Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference: Baby Sleeps — PheeLion

OMR Cue Map

Clean Intro: Yes — soft, delicate instrumental entry.
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48

Sync Pitch Sheet

Song Profile:
Key: E♭ Minor
BPM: 110
Energy: Midtempo / Dreamy / Minimal
Genres: Electronic / Indie / Cinematic Instrumental
Vocals: Instrumental

Instrumentation:
Percussion, piano, synth textures, soft electronic pulse, and delicate atmospheric layers.

Track Summary:
“Baby Sleeps” is a slow-blooming ambient instrumental where texture and rhythm breathe in quiet harmony. The cue drifts between pulse and stillness, making it ideal for emotive storytelling and contemplative visuals.

Sync Highlights:

• Perfect for reflective transitions and emotional fades
• Soft rhythmic structure complements narrative pacing
• Dreamlike texture supports indie drama and design-led visuals
• Minimal arrangement leaves room for dialogue and voiceover
• Loop-friendly structure for gentle montage and transitions

Sync Potential

Reflective drama, intimate storytelling, emotional transitions, late-night contemplation, family warmth, gentle memory, and quiet resolve.

Stem Tracks

Stems not currently posted. Request alternate mixes or stem availability through OMR.

Track Narrative

“Baby Sleeps” unfolds like an exhale — calm after motion, carried by soft synth, piano, and quiet emotional gravity.

Usage

Instrumental and dialogue-friendly. Strong for reflection, tenderness, ambient transitions, slow-motion imagery, and meditative emotional pacing.

Artist Bio

PheeLion crafts cinematic electronic music defined by texture, restraint, atmosphere, and emotional depth.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference: Beacon — Rich Brown

OMR Cue Map

Clean Intro: Yes — ambient tonal entry, no hard transient.
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 94
Energy: Midtempo / Minimal / Expressive
Genres: Jazz / Ambient Jazz / Cinematic Instrumental
Vocals: Instrumental

Instrumentation:
Electric and acoustic bass, ambient jazz textures, minimalist harmonic movement, and subtle rhythmic pulse.

Track Summary:
“Beacon” glows with harmonic depth and rhythmic subtlety. The cue carries ambient jazz color and emotional clarity, making it useful for reflection, movement, quiet resolve, and visually restrained storytelling.

Sync Highlights:

• Midtempo groove supports narrative flexibility
• Instrumental structure works well under dialogue and voiceover
• Ambient jazz palette adds sophistication and emotional nuance
• Minimalist tone supports introspective and stylish visuals
• Strong for crime drama, indie film, mystery, and transitions

Sync Potential

Urban nightscapes, introspective montage, quiet revelation, emotional clarity, mystery transitions, and character-driven scenes with minimal dialogue.

Stem Tracks

Available on request.

Track Narrative

“Beacon” feels like a small light in the distance — subtle, guiding, reflective, and emotionally composed.

Usage

Instrumental and dialogue-friendly. Ideal for reflective transitions, crime drama, urban pacing, emotional clarity, and understated sophistication.

Artist Bio

Rich Brown is a celebrated Canadian bassist and composer known for deep groove, technical mastery, and genre-crossing musicality.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference: Borealis — Rich Brown

OMR Cue Map

Clean Intro: Yes — ambient tonal entry, no hard transient.
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 95
Energy: Midtempo / Atmospheric / Expansive
Genres: Electronic / Ambient / Cinematic Instrumental
Vocals: Instrumental

Instrumentation:
Piano, synth, bass guitar, ambient grooves, harmonic textures, and luminous atmospheric layers.

Track Summary:
“Borealis” evokes the luminous mystery of the northern lights through bass-forward atmosphere, ambient groove, and contemplative harmonic texture. It is ideal for awe, elegance, and atmospheric wonder.

Sync Highlights:

• Excellent for expansive visuals and reflective cinematic pacing
• Instrumental structure supports voiceover and narrative space
• Atmospheric texture works for drama, fantasy, sci-fi, and nature visuals
• Minimal emotional build supports awe without overstatement
• Strong for visual transitions, discovery, and quiet emotional lift

Sync Potential

Natural beauty, space, mystery, atmospheric drama, fantasy, sci-fi, reflective montage, visual wonder, and quiet emotional ascent.

Stem Tracks

Available on request.

Track Narrative

“Borealis” feels like watching light move across the sky — spacious, mysterious, elegant, and quietly emotional.

Usage

Instrumental and flexible for atmosphere, nature visuals, cinematic transitions, reflective discovery, and elevated visual storytelling.

Artist Bio

Rich Brown is a celebrated Canadian bassist and composer known for deep groove, technical mastery, and genre-crossing musicality.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference: Burial at Sea — Kristin Sweetland

OMR Cue Map

Clean Intro: Yes — soft atmospheric/vocal entry.
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 54
Energy: Slow / Haunting / Reflective
Genres: Singer-Songwriter / Folk / Cinematic Ballad
Vocals: Female Vocal

Instrumentation:
Acoustic guitar, double bass, accordion, violin, cello, and intimate female vocal delivery.

Track Summary:
“Burial at Sea” sails between longing and myth, carrying oceanic memory, poetic metaphor, and emotional surrender. The track is well suited to farewell, ritual, romance, and haunting dramatic sequences.

Sync Highlights:

• Strong for farewell scenes and emotional departures
• Female vocal carries vulnerability, myth, and intimacy
• Slow tempo supports reflective cinematic pacing
• Acoustic and string textures create emotional depth
• Ideal for art-house drama, fantasy, romance, and memory sequences

Sync Potential

Farewell, ritual, oceanic memory, tragic romance, art-house montage, mythic imagery, emotional surrender, and reflective dramatic storytelling.

Stem Tracks

Available on request.

Track Narrative

“Burial at Sea” reads like a message in a bottle — cryptic, tender, mournful, and deeply cinematic.

Lyrics

Call to me the captain
Bury me at sea
Wash away my body
And this language painted over me
I’ll write the words for you
The things you might have said...

Your lips could bloom a crocus
In the darkened February of my head
Over ships of folded paper
Does the blackened raven fly
Scavenging both life and limb
With eyes that shift from side to side

There never was a time
When you’d watch over me like he
And when I said I love you
You’d say, you are far too innocent for me

So bring to me the maiden
Let me shake her hand
Hair as black as leather
And fresh from Never Neverland
That pirate on the ship
Might have strapped holsters to her hips
But later in the shadows
She raised a tender finger to his lips

Artist Bio

Kristin Sweetland is a guitarist, songwriter, photographer, and storyteller whose work blends folk, rock, classical, and world influences.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blue Ice — Elmer Ferrer

Sync Pitch Sheet

Song Profile
Key: —
BPM: Slow ambient pacing
Energy: Sparse / Reflective / Atmospheric
Genres: Ambient / Electronic
Vocals: Instrumental

Instrumentation
Synth textures and ambient tonal layering.

Track Summary
“Blue Ice” creates cold atmospheric space suited for emotional distance, memory, mystery, and restrained dramatic underscore.

Sync Highlights
Dialogue-safe minimalism
Excellent for emotional isolation and reflective scenes
Strong looping potential
Subtle psychological tension

Sync Potential

Strong for reflective drama, emotional aftermath, psychological tension, memory sequences, quiet suspense, and atmospheric cinematic underscore.

Stem Tracks

Available upon request.

Track Narrative

“Blue Ice” feels suspended in frozen emotional space — sparse, reflective, distant, and quietly unresolved.

Usage

Excellent for slow cinematic pacing, isolation, emotional processing, restrained sci-fi atmosphere, and contemplative visuals.

Artist Bio

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for emotionally cinematic compositions blending world influence, ambient atmosphere, and sophisticated modern production.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bright Sun — OMR Music Production

Sync Pitch Sheet

Song Profile
Key: Bb Major
BPM: 105
Energy: Upbeat / Warm / Uplifting
Genres: Pop / Indie / Funk / Soul
Vocals: Male Vocal

Instrumentation
Accordion, saxophone, rhythm section, guitars, and uplifting melodic textures.

Track Summary
“Bright Sun” captures movement, optimism, discovery, and carefree cinematic momentum.

Sync Highlights
Strong travel montage energy
Excellent for feel-good visuals
Positive rhythmic pacing
Broad commercial sync appeal

Sync Potential

Ideal for lifestyle campaigns, travel visuals, road sequences, optimistic storytelling, uplifting montage, and romantic comedy pacing.

Stem Tracks

Available upon request.

Lyrics

VERSE 1
IT’S A GOOD DAY TO RISE
PLACES TO GO
SIGHTS ON THE PRIZE
SUNSHINE IN THE WINDOW

VERSE 2
IT’S A GOOD DAY TO LIVE
PLACES TO GO
LOVING TO GIVE
SUNSHINE IN THE WINDOW

CHORUS
BRIGHT SUN
IT IS A BRIGHT SUN

VERSE 3
FORTY SHADES OF YELLOW
FORTY SHADES OF RED
COLORS OF THE RAINBOW
EXPLODING IN MY HEAD

VERSE 4
TREES FLOATING ON THE HILLS
CARPET ON THE LAKE
ROLLING ON THE WAVES
SURFING ON THE WAKE

CHORUS
BRIGHT SUN
IT IS A BRIGHT SUN

INTERLUDE

VERSE 5
THERE’S A SKIP IN YOUR STEP
BIRDS IN THE SKY
A SMILE ON YOUR FACE
A SPARKLE IN YOUR EYE

VERSE 6
NOTHING ON MY MIND
FEELING KIND OF FREE
LIGHT’S HERE TO STAY
SUNSHINE IN THE WINDOW

CHORUS (REPEAT TO OUTRO)
BRIGHT SUN
IT IS A BRIGHT SUN

Track Narrative

“Bright Sun” feels like open roads, movement, sunlight, and emotional release after heaviness.

Artist Bio

OMR Music Production develops supervisor-first cinematic music designed specifically for sync placement, emotional storytelling, and editorial flexibility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Buoy Blues for the Fishers of Men — Radagast the Brown

Sync Pitch Sheet

Song Profile
Key: Bb Major
BPM: 120
Energy: Reflective / Atmospheric / Forward Motion
Genres: Ambient / Electronic
Vocals: Instrumental

Instrumentation
Percussion, piano, strings, synth textures, and ambient rhythmic layering.

Track Summary
“Buoy Blues for the Fishers of Men” balances emotional drift and movement through atmospheric electronic texture and cinematic pacing.

Sync Highlights
Excellent for emotional travel sequences
Strong reflective momentum
Maritime emotional tone
Atmospheric editorial flexibility

Sync Potential

Excellent for emotional travel, atmospheric montage, uncertainty, emotional transition, introspection, and cinematic movement.

Stem Tracks

Available upon request.

Track Narrative

“Buoy Blues for the Fishers of Men” feels like movement through emotional fog — reflective, patient, uncertain, but always drifting forward.

Usage

Strong for coastal visuals, emotional transition, reflective motion, atmospheric indie storytelling, and contemplative cinematic pacing.

Artist Bio

Radagast the Brown creates immersive cinematic music blending electronic texture, atmospheric movement, rhythmic identity, and emotionally intelligent pacing.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bright Morning Stars — Kristin Sweetland

Sync Pitch Sheet

Song Profile
Key: F Major
BPM: 75
Energy: Warm / Hopeful / Reflective
Genres: Folk / Singer-Songwriter
Vocals: Female Vocal

Instrumentation
Acoustic guitar, harmony vocals, fretless bass, and gentle folk arrangement.

Track Summary
“Bright Morning Stars” blends spiritual warmth and folk storytelling into a timeless emotional ballad suited for healing, memory, and cinematic uplift.

Sync Highlights
Strong emotional resonance
Timeless folk authenticity
Excellent for emotional closure and healing
Beautiful dialogue-safe pacing

Sync Potential

Excellent for emotional resolution, remembrance, hope, spiritual reflection, family storytelling, and cinematic healing arcs.

Stem Tracks

Available upon request.

Lyrics

Bright morning stars are rising
Bright morning stars are rising
Bright morning stars are rising
Day is a-breaking in my soul

Oh where are our dear fathers?
Oh where are our dear fathers?
Oh where are our dear fathers?
They're down in the valley a-praying

Oh where are our dear mothers?
Oh where are our dear mothers?
Oh where are our dear mothers?
They’ve gone to heaven a-shouting

Track Narrative

“Bright Morning Stars” feels like emotional sunrise after darkness — reverent, human, hopeful, and timeless.

Artist Bio

Kristin Sweetland is a Canadian singer-songwriter and storyteller known for emotionally rich folk compositions rooted in travel, memory, intimacy, and cinematic warmth.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bad Trip — PheeLion

OMR Cue Map

Clean Intro: Yes — immediate tonal/atmospheric entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:12–0:36 / 0:36–1:00 / 1:00–1:24

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 139
Energy: Fast / Dark / Hypnotic
Genres: Dance / Funk / Electronic Noir
Vocals: Female Vocal

Instrumentation:
Keyboard, percussion, synth, dark rhythmic layers, and mantra-like vocal phrasing.

Track Summary:
“Bad Trip” is a hypnotic, psychedelic dance-funk track where looping vocal fragments and dark synth groove create disorientation, tension, and surreal cinematic movement.

Sync Highlights:

• Strong for psychological drama and surreal sequences
• Works for club scenes, fashion edits, and neo-noir visuals
• Dark groove supports tension without losing movement
• Female vocal adds identity, unease, and hypnotic texture
• Excellent for scenes that blur perception and reality

Sync Potential

Psychological thriller, club tension, surreal montage, fashion noir, hallucination sequences, identity conflict, and mental unraveling.

Stem Tracks

Stems not currently posted. Request alternate mixes or stem availability through OMR.

Track Narrative

“Bad Trip” feels like a mind caught in rhythm — seductive, unstable, repetitive, and increasingly uncertain.

Lyrics

perception
deception
conception
election

No one no one had a bad trip
It was all very good
I I think I'm I think I'm having a bad trip
No one no one no one had a bad trip
It was all very good
perception
conception
deception
I I I think I'm having a a bad trip
The moment,
the moment,
the moment,
the moment
is now
perception
deception
conception
election

No one no one had a bad trip
It was all very good
I I think I'm having a a bad trip
No one no one no one had a bad trip
He was all very good
No, I I mean I really think I'm I'm really think I'm having a bad trip.

Artist Bio

PheeLion creates dark, tactile electronic music with hypnotic vocals, cinematic texture, and emotionally complex atmosphere.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Black Nimbus — Rich Brown

OMR Cue Map

Cue map available upon request.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 130
Energy: Medium-High / Dark / Cinematic
Genres: Funk / Jazz / Indie
Vocals: Instrumental

Instrumentation:
Electric bass, alto saxophone, piano, synth, drums, and atmospheric jazz-funk textures.

Track Summary:
“Black Nimbus” is a slow-burning storm — a jazz-infused instrumental that builds tension, mystery, and emotional atmosphere for noir, crime, fantasy, and psychological drama.

Sync Highlights:

• Instrumental format works well under dialogue and voiceover
• Jazz-funk fusion adds sophistication and emotional depth
• Strong for crime drama, thriller, mystery, and noir sequences
• Solo sections offer dynamic edit points
• Atmospheric tone enhances tension and transformation

Sync Potential

Crime drama, mystery, noir montage, psychological tension, luxury branding, suspenseful transitions, and moody character-driven storytelling.

Stem Tracks

Available on request.

Track Narrative

“Black Nimbus” feels like a storm gathering behind glass — refined, dangerous, rhythmic, and unresolved.

Usage

Excellent for noir pacing, psychological suspense, investigation scenes, atmospheric montage, and dialogue-safe dramatic underscore.

Artist Bio

Rich Brown is a celebrated Canadian bassist and composer known for deep groove, technical mastery, and genre-crossing musicality.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blue Wings — Paul Reddick

OMR Cue Map

Clean Intro: Yes — immediate tonal/blues entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:14–0:42 / 0:42–1:10 / 1:10–1:38

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 77
Energy: Midtempo / Reflective / Dreamy
Genres: Folk / Singer-Songwriter / Blues-Folk
Vocals: Male Vocal

Instrumentation:
Harmonica, vocals, acoustic textures, strings, percussion, and blues-rooted melodic phrasing.

Track Summary:
“Blue Wings” is a poetic blues-folk meditation on longing, memory, flight, and emotional release, ideal for character-driven reflection and quiet transformation.

Sync Highlights:

• Strong for departure scenes and emotional solitude
• Poetic vocal delivery supports art-house and drama placements
• Atmospheric tone fits romance, western, and historical visuals
• Blues texture brings authenticity and emotional depth
• Excellent for reflective transitions and quiet escape

Sync Potential

Reflective transitions, poetic closures, historical flashbacks, romantic dissolves, western landscapes, personal revelation, and emotional solitude.

Stem Tracks

Available on request.

Track Narrative

“Blue Wings” feels like a quiet departure — poetic, worn, spacious, and emotionally airborne.

