter material with melodic warmth, romantic tension, and emotional accessibility for drama, romance, and coming-of-age scenes.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUN CHILD — TOM CONNEELY

OMR Cue Map

Track: SUN CHILD
Clean Intro: Moderate
Edit Points: SUN CHILD offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for reflective identity, softer folk-rock longing, indie self-discovery, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Rock identity.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 96
Genres: FOLK / ROCK
Vocals: Male Vocal
Moods: REFLECTIVE / SAD
Sync Themes: ART HOUSE / COMING OF AGE / FANTASY / INDIE
Lyric Themes: IDENTITY / STRENGTH / STRUGGLE / SUCCESS / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR

Track Summary:
SUN CHILD blends expressive vocals, reflective, sad, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for reflective identity, softer folk-rock longing, indie self-discovery.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: reflective identity, softer folk-rock longing, indie self-discovery
• Sync themes: ART HOUSE / COMING OF AGE / FANTASY / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for reflective identity, softer folk-rock longing, indie self-discovery.

Stem Tracks

Yes

Track Narrative

SUN CHILD blends expressive vocals, reflective, sad, and Electric Guitar / Acoustic Guitar / Drums into a supervisor-facing cue designed for reflective identity, softer folk-rock longing, indie self-discovery.

Lyrics

I am a son, son of the desert
I'm a sun child
I'm a sun child
I was born over in the valley,
sipping saki sideways in my chair
Cocaine and cigarettes,
standing 'round making bets
They could be the baddest of the bunch
I'm a sun child
I'm a sun child
I'm a son child
Rib roarin' down at the streets,
got that midnight heat
Ain't nobody gonna know the damage done
'til the morning,
'til the morning,
'til the morning when that old sun is come
I'm a sun child
I'm a sun child
I'm a sun child
Cocaine and cigarettes
cigarettes, around makin' bets
sunshine, could be the baddest of the bunch
Cocaine and cigarettes
and sunshine
cocaine,
cigarettes,
sunshine
Cocaine
Cocaine
Cocaine and sunshine
Cocaine, sunshine
Cocaine,
cigarettes,
sunshine

Artist Bio

TOM CONNEELY writes folk and rock songs with direct emotional character, vintage colour, and coming-of-age usefulness for identity, resilience, and indie storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUNSET — SAMUEL WILLIAMS

OMR Cue Map

Track: SUNSET
Clean Intro: Yes
Edit Points: SUNSET offers usable edit points around Electric Guitar / Percussion / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Electric Guitar-led bed sections; mid-track moody sunset travel passage; outro texture for transitions.

Use Case:
Strong use for moody sunset travel, indie-world movement, reflective romantic drift, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie / World identity.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 62
Genres: FOLK / INDIE / WORLD
Vocals: Instrumental
Moods: MOODY / RHYTHMIC / UPBEAT
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION

Track Summary:
SUNSET blends instrumental textures, moody, rhythmic, upbeat, and Electric Guitar / Percussion / Drums into a supervisor-facing cue designed for moody sunset travel, indie-world movement, reflective romantic drift.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: moody sunset travel, indie-world movement, reflective romantic drift
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for moody sunset travel, indie-world movement, reflective romantic drift.

Stem Tracks

Yes

Track Narrative

SUNSET blends instrumental textures, moody, rhythmic, upbeat, and Electric Guitar / Percussion / Drums into a supervisor-facing cue designed for moody sunset travel, indie-world movement, reflective romantic drift.

Instrumental Usage

Fully instrumental and one-stop, “SUNSET” supports cinematic storytelling without lyrical distraction. Especially useful for moody sunset travel, indie-world movement, reflective romantic drift.

Artist Bio

SAMUEL WILLIAMS creates groove-forward instrumental music with jazz, soul, and cinematic texture, giving supervisors usable beds for movement, character, comedy, and emotional release.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUNSHINE (YOU WERE MY) — KRISTIN SWEETLAND

OMR Cue Map

Track: SUNSHINE (YOU WERE MY)
Clean Intro: Yes
Edit Points: SUNSHINE (YOU WERE MY) offers usable edit points around Synth / Piano / Strings entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track lost sunshine passage; outro texture for transitions.

Use Case:
Strong use for lost sunshine, folk memory, warm romantic fantasy, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 87
Genres: FOLK / INDIE
Vocals: Instrumental
Moods: ATMOSPHERIC / BRIGHT / BUILDING / FUN / HOPEFUL / PLAYFUL / QUIRKY / ROMANTIC / WARM
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / PIANO / STRINGS / SYNTH

Track Summary:
SUNSHINE (YOU WERE MY) blends instrumental textures, atmospheric, bright, building, fun, hopeful, playful, and Synth / Piano / Strings into a supervisor-facing cue designed for lost sunshine, folk memory, warm romantic fantasy.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: lost sunshine, folk memory, warm romantic fantasy
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for lost sunshine, folk memory, warm romantic fantasy.

Stem Tracks

Yes

Track Narrative

SUNSHINE (YOU WERE MY) blends instrumental textures, atmospheric, bright, building, fun, hopeful, playful, and Synth / Piano / Strings into a supervisor-facing cue designed for lost sunshine, folk memory, warm romantic fantasy.

Instrumental Usage

Fully instrumental and one-stop, “SUNSHINE (YOU WERE MY)” supports cinematic storytelling without lyrical distraction. Especially useful for lost sunshine, folk memory, warm romantic fantasy.

Artist Bio

KRISTIN SWEETLAND creates scene-aware music with emotional pacing, distinctive performance character, and sync-focused utility for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUNSHINE REPRISE — SAMUEL WILLIAMS

OMR Cue Map

Track: SUNSHINE REPRISE
Clean Intro: Yes
Edit Points: SUNSHINE REPRISE offers usable edit points around Acoustic Guitar / Saxophone / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Acoustic Guitar-led bed sections; mid-track soft reprise passage; outro texture for transitions.

Use Case:
Strong use for soft reprise, romantic afterglow, intimate jazz-folk closure, especially where mystery scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Folk / Jazz identity.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 91
Genres: AMBIENT / FOLK / JAZZ
Vocals: Instrumental
Moods: BRIGHT / CHILL / FUN / HAPPY / ROMANTIC
Sync Themes: MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / PERCUSSION / SAXOPHONE

Track Summary:
SUNSHINE REPRISE blends instrumental textures, bright, chill, fun, happy, romantic, and Acoustic Guitar / Saxophone / Percussion into a supervisor-facing cue designed for soft reprise, romantic afterglow, intimate jazz-folk closure.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: soft reprise, romantic afterglow, intimate jazz-folk closure
• Sync themes: MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for soft reprise, romantic afterglow, intimate jazz-folk closure.

Stem Tracks

Yes

Track Narrative

SUNSHINE REPRISE blends instrumental textures, bright, chill, fun, happy, romantic, and Acoustic Guitar / Saxophone / Percussion into a supervisor-facing cue designed for soft reprise, romantic afterglow, intimate jazz-folk closure.

Instrumental Usage

Fully instrumental and one-stop, “SUNSHINE REPRISE” supports cinematic storytelling without lyrical distraction. Especially useful for soft reprise, romantic afterglow, intimate jazz-folk closure.

Artist Bio

SAMUEL WILLIAMS creates groove-forward instrumental music with jazz, soul, and cinematic texture, giving supervisors usable beds for movement, character, comedy, and emotional release.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUNSTONE — KRISTIN SWEETLAND

OMR Cue Map

Track: SUNSTONE
Clean Intro: Yes
Edit Points: SUNSTONE offers usable edit points around Acoustic Guitar entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Acoustic Guitar-led bed sections; mid-track folk-world radiance passage; outro texture for transitions.

Use Case:
Strong use for folk-world radiance, historical romance, hopeful fantasy travel, especially where adventure scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Sing / Song / World identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 69
Genres: FOLK / SING / SONG / WORLD
Vocals: Instrumental
Moods: HOPEFUL / ROMANTIC
Sync Themes: ADVENTURE / ART HOUSE / FANTASY / HISTORICAL / INDIE / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR

Track Summary:
SUNSTONE blends instrumental textures, hopeful, romantic, and Acoustic Guitar into a supervisor-facing cue designed for folk-world radiance, historical romance, hopeful fantasy travel.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: folk-world radiance, historical romance, hopeful fantasy travel
• Sync themes: ADVENTURE / ART HOUSE / FANTASY / HISTORICAL / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for folk-world radiance, historical romance, hopeful fantasy travel.

Stem Tracks

Yes

Track Narrative

SUNSTONE blends instrumental textures, hopeful, romantic, and Acoustic Guitar into a supervisor-facing cue designed for folk-world radiance, historical romance, hopeful fantasy travel.

Instrumental Usage

Fully instrumental and one-stop, “SUNSTONE” supports cinematic storytelling without lyrical distraction. Especially useful for folk-world radiance, historical romance, hopeful fantasy travel.

