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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — T

Thunderous themes, tender tones, and thrilling textures — the “T” collection takes storytelling to the next level. Explore cinematic tracks built for emotional impact, rhythmic drive, and sync-forward placement.

← Back to Main Catalog

Take A Number — Tiffany Joy

Take A Number cover art

Take A Number
by Tiffany Joy

“Take A Number” blends Folk, Latin, and World textures into an upbeat reminder that joy and perspective conquer fear and loneliness. Tiffany Joy delivers a playful yet profound performance, turning melancholy into warmth and self‑assurance. Bright guitars, light rhythm, and a whimsical spirit make this one a celebration of choosing happiness.

Full Track

Snippet Preview

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OMR Cue Map

OMR Cue Map

Track: Take a Number
Clean Intro: Yes (0:00 – immediate entry with confident, vocal-driven tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with assertive tonal finish
Loopable: Moderate–High (song structure supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Confident, vocal-driven cue centered on individuality, attitude, and presence. Ideal for character-forward scenes and bold storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Take A Number

Song Profile

  • Key Signature: Bb Major
  • BPM: 132
  • Tempo: Uptempo
  • Genres: Folk, Latin, World
  • Vocals: Female Vocal
  • Mood/Feel: Bright, Hopeful, Light, Positive, Quirky, Reflective, Warm
  • Lyric Themes: Dream, Loneliness, Time, Fear
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Keyboard

Track Summary

“Take A Number” frames emotional resilience through humor and light. Tiffany Joy delivers a gently defiant message: sometimes the best answer to fear and loneliness is a smile and a “not today.” Its ornate acoustic grooves and uplifting tone make it a great fit for feel‑good scenes and hopeful transitions.

Sync Highlights

  • Perfect for upbeat montage or character‑rebirth scenes.
  • Latin‑folk rhythm works under travel or movement sequences.
  • Relatable “choose joy” message enhances optimistic films.
  • Strong lyrical personality adds charm to indie projects.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Take A Number

“Take A Number” brings charm and light to moments of levity and determination. Blending easy acoustic flow and Latin‑infused warmth, it’s ideal for films, ads, or series that celebrate optimism, humor, or the small victories that define everyday courage.

Scene Types

  • Feel‑good daytime montages and travel sequences.
  • Moments of humor or relief after drama.
  • Romantic comedy or friendship realization scenes.
  • Positive self‑reflection and overcoming doubt.

Film/TV Fit

  • Romantic Comedy
  • Drama
  • Inspiration & Lifestyle Pieces
  • Uplifting Television Moments

Why It Works

  • Warm melody balances reflective and humorous tones.
  • Relatable attitude of perseverance adds character depth.
  • Acoustic‑Latin grounding feels natural and cinematic.
Track Narrative:
“Take A Number” tells the story of meeting life’s darker emotions with wit and compassion. Tiffany Joy uses light to combat fear, reminding listeners that joy is a choice — one we can make each day in defiance of sorrow’s knock at the door.

Lyrics: Take A Number

I sit here on a sunny day when sadness comes a walking my way Big black hat and a cigarette, like so many men I've met He tips his brim, tries to catch my eye, when suddenly I realize that he could merely pass me by if only I would let him Take a number, sit down next to loneliness and sorrow Take a number and maybe I'll get to you tomorrow Here comes fear, he's so clever, follows me like stormy weather Every time I find my way, he's there to knock me down There's too much good wrapped up in my dreams to let this fear debilitate me So I won't wave at his parade, instead I'll smile and say, Take a number, sit down next to loneliness and sorrow Take a number, and maybe I'll get to you tomorrow Today is lovely, today is fine It's always sunny in my mind Take a number, 'cause I can't find the time for you Nowadays it's so easy to lose all the reasons there are to smile and let the dark consume you But deep inside, there's a light and a peace and a love that never fades To anything that stings, I smile and say, Take a number, sit down next to loneliness and sorrow Take a number, and maybe I'll get to you tomorrow Today is lovely, today is fine It's always sunny in my mind Take a number, 'cause I can't find the time for you I can't find the time for you I can't find the time for you I can't find the time for you I can't find the time for you
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy combines Folk and Latin influences with airy Pop expressions, crafting songs that glow with joy and humanity. Her sound is rooted in storytelling — honest, empowering, and rich in melodic color.

Through rhythm, humor, and heart, Tiffany Joy re‑frames challenges into celebration, offering songs that connect to the every‑day triumphs of life and love.

Styles: Folk, Latin, World •  Strengths: Joyful tone, clever lyricism, positive energy •  Typical Uses: Drama, Romance, Feel‑Good Scenes, Lifestyle Montages

TAKE ME — OMR Music Production

Take Me cover art

Take Me
by OMR Music Production

Ethereal and hopeful — “Take Me” is a cinematic plea for trust, healing, and emotional surrender. OMR Music Production blends ambient textures and lyrical serenity into a sonic embrace built for dramatic transitions, romantic arcs, or introspective resolution scenes.

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OMR Cue Map

OMR Cue Map

Track: Take Me
Clean Intro: Yes (0:00 – immediate entry with atmospheric, emotional tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Emotional cue centered on longing, escape, and connection. Commonly, “take me” themes in music reflect a desire for change or emotional transport.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Take Me

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 95
  • Energy: Medium
  • Genres: Blues, Funk, Indie
  • Vocals: Male Vocal
  • Moods: Sad, Dark, Moody, Retro
  • Lyric Themes: Dream, Love
  • Cinematic Fit: Drama, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition, Programming, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar & Bass: Elmer Ferrer
  • Drums: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Take Me by OMR Music Production is a cinematic plea for trust, healing, and emotional surrender. With ambient textures and lyrical serenity, it’s built for dramatic transitions, romantic arcs, or introspective resolution scenes.

Ideal Sync Uses

  • Drama: Emotional breakdowns, quiet revelations
  • Romance: Vulnerable connection, longing

Scene Suggestions

  • Character standing in the rain after a breakup
  • Montage of emotional healing or reflection
  • Slow-motion walk through a dimly lit street
  • Closing credits with a moody, romantic tone

Why It Works

  • Male vocals deliver emotional vulnerability
  • Retro textures evoke timeless cinematic appeal
  • Midtempo pacing supports dramatic storytelling
  • Blues-funk-indie blend suits modern sync aesthetics
Track Narrative:
“Take Me” is an emotional surrender—softly soaring between longing and resolution. OMR Music Production delivers lush instrumentation and reflective vocals that ask for rescue, union, and release. The lyrics float on imagery of healing, trust, and personal truth. With each chorus plea—“take me with you / I want to be saved”—the song builds a cinematic dreamscape of devotion and vulnerability.
Lyrics:
VERSE 1
HOW DOES IT FEEL?
YOU SET ME FREE, HOW CAN WE HEAL?
BY LETTING ME GO
YOU DARED TO RELEASE ME
I CARED ENOUGH TO AGREE
I CARED ENOUGH TO BE ME

CHORUS
TAKE ME WITH YOU
DON’T WANT TO BE BRAVE
I’LL PAY BACK WHAT’S DUE
I WANT TO BE SAVED
PLEASE TAKE MY HANDS
LET’S SPREAD OUR WINGS
MAKE NO DEMANDS
WHATEVER LIFE BRINGS

INTERLUDE

VERSE 3
WE SHARED DREAMS OF PEACE
STOP MISERIES, BREATHE
I SWEAR TIL WE’RE GONE
TO SHAPE A LOVE, WE CAN BUILD ON
I CARED ENOUGH TO AGREE
I CARED ENOUGH TO BE ME

CHORUS

BRIDGE
WHY DO WE FIGHT
ITS NOT ABOUT MIGHT
WE’LL BE ALRIGHT

CHORUS

TAKE ME RUBY — Paul Reddick

Take Me Ruby cover art

Take Me Ruby
by Paul Reddick

Slow-burning and hypnotic — “Take Me Ruby” is a poetic blues meditation on motion, surrender, and longing. Paul Reddick's vocals ride an atmospheric groove of emotional gravity, perfect for scenes exploring desire, memory, or romantic descent.

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OMR Cue Map

OMR Cue Map

Track: Take Me Ruby
Clean Intro: Yes (0:00 – immediate entry with rootsy, blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues-driven cue centered on storytelling, movement, and character. Ideal for roots-based narratives and textured scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Take Me Ruby

Song Details

  • Key Signature: E Minor
  • Beats Per Minute: 100
  • Energy: Mid-tempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat
  • Lyric Themes: Adventure, Longing, Nostalgia
  • Cinematic Fit: Action, Adventure, Drama, Indie, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Production & Artist Info

Available upon request

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Take Me Ruby by Paul Reddick is a hypnotic rock meditation on motion, surrender, and longing. With gritty textures and poetic blues undertones, it’s ideal for scenes that explore desire, memory, or emotional descent.

Ideal Sync Uses

  • Action: Slow-motion fight sequences, chase scenes
  • Drama: Emotional flashbacks, character introspection
  • Thriller: Tension-building montages, psychological unraveling
  • Indie: Stylized transitions, moody road trip scenes

Scene Suggestions

  • Character walking alone through neon-lit streets
  • Motorcycle ride across a desert highway
  • Flashback to a lost love or pivotal moment
  • Opening credits with a gritty, nostalgic tone

Why It Works

  • Male vocals deliver raw emotional depth
  • Midtempo pacing supports dramatic tension
  • Rock-punk-metal fusion suits high-impact storytelling
  • Lyric themes of longing and adventure enhance narrative arcs
Track Narrative:
“Take Me Ruby” drifts through surreal imagery and blues mysticism. Paul Reddick conjures a quiet pilgrimage—whispers of hills of gold, fallen rain, and destination unknown. The refrain of “take me Ruby” becomes both an invitation and incantation, leading us toward surrender and light. Minimalist groove meets poetic spirit in this dreamy passage through night and day.
Lyrics:
Take me with when you go
Deep inside that never know
Far into the mystery
Fallin in that sposed to be
Ride the one and ride the train
Ride on past the fallin rain
Oh yeah it's all around
Take me baby where you're bound

Take me Ruby
Take me
Take me Ruby

Far away the groove and sway
Through the night and in the day
Lead me to your hills of gold
Take me with you when you go

Take me Ruby
Take me
Take me Ruby
Take me Ruby
Take me
Oh Ruby

TAKE MY ADVICE — OMR Music Production

Take My Advice cover art

Take My Advice
by OMR Music Production

Blues sass with bite — “Take My Advice” struts into breakup territory with punchy verses, sly wit, and a stompin’ groove. OMR Music Production delivers a no-nonsense pep talk ideal for bar scenes, romantic exits, or dramatic revelations.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Take My Advice
Clean Intro: Yes (0:00 – immediate entry with rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (tight structure supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Rhythmic cue centered on direction, attitude, and motion. Ideal for stylized edits and character-driven pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Take My Advice

Song Details

  • Key Signature: E Minor
  • Beats Per Minute: 120
  • Energy: Medium - High
  • Genres: Blues, Indie, Rock
  • Vocals: Male Vocal
  • Moods: Angry, Upbeat, Hopeful, Positive, Reflective, Retro, Tension
  • Lyric Themes: Conflict, Power, Relationship, Struggle, Betrayal
  • Cinematic Fit: Crime, Drama, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Xyrla Fernandez, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition, Programming, Production: Elmer Ferrer
  • Mixing & Mastering: Kevin Dietz, Sam Williams

Artists

  • Vocals: Terri Clancy
  • Guitar & Bass: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Saxophone: Carolos Miyares

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Take My Advice by OMR Music Production struts into breakup territory with punchy verses, sly wit, and a stompin’ groove. It’s a blues-rock pep talk with cinematic bite—perfect for scenes of confrontation, empowerment, or emotional turning points.