Lyrics

Long it was a weary way
Won’t you go and stroll with me?
Little by little and was by was
Some pleasure to see

Mary had a red dress red dress red dress
Oh with thoughts that grew by night
The train it’s coming and it’s never late
Hold me tight

Let this world go as she will
So full of sweet surprise
The train it sings upon blue wings
Dark advice

Sugar bird don’t you weep no more
Sugar bird don’t weep no more
Round and round
Round and round we go

Who passes by when I am gone?
Hands wet with the dew of flowers
Try to never travel such roads of love
Minutes like hours

See yonder sun how steady she run
I’m going home on the morning train
Sing song girls ringing in the dawn
Colour of flame

Artist Bio

Paul Reddick is a blues poet and harmonica virtuoso known for atmospheric songcraft, emotional depth, and cinematic blues-noir storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Breathe One More Breath — Renée Astaria

OMR Cue Map

Clean Intro: Yes — soft atmospheric/vocal entry
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 139
Energy: Fast / Hopeful / Reflective
Genres: Reggae / Soul
Vocals: Female Vocal

Instrumentation:
Bass, drums, electric guitar, percussion, synth, and emotionally direct female vocal.

Track Summary:
“Breathe One More Breath” is a compassionate song about holding on to life’s final moments — one more breath, one more chance to shine, and one more moment of connection.

Sync Highlights:

• Strong for goodbye sequences and emotional memory
• Reggae/soul pulse keeps the scene moving forward
• Female vocal carries intimacy, grief, and hope
• Works for memorial reflections and healing arcs
• Emotionally direct lyric supports scenes that need clear meaning

Sync Potential

Bedside scenes, family memory, emotional goodbye, healing montage, memorial reflection, drama pivots, and hopeful finales.

Stem Tracks

Stems not currently posted. Contact OMR to request stems, instrumentals, or alternate mixes.

Track Narrative

“Breathe One More Breath” is a plea for presence at the edge of loss — tender, direct, human, and emotionally generous.

Lyrics

This may be your last day
here on this earth
I'm blessed I came
to sing to you
See the smiling tears of your loved ones' eyes
You're forgiven, it's clear, there is nothing to fear
All they wish for is a bit more of your time,
a bit more of your time
Just breathe one more breath, heart, hold on
Just breathe in that moment, heart, hold on, a moment to shine
Breathe one more breath, heart, hold on
Just breathe one more breath
I wonder what the hearts will say
when you are gone
I know that you'll be free of pain
and be at peace
But for today you bless with the look of your eyes,
the touch of your hands, every one of our lives
Are just one sweet moment to breathe one more breath
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Just live as one more moment, one moment of your life
Breathe one more breath, heart, hold on
Breathe one more breath what the heart will say
Breathe one more breath in
Just, just breathe in life
Give us that moment to shine
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Breathe one more breath
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Breathe one more breath, hold on
Shine, hold on
Breathe one more breath of your life, hold on
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Just breathe one more breath, hold on

Artist Bio

Renée Astaria delivers emotionally direct, cinematic-leaning songs that combine modern production with human, character-first storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Badger in the Bag — Kristin Sweetland

OMR Cue Map

Clean Intro: Yes — immediate rhythmic entry
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06

Use Case: Quirky, energetic cue for comedic tension, mischief, offbeat character moments, light chaos, playful sequences, and scenes with unexpected twists.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 93
Energy: Midtempo / Quirky / Kinetic
Genres: Folk / World / Cinematic Instrumental
Vocals: Instrumental

Instrumentation:
Acoustic guitar, violin, rhythmic folk-world textures, organic movement, and playful instrumental phrasing.

Track Summary:
“Badger in the Bag” is a quirky, genre-bending instrumental packed with rhythmic twists and cinematic character. It balances playful tension, organic instrumentation, and offbeat movement, making it especially useful for mischief, comedic tension, stylized character scenes, and unexpected visual turns.

Sync Highlights:

• Excellent for quirky character moments and light chaos
• Instrumental format works well under dialogue and voiceover
• Rhythmic motion supports fast editorial pacing
• Organic acoustic textures give the cue warmth and personality
• Strong for indie comedy, stylized montage, and offbeat transitions

Sync Potential

Mischievous character movement, comedic tension, quirky chase scenes, indie montage, eccentric introductions, light crime comedy, and stylized transitional scenes.

Stem Tracks

Available upon request.

Track Narrative

“Badger in the Bag” feels like a strange little plan going sideways — playful, rhythmic, unpredictable, and full of character.

Usage

Strong for quirky edits, light suspense, character-driven montage, comedic chase energy, eccentric visual transitions, and playful tension under picture.

Artist Bio

Kristin Sweetland is a guitarist, songwriter, photographer, and storyteller whose work blends folk, world, classical, and cinematic influences.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bat Snake Tiger — Thadeus Gonzalez

OMR Cue Map

Clean Intro: Yes — immediate rhythmic/tonal entry
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06

Use Case: Aggressive, stylized cue for action, combat, heightened intensity, chase movement, attraction-danger sequences, and scenes driven by confrontation.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 126
Energy: Uptempo / Dark / Confident
Genres: Punk / Rock / Cinematic Rock
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, sharp rhythmic hooks, dark guitar textures, and smoky male vocal delivery.

Track Summary:
“Bat Snake Tiger” prowls with nocturnal rhythm, danger, temptation, and dark charisma. Its punk-rock edge and hypnotic groove make it a strong fit for scenes where attraction and threat exist in the same frame.

Sync Highlights:

• Excellent for dangerous attraction and nocturnal movement
• Strong for crime, thriller, neo-noir, and underground scenes
• Male vocal adds swagger, mystery, and character identity
• Rhythmic drive supports chases, standoffs, and power shifts
• Works for stylized action, fantasy, and video-game sequences

Sync Potential

Underground clubs, chase sequences, dangerous attraction, power-shift reveals, neo-noir tension, crime drama, fantasy movement, and stylized combat.

Stem Tracks

Available upon request.

Track Narrative

“Bat Snake Tiger” feels like something beautiful and dangerous moving through the dark — alluring, predatory, rhythmic, and cinematic.

Lyrics

Do I gotta chase you in the woods, yeah?
You got hollow bones beneath your burning eyes.
You caught me breaking, stealing, thieving your pharaoh.
What's a girl like you run alone tonight?
And now you've got me drowning.
And now you've got me underneath.
You got me slowly wanting.
I need some relief.
If I could catch your...
Rat.
Snake.
Tiger.
I never met a creature quite like you, girl, you girl.
So beautiful, so haunting on the loose.
Your hips speak so fast I fall behind.
Your wings glistening dark in the limelights.
There's an echo I can't let go when I'm solo that I can't reach up to touch your claws tonight.
And now you've got me dreaming.
And now you've got me falling asleep.
You've got me slowly wanting.
I need some relief. If I could catch your...
You take me away, somewhere under the moon.
So far away, where I can feel you.
I never met a creature quite like you, girl, you girl.
So beautiful, so haunting on the loose.
I never met a creature quite like you, girl, you girl.
So beautiful and brutal to watch you move.
Watch you move.
Watch you move.
Watch you move.
Hey hey!

Artist Bio

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter known for cinematic rock with punk attitude, metal weight, and emotionally charged vocal intensity.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Black Eye On a Tiger — Thadeus Gonzalez

OMR Cue Map

Clean Intro: Yes — immediate gritty tonal entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Gritty rock cue for conflict, resilience, fight recovery, aftermath, relationship volatility, and struggle-to-strength arcs.

Sync Pitch Sheet

Song Profile:
Key: A# Minor
BPM: 97
Energy: Midtempo / Gritty / Resilient
Genres: Metal / Punk / Rock
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, grinding riffs, punchy rhythm section, and emotionally charged male vocal.

Track Summary:
“Black Eye On a Tiger” is a punchy, riff-forward rock cue built for emotional impact, identity pressure, physical consequence, and recovery after conflict. It feels tough, bruised, and determined.

Sync Highlights:

• Strong for fight aftermath, recovery arcs, and gritty resilience
• Male vocal adds urgency, identity, and emotional stakes
• Riff-driven structure gives editors useful cut points
• Works for sports, crime, action, and relationship conflict
• Excellent for struggle-to-strength and antihero pivots

Sync Potential

Fight recovery, gritty city montage, late-night drives, emotional confrontations, relationship ultimatums, sports grit, antihero drama, and comeback sequences.

Stem Tracks

Available upon request.

Track Narrative

“Black Eye On a Tiger” feels like the moment after impact — bruised, angry, reflective, and not yet beaten.

Lyrics

Some slowly give up then they fade to grey
Some are also saying that they're so full of faith
There's a reason why they're never done
making up their minds
it's a vexing haul, to get through it all

We could pop some pills, make it all go away
Twenty five days there's no reason to pray
I don't think this is the way our lives should go down
Cause we don’t understand, what happens when

I'm fascinated enough with you
That you keep me holding on
The final cut, the final stance,
leaves me in a dark room

Feeling, like black eye on a tiger
everytime we catch up, I let go
I can't deal with the things you know
There's a reason why I always leave the things I found.

Artist Bio

Thadeus Gonzalez delivers cinematic rock with punk attitude, metal edge, hook-driven riffs, and story-forward vocal intensity.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bite It — Thadeus Gonzalez

OMR Cue Map

Clean Intro: Yes — immediate rhythmic/vocal entry
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06

Use Case: Edgy, high-energy cue for attitude, confrontation, bold character moments, action, fashion, sports, and intensity-driven montage.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 86
Energy: Midtempo / Intense / Defiant
Genres: Punk / Rock / Cinematic Rock
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, jagged riffs, pounding rhythm section, and aggressive male vocal delivery.

Track Summary:
“Bite It” is a clenched-fist punk-rock cue built for conflict, pressure, defiance, and high-impact edits. It has the weight of confrontation with enough rhythmic control to work for action, sports, crime, and trailer-style movement.

Sync Highlights:

• Excellent for confrontation, rebellion, and rule-breaking turns
• Midtempo weight gives action scenes impact without rushing
• Guitar-driven arrangement supports strong edit hits
• Male vocal adds aggression, attitude, and grit
• Strong fit for sports reels, trailers, crime scenes, and fight beats

Sync Potential

Alley confrontations, chase clips, gear-ups, sports warm-ups, walkouts, highlight reels, rebellion beats, promo cuts, and action montage.

Stem Tracks

Available upon request.

Track Narrative

“Bite It” feels like pressure finally breaking into action — raw, defiant, loud, and ready to collide.

Lyrics

Out of control, out of my soul, you've got me digging in holes, no fucking gold
The blood hits boil, it all kicks in, you got me dragging the chains in the hell that we're in
Out of my mind, can't keep the time, got me gambling again, repentance a sin
Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will fight it, thrash it
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Out of control, losing my soul, got me walking on coals, love overflows
All this wretch that I've been living in, got me tied as a slave in Hades again
Losing my mind, bell starts to chime, always ringing again, it's the hell that we're in
Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will bite it, thrash it
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Fuck it up!
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Out of my mind, can't keep the time, got me gambling again, repentance a sin
Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will bite it, thrash it
Fuck it up

Artist Bio

Thadeus Gonzalez combines punk energy, cinematic rock, and emotionally intense vocal delivery into sync-ready music built for impact.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bound — The Green Door

OMR Cue Map

Clean Intro: Yes — immediate rock/road-song entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: Yes, decisive scene-close ending
Loopable: Moderate
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:24–1:52

Use Case: Solitary journeys, rural drama, road montage, emotional return, redemption arcs, rugged landscapes, and dramatic transitions.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 114
Energy: Midtempo / Gritty / Road-Worn
Genres: Metal / Punk / Rock / Retro Rock
Vocals: Male Vocal

Instrumentation:
Acoustic guitar, bass, drums, electric guitar, retro rock textures, and grounded male vocal delivery.

Track Summary:
“Bound” carries the feeling of a long road home — weathered, gritty, and determined. The acoustic/electric blend gives it texture and authenticity, while the midtempo drive keeps the scene moving forward.

Sync Highlights:

• Strong for travel, return-home, and redemption scenes
• Midtempo groove supports movement without overpowering dialogue
• Retro rock tone adds authenticity and grit
• Male vocal delivery feels grounded and sincere
• Works for western, rural drama, indie film, and closing montage

Sync Potential

Road trip montage, redemption arcs, western or rural-set drama, solitary character reflection, indie film closing sequences, and long-drive emotional transitions.

Stem Tracks

Stems not currently posted. Contact OMR to request stems, instrumentals, or alternate mixes.

Track Narrative

“Bound” feels like a lone rider pushing through rain and distance toward a place that may not be waiting for him.

Lyrics

I ride hard across the plain
each night in the pouring rain as I go
I'm bound for home

six months and I'm a dreadful sight
head to toe covered in grime as I go
I'm bound for home

and I know no one's waiting there for me
and I know I'll forever be lonely
and I know that I'm going home

long days alone tonight
regrets follow close behind as I go
I'm bound for home

and I'm such a lonesome man, but I'm gonna do it the best that I can
so I'm bound for home

and I know no one's waiting there for me
and I know I'll forever be lonely

Artist Bio

The Green Door crafts cinematic indie rock with edge — blending grit, atmosphere, and strong editorial structure for premium TV, indie film, and trailer-forward storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Borderland — The Green Door

OMR Cue Map

Clean Intro: Yes — ambient tonal entry, no hard transient
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20

Use Case: Expansive atmospheric cue for isolation, tension, vast landscapes, western tone, frontier storytelling, distance, uncertainty, and quiet intensity.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 109
Energy: Midtempo / Atmospheric / Restless
Genres: Indie Rock / Alternative Rock / Cinematic Rock
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, atmospheric indie-rock textures, retro tonal color, and reflective male vocal delivery.

Track Summary:
“Borderland” feels suspended between travel, transformation, and revelation. Its lyric imagery suggests crossing thresholds — literal and emotional — making it a strong fit for stories centered on change, pursuit, discovery, or awakening.

Sync Highlights:

• Dreamy forward motion suits travel and transition scenes
• Male vocal adds personality without overpowering the atmosphere
• Retro-minimal production works well under montage
• Themes of discovery, destiny, and change support character-driven stories
• Strong for drama, indie, mystery, sci-fi, and coming-of-age visuals

Sync Potential

Departure scenes, literal crossings, journey montage, coming-of-age uncertainty, indie drama, dreamlike mystery, low-key sci-fi visuals, and characters stepping into the unknown.

Stem Tracks

Available upon request.

Track Narrative

“Borderland” feels like a crossing point between what is known and what is waiting to be discovered.

Lyrics

Take a trip to the borderland
On a bullet train
With a mind full of borderline
And a hand full of change

Pay the toll and they save you a place
But never you'll know of the conductor's name
That's wrote on every passenger's face

Open up your eyes
Not everyone pays for the ride
But some say there's a freer way inside

Off the train on the pale brown sand
Crow calls a warning
With feathers spread like open hands
And eyes like a dream

It beckons you to the edge of town
But never you'll know where direction is found
Until you're digging underground

Open up your eyes
Everybody takes the ride
But some say there's a nearer way inside

Artist Bio

The Green Door delivers raw-edged, sync-ready rock with narrative edge, atmosphere, and momentum.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Beat Back — OMR Music Production

OMR Cue Map

Clean Intro: Yes — immediate rhythmic entry
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06

Use Case: Hard-hitting rhythmic cue for confrontation, momentum, competitive energy, action, sports, and scenes driven by intensity and pushback.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 106
Energy: Moderate-High / Confident / Retro
Genres: Funk / Party / Vintage / Retro Rock
Vocals: Male Vocal

Instrumentation:
Guitar, bass, drums, horns, rhythmic percussion, bright funk groove, and soulful male vocal.

Track Summary:
“Beat Back” is a groove-heavy retro-funk track with swagger, rhythmic lift, and a punchy feel. It works for scenes that need movement, charm, resilience, playful tension, and a touch of vintage cool.

Sync Highlights:

• Midtempo funk groove supports rhythmic editing
• Male vocal delivers charisma, confidence, and playful energy
• Horn section adds punch and lift
• Works for crime capers, comedy, romance, promos, and retro-styled ads
• Great for feel-good transitions, stylish montage, and upbeat pushback

Sync Potential

Opening credits, comedic montage, quirky character intros, romantic chase scenes, crime capers, party sequences, retro ads, and stylish transitions.

Stem Tracks

Available upon request.

Track Narrative

“Beat Back” feels like a character refusing to stay down — bright, rhythmic, defiant, and full of movement.

Lyrics

Yeah, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey,
You're living among the dead
Beat back your blues, babe
And be your superhero
Beat back the blues, babe
And save your day
Beat back your blues, babe
Countin' down to zero
Beat back the blues, babe
'Til you find a sunny day
Feedback, yeah (feedback)
Feedback (feedback)
Whoa-oh-oh
You better (feedback)
Come on, come on (feedback)
Yeah (feedback)
Mm-hmm
The ringing in your ears
It just never stops
Meltin' into tears
Inside these ticking clocks
Livin' with dreams and fears
Until the curtain drops
The hope of future years
Lost in the secret box
Beat back your blues, babe
And be a superhero
Beat back the blues, babe
And save your day
Hey!
Beat back your blues, babe
Countin' down to zero
Beat back the blues, babe
'Til you find a sunny day
Hey! (Beat back!)
Hey! (Beat back!)
Beat it back! (Beat back!)
Oh yeah, yeah, yeah
Come on and feed back (feed back)
Feed back the blues (feed back)
Feed it back, huh? (feed back)
Oh-oh-oh-oh-oh
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
Your natural existence
I'm stuck ruminating
Your past is resistance
You've been calculating
Our recent coexistence
I keep advocating
The path of leap resistance
Feedback
Oh, beat it back
Feedback
You better beat it back
Feedback
Hey, hey
Feedback
Come on, feedback
Feedback
Hey
Feedback
Come on
Beat back, come on, beat back, beat back
You better, come on, beat back
Talkin' about, talkin' about, talkin' about
Beat it back, beat back, oh, beat it back
Beat back, you better beat it, beat it
Beat back, beat back the blues, hey, ha, well

Artist Bio

OMR Music Production develops supervisor-first cinematic music designed for sync placement, emotional storytelling, and editorial flexibility.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Burning Fuse — Paul Reddick

OMR Cue Map

Clean Intro: Yes — immediate blues/vocal entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Tense blues-driven cue for urgency, conflict, pursuit, dramatic build-ups, confrontation, and moments charged with pressure and intensity.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 99
Energy: Midtempo / Raw / Tense
Genres: Blues / Folk / Indie / Blues Noir
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, percussion, synth, harmonica, loops, and gritty blues vocal delivery.

Track Summary:
“Burning Fuse” ignites with blues grit, lyrical fire, and emotional combustion. The track carries tension, swagger, and pressure-building intensity, making it ideal for rebellion, pursuit, confrontation, and inner turmoil.

Sync Highlights:

• Strong for crime drama, mystery, thriller, and action sequences
• Midtempo groove supports rhythmic tension and pacing
• Male vocal adds grit, realism, and blues-noir character
• Excellent for pursuit, defiance, and dramatic build-ups
• Works for art-house, coming-of-age edge, and emotional combustion

Sync Potential

Crime dramas, mystery thrillers, chase sequences, rebellion, pursuit, emotional pressure, art-house tension, defiance montage, and transformation scenes.

Stem Tracks

Available upon request.

Track Narrative

“Burning Fuse” feels like pressure turning into flame — raw, tense, dangerous, and ready to ignite.

Lyrics

Oh love it burns just like a fuse
Oh learn to run or learn to lose
Take your time and seal your fate
Feel the flames of learning late
Oh ain’t no cover can be found
Oh listen brother just cover ground
Been tried by water been tried by fire
Who so never told told a lie
Slip away soft and low
Where she stops you will never know
If I ever live this business down
I’ll be rising on up from the underground

Oh well
Oh well
Oh well

Oh love it burns just like a fuse
Oh learn to run or learn to lose
Oh learn to run or learn to lose
Oh love it burns just like a fuse
Been tried by water been tried by fire
Who so never told told a lie
Take your time and seal your fate
Feel the flames of learning late

Oh well
Oh well
Oh well
Oh well

Oh love it burns just like a fuse
Oh learn to run or learn to lose
Oh learn to run or learn to lose
and I know that I'm going home

and I know no one's waiting there for me
and I know I'll forever be lonely
and I know that I'm going home

Artist Bio

Paul Reddick is a blues poet and harmonica virtuoso known for smoky, hypnotic, emotionally resonant music rooted in character, mood, and place.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bi-Polaroid — Normal Machine

OMR Cue Map

Track: Bi-Polaroid
Clean Intro: Yes — immediate tonal/atmospheric entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Stylized modern cue for identity, attitude, visual edge, psychological tension, fashion, nightlife, and scenes that blend confidence with introspection.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 126
Energy: Medium-High / Atmospheric / Intense
Genres: Electronic / Pop / Cinematic Electronic
Vocals: Female Vocal

Instrumentation:
Electronic textures, synth layers, rhythmic pulse, electric guitar color, atmospheric production, and haunting female vocal delivery.

Track Summary:
“Bi-Polaroid” is a sonic descent into emotional duality, identity fracture, and cinematic introspection. Its electronic-pop structure gives the track forward motion while the vocal performance carries vulnerability, tension, and psychological weight.

Sync Highlights:

• Strong for psychological unraveling and identity-crisis scenes
• Female vocal delivers vulnerability, urgency, and emotional intensity
• Electronic pulse supports movement, montage, and tension-building edits
• Atmospheric production enhances mystery, thriller, and indie drama placements
• Works for stylized horror transitions, dream sequences, and emotional collapse

Sync Potential

Psychological unraveling, identity crisis, stylized horror transitions, dream sequences, indie drama, emotional collapse, thriller tension, mystery montage, and flashback sequences.

Stem Tracks

Available upon request.

Track Narrative

“Bi-Polaroid” spirals through emotional distortion and vulnerable self-questioning — a cinematic portrait of identity under pressure.

Lyrics

Take over, I've been running way too long
Take over, I know I'm doing something wrong
I hear them call me the devil knocking
I let them in a long time ago, so
Take over, tell me that you'll bring me home

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I listen to these translations
Hear them, don't know what they're saying
I don't know what they're saying

Take me, take it all
Tell me that you'll take me
Tell me that you'll bring me home

Take over, I'm begging them to take control
I'm melting into a puddle on the floor
And I hear it rippling on my neck
But you're here in my heart
And tell me what to say, what to say
Where are you?

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I listen to these translations
Hear them, don't know what they're saying
I don't know what they're saying

Take me, take it all
Tell me that you'll take me
Tell me that you'll bring me home

Take me, take it all
Tell me what to say, what to say
Where are you?

I fell in love, I called for God
I prayed, I wasted 21
I lost it all, I need you now
I lost it all, I need you now

Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?

Artist Bio

Normal Machine is an experimental sound collective known for immersive electronic textures, post-industrial atmosphere, and emotionally charged sonic exploration.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Built-In Obsolescence — Godgifu

OMR Cue Map

Track: Built-In Obsolescence
Clean Intro: Yes — atmospheric opening with immediate tonal identity
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30 / 1:40
Button Ending: No, more suitable for fade or natural tail usage
Loopable: High
Best Loop Candidates: 0:20–0:40 / 0:40–1:00 / 1:00–1:20

Use Case: Atmospheric identity cue for longing, disconnection, urban solitude, emotionally complex movement, indie drama, reflective montage, and modern character storytelling with forward pulse.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 144
Energy: Medium-High / Dreamy / Propulsive
Genres: Electronic / Indie / Dark Alternative
Vocals: Female Vocal

Instrumentation:
Bass, percussion, synth textures, atmospheric electronic pulse, and intimate female vocal presence.

Track Summary:
“Built-In Obsolescence” is a dreamy, fast-moving electronic vocal cue that captures emotional dependence, loneliness, and the struggle for separation from a powerful bond. It carries introspective weight without losing momentum, making it highly effective for modern visual storytelling built around identity, longing, and transformation.

Sync Highlights:

• Fast pulse with atmospheric depth creates movement without chaos
• Female vocal adds emotional intimacy and modern identity
• Strong fit for stylized drama, indie film, and reflective montage
• Useful where emotion and forward motion need to coexist
• Excellent for identity, longing, isolation, and psychological distance

Sync Potential

Emotional distance, inner conflict, relationship strain, urban solitude, introspective movement, visual metaphor, unresolved attachment, self-definition, and modern mystery tension.

Stem Tracks

Available upon request.

Track Narrative

“Built-In Obsolescence” feels like someone trying to separate from a bond that has already shaped who they are — intimate, atmospheric, and emotionally conflicted.

Lyrics

Falling out of the depths
Into the daybreak
With a ghost of myself
Clinging to the sun

Maybe it's all in my head
That I can't do anything without you
Tired of the reticence
Weary of waiting for the last word

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

Cherish all the preciousness
Of solitude
Cut the umbilicus
That binds me to you

Maybe it's all in my head
That I can't go anywhere without you
Tired of the reticence
Weary of waiting for the last word

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

In transition to wish you well but
You send away
How could I ever compete
With the ocean of you

In transition to wish you well but
You send away
How could I ever compete
With the ocean of you

Artist Bio

Godgifu creates atmospheric, emotionally layered music that moves between electronic pulse, indie edge, and cinematic mood.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Broken Step — Amhed Mitchel feat. Alain Perez

OMR Cue Map

Track: Broken Step
Clean Intro: Yes — immediate rhythmic/jazz entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Rhythmic jazz-driven cue for movement, sophistication, creative energy, montage, urban storytelling, and scenes built around flow and momentum.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 74
Energy: Midtempo / Cool / Rhythmic
Genres: Funk / Jazz / Soul
Vocals: Instrumental

Instrumentation:
Bass, drums, keyboard, percussion, synth textures, groove-forward rhythmic foundation, and jazz-fusion instrumental interplay.

Track Summary:
“Broken Step” struts with funky confidence. Bass and drums lock the groove while keyboards and synths add playful color. Bright, sexy, rhythmic, and sync-ready, it gives editors stylish movement without crowding the picture.

Sync Highlights:

• Groove-heavy bass and rhythm drive create infectious energy
• Funk/jazz/soul blend makes it versatile across scene types
• Instrumental format leaves room for dialogue and voiceover
• Playful and sophisticated tone adds unique sync character
• Strong for promos, nightlife, urban montage, comedy, and lifestyle pacing

Sync Potential

Energetic promos, lifestyle content, playful sequences, urban montages, party scenes, nightlife visuals, sports warm-ups, advertising, and stylish character movement.

Stem Tracks

Available upon request.

Track Narrative

“Broken Step” moves with cool confidence — rhythmic, playful, stylish, and deeply sync-edit friendly.

Usage

Instrumental and flexible. Strong for urban storytelling, nightlife, stylish transitions, playful tension, rhythmic montage, and dialogue-friendly groove beds.

Artist Bio

Amhed Mitchel is a Cuban-Canadian drummer and composer known for blending modern jazz language with Afro-Cuban rhythmic roots.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Buffalo Son — The Green Door

OMR Cue Map

Track: Buffalo Son
Clean Intro: Yes — deliberate retro-rock entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: Yes, strong editorial button
Loopable: Moderate
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:24–1:52

Use Case: Outlaw montage, western drama, antihero introductions, rugged character storytelling, road scenes, sports underdog edits, resilience, and trailer lift.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 71
Energy: Midtempo / Swaggering / Defiant
Genres: Metal / Punk / Rock / Retro Rock
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, gritty retro-rock texture, chant-forward hook energy, and confident male vocal delivery.

Track Summary:
“Buffalo Son” is an outlaw anthem — gritty, self-possessed, and defiant. The repeated hook creates strong lift moments for montage and promo edits. At 71 BPM, it feels grounded and steady, allowing swagger and attitude to carry the narrative without rushing the scene.

Sync Highlights:

• Strong chant hook ideal for trailer cut points
• Outlaw identity theme supports western and antihero arcs
• Retro grit adds authenticity and character
• Steady tempo works under dialogue-heavy scenes
• Strong fit for rugged character montage and underdog resilience

Sync Potential

Western drama, frontier-inspired storytelling, antihero introductions, road sequences, sports underdog promos, trailer lift, resilience montage, and outlaw character arcs.

Stem Tracks

Stems not currently posted. Contact OMR to request stems, instrumentals, or alternate mixes.

Track Narrative

“Buffalo Son” feels like a lone figure writing his own law, settling old scores, and refusing to be broken.

Lyrics

And I am a buffalo son
And I'm on the road so long
And I drank with Garrett
And I dream whiskey red

And I saw a county war
And I settle my score
And I wrote my own damn law
And I won't see twenty one

I'm a buffalo son
Never gonna bring me down
I'm a buffalo son
Never gonna bring me down

And I heard them call my name
And I asked who are they
And I saw it all turn red
And I'll never really be dead

I'm a buffalo son
Never gonna bring me down
I'm a buffalo son
Never gonna bring me down

Artist Bio

The Green Door crafts cinematic metal, punk, and rock with grit, swagger, atmosphere, and hook-driven energy.

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sergio@omrmusicproduction.com

Please reference: Black Lavender — Kristin Sweetland

OMR Cue Map

Track: Black Lavender
Clean Intro: Yes — soft vocal/tonal entry
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45

Use Case: Dark, intimate vocal cue for emotional tension, longing, vulnerability, romantic complexity, folkloric atmosphere, and scenes carrying subtle unease.

Sync Pitch Sheet

Song Profile:
Key: Bb Minor
BPM: 136
Energy: Uptempo / Poetic / Dramatic
Genres: Country / Folk / Singer-Songwriter
Vocals: Female Vocal

Instrumentation:
Acoustic guitar, harmony vocals, string bass, cello, accordion, tambourine, frame drum, and folk-rooted rhythmic movement.

Track Summary:
“Black Lavender” is a poetic and emotionally rich folk cue with lyrical mysticism, dramatic cadence, and a timeless vocal presence. It carries a sense of folklore, memory, love, loss, and spiritual depth, making it useful for scenes where emotional weight and mythic resonance overlap.

Sync Highlights:

• Female vocal creates intimacy, mystery, and emotional immediacy
• Poetic lyric tone supports fantasy, historical drama, and art-house scenes
• Uptempo folk rhythm gives emotional scenes forward motion
• Acoustic and chamber textures add authenticity and cinematic depth
• Strong for memory, longing, family legacy, nature, and spiritual undertones

Sync Potential

Fantasy or historical drama, spiritual or folkloric montage, indie reflection, emotional transformation, war-time memory, family legacy, romantic complexity, and art-house dramatic sequences.

Stem Tracks

Available upon request.

Track Narrative

“Black Lavender” feels like a remembered story told by candlelight — beautiful, shadowed, intimate, and emotionally ancient.

Lyrics

I remember, loving brother
Lives we lived before
Over mountains we did wander
O hey ya hey ya hey ya

Our dear mother our dear father
Lay them down below
Ride that glory train forever
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Leave now in the midnight cold
Before the riders come
Bag of bread and bag of gold
Oh hey ya hey ya hey ya

Never shall we make a sound
They will never know
Shoes upon the hollowed ground
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Forests deep and winding river
Winter wind and snow
Oceans rise and earth will quiver
O hey ya hey ya hey ya

Come now brother lay beside
As hearts begin to slow
Roses red and vines will hide us
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Chorus translation:
Oh Sister
Oh Brother
My loving wild nomadic brother
The lady singer sings a deep song
The black lavender grows

Artist Bio

Kristin Sweetland is a guitarist, songwriter, photographer, and storyteller whose work blends folk, rock, classical, and world influences into emotionally vivid, cinematic songwriting.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blink of an Eye — Renée Astaria

OMR Cue Map

Track: Blink of an Eye
Clean Intro: Yes — soft melodic/ambient entry
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00

Use Case: Light reflective cue for fleeting moments, transitions, personal realization, subtle scene changes, emotional nuance, and time-passing montage.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 97
Energy: Midtempo / Bright / Uplifting
Genres: Country / Singer-Songwriter / Roots Pop
Vocals: Female Vocal

Instrumentation:
Acoustic guitar, bass, drums, electric guitar, percussion, organic country rhythm section, and uplifting melodic vocal delivery.

Track Summary:
“Blink of an Eye” frames personal change through the lens of time — recognizing how small moments carry lasting weight. With its warm country palette and steady forward pulse, the track supports scenes of realization, release, and perspective, where characters step away from distraction and move toward clarity.

Sync Highlights:

• Great for reflective transitions and life-perspective moments
• Midtempo groove supports travel, landscape, and forward-motion montages
• Uplifting tone keeps scenes hopeful rather than heavy
• Country instrumentation feels organic and grounded for storytelling
• Strong for reset moments, growth arcs, and emotional escape

Sync Potential

Personal realization, wake-up moments, travel sequences, passage-of-time montage, growth after escape from unhealthy patterns, end-of-chapter moments, and hopeful emotional resets.

Stem Tracks

Available upon request.

Track Narrative

“Blink of an Eye” follows a narrator who realizes that pain, inspiration, freedom, and risk all exist inside the same fleeting timeline.

Lyrics

Every time I think that it will end I find more inspiration in the end from you
You're my muse
Ever since the day that I met you, you keep me driving deeper to improve with you
I can't lose
Through all the pleasure and the pain that I thought would drain me
I thought I'd lose, lose to you
But I've escaped my self-destruction
I've escaped your distraction
Now I'm good, free of you

Riding the edge of the cliff, taking all the risks
The fall is inescapable, we try not to slip
The end is inevitable, freefall or slow burn
It really don't matter anyway
It's just a blink of an eye in universal time
It's universal time
Universal time, blink of an eye

You are nothing more than a speck on the windshield to be washed away by the rain
And it only takes one look, one small gesture to give it all away permanently

Riding the edge of the cliff, taking all the risks
The fall is inescapable, we try not to slip
The end is inevitable, clean cut or slow burn
It really don't matter anyway
It's just a blink of an eye in universal time
Universal time, blink of an eye
It's universal time
Universal time, blink of an eye

Riding the edge of the cliff, taking all the risks
The fall is inescapable, we try not to slip
The end is inevitable, clean cut or slow burn
It really don't matter anyway
It's just a blink of an eye
It's universal time

Artist Bio

Renée Astaria delivers emotionally direct, cinematic-leaning songs that combine modern production with human, character-first storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blind River Bound — Paul Reddick feat. The Sidemen

OMR Cue Map

Track: Blind River Bound
Clean Intro: Yes — immediate blues-driven entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Gritty blues-rooted cue for journey, struggle, perseverance, road scenes, character-driven storytelling, resilience, movement, and small-town escape.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 82
Energy: Slow-Midtempo / Warm / Reflective
Genres: Folk / Singer-Songwriter / Blues-Roots
Vocals: Male Vocal

Instrumentation:
Harmonica, vocals, acoustic bass, electric bass, dobro, electric guitar, harmony vocals, mandolin, twelve-string guitar, steel guitar, drums, organ, and piano.

Track Summary:
“Blind River Bound” is blues-soaked and full of drift, charting a tale of restlessness, heartbreak, identity, and invisible sorrow. It delivers evocative phrasing and steady groove, making it ideal for motion, loss, quiet perseverance, and small-town escape.

Sync Highlights:

• Male vocal and harmonica deliver emotional authenticity
• Slow-midtempo groove creates cinematic drift and road movement
• Strong fit for western, historical, romance, and art-house drama
• Works for heartbreak, identity, loneliness, longing, and loss
• Great for quiet resilience, memory, and character-driven transitions

Sync Potential

Heartbreak, identity, longing, small-town escape, road scenes, historical or western settings, romantic melancholy, art-house reflection, quiet resilience, and emotional closing sequences.

Stem Tracks

Available upon request.

Track Narrative

“Blind River Bound” feels like a lonely road out of town — worn, reflective, quietly determined, and heavy with memories that refuse to disappear.

Lyrics

You can hear that whistle blowing all over town
You can hear that whistle blowing all over town
Everybody knows that my baby's Blind River bound

She left this morning I couldn't even say a word
She left this morning I couldn't even say a word
It was nothin that she knew just something that she thought she heard

Was a restless wind knocked me from door to door
Was a restless wind knocked me from door to door
I've been lonesome but I've never felt like this before

There's no good place no good place to have the blues
There's no good place no good place to have the blues
But here in Espanola everybody sees right through you

I close my eyes I try to pass the time with sleep
I close my eyes I try to pass the time with sleep
But whatever I do your face is all I see

I can hear them whispering they might as well shout out loud
I can hear them whispering but they might as well shout out loud
Nobody wants to know you when your baby's Blind River Bound

Artist Bio

Paul Reddick is a blues poet and harmonica virtuoso known for smoky, hypnotic, emotionally resonant songs rooted in character, mood, and place.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Block of Wood — Paul Reddick

OMR Cue Map

Track: Block of Wood
Clean Intro: Yes — immediate blues/tonal entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Raw blues-driven cue for grit, stubbornness, character tension, grounded storytelling, resistance, emotional weight, and scenes built around quiet strength.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 114
Energy: Midtempo / Gritty / Confident
Genres: Blues / Rock / Blues Noir
Vocals: Male Vocal

Instrumentation:
Harmonica, vocals, guitars, banjo, electric bass, baritone guitar, drums, upright bass, and retro blues-rock production texture.

Track Summary:
“Block of Wood” is a gritty blues-rock cue with swagger and soul. Paul Reddick’s vocals and harmonica drive a quirky retro groove built for scenes needing confidence, tension, emotional punch, or weathered resilience.

Sync Highlights:

• Midtempo rhythm supports dynamic editing and scene pacing
• Male vocal and harmonica add emotional grit and character
• Lyrics carry heartbreak, strength, struggle, longing, and love
• Works for crime drama, coming-of-age, mystery, and stylized indie film
• Strong for confident exits, confrontation, transformation, and quiet resistance

Sync Potential

Opening credits with swagger, personal transformation, stylized chase or confrontation, walking away from heartbreak, indie transitions, crime drama, mystery, and character-driven resilience.

Stem Tracks

Available upon request.

Track Narrative

“Block of Wood” feels like a character refusing to bend — scarred, stubborn, bruised by love, and still standing.

Lyrics

You sure did do did do me no good
You sure did do me darlin did do me no good
You cut my heart in two
Like it was a solid block of wood

I’m standing standing baby where I might not have withstood
You know I’m standing standing baby where I might not have withstood
I’m standing steady steady darling
Like it was a solid block of wood

Like a ship out on the ocean like Noah’s ark out on the flood
Like a ship out on the ocean like Nora’s ark out on the flood
You know I’m drifting yes I’m drifting
Like it was a solid block of wood

I’m searching for you darling like a hound dog through the wood
I’m hard on your trail baby like a hound dog through the wood
So hard for you darling
Like a solid block of wood

Artist Bio

Paul Reddick is a blues poet and harmonica virtuoso known for smoky, hypnotic, emotionally resonant songs rooted in character, mood, and place.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bad — Kelsey Kindall

OMR Cue Map

Track: Bad
Clean Intro: Yes — 0:00
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: No, pop/R&B tail
Loopable: Moderate
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:10–1:38

Use Case: Fast pop/R&B cue for emotional recklessness, nightlife release, self-conflict, impulsive decisions, relationship strain, and scenes where escape and consequence collide.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 140
Energy: Fast / Moody / Rhythmic
Genres: Pop / R&B
Vocals: Female Vocal

Instrumentation:
Bass, drums, percussion, synth, modern pop/R&B rhythmic production, and emotionally direct female vocal delivery.

Track Summary:
“Bad” is a fast, moody pop/R&B track driven by pent-up energy, recklessness, pain, and self-conflict. The track captures a character caught between impulse and self-awareness — trying to escape emotional overload while knowing the consequences are close behind.

Sync Highlights:

• Fast tempo supports nightlife, release, and kinetic montage
• Female vocal adds vulnerability, attitude, and emotional urgency
• Strong for scenes involving self-conflict and impulsive decisions
• Moody pop/R&B production fits contemporary drama and youth-driven storytelling
• Works for relationship strain, character spirals, and emotional overload

Sync Potential

Nightlife release, reckless choices, character spirals, emotional overload, relationship conflict, self-questioning, fast-cut personal montage, confidence mixed with vulnerability, and scenes where a character is trying to outrun what they feel.

Stem Tracks

Stem availability can be confirmed upon request.

Track Narrative

“Bad” feels like the moment when emotional pressure becomes motion. The track moves with speed, confidence, and self-conflict, capturing a character who knows they are making mistakes but cannot fully stop the momentum.

Lyrics

I got some pent-up energy
Recklessness sounds so good to me
Another drink and I could be out my mind
Don't wanna talk
I'd rather be
Living in my own fantasy
Don't wanna deal with everything on my mind

Something's gotta give I'm tired of fighting myself
Now I am begging for help

Don't wanna be bad but I make mistakes
And I'm trying to get back
Get my head on straight
I'm in over my head
Get me out of my head
What did I miss
Have I gone insane
A moment of bliss
Then comes the pain
I'm in over my head
Get me out of my head

Two sides to every story
One winner takes the glory
Who's it gonna be?
Which version of me
One's bad but one is boring
One's right and one's alluring
Who's it gonna be?
Which version of me
Don't wanna be
Bad

Artist Bio

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives between control and release, where vulnerability meets attitude and introspection meets movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bad Idea — Kelsey Kindall

OMR Cue Map

Track: Bad Idea
Clean Intro: Yes — 0:00
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, relaxed rhythmic tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00

Use Case: Playful pop/reggae cue for spontaneous decisions, carefree rebellion, lifestyle montage, youth-driven scenes, and moments where a character chooses excitement over caution.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 82
Energy: Slow / Confident / Rhythmic
Genres: Pop / Reggae
Vocals: Female Vocal

Instrumentation:
Bass, percussion, synth, relaxed pop/reggae groove, rhythmic vocal phrasing, and modern melodic production.

Track Summary:
“Bad Idea” turns impulsive energy into a playful anthem about breaking routine, letting go of fear, and choosing the imperfect moments that become unforgettable memories. Its slow-grooving rhythm gives the cue a relaxed confidence that can support mischief, lifestyle, comedy, and youth-driven visual storytelling.

Sync Highlights:

• Pop/reggae groove supports playful movement and lifestyle visuals
• Female vocal delivers confidence, charm, and accessible emotional tone
• Strong for spontaneous decisions and “live a little” scenes
• Relaxed pacing works well for friend-group comedy and road-trip moments
• Catchy chorus gives editors clear lift points

Sync Potential

Carefree lifestyle montage, spontaneous road trips, playful rebellion, friend-group comedy, mischief, characters choosing experience over caution, light romantic adventure, youth-driven scenes, and “bad idea becomes the memory” moments.

Stem Tracks

Stem availability can be confirmed upon request.

Track Narrative

“Bad Idea” feels like the moment a character stops waiting for permission to have a life. It is mischievous, confident, warm, and knowingly imperfect.

Lyrics

Life is unfair but what is worse is when you don't have fun
Rather compare yourself to someone else and work too hard
You say one day you'll get to play but now's the time to grind
You're saving money just to leave it here after you die

Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories

I think I've finally made my peace about what people think
And when I stopped trying so hard good things have come to me
Not power hungry but it would be fun to take a bite
I'd climb the ladder just to prove I'm not afraid of heights

Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories

Artist Bio

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her songs are especially effective in contemporary drama, lifestyle storytelling, and scenes where emotion is felt through movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Battle Hymn — Kristin Sweetland

OMR Cue Map

Track: Battle Hymn
Clean Intro: Yes — immediate vocal/tonal entry
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30

Use Case: Powerful, anthemic vocal cue for resilience, unity, emotional intensity, dramatic montage, conflict resolution, historical memory, and scenes that build toward strength and triumph.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 103
Energy: Midtempo / Reflective / Historical
Genres: Singer-Songwriter / Folk
Vocals: Female Vocal

Instrumentation:
Acoustic guitar, female vocal, supporting vocal, fretless bass, drums, cello, trumpet, and folk-chamber textures.

Track Summary:
“Battle Hymn” is haunting and historical — a lyrical meditation on conflict, memory, and the ghosts of war. Kristin Sweetland blends folk textures with cinematic depth, crafting a track that echoes with reverence and emotional weight. Acoustic guitar and brass elements add a timeless quality ideal for dramatic and historical storytelling.

Sync Highlights:

• Midtempo pacing supports emotional and narrative flexibility
• Female vocal conveys vulnerability, conviction, and strength
• Acoustic guitar, cello, and trumpet add cinematic resonance
• Strong fit for war dramas, historical flashbacks, and memory sequences
• Lyrics explore conflict, power, rebellion, struggle, and survival

Sync Potential

Historical dramas, war films, indie romance, art-house cinema, survival stories, rebellion arcs, legacy sequences, flashbacks, memory scenes, trailers needing emotional build, and moments of transformation or reflection.

Stem Tracks

Available upon request.

Track Narrative

“Battle Hymn” was written in the shadow of Manassas, Virginia — a Civil War battlefield steeped in memory. The song channels ghosts of history through acoustic textures, lyrical reverence, and cinematic emotional gravity.

Lyrics

All gather round, it has finally begun
Over the roar of a thirty pound gun
Down through the valley we follow the road
Golden the sun on our blue velvet coats

Once, twice, three times they call
Cavalry ride and the battery roll
They say either way we’ll be heroes by dawn
Godspeed everyone

Singing Gloria... Gloria...

Under the ceiling of shot and shell
I bang the drum slowly, they rebel yell
Trumpets they blow as the Brigadier comes
We all sing the Battle Cry Freedom

Once twice three times they sound
Darker the night the more crimson the ground
Out on the hillside so many young lay
Called to an early grave

Singing Gloria... Gloria...

Artist Bio

Kristin Sweetland is a guitarist, songwriter, photographer, and storyteller whose work blends folk, rock, classical, and world influences into emotionally vivid, cinematic songwriting.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Backroad Medicine — Mattie Leon

OMR Cue Map

Track: Backroad Medicine
Clean Intro: Yes — clean vocal/instrumental entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, light button ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Roots-driven vocal cue for healing, reflection, personal journey, road scenes, character growth, recovery, emotional grounding, rural escape, and rediscovery.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 87
Energy: Midtempo / Hopeful / Warm
Genres: Folk / Rock / Singer-Songwriter
Vocals: Male Vocal

Instrumentation:
Acoustic textures, electric guitar, rhythm section, warm harmony-rich production, all instruments by Mattie Leon with drums by Mike Leon.

Track Summary:
“Backroad Medicine” is a harmony-rich folk-rock anthem that celebrates healing through nature and introspection. Mattie Leon’s warm vocals and acoustic textures offer a lyrical escape from digital noise and emotional clutter. The track’s hopeful tone and midtempo rhythm make it ideal for scenes of personal growth, romantic discovery, and rural adventure.

Sync Highlights:

• Midtempo pacing supports uplifting and reflective storytelling
• Male vocal conveys sincerity and emotional clarity
• Acoustic and electric guitar blend adds warmth and drive
• Perfect for scenes of escape, healing, and rediscovery
• Lyrics explore nature, identity, struggle, escape, time, home, and love

Sync Potential

Opening or closing scenes in romantic dramas, personal growth montage, travel, healing, historical flashbacks, rural Americana visuals, moments of escape or solitude, rediscovery, outdoor lifestyle content, and emotional family storytelling.

Stem Tracks

Available upon request.

Track Narrative

“Backroad Medicine” is a sonic retreat — a folk-rock gem about stepping away from screens and stepping into sunlight. With acoustic textures and harmony-rich warmth, it captures the healing power of nature and the quiet clarity of solitude.

Lyrics

I think I need a little country air or something
Lately I’ve been struggling
The weight of every day has got me miserable

Maybe if I leave my phone inside
Step out to the UV light
Maybe I can start to heal inside
Surrounded by some natural things

I can only last so long
Sifting through illusions
Wilting like a rose inside these four walls
Backroad Medicine
The cure for my confusion
Step outside and clear my mind with natural things

I think I need a little time for me
Dip my toes in a mountain stream
Live a little carelessly with no distractions
Dirt road lead the way
I don’t care if it takes all day cause
These eyes are starved for change
It’s all they're after

I’m tired of being no one
Everybody’s doing so much better than I’m doing
And it’s all I ever hear about

Backroad Medicine
The cure for my confusion
Step outside and clear my mind with natural things

Artist Bio

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Begin Again — Lucian Kano Balmer

OMR Cue Map

Track: Begin Again
Clean Intro: Yes — soft melodic entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Hopeful emotional cue for renewal, fresh starts, second chances, personal growth, soft montage, and scenes moving from reflection into forward momentum.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 126
Energy: Midtempo / Bright / Hopeful
Genres: Folk / Jazz / World
Vocals: Instrumental

Instrumentation:
Lyrical lead strings, warm supportive bass, light rhythmic motion, and a subtle jazz-leaning folk-world ensemble feel.

Track Summary:
“Begin Again” feels like a sunlit reset — lyrical strings, warm bass, and a gentle folk-jazz sway that leans romantic and hopeful. It is tailor-made for second chances, fresh starts, quietly joyful scenes, and characters choosing connection, optimism, and a brighter way forward.

Sync Highlights:

• Instrumental format leaves space for dialogue and voiceover
• G Major tonality supports optimism, warmth, and openness
• 126 BPM provides forward motion without feeling rushed
• Strong for romance, coming-of-age, indie drama, and recovery moments
• Folk/jazz/world blend gives warmth and character without overpowering picture

Sync Potential

Reconnection, second-chance romance, fresh starts, light recovery montage, cafés, streets, markets, everyday joy, soft resolution after conflict, and end-of-episode “things are looking up” sequences.

Stem Tracks

Available upon request.

Track Narrative

“Begin Again” feels like morning after a difficult chapter — gentle, bright, quietly brave, and ready to move forward.

Usage

Strong for dialogue-friendly emotional scenes, hopeful montage, romantic connection, character growth, light comedy-drama, and warm transitional scoring.

Artist Bio

Lucian Kano Balmer crafts violin-led instrumentals that sit at the crossroads of folk, classical, and jazz-inflected world music, with a focus on melody, warmth, and emotional storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blue Eventide — Paul Reddick

OMR Cue Map

Track: Blue Eventide
Clean Intro: Yes — immediate blues/vocal entry
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45

Use Case: Moody blues-driven vocal cue for reflection, late-night tone, emotional depth, dusk visuals, poetic closure, and quiet intensity.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 86
Energy: Midtempo / Cool / Minimal / Warm
Genres: Folk / Indie / Blues Noir
Vocals: Male Vocal

Instrumentation:
Harmonica, loops, vocals, bass, guitar, mandolin, harmony vocals, drums, violin, organ, piano, and sparse blues-rooted textures.

Track Summary:
“Blue Eventide” is lyrically sparse and beautifully atmospheric, moving with a hush of twilight resolve. Paul Reddick captures the quiet poetry of closure, casting metaphor and mantra into slow-burning blues ideal for cinematic dusk, emotional release, and reflective transitions.

Sync Highlights:

• Sparse arrangement leaves room for dialogue and visual storytelling
• Male vocal and harmonica deliver emotional authenticity
• Cool, minimal tone supports art-house, drama, romance, and western scenes
• Works especially well for dusk, farewell, memory, and travel sequences
• Strong fit for longing, change, nostalgia, connection, and time-based storytelling

Sync Potential

Farewell moments, twilight scenes, emotional transitions, poetic closure, coming-of-age realizations, nostalgic flashbacks, romantic dissolves, western landscapes at dusk, solitary travel, and art-house visuals with minimal dialogue.

Stem Tracks

Available upon request.

Track Narrative

“Blue Eventide” feels like the last light of the day holding on — sparse, weathered, intimate, and full of quiet release.

Lyrics

Travel on blue eventide cast your shadow by
It’s all too well to never know
and never wonder why

Gentle is the closing easy in its stride
That holds the sweet declining
travel on blue eventide

Gentle is the closing easy in its stride
That holds the sweet declining
travel on blue eventide

Travel on blue eventide cast your shadow by
It’s all too well to never know
and never wonder why
and never wonder why

and never wonder why
and never wonder why

Artist Bio

Paul Reddick is a blues poet and harmonica virtuoso known for smoky, hypnotic, emotionally resonant songs rooted in character, mood, and place.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Boopsie Erratic — Normal Machine

OMR Cue Map

Track: Boopsie Erratic
Clean Intro: Yes — immediate quirky/tonal entry
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, playful button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06

Use Case: Quirky offbeat cue for eccentric characters, playful tension, unpredictable movement, comedy, light chaos, fashion-forward edits, tech visuals, and stylized rebellion.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 80
Energy: Midtempo / Playful / Glitchy
Genres: Electronic / Funk / Hip Hop
Vocals: Instrumental

Instrumentation:
Bass, drums, percussion, synth, digital distortion, rhythmic glitch textures, and motion-driven electronic pulse.

Track Summary:
“Boopsie Erratic” is a glitch-laced instrumental designed for visual frenzy. Normal Machine removes the vocal thread to spotlight electronic tension, rhythmic twitch, and flicker-sync mood. It is built for fashion-forward edits, thriller montages, digital unravelings, animation, games, and stylized motion.

Sync Highlights:

• Instrumental format gives editors strong flexibility
• Glitchy rhythm supports modern cuts, motion graphics, and tech visuals
• Bright, playful swagger gives the track personality and energy
• Strong for animation, video games, fashion, sci-fi, and thriller pacing
• Loopable structure supports montage, promo, and branded content

Sync Potential

Sci-fi, thriller, coming-of-age, indie, art-house visuals, fashion, tech, gaming, lifestyle, youth culture, high-energy promos, surreal animation, rhythm-driven edits, digital fragmentation, and rebellious montage.

Stem Tracks

Available upon request.

Track Narrative

“Boopsie Erratic” feels like a malfunctioning machine learning how to dance — twitchy, funny, stylish, and unstable in the best possible way.

Usage

Excellent for motion graphics, quirky edits, light chaos, futuristic interfaces, montage pacing, eccentric characters, tech launches, fashion reels, and sync scenes needing playful digital edge.

Artist Bio

Normal Machine is a boundary-pushing music collective known for immersive soundscapes, post-industrial sonic meditations, analog textures, digital noise, and rhythmic experimentation.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Breathless Girls — Paul Reddick

OMR Cue Map

Track: Breathless Girls
Clean Intro: Yes — immediate blues/vocal entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Moody blues vocal cue for introspection, romantic loss, quiet mystery, memory, fragile emotion, art-house drama, and atmospheric character reflection.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 68
Energy: Slow / Atmospheric / Moody
Genres: Folk / Singer-Songwriter / Blues Noir
Vocals: Male Vocal

Instrumentation:
Harmonica, vocals, guitars, piano, drums, percussion, tubular bells, trumpet, saxophone, trombone, and sparse blues-rooted atmosphere.

Track Summary:
“Breathless Girls” is atmospheric and poetic — a haunting blues meditation on memory, longing, and emotional fragility. Paul Reddick delivers sparse instrumentation and evocative phrasing, making the track ideal for sync scenes of introspection, romantic loss, quiet mystery, and emotionally fragile storytelling.

Sync Highlights:

• Slow tempo supports reflective pacing and cinematic transitions
• Moody tone enhances emotional resonance and quiet tension
• Minimal arrangement leaves space for dialogue and visuals
• Strong for art-house, coming-of-age, drama, and romance
• Ideal for memory, longing, love, nature, time, and fragile connection

Sync Potential

Art-house drama, indie film, romantic flashback, breakup scenes, slow-motion visuals, dreamlike transitions, nature-themed imagery, time-lapse cinematography, quiet mystery, and noir storytelling.

Stem Tracks

Available upon request.

Track Narrative

“Breathless Girls” feels like a memory returning slowly — fragile, shadowed, intimate, and emotionally unresolved.

Lyrics

Breathless girls
And the wintergreen
And the whippin wind
And the notes go down
And the voices rise
And the man who walks
And the blouses white
And the waves roll in
Gathered there together
No shoes upon their feet
They wade the waterlilies
Warm and bittersweet
And their eyes are closed
And the feathergrass
And the table’s set
And the noonday sun
And the rising tide
And the purified
And the linen’s dried
And the ribbon’s tied

Artist Bio

Paul Reddick is a blues poet and harmonica virtuoso known for smoky, hypnotic, emotionally resonant songs rooted in character, mood, and place.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Back to Canada — Kiki Ferrer

OMR Cue Map

Track: Back to Canada
Clean Intro: Yes — clean instrumental entry with rhythmic/melodic tone
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Warm, travel-driven cue for return, reflection, and forward movement. Strong for montage, journey sequences, and scenes centered on homecoming or transition.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 104
Energy: Midtempo / Confident / Groove-Forward
Genres: Rock / Jazz / Funk
Vocals: Instrumental

Instrumentation:
Electric guitar, percussion, bass guitar, rock-jazz rhythmic foundation, and cinematic groove-forward instrumental movement.

Track Summary:
“Back to Canada” is a swaggering, groove-forward instrumental that blends rock, jazz, and funk with cinematic flair. Featuring electric guitar and percussion solos, it delivers confident energy and rhythmic tension for scenes that demand movement, edge, and emotional grit.

Sync Highlights:

• Instrumental format is ideal for voiceover, montage, and action scenes
• Midtempo pacing supports narrative flexibility
• Electric guitar and percussion solos add cinematic tension and swagger
• Cool, confident tone enhances modern storytelling and brand identity
• Strong for travel, return, memory, movement, and transformation

Sync Potential

Travel montages, emotional transitions, character introductions, coming-of-age arcs, dramatic turning points, urban narratives, cultural journeys, automotive spots, fashion, tech, lifestyle brands, adventure, drama, mystery, and romance-driven storytelling.

Stem Tracks

Stems not currently posted. Contact OMR to request stems, instrumentals, or alternate mixes.

Track Narrative

“Back to Canada” plays like a road trip through memory and change — a layered instrumental that grooves with intention and emotional nuance.

Usage

Strong for travel sequences, transitional scenes, movement-based montage, confident character re-entry, cultural journey visuals, and modern brand storytelling.

Artist Bio

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Back to Houston — The Green Door

OMR Cue Map

Track: Back to Houston
Clean Intro: Yes — immediate dark rock entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: Yes, clean editorial out
Loopable: Moderate
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:24–1:52

Use Case: Gritty rock cue for rail travel, outlaw movement, betrayal, road stories, unresolved tension, and character downfall arcs.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 77
Energy: Midtempo / Dark / Retro
Genres: Metal / Punk / Rock
Vocals: Male Vocal

Instrumentation:
Bass, drums, electric guitar, retro rock textures, and gritty male vocal storytelling.

Track Summary:
“Back to Houston” plays like a rolling, rail-side confession — a restless narrator chasing love and meaning across the map, only to find betrayal at each stop. The lyric’s place names and train imagery create cinematic specificity, while the groove stays steady and cut-friendly for montage and character arcs.

Sync Highlights:

• Train and road imagery fit travel, pursuit, and wanderer scenes
• 77 BPM supports dialogue and character-driven montage
• Dark retro vibe suits crime, western-modern, and gritty drama
• Story-forward lyric works well for narrative montage and episodic closes
• One-stop structure supports clean editorial use

Sync Potential

Road or rail travel montage, outlaw or drifter character introductions, crime drama sequences with swagger and grit, breakup or betrayal arcs, and end-of-episode closes with unresolved tension.

Stem Tracks

Stems not currently posted. Contact OMR to request stems, instrumentals, or alternate mixes.

Track Narrative

A drifter rides the rails with a stacked wallet and pressed suit, chasing a promise from Houston to Memphis to Ole’ Miss — only to find the past does not remember him and every destination demands a new price.

Lyrics

Well I’m back on this track
Headed straight down to Houston, Texas
That’s where my baby said
That she would be waiting for me

Well conductor don’t you suffer
No bouts of misdirection
Churn the coal, turn the fire
Of the beast

Well my wallet is stacked
And I’m back in Houston, Texas
Straighten my suit
So baby you know what I mean

Spent some time in the mine
But now it’s just us
Ah, but now you say
You don’t remember me

So I’m back on this track
Heading straight on down to Memphis
There’s a soft little peach
Just hanging on the tree

Settle down on the farm
Where we first kissed
And there you are
In the arms of the Indian Chief

So I’m back on this track
Heading late but straight to Ole’ Miss
Mississippi, you’re the only one
Who’s ever loved me

Here I come, we’ll have some fun
And maybe marry
When I arrive
It’s some…
And then you rob me

So if you’re heading late
Better stay from where you’re coming
‘Cause there ain’t no road
That’s gonna set you free

Just a matchbox for my clothes
And I’m stuck running
And a guitar here
To spell out my disease

Artist Bio

The Green Door crafts cinematic rock rooted in grit, story, and strong editorial structure, blending dark atmosphere with forward motion for premium TV, indie film, and trailer-forward storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Back to Lonely — Lee Palmer

OMR Cue Map

Track: Back to Lonely
Clean Intro: Yes — immediate tonal/vocal entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Emotional introspective cue for solitude, loss, personal reflection, character-driven scenes, quiet emotional beats, and moments of isolation.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 52
Energy: Low / Reflective / Sad
Genres: Blues / Country / Folk
Vocals: Male Vocal

Instrumentation:
Male vocal, Hammond organ, acoustic piano, accordion, electric and slide guitar, acoustic and electric bass, drums, percussion, violin, tenor sax, trumpet, and roots-blues ensemble textures.

Track Summary:
“Back to Lonely” is a slow-burning ballad that blends blues and country with lyrical vulnerability. Lee Palmer’s vocal delivery is intimate and honest, supported by rich instrumentation and a soulful electric guitar tone. The track evokes solitude and longing, making it ideal for emotional reflection and quiet resolve.

Sync Highlights:

• Low-energy pacing supports introspective and cinematic visuals
• Male vocal conveys emotional depth and sincerity
• Electric and slide guitar add texture and tension
• Perfect for western landscapes, romantic setbacks, or character-driven drama
• Lyrics explore universal themes of love and loneliness

Sync Potential

Introspective drama, romantic loss, western landscapes, breakup aftermath, lonely rooms, emotional resets, travel after heartbreak, character-driven reflection, and quiet moments of resignation.

Stem Tracks

Available upon request.

Track Narrative

“Back to Lonely” is a quiet reckoning — a song for the moment when love fades and solitude returns.

Lyrics

I know it will
Like the back of my hand
Like only I can tell
Like a foggy day
That fog won't lift
It won't go away

I can't cry
And I can't laugh
I can't believe
We didn't last
Here I am
On familiar ground
Where I began

I'm back to lonely
Back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again

There's no way out
There's no way in
There's no way I feel
Like starting over again
I know the first step
I've... and move on
I'll never forget

I'm back to lonely
I'm back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again
I'm back to lonely
Yeah

Artist Bio

Lee Palmer is a Canadian singer-songwriter known for soulful vocals, evocative storytelling, and a rootsy blend of blues, country, folk, and rock.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Believe in Him — Pheelion

OMR Cue Map

Track: Believe in Him
Clean Intro: Yes — immediate vocal/tonal entry
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30

Use Case: Emotional faith-driven vocal cue for belief, resilience, inner strength, dramatic arcs, redemption moments, conviction, hope, and spiritual breakthrough.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 110
Energy: Midtempo / Atmospheric / Reflective
Genres: Ambient / Dance / Electronic / World
Vocals: Female Vocal

Instrumentation:
Percussion, synth layers, ambient electronic textures, world-influenced rhythmic pulse, and ethereal female vocal delivery.

Track Summary:
“Believe in Him” bridges atmosphere and emotion — a reflective, midtempo cue ideal for spiritual awakening, quiet resilience, healing, and introspection. Its layered textures, steady pulse, and faith-driven lyrics give editors a versatile emotional tool for scenes built around hope and conviction.

Sync Highlights:

• Female vocal warmth enhances emotional depth
• Atmospheric layering supports visual storytelling
• Faith, hope, and love themes create universal resonance
• Midtempo pulse adds cinematic momentum
• Strong for spiritual breakthroughs, redemption, and inspirational drama

Sync Potential

Spiritual or emotional breakthroughs, moments of faith and redemption, reflective montage, inspirational sequences, drama, art-house scenes, coming-of-age reflection, indie storytelling, and scenes of healing or inner strength.

Stem Tracks

Contact OMR for available stems and alternate mixes.

Track Narrative

“Believe in Him” moves with a graceful blend of devotion and atmosphere — a meditation in sound that draws the listener toward inner strength, hope, and calm after uncertainty.

Lyrics

Let us hold fast the confession of our hope
without wavering.
For he who promised
is faithful.
Therefore I tell you,
whatever you ask for in prayer,
believe that you have received it,
and it will be yours.
For nothing will be impossible with God.
He will cover you with his feathers,
and under his wings you will find refuge.
His faithfulness will be your shield and your rampart.
For he will command his angels concerning you,
to guard you in all your ways,
so that you will not strike your foot against a stone.

Artist Bio

Pheelion’s compositions intertwine gospel-inspired melodies with cinematic electronic layers, crafting immersive soundscapes of reflection, faith, emotional storytelling, spirituality, and redemption.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: BFF Forever — Ezekiel Hampton

OMR Cue Map

Track: BFF Forever
Clean Intro: Yes — immediate melodic entry
Edit Points: 0:09 / 0:18 / 0:27 / 0:36 / 0:45 / 0:54 / 1:03 / 1:12
Button Ending: Yes, light button ending
Loopable: High
Best Loop Candidates: 0:09–0:27 / 0:18–0:36 / 0:36–0:54

Use Case: Bright, upbeat cue for friendship, social tension, sharp irony, rivalry, stylized confrontation, swagger-heavy montage, and youthful attitude.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 120
Energy: High / Confident / Retro
Genres: Dance / Electronic
Vocals: Male Vocal

Instrumentation:
Bass, drums, keyboard, percussion, synth, and a big retro-leaning electronic pulse.

Track Summary:
“BFF Forever” is a bold dance-electronic track that mixes confidence, confrontation, and satirical bite. The male vocal gives the song sharp attitude, while the driving electronic pulse keeps it lively, stylish, and scene-ready.

Sync Highlights:

• Strong for social satire, rivalry, betrayal, and toxic charisma
• High-energy pulse supports montage and stylized confrontation
• Male vocal adds direct attitude and bite
• Retro confidence gives the track swagger without flattening nuance
• Works for comedy, crime, indie drama, and power-play scenes

Sync Potential

Social satire, stylized confrontation, betrayal montage, rivalry scenes, confident character entrances, crime comedy, indie edge, and scenes where charm and hostility sit side by side.

Stem Tracks

Available upon request.

Track Narrative

“BFF Forever” feels like charisma turned corrosive. It carries fun, menace, sarcasm, and power together, making the scene feel glossy on the surface and poisonous underneath.

Lyrics

Now hush, you're sinking like a saint into the catacomb,
dropping words into your coat and vertigo,
resting on the laurels of the fanatical, orbital,
sell your soul to feel the hole

And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

Now hush, there's one thing left to ask and yes I gotta know
From all the spinning in my heavy vertigo
Selling out the game only be worth it all, ethical,
it comes the pride before the fall

And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

You snake oil, lick your lips, poison medicine man
You snake oil, lick your lips, poison medicine man

And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

It's like I go to sleep and be so many things
But when I wake up, I can't remember
And if you show me something
Is this something magical?

When I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
'Cause the fire's loud
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

Artist Bio

Ezekiel Hampton creates bold, sync-ready electronic music with strong rhythmic identity, attitude, and cinematic motion.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bittersweet — Kelsey Kindall

OMR Cue Map

Track: Bittersweet
Clean Intro: Yes — 0:00
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, emotional fade
Loopable: Moderate
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00

Use Case: Emotional reflection, identity shifts, coming-of-age realizations, internal conflict, and moments where clarity arrives with emotional weight.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 86
Energy: Slow / Atmospheric / Moody
Genres: Electronic / Pop
Vocals: Female Vocal

Instrumentation:
Bass, percussion, piano, synth, minimal electronic production, and emotionally intimate female vocal delivery.

Track Summary:
“Bittersweet” captures the emotional contradiction of growth — clarity mixed with grief, change mixed with uncertainty, and progress that still leaves something unresolved. Its slow atmospheric pulse makes it ideal for scenes where a character is quietly understanding what has changed.

Sync Highlights:

• Slow tempo supports introspective character moments
• Female vocal gives emotional intimacy and vulnerability
• Minimal production leaves room for dialogue and visual storytelling
• Strong for identity shifts, emotional aftermath, and personal transformation
• Works for coming-of-age drama, relationship reflection, and internal conflict

Sync Potential

Coming-of-age reflection, personal transformation montage, identity and self-recognition scenes, emotional aftermath, quiet internal conflict, relationship distance, and scenes where growth comes with loss.

Stem Tracks

Stem availability can be confirmed upon request.

Track Narrative

“Bittersweet” feels like looking back and realizing the person in the memory no longer fully exists. It is intimate, unresolved, and emotionally honest.

Lyrics

I blinked three years went by
And I hardly recognize the girl I left behind
I look so different now but I can't figure out what's changed
The heaviness sinks in
A great awakening
I feel more than I have before
Afraid I'm crumbling so I keep on digging in
My mind and soul are still at war

I think I'm happy till I see a memory
With a smile that I don't recognize
I think I'm better off I found some clarity
So how come I keep on losing sight
It's bittersweet
It's bittersweet
It's bitter

Artist Bio

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blueserenity — Pat Carey

OMR Cue Map

Track: Blueserenity
Clean Intro: Yes — immediate jazz/blues instrumental entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, smooth resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Smooth jazz/blues cue for calm, sophistication, emotional ease, lounge settings, reflective moments, and understated elegance.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 135
Energy: Fast / Bright / Cool
Genres: Jazz
Vocals: Instrumental

Instrumentation:
Tenor saxophone, guitar, Hammond B3 organ, piano, Rhodes piano, drums, and smooth jazz ensemble textures.

Track Summary:
“Blueserenity” is a saxophone-led jazz instrumental that blends ambient textures with soulful phrasing. Its warm tone and smooth ensemble movement make it ideal for scenes requiring emotional clarity, introspection, romance, or late-night sophistication.

Sync Highlights:

• Instrumental format leaves room for dialogue
• Saxophone lead adds personality, warmth, and cinematic elegance
• Bright, confident tone supports both drama and light-hearted scenes
• Strong for lounge, romance, wellness, boutique hotel, and reflective visuals
• Jazz ensemble texture adds sophistication without overpowering the picture

Sync Potential

Reflective city walks, late-night solitude, romantic dinners, slow dance scenes, quiet healing, character development, emotional transitions, wellness visuals, luxury brands, boutique hotels, and evening chill settings.

Stem Tracks

Available upon request.

Track Narrative

“Blueserenity” is a sonic exhale — a jazz instrumental that floats through emotional stillness, harmonic ease, and cinematic calm.

Usage

Strong for dialogue-friendly jazz beds, elegant transitions, reflective scenes, lounge environments, romance, understated comedy, and polished lifestyle visuals.

Artist Bio

Pat Carey is a renowned Canadian saxophonist known for soulful tone, dynamic solos, masterful arrangements, and decades of influence in the Canadian blues and jazz scene.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Brooklyn Boogaloo — Pat Carey

OMR Cue Map

Track: Brooklyn Boogaloo
Clean Intro: Yes — immediate funk/jazz groove entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy groove ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Funky groove-driven cue for urban energy, swagger, movement, montage, city scenes, nightlife, and sequences built around rhythm and attitude.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 117
Energy: Medium / Bright / Upbeat
Genres: Party / Jazz / Soul
Vocals: Instrumental

Instrumentation:
Tenor saxophone, guitar, Hammond B3 organ, piano, Rhodes piano, drums, and boogaloo-inspired jazz-soul rhythm section.

Track Summary:
“Brooklyn Boogaloo” struts with swagger — a groove-laced instrumental that blends jazz chops with funk rhythm and cinematic flair. Pat Carey’s saxophone leads a vibrant ensemble through playful, upbeat, and retro textures perfect for scenes that demand motion, style, and attitude.

Sync Highlights:

• Instrumental format works well under dialogue and montage
• Saxophone, organ, piano, and drums create a rich funky texture
• Bright and quirky tone supports comedy, action, drama, and romance
• Retro boogaloo energy gives scenes instant style and movement
• Strong for city visuals, nightlife, fashion promos, and stylish crime sequences

Sync Potential

Urban chase scenes, stylish crime sequences, opening credits, comedy series, retro commercials, fashion promos, nightlife montage, dancing, street culture, romantic interludes with a playful twist, and energetic city movement.

Stem Tracks

Available upon request.

Track Narrative

“Brooklyn Boogaloo” struts with swagger — Pat Carey’s instrumental blends jazz chops with funk rhythm and cinematic flair.

Usage

Strong for rhythm-forward edits, urban scenes, retro-flavored promos, stylish comedy, city montage, action pacing, upbeat transitions, and scenes needing confident movement.

Artist Bio

Pat Carey is a renowned Canadian saxophonist known for soulful tone, dynamic solos, masterful arrangements, and decades of influence in the Canadian blues and jazz scene.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bangin' Butter — HYP

OMR Cue Map

Track: Bangin' Butter (Sync Version)
Clean Intro: Yes — immediate rhythmic entry
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48

Use Case: Funky, high-energy cue for swagger, rhythm, playful attitude, montage, character-driven movement, and scenes built around groove and personality.

Sync Pitch Sheet

Song Profile:
Key: D# Minor
BPM: 91
Energy: Midtempo / Head-Nod Groove / Moody
Genres: Hip Hop / Rap
Vocals: Instrumental

Instrumentation:
Deep punchy bass, hip hop drums, percussion, keys, piano motifs, synth leads, and smoky atmospheric pads.

Track Summary:
“Bangin' Butter” is a sleek midtempo hip hop instrumental that brings moody atmosphere and confident swagger without crowding dialogue. Its deep low end and sensual rhythmic feel make it a strong choice for elevated urban stories, intimate character beats, and stylish late-night environments.

Sync Highlights:

• Instrumental format leaves room for dialogue and voiceover
• 91 BPM midtempo groove supports confident pacing
• Atmospheric textures work for late-night scenes and secrets
• Deep bass and keys create sensual tension and urban cool
• One-stop structure supports fast-turn sync use

Sync Potential

Nighttime city drives, skyline shots, clubs, lounges, bars, rooftop socials, slow-burn romance, flirtation sequences, cool-character entrances, exits, luxury lifestyle, fashion, beauty, and product visuals.

Stem Tracks

Available upon request.

Track Narrative

“Bangin' Butter” moves like a slow, confident glide through the city after dark. The bass and drums lock into a hypnotic groove while keys and synth textures paint a smoky, sensual atmosphere.

Usage

Strong for modern drama, crime series, character-driven urban stories, fashion campaigns, lifestyle visuals, branded content, and scenes needing stylish rhythmic confidence.

Artist Bio

HYP builds groove-heavy cinematic instrumentals that pull from hip hop, electronic, and global textures, with a focus on bass, rhythm, atmosphere, and modern editorial pacing.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Básico No Básico y Dirigido — Elmer Ferrer

OMR Cue Map

Track: Básico No Básico y Dirigido
Clean Intro: Yes — immediate tonal/ambient entry
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36

Use Case: Minimal atmospheric cue for tension, focus, understated movement, dialogue beds, investigative scenes, and subtle forward drive.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 101
Energy: Moderate / Confident / Cool
Genres: Rock / Jazz / Funk
Vocals: Instrumental

Instrumentation:
Electric guitar, keys, bass guitar, percussion, drums, horns, cello, violin, and jazz-rock-funk ensemble textures.

Track Summary:
“Básico No Básico y Dirigido” is a rhythmically rich and harmonically bold instrumental that blends jazz, rock, and funk into a sync-ready composition. With electric guitar, percussion, and piano-forward sophistication, the track delivers tension, swagger, and cinematic punch.

Sync Highlights:

• Midtempo groove supports action and dramatic pacing
• Instrumental format works for underscore, montage, and voiceover
• Electric guitar and percussion add grit and complexity
• Jazz-rock fusion gives the cue a distinctive sonic identity
• Strong for crime thrillers, urban drama, action, and retro-styled sequences

Sync Potential

Urban crime dramas, high-stakes thrillers, action sequences with rhythmic intensity, retro-styled montages, stylized transitions, adventure scenes with tension and swagger, and commercials needing cool confident energy.

Stem Tracks

Available upon request.

Track Narrative

“Básico No Básico y Dirigido” feels engineered for motion and precision — a sophisticated instrumental that balances grit, structure, tension, and sharp musical intelligence.

Usage

Strong for action pacing, investigative beds, urban drama, crime sequences, dynamic montage, branded visuals, and scenes requiring instrumental complexity without vocal distraction.

Artist Bio

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for versatility, innovation, technical precision, and emotionally charged guitar-driven cinematic music.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Be Somebody — Syd & I

OMR Cue Map

Track: Be Somebody
Clean Intro: Yes — immediate vocal/instrumental entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:36–1:00 / 1:00–1:24

Use Case: Empowering vocal cue for ambition, identity, personal drive, character transformation, growth, determination, and self-worth.

Sync Pitch Sheet

Song Profile:
Key: B♭ Major
BPM: 95
Energy: Midtempo / Hopeful / Dreamy
Genres: Electronic
Vocals: Female Vocal

Instrumentation:
Bass, percussion, synth, warm electronic textures, rhythmic bed, and dreamy female vocal topline.

Track Summary:
“Be Somebody” is a hopeful midtempo electronic track that balances introspection with quiet confidence. Gentle waves of synth and bass support a vocal about wanting to become someone worth the climb, making it a natural choice for personal growth, reflection, and transformation arcs.

Sync Highlights:

• Strong for self-improvement arcs and new beginnings
• Clear emotional theme around identity and self-worth
• Modern spacious production can sit under dialogue or voiceover
• Works for coming-of-age, YA, grounded drama, and aspirational lifestyle content
• Midtempo pulse gives emotional lift without feeling rushed

Sync Potential

Coming-of-age films and series, beach or coastal visuals, self-discovery journeys, makeover/training/personal transformation montage, creative practice, new-city sequences, resilience campaigns, and final-act moments of choosing oneself.

Stem Tracks

Stems not currently posted. Contact OMR to request alt mixes, instrumental, vox-only, beat-only, or TV mix.

Track Narrative

Standing at the edge of the ocean, facing the waves and the weight of expectation, “Be Somebody” follows a character who refuses to change just to be seen and instead commits to becoming someone they genuinely like.

Lyrics

Waves crash harder
Now that I'm standing at the beach
Face myself and this world with uncertainty
I always
wanted to be somebody
somebody who I really love to know
But I know it takes time to be somebody I truly like

When the clouds are darker
when you're only looking from beneath
Don't want to change myself in order
to be seen
I always
wanted to be somebody,
somebody who'd really love to be me
Be somebody, somebody to keep
But it takes time to be somebody worth the climb

Artist Bio

Syd & I create modern electronic-pop music with atmospheric production, emotional clarity, and a strong sense of identity-driven storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Big Not Small — Paul Reddick

OMR Cue Map

Track: Big Not Small
Clean Intro: Yes — immediate vocal/tonal entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Bold blues-driven vocal cue for swagger, confidence, character presence, gritty drama, character introductions, attitude, and individuality.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 82
Energy: Midtempo / Swaggering / Moody
Genres: Blues / Rock / Soul
Vocals: Male Vocal

Instrumentation:
Harmonica, loops, vocals, guitar, bass, mandolin, background vocals, drums, violin, organ, piano, and percussion.

Track Summary:
“Big Not Small” is a blues-rock declaration — a gritty groove that celebrates standing tall and pushing back. Paul Reddick’s voice cuts through with conviction, giving the track a strong sense of personal triumph, defiance, and character-forward swagger.

Sync Highlights:

• Midtempo swagger supports confident and moody visuals
• Male vocal delivers grit, rawness, and emotional weight
• Strong for rebellion, empowerment, and personal reckoning
• Works across crime, drama, mystery, thriller, coming-of-age, and art-house scenes
• One-stop structure supports clean licensing and editorial use

Sync Potential

Opening credits with a moody strut, personal growth montage, stylized crime or mystery sequences, art-house introspection, coming-of-age turning points, rebellion, empowerment, and character re-entry moments.

Stem Tracks

Available upon request.

Track Narrative

“Big Not Small” is a gritty blues-rock statement of self-worth and defiance — a character standing tall, pushing back, and refusing to be diminished.

Lyrics

It’s big not small
Like a train not an automobile
Gonna need some time
It’s a real good deal
It’s slow not quick
With a long delay
It’s laying in the shade
Sleeping through the day
It’s laying in the shade
Sleeping through the day

It’s good not bad
It’s pleasing and worthy
It’s bonafide baby
It’s sweet lowdown and earthy
It’s laying in the shade
Sleeping through the day
It’s laying in the shade
Sleeping through the day

It’s love not like
That other kind of thing
Make you feel so good
Make your heart want to sing
It’s big not small
Like John the Conqueror
Gotta mojo too
It’s ready for you
It’s ready for you
It’s ready for you
It’s ready for you

Artist Bio

Paul Reddick is a blues poet, songwriter, and harmonica virtuoso known for smoky, hypnotic, emotionally resonant music rooted in character, mood, grit, and place.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blues for Duke — Pat Carey

OMR Cue Map

Track: Blues for Duke
Clean Intro: Yes — immediate jazz/blues instrumental entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean jazz-style ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Smooth, classic jazz/blues cue for sophistication, nightlife, relaxed atmosphere, lounge scenes, upscale environments, and character-driven moments with style.

Sync Pitch Sheet

Song Profile:
Artist: Pat Carey
Key: Eb Major
BPM: 77
Energy: Low–Moderate / Cool / Sophisticated
Genres: Blues / Jazz / Vintage
Vocals: Instrumental

Instrumentation:
Saxophones, acoustic and electric guitars, piano, acoustic bass, drums, and classic jazz/blues ensemble textures.

Track Summary:
“Blues for Duke” is a cinematic jazz homage that blends soulful saxophone with moody textures and harmonic tension. Its instrumental nature and evocative phrasing make it ideal for sophisticated dramatic scenes, noir atmosphere, reflective montage, and upscale visual storytelling.

Sync Highlights:

• Instrumental format leaves space for dialogue and voiceover
• Authentic jazz texture creates timeless sophistication
• Low–moderate energy supports tension and introspection
• Saxophone-led phrasing brings warmth, character, and elegance
• Strong for action, crime, drama, mystery, thriller, and upscale brand settings

Production Credits:

• Executive Producers: Iridescent Music Company Inc.
• Composers: Pat Carey, Jason Jestadt
• Recording: Alec Fraser
• Production: Pat Carey, Alec Fraser, Jason Jestadt
• Mixing: Alec Fraser
• Mastering: Andy Krehm

Sync Potential

Ideal Sync Uses:

• Noir sequences
• Emotional introspection
• Urban tension
• Reflective montages
• Detective dramas, period pieces, jazz-themed biopics, and suspense thrillers
• Luxury brands, vintage fashion, upscale spirits, and classic cars

Why It Works:

• No vocals means flexible placement under dialogue-heavy scenes
• Midtempo jazz phrasing supports tension without overpowering picture
• Real instruments create authentic period, lounge, and noir texture
• One-stop clearance supports immediate sync use

Stem Tracks

Available upon request. Contact OMR for stems, alternate mixes, cutdowns, or clearance details.

Track Narrative

“Blues for Duke” is a cinematic jazz homage — a slow-burning instrumental that channels the spirit of Duke Ellington through saxophone, piano, and harmonic tension. Pat Carey leads a masterfully restrained ensemble through a mood of reverence, sophistication, and subtle dramatic pressure.

Usage

Strong for lounge scenes, noir interiors, upscale restaurants, vintage fashion, detective work, romantic ambiguity, slow urban montage, and elegant transitions where picture needs mood, class, and restraint.

Artist Bio

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blues for Myles — Pat Carey

OMR Cue Map

Track: Blues for Myles
Clean Intro: Yes — immediate jazz/blues instrumental entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean jazz-style ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Smooth, expressive jazz/blues cue for mood, sophistication, emotional nuance, lounge scenes, reflective moments, and character-driven storytelling with style.

Sync Pitch Sheet

Song Profile:
Artist: Pat Carey
Key: C Major
BPM: 115
Energy: Moderate / Bright / Uplifting
Genres: Jazz / Vintage
Vocals: Instrumental

Instrumentation:
Soprano, tenor, and baritone saxophones, guitar, bass, piano, drums, trumpet, and classic jazz ensemble textures.

Track Summary:
“Blues for Myles” is a saxophone-led instrumental that blends jazz phrasing with blues textures, creating a soulful and expressive tribute. Its warm tone and melodic grace make it ideal for sync placements requiring emotional depth, nostalgic resonance, or a sense of heartfelt reflection.

Sync Highlights:

• Instrumental format makes it ideal for underscoring dialogue or visuals
• 115 BPM keeps the cue engaging without overpowering the scene
• Bright, uplifting jazz tone supports drama, romance, comedy, adventure, and action
• Saxophone, piano, guitar, and drums provide flexible edit points
• One-stop clearance supports easy licensing

Production Credits:

• Produced By: Pat Carey, Steve Grisbrook
• Recorded At: Iridescent Music Studio
• Engineered & Mixed By: Steve Grisbrook
• Mastered By: Andy Krehm — Silverbirch Productions, Toronto, ON
• Graphic Design: Katrina Lockhart — Graphic Print Inc.

Sync Potential

Ideal Sync Scenarios:

• Drama: Legacy scenes, emotional turning points, and character reflection
• Romance: Intimate moments, quiet connection, and memory sequences
• Comedy: Lighthearted transitions and quirky character intros
• Adventure: Scenic montages, travel sequences, and soulful interludes
• Action: Stylized slow-motion, aftermath scenes, and mood resets

Why It Works:

• No vocals keeps it flexible under dialogue
• Moderate tempo supports visual momentum without pressure
• Bright but reflective tone gives emotional range
• Solo sections create natural editorial lift points

Stem Tracks

Available upon request. Contact OMR for stems, alternate mixes, cutdowns, or clearance details.

Track Narrative

“Blues for Myles” is a heartfelt instrumental tribute — a saxophone-driven piece that blends jazz warmth with blues depth. Pat Carey’s phrasing evokes memory and emotion, making it ideal for sync scenes of reflection, legacy, or quiet reverence.

Usage

Strong for legacy scenes, intimate dinners, nostalgic flashbacks, quiet character turns, travel interludes, warm city visuals, and emotionally intelligent transitions that need polish without heaviness.

Artist Bio

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. A founding member of the Maple Blues Revue, Carey is celebrated for his soulful tone, dynamic solos, and masterful arrangements.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bowery — Mattie Leon

OMR Cue Map

Track: Bowery
Clean Intro: Yes — immediate vocal/instrumental entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, subtle button ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Gritty, urban vocal cue for character, place, lived-in storytelling, city scenes, introspection, and moments grounded in personal narrative and environment.

Sync Pitch Sheet

Song Profile:
Artist: Mattie Leon
Key: C# Major
BPM: 99
Energy: Midtempo / Reflective / Warm
Genres: Folk / Indie / Singer-Songwriter
Vocals: Male Vocal

Instrumentation:
All instruments by Mattie Leon, drums by Mike Leon, with warm folk-rock textures, emotional vocal delivery, and cinematic singer-songwriter production.

Track Summary:
“Bowery” is a soulful, cinematic ballad that blends folk-rock storytelling with emotional depth. Mattie Leon delivers evocative vocals and lyrical imagery perfect for sync scenes of longing, memory, romantic tension, regret, or quiet transformation.

Sync Highlights:

• Male vocal delivers emotional sincerity and character depth
• Midtempo pacing supports drama, indie, romance, and art-house storytelling
• Lyrics explore desire, love, pain, regret, and struggle
• Warm acoustic textures support reflection and emotional transition
• Strong for romantic tension, personal growth, and quiet resolve

Production Credits:

• Words & Music: Mattie Leon
• Produced By: Mattie Leon
• Mixed By: Josh Bowman
• Mastered By: Reuben at Mojito Mastering
• Drums: Mike Leon

Sync Potential

Ideal Sync Uses:

• Romantic tension: longing, vulnerability, and emotional turning points
• Reflective moments: memory, personal growth, and quiet transformation
• Drama sequences: emotional conflict, introspection, and resolution
• Indie film montage: warm tones, hopeful transitions, and character development
• Urban storytelling: lived-in spaces, emotional distance, and unresolved history

Cinematic Fit:
Art House, Drama, Indie, Romance.

Stem Tracks

Available upon request. Contact OMR for stems, alternate mixes, cutdowns, or clearance details.

Track Narrative

“Bowery” is a lyrical walk through memory — Mattie Leon’s vocals carry emotional weight and melodic grace. Built for sync scenes of reflection, romantic tension, or quiet resolve, this track blends folk-rock warmth with cinematic storytelling.

Lyrics

Oh the night is young
and we're still breathing
You fill up your lungs with kerosene
I get burned in your desire
and you get left with all this doubt in me

Bowery
I know the man that you deserve and need
I know the love that you keep building me
I know the man that I've become
It's not a man that you could love

Oh your violent tongue
of retribution
Oh your painted lips of deep cerise
I can't brave another night
living in a world with your beautiful misery

Why would you love someone
that pushes you away
Why would you love someone
that dresses you in shame
Why would you love someone
that fails you in the day and in the night
There's nothing left for you and I

Artist Bio

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bridges — Amhed Mitchel feat. Michael Rodriguez

OMR Cue Map

Track: Bridges feat. Michael Rodriguez
Clean Intro: Yes — smooth jazz instrumental entry
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24

Use Case: Smooth, expressive jazz cue for connection, transition, emotional flow, reflective scenes, urban storytelling, and moments that bridge tension and resolution.

Sync Pitch Sheet

Song Profile:
Artist: Amhed Mitchel feat. Michael Rodriguez
Energy: Midtempo / Warm / Reflective
Genres: Jazz
Vocals: Instrumental
Mood/Feel: Dramatic, Light, Positive, Reflective, Romantic, Warm
Type: One-Stop

Instrumentation:
Percussion, piano, saxophone, warm rhythm section, lyrical jazz phrasing, and expressive instrumental interplay.

Track Summary:
“Bridges” balances warmth and drama — midtempo jazz textures led by piano, saxophone, and percussion. Reflective yet positive, the track flows with romantic energy and sync-ready elegance for storytelling moments of connection and resolve.

Sync Highlights:

• Midtempo jazz pacing supports narrative flexibility
• Piano and saxophone offer lyrical emotional resonance
• Instrumental format leaves room for dialogue and scene texture
• Warm and romantic feel supports drama and relationship arcs
• Strong for reflective transitions, lifestyle visuals, and emotional storytelling

Sync Potential

Ideal Sync Uses:

• Drama: Emotional turning points and heartfelt revelations
• Romance: Intimate or reflective moments
• Coming-of-Age: Growth, connection, and discovery sequences
• Lifestyle / Travel: Scenic or reflective transitions

Why It Works:

• Balances warmth and drama for versatile sync use
• Piano and saxophone offer lyrical, emotional resonance
• Midtempo pacing fits a wide variety of scenes
• Instrumental structure keeps it dialogue-friendly

Stem Tracks

Available upon request. Contact OMR for stems, alternate mixes, cutdowns, or clearance details.

Track Narrative

“Bridges” builds connections in sound — saxophone and piano trade lyrical reflections over a warm, midtempo jazz pulse. Romantic and positive, the track balances dramatic arcs with light energy, delivering cinematic resonance for sync.

Usage

Strong for emotional reveals, relationship repair, reflective transitions, urban movement, quiet resolution, warm travel moments, coming-of-age growth, and scenes where two emotional states need to connect.

Artist Bio

Amhed Mitchel is a Cuban-Canadian drummer and composer known for blending modern jazz language with Afro-Cuban rhythmic roots. His performances are marked by dynamic nuance, melodic rhythmic articulation, and a strong sense of emotional storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blaming the Former — Justin Enco

OMR Cue Map

Track: Blaming the Former
Clean Intro: Yes — clean instrumental/vocal entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31

Use Case: Reflective indie cue for conflict, regret, emotional complexity, dialogue-driven scenes, relationship tension, introspection, and accountability.

Sync Pitch Sheet

Song Profile:
Artist: Justin Enco Band
Key: B Major
BPM: 90
Energy: Midtempo / Dreamy / Hopeful / Reflective
Genres: Folk / Pop / Rock / Singer-Songwriter
Vocals: Male Vocal
Lyric Themes: Relationship, Connection, Time, Love
Cinematic Fit: Art House, Coming-of-Age, Drama, Historical, Indie, Mystery, Romance, Thriller
Type: One Stop

Instrumentation:
Vocals, acoustic guitar, electric guitar, keyboards, bass guitar, drums, and subtle pop-rock rhythm textures.

Track Summary:
“Blaming the Former” is a heartfelt reflection on love and memory, delivered with sincerity and warmth. Reminiscent of Elliott Smith and Nick Drake, Justin Enco’s vocals glide over acoustic textures and subtle pop-rock rhythms. Ideal for scenes of emotional growth, romantic tension, or nostalgic flashbacks.

Sync Highlights:

• Midtempo pacing supports introspective and romantic scenes
• Male vocal adds emotional authenticity and lyrical depth
• Acoustic and electric guitar blend creates a timeless feel
• Strong for coming-of-age stories, indie dramas, and historical romance
• One-stop clearance simplifies licensing for editors and supervisors

Production Credits:

• Lyrics: Justin Enco
• Recorded/Mixed At: Purgatory Recording Studio, Sunrise, FL
• Engineered & Mixed By: Michael Waxman
• Mastered At: Heavy Air Studio, Miami, FL — Javier Carrion

Sync Potential

Ideal Use Cases:

• Coming-of-age emotional turning points, self-discovery, and youthful nostalgia
• Drama and romance scenes involving breakups, reconciliations, and heartfelt confessions
• Indie and art-house introspective montages, poetic transitions, and character-driven scenes
• Historical and mystery flashbacks, memory sequences, and quiet tension
• TV and streaming background score for romantic arcs, indie series, or dramatic episodes
• Festival film trailers, emotional shorts, and narrative teasers

Why It Works:

• Male vocal delivers emotional authenticity and lyrical resonance
• Midtempo pacing supports reflective and romantic storytelling
• Acoustic instrumentation evokes warmth and timelessness
• Indie singer-songwriter tone supports emotional realism
• One-stop clearance allows fast licensing

Stem Tracks

Stems available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Blaming the Former” is a lyrical reckoning — a song that wrestles with memory, regret, and the fragile hope of reconciliation. Justin Enco’s delivery is intimate and sincere, making this track ideal for sync scenes of emotional reflection, romantic tension, or personal growth.

Lyrics

Should I count the days
Or should I change my ways
And should I call you up
Thinking about you

You're running in my head
Counting thoughts instead
It's not to see you
Make me smile again

And if we start
There is no over
Wasting time
Blaming the former

And I want
To see if you do
Feel this too

I think that everyday
Would be my way to say
Glad to see you
How I miss your face

The sunlight in my day
I could never stay away
We know each other
Yet we play this game

And if we start
There is no over
Wasting time
Blaming the former

And I want
To see if you do
Feel this too

So I'll walk for now
It's you I care about
Falling faster
Wanting to be with you

So careful we could be
When it's just you and me
Understanding me
Before we walk away

Why don't we say it today
Before we walk away
Before we walk away
I only say it today

Artist Bio

Justin Enco is a singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he has built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana. His songs showcase raw emotion, melodic sincerity, and storytelling designed for deeply human scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Boy — Mattie Leon

OMR Cue Map

Track: Boy
Clean Intro: Yes — immediate vocal/instrumental entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, gentle button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Warm, emotional vocal cue for youth, identity, personal reflection, coming-of-age moments, character development, family tension, and scenes centered on growth and memory.

Sync Pitch Sheet

Song Profile:
Artist: Mattie Leon
Key: Ab Major
BPM: 106
Energy: Midtempo / Bright / Reflective / Rhythmic
Genres: Indie / Pop
Vocals: Male Vocal
Lyric Themes: Family, Love, Time
Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
Type: One Stop

Instrumentation:
All instruments by Mattie Leon, drums by Mike Leon, warm indie-pop textures, rhythmic pulse, and emotionally restrained vocal phrasing.

Track Summary:
“Boy” is deeply emotional and unflinchingly personal, unpacking the heartbreak of parental separation and longing. Mattie Leon offers lyrical clarity, vulnerability, and melodic restraint that speak to custody, sacrifice, and the emotional landscape of fatherhood.

Sync Highlights:

• Male vocal brings emotional sincerity and narrative intimacy
• Midtempo rhythm supports family drama and personal reflection
• Bright but reflective tone avoids melodrama while preserving emotional weight
• Strong for father-child stories, custody conflict, and coming-of-age themes
• One-stop format supports efficient sync licensing

Production Credits:

• Words & Music: Mattie Leon
• Produced By: Mattie Leon
• Mixed By: Josh Bowman
• Mastered By: Reuben at Mojito Mastering
• Drums: Mike Leon

Sync Potential

“Boy” is a deeply emotional and unflinchingly personal track that explores the heartbreak of parental separation and longing. With lyrical clarity and melodic restraint, Mattie Leon captures the ache of custody, sacrifice, and fatherhood.

• Family drama
• Coming-of-age moments
• Romantic retrospection
• Courtroom or final-act scenes
• Parent-child separation, reconciliation, or emotional distance
• Indie drama and emotionally grounded television scenes

Stem Tracks

Stems available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Boy” balances emotional weight with melodic gentleness — a cinematic confessional of separation, longing, and fatherhood’s ache. Mattie Leon channels a raw, poetic account of custody and disconnect, ideal for final acts, courtroom scenes, or intimate storytelling steeped in family tension and heart.

Lyrics

Our years were young
back when we found brazen love
Bold, adolescent blood
running out of each of us

We bet our lives
surrounded by each parent's side
Let our hearts decide
with these youthful eyes

Then an older love
crept up into both of us
Had us a child to love
lost what the feeling was

And I swear to you
if there was one thing I could do
it would be to feel for you
Wish I could feel for you

Don't you push me out before I'm gone
You're looking for a reason
To keep me out the places I belong
Let me take that boy I made back home

I can barely breathe
bank account on hold and freeze
Lawyers and their families
try to keep the boy from me

And I see your face
and all the ways it seems to've changed
Hurting me for hurtin sake
Who could raise you up that way?

Artist Bio

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Branches — Kristin Sweetland

OMR Cue Map

Track: Branches
Clean Intro: Yes — immediate quirky/tonal entry
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, playful button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06

Use Case: Offbeat, characterful cue for quirky moments, light tension, playful storytelling, comedy, eccentric characters, and scenes with a whimsical edge.

Sync Pitch Sheet

Song Profile:
Artist: Kristin Sweetland
Key: E Minor
BPM: 94
Energy: Midtempo / Atmospheric / Moody / Reflective / Romantic
Genres: Folk / Indie
Vocals: Instrumental
Cinematic Fit: Adventure, Art House, Drama, Fantasy, Indie, Romance
Type: One Stop

Instrumentation:
Electric guitar, spoken word elements, bass, violin, viola, drums, folk textures, gypsy-jazz influence, and theatrical ensemble character.

Track Summary:
“Branches” is a genre-blending instrumental that dances between folk, gypsy-jazz, and theatrical flair. With quirky pacing and cinematic textures, it works beautifully for scenes requiring eccentric charm, emotional nuance, or whimsical motion.

Sync Highlights:

• Instrumental format keeps the track dialogue-friendly
• Quirky rhythmic structure supports comedy, fantasy, and eccentric characters
• Folk and gypsy-jazz textures create a distinctive sync identity
• Strong for art-house montage, indie drama, and playful adventure
• One-stop clearance supports efficient placement

Production Credits:

• Written By: Lyndell Montgomery and Kristin Sweetland
• Produced By: David Travers-Smith and Captain Dirt & The Skirt
• Recorded/Mixed/Mastered: David Travers-Smith at Found Sound, Toronto, ON
• Copyright: © Arbora Vita Music 2013

Sync Potential

“Branches” is ideal for scenes that require eccentric charm, emotional nuance, or whimsical motion.

• Fantasy sequences: magical realism, enchanted landscapes, surreal transitions
• Art-house montages: visual poetry, abstract storytelling, mood-driven edits
• Indie drama: reflective moments, emotional solitude, character introspection
• Adventure scenes: travel, discovery, playful exploration
• Comedy: oddball character moments, mischievous movement, and eccentric scene color

Stem Tracks

Stems available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Branches” feels like a peculiar walk through a storybook forest — playful, slightly strange, and full of movement. Its folk-rooted instrumental language gives scenes personality without crowding dialogue.

Usage

Strong for whimsical edits, fantasy movement, eccentric characters, quirky comedy, indie montage, magical realism, art-house transitions, and scenes that need a playful but cinematic instrumental identity.

Artist Bio

Kristin Sweetland is a guitarist, photographer, and storyteller whose creative work spans music, visual art, and travel-inspired narrative. As one half of Captain Dirt & The Skirt, she blends bluegrass, gypsy-jazz, classical, folk, and theatrical influences into characterful, sync-friendly music.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Bring My Love Back Soon — Tom Conneely and the Paradise Birds

OMR Cue Map

Track: Bring My Love Back Soon — Short Edit
Clean Intro: Yes — immediate vocal entry
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48

Use Case: Emotional classic vocal cue for longing, romance, emotional resolution, reunion moments, love returning, and storytelling centered on connection.

Sync Pitch Sheet

Song Profile:
Artist: Tom Conneely and the Paradise Birds
Key: A Major
BPM: 119
Energy: Bright Uptempo / Light / Positive / Uplifting
Genres: Folk / Pop / Vintage
Vocals: Male Vocal
Lyric Themes: Heartbreak, Home, Love, Nature, Time
Cinematic Fit: Drama, Romance, Indie, Coming-of-Age
Type: One Stop

Instrumentation:
Acoustic textures, organic percussion, vintage folk-pop rhythm, strings, bass, and warm male vocal delivery.

Track Summary:
“Bring My Love Back Soon” radiates warmth and longing, fusing nostalgic folk energy with a light rhythmic pulse. Its natural imagery and heartfelt repetition create a timeless feel, perfect for sequences of travel, reflection, hopeful reunion, or emotional distance.

Sync Highlights:

• Uptempo yet intimate folk-pop delivery fits indie dramas and heartfelt road scenes
• Male vocal conveys sincerity and optimism
• Organic percussion and strings add cinematic texture
• Ideal for stories of reconnection, growth, or emotional distance
• Positive tonality balances longing with hope

Sync Potential

Ideal Use Cases:

• Reunion scenes
• Memory or cross-country travel sequences
• Romantic reflection
• Indie drama transitions
• Coming-of-age emotional movement
• Brand or film use needing gentle optimism

Why It Works:

• Warm acoustic instrumentation suits romantic or reflective atmospheres
• Uplifting tone balances emotional narrative arcs
• Natural imagery supports open-road, desert, sky, and homecoming visuals
• Short-edit structure gives quick editorial usability

Stem Tracks

Stems available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Bring My Love Back Soon” feels like a letter to the horizon — a musical prayer for reunion beneath the desert sky. Its rhythm moves like wind through open space, carrying warmth, longing, and the quiet confidence that love will find its way home.

Lyrics

Let's just call me your friend
Meantime I love you while
Love you in the morning
Love you in the cold
The darkness of the desert
Close the hanging moon
Hear the coyote cry
Bring my love back soon

Yucca, it breathes
Sky folds
Wind, it whispers
Bring my love back home
Bring my love back soon
Bring my heart back too

Bring my love back soon
Bring my heart back too
See those stars, watch 'em run
Watch those stars, see 'em run

See those stars, watch 'em run
Watch those stars, see 'em run
Bring my love back soon
Bring my heart back too

Bring my love back soon
Bring my heart back too
Run, run, run
Run, run, run
Run, run, run
Run, run, run

Artist Bio

Tom Conneely and the Paradise Birds craft a lush blend of folk, pop, and vintage soul rooted in timeless storytelling. Their sound evokes desert winds, open skies, and heartfelt connection — a sonic landscape where nostalgia and hope meet.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Blues in Eh — Lee Palmer

OMR Cue Map

Track: Blues in Eh
Clean Intro: Yes — immediate blues instrumental entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18

Use Case: Laid-back, blues-driven cue for character, humour, regional tone, light drama, personality-driven scenes, and moments with subtle attitude and charm.

Sync Pitch Sheet

Song Profile:
Artist: Lee Palmer
Energy: Midtempo / Playful / Soulful / Reflective
Genres: Blues / Roots / Singer-Songwriter
Vocals: Male Vocal
Lyric Themes: Humour, Identity, Rebellion, Introspection
Type: One Stop

Instrumentation:
Electric guitar, acoustic guitar, bass, drums, roots-blues rhythm section, and relaxed male vocal delivery.

Track Summary:
“Blues in Eh” puts a Canadian spin on classic blues tropes. Lee Palmer blends sharp lyrics and grooving instrumentation with wry humour, crafting a rootsy, sync-ready cue perfect for lighthearted rebellion, road-trip scenes, musical introspection, and character-driven regional storytelling.

Sync Highlights:

• Playful roots-blues tone gives scenes personality and charm
• Male vocal delivers warmth, humour, and lived-in character
• Midtempo groove works for road trips, bars, and light drama
• Canadian lyrical twist creates regional flavour without limiting usability
• One-stop clearance supports fast sync use

Sync Potential

Ideal Sync Scenarios:

• Road trip montages with a quirky or rebellious tone
• Scenes of personal reflection or identity exploration
• Canadian-themed storytelling or cultural vignettes
• Lighthearted bar scenes or musical interludes
• Indie film moments with soulful, rootsy atmosphere

Comparable Vibe:

• John Hiatt
• J.J. Cale
• Bob Dylan roots-era character

Stem Tracks

Available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Blues in Eh” feels like boots-on-gravel and maple syrup in your flask — a blues groove with Canadian soul. Lee Palmer serves lyrical grit, regional charm, and easy musicianship in equal measure. Ideal for sync scenes with charm, wanderlust, and hometown swagger.

Lyrics

I got the blues in A, six strings in my fingers
Lookin' for a lick in a place where it lingers by the way
I got the blues in A, that's a Canadian E-H-A
I got the blues in A, I got the blues in A

And I'm giggin' in Toronto
Playing for the door and all the drinks I can swallow
By the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A
Take it away Dennis

I got the blues in A and I'm jammin' at the Joyce
Dancin' with the sisters and hangin' with the boys
By the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A, that baseline gold

I got the blues in A, six strings in my fingers
Baby, I'm looking for a place where it lingers by the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A

Artist Bio

Lee Palmer is a Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rootsy sound shaped by storytelling, emotional depth, and authentic live performance.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Boisdale — Carlos Miyares

OMR Cue Map

Track: Boisdale
Clean Intro: Yes — immediate jazz/soul instrumental entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Smooth, stylish jazz/soul cue for upscale settings, nightlife, refined atmosphere, lounge scenes, character-driven moments, and elegant environments.

Sync Pitch Sheet

Song Profile:
Artist: Carlos Miyares
Key: Bb Major
BPM: 88
Energy: Low-Medium / Bright / Confident / Romantic
Genres: Ballad / Jazz
Vocals: Instrumental
Cinematic Fit: Action, Adventure, Animation, Drama, Romance
Type: One Stop

Instrumentation:
Tenor saxophone, trumpet, piano, bass, drums, percussion, and Cuban jazz ensemble textures.

Track Summary:
“Boisdale” is a lush, saxophone-driven jazz ballad that blends Cuban phrasing with cinematic elegance. Its low-medium energy and romantic tone make it ideal for scenes of reflection, sophistication, emotional healing, cultural resonance, or quiet romantic depth.

Sync Highlights:

• Instrumental format leaves room for dialogue and visual storytelling
• Romantic mood evokes warmth, elegance, and emotional clarity
• Midtempo flow supports both dramatic and light-hearted pacing
• Saxophone, piano, and drums add cinematic texture
• Strong for travel, luxury, boutique, cultural, and emotional scenes

Production Credits:

• Direction, Arrangements & Composition: Carlos Miyares
• Production Assistant: Yoanys Perez
• Sound Engineer: Ana Laura Vilaragut
• Mixing: Ana Laura Vilaragut & Carlos Miyares
• Mastering: Ana Laura Vilaragut

Sync Potential

Ideal Sync Uses:

• Drama, romance, animation, and adventure scenes
• Emotional transitions, cultural storytelling, and romantic interludes
• Travel, luxury goods, boutique experiences, and evening reflections
• Slow-motion walk through a historic city
• Quiet moment of introspection or healing
• Romantic rooftop dinner or cultural celebration montage

Stem Tracks

Available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Boisdale” is a jazz meditation — a saxophone-led instrumental that flows with Cuban phrasing and emotional nuance. Carlos Miyares delivers a sync-ready composition full of sophistication and cinematic depth, ideal for scenes of introspection, elegance, or cultural resonance.

Usage

Strong for romantic dinners, refined interiors, boutique hotels, cultural travel, reflective city walks, emotional healing scenes, upscale branding, and sophisticated dramatic transitions.

Artist Bio

Carlos Miyares is a Cuban saxophonist and composer whose expressive sound and technical brilliance have made him a respected voice in contemporary Latin jazz. His music blends Cuban heritage, emotional depth, improvisational mastery, and cinematic elegance.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Boom Salute — Melodic Yoza

OMR Cue Map

Track: Boom Salute
Clean Intro: Yes — immediate rhythmic entry
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48

Use Case: Bold, high-energy cue for celebration, swagger, rhythmic impact, montage, entrances, and scenes driven by confidence and movement.

Sync Pitch Sheet

Song Profile:
Artist: Melodic Yoza
Key: G Major
BPM: 84
Energy: Medium Tempo / Catchy / Confident / Upbeat
Genres: Reggae / Folk / Indie / Hip Hop
Vocals: Male Vocal
Lyric Themes: Energy, Happiness, Love, Relationship, Strength
Cinematic Fit: Adventure, Comedy, Coming-of-Age, Drama, Romance
Type: One Stop

Instrumentation:
Reggae soul-hop rhythm section, rhythmic percussion, melodic vocal delivery, hip-hop influenced phrasing, and bright global groove textures.

Track Summary:
“Boom Salute” fuses reggae soul-hop with lyrical swagger and rhythmic punch. Melodic Yoza delivers a sync-ready anthem built for celebration, defiance, cultural pride, confident character entrances, and movement-driven visual storytelling.

Sync Highlights:

• Charismatic male vocal gives the track confidence and personality
• Reggae, hip hop, and indie-folk blend creates a unique sonic identity
• Lyric themes of love, strength, happiness, and energy work across multiple formats
• Medium tempo supports both chill and upbeat scenes
• Strong for youth-focused series, cultural showcases, victory moments, and lifestyle spots

Sync Potential

Ideal Sync Uses:

• Coming-of-age, adventure, comedy, and urban drama
• Youth-focused series, cultural showcases, and victory moments
• Streetwear, energy drinks, lifestyle brands, and feel-good hip hop playlists
• Triumphant entrance or arrival
• Celebration montage or street festival
• Urban dance sequence, rooftop party, or personal empowerment moment

Stem Tracks

Available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Boom Salute” is a sonic celebration — a genre-blending anthem that channels pride, rhythm, and lyrical fire. Melodic Yoza delivers a track built for sync scenes of cultural swagger, urban motion, or triumphant arrival.

Lyrics

One, one, one
Bodoobye, bodoobye, bodoobye
Number one, one, one
I salute you

Have you ever met a girl who was looking so nice
Just to make her to be your wife
Man, she’s a go getter
When you coming from the place with the finest weather

She’s a special friend of mine
She makes me come alive

Oh, oh here she come
I boom salute you girl, you’re the one
It been that way since day one
You’re my number one, one, one

She goes zero to one hundred put a smile on my face
Chill up on the beach a drink coconut water
Cause she is just the truth

She makes me come alive
Cause she gets me every time

Oh, oh here she come
I boom salute you girl, you’re the one
It been that way since day one
You’re my number one, one, one

Artist Bio

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, cultural pride, and the power of love.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Break the Ice — Purple Fox and the Heebie Jeebies

OMR Cue Map

Track: Break the Ice
Clean Intro: Yes — immediate rhythmic/vocal entry
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12

Use Case: Upbeat, confident cue for introductions, social tension release, playful interaction, character meet-cutes, light comedy, and scenes that shift from awkward to engaging.

Sync Pitch Sheet

Song Profile:
Artist: Purple Fox and the Heebie Jeebies
Key: F Major
BPM: 82
Energy: Slow-Mid Pocket / Confident / Cool / Fun
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Lyric Themes: Connection, Fun, Happiness, Individuality, Relationship
Cinematic Fit: Action, Adventure, Animation, Art House, Children
Type: One Stop

Instrumentation:
Crunchy guitars, backbeat-driven drums, bass, rock rhythm section, chantable vocal hook, and riff-forward arrangement.

Track Summary:
“Break the Ice” is riff-forward rock with a swaggering groove and a chantable hook. Clean edit points, a steady pocket, and positive tone make it ideal for meet-cutes, gearing-up scenes, movement montages, team-ups, and first-conversation moments.

Sync Highlights:

• Chorus hook is instantly legible for trailers, teasers, and cutdowns
• Drives walk-in, team-up, and first-conversation scenes
• Works under VO; guitars and backbeat carry energy without clutter
• Kid- and family-friendly attitude for brand and series spots
• One-stop clearance streamlines licensing for promos, episodic TV, and ads

Sync Potential

Positive rock swagger with clear structure and strong cut points.

• Hook supports campaign slogans and VO buttons
• Energetic but not abrasive — broad demo fit
• Easy instrumental or alt-mix potential for dialogue ducking
• Stylized walk / hero-strut / city movement
• Training or gearing-up montage with attitude
• Playful chase, discovery sequence, or youth/family end-credit lift

Stem Tracks

Stems not currently posted. If needed for a specific brief, please request instrumental or alternate mixes and OMR will confirm availability.

Track Narrative

“Break the Ice” is a confident icebreaker anthem. Guitars and groove set a forward stride while the lyric invites courage and connection. Ideal when characters take initiative — crossing the room, starting a conversation, or rallying a team.

Lyrics

Come on let’s break the ice
Come on let’s break the ice

I’m rockin’ in my red shoes
They really kick out the blues
There’s just no way you can lose
When you rock the red shoes

There’s something new in the air
You’re dancing like you don’t care
I’m getting outta my chair
And heading straight over there

I’m walking right up to you
It’s just the right thing to do
The only ones in the room
It’s time to make your debut

Come on let’s break the ice
Come on let’s break the ice
Come on let’s break the ice
The ice, the ice
The ice, the ice

You’re someone I wanna know
I’m not sure how this should go
I could tell you a joke, but I think I might choke

I’m looking right at a star
I hope you know who you are
The way you play that guitar, is coming straight from the heart

Come on let’s break the ice
Come on let’s break the ice
Come on let’s break the ice
The ice, the ice, the ice

Artist Bio

Purple Fox and the Heebie Jeebies fuse rock energy with feel-good hooks and a message of connection and confidence. Their catalog leans positive and empowering, with riff-forward arrangements and clean edit points that translate naturally to film, TV, and brand work.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information contact:

sergio@omrmusicproduction.com

Please reference: Buenos Aires — Kiki Ferrer

OMR Cue Map

Track: Buenos Aires
Clean Intro: Yes — immediate Latin-influenced instrumental entry
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18

Use Case: Warm, rhythmic cue for travel, culture, vibrant atmosphere, city scenes, montage, and sequences that evoke movement, place, and character.

Sync Pitch Sheet

Song Profile:
Artist: Kiki Ferrer
Key: C Major
BPM: 110
Energy: Moderate / Carefree / Confident / Playful
Genres: Party / Holiday / Latin / World
Vocals: Male vocal texture / backing vocal elements
Mood: Carefree, Confident, Cool, Uplifting, Upbeat, Fun, Happy, Party, Playful, Positive, Quirky
Cinematic Fit: Comedy, Romance
Type: One Stop

Instrumentation:
Tres, bass, hand clapping, chekere, campana, flute, percussion, vocals, backing vocals, and folkloric Latin jazz textures.

Track Summary:
“Buenos Aires” is a rhythmic celebration of Latin jazz and folkloric charm. Kiki Ferrer blends Cuban phrasing, vibrant percussion, playful syncopation, and colourful ensemble movement into a cue built for travel, cultural flair, animated storytelling, comedy, romance, and lively montage.

Sync Highlights:

• Rooted in Latin rhythms and folkloric instrumentation
• Flute, percussion, tres, and hand claps create a rich rhythmic palette
• Upbeat, carefree feel supports comedy, romance, travel, and animation
• Strong for scenes requiring colour, movement, warmth, and cultural energy
• One-stop clearance supports fast sync use

Production Credits:

• Executive Producer: Elmer Ferrer
• Music Composition: Elmer Ferrer & Dayan Abad
• Recording: El Gao Records — Dayan Abad & Kiki Ferrer
• Production: Elmer Ferrer & Dayan Abad
• Mixing: El Gao Records — Dayan Abad & Kiki Ferrer
• Mastering: El Gao Records — Dayan Abad & Kiki Ferrer

Artists:

• Tres, Bass, Hand Clapping: Dayan Abad
• Chekere y Campana: Pedro Pablo Rodriquez
• Flute: Roque Martinez
• Vocals and Backing Vocals: Akinsola Elegbede
• Percussion: Kiki Ferrer

Sync Potential

Ideal Sync Uses:

• Travel and cultural storytelling
• Animated sequences or character introductions
• Romantic comedies with international flair
• Festival scenes or celebratory montages
• Lifestyle and fashion campaigns with Latin influence
• City scenes requiring movement, colour, rhythm, and warmth

Why It Works:

• Authentic Latin rhythmic foundation gives scenes cultural energy
• Folkloric textures create personality without overwhelming picture
• Carefree, playful tone supports comedy and romance
• Rhythmic structure gives editors natural cut points
• Strong cue for visual stories that need liveliness and place

Stem Tracks

Available upon request. Contact OMR for WAV, stems, instrumental mix, TV mix, cutdowns, or alternate versions.

Track Narrative

“Buenos Aires” is a sync-ready cue full of folkloric charm and rhythmic storytelling. Kiki Ferrer blends Latin jazz textures with playful phrasing, making it ideal for cultural celebration, animated motion, vibrant character introductions, travel sequences, and scenes filled with life and colour.

Usage

Strong for travel montages, cultural city scenes, Latin-influenced lifestyle visuals, romantic comedy transitions, food and festival sequences, animation, colourful character entrances, and upbeat scenes that need warmth, movement, and rhythmic charm.

Artist Bio

Kiki Ferrer is a Cuban percussionist, composer, and educator whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. His work blends traditional Afro-Cuban rhythms with contemporary sounds, creating music that is vibrant, cinematic, and deeply rooted in cultural fusion.