Artist Bio

KRISTIN SWEETLAND creates scene-aware music with emotional pacing, distinctive performance character, and sync-focused utility for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SWEET SURRENDER — PHEELION

OMR Cue Map

Track: SWEET SURRENDER
Clean Intro: Moderate
Edit Points: SWEET SURRENDER offers edit points at vocal phrase endings, Synth / Percussion / Keyboard changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for dark surrender, ambient romance, mysterious emotional devotion, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic identity.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 110
Genres: AMBIENT / ELECTRONIC
Vocals: Female Vocal
Moods: ATMOSPHERIC / CINEMATIC / DARK / DREAMY / EMOTIVE / MINIMAL / MOODY / MYSTERIOUS / PERCUSSIVE / REFLECTIVE
Sync Themes: ART HOUSE / DRAMA / ROMANCE
Lyric Themes: FAITH / HOPE / LOVE
Type: One Stop

Instrumentation:
KEYBOARD / PERCUSSION / SYNTH

Track Summary:
SWEET SURRENDER blends expressive vocals, atmospheric, cinematic, dark, dreamy, emotive, minimal, and Synth / Percussion / Keyboard into a supervisor-facing cue designed for dark surrender, ambient romance, mysterious emotional devotion.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: dark surrender, ambient romance, mysterious emotional devotion
• Sync themes: ART HOUSE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for dark surrender, ambient romance, mysterious emotional devotion.

Stem Tracks

Yes

Track Narrative

SWEET SURRENDER blends expressive vocals, atmospheric, cinematic, dark, dreamy, emotive, minimal, and Synth / Percussion / Keyboard into a supervisor-facing cue designed for dark surrender, ambient romance, mysterious emotional devotion.

Lyrics

Come to me
all you who are weary and burdened
and I will give you rest.
Take my yoke upon you
and learn from me.
For I am gentle
and humble in heart.
And you will find rest for your souls.
For my yoke is easy
and my burden is light.
Come to me
all you who are weary and burdened
and I will give you rest.
Take my yoke upon you and learn from me.
For I am gentle and humble in heart,
and you will find rest for your souls.
For my yoke is easy
and my burden is light.

Artist Bio

PHEELION creates atmospheric electronic, dance, and world-pop material with sensual movement, emotional release, and scene-ready rhythm for romance and art-house drama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SCUFFLEWOOD — PAUL REDDICK

OMR Cue Map

Track: SCUFFLEWOOD
Clean Intro: Moderate
Edit Points: SCUFFLEWOOD offers edit points at vocal phrase endings, Synth / Electric Guitar / Piano changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for dusty blues mischief, western character, sly road energy, especially where adventure scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Rock identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 100
Genres: BLUES / ROCK
Vocals: Male Vocal
Moods: CONFIDENT / FUN / QUIRKY
Sync Themes: ADVENTURE / COMEDY / DRAMA / INDIE / SPORTS / WESTERN
Lyric Themes: EMPOWERMENT / ENERGY / FUN / HAPPINESS
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HARMONICA / PERCUSSION / PIANO / SYNTH

Track Summary:
SCUFFLEWOOD blends expressive vocals, confident, fun, quirky, and Synth / Electric Guitar / Piano into a supervisor-facing cue designed for dusty blues mischief, western character, sly road energy.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: dusty blues mischief, western character, sly road energy
• Sync themes: ADVENTURE / COMEDY / DRAMA / INDIE / SPORTS / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for dusty blues mischief, western character, sly road energy.

Stem Tracks

Yes

Track Narrative

SCUFFLEWOOD blends expressive vocals, confident, fun, quirky, and Synth / Electric Guitar / Piano into a supervisor-facing cue designed for dusty blues mischief, western character, sly road energy.

Lyrics

I can't help myself and start to feel good
I can't help myself I start to feel good
I'm steppin it up to shuffle on the stompdown scufflewood
She tried it once and you know she understood
Oh you know she tried it once and the little girl understood
She’s steppin up to shuffle on the stompdown scufflewood
Come on and find yourself a brand new livelihood
Come on and find yourself a brand new livelihood
Start steppin it up to shuffle on the stompdown scufflewood
The doctor's recommend'n you know that you should
The doctor's recommend'n people that you should
Go start steppin it up to shuffle on the stompdown scufflewood

Artist Bio

PAUL REDDICK creates blues, roots, and rock songs with grit, wit, swagger, and danger, giving supervisors strong options for crime, road, rebellion, and character-driven edge.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SHADOW OF YOU — JUSTIN ENCO BAND

OMR Cue Map

Track: SHADOW OF YOU
Clean Intro: Moderate
Edit Points: SHADOW OF YOU offers edit points at vocal phrase endings, Electric Guitar / Acoustic Guitar / Bass changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for haunting memory, romantic loss, acoustic regret, especially where coming of age scenes need clear emotional direction, natural editorial movement, and a distinct Folk / Indie / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 59
Genres: FOLK / INDIE / SING / SONG
Vocals: Male Vocal
Moods: EMOTIVE / HOPEFUL / MINIMAL / WARM
Sync Themes: COMING OF AGE / DRAMA / INDIE / ROMANCE / THRILLER
Lyric Themes: HEARTBREAK / LONELINESS / LOSS / REGRET / STRUGGLE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / ELECTRIC GUITAR / KEYBOARD

Track Summary:
SHADOW OF YOU blends expressive vocals, emotive, hopeful, minimal, warm, and Electric Guitar / Acoustic Guitar / Bass into a supervisor-facing cue designed for haunting memory, romantic loss, acoustic regret.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: haunting memory, romantic loss, acoustic regret
• Sync themes: COMING OF AGE / DRAMA / INDIE / ROMANCE / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for haunting memory, romantic loss, acoustic regret.

Stem Tracks

Yes

Track Narrative

SHADOW OF YOU blends expressive vocals, emotive, hopeful, minimal, warm, and Electric Guitar / Acoustic Guitar / Bass into a supervisor-facing cue designed for haunting memory, romantic loss, acoustic regret.

Lyrics

I sit here in this empty room
Trying to find words to say
Oh you really got me good and girl
Make me feel this way
The shadow of you and what we've been through
Has left me bleeding and scarred
And our book is closed and this life you chose
And you're failing fast
They say you gotta prove your worth these days
Actions rule the words
But I'm cold and I'm tired of this
So let the truth unfold
So I'll comfort your soul and I'll sing you a song
This kind of day is won't last
The world through your eyes is covered in lies
So let the new day pass
We're halfway home and we're both so alone
The beaches sparkle with sand
This life we shared is faded and bare
Wasted dreams of old
This fight is tough and I'm not enough
I'm just watching near
Your pages are worn and your soul has been torn
And your future's unclear
So I'll comfort your soul and I'll sing you a song
These scattered days won't last
And the world through your eyes is covered in lies
So let the new day pass
And I'll march on to the beat of my drum
Yeah, I'll fade away
And if we parted seas, honey, think of me
My words, and our yesterdays
Mm-mm-mm-mm-mm
To find you again alone in my head
Another time when we are cast
And no one's to blame
For we both lost this game
So let the new day pass

Artist Bio

JUSTIN ENCO BAND creates intimate folk and indie songs with acoustic honesty, emotional pacing, and strong usefulness for coming-of-age, romance, memory, and regret.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SHATTERED — TIFFANY JOY

OMR Cue Map

Track: SHATTERED
Clean Intro: Moderate
Edit Points: SHATTERED offers edit points at vocal phrase endings, Acoustic Guitar / Keyboard changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for broken confidence, country-pop resilience, upbeat emotional recovery, especially where crime scenes need clear emotional direction, natural editorial movement, and a distinct Country / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 73
Genres: COUNTRY / SING / SONG
Vocals: Female Vocal
Moods: FUN / HOPEFUL / POSITIVE / REFLECTIVE / RETRO / UPBEAT
Sync Themes: CRIME / DRAMA / MYSTERY / THRILLER
Lyric Themes: HEARTBREAK / IDENTITY / LONELINESS / LOVE / STRUGGLE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / KEYBOARD

Track Summary:
SHATTERED blends expressive vocals, fun, hopeful, positive, reflective, retro, upbeat, and Acoustic Guitar / Keyboard into a supervisor-facing cue designed for broken confidence, country-pop resilience, upbeat emotional recovery.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: broken confidence, country-pop resilience, upbeat emotional recovery
• Sync themes: CRIME / DRAMA / MYSTERY / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for broken confidence, country-pop resilience, upbeat emotional recovery.

Stem Tracks

Yes

Track Narrative

SHATTERED blends expressive vocals, fun, hopeful, positive, reflective, retro, upbeat, and Acoustic Guitar / Keyboard into a supervisor-facing cue designed for broken confidence, country-pop resilience, upbeat emotional recovery.

