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For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Baby Sleeps — Pheelion

OMR Cue Map

Track: Baby Sleeps
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Baby Sleeps” for drama, indie, romance. Best entry points should follow ...

Sync Pitch Sheet

Song Profile:
Key: Eb Minor
BPM: 110
Genres: Electronic / Indie
Vocals: Instrumental
Moods: Atmospheric / Dreamy / Minimal / Moody / Reflective / Rhythmic
Sync Themes: Drama / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Synth

Track Summary:
“Baby Sleeps” by Pheelion is a midtempo electronic / indie track built around...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Indie / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Indie / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Baby Sleeps” by Pheelion is a midtempo electronic / indie track built around...

Instrumental Usage

Fully instrumental and one-stop, “Baby Sleeps” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric & cinematic placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

PheeLion crafts cinematic electronic music shaped by texture, restraint, atmo...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Beacon — Rich Brown

OMR Cue Map

Track: Beacon
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Beacon” for adventure, art house, crime. Best entry points should follow...

Sync Pitch Sheet

Song Profile:
Key: F# Minor
BPM: 94
Genres: Jazz
Vocals: Instrumental
Moods: Bright / Carefree / Chill / Dramatic / Hopeful / Light / Minimal / Powerful / Relaxing / Uplifting
Sync Themes: Adventure / Art House / Crime / Drama / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Percussion / Piano / Synth

Track Summary:
“Beacon” by Rich Brown is a midtempo jazz track built around bass, percussion...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Adventure / Art House / Crime / Drama / Mystery scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Adventure / Art House / Crime / Drama / Mystery scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Beacon” by Rich Brown is a midtempo jazz track built around bass, percussion...

Instrumental Usage

Fully instrumental and one-stop, “Beacon” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric & cinematic placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Rich Brown brings sophisticated jazz language, deep groove, and cinematic ins...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Believe In Him — Pheelion

OMR Cue Map

Track: Believe In Him
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Believe In Him” for coming of age, drama, historical, faith. Best entry ...

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 110
Genres: Ambient / Dance / Electronic / World
Vocals: Female Vocal
Moods: Atmospheric / Dramatic / Light / Minimal / Mysterious / Reflective / Rhythmic / Tension / Warm
Sync Themes: Coming Of Age / Drama / Historical / Romance
Lyric Themes: Faith / Hope / Love
Type: One Stop

Instrumentation:
Percussion / Synth

Track Summary:
“Believe In Him” by Pheelion is a midtempo ambient / dance / electronic track...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Coming Of Age / Drama / Historical / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Coming Of Age / Drama / Historical / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Believe In Him” by Pheelion is a midtempo ambient / dance / electronic track...

Lyrics

Let us hold fast the confession of our hope
without wavering.
For he who promised
is faithful.
Therefore I tell you,
whatever you ask for in prayer,
believe that you have received it,
and it will be yours.
For nothing will be impossible with God.
He will cover you with his feathers,
and under his wings you will find refuge.
His faithfulness will be your shield and your rampart.
For he will command his angels concerning you,
to guard you in all your ways,
so that you will not strike your foot against a stone.

Artist Bio

PheeLion crafts cinematic electronic music shaped by texture, restraint, atmo...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blue Ice — Elmer Ferrer

OMR Cue Map

Track: Blue Ice
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Blue Ice” for drama, mystery, sci-fi. Best entry points should follow th...

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 106
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Atmospheric / Dark / Light / Minimal / Reflective / Sad
Sync Themes: Drama / Mystery / Sci-Fi / Indie
Lyric Themes:
Type: One Stop

Instrumentation:
Synth

Track Summary:
“Blue Ice” by Elmer Ferrer is a midtempo ambient / electronic track built aro...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Mystery / Sci-Fi / Indie scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Mystery / Sci-Fi / Indie scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blue Ice” by Elmer Ferrer is a midtempo ambient / electronic track built aro...

Instrumental Usage

Fully instrumental and one-stop, “Blue Ice” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric & cinematic placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Elmer Ferrer creates cinematic guitar and score-driven music with strong emot...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Borealis — Rich Brown

OMR Cue Map

Track: Borealis
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Borealis” for adventure, art house, drama. Best entry points should foll...

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 95
Genres: Electronic / Horror
Vocals: Instrumental
Moods: Atmospheric / Dramatic / Eerie / Emotive / Hopeful / Light / Minimal / Moody / Reflective / Ser...
Sync Themes: Adventure / Art House / Drama / Fantasy / Horror / Sci Fi / War
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Piano / Synth

Track Summary:
“Borealis” by Rich Brown is a midtempo electronic / horror track built around...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Adventure / Art House / Drama / Fantasy / Horror / Sci Fi / War scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Adventure / Art House / Drama / Fantasy / Horror / Sci Fi / War scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Borealis” by Rich Brown is a midtempo electronic / horror track built around...

Instrumental Usage

Fully instrumental and one-stop, “Borealis” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric & cinematic placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Rich Brown brings sophisticated jazz language, deep groove, and cinematic ins...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Branches — Kristin Sweetland

OMR Cue Map

Track: Branches
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Branches” for adventure, art house, drama. Best entry points should foll...

Sync Pitch Sheet

Song Profile:
Key: E Miinor
BPM: 94
Genres: Folk / Indie
Vocals: Instrumental
Moods: Atmospheric / Moody / Reflective / Romantic
Sync Themes: Adventure / Art House / Drama / Fantasy / Indie / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Piano / Strings / Synth

Track Summary:
“Branches” by Kristin Sweetland is a midtempo folk / indie track built around...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Adventure / Art House / Drama / Fantasy / Indie / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Adventure / Art House / Drama / Fantasy / Indie / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Branches” by Kristin Sweetland is a midtempo folk / indie track built around...

Instrumental Usage

Fully instrumental and one-stop, “Branches” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric & cinematic placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Kristin Sweetland writes with a grounded folk and cinematic sensibility, bala...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Built-In Obsolescence — Godgifu

OMR Cue Map

Track: Built-In Obsolescence
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Built-In Obsolescence” for drama, indie, art house, connection. Best ent...

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 144
Genres: Electronic / Indie
Vocals: Female Vocal
Moods: Atmospheric / Dreamy / Moody
Sync Themes: Drama / Indie / Art House / Romance / Coming Of Age / Mystery
Lyric Themes: Connection / Identity / Loneliness / Love
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
“Built-In Obsolescence” by Godgifu is a high-energy electronic / indie track ...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Indie / Art House / Romance / Coming Of Age / Mystery scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Indie / Art House / Romance / Coming Of Age / Mystery scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Built-In Obsolescence” by Godgifu is a high-energy electronic / indie track ...

Lyrics

Falling out of the depths
Into the daybreak
With a ghost of myself
Clinging to the sun

Maybe it's all in my head
That I can't do anything without you
Tired of the reticence
Weary of waiting for the last word

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

Cherish all the preciousness
Of solitude
Cut the umbilicus
That binds me to you

Maybe it's all in my head
That I can't go anywhere without you
Tired of the reticence
Weary of waiting for the last word

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

In transition to wish you well but
You send away
How could I ever compete
With the ocean of you

In transition to wish you well but
You send away
How could I ever compete
With the ocean of you

Artist Bio

Godgifu contributes electronic / indie material to OMR with a atmospheric / d...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Buoy Blues For The Fishers Of Men — Radagast The Brown

OMR Cue Map

Track: Buoy Blues For The Fishers Of Men
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Buoy Blues For The Fishers Of Men” for drama, mystery, indie. Best entry...

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 120
Genres: Ambient / Electronic
Vocals: Instrumental
Moods: Atmospheric / Moody
Sync Themes: Drama / Mystery / Indie / Sci-Fi
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Strings / Synth

Track Summary:
“Buoy Blues For The Fishers Of Men” by Radagast The Brown is a driving ambien...

Sync Highlights:

• Primary category: Atmospheric & Cinematic
• Scene utility: Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Mystery / Indie / Sci-Fi scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Atmospheric & Cinematic placements with crossover utility across Drama / Mystery / Indie / Sci-Fi scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Buoy Blues For The Fishers Of Men” by Radagast The Brown is a driving ambien...

Instrumental Usage

Fully instrumental and one-stop, “Buoy Blues For The Fishers Of Men” supports cinematic storytelling without lyrical distraction. Especially useful for atmospheric & cinematic placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Radagast the Brown creates ambient and cinematic instrumental work with medit...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Back To Houston — The Green Door

OMR Cue Map

Track: Back To Houston
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Back To Houston” for crime, drama, thriller, identity. Best entry points...

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 77
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Atmospheric / Dark / Moody / Retro / Upbeat
Sync Themes: Crime / Drama / Thriller / Indie
Lyric Themes: Identity / Love / Money / Relationship / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
“Back To Houston” by The Green Door is a measured metal / punk / rock track b...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Crime / Drama / Thriller / Indie scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Crime / Drama / Thriller / Indie scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Back To Houston” by The Green Door is a measured metal / punk / rock track b...

Lyrics

"Well I’m back on this track
Headed straight down to Houston, Texas
That’s where my baby said
That she would be waiting for me

Well conductor don’t you suffer
No bouts of misdirection
Churn the coal, turn the fire
Of the beast

Well my wallet is stacked
And I’m back in Houston, Texas
Straighten my suit
So baby you know what I mean

Spent some time in the mine
But now it’s just us
Ah, but now you say
You don’t remember me

So I’m back on this track
Heading straight on down to Memphis
There’s a soft little peach
Just hanging on the tree

Settle down on the farm
Where we first kissed
And there you are
In the arms of the Indian Chief

So I’m back on this track
Heading late but straight to Ole’ Miss
Mississippi, you’re the only one
Who’s ever loved me

Here I come, we’ll have some fun
And maybe marry
When I arrive
It’s some…
And then you rob me

So if you’re heading late
Better stay from where you’re coming
‘Cause there ain’t no road
That’s gonna set you free

Just a matchbox for my clothes
And I’m stuck

Artist Bio

The Green Door delivers gritty, guitar-forward storytelling with roots, rock,...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
BAD — Kelsey Kindall

OMR Cue Map

Track: BAD
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bad” for drama, thriller, romance, energy. Best entry points should foll...

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 140
Genres: Pop / R&B
Vocals: female vocal
Moods: Atmospheric / Cool / Minimal / Moody / Rhythmic / Upbeat
Sync Themes: Drama / Thriller / Romance / Crime / Indie / Art House
Lyric Themes: Energy / Pain
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
“Bad” by Kelsey Kindall is a high-energy pop / r&b track built around bass, d...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Drama / Thriller / Romance / Crime / Indie / Art House scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Drama / Thriller / Romance / Crime / Indie / Art House scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bad” by Kelsey Kindall is a high-energy pop / r&b track built around bass, d...

