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Please reference:
LA CASCADA — TIFFANY JOY

OMR Cue Map

Track: LA CASCADA
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 99
Genres: Sing / Song
Vocals: Female Vocal
Moods: Bright / Moody / Positive / Quirky / Reflective
Sync Themes: Adventure / Drama / Romance
Lyric Themes: Love
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
LA CASCADA blends expressive vocals, bright,moody,positive,quirky,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Adventure / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LA CASCADA blends expressive vocals, bright,moody,positive,quirky,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

venir a descansar
en la cascada de mi mente
Yo te puedo dar
toda la paz que tú no sientes
Con todo lo que doy me dan ganas de
enseñarte la belleza
Pero tu soledad
te duele tanto que pierdes fe en mi presencia
Oh, no llores, mi niña
Yo haré tus fantasías
Si vives bien tu vida,
el amor lo encontrarás
Ayúdame, Señor,
pide la niña a los cielos
Como el agua yo, yo quiero ser cuando desciendo
Sin preocupación y con pura razón, ser el agua que cae por la montaña
para descansar
con las gotas que construyen su mundo
No llores, mi niña
Yo haré tus fantasías
Si vives bien tu vida,
el amor lo encontrarás
El amor lo encontrarás
Me siento como la niña
Quiero brillar como el amor
Olvidarme de la realidad y sentir y sentir ese calor
Pero es tan difícil conocerlo,
aunque sé que tiene razón
Porque creer en el amor es creer en mi corazón
y me dices otra vez. No llores, mi niña
Yo daré tus fantasías
Si vives bien tu vida,
el amor lo encontrarás
El amor lo encontrarás
El amor lo encontrarás

Artist Bio

TIFFANY JOY creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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Please reference:
LA DANSE — KRISTIN SWEETLAND

OMR Cue Map

Track: LA DANSE
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 101
Genres: Ambient
Vocals: Instrumental
Moods: Hopeful / Romantic / Sad
Sync Themes: Drama / Indie / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Electric Guitar / Percussion / Piano / Strings / Synth

Track Summary:
LA DANSE blends instrumental textures, hopeful,romantic,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LA DANSE blends instrumental textures, hopeful,romantic,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LA DANSE” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
LAMPS OF UNENDING LIGHT — RADAGAST THE BROWN

OMR Cue Map

Track: LAMPS OF UNENDING LIGHT
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 127
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Atmospheric / Hopeful / Minimal / Reflective
Sync Themes: Drama / Indie / Adventure / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Strings / Synth

Track Summary:
LAMPS OF UNENDING LIGHT blends instrumental textures, atmospheric,hopeful,minimal,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Indie / Adventure / Sci-Fi
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LAMPS OF UNENDING LIGHT blends instrumental textures, atmospheric,hopeful,minimal,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LAMPS OF UNENDING LIGHT” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

RADAGAST THE BROWN creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LATE IN THE EVENING — MATTIE LEON

OMR Cue Map

Track: LATE IN THE EVENING
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 112
Genres: Indie / Sing / Song / Soul
Vocals: Male Vocal
Moods: Love / Moody / Reflective
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance / Thriller
Lyric Themes: Heartbreak / Love / Regret / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
LATE IN THE EVENING blends expressive vocals, love,moody,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LATE IN THE EVENING blends expressive vocals, love,moody,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

It’s late in the evening
When heartbreaks a perfume
Someones gotta take care of you
All that red wine in your body
Whose arms will you stumble into honey
Someones gotta take care of you

Too many times
You wake up entwined
Strangers beside you
God only knows what you let yourself do
Catholic guilt won’t kill you
But drinking to drown it out will
Every nights a mistake
Every morning you’re hollow still

It’s late in the evening
When heartbreaks a perfume
Someones gotta take care of you
All that red wine in your body
Whose arms will you stumble into honey
Someones gotta take care of you

Too many nights
You trusted the lies
Of blowhards that try to
Leave with the easiest thing in the room
Stop looking for love in these places
That run on cheap powder and pills
Every nights a regret
Every morning you’re hollow still

Just a little bit of me dies inside
When I try to talk a little sense into you for the third time
And a car arrives and you’re climbing inside

Love it’s late in the evening
Someones gotta take of you

Artist Bio

MATTIE LEON creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
LE JIG — KRISTIN SWEETLAND

OMR Cue Map

Track: LE JIG
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 90
Genres: Folk / Indie / Sing / Song
Vocals: Instrumental
Moods: Bright / Hopeful / Minimal
Sync Themes: Adventure / Comedy / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Electric Guitar / Keyboard / Strings

Track Summary:
LE JIG blends instrumental textures, bright,hopeful,minimal, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Adventure / Comedy / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LE JIG blends instrumental textures, bright,hopeful,minimal, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LE JIG” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LEAVE YOUR LUGGAGE BY THE POOL — FAKE YOUR OWN DEATH

OMR Cue Map

Track: LEAVE YOUR LUGGAGE BY THE POOL
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 72
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Atmospheric / Bright / Cool / Driving / Moody / Upbeat
Sync Themes: Comedy / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Life / Love / Power / Struggle / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Synth

Track Summary:
LEAVE YOUR LUGGAGE BY THE POOL blends expressive vocals, atmospheric,bright,cool,driving,moody,upbeat, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Comedy / Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LEAVE YOUR LUGGAGE BY THE POOL blends expressive vocals, atmospheric,bright,cool,driving,moody,upbeat, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

In a store full of crime
Just a matter of time
Excuses and inventions
Shut your mouth, pour the wine
Eyes promise to fool
But nothing too cruel
I′ll be blamed
Just the same
While I'm sitting by the pool

She still remembers before
She shot up the store
You′d think that would be enough
But she always wants more stuff
She could have been someone
But so could anyone
Leads me to the register
Miracles get the best of her

There's a scream at birth
It's the start of the curse
Humans making humans
Just by uttering the word
Your hypocrisy
Lives inside of me
And for entertainment
Clap your hands on repeat

Desert island golden rule
Leave your luggage by the pool
Desert island golden rule
Leave your luggage by the pool

Once you′re across the river
Drop the boat and forgive her
It helped you before
But you don′t need it anymore
We all wonder what happens
When distortion advances
We all wonder who will notice
The arrival of locusts

Desert island golden rule
Leave your luggage by the pool
Desert island golden rule
Leave your luggage by the pool

Artist Bio

FAKE YOUR OWN DEATH creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LET YOU BE — ASTERIA

OMR Cue Map

Track: LET YOU BE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 124
Genres: Pop / Sing / Song / Soul
Vocals: Female Vocal
Moods: Bright / Reflective / Rhythmic / Romantic / Sad
Sync Themes: Art House / Drama / Romance
Lyric Themes: Fear / Freedom / Heartbreak / Love / Power
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard / Percussion / Synth

Track Summary:
LET YOU BE blends expressive vocals, bright,reflective,rhythmic,romantic,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LET YOU BE blends expressive vocals, bright,reflective,rhythmic,romantic,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

I see love all around me
the sweetness of the desire hide
Meeting your eyes
heartbreak on my beating inside
is the power in me
This resonating sound
this power is all I really need
Right here right now
My heart knows what to do when words will not play with me
It knows what to say when I can hardly breathe
It lets go as it knows how to love unconditionally
I'm gonna let you be
I wanna set you free
let you be, set you free, set you free
let you see, let you be
let you be, set you free
let you see, let you see
Everything comes full circle
There's nothing to fear this time
I am so aware of the moments we share so precious
Live eternally in my heart, in mind
We are both free
right here right now
My heart knows what to do when words will not play with me
It knows what to say when I can hardly breathe
It lets go as it knows how to love unconditionally
I'm gonna let you be
I wanna set you free
Everything happens for a reason
Just look towards the skies
skies
Everything happens for a reason
Just don't close your eyes
don't close your eyes
My heart knows what to do when words will not play with me
It knows what to say when I can hardly breathe
It lets go as it knows how to love unconditionally
I'm gonna let you be
I wanna set you free
My heart knows what to do and what will not play with me
It knows what to say when I can when I can hardly breathe
Let you be, set you free
I'm gonna let you be
Let you be, I'm gonna set you free
I'm gonna let you be

Artist Bio

ASTERIA creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LIFE ROLLS ON — LEE PALMER

OMR Cue Map

Track: LIFE ROLLS ON
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 105
Genres: Blues
Vocals: Male Vocal
Moods: Carefree / Chill / Cool / Positive / Powerful / Reflective / Relaxing / Romantic / Uplifting / Warm
Sync Themes: Comedy / Romance / Western
Lyric Themes: Hope / Life / Struggle / Success / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
LIFE ROLLS ON blends expressive vocals, carefree,chill,cool,positive,powerful,reflective,relaxing,romantic,uplifting,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Comedy / Romance / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LIFE ROLLS ON blends expressive vocals, carefree,chill,cool,positive,powerful,reflective,relaxing,romantic,uplifting,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

I believe
When you're done, you're done
When you're gone, you're gone
Baby
Life rolls on
Life rolls on
Hardly remember
Hardly ot
Surreal as it seems
Baby
Life rolls on
Life rolls on
Hey, hey, hey
Oh my my
There you go
Where am I?
Hey, hey, hey
Oh my, my
There you go
Where am I?
I believe
When you're done, you're done
'Til that time comes, baby
Life rolls on
Life rolls on
I'll have to wash my hands
Sorry
(Honking)
(Honking)