Lyrics

I used to live in a fairy tale
Woke every morning to a prince who knew me so well
We had a place we could call our own
Now that life is in a box with the lid closed and I, I am shattered
Whoa, I am picking up the pieces
I shouldn't matter, how you feel it's my life
I wanna get mad if I could only get angry
It might be a lot easier for me
I wanna get mad if I could only get angry
Then my heart could be free from you
You
From you
You
How could it be that I was so naive
Hid under covers playing footsies with your cold feet
Our love was like a story line
Turn the page now only loneliness I find and I, I am shattered
Whoa, I am picking up the pieces
I shouldn't matter how you feel, it's my life
I wanna get mad if I could only get angry
It might be a lot easier for me
I wanna get mad if I could only get angry
Then my heart could be free from you
You
From you
You
You'll come to see it's worth fighting for me
You'll come to see it's worth fighting for me oh oh
You'll come to see it's worth fighting for me
You'll come to see it's worth fighting fighting
I wanna get mad if I could only get angry
It might be a lot easier for me
I wanna get mad if I could only get angry
Then my heart could be free from you
You
From you
You you you

Artist Bio

TIFFANY JOY delivers bright, rhythm-forward songs with global pop and acoustic warmth, useful for relationship scenes, travel energy, resilience, and optimistic character movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SI SUENAS VOS — MAQUI

OMR Cue Map

Track: SI SUENAS VOS
Clean Intro: Moderate
Edit Points: SI SUENAS VOS offers edit points at vocal phrase endings, Synth / Electric Guitar / Acoustic Guitar changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for hopeful longing, warm Latin-rock reflection, romantic optimism, especially where coming of age scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Country / Rock identity.

Sync Pitch Sheet

Song Profile:
Key: D# Minor
BPM: 100
Genres: BLUES / COUNTRY / ROCK
Vocals: Male Vocal
Moods: BRIGHT / HOPEFUL / POSITIVE / REFLECTIVE / WARM
Sync Themes: COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: CONNECTION / ESCAPE / HAPPINESS / LOVE
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / ELECTRIC GUITAR / PERCUSSION / SYNTH

Track Summary:
SI SUENAS VOS blends expressive vocals, bright, hopeful, positive, reflective, warm, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for hopeful longing, warm Latin-rock reflection, romantic optimism.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: hopeful longing, warm Latin-rock reflection, romantic optimism
• Sync themes: COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for hopeful longing, warm Latin-rock reflection, romantic optimism.

Stem Tracks

Yes

Track Narrative

SI SUENAS VOS blends expressive vocals, bright, hopeful, positive, reflective, warm, and Synth / Electric Guitar / Acoustic Guitar into a supervisor-facing cue designed for hopeful longing, warm Latin-rock reflection, romantic optimism.

Lyrics

Eres mi refugio y mi guarida
donde cada noche siempre voy a dar
Eres mi guitarra y contaminas
con tu risa
esos días de terrible oscuridad
Por eso yo
te quiero
Si suenas vos
yo sueno
Es tan atractiva tu mentira
que a tu lado creo que nada me hace mal
Con seis cuerdas rompes la rutina
me fascina
que me lleves a ese sitio una vez más
Por eso yo
te quiero
Si suenas vos,
yo sueno
A tu lado no existe el fracaso
entre tú y yo no hay nada que demostrar
Oh, tu melodía en mi cuerpo ha hecho un tajo
de arriba a abajo
y solo tu magia lo puede cerrar
por eso yo
te quiero
Si suenas vos
yo sueno
Por eso yo
te quiero
Si suenas vos
yo sueno
Por eso yo
te quiero
Si suenas vos
yo sueno
por eso yo
te quiero
Si suenas vos
yo sueno

Artist Bio

MAQUI creates warm Latin, rock, blues, and singer-songwriter material with emotional directness, hopeful movement, and relationship-centred sync utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SI TUS BESOS — MAQUI

OMR Cue Map

Track: SI TUS BESOS
Clean Intro: Moderate
Edit Points: SI TUS BESOS offers edit points at vocal phrase endings, Acoustic Guitar / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for kissed memory, romantic escape, reflective Latin warmth, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Latin / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 150
Genres: LATIN / SING / SONG
Vocals: Male Vocal
Moods: HOPEFUL / POSITIVE / REFLECTIVE / UPBEAT / WARM
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: ESCAPE / LONELINESS / LOVE / REGRET / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / PERCUSSION

Track Summary:
SI TUS BESOS blends expressive vocals, hopeful, positive, reflective, upbeat, warm, and Acoustic Guitar / Percussion / Drums into a supervisor-facing cue designed for kissed memory, romantic escape, reflective Latin warmth.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: kissed memory, romantic escape, reflective Latin warmth
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for kissed memory, romantic escape, reflective Latin warmth.

Stem Tracks

Yes

Track Narrative

SI TUS BESOS blends expressive vocals, hopeful, positive, reflective, upbeat, warm, and Acoustic Guitar / Percussion / Drums into a supervisor-facing cue designed for kissed memory, romantic escape, reflective Latin warmth.

Lyrics

Como duele el tiempo y como quema, como quema el tiempo si no estás,
como quema el tiempo si no estás
Así quedo yo cuando me dejas, como quedo yo cuando te vas
Eres como el agua que se aleja, como el agua que viene y se va,
como el agua que viene y se va
Como dueles, cuánto dueles, cuando llegarás
Como dueles, cuánto dueles, cuando volverás
Que si tus besos fueran agua bebería, si fueran barcos de seguro encallaría,
si fueran viento con tus besos volaría, para escapar contigo y no regresaría
Que si tus besos son sinceros te amaría, si no lo son yo de seguro igual lo haría
Que si tus besos fueran tiempo crecería, si fueran fe yo con tus besos..
creería
Ya no canta el viento ni el recuerdo, ya no juegan en mi soledad,
ya no canta el viento si no estás
Se derrumba el mundo en un momento, de repente entiendo que es verdad
Cuando dicen que en el sentimiento, un segundo es una eternidad,
un segundo es una eternidad
Como dueles, cuánto dueles, cuando llegarás
Como dueles, cuánto dueles, cuando volverás
Que si tus besos fueran agua bebería, si fueran barcos de seguro encallaría,
si fueran viento con tus besos volaría, para escapar contigo y no regresaría
Que si tus besos son sinceros te amaría, si no lo son yo de seguro igual lo haría
Que si tus besos fueran tiempo crecería, si fueran fe yo con tus besos
Que si tus besos fueran agua bebería, si fueran barcos de seguro encallaría,
si fueran viento con tus besos volaría, para escapar contigo y no regresaría
Que si tus besos son sinceros te amaría, si no lo son yo de seguro igual lo haría
Que si tus besos fueran tiempo crecería, si fueran fe yo con tus besos..

Artist Bio

MAQUI creates warm Latin, rock, blues, and singer-songwriter material with emotional directness, hopeful movement, and relationship-centred sync utility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SLEEPY JOHN ESTES — PAUL REDDICK

OMR Cue Map

Track: SLEEPY JOHN ESTES
Clean Intro: Moderate
Edit Points: SLEEPY JOHN ESTES offers edit points at vocal phrase endings, Electric Guitar / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for blues homage, vintage longing, romantic road reflection, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Rock identity.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 133
Genres: BLUES / ROCK
Vocals: Male Vocal
Moods: ENERGETIC / PLAYFUL / RETRO / ROMANTIC
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: LONGING / NOSTALGIA / TIME
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HARMONICA / PERCUSSION

Track Summary:
SLEEPY JOHN ESTES blends expressive vocals, energetic, playful, retro, romantic, and Electric Guitar / Percussion / Drums into a supervisor-facing cue designed for blues homage, vintage longing, romantic road reflection.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: blues homage, vintage longing, romantic road reflection
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for blues homage, vintage longing, romantic road reflection.

Stem Tracks

Yes

Track Narrative

SLEEPY JOHN ESTES blends expressive vocals, energetic, playful, retro, romantic, and Electric Guitar / Percussion / Drums into a supervisor-facing cue designed for blues homage, vintage longing, romantic road reflection.

Lyrics

Another night buzzed and all wound round
We chased your hound dog down and down
We chased your hound dog down and down
We chased your hound dog down and down
All the world in silhouette
With Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette
Who'd a known and who could tell
That livin so hard was livin so well
Long gone down gone to stay
Night by night baby day by day
Rollin a stone long overdue
Calling a song sweet and blue
Calling a song sweet and blue
Calling a song sweet and blue
Out rolled the dawning cross the right of way
It gets so lonesome tween night and day
It gets so lonesome tween night and day
It gets so lonesome tween night and day
Who'd a known and who could tell
That livin so hard was livin so well
Long gone down gone to stay
Night by night darlin day by day
Another night buzzed and all wound round
We chased your hound dog down and down
We chased your hound dog down and down
We chased your hound dog down and down
All the world in silhouette
With Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette
Who'd a known and who could tell
That livin so hard was livin so well
Long gone down gone to stay
Night by night baby day by day

Artist Bio

PAUL REDDICK creates blues, roots, and rock songs with grit, wit, swagger, and danger, giving supervisors strong options for crime, road, rebellion, and character-driven edge.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SO LONG AS YOU'VE BEEN LOVED — LEE PALMER

OMR Cue Map

Track: SO LONG AS YOU'VE BEEN LOVED
Clean Intro: Moderate
Edit Points: SO LONG AS YOU'VE BEEN LOVED offers edit points at vocal phrase endings, Acoustic Guitar / Strings / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for tender reassurance, country-folk romance, lived-in affection, especially where comedy scenes need clear emotional direction, natural editorial movement, and a distinct Country / Folk / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 90
Genres: COUNTRY / FOLK / SING / SONG
Vocals: Female Vocal, Male Vocal
Moods: CAREFREE / EMOTIVE / MINIMAL / POWERFUL / ROMANTIC
Sync Themes: COMEDY / ROMANCE / WESTERN
Lyric Themes: CONNECTION / LIFE / LOVE / STRENGTH / TIME
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / ACCORDION / BASS / PERCUSSION / STRINGS

Track Summary:
SO LONG AS YOU'VE BEEN LOVED blends expressive vocals, carefree, emotive, minimal, powerful, romantic, and Acoustic Guitar / Strings / Percussion into a supervisor-facing cue designed for tender reassurance, country-folk romance, lived-in affection.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: tender reassurance, country-folk romance, lived-in affection
• Sync themes: COMEDY / ROMANCE / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for tender reassurance, country-folk romance, lived-in affection.