Lyrics

"I got some pent-up energy
Recklessness sounds so good to me
Another drink and I could be out my mind
Don't wanna talk
I'd rather be
Living in my own fantasy
Don't wanna deal with everything on my mind

Something's gotta give I'm tired of fighting myself
Now I am begging for help

Don't wanna be bad but I make mistakes
And I'm trying to get back
Get my head on straight
I'm in over my head
Get me out of my head
What did I miss
Have I gone insane
A moment of bliss
Then comes the pain
I'm in over my head
Get me out of my head

I got some pent-up energy
About to go blow off some steam
A simple fix to remedy what's inside

A crazy way to live
I'm tired of fighting myself
So something's gotta give

Don't wanna be bad but I make mistakes
And I'm trying to get back
Get my head on straight
I'm in over my head
Get me out of my head
What did I miss
Have I gone insane
A moment of bliss
Then comes the pain
I'm in over my head
Get me out of my head

Two sides to every story
One winner takes the glory
Who's it gonna be?
Which version of me
One's bad but one is boring
One's right and one's alluring
Who's it gonna be?
Which version of me
Don't wanna be
Bad"

Artist Bio

Kelsey Kindall contributes pop / r&b material to OMR with a atmospheric / coo...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bad Trip — Pheelion

OMR Cue Map

Track: Bad Trip
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bad Trip” for action, mystery, thriller, identity. Best entry points sho...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 139
Genres: Dance / Funk
Vocals: Female Vocal
Moods: Dark / Moody
Sync Themes: Action / Mystery / Thriller
Lyric Themes: Identity
Type: One Stop

Instrumentation:
Keyboard / Percussion / Synth

Track Summary:
“Bad Trip” by Pheelion is a high-energy dance / funk track built around keybo...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Mystery / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Mystery / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bad Trip” by Pheelion is a high-energy dance / funk track built around keybo...

Lyrics

perception
deception
conception
election

No one no one had a bad trip
It was all very good
I I think I'm I think I'm having a bad trip
No one no one no one had a bad trip
It was all very good
perception
conception
deception
I I I think I'm having a a bad trip
The moment,
the moment,
the moment,
the moment
is now
perception
deception
conception
election

No one no one had a bad trip
It was all very good
I I think I'm having a a bad trip
No one no one no one had a bad trip
He was all very good
No, I I mean I really think I'm I'm really think I'm having a bad trip.

Artist Bio

PheeLion crafts cinematic electronic music shaped by texture, restraint, atmo...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Basico No Basico Y Dirigido — Elmer Ferrer

OMR Cue Map

Track: Basico No Basico Y Dirigido
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Basico No Basico Y Dirigido” for action, adventure, art house. Best entr...

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 101
Genres: Funk / Jazz / Rock
Vocals: Instrumental
Moods: Cinematic / Confident / Cool / Dramatic / Energetic / Gritty / Powerful / Retro / Serious
Sync Themes: Action / Adventure / Art House / Crime / Drama / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Piano

Track Summary:
“Basico No Basico Y Dirigido” by Elmer Ferrer is a midtempo funk / jazz / roc...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Adventure / Art House / Crime / Drama / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Adventure / Art House / Crime / Drama / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Basico No Basico Y Dirigido” by Elmer Ferrer is a midtempo funk / jazz / roc...

Instrumental Usage

Fully instrumental and one-stop, “Basico No Basico Y Dirigido” supports cinematic storytelling without lyrical distraction. Especially useful for dark pulse & conflict placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Elmer Ferrer creates cinematic guitar and score-driven music with strong emot...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bat Snake Tiger — Thadeus Gonzalez

OMR Cue Map

Track: Bat Snake Tiger
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bat Snake Tiger” for action, fantasy, horror, connection. Best entry poi...

Sync Pitch Sheet

Song Profile:
Key: G# Minor
BPM: 126
Genres: Punk / Rock
Vocals: Male Vocal
Moods: Confident / Cool / Moody / Powerful / Upbeat
Sync Themes: Action / Fantasy / Horror / Thriller / Video Game
Lyric Themes: Connection / Desire / Dream / Fear / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
“Bat Snake Tiger” by Thadeus Gonzalez is a driving punk / rock track built ar...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Fantasy / Horror / Thriller / Video Game scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Fantasy / Horror / Thriller / Video Game scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bat Snake Tiger” by Thadeus Gonzalez is a driving punk / rock track built ar...

Lyrics

"Do I gotta chase you in the woods, yeah?
You got hollow bones beneath your burning eyes.
You caught me breaking, stealing, thieving your pharaoh.
What's a girl like you run alone tonight?
And now you've got me drowning.
And now you've got me underneath.
You got me slowly wanting.
I need some relief.
If I could catch your...
Rat.
Snake.
Tiger.
I never met a creature quite like you, girl, you girl.
So beautiful, so haunting on the loose.
Your hips speak so fast I fall behind.
Your wings glistening dark in the limelights.
There's an echo I can't let go when I'm solo that I can't reach up to touch your claws tonight.
And now you've got me dreaming.
And now you've got me falling asleep.
You've got me slowly wanting.
I need some relief. If I could catch your...
You take me away, somewhere under the moon.
So far away, where I can feel you.
I never met a creature quite like you, girl, you girl.
So beautiful, so haunting on the loose.
I never met a creature quite like you, girl, you girl.
So beautiful and brutal to watch you move.
Watch you move.
Watch you move.
Watch you move.
Hey hey!"

Artist Bio

Thadeus Gonzalez contributes punk / rock material to OMR with a confident / c...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Battle Hymn — Kristin Sweetland

OMR Cue Map

Track: Battle Hymn
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Battle Hymn” for adventure, art house, drama, conflict. Best entry point...

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 103
Genres: Folk / Sing / Song
Vocals: Instrumental
Moods: Dark
Sync Themes: Adventure / Art House / Drama / Historical / Indie / Romance / War
Lyric Themes: Conflict / Power / Rebellion / Struggle / Survival
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass

Track Summary:
“Battle Hymn” by Kristin Sweetland is a midtempo folk / sing/song track built...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Adventure / Art House / Drama / Historical / Indie / Romance / War scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Adventure / Art House / Drama / Historical / Indie / Romance / War scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Battle Hymn” by Kristin Sweetland is a midtempo folk / sing/song track built...

Instrumental Usage

Fully instrumental and one-stop, “Battle Hymn” supports cinematic storytelling without lyrical distraction. Especially useful for dark pulse & conflict placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Kristin Sweetland writes with a grounded folk and cinematic sensibility, bala...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bi-Polaroid — Normal Machine

OMR Cue Map

Track: Bi-Polaroid
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bi-Polaroid” for art house, coming of age, drama, faith. Best entry poin...

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 126
Genres: Pop
Vocals: Female Vocal
Moods: Atmospheric / Intense / Moody / Powerful / Rhythmic / Tension / Upbeat
Sync Themes: Art House / Coming Of Age / Drama / Horror / Indie / Mystery / Romance
Lyric Themes: Faith / Home / Loss
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
“Bi-Polaroid” by Normal Machine is a driving pop track built around bass, dru...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Art House / Coming Of Age / Drama / Horror / Indie / Mystery / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Art House / Coming Of Age / Drama / Horror / Indie / Mystery / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bi-Polaroid” by Normal Machine is a driving pop track built around bass, dru...

Lyrics

"Take over I've been running way too long
Take over I know I'm doing something wrong
I hear him call me the devil knocking I let him in a long time ago so
Take over tell me that you'll bring me home
Where are you?
I fell, I crawled, I called for God
I prayed, I wished, sipped holy water
Drowned myself in alcohol
I lost it all I need you now
I fell, I crawled, i called for God
I prayed, I wished, sipped holy water
Drowned myself in alcohol
I lost it all I need you now
I need salvation, need translation
hear them don't know what they're saying
I don't know what they're saying
Take me take it all
Tell me that you'll take me tell that you'll bring me home
Take over I'm begging come and take control
I'm melting into a puddle on the floor
And I hear it whispering all night and day
Put your ear up to my heart and tell me what's it say
Where are you?
I fell, I crawled, I called for God
I prayed, I wished, sipped holy water
Drowned myself in alcohol
I lost it all I need you now
I need salvation, need translation
hear them don't know what they're saying
I don't know what they're saying
Take me take it all
Tell me that you'll take me tell that you'll bring me home
Please take over, take over, take over...
Where are you?
I fell, I crawled, I called for God
I prayed, I wished, sipped holy water
Drowned myself in alcohol
I lost it all I need you now
I need salvation, need translation
Hear them don't

Artist Bio

Normal Machine contributes pop material to OMR with a atmospheric / intense /...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bite It — Thadeus Gonzalez

OMR Cue Map

Track: Bite It
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bite It” for action, crime, sports, conflict. Best entry points should f...

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 86
Genres: Punk / Rock
Vocals: Male Vocal
Moods: Confident / Energetic / Intense / Powerful / Upbeat
Sync Themes: Action / Crime / Sports / Thriller / Video Game
Lyric Themes: Conflict / Fear / Power / Struggle / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
“Bite It” by Thadeus Gonzalez is a measured punk / rock track built around ba...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Crime / Sports / Thriller / Video Game scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Crime / Sports / Thriller / Video Game scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bite It” by Thadeus Gonzalez is a measured punk / rock track built around ba...

Lyrics

"Out of control, out of my soul, you've got me digging in holes, no fucking gold
The blood hits boil, it all kicks in, you got me dragging the chains in the hell that we're in
Out of my mind, can't keep the time, got me gambling again, repentance a sin
Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will fight it, thrash it
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Out of control, losing my soul, got me walking on coals, love overflows
All this wretch that I've been living in, got me tied as a slave in Hades again
Losing my mind, bell starts to chime, always ringing again, it's the hell that we're in
Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will bite it, thrash it
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Fuck it up!
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Hey, hey, it's all that you can't say
Hey, hey, I'll rip that smile off your face
Out of my mind, can't keep the time, got me gambling again, repentance a sin
Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will bite it, thrash it
Fuck it up"

Artist Bio

Thadeus Gonzalez contributes punk / rock material to OMR with a confident / e...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bittersweet — Kelsey Kindall

OMR Cue Map

Track: Bittersweet
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bittersweet” for drama, romance, indie, change. Best entry points should...

