OMR Music Production
Categorized D tracks presented as downloadable OMR Super Cards for fast, scene-aware music discovery.
License RequestRhythm-forward electronic, retro, dance, and synth-driven D tracks for nightlife, technology, urban motion, stylish entrances, retro-futurism, and high-energy visual momentum.
NORMAL MACHINE
DAFT PUNK ROCK is a Dance / Electronic track by NORMAL MACHINE, positioned for Electro / Retro Motion use with secondary utility around swagger, retro-futurism, nightlife.
Death in a black car
Delivered to the sinners
Judgment and jury
By those who are unworthy
AK's and fire in the streets
Cries and screams and blood at our feet
Bullets and bombs cut through the song
Where did we go wrong
Paris is crying
Ça fait mal au coeur
And people are dying
Quelle horreur
Our world is burning
Le monde fait peur
And we're never learning
Mais c'est Paris qui pleur
Paris is crying
Ça fait mal au coeur
And people are dying
Quelle horreur
Our world is burning
Le monde fait peur
And we're never learning
Mais c'est Paris qui pleur
The night is raging
Fear rules in the city of lights
We're gonna show them
Our hearts can never be broken
AK's and fire in the streets
Cries and screams and blood at our feet
Bullets and bombs cut through the song
Where did we go wrong
Paris is crying
Ça fait mal au coeur
And people are dying
Quelle horreur
Our world is burning
Le monde fait peur
And we're never learning
Mais c'est Paris qui pleur
Paris is crying
Ça fait mal au coeur
And people are dying
Quelle horreur
Our world is burning
Le monde fait peur
And we're never learning
Whoa oh oh oh
Whoa oh oh oh
Whoa oh oh oh oh
Whoa oh oh oh
Whoa oh oh oh
Whoa oh oh oh oh
Whoa oh oh oh
Whoa oh oh oh
Whoa oh oh oh oh
Whoa oh oh oh
Whoa oh oh oh
Whoa oh oh oh oh
Where did we go wrong
Paris is crying
And people are dying
Our world is burning
And we're never learning
Paris is crying
And people are dying
Our world is burning
And we're never learning
Paris is crying
And people are dying
Our world is burning
And we're never learning
Paris is crying
And people are dying
Our world is burning
OMR
DIGITAL AGE is a Cinematic / Electronic / Hip Hop / Horror / Indie / Rock track by OMR, positioned for Electro / Retro Motion use with secondary utility around urban motion, tech tension, retro-futurism.
I’M WATCHING TV
OR IS IT WATCHING ME
LIVING IN AN AGE
OF TECHNOLOGY
HIDE BEHIND A SCREEN
BE WHO I WANT TO BE
ROMANCING THE MIND
NEVER SEE ANYBODY
DIGITAL AGE
HIGHSPEED REVOLUTION
A CYBER STAGE
8K RESOLUTION
AUTOMATIC
ELECTRONIC GLAMOUR
CHARASMATIC
SIMULATED POWER
I STILL BELIEVE IN HUMANITY
OR IS IT A FEAR OF MY VANITY
TRYING TO CLING TO MY DIGNITY
WHILE STANDING AT THE DOORSTEP OF INSANITY
ARE YOU REALLY THERE
THE ANSWER TO MY PRAYER
DOES SHE REALLY EXIST
A NUMBER IN THE MIST
VIRTUAL HOOK UPS
LOVE YOU FROM A DISTANCE
ACTS AND REGRETS
THE PATH OF LEAST RESISTANCE
DEAR PRUDENCE, WON’T YOU COME OUT TO PLAY
DEAR PRUDENCE, GREET THE BRAND-NEW DAY
COMPUTER AGE
A DIGITAL STAGE
INFORMATION OVERLOAD
SELF-CONSUMING RAGE
INNOVATION
CONCEPTUAL BREAKTHROUGH
CONSERVATION
SCIENTIFIC DEBUT
GODGIFU
DRAGON'S BLOOD is a Electronic / Indie track by GODGIFU, positioned for Electro / Retro Motion use with secondary utility around swagger, danger, nightlife.
Spider, a damsel in distress, so stranded and alone, she barely thinks for herself
Now everyone that doubts her sees a hopeless mess
How long will she pretend? How much more will they lend?