Stem Tracks

Yes

Track Narrative

SO LONG AS YOU'VE BEEN LOVED blends expressive vocals, carefree, emotive, minimal, powerful, romantic, and Acoustic Guitar / Strings / Percussion into a supervisor-facing cue designed for tender reassurance, country-folk romance, lived-in affection.

Lyrics

If you ask how I am, I'd say fair to Midland
If you ask where I'm bound, it's towards the sun
If you ask where I've been, that's a story I could tell you
But it's in the past and already done
It don't matter if you climb
The highest mountain and shine
With the stars high above
It don't matter if you swim
Clear across the ocean
So long as you've been loved
And if you asked about love I'd say I'm no expert
If you asked where it's found I can't say my friend
If you asked where it's been I'd say there from the beginning
Like there to the very end
It don't matter if you climb
The highest mountain and shine
With the stars high above
It don't matter if you swim
Clear across the ocean
So long as you've been loved
If you ask how I am, I'd say terrific
If you ask where I'm bound, it's just ahead
If you ask what I've learned, that's a story I could tell you
But I'll sing it in these words instead
It don't matter if you climb the highest mountain
And shine with the stars high above
It don't matter if you swim clear across the ocean
So long as you've been loved
So long as you've been loved

Artist Bio

LEE PALMER creates roots, blues, country, and singer-songwriter material with lived-in character, humour, romance, and reflective life experience built into the performances.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SOMEBODY'S DAUGHTER — LEE PALMER

OMR Cue Map

Track: SOMEBODY'S DAUGHTER
Clean Intro: Moderate
Edit Points: SOMEBODY'S DAUGHTER offers edit points at vocal phrase endings, Acoustic Guitar / Drums / Bass changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Acoustic Guitar movement.

Use Case:
Strong use for human consequence, family memory, country-rock compassion, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Country / Folk / Pop / Rock / Sing / Song identity.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 102
Genres: COUNTRY / FOLK / POP / ROCK / SING / SONG
Vocals: Male Vocal
Moods: DRAMATIC / HAPPY / LIGHT / LOVE / POSITIVE / POWERFUL / REFLECTIVE / ROMANTIC / SAD / SERIOUS
Sync Themes: DRAMA / MYSTERY / WESTERN
Lyric Themes:
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / BASS / DRUMS / HARMONICA

Track Summary:
SOMEBODY'S DAUGHTER blends expressive vocals, dramatic, happy, light, love, positive, powerful, and Acoustic Guitar / Drums / Bass into a supervisor-facing cue designed for human consequence, family memory, country-rock compassion.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: human consequence, family memory, country-rock compassion
• Sync themes: DRAMA / MYSTERY / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for human consequence, family memory, country-rock compassion.

Stem Tracks

Yes

Track Narrative

SOMEBODY'S DAUGHTER blends expressive vocals, dramatic, happy, light, love, positive, powerful, and Acoustic Guitar / Drums / Bass into a supervisor-facing cue designed for human consequence, family memory, country-rock compassion.

Lyrics

Why did you stay there?
You loved the colours on the land
Why did you stay there?
You loved the colours on the land
In the howlin wind of nowhere
The cover found hand in hand
You loved the colours
Did you forget some place along?
You loved the colours
Did you forget some place along?
The cover found hand in hand
Long gone as a song

Did you forget some place?
Some time some afternoon alone
Did you forget some place?
Some time some afternoon alone
Along and gone as a song
A vision of our happy home

Some afternoon alone
You called me long back when
Some afternoon alone
You called me long back when
A vision of our happy home
Here I am that was then

You called me long back when
I never did the things I should
You called me long back when
I never did the things I should
But here I am that was then
The moon is rising red as blood

Artist Bio

LEE PALMER creates roots, blues, country, and singer-songwriter material with lived-in character, humour, romance, and reflective life experience built into the performances.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
STAR AND MOON — PAUL REDDICK

OMR Cue Map

Track: STAR AND MOON
Clean Intro: Moderate
Edit Points: STAR AND MOON offers edit points at vocal phrase endings, Electric Guitar / Drums / Bass changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for moonlit longing, vintage blues romance, western night solitude, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Folk / Vintage identity.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 138
Genres: BLUES / FOLK / VINTAGE
Vocals: Male Vocal
Moods: DARK / LOVE / MOODY / SAD
Sync Themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE / WESTERN
Lyric Themes: LONGING / LOVE / NATURE / NOSTALGIA / TIME
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HARMONICA

Track Summary:
STAR AND MOON blends expressive vocals, dark, love, moody, sad, and Electric Guitar / Drums / Bass into a supervisor-facing cue designed for moonlit longing, vintage blues romance, western night solitude.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: moonlit longing, vintage blues romance, western night solitude
• Sync themes: ART HOUSE / DRAMA / INDIE / MYSTERY / ROMANCE / WESTERN
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for moonlit longing, vintage blues romance, western night solitude.

Stem Tracks

Yes

Track Narrative

STAR AND MOON blends expressive vocals, dark, love, moody, sad, and Electric Guitar / Drums / Bass into a supervisor-facing cue designed for moonlit longing, vintage blues romance, western night solitude.

Lyrics

Can you hear beyond the blue?
Far and nearly gone from time
I have words for you for you
You’ve got to leave it all behind
Leave it all behind
Leave it all behind
The sweet scent still lingers
In the liquid of your clothes
The secret holds it’s silence
We will never know
Never know
Never know
Couldn’t stay and couldn’t go
The beauties of the scene
They pass us by in a single glance
Another blue another green
Blue and green
Blue and green
Bells ring reminders
For all the hours and all the days
If I could only hold them back
And look upon your face
Upon your face
Upon your face
Follow closely follow close
As the falling afternoon
As night follows day
And the star follows the moon
Follows the moon
Follows the moon

Artist Bio

PAUL REDDICK creates blues, roots, and rock songs with grit, wit, swagger, and danger, giving supervisors strong options for crime, road, rebellion, and character-driven edge.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SUMMER — ELMER FERRER

OMR Cue Map

Track: SUMMER
Clean Intro: Yes
Edit Points: SUMMER offers usable edit points around Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Percussion-led bed sections; mid-track warm seasonal travel passage; outro texture for transitions.

Use Case:
Strong use for warm seasonal travel, light romance, playful acoustic colour, especially where comedy scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Folk / Latin identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 53
Genres: BLUES / FOLK / LATIN
Vocals: Instrumental
Moods: ATMOSPHERIC / FUN / HAPPY / HOPEFUL / LIGHT / MINIMAL / PLAYFUL / POSITIVE / QUIRKY / REFLECTIVE / ROMANTIC / UPLIFTING / WARM
Sync Themes: COMEDY / DRAMA / ROMANCE / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION

Track Summary:
SUMMER blends instrumental textures, atmospheric, fun, happy, hopeful, light, minimal, and Percussion into a supervisor-facing cue designed for warm seasonal travel, light romance, playful acoustic colour.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: warm seasonal travel, light romance, playful acoustic colour
• Sync themes: COMEDY / DRAMA / ROMANCE / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for warm seasonal travel, light romance, playful acoustic colour.

Stem Tracks

Yes

Track Narrative

SUMMER blends instrumental textures, atmospheric, fun, happy, hopeful, light, minimal, and Percussion into a supervisor-facing cue designed for warm seasonal travel, light romance, playful acoustic colour.

Instrumental Usage

Fully instrumental and one-stop, “SUMMER” supports cinematic storytelling without lyrical distraction. Especially useful for warm seasonal travel, light romance, playful acoustic colour.

