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Please reference:
M.O.N.T. — CARLOS MIYARES

OMR Cue Map

Track: M.O.N.T.
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, guitar lifts, tension builds, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44, 1:04–1:32

Use Case:
Strong sync usability for tension, cinematic urgency, emotional pressure. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing dramatic tension and impact-driven cinematic energy.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 78
Genres: Jazz
Vocals: Instrumental
Moods: Confident / Cool / Dramatic / Hopeful / Intense / Romantic / Serious / Somber / Tension
Sync Themes: Adventure / Comedy / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Horns / Keyboard / Percussion / Piano / Saxophone

Track Summary:
M.O.N.T. blends bass, drums, horns, keyboard, instrumental presence, and jazz pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s confident, cool, dramatic character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Adventure / Comedy / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

M.O.N.T. blends bass, drums, horns, keyboard, instrumental presence, and jazz pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s confident, cool, dramatic character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “M.O.N.T.” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

Carlos Miyares creates Latin jazz and world-inflected cinematic music blending saxophone-led sophistication, rhythmic warmth, and sync-focused movement for travel visuals, cultural storytelling, and emotionally rich screen moments.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MANHATTAN HEAT — PAT CAREY

OMR Cue Map

Track: MANHATTAN HEAT
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, guitar lifts, tension builds, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44, 1:04–1:32

Use Case:
Strong sync usability for city movement, pursuit pacing, and urban dramatic tension. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing dramatic tension and impact-driven cinematic energy.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 143
Genres: Jazz
Vocals: Instrumental
Moods: Dark / Dramatic / Driving / Hopeful / Romantic / Serious
Sync Themes: Action / Adventure / Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Drums / Electric Guitar / Horns / Keyboard / Percussion / Piano / Saxophone

Track Summary:
MANHATTAN HEAT blends drums, electric guitar, horns, keyboard, instrumental presence, and jazz pacing into a cue designed for city movement, pursuit pacing, and urban dramatic tension. The track’s dark, dramatic, driving character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Action / Adventure / Crime / Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

MANHATTAN HEAT blends drums, electric guitar, horns, keyboard, instrumental presence, and jazz pacing into a cue designed for city movement, pursuit pacing, and urban dramatic tension. The track’s dark, dramatic, driving character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MANHATTAN HEAT” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

Pat Carey creates emotionally grounded cinematic music blending jazz, roots, reflective atmosphere, and melodic sincerity for film, television, travel visuals, emotional montage, and character-driven storytelling.

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sergio@omrmusicproduction.com

Please reference:
MATING CRY — PAT CAREY

OMR Cue Map

Track: MATING CRY
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, guitar lifts, tension builds, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44, 1:04–1:32

Use Case:
Strong sync usability for tension, cinematic urgency, emotional pressure. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing dramatic tension and impact-driven cinematic energy.

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 68
Genres: Blues / Jazz / Soul
Vocals: Instrumental
Moods: Angry / Dramatic / Hopeful / Playful / Serious
Sync Themes: Action / Coming Of Age / Drama / Fantasy / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Saxophone

Track Summary:
MATING CRY blends bass, drums, electric guitar, saxophone, instrumental presence, and blues, jazz, soul pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s angry, dramatic, hopeful character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Action / Coming Of Age / Drama / Fantasy / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

MATING CRY blends bass, drums, electric guitar, saxophone, instrumental presence, and blues, jazz, soul pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s angry, dramatic, hopeful character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MATING CRY” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

Pat Carey creates emotionally grounded cinematic music blending jazz, roots, reflective atmosphere, and melodic sincerity for film, television, travel visuals, emotional montage, and character-driven storytelling.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ME OR REALITY — PAT CAREY

OMR Cue Map

Track: ME OR REALITY
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, guitar lifts, tension builds, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44, 1:04–1:32

Use Case:
Strong sync usability for tension, cinematic urgency, emotional pressure. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing dramatic tension and impact-driven cinematic energy.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 55
Genres: Blues / Folk / Jazz / Sing / Song
Vocals: Female Vocal
Moods: Chill / Dramatic / Relaxing / Sad / Somber
Sync Themes: Animation / Crime / Drama / Mystery / Romance
Lyric Themes: Loss / Pain
Type: One Stop

Instrumentation:
Bass / Drums / Horns / Piano / Saxophone

Track Summary:
ME OR REALITY blends bass, drums, horns, piano, vocal presence, and blues, folk, jazz pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s chill, dramatic, relaxing character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Animation / Crime / Drama / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

ME OR REALITY blends bass, drums, horns, piano, vocal presence, and blues, folk, jazz pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s chill, dramatic, relaxing character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Lyrics

He doesn't feel anymore, can't you see?
His only concern was me, me, me
He used to treat me differently
Now the only fool is me
Because I refuse to accept reality
I thought I could will it differently
Selfish, I discover me, me, me
For losing you felt like the worst misery
But that's reality
Painful as it can be
And the world is all about me, me, me
He doesn't feel anymore, can't you see?
His only concern was me, me, me
He used to treat me differently
Now the only fool is me
Because I've refused to accept reality
I thought I could wield it differently
Selfish, I discovered me, me, me
Oh, losing you felt like the worst misery
But that's reality
Painful as it can be
But that's reality
Painful as it can be
But that's reality
Painful as it can be
And the world is all about me, me, me
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,

Artist Bio

Pat Carey creates emotionally grounded cinematic music blending jazz, roots, reflective atmosphere, and melodic sincerity for film, television, travel visuals, emotional montage, and character-driven storytelling.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MEMENTO MORI — KRISTIN SWEETLAND

OMR Cue Map

Track: MEMENTO MORI
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, guitar lifts, tension builds, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44, 1:04–1:32

Use Case:
Strong sync usability for tension, cinematic urgency, emotional pressure. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing dramatic tension and impact-driven cinematic energy.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 88
Genres: Folk / Indie / Rock
Vocals: Instrumental
Moods: Building / Dark / Dramatic / Hopeful / Sad
Sync Themes: Adventure / Art House / Historical / Indie / Mystery / Romance / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Piano / Synth

Track Summary:
MEMENTO MORI blends bass, drums, percussion, piano, instrumental presence, and folk, indie, rock pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s building, dark, dramatic character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Adventure / Art House / Historical / Indie / Mystery / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

MEMENTO MORI blends bass, drums, percussion, piano, instrumental presence, and folk, indie, rock pacing into a cue designed for tension, cinematic urgency, emotional pressure. The track’s building, dark, dramatic character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MEMENTO MORI” supports cinematic storytelling without lyrical distraction. Especially useful for tension, cinematic urgency, emotional pressure.

Artist Bio

KRISTIN SWEETLAND creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

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sergio@omrmusicproduction.com

Please reference:
MOURNING SUN — THE GREEN DOOR

OMR Cue Map

Track: MOURNING SUN
Clean Intro: Yes
Edit Points: Strong edit points appear around rhythmic pushes, guitar lifts, tension builds, and arrangement breaks.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:16–0:44, 1:04–1:32

Use Case:
Strong sync usability for grief, aftermath, and shadowed emotional movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing dramatic tension and impact-driven cinematic energy.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 93
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Dreamy / Moody / Reflective / Upbeat
Sync Themes: Drama / Indie / Thriller
Lyric Themes: Death / Fear / Home / Regret
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
MOURNING SUN blends bass, drums, electric guitar, male vocal presence, and metal, punk, rock pacing into a cue designed for grief, aftermath, and shadowed emotional movement. The track’s dreamy, moody, reflective character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Rock / Tension / Impact
• Secondary utility: tension, cinematic urgency, emotional pressure
• Sync themes: Drama / Indie / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Rock / Tension / Impact placements with crossover utility for tension, cinematic urgency, emotional pressure.

Stem Tracks

Yes

Track Narrative

MOURNING SUN blends bass, drums, electric guitar, male vocal presence, and metal, punk, rock pacing into a cue designed for grief, aftermath, and shadowed emotional movement. The track’s dreamy, moody, reflective character gives it strong sync utility for rock / tension / impact placements while retaining clear editorial movement for film and television use.

Lyrics

A dead raven seeing no tomorrow
A black currant hanging from a tree
Not now, no fear, no sadness
lives inside of me
I'm a man without a record
I'm a soul out on my own
And your morning sun calling me
No kid or compromises
no acts of charity
Not of a kind forgiveness
would ever set me free
And I'm a man without a memory
I'm a soul out on my own
And your morning sun calling me home
These are the days that I regret
I'm a soul out on my own
And your morning sun calling me
Your morning sun calling me
Your morning sun calling me home

Artist Bio

The Green Door creates gritty Americana and rock-driven cinematic music blending raw guitars, emotional realism, dark atmosphere, and sync-focused storytelling for drama, thriller, noir, and character-led visual narratives.

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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
M2 — SAMUEL WILLIAMS

OMR Cue Map

Track: M2
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for groove energy, stylish pacing, rhythmic movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 94
Genres: Funk / Jazz / Soul
Vocals: Instrumental
Moods: Cool / Fun / Hopeful / Quirky / Rhythmic / Sad
Sync Themes: Action / Adventure / Sci Fi / Thriller / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Flute / Keyboard / Percussion / Saxophone

Track Summary:
M2 blends bass, drums, electric guitar, flute, instrumental presence, and funk, jazz, soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s cool, fun, hopeful character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Action / Adventure / Sci Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

M2 blends bass, drums, electric guitar, flute, instrumental presence, and funk, jazz, soul pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s cool, fun, hopeful character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “M2” supports cinematic storytelling without lyrical distraction. Especially useful for groove energy, stylish pacing, rhythmic movement.

Artist Bio

Samuel Williams creates soulful cinematic music blending jazz, R&B, vintage warmth, and emotionally engaging arrangements for film, television, holiday storytelling, celebration scenes, and heartfelt visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MA LEVEL — PIWAI

OMR Cue Map

Track: MA LEVEL
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for groove energy, stylish pacing, rhythmic movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 108
Genres: Pop / R&B / World
Vocals: Female Vocal
Moods: Catcy / Confident / Cool / Fun / Minimal / Moody / Party / Rhythmic / Sexy / Swagger / Upbeat
Sync Themes: Comedy / Drama / Indie / Crime
Lyric Themes: Celebration / Fun / Happiness / Party
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
MA LEVEL blends bass, percussion, synth, vocal presence, and pop, r&b, world pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s catcy, confident, cool character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Comedy / Drama / Indie / Crime
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MA LEVEL blends bass, percussion, synth, vocal presence, and pop, r&b, world pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s catcy, confident, cool character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

I just wanna let go, cause I need the feeling
By the time I'm alive, is all about the stuff you want
Rika ma run Sunday, Siyawa namhlanje
Waza, Waza
Waza Friday
Waza, Waza
Waza Friday
Waza, Waza
Waza Friday
Waza Friday
Vachinoshika pama four
Tsvaga madhushira
Tichizoshasha pano
Tsvaga machirira
Vasikana vakanaka, tapa malove
Vakomana vakachena, tapa malove
Malove
Tapa malove
Malove
Tapa malove
China kirwa, nasi China kirwa
China kirwa, nasi China kirwa
I just wanna let go, cause I need the feeling
By the time I'm alive, is all about the stuff you want
Rika ma run Sunday, Siyawa namhlanje
Waza, Waza
Waza Friday
Waza, Waza
Waza Friday
Waza, Waza
Waza Friday
Waza Friday
Freaky freaky baby
Oh my, you ah dance for me girl
Wine for me
Come and choke my nigga
Take it all up and down
Baby dance the stress away
I'm going crazy now
I'm feeling some type of way
Freaky freaky baby
Come on, you ah dance for me girl
Wine for me
Come and choke my nigga
Bling bling bling like Cadi
Come on click more drinks pop Marley
The night's still young, no hurry
It's a freaky weekend let's party
I just wanna let go, cause I need the feeling
By the time I'm alive, is all about the stuff you want
Rika ma run Sunday, Siyawa namhlanje
Waza, Waza
Waza Friday
Waza, Waza
Waza Friday
Waza, Waza
Waza Friday
Waza Friday

Artist Bio

Piwai creates vibrant world and Afro-pop influenced cinematic music blending rhythmic lift, cultural energy, emotional warmth, and sync-ready momentum for travel, celebration, and uplifting visual storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAHISHMATISH — RICH BROWN

OMR Cue Map

Track: MAHISHMATISH
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for groove energy, stylish pacing, rhythmic movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 129
Genres: Jazz
Vocals: Instrumental
Moods: Angry / Cool / Dramatic / Energetic / Fun / Intense / Positive / Rhythmic / Romantic / Serious / Tension / Upbeat
Sync Themes: Art House / Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
MAHISHMATISH blends bass, drums, electric guitar, horns, instrumental presence, and jazz pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s angry, cool, dramatic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Art House / Crime / Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MAHISHMATISH blends bass, drums, electric guitar, horns, instrumental presence, and jazz pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s angry, cool, dramatic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MAHISHMATISH” supports cinematic storytelling without lyrical distraction. Especially useful for groove energy, stylish pacing, rhythmic movement.