Can't be fooled by these lies anymore, as the venom boils over
No one can ride the beast
This isn't fun anymore!
Someone get me off of this ride!
There's something happening on the outside
I cry out to the stars and wait for them to take me in
All I want is to never set my feet on the earth again
Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!
Flowing through these veins, swallowed by the sky
Lost all of its meaning in the eye of the storm
This isn't fun anymore!
Someone get me off of this ride!
There's something happening on the outside
Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!
In the eye of the storm, laughing at the face of death
Melting heart of brass! With no man in the way!
We'll dig a heart of pride! No games left to play
Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!
Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!
Flowing through these veins, swallowed by the sky
Lost all of its meaning in the eye of the storm
Laughing at the face of death, with no man in the way!
We'll dig a heart of pride! No games left to play
Warm, playful, celebratory, and relationship-driven D tracks for feel-good scenes, summer energy, friendship, romance, comedy, connection, and character-driven uplift.
OMR
DAISY DUKES AND THREE INCH HEELS is a Country / Folk / Indie / Rock track by OMR, positioned for Human Connection / Celebration / Feel-Good use with secondary utility around western, swagger, playful.
I HAD A CRAZY MOMMA,
AND A TWO TIMING PAPPA
AND THERE’S MORE SHIT IN MY WAY
A PISTOL PACKING SISTER
AND BIBLE PREACHING BROTHER
AND I STILL AIN’T RUNNING AWAY
THERE’S A DARLING OF A DARLING
RIGHT NEXT DOOR
A HONEY OF A HONEY, THAT I ADORE
WEARING DAISY DUKES AND THREE-INCH HEELS
AND DRIVING A CONVERTIBLE AUTOMOBILE
MET JIMMY DEAN AT IVY AND VINE
GOT TO TALKING SH*T OVER A JUG OF SHINE
TOLD ME SOME THINGS I NEVER KNEW
MENTIONED IT WAS STUFF THAT WAS LONG OVERDO
YOUR BROTHER AIN’T YOUR BROTHER
HE’S YOUR COUSIN ONCE REMOVED
YOUR SISTER IS YOUR MOTHER
IT CAN EASILY BE PROVED
YOUR PAPPY AIN’T YOUR PAPPY
HE’S THE FULLER BRUSH MAN
A TRUNK FULL OF NOTHING
THAT’S HOW IT ALL BEGAN
MET UP WITH MOMMA AT THE GROCERY STORE
TOLD HER BOUT THE GIRL THAT LIVES NEXT DOOR
MOMMA TOLD ME SON I GOT SOMETHING TO SAY
THAT AIN’T NO GIRL, THAT’S LITTLE JOHNNY RAY
A DARLING OF A DARLING
I CAN’T IGNORE
A HONEY OF A HONEY I’VE FALLEN FOR
WEARING DAISY DUKES AND THREE-INCH HEELS
AND DRIVING A CONVERTIBLE AUTOMOBILE
MOMMA SAID IT CAN’T GET ANY WORSE
LIVING IN A WORLD WERE OUR FAMILY’S BEEN CURSED
TOLD ME IT WAS TIME THAT I FINALLY KNEW
TOLD ME ALL THIS STUFF LONG OVERDO
DANE HARTSELL
DAY DRUNK is a Country / Party / Pop track by DANE HARTSELL, positioned for Human Connection / Celebration / Feel-Good use with secondary utility around celebration, summer, comedy.
Saturday morning, house to myself
Who says we gotta wait 'til the night to raise a little hell?