Artist Bio

LEE PALMER creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LILY — KRISTIN SWEETLAND

OMR Cue Map

Track: LILY
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 87
Genres: Country / Sing / Song
Vocals: Female Vocal
Moods: Dreamy / Driving / Retro / Romantic
Sync Themes: Action / Art House / Drama / Thriller / Western
Lyric Themes: Adventure / Death / Escape / Love / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Strings / Synth

Track Summary:
LILY blends expressive vocals, dreamy,driving,retro,romantic, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Action / Art House / Drama / Thriller / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LILY blends expressive vocals, dreamy,driving,retro,romantic, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Lily and a boy and a pickup truck
Crossed the line between wrong and all fucked up
Lay in the back by the grapestake fence
Wheels, wheels turn faster
Wheels, wheels turn faster

He said “Baby you can sing
And I’m gonna buy you a diamond ring
We’ll go south you’ll be a star”
Wheels, wheels turn faster
Wheels, wheels turn faster

Chorus
I will not lie
I would not die for you
I will not bleed
I will not be love’s fool

Hush now mama don’t you cry
All little birds must learn to fly
I’ll make big and come back someday
Wheels, wheels turn faster
Wheels, wheels turn faster

400 miles in the driving rain
Truck blew a tire outside Spokane
In a whirl of fire like the gospel said
Wheels, wheels turn faster
Wheels, wheels turn faster

Chorus

A blaze of light came from the sky
According to the passersby
It circled with an angel’s grace
Above the ground where Lily lay
Her heart beat faster

Chorus

Lily and a boy and a pickup truck…

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LITTLE LIBBY — PHEELION

OMR Cue Map

Track: LITTLE LIBBY
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 110
Genres: Dance / Electronic
Vocals: Instrumental
Moods: Atmospheric / Cool / Dreamy / Hopeful / Positive / Reflective / Romantic / Warm
Sync Themes: Art House / Coming Of Age / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Synth

Track Summary:
LITTLE LIBBY blends instrumental textures, atmospheric,cool,dreamy,hopeful,positive,reflective,romantic,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Coming Of Age / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LITTLE LIBBY blends instrumental textures, atmospheric,cool,dreamy,hopeful,positive,reflective,romantic,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LITTLE LIBBY” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

PHEELION creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LUNA MOTH AND BUTTERFLY — PAUL REDDICK

OMR Cue Map

Track: LUNA MOTH AND BUTTERFLY
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 86
Genres: Folk / Sing / Song
Vocals: Male Vocal
Moods: Atmospheric / Bright / Cool / Moody / Rhythmic / Romantic / Sad
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Connection / Loneliness / Love / Strength / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Percussion / Synth

Track Summary:
LUNA MOTH AND BUTTERFLY blends expressive vocals, atmospheric,bright,cool,moody,rhythmic,romantic,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

LUNA MOTH AND BUTTERFLY blends expressive vocals, atmospheric,bright,cool,moody,rhythmic,romantic,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

who wore red and who wore blue?
snakeroot sawgrass feverfew
who was straight who was jive?
red dog black jack twenty five
who been movin who been still?
mockingbird and whip-poor-will
who had a little who had plenty?
forty-four and thirty two twenty
who's been lovin who's alone?
table lamp and telephone
who went once who went twice?
five-card stud and a rollin dice
who bet seven who bet nine?
yellow bird and turpentine
who by highway who by lane?
black maria and little black train
who got tossed and who got torn?
forget me not and crown of thorns
who in story who in song?
do me right and do you wrong
who were you and who was i?
luna moth and butterfly
luna moth and butterfly
who's been here and who's been gone?
steady rollin and ramble on
who's been lyin who's been true?
oh black betty and mama roux
who's to tell who's to say?
lonesome road or right of way
who in the morning who at night?
wish i may and wish i might
who's been lovin who's alone?
table lamp and telephone
who went once who went twice?
five-card stud and a rollin dice
who in story who in song?
do me right and do you wrong
who were you and who was i?
luna moth and butterfly
luna moth and butterfly

Artist Bio

Paul Reddick creates roots-driven cinematic music blending blues grit, emotional realism, and Americana atmosphere for film, television, and character-driven narratives.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
LA FIN DU MONDE — KRISTIN SWEETLAND

OMR Cue Map

Track: LA FIN DU MONDE
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: Ab Minor
BPM: 112
Genres: Folk / Sing / Song / World
Vocals: Female Vocal
Moods: Retro / Romantic
Sync Themes: Drama / Historical / Romance / Sci Fi / Thriller
Lyric Themes: Fear / Freedom / Love / Power / Time
Type: One Stop

Instrumentation:
Bass / Drums / Keyboard

Track Summary:
LA FIN DU MONDE blends expressive vocals, retro,romantic, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Drama / Historical / Romance / Sci Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LA FIN DU MONDE blends expressive vocals, retro,romantic, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

La la la la la
La la la la la
La la la la la fin du monde (x 2)

One day when the end has come
By plague or a kill-shot sun
No Y2K déjà vu

Take me to the final show
Give me wings and let me go
High as only I could fly to

La la la la la
La la la la la
La la la la la fin du monde (x 2)

Love fiercely like it won’t last
Go boldly and don’t look back
Say fare thee well and adieu

Imagine a symphony
In glorious harmony
Four horsemen come unto you

La la la la la
La la la la la
La la la la la fin du monde ( x 4)

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LA MISMA PIEDRA — INDIVIDUO

OMR Cue Map

Track: LA MISMA PIEDRA
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 86
Genres: Latin / World
Vocals: Female Vocal, Male Vocal
Moods: Positive / Reflective / Upbeat
Sync Themes: Comedy / Coming Of Age / Drama / Romance
Lyric Themes: Fear / Love / Power
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
LA MISMA PIEDRA blends expressive vocals, positive,reflective,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Comedy / Coming Of Age / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LA MISMA PIEDRA blends expressive vocals, positive,reflective,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Dejé de oír la música, dejé de amar la primavera
Dejé mi risa en un rincón, la inspiración se evaporó
Y mi canción tiene síntomas, de una severa contusión
Siento que todo quisiera darme una señal
siempre busco y nunca encuentro
Perdido en medio del desierto
Esclavo de mis sentimientos
Adonde voy a terminar...
Siempre choco con la misma piedra, cuando me atrevo a caminar
Tal vez no es una cuestión de fuerza, la clave está en volar
(Siempre busco la luz a la primera cuando viene la oscuridad
tal vez este miedo es mi condena
que no me deja ….. en paz)
Quiero volver a suspirar, cada vez que el sol se esconde y se aparece en mi ventana, extraño aquella ingenuidad
Quiero volver a respirar quiero volver a hacer música
Extraño aquella ingenuidad...
Here I go again, commit the same crime like the last time will you be mine in the morning, I got my back against a wall
My mind has got me quarantined, it’s bittersweet the power that’s inside of me the darkness is like nicotine erasing all i’ve come to be and once again I fall

Artist Bio

INDIVIDUO creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LADYBIRD — KRISTIN SWEETLAND

OMR Cue Map

Track: LADYBIRD
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 99
Genres: Country / Folk / World
Vocals: Female Vocal
Moods: Bright / Positive / Reflective
Sync Themes: Coming Of Age / Drama / Fantasy / Indie
Lyric Themes: Freedom / Love / Nature / Strength
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Percussion / Synth

Track Summary:
LADYBIRD blends expressive vocals, bright,positive,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Coming Of Age / Drama / Fantasy / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LADYBIRD blends expressive vocals, bright,positive,reflective, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Ladybird o Ladybird
Sweetest song that I ever heard
Eagle fly but not as high
As Lady and I

Hair of gold and skin of snow
Lips of rose and a wing of crow
One pinch of tobacco
And goodbye, goodbye

Forget him, forsake him
Let go girl, you’ll make it
He’ll never be able
To love you like Ladybird

Sun come up and the rooster cry
Lady’s up in the deep blue sky
Carry me upon the wind
Back home again

Wheels will turn and the winding road
Fire burns and the whistle blows
Sing in me and off we go
Away, away

Forget him, forsake him
Let go girl, you’ll make it
He’ll never be able
To love you like Ladybird

Ladybird o Ladybird Forget him,
Sweetest song that I ever heard Forsake him
Eagle fly but not as high Let go girl
As Lady and I You’ll make it

Hair of gold and skin of snow He’ll never
Lips of rose and wing of crow Be able
One pinch of Tobacco To love you
And goodbye, goodbye Like Ladybird

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LANDMARK — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: LANDMARK
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 87
Genres: Folk / World
Vocals: Instrumental
Moods: Atmospheric / Bright / Hopeful / Light / Minimal / Positive / Reflective / Uplifting / Warm
Sync Themes: Adventure / Art House / Drama / Historical
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
LANDMARK blends instrumental textures, atmospheric,bright,hopeful,light,minimal,positive,reflective,uplifting,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Adventure / Art House / Drama / Historical
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LANDMARK blends instrumental textures, atmospheric,bright,hopeful,light,minimal,positive,reflective,uplifting,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LANDMARK” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