Ideal Sync Uses

  • Crime: Barroom standoffs, gritty urban tension
  • Drama: Relationship breakdowns, personal reckoning
  • Romance: Breakup montages, emotional exits

Scene Suggestions

  • Character walking away from a toxic relationship
  • Confrontation in a smoky dive bar
  • Montage of self-empowerment and reinvention
  • Flashback to betrayal or emotional fallout

Why It Works

  • Male vocals deliver raw intensity and sass
  • Uptempo groove drives narrative momentum
  • Blues-indie-rock fusion suits modern sync aesthetics
  • Lyric themes of conflict and power enhance dramatic arcs
Track Narrative:
“Take My Advice” is the ultimate breakup anthem for anyone tired of excuses and empty promises. With pointed verses and rock-solid swagger, OMR Music Production turns words of warning into full-on entertainment. The bridge snaps: “Take my advice or you’re going down,” while punchy delivery channels grit and grace. It’s tongue-in-cheek blues with attitude, built to be belted.
Lyrics:
VERSE 1
I find it quite appalling
You keep on calling
Even though you know what she’s like
Put down that phone
And let it be known
It’s time she took a hike

CHORUS
Here’s some advice I’ll give you for free
Don’t let her do to you what she’s done to me
Here’s some advice I’m sure you can use
Give her the news and quit singing the blues

VERSE 2
If she won’t start talking
Better get on walking
Don’t get caught up in her game
I can see your body quaking
Just quit your bellyaching
Come right out and ask his name

CHORUS

VERSE 3
When you see her coming
You better start running
Get away as fast as you can
Quick as a flash
Make a mad dash
You don’t wanna be her man

CHORUS

SOLO

BRIDGE
Take my advice
Take it it’s free
Take my advice
Just leave her be
Take my advice
Get out of town
Take my advice
Or you’re going down

Taking Our Time Growing Up — Mattie Leon

Taking Our Time Growing Up cover art

Taking Our Time Growing Up
by Mattie Leon

Nostalgic and heartfelt — “Taking Our Time Growing Up” is a shimmering indie-pop reflection on youth, love, and the bittersweet beauty of growing older. With vivid storytelling and warm instrumentation, it’s perfect for sync scenes of memory, friendship, and emotional coming-of-age.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Taking Our Time Growing Up
Clean Intro: Yes (0:00 – immediate entry with warm, reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on growth, time, and emotional evolution. Ideal for coming-of-age storytelling and memory-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Taking Our Time Growing Up

Song Details

  • Genres: Indie, Singer/Songwriter, Pop
  • Vocals: Male Vocal
  • Moods: Bright, Upbeat, Dreamy, Positive
  • Lyric Themes: Dream, Heartbreak, Time, Love
  • Tempo: Uptempo
  • Type: One Stop
  • Label: Castlemore Records

Production Credits

  • Written by: Mattie Leon
  • Music by: Mattie Leon, Mike Leon & Nelson Sobral
  • Produced & Mixed by: Mattie Leon
  • Mastered by: Reuben Ghose

Artist Credits

  • Lead Vocals & Guitar: Mattie Leon
  • Additional Musicians: Mike Leon & Nelson Sobral

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
+1 (416) 735-0330
omrmusicproduction.com

Sync Potential

Taking Our Time Growing Up by Mattie Leon is a shimmering indie-pop reflection on youth, love, and the bittersweet beauty of growing older. With vivid storytelling and warm instrumentation, it’s perfect for sync scenes of memory, friendship, and emotional coming-of-age.

Ideal Sync Uses

  • Drama: Coming-of-age moments, emotional flashbacks
  • Romance: First love, nostalgic reconnection
  • Indie Film: Friendship montages, reflective transitions
  • Branded Content: Lifestyle campaigns, heartfelt storytelling

Scene Suggestions

  • Slow-motion childhood memories
  • Friends reuniting after years apart
  • Character journaling or reflecting on life
  • Closing credits with a warm, hopeful tone

Why It Works

  • Male vocals deliver emotional sincerity
  • Uptempo rhythm supports uplifting narratives
  • Dreamy textures evoke nostalgia and warmth
  • Lyric themes resonate with universal human experiences
Track Narrative:
“Taking Our Time Growing Up” is a nostalgic acoustic ballad that captures the innocence and wonder of youth. With heartfelt lyrics and a warm melodic progression, it evokes memories of simpler times and the bittersweet beauty of growing older. Perfect for scenes that reflect on childhood, friendship, and the passage of time.
Lyrics:

I have stumbled
made mistakes
I regret some things I did in those days
but in a heartbeat now
I'd do it all again if I could

Pinching pennies just to throw them away
at old dive bars
with brand new flames
and the weekend lasted
as long as we thought it should

With some distance now
it all rushes to me

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was
to be young
to be young

Broken drywall
we never replaced
every hole was like a priceless Monet
Kept the music loud
and the company good

I remember the
solo cups
porch cigarettes
Way it felt beside a cute brunette
and the morning after
hurting less than it should

With some distance now
it all rushes to me

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was

And everybody drifts away, darling
You barely hear their names anymore
I wonder if they're all still out there
brilliant as they were before
brilliant as they were before

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was

It was heaven for a little
taking our time growing up
I still get sentimental
thinking how glorious it was
to be young
to be young

Take Your Mask Off — Tiffany Joy

Take Your Mask Off cover art

Take Your Mask Off
by Tiffany Joy

“Take Your Mask Off” blends Pop and R&B sensibilities into an expressive and intimate reflection on vulnerability in love. Tiffany Joy explores the contrast between façade and authenticity, pairing rhythmic motion with emotional softness. Tender and liberating, it celebrates the joy of connection when two souls reveal their true selves.

Full Track

Snippet Preview

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OMR Cue Map

OMR Cue Map

Track: Take Your Mask Off
Clean Intro: Yes (0:00 – immediate entry with expressive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional clarity
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional cue centered on truth, vulnerability, and revelation. Ideal for character breakthroughs and emotional confrontations.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Take Your Mask Off

Song Profile

  • Key Signature: A Major
  • BPM: 144
  • Tempo: Fast
  • Genres: Pop, R&B
  • Vocals: Female Vocal
  • Mood/Feel: Reflective
  • Lyric Themes: Connection, Home, Identity, Relationship, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

“Take Your Mask Off” examines intimacy’s power to reveal truth. Tiffany Joy’s expressive vocals weave through rhythmic acoustic layers and percussion, bridging confidence and tenderness. The result is at once contemporary and timeless — a yearning invitation to be real.

Sync Highlights

  • Ideal for romantic introspection and emotional closeness scenes.
  • Fast tempo with soft instrumentation allows editing flexibility.
  • Warm, soulful aesthetic pairs with modern relationship narratives.
  • Perfect for heartfelt confession or vulnerability moments.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Take Your Mask Off

This track’s blend of sensual confidence and vulnerability is ideal for cinematic storytelling surrounding connection, authenticity, or rediscovering love. “Take Your Mask Off” is a sonic breath between façade and truth — warm, rhythmic, and visually evocative.

Scene Types

  • Romantic close‑up or rekindling sequences.
  • Dialogue moments revealing emotional truth.
  • Slow‑motion dance or night‑in intimacy scenes.
  • Character self‑realization or forgiveness arcs.

Film/TV Fit

  • Drama
  • Romance
  • Character Study Features
  • Love & Intimacy Documentaries

Why It Works

  • Honest lyrical perspective connects universally.
  • Minimal arrangement enhances emotional resonance.
  • Vocal clarity suits close‑cinematic storytelling.
Track Narrative:
“Take Your Mask Off” traces the point where pretension ends and connection begins. Tiffany Joy’s verses move between guardedness and revelation, celebrating the beauty of honesty in relationships — a reminder that true love starts where masks fall away.

Lyrics: Take Your Mask Off

A week to the day since I met you and already I'm feeling afraid Our first rendezvous and I let you sweep me up in a passionate charade You and your fooleries have me embarrassed I'm stifled by your inhibitions, you're incessantly moving and ever so crazed Take your mask off, boy I wanna see you, to know you, the real you shining through Take your mask off, boy, for the show was over hours ago When you take your mask off, boy, I can see you, to know you, and what I see is wonderful It brings me so much joy to be lying here with you What's beautiful is when we're alone, all alone You hold me in your arms, oh God, it feels like home And there in the silence, you tell more than any spoken phrase You burrow under my skin and I'm lost, I'm lost in your passionate gaze When you take your mask off, boy, I can see you to know you, and what I see is wonderful It brings me so much joy to be lying here with you When you take your mask off, boy, I can see you to know you, and what I see is wonderful It brings me so much joy to be lying here with you Take your mask off, boy I wanna see you, to know you, the real you shining through Take your mask off, boy, the show was over hours ago When you take your mask off, boy, I can see you to know you, and what I see is wonderful It brings me so much joy to be lying here with you It brings me so much joy to be lying here with you It brings me so much joy to be lying here with you
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy’s Pop and R&B fusion embodies emotional honesty and cinematic intimacy. Her songs explore vulnerability, connection, and renewal, elevating universal human moments into melodic storytelling.

With her emotional range and expressive tone, Tiffany Joy’s work is equally suited for romantic drama, personal awakenings, and stories of rediscovered courage.

Styles: Pop, R&B •  Strengths: Intimate vocals, emotional resonance, cinematic tone •  Typical Uses: Romance, Drama, Connection Stories, Emotional Arcs

Talk

Talk cover art

Talk
by Kelsey Kindall

“Talk” is a midtempo pop track in D Minor at 100 BPM, built around bass, drums, percussion, and synth. Bright, catchy, rhythmic, and upbeat, it channels confrontation, ego, and frustration — capturing the energy of one-sided conversations where noise replaces meaning.

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OMR Cue Map

OMR Cue Map

Track: Talk
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45
Button Ending: No, rhythmic tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 0:45–1:15 / 1:00–1:30
Use Case: Upbeat pop cue for confrontation, ego clashes, arguments, fast dialogue scenes, social tension, and moments where one voice dominates while the other pushes back.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Talk

Song Profile

  • Genres: Pop
  • Key Signature: D Minor
  • BPM: 100
  • Tempo: Midtempo
  • Vocals: Female Vocal
  • Moods: Bright, Catchy, Positive, Rhythmic, Upbeat
  • Lyric Themes: Conflict, Power
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Sync Potential

“Talk” works especially well for high-energy confrontation and dialogue-driven scenes. Its rhythmic, upbeat pop production contrasts with the lyrical frustration and ego tension, making it ideal for arguments, social clashes, fast-paced exchanges, and moments where someone finally calls out another’s behavior.

Scene Types

  • Argument and confrontation scenes
  • Social tension or ego clashes
  • Fast dialogue exchanges
  • Reality or competition-style conflicts
  • Moments of calling someone out

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

Proudly in the eruption
You think you're onto something
Everything you say profound, found, found, found, found
Nod your head like you're listenin'
All the points that you're missin'
I know you try to work a crowd, crowd, crowd, crowd, crowd

And the more you go ramble on, your ego grows
I try to take the high road, but you go low
I thought you'd get it by now, you clearly don't
You don't

Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk

Anything, you just want to set the function
What a bold assumption
A ringing in my ears
Finish what you started
Sit down when you argue with me about nothing, something, everything in between

And the more you go ramble on, your ego grows
I try to take the high road, but you go low
I thought you'd get it by now, you clearly don't
You don't

Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk

Neverending sound of my limited
I think you get it, an insane word count under your limited
Hate to have to be the one to point it out

Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk
Nothing but yourself, talk, talk, talk, talk, talk, talk, talk

Think you said it all
All those words fall
Why you argue?
Far from you are you
Track Narrative:
“Talk” feels like the moment when patience runs out. The energy is bright and rhythmic, but underneath it is frustration with someone who fills space without saying anything real. It is built for scenes where a character listens long enough, then finally pushes back against noise, ego, and empty conversation.

TALK SHOW HOST — Normal Machine

Talk Show Host cover art

Talk Show Host
by Normal Machine

Brooding and cinematic — “Talk Show Host” by Normal Machine blends existential tension and poetic confrontation into a shadowy anthem. A gun, a sandwich, and identity crisis simmer beneath bold sonic textures, crafted for surreal drama, intense character arcs, or late-night noir.

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OMR Cue Map

OMR Cue Map

Track: Talk Show Host
Clean Intro: Yes (0:00 – immediate entry with cool, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with confident tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Cool, stylized cue centered on presence, irony, and tone. Ideal for media-driven scenes and modern storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Experimental Sound Collective • Post Industrial • Sonic Explorers

Normal Machine is a boundary-pushing music collective known for its immersive soundscapes and post-industrial sonic meditations. Blending analog textures, digital noise, and rhythmic experimentation, the group creates music that challenges conventions and invites deep listening.

Emerging from underground scenes in Canada and Europe, Normal Machine has released a series of conceptual albums including Lullaby and Machine Music 15.0, each exploring themes of technology, decay, and rebirth. Their work is often described as cinematic, haunting, and hypnotic.

The group’s live performances are immersive experiences, combining visual projections, modular synths, and unconventional instruments. They’ve appeared at experimental music festivals and art installations, captivating audiences with their raw, visceral energy.

Normal Machine continues to evolve, pushing the limits of sound and form while remaining rooted in a philosophy of sonic exploration and emotional resonance.