Fill the cooler with cold beer and holler at the boys
Up a little Alabama, make a little noise
And get a little day drunk into the night
Gonna catch a little buzz under the summer sunlight
Only got one life to live, so let's have a little fun
And get a little day drunk into the night
Gonna sip from my cup until I feel alright
The sun is shining and we ain't got nothing to do
It's just me and the boys drinking in the afternoon
Sweet Tennessee whiskey, I pass a bottle around
Don't know if we'll make it out to the bar 'cause we're throwing down
That tequila sunrise is gonna burn my eyes
When I wake up tomorrow morning
And under these southern skies
'Cause we got a little day
Drunk into the night
Gonna catch a little buzz
Under the summer sunlight
Only got one life to live
So let's have a little fun
And get a little day drunk into the night
Gonna sip from my cup until I feel alright
The sun is shining and we ain't got nothing to do
Just me and the boys drinking in the afternoon
Oh yeah, just drinking in the afternoon
Yeah, let's get a little day drunk into the night
Gonna catch a little buzz under the summer sunlight
Only got one life to live, so let's have a little fun
And get a little day drunk into the night
Gonna sip from my cup until I feel alright
The sun is shining and we ain't got nothing to do
It's just me and the boys drinking in the afternoon
Oh, yeah, yeah, yeah
They're just drinkin' in the afternoon
Oh, come on, yeah
Who's got the whiskey?
Brandy, you got the whiskey?
MATTIE LEON
DREAMING ON YOUR FEET is a Indie / Pop / Sing / Song track by MATTIE LEON, positioned for Human Connection / Celebration / Feel-Good use with secondary utility around resilience, romance, optimism.
Dancing in your revelry
It's like dreaming on your feet
You're all I'll ever need
When I close my eyes
it's you and I
we live and die together
Oh there's something in the way
you put your love on display
With your body next to mine
heart to heart
keeping time
You and I
were born to dance together
like embers over fire
Dancing in your revelry
It's like dreaming on your feet
You're all I'll ever need
When I close my eyes
it's you and I
we live and die together
Oh don't let the morning come
let's anchor down the rising sun
Living one night at a time
River dark
Midnight shine
You and I
were born to dance together
like embers over fire
Dancing in your revelry
It's like dreaming on your feet
You're all I'll ever need
When I close my eyes
it's you and I
we live and die together
Oh the night is getting old
grab your things
let's get you home
Maybe one more glass of wine
one more dance in
Character-driven D tracks rooted in Americana, roots texture, resilience, urban life, personal journeys, identity, and emotionally grounded storytelling.
PAUL REDDICK
DANCING IN A DREAM is a Metal / Punk / Rock track by PAUL REDDICK, positioned for Retro / Americana / Roots Character use with secondary utility around dreamstate, reflective, romance.
Dancing in a dream a dream
When our day was fair was fair
Dancing in a dream a dream
You were there were there
Cool and blue so blue
With you with you
Dancing in a dream
Dancing in a dream
Nothin's as it seems
in a dream
You call to me call to me
In a language kind so kind
You call to me to me
Of the heart and mind of mind
Dancing in a dream
Dancing in a dream
Things ain't like they seem
in a dream
You whisper low so low
What was done is all undone
You whisper low so low
Only one only one
Dancing in a dream
Dancing in a dream
Nothin's like it seems
in a dream
in a dream
JUSTIN ENCO BAND
DESTINY HIDDEN is a Sing / Song track by JUSTIN ENCO BAND, positioned for Retro / Americana / Roots Character use with secondary utility around destiny, emotional uplift, road.
PAUL REDDICK
DEVILMENT is a Blues / Rock track by PAUL REDDICK, positioned for Retro / Americana / Roots Character use with secondary utility around swagger, noir, whiskey-bar.
Some time when you look at me
All my troubles cease to be
You are lovely you are fine
You’ve got the devilment on your mind
Oh so fine a heart so pure
You’re alluringly demure
You’re the fruit upon the vine
You’ve got the devilment on your mind
You’ve got the devilment on your mind
You are perfect you are sweet
You are small with the little feet
You are thin as turpentine
You’ve got the devilment on your mind
Ain’t no trouble ain’t no toil
Ain’t no cauldron on the boil
Ain’t no axe for you to grind
You’ve got devilment on your mind
You’ve got devilment on your mind
You’ve got devilment on your mind
You’ve got devilment on your mind
PAUL REDDICK
DEVILS LOAD is a Folk / Rock / World track by PAUL REDDICK, positioned for Retro / Americana / Roots Character use with secondary utility around outlaw, struggle, road.