JOSH HOWARD FRIEDMAN creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LEAVE ON — SIL SIMONE

OMR Cue Map

Track: LEAVE ON
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 130
Genres: Latin / Pop / Rock
Vocals: Male Vocal
Moods: Bright / Powerful
Sync Themes: Action / Adventure / Sci Fi / Thriller
Lyric Themes: Discovery / Dream / Escape / Strength / Unity
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Mandolin

Track Summary:
LEAVE ON blends expressive vocals, bright,powerful, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Action / Adventure / Sci Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LEAVE ON blends expressive vocals, bright,powerful, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

LEAVE ON
I'm aiming for the sun
No more waiting I am one
With the thoughts that reside in me
I depart with abandon
And I carry all that I've become
And I welcome the rains that wash me clean
When the arms of gravity, come reaching out for me
So I just take a breath and I soar above the seas And I remind myself to breathe
I surrender to no one
The debts been paid and the ransom
It no longer has a hold on me
The reality, calamity, confronted by this monstrosity
So I close my eyes, step inside to a place that comforts me
And I Free my mind, let it shine and dream
Leave On,Leave on
I need to get to someplace new
I need to rid myself from the chains and the reins and the shame
And I got to got to get on through
Leave on beyond horizons and the arrow on my compass is true
Cause you could never understand who I really really am
I want to share it with you along a coast of golden sand
I want to take you by the hand under the stars in a foreign land
Away
Leave On,Leave on
I need to get to someplace new
I need to rid myself from the chains the reins the shame
And I got to got to get on thru
Cause you could never understand who I really really
Am am
And you could never take from me all the things your
Eyes can't see
Your eyes can't see yeah yeah

Artist Bio

SIL SIMONE creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LEGGERO COME UNA PIUMATURA — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: LEGGERO COME UNA PIUMATURA
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 82
Genres: Classical / World
Vocals: Instrumental
Moods: Light / Minimal / Positive / Reflective / Sad / Warm
Sync Themes: Adventure / Art House / Drama
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
LEGGERO COME UNA PIUMATURA blends instrumental textures, light,minimal,positive,reflective,sad,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Adventure / Art House / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LEGGERO COME UNA PIUMATURA blends instrumental textures, light,minimal,positive,reflective,sad,warm, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LEGGERO COME UNA PIUMATURA” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

JOSH HOWARD FRIEDMAN creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LLEVA Y TRAE — ELMER FERRER

OMR Cue Map

Track: LLEVA Y TRAE
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and cultural movement, immersive rhythm, atmospheric pacing.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 126
Genres: Jazz / Latin
Vocals: Instrumental
Moods: Carefree / Confident / Cool / Energetic / Fun / Happy / Playful / Quirky / Retro / Romantic
Sync Themes: Action / Adventure / Animation / Comedy / Crime / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
LLEVA Y TRAE blends instrumental textures, carefree,confident,cool,energetic,fun,happy,playful,quirky,retro,romantic, and sync-focused pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Action / Adventure / Animation / Comedy / Crime / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LLEVA Y TRAE blends instrumental textures, carefree,confident,cool,energetic,fun,happy,playful,quirky,retro,romantic, and sync-focused pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing.

Instrumental Usage

Fully instrumental and one-stop, “LLEVA Y TRAE” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LO QUE SOY Y LO QUE FUI — INDIVIDUO

OMR Cue Map

Track: LO QUE SOY Y LO QUE FUI
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 93
Genres: Folk / Sing / Song
Vocals: Female Vocal, Male Vocal
Moods: Positive / Reflective / Sad
Sync Themes: Art House / Coming Of Age / Drama / Indie / Romance / Thriller
Lyric Themes: Identity / Regret / Struggle / Success / Survival
Type: One Stop

Instrumentation:
Acoustic Guitar / Keyboard / Percussion

Track Summary:
LO QUE SOY Y LO QUE FUI blends expressive vocals, positive,reflective,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Art House / Coming Of Age / Drama / Indie / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LO QUE SOY Y LO QUE FUI blends expressive vocals, positive,reflective,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Lo Que Soy y Lo Que Fui

Se que no es fácil sonreír, se que las lágrimas no alcanzan
Y cuando pienso que lo voy a conseguir, despierto en medio de la nada
Y una vez más, vuelvo a caer, y una vez más estoy de pie
Son tantos años sin dormir, pensando en mi mejor jugada
Tantas batallas y una sola cicatriz, atravesada en mi garganta
Pero al cantar ya no hay dolor y una vez más se abre el telón

Lo que soy y lo que fui y una melodía envenenada
Me trajeron hasta aquí y no se si aquí estaré mañana
Pero yo nunca me voy a arrepentir de apostarlo todo sin saber quién ganará mañana

En esta camino sin fin, en esta comedia despiadada
No importa cuanto trates de sobrevivir, la duda está garantizada

Pero al cantar, ya no hay dolor
Y una vez más se abre el telón…

Se que no es fácil sonreír, se que las lágrimas no alcanzan
Y cuando siento que ya no puedo seguir, vienes

Artist Bio

INDIVIDUO creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOS GATOS DE ALF — ELMER FERRER

OMR Cue Map

Track: LOS GATOS DE ALF
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and cultural movement, immersive rhythm, atmospheric pacing.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 130
Genres: Blues / Rock / World
Vocals: Instrumental
Moods: Bright / Carefree / Confident / Cool / Energetic / Fun / Happy / Playful / Quirky / Retro / Sexy
Sync Themes: Action / Adventure / Animation / Comedy
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Saxophone

Track Summary:
LOS GATOS DE ALF blends instrumental textures, bright,carefree,confident,cool,energetic,fun,happy,playful,quirky,retro,sexy, and sync-focused pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Action / Adventure / Animation / Comedy
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

LOS GATOS DE ALF blends instrumental textures, bright,carefree,confident,cool,energetic,fun,happy,playful,quirky,retro,sexy, and sync-focused pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing.

Instrumental Usage

Fully instrumental and one-stop, “LOS GATOS DE ALF” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LA VIE (APRES LA GUERRE) — KRISTIN SWEETLAND

OMR Cue Map

Track: LA VIE (APRES LA GUERRE)
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 123
Genres: Classical / Jazz / World
Vocals: Instrumental
Moods: Dramatic / Emotive / Romantic
Sync Themes: Adventure / Art House / Historical / Indie / Mystery / Romance / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Keyboard / Percussion / Piano / Strings / Synth

Track Summary:
LA VIE (APRES LA GUERRE) blends instrumental textures, dramatic,emotive,romantic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Adventure / Art House / Historical / Indie / Mystery / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

LA VIE (APRES LA GUERRE) blends instrumental textures, dramatic,emotive,romantic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LA VIE (APRES LA GUERRE)” supports cinematic storytelling without lyrical distraction. Especially useful for romance, vulnerability, emotional warmth.

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LONELY AT THE TOP — LEE PALMER

OMR Cue Map

Track: LONELY AT THE TOP
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 95
Genres: Blues / Country / Folk / Party / Pop / Rock / Sing / Song
Vocals: Male Vocal
Moods: Carefree / Emotive / Fun / Happy / Party / Powerful / Quirky / Somber
Sync Themes: Comedy / Western
Lyric Themes: Ambition / Loneliness / Strength / Struggle / Success
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Piano

Track Summary:
LONELY AT THE TOP blends expressive vocals, carefree,emotive,fun,happy,party,powerful,quirky,somber, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Comedy / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

LONELY AT THE TOP blends expressive vocals, carefree,emotive,fun,happy,party,powerful,quirky,somber, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

Maybe lonely at the top
It's crowded here near the bottom
I'm gonna work my way up
'Til I get to where I'm wanted
Gonna start and gonna stop
'Til I'm lonely at the top
This working for living can be all consuming
There's taking and there's giving
There's rise and there's ruin
The farther that you climb
The harder you can fall
The view's not clear from here
I want to see it all
Maybe lonely at the top
It's got a ear near the bottom
Gonna work my way up
'Til I get to where I'm wanting
Gonna start and gonna stop
'Til I'm lonely at the top
Me being lonely at the top
Scratch the head near the bottom
Gonna work my way up
Till I get to where I'm wanted
Gonna start ain't gonna stop
Till I'm lonely at the top
Yeah, everyone deserves a break
Not everybody gets one
Hard work is what it takes
To climb your way to lonesome
No shortcuts on the way
Ain't handed on no platter
You gotta get it going on
To make your way up the ladder
Maybe lonely at the top
It's crowded here near the bottom
I'm gonna work my way up
'Til I get to where I'm wanted
I'm gonna start and gonna stop
'Til I'm lonely at the top
It may be lonely at the top
It's crowded here near the bottom
I'm gonna work my way up
'Til I get to where I'm wanting
Gonna start and gonna stop
'Til I'm lonely at the top
Gonna start and gonna stop
'Til I'm lonely at the top

Artist Bio

LEE PALMER creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LONELY AUGUST — JUSTIN ENCO BAND

OMR Cue Map

Track: LONELY AUGUST
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 54
Genres: Ballads / Sing / Song
Vocals: Male Vocal
Moods: Bright / Emotive / Hopeful / Nostalgic / Powerful / Romantic
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie / War
Lyric Themes: Friendship / Loss / Strength / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums

Track Summary:
LONELY AUGUST blends expressive vocals, bright,emotive,hopeful,nostalgic,powerful,romantic, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Art House / Coming Of Age / Drama / Historical / Indie / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

LONELY AUGUST blends expressive vocals, bright,emotive,hopeful,nostalgic,powerful,romantic, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

I think about you all the time
Times together through my mind
Taking young but remaining strong
I thought you should know
Growing up side by side
Smiling me you were my guide
Taken early from this place
See you still at trackies
Remember times we were so young
Not easy but it was fun
In August comes a lonely place
See you still at trace
And we said we would do it together
But someone else had the plans
So I said goodbye forever
You shouldn't have left me now
So young, so long, I wish for you
Take care of others, a gun or two
Keep in mind we'll all be there in time
Until then say goodbye
Tear and a smile for two
I think about you and all you do
The bond we have will always keep
So hard to see you in my sleep
And we said we would do it together
But someone had other plans
So I said goodbye forever
You shouldn't have left me now
I think about you all the time
Times together through my mind
Taking young but growing strong
I thought you should know

Artist Bio

JUSTIN ENCO BAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOVE AND NEVER KNOW — PAUL REDDICK

OMR Cue Map

Track: LOVE AND NEVER KNOW
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 152
Genres: Blues
Vocals: Male Vocal
Moods: Atmospheric / Bright / Cool / Love / Minimal / Moody / Rhythmic / Upbeat
Sync Themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Romance / Sci Fi / Thriller / Video Game
Lyric Themes: Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
LOVE AND NEVER KNOW blends expressive vocals, atmospheric,bright,cool,love,minimal,moody,rhythmic,upbeat, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Romance / Sci Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

LOVE AND NEVER KNOW blends expressive vocals, atmospheric,bright,cool,love,minimal,moody,rhythmic,upbeat, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

Well the rain does fall
And the wind does blow
Fair thee well
Love and never know
Well the sun does shine
And the river does flow
Fair thee well
Love and never know
Well the heart does yearn
And the days they go
Fair thee well
Love and never know
Well some may say
I say it ain’t so
Fair thee well
Love and never know
And never know
And never know
Oh love and never know
Well the stars up above
And the ground down below
Fair thee well
Love and never know
Well the seasons slide
Steady and slow
Fair thee well
Love and never know
And never know
And never know
Oh love and never know
The mystery is the beauty
The mystery is the truth
To wonder wonder wonder
Is all you got to
Well it’s hard to keep track
Of the seeds we sow
Fair thee well
Love and never know
Well the future’s coming
Row by row
Fair thee well

Love and never know

Artist Bio

Paul Reddick creates roots-driven cinematic music blending blues grit, emotional realism, and Americana atmosphere for film, television, and character-driven narratives.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOVE BEFORE — MATTIE LEON

OMR Cue Map

Track: LOVE BEFORE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 110
Genres: Pop / Sing / Song
Vocals: Male Vocal
Moods: Dreamy / Light / Love / Minimal / Moody / Positive / Reflective / Warm
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie
Lyric Themes: Connection / Heartbreak / Hope / Identity / Love
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Piano

Track Summary:
LOVE BEFORE blends expressive vocals, dreamy,light,love,minimal,moody,positive,reflective,warm, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Art House / Coming Of Age / Drama / Historical / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

LOVE BEFORE blends expressive vocals, dreamy,light,love,minimal,moody,positive,reflective,warm, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

Another year goes by
with memories that pile up like wood by the fire
Another season change
One day they all start to feel the same way

I thought I knew everything that there was to know
I thought I'd felt every beat of my heart but

No I was wrong 'cause we had you
and now I'm not so sure
Oh 'cause the more I'm around you
the less I think
I knew love before

Another sleepless night
woke up a wreck before the sun got to rise
But if you need me there
I'll wake up a wreck every night in this chair

I thought I'd met everyone that I'd care to know
I thought I'd felt every beat of my heart but

No I was wrong 'cause we had you
and now I'm not so sure
Oh 'cause the more I'm around you
the less I think
I knew love before

So many things I want to say
I hope I get the chance to some day
As long as you know that you're so loved

Oh I was wrong 'cause we had you
and now I'm not so sure
Oh 'cause the more I'm around you
the less I think
I knew love before

Artist Bio

MATTIE LEON creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LUCK IN LOVE — PAUL REDDICK

OMR Cue Map

Track: LUCK IN LOVE
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and romance, vulnerability, emotional warmth.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 82
Genres: Folk / Indie / Rock
Vocals: Male Vocal
Moods: Dark / Love / Moody / Sad
Sync Themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Romance / Sci Fi / Thriller / Video Game
Lyric Themes: Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Percussion

Track Summary:
LUCK IN LOVE blends expressive vocals, dark,love,moody,sad, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Romance / Sci Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

LUCK IN LOVE blends expressive vocals, dark,love,moody,sad, and sync-focused pacing into a cue designed for romance, vulnerability, emotional warmth.

Lyrics

Put in on and let it go
Let it slide to and fro
It’s just the thing yes indeed
Oh I know what you need
Luck in love TNT
Here’s the place you should be
Night and day day and night
Don’t be gone it’s alright
Luck in love one from three
Here’s the place that you should be
Jump down turn around bend a knee
Saddle my pony on the open green
Takin time stealin this
Rise and fly I sure will miss
Luck in love TNT
Here’s the place you should be
Luck in love one from three
Here’s the place you should be
Saddle my pony on the open ground
Jump down jump down turn around

Artist Bio

Paul Reddick creates roots-driven cinematic music blending blues grit, emotional realism, and Americana atmosphere for film, television, and character-driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LADIES' MAN — OMR

OMR Cue Map

Track: LADIES' MAN
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 125
Genres: Grunge / Indie / Metal / Party / Rock
Vocals: Male Vocal
Moods: Bright / Carefree / Confident / Dramatic / Party / Romantic
Sync Themes: Action / Comedy / Crime / Drama / Mystery / Romance
Lyric Themes: Desire / Love / Relationship / Struggle / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
LADIES' MAN blends expressive vocals, bright,carefree,confident,dramatic,party,romantic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Action / Comedy / Crime / Drama / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LADIES' MAN blends expressive vocals, bright,carefree,confident,dramatic,party,romantic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

VERSE 1
I never seem to find love
But I’ll never give up the quest
Though I’ve been with many pretty girls
I won’t settle for second best

CHORUS
I’m a ladies’ man, I’m a ladies’ man
I’m in for the ride of my life
I’m a ladies’ man, I’m a ladies’ man
I know I’ve got no attention span

VERSE 2
I’m reeled in by my head-strings
My heart ain’t got no say
From the moment that you’re caught
I’ve got my eye on my next prey

CHORUS
BRIDGE
I’m on the roller coaster of passion
Holding on as tight as I can
I know my true love’s somewhere out there
But not for a ladies’ man

SOLO

VERSE 3
I never seem to find love
But I’ll never give up the quest
Sometimes I think on settling down
But I put those moments to rest

CHORUS (Repeat)

OUTRO

Artist Bio

OMR Music develops emotionally resonant cinematic music blending melodic atmosphere, emotional momentum, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LAS FIESTAS DE PONCE — AMHED MITCHEL

OMR Cue Map

Track: LAS FIESTAS DE PONCE
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 112
Genres: Jazz / World
Vocals: Instrumental
Moods: Carefree / Dramatic / Energetic / Fun / Party / Playful / Quirky
Sync Themes: Animation / Comedy / Crime / Drama
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
LAS FIESTAS DE PONCE blends instrumental textures, carefree,dramatic,energetic,fun,party,playful,quirky, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Animation / Comedy / Crime / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LAS FIESTAS DE PONCE blends instrumental textures, carefree,dramatic,energetic,fun,party,playful,quirky, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LAS FIESTAS DE PONCE” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

AMHED MITCHEL creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LEGENDS NEVER DIE — OMR

OMR Cue Map

Track: LEGENDS NEVER DIE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 120
Genres: Indie / Pop / Reggae
Vocals: Female Vocal, Male Vocal
Moods: Catchy / Chill / Dramatic / Hopeful
Sync Themes: Crime / Drama / Fantasy / Mystery
Lyric Themes: Death / Hope / Life / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
LEGENDS NEVER DIE blends expressive vocals, catchy,chill,dramatic,hopeful, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Crime / Drama / Fantasy / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LEGENDS NEVER DIE blends expressive vocals, catchy,chill,dramatic,hopeful, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

VERSE 1
I miss the songs that could have been
If they were still around
Visions never brought to life
Message run aground
If all the songs that could have been
Where lined up one by one
Our battles would be fought with words
Instead of with a gun

CHORUS
We miss the words, we never heard
Across the land, all over the world
Just one more song to help us comprehend
Though legends die, their dreams will never end

VERSE 2
I miss the songs that should have been
This message borne within
“Love will last eternally, Love will always win”
If all the songs that could have been, where
sung from this day on
We might just give world peace a chance, our
poets not yet gone

CHORUS

BRIDGE
As decades fade and fall away
And memories cast aside
New heroes will emerge one day
Their message unified