Artist Bio

Rich Brown creates sophisticated cinematic groove music blending jazz language, rhythmic precision, emotional motion, and sync-focused musicianship for stylish montage, dramatic movement, and elevated screen storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAN IN THE MACHINE — SYD AND I

OMR Cue Map

Track: MAN IN THE MACHINE
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for modern tension, sci-fi atmosphere, and psychologically immersive visuals. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 143
Genres: Electronic / Pop
Vocals: Female Vocal
Moods: Cool / Dark / Moody / Quirky / Rhythmic / Sexy / Swagger / Upbeat
Sync Themes: Action / Art House / Coming Of Age / Crime / Drama / Indie / Sci Fi / Thriller
Lyric Themes: Change / Life / Struggle / Success / Survival
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
MAN IN THE MACHINE blends bass, drums, percussion, synth, vocal presence, and electronic, pop pacing into a cue designed for modern tension, sci-fi atmosphere, and psychologically immersive visuals. The track’s cool, dark, moody character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Action / Art House / Coming Of Age / Crime / Drama / Indie / Sci Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MAN IN THE MACHINE blends bass, drums, percussion, synth, vocal presence, and electronic, pop pacing into a cue designed for modern tension, sci-fi atmosphere, and psychologically immersive visuals. The track’s cool, dark, moody character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

The clouds were a little bit darker that day
Wind blew a little harder, some would say
And it's not like it's the first time this has happened
It's not like it'll be any different
And I don't think people understand
The concept of a man
He's just a man in the machine
Breaking down for selfish needs
It's long gone now, I guess they couldn't take the heat
For some time now
It's just an old prophet of what this could be
When the world can change in a day
You can try, but it still changes anyway
But here's the thing, babe
We will be okay
Raindrops on the bus and it's still dark out
Survived the cold enough, I need another route
And it's not like I'm blind to this type of life
Feelings sent to numb when pushed aside
And I don't think people understand
The concept of hand-in-hand
He's just the man in the machine
Feeding his selfish needs
It's long gone now, I guess they couldn't take the heat
For some time now
It's just an old prophet of what this could be
When the world can change in a day
You can try but it still changes anyway
But here's the thing babe

Artist Bio

Syd and I creates moody electronic-pop music blending atmospheric production, female vocal presence, rhythmic edge, and modern cinematic attitude for drama, sci-fi, youth culture, and emotionally tense visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAN PLANS, GOD LAUGHS — RAN DE CASA

OMR Cue Map

Track: MAN PLANS, GOD LAUGHS
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for groove energy, stylish pacing, rhythmic movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 82
Genres: Hip Hop / R&B
Vocals: Male Vocal
Moods: Bright / Moody / Rhythmic / Upbeat
Sync Themes: Art House / Drama / Mystery / Thriller
Lyric Themes: Discovery / Identity / Strength / Success / Unity
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
MAN PLANS, GOD LAUGHS blends bass, drums, percussion, synth, male vocal presence, and hip hop, r&b pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s bright, moody, rhythmic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Art House / Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MAN PLANS, GOD LAUGHS blends bass, drums, percussion, synth, male vocal presence, and hip hop, r&b pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s bright, moody, rhythmic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo
Sula Oye
Up to Allah Oye
Wanted a sign oh yeah
Or who she would find somewhere
Opening your eyes, oh yeah
Opening your mind, oh yeah
Planning with God, oh no
ha ha ha ha Oh yeah
Back to the church again, nothing worth the gain, yeah
life is worth in it, 'bout to turn it in, yeah
Planet didn't go moving kind of slow, but I'm grown, so I know it won't start until I do
Oh oh, let me get it back, everything I lack, yeah
I'ma work for that, can't afford the gas, yeah
working hard to live, living just to work, like, is there more to this? need a sec to see it first
Sula, oh yeah
Up to Allah
Oh yeah, wanted a sign... Oh yeah, or who she would find somewhere
Why would you wait a long time? Do you wanna wait, who wanna wait
Why would you wait a long time? Do you wanna wait
If you wanna stay, then you wanna wait, why?
If you wanna ride, will you come inside my mental real estate, spiritual abate, man, taking off with God, hope he puts me on, on my
If you wanna stay, do you wanna wait, wait?
If you wanna ride, will you come inside my mental real estate, spiritual abate, man, taking off with God, hope he puts me on, on my
Oh yeah, opening your mind
Oh yeah, planning with God, oh no
Do you wanna wait a long time? Why would you wanna wait? who wanna wait?

Artist Bio

Ran De Casa creates groove-forward hip hop, R&B, and reggae-influenced cinematic music blending rhythmic swagger, emotional drive, and sync-ready urban movement for lifestyle visuals, comedy-drama, and character-led scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MEET ME IN THE CROWD — KELSEY KINDALL (THE PARTIES)

OMR Cue Map

Track: MEET ME IN THE CROWD
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for groove energy, stylish pacing, rhythmic movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 105
Genres: Electronic / Pop
Vocals: female
Moods: Atmospheric / Cool / Dreamy / Moody / Rhythmic / Sexy / Upbeat
Sync Themes: Adventure / Drama / Romance / Thriller / Indie / Art House
Lyric Themes: Adventure / Connection / Escape / Freedom / Fun
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
MEET ME IN THE CROWD blends bass, percussion, synth, vocal presence, and electronic, pop pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s atmospheric, cool, dreamy character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Adventure / Drama / Romance / Thriller / Indie / Art House
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MEET ME IN THE CROWD blends bass, percussion, synth, vocal presence, and electronic, pop pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s atmospheric, cool, dreamy character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

I stumbled on a place, a secret I'm supposed to keep
I can't help myself, I'm intrigued
Get lost among the faces, something I want desperately
And I want everyone to feel as free
Come join the crowd and forget yourself
Oh, it's too loud to think about anything else
I don't think it's forever, but it feels so good right now
Let's disappear, we can't be found
Meet me in the crowd
When no one is a stranger, right where we're supposed to be
I could stay here for eternity
It has a certain danger, something that I tend to find
Always loved to try to walk the line
Come and join the crowd, and forget yourself
Oh, it's too loud to think about anything else
I don't think it's forever, but it feels so good right now
Let's disappear, we can't be found
Meet me in the crowd

Artist Bio

KELSEY KINDALL (THE PARTIES) creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MISTA MUSIC — MELODIC YOZA

OMR Cue Map

Track: MISTA MUSIC
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for urban charisma, family identity, and rhythmic confidence. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: G Minor
BPM: 89
Genres: Hip Hop / Party / Pop / Reggae
Vocals: Male Vocal
Moods: Carefree / Chill / Dramatic / Party / Rhythmic / Swagger
Sync Themes: Crime / Drama / Mystery
Lyric Themes: Connection / Identity / Power / Strength
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
MISTA MUSIC blends bass, drums, percussion, synth, male vocal presence, and hip hop, party, pop pacing into a cue designed for urban charisma, family identity, and rhythmic confidence. The track’s carefree, chill, dramatic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Crime / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MISTA MUSIC blends bass, drums, percussion, synth, male vocal presence, and hip hop, party, pop pacing into a cue designed for urban charisma, family identity, and rhythmic confidence. The track’s carefree, chill, dramatic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

[Intro}
M-U-S-I-C is all I seem to see yea

[Chorus]
Hey Mista Music, sure sounds good to me
So play I some music filled with melodies
Yoza do it for the music, the music
Yes, the music
Yoza do it for the music, the music
Yes, the music

[Verse 1]
Reggae say you, reggae please let me know
‘Cause I’m a parlay, chill and kick a phat flow
Hear them a chat reggae is on the go
So I’m gonna represent and let them know
Reggae music always been on top
If you didn’t know
Come and learn about dat
‘Cause out of reggae came hip hop and rap
And don't matter what they do a it them can't stop
So I warn them men don't you abuse it
It’s Jah Jah music and I and I choose it
The music, the music
Yes the music
See pop shows near Toronto
Get tickets as low as $6

You might also like
Monday Morning
Melodic Yoza
Countri Bunkan
Melodic Yoza
Mud
GodKing Zeus

[Chorus]
Hey Mista Music, sure sounds good to me
So play I some music filled with melodies
Yoza do it for the music, the music
Yes, the music
Yoza do it for the music, the music
Yes, the music

[Verse 2]
Bob Marley Garnet Silk men Sugar Minnot
Shabba Ranking FredLOX yea and Peter Tosh
And I didn’t forget yea the one Jimmy Cliff
‘Cause he and the others played a big part in it
Yea them respect concrete, them respect crisp
But to all who want to diss this music
Yo I’m here to defend it hardcore in it
As I give you inna different style
Something to make the people go wild
What it is
Ting I call reggae soul hop
Taking over the blocks bridging up them gaps
And heading straight for the billboard top
Let’s rock the music, the music
Yes, the music
And say


[Chorus]
Hey Mista Music, sure sounds good to me
So play I some music filled with melodies
Yoza do it for the music, the music
Yes, the music
Yoza do it for the music, the music
Yes, the music

[Verse 3]
Reggae music is more than a dancehall ting
Like uptown ting man it a carry di swing sing
Ope operations meditation
My occupation messenger to your nation
I got to hit you with dat music revelation
Check out di bum bum bum selections
Coming straight from out my artistry
And I’m not trying to say I am the smartest B
But what I got to give you pour stylee
Check out my vibes flows and melodies

[Chorus]
Hey Mista Music, sure sounds good to me
So play I some music filled with melodies
Yoza do it for the music, the music
Yes, the music
Yoza do it for the music, the music
Yes, the music


[Outro}
(Music)
M-U-S-I-C
(Music)
Is all I see
(Music)
(Music)
(Music)
(Music)

Artist Bio

Melodic Yoza creates rhythmically immersive cinematic music blending urban atmosphere, reggae and hip hop movement, emotional momentum, and sync-focused storytelling for nightlife, lifestyle visuals, and character-led screen moments.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY HERO IS ME — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: MY HERO IS ME
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for self-belief, transformation, and personal momentum. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 138
Genres: Pop / R&B / Soul
Vocals: Male Vocal
Moods: Confident / Upbeat
Sync Themes: Adventure / Animation / Children / Coming Of Age
Lyric Themes: Dream / Identity / Power / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MY HERO IS ME blends bass, drums, electric guitar, percussion, male vocal presence, and pop, r&b, soul pacing into a cue designed for self-belief, transformation, and personal momentum. The track’s confident, upbeat character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Adventure / Animation / Children / Coming Of Age
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MY HERO IS ME blends bass, drums, electric guitar, percussion, male vocal presence, and pop, r&b, soul pacing into a cue designed for self-belief, transformation, and personal momentum. The track’s confident, upbeat character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

Why, who is your hero?
My hero? Who I look up to? Who I want to be?
Well, my hero is me. No really, I’m always thinking of how I can be a better person, the best that I can be. Strive for greatness.
You know, Aim for the stars so I can make it over the fence

Well don’t I feel important?
That feeling of approval ?
Tap into a power
It’s always been resourceful.
When life is heavy,
Ever feeling hopeful
Just hit recall & it’s there,
All I know is I’m prepared, for the moment
To own it

You know my hero is a V.I.P.
You know my hero is a V.I.P.
You know my hero is a V.I.P.
Cuz I’m a hero and it’s all in me, a V.I.P., a V.I.P.
You know my hero is a V.I.P.
You know my hero is a V.I.P.
Cuz I’m a hero and it’s all in me

Do away with all the past hurts
Comin’ clean into the daylight
Trusting in a future
So I can focus on what matters.
Maybe I don’t dream anymore
All my dreamin’ now reality
Gotta do what I love, it’s for me and no one else
No obligation
You know it

You know my hero is a V.I.P.
You know my hero is a V.I.P.
You know my hero is a V.I.P.
Cuz I’m a hero and it’s all in me, a V.I.P., a V.I.P.
You know my hero is a V.I.P.
You know my hero is a V.I.P.
And I was born to shiiiiine

Artist Bio

Josh Howard Friedman creates emotionally direct cinematic music blending classical, pop, character-driven storytelling, and sync-focused structure for film, television, coming-of-age scenes, and human-centered visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY PURPLE FOX — PURPLE FOX & THE HEEBIE JEEBIES

OMR Cue Map

Track: MY PURPLE FOX
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for playful confidence, retro swagger, and colorful character energy. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 127
Genres: Dance / Electronic / Funk
Vocals: Male Vocal
Moods: Upbeat
Sync Themes: Adventure / Animation / Comedy
Lyric Themes: Adventure / Energy / Power / Strength / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Synth

Track Summary:
MY PURPLE FOX blends bass, drums, electric guitar, horns, male vocal presence, and dance, electronic, funk pacing into a cue designed for playful confidence, retro swagger, and colorful character energy. The track’s upbeat character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Adventure / Animation / Comedy
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MY PURPLE FOX blends bass, drums, electric guitar, horns, male vocal presence, and dance, electronic, funk pacing into a cue designed for playful confidence, retro swagger, and colorful character energy. The track’s upbeat character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

Super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning,
Super mighty,
Super mighty,
Super, super, super, super, super, super, super
Power!
Power!
Power!
Power!
Power!
Power!
Yeah!
My purple fox gonna give me strength, gonna put on my cape, gonna stand up straight
My purple fox is gonna take the cake
I want cake
My purple fox knows what to do, gonna play it fair, stand up for truth
My purple fox knows what to do
My purple fox knows what to do
My purple fox gonna give me power
My purple fox gonna give me power
My purple fox is so exciting, super mighty thunder lightning
My purple fox is gonna get me rising
My purple fox knows what to do, gonna play it fair, stand up for truth
My purple fox knows what to do
My purple fox knows what to do
My purple fox gonna give me power
My purple fox gonna give me power
What you do with all that power?
I'd speak to the animals successfully to be famous
What you do with all that power?
I would swing with the chandelier
What you do with all that power?
I would build a time machine to go back to the dinosaurs
What you do with all that power?
Eat 2,000 scoops of ice cream
Super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning,
Super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning, super mighty thunder lightning,
With all that power, I would be a potato