Oh Mama I'm broke
No money no tokes
I'm on a hungry dark road
And I'm a long gone daddy with the devil's load
Well the devil's load what's goin down
What's comin up what's goin around
Just a lonely boy on the side of the road
Try'na get a ride with the devil's load
It's a devil's load and it’s gonna rain
It's a carved out vessel that's full of pain
I'm a red hot rocket with a drifters code
Try'na get a ride with the devil's load
Oh Mama I'm broke
No money no tokes
I'm on a hungry dark road
And I'm a long gone daddy with the devils load
Now the devil's load is lightin a fire
It's draggin me down darlin to the wire
It's the one thing that I could've know'd
Try'na get a ride with the devil's load
It's a devil's load baby bound by a chain
And I'm never comin back this way again
It's jumpin the track and my bag is stowed
Try'na get a ride with the devil's load
Oh Mama I'm broke
No money no tokes
I'm on a hungry dark road
And I'm a long gone daddy with the devils load
This devil's load is in my walls
From room to room down empty halls
I'm sweepin away every tear that flowed
Try'na shake away this devil's load
This devil's load is hurtin my head
And the legs are shakin on my dirty bed
It's talkin to me and it's long and slowed
I'm fightin all night with the devil's load
Oh Mama I'm broke
No money no tokes
I'm on a hungry dark road
And I'm a long gone daddy with the devils load
PAUL REDDICK
DIAMONDS is a Indie / Rock track by PAUL REDDICK, positioned for Retro / Americana / Roots Character use with secondary utility around nostalgia, uplift, road.
Wasn’t that a time?
All those diamonds in the sky
Wasn’t that a time?
All those diamonds in the sky
You held them like an ancient book
Oh you held them like an ancient book
All that’s said in just a look
Wasn’t that a time?
All those diamonds in the sky
Oh you held them just like a child
You held them just like a child
All that’s said in just a smile
Wasn’t that a time?
All those diamonds in the sky
You held them like a blue bird
You held them like a blue bird
All that’s said in just a word
Wasn’t that a time?
Oh wasn’t that a time?
Wasn’t that a time?
All those diamonds in the sky
LEE PALMER
DO WHAT I DOES is a Country / Folk track by LEE PALMER, positioned for Retro / Americana / Roots Character use with secondary utility around swagger, western, determination.
When I was a kid
I did what I done
When I was a kid
I did what I done
I kept the wind at my back
My head in the clouds
Always on the run
I got a long way to go
To get where I was
I got a long way to go
To get where I was
I'm gonna be who I am
Love what I do
And do what I does
I never looked ahead
I left it all behind
I never looked ahead
I left it all behind
I didn't know a lick
I did what I did
All within a rhyme
I got the long way to go
To get where I was
I got a long way to go, get where I was
I'm gonna be who I am, love what I do, do what I does
I never had a cent
I didn't worry none
I never had a cent
I didn't worry none
I lived day to day
I laughed and I loved
I lost and I won
I got a long way to go
To get where I was
I got a long way to go
To get where I was
I'm gonna be who I am
Love what I do
And do what I does
I'm gonna be who I am
Love what I do
Do what I love
Take it home, boys
PAUL REDDICK
DOG CATCHER is a Blues track by PAUL REDDICK, positioned for Retro / Americana / Roots Character use with secondary utility around roots noir, loneliness, road.
Dogcatcher dogcatcher
Why won’t you let me be
Dogcatcher dogcatcher
Please won’t you set me free
You been keepin me on the run
I can’t get no business done
It’s not my idea of fun
No more
Dogcatcher dogcatcher
Why can’t you leave me alone
Dogcatcher dogcatcher
Why can’t you throw me a bone
I’ve been runnin through the neighbourhood
I’ve been actin like a good dog should
This feelin won’t do me no good
Oh no
Dogcatcher dogcatcher
Please understand my case
Dogcatcher dogcatcher
Please look me in the face
I may not be what I appear
I might be something you hold dear
I’m not tryin to cause you no fear
No
Dogcatcher dogcatcher
Choke on a bone sometime
Dogcatcher dogcatcher
You don’t live a life like mine
You might think you’re pretty bright
But I don’t think you’re always right
One day you may wake up in fright
Oh to find
Dogcatcher dogcatcher
Someone comin after you
PAUL REDDICK
DREAMIN' DREAMIN' is a Blues / Funk / Soul track by PAUL REDDICK, positioned for Retro / Americana / Roots Character use with secondary utility around longing, nostalgia, emotional drift.