INTERLUDE

CHORUS

Artist Bio

OMR Music develops emotionally resonant cinematic music blending melodic atmosphere, emotional momentum, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LEVITICUS — THE GREEN DOOR

OMR Cue Map

Track: LEVITICUS
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 116
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Atmospheric / Dark / Gritty / Moody / Retro
Sync Themes: Crime / Thriller / Drama
Lyric Themes: Death / Regret / Struggle / Succcess
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
LEVITICUS blends expressive vocals, atmospheric,dark,gritty,moody,retro, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Crime / Thriller / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LEVITICUS blends expressive vocals, atmospheric,dark,gritty,moody,retro, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

When you're living for today
When you're spilling life all away again
There's nothing in the end
That can keep it all at bay
Calling aloud
Bring them back
On with it
Bring them back
I've been shouting this for years
But words fall on deaf ears
There'll be a reckoning tomorrow
You better reconcile today
When you think about tomorrow
Always keep in mind today
For all transgressions you have done your soul will have to pay
Calling aloud
Calling aloud
Bring them back
On with it
Bring them back

Artist Bio

THE GREEN DOOR creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LIFTED UMOYA — HYP

OMR Cue Map

Track: LIFTED UMOYA
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 79
Genres: Ambient / Electronic / World
Vocals: Instrumental
Moods: Atmospheric / Cool / Dark / Minimal / Moody / Reflective / Rhythmic
Sync Themes: Adventure / Drama / Fantasy / Sci Fi / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
LIFTED UMOYA blends instrumental textures, atmospheric,cool,dark,minimal,moody,reflective,rhythmic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Adventure / Drama / Fantasy / Sci Fi / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LIFTED UMOYA blends instrumental textures, atmospheric,cool,dark,minimal,moody,reflective,rhythmic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LIFTED UMOYA” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

Hyp creates atmospheric and rhythm-forward cinematic music blending immersive groove, emotional pacing, and sync-focused movement for film, television, and visually driven storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LIGHTNING — THADEUS GONZALEZ

OMR Cue Map

Track: LIGHTNING
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: Eb major
BPM: 71
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Confident / Energetic / Gritty / Intense / Powerful / Tension
Sync Themes: Action / Adventure / Sci Fi / Thriller / Video Game
Lyric Themes: Energy / Power / Strength / Struggle / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Synth

Track Summary:
LIGHTNING blends expressive vocals, confident,energetic,gritty,intense,powerful,tension, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Action / Adventure / Sci Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LIGHTNING blends expressive vocals, confident,energetic,gritty,intense,powerful,tension, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

I am, I am, I am the lightning that hits the land.
I am, I am, I am a storm that don't give a damn.
When I cross, I cross, I cross, I cross the land like fire.
The only things I see, I see keep me burning hotter.
And when I strike down!
Oh when I strike down on you!
At that moment, that moment, that moment when you can't see the light.
It blinds, defines, incites what's on your mind.
So keep rolling, keep rolling, keep rolling, heading from town to town.
A new face, a new place to light up all around.
And when I strike down!
Oh when I strike down on you!
I am, I am, I am the lightning that hits the land.
I am, I am, I am a storm that don't give a damn.
And when I strike down!
Oh when I strike down on you!

Artist Bio

THADEUS GONZALEZ creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LIKE ELWAY — LEE PALMER

OMR Cue Map

Track: LIKE ELWAY
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 110
Genres: Blues / Pop
Vocals: Female Vocal, Male Vocal
Moods: Bright / Catchy / Chill / Dramatic / Energetic / Powerful / Sad / Somber
Sync Themes: Drama / Mystery
Lyric Themes: Connection / Home / Identity / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard

Track Summary:
LIKE ELWAY blends expressive vocals, bright,catchy,chill,dramatic,energetic,powerful,sad,somber, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LIKE ELWAY blends expressive vocals, bright,catchy,chill,dramatic,energetic,powerful,sad,somber, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

He turned fifty-nine his first day on the street
He was playing guitar for tips on the South Side of Broadway
He'd lost his job and then his digs
Said he was no stranger to living life the hard way
He had the start of a beard on his weathered face
Though he had stumbled, he was still in the race
Does anybody get the blues?
Lock her away
Does anybody get the blues?
Lock her away
Does anybody?
Does anybody?
His guitar neck was cracked and glued back together
A dot bill rolled at the night gave him better action
He wore a white cowboy hat high on his head
It seemed like talking was his natural passion
A beat-up grocery cart held his possessions
He called the storage unit home after each session
Does anybody get the blues like I wait?
Does anybody get the blues like I wait?
Does anybody?
Doesn't it, buddy, yeah
Manlin, Mike, and Elvis stand beside 'em
And colorful honky-tonk serve as a backdrop
His eyes near disappear as he faces the sun
And repeats his story to the tourists who stop
I put my last five dollar bill in his bucket
His tale became a song in my pocket
Does anybody get the blues like her way?
Does anybody get the blues like her way?
Does anybody?
Does anybody
Does anybody get the blues like her way
Does anybody get the blues like her way
Does anybody
Does anybody
Yeah, yeah, yeah, yeah, yeah

Artist Bio

LEE PALMER creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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Please reference:
LITERALLY — THADEUS GONZALEZ

OMR Cue Map

Track: LITERALLY
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 155
Genres: Punk / Rock
Vocals: Male Vocal
Moods: Confident / Emotive / Intense / Powerful / Tension
Sync Themes: Comedy / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Death / Fear / Loss / Pain / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
LITERALLY blends expressive vocals, confident,emotive,intense,powerful,tension, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Comedy / Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LITERALLY blends expressive vocals, confident,emotive,intense,powerful,tension, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

Come on, let's go!
I was drifting out at sea, couldn't breathe, nothing could help me now
Beaten down to my defeat, left for dead, counting and bleeding out
Bleeding out!
That was nothing like life with you, you literally killed me
It was the hardest thing to do, literally killed me
Hanging at the end of a rope, tight chokehold, awaiting the blackout
Burning in a memory, angel scream, there is no way out
No way out!
That was nothing like life with you, you literally killed me
It was the hardest thing to do, literally killed me
That was nothing like life with you, you literally killed me
It was the hardest thing to do, literally killed me
That was nothing like life with you, you literally killed me
It was the hardest thing to do, literally killed me
Kill me! Kill me! Kill me! Kill me! You literally killed me!
Kill me! Kill me! Kill me! You literally killed me

Artist Bio

THADEUS GONZALEZ creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LONG DRIVE HOME — JUSTIN ENCO BAND

OMR Cue Map

Track: LONG DRIVE HOME
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 111
Genres: Folk / Rock / Sing / Song
Vocals: Male Vocal
Moods: Dark / Dramatic / Driving / Hopeful / Light / Positive / Reflective / Upbeat
Sync Themes: Art House / Coming Of Age / Drama / Indie / Thriller
Lyric Themes: Connection / Friendship / Identity / Loneliness / Loss
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
LONG DRIVE HOME blends expressive vocals, dark,dramatic,driving,hopeful,light,positive,reflective,upbeat, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Art House / Coming Of Age / Drama / Indie / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LONG DRIVE HOME blends expressive vocals, dark,dramatic,driving,hopeful,light,positive,reflective,upbeat, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

If you look a little closer
Could just still see your old self
These thoughts always play holder
Voiced inside is someone else
Driving down this darkened road
Two AM once again
Need to hear a voice comfort me
Need to know I have a friend
Every time I try and think to myself
It's just another day, well
So hang on here, honey
The light's all past me
And my thoughts they roam
Where do they go?
Tomorrow's a new day
Turn to no dry earphone, yeah
The rain starts pouring down
Recalling yesterday's events
Passing through another empty town
Maybe I'm not content
These days are so busy
Always places to go
These days can't be clearly known
Maybe I just don't know
Every time I try and think to myself
It's just another day out at hell
So hang on, hang on
The lights don't pass me
My folks, they can roam
Where do they go?
Tomorrow's a new day
Turn out some long dry uniform, yeah
Well, I'm not worried
There ain't no bitter end anymore
Can you see through me?
Or maybe just pretend
The lights don't pass me
My thoughts they roam
Where do they go?
Tomorrow's a new day
Turn out the long drag in your phone
Turn out the long drag in your phone, yeah

Artist Bio

JUSTIN ENCO BAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LOS PAJARITOS — PAVLO CARTAGINESE

OMR Cue Map

Track: LOS PAJARITOS
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 75
Genres: Indie / Rock / World
Vocals: Instrumental
Moods: Bright / Cool / Dramatic / Energetic / Fun / Happy / Playful / Quirky / Retro
Sync Themes: Adventure / Animation / Children / Comedy / Coming Of Age / Drama / Fantasy / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Cello / Drums / Electric Guitar / Percussion

Track Summary:
LOS PAJARITOS blends instrumental textures, bright,cool,dramatic,energetic,fun,happy,playful,quirky,retro, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Adventure / Animation / Children / Comedy / Coming Of Age / Drama / Fantasy / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LOS PAJARITOS blends instrumental textures, bright,cool,dramatic,energetic,fun,happy,playful,quirky,retro, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LOS PAJARITOS” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