Artist Bio

ELMER FERRER creates cinematic instrumental music built around atmosphere, movement, emotional utility, and edit-ready underscore for drama, mystery, sci-fi, and transition work.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SAVE RAP — RADAGAST THE BROWN

OMR Cue Map

Track: SAVE RAP
Clean Intro: Moderate
Edit Points: SAVE RAP offers edit points at vocal phrase endings, Synth / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for quirky confidence, comic swagger, playful hip hop momentum, especially where comedy scenes need clear emotional direction, natural editorial movement, and a distinct Hip Hop identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 90
Genres: HIP HOP
Vocals: Male Vocal
Moods: CONFIDENT / COOL / FUN / PARTY / QUIRKY / RHYTHMIC / SWAGGER / UPBEAT
Sync Themes: COMEDY / DRAMA / SPORTS / INDIE
Lyric Themes: ADVENTURE / EMPOWERMENT / ENERGY / ESCAPE / HOME
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
SAVE RAP blends expressive vocals, confident, cool, fun, party, quirky, rhythmic, and Synth / Percussion / Drums into a supervisor-facing cue designed for quirky confidence, comic swagger, playful hip hop momentum.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: quirky confidence, comic swagger, playful hip hop momentum
• Sync themes: COMEDY / DRAMA / SPORTS / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for quirky confidence, comic swagger, playful hip hop momentum.

Stem Tracks

Yes

Track Narrative

SAVE RAP blends expressive vocals, confident, cool, fun, party, quirky, rhythmic, and Synth / Percussion / Drums into a supervisor-facing cue designed for quirky confidence, comic swagger, playful hip hop momentum.

Lyrics

Rap without no padlock, I'm like Dave Babcock or Matlock
I'm at the fishing taco with the fat cock for rap props
You think I get some C's, no I got mingus degrees, Ronald
I've gone bonkers, carry a golden compass,
Harry important trumpet can touch tonsils
So much sponsors, look is Toronto, you clinch dentures to my great adventure
You can pay the pinter
Rappers standing near looking like a hairless Gary Canou
I bury the flute, yield crop, bearing the fruit,
compare me to rare stuff, dare me to toot
You rappers like Juice Newton, you nuisances can't even put your two cents in
Stupid shit I'm still fencing, super shit I'm Superman
Flying 'round the world and saving rap
Shaving cats, engraving rap with a signature
The dignitary liberates warm nipples
Raps that form ripple waves
Triple wealth grants and shoe, rappers eating packs of ass cracks
Flying 'round the world to save rap
Flying 'round the world to save rap
Flying 'round the world to save rap
Flying 'round the world carpet man
One milky trombone to ease your nerves, some seeds deserve no hors d'oeuvres
You out of order serving chowder at the chowder counter
Corn husk MC's, jealous 'cause I'm out in Tuscany
Breast in my face, hard like a newt, testicle in the base
Messing with me is a lesson in P, Ronnie, a lesser MC knows my grease flows
See me calculate, palpitate, salad in Talpiot days, eradicate crab cakes
They fantasize my phallus size
I melanate then I celebrate
My can of P of gigantic D is obvious
Rappers call me Johnny Baloney, you call me Dr. Piss
The optimal flow is possible bro, I'm impossible, you just got to know
I'm like a hoagie, you wanna know me?
Rab Brown on the beat
Ladies know I'm counting, they queef from mountain to beef
Scuba
Flying 'round the world to save rap
Flying 'round the world I save rap
Flying 'round the world to save rap
Flying 'round the world carpet man
I'm like a dulcimer
Cherish my onions
You can't see me drop these..
Cherish my onions
You can't see me drop these..

Artist Bio

RADAGAST THE BROWN creates ambient, electronic, and left-field cues with cinematic restraint, focused on mood, isolation, memory, mystery, and slow psychological movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SEASONS — SAMUEL WILLIAMS

OMR Cue Map

Track: SEASONS
Clean Intro: Moderate
Edit Points: SEASONS offers edit points at vocal phrase endings, Synth / Acoustic Guitar / Piano changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for life transition, reflective soul movement, personal growth, especially where coming of age scenes need clear emotional direction, natural editorial movement, and a distinct R&B / Sing / Song / Soul identity.

Sync Pitch Sheet

Song Profile:
Key: B major
BPM: 82
Genres: R&B / SING / SONG / SOUL
Vocals: Female Vocal
Moods: REFLECTIVE / RHYTHMIC
Sync Themes: COMING OF AGE / DRAMA / HISTORICAL / INDIE / ROMANCE
Lyric Themes: CHANGE / FEAR / FREEDOM / STRENGTH / SUCCESS
Type: One Stop

Instrumentation:
ACOUSTIC GUITAR / PERCUSSION / PIANO / STRINGS / SYNTH

Track Summary:
SEASONS blends expressive vocals, reflective, rhythmic, and Synth / Acoustic Guitar / Piano into a supervisor-facing cue designed for life transition, reflective soul movement, personal growth.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: life transition, reflective soul movement, personal growth
• Sync themes: COMING OF AGE / DRAMA / HISTORICAL / INDIE / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for life transition, reflective soul movement, personal growth.

Stem Tracks

Yes

Track Narrative

SEASONS blends expressive vocals, reflective, rhythmic, and Synth / Acoustic Guitar / Piano into a supervisor-facing cue designed for life transition, reflective soul movement, personal growth.

Lyrics

Oh
Ah
Ooh
Ah
Know that seasons change
Nothing stays the same
It's better that way
Oh know that as we change
no need to be afraid
Go out and ride the wave
Oh can't you see this was meant to be
Found the strength I need
to live free
Yeah
Oh can't you see this was meant to be
Know
No more hiding, this is me
Oh
Know that seasons change
Nothing stays the same
It's better that way
Know that as we change
no need to be afraid
Go out and ride the wave
Oh can't you see, this was meant to be
Find the strength I need
to live free yeah
Oh can't you see this was meant to be
Oh no more hiding, this is me
Find a way, seasons change
Seasons change
Don't be afraid
Don't be afraid
Seasons change
The more things that change, stay the same
Woo
Find a way, seasons change
Find a way, don't be afraid
Oh don't be afraid
Find a way, seasons change
the more things change, the more they stay the same
know that seasons change
nothing stays the same
it's better that way
And know that as we change
no need to be afraid
Go out and ride the wave
Oh
cause it's better that way
Ride the wave
Seasons change

Artist Bio

SAMUEL WILLIAMS creates groove-forward instrumental music with jazz, soul, and cinematic texture, giving supervisors usable beds for movement, character, comedy, and emotional release.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SENEGALESE JITNEY — HYP

OMR Cue Map

Track: SENEGALESE JITNEY
Clean Intro: Yes
Edit Points: SENEGALESE JITNEY offers usable edit points around Synth / Percussion / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track street travel passage; outro texture for transitions.

Use Case:
Strong use for street travel, global groove, rhythmic comic movement, especially where adventure scenes need clear emotional direction, natural editorial movement, and a distinct Dance / Electronic / Funk identity.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 114
Genres: DANCE / ELECTRONIC / FUNK
Vocals: Instrumental
Moods: CONFIDENT / COOL / QUIRKY / RHYTHMIC / SEXY / UPBEAT
Sync Themes: ADVENTURE / COMEDY / DRAMA / INDIE
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
SENEGALESE JITNEY blends instrumental textures, confident, cool, quirky, rhythmic, sexy, upbeat, and Synth / Percussion / Drums into a supervisor-facing cue designed for street travel, global groove, rhythmic comic movement.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: street travel, global groove, rhythmic comic movement
• Sync themes: ADVENTURE / COMEDY / DRAMA / INDIE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for street travel, global groove, rhythmic comic movement.

Stem Tracks

Yes

Track Narrative

SENEGALESE JITNEY blends instrumental textures, confident, cool, quirky, rhythmic, sexy, upbeat, and Synth / Percussion / Drums into a supervisor-facing cue designed for street travel, global groove, rhythmic comic movement.

Instrumental Usage

Fully instrumental and one-stop, “SENEGALESE JITNEY” supports cinematic storytelling without lyrical distraction. Especially useful for street travel, global groove, rhythmic comic movement.

Artist Bio

HYP creates electronic, hip hop, R&B, and ambient cues with texture, groove, and cinematic edge for mystery, sci-fi, urban movement, and stylish emotional tension.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SENSATIONAL FRIENDS — JEROME TUCKER

OMR Cue Map

Track: SENSATIONAL FRIENDS
Clean Intro: Moderate
Edit Points: SENSATIONAL FRIENDS offers edit points at vocal phrase endings, Electric Guitar / Horns / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for friendship warmth, soul memory, dramatic ensemble connection, especially where crime scenes need clear emotional direction, natural editorial movement, and a distinct Blues / Funk / R&B identity.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 94
Genres: BLUES / FUNK / R&B
Vocals: Male Vocal
Moods: CHILL / DRAMATIC / FUN / NOSTALGIC / POWERFUL / RHYTHMIC / SERIOUS
Sync Themes: CRIME / DRAMA / MYSTERY
Lyric Themes: FAMILY / FRIENDSHIP / LOVE / POWER / STRENGTH
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HORNS / PERCUSSION

Track Summary:
SENSATIONAL FRIENDS blends expressive vocals, chill, dramatic, fun, nostalgic, powerful, rhythmic, and Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for friendship warmth, soul memory, dramatic ensemble connection.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: friendship warmth, soul memory, dramatic ensemble connection
• Sync themes: CRIME / DRAMA / MYSTERY
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for friendship warmth, soul memory, dramatic ensemble connection.