Oh the clouds are rollin rollin
Gettin dizzy dizzy
You know I'm gamblin gamblin
I believe I'm losin losin
Oh yeah I'm dreamin
Oh yeah I'm dreamin
The sky is ragged ragged
Honey are you tellin tellin
Can I hear you callin callin
I believe I'm losin losin
Oh yeah I'm dreamin
Oh yeah I'm dreamin
The one I'm lovin lovin
I believe she leavin leavin
This one I'm ridin ridin
Oh the song I'm singin singin
Oh yeah I'm dreamin
Oh yeah I'm dreamin
Oh yeah I'm dreamin
Oh yeah I'm dreamin
RAN DE CASA
DIFFERENT KIND OF FAITH is a Dance / Hip Hop / R&B track by RAN DE CASA, positioned for Resilience / Personal Strength use with secondary utility around perseverance, spiritual struggle, resilience.
SYD AND I
DREAMER is a Electronic / Reggae / Soul track by SYD AND I, positioned for Urban Character / City Motion use with secondary utility around night drive, urban dreamstate, modern noir.
It's night and my window's open
in the sky three small lights like fireflies
and they circle and slide across my eyes
Norish light with the candles flirting
all my life's been nothing with this pain that's burning
but tonight something in me's changing
Would you like to see something?
Would you really like to see it?
What all this is meant to be
So we race across time
pulled by the gravity of one trillion suns
Kaleidoscope out of body
eyes wide open,
a new spectrum
and everything stops
Snowlight but I see it all distinctly
when born in the sky the three lights surrounding, taking a flight
Here I am nothing,
space in my mind
What a sight, approaching like a sparrow
life's path dropping fast pulling out my arrows, tingling through
Now I know never made from my home
So we race across time
pulled by the gravity of one trillion suns
Kaleidoscope out of body
eyes wide open,
the fire inside me
The fire inside me
Guitar-driven, defiant, and pressure-building D tracks for confrontation, danger, struggle, psychological unease, rebellion, and high-stakes character moments.
THE GREEN DOOR
DARK HIGHWAY is a Metal / Rock track by THE GREEN DOOR, positioned for Rock / Tension / Impact use with secondary utility around noir, pursuit, danger.
Through the world we roam
Far away from home
Others make us feel alone
They don't hear what we say
Wouldn't care anyway
Mostly they all dream of getting paid
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
If you were here with me
We can make believe
Everything is right where it should be
Forget about the ones
That have all the guns
If they're not here, we're not on the run
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
If you were here with me
We can make believe
Everything is right where it should be
Forget about the ones
That have all the guns
If they're not here, we're not on the run
THADEUS GONZALEZ
DEVIL is a Punk / Rock track by THADEUS GONZALEZ, positioned for Rock / Tension / Impact use with secondary utility around rebellion, danger, antihero.
THADEUS GONZALEZ
DIAMOND HIGH is a Punk / Rock track by THADEUS GONZALEZ, positioned for Rock / Tension / Impact use with secondary utility around adrenaline, pursuit, swagger.
Chains that you gotta follow
Burning the sun of tomorrow
You bleed in the groundhog's shadow
Just enough 'cause you want one more day
The brilliant shine will turn to gray
Diamond high, so high
That you can't come down, can't come down
Diamond high, so high
That you can't come down, can't come down
Look around as you hit the ground
Caught your eye 'cause it's candy
All the things that you can't be
Inside me that you plead for
A brilliant shine dies today
In your hands you hold a fake
Diamond high, so high
that you can't come down, can't come down
Diamond high, so high
that you can't come down, can't come down
Look around as you hit the ground
Digging the bones in this diamond high
All the lights, intensified
Catch your eye
The mesmerize
Diamond high, so high!
That you can't come down, can't come down
All dead bones line your crown
'cause it's a fake, you're a fake, it's a fake, you're a fake!
THE GREEN DOOR
DUEL IN THE SUN is a Indie / Punk / Rock track by THE GREEN DOOR, positioned for Rock / Tension / Impact use with secondary utility around outlaw, confrontation, danger.