Sync Pitch Sheet

Song Profile:
Key: F Minor
BPM: 86
Genres: Electronic / Pop
Vocals: female vocal
Moods: Atmospheric / Dark / Dreamy / Minimal / Moody / Rhythmic
Sync Themes: Drama / Romance / Indie / Art House / Thriller
Lyric Themes: Change / Discovery / Identity / Life / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Piano / Synth

Track Summary:
“Bittersweet” by Kelsey Kindall is a measured electronic / pop track built ar...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Drama / Romance / Indie / Art House / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Drama / Romance / Indie / Art House / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bittersweet” by Kelsey Kindall is a measured electronic / pop track built ar...

Lyrics

"I blinked three years went by
And I hardly recognize the girl I left behind
I look so different now but I can't figure out what's changed
The heaviness sinks in
A great awakening
I feel more than I have before
Afraid I'm crumbling so I keep on digging in
My mind and soul are still at war

I think I'm happy till I see a memory
With a smile that I don't recognize
I think I'm better off I found some clarity
So how come I keep on losing sight
It's bittersweet
It's bittersweet
It's bitter"

Artist Bio

Kelsey Kindall contributes electronic / pop material to OMR with a atmospheri...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Black Eye On A Tiger — Thadeus Gonzalez

OMR Cue Map

Track: Black Eye On A Tiger
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Black Eye On A Tiger” for action, adventure, fantasy, faith. Best entry ...

Sync Pitch Sheet

Song Profile:
Key: A# Minor
BPM: 97
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Confident / Dark / Moody / Powerful / Reflective / Upbeat
Sync Themes: Action / Adventure / Fantasy / War
Lyric Themes: Faith / Identity / Regret / Relationship / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
“Black Eye On A Tiger” by Thadeus Gonzalez is a midtempo metal / punk / rock ...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Adventure / Fantasy / War scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Adventure / Fantasy / War scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Black Eye On A Tiger” by Thadeus Gonzalez is a midtempo metal / punk / rock ...

Lyrics

"Some slowly give up then they fade to grey Some are also saying that they're so full of faith There's a reason why they're never done making up their minds it's a vexing haul, to get through it all We could pop some pills, make it all go away Twenty five days there's no reason to pray I don't think this is the way our lives should go down Cause we don’t understand, what happens when I'm fascinated enough with you That you keep me holding on The final cut, the final stance, leaves me in a dark room Feeling, like black eye on a tiger everytime we catch up, I let go I can't deal with the things you know There's a reason why I always leave the things I found"

Artist Bio

Thadeus Gonzalez contributes metal / punk / rock material to OMR with a confi...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Black Nimbus — Rich Brown

OMR Cue Map

Track: Black Nimbus
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Black Nimbus” for art house, crime, drama. Best entry points should foll...

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 130
Genres: Funk / Indie / Jazz
Vocals: Instrumental
Moods: Atmospheric / Chill / Cool / Dark / Dramatic / Fun / Intense / Light / Moody / Mysterious / Posit...
Sync Themes: Art House / Crime / Drama / Fantasy / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Piano / Saxophone / Synth

Track Summary:
“Black Nimbus” by Rich Brown is a driving funk / indie / jazz track built aro...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Art House / Crime / Drama / Fantasy / Mystery / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Art House / Crime / Drama / Fantasy / Mystery / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Black Nimbus” by Rich Brown is a driving funk / indie / jazz track built aro...

Instrumental Usage

Fully instrumental and one-stop, “Black Nimbus” supports cinematic storytelling without lyrical distraction. Especially useful for dark pulse & conflict placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Rich Brown brings sophisticated jazz language, deep groove, and cinematic ins...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bound — The Green Door

OMR Cue Map

Track: Bound
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bound” for drama, indie, mystery. Best entry points should follow the fi...

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 114
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Atmospheric / Moody / Retro
Sync Themes: Drama / Indie / Mystery
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
“Bound” by The Green Door is a midtempo metal / punk / rock track built aroun...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Drama / Indie / Mystery scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Drama / Indie / Mystery scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bound” by The Green Door is a midtempo metal / punk / rock track built aroun...

Lyrics

"I ride hard across the plain

each night in the pouring rain as I go

I'm bound for home

six months and I'm a dreadful sight

head to toe covered in grime as I go

I'm bound for home

and I know no one's waiting there for me

and I know I'll forever be lonely

and I know that I'm going home

long days alone tonight

regrets follow close behind as I go

I'm bound for home

and I'm such a lonesome man, but I'm gonna do it the best that I can

so I'm bound for home

and I know no one's waiting there for me

and I know I'll forever be lonely

and I know that I'm going home

and I know no one's waiting there for me

and I know I'll forever be lonely

and I know that I'm going home"

Artist Bio

The Green Door delivers gritty, guitar-forward storytelling with roots, rock,...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Buffalo Son — The Green Door

OMR Cue Map

Track: Buffalo Son
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Buffalo Son” for crime, drama, comedy, life. Best entry points should fo...

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 143
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Catchy / Confident / Cool / Dark / Driving / Fun / Gritty / Moody / Positive / Quirky / Retro / Swa...
Sync Themes: Crime / Drama / Comedy / Indie
Lyric Themes: Life / Regret
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
“Buffalo Son” by The Green Door is a high-energy metal / punk / rock track bu...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Crime / Drama / Comedy / Indie scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Crime / Drama / Comedy / Indie scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Buffalo Son” by The Green Door is a high-energy metal / punk / rock track bu...

Lyrics

"And I am a buffalo son
And I'm on the road so long
And I drank with Garrett
And I dream whiskey red
And I saw a county war
And I settle my score
And I wrote my own damn law
And I won't see twenty one
I'm a buffalo son
Never gonna bring me down
I'm a buffalo son
Never gonna bring me down
And I heard them call my name
And I asked who are they
And I saw it all turn red
And I'll never really be dead
I'm a buffalo son
Never gonna bring me down
I'm a buffalo son
Never gonna bring me down"

Artist Bio

The Green Door delivers gritty, guitar-forward storytelling with roots, rock,...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Burning Fuse — Paul Reddick

OMR Cue Map

Track: Burning Fuse
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Burning Fuse” for action, adventure, art house, fear. Best entry points ...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 99
Genres: Blues / Folk / Indie
Vocals: Male Vocal
Moods: Love / Moody / Retro
Sync Themes: Action / Adventure / Art House / Coming Of Age / Crime / Drama / Mystery / Thriller
Lyric Themes: Fear / Love / Power / Success / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Percussion / Synth

Track Summary:
“Burning Fuse” by Paul Reddick is a midtempo blues / folk / indie track built...

Sync Highlights:

• Primary category: Dark Pulse & Conflict
• Scene utility: Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Adventure / Art House / Coming Of Age / Crime / Drama / Mystery / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Dark Pulse & Conflict placements with crossover utility across Action / Adventure / Art House / Coming Of Age / Crime / Drama / Mystery / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Burning Fuse” by Paul Reddick is a midtempo blues / folk / indie track built...

Lyrics

"Oh love it burns just like a fuse
Oh learn to run or learn to lose
Take your time and seal your fate
Feel the flames of learning late
Oh ain’t no cover can be found
Oh listen brother just cover ground
Been tried by water been tried by fire
Who so never told told a lie
Slip away soft and low
Where she stops you will never know
If I ever live this business down
I’ll be rising on up from the underground
Oh well
Oh well
Oh well
Oh love it burns just like a fuse
Oh learn to run or learn to lose
Oh learn to run or learn to lose
Oh love it burns just like a fuse
Been tried by water been tried by fire
Who so never told told a lie
Take your time and seal your fate
Feel the flames of learning late
Oh well
Oh well
Oh well
Oh well
Oh love it burns just like a fuse
Oh learn to run or learn to lose
Oh learn to run or learn to lose"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Back To Lonely — Lee Palmer

OMR Cue Map

Track: Back To Lonely
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Phrase-based edits around 0:20 / 0:40 / 1:00 / 1:20 / 1:40; verify against fi...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Back To Lonely” for comedy, western, loneliness, love. Best entry points...

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 52
Genres: Blues / Country / Folk
Vocals: Female Vocal, Male Vocal
Moods: Chill / Reflective / Relaxing / Sad
Sync Themes: Comedy / Western
Lyric Themes: Loneliness / Love
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Piano

Track Summary:
“Back To Lonely” by Lee Palmer is a slow-burning blues / country / folk track...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Comedy / Western scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Comedy / Western scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Back To Lonely” by Lee Palmer is a slow-burning blues / country / folk track...

Lyrics

"I know it will
Like the back of my hand
Like only I can tell
Like a foggy day
That fog won't lift
It won't go away
Won't go away
I can't cry
And I can't laugh
I can't believe
We didn't last
Here I am
Here I am
On familiar ground
Where I began
Where I began
I'm back to lonely
Back to lonely
I'm back to blue
Back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again
There's no way out
There's no way in
There's no way I feel
Like starting over again
I know the first step
Ive and move on
I'll never et
I'll never et
I'm back to lonely
I'm back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again
I'm back to lonely
Yeah"

Artist Bio

Lee Palmer brings blues, country, and roots storytelling into emotionally dir...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Backroad Medicine — Mattie Leon

OMR Cue Map

Track: Backroad Medicine
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Backroad Medicine” for art house, coming of age, drama, adventure. Best ...

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 87
Genres: Country / Folk / Sing / Song
Vocals: Male Vocal
Moods: Fun / Happy / Hopeful / Positive / Romantic
Sync Themes: Art House / Coming Of Age / Drama / Indie / Romance / Western
Lyric Themes: Adventure / Fear / Home / Love
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
“Backroad Medicine” by Mattie Leon is a measured country / folk / sing/song t...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Indie / Romance / Western scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Indie / Romance / Western scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Backroad Medicine” by Mattie Leon is a measured country / folk / sing/song t...

Lyrics

"I know it will
Like the back of my hand
Like only I can tell
Like a foggy day
That fog won't lift
It won't go away
Won't go away
I can't cry
And I can't laugh
I can't believe
We didn't last
Here I am
Here I am
On familiar ground
Where I began
Where I began
I'm back to lonely
Back to lonely
I'm back to blue
Back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again
There's no way out
There's no way in
There's no way I feel
Like starting over again
I know the first step
Ive and move on
I'll never et
I'll never et
I'm back to lonely
I'm back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to

Artist Bio

Mattie Leon creates earnest singer-songwriter material with strong melodic ac...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Black Lavender — Kristin Sweetland

OMR Cue Map

Track: Black Lavender
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Black Lavender” for adventure, art house, drama, death. Best entry point...