PAVLO CARTAGINESE creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOS PASOS DE MERY — AMHED MITCHEL

OMR Cue Map

Track: LOS PASOS DE MERY
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 56
Genres: Jazz / Sing / Song / World
Vocals: Instrumental
Moods: Bright / Confident / Dramatic / Happy / Hopeful / Relaxing / Retro / Romantic
Sync Themes: Crime / Drama / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Horns / Percussion / Piano / Saxophone

Track Summary:
LOS PASOS DE MERY blends instrumental textures, bright,confident,dramatic,happy,hopeful,relaxing,retro,romantic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Crime / Drama / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LOS PASOS DE MERY blends instrumental textures, bright,confident,dramatic,happy,hopeful,relaxing,retro,romantic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LOS PASOS DE MERY” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

AMHED MITCHEL creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOS TIBURONES — PAVLO CARTAGINESE

OMR Cue Map

Track: LOS TIBURONES
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 115
Genres: Indie / World
Vocals: Instrumental
Moods: Bright / Dramatic / Dreamy / Driving / Energetic / Fun / Happy / Intense / Minimal / Playful / Powerful / Quirky / Rhythmic / Tension
Sync Themes: Action / Crime / Drama / Horror / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Cello

Track Summary:
LOS TIBURONES blends instrumental textures, bright,dramatic,dreamy,driving,energetic,fun,happy,intense,minimal,playful,powerful,quirky,rhythmic,tension, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Action / Crime / Drama / Horror / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LOS TIBURONES blends instrumental textures, bright,dramatic,dreamy,driving,energetic,fun,happy,intense,minimal,playful,powerful,quirky,rhythmic,tension, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LOS TIBURONES” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

PAVLO CARTAGINESE creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOS VUELOS — PAVLO CARTAGINESE

OMR Cue Map

Track: LOS VUELOS
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 120
Genres: Indie / Pop / World
Vocals: Instrumental
Moods: Cool / Dramatic / Fun / Quirky / Rhythmic
Sync Themes: Adventure / Animation / Coming Of Age / Drama / Fantasy / Historical / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Cello / Drums / Percussion / Synth

Track Summary:
LOS VUELOS blends instrumental textures, cool,dramatic,fun,quirky,rhythmic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Adventure / Animation / Coming Of Age / Drama / Fantasy / Historical / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LOS VUELOS blends instrumental textures, cool,dramatic,fun,quirky,rhythmic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LOS VUELOS” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

PAVLO CARTAGINESE creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOVIN' YOU TONIGHT — ANTHONY DIDOMENICO

OMR Cue Map

Track: LOVIN' YOU TONIGHT
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and stylish pacing, groove energy, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: Db Major
BPM: 152
Genres: Electronic / Pop
Vocals: Male Vocal
Moods: Catchy / Dramatic / Emotive / Energetic / Fun / Hopeful / Love / Sad / Serious
Sync Themes: Comedy / Drama / Romance
Lyric Themes: Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
LOVIN' YOU TONIGHT blends expressive vocals, catchy,dramatic,emotive,energetic,fun,hopeful,love,sad,serious, and sync-focused pacing into a cue designed for stylish pacing, groove energy, rhythmic movement.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Comedy / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LOVIN' YOU TONIGHT blends expressive vocals, catchy,dramatic,emotive,energetic,fun,hopeful,love,sad,serious, and sync-focused pacing into a cue designed for stylish pacing, groove energy, rhythmic movement.

Lyrics

If life's so short why you taking my time
Do you want this
Before I met you I was doing just fine
I had my fun now I'm getting in line
Are you with me
You got me looking at my phone again
Don't know where we're going
Need to take the time to figure out
Telling me you're missing me
Next day feels like history
Riding on the edge now
You're the one I know
You're the one that lights my soul
If this is love, please save me
I can't explain to you
That only love can save me
That is why I'm loving you tonight
Whoa, loving you tonight
Whoa, loving you tonight
Whoa, loving you tonight
That is why I'm loving you tonight
Thinking back there were days I'd imagine you
It's like I knew in my heart you'd be coming soon
Was this lust a con lust, turned to love
Got my mind messed up, am I overthinking too much
People around me think I'm crazy like I'm losing touch
But one thing that I know is I will never give you up
This is love not a crush
Feelings in my heart I trust
I know only God can judge
But girl I love you very much
There's no words that explain how I feel for you
And when you touch me it's electric if you only knew
Buzzing inside me it's deep like I'm mining
This love can't be blinding
My spirit's aligning
Cause you're the one I know
'Cause you're the one I love
You're the one that lights my soul
If this is love, please save me
I can't explain to you
That only love can save me
That is why I'm loving you tonight
Whoa, I'm loving you tonight
Whoa
Oh, loving you tonight
Whoa, loving you tonight
That is why I'm loving you tonight
That is why I'm loving you tonight

Artist Bio

ANTHONY DIDOMENICO creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LUA — RICH BROWN

OMR Cue Map

Track: LUA
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 73
Genres: Horror / Jazz / Sing / Song
Vocals: Instrumental
Moods: Atmospheric / Dramatic / Light / Love / Minimal / Moody / Reflective / Romantic / Sad / Serious / Somber / Warm
Sync Themes: Art House / Crime / Drama / Mystery / War
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Piano

Track Summary:
LUA blends instrumental textures, atmospheric,dramatic,light,love,minimal,moody,reflective,romantic,sad,serious,somber,warm, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Art House / Crime / Drama / Mystery / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

LUA blends instrumental textures, atmospheric,dramatic,light,love,minimal,moody,reflective,romantic,sad,serious,somber,warm, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LUA” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

RICH BROWN creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LAID THE HELL BACK — HYP

OMR Cue Map

Track: LAID THE HELL BACK
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and cultural movement, immersive rhythm, atmospheric pacing.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 91
Genres: Electronic / Hip Hop / R&B
Vocals: Instrumental
Moods: Confident / Cool / Moody / Positive / Rhythmic / Sexy / Upbeat
Sync Themes: Art House / Drama / Historical / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
LAID THE HELL BACK blends instrumental textures, confident,cool,moody,positive,rhythmic,sexy,upbeat, and sync-focused pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Art House / Drama / Historical / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LAID THE HELL BACK blends instrumental textures, confident,cool,moody,positive,rhythmic,sexy,upbeat, and sync-focused pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing.

Instrumental Usage

Fully instrumental and one-stop, “LAID THE HELL BACK” supports cinematic storytelling without lyrical distraction. Especially useful for groove energy, stylish pacing, rhythmic movement.

Artist Bio

Hyp creates atmospheric and rhythm-forward cinematic music blending immersive groove, emotional pacing, and sync-focused movement for film, television, and visually driven storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LES AND THE 30 HEADS — KRISTIN SWEETLAND

OMR Cue Map

Track: LES AND THE 30 HEADS
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 140
Genres: Funk / Jazz / Soul
Vocals: Instrumental
Moods: Cool / Fun
Sync Themes: Drama / Fantasy / Indie / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
LES AND THE 30 HEADS blends instrumental textures, cool,fun, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Drama / Fantasy / Indie / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LES AND THE 30 HEADS blends instrumental textures, cool,fun, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LES AND THE 30 HEADS” supports cinematic storytelling without lyrical distraction. Especially useful for groove energy, stylish pacing, rhythmic movement.

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LIFE IS GOOD — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: LIFE IS GOOD
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 83
Genres: Funk / Reggae / Soul
Vocals: Male Vocal
Moods: Bright / Confident / Fun / Happy / Hopeful / Positive / Upbeat / Uplifting
Sync Themes: Adventure / Animation / Children / Comedy
Lyric Themes: Friendship / Fun / Happiness / Love / Unity
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
LIFE IS GOOD blends expressive vocals, bright,confident,fun,happy,hopeful,positive,upbeat,uplifting, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Adventure / Animation / Children / Comedy
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LIFE IS GOOD blends expressive vocals, bright,confident,fun,happy,hopeful,positive,upbeat,uplifting, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Life is good, life is good, when I don’t spend a day without you

I got love, in my cup
And you fill it up, you fill it up

Sprinkle that joy, flowing into my soul,
Sunshine or rain, anywhere that we go

Life is good, life is good
Life is good, life is good
Life is good, life is good, when I don’t spend a day without you

I got smiles, stretching for miles
Rainbows of love, rainbows of love

Red, orange, yellow, blue, purple and green
You’re in every color I see

Life is good, life is good
Life is good, life is good
Life is good, life is good, when I don’t spend a day without you
Life is good, life is good, when I don’t spend a day without you

I feel the heartbeat of the world
Rising higher than a bird
Saturday night, and were feeling alright
Got nothing to do, but doing nothing it just feels so right

Life is good, life is good, when I don’t spend a day without you
Life is good, life is good, when I don’t spend a day without you
Life is good, life is good, when I don’t spend a day without you
Life is good, life is good, when I don’t spend a day without you

Artist Bio

JOSH HOWARD FRIEDMAN creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LIVE LIKE A CHAMPION — PURPLE FOX & THE HEEBIE JEEBIES