In your heart, in your room
In the hollows of your eyes
Come come ahead, it's all in our heads
In the shadows of your world
When I'm held up in your house
Don't go ahead, turn on you
On you
In the hollows of your eyes
In your eyes
Holding you, someone who is true
In your eyes
Not you
You're an angel in your heart
There's a demon in your mind
Don't go ahead, who are you?
Like we're crawling on the ground
And the sun is in the sky
Don't go ahead, it's on you
On you
Don't fall, come on in
Don't fall ahead
Who are you?
Don't fall
Don't fall ahead
I'm not you, in your head
In your eyes
Holding you, they are all of you
In your eyes
I am you.
THADEUS GONZALEZ
DEATH OF A GOOD HUSTLE is a Metal / Punk / Rock track by THADEUS GONZALEZ, positioned for Rebellion / Struggle / Defiance use with secondary utility around rebellion, antihero, struggle.
FAKE YOUR OWN DEATH
DULL is a Metal / Punk / Rock track by FAKE YOUR OWN DEATH, positioned for Psychological Tension / Emotional Weight use with secondary utility around psychological tension, loneliness, noir.
Globally influenced, rhythmic, vivid, and cinematic D tracks for travel, cultural movement, Latin motion, fantasy energy, discovery, and scene-oriented visual momentum.
PAVLO CARTAGINESE
DE DONDE DEPENDE is a Folk / World track by PAVLO CARTAGINESE, positioned for World / Cultural Motion use with secondary utility around romance, travel, elegance.
AMHED MITCHEL
DE PASADA is a Jazz / World track by AMHED MITCHEL, positioned for World / Cultural Motion use with secondary utility around adventure, cinematic motion, travel.
JOSH HOWARD FRIEDMAN
DESBAROLLDA is a Folk track by JOSH HOWARD FRIEDMAN, positioned for World / Cultural Motion use with secondary utility around reflective, travel, minimal.
KIKI FERRER
DESCALZO is a Funk / Latin / Rock / World track by KIKI FERRER, positioned for World / Cultural Motion use with secondary utility around urban latin, tension, motion.
PAVLO CARTAGINESE
DICIEMBRE is a Dance / Electronic track by PAVLO CARTAGINESE, positioned for World / Cultural Motion use with secondary utility around elegance, mystery, dreamstate.
AMHED MITCHEL
DIME DONDE is a Latin / World track by AMHED MITCHEL, positioned for World / Cultural Motion use with secondary utility around romance, nightlife, latin elegance.
AMHED MITCHEL
D'PASADA is a Jazz track by AMHED MITCHEL, positioned for World / Cultural Motion use with secondary utility around cinematic motion, latin elegance, travel.
HYP
DRINKING CACACHA ON CARAIVA is a Funk / Rock / Soul track by HYP, positioned for World / Cultural Motion use with secondary utility around celebration, coastal, summer, travel.
pa pa ra pa pa pa pa ya pa ra pa pa ra pa ya
pa ra da pa ra pa pa pa ya pa ra pa ya
pa pa ra pa pa pa pa ya pa ra pa pa ra pa ya
pa ra da pa ra pa pa pa ya pa ra pa ya
INDIVIDUO
DE REPENTE is a Funk / Indie / Rock track by INDIVIDUO, positioned for Groove / Motion / Rhythm use with secondary utility around nightlife, urban motion, emotional tension.
Hay que tenerlo bien presente
Este planeta es una bola de cristal
Un día nos vamos de repente
Todo tu cash todos tus bienes
También se irán
Esto tendría que ser un mundo diferente
Solo tenemos que cambiar la realidad
Aun no es tarde pa' salir y alzar la frente, de repente
Y despertar
Hay algo raro en el ambiente
Son muchas luces no te dejes deslumbrar
Nunca te olvides viejo amigo
Si fácil viene, fácil se va
De repente te importa más la plata que la gente
(y no lo nieges es evidente)
Lentamente intercambiamos sueños por billetes
(y no me alcanza nunca es suficiente)
De repente, hay algo que nos hace diferentes
(pa' quien trabajas de donde vienes)
Lentamente perdimos el camino de repente
(si no cambiamos la ruta el choque es iminente)
Da da da da da da da da da da
Yo se que me entiendes se que me comprendes
Tu no estás contenta se que hay algo que te duele
Es que hay algo más allá que no se compra y no se vende
Y la felicidad es simplemente
Un viaje de ida, un beso a escondidas,
Una estrella fugaz, es un plato de comida
Una flor muy hermosa la sonrisa de mi abuela
Es cantarte mi canción a la luz de la vela
Es que somos iguales queremos lo mismo es la realidad
Esto no es romanticismo
Se que tienes corazón y te lo digo aunque te duela
Si no no eres la solución entonces tu eres el problema
¿A dónde fueron los valientes?