Artist Bio

Purple Fox & The Heebie Jeebies create funk-driven cinematic groove music blending retro energy, playful swagger, upbeat rhythm, and sync-focused character movement for comedy, animation, stylish montage, and energetic storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY TOWN — LEE PALMER

OMR Cue Map

Track: MY TOWN
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for local identity, community atmosphere, and small-town storytelling. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 82
Genres: Country / Folk / Party / Sing / Song
Vocals: Male Vocal
Moods: Carefree / Catchy / Hopeful / Nostalgic / Party / Relaxing
Sync Themes: Comedy / Fantasy / Western
Lyric Themes: Connection / Friendship / Home / Nostalgia / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Accordion / Bass / Drums / Electric Guitar / Percussion / Strings

Track Summary:
MY TOWN blends acoustic guitar, accordion, bass, drums, male vocal presence, and country, folk, party pacing into a cue designed for local identity, community atmosphere, and small-town storytelling. The track’s carefree, catchy, hopeful character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Comedy / Fantasy / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MY TOWN blends acoustic guitar, accordion, bass, drums, male vocal presence, and country, folk, party pacing into a cue designed for local identity, community atmosphere, and small-town storytelling. The track’s carefree, catchy, hopeful character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

Sitting on the front porch
Taking in a cool breeze
Watching the world go by
Under a clear blue sky
Lots of things have changed
Still moves at a slow pace
Go to church on Sunday
Back to work on Monday
It's my town, my hometown
Kept it in my rear view 'til now
Something keeps calling me back to this heartland
It's my town
It's my town
Goin' on a Sunday drive
Visit our next of kin
Somethin' we always did
We were all just kids
Playin' in the backyard
We would laugh long and loud
Walk to school with my friends
Life was much simpler then
It's my town, my hometown
Kept it in my rear view 'til now
Something keeps calling me back to this heartland
It's my town, it's my town
Every time I go home
I always feel the same
And every time that I leave
I know that I'll be back again
It's my town
My hometown
Kept it in my rear view 'til now
Something keeps calling me back to this heartland
It's my town, it's my town
It's my town, it's my town

Artist Bio

Lee Palmer creates roots-driven blues, country, and Americana music blending emotional sincerity, barroom realism, nostalgic warmth, and sync-focused storytelling for film, television, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY WAY — MELODIC YOZA

OMR Cue Map

Track: MY WAY
Clean Intro: Yes
Edit Points: Strong rhythmic edit opportunities throughout groove changes, beat transitions, and arrangement lifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:12–0:40, 0:58–1:26

Use Case:
Strong sync usability for groove energy, stylish pacing, rhythmic movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing rhythmic momentum and groove-driven visual pacing.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 77
Genres: Country / Pop / Reggae / Soul
Vocals: Male Vocal
Moods: Bright / Dark / Dramatic / Emotive / Hopeful / Light / Love / Moody / Positive / Rhythmic / Serious / Swagger / Upbeat / Uplifting
Sync Themes: Action / Drama / Mystery
Lyric Themes: Hope / Life / Strength / Struggle / Survival
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MY WAY blends bass, drums, electric guitar, percussion, male vocal presence, and country, pop, reggae pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s bright, dark, dramatic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Groove / Motion / Rhythm
• Secondary utility: groove energy, stylish pacing, rhythmic movement
• Sync themes: Action / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Groove / Motion / Rhythm placements with crossover utility for groove energy, stylish pacing, rhythmic movement.

Stem Tracks

Yes

Track Narrative

MY WAY blends bass, drums, electric guitar, percussion, male vocal presence, and country, pop, reggae pacing into a cue designed for groove energy, stylish pacing, rhythmic movement. The track’s bright, dark, dramatic character gives it strong sync utility for groove / motion / rhythm placements while retaining clear editorial movement for film and television use.

Lyrics

Mm, mm, mm, mm, mm
It's not what I do, I
Mm, mm, mm, mm, mm
Figure my way, figure my way
Figure my way now through this life
Today my day, to figure my way
Should I go left or should I go right
Gotta figure my way, figure my way
Figure my way now through this life
Gotta figure my way, figure my way
Think of my way now truly
Why the world so uptight
That's not nice
All I wanna do yo is live my life
Through the darkest of nights
I shine bright
Pack my things you know and take flight
Now hold on tight
No they gon fight
Cause I don't do what the haters like
Got my own inside
No stitch right
Cause every little thing gon be alright
Down in this jungle
We all try to survive
And if I stumble
I'll find the strength to rise
Figure my way
Figure my way
Figure my way now through this life
Today my day
To figure my way
Should I go left or should I go right
Gotta figure my way
Figure my way, figure my way out through this love
Got to figure my way, figure my way
Figure my way out through this
And every small step that I take
I always learn from my mistakes
Had some let downs, a lot of heartbreaks
But through this life, I will still navigate
In this mad race, I kept my pace
Never getting caught up, set in a chase
Man in the mirror, look myself in the face
My day break, I'll be okay
Down in this jungle, we all try to survive
And if I stumble
I'll find the strength to rise
Figure my way
Figure my way
Figure my way now through this life
Today my day
To figure my way
Should I go left or should I go right
Gotta figure my way
Figure my way
Figure my way now through this life
Gotta figure my way
Figure my way
Figure my way now through this
Looking for a taxi
To take me to the other side of town
Before the sun go down
Pushin' one-twenty, hydroplane
Turn the sideways
All these problems that I got, I couldn't hide away
So I won't
But I'm figurin' my way
I'm lifted, thinkin' 'bout how I'm thinkin', I'm thinkin' it's strange
And now they got me in a taxi cab
Like it's happenstance
In a passenger seat
In the traffic jam
But I'ma find a way
Anchor through my mistakes
You know I'ma find the strength
Gratitude
And just keep on looking to your future
And don't et your past
Just like I would tell my daughters
Your only competition is the looking glass

Artist Bio

Melodic Yoza creates rhythmically immersive cinematic music blending urban atmosphere, reggae and hip hop movement, emotional momentum, and sync-focused storytelling for nightlife, lifestyle visuals, and character-led screen moments.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
M2 INTERLUDE — SAMUEL WILLIAMS

OMR Cue Map

Track: M2 INTERLUDE
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 62
Genres: Jazz / World
Vocals: Instrumental
Moods: Dreamy / Hopeful / Sad / Warm
Sync Themes: Art House / Mystery / Sci Fi / Thriller / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Flute / Percussion / Synth

Track Summary:
M2 INTERLUDE blends flute, percussion, synth, instrumental presence, and jazz, world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s dreamy, hopeful, sad character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Mystery / Sci Fi / Thriller / Video Game
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

M2 INTERLUDE blends flute, percussion, synth, instrumental presence, and jazz, world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s dreamy, hopeful, sad character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “M2 INTERLUDE” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

Samuel Williams creates soulful cinematic music blending jazz, R&B, vintage warmth, and emotionally engaging arrangements for film, television, holiday storytelling, celebration scenes, and heartfelt visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MANTRA — ELMER FERRER

OMR Cue Map

Track: MANTRA
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 65
Genres: Blues / Folk / Sing / Song
Vocals: Instrumental
Moods: Hopeful / Light / Minimal / Reflective / Romantic / Sad / Warm
Sync Themes: Drama / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Electric Guitar / Percussion / Synth

Track Summary:
MANTRA blends bass, electric guitar, percussion, synth, instrumental presence, and blues, folk, sing pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s hopeful, light, minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MANTRA blends bass, electric guitar, percussion, synth, instrumental presence, and blues, folk, sing pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s hopeful, light, minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MANTRA” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, blues and jazz color, and sync-driven storytelling sensibility for film, television, suspense, romance, and visually immersive narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MARZO — PAVLO CARTAGINESE

OMR Cue Map

Track: MARZO
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 95
Genres: Classical / World
Vocals: Instrumental
Moods: Atmospheric / Dreamy / Emotive / Hopeful / Minimal / Romantic / Warm
Sync Themes: Art House / Coming Of Age / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Cello / Strings

Track Summary:
MARZO blends cello, strings, instrumental presence, and classical, world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, dreamy, emotive character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Coming Of Age / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MARZO blends cello, strings, instrumental presence, and classical, world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, dreamy, emotive character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MARZO” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

PAVLO CARTAGINESE creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAYO — PAVLO CARTAGINESE

OMR Cue Map

Track: MAYO
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 120
Genres: Electronic / Indie
Vocals: Instrumental
Moods: Atmospheric / Bright / Dramatic / Dreamy / Minimal
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Cello / Percussion / Synth

Track Summary:
MAYO blends bass, cello, percussion, synth, instrumental presence, and electronic, indie pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, bright, dramatic character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Coming Of Age / Drama / Historical / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MAYO blends bass, cello, percussion, synth, instrumental presence, and electronic, indie pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, bright, dramatic character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MAYO” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

PAVLO CARTAGINESE creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MEDIA DISTINCTIO — LUCIAN KANO BALMER

OMR Cue Map

Track: MEDIA DISTINCTIO
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 99
Genres: Classical
Vocals: Instrumental
Moods: Hopeful / Minimal / Reflective / Sad
Sync Themes: Art House / Crime / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Strings

Track Summary:
MEDIA DISTINCTIO blends strings, instrumental presence, and classical pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s hopeful, minimal, reflective character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Crime / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MEDIA DISTINCTIO blends strings, instrumental presence, and classical pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s hopeful, minimal, reflective character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MEDIA DISTINCTIO” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

LUCIAN KANO BALMER creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MELANCHOLY STATE OF MIND — OMR

OMR Cue Map

Track: MELANCHOLY STATE OF MIND
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 95
Genres: Ambient / Ballads / Gospel / Pop / Sing / Song
Vocals: Female Vocal
Moods: Bright / Chill / Dramatic / Dreamy / Hopeful / Sad / Somber
Sync Themes: Action / Crime / Drama / Fantasy / Horror / Mystery / Sci Fi / Thriller / War
Lyric Themes: Identity / Life / Struggle / Success / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Piano / Synth

Track Summary:
MELANCHOLY STATE OF MIND blends acoustic guitar, bass, drums, electric guitar, vocal presence, and ambient, ballads, gospel pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s bright, chill, dramatic character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Action / Crime / Drama / Fantasy / Horror / Mystery / Sci Fi / Thriller / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MELANCHOLY STATE OF MIND blends acoustic guitar, bass, drums, electric guitar, vocal presence, and ambient, ballads, gospel pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s bright, chill, dramatic character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Lyrics

VERSE 1
There’s nothing I can do
But look around and see the zoo
Of people lost in thought
I try to lend a hand
But no one wants to take a stand
Their minds are all but lost

CHORUS
We’re in a melancholy frame of mind
It’s a melancholy state of mind
We’re all doing a life of time
Wondering if life turns out fine
Inside this melancholy state of mind

VERSE 2
The super market lines
Are filled with empty minds
I don’t know where to turn
The people in their cars
Imprisoned without bars
The fire no longer burns

CHORUS

BRIDGE
I want to speak my mind
I want to laugh out loud
I want to aim for the sky
And soar beyond the clouds

SOLO

VERSE 3
I see the bobble heads
They’re swinging on a thread
Who’s pulling on that string?
The sign says you can walk
You’re told when to talk
But don’t you dare try and sing

CHORUS
(Repeat and Fade)

Artist Bio

OMR creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MELODA. ADAGIO — NATO

OMR Cue Map

Track: MELODA. ADAGIO
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 117
Genres: Classical
Vocals: Instrumental
Moods: Catchy / Dramatic / Emotive / Hopeful / Light / Positive / Powerful / Reflective / Sad
Sync Themes: Art House / Coming Of Age / Drama / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Strings / Synth

Track Summary:
MELODA. ADAGIO blends percussion, strings, synth, instrumental presence, and classical pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s catchy, dramatic, emotive character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Coming Of Age / Drama / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MELODA. ADAGIO blends percussion, strings, synth, instrumental presence, and classical pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s catchy, dramatic, emotive character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MELODA. ADAGIO” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

NATO creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MEMORY — ELMER FERRER

OMR Cue Map

Track: MEMORY
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 115
Genres: Indie
Vocals: Instrumental
Moods: Atmospheric / Dark / Moody / Reflective
Sync Themes: Drama / Thriller / Crime
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
MEMORY blends bass, drums, percussion, synth, instrumental presence, and indie pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, dark, moody character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Drama / Thriller / Crime
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MEMORY blends bass, drums, percussion, synth, instrumental presence, and indie pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, dark, moody character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MEMORY” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, blues and jazz color, and sync-driven storytelling sensibility for film, television, suspense, romance, and visually immersive narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
METAMORPHOSIS — JOSH HOWARD FRIEDMAN

OMR Cue Map

Track: METAMORPHOSIS
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 147
Genres: Classical
Vocals: Instrumental
Moods: Bright / Light / Minimal / Moody / Reflective / Rhythmic
Sync Themes: Adventure / Art House / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Strings

Track Summary:
METAMORPHOSIS blends strings, instrumental presence, and classical pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s bright, light, minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Adventure / Art House / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

METAMORPHOSIS blends strings, instrumental presence, and classical pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s bright, light, minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “METAMORPHOSIS” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

Josh Howard Friedman creates emotionally direct cinematic music blending classical, pop, character-driven storytelling, and sync-focused structure for film, television, coming-of-age scenes, and human-centered visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MISSING FRAMES FROM MOMENTS CHRISTENED — RADAGAST