Stem Tracks

Yes

Track Narrative

SENSATIONAL FRIENDS blends expressive vocals, chill, dramatic, fun, nostalgic, powerful, rhythmic, and Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for friendship warmth, soul memory, dramatic ensemble connection.

Lyrics

When we first met
You were standing at the foot of a mountain
Full of disbelief
Feeling robbed of your future
Raising a family
You could not believe
But I knew you had the power
To climb and skip down the other side
And swim across the great big sea
Then bloom into a flower
A precious flower and a love
And help another little flower
Grow up to be a great big tree
Sensational friend
We'll be there again and again
Sensational friends
Friends to see you in
Never thought much 'bout this thing called cancer
'Til I struck my own mama down
Made me feel like who's this stranger up in a house
Laughing and clowning and lurking around your house
Lord how mercy could be your mama
Could be your daughter, your auntie, your sister
Don't worry if we don't do something soon they're gonna miss you
We're getting up our backs
Raising up a storm
'Cause we's ten feet tall
Sensational friends
Said we's ten feet tall
We'll be there again and again
Like Superman on the double, yeah
Sensational friends
Like Superman
Always on time, yeah
We've got to find an answer to this call
Of giving love, funds and support and all
'Cause research don't come cheap
Reach down into your pockets way down deep
Yeah, sensational friends
(We'll be there again, again, again)
Yeah, we're gonna step in
We're gonna raise a little money
(Sensational friends)
Yeah, we're gonna get together as a walk
(Friends to see you again)
Yeah, we're gonna walk
Yeah, we're gonna walk
(Sensational friends)
Walk all over this town
(We'll be there again, again, again)
Until everybody, everybody knows we's around
(Sensational friends)
Yeah, we're gonna walk
We're gonna walk
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,

Artist Bio

JEROME TUCKER draws on soul, funk, R&B, gospel, and rock, bringing conviction, warmth, and dramatic uplift to relationship, friendship, and resilience-based scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SET IT — MELODIC YOZA

OMR Cue Map

Track: SET IT
Clean Intro: Moderate
Edit Points: SET IT offers edit points at vocal phrase endings, Synth / Percussion / Drums changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for ambition, street confidence, dramatic hip hop resolve, especially where crime scenes need clear emotional direction, natural editorial movement, and a distinct Hip Hop / Indie identity.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 84
Genres: HIP HOP / INDIE
Vocals: Male Vocal
Moods: ATMOSPHERIC / COOL / DRAMATIC / LIGHT / MOODY / POWERFUL / RHYTHMIC / SWAGGER / UPBEAT / UPLIFTING
Sync Themes: CRIME / DRAMA
Lyric Themes: AMBITION / DREAM / STRENGTH / SUCCESS
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
SET IT blends expressive vocals, atmospheric, cool, dramatic, light, moody, powerful, and Synth / Percussion / Drums into a supervisor-facing cue designed for ambition, street confidence, dramatic hip hop resolve.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: ambition, street confidence, dramatic hip hop resolve
• Sync themes: CRIME / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for ambition, street confidence, dramatic hip hop resolve.

Stem Tracks

Yes

Track Narrative

SET IT blends expressive vocals, atmospheric, cool, dramatic, light, moody, powerful, and Synth / Percussion / Drums into a supervisor-facing cue designed for ambition, street confidence, dramatic hip hop resolve.

Lyrics

[Intro]
Yoza
Stand up
Set Mi a go set it ‘cause you know we a go mek it
Like microphone check it watch di way how mi a rep it
Now bounce on select it, don't disrespect it
‘Cause anything you want man you got to go get it

[Chorus]
Set it
‘Cause you know we gonna make it
Even though nuff a them no won't let it
Set it
‘Cause you know we gonna make it
Ca my dreams mi nah run left it
Set it
‘Cause you know we gonna make it
And I will never, never, never forget it
I will never forgеt it no

[Verse 1]
Staying alive just like The Bee Gees
Out hеre hustling my CD
People walk by like they don't see me
And show me man a lot of disrespect
But you know Yoza got no regrets
‘Cause all them haters am gonna put on reset
They so mad, they so mad at my success
Tell them don't be upset
‘Cause imma
See pop shows near Toronto
Get tickets as low as $6

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[Chorus]
Set it
‘Cause you know we gonna make it
Even though nuff a them no won't let it
Set it
‘Cause you know we gonna make it
Ca my dreams mi nah run left it
Set it
‘Cause you know we gonna make it
And I will never, never, never forget it
I will never forget it no

[Verse 2]
Mama say son when you put your work in
Son everything gonna work out
All you got to do is go and get your works out
And look how life just works out
And in my mind yeah, you know I had no doubts
Remember when them used to call me church mouse
But I step up in the place we got mad clout
I hear the, I hear the, I hear the crowd shout

[Chorus]
Set it
‘Cause you know we gonna make it
Even though nuff a them no won't let it
Set it
‘Cause you know we gonna make it
Ca my dreams mi nah run left it
Set it
‘Cause you know we gonna make it
And I will never, never, never forget it
I will never forget it no


[Chorus]
Set It
‘Cause you know we gonna make it
Even though nuff a them no won't let it
Set It
‘Cause you know we gonna make it
Ca my dreams mi nah run left it
Set It
‘Cause you know we gonna make it
And I will never never never never forget it
I will never forget it no

[Bridge]
And putting in work
That’s all I do
I didn't just pop up out of the blue
We gon’ make it
I thought you knew
‘Cause finally my dreams are coming through
So no excuse
We just make moves
And my style go


Chorus:
Set it
‘Cause you know we gonna make it
Even though nuff a them no won't let it
Set it
‘Cause you know we gonna make it
Ca my dreams mi nah run left it
Set it
‘Cause you know we gonna make it
And I will never, never, never forget it
I will never forget it no


[Chorus]
Set it
‘Cause you know we gonna make it
Even though nuff a them no won't let it
Set it
‘Cause you know we gonna make it
Ca my dreams mi nah run left it
Set it
‘Cause you know we gonna make it
And I will never, never, never forget it
I will never forget it no
(Set it)

Artist Bio

MELODIC YOZA creates cinematic hip hop and indie material with ambition, swagger, and emotional stakes, useful for pressure, identity, success, and street-level drama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SHE DANCED — PHEELION

OMR Cue Map

Track: SHE DANCED
Clean Intro: Moderate
Edit Points: SHE DANCED offers edit points at vocal phrase endings, Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Percussion movement.

Use Case:
Strong use for minimal romantic motion, intimate dance, graceful connection, especially where coming of age scenes need clear emotional direction, natural editorial movement, and a distinct Dance / Latin / World identity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 102
Genres: DANCE / LATIN / WORLD
Vocals: Female Vocal
Moods: LIGHT / MINIMAL
Sync Themes: COMING OF AGE / DRAMA / ROMANCE
Lyric Themes: DISCOVERY / RELATIONSHIP / ROMANCE / STRENGTH / UNITY
Type: One Stop

Instrumentation:
PERCUSSION

Track Summary:
SHE DANCED blends expressive vocals, light, minimal, and Percussion into a supervisor-facing cue designed for minimal romantic motion, intimate dance, graceful connection.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: minimal romantic motion, intimate dance, graceful connection
• Sync themes: COMING OF AGE / DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for minimal romantic motion, intimate dance, graceful connection.

Stem Tracks

Yes

Track Narrative

SHE DANCED blends expressive vocals, light, minimal, and Percussion into a supervisor-facing cue designed for minimal romantic motion, intimate dance, graceful connection.

Lyrics

She walked the long winding corridors
as the sunlight shifted through the shadows
Long velvet robe shattered, about it rolled
It fell into a million pieces and it fell into a million pieces
She asked him
She asked him to dance, to sing, to dance, to give him to sing everything
A sense of frankincense erupted to dance, to sing, united to give him passion, everything
To dance, to sing, to give him everything
Do I please you? Do I please you?
To dance, to sing, to give him everything
To dance, to dance, to sing, to sing, to give him, to give him everything

Artist Bio

PHEELION creates atmospheric electronic, dance, and world-pop material with sensual movement, emotional release, and scene-ready rhythm for romance and art-house drama.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SHOULDA, COULDA, WOULDA — OMR

OMR Cue Map

Track: SHOULDA, COULDA, WOULDA
Clean Intro: Moderate
Edit Points: SHOULDA, COULDA, WOULDA offers edit points at vocal phrase endings, Electric Guitar / Horns / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for regret with groove, comic hindsight, retro R&B momentum, especially where action scenes need clear emotional direction, natural editorial movement, and a distinct Funk / Party / Pop / R&B identity.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 120
Genres: FUNK / PARTY / POP / R&B
Vocals: Male Vocal
Moods: BRIGHT / CAREFREE / CATCHY / CONFIDENT / COOL / DRAMATIC / ENERGETIC / FUN / PARTY / QUIRKY / RETRO
Sync Themes: ACTION / COMEDY / CRIME / DRAMA
Lyric Themes: LIFE / LONGING / LOVE / REGRET
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HORNS / PERCUSSION

Track Summary:
SHOULDA, COULDA, WOULDA blends expressive vocals, bright, carefree, catchy, confident, cool, dramatic, and Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for regret with groove, comic hindsight, retro R&B momentum.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: regret with groove, comic hindsight, retro R&B momentum
• Sync themes: ACTION / COMEDY / CRIME / DRAMA
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for regret with groove, comic hindsight, retro R&B momentum.