¿A dónde está el desinterés y la piedad?
Nunca te olvides viejo amigo
Si fácil viene, fácil se va
De repente te importa más la plata que la gente
(y no lo nieges es evidente)
Lentamente intercambiamos sueños por billetes
(y no me alcanza nunca es suficiente)
De repente, hay algo que nos hace diferentes
(pa' quien trabajas de donde vienes)
Lentamente perdimos el camino de repente
(si no cambiamos la ruta el choque es iminente)
Da da da da da da da da da da
De repente, hay algo que nos hace diferentes
(pa' quien trabajas y cuanto tienes)
Lentamente perdimos el camino de repente
(si no cambiamos la ruta el choque es iminente)
PHEELION
DEEP DIVE is a Dance / Electronic / Reggae track by PHEELION, positioned for Groove / Motion / Rhythm use with secondary utility around nightlife, tension, motion.
INDIVIDUO
DIA PERFECTO is a Country / Reggae / Soul track by INDIVIDUO, positioned for Groove / Motion / Rhythm use with secondary utility around celebration, summer, optimism.
ELMER FERRER
DEMONIOS DEL DIA is a Blues / Cinematic / Jazz / Rock / World track by ELMER FERRER, positioned for latin motion, fantasy, action use with secondary utility around adventure, mythic, latin tension.
Textural, reflective, and visually immersive D tracks for emotional space, memory, dream-state movement, mystery, cinematic transitions, and restrained underscore.
THE GREEN DOOR
DEATH VALLEY REVISITED is a Indie / Rock track by THE GREEN DOOR, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around desert drift, noir, mystery.
ELMER FERRER
DESIERTA is a Ambient track by ELMER FERRER, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around mystery, psychological tension.
OMR
DISTANT HEART is a Ballad / Cinematic / Country / Pop / Rock track by OMR, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around heartbreak, longing, dreamstate.
Thunderstruck on a moonlit night
Stars aligned ‘neath a bright moonlight
Pulling on your heart like gravity
Closer, and closer, to me
Like an island in a world of bliss
I search the horizon for what I miss
Your smile beyond the setting sun
Infinite skies but nowhere to run
Distant heart, come home to me
Worlds apart, never let you be
Love has a start but never ends
Oh distant heart til we meet again
Memories of you, my reality
Trapped in a love that slipped away
I want to love you like I’ll live forever
Love you like I’ll die today.
Passing suns warm my lonely heart
Fading moons still keep us apart
Northern lights in the skies above
Guide me closer, and closer to you
Like Venus and Mars dancing round the sun
Love filled a void were there once was none
I follow you through the galaxies
Closer and closer to me.
Stars don’t shine in the daylight
They come to life in the black of night
Like the future that can’t be seen
I found your heart in infinity
ELMER FERRER
DONDE VIVE LO QUE NO PASA is a Ambient / Ballads / Cinematic / Classical / Folk / Indie / Latin / Sing / Song track by ELMER FERRER, positioned for Atmospheric / Reflective / Cinematic use.
EZEKIEL HAMPTON
DON'T GIVE UP THE DANCE is a Electronic track by EZEKIEL HAMPTON, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around dreamstate, emotional escape, sci-fi.
EZEKIEL HAMPTON
DOORS IN DREAMS is a Electronic / Indie track by EZEKIEL HAMPTON, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around dreamstate, emotional escape, sci-fi.
ELMER FERRER
DOWN is a Electronic / Rock / Sing / Song track by ELMER FERRER, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around psychological tension, noir, suspense.