OMR Cue Map

Track: MISSING FRAMES FROM MOMENTS CHRISTENED
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: A# Minor
BPM: 144
Genres: Ambient
Vocals: Instrumental
Moods: Atmospheric / Cinematic / Dreamy / Hopeful / Reflective
Sync Themes: Art House / Drama / Fantasy / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Strings / Synth

Track Summary:
MISSING FRAMES FROM MOMENTS CHRISTENED blends percussion, piano, strings, synth, instrumental presence, and ambient pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, cinematic, dreamy character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Drama / Fantasy / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MISSING FRAMES FROM MOMENTS CHRISTENED blends percussion, piano, strings, synth, instrumental presence, and ambient pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, cinematic, dreamy character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MISSING FRAMES FROM MOMENTS CHRISTENED” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

Radagast the Brown creates emotionally immersive cinematic music blending ambient electronics, reflective atmosphere, emotional subtlety, and sync-driven pacing for prestige drama, sci-fi, surreal visuals, and psychologically layered storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MOLTING — GODGIFU

OMR Cue Map

Track: MOLTING
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 86
Genres: Electronic / Indie
Vocals: Instrumental
Moods: Atmospheric / Cool / Rhythmic / Upbeat
Sync Themes: Indie / Drama / Crime / Art House / Action
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MOLTING blends bass, drums, electric guitar, percussion, instrumental presence, and electronic, indie pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, cool, rhythmic character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Indie / Drama / Crime / Art House / Action
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MOLTING blends bass, drums, electric guitar, percussion, instrumental presence, and electronic, indie pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, cool, rhythmic character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MOLTING” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

Godgifu creates atmospheric electronic and indie cinematic music blending rhythmic texture, dark emotional movement, and sync-ready sonic design for drama, mystery, art-house visuals, and modern screen storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MWISHO — HYP

OMR Cue Map

Track: MWISHO
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for modern tension, sci-fi atmosphere, and psychologically immersive visuals. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 142
Genres: Ambient / Electronic / R&B
Vocals: Instrumental
Moods: Atmospheric / Dreamy / Minimal / Moody / Reflective / Rhythmic
Sync Themes: Art House / Drama / Mystery / Sci Fi / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
MWISHO blends bass, percussion, synth, instrumental presence, and ambient, electronic, r&b pacing into a cue designed for modern tension, sci-fi atmosphere, and psychologically immersive visuals. The track’s atmospheric, dreamy, minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Art House / Drama / Mystery / Sci Fi / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MWISHO blends bass, percussion, synth, instrumental presence, and ambient, electronic, r&b pacing into a cue designed for modern tension, sci-fi atmosphere, and psychologically immersive visuals. The track’s atmospheric, dreamy, minimal character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MWISHO” supports cinematic storytelling without lyrical distraction. Especially useful for introspection, emotional atmosphere, cinematic drift.

Artist Bio

HYP creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY GUIDE MY COMFORTER — PHEELION

OMR Cue Map

Track: MY GUIDE MY COMFORTER
Clean Intro: Yes
Edit Points: Smooth atmospheric transitions create flexible editorial cut points throughout.
Button Ending: Moderate
Loopable: Yes
Best Loop Candidates: 0:24–0:54, 1:12–1:42

Use Case:
Strong sync usability for introspection, emotional atmosphere, cinematic drift. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing immersive atmosphere and emotionally reflective screen movement.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 56
Genres: Ambient / Electronic / World
Vocals: Female Vocal
Moods: Atmospheric / Cool / Dark / Minimal / Moody / Reflective / Sad
Sync Themes: Coming Of Age / Drama / Romance
Lyric Themes: Freedom / Strength / Struggle / Success / Survival
Type: One Stop

Instrumentation:
Percussion / Strings / Synth

Track Summary:
MY GUIDE MY COMFORTER blends percussion, strings, synth, vocal presence, and ambient, electronic, world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, cool, dark character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Atmospheric / Reflective / Cinematic
• Secondary utility: introspection, emotional atmosphere, cinematic drift
• Sync themes: Coming Of Age / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Atmospheric / Reflective / Cinematic placements with crossover utility for introspection, emotional atmosphere, cinematic drift.

Stem Tracks

Yes

Track Narrative

MY GUIDE MY COMFORTER blends percussion, strings, synth, vocal presence, and ambient, electronic, world pacing into a cue designed for introspection, emotional atmosphere, cinematic drift. The track’s atmospheric, cool, dark character gives it strong sync utility for atmospheric / reflective / cinematic placements while retaining clear editorial movement for film and television use.

Lyrics

Now the Lord is the spirit,
and where the spirit of the Lord is,
there is freedom.
In the same way,
the spirit also keeps us in our weakness.
For we do not know how to pray
as we should.
But the spirit himself
intercedes for us
with groanings too deep for words.
The spirit of the sovereign Lord is on me,
Because the Lord has anointed me
to proclaim good news to the poor.
He has sent me
to bind up the brokenhearted,
to proclaim freedom for the captives
and release from darkness for the prisoners.

Artist Bio

PheeLion creates atmospheric electronic and world-influenced cinematic music blending spiritual emotion, ambient texture, and sync-ready intensity for drama, reflection, and visually immersive storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MALAIKA — PIWAI

OMR Cue Map

Track: MALAIKA
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 122
Genres: Funk / Latin / Soul
Vocals: Female Vocal
Moods: Bright / Fun / Happy / Positive / Quirky / Retro / Romantic / Upbeat
Sync Themes: Comedy / Romance / Drama / Indie
Lyric Themes: Fear / Hope / Identity / Love / Money
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
MALAIKA blends bass, drums, electric guitar, percussion, vocal presence, and funk, latin, soul pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s bright, fun, happy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Comedy / Romance / Drama / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MALAIKA blends bass, drums, electric guitar, percussion, vocal presence, and funk, latin, soul pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s bright, fun, happy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Malaika, nakupenda Malaika
Malaika, nakupenda Malaika
Na mimi nifanyeje, kijana mwenzio
Nashindwa na mali sina we, ningekuoa malaika
Nashindwa na mali sina we, ningekuoa malaika
Pesa, zasumbua roho yangu
Pesa, zasumbua roho yangu
Na mimi nifanyeje, kijana mwenzio
Nashindwa na mali sina we, ningekuoa malaika
Nashindwa na mali sina we, ningekuoa malaika
Kidege, hukuwaza kidege
Kidege, hukuwaza kidege
Na mimi nifanyeje, kijana mwenzio
Nashindwa na mali sina we, ningekuoa malaika
Nashindwa na mali sina we, ningekuoa malaika
Malaika, nakupenda Malaika
Malaika, nakupenda Malaika
Na mimi nifanyeje, kijana mwenzio
Nashindwa na mali sina we, ningekuoa malaika
Nashindwa na mali sina we, ningekuoa malaika
Nashindwa na mali sina we, ningekuoa malaika
Nashindwa na mali sina we, ningekuoa malaika

Artist Bio

Piwai creates vibrant world and Afro-pop influenced cinematic music blending rhythmic lift, cultural energy, emotional warmth, and sync-ready momentum for travel, celebration, and uplifting visual storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MARIGOLD — MATTIE LEON

OMR Cue Map

Track: MARIGOLD
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 118
Genres: Indie / Pop / Sing / Song
Vocals: Male Vocal
Moods: Dark / Light / Love / Minimal / Moody / Positive / Reflective / Sad / Warm
Sync Themes: Art House / Coming Of Age / Drama / Historical / Indie
Lyric Themes: Loneliness / Love / Pain / Regret
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
MARIGOLD blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and indie, pop, sing pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dark, light, love character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Art House / Coming Of Age / Drama / Historical / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MARIGOLD blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and indie, pop, sing pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dark, light, love character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

When you’re hurting
When you can’t believe it’s over
And the sadness starts to overflow
When all the pieces
You can’t reach them so you
Can’t pick them up and feel like yourself anymore

Don’t you dare think you’re alone

Every morning when the sun starts rising
I’ll painting you a new horizon
Colours that explode into marigold
Showing you that I never let you go
Every evening when the stars starts shining
I’ll be punching through the dark with diamonds
Streaks of marigold flicker through the holes
Showing you that I never let you go

Wilted flowers
Receiving line lasted for hours
A loneliness you’ve never felt before
Things you said that
You never meant
And things you wanted to say
But don’t have the chance anymore

Things that I already know

Every morning when the sun starts rising
I’ll painting you a new horizon
Colours that explode into marigold
Showing you that I never let you go
Every evening when the stars starts shining
I’ll be punching through the dark with diamonds
Streaks of marigold flicker through the holes
Showing you that I never let you go

And all the colours in the sky explode
All the colours in the sky explode for you

Artist Bio

Mattie Leon creates emotionally grounded Americana and singer-songwriter music blending roots authenticity, melodic warmth, vintage charm, and sync-focused storytelling for film, television, romance, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MARTINI — KELSEY KINDALL (THE PARTIES)

OMR Cue Map

Track: MARTINI
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 76
Genres: Pop
Vocals: female
Moods: Atmospheric / Bright / Catchy / Cool / Dreamy / Fun / Moody / Party / Positive / Rhythmic / Sexy / Upbeat / Uplifting
Sync Themes: Romance / Drama / Comedy / Indie / Art House
Lyric Themes: Conflict / Connection / Identity / Relationship / Time
Type: One Stop

Instrumentation:
Bass / Percussion / Piano / Synth

Track Summary:
MARTINI blends bass, percussion, piano, synth, vocal presence, and pop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s atmospheric, bright, catchy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Romance / Drama / Comedy / Indie / Art House
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MARTINI blends bass, percussion, piano, synth, vocal presence, and pop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s atmospheric, bright, catchy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

I like my bitter drinks
I'm older than I think
I'm running out of time to live apologetically
I don't take coffee sweet
or my time lightly
I'm running out of patience
So why don't you just say it cause
I am so sick of being coy
Don't blame the martini
Just say what you mean
Oh this reading between the lines
Don't blame the martini
Just say what you mean
Pour a drink so you say what you're feeling
Pour a drink so you say what you're feeling
I'm the forgiving kind
You love to take your time
You blame the alcohol
You know that's not the problem
You seem to have a way with words
Wait for a drink to say the worst
It's a blindside
You're holding back the whole time
Oh this reading between the lines
Don't blame the martini
Just say what you mean
Pour a drink so you say what you're feeling
Pour a drink so you say what you're feeling
I'll spell it out, you let it sit
I want to settle, you quit
I want to stay, you want the twist
I'll spell it out, you let it sit
I want to settle, you quit
I want to stay, you want the twist
I'll spell it out, you let it sit
I want to settle, you quit
I want to stay, you want the twist
Pour a drink so you say what you're feeling
Pour a drink so you say what you're feeling

Artist Bio

KELSEY KINDALL (THE PARTIES) creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAYBE THAT'S WHY — LEE PALMER

OMR Cue Map

Track: MAYBE THAT'S WHY
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 97
Genres: Blues / Country / Folk / Latin / Sing / Song
Vocals: Female Vocal, Male Vocal
Moods: Dramatic / Love / Reflective / Sad / Somber
Sync Themes: Comedy / Drama / Romance
Lyric Themes: Life / Loneliness / Relationship / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Accordion / Bass / Drums / Electric Guitar / Keyboard / Percussion

Track Summary:
MAYBE THAT'S WHY blends acoustic guitar, accordion, bass, drums, vocal presence, and blues, country, folk pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, love, reflective character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Comedy / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MAYBE THAT'S WHY blends acoustic guitar, accordion, bass, drums, vocal presence, and blues, country, folk pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, love, reflective character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Seems like my guitar is the only friend
It's always stood beside me when I've been on the mend
Others come and go
Some just disappear
Man, it would sure be cool
If one could end up here
Maybe that's why
Maybe that's why
Maybe that's why
Lonely hurts so much
Friends drift apart
With time and circumstance
It's all so cliche
All part of this dance
Relationships like fire
Unattended they burn out
Leave you without a spark
And without a doubt
Maybe that's why
Maybe that's why
Maybe that's why
Lonely hurts so much
Maybe that's why
Maybe that's why
Maybe that's why
Lonely hurts so much
Maybe that's why
Maybe that's why
Maybe that's why
Lonely hurts so much

Artist Bio

Lee Palmer creates roots-driven blues, country, and Americana music blending emotional sincerity, barroom realism, nostalgic warmth, and sync-focused storytelling for film, television, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAYBE WE SHOULD HAVE KNOWN — JUSTIN ENCO BAND

OMR Cue Map

Track: MAYBE WE SHOULD HAVE KNOWN
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: C# Minor
BPM: 130
Genres: Folk / Sing / Song
Vocals: Male Vocal
Moods: Bright / Dramatic / Emotive / Happy / Love / Minimal / Positive / Reflective / Sad
Sync Themes: Art House / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Loneliness / Love / Relationship / Struggle / Success
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
MAYBE WE SHOULD HAVE KNOWN blends acoustic guitar, male vocal presence, and folk, sing, song pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s bright, dramatic, emotive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Art House / Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MAYBE WE SHOULD HAVE KNOWN blends acoustic guitar, male vocal presence, and folk, sing, song pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s bright, dramatic, emotive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