OMR Cue Map

Track: LIVE LIKE A CHAMPION
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 120
Genres: Funk / Pop / Soul
Vocals: Female Vocal
Moods: Bright / Confident / Positive / Retro / Upbeat
Sync Themes: Adventure / Coming Of Age / Sports
Lyric Themes: Confidence / Energy / Strength / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion

Track Summary:
LIVE LIKE A CHAMPION blends expressive vocals, bright,confident,positive,retro,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Adventure / Coming Of Age / Sports
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LIVE LIKE A CHAMPION blends expressive vocals, bright,confident,positive,retro,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Taste the sweat, feel the grind, feel the burn, hear the call, want it more, flex your mind, run it through, break the wall
It's the dawn, just begun, drill it hard, crack the whip, do it now, take the shot, work it out, never quit
Can you see the you that you see when you close your eyes?
Make it happen, trained from the inside
like a champion
I can fly like an eagle
Flex your mind, break the wall
like a champion
I'm as strong as an ox
from the inside
like a champion
I can swim like a dolphin
On your mark!
Get set!
Go!
That was then, this is now, breathe it in, let it fly, shaping up, break it down, not too late, right on time
Turn it up, don't look back, feeling good, just you wait, free it all, make the choice, make the change, motivate
Can you see the you that you see when you close your eyes?
Make it happen, trained from the inside
Like a champion
I can jump higher than a kangaroo
like a champion
Live like a champion
I can run as fast as a cheetah!
Never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit, never quit

Artist Bio

PURPLE FOX & THE HEEBIE JEEBIES creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOCUTIONS — RICH BROWN

OMR Cue Map

Track: LOCUTIONS
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 140
Genres: Funk / Jazz / Latin / Sing / Song
Vocals: Female Vocal, Male Vocal
Moods: Bright / Carefree / Dramatic / Energetic / Fun / Love / Minimal / Reflective / Relaxing / Rhythmic
Sync Themes: Fantasy / Mystery / Romance / Sci Fi / War
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Strings

Track Summary:
LOCUTIONS blends expressive vocals, bright,carefree,dramatic,energetic,fun,love,minimal,reflective,relaxing,rhythmic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Fantasy / Mystery / Romance / Sci Fi / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LOCUTIONS blends expressive vocals, bright,carefree,dramatic,energetic,fun,love,minimal,reflective,relaxing,rhythmic, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Lyrics

الحب
الميل
العشق
والهيام.
هوى
محبة
وداد
وغرام.
Los profesores de mi vida, mis hijos, Natalia y Matthew.
Me han enseñado que el amor es mirarnos y crecer juntos.
Reírnos de nosotros mismos.
y contemplar con el corazón lo que a veces es invisible.
Ese es el amor.
L'amour émane du cœur, on ne peut le quantifier ou l'analyser.
L'amour donne la vie qui dure et demeure grâce à lui.
C'est la clé de la paix sur terre et la porte qui ouvre au bonheur.
Mi je svi možemo ostaviti i vratiti joj se.
i možemo je prognati i zaboraviti je.
ali ljubav će uvek biti tu da nas čuva i veruje u nas.
حبيبي عيونه فضة
وخده أصيل.
قلبه حنون
ودمه خفيف.
Nem azt szereted, akivel meg tudsz lenni, hanem azt, akinélkül nem tudsz meglenni.
Dein Aufstehtanz,
deine Zitronenkuchenleidenschaft,
deine Monsterstimme, wenn du mit Kindern spielst,
deine Affenliebe.
ভলবস... ঠক জন ন
ক কর লক ভলবসর ওপর কথ বল...
আম জন ন

Artist Bio

RICH BROWN creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LOS AIRES — AMHED MITCHEL

OMR Cue Map

Track: LOS AIRES
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and tension, cinematic urgency, emotional pressure.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 66
Genres: Funk / Indie / Soul
Vocals: Instrumental
Moods: Dark / Fun / Moody / Sad
Sync Themes: Art House / Crime / Drama / Historical / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Keyboard / Percussion / Saxophone

Track Summary:
LOS AIRES blends instrumental textures, dark,fun,moody,sad, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Art House / Crime / Drama / Historical / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LOS AIRES blends instrumental textures, dark,fun,moody,sad, and sync-focused pacing into a cue designed for tension, cinematic urgency, emotional pressure.

Instrumental Usage

Fully instrumental and one-stop, “LOS AIRES” supports cinematic storytelling without lyrical distraction. Especially useful for groove energy, stylish pacing, rhythmic movement.

Artist Bio

AMHED MITCHEL creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LOST FOR WORDS — TIFFANY JOY

OMR Cue Map

Track: LOST FOR WORDS
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 119
Genres: Folk / R&B / Sing / Song
Vocals: Female Vocal
Moods: Minimal / Moody / Positive / Reflective / Sad
Sync Themes: Art House / Drama / Indie / Romance
Lyric Themes: Celebration / Happiness / Hope / Love / Strength
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
LOST FOR WORDS blends expressive vocals, minimal,moody,positive,reflective,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Art House / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

LOST FOR WORDS blends expressive vocals, minimal,moody,positive,reflective,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

It's times like these when poetry fails me
In such a perfection, I'm lost for words
So many times your love has saved me
And I know you're the reason I am here today
When I'm lost, oh and it's you that comforts me, I'm down
You carry me through to my brighter day
Now I'm lost for words to say how your love is everything to me
Oh yeah
Here on my own with only your memory
searching all directions for a hand to hold
But all of the love you've shared sustains me
It's enough to last me for eternity
When I'm lost, oh and it's you that comforts me when I'm down
You carry me through to my brighter day
Now I'm lost for words to say how your love is everything
When I'm lost, oh you come and rescue me and I'm down
You always carry me through when I don't know what I know I can find the words to say how your love is everything
Your love is everything
Your love is everything to me
Oh, yeah. Oh, yeah
It's times like these when poetry fails me
I'm maybe alright at this time if I could just see the silver lining
Maybe I would fly so high if I could just see my stars shining
I've been asleep all day, streaming of happier times
But when I awake, I know that I'm the only one who can find a real joy
I'm talking about a real joy but if I fall for one day
A real joy
I'm talking about a real joy, but it won't, but it won't, yeah
I'm picking, I'm crying, I'm screaming, I'm fighting with myself
We should be a team, but I'm so damn mean it hurts my health
If the choice is mine, then why does the answer elude me?
All I need is just a bottle of wine and my guitar just to soothe me, help me find a real joy
I gotta find a real joy, but if I fall for one day
A real joy
I got to find a real joy, but it won't, but it won't, yeah
And Lord knows I've been here so many times
I've been down this road before
And it's so clear to me, you know I know I got to find the answers to all of my dreams
Oh, I'm talking about a real joy
to know that I'm a real joy, but if I fall for one day
to show that I'm a real joy
I got to find a real joy, but it won't, but it won't, yeah

Artist Bio

TIFFANY JOY creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
LEVITATION (FEAT. JOEY GRECO) — SIL SIMONE

OMR Cue Map

Track: LEVITATION (FEAT. JOEY GRECO)
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 134
Genres: Grunge / Indie / Metal / Rock
Vocals: Male Vocal
Moods: Bright / Confident
Sync Themes: Action / Adventure / Crime / Horror / Thriller
Lyric Themes: Hope / Strength / Struggle / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
LEVITATION (FEAT. JOEY GRECO) blends expressive vocals, bright,confident, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: reflection, emotional realism, character storytelling
• Sync themes: Action / Adventure / Crime / Horror / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for reflection, emotional realism, character storytelling.

Stem Tracks

Yes

Track Narrative

LEVITATION (FEAT. JOEY GRECO) blends expressive vocals, bright,confident, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Yeah, yeah, yeah, time keeps passing by
Why stand here all alone and lie?
I keep searching
But it may not come to me
Always searching
Everything disappears from me
It disappears from me
Someone calls my name
I'm here waiting
When you call my name
I'll be here
Awaiting
On that road and you're carrying that load
Through the eyes of the storm
You become reborn
When the north wind blows
And the rose of life's growing
Every two and four
Time to freeze and reload
One that didn't match
And the fever sits low
I sense your complication
It's your meditation
Yeah, yeah, yeah
Why find trouble lying on the street
That it finds its way to me
The stars are falling and my head is out
But they all keep on missing me
Street lights changing on me
Everywhere
Hard knocks follow me
Everywhere
It follows me everywhere
Someone calls my name, I'm here waiting
When you call my name, I'll be here, oh waiting
Keter bees, machine gun stingers, come into my hive
You be a dead ringer, I'm pointing at you
Bazooka figures come to real life
For every reason, guitar singer
When you lose something, taking that you'll never get back
The fate of this famous sex card, what a time
On that road and you carry that load
Through the eyes of song
You come reborn
When the north wind blows
And the northern lights glow
And every tune and pull
Time to breathe and reload
One in match with the favorite sixth note
I sense your complication
It's your imitation
Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh
(coyote howling)

Artist Bio

SIL SIMONE creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LIBERATE EX SOLARIS — EZEKIEL HAMPTON

OMR Cue Map

Track: LIBERATE EX SOLARIS
Clean Intro: Yes
Edit Points: Strong editorial cut points appear during arrangement lifts and rhythmic transitions.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 130
Genres: Electronic / Pop
Vocals: Male Vocal
Moods: Anthemic / Catchy / Confident / Energetic / Fun / Gritty / Party / Powerful / Swagger / Upbeat / Uplifting
Sync Themes: Action / Sports / Drama / Comedy
Lyric Themes: Adventure
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
LIBERATE EX SOLARIS blends expressive vocals, anthemic,catchy,confident,energetic,fun,gritty,party,powerful,swagger,upbeat,uplifting, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: reflection, emotional realism, character storytelling
• Sync themes: Action / Sports / Drama / Comedy
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for reflection, emotional realism, character storytelling.