RADAGAST
DROPPING ANCHORS IN WATERS UNINVITED is a Ambient / Electronic track, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around dreamstate, mystery, emotional isolation.
LUCIAN KANO BALMER
DUSK is a Folk / Vintage track by LUCIAN KANO BALMER, positioned for Atmospheric / Reflective / Cinematic use with secondary utility around coastal drift, dreamstate, reflective.
MARITO MARQUES
DIA CHUVOSO is a Funk / Jazz / Latin track by MARITO MARQUES, positioned for Dreamstate / Memory / Inner Worlds use with secondary utility around dreamstate, reflective motion.
Emotionally grounded D tracks for intimacy, regret, romance, vulnerability, redemption, relationship fallout, healing, and human consequence.
MATTIE LEON
DELAY is a Indie / Pop / Sing / Song track by MATTIE LEON, positioned for Intimacy / Emotional Connection use with secondary utility around intimacy, heartbreak, dreamstate.
INDIVIDUO
DESAPERCIBIDA is a Sing / Song track by INDIVIDUO, positioned for Human Stories / Emotional Consequence use with secondary utility around heartbreak, intimacy, regret.
MATTIE LEON
DESIRE LINE is a Country / Sing / Song track by MATTIE LEON, positioned for Human Stories / Emotional Consequence use with secondary utility around resilience, identity, emotional growth.
LEE PALMER
DID IT FEEL LIKE THIS is a Blues / Pop / Sing / Song track by LEE PALMER, positioned for Human Stories / Emotional Consequence use with secondary utility around heartbreak, intimacy, longing.
KELSEY KINDALL
DID YOU EVER LOVE ME is a Indie / Pop track by KELSEY KINDALL, positioned for Human Stories / Emotional Consequence use with secondary utility around relationship tension, vulnerability, regret.
MATTIE LEON
DESERVE MY LOVE is a Indie / Pop track by MATTIE LEON, positioned for Human Stories / Redemption use with secondary utility around aspiration, perseverance, hope.
OMR
DREAM BIG - JACKIE'S SONG is a Ballads / Pop / Rock track by OMR, positioned for Human Stories / Redemption use with secondary utility around aspiration, hope, family uplift.
AT TWELVE, SHE ARRIVED, DREAMS IN HAND
IN CANADA, SHE’D MAKE HER STAND
FOREIGN GIRL, UNKNOWN WORLD
WIDE-OPEN SKY, SHE’D LEARN TO FLY
WINTER CAME, SO COLD AND WHITE
SHE FOUND A STRENGTH, HER INNER FIGHT
AS YEARS PASSED BY, SHE GREW UP STRONG
IN THIS LAND WHERE SHE BELONGED
CHORUS
DREAM BIG, OH LITTLE ONE
DREAM BIG IN THIS VAST PLACE
DREAM BIG ITS THERE FOR YOU
IN THE END, WIN THIS RACE
DREAM BIG, OH LITTLE GIRL
DREAM BIG, IN THIS BIG WORLD
DREAM BIG, YOUR HEART UNFURLED
IN YOUR DREAMS, CONQUER THE WORLD
VERSE 2
WHERE DREAMS ARE, THEY’LL SOFTLY TREAD
TRIALS AND SMILES, THEIR BOND WILL SPREAD
SIDE BY SIDE, WE ARE ONE
THROUGH DARK OF NIGHT TO THE RISING SUN
SEASONS CHANGED AND LIFE MOVED ON
SHE TOOK IT ALL AND KNEW SHE WON
HER VOW TO RISE, HER HEART ABLAZE
TOGETHER THEY’D DEFEAT THIS PLACE
CHORUS
BRIDGE
WITH EVERY CHALLENGE, SHE FOUND HER WAY
SYMPHONY OF HOPE IN THE LIGHT OF DAY
ECHOES PAST A NEW SONG PLAYED
IN THE LAND OF DREAMS, SHE DANCED AND SWAYED, DANCED AND SWAYED
GUITAR SOLO
CHORUS
KELSEY KINDALL
DO NOT DISTURB is a Pop / R&B track by KELSEY KINDALL, positioned for Romantic / Emotional Pop use with secondary utility around intimacy, tension, vulnerability.