So tell me what you feel
You say that nothing's real
You were happy oh so long ago
These days it doesn't show
Falling down in this crazy place
Suffocating in your own spare case
When did this get so bad?
Best friend in this love I had
Well, where'd in this all go
Losing sleep again
And everything seems perfect on the surface
I know, well maybe we should've known
But for now, well I'll go on alone
Don't talk anymore
Would rather close the door
Wishing you could escape
You're soft to contemplate
Remember a special day
When love was through wines and plays
I'll leave this path, I'll go
I'm sorry you should know
But now, well, where'd it miss, I'll go
Losing sleep again
And everything seems perfect on the surface, I know
Maybe we should've known
But for now, well I won't go
But for now, well I won't go
But for now, well I won't go
Alone

Artist Bio

JUSTIN ENCO BAND creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
ME AND MY 68 — LEE PALMER

OMR Cue Map

Track: ME AND MY 68
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 85
Genres: Blues / Country / Pop / Rock
Vocals: Female Vocal, Male Vocal
Moods: Catchy / Confident / Driving / Fun / Happy / Nostalgic / Quirky
Sync Themes: Action / Adventure / Comedy / Historical
Lyric Themes: Connection / Energy / Identity / Love / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
ME AND MY 68 blends bass, drums, electric guitar, vocal presence, and blues, country, pop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s catchy, confident, driving character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Action / Adventure / Comedy / Historical
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

ME AND MY 68 blends bass, drums, electric guitar, vocal presence, and blues, country, pop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s catchy, confident, driving character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Well, I searched low and I searched high 'til I found my sixty-eight
I searched far and I searched wide 'til I found my sixty-eight
Heaven or the here and south or there
Penny, penny, penny, but I don't care
I'm one step closer to getting where
Me and my sixty-eight
Me and my sixty-eight
Baby, it feels so great
Me and my '-sixty-eight
Got a single coral and a maple neck
A chrome ashtray and a lacquer check
We got some tricks you ain't seen yet
Me and my '-sixty-eight
Yeah, I tried this and I tried that 'til I found my sixty-eight
I tried slim and I tried fat 'til I found my sixty-eight
Never felt like this before
It's come together, that's for sure
Couldn't ask for anything more
Me and my sixty-eight
Me and my sixty-eight
Baby, it feels so great
Me and my '-sixty-eight
We got a single coil and a maple neck
A chrome ashtray and a lack of check
We got some tricks you ain't seen yet
Me and my '-sixty-eight
Me and my '-sixty-eight
Me and my '-sixty-eight
Baby, it feels so great
Me and my '-sixty-eight
We got a single core and a maple neck
Chrome ashtray and a Leica check
We got some tricks you ain't seen yet
Me and my '-sixty-eight

Artist Bio

Lee Palmer creates roots-driven blues, country, and Americana music blending emotional sincerity, barroom realism, nostalgic warmth, and sync-focused storytelling for film, television, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MENTIRA — INDIVIDUO

OMR Cue Map

Track: MENTIRA
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 142
Genres: Pop
Vocals: Female Vocal, Male Vocal
Moods: Confident / Positive / Reflective / Romantic / Upbeat
Sync Themes: Coming Of Age / Drama / Indie / Mystery / Romance
Lyric Themes: Conflict / Heartbreak / Love / Regret / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MENTIRA blends bass, drums, electric guitar, percussion, vocal presence, and pop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s confident, positive, reflective character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Coming Of Age / Drama / Indie / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MENTIRA blends bass, drums, electric guitar, percussion, vocal presence, and pop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s confident, positive, reflective character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Mentira lo que te dicen es mentira
Si quieres ven afuera y mira
cquí el que te ama soy yo
Mentira lo que te dicen es mentira
Revuelve, piensa, busca y mira
cquí el que te ama soy yo

cntes que marcharte ven y escucha por favor
No es verdad lo que te han dicho ven, hablémoslo
No mentía cuando dije que tu eras mi flor
Y hoy por culpa de algun cuento estoy en esta situación

chhhh...... Hablémoslo
chhhh...... Hablémoslo

Mentira lo que te dicen es mentira
Si quieres ven afuera y mira
cquí el que te ama soy yo
Mentira lo que te dicen es mentira
Revuelve, piensa, busca y mira
cquí el que te ama soy yo

No puedo saber que piensas, ven cuéntamelo
No hace falta que me grites y suelta ese reloj
Si escucharas los latidos de mi corazón
No estaríamos trabados hoy en esta situación

Mentira lo que te dicen es mentira
Si quieres ven afuera y mira
cquí el que te ama soy yo
Mentira lo que te dicen es mentira
Revuelve, piensa, busca y mira
cquí el que te ama soy yo

Artist Bio

Individuo creates cinematic Latin and pop music blending rhythmic warmth, relationship-focused storytelling, cultural atmosphere, and sync-ready emotional movement for romance, drama, and travel-driven visuals.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MICHIGAN — MATTIE LEON

OMR Cue Map

Track: MICHIGAN
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 77
Genres: Indie / Sing / Song
Vocals: Male Vocal
Moods: Minimal / Moody / Reflective
Sync Themes: Art House / Coming Of Age / Drama / Indie / War
Lyric Themes: Identity / Regret / Relationship / Struggle / Success
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
MICHIGAN blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and indie, sing, song pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s minimal, moody, reflective character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Art House / Coming Of Age / Drama / Indie / War
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MICHIGAN blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and indie, sing, song pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s minimal, moody, reflective character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

I’m taking out the landline
No one calls anyway
I’m tearing up the bills they’re hounding us to pay
If were boiling all the water just to make it safe

I’ll stand here with you all night
If that’s what it’s gonna take
To show you that the way we’re living will never change
That’s just something desperate politicians say

Winona
I’m not gonna stay just to watch our best years be thrown away
Winona
I’m not gonna stay just to watch our best years be thrown away
If we don’t leave we’re gonna die here some day

This country’s in a nose dive
And everybody’s afraid
I’m running out of healthy things to use for pain
Addicted to the medicine I can’t afford to take

Winona
I’m not gonna stay just to watch our best years be thrown away
Winona
I’m not gonna stay just to watch our best years be thrown away
If we don’t leave we’re gonna die here some day

You say that you can barely sleep until you wear your body down
With whatevers left around
But now you’re barely making sound
A little part of me wishes that this is how it ends
Painless in your bed
Free from the regret

If we don’t leave we’re gonna die here someday
If we don’t leave we’re gonna die here someday
I’ll grab the keys
Pick you up
Drive until I find a better life for us

Artist Bio

Mattie Leon creates emotionally grounded Americana and singer-songwriter music blending roots authenticity, melodic warmth, vintage charm, and sync-focused storytelling for film, television, romance, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MISSISSIPPI CRAWL — SIL SIMONE

OMR Cue Map

Track: MISSISSIPPI CRAWL
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 149
Genres: Blues / Indie / Rock
Vocals: Male Vocal
Moods: Dramatic / Eerie / Gritty / Powerful / Serious / Somber
Sync Themes: Adventure / Crime / Drama / Romance
Lyric Themes: Love / Time / Together
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MISSISSIPPI CRAWL blends bass, drums, electric guitar, percussion, male vocal presence, and blues, indie, rock pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, eerie, gritty character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Adventure / Crime / Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MISSISSIPPI CRAWL blends bass, drums, electric guitar, percussion, male vocal presence, and blues, indie, rock pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, eerie, gritty character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Hey yeah, a-lay-a-lay-a-la
Hey yeah, a-lay-a-lay-a-la
We do the Mississippi crawl
And we're never gonna fall
Take it to the ground where it feels better
We're gonna bear it all
When we answer that call
For the one down the line altogether
Hey yeah, ole ole, hey yeah
Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey,
All I want down the line are together
Together
Together
Together
Together
Together
You and I
Bound by love, in the hands of time
Forever, you and me
The air we'll find, the sun rises down the sea
Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey,
When the answer goes oh, oh, oh, oh, oh, oh, oh, hey, yeah
I'm the one down the line altogether

Artist Bio

Sil Simone creates gritty cinematic rock and blues music blending emotional realism, southern atmosphere, dark groove, and sync-focused storytelling for drama, noir, action, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MOMENT — ASTERIA

OMR Cue Map

Track: MOMENT
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 136
Genres: Country / Metal / Rock
Vocals: Female Vocal
Moods: Confident / Moody / Positive / Rhythmic / Sexy / Upbeat
Sync Themes: Art House / Drama / Romance / Thriller
Lyric Themes: Betrayal / Heartbreak / Love / Relationship / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MOMENT blends bass, drums, electric guitar, percussion, vocal presence, and country, metal, rock pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s confident, moody, positive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Art House / Drama / Romance / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MOMENT blends bass, drums, electric guitar, percussion, vocal presence, and country, metal, rock pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s confident, moody, positive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Take a deep breath
Step by step
Release all the thoughts that cloud your mind
Feel the present
Heartbeat intense
Love deeply, do not waste any time
I'll never betray you
I just want to smile at you
Run my hands through your hair
Help you release all tension, become aware
When I'm with you
I have no thoughts
I see the sweetness
I know it's hard
To let it all flow
Be here in the now and let the rest go
I'm pouring my heart
into your hands
You take it or leave it, I can't regret you
I'll never betray you
I just want to smile at you
Run my hands through your hair
Help you release all tension, become aware
When I'm with you
I have no thoughts
I see the sweetness
There is no time
Only the now
I'll never betray you
I just want to smile at you
Run my hands through your hair
Help you release all tension, become aware
When I'm with you
I have no thoughts
I see the sweetness
When I'm with you
I have no thoughts
I see the sweetness

Artist Bio

Asteria creates emotionally expansive cinematic music blending ambient atmosphere, rock textures, reflective pacing, and sync-focused emotional storytelling for drama, romance, sci-fi, and psychologically immersive visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MOMMA BROWN — RAN DE CASA

OMR Cue Map

Track: MOMMA BROWN
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for urban charisma, family identity, and rhythmic confidence. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 84
Genres: Hip Hop
Vocals: Male Vocal
Moods: Catchy / Confident / Cool / Fun / Party / Rhythmic / Swagger / Warm
Sync Themes: Children / Comedy / Historical / Western
Lyric Themes: Family / Home / Life / Love / Strength
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
MOMMA BROWN blends bass, drums, percussion, synth, male vocal presence, and hip hop pacing into a cue designed for urban charisma, family identity, and rhythmic confidence. The track’s catchy, confident, cool character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Children / Comedy / Historical / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MOMMA BROWN blends bass, drums, percussion, synth, male vocal presence, and hip hop pacing into a cue designed for urban charisma, family identity, and rhythmic confidence. The track’s catchy, confident, cool character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

house. Because the San Francisco is engaging as all most northern cities now are engaged
in something called urban renewal, which means moving Negroes out.
It means Negro removal, that is what it means.
And the federal government is an accomplice to this fact.
We're talking about human beings.
Mama Brown, Mama Brown, they don't want you downtown now.
Mama Brown, Mama Brown, they don't want you downtown now.
Mama Brown, Mama Brown, they don't want you what?
Uptown, downtown. Mama Brown, they don't want you downtown now.
Mama Brown, Mama Brown, they don't want you downtown now.
Mama Brown, Mama Brown, they don't want you downtown now.
Mama Brown, Mama Brown, they don't want you what? Uptown, downtown.
Couldn't understand she okayed all this.
Mama Brown about to sell the old place off Fifth.
White boys made a offer that she couldn't resist.
Then her lady put a bug up up above that bid.
She was getting older and her kids all dipped.
They got they own families at they own places.
Big city, big taxes for the big stadium.
City only black owner on the block radius.
Mama Brown, they don't want her downtown, nope.
Mama Brown, no she shouldn't sell now though, don't know how but we gotta help her now, bro.
Black Frisco got a chance for survival.
Ain't a neighborhood without the neighbors.
Every city should have a black newspaper.
Tell a story of how we made it.
Need at least one for the new generation.
Mama Brown, Mama Brown, they don't want you downtown.
Mama Brown, Mama Brown, they don't want you downtown.
Mama Brown, Mama Brown, they don't want you downtown.
Mama Brown, Mama Brown, they don't want you what? Uptown, downtown.
She's so strong, huh?
She's so gone, huh?
She's such a warrior.
Can't see her gone, 'cause.
From the hood where I got my swag.
Home where I learned how to act.
For the woman that I love.
She deserves better than that.
Looking at me, looking at her, her, looking at you.
Look at me, looking at her, her, looking at you.
Look at me, looking at her, her, looking at you.
Look at me, looking at her, her, looking at you.
I see it's on, huh? She getting gone, huh?
This shit is wrong, bruh. Rap cold and they roll on another one.
Systemic 101.
Jim Crow, Ms. Sally Mae, they had a grandson.
His name is Gentrify.
He's such a gentle guy.
He's not a racist, but your loans denied.
He's got black friends. They just say goodbye.
They just say goodbye. Bye, bye, bye, bye. So what's up?
Can we get the permit and all, or what?
So what's up? Can we get some service or what?
So what's up? Ignoring us on purpose or what?
So what's up? So-and-so ain't giving a fuck, nah.
Got for that, for that, still for that, for that, for that.
Feel for that, for that, for that.
Will for that, for that, for that, for that, for that.
We are talking about human beings.
There's not such a thing as a monolithic wall or, you know, some abstraction called a Negro problem.
These are Negro boys and girls who at 16 and 17 don't believe the country means anything that it says,
don't feel they have any place here on the basis of the performance of the entire country.