Sync Pitch Sheet: Talk Show Host

Song Details

  • Key Signature: C Minor
  • Beats Per Minute: 85
  • Energy: Medium
  • Genre: Electronic
  • Vocals: Female Vocal
  • Moods: Anthemic, Atmospheric, Catchy, Confident, Cool, Moody, Rhythmic, Sexy, Swagger, Upbeat, Uplifting
  • Lyric Themes: Struggle, Heartbreak, Identity, Loneliness, Escape
  • Cinematic Fit: Action, Crime, Drama, Indie, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth
  • Instrumental Solos: Synthesizer, Bass

Production & Artist Info

Available upon request

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Talk Show Host by Normal Machine is brooding and cinematic—an anthem of existential tension and poetic confrontation. With bold sonic textures and hypnotic swagger, it’s built for surreal drama, intense character arcs, or late-night noir.

Ideal Sync Uses

  • Action: Stylized fight scenes, slow-motion escapes
  • Crime: Interrogation sequences, urban tension
  • Drama: Identity crises, emotional unraveling
  • Thriller: Psychological suspense, shadowy transitions
  • Indie: Late-night montages, surreal dreamscapes

Scene Suggestions

  • Character walking through neon-lit city streets
  • Flashback to emotional trauma or escape
  • Stylized intro sequence with moody visuals
  • Closing credits with a confident, mysterious tone

Why It Works

  • Female vocals deliver cool intensity and swagger
  • Slow tempo enhances dramatic tension
  • Electronic textures suit modern sync aesthetics
  • Lyric themes resonate with identity and emotional struggle
Track Narrative:
“Talk Show Host” enters with quiet menace and builds into explosive yearning. With cryptic lines and desperate confidence — “You want me? Come on and break the door down” — Normal Machine channels a rebellion of identity. The layered repetition of “I’m ready” amplifies the emotional tension. It’s a deep dive into desire, alienation, and existential flair. A sandwich and a showdown? This one’s loaded.
Lyrics (Excerpt):
I want to, I want to be someone else or I'll explode
Oh and upon the surface of the bed, the bed, the bed
You want me?
Yeah, walk in and come and find me
I'll be waiting
With a gun and a pack of sandwiches and nothing
Nothing
Nothing
Nothing
You want me?
Well, come on and break the door down
You want me?
Well, you come on and break the door down, baby
I'm ready, I'm ready
I'm ready
I'm ready
(you know you know you know you know you know)

TALKING RED — Sil Simone

Talking Red cover art

Talking Red
by Sil Simone

Surreal and explosive — “Talking Red” ignites poetic catharsis through hypnotic rhythm and vivid lyrical imagery. Sil Simone channels vulnerability at the brink of emotional combustion — perfect for cinematic moments of revelation, meltdown, or psychic unraveling.

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OMR Cue Map

OMR Cue Map

Track: Talking Red
Clean Intro: Yes (0:00 – immediate entry with textured tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with subtle tonal fade
Loopable: High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Textural cue centered on tone, mood, and layered emotion. Ideal for atmospheric storytelling and visual tone setting.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Producer • Touring Veteran

Sil Simone is a seasoned guitarist and producer whose career spans decades of live performance, studio work, and musical direction. Known for his expressive playing and technical finesse, Simone has toured with Canadian legends like Tom Cochrane and Rik Emmett, leaving his mark on stages across North America.

His versatility as a musician allows him to move seamlessly between rock, blues, pop, and country, making him a sought-after collaborator for both live and studio projects. Simone’s guitar work is melodic, soulful, and always in service of the song.

In addition to performing, Simone is a respected producer and arranger, helping artists shape their sound with clarity and creativity. His work reflects a deep understanding of musical storytelling and a commitment to excellence.

Whether on tour or behind the mixing board, Sil Simone continues to inspire with his artistry, professionalism, and passion for music.

Sync Pitch Sheet: Talking Red

Song Details

  • Key Signature: Eb Minor
  • Beats Per Minute: 94
  • Energy: Moderate
  • Genres: Indie, Rock
  • Vocals: Male Vocal
  • Moods: Angry, Anthemic, Confident, Dramatic, Moody, Powerful, Serious, Somber, Upbeat
  • Lyric Themes: Time, Identity, Struggle, Love, Fear
  • Cinematic Fit: Action, Adventure, Crime, Drama, Fantasy, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Instrumental Solos: Electric Guitar

Production Details

  • Producer & Engineer: Gerry Mosby
  • Additional Engineers: Silvio Michael Simone, Ed Wilson
  • Lyrics & Composition: Silvio Michael Simone

Artists

  • Vocals & Keyboards: Silvio Michael Simone
  • Background Vocals & Bass: Gerry Mosby
  • Background Vocals: Phil Naro
  • Drums: Randy Cooke

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Talking Red by Sil Simone ignites poetic catharsis through hypnotic rhythm and vivid lyrical imagery. It channels vulnerability at the brink of emotional combustion—perfect for cinematic moments of revelation, meltdown, or psychic unraveling.

Ideal Sync Uses

  • Action: Stylized confrontations, emotional standoffs
  • Drama: Identity crises, relationship breakdowns
  • Fantasy: Surreal dreamscapes, mythic introspection
  • Thriller: Psychological tension, unraveling secrets
  • Crime: Urban noir, gritty flashbacks

Scene Suggestions

  • Character pacing in a dimly lit room, haunted by memory
  • Montage of emotional collapse and rebirth
  • Slow-motion walk through a chaotic crowd
  • Final confrontation with a powerful antagonist

Why It Works

  • Male vocals deliver raw emotional intensity
  • Electric guitar solos add cinematic edge
  • Midtempo pacing supports dramatic storytelling
  • Lyric themes of identity and fear resonate deeply
Track Narrative:
“Talking Red” is the sound of catharsis erupting. Sil Simone crafts a sonic hallucination—napalm rainbows, choking verses, and surging rhythms that blur emotion and image. The repeated “Oh Oh Oh” refrains pulse like a warning, while lyrics flirt with destruction and love’s elusive light. It’s euphoric chaos, poetic pain, and musical protest—all wrapped in one hypnotic howl.
Lyrics:
Oh Oh Oh Oh Oh
Oh Oh Oh Oh Oh Oh
I've been talking red
Choking on the words bleeding from my head
They say I'm better off...
I've been eying red
Rainbow napalm fire lighting up the dread
When I lay my...

Oh Oh Oh Oh Oh
Oh Oh Oh Oh Oh Oh
I've been talking red
Razor napalm liars lighting up the dread
Born raised and...

And the love
That will shine
Still eludes me every time I wake
And I find myself
Caught in the solace of the times, the times

And this love
That will shine
Still eludes me every time I wake and I
Find myself caught in the solace of a love
No love could ever, would ever

I've been talking red
Choking on the words bleeding from my head
They say I'm better off...
I've been eying red
Rainbow napalm fire lighting up the dread
When I Lay my...

Oh Oh Oh Oh Oh
Oh Oh Oh Oh Oh Oh
Talking Red
Talking Red
Talking Red
Talking Red Yeah Yeah
Talking Red
Talking Red
I've been talking
I've been walking
Oh Oh Oh

TALL GRASS IS TANGLED — The Green Door

Tall Grass Is Tangled cover art

Tall Grass Is Tangled
by The Green Door

Dark, mythic, and steeped in atmosphere, “Tall Grass Is Tangled” unfolds like a ghost story buried beneath time. With a steady midtempo pulse, reflective tone, and haunting narrative, The Green Door delivers a track built for cursed towns, forgotten histories, and the slow reveal of what was meant to stay hidden.

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OMR Cue Map

Track: Tall Grass Is Tangled
Clean Intro: Yes (0:00 – immediate entry with ambient, cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with atmospheric decay
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on mystery, environment, and quiet tension. Ideal for nature-driven visuals and slow-burn storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, atmosphere, and momentum. Their sound blends punk urgency, retro grit, and cinematic tension into tracks that feel story-driven and visually alive.

Ideal for supervisors looking for music with character, motion, and emotional weight, The Green Door’s songs fit naturally in scenes involving reckoning, pursuit, folklore, conflict, and consequence.

Sync Pitch Sheet: Tall Grass Is Tangled

Artist: The Green Door
Genre: Metal, Punk, Rock
Vocal Style: Male Vocal
Energy Level: Mid
Key Signature: G Minor
Tempo: 84 BPM
Mood Tags: Dreamy, Reflective, Retro, Upbeat
Lyric Themes: Death, Fear, Power, Struggle, Time
Cinematic Fit: Drama, Mystery, Thriller, Western, Horror
Type: One Stop

Track Summary

Tall Grass Is Tangled is a dark, story-rich rock track that evokes abandoned places, buried violence, and old curses that never fully disappear. Its steady pulse and mythic lyric language make it a strong fit for scenes rooted in folklore, haunted memory, and slow-burning revelation.

Sync Highlights

  • Strong narrative lyric with vivid ghost-town imagery
  • Midtempo pacing supports tension without overwhelming dialogue
  • Retro rock texture suits stylized period, Western, and noir-leaning visuals
  • Recurring hook gives editors a memorable repeatable moment
  • One-stop clearance keeps the track easy to pitch and place

Best Scene Uses

  • Abandoned town or ruin reveal sequences
  • Folklore-driven drama and curse mythology scenes
  • Slow-burn thriller montages with buried history
  • Western or frontier-flavored stories with generational violence
  • Character moments where the past resurfaces with force

Sync Potential: Tall Grass Is Tangled

Artist: The Green Door
Genre: Rock, Punk Rock, Alternative Rock
Vocal Style: Male
Energy Level: Midtempo
Key Signature: G Minor
Tempo: 84 BPM
Mood Tags: Reflective, Dreamy, Retro, Darkly Atmospheric
Cinematic Fit: Drama, Mystery, Thriller, Western, Horror
Lyric Themes: Death, Fear, Power, Struggle, Time
Type: One Stop

Sync Highlights

  • Evocative world-building lyric creates immediate visual context
  • Works well for scenes involving myth, warning, and aftermath
  • Balances mood and momentum in a supervisor-friendly way
  • Especially effective for stories where land, memory, and violence are connected
Stem Tracks:
Available upon request.
Track Narrative:
“Tall Grass Is Tangled” feels like a warning carried through time—part legend, part memory, part curse. It follows the echoes of a town consumed by power, fear, and consequence, where history refuses to stay buried. Ideal for stories where the past is alive and waiting.
Lyrics:

Tall grass is tangled
Dark ruin covered up long ago
Abandoned old ghost town
What happened, most nobody knows

Fire in the coal mine
Far underground
That day a boy died
Son of the brave Holy Crow

And I saw all, and I saw all
And I saw fire in the ground, oh lord
And I saw fire in the ground, oh lord
And I saw fire in the ground, oh lord
I saw, oh lord, oh lord

And I saw all, and I saw all
They heard the footsteps on the ground
They come from miles away, oh
The Holy Crow that cursed the town
They all could hear him say, oh
The town will fall
And I saw it all

Where tall grass is tangled
The time there will be standing still
Abandoned the coal mine
From working against their will

The Shaman that saved them
The foreman that learned
When the outfit enslaved them
The cursed old town was burned

And I saw all, and I saw all
And I saw fire in the ground, oh lord
And I saw fire in the ground, oh lord
And I saw fire in the ground, oh lord
I saw, oh lord, oh lord

And I saw all, and I saw all
They heard the footsteps on the ground
They come from miles away, oh
The Holy Crow that cursed the town
They all could hear him say, oh
The town will fall
And I saw it all

They heard the footsteps on the ground
They come from miles away, oh
The Holy Crow that cursed the town
They all could hear him say, oh
The town will fall
And I saw it all

TEA WITH THE REST — Elmer Ferrer

Tea With The Rest cover art

Tea With The Rest
by Elmer Ferrer

Tea With The Rest moves with playful confidence and a rhythmic bounce that feels effortlessly cool. Built around a lively bass groove and minimal percussion, the cue blends folk and world influences with a quirky cinematic charm. Its lighthearted tone makes it ideal for stylized character moments, comedic pacing, clever montage sequences, or scenes where personality and movement carry the story forward.

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OMR Cue Map

OMR Cue Map

Track: Tea With the Rest
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: Yes, soft resolved finish
Loopable: Moderate
Best Loop Candidates: 0:36–1:12 / 1:12–1:48 / 1:30–2:06
Use Case: Light, intimate cue for social interaction, quiet conversation, character bonding, subtle humor, lifestyle scenes, and moments of calm connection within a narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for blending Cuban musical traditions with modern cinematic composition.