Sync Pitch Sheet

Song Profile:
Key: Bb Minor
BPM: 136
Genres: Country / Folk / Sing / Song
Vocals: Female Vocal
Moods: Positive / Romantic
Sync Themes: Adventure / Art House / Drama / Fantasy / Historical / Indie / War
Lyric Themes: Death / Family / Love / Nature / Relationship
Type: One Stop

Instrumentation:
Acoustic Guitar / Accordion / Bass / Drums

Track Summary:
“Black Lavender” by Kristin Sweetland is a high-energy country / folk / sing/...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Drama / Fantasy / Historical / Indie / War scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Drama / Fantasy / Historical / Indie / War scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Black Lavender” by Kristin Sweetland is a high-energy country / folk / sing/...

Lyrics

"I remember, loving brother
Lives we lived before
Over mountains we did wander
O hey ya hey ya hey ya

Our dear mother our dear father
Lay them down below
Ride that glory train forever
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Leave now in the midnight cold
Before the riders come
Bag of bread and bag of gold
Oh hey ya hey ya hey ya

Never shall we make a sound
They will never know
Shoes upon the hollowed ground
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cult

Artist Bio

Kristin Sweetland writes with a grounded folk and cinematic sensibility, bala...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blaming The Former — Justin Enco Band

OMR Cue Map

Track: Blaming The Former
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Blaming The Former” for art house, coming of age, drama, connection. Bes...

Sync Pitch Sheet

Song Profile:
Key: B Major
BPM: 90
Genres: Folk / Pop / Rock / Sing / Song
Vocals: Male Vocal
Moods: Dreamy / Hopeful
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance / Thriller
Lyric Themes: Connection / Love / Relationship / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar

Track Summary:
“Blaming The Former” by Justin Enco Band is a midtempo folk / pop / rock trac...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Indie / Mystery / Romance / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Indie / Mystery / Romance / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blaming The Former” by Justin Enco Band is a midtempo folk / pop / rock trac...

Lyrics

"Should I count the days Or should I change my ways And should I call you up Thinking about you You're running in my head Counting thoughts instead It's not to see you Make me smile again And if we start There is no over Wasting time Blaming the former And I want To see if you do Feel this too I think that everyday Would be my way to say Glad to see you How I miss your face The sunlight in my day I could never stay away We know each other Yet we play this game And if we start There is no over Wasting time Blaming the former And I want To see if you do Feel this too So I'll walk for now It's you I care about Falling faster Wanting to be with you So careful we could be When it's just you and me Understanding me Before we walk away Why don't we say it today Before we walk away Before we walk away I only say it today"

Artist Bio

Justin Enco Band delivers melodic folk-rock and singer-songwriter tracks buil...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blind River Bound — Paul Reddick

OMR Cue Map

Track: Blind River Bound
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Blind River Bound” for art house, coming of age, drama, heartbreak. Best...

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 82
Genres: Folk / Sing / Song
Vocals: Male Vocal
Moods: Bright / Hopeful / Warm
Sync Themes: Art House / Coming Of Age / Drama / Historical / Romance / Western
Lyric Themes: Heartbreak / Identity / Loneliness / Longing / Loss
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Harmonica / Keyboard

Track Summary:
“Blind River Bound” by Paul Reddick is a measured folk / sing/song track buil...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Historical / Romance / Western scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Historical / Romance / Western scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blind River Bound” by Paul Reddick is a measured folk / sing/song track buil...

Lyrics

"You can hear that whistle blowing all over town
You can hear that whistle blowing all over town
Everybody knows that my baby's Blind River bound
She left this morning I couldn't even say a word
She left this morning I couldn't even say a word
It was nothin that she knew just something that she thought she heard
Was a restless wind knocked me from door to door
Was a restless wind knocked me from door to door
I've been lonesome but I've never felt like this before
There's no good place no good place to have the blues
There's no good place no good place to have the blues
But here in Espanola everybody sees right through you
I close my eyes I try to pass the time with sleep
I close my eyes I try to pass the time with sleep
But whatever I do your face is all I see
I can hear them whispering they might as well shout out loud
I can hear them whispering but they might as well shout out loud
Nobody wants to know you when your baby's Blind River Bound"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blue Eventide — Paul Reddick

OMR Cue Map

Track: Blue Eventide
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Blue Eventide” for adventure, art house, coming of age, change. Best ent...

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 86
Genres: Folk / Indie
Vocals: Male Vocal
Moods: Cool / Minimal / Warm
Sync Themes: Adventure / Art House / Coming Of Age / Drama / Romance / Western
Lyric Themes: Adventure / Change / Connection / Longing / Nostalgia / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Keyboard

Track Summary:
“Blue Eventide” by Paul Reddick is a measured folk / indie track built around...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Coming Of Age / Drama / Romance / Western scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Coming Of Age / Drama / Romance / Western scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blue Eventide” by Paul Reddick is a measured folk / indie track built around...

Lyrics

"Travel on blue eventide cast your shadow by
It’s all too well to never know
and never wonder why

Gentle is the closing easy in its stride
That holds the sweet declining
travel on blue eventide

Gentle is the closing easy in its stride
That holds the sweet declining
travel on blue eventide

Travel on blue eventide cast your shadow by
It’s all too well to never know
and never wonder why
and never wonder why

and never wonder why
and never wonder why"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blue Wings — Paul Reddick

OMR Cue Map

Track: Blue Wings
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Blue Wings” for art house, coming of age, drama, home. Best entry points...

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 77
Genres: Folk / Sing / Song
Vocals: Male Vocal
Moods: Atmospheric / Bright / Dark / Dreamy / Love / Minimal / Moody / Reflective / Sad
Sync Themes: Art House / Coming Of Age / Drama / Historical / Romance / Western
Lyric Themes: Home / Love / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion / Strings

Track Summary:
“Blue Wings” by Paul Reddick is a measured folk / sing/song track built aroun...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Historical / Romance / Western scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Historical / Romance / Western scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blue Wings” by Paul Reddick is a measured folk / sing/song track built aroun...

Lyrics

"Long it was a weary way
Won’t you go and stroll with me?
Little by little and was by was
Some pleasure to see
Mary had a red dress red dress red dress
Oh with thoughts that grew by night
The train it’s coming and it’s never late
Hold me tight
Let this world go as she will
So full of sweet surprise
The train it sings upon blue wings
Dark advice
Sugar bird don’t you weep no more
Sugar bird don’t weep no more
Round and round
Round and round we go
Who passes by when I am gone?
Hands wet with the dew of flowers
Try to never travel such roads of love
Minutes like hours
See yonder sun how steady she run
I’m going home on the morning train
Sing song girls ringing in the dawn
Colour of flame"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bowery — Mattie Leon

OMR Cue Map

Track: Bowery
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bowery” for art house, drama, horror, desire. Best entry points should f...

Sync Pitch Sheet

Song Profile:
Key: C# Major
BPM: 99
Genres: Folk / Indie / Sing / Song
Vocals: Male Vocal
Moods: Bright / Hopeful / Positive / Romantic
Sync Themes: Art House / Drama / Horror / Indie / Mystery / Romance / Thriller
Lyric Themes: Desire / Love / Pain / Regret / Struggle
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
“Bowery” by Mattie Leon is a midtempo folk / indie / sing/song track built ar...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Drama / Horror / Indie / Mystery / Romance / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Drama / Horror / Indie / Mystery / Romance / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bowery” by Mattie Leon is a midtempo folk / indie / sing/song track built ar...

Lyrics

"Oh the night is young
and we're still breathing
You fill up your lungs with kerosene
I get burned in your desire
and you get left with all this doubt in me

Bowery
I know the man that you deserve and need
I know the love that you keep building me
I know the man that I've become
It's not a man that you could love

Oh your violent tongue
of retribution
Oh your painted lips of deep cerise
I can't brave another night
living in a world with your beautiful misery

Why would you love someone
that pushes you away
Why would you love someone
that dresses you in shame
Why would you love someone
that fails you in the day and in the night
There's nothing left for you and I"

Artist Bio

Mattie Leon creates earnest singer-songwriter material with strong melodic ac...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
BOY — Mattie Leon

OMR Cue Map

Track: BOY
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Boy” for art house, coming of age, drama, family. Best entry points shou...

Sync Pitch Sheet

Song Profile:
Key: Ab Major
BPM: 106
Genres: Indie / Pop
Vocals: Male Vocal
Moods: Rhythmic
Sync Themes: Art House / Coming Of Age / Drama / Indie / Mystery / Romance / War
Lyric Themes: Family / Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion

Track Summary:
“Boy” by Mattie Leon is a midtempo indie / pop track built around bass, drums...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Indie / Mystery / Romance / War scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Indie / Mystery / Romance / War scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Boy” by Mattie Leon is a midtempo indie / pop track built around bass, drums...

Lyrics

"Our years were young
back when we found brazen love
Bold, adolescent blood
running out of each of us

We bet our lives
surrounded by each parent's side
Let our hearts decide
with these youthful eyes

Then an older love
crept up into both of us
Had us a child to love
lost what the feeling was

And I swear to you
if there was one thing I could do
it would be to feel for you
Wish I could feel for you

Don't you push me out before I'm gone
You're looking for a reason
To keep me out the places I belong
Let me take that boy I made back home

I can barely breathe
bank account on hold and freeze
Lawyers and their families
try to keep the boy from me

And I see your face
and all the ways it seems to've changed
Hurting me for hurtin sake
Who could raise you up that way?

Time will bring him face to face with you
and when he asks you where I was
I know you'll give him fragments of the truth
And I don't mind
Tell him all the things I put you through
But say \"Your father he stopped loving me
but never for an instant stopped his loving you\""

Artist Bio

Mattie Leon creates earnest singer-songwriter material with strong melodic ac...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Breathe One More Breath — Asteria

OMR Cue Map

Track: Breathe One More Breath
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Breathe One More Breath” for drama, indie, life, love. Best entry points...

Sync Pitch Sheet

Song Profile:
Key: D Major
BPM: 139
Genres: Reggae / Soul
Vocals: Female Vocal
Moods: Bright / Hopeful / Reflective / Sad
Sync Themes: Drama / Indie
Lyric Themes: Life / Love / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
“Breathe One More Breath” by Asteria is a high-energy reggae / soul track bui...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Drama / Indie scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Drama / Indie scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Breathe One More Breath” by Asteria is a high-energy reggae / soul track bui...