Stem Tracks

Yes

Track Narrative

SHOULDA, COULDA, WOULDA blends expressive vocals, bright, carefree, catchy, confident, cool, dramatic, and Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for regret with groove, comic hindsight, retro R&B momentum.

Lyrics

CHORUS
SHOULDA COULDA WOULDA
BUT I SAT ON THE FENCE OF REASON
ISN’T, WASN’T, DOESN’T
MEAN THERE’S SOMETHING I DON’T BELIEVE IN

VERSE 1
HOLD ON TO YOUR HAT, I’M GOING BACK
TO WHAT I USED TO KNOW
GOTTA GET MY LIFE BACK ON TRACK
GET AWAY FROM THIS RIDICULOUS SHOW

VERSE 2
SHOULDA PULLED THE SWITCH LONG AGO
PUTTING MY THOUGHTS INTO RHYMES
CAN’T SPEND ANOTHER DAY ALONE
FINDING THE WORDS TO MOVE ME ONE MORE TIME

CHORUS

VERSE 3
LOST SIGHT OF THE MOON COUNTING THE STARS
LIFE WITHOUT YOU PLAYS IN MONOTONE
MISS YOU BEFORE, BEFORE YOU’VE GONE
LIFE’S ON HOLD WHILE THE FUTURE’S POSTPONED

VERSE 4
COULDA LEARNED TO LOVE LIKE YOU DO
SPENT MY LIFE WAITING YOU’RE NEXT MOVE
IF I HAD THE “IT” THAT YOU DO
PEOPLE WOULDA SEEN I HAD NOTHING TO PROVE
SOLO

CHORUS

BRIDGE
I WOULDA BARED MY SOUL TO YOU
LEARNED TO LOVE AS ONE
KNOWING WHAT WE’VE GONE THROUGH
COULDA DONE WHAT’S NEVER BEEN DONE

CHORUS (REPEAT TO FADE)

Artist Bio

OMR Music Production develops scene-aware music with emotional clarity, cinematic pacing, and clearance-focused delivery for supervisors working across drama, comedy, romance, and action.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SI ME VIERAS TU — INDIVIDUO

OMR Cue Map

Track: SI ME VIERAS TU
Clean Intro: Moderate
Edit Points: SI ME VIERAS TU offers edit points at vocal phrase endings, Electric Guitar / Horns / Percussion changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for desire, youthful romance, bright Latin-soul confidence, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Country / Latin / Soul identity.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 135
Genres: COUNTRY / LATIN / SOUL
Vocals: Female Vocal, Male Vocal
Moods: BRIGHT / CATCHY / CONFIDENT / FUN / UPBEAT
Sync Themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
Lyric Themes: CONNECTION / DESIRE / DREAM / LONELINESS / LOVE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / HORNS / PERCUSSION

Track Summary:
SI ME VIERAS TU blends expressive vocals, bright, catchy, confident, fun, upbeat, and Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for desire, youthful romance, bright Latin-soul confidence.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: desire, youthful romance, bright Latin-soul confidence
• Sync themes: ART HOUSE / COMING OF AGE / DRAMA / INDIE / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for desire, youthful romance, bright Latin-soul confidence.

Stem Tracks

Yes

Track Narrative

SI ME VIERAS TU blends expressive vocals, bright, catchy, confident, fun, upbeat, and Electric Guitar / Horns / Percussion into a supervisor-facing cue designed for desire, youthful romance, bright Latin-soul confidence.

Lyrics

Hoy, sin mirar atrás,
buscando en tu mirada
el color de una oportunidad
Para entrar, para conquistar
aquellos pensamientos
que no te dejan mirar
Pero no es fácil encontrar pretextos para irte a hablar,
no es nada fácil de creer, pero mientras pasas
me robas el alma si me vieras tú
Como a ti te veo yo
Si tu caparazón
tuviera un agujero
y si adentro
hubiera sentimientos,
entenderías
lo que yo estoy viviendo
Hoy, me atrevo a pensar
que desde el cielo te escapaste
y me dejaste una canción sin terminar
Buscaré
en mil canciones más
hasta que me escuches
y te pueda confesar
Que no es tan fácil encontrar pretextos para irte a hablar
No es nada fácil de creer, pero mientras pasas
me robas el alma si me vieras tú
Como a ti te veo yo
Si tu caparazón
tuviera un agujero
y si adentro
hubiera sentimiento,
te entenderías
lo que yo estoy viviendo
Si me vieras tú
Como a ti te veo yo
Si tu caparazón tuviera un agujero
Y si adentro hubiera sentimiento, entenderías
lo que yo estoy viviendo
Porque yo estoy sintiendo
Porque yo estoy muriendo

Artist Bio

INDIVIDUO creates Latin pop and singer-songwriter material with melodic warmth, romantic tension, and emotional accessibility for drama, romance, and coming-of-age scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SILENT NIGHT — SAMUEL WILLIAMS

OMR Cue Map

Track: SILENT NIGHT
Clean Intro: Moderate
Edit Points: SILENT NIGHT offers edit points at vocal phrase endings, Electric Guitar / Piano / Horns changes, chorus returns, and instrumental breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Electric Guitar movement.

Use Case:
Strong use for holiday intimacy, soulful nostalgia, romantic seasonal emotion, especially where drama scenes need clear emotional direction, natural editorial movement, and a distinct Holiday / Pop / R&B / Soul identity.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 85
Genres: HOLIDAY / POP / R&B / SOUL
Vocals: Female Vocal
Moods: CONFIDENT / DARK / DRAMATIC / LIGHT / LOVE / NOSTALGIC / POWERFUL / RELAXING / RETRO / ROMANTIC / SOMBER / UPBEAT / UPLIFTING
Sync Themes: DRAMA / ROMANCE
Lyric Themes: LOVE
Type: One Stop

Instrumentation:
BASS / DRUMS / ELECTRIC GUITAR / FLUTE / HORNS / PERCUSSION / PIANO

Track Summary:
SILENT NIGHT blends expressive vocals, confident, dark, dramatic, light, love, nostalgic, and Electric Guitar / Piano / Horns into a supervisor-facing cue designed for holiday intimacy, soulful nostalgia, romantic seasonal emotion.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: holiday intimacy, soulful nostalgia, romantic seasonal emotion
• Sync themes: DRAMA / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for holiday intimacy, soulful nostalgia, romantic seasonal emotion.

Stem Tracks

Yes

Track Narrative

SILENT NIGHT blends expressive vocals, confident, dark, dramatic, light, love, nostalgic, and Electric Guitar / Piano / Horns into a supervisor-facing cue designed for holiday intimacy, soulful nostalgia, romantic seasonal emotion.

Lyrics

Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
Silent night
Holy night
All is calm and dark
All is bright round
Young virgin, mother and child
Holy infant, so tender and mild
Heavenly peace
Sleep in heavenly peace
Silent night, oh holy night
Son of God, love's pure light
Oh, wait
Young beams from Thy holy place
With the dawn of redeeming grace
Oh Jesus Lord at Thy birth
Jesus, Lord, at Thy birth
Oh, oh, oh
Hey
Was a sunny night, a holy night
All is calm and all is bright
Was a sunny night, a holy night
All is calm and all is bright
Holy night, all is calm and all is bright
Holy night, all is calm and all is bright
I know that's right
Sleep in heavenly
Sleep in heavenly
Sleep in heavenly peace
Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,

Artist Bio

SAMUEL WILLIAMS creates groove-forward instrumental music with jazz, soul, and cinematic texture, giving supervisors usable beds for movement, character, comedy, and emotional release.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SIRIUS IN RETROGRADE — HYP

OMR Cue Map

Track: SIRIUS IN RETROGRADE
Clean Intro: Yes
Edit Points: SIRIUS IN RETROGRADE offers usable edit points around Synth / Percussion / Drums entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track cosmic swagger passage; outro texture for transitions.