With contributions to over 300 recordings and international film projects, Ferrer’s work spans blues, rock, world, and cinematic music. His expressive approach to composition allows his music to adapt naturally to visual storytelling.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, establishing him as a versatile and respected composer in the global music community.

Sync Pitch Sheet: Tea With The Rest

Song Details

  • Energy: Light / Upbeat
  • Genres: Folk, Funk, World
  • Vocals: Instrumental
  • Key: E Major
  • BPM: 120
  • Moods: Fun, Happy, Light, Minimal, Playful, Quirky, Rhythmic, Romantic
  • Cinematic Fit: Comedy, Indie, Lifestyle, Character Montage
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tea With The Rest offers playful rhythmic charm and a relaxed groove that naturally enhances character-driven storytelling. Its quirky tone and confident pacing work especially well for stylized scenes that require personality and movement.

Ideal Sync Uses

  • Comedy: lighthearted character scenes
  • Indie Film: quirky montage sequences
  • Lifestyle: stylish movement or casual urban scenes
  • Travel: playful exploration moments

Scene Suggestions

  • Character walking confidently through a city or market
  • Montage of small daily life moments
  • Stylized comedic sequence with rhythmic pacing
  • Playful romantic interaction between characters
Track Narrative:
Tea With The Rest feels like a playful pause in the middle of a busy story. Its rhythmic bounce and relaxed groove create a moment where characters breathe, interact, and reveal personality. The cue thrives in scenes where charm, timing, and small details drive the narrative forward.

Tear Us Apart — Thadeus Gonzalez

Tear Us Apart cover art

Tear Us Apart
by Thadeus Gonzalez

“Tear Us Apart” leans into a slow-burn, atmospheric rock mood — heavy on emotion, washed in reverb-soaked guitars, and driven by a steady, deliberate groove. The vocal feels intimate yet cinematic, making this cut a strong fit for late-night cityscapes, relationship flashbacks, or moments where longing, devotion, and regret blur together on screen.

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OMR Cue Map

OMR Cue Map

Track: Tear Us Apart
Clean Intro: Yes (0:00 – immediate entry with emotional, tension-driven tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotionally charged cue centered on separation, conflict, and relational tension. Themes of love and rupture are common in music exploring emotional fracture and connection. :contentReference[oaicite:0]{index=0}

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Tear Us Apart

Song Profile

  • Key Signature: F Major
  • BPM: 109
  • Tempo: Slow
  • Genres: Metal, Punk, Rock
  • Vocals: Male vocal
  • Mood/Feel: Atmospheric, Dreamy, Moody, Reflective
  • Lyric Themes: Love
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Tear Us Apart” blends slow-tempo rock weight with a dreamy, melancholic atmosphere. The track’s guitars and rhythm section move with a restrained intensity, while the vocal performance anchors the song in devotion and vulnerability. It’s ideal where emotional stakes are high but the scene still needs space for dialogue and performance.

Sync Highlights

  • Perfect for breakup, reconciliation, or “we’ve been through it all” relationship arcs.
  • Slow tempo and wide sonics leave room for dialogue and sound design.
  • Works well under intimate close-ups, city-night visuals, or reflective montage.
  • One-stop clearance streamlines licensing for time-sensitive productions.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Tear Us Apart

With its moody guitars, steady pulse, and emotionally charged vocal, “Tear Us Apart” feels built for picture-driven storytelling. It supports scenes where love, memory, and consequence collide — from quiet confessions to post-argument silence, or characters reflecting on what they stand to lose.

Scene Types

  • Intimate relationship scenes and late-night conversations.
  • Bittersweet flashbacks or “then vs. now” montage sequences.
  • Slow-motion walks, train rides, or nighttime drives through the city.
  • Closing shots that land on unresolved feelings or open-ended endings.

Film/TV Fit

  • Drama
  • Romance
  • Indie / Art-House
  • Character-driven series and limited-run dramas

Why It Works

  • Slow tempo and atmospheric production give editors room to breathe.
  • Moody yet melodic — strong emotional pull without overpowering the scene.
  • Classic rock instrumentation keeps the track familiar and accessible.
Track Narrative:
“Tear Us Apart” lives in that moment when two people realize how intertwined their lives have become — and how fragile that connection can feel. The song reads like a vow and a confession at once, exploring the tension between loyalty, vulnerability, and the fear of losing what matters most.

Lyrics: Tear Us Apart

Don't ask me what you know is true Don't have to tell you I love your precious heart I I was standing You were there Two worlds collided and they could never tear us apart We could live for a thousand years But if I

Teflon Butterfly

Teflon Butterfly cover art

Teflon Butterfly
by HYP

“Teflon Butterfly” glides in D# minor at 91 BPM, blending funk, hip hop, and soul into a cool, atmospheric midtempo groove. Deep bass, minimalist percussion, and dreamy synth textures create a moody, reflective, and subtly rhythmic pulse with a stylish edge. Ideal for character-driven scenes, smooth transitions, and visuals that want a touch of swagger without overpowering the narrative.

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OMR Cue Map

OMR Cue Map

Track: Teflon Butterfly
Clean Intro: Yes (0:00 – immediate entry with sleek, modern tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with sharp tonal finish
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Stylish cue centered on resilience, identity, and transformation. Ideal for modern, stylized visuals and confident storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP blends funk, hip hop, and soul influences to create cool, atmospheric grooves that move with subtle swagger. His production style favours minimalism with emotional and rhythmic depth, making his work ideal for stylish cinematic storytelling.

“Teflon Butterfly” captures this energy—a smooth, dreamy midtempo pulse with a mysterious edge, perfect for scenes that need mood, rhythm, and cool confidence.

Sync Pitch Sheet: Teflon Butterfly

Song Profile

  • Key Signature: D# Minor
  • BPM: 91
  • Energy: Midtempo (steady, stylish groove)
  • Genres: Funk, Hip hop / Rap, Soul
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Dreamy, Minimal, Moody, Reflective, Rhythmic
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Bass (deep and smooth)
  • Percussion and subtle drums
  • Synth pads and melodic textures

Audio Preview

Sync Potential

“Teflon Butterfly” brings a smooth, reflective swagger perfect for modern cinematic moods. Its subtle rhythm and cool tonality make it versatile across drama, stylish advertising, and character sequences with emotional nuance.

Scene Types

  • Stylish city sequences or nighttime atmospheres
  • Fashion and lifestyle visuals
  • Character reflection and emotional processing
  • Smooth transitions or slow-motion shots
  • Dreamy or surreal narrative moments

Why It Works

  • 91 BPM delivers steady, midtempo flow.
  • Soul + Funk influences add warmth and groove.
  • Dreamy, minimal textures enhance emotional depth.
  • Dark, atmospheric tone fits modern stylistic storytelling.
Track Narrative:
“Teflon Butterfly” floats with quiet confidence—soft shadows, smooth lines, and a rhythmic pulse that feels both steady and introspective. It inhabits a dreamlike world where style and emotion blend, making it ideal for scenes requiring subtle swagger and reflective coolness.
Instrumental Notes:
Fully instrumental, “Teflon Butterfly” offers a clean, stylish underscore that supports visuals without dominating them. Its minimal groove and atmospheric layers make it well-suited for dialogue and emotionally driven scenes.

Stem Tracks

Contact OMR for available stems (bass, percussion, synth elements, ambient textures, full mix) and custom edit requests for trailers, promos, and cinematic pacing.

Te Lo Prometo — IndiviDuo

Te Lo Prometo cover art

Te Lo Prometo
by IndiviDuo

A tender, midtempo Latin-pop ballad and heartfelt tribute to a mother’s unconditional support. “Te Lo Prometo” celebrates the strength, refuge, and inspiration found in a parent’s love, turning gratitude into a promise to live fully, love openly, and honour everything she has sown. Acoustic guitar, keys, percussion, and blended male–female vocals make it ideal for emotional family moments, reminiscence, and intergenerational storytelling.

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OMR Cue Map

OMR Cue Map

Track: Te Lo Prometo
Clean Intro: Yes (0:00 – immediate entry with romantic, vocal-led tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (song phrasing supports editorial use)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic cue centered on promise, devotion, and emotional sincerity. Ideal for relationship-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Te Lo Prometo

Song Profile

  • Key Signature: D Major
  • BPM: 85
  • Tempo: Midtempo
  • Genres: Latin, Pop, Singer/Songwriter, World, Ballad
  • Vocals: Female & Male Vocals (duet)
  • Mood/Feel: Confident, Hopeful, Positive, Reflective
  • Lyric Themes: Family, Hope, Love, Strength
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Keyboard
  • Percussion

Track Summary

“Te Lo Prometo” is a moving, midtempo Latin-pop ballad that functions as a love letter to a mother. The lyric honours her as an “incansable luchador” whose affection, encouragement, and presence turned hardship into strength. Blending acoustic guitar, keys, and gentle percussion with emotive male–female vocals, the song balances vulnerability with assurance, culminating in a promise: everything she has planted will bear fruit.

Sync Highlights

  • Ideal for scenes centered on family bonds, gratitude, and intergenerational love.
  • Works beautifully under flashbacks, memory sequences, or reflective monologues about a parent.
  • Midtempo pacing and warm acoustic palette sit comfortably under dialogue-heavy scenes.
  • Lyric themes of resilience and unconditional support have universal emotional resonance.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Te Lo Prometo

This track is a natural fit for emotional family storytelling—especially mother–child relationships, milestones, and scenes of reflection or tribute. Its hopeful, grateful tone makes it versatile for both quietly intimate moments and more expansive, celebratory sequences.

Scene Types

  • Montages looking back on childhood: home movies, old photos, family memories.
  • Hospital, birthday, or celebration scenes honoring a parent or caregiver.
  • Emotional conversations where a character acknowledges what a parent has done for them.
  • End-credit or closing scenes in family dramas or biographical stories.

Film/TV Fit

  • Family Drama
  • Romantic Drama with strong family subplots
  • Dramedy
  • Biographical and legacy-focused narratives

Why It Works

  • Emotionally direct without being melodramatic—authentic, grounded gratitude.
  • Warm acoustic production that can sit foregrounded or tucked gently under dialogue.
  • Clear focus on a mother’s influence and encouragement—highly relatable across cultures.
  • Midtempo groove provides gentle movement for montages and reflective sequences.
Track Narrative:
“Te Lo Prometo” traces a child’s journey from vulnerability to strength, guided every step by a mother’s unwavering presence. The narrator remembers her as refuge, banner, and tireless fighter—someone who stood firm when the sky was grey and starless. The promise at the heart of the song is simple but powerful: all the love and lessons she planted will not be wasted. It’s a vow to live fully, love openly, and embody the values she instilled.

Lyrics: Te Lo Prometo

Hace algunos años ya, en un día como hoy nacía ella y con ella mi esperanza, mi fortaleza Hace algunos años ya, en un día como hoy nacía ella Incansable luchador, ese enorme corazón que vive en ella Su caricia es mi refugio, su sonrisa es mi bandera Incansable luchador, corazón que me enseñó a soñar despierto, amar sin guardarme nada dentro, y a cantar con sentimiento, que lo que vale es lo que soy, no lo que tengo Has sembrado tanto en mí, no te vas a arrepentir, te lo prometo Estuviste siempre ahí, cuando el cielo estaba gris y no había estrellas Y comprendí que eras mi madre, la alegría en mis tristezas Estuviste siempre ahí alentándome a vivir y a soñar despierto, amar sin guardarme nada dentro y a cantar con sentimiento, que lo que vale es lo que soy, no lo que tengo Has sembrado tanto en mí, no te vas a arrepentir, te lo prometo Te lo prom.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that brings Latin-pop, world, and singer-songwriter influences into emotionally rich, cinematic songs. Their music often explores love, family, resilience, and inner strength, carried by warm acoustic arrangements and expressive duet vocals.

Whether celebrating transformative relationships or capturing quiet, introspective moments, IndiviDuo’s catalog is built for film and TV narratives that hinge on heart and connection. Their ability to balance intimacy with melodic accessibility makes their tracks especially effective in family drama, romance, and character-driven stories.

Styles: Latin Pop, World-inflected Singer/Songwriter • Strengths: Emotional storytelling, duet dynamics, acoustic warmth • Typical Uses: Family drama, legacy themes, romance, reflective montages

TELL ME — Amhed Mitchel (Instrumental)

Tell Me cover art

Tell Me
by Amhed Mitchel

Light, warm, and reflective — “Tell Me” blends jazz sophistication with singer‑songwriter intimacy. Led by piano, percussion, and strings, the track carries an uptempo yet romantic mood that opens space for emotional storytelling and cinematic connection.