Stem Tracks

Yes

Track Narrative

LIBERATE EX SOLARIS blends expressive vocals, anthemic,catchy,confident,energetic,fun,gritty,party,powerful,swagger,upbeat,uplifting, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Get on up and let's go, get on up, up, let's go
I'm right here beside you after all
Break on out and go, it's now time to show
Just what lives inside you when we fall
The games we play
Will fall apart
We never race
So let arise
The games we play
Would fall apart
Would fall apart
Would fall apart
Get on up and let's go, get on up, up, let's go
I'm right here beside you after all
Break on out and go, it's now time to show
Just what lives inside you when we fall
The games we play
Would fall apart
As we never race
So let arise
The games we play
Would fall apart
Would fall apart
Would fall apart
We fall apart
Get on up and go, get on up and go
Oh
Oh
Break on out and go, it's now time to show
Oh
Oh
Get on up and go, get on up and go
Oh
Oh
Break on out and go, it's now time to show
Oh
Oh

Artist Bio

EZEKIEL HAMPTON creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
LULLABY — NORMAL MACHINE

OMR Cue Map

Track: LULLABY
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 107
Genres: Indie
Vocals: Female Vocal
Moods: Cool / Love / Rhythmic / Swagger
Sync Themes: Animation / Art House / Drama / Fantasy / Horror / Indie / Mystery / Thriller
Lyric Themes: Dream / Escape / Fear / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Strings / Synth

Track Summary:
LULLABY blends expressive vocals, cool,love,rhythmic,swagger, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Human Stories / Emotional Consequence
• Secondary utility: reflection, emotional realism, character storytelling
• Sync themes: Animation / Art House / Drama / Fantasy / Horror / Indie / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Stories / Emotional Consequence placements with crossover utility for reflection, emotional realism, character storytelling.

Stem Tracks

Yes

Track Narrative

LULLABY blends expressive vocals, cool,love,rhythmic,swagger, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

It starts when you're asleep
Your mind is racing, chase it
You live inside a dream
Lucid and free but you are never free

This world is not as it seems
Life is not as it appears to be

You'll never wake
There's no escape
From the Lu-lla-by

No one ever knows where they are or who they're going to
Do you need to believe in something, close your eyes you're going to
Lullaby

This world is not as it seems
The dream is everything you want it to be
I am the voice in your head, calling you home

Down you go, you broken soul
Let me sing you a Lu-lla
Lu-lla-by

No one ever knows where they are or who they're going to
Do you need to believe in something, close your eyes you're going to
Lullaby

Drown out all the noise and focus on my voice, let everything melt away
Do you feel like you're falling, feel like you're falling

Lullaby and goodnight with roses bedight
Lay thee down now and rest, may thy slumber be blessed

No one ever knows where they are or who they're going to
Do you need to believe in something, close your eyes you're going to
Lullaby
No one ever knows where they are or who they're going to
Do you need to believe in something, close your eyes you're going to
Lullaby, Lullaby, Lullaby

Artist Bio

NORMAL MACHINE creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LIFE'S A MESS — LEE PALMER

OMR Cue Map

Track: LIFE'S A MESS
Clean Intro: Yes
Edit Points: Smooth transitions throughout create flexible sync edit opportunities.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 108
Genres: Country / Folk / Indie / Sing / Song
Vocals: Male Vocal
Moods: Fun / Happy / Hopeful / Powerful / Retro / Sad
Sync Themes: Romance / Western
Lyric Themes: Change / Happiness / Hope / Love / Strength
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Piano

Track Summary:
LIFE'S A MESS blends expressive vocals, fun,happy,hopeful,powerful,retro,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: roots character, emotional realism, Americana atmosphere
• Sync themes: Romance / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for roots character, emotional realism, Americana atmosphere.

Stem Tracks

Yes

Track Narrative

LIFE'S A MESS blends expressive vocals, fun,happy,hopeful,powerful,retro,sad, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

Funny how life gets in the way of living
Don't get to use the gifts you've been given
Always running up against rejection
Pushes you in the wrong direction
I believe we have a path that's chosen
Just need the courage to continue
It can take some time, it can take some luck
It takes someone for you to love
Everyone deserves a little happiness
To offset all life's stress
When did living get so hard
How long have you been saying my life's a mess
She's a single mom never gets to stop
He lost his savings on penny stock
Her mother fell and broke her hip
You're in a job you'd like to quit
I believe things can change if we choose
Clock keeps ticking, no time to lose
So we can find the strength
We can make it through
We can take it on
That's what we do
Everyone deserves a little happiness
Offset all life's stress
When did living get so hard
How long have you been saying my life's a mess
Funny how life gets in the way of living
Don't get to use the gifts you've been given
Always running up against rejection
Pushes you in the wrong direction

Artist Bio

LEE PALMER creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

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sergio@omrmusicproduction.com

Please reference:
LIVING IN ANOTHER WORLD — PAUL REDDICK

OMR Cue Map

Track: LIVING IN ANOTHER WORLD
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 134
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Bright / Catchy / Love / Moody / Retro / Rhythmic / Swagger / Upbeat
Sync Themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Indie / Mystery / Romance / Sci Fi / Thriller / Video Game
Lyric Themes: Dream / Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Percussion / Synth

Track Summary:
LIVING IN ANOTHER WORLD blends expressive vocals, bright,catchy,love,moody,retro,rhythmic,swagger,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: roots character, emotional realism, Americana atmosphere
• Sync themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Indie / Mystery / Romance / Sci Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for roots character, emotional realism, Americana atmosphere.

Stem Tracks

Yes

Track Narrative

LIVING IN ANOTHER WORLD blends expressive vocals, bright,catchy,love,moody,retro,rhythmic,swagger,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Lyrics

I’m living in another world
Drifting on a river of blue
I’m living in another world
There’s nothing I would rather do
Well I’m living in another world
In an echo of memory
Well I’m living in another world
Won’t you come and go with me?
Well I’m living in another world
Across the floating bridge of song
You know I’m living in another world
Over the borderline of gone
Well I’m living in another world
Where there ain’t no misery
Living in another world
Well it’s just like it’s supposed to be
Well I’m living in another world
Where I know love is true
Well I’m living in another world
And I never ever dream of you
I’m living in another world
Drifting on a river of blue
I’m living in another world
There’s nothing I would rather do
Well I’m living in another world
In an echo of memory
Well I’m living in another world
Won’t you come and go with me?
Well I’m living in another world
Well I’m living in another world
Well I’m living in another world

Artist Bio

Paul Reddick creates roots-driven cinematic music blending blues grit, emotional realism, and Americana atmosphere for film, television, and character-driven narratives.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
LIZA JANE — THE GREEN DOOR

OMR Cue Map

Track: LIZA JANE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 136
Genres: Metal / Punk / Rock
Vocals: Instrumental
Moods: Bright / Cool / Quirky / Retro / Rhythmic / Upbeat
Sync Themes: Comedy / Drama / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
LIZA JANE blends instrumental textures, bright,cool,quirky,retro,rhythmic,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: roots character, emotional realism, Americana atmosphere
• Sync themes: Comedy / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for roots character, emotional realism, Americana atmosphere.

Stem Tracks

Yes

Track Narrative

LIZA JANE blends instrumental textures, bright,cool,quirky,retro,rhythmic,upbeat, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “LIZA JANE” supports cinematic storytelling without lyrical distraction. Especially useful for roots character, emotional realism, Americana atmosphere.

Artist Bio

THE GREEN DOOR creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
L'OUVERTURE — KRISTIN SWEETLAND

OMR Cue Map

Track: L'OUVERTURE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout transitions and arrangement changes.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability throughout with natural editorial movement. Especially effective for montage pacing, scene transitions, and reflection, emotional realism, character storytelling.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 118
Genres: Country / Folk
Vocals: Instrumental
Moods: Hopeful
Sync Themes: Action / Adventure / Art House / Fantasy / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Strings

Track Summary:
L'OUVERTURE blends instrumental textures, hopeful, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: roots character, emotional realism, Americana atmosphere
• Sync themes: Action / Adventure / Art House / Fantasy / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for roots character, emotional realism, Americana atmosphere.

Stem Tracks

Yes

Track Narrative

L'OUVERTURE blends instrumental textures, hopeful, and sync-focused pacing into a cue designed for reflection, emotional realism, character storytelling.

Instrumental Usage

Fully instrumental and one-stop, “L'OUVERTURE” supports cinematic storytelling without lyrical distraction. Especially useful for roots character, emotional realism, Americana atmosphere.

Artist Bio

KRISTIN SWEETLAND creates emotionally immersive cinematic music blending atmosphere, emotional pacing, and sync-focused storytelling for film and television.