Lyrics

"This may be your last day
here on this earth
I'm blessed I came
to sing to you
See the smiling tears of your loved ones' eyes
You're forgiven, it's clear, there is nothing to fear
All they wish for is a bit more of your time,
a bit more of your time
Just breathe one more breath, heart, hold on
Just breathe in that moment, heart, hold on, a moment to shine
Breathe one more breath, heart, hold on
Just breathe one more breath
I wonder what the hearts will say
when you are gone
I know that you'll be free of pain
and be at peace
But for today you bless with the look of your eyes,
the touch of your hands, every one of our lives
Are just one sweet moment to breathe one more breath
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Just live as one more moment, one moment of your life
Breathe one more breath, heart, hold on
Breathe one more breath what the heart will say
Breathe one more breath in
Just, just breathe in life
Give us that moment to shine
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Breathe one more breath
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Breathe one more breath, hold on
Shine, hold on
Breathe one more breath of your life, hold on
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Breathe one more breath, heart, hold on
Just breathe one more breath, hold on"

Artist Bio

Asteria contributes reggae / soul material to OMR with a bright / hopeful / r...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Breathless Girls — Paul Reddick

OMR Cue Map

Track: Breathless Girls
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Phrase-based edits around 0:20 / 0:40 / 1:00 / 1:20 / 1:40; verify against fi...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Breathless Girls” for art house, coming of age, drama, happiness. Best e...

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 68
Genres: Folk / Sing / Song
Vocals: Male Vocal
Moods: Atmospheric / Dark / Love / Minimal / Moody / Reflective / Warm
Sync Themes: Art House / Coming Of Age / Drama / Romance
Lyric Themes: Happiness / Love / Nature / Time / Together
Type: One Stop

Instrumentation:
Bass / Harmonica / Keyboard / Strings

Track Summary:
“Breathless Girls” by Paul Reddick is a measured folk / sing/song track built...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Art House / Coming Of Age / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Breathless Girls” by Paul Reddick is a measured folk / sing/song track built...

Lyrics

"Breathless girls
And the wintergreen
And the whippin wind
And the notes go down
And the voices rise
And the man who walks
And the blouses white
And the waves roll in
Gathered there together
No shoes upon their feet
They wade the waterlilies
Warm and bittersweet
And their eyes are closed
And the feathergrass
And the table’s set
And the noonday sun
And the rising tide
And the purified
And the linen’s dried
And the ribbon’s tied"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bright Morning Stars — Kristin Sweetland

OMR Cue Map

Track: Bright Morning Stars
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bright Morning Stars” for adventure, art house, drama, family. Best entr...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 75
Genres: Country / Sing / Song
Vocals: Female Vocal
Moods: Hopeful / Positive / Romantic / Warm
Sync Themes: Adventure / Art House / Drama / Fantasy / Indie / Romance
Lyric Themes: Family / Hope / Life / Love / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Keyboard

Track Summary:
“Bright Morning Stars” by Kristin Sweetland is a measured country / sing/song...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Drama / Fantasy / Indie / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Drama / Fantasy / Indie / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bright Morning Stars” by Kristin Sweetland is a measured country / sing/song...

Lyrics

"Bright Morning Stars are rising
Bright Morning Stars are rising
Bright Morning Stars are rising
Day is a breaking in my soul

Where are our dear mothers
Where are our dear mothers
They are down in the valley praying
Day is a breaking in their souls

Bright Morning Stars are rising
Bright Morning Stars are rising
Bright Morning Stars are rising
Day is a breaking in my soul

Where are our dear fathers
Where are our dear fathers
They have gone to heaven a shouting
Day is a breaking in their souls

Bright Morning Stars are rising
Bright Morning Stars are rising
Bright Morning Stars are rising
Day is a breaking in my soul"

Artist Bio

Kristin Sweetland writes with a grounded folk and cinematic sensibility, bala...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bring My Love Back Soon — Tom Conneely

OMR Cue Map

Track: Bring My Love Back Soon
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bring My Love Back Soon” for coming of age, drama, indie, heartbreak. Be...

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 119
Genres: Folk / Pop / Vintage
Vocals: Male Vocal
Moods: Bright / Happy / Light / Positive / Upbeat
Sync Themes: Coming Of Age / Drama / Indie / Romance
Lyric Themes: Heartbreak / Home / Love / Nature / Time
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Strings

Track Summary:
“Bring My Love Back Soon” by Tom Conneely is a driving folk / pop / vintage t...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Coming Of Age / Drama / Indie / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Coming Of Age / Drama / Indie / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bring My Love Back Soon” by Tom Conneely is a driving folk / pop / vintage t...

Lyrics

"Let's just call me your friend
Meantime I love you while
Love you in the morning
Love you in the cold
The darkness of the desert
Close the hanging moon
Hear the coyote cry
Bring my love back soon
Yucca, it breathes
Sky folds
Wind, it whispers
Bring my love back home
Bring my love back soon
Bring my heart back too
Bring my love back soon
Bring my heart back too
See those stars, watch 'em run
Watch those stars, see 'em run
See those stars, watch 'em run
Watch those stars, see 'em run
Bring my love back soon
Bring my heart back too
Bring my love back soon
Bring my heart back too
Run, run, run
Run, run, run
Run, run, run
Run, run, run"

Artist Bio

Tom Conneely contributes folk / pop / vintage material to OMR with a bright /...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Burial At Sea — Kristin Sweetland

OMR Cue Map

Track: Burial At Sea
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Phrase-based edits around 0:20 / 0:40 / 1:00 / 1:20 / 1:40; verify against fi...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Burial At Sea” for adventure, art house, drama, betrayal. Best entry poi...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 54
Genres: Sing / Song
Vocals: Female Vocal
Moods: Dark / Hopeful / Sad / Warm
Sync Themes: Adventure / Art House / Drama / Fantasy / Thriller
Lyric Themes: Adventure / Betrayal / Death / Love / Romance
Type: One Stop

Instrumentation:
Acoustic Guitar / Keyboard / Percussion / Strings / Synth

Track Summary:
“Burial At Sea” by Kristin Sweetland is a slow-burning sing/song track built ...

Sync Highlights:

• Primary category: Emotional Drift
• Scene utility: Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Drama / Fantasy / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Emotional Drift placements with crossover utility across Adventure / Art House / Drama / Fantasy / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Burial At Sea” by Kristin Sweetland is a slow-burning sing/song track built ...

Lyrics

"Call to me the captain
Bury me at sea
Wash away my body
And this language painted over me
I’ll write the words for you
The things you might have said
Your lips could bloom a crocus
In the darkened February of my head

Over ships of folded paper
Does the blackened raven fly
Scavenging both life and limb
With eyes that shift from side to side
There never was a time
When you’d watch over me like he
And when I said I love you
You’d say, you are far too innocent for me

Chorus

So bring to me the maiden
Let me shake her hand
Hair as black as leather
And fresh from Never Neverland
That pirate on the ship
Might have strapped holsters to her hips
But later in the shadows
She raised a tender finger
To his lips

Chorus"

Artist Bio

Kristin Sweetland writes with a grounded folk and cinematic sensibility, bala...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Back To Canada — Kiki Ferrer

OMR Cue Map

Track: Back To Canada
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Back To Canada” for adventure, coming of age, crime. Best entry points s...

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 104
Genres: Funk / Jazz / Rock
Vocals: Instrumental
Moods: Angry / Confident / Cool / Dramatic / Fun / Love / Nostalgic / Serious / Swagger
Sync Themes: Adventure / Coming Of Age / Crime / Drama / Fantasy / Mystery / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion

Track Summary:
“Back To Canada” by Kiki Ferrer is a midtempo funk / jazz / rock track built ...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Adventure / Coming Of Age / Crime / Drama / Fantasy / Mystery / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Adventure / Coming Of Age / Crime / Drama / Fantasy / Mystery / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Back To Canada” by Kiki Ferrer is a midtempo funk / jazz / rock track built ...

Instrumental Usage

Fully instrumental and one-stop, “Back To Canada” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Kiki Ferrer brings jazz, funk, rock, and Latin-influenced musicianship to gro...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bad Idea — Kelsey Kindall (Goodbye Party)

OMR Cue Map

Track: Bad Idea
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bad Idea” for adventure, comedy, drama, fear. Best entry points should f...

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 82
Genres: Pop / Reggae
Vocals: female vocal
Moods: Catchy / Confident / Moody / Rhythmic / Upbeat
Sync Themes: Adventure / Comedy / Drama
Lyric Themes: Fear / Fun / Life / Money / Power
Type: One Stop

Instrumentation:
Bass / Percussion / Synth

Track Summary:
“Bad Idea” by Kelsey Kindall (Goodbye Party) is a measured pop / reggae track...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Drama scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Drama scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bad Idea” by Kelsey Kindall (Goodbye Party) is a measured pop / reggae track...

Lyrics

"Life is unfair but what is worse is when you don't have fun
Rather compare yourself to someone else and work too hard
You say one day you'll get to play but now's the time to grind
You're saving money just to leave it here after you die

Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories

I think I've finally made my peace about what people think
And when I stopped trying so hard good things have come to me
Not power hungry but it would be fun to take a bite
I'd climb the ladder just to prove I'm not afraid of heights

Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories

Why don't we go do something exciting
Life was never meant to be so stale
Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories"

Artist Bio

Kelsey Kindall (Goodbye Party) contributes pop / reggae material to OMR with ...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bangin' Butter (Sync Version) — HYP

OMR Cue Map

Track: Bangin' Butter (Sync Version)
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Bangin' Butter (Sync Version)” for action, comedy, crime. Best entry poi...

Sync Pitch Sheet

Song Profile:
Key: D# Minor
BPM: 91
Genres: Hip Hop
Vocals: Instrumental
Moods: Atmospheric / Cool / Moody / Reflective / Rhythmic / Sexy
Sync Themes: Action / Comedy / Crime / Sports / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Keyboard / Percussion / Piano / Synth

Track Summary:
“Bangin' Butter (Sync Version)” by Hyp is a midtempo hip hop track built arou...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Comedy / Crime / Sports / Video Game scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Comedy / Crime / Sports / Video Game scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bangin' Butter (Sync Version)” by Hyp is a midtempo hip hop track built arou...

Instrumental Usage

Fully instrumental and one-stop, “Bangin' Butter (Sync Version)” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

HYP brings electronic, rhythmic, and global-leaning textures to OMR, often su...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Be Somebody — Syd And I

OMR Cue Map

Track: Be Somebody
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Be Somebody” for action, adventure, animation, discovery. Best entry poi...

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 95
Genres: Electronic / Reggae / Soul
Vocals: Female Vocal
Moods: Atmospheric / Cool / Dreamy / Moody / Mysterious / Reflective / Rhythmic / Sexy
Sync Themes: Action / Adventure / Animation / Art House / Coming Of Age / Drama / Indie / Romance
Lyric Themes: Discovery / Energy / Identity / Life / Time
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
“Be Somebody” by Syd And I is a midtempo electronic / reggae / soul track bui...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Animation / Art House / Coming Of Age / Drama / Indie / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Animation / Art House / Coming Of Age / Drama / Indie / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Be Somebody” by Syd And I is a midtempo electronic / reggae / soul track bui...

Lyrics

"Waves crash harder
Now that I'm standing at the beach
Face myself and this world with uncertainty
I always
wanted to be somebody
somebody who I really love to know
But I know it takes time to be somebody I truly like
When the clouds are darker
when you're only looking from beneath
Don't want to change myself in order
to be seen
I always
wanted to be somebody,
somebody who'd really love to be me
Be somebody, somebody to keep
But it takes time to be somebody worth the climb"

Artist Bio

Syd And I contributes electronic / reggae / soul material to OMR with a atmos...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Beat Back — OMR

OMR Cue Map

Track: Beat Back
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Beat Back” for comedy, crime, romance, dream. Best entry points should f...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 106
Genres: Funk / Party / Vintage
Vocals: Male Vocal
Moods: Bright / Confident / Cool / Energetic / Happy / Party / Playful / Positive / Quirky / Retro / Upb...
Sync Themes: Comedy / Crime / Romance
Lyric Themes: Dream / Fear / Hope / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion

Track Summary:
“Beat Back” by Omr is a midtempo funk / party / vintage track built around ba...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Comedy / Crime / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Comedy / Crime / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Beat Back” by Omr is a midtempo funk / party / vintage track built around ba...

Lyrics

"Yeah, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey,
You're living among the dead
Beat back your blues, babe
And be your superhero
Beat back the blues, babe
And save your day
Beat back your blues, babe
Countin' down to zero
Beat back the blues, babe
'Til you find a sunny day
Feedback, yeah (feedback)
Feedback (feedback)
Whoa-oh-oh
You better (feedback)
Come on, come on (feedback)
Yeah (feedback)
Mm-hmm
The ringing in your ears
It just never stops
Meltin' into tears
Inside these ticking clocks
Livin' with dreams and fears
Until the curtain drops
The hope of future years
Lost in the secret box
Beat back your blues, babe
And be a superhero
Beat back the blues, babe
And save your day
Hey!
Beat back your blues, babe
Countin' down to zero
Beat back the blues, babe
'Til you find a sunny day
Hey! (Beat back!)
Hey! (Beat back!)
Beat it back! (Beat back!)
Oh yeah, yeah, yeah
Come on and feed back (feed back)
Feed back the blues (feed back)
Feed it back, huh? (feed back)
Oh-oh-oh-oh-oh
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
Your natural existence
I'm stuck ruminating
Your past is resistance
You've been calculating
Our recent coexistence
I keep advocating
The path of leap resistance
Feedback
Oh, beat it back
Feedback
You better beat it back
Feedback
Hey, hey
Feedback
Come on, feedback
Feedback
Hey
Feedback
Come on
Beat back, come on, beat back, beat back
You better, come on, beat back
Talkin' about, talkin' about, talkin' about

Artist Bio

Omr contributes funk / party / vintage material to OMR with a bright / confid...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bff Forever — Ezekiel Hampton

OMR Cue Map

Track: Bff Forever
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bff Forever” for comedy, drama, sports, betrayal. Best entry points shou...

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 120
Genres: Dance / Electronic
Vocals: Male Vocal
Moods: Anthemic / Catchy / Confident / Cool / Fun / Positive / Powerful / Retro / Upbeat / Uplifting
Sync Themes: Comedy / Drama / Sports / Indie
Lyric Themes: Betrayal / Identity / Power / Rebellion / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Keyboard / Percussion / Synth

Track Summary:
“Bff Forever” by Ezekiel Hampton is a driving dance / electronic track built ...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Comedy / Drama / Sports / Indie scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Comedy / Drama / Sports / Indie scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bff Forever” by Ezekiel Hampton is a driving dance / electronic track built ...

Lyrics

"Now hush, you're sinking like a saint into the catacomb,
dropping words into your coat and vertigo,
resting on the laurels of the fanatical, orbital,
sell your soul to feel the hole
And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

Now hush, there's one thing left to ask and yes I gotta know
From all the spinning in my heavy vertigo
Selling out the game only be worth it all, ethical,
it comes the pride before the fall
And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

You snake oil, lick your lips, poison medicine man
You snake oil, lick your lips, poison medicine man
And when I see you come around,
I'm always

Artist Bio

Ezekiel Hampton blends rhythmic electronic, reggae, and pop influences for sy...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Big Not Small — Paul Reddick

OMR Cue Map

Track: Big Not Small
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Big Not Small” for action, adventure, art house, energy. Best entry poin...

Sync Pitch Sheet

Song Profile:
Key: A Minor
BPM: 87
Genres: Blues / Rock / Soul
Vocals: Male Vocal
Moods: Cool / Love / Moody / Swagger / Upbeat
Sync Themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Thriller
Lyric Themes: Energy / Love / Strength / Success / Time
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica / Percussion

Track Summary:
“Big Not Small” by Paul Reddick is a measured blues / rock / soul track built...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Big Not Small” by Paul Reddick is a measured blues / rock / soul track built...

Lyrics

"It’s big not small
Like a train not an automobile
Gonna need some time
It’s a real good deal
It’s slow not quick
With a long delay
It’s laying in the shade
Sleeping through the day
It’s laying in the shade
Sleeping through the day
It’s good not bad
It’s pleasing and worthy
It’s bonafide baby
It’s sweet lowdown and earthy
It’s laying in the shade
Sleeping through the day
It’s laying in the shade
Sleeping through the day
It’s love not like
That other kind of thing
Make you feel so good
Make your heart want to sing
It’s big not small
Like John the Conqueror
Gotta mojo too
It’s ready for you
It’s ready for you
It’s ready for you
It’s ready for you"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blink Of An Eye — Asteria

OMR Cue Map

Track: Blink Of An Eye
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Blink Of An Eye” for adventure, art house, drama, escape. Best entry poi...

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 97
Genres: Country
Vocals: Female Vocal
Moods: Rhythmic / Upbeat / Uplifting
Sync Themes: Adventure / Art House / Drama / Romance
Lyric Themes: Escape / Time
Type: One Stop

Instrumentation:
Acoustic Guitar / Bass / Drums / Electric Guitar / Percussion

Track Summary:
“Blink Of An Eye” by Asteria is a midtempo country track built around acousti...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Adventure / Art House / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Adventure / Art House / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blink Of An Eye” by Asteria is a midtempo country track built around acousti...

Lyrics

"Every time I think that it will end I find more inspiration in the end from you
You're my muse
Ever since the day that I met you, you keep me driving deeper to improve with you
I can't lose
Through all the pleasure and the pain that I thought would drain me
I thought I'd lose, lose to you
But I've escaped my self-destruction
I've escaped your distraction
Now I'm good, free of you
Riding the edge of the cliff, taking all the risks
The fall is inescapable, we try not to slip
The end is inevitable, freefall or slow burn
It really don't matter anyway
It's just a blink of an eye in universal time
It's universal time
Universal time, blink of an eye
You are nothing more than a speck on the windshield to be washed away by the rain
And it only takes one look, one small gesture to give it all away permanently
Riding the edge of the cliff, taking all the risks
The fall is inescapable, we try not to slip
The end is inevitable, clean cut or slow burn
It really don't matter anyway
It's just a blink of an eye in universal time
Universal time, blink of an eye
It's universal time
Universal time, blink of an eye
Riding the edge of the cliff, taking all the risks
The fall is inescapable, we try not to slip
The end is inevitable, clean cut or slow burn
It really don't matter anyway
It's just a blink of an eye
It's universal time"

Artist Bio

Asteria contributes country material to OMR with a rhythmic / upbeat / uplift...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Block Of Wood — Paul Reddick

OMR Cue Map

Track: Block Of Wood
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Block Of Wood” for action, adventure, art house, heartbreak. Best entry ...

Sync Pitch Sheet

Song Profile:
Key: E Minor
BPM: 114
Genres: Blues / Rock
Vocals: Male Vocal
Moods: Confident / Quirky / Retro
Sync Themes: Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery
Lyric Themes: Heartbreak / Longing / Love / Strength / Struggle
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Harmonica

Track Summary:
“Block Of Wood” by Paul Reddick is a midtempo blues / rock track built around...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Art House / Comedy / Coming Of Age / Crime / Drama / Mystery scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Block Of Wood” by Paul Reddick is a midtempo blues / rock track built around...

Lyrics

"You sure did do did do me no good
You sure did do me darlin did do me no good
You cut my heart in two
Like it was a solid block of wood
I’m standing standing baby where I might not have withstood
You know I’m standing standing baby where I might not have withstood
I’m standing steady steady darling
Like it was a solid block of wood
Like a ship out on the ocean like Noah’s ark out on the flood
Like a ship out on the ocean like Nora’s ark out on the flood
You know I’m drifting yes I’m drifting
Like it was a solid block of wood
I’m searching for you darling like a hound dog through the wood
I’m hard on your trail baby like a hound dog through the wood
So hard for you darling
Like a solid block of wood"

Artist Bio

Paul Reddick writes distinctive roots and blues material with poetic grit, ch...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blues For Duke — Pat Carey

OMR Cue Map

Track: Blues For Duke
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Blues For Duke” for action, crime, drama. Best entry points should follo...

Sync Pitch Sheet

Song Profile:
Key: Eb Major
BPM: 77
Genres: Blues / Jazz / Vintage
Vocals: Instrumental
Moods: Bright / Confident / Cool / Dramatic / Fun / Happy / Light / Positive / Quirky / Reflective / Rom...
Sync Themes: Action / Crime / Drama / Mystery / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
“Blues For Duke” by Pat Carey is a measured blues / jazz / vintage track buil...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Crime / Drama / Mystery / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Crime / Drama / Mystery / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blues For Duke” by Pat Carey is a measured blues / jazz / vintage track buil...

Instrumental Usage

Fully instrumental and one-stop, “Blues For Duke” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Pat Carey contributes blues / jazz / vintage material to OMR with a bright / ...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blues For Myles — Pat Carey

OMR Cue Map

Track: Blues For Myles
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Blues For Myles” for action, adventure, comedy. Best entry points should...

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 115
Genres: Jazz / Vintage
Vocals: Instrumental
Moods: Bright / Carefree / Cinematic / Dark / Dramatic / Intense / Moody / Positive / Rhythmic / Roman...
Sync Themes: Action / Adventure / Comedy / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Keyboard / Saxophone

Track Summary:
“Blues For Myles” by Pat Carey is a driving jazz / vintage track built around...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Comedy / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Comedy / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blues For Myles” by Pat Carey is a driving jazz / vintage track built around...

Instrumental Usage

Fully instrumental and one-stop, “Blues For Myles” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Pat Carey contributes jazz / vintage material to OMR with a bright / carefree...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blues In Eh — Lee Palmer

OMR Cue Map

Track: Blues In Eh
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Blues In Eh” for action, adventure, comedy, celebration. Best entry poin...

Sync Pitch Sheet

Song Profile:
Key: A Major
BPM: 127
Genres: Blues / Sing / Song
Vocals: Male Vocal
Moods: Bright / Carefree / Fun / Happy / Hopeful / Positive / Romantic
Sync Themes: Action / Adventure / Comedy / Crime / Romance
Lyric Themes: Celebration / Connection / Energy / Fun
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Piano

Track Summary:
“Blues In Eh” by Lee Palmer is a driving blues / sing/song track built around...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Comedy / Crime / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Comedy / Crime / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blues In Eh” by Lee Palmer is a driving blues / sing/song track built around...

Lyrics

"I got the blues in A, six strings in my fingers
Lookin' for a lick in a place where it lingers by the way
I got the blues in A, that's a Canadian E-H-A
I got the blues in A, I got the blues in A
And I'm giggin' in Toronto
Playing for the door and all the drinks I can swallow
By the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A
Take it away Dennis
I got the blues in A and I'm jammin' at the Joyce
Dancin' with the sisters and hangin' with the boys
By the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A, that baseline gold
I got the blues in A, six strings in my fingers
Baby, I'm looking for a place where it lingers by the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A"

Artist Bio

Lee Palmer brings blues, country, and roots storytelling into emotionally dir...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Blueserenity — Pat Carey

OMR Cue Map

Track: Blueserenity
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Fast-cut edit points likely at 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12; verif...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Blueserenity” for art house, comedy, drama. Best entry points should fol...

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 135
Genres: Jazz
Vocals: Instrumental
Moods: Bright / Chill / Cinematic / Confident / Cool / Dark / Dramatic / Fun / Happy / Intense / Light / M...
Sync Themes: Art House / Comedy / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Keyboard / Percussion / Saxophone

Track Summary:
“Blueserenity” by Pat Carey is a high-energy jazz track built around bass, dr...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Art House / Comedy / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Art House / Comedy / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Blueserenity” by Pat Carey is a high-energy jazz track built around bass, dr...

Instrumental Usage

Fully instrumental and one-stop, “Blueserenity” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Pat Carey contributes jazz material to OMR with a bright / chill / cinematic ...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Boom Salute — Melodic Yoza

OMR Cue Map

Track: Boom Salute
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Boom Salute” for adventure, comedy, coming of age, energy. Best entry po...

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 84
Genres: Folk / Hip Hop / Indie / Reggae
Vocals: Male Vocal
Moods: Bright / Catchy / Chill / Cinematic / Confident / Dramatic / Fun / Hopeful / Playful / Positive...
Sync Themes: Adventure / Comedy / Coming Of Age / Drama / Romance
Lyric Themes: Energy / Happiness / Love / Relationship / Strength
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Percussion / Synth

Track Summary:
“Boom Salute” by Melodic Yoza is a measured folk / hip hop / indie track buil...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Coming Of Age / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Coming Of Age / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Boom Salute” by Melodic Yoza is a measured folk / hip hop / indie track buil...

Lyrics

"[Intro]
One, one, one
Bodoobye, bodoobye, bodoobye, bodoobye, bodoobye, bodoobye
Number one, one, one
I salute you

[Verse 1]
Have you ever met a girl who was looking so nice
Man, you would go all out and pay any price
Just to make her to be your wife
Man, I’m talking about this, this girl I like
Man, she’s a go getter so I gotta go get her
‘Cause it only gets better
When you coming from the place with the finest weather
So let’s get this together, oh

[Pre-Chorus]
She’s a special friend of mine
My, my mama wise
She makes me come alive
‘Cause she gets me every time

[Chorus]
Oh, oh here she come
I boom salute you girl, you’re the one
And it been that way since day one
You’re second to none
You’re second to none, none, none
Oh, oh here she come
I boom salute you girl
You’re the one
And I wouldn't change that for no one
You’re my number one
You’re my number one, one, one

[Verse 2]
She goes 0 to 100 put a smile on my face
You see my baby I would never replace
So when she touch down later on today
You know, we going out to play
Oh yes, we gon’ have a blast ya
Chill up on the beach a drink coconut water
Little bit of surfing and some scuba
‘Cuse she is just the truth
I’m telling you

[Pre-Chorus]
She makes me come alive
My, my mama wise
So I got to advertise
‘Cause she gets me every time

[Chorus]
Oh, oh here she come
I boom salute you girl, you’re the one

Artist Bio

Melodic Yoza contributes folk / hip hop / indie material to OMR with a bright...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Boopsie Erratic — Normal Machine

OMR Cue Map

Track: Boopsie Erratic
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Boopsie Erratic” for action, adventure, animation. Best entry points sho...

Sync Pitch Sheet

Song Profile:
Key: D Minor
BPM: 80
Genres: Electronic / Funk / Hip Hop
Vocals: Instrumental
Moods: Catchy / Confident / Cool / Energetic / Fun / Happy / Party / Playful / Positive / Swagger
Sync Themes: Action / Adventure / Animation / Art House / Coming Of Age / Indie / Sci Fi / Thriller / Vide...
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Percussion / Synth

Track Summary:
“Boopsie Erratic” by Normal Machine is a measured electronic / funk / hip hop...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Animation / Art House / Coming Of Age / Indie / Sci Fi / Thriller / Vide... scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Animation / Art House / Coming Of Age / Indie / Sci Fi / Thriller / Vide... scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Boopsie Erratic” by Normal Machine is a measured electronic / funk / hip hop...

Instrumental Usage

Fully instrumental and one-stop, “Boopsie Erratic” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Normal Machine contributes electronic / funk / hip hop material to OMR with a...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bright Sun — OMR

OMR Cue Map

Track: Bright Sun
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Bright Sun” for adventure, comedy, romance, happiness. Best entry points...

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 105
Genres: Country / Electronic / Funk / Gospel / Holiday / Indie / Party / Pop / R&B / Reggae / R...
Vocals: Male Vocal
Moods: Carefree / Confident / Fun / Happy / Party / Powerful / Retro / Rhythmic
Sync Themes: Adventure / Comedy / Romance
Lyric Themes: Happiness / Love / Nature
Type: One Stop

Instrumentation:
Accordion / Bass / Drums / Electric Guitar / Keyboard / Percussion

Track Summary:
“Bright Sun” by Omr is a midtempo country / electronic / funk track built aro...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bright Sun” by Omr is a midtempo country / electronic / funk track built aro...

Lyrics

"VERSE 1
IT’S A GOOD DAY TO RISE
PLACES TO GO
SIGHTS ON THE PRIZE
SUNSHINE IN THE WINDOW

VERSE 2
IT’S A GOOD DAY TO LIVE
PLACES TO GO
LOVING TO GIVE
SUNSHINE IN THE WINDOW

CHORUS
BRIGHT SUN
IT IS A BRIGHT SUN

VERSE 3
FORTY SHADES OF YELLOW
FORTY SHADES OF RED
COLORS OF THE RAINBOW
EXPLODING IN MY HEAD

VERSE 4
TREES FLOATING ON THE HILLS
CARPET ON THE LAKE
ROLLING ON THE WAVES
SURFING ON THE WAKE

CHORUS
IT’S A BRIGHT SUN
IT IS A BRIGHT SUN

VERSE 5
THERE’S A SKIP IN YOUR STEP
BIRDS IN THE SKY

Artist Bio

Omr contributes country / electronic / funk material to OMR with a carefree /...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Broken Step — Amhed Mitchel

OMR Cue Map

Track: Broken Step
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Broken Step” for action, crime, drama. Best entry points should follow t...

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 74
Genres: Funk / Jazz / Soul
Vocals: Instrumental
Moods: Bright / Catchy / Cool / Driving / Energetic / Fun / Happy / Playful / Positive / Quirky / Rhythm...
Sync Themes: Action / Crime / Drama / Indie / Mystery / Sports / Thriller / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Keyboard / Percussion / Synth

Track Summary:
“Broken Step” by Amhed Mitchel is a measured funk / jazz / soul track built a...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Crime / Drama / Indie / Mystery / Sports / Thriller / Video Game scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Crime / Drama / Indie / Mystery / Sports / Thriller / Video Game scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Broken Step” by Amhed Mitchel is a measured funk / jazz / soul track built a...

Instrumental Usage

Fully instrumental and one-stop, “Broken Step” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Amhed Mitchel contributes funk / jazz / soul material to OMR with a bright / ...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Brooklyn Boogaloo — Pat Carey

OMR Cue Map

Track: Brooklyn Boogaloo
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Brooklyn Boogaloo” for action, adventure, comedy. Best entry points shou...

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 117
Genres: Jazz / Party / Soul
Vocals: Instrumental
Moods: Cinematic / Cool / Dramatic / Fun / Happy / Intense / Party / Playful / Positive / Quirky / Retro...
Sync Themes: Action / Adventure / Comedy / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Piano / Saxophone

Track Summary:
“Brooklyn Boogaloo” by Pat Carey is a driving jazz / party / soul track built...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Comedy / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Action / Adventure / Comedy / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Brooklyn Boogaloo” by Pat Carey is a driving jazz / party / soul track built...

Instrumental Usage

Fully instrumental and one-stop, “Brooklyn Boogaloo” supports cinematic storytelling without lyrical distraction. Especially useful for groove & motion placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Pat Carey contributes jazz / party / soul material to OMR with a cinematic / ...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Buenos Aries — Kiki Ferrer

OMR Cue Map

Track: Buenos Aries
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Buenos Aries” for adventure, comedy, drama. Best entry points should fol...

Sync Pitch Sheet

Song Profile:
Key: C Major
BPM: 110
Genres: Holiday / Latin / Party / World
Vocals: Male Vocal
Moods: Carefree / Cinematic / Confident / Cool / Dramatic / Energetic / Fun / Happy / Intense / Party / ...
Sync Themes: Adventure / Comedy / Drama / Romance / Western
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Horns / Percussion / Synth

Track Summary:
“Buenos Aries” by Kiki Ferrer is a midtempo holiday / latin / party track bui...

Sync Highlights:

• Primary category: Groove & Motion
• Scene utility: Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Drama / Romance / Western scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Groove & Motion placements with crossover utility across Adventure / Comedy / Drama / Romance / Western scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Buenos Aries” by Kiki Ferrer is a midtempo holiday / latin / party track bui...

Lyrics

Lyrics available on request. Final lyric sheet should be confirmed against the approved master metadata before delivery.

Artist Bio

Kiki Ferrer brings jazz, funk, rock, and Latin-influenced musicianship to gro...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Badger In The Bag — Kristin Sweetland

OMR Cue Map

Track: Badger In The Bag
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Possible soft ending; may work best with a fade or visual dissolve.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Badger In The Bag” for action, adventure, art house. Best entry points s...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 93
Genres: Folk / World
Vocals: Instrumental
Moods: Dreamy / Hopeful / Positive / Romantic / Warm
Sync Themes: Action / Adventure / Art House / Crime / Drama / Indie / Romance / Thriller
Lyric Themes:
Type: One Stop

Instrumentation:
Acoustic Guitar / Strings

Track Summary:
“Badger In The Bag” by Kristin Sweetland is a midtempo folk / world track bui...

Sync Highlights:

• Primary category: Character & Story
• Scene utility: Best suited for Character & Story placements with crossover utility across Action / Adventure / Art House / Crime / Drama / Indie / Romance / Thriller scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Character & Story placements with crossover utility across Action / Adventure / Art House / Crime / Drama / Indie / Romance / Thriller scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Badger In The Bag” by Kristin Sweetland is a midtempo folk / world track bui...

Instrumental Usage

Fully instrumental and one-stop, “Badger In The Bag” supports cinematic storytelling without lyrical distraction. Especially useful for character & story placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Kristin Sweetland writes with a grounded folk and cinematic sensibility, bala...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Begin Again — Lucian Kano Balmer

OMR Cue Map

Track: Begin Again
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Begin Again” for adventure, coming of age, drama. Best entry points shou...

Sync Pitch Sheet

Song Profile:
Key: G Major
BPM: 126
Genres: Folk / Jazz / World
Vocals: Instrumental
Moods: Happy / Positive / Quirky / Retro / Romantic
Sync Themes: Adventure / Coming Of Age / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Strings

Track Summary:
“Begin Again” by Lucian Kano Balmer is a driving folk / jazz / world track bu...

Sync Highlights:

• Primary category: Character & Story
• Scene utility: Best suited for Character & Story placements with crossover utility across Adventure / Coming Of Age / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Character & Story placements with crossover utility across Adventure / Coming Of Age / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Begin Again” by Lucian Kano Balmer is a driving folk / jazz / world track bu...

Instrumental Usage

Fully instrumental and one-stop, “Begin Again” supports cinematic storytelling without lyrical distraction. Especially useful for character & story placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Lucian Kano Balmer writes intimate folk-world instrumentals with a strong sen...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Boisdale — Carlos Miyares

OMR Cue Map

Track: Boisdale
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Boisdale” for action, adventure, animation. Best entry points should fol...

Sync Pitch Sheet

Song Profile:
Key: Bb Major
BPM: 88
Genres: Ballads / Jazz
Vocals: Instrumental
Moods: Chill / Cinematic / Confident / Cool / Dramatic / Energetic / Hopeful / Intense / Positive / Ro...
Sync Themes: Action / Adventure / Animation / Drama / Romance
Lyric Themes:
Type: One Stop

Instrumentation:
Bass / Drums / Horns / Percussion / Piano / Saxophone

Track Summary:
“Boisdale” by Carlos Miyares is a measured ballads / jazz track built around ...

Sync Highlights:

• Primary category: Character & Story
• Scene utility: Best suited for Character & Story placements with crossover utility across Action / Adventure / Animation / Drama / Romance scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Character & Story placements with crossover utility across Action / Adventure / Animation / Drama / Romance scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Boisdale” by Carlos Miyares is a measured ballads / jazz track built around ...

Instrumental Usage

Fully instrumental and one-stop, “Boisdale” supports cinematic storytelling without lyrical distraction. Especially useful for character & story placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Carlos Miyares contributes ballads / jazz material to OMR with a chill / cine...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Borderland — The Green Door

OMR Cue Map

Track: Borderland
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30; useful for...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: Moderate — instrumental pockets can loop; vocal sections should be placed int...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Borderland” for adventure, drama, indie, change. Best entry points shoul...

Sync Pitch Sheet

Song Profile:
Key: B Minor
BPM: 109
Genres: Indie / Rock
Vocals: Male Vocal
Moods: Atmospheric / Bright / Dreamy / Minimal / Reflective / Retro
Sync Themes: Adventure / Drama / Indie
Lyric Themes: Adventure / Change / Destiny / Discovery / Dream
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar / Synth

Track Summary:
“Borderland” by The Green Door is a midtempo indie / rock track built around ...

Sync Highlights:

• Primary category: Character & Story
• Scene utility: Best suited for Character & Story placements with crossover utility across Adventure / Drama / Indie scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Character & Story placements with crossover utility across Adventure / Drama / Indie scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Borderland” by The Green Door is a midtempo indie / rock track built around ...

Lyrics

"Take a trip to the borderland
On a bullet train
With a mind full of borderline
And a hand full of change
Pay the toll and they save you a place
But never you'll know of the conductor's name
That's wrote on every passenger's face
Open up your eyes
Not everyone pays for the ride
But some say there's a freer way inside

Off the train on the pale brown sand
Crow calls a warning
With feathers spread like open hands
And eyes like a dream
It beckons you to the edge of town
But never you'll know where direction is found
Until you're digging underground
Open up your eyes
Everybody takes the ride
But some say there's a nearer way inside"

Artist Bio

The Green Door delivers gritty, guitar-forward storytelling with roots, rock,...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Break The Ice — Josh Howard Friedman

OMR Cue Map

Track: Break The Ice
Clean Intro: Likely — confirm exact vocal entry; opening should still provide a usable set...
Edit Points: Likely edit points around 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36; confirm ar...
Button Ending: Likely usable if the final hit or hook resolves cleanly; confirm tail on master.
Loopable: Moderate — use intro, instrumental breaks, and lower-vocal-density sections f...
Best Loop Candidates: Intro groove, pre-chorus build, instrumental break, post-chorus bed, and lowe...

Use Case:
Use “Break The Ice” for action, adventure, animation, connection. Best entry ...

Sync Pitch Sheet

Song Profile:
Key: F Major
BPM: 82
Genres: Metal / Punk / Rock
Vocals: Male Vocal
Moods: Confident / Cool / Fun / Positive / Retro / Upbeat
Sync Themes: Action / Adventure / Animation / Art House / Children
Lyric Themes: Connection / Fun / Happiness / Individuality / Relationship
Type: One Stop

Instrumentation:
Bass / Drums / Electric Guitar

Track Summary:
“Break The Ice” by Josh Howard Friedman is a measured metal / punk / rock tra...

Sync Highlights:

• Primary category: Character & Story
• Scene utility: Best suited for Character & Story placements with crossover utility across Action / Adventure / Animation / Art House / Children scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Character & Story placements with crossover utility across Action / Adventure / Animation / Art House / Children scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Break The Ice” by Josh Howard Friedman is a measured metal / punk / rock tra...

Lyrics

"Come on let’s break the ice
Come on let’s break the ice

I’m rockin’ in my red shoes
They really kick out the blues
There’s just no way you can lose,
When you rock the red shoes

There’s something new in the air
You’re dancing like you don’t care
I’m getting outta my chair,
And heading straight over there

I’m walking right up to you
It’s just the right thing to do
The only ones in the room,
It’s time to make your debut

Come on let’s break the ice
Come on let’s break the ice
Come on let’s break the ice
The ice, the ice
The ice, the ice

You’re someone I wanna know
I’m not sure how this should go
I could tell you a joke, but I think I might choke

I’m looking right at a star
I hope you know who you are
The way you play that guitar, is coming straight from the heart

Come on let’s break the ice
Come on let’s break the ice
Come on let’s break the ice
The ice, the ice, the ice"

Artist Bio

Josh Howard Friedman contributes metal / punk / rock material to OMR with a c...

Request Assets

For WAV files, stems, alt mixes, clearance details, or more information, contact:

sergio@omrmusicproduction.com

Please reference:
Bridges — Amhed Mitchel

OMR Cue Map

Track: Bridges
Clean Intro: Yes — instrumental opening should give editors room before the main arrangeme...
Edit Points: Phrase-based edits around 0:20 / 0:40 / 1:00 / 1:20 / 1:40; verify against fi...
Button Ending: Potentially usable; confirm final chord, reverb tail, and whether a fade is n...
Loopable: High — instrumental sections should support underscore extension and bed use.
Best Loop Candidates: Intro bed, mid-cue groove, lower-dynamic passages, and any sustained instrume...

Use Case:
Use “Bridges” for action, adventure, art house. Best entry points should foll...

Sync Pitch Sheet

Song Profile:
Key: C Minor
BPM: 67
Genres: Jazz
Vocals: Instrumental
Moods: Dramatic / Light / Positive / Romantic
Sync Themes: Action / Adventure / Art House / Coming Of Age / Drama / Indie / Romance / Sports / Video Game
Lyric Themes:
Type: One Stop

Instrumentation:
Percussion / Piano / Saxophone

Track Summary:
“Bridges” by Amhed Mitchel is a measured jazz track built around percussion, ...

Sync Highlights:

• Primary category: Character & Story
• Scene utility: Best suited for Character & Story placements with crossover utility across Action / Adventure / Art House / Coming Of Age / Drama / Indie / Romance / Sports / Video Game scenes.
• One-stop licensing supports streamlined clearance
• Downloadable Super Card keeps audio, cue notes, and creative positioning together

Sync Potential

Best suited for Character & Story placements with crossover utility across Action / Adventure / Art House / Coming Of Age / Drama / Indie / Romance / Sports / Video Game scenes.

Stem Tracks

Available on request / confirm with rights holder.

Track Narrative

“Bridges” by Amhed Mitchel is a measured jazz track built around percussion, ...

Instrumental Usage

Fully instrumental and one-stop, “Bridges” supports cinematic storytelling without lyrical distraction. Especially useful for character & story placements, dialogue-safe underscore, transitions, and scene-driven editorial use.

Artist Bio

Amhed Mitchel contributes jazz material to OMR with a dramatic / light / posi...