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OMR Cue Map

OMR Cue Map

Track: Tell Me (ft. Kenneth Jamaal)
Clean Intro: Yes (0:00 – immediate entry with smooth, vocal-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with confident tonal finish
Loopable: High (consistent groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Smooth cue centered on communication, connection, and emotional clarity. Ideal for dialogue scenes and modern storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Tell Me

Song Details

  • Key Signature: (TBD)
  • Tempo: Uptempo
  • Genre: Jazz, Singer‑Songwriter
  • Vocals: Instrumental
  • Mood/Feel: Light, Reflective, Romantic, Warm
  • Type: One‑Stop

Instrumentation

  • Percussion
  • Piano
  • Strings

Sync Notes

  • Best fit: Romantic storytelling, intimate lifestyle content, reflective montage, warm character moments.
  • Mix: Clear melodic structure with gentle underbed potential.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tell Me is a warm, uptempo jazz‑inflected instrumental with reflective and romantic undertones. Its lyrical piano and string layers create emotional resonance ideal for visual storytelling.

Ideal Sync Uses

  • Drama: Romantic revelations, heartfelt transitions
  • Romance: Warm moments of intimacy, poetic flashbacks
  • Coming‑of‑Age: Reflective growth and emotional discovery
  • Lifestyle / Travel: Scenic warmth, day‑in‑the‑life storytelling

Why It Works

  • Romantic yet subtle instrumental character
  • Uptempo pacing brings light energy while staying reflective
  • Warm textures enhance brand‑safe storytelling
Track Narrative:
“Tell Me” drifts between intimacy and reflection — lyrical piano lines, gentle strings, and subtle percussion capture light, romantic warmth. A sync‑ready instrumental that elevates emotional arcs and cinematic storytelling with understated elegance.

Tell My Heart — Tiffany Joy

Tell My Heart cover art

Tell My Heart
by Tiffany Joy

“Tell My Heart” is a Prop‑Singer/Songwriter anthem that balances vulnerability and strength. Tiffany Joy layers upbeat rhythm with lyrical longing, blending retro acoustic‑pop energy with emotional honesty. The song speaks to the push‑and‑pull between confidence and heartbreak — resilient, hopeful, and human.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Tell My Heart
Clean Intro: Yes (0:00 – immediate entry with emotional, melodic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional cue centered on vulnerability, honesty, and inner expression. Ideal for relationship arcs and introspective scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Tell My Heart

Song Profile

  • Key Signature: C Major
  • BPM: 127
  • Tempo: Uptempo
  • Genres: Pop, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Sad, Confident, Retro, Positive, Reflective
  • Lyric Themes: Identity, Loneliness, Heartbreak, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

“Tell My Heart” captures the aftermath of romantic longing with rhythm and uplift. Tiffany Joy’s voice rides between resilience and ache, pairing melodic drive with lyrical reflection. It’s an empowering yet bittersweet track that translates beautifully to visual storytelling.

Sync Highlights

  • Perfect for romantic retrospection or memory montages.
  • Energy fits upbeat yet reflective sequences of renewal.
  • Acoustic‑pop tone complements dialogue and narrative flow.
  • Appeals to character growth and emotional connection arcs.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Tell My Heart

Blending pop confidence with singer‑songwriter sincerity, “Tell My Heart” suits romantic, reflective, or empowering visual moments. Its optimistic heartbreak tone bridges sadness and self‑assurance, perfect for reconciliation scenes or upbeat emotional transitions.

Scene Types

  • Healing after breakup or lost‑love montages.
  • Solo dance or long‑drive reflection scenes.
  • Flashback sequences of connection and change.
  • Moments of realization or emotional strength.

Film/TV Fit

  • Drama
  • Romance
  • Contemporary Series & Indie Film
  • Character Growth Stories

Why It Works

  • Combines upbeat energy with melancholic realism.
  • Emotionally direct vocal performance enhances authenticity.
  • Universal theme of remembering love resonates widely.
Track Narrative:
“Tell My Heart” unfolds as an inner dialogue between memory and independence. Tiffany Joy voices the conflict of loving what should be left behind, finding resilience in admission. It’s a bittersweet anthem of moving forward — confident, nostalgic, and free.

Lyrics: Tell My Heart

I'm walking home in the pouring rain I'm all alone again Another man, but it's more of the same old game He makes me want to leave before the goodbye, leave before the goodbye And I just want to leave before the goodbye, leave before the goodbye And every time they say my name, I can only see your face Would somebody tell my heart? Would somebody tell my heart? Would somebody tell my heart to stop loving you? Dinner at 800 and I'm dancing by 10 I'm such a busy girl Nothing but sunshine to all of her friends Why can't they see that I'm crying on the inside, dying on the inside? Why can't they see that I'm crying on the inside, dying on the inside? And every time they say my name, I can only see your face Would somebody tell my heart? Would somebody tell my heart? Would somebody tell my heart to stop loving you? You, you, you You You Do you feel it somewhere too? There are nights when I find myself alone crying 'cause no one's ever seen me like you Do you feel it somewhere too? It's impossible to see where you are when you're standing if you'll find your way to me Am I going crazy? 'Cause no one's ever seen me like you And every time they say my name, I can only see your face Would somebody tell my heart? Would somebody tell my heart? Would somebody tell my heart to stop loving you? You, you, you You You, you, you You
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy merges polished pop production with the authenticity of a singer‑songwriter soul. Her songs explore love, identity, and honest emotion — each performance tracing the human heart’s rhythm of loss and renewal.

Known for vivid storytelling and emotional connection, Tiffany Joy creates soundtracks for moments that feel familiar yet cinematic.

Styles: Pop, Singer/Songwriter •  Strengths: Emotive vocals, dynamic range, lyrical clarity •  Typical Uses: Drama, Romance, Character Arcs, Hopeful Endings

TELL ME WHAT YOU WANT — Thadeus Gonzalez

Tell Me What You Want
by Thadeus Gonzalez

A fierce, emotionally charged anthem that cuts straight to the core of desire and disillusionment. With gritty vocals, driving guitars, and a pulse that refuses to back down, the track explores the tension between longing and reality. It’s tailor-made for sync scenes that demand raw vulnerability—think late-night confrontations, inner battles, or moments of reckoning.

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OMR Cue Map

OMR Cue Map

Track: Tell Me What You Want
Clean Intro: Yes (0:00 – immediate entry with high-energy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-energy cue centered on urgency, demand, and forward motion. Ideal for fast-paced scenes and dynamic storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for his emotionally charged performances and genre-blending sound. With a style that fuses metal, punk, and alternative rock, Gonzalez has carved out a cinematic sonic identity that resonates across both stage and screen.

Originally the frontman of Electric Sister, Gonzalez launched his solo career with the critically acclaimed album Utopian Society, followed by the harder-edged Silver Inside and the introspective Opposite Faces. His latest release, Street Fights Are Starting to Hurt, explores themes of resilience, identity, and urban tension—making his music a natural fit for sync in film, television, and visual media.

Thadeus has toured extensively across the U.S. and U.K., performed at SXSW, and collaborated with top producers including Tim Narducci. His work is defined by lyrical depth, sonic grit, and a fearless approach to reinvention.

Thadeus Gonzalez continues to push boundaries with every release, solidifying his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Tell Me What You Want

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 76
  • Energy: Moderate
  • Genres: Rock, Alternative, Post-Punk
  • Vocals: Male Vocal
  • Moods: Reflective, Tense, Introspective, Gritty
  • Lyric Themes: Desire, Disillusionment, Identity, Power Struggle
  • Type: One Stop

Production Details

  • Lyrics: Thadeus Gonzalez & Erin E Douglass
  • Composers: Thadeus Gonzalez & Erin E Douglass
  • Produced & Mixed By: Kyle Homme (Matt Costa, Sugarcult, Reel Big Fish)
  • Additional Production: Tim Narducci, Dennis Hill
  • Recorded, Engineered, Mastered By: Kyle Homme
  • Release Date: April 12, 2024

Artists

  • Vocals: Thadeus Gonzalez, Kyle Homme, Tim Narducci
  • Guitars: Dennis Hill, Kyle Homme, Tim Narducci, Thadeus Gonzalez, Steve Garvey
  • Bass: Dennis Hill, Tim Narducci
  • Drums: David Cubine, Doug Hovan
  • Keyboards: Dennis Hill, Brad Barth

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Tell Me What You Want

“Tell Me What You Want” is a slow-burning rock track that simmers with tension and introspection. With its gritty male vocals, haunting guitar tones, and a deliberate 76 BPM pace in G minor, the song evokes emotional weight and vulnerability. It’s ideal for sync placements that explore personal reckoning, fractured relationships, or moments of quiet rebellion.

Ideal Sync Uses

  • Character-driven drama and emotional flashbacks
  • Scenes of romantic tension or breakup
  • Slow-motion montages of reflection or regret
  • Indie film sequences with moody atmosphere
  • TV episodes exploring identity or inner conflict
  • End credits with a lingering emotional tone

Comparable Sync References

  • “The Killing Moon” – Echo & the Bunnymen
  • “Heart-Shaped Box” – Nirvana
  • “Love Will Tear Us Apart” – Joy Division
  • “Take Me Out” – Franz Ferdinand

Why It Works

  • Emotional Depth: Lyrics and delivery tap into universal themes of desire and disillusionment.
  • Atmospheric Tone: G minor key and slow tempo create a cinematic mood.
  • Genre Flexibility: Fits rock, alternative, and post-punk aesthetics.
  • One Stop Clearance: Streamlines licensing for quick sync turnaround.
Track Narrative:
“Tell Me What You Want” is a brooding, emotionally raw rock track that dives deep into the tension between longing and disillusionment. Thadeus Gonzalez delivers a haunting vocal performance over a slow-burning arrangement in G minor, driven by atmospheric guitars and a deliberate 76 BPM pulse. The track evokes a cinematic sense of vulnerability and confrontation—perfect for sync scenes involving fractured relationships, personal reckoning, or late-night introspection. It’s a sonic confession that lingers long after the final note.
Lyrics:

I've been wasting my time
all that I’ve had
I am losing my mind
my head’s on the floor forevermore

I have given you all that I had
But with a slam of the door
you've driven me mad now I'm sad

Tell me what you want
You have taken it all, all of my love
Unrelenting you told
you told me a lie so I can cry

There aren't words for it all that I feel
with a palm of your hand
You pushed me for real what the deal?
want it now?

So tell me now wishing to god you say you’re gonna miss me
Crossing my fingers that you say you're gonna kiss me
I got my fingers crossed you'll kiss me one more time
I can't take anymore

TEMPLATE BLUES — Paul Reddick

Template Blues cover art

Template Blues
by Paul Reddick

Dusty and hypnotic — “Template Blues” rolls through solitude, rust, and railways in a meditative travelogue of drift and lyrical poise. Paul Reddick traces a poetic journey through heartache and horizon, perfect for scenes of departure, reflection, or gritty wanderlust.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Template Blues
Clean Intro: Yes (0:00 – immediate entry with blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues cue centered on tradition, storytelling, and character. Ideal for roots-driven scenes and authentic environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Template Blues

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 106
  • Energy: Mid-tempo
  • Genres: Blues, Funk, Jazz
  • Vocals: Male Vocal
  • Moods: Cool, Positive, Retro, Upbeat
  • Lyric Themes: Dream, Escape, Loneliness
  • Cinematic Fit: Art House, Drama, Indie, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Synth

Production Details

  • Executive Producer: Colin Linden
  • Producer & Audio Production: Joe Louis Walker
  • Remixing: Colin Linden
  • Linear Notes: Larry LeBlanc
  • Composers: Paul Neufeld, Paul Reddick

Artists

  • Harmonica, Vocals, Percussion: Paul Reddick
  • Drums: Bryan Owings, Corey Richardson, Gary Craig
  • Piano: Chris Brown, Richard Bell
  • Guitar, Mandolin: Colin Linden
  • Bass, Guitar: Dave Rowe, John Dymond, Larry Taylor
  • Guitar: Greg Marshak, Kyle Ferguson
  • Violin: Kathleen Edwards
  • Trumpet: Kevin Turcotte, Sarah McElcheran
  • Congas: Paul Brundtland
  • Sousaphone: Paul Neufeld
  • Alto Sax: Rich Howse
  • Trombone: Scott Suttie
  • Tenor Sax: Sean O'Connor

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Template Blues by Paul Reddick rolls through solitude, rust, and railways in a meditative travelogue of drift and lyrical poise. With dusty textures and hypnotic groove, it’s ideal for scenes of departure, reflection, or gritty wanderlust.