Use Case:
Strong use for cosmic swagger, sci-fi groove, stylish night propulsion, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Electronic / Hip Hop / R&B identity.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 88
Genres: ELECTRONIC / HIP HOP / R&B
Vocals: Instrumental
Moods: ATMOSPHERIC / CONFIDENT / COOL / MOODY / RHYTHMIC / SEXY / UPBEAT
Sync Themes: ART HOUSE / FANTASY / MYSTERY / SCI FI / THRILLER
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / SYNTH

Track Summary:
SIRIUS IN RETROGRADE blends instrumental textures, atmospheric, confident, cool, moody, rhythmic, sexy, and Synth / Percussion / Drums into a supervisor-facing cue designed for cosmic swagger, sci-fi groove, stylish night propulsion.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: cosmic swagger, sci-fi groove, stylish night propulsion
• Sync themes: ART HOUSE / FANTASY / MYSTERY / SCI FI / THRILLER
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for cosmic swagger, sci-fi groove, stylish night propulsion.

Stem Tracks

Yes

Track Narrative

SIRIUS IN RETROGRADE blends instrumental textures, atmospheric, confident, cool, moody, rhythmic, sexy, and Synth / Percussion / Drums into a supervisor-facing cue designed for cosmic swagger, sci-fi groove, stylish night propulsion.

Instrumental Usage

Fully instrumental and one-stop, “SIRIUS IN RETROGRADE” supports cinematic storytelling without lyrical distraction. Especially useful for cosmic swagger, sci-fi groove, stylish night propulsion.

Artist Bio

HYP creates electronic, hip hop, R&B, and ambient cues with texture, groove, and cinematic edge for mystery, sci-fi, urban movement, and stylish emotional tension.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SISI — HYP

OMR Cue Map

Track: SISI
Clean Intro: Yes
Edit Points: SISI offers usable edit points around Synth / Piano / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track dreamy electronic sorrow passage; outro texture for transitions.

Use Case:
Strong use for dreamy electronic sorrow, historical atmosphere, reflective hip hop texture, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Ambient / Electronic / Hip Hop identity.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 87
Genres: AMBIENT / ELECTRONIC / HIP HOP
Vocals: Instrumental
Moods: ATMOSPHERIC / COOL / DARK / DREAMY / EMOTIVE / HOPEFUL / MINIMAL / MOODY / REFLECTIVE / RHYTHMIC / SAD
Sync Themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY / ROMANCE
Lyric Themes:
Type: One Stop

Instrumentation:
PERCUSSION / PIANO / SYNTH

Track Summary:
SISI blends instrumental textures, atmospheric, cool, dark, dreamy, emotive, hopeful, and Synth / Piano / Percussion into a supervisor-facing cue designed for dreamy electronic sorrow, historical atmosphere, reflective hip hop texture.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: dreamy electronic sorrow, historical atmosphere, reflective hip hop texture
• Sync themes: ART HOUSE / DRAMA / HISTORICAL / MYSTERY / ROMANCE
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for dreamy electronic sorrow, historical atmosphere, reflective hip hop texture.

Stem Tracks

Yes

Track Narrative

SISI blends instrumental textures, atmospheric, cool, dark, dreamy, emotive, hopeful, and Synth / Piano / Percussion into a supervisor-facing cue designed for dreamy electronic sorrow, historical atmosphere, reflective hip hop texture.

Instrumental Usage

Fully instrumental and one-stop, “SISI” supports cinematic storytelling without lyrical distraction. Especially useful for dreamy electronic sorrow, historical atmosphere, reflective hip hop texture.

Artist Bio

HYP creates electronic, hip hop, R&B, and ambient cues with texture, groove, and cinematic edge for mystery, sci-fi, urban movement, and stylish emotional tension.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SMOKE — KELSEY KINDALL (GOODBYE PARTY)

OMR Cue Map

Track: SMOKE
Clean Intro: Moderate
Edit Points: SMOKE offers edit points at vocal phrase endings, Synth / Percussion / Bass changes, chorus returns, and instrumental breaks.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: Intro or verse bed before dense vocals; chorus/refrain lift; instrumental bridge around the Synth movement.

Use Case:
Strong use for moody attraction, romantic regret, smoky R&B tension, especially where romance scenes need clear emotional direction, natural editorial movement, and a distinct Pop / R&B identity.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 80
Genres: pop / R&b
Vocals: female vocal
Moods: catchy / cool / moody / positive / rhythmic / upbeat
Sync Themes: romance / drama / thriller / indie / art house
Lyric Themes: fear / love / pain / regret / struggle
Type: One Stop

Instrumentation:
bass / percussion / synth

Track Summary:
SMOKE blends expressive vocals, catchy, cool, moody, positive, rhythmic, upbeat, and Synth / Percussion / Bass into a supervisor-facing cue designed for moody attraction, romantic regret, smoky R&B tension.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: moody attraction, romantic regret, smoky R&B tension
• Sync themes: romance / drama / thriller / indie / art house
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for moody attraction, romantic regret, smoky R&B tension.

Stem Tracks

Yes

Track Narrative

SMOKE blends expressive vocals, catchy, cool, moody, positive, rhythmic, upbeat, and Synth / Percussion / Bass into a supervisor-facing cue designed for moody attraction, romantic regret, smoky R&B tension.

Lyrics

The smoke alarm went off again
I'm asleep
Rather be on fire then
Be on the street
Comfy in my bed
No I don't wanna leave
I don't wanna leave

Been in the fire many times
No big deal
I know how to compromise
Scars will heal right?
If I close my eyes
I can be naive

Might be a false alarm
I tell myself
It'll rain and put it out
I'll ignore the signs
The only way I sleep at night

Smoke fogs up my brain
Smoke blinds me from the pain
I know that this won't make much sense
I'm addicted at my own expense
Smoke convinces me to stay

I forgot you lit the fire

I forgot you

The smoke alarm went off again
I don't care
Let it keep on ringing in my ears
Never be as loud as all the fears
Of being by myself
If it was someone else I'd call her crazy
Stick around and pray he's gonna save me
Put myself in danger for the maybe

Might be a false alarm
I tell myself
It'll rain and put it out
I'll ignore the signs
The only way I sleep at night

Smoke fogs up my brain
Smoke blinds me from the pain
I know that this won't make much sense
I'm addicted at my own expense
Smoke convinces me to stay

Smoke (fog up my brain)
Smoke (go up in flames)
Smoke (keep me in a haze)
Smoke (you shouldn't stay)

Stop drop let it roll off your back
Wake up time to leave it in the past
I forgot you lit the fire
The smoke alarm went off again
I'm asleep

Artist Bio

KELSEY KINDALL creates dark, atmospheric cinematic pop with vulnerable vocals, emotional precision, and strong tension for romance, escape, regret, and identity-driven scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SMOOTH SEKHMET — HYP

OMR Cue Map

Track: SMOOTH SEKHMET
Clean Intro: Yes
Edit Points: SMOOTH SEKHMET offers usable edit points around Synth / Piano / Percussion entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track dark sensual groove passage; outro texture for transitions.

Use Case:
Strong use for dark sensual groove, mythic confidence, stylish electronic mystery, especially where art house scenes need clear emotional direction, natural editorial movement, and a distinct Hip Hop / R&B / Soul identity.

Sync Pitch Sheet

Song Profile:
Key: A# Minor
BPM: 84
Genres: HIP HOP / R&B / SOUL
Vocals: Instrumental
Moods: ATMOSPHERIC / COOL / DARK / MOODY / RHYTHMIC / SEXY
Sync Themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / SCI FI
Lyric Themes:
Type: One Stop

Instrumentation:
BASS / DRUMS / PERCUSSION / PIANO / SYNTH

Track Summary:
SMOOTH SEKHMET blends instrumental textures, atmospheric, cool, dark, moody, rhythmic, sexy, and Synth / Piano / Percussion into a supervisor-facing cue designed for dark sensual groove, mythic confidence, stylish electronic mystery.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: dark sensual groove, mythic confidence, stylish electronic mystery
• Sync themes: ART HOUSE / DRAMA / FANTASY / MYSTERY / SCI FI
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for dark sensual groove, mythic confidence, stylish electronic mystery.

Stem Tracks

Yes

Track Narrative

SMOOTH SEKHMET blends instrumental textures, atmospheric, cool, dark, moody, rhythmic, sexy, and Synth / Piano / Percussion into a supervisor-facing cue designed for dark sensual groove, mythic confidence, stylish electronic mystery.

Instrumental Usage

Fully instrumental and one-stop, “SMOOTH SEKHMET” supports cinematic storytelling without lyrical distraction. Especially useful for dark sensual groove, mythic confidence, stylish electronic mystery.

Artist Bio

HYP creates electronic, hip hop, R&B, and ambient cues with texture, groove, and cinematic edge for mystery, sci-fi, urban movement, and stylish emotional tension.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
SMOOTHY — SAMUEL WILLIAMS

OMR Cue Map

Track: SMOOTHY
Clean Intro: Yes
Edit Points: SMOOTHY offers usable edit points around Synth / Electric Guitar / Piano entrances, motif repeats, dynamic lifts, and arrangement transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: Synth-led bed sections; mid-track bright soul-jazz cool passage; outro texture for transitions.

Use Case:
Strong use for bright soul-jazz cool, playful swagger, easy character movement, especially where animation scenes need clear emotional direction, natural editorial movement, and a distinct Jazz / Soul identity.