Artist Bio

Ran De Casa creates groove-forward hip hop, R&B, and reggae-influenced cinematic music blending rhythmic swagger, emotional drive, and sync-ready urban movement for lifestyle visuals, comedy-drama, and character-led scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MONDAY MORNING — MELODIC YOZA

OMR Cue Map

Track: MONDAY MORNING
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for early-day pacing, routine, and transitional visual energy. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 88
Genres: Hip Hop / Pop / Reggae
Vocals: Male Vocal
Moods: Bright / Carefree / Catchy / Chill / Fun / Relaxing / Rhythmic
Sync Themes: Comedy / Coming Of Age / Romance
Lyric Themes: Happiness / Heartbreak / Hope / Love / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
MONDAY MORNING blends bass, drums, percussion, synth, male vocal presence, and hip hop, pop, reggae pacing into a cue designed for early-day pacing, routine, and transitional visual energy. The track’s bright, carefree, catchy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Comedy / Coming Of Age / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MONDAY MORNING blends bass, drums, percussion, synth, male vocal presence, and hip hop, pop, reggae pacing into a cue designed for early-day pacing, routine, and transitional visual energy. The track’s bright, carefree, catchy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

[Chorus]
You have made me feel like
All the other days
Except for Monday morning

[Verse 1]
Now, I woke up Monday morning with my job on my sleeve
With my lady right beside me telling me, Yoz don't leave
So I’m thinking to myself I gotta get this cheese
So I gave her one squeeze before I leave yea
So grateful for the new day
Thank God, now it’s Tuesday
And she's off in a frenzy
So I know that she gonna hump Wednesday, yea
Clock working on Thursday
Celebrate life like an anniversary
And though I hate and love it in the worst way
I can’t wait for my TGI Friday yea
Then we chill up all weekend
Oh, to my chocolate Sunday
And after that I'm off on the runway ‘cause you know we don’t do Mondays

I’ll be there for you always makes sense

[Chorus]
You have made me feel like
All the other days
Except for Monday morning (Hold up my baby and take a look now)
You have made me like
All the other days
Except for Monday morning (Hold up my baby and take a look now)
See pop shows near Toronto
Get tickets as low as $6

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[Verse 2]
Monday morning seemed to be our low
‘Cause every word she repeat is like a blow
I’m wondering who running the show
Or is my lady feeling insecure
‘Cause this feels like a teenage heartbreak
Monday morning is the same old heartache
Pray to God girl, this ain’t no mistake
‘Cause I'm trying to do whatever it takes
So I took her out to magnum Tuesday
Wedi, wedi, wedi, wedi on Wednesday
Big bem beh them dey on Thursday
‘Can't wait for the duty, duty Fridays
The we chill up all weekend
Oh, to my chocolate Sunday
And after that I’m off on the runway ‘cause you know we don’t do Mondays

[Chorus]
You have made me feel like all the other days
Except for Monday morning (Hold up my baby and take a look now)
You have made me feel like all the other days
Except for Monday morning (Hold up my baby and take a look now)

[Bridge]
From Tuesdays to Sundays, we seem to have a lot of fun days
But on Mondays, ain’t no fun day and it makes me miss my baby
From Tuesdays to Sundays, we seem to have a lot of fun days
But on Mondays, ain’t no fun games and it makes me want to runway


[Chorus]
You have made me feel like all the other days
Except for Monday morning (Hold up my baby and take a look now)
You have made me feel like all the other days
Except for Monday morning, Monday morning (Hold up my baby and take a look now)

[Chorus]
You have made me feel like all the other days
Except for Monday morning (Hold up my baby and take a look now)
You have made me feel like all the other days
Except for Monday morning, Monday morning (Hold up my baby and take a look now)

Artist Bio

Melodic Yoza creates rhythmically immersive cinematic music blending urban atmosphere, reggae and hip hop movement, emotional momentum, and sync-focused storytelling for nightlife, lifestyle visuals, and character-led screen moments.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MORE SMOKE & MIRRORS (EXPLICIT VERSION) — HYP

OMR Cue Map

Track: MORE SMOKE & MIRRORS (EXPLICIT VERSION)
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 94
Genres: Hip Hop
Vocals: Male Vocal
Moods: Confident / Cool / Party / Powerful / Quirky / Rhythmic / Sexy / Swagger / Upbeat
Sync Themes: Action / Crime / Drama / Mystery / Thriller
Lyric Themes: Change / Confidence / Connection / Desire / Hope / Relationship / Romance
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
MORE SMOKE & MIRRORS (EXPLICIT VERSION) blends bass, percussion, synth, male vocal presence, and hip hop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s confident, cool, party character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Action / Crime / Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MORE SMOKE & MIRRORS (EXPLICIT VERSION) blends bass, percussion, synth, male vocal presence, and hip hop pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s confident, cool, party character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

(Verse One)
It’s the return of the Big Bad Wolf
Hyp be gettin’ it so live, they reply by sending shots through the roof
I’m a sorcerer, appearing in the club like POOF and then I’m gone
(Where’d he go?!) He disappeared with some tush
If there’s smoke in the air, it’s from my mic or from the kush
Or it’s coming out my ears, ‘cuz my scotch is 80 proof
Or the music probably sucks, I’m on the edge, gimme a push
Only if you’re interested in an old school mush
It’s a typical night for the Black Knight of New England
You bring him to the stage, he’ll be having you singing
Along with the song the DJ be putting on
‘Cuz I been spittin’ like I’m stickin’: with conviction! Goin’ long
Me massive, dem suave, me squad, dem g’wan hard
Them women in the spot, get hot, say “Ooh Lawd!”
There’s smoke in the air, from the words shootin’ out my yap
So if y’all got somethin’ to burn, then y’all should do just that

(Chorus)
Now all my people in the place if you wit’ me than get ‘em up!
If y’all know someone with something to burn yo hit ‘em up!
They smokin’ (That spinach)
They smokin’ (Them stages)
They smokin’ (Them mics)
They smoke, smoke, smoke, smoke
Now all my people in the place if you wit’ me than get ‘em up!
If y’all know someone with something to burn yo hit ‘em up!
From Boston, to Oakland, from Coast and To Coast, Coast, Coast Coast!

(Verse Two)
It’s the return of the Unknown Legend
Condemned to serve a full term on this earth, the next stop is heaven
They count 16 bars, but when I rock it’s 7
You don’t understand the math, then take it up with your reverend
‘Cuz see, it’s time for my rhymes to go from grime to divine
We call it build and destroy, employ the power of the mind, I’m
Flippin’ the direction of the song, you’re g’wan learn
That the smoke you see now? Is from when Babylon burn
See this real shit I’m talkin’, if you wit’ me (throw your hands!)
Now I translate the manuscript explain it to the fans
To my chicks and my women and my dudes and my manz
If we don’t regulate this Hip-Hop, then no one else can

(Chorus)
Now all my people in the place if you wit’ me than get ‘em up!
If y’all know someone with something to burn yo hit ‘em up!
They smokin’ (That spinach)
They smokin’ (Them stages)
They smokin’ (Them mics)
They smoke, smoke, smoke, smoke
Now all my people in the place if you wit’ me than get ‘em up!
If y’all know someone with something to burn yo hit ‘em up!
From Boston, to Oakland, from Coast and To Coast, Coast, Coast Coast!

Artist Bio

HYP creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MOTHER OF MARS — GODGIFU

OMR Cue Map

Track: MOTHER OF MARS
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for modern tension, sci-fi atmosphere, and psychologically immersive visuals. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 96
Genres: Electronic / Indie / Rock
Vocals: Female Vocal
Moods: Atmospheric / Dark / Moody
Sync Themes: Drama / Arthouse / Indie / Action / Mystery / Coming Of Age
Lyric Themes: Desire / Dream / Identity / Power
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Strings / Synth

Track Summary:
MOTHER OF MARS blends bass, drums, electric guitar, percussion, vocal presence, and electronic, indie, rock pacing into a cue designed for modern tension, sci-fi atmosphere, and psychologically immersive visuals. The track’s atmospheric, dark, moody character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Drama / Arthouse / Indie / Action / Mystery / Coming Of Age
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MOTHER OF MARS blends bass, drums, electric guitar, percussion, vocal presence, and electronic, indie, rock pacing into a cue designed for modern tension, sci-fi atmosphere, and psychologically immersive visuals. The track’s atmospheric, dark, moody character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

A head floating forth
I reached out to feel
Seeping into the floor
Invisible vision
Clutched on a wall
He is the vessel
And I am the sea
Mother!
You want to take me
To your castle in the sky
Mother!
Come on take me to the edge
Buckle away to the stars
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars
Addicted to suffering
Involuntary, stalled by the pain
Tempted by emptiness
Blinded by illusion again
Mother!
You want to make me
Into the idol of your dream
Mother!
Come on take me to your bed
Buckle away to the stars
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars
Modern milk is running red
The rail trajectory of her bed
He is the vessel
And I am the sea
He is the vessel
And I am the sea
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars
Mother of Mars

Artist Bio

Godgifu creates atmospheric electronic and indie cinematic music blending rhythmic texture, dark emotional movement, and sync-ready sonic design for drama, mystery, art-house visuals, and modern screen storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MOURNING DOVE — PAUL REDDICK

OMR Cue Map

Track: MOURNING DOVE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for grief, aftermath, and shadowed emotional movement. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 135
Genres: Blues
Vocals: Male Vocal
Moods: Love / Moody / Rhythmic / Upbeat
Sync Themes: Drama / Indie / Mystery / Romance / Western
Lyric Themes: Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MOURNING DOVE blends bass, drums, electric guitar, percussion, male vocal presence, and blues pacing into a cue designed for grief, aftermath, and shadowed emotional movement. The track’s love, moody, rhythmic character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Drama / Indie / Mystery / Romance / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MOURNING DOVE blends bass, drums, electric guitar, percussion, male vocal presence, and blues pacing into a cue designed for grief, aftermath, and shadowed emotional movement. The track’s love, moody, rhythmic character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

An echo in the gloaming
A whisper in the stream
She moves like a river
Won’t you tell me please?
A voice in the distance
A quiver in the breeze
She moves like a river
Baby won’t you tell me please?
Now you see me
Now you love
I’ll be flying
Like a mourning dove
A song in the silence
A leaf upon the tree
She moves like a river
Won’t you tell me please?
A voice in the distance
A quiver in the breeze
She moves like a river
Won’t you tell me please?
Now you see me
Now you love
I’ll be flying
Like a mourning dove
Like a mourning dove
An echo in the gloaming
A whisper in the stream
She moves like a river
Won’t you tell me please?
A voice in the distance
A quiver in the breeze
She moves like a river
Baby won’t you tell me please?
Now you see me
Now you love
I’ll be flying
Like a mourning dove
Like a mourning dove
Like a mourning dove

Artist Bio

PAUL REDDICK creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MOVING ALL MY LOVE — RAN DE CASA

OMR Cue Map

Track: MOVING ALL MY LOVE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romantic reflection, relationship warmth, and emotional vulnerability. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 94
Genres: R&B / Reggae / Soul
Vocals: Male Vocal
Moods: Cool / Fun / Positive / Rhythmic
Sync Themes: Coming Of Age / Drama / Indie / Romance
Lyric Themes: Dream / Fun / Love
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
MOVING ALL MY LOVE blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and r&b, reggae, soul pacing into a cue designed for romantic reflection, relationship warmth, and emotional vulnerability. The track’s cool, fun, positive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Coming Of Age / Drama / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MOVING ALL MY LOVE blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and r&b, reggae, soul pacing into a cue designed for romantic reflection, relationship warmth, and emotional vulnerability. The track’s cool, fun, positive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Love and crazy, present, crazy
Moving on my love
moving
Got you moving, moving on my love
moving
Got you moving, moving on my love
moving
Feeling so good
Feeling so free
Feeling so fun
Feeling still here, feeling ain't left, feel so right
Feeling so sweet
Feeling at ease
Feeling my dreams, if you feel me, you feel alright
Got you moving, moving on my love
moving
Got you moving, moving on my love
moving
And she just wanna ride with me and see to all my needs I need that yeah
She just wanna lay with me and sleep and eat from feet I need that yeah
Waking up next to me the sheets, her teeth, her peace is sweet down there
Taking her a tasteful treat, the heat, the sheets, complete, she scream right there
Alright oh, well alright, alright
Alright oh, oh alright, alright
Alright oh, well alright, alright
Alright oh, oh alright, alright
All of the blocks, all of the streets, bottom to the top community, everybody stop, come sing with me, la la la la la la la la la
all of the blocks, all of the streets, bottom to the top community, everybody stop, come sing with me, la la la la la la la la la
Alright oh, well alright, alright
Alright oh, well alright, alright
Alright oh, well alright, alright
Alright oh, oh, alright, alright
Got you moving, moving on my love
moving
Got you moving, moving on my love
moving
all of the blocks, all of the streets, bottom to the top community, everybody stop, come sing with me la la la la la la la la la
all of the blocks, all of the streets, bottom to the top community, everybody stop, come sing with me la la la la la la la la la
We like to uh finish how we start around here.
I give and receive love effortlessly.
I love it.
Peace.

Artist Bio

Ran De Casa creates groove-forward hip hop, R&B, and reggae-influenced cinematic music blending rhythmic swagger, emotional drive, and sync-ready urban movement for lifestyle visuals, comedy-drama, and character-led scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MUST BE A DREAM — DANE HARTSELL

OMR Cue Map

Track: MUST BE A DREAM
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 87
Genres: Ballads / Indie / Rock / Sing / Song
Vocals: Male Vocal
Moods: Dramatic / Minimal / Romantic / Sad / Somber
Sync Themes: Drama / Romance
Lyric Themes: Connection / Desire / Dream / Happiness / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Piano / Synth

Track Summary:
MUST BE A DREAM blends bass, drums, electric guitar, percussion, male vocal presence, and ballads, indie, rock pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, minimal, romantic character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Drama / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MUST BE A DREAM blends bass, drums, electric guitar, percussion, male vocal presence, and ballads, indie, rock pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, minimal, romantic character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

Softly, slowly
Lay down beside me
Don't move your body away
Gently love me
Tell me you're thirsty
I want your body on me
It must be a dream
It must be something
That makes me love you
Again and again
It must be a dream
It must be something
That makes me love you
Again and again
Again and again and again and again
Again and again and again and again
Gently touch me
I want you to hear me
I'm not just here for one night
No
It must be a dream
It must be something
That makes me love you
It must be a dream
It must be something
That makes me love you
Again and again
Again and again
And again and again
Again and again and again and again
I love you
I love you
I love you
I love
Softly, slowly
Lay down beside me
Don't move your body away
It must be a dream
It must be something
That makes me love you
Again and again
It must be a dream
It must be something
That makes me love you
Again and again
Again and again and again and again
Again and again and again and again
Again and again and again and again
Again and again and again and again
Again and again and again and again

Artist Bio

Dane Hartsell creates emotionally driven cinematic songs blending indie rock, ballad warmth, intimate vocals, and sync-ready dramatic pacing for romance, reflection, and character-centered storytelling.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY BABY AGAIN — LEE PALMER

OMR Cue Map

Track: MY BABY AGAIN
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romantic reflection, relationship warmth, and emotional vulnerability. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 108
Genres: Blues / Country / R&B / Sing / Song
Vocals: Male Vocal
Moods: Confident / Hopeful / Light / Love / Positive / Relaxing / Upbeat
Sync Themes: Comedy / Romance
Lyric Themes: Hope / Love / Relationship / Struggle / Success
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Piano / Saxophone

Track Summary:
MY BABY AGAIN blends bass, drums, electric guitar, horns, male vocal presence, and blues, country, r&b pacing into a cue designed for romantic reflection, relationship warmth, and emotional vulnerability. The track’s confident, hopeful, light character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Comedy / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MY BABY AGAIN blends bass, drums, electric guitar, horns, male vocal presence, and blues, country, r&b pacing into a cue designed for romantic reflection, relationship warmth, and emotional vulnerability. The track’s confident, hopeful, light character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

I will or I won't
I can't or I can't
We'll see if you'll be my baby again
I've said how I feel forever and then
You stray or you stay my baby again
I may or I might
Finally get this love right
It's so hard to know
What makes this love grow
Touch down or take flight
Your love or your friend
If I fall I might call
My baby again
I may or I might
Finally get this love right
It's so hard to know
What makes this love grow
I will or I won't
I can't or I can
We'll see if you'll be
My baby again

Artist Bio

Lee Palmer creates roots-driven blues, country, and Americana music blending emotional sincerity, barroom realism, nostalgic warmth, and sync-focused storytelling for film, television, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY FRIENDS ARE ALL CRAZY — THADEUS GONZALEZ

OMR Cue Map

Track: MY FRIENDS ARE ALL CRAZY
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 122
Genres: Country / Folk / Sing / Song
Vocals: Male Vocal
Moods: Fun / Party / Positive
Sync Themes: Animation / Comedy / Coming Of Age / Indie
Lyric Themes: Friendship / Fun / Love / Party / Time
Type: One Stop

Instrumentation:
Acoustic Guitar

Track Summary:
MY FRIENDS ARE ALL CRAZY blends acoustic guitar, male vocal presence, and country, folk, sing pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s fun, party, positive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Animation / Comedy / Coming Of Age / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MY FRIENDS ARE ALL CRAZY blends acoustic guitar, male vocal presence, and country, folk, sing pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s fun, party, positive character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

My friends are all crazy,
They'd go out after dark
smokin drinking in the bars
all night long, they're the wild ones
My friends are all crazy
They'd go out to a show
choppin lines, doing blow
nights are long
they're the wild ones
So don't ask me, for them, to leave again
cause they've always had my back
They've always had that
They'd go out to club
dance all night looking for love
and end up with nothing at all
And I say don't let this night go
and turn into another lonely tomorrow
with no one to call
Cause I've seen all the trouble they bring

Artist Bio

Thadeus Gonzalez creates emotionally charged cinematic music blending gritty guitars, roots influence, alternative rock energy, and sync-focused songwriting for drama, action, coming-of-age, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY OLD MAN — LEE PALMER

OMR Cue Map

Track: MY OLD MAN
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for romance, vulnerability, emotional warmth. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 95
Genres: Country / Sing / Song
Vocals: Male Vocal
Moods: Dramatic / Nostalgic / Sad / Somber
Sync Themes: Coming Of Age / Drama / Historical / Western
Lyric Themes: Loss / Relationship / Strength / Struggle / Success
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Piano / Strings

Track Summary:
MY OLD MAN blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and country, sing, song pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, nostalgic, sad character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Coming Of Age / Drama / Historical / Western
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MY OLD MAN blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and country, sing, song pacing into a cue designed for romance, vulnerability, emotional warmth. The track’s dramatic, nostalgic, sad character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

My old man was a battleaxe
Made his own way, caught his own path
He built something that wouldn't last
Long after he was gone
He gambled like a maniac
'Til Lady Luck turned her back
Bet on red it came up black
'Til everything was lost
My old man
He passed too soon
He missed so much
I miss him too
You'd find him working day and night
He stood on guard 'til it was right
He got wound a little tight
You had to know when to stay clear
He led the charge and held his ground
Men followed him without a sound
The ones who loved him gathered round
That cold December day
My old man
He passed too soon
He missed so much
I miss him too
His heart gave out in the end
Along with just about everything
He couldn't gather the strength to mend
We never said goodbye
We had opposing points of view
You taught me what a man could do
You stick to your guns with hands of glue
Just like my old man

Artist Bio

Lee Palmer creates roots-driven blues, country, and Americana music blending emotional sincerity, barroom realism, nostalgic warmth, and sync-focused storytelling for film, television, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY TIME — KELSEY KINDALL

OMR Cue Map

Track: MY TIME
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for self-belief, transformation, and personal momentum. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing relationship emotion and intimate cinematic warmth.

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 120
Genres: Electronic / Pop
Vocals: female vocal
Moods: Atmospheric / Dark / Dreamy / Intense / Minimal / Moody / Rhythmic
Sync Themes: Drama / Indie / Art House / Thriller
Lyric Themes: Desire / Identity / Struggle / Success / Time
Type: One Stop

Instrumentation:
Bass / Percussion / Piano / Synth

Track Summary:
MY TIME blends bass, percussion, piano, synth, vocal presence, and electronic, pop pacing into a cue designed for self-belief, transformation, and personal momentum. The track’s atmospheric, dark, dreamy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Intimacy / Emotional Connection
• Secondary utility: romance, vulnerability, emotional warmth
• Sync themes: Drama / Indie / Art House / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Intimacy / Emotional Connection placements with crossover utility for romance, vulnerability, emotional warmth.

Stem Tracks

Yes

Track Narrative

MY TIME blends bass, percussion, piano, synth, vocal presence, and electronic, pop pacing into a cue designed for self-belief, transformation, and personal momentum. The track’s atmospheric, dark, dreamy character gives it strong sync utility for intimacy / emotional connection placements while retaining clear editorial movement for film and television use.

Lyrics

I never thought I'd be sedentary this long
Maybe my pride told me I would be further along
If the future called
Would it be kind
Or is this all a big waste of time

When will it be
When will it be my time
When will it be
When will it be my time

If I knew what I was waiting for, then I would keep my eyes open
But I'm sick of kicking down the doors
That lead nowhere except leave me broken
Would I be alright with letting dreams die
Does changing my mind mean I didn't try

When will it be
When will it be my time
When will it be
When will it be my time
When will it be
When will it be my time
When will it be
When will it be my time

I'm waiting for all of the lives that I've lived to collide
Am I meant for something or is it a show
I'm trying to get there, the clock keeps on ticking
Don't know where to go
Move to a new city and make a good living and I'm satisfied
But when will it be
When will it be my time

Artist Bio

Kelsey Kindall creates emotionally resonant cinematic pop music blending atmospheric production, vulnerable vocals, and sync-focused storytelling for drama, indie visuals, relationship tension, and character-driven scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MANJERICO — MARITO MARQUES

OMR Cue Map

Track: MANJERICO
Clean Intro: Yes
Edit Points: Natural rhythmic edit opportunities throughout percussion transitions, melodic phrases, and energy shifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability for cultural movement, immersive rhythm, atmospheric pacing. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing cultural atmosphere and rhythmically immersive cinematic motion.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 95
Genres: Folk / Sing / Song / World
Vocals: Male Vocal
Moods: Bright / Emotive / Hopeful / Sad
Sync Themes: Adventure / Art House / Children / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Accordion / Bass / Drums / Electric Guitar / Percussion

Track Summary:
MANJERICO blends acoustic guitar, accordion, bass, drums, male vocal presence, and folk, sing, song pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s bright, emotive, hopeful character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Adventure / Art House / Children / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

MANJERICO blends acoustic guitar, accordion, bass, drums, male vocal presence, and folk, sing, song pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s bright, emotive, hopeful character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Lyrics

Manjerico da janela,
dá-me a mão, quero subir.
Eu queria falar com ela,
mas à porta não posso ir.
mas à porta não posso ir.
Tu és a flor mais bela.
Ó luar da meia-noite,
tu tens lá segredos meus.
Ó luar, não me os descubras,
que esses segredos são meus.
Mas à porta não posso ir,
tu és a flor mais bela.
Dá-me a mão, quero subir,
manjerico da janela.
Manjerico
da janela.
Manjerico da janela.
Mas à porta não posso ir.
Tu és a flor mais bela.
Dá-me a mão, quero subir,
manjerico da janela.
Manjerico da janela, dá-me a mão, quero subir, eu queria falar com ela, mas à porta não posso ir.
Mas à porta não posso ir, tu és a flor mais bela. Dá-me a mão, quero subir, manjerico da janela.

Artist Bio

Marito Marques creates Portuguese and world-influenced cinematic music blending folk textures, emotional storytelling, rhythmic warmth, and sync-focused cultural atmosphere for travel, heritage, and human-centered visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MARINHEIRO — MARITO MARQUES

OMR Cue Map

Track: MARINHEIRO
Clean Intro: Yes
Edit Points: Natural rhythmic edit opportunities throughout percussion transitions, melodic phrases, and energy shifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability for cultural movement, immersive rhythm, atmospheric pacing. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing cultural atmosphere and rhythmically immersive cinematic motion.

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 87
Genres: Folk / Indie
Vocals: Male Vocal
Moods: Reflective
Sync Themes: Art House / Drama / Historical / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Flute / Mandolin / Percussion / Strings / Synth

Track Summary:
MARINHEIRO blends bass, drums, electric guitar, flute, male vocal presence, and folk, indie pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s reflective character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Art House / Drama / Historical / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

MARINHEIRO blends bass, drums, electric guitar, flute, male vocal presence, and folk, indie pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s reflective character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Lyrics

Deixei no cais minha mãe
Parti sozinho p'rá guerra
Mas com saudades também
Dos sabores da minha terra
Foi meu coração vagabundo
Foi a raíz e a ponte
Do outro lado do mundo
Onde mora o horizonte
Vesti-me de marinheiro
por outros mares a esgar
naveguei o mundo inteiro
sempre à procura de ti
Vesti-me de marinheiro
por outros mares a esgar
naveguei o mundo inteiro
sempre à procura de ti
Vesti-me de marinheiro
por outros mares a esgar
naveguei o mundo inteiro
sempre à procura de ti
Vesti-me de marinheiro
por outros mares a esgar
naveguei o mundo inteiro
sempre à procura de ti

Artist Bio

Marito Marques creates Portuguese and world-influenced cinematic music blending folk textures, emotional storytelling, rhythmic warmth, and sync-focused cultural atmosphere for travel, heritage, and human-centered visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
METROPOLI — ELMER FERRER

OMR Cue Map

Track: METROPOLI
Clean Intro: Yes
Edit Points: Natural rhythmic edit opportunities throughout percussion transitions, melodic phrases, and energy shifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability for city movement, pursuit pacing, and urban dramatic tension. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing cultural atmosphere and rhythmically immersive cinematic motion.

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 144
Genres: Jazz / Latin / World
Vocals: Instrumental
Moods: Bright / Cool / Dramatic / Energetic / Romantic
Sync Themes: Action / Adventure / Animation / Comedy / Crime / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Keyboard / Percussion / Saxophone

Track Summary:
METROPOLI blends bass, drums, electric guitar, keyboard, instrumental presence, and jazz, latin, world pacing into a cue designed for city movement, pursuit pacing, and urban dramatic tension. The track’s bright, cool, dramatic character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Action / Adventure / Animation / Comedy / Crime / Drama / Mystery
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

METROPOLI blends bass, drums, electric guitar, keyboard, instrumental presence, and jazz, latin, world pacing into a cue designed for city movement, pursuit pacing, and urban dramatic tension. The track’s bright, cool, dramatic character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “METROPOLI” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, blues and jazz color, and sync-driven storytelling sensibility for film, television, suspense, romance, and visually immersive narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MIA — ELMER FERRER

OMR Cue Map

Track: MIA
Clean Intro: Yes
Edit Points: Natural rhythmic edit opportunities throughout percussion transitions, melodic phrases, and energy shifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability for cultural movement, immersive rhythm, atmospheric pacing. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing cultural atmosphere and rhythmically immersive cinematic motion.