Ideal Sync Uses

  • Drama: Emotional transitions, quiet revelations
  • Indie: Character-driven storytelling, poetic montages
  • Mystery: Slow-burn tension, noir-inspired visuals
  • Romance: Longing, memory, and emotional drift
  • Art House: Stylized visuals, ambient introspection

Scene Suggestions

  • Train ride through a desolate landscape
  • Character walking away from a relationship
  • Flashback to a moment of escape or solitude
  • Closing credits with a reflective tone

Why It Works

  • Male vocals deliver poetic grit and emotional weight
  • Midtempo pacing supports narrative flow
  • Blues-funk-jazz fusion suits modern and vintage sync aesthetics
  • Lyric themes of escape and loneliness resonate deeply
Track Narrative:
“Template Blues” journeys through metaphorical terrain—lookouts, railways, and the restless outskirts. Paul Reddick’s verses merge landscape and longing, drifting across direction and desire. The repetition of “I’m climbing by myself” and “I’m moving as I stand” underscores a quiet tension between stillness and motion. With muted tones and poetic grit, this is travel blues at its most lyrical.
Lyrics:
I’m climbing to the lookout
I’m climbing by myself
I’m climbing to the lookout
I’m climbing by myself
Seeing west and north
Baby east and south

I’m dreamin of a railway
You know I’m dreamin of a train
I’m dreamin of a railway
You know I’m dreamin of a train
Of dust and rust
Baby wind and rain

I’m moving to the outskirts
I’m moving as I stand
I’m moving to the outskirts
I’m moving as I stand
Cross the overnight
Cross the overland

TEMPLE OF DOUBT — Elmer Ferrer

Temple of Doubt cover art

Temple of Doubt
by Elmer Ferrer

Temple of Doubt unfolds in a subtle rhythmic pulse surrounded by atmospheric synth textures that feel both mysterious and contemplative. The cue carries a quiet sense of uncertainty—like standing at the threshold of an important realization while the answer remains just out of reach. Its balance of light movement and reflective mood makes it well suited for scenes of investigation, quiet discovery, philosophical reflection, or moments when a character senses that something deeper lies beneath the surface.

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OMR Cue Map

Track: Temple of Doubt
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, unresolved suspense tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Psychological tension cue for uncertainty, internal conflict, investigative doubt, moral ambiguity, and scenes where truth is unclear and tension builds beneath stillness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Temple of Doubt

Song Details

  • Energy: Medium / Suspenseful
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Key: D Minor
  • BPM: 128
  • Moods: Atmospheric, Light, Moody, Mysterious, Reflective, Rhythmic
  • Cinematic Fit: Mystery, Thriller, Sci-Fi, Drama, Fantasy
  • Type: One Stop, Soundtrack

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Temple of Doubt creates a subtle but persistent sense of uncertainty. Its rhythmic atmosphere and mysterious tone work beautifully in scenes where discovery is near but understanding has not yet arrived.

Ideal Sync Uses

  • Mystery: investigative discovery or intellectual puzzle
  • Thriller: quiet suspense and unfolding clues
  • Sci-Fi: exploration of unknown environments or ideas
  • Drama: reflective realization and emotional uncertainty
  • Fantasy: mystical environments or hidden knowledge

Scene Suggestions

  • Character discovering a clue that raises more questions
  • Exploration of a mysterious location or hidden chamber
  • Philosophical reflection on an unresolved truth
  • Slow investigative montage connecting fragments of a puzzle
Track Narrative:
Temple of Doubt moves through uncertainty like footsteps echoing in a quiet hall. Its rhythmic pulse suggests curiosity and caution at the same time, as if a character has entered a place where answers may exist—but understanding will require patience.

Tempo de borea e double

Tempo de borea e double cover art

Tempo de borea e double
by Nato

A driving, dance-inflected classical cue in D minor that channels the energy of a borea into a cinematic, modern context. At 86 BPM, “Tempo de borea e double” feels energetic and upbeat without losing emotional depth — bright, dramatic, and powerful, but still capable of reading reflective or quietly sad when needed.

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Track: Tempo de Borea e Double
Clean Intro: Yes (0:00 – immediate entry with classical tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with formal cadence
Loopable: Moderate–High (structured phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Classical cue centered on structure, elegance, and refinement. Ideal for period storytelling and formal sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato crafts cinematic instrumentals that blend classical forms with world and modern textures, bringing a fresh, emotional edge to traditional dance structures like the borea and its double. His work focuses on expressive string writing, rhythmic vitality, and dynamic contrast to create cues that feel both timeless and contemporary.

With a focus on mood, colour, and pacing, Nato’s compositions are built for picture — supporting nuanced storytelling, character emotion, and artful editorial choices across film, television, and premium content.

Sync Pitch Sheet: Tempo de borea e double

Song Profile

  • Key Signature: D Minor
  • BPM: 86
  • Energy: Steady, dance-like, driving
  • Genre: Classical
  • Instruments: Strings
  • Moods: Bright, Cinematic, Dramatic, Emotive, Energetic, Fun, Happy, Positive, Powerful, Quirky, Reflective, Sad, Upbeat
  • Type: One Stop
  • Vocals: Instrumental

Instrumentation

  • String ensemble with strong rhythmic articulation
  • Borea-inspired dance pulse and phrasing
  • Dynamic swells and accents for cinematic shape

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Tempo de borea e double” delivers a compelling mix of drive and emotional range — great for scenes that need movement, stakes, and a touch of classical sophistication. It can lean fun and upbeat, or read as tense and reflective, depending on where editors drop in.

Scene Types

  • Stylized movement sequences or choreographed action with a classical twist
  • Quick-cut montage with underlying emotional stakes
  • Characters in determined motion: crossing spaces, preparing, or executing plans
  • Moments where humour, tension, and heart overlap

Film/TV Fit

  • Drama
  • Art House / Indie
  • Period / Historical with contemporary energy
  • Stylized series and prestige TV

Why It Works

  • 86 BPM gives a confident, grounded pulse that’s easy to cut picture against.
  • D minor supports tension and emotional depth while still feeling propulsive.
  • Wide mood palette (fun + quirky + reflective + sad) makes it adaptable across scenes.
  • String-only orchestration keeps it clean under dialogue and VO.
Track Narrative:
“Tempo de borea e double” feels like purposeful motion with a smile at the corner of the mouth: a character moving through a challenge with resolve, humour, and heart. The dance pulse gives it lift, while the minor tonality keeps a thread of seriousness and emotional weight running underneath.
Instrumental Notes:
A fully instrumental string cue, it supports dialogue and FX while still providing a strong sense of rhythm and momentum. The articulation and phrasing give editors clear shapes to cut on without overpowering the scene.

Stem Tracks

Contact OMR for available stems (lead strings, supporting strings, rhythm figures, alternate edits).

Tempo di ciaccona

Tempo di ciaccona cover art

Tempo di ciaccona
by Nato

A modern, cinematic reimagining of the ciaccona, built on a repeating harmonic pattern but rich with dramatic shifts, expressive phrasing, and emotional colour. At 89 BPM in D minor, the cue balances gravity with movement — powerful, romantic, reflective, and subtly sad, yet capable of feeling bright, catchy, or uplifting depending on the scene.

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OMR Cue Map

OMR Cue Map

Track: Tempo di Ciaccona
Clean Intro: Yes (0:00 – immediate entry with classical, rhythmic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with structured cadence
Loopable: Moderate–High (repetitive classical phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Classical cue centered on rhythm, discipline, and tradition. Ideal for historical and refined cinematic contexts.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato blends classical forms with world textures, creating cinematic instrumentals that feel both rooted and contemporary. In his interpretation of the ciaccona, he brings emotional depth, rhythmic vitality, and expressive melodic development to a historically steady, repeating harmonic form.

Focused on colour, pacing, and narrative motion, Nato’s compositions support nuanced storytelling across film, television, and premium content — offering editors strong emotional arcs without overpowering dialogue or sound design.

Sync Pitch Sheet: Tempo di ciaccona

Song Profile

  • Key Signature: D Minor
  • BPM: 89
  • Energy: Moderate, steady, expressive
  • Genres: Classical, World
  • Instruments: Strings, Percussion, Synth
  • Moods: Bright, Catchy, Dramatic, Emotive, Fun, Positive, Powerful, Reflective, Romantic, Sad
  • Type: One Stop
  • Vocals: Instrumental

Instrumentation

  • String ensemble with clear rhythmic patterning
  • Subtle percussion and synth reinforcement
  • Expressive melodic development over repeating harmonic ground

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Tempo di ciaccona” offers emotional richness and a strong sense of motion. Its repeating harmonic structure provides stability for editors, while the melodic developments carry drama, romance, and introspection. Excellent for moments needing classical weight with contemporary emotional versatility.

Scene Types

  • Emotional turning points or realizations
  • Slow, dramatic movement or intimate character progression
  • Stylized montage with classical gravitas
  • Romantic sequences with depth and warmth

Film/TV Fit

  • Drama
  • Art House / Indie
  • Romance
  • Period / Historical
  • Cinematic documentary-style visuals

Why It Works

  • 89 BPM creates a steady, expressive foundation.
  • D minor offers emotional weight with lyrical openness.
  • Repeating ciaccona structure makes it extremely cut-friendly.
  • Blend of classical + world + light synth modernizes a traditional form.
Track Narrative:
“Tempo di ciaccona” feels like a grounded emotional journey: steady footing beneath evolving thoughts and growing intensity. It can underscore reflection, resolve, longing, or subtle triumph — whatever the story needs as variations build across its repeating harmonic foundation.
Instrumental Notes:
Built around strings with supportive percussion and tasteful synth layers, the cue maintains clarity under dialogue while offering enough movement and texture to carry emotional transitions or hold focus during visually expressive sequences.

Stem Tracks

Contact OMR for available stems (lead strings, ensemble strings, supporting synth/percussion, alternate edits).

Te Perdono — Maqui

Te Perdono cover art

Te Perdono
by Maqui

A midtempo Country–Pop singer/songwriter track where forgiveness collides with denial. “Te Perdono” lists a litany of betrayals—lies, clandestine dates, late-night calls—only to fold them back into a desperate plea: I’ll forgive it all, if you promise not to leave. Male vocal, guitars, and rhythm section keep the energy surprisingly upbeat, making this a powerful cue for complicated, toxic-but-tender relationships.

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OMR Cue Map

OMR Cue Map

Track: Te Perdono
Clean Intro: Yes (0:00 – immediate entry with emotional, romantic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (song phrasing supports editorial use)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic cue centered on forgiveness, reconciliation, and emotional vulnerability. Ideal for relationship turning points.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Te Perdono

Song Profile

  • Key Signature: G Major
  • BPM: 94
  • Tempo: Midtempo
  • Genres: Country, Pop, Singer/Songwriter
  • Vocals: Male Vocal
  • Mood/Feel: Energetic, Positive, Upbeat
  • Lyric Themes: Betrayal, Escape, Heartbreak, Love, Relationship
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

“Te Perdono” is an emotional tightrope walk between self-respect and fear of loss. The narrator forgives almost everything: betrayals, secret dates, evasive calls, even being banished to the couch. In return, he only asks one thing—“solamente si me juras no irte más.” The upbeat groove underscores how deeply he’s willing to bend for love, creating a compelling tension between lyrical hurt and musical brightness.

Sync Highlights

  • Perfect for scenes where a character stays in a flawed or toxic relationship out of love or fear.
  • Works well in dramatic arguments, “one last chance” talks, or late-night living room confrontations.
  • Country–Pop feel suits series with modern relationship storylines and emotional complexity.
  • Male POV provides a strong voice for vulnerable-but-trying-to-be-strong male characters.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Te Perdono

This track shines in scenes that explore the messy grey area between breaking up and staying, especially when one partner is sacrificing too much to keep things alive. It’s emotionally rich without being sonically heavy, making it easy to use in dialogue-driven moments.

Scene Types

  • Living room or bedroom confrontations where old wounds and recent betrayals surface.
  • Sequences of someone waiting up, checking their phone, or pacing while their partner is out.
  • Post-argument reflection scenes where the character decides to stay despite everything.
  • Montages of little everyday slights—stolen covers, secrets shared with friends—building toward a breaking point.

Film/TV Fit

  • Drama
  • Romantic Dramedy
  • Teen & YA series
  • Character-driven relationship shows and films

Why It Works

  • Lists specific, visual details (cobijas, camisas, llamadas evasivas) that cut well to picture.
  • Upbeat, energetic feel keeps heavy relationship content from feeling too dark.
  • Memorable hook “Te perdono…” anchors scenes focused on cycles of hurt and forgiveness.
Track Narrative:
“Te Perdono” opens with a half-lit room and a door being adjusted so the narrator can speak “con la luz a medias.” He forgives betrayals, lies, secret escapes out the back window, evasive calls, and clandestine dates with “el de la universidad.” He forgives stolen shirts, stolen blankets, and broken promises to keep their secrets. What he wants in return is simple and heartbreaking: a promise that they won’t leave anymore. The song captures the painful paradox of loving someone who doesn’t truly value you, and clinging to the idea that forgiveness might be enough to make them stay.

Lyrics: Te Perdono

Has como si no me vieras Has como si no estuviera Guarda silencio y ajusta la puerta que quiero hablarte con la luz a medias Te perdono las traiciones, las mentiras, las escapadas a escondidas por la ventana de atrás Te perdono las llamadas evasivas y las citas clandestinas con el de la universidad Te perdono las miradas atrevidas, cada vez que alguien te mira, solamente si me juras no irte más Sé, mi amor no te interesa Y aunque ajustes la puerta estás afuera, quédate adentro que mi alma desea robarte un beso con la luz a medias Te perdono las traiciones, las mentiras, las escapadas a escondidas por la ventana de atrás Te perdono las llamadas evasivas y las citas clandestinas con el de la universidad Te perdono las miradas atrevidas, cada vez que alguien te mira, solamente si me juras no irte más Te perdono que te pongas mis camisas y que me robes las cobijas cuando me mandas al sofá Te perdono que cuentes a tus amigas esos secretos que hace un rato me juraste no contar Te perdono que no escuches estas líneas por andar buscando a otro que no te ama ni la mitad.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Maqui

Maqui

Maqui is a Latin singer/songwriter whose work blends Country and Pop sensibilities with unflinching emotional honesty. His songs often sit in the tension between love and self-preservation, pairing guitar-driven arrangements with lyrics that feel like late-night confessions.

In “Te Perdono,” he gives voice to the kind of forgiveness that borders on self-erasure—naming specific hurts in vivid detail while still begging the other person to stay. Across his catalog, Maqui’s grounded delivery and storytelling focus make his tracks a strong fit for series and films exploring modern, imperfect relationships.

Styles: Country–Pop Singer/Songwriter • Strengths: Narrative detail, emotional stakes, guitar-led grooves • Typical Uses: Drama, Romantic Dramedy, YA, relationship-heavy storylines

THANKS ED — Pat Carey (Instrumental)

Thanks Ed cover art

Thanks Ed
by Pat Carey

Soulful and swinging — “Thanks Ed” is Pat Carey’s vibrant instrumental nod to mentorship and groove. Bluesy sax lines weave warmth and style, creating a musical thank-you that breathes heart, rhythm, and brass-rich gratitude.

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OMR Cue Map

Track: Thanks Ed
Clean Intro: Yes (0:00 – immediate entry with light, jazz-influenced tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20
Button Ending: Yes, resolved ending with relaxed tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Light, character-driven cue centered on ease, charm, and personality. Ideal for casual scenes and conversational pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Thanks Ed

Song Details

  • Key Signature: Bb Major
  • Beats Per Minute: 66
  • Energy: Slow Tempo
  • Genres: Ambient, Jazz
  • Vocals: Instrumental
  • Moods: Chill, Confident, Hopeful, Light, Love, Positive, Reflective, Romantic, Sad, Somber, Warm
  • Cinematic Fit: Romance
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Saxophone
  • Trumpet

Production Details

  • Composer: J. Langley
  • Produced By: Jake Langley
  • Recorded & Mixed By: Sal Mormando at Kaleidoscope Sound
  • Engineered & Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Tenor Saxophone: Pat Carey
  • Guitar: Mat Langley
  • Hammond B3 Organ: Kyle Koenler
  • Piano, Rhodes Piano: Michael Fonfara
  • Drums: Joe Strasser

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Thanks Ed by Pat Carey is a soulful and swinging instrumental tribute that radiates warmth, gratitude, and emotional depth. With bluesy saxophone lines and ambient jazz textures, it’s a heartfelt nod to mentorship and memory.

Ideal Sync Uses

  • Romance: Tender moments, emotional reflections
  • Drama: Quiet scenes of connection or farewell
  • Indie: Character-driven storytelling with emotional nuance
  • Documentary: Biographical segments, tributes

Scene Suggestions

  • Slow dance in a dimly lit jazz bar
  • Montage of mentorship or legacy
  • Reflective walk through city streets at dusk
  • Closing credits with a warm, nostalgic tone

Why It Works

  • Instrumental format allows emotional flexibility
  • Slow tempo supports introspective pacing
  • Ambient jazz textures evoke warmth and elegance
  • Solo sax and guitar add expressive depth
Track Narrative:
“Thanks Ed” glides on brass charisma and emotional gratitude. Pat Carey crafts a sax-driven salute built for mentor montages, end-credit thank-yous, or heartfelt retrospectives. This is groove-forward appreciation in instrumental form.

THAT SPECIAL CHRISTMAS DAY — OMR Music Production

That Special Christmas Day cover art

That Special Christmas Day
by OMR Music Production

Whimsical and heartfelt — “That Special Christmas Day” captures the childhood wonder of snowy mornings, twinkling lights, and cozy cheer. OMR Music Production spins timeless holiday spirit into a storytelling tune ideal for festive films, end-credit warmth, or nostalgic winter scenes.

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OMR Cue Map

Track: That Special Christmas Day
Clean Intro: Yes (0:00 – immediate entry with warm, festive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with uplifting holiday finish
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Festive cue centered on warmth, nostalgia, and celebration. Ideal for holiday scenes and seasonal storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: That Special Christmas Day

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 95
  • Energy: Medium
  • Genres: Holiday, Folk, Pop, Vintage
  • Vocals: Female Vocal
  • Moods: Carefree, Warm, Dreamy, Hopeful, Moody, Reflective, Uplifting
  • Lyric Themes: Christmas, Happiness, Faith
  • Cinematic Fit: Holiday Films, Family, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Strings

Production Details

  • Executive Producers: Donald Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Kira Braun
  • Guitar & Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

That Special Christmas Day by OMR Music Production is a whimsical and heartfelt holiday tune that captures the magic of snowy mornings, twinkling lights, and cozy cheer. With warm female vocals and vintage folk-pop textures, it’s a nostalgic celebration of faith, joy, and togetherness.

Ideal Sync Uses

  • Holiday Films: Opening scenes, family gatherings, end-credit rollouts
  • Romantic Comedies: Winter dates, gift exchanges, heartfelt moments
  • Family Features: Decorating montages, children’s wonder, cozy home scenes
  • Commercials: Holiday campaigns, seasonal promotions, festive branding

Scene Suggestions

  • Child waking up to snow on Christmas morning
  • Family decorating the tree together
  • Romantic walk through a winter market
  • Closing credits with a warm, nostalgic glow

Why It Works

  • Female vocals evoke sincerity and seasonal charm
  • Midtempo pacing suits reflective and joyful moments
  • Vintage folk-pop instrumentation adds timeless appeal
  • Lyric themes of faith and happiness resonate across generations
Track Narrative:
“That Special Christmas Day” unwraps a lyrical story about belief and innocence—with kids questioning Santa’s existence, only to recall magical moments that defy logic and light up memory. From rooftop sleighs to snowflake skies, the verses charm with whimsy and wonder. OMR Music Production wraps this tale in warm melody and festive heart.
Lyrics:
VERSE 1
You won’t believe what I just heard
At the mall the other day
A mother told her little girl
Don’t you be led astray
There’s no such thing as Santa Claus
It’s all just make believe.
“Then Mommy please tell me
What I saw on Christmas Eve”

CHORUS
A jolly old man dressed in red
And a beard as white as snow
I almost fell out of bed
When he rumbled Oh Ho Ho Ho
A merry man with rosy cheeks
And a reindeer powered sleigh
That flew o’er rooftop peaks
That special Christmas Day

VERSE 2
I heard a girl tell a boy
At school the other day
It’s all a trick to sell more toys
To lead us all astray
Cause there’s no such thing as Santa Claus
You’re just a bit naive.
“So silly girl explain to me
What I saw that Christmas Eve”

CHORUS

INTERLUDE

VERSE 3
You won’t believe what I just heard
And the magic I saw Christmas Eve
When snowflakes fell and filled the sky
And Santa left gifts for me

THAT'S ALL — Lee Palmer

That's All cover art

That's All
by Lee Palmer

Stripped-down and rootsy — “That’s All” is a blues mantra built on perseverance, lucky breaks, and the soul of someone who's walked the long road. Lee Palmer delivers smoky vocals and heart-swinging charm that suits departures, comebacks, or barroom meditations.

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OMR Cue Map

OMR Cue Map

Track: That’s All
Clean Intro: Yes (0:00 – immediate entry with relaxed, roots tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Laid-back cue centered on acceptance, closure, and simplicity. Ideal for reflective endings and understated storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: That’s All

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 101
  • Energy: Moderate
  • Genres: Blues, Pop, Soul
  • Vocals: Male Vocal
  • Moods: Fun, Happy, Hopeful, Relaxing, Retro, Upbeat
  • Lyric Themes: Confidence, Strength, Struggle, Success, Ambition
  • Cinematic Fit: Comedy, Coming-of-age, Crime, Mystery, Video Game
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Instrumental Solos: Electric Guitar, Organ

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Composition: Lee Palmer
  • Sound Engineer: Jeremy Darby
  • Sound Engineer/Producer: Danny Greenspoon
  • Pre-Production & Final Mix: Elmer Ferrer
  • Mastering: Samuel Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Acoustic & Electric Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Bass: David Woodhead
  • Electric Guitar: Wendell Ferguson
  • Keys (Wurlitzer, Hammond, Rhodes, Grand Piano, Accordion): Jenn Kee
  • Percussion: Al Cross

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

That’s All by Lee Palmer is a stripped-down blues mantra built on perseverance, lucky breaks, and the soul of someone who's walked the long road. With smoky vocals and heart-swinging charm, it’s perfect for scenes of departure, comeback, or barroom meditation.

Ideal Sync Uses

  • Comedy: Underdog moments, quirky confidence
  • Coming-of-age: Personal growth, self-discovery
  • Crime: Hustle scenes, streetwise swagger
  • Mystery: Cool intros, noir transitions
  • Video Games: Character themes, level transitions

Scene Suggestions

  • Character walking into a dive bar with swagger
  • Montage of hustle and ambition
  • Flashback to a pivotal moment of struggle
  • Closing credits with a retro groove

Why It Works

  • Male vocals deliver grit and charm
  • Midtempo pacing suits narrative flow
  • Blues-pop-soul fusion fits modern and vintage sync aesthetics
  • Lyric themes of ambition and resilience resonate widely
Track Narrative:
“That's All” celebrates doing your best—even when the cards are stacked and the dice may fall wrong. Lee Palmer serves up lyrical resilience over groove-rich instrumentation, letting verses spin tales of risk, resolve, and rolling forward. It’s a blues anthem stitched with honesty and soul.
Lyrics:
I'll do the best, what I got, that's all
I'll leave the rest, for higher powers, to call
I'll pay the cost, I've been down
I'll lay 'em down, the way I felt
I'd do the best (I'd do the best) for what I got (for what I got)
Yeah, that's all

I'd play the black, play the red, let it ride
I don't hold back, lady luck is on my side
If I should win, or I should lose
It's not my choice to even choose
I'll do the best with what I got, that's all

Oh, oh, oh
I don't wait for nothing
Come a knockin' at my door
I'll move ahead even when I'm not that sure
Through every twist and every turn
I may fall short but I will learn

Do the best (do, do the best)
What I got (what I got)
That's all

I'll do the best (I'll do the best)
What I got (what I got)
That's all
I'll do the best (I'll do the best)
What I got (what I got)
That's all
That's all, baby

That's My Man

That's My Man cover art

That's My Man
by Kelsey Kindall

“That’s My Man” is a midtempo pop/R&B track in D Minor at 100 BPM, driven by bass, drums, percussion, and synth. Bright, confident, playful, and full of swagger, it celebrates connection, identity, and relationship pride with a bold, catchy energy built for attention.

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OMR Cue Map

OMR Cue Map

Track: That's My Man
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30
Button Ending: No, upbeat tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 0:45–1:15 / 1:00–1:30
Use Case: Confident pop/R&B cue for relationship pride, playful romance, fashion-forward scenes, social media moments, and character-driven sequences highlighting confidence, identity, and attraction.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: That's My Man

Song Profile

  • Genres: Pop, R&B
  • Key Signature: D Minor
  • BPM: 100
  • Tempo: Midtempo
  • Vocals: Female Vocal
  • Moods: Bright, Catchy, Confident, Cool, Energetic, Fun, Playful, Rhythmic, Sexy, Swagger, Upbeat
  • Lyric Themes: Connection, Identity, Love, Power, Relationship
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Sync Potential

“That’s My Man” works especially well for confident, relationship-driven scenes. Its playful swagger and bold pop/R&B energy make it ideal for romance with attitude, social moments, fashion-forward visuals, and character introductions that highlight confidence, connection, and personality.

Scene Types

  • Playful romantic or relationship scenes
  • Confident character introductions
  • Fashion, lifestyle, or social media moments
  • Girls-night or group confidence scenes
  • Lighthearted relationship pride sequences

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

Oh he's my legal crush, grabbed my bag, made me blush. You can look but you can't touch
We be out in public, any kiss or touchin', claim me with his lovin'. And everybody knows, everybody knows that's my..

That's my man, understand. It's all it takes, that's my man, tried to get. Oh I'm a fan, that's my man, oh you can't. He's mine either way, that's my man, not a chance, tried your best, that's my..

None of your business. His passenger princess. I got him obsessed
I could go with this. I could go with that. And you're just a witness. No wonder why he's keep tellin' me he's mine, that's my..

That's my man, understand. It's all it takes, that's my man, tried to get. Oh I'm a fan, that's my man, oh you can't. He's mine either way, that's my man, not a chance, tried your best, that's my..

That's my little baby, make her laugh every day. We could see Dubai, just tell me when you're ready. My MRT and I'mma show you why. I ain't worried about the talkin', they don't know what's up
If you and I illegal, we could break the law. I'mma push the needle, just to show 'em off. Baby girl you mine. All other boys is wastin' time

So what you tryna do, just let me know. Drop the pin and we can go. It's you and me, we can keep it low. The way you lookin' got me movin' in a different mode

I'm lovin' on a real man. Keep it subtle like a secret. Let it out on the weekend. All in like a deep end, that's my man

Spendin' all this money like a bonus. Givin' me the credit 'cause I own it. Oh that's my, that's my..

That's my man, understand. It's all it takes, that's my man, tried to get. Oh I'm a fan, that's my man, oh you can't. He's mine either way, that's my man, not a chance, tried your best, that's my..

Man.
Track Narrative:
“That’s My Man” feels like confidence on display. The energy is playful, bold, and unapologetic, capturing the excitement of connection and the pride of claiming it. It is built for scenes where personality leads, attention follows, and the relationship becomes part of the character’s identity.

THAT'S NO WAY TO GO — Lee Palmer

That's No Way to Go cover art

That's No Way to Go
by Lee Palmer

Haunting and tender — “That's No Way to Go” paints a sonic portrait of unraveling love and emotional collapse. Lee Palmer delivers stripped blues drama with fearless clarity and poetic restraint, ideal for scenes of quiet devastation, introspective grief, or farewell moments.

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OMR Cue Map

OMR Cue Map

Track: That’s No Way to Go
Clean Intro: Yes (0:00 – immediate entry with blues-influenced tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with emotional weight
Loopable: High (consistent groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues-driven cue centered on regret, consequence, and reflection. Ideal for character conflict and grounded drama.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: That’s No Way To Go

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 105
  • Energy: Moderate
  • Genres: Ballad, Blues, Country, Folk, Rock, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Chill, Dramatic, Hopeful, Reflective, Romantic, Sad, Somber, Warm
  • Lyric Themes: Pain, Life, Loneliness, Loss, Love
  • Cinematic Fit: Adventure, Crime, Drama, Western
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics & Composition: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Sound Mixing: Elmer Ferrer at The Tone Catcher
  • Sound Engineers: Kevin Dietz, Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Keys (Hammond, Piano, Accordion): Mark Lalama
  • Electric & Slide Guitar: Kevin Briet
  • Bass: Alec Fraser Jr.
  • Drums: Al Cross

Guest Performers

  • Guitars, Baritone Guitar, Ukulele, Background Vocals: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Violin: Aaron Solomon
  • Tenor Sax: Turner King
  • Trumpet: Dave Dunlop

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

That’s No Way To Go by Lee Palmer is a haunting and tender ballad that paints a sonic portrait of unraveling love and emotional collapse. With poetic restraint and stripped blues drama, it’s ideal for scenes of quiet devastation, introspective grief, or farewell moments.

Ideal Sync Uses

  • Drama: Breakups, emotional turning points
  • Western: Lone rider scenes, desert reflection
  • Crime: Aftermath, moral reckoning
  • Adventure: Farewell moments, personal loss

Scene Suggestions

  • Character leaving a relationship behind
  • Flashback to a moment of emotional collapse
  • Slow walk through a quiet town at dusk
  • Closing credits with a somber tone

Why It Works

  • Male vocals deliver emotional depth and sincerity
  • Midtempo pacing supports reflective storytelling
  • Genre blend suits Americana, indie, and dramatic syncs
  • Lyric themes of love and loss resonate universally
Track Narrative:
“That's No Way to Go” is an aching meditation on mental decay and emotional fallout. Palmer pairs poetic vulnerability with stark delivery as he sings of blank canvases, fading memories, and a long lonesome road. The repetition of the title line becomes its own kind of protest. The lyric “You et every face” speaks to loss in the most visceral way. Raw, real, and resolute.
Lyrics:
That's no way to go
It's cruel, it's not kind
You et every face
You et every place
As you're losing your mind
The gift that you had
You gave to the end
A long, lonesome road
That's no way to go

You had a wild ride
Lived life more than most
You could never look back
You're on a runaway track
A blank canvas, a ghost
Confusion and loss
Anger and pain
Your love stands by your side
You've otten their name

A sinister pride
No one should play
Affects those you love most
As all your memories fade
And I would agree
That's no way to go

That's no way to go
It's cruel, it's not kind
You et every place
You et every face
As you're losing your mind
The gift that you had
Gave to the end
A long, lonesome road
That's no way to go
That's no way to go
That's no way to go

THE ABBESS — Kristin Sweetland

The Abbess cover art

The Abbess
by Kristin Sweetland

Haunting and mystical — “The Abbess” conjures ancestral longing through poetic grief and sacred devotion. Kristin Sweetland channels a sonic prayer steeped in medieval tones, feminine sorrow, and holy reverence — ideal for fantasy worlds, ancestral epics, or monastic reflections.

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OMR Cue Map

OMR Cue Map

Track: The Abbess
Clean Intro: Yes (0:00 – immediate entry with atmospheric, cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on mystery, authority, and atmosphere. Ideal for period or dramatic storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: The Abbess

Song Details

  • Key Signature: A Major
  • Beats Per Minute: 71
  • Energy: Mid Tempo
  • Genres: Folk, Latin, Singer-Songwriter
  • Vocals: Female Vocal
  • Moods: Bright, Hopeful, Light, Positive, Romantic, Warm
  • Lyric Themes: Change, Death, Desire, Loss, Love
  • Cinematic Fit: Art House, Drama, Fantasy, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Instrumental Solos: Bass, Percussion

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto (2002)
  • Mastered: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Vocals & Acoustic Guitar: Kristin Sweetland
  • Harmony Vocals: Stephen Fearing
  • String Bass: George Koller
  • Percussion (Darbouka, Shakers, Udu): Ben Grossman

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Abbess by Kristin Sweetland is haunting and mystical—a sonic prayer steeped in ancestral longing and sacred devotion. With poetic grief and feminine sorrow, it’s ideal for fantasy worlds, monastic reflections, and emotional storytelling that transcends time.

Ideal Sync Uses

  • Fantasy: Sacred rituals, mystical transitions
  • Drama: Emotional reckoning, spiritual solitude
  • Art House: Stylized visuals, poetic introspection
  • Mystery: Ancestral flashbacks, symbolic sequences
  • Romance: Longing, loss, and quiet devotion

Scene Suggestions

  • Character walking through a candlelit cathedral
  • Flashback to a sacred vow or farewell
  • Slow pan across a medieval landscape
  • Closing credits with ethereal tone

Why It Works

  • Female vocals evoke spiritual depth and emotional resonance
  • Midtempo pacing supports reflective storytelling
  • Folk-Latin blend suits historical and fantasy syncs
  • Lyric themes of change, death, and desire offer universal poignancy
Track Narrative:
“The Abbess” is a lament and a blessing wrapped in gothic poetry. Kristin Sweetland’s verses blend religious symbolism with romantic ache, from “blood on the cross” to “a marionette in midnight.” The refrain of “Hallelujah ave vera unice ave” becomes a sacred chant threading loss, devotion, and resurrection. This is a requiem in rhythm.
Lyrics:
Master, my father, my husband, no brother
Handmaid, your sister, your daughter, no lover
As gold is to silver, as ink is to pen
As quill is to paper, I write you again

How I remember it, when we did part
Change of my habit and change of my heart
Now there is nothing but wormwood and gall
Blood on the cross and the stones in the wall

Hallelujah hallelujah ave vera unice ave

Morning will rise and the rivers will run
But never you write me and never you come
Love, you are shapeless and restless as wind
I take a deep breath and I hold you in

Dark of the midnight I’ll never forget
Your hands on the strings I’m a marionette
Lay down low in a bed of perfume
And a dark cloud will shadow the moon

Hallelujah hallelujah ave vera unice ave

Soon we will rise in the clear of the blue
From down in the grave when they lay me beside you
Ashes to ashes and then we will fall
Farewell my loveliness, farewell my all

Hallelujah hallelujah ave vera unice ave
Hallelujah hallelujah ave vera unice ave

The Ache Of You Never Leaving

The Ache Of You Never Leaving cover art

The Ache Of You Never Leaving
by Radagast the Brown

A cinematic, emotionally urgent instrumental in E Minor at 125 BPM, built around grief that won’t release and memory that keeps returning. “The Ache Of You Never Leaving” carries steady momentum with a raw, bittersweet undertow — ideal for dramatic montage, emotional turning points, and scenes where a character tries to move forward while still living inside the loss.

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OMR Cue Map

OMR Cue Map

Track: The Ache of You Never Leaving
Clean Intro: Yes (0:00 – immediate entry with emotional, cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with deep emotional release
Loopable: Moderate (evolving structure supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Deep emotional cue centered on longing, absence, and unresolved connection. Ideal for dramatic emotional arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Radagast the Brown

Radagast the Brown — Cinematic Composer • Modern Instrumentals

Radagast the Brown creates cinematic instrumentals designed for picture — balancing momentum, atmosphere, and emotional clarity. His writing supports character emotion and narrative consequence, with cues that cut cleanly in edit and sit naturally under dialogue and VO.

With a focus on scene utility, these tracks are built for dramatic arcs, reflective montage, and emotional turning points across film, television, and premium content.

Sync Pitch Sheet: The Ache Of You Never Leaving

Song Profile

  • Key Signature: E Minor
  • BPM: 125
  • Energy: Steady, urgent, emotionally charged
  • Genres: Cinematic, Modern Instrumental
  • Instruments: Hybrid textures (score-style palette)
  • Moods: Bittersweet, Aching, Dramatic, Reflective, Tense
  • Type: One Stop
  • Vocals: Instrumental

Cinematic Themes

  • Drama
  • Romance (supporting use)
  • Art House (select scenes / editorial)
  • Mystery (supporting use)

Audio Preview

Full Track

Snippet Preview

Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“The Ache Of You Never Leaving” is ideal for scenes where grief or longing remains present even as life continues. Its 125 BPM pacing gives it montage utility and narrative motion, while the minor tonality keeps the emotional center grounded in ache, memory, and unresolved feeling.

Scene Types

  • Grief-driven montage: coping, remembering, trying to move forward
  • Emotional turning points and quiet breakdowns
  • Romantic loss / distance-over-time storytelling
  • Late-night solitude under VO or intimate dialogue
  • Aftermath sequences where the cost of love becomes clear

Film/TV Fit

  • Drama
  • Romance (supporting use)
  • Art House / Indie (supporting use)
  • Mystery (supporting use)

Why It Works

  • 125 BPM supports forward motion for montage and transitions.
  • E Minor reinforces longing, grief, and unresolved emotional pressure.
  • Hybrid cinematic palette stays modern and edit-friendly under dialogue/VO.
  • Controlled intensity keeps it powerful without overwhelming the scene.
Track Narrative:
“The Ache Of You Never Leaving” feels like loss that refuses to fade — a memory that lives in the body and returns without warning. It supports scenes where a character is moving forward externally, but still carrying the emotional imprint of someone who never truly left.
Instrