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sergio@omrmusicproduction.com

Please reference:
NAMELESS — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: NAMELESS
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Gentle cinematic entry with reflective pacing and natural editorial movement. Excellent for memory sequences, emotional aftermath, intimate transitions, and scenes needing introspection, emotional atmosphere, cinematic drift.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 65
Genres: Blues / Folk
Vocals: Instrumental
Moods: Bright / Hopeful / Light / Minimal / Positive / Reflective / Warm
Sync Themes: Art House / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Piano

Track Summary:
NAMELESS blends acoustic guitar / piano, instrumental presence, and blues / folk pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its bright, hopeful, light, and minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

NAMELESS blends acoustic guitar / piano, instrumental presence, and blues / folk pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its bright, hopeful, light, and minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Josh Howard Friedman creates emotionally grounded cinematic music blending folk, blues, melodic restraint, and sync-focused storytelling for film, television, memory sequences, and intimate human-centered scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NEWBORN — AMHED MITCHEL

OMR Cue Map

Track: NEWBORN
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Gentle cinematic entry with reflective pacing and natural editorial movement. Excellent for memory sequences, emotional aftermath, intimate transitions, and scenes needing introspection, emotional atmosphere, cinematic drift.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 80
Genres: Ambient / Jazz
Vocals: Instrumental
Moods: Atmospheric / Dramatic / Dreamy / Happy / Hopeful
Sync Themes: Drama / Fantasy / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Percussion / Piano / Saxophone

Track Summary:
NEWBORN blends acoustic guitar / bass / percussion / piano / saxophone, instrumental presence, and ambient / jazz pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, dramatic, dreamy, and happy character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Fantasy / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

NEWBORN blends acoustic guitar / bass / percussion / piano / saxophone, instrumental presence, and ambient / jazz pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, dramatic, dreamy, and happy character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Amhed Mitchel creates jazz-rooted cinematic music blending rhythmic sophistication, emotional atmosphere, and sync-focused movement for film, television, cultural storytelling, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO CONTROL — EZEKIEL HAMPTON

OMR Cue Map

Track: NO CONTROL
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Gentle cinematic entry with reflective pacing and natural editorial movement. Excellent for memory sequences, emotional aftermath, intimate transitions, and scenes needing introspection, emotional atmosphere, cinematic drift.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 115
Genres: Electronic / Pop
Vocals: Female Vocal
Moods: Atmospheric / Cool / Dreamy / Moody
Sync Themes: Drama / Indie / Thriller
Lyric Themes: Ambition / Change / Destiny / Life / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
NO CONTROL blends bass / drums / electric guitar / percussion / synth, vocal presence, and electronic / pop pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, cool, dreamy, and moody character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Indie / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

NO CONTROL blends bass / drums / electric guitar / percussion / synth, vocal presence, and electronic / pop pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, cool, dreamy, and moody character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Lyrics

You go, I stay, don't know where to go from here
Fading away, everything so unclear
Give us the keys, ignite, ignite the ignition
Ignition, ignition
Keep getting speed, ignite, ignite the ignition
Ignition, ignition
Take every chance on who you want to be
But where do we fall in this new territory?
Give us the keys, ignite, ignite the ignition
Ignition, ignition
Keep getting speed, ignite, ignite the ignition
Ignition, ignition
Fading through the tides, harmony in line
Holding on to life, breaking all the ties
Give us the keys, ignite, ignite the ignition
Ignition
Give us the keys, ignite, ignite the ignition
Ignition, ignition
Keep getting speed, ignite, ignite the ignition
Ignition, ignition
Fading through the tides, harmony in line
Holding on to life, breaking all the ties
Give us the keys, ignite, ignite the ignition
Ignition
Close your eyes
Close your eyes
Hold the line
Hold the line

Artist Bio

Ezekiel Hampton creates atmospheric cinematic pop blending emotional vocals, electronic texture, moody movement, and sync-focused storytelling for drama, thriller, indie, and psychologically immersive screen moments.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NORTH, IONIAN, AND SARGASSO — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: NORTH, IONIAN, AND SARGASSO
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Gentle cinematic entry with reflective pacing and natural editorial movement. Excellent for memory sequences, emotional aftermath, intimate transitions, and scenes needing introspection, emotional atmosphere, cinematic drift.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 115
Genres: Folk / Sing / Song
Vocals: Instrumental
Moods: Atmospheric / Hopeful / Light / Minimal / Moody / Reflective
Sync Themes: Adventure / Art House / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
NORTH, IONIAN, AND SARGASSO blends acoustic guitar, instrumental presence, and folk / sing / song pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, hopeful, light, and minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Adventure / Art House / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

NORTH, IONIAN, AND SARGASSO blends acoustic guitar, instrumental presence, and folk / sing / song pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, hopeful, light, and minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Josh Howard Friedman creates emotionally grounded cinematic music blending folk, blues, melodic restraint, and sync-focused storytelling for film, television, memory sequences, and intimate human-centered scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NOT OVER YET — ELMER FERRER

OMR Cue Map

Track: NOT OVER YET
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Gentle cinematic entry with reflective pacing and natural editorial movement. Excellent for memory sequences, emotional aftermath, intimate transitions, and scenes needing introspection, emotional atmosphere, cinematic drift.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 85
Genres: Ambient
Vocals: Instrumental
Moods: Atmospheric / Dreamy / Light / Minimal / Moody / Reflective / Sad
Sync Themes: Drama / Indie / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Electric Guitar / Synth

Track Summary:
NOT OVER YET blends electric guitar / synth, instrumental presence, and ambient pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, dreamy, light, and minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Indie / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

NOT OVER YET blends electric guitar / synth, instrumental presence, and ambient pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its atmospheric, dreamy, light, and minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, dramatic tension, and sync-driven storytelling for film, television, suspense, cultural storytelling, and visually immersive scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NUEVO — AMHED MITCHEL

OMR Cue Map

Track: NUEVO
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Gentle cinematic entry with reflective pacing and natural editorial movement. Excellent for memory sequences, emotional aftermath, intimate transitions, and scenes needing introspection, emotional atmosphere, cinematic drift.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 89
Genres: Jazz / World
Vocals: Instrumental
Moods: Chill / Relaxing / Romantic / Somber
Sync Themes: Art House / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Piano / Saxophone

Track Summary:
NUEVO blends bass / drums / percussion / piano / saxophone, instrumental presence, and jazz / world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its chill, relaxing, romantic, and somber character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

NUEVO blends bass / drums / percussion / piano / saxophone, instrumental presence, and jazz / world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. Its chill, relaxing, romantic, and somber character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Amhed Mitchel creates jazz-rooted cinematic music blending rhythmic sophistication, emotional atmosphere, and sync-focused movement for film, television, cultural storytelling, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NACIENTE — AMHED MITCHEL

OMR Cue Map

Track: NACIENTE
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, tension builds, dramatic accents, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong dramatic entry with clear pressure and movement. Excellent for conflict, pursuit, suspense, emotional stakes, and scenes needing tension, emotional pressure, dramatic momentum.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 79
Genres: Jazz / World
Vocals: Instrumental
Moods: Chill / Dramatic / Quirky / Somber
Sync Themes: Animation / Comedy / Crime / Drama
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
NACIENTE blends bass / drums / electric guitar / horns / percussion / piano / saxophone, instrumental presence, and jazz / world pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its chill, dramatic, quirky, and somber character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Tension / Edge / Modern Pressure
• Secondary utility: tension, emotional pressure, dramatic momentum
• Sync themes: Animation / Comedy / Crime / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension / Edge / Modern Pressure placements with crossover utility for tension, emotional pressure, dramatic momentum.

Stem Tracks

Yes

Track Narrative

NACIENTE blends bass / drums / electric guitar / horns / percussion / piano / saxophone, instrumental presence, and jazz / world pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its chill, dramatic, quirky, and somber character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Amhed Mitchel creates jazz-rooted cinematic music blending rhythmic sophistication, emotional atmosphere, and sync-focused movement for film, television, cultural storytelling, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NESSUNO RITORNA — THE GREEN DOOR

OMR Cue Map

Track: NESSUNO RITORNA
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, tension builds, dramatic accents, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong dramatic entry with clear pressure and movement. Excellent for conflict, pursuit, suspense, emotional stakes, and scenes needing tension, emotional pressure, urban urgency.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 124
Genres: Indie / Punk / Rock
Vocals: Instrumental
Moods: Atmospheric / Energetic / Upbeat
Sync Themes: Drama / Indie / Adventure
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
NESSUNO RITORNA blends bass / drums / electric guitar / percussion / synth, instrumental presence, and indie / punk / rock pacing into a cue designed for tension, emotional pressure, urban urgency. Its atmospheric, energetic, and upbeat character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Tension / Edge / Modern Pressure
• Secondary utility: tension, emotional pressure, urban urgency
• Sync themes: Drama / Indie / Adventure
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension / Edge / Modern Pressure placements with crossover utility for tension, emotional pressure, urban urgency.

Stem Tracks

Yes

Track Narrative

NESSUNO RITORNA blends bass / drums / electric guitar / percussion / synth, instrumental presence, and indie / punk / rock pacing into a cue designed for tension, emotional pressure, urban urgency. Its atmospheric, energetic, and upbeat character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

The Green Door creates gritty Americana and rock-driven cinematic music blending raw guitars, emotional realism, dark atmosphere, and sync-focused storytelling for drama, thriller, noir, and character-led visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NEW MORNING — AMHED MITCHEL

OMR Cue Map

Track: NEW MORNING
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, tension builds, dramatic accents, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong dramatic entry with clear pressure and movement. Excellent for conflict, pursuit, suspense, emotional stakes, and scenes needing tension, emotional pressure, dramatic momentum.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 74
Genres: Jazz
Vocals: Instrumental
Moods: Angry / Dramatic / Emotive / Serious
Sync Themes: Art House / Comedy / Crime / Drama
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard / Percussion / Piano / Saxophone

Track Summary:
NEW MORNING blends bass / drums / electric guitar / keyboard / percussion / piano / saxophone, instrumental presence, and jazz pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its angry, dramatic, emotive, and serious character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Tension / Edge / Modern Pressure
• Secondary utility: tension, emotional pressure, dramatic momentum
• Sync themes: Art House / Comedy / Crime / Drama
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension / Edge / Modern Pressure placements with crossover utility for tension, emotional pressure, dramatic momentum.

Stem Tracks

Yes

Track Narrative

NEW MORNING blends bass / drums / electric guitar / keyboard / percussion / piano / saxophone, instrumental presence, and jazz pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its angry, dramatic, emotive, and serious character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Amhed Mitchel creates jazz-rooted cinematic music blending rhythmic sophistication, emotional atmosphere, and sync-focused movement for film, television, cultural storytelling, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NEW WORLD — NORMAL MACHINE

OMR Cue Map

Track: NEW WORLD
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, tension builds, dramatic accents, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong dramatic entry with clear pressure and movement. Excellent for conflict, pursuit, suspense, emotional stakes, and scenes needing tension, emotional pressure, urban urgency.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 90
Genres: Pop
Vocals: Female Vocal
Moods: Catchy / Confident / Cool / Fun / Rhythmic / Sexy / Swagger
Sync Themes: Action / Drama / Historical / Indie / Sci Fi / Thriller / War
Lyric Themes: Fear / Loss / Love / Relationship / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
NEW WORLD blends bass / drums / electric guitar / percussion / synth, vocal presence, and pop pacing into a cue designed for tension, emotional pressure, urban urgency. Its catchy, confident, cool, and fun character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Tension / Edge / Modern Pressure
• Secondary utility: tension, emotional pressure, urban urgency
• Sync themes: Action / Drama / Historical / Indie / Sci Fi / Thriller / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension / Edge / Modern Pressure placements with crossover utility for tension, emotional pressure, urban urgency.

Stem Tracks

Yes

Track Narrative

NEW WORLD blends bass / drums / electric guitar / percussion / synth, vocal presence, and pop pacing into a cue designed for tension, emotional pressure, urban urgency. Its catchy, confident, cool, and fun character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Lyrics

So we're burning down
Tell me what is at the end of our fears
Your home's on fire
Trying to put it out with tears
In a great big f*cking cloud
We lost ourselves
Looking for diamonds in the sky
Trying to get high like Lucy
We're trying to fight, we're losing
And it's so confusing
I don't know what we're doing
But it's trouble brewing
How can we be so stupid
Just want to love you through it
I want to love, I want to love
I want to love you through it
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Will you hold my hand
Or will you take my life
You wash my back
While you are holding the knife
You know we've all been wounded
But we don't need excuses
Before it all gets ruined
Who do we think we're fooling
How can we be so stupid
Just want to love you through it
I want to love, I want to love
I want to love you through it
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
I just want to love you, I just want to love you
Oh new world
How can you be so stupid
I don't know what we're doing
New world

Artist Bio

Normal Machine creates modern cinematic pop blending vocal intensity, emotional tension, electronic edge, and sync-ready momentum for drama, sci-fi, youth culture, and socially charged visual storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO GUITARS ALLOWED — ELMER FERRER

OMR Cue Map

Track: NO GUITARS ALLOWED
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, tension builds, dramatic accents, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong dramatic entry with clear pressure and movement. Excellent for conflict, pursuit, suspense, emotional stakes, and scenes needing tension, emotional pressure, dramatic momentum.

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 70
Genres: Indie / Latin / Rock
Vocals: Instrumental
Moods: Angry / Atmospheric / Cool / Dramatic / Intense / Powerful / Serious / Tension
Sync Themes: Action / Adventure / Crime / Drama / Horror / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns

Track Summary:
NO GUITARS ALLOWED blends bass / drums / electric guitar / horns, instrumental presence, and indie / latin / rock pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its angry, atmospheric, cool, and dramatic character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Tension / Edge / Modern Pressure
• Secondary utility: tension, emotional pressure, dramatic momentum
• Sync themes: Action / Adventure / Crime / Drama / Horror / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension / Edge / Modern Pressure placements with crossover utility for tension, emotional pressure, dramatic momentum.

Stem Tracks

Yes

Track Narrative

NO GUITARS ALLOWED blends bass / drums / electric guitar / horns, instrumental presence, and indie / latin / rock pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its angry, atmospheric, cool, and dramatic character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, dramatic tension, and sync-driven storytelling for film, television, suspense, cultural storytelling, and visually immersive scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NOVIEMBRE — PAVLO CARTAGINESE

OMR Cue Map

Track: NOVIEMBRE
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, tension builds, dramatic accents, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong dramatic entry with clear pressure and movement. Excellent for conflict, pursuit, suspense, emotional stakes, and scenes needing tension, emotional pressure, dramatic momentum.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 100
Genres: Electronic / Hip Hop
Vocals: Instrumental
Moods: Atmospheric / Dark / Moody / Rhythmic
Sync Themes: Action / Art House / Crime / Indie / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Cello / Drums / Percussion / Synth

Track Summary:
NOVIEMBRE blends bass / cello / drums / percussion / synth, instrumental presence, and electronic / hip hop pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its atmospheric, dark, moody, and rhythmic character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Tension / Edge / Modern Pressure
• Secondary utility: tension, emotional pressure, dramatic momentum
• Sync themes: Action / Art House / Crime / Indie / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Tension / Edge / Modern Pressure placements with crossover utility for tension, emotional pressure, dramatic momentum.

Stem Tracks

Yes

Track Narrative

NOVIEMBRE blends bass / cello / drums / percussion / synth, instrumental presence, and electronic / hip hop pacing into a cue designed for tension, emotional pressure, dramatic momentum. Its atmospheric, dark, moody, and rhythmic character gives it strong sync utility for tension / edge / modern pressure placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Pavlo Cartaginese creates emotionally nuanced cinematic music blending melodic warmth, world influence, reflective movement, and sync-focused pacing for romance, travel visuals, and visually immersive storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NEVERMIND — SAMUEL WILLIAMS

OMR Cue Map

Track: NEVERMIND
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing groove energy, stylish pacing, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 97
Genres: Funk / Soul
Vocals: Instrumental
Moods: Confident / Cool / Fun / Happy / Positive / Quirky / Retro
Sync Themes: Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion

Track Summary:
NEVERMIND blends bass / drums / electric guitar / horns / percussion, instrumental presence, and funk / soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its confident, cool, fun, and happy character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Urban Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Urban Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

NEVERMIND blends bass / drums / electric guitar / horns / percussion, instrumental presence, and funk / soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its confident, cool, fun, and happy character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Samuel Williams creates soulful cinematic music blending jazz, R&B, vintage warmth, and emotionally engaging arrangements for film, television, celebration scenes, and heartfelt visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NIA — HYP

OMR Cue Map

Track: NIA
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing groove energy, stylish pacing, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 90
Genres: Electronic / Hip Hop / R&B
Vocals: Instrumental
Moods: Confident / Cool / Moody / Reflective / Rhythmic / Sexy / Swagger
Sync Themes: Art House / Drama / Historical / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Piano / Synth

Track Summary:
NIA blends bass / drums / percussion / piano / synth, instrumental presence, and electronic / hip hop / r&b pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its confident, cool, moody, and reflective character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Urban Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Art House / Drama / Historical / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Urban Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

NIA blends bass / drums / percussion / piano / synth, instrumental presence, and electronic / hip hop / r&b pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its confident, cool, moody, and reflective character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

HYP creates cinematic atmospheric and groove-driven music blending ambient texture, rhythmic subtlety, emotional pacing, and sync-focused storytelling for film, television, cultural movement, and psychologically layered visuals.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO PRACTICE RUN — JEROME TUCKER

OMR Cue Map

Track: NO PRACTICE RUN
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing groove energy, stylish pacing, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 98
Genres: Funk / R&B / Soul
Vocals: Male Vocal
Moods: Confident / Cool / Dramatic / Energetic / Fun / Happy / Retro
Sync Themes: Action / Crime / Drama / Thriller
Lyric Themes: Happiness / Life / Love / Strength / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
NO PRACTICE RUN blends bass / drums / electric guitar / percussion / synth, vocal presence, and funk / r&b / soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its confident, cool, dramatic, and energetic character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Urban Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Action / Crime / Drama / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Urban Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

NO PRACTICE RUN blends bass / drums / electric guitar / percussion / synth, vocal presence, and funk / r&b / soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its confident, cool, dramatic, and energetic character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

It's alright, it's alright, it's alright, it's alright
Life is empty nights, nobody can live it right
Oh, get it right
Life can be nice
No, they can't live it right
There's no practice wrong
Yeah, set our people on hard press
Said I'm sanctified, possessed
Got no hang-ups, got no vices
I'm just funky, baby, take my advices
They call me a liar, little country girl
Said I'm a city man, can't you tell
Sometimes I'm living on a spoon
Catching a groove baby, watch me move
Life can be nice, no fake, can't live it right
You just have to live it young
Life can be nice, no fake, can't live it right
There's no black and strong
Oh, when there ain't love, I get right to it
Said I give you the fire, then I keep on doing it
I'm on the point, and I just can't stop
Well I can prove it when I hit the spot
Evil baby, hard press
Got no vices, ain't taking less
Seven liter baby
When I'm drinking wine
You call it crystal
I call it fine
It's alright, it's alright, it's alright, it's alright, it's alright, it's alright
It's alright, it's alright, it's alright, it's alright
Get it right
Ain't no guarantee, baby
That we'll get that life together
Life can be nice
No, they can't get it right
There's no guarantee
Life can be nice
No, they can't get it right
If you live it right
There's no fact to smile
Everything you want, buy it and be nice
Tell me I can get it right
Ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride,

Artist Bio

Jerome Tucker creates emotionally grounded cinematic music blending soul, R&B, sincere songwriting, and character-focused storytelling for drama, romance, comedy, and human-centered visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO U BETTER NOT — RAN DE CASA

OMR Cue Map

Track: NO U BETTER NOT
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing groove energy, stylish pacing, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 146
Genres: Hip Hop / R&B
Vocals: Male Vocal
Moods: Catchy / Confident / Moody / Powerful / Quirky / Rhythmic / Swagger / Upbeat
Sync Themes: Crime / Comedy / Drama / Thriller
Lyric Themes: Desire / Fear / Love / Power / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
NO U BETTER NOT blends bass / drums / percussion / synth, vocal presence, and hip hop / r&b pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its catchy, confident, moody, and powerful character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Urban Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Crime / Comedy / Drama / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Urban Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

NO U BETTER NOT blends bass / drums / percussion / synth, vocal presence, and hip hop / r&b pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its catchy, confident, moody, and powerful character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

I ain't going for it
I ain't going for it
I ain't going for it
Guapo, oh she think I'm guapo
She just can't help herself
I'm a favorite pop tho
Baby you look good as fuck
She looking for the throttle
Pop another bottle
Ride me like a Bronco
Let me get the ponchos
Vente go with my cho
Hit her with the oh yeah
Started from the top, bro
Drop into Piccato
Feeling like Cerrato
Flip it like a waffle
Rofl out the asshole
Know you better not, hoe
Know you better, know you better not, hoe
Pooted and she slipped into denial
Stinking and she look me in my eyes, bro
You better not
I'm a executive move
I ain't got nothing to prove
I'm just a regular dude
Can't come up on you
Can't trust in you
Can't bust in you
What do you want me to do?
If that poot is true
Can't fuck with you
Can't just be you
One poot was cool, but this smelled like two
Gripping and slipping in the room
Sickening it gave me the flu
Tripping but we know the truth
Busy and I was out the through
Bravo, spicy as Tabasco
Girl, put them bands on
Goddamn it, Don yo
Tried to get it up again, but couldn't fight the cargo
That bitch ate a fajitas tho
All the what's galosso
Smelling like Gelato, hoe
Know you better, know you better not, hoe
Know you better, know you better not, hoe
Pooted and she looked me in my eyes, though
That bitch gotta go
Bravo, had to say bravado
Now she talking crypto
Cooler than the bottle
Turned to the ugly face
muffin baby gerber
Now she get up out of here with the risk of cargo
Get the raid clean like Marie hit the condo
Sip a couple times though, got my mind blown
Dripping to survival, ready for revival
Fuse feeling vibro, check my fucking vitals
Know you better, know you better not, hoe
Wouldn't call myself aficionado
Smelled like 20 a McDonald's
Who brought her to my crib?
Know you better not, hoe
Know you better, know you better not, hoe
Pooted and she slipped into denial
Stinking and she looked me in my eyes, bro
You better not. Oh oh oh oh

Artist Bio

Ran De Casa creates rhythm-forward cinematic music blending hip-hop, R&B, lyrical attitude, and sync-focused movement for urban storytelling, swagger-driven montage, comedy, and dramatic character scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO WAY — JEROME TUCKER

OMR Cue Map

Track: NO WAY
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing groove energy, stylish pacing, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 73
Genres: Funk / R&B / Rock / Soul
Vocals: Male Vocal
Moods: Dramatic / Fun / Retro
Sync Themes: Comedy / Drama / Romance
Lyric Themes: Change / Family / Longing / Love / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Flute / Percussion / Synth

Track Summary:
NO WAY blends bass / drums / electric guitar / flute / percussion / synth, vocal presence, and funk / r&b / rock / soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its dramatic, fun, and retro character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Urban Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Comedy / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Urban Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

NO WAY blends bass / drums / electric guitar / flute / percussion / synth, vocal presence, and funk / r&b / rock / soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its dramatic, fun, and retro character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

Lord, Lord, I won't die
We continue to go down this road
We won't be together again
Said things seem out of place
Like we just can't win
Said I love ya (love ya)
I need ya (need ya)
Want ya everyday (want ya, want ya)
And start all over again
'Cause Lord said there seems
There's just no way (just no way, no way, no way)
To be together, yeah, yeah
Just no way (just no way, no way, no way)
Lord knows there's just no way
You didn't treat me like family
So I moved on
Said I found me a new thing
And now it's hard to turn
And I'm so long gone
Said I love you (love you)
And I miss you (miss you)
Want you everyday (want you, want you)
And start all over again
'Cause love, 'til this scene, there's just no way
Be to me, to be together
Said that the scene, that there's just, just no way
No way
There's just no way (no way, no way, no way, no way, no way, no way, no way, no way, no way, no way)
'Cause Lord, tell this scene
There's just no way (just no way, no way)
Just no way, baby (no way)
We can't change together (just no way, no way)
When it seems that there is just no way
No way
No way
Baby
It's been a yellow day for a long time
Just can't throw it away
Just can't throw it away
All of these feelings
(Experience, experience, experience)

Artist Bio

Jerome Tucker creates emotionally grounded cinematic music blending soul, R&B, sincere songwriting, and character-focused storytelling for drama, romance, comedy, and human-centered visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NUDAY — MELODIC YOZA

OMR Cue Map

Track: NUDAY
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing groove energy, stylish pacing, rhythmic movement.

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 78
Genres: Ballads / Hip Hop / Reggae
Vocals: Male Vocal
Moods: Catchy / Chill / Confident / Cool / Dramatic / Rhythmic / Romantic / Serious / Somber
Sync Themes: Crime / Drama / Mystery
Lyric Themes: Change / Hope / Nature / Power / Time
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
NUDAY blends bass / drums / percussion / synth, vocal presence, and ballads / hip hop / reggae pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its catchy, chill, confident, and cool character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Urban Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Crime / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Urban Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

NUDAY blends bass / drums / percussion / synth, vocal presence, and ballads / hip hop / reggae pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. Its catchy, chill, confident, and cool character gives it strong sync utility for groove / motion / urban rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

I'm living in a brand new dawn
Don't you know, don't you know
Living in a brand new dawn
Don't you know
Don't you know
We're living in this brand new dawn
Rock on, come on
Living in a new day
Don't you know
I'm living in this brand new dawn
Don't you know
I'm living in a new day
So don't you know
We're living in this brand new dawn
Don't you know
We're living in a new day
Hey, hey, hey
It's a brand new dawn (don't you know)
I'm living in this new day (don't you know)
I'm living in a brand new dawn
I'm reminiscing
'Bout them days
So when I used to chill
Time to get together
Now it's time to build
I'm at that
That point of no return
And knowing that we all got to live and learn
So before all of your bridges burn
Just make sure that you get your turn
In a this your new day
It's a new day (don't you know)
I'm living in a brand new dawn
I'm living in this new day (don't you know)
I'm living in a brand new dawn (don't you know)
It's a new day (don't you know)
I'm living in a brand new dawn (don't you know)
We're living in this new day (don't you know)
It's a brand new dawn
And you only reap
Say what you sow, so watch them seeds that you grow
'Cause sometimes you just never know, and this time
Where did love go, and why can't we grow?
Where did love go, and why did it grow?
I know you and I, T.Y.
Can show some love and don't be shy
Ain't no need to force no fight
No lie, no lies
Gotta walk one chalk line
'Cause everyone's so asinine, yeah
While I look now with my eyes
And see with my mind
We're living in a mental time
Signs of the time, yeah
Uh-huh, while I look, yeah
While I look now with my eyes
And see with my mind
I know we are living in a
In a mental time
Yeah, more like some serious time
Things done changed
Living in a new day
I'm living in this brand new dawn
I'm living in a new day
We're living in this brand new dawn
We're living in a new day
It's a brand new dawn (don't you know)
I'm living in this new day (don't you know)
I'm living in a brand new dawn
And so much things has changed
And been rearranged
Oh things ain't like before
So what they used to be
I'm living in a new day
I'm living in this brand new dawn
Don't you know
I'm living in a new day
Don't you know
I'm living in this brand new dawn
Don't you know
I'm living in a new day
Hey, hey, hey, hey
It's a brand new dawn
Don't you know
I'm living in this new day
Yeah
I'm living in a brand new dawn
What that, what that, what that
I know you see for yourself
You know, they say global warming
Mother nature calling
She's calling
What that, what that
I beg you pardon
I beg you pardon
So much being locked up by the soldier
What that, what that
You know someone sleeping on the streets and in the garage
What that, what that
You know concert for the greedy, charity for the needy
I still fly for the weary
And I know you can see me
And I know you can see me
Where do we go from here?
Watching you, watching me, watching us
And I know you can see me
Sun in the skies
Open up your eyes and come alive
(No, you can't see me)
Check the file
Break the slave
Stand up and show me the way, girl
(No, you can't see me)
'Cause the way things are lately
It's crazy
(It's a brand new day)

Artist Bio

Melodic Yoza creates rhythmically immersive cinematic music blending urban atmosphere, groove-forward energy, emotional momentum, and sync-focused storytelling for film, television, lifestyle visuals, and rhythm-driven cinematic movement.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NECK SIDE — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: NECK SIDE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Grounded emotional entry with natural character pacing. Excellent for intimate dialogue, road visuals, relationship moments, and scenes needing roots character, emotional realism, human storytelling.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 83
Genres: Blues / Folk
Vocals: Instrumental
Moods: Confident / Light / Positive
Sync Themes: Art House / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Strings

Track Summary:
NECK SIDE blends strings, instrumental presence, and blues / folk pacing into a cue designed for roots character, emotional realism, human storytelling. Its confident, light, and positive character gives it strong sync utility for roots / story / emotional human placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Roots / Story / Emotional Human
• Secondary utility: roots character, emotional realism, human storytelling
• Sync themes: Art House / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Roots / Story / Emotional Human placements with crossover utility for roots character, emotional realism, human storytelling.

Stem Tracks

Yes

Track Narrative

NECK SIDE blends strings, instrumental presence, and blues / folk pacing into a cue designed for roots character, emotional realism, human storytelling. Its confident, light, and positive character gives it strong sync utility for roots / story / emotional human placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Josh Howard Friedman creates emotionally grounded cinematic music blending folk, blues, melodic restraint, and sync-focused storytelling for film, television, memory sequences, and intimate human-centered scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO SURF IN NASHVILLE — TOM CONNEELY

OMR Cue Map

Track: NO SURF IN NASHVILLE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Grounded emotional entry with natural character pacing. Excellent for intimate dialogue, road visuals, relationship moments, and scenes needing roots character, emotional realism, human storytelling.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 123
Genres: Country / Folk / Sing / Song
Vocals: Male Vocal
Moods: Hopeful / Positive / Reflective / Romantic
Sync Themes: Adventure / Comedy / Indie / Western
Lyric Themes: Change / Connection / Loss / Relationship / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
NO SURF IN NASHVILLE blends acoustic guitar / bass / drums / electric guitar, vocal presence, and country / folk / sing / song pacing into a cue designed for roots character, emotional realism, human storytelling. Its hopeful, positive, reflective, and romantic character gives it strong sync utility for roots / story / emotional human placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Roots / Story / Emotional Human
• Secondary utility: roots character, emotional realism, human storytelling
• Sync themes: Adventure / Comedy / Indie / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Roots / Story / Emotional Human placements with crossover utility for roots character, emotional realism, human storytelling.

Stem Tracks

Yes

Track Narrative

NO SURF IN NASHVILLE blends acoustic guitar / bass / drums / electric guitar, vocal presence, and country / folk / sing / song pacing into a cue designed for roots character, emotional realism, human storytelling. Its hopeful, positive, reflective, and romantic character gives it strong sync utility for roots / story / emotional human placements while retaining clear editorial movement for film and television use.

Lyrics

There's no inspiration
It's nothing on TV
And every day starts the same, same staring at the window, waiting for the weather to change
Waiting on a phone call for somebody to change your life
And every day's another reason to change but I don't do anything but stay the same
it's all I know how to do
I know how to do
All I do
that I know how to do
That I know how
I better get a move on
I better get a clue
The only thing I'm burning faster than time is every bridge I built that keeps me connected to you
And I don't want to lose you
And I don't want to lose you
And I don't want to lose you
losing you is the only thing I know how to do
All I do
All I do
That I know how to do
know how to do
That I know how to do
know how to do
That I know
know how to do
That I know
know how to do
That I know how to do
know how to do
know how to do
I know how
know how to do
know how to do
know how to do

Artist Bio

Tom Conneely creates emotionally honest cinematic music blending country, folk, singer-songwriter intimacy, and sync-ready storytelling for indie drama, road scenes, relationship arcs, and reflective visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NOT ALL THE TIME — JUSTIN ENCO BAND

OMR Cue Map

Track: NOT ALL THE TIME
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout melodic transitions, phrase endings, and arrangement movement.
Button Ending: Moderate
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Grounded emotional entry with natural character pacing. Excellent for intimate dialogue, road visuals, relationship moments, and scenes needing roots character, emotional realism, human storytelling.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 92
Genres: Folk
Vocals: Male Vocal
Moods: Dramatic / Emotive / Love / Positive / Reflective / Upbeat
Sync Themes: Art House / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Destiny / Identity / Struggle / Success / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Percussion

Track Summary:
NOT ALL THE TIME blends acoustic guitar / percussion, vocal presence, and folk pacing into a cue designed for roots character, emotional realism, human storytelling. Its dramatic, emotive, love, and positive character gives it strong sync utility for roots / story / emotional human placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Roots / Story / Emotional Human
• Secondary utility: roots character, emotional realism, human storytelling
• Sync themes: Art House / Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Roots / Story / Emotional Human placements with crossover utility for roots character, emotional realism, human storytelling.

Stem Tracks

Yes

Track Narrative

NOT ALL THE TIME blends acoustic guitar / percussion, vocal presence, and folk pacing into a cue designed for roots character, emotional realism, human storytelling. Its dramatic, emotive, love, and positive character gives it strong sync utility for roots / story / emotional human placements while retaining clear editorial movement for film and television use.

Lyrics

I'm sorry
Now and forever
And I promise, oh I promise
That things will get better
But sometimes it just don't work out
The way that you plan
And sometimes
You have to take a stand
Late night crowds, a social setting
What kept reacts well, who are you etting?
I'm at the amber ready, shining through temptation
Telling you what you're doing for a moment
You et who you are
It's not who we are, we're not on the bed yet
It's not just mistakes that make us so mad
Well it's not a lot of people say it's on my mind, oh
We are all good just not all the time
What is yours must be mine
The grass is so much greener on the other side
But long ago it seems to me simplicity was the theme
And jealousy, my friends, was just a word, a word, a word
It's not who we are, we're not on that bed yet
It's not just mistakes that make us all mad
Well it's not a lot of people say that's on my mind
Oh, we are all good just not all the time

Artist Bio

Justin Enco Band creates emotionally grounded cinematic music blending folk warmth, reflective songwriting, and sync-focused pacing for coming-of-age, romance, indie drama, and intimate character-led moments.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NIGHT AND THE GALE — KRISTIN SWEETLAND

OMR Cue Map

Track: NIGHT AND THE GALE
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing cultural texture, travel warmth, rhythmic identity.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 74
Genres: Folk / World
Vocals: Instrumental
Moods: Bright / Hopeful / Quirky / Romantic / Warm
Sync Themes: Adventure / Art House / Fantasy / Historical / Indie / Mystery / Romance / Sci Fi / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Accordion / Cello / Strings

Track Summary:
NIGHT AND THE GALE blends accordion / cello / strings, instrumental presence, and folk / world pacing into a cue designed for cultural texture, travel warmth, rhythmic identity. Its bright, hopeful, quirky, and romantic character gives it strong sync utility for global / cultural warmth placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Global / Cultural Warmth
• Secondary utility: cultural texture, travel warmth, rhythmic identity
• Sync themes: Adventure / Art House / Fantasy / Historical / Indie / Mystery / Romance / Sci Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global / Cultural Warmth placements with crossover utility for cultural texture, travel warmth, rhythmic identity.

Stem Tracks

Yes

Track Narrative

NIGHT AND THE GALE blends accordion / cello / strings, instrumental presence, and folk / world pacing into a cue designed for cultural texture, travel warmth, rhythmic identity. Its bright, hopeful, quirky, and romantic character gives it strong sync utility for global / cultural warmth placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, this cue supports cinematic storytelling without lyrical distraction. Suitable for its primary sync category and related scene applications.

Artist Bio

Kristin Sweetland creates emotionally nuanced cinematic music blending folk, roots, instrumental intimacy, and sync-focused storytelling for film, television, emotional montage, and character-driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
NO ESTES TRISTE — INDIVIDUO

OMR Cue Map

Track: NO ESTES TRISTE
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, percussion transitions, and arrangement lifts.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Immediate rhythmic identity with strong editorial movement. Excellent for montage pacing, transitions, movement sequences, and scenes needing cultural texture, travel warmth, rhythmic identity.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 95
Genres: Ballads / Electronic / Latin / Sing / Song
Vocals: Female Vocal, Male Vocal
Moods: Positive / Quirky / Upbeat
Sync Themes: Coming Of Age / Drama / Romance
Lyric Themes: Destiny / Heartbreak / Loss / Love / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
NO ESTES TRISTE blends acoustic guitar / bass / drums / electric guitar / percussion, vocal presence, and ballads / electronic / latin / sing / song pacing into a cue designed for cultural texture, travel warmth, rhythmic identity. Its positive, quirky, and upbeat character gives it strong sync utility for global / cultural warmth placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Global / Cultural Warmth
• Secondary utility: cultural texture, travel warmth, rhythmic identity
• Sync themes: Coming Of Age / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Global / Cultural Warmth placements with crossover utility for cultural texture, travel warmth, rhythmic identity.

Stem Tracks

Yes

Track Narrative

NO ESTES TRISTE blends acoustic guitar / bass / drums / electric guitar / percussion, vocal presence, and ballads / electronic / latin / sing / song pacing into a cue designed for cultural texture, travel warmth, rhythmic identity. Its positive, quirky, and upbeat character gives it strong sync utility for global / cultural warmth placements while retaining clear editorial movement for film and television use.

Lyrics

No puedes pelear con el destino
Cada historia tiene su final
Hoy se van a abrir nuestros caminos
Y la vida debe continuar
Sabes que no hay mal que por bien no venga, el tiempo todo cura, venga lo que venga, nunca te detengas, sabes todo va a estar bien
Vamos en un tren que solo va de ida y en cada parada hay una despedida, sé que así es la vida para mal o para bien
Triste, cuando me vaya no estés triste
Melancolía ya tuviste
Es el momento de seguir con ese amor que siempre diste
Todas las cosas que viviste
Las poesías que escribiste
Están clavadas en el alma y corazón ya no estés triste
Corazón ya no estés triste
Viajo sin ningún remordimiento
Dimos todo lo que había que dar
Yo te llevaré en el pensamiento
Ya nos volveremos a encontrar
Sabes que no hay mal que por bien no venga, el tiempo todo cura, venga lo que venga, nunca te detengas, sabes todo va a estar bien
Vamos en un tren que solo va de ida y en cada parada hay una despedida, sé que así es la vida para mal o para bien
Triste, cuando me vaya no estés triste
Melancolía ya tuviste
Es el momento de seguir con ese amor que siempre diste
Todas las cosas que viviste
Las poesías que escribiste
Están clavadas en el alma y corazón ya no estés triste
Corazón ya no estés triste
Vamos en un tren que solo va de ida y en cada parada hay una despedida, sé que así es la vida para mal o para bien
Triste, cuando me vaya no estés triste
Melancolía ya tuviste
Es el momento de seguir con ese amor que siempre diste
Todas las cosas que viviste
Las poesías que escribiste
Están clavadas en el alma y corazón ya no estés triste
Corazón ya no estés triste
Ya no estés triste
Fueras a donde fueras
Mi alma viajera
Estará contigo, amor
Fueras a donde fueras
Mi alma viajera estará contigo, amor

Artist Bio

IndiviDuo creates emotionally expressive cinematic music blending Latin texture, vocal intimacy, rhythmic warmth, and sync-focused storytelling for romance, drama, cultural movement, and human-centered visual narratives.