Sync Pitch Sheet

Song Profile:
Key: E Major
BPM: 100
Genres: Jazz / Latin / World
Vocals: Instrumental
Moods: Carefree / Chill / Cool / Dramatic / Hopeful / Relaxing / Romantic / Warm
Sync Themes: Adventure / Drama / Fantasy / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Percussion / Piano

Track Summary:
MIA blends acoustic guitar, percussion, piano, instrumental presence, and jazz, latin, world pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s carefree, chill, cool character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Adventure / Drama / Fantasy / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

MIA blends acoustic guitar, percussion, piano, instrumental presence, and jazz, latin, world pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s carefree, chill, cool character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MIA” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

Elmer Ferrer creates emotionally intelligent cinematic music blending Latin rhythm, atmospheric movement, blues and jazz color, and sync-driven storytelling sensibility for film, television, suspense, romance, and visually immersive narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MMM!!! — AMHED MITCHEL

OMR Cue Map

Track: MMM!!!
Clean Intro: Yes
Edit Points: Natural rhythmic edit opportunities throughout percussion transitions, melodic phrases, and energy shifts.
Button Ending: Yes
Loopable: Yes
Best Loop Candidates: 0:14–0:42, 1:00–1:28

Use Case:
Strong sync usability for cultural movement, immersive rhythm, atmospheric pacing. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing cultural atmosphere and rhythmically immersive cinematic motion.

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 71
Genres: Folk / Jazz
Vocals: Instrumental
Moods: Dramatic / Energetic / Happy
Sync Themes: Animation / Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone / Synth

Track Summary:
MMM!!! blends bass, drums, electric guitar, horns, instrumental presence, and folk, jazz pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s dramatic, energetic, happy character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: World / Cultural Motion
• Secondary utility: cultural movement, immersive rhythm, atmospheric pacing
• Sync themes: Animation / Crime / Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for World / Cultural Motion placements with crossover utility for cultural movement, immersive rhythm, atmospheric pacing.

Stem Tracks

Yes

Track Narrative

MMM!!! blends bass, drums, electric guitar, horns, instrumental presence, and folk, jazz pacing into a cue designed for cultural movement, immersive rhythm, atmospheric pacing. The track’s dramatic, energetic, happy character gives it strong sync utility for world / cultural motion placements while retaining clear editorial movement for film and television use.

Instrumental Usage

Fully instrumental and one-stop, “MMM!!!” supports cinematic storytelling without lyrical distraction. Especially useful for cultural movement, immersive rhythm, atmospheric pacing.

Artist Bio

Amhed Mitchel creates Afro-Cuban jazz and cinematic world music blending rhythmic sophistication, cultural warmth, melodic depth, and sync-focused storytelling for travel visuals, heritage narratives, and emotionally rich scenes.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MAPLE SUGAR SWEET — MATTIE LEON

OMR Cue Map

Track: MAPLE SUGAR SWEET
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for holiday warmth, nostalgia, emotional comfort. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing seasonal warmth and emotionally comforting cinematic movement.

Sync Pitch Sheet

Song Profile:
Key: F# Major
BPM: 95
Genres: Holiday / Indie / Pop / Sing / Song
Vocals: Male Vocal
Moods: Catchy / Cool / Driving / Fun / Happy / Hopeful
Sync Themes: Art House / Comedy / Drama / Historical / Indie / Romance
Lyric Themes: Christmas / Family / Hope / Love / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
MAPLE SUGAR SWEET blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and holiday, indie, pop pacing into a cue designed for holiday warmth, nostalgia, emotional comfort. The track’s catchy, cool, driving character gives it strong sync utility for human connection / celebration / feel-good placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Human Connection / Celebration / Feel-Good
• Secondary utility: holiday warmth, nostalgia, emotional comfort
• Sync themes: Art House / Comedy / Drama / Historical / Indie / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Celebration / Feel-Good placements with crossover utility for holiday warmth, nostalgia, emotional comfort.

Stem Tracks

Yes

Track Narrative

MAPLE SUGAR SWEET blends acoustic guitar, bass, drums, electric guitar, male vocal presence, and holiday, indie, pop pacing into a cue designed for holiday warmth, nostalgia, emotional comfort. The track’s catchy, cool, driving character gives it strong sync utility for human connection / celebration / feel-good placements while retaining clear editorial movement for film and television use.

Lyrics

You know nothing warms my heart
like the coldest time of year
When the cards are full of wishes
and the mistletoes appear

Street lit up like broadway
The crooners start to sing
Sure I’ve got my problems but
Christmas fixes everything

It can fix the broken heart
That she gave me in July
and all the stress I’ve got at work
won’t even cross my mind

It’s a little nip of whiskey
when my body can’t relax
Once we hit December, babe,
there ain’t no turning back

Maple sugar sweet the kid in me comes ‘round again
On Christmas
On Christmas
Nothing’s ever wrong for long cause
time and time again
Once I hear those sleigh bells ring
Christmas fixes everything

The days are getting shorter
and I start to feel alone
Thank god there’s a time of year
when everyone comes home

All quiet on the western front
cause Christmas stopped the war
Let go of your grudges
we don’t need them anymore

Maple sugar sweet the kid in me comes ‘round again
On Christmas
On Christmas
Nothing’s ever wrong for long cause
time and time again
Once I hear those sleigh bells ring
Christmas fixes everything

For as long as I can remember
I’ve been praying we could stay
Here in sweet December’s warm embrace
Can’t we stay?

Artist Bio

Mattie Leon creates emotionally grounded Americana and singer-songwriter music blending roots authenticity, melodic warmth, vintage charm, and sync-focused storytelling for film, television, romance, and character-driven visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY AMAZING GRACE — SAMUEL WILLIAMS

OMR Cue Map

Track: MY AMAZING GRACE
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for holiday warmth, nostalgia, emotional comfort. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing seasonal warmth and emotionally comforting cinematic movement.

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 142
Genres: Ambient / Jazz / Vintage
Vocals: Female Vocal
Moods: Bright / Chill / Dramatic / Hopeful / Moody / Nostalgic / Reflective
Sync Themes: Drama / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Percussion / Piano / Saxophone / Strings

Track Summary:
MY AMAZING GRACE blends acoustic guitar, bass, drums, percussion, vocal presence, and ambient, jazz, vintage pacing into a cue designed for holiday warmth, nostalgia, emotional comfort. The track’s bright, chill, dramatic character gives it strong sync utility for human connection / celebration / feel-good placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Human Connection / Celebration / Feel-Good
• Secondary utility: holiday warmth, nostalgia, emotional comfort
• Sync themes: Drama / Mystery / Romance
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Celebration / Feel-Good placements with crossover utility for holiday warmth, nostalgia, emotional comfort.

Stem Tracks

Yes

Track Narrative

MY AMAZING GRACE blends acoustic guitar, bass, drums, percussion, vocal presence, and ambient, jazz, vintage pacing into a cue designed for holiday warmth, nostalgia, emotional comfort. The track’s bright, chill, dramatic character gives it strong sync utility for human connection / celebration / feel-good placements while retaining clear editorial movement for film and television use.

Lyrics

Amazing grace
Amazing grace
Amazing grace
I'm crazy, crazy (I'm crazy, crazy)
Amazing grace
Shall always be my soul
You're amazing
You're amazing
Your amazing grace

Artist Bio

Samuel Williams creates soulful cinematic music blending jazz, R&B, vintage warmth, and emotionally engaging arrangements for film, television, holiday storytelling, celebration scenes, and heartfelt visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MY FAVORITE THINGS — SAMUEL WILLIAMS

OMR Cue Map

Track: MY FAVORITE THINGS
Clean Intro: Yes
Edit Points: Natural edit opportunities throughout vocal transitions, melodic lifts, and emotional movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:20–0:48, 1:10–1:38

Use Case:
Strong sync usability for holiday warmth, nostalgia, emotional comfort. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing seasonal warmth and emotionally comforting cinematic movement.

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 60
Genres: Holiday / R&B / Vintage
Vocals: Female Vocal
Moods: Carefree / Dramatic / Driving / Energetic / Hopeful / Nostalgic / Powerful / Retro / Sad
Sync Themes: Drama / Mystery / Thriller
Lyric Themes: Celebration / Christmas / Happiness / Hope / Love / Nostalgia
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
MY FAVORITE THINGS blends bass, drums, electric guitar, horns, vocal presence, and holiday, r&b, vintage pacing into a cue designed for holiday warmth, nostalgia, emotional comfort. The track’s carefree, dramatic, driving character gives it strong sync utility for human connection / celebration / feel-good placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Human Connection / Celebration / Feel-Good
• Secondary utility: holiday warmth, nostalgia, emotional comfort
• Sync themes: Drama / Mystery / Thriller
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Human Connection / Celebration / Feel-Good placements with crossover utility for holiday warmth, nostalgia, emotional comfort.

Stem Tracks

Yes

Track Narrative

MY FAVORITE THINGS blends bass, drums, electric guitar, horns, vocal presence, and holiday, r&b, vintage pacing into a cue designed for holiday warmth, nostalgia, emotional comfort. The track’s carefree, dramatic, driving character gives it strong sync utility for human connection / celebration / feel-good placements while retaining clear editorial movement for film and television use.

Lyrics

I simply remember my favorite things
And then I don't feel so bad, yeah
Oh, oh, oh, oh, oh, oh, oh
Raindrops on roses and whiskers on kittens
Bright copper candles and warm woolen mittens
Brown paper packages tied up with string
These are a few of my favorite things
Cream colored ponies and crisp apple strudel
Doorbells and sleigh bells and snitchels with noodles
Wild geese that fly with the moon on their wings
These are a few of my favorite things
Girls in white dresses and blue satin sashes
Snowflakes that stay on my nose and eyelashes
Silver white winters that melt into spring
These are a few of my favorite things
When the dog bites, when the bees sing
When I'm feeling sad
I simply remember my favorite things
And then I don't feel half so bad
Oh yeah
Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh
Oh, oh, oh, oh
My favorite things
My favorite things
My favorite things
My favorite things
Ooh, my favorite thing
When the dog bites, when the bees sting
When I'm feeling sad, oh
When the dog bites, when the bees sting
When I'm feeling sad, yeah
When the dog bites, when it stings me
When I'm feeling sad
When the dogs bite
When the bees sting me
When I feel insane
I simply remember my fever in me
And there ain't a thing
So fake

Artist Bio

Samuel Williams creates soulful cinematic music blending jazz, R&B, vintage warmth, and emotionally engaging arrangements for film, television, holiday storytelling, celebration scenes, and heartfelt visual narratives.

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
MORNING BELL — PAUL REDDICK

OMR Cue Map

Track: MORNING BELL
Clean Intro: Yes
Edit Points: Natural edit points occur through verse transitions, groove changes, and instrumental movement sections.
Button Ending: Yes
Loopable: Moderate
Best Loop Candidates: 0:18–0:46, 1:08–1:36

Use Case:
Strong sync usability for early-day pacing, routine, and transitional visual energy. Best suited to montage pacing, scene transitions, character movement, and visual sequences needing roots realism and character-driven Americana atmosphere.

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 115
Genres: Folk / Latin / World
Vocals: Male Vocal
Moods: Confident / Fun / Quirky
Sync Themes: Adventure / Animation / Art House / Comedy / Coming Of Age / Fantasy / Indie
Lyric Themes: Discovery / Dream / Nature / Time / Together
Type: One Stop

Instrumentation:
Acoustic Guitar / Accordion / Bass / Percussion / Synth

Track Summary:
MORNING BELL blends acoustic guitar, accordion, bass, percussion, male vocal presence, and folk, latin, world pacing into a cue designed for early-day pacing, routine, and transitional visual energy. The track’s confident, fun, quirky character gives it strong sync utility for retro / americana / roots character placements while retaining clear editorial movement for film and television use.

Sync Highlights:

• Primary category: Retro / Americana / Roots Character
• Secondary utility: roots character, emotional realism, Americana atmosphere
• Sync themes: Adventure / Animation / Art House / Comedy / Coming Of Age / Fantasy / Indie
• One-stop licensing supports streamlined clearance

Sync Potential

Best suited for Retro / Americana / Roots Character placements with crossover utility for roots character, emotional realism, Americana atmosphere.

Stem Tracks

Yes

Track Narrative

MORNING BELL blends acoustic guitar, accordion, bass, percussion, male vocal presence, and folk, latin, world pacing into a cue designed for early-day pacing, routine, and transitional visual energy. The track’s confident, fun, quirky character gives it strong sync utility for retro / americana / roots character placements while retaining clear editorial movement for film and television use.

Lyrics

Come and go the day is new
Row the morning across the dew
Ease your dreams into the breeze
Sweetly rising by degrees
Wind the sun around and round
Wake the dust up upon the ground
The sky beyond is just as blue
There’s half for me and half for you
Early in the morning bout the break of day
What will I call you when you’ve gone away
Pretty ribbons and pretty bows
Ola darlin nobody knows
Who’s been tolling that early bell
It’s hard to tell it’s hard to tell
Come and go the day is new
Row the morning across the dew
Ease your dreams into the breeze
Sweetly rising by degrees
Early in the morning bout the break of day
What will I call you when you’ve gone away
Early in the morning bout the break of day
What will I call you when you’ve gone away
When you’ve gone away
when you’ve gone away

Artist Bio

PAUL REDDICK creates cinematic music blending emotional pacing, distinctive musical identity, and sync-focused storytelling for film, television, and visually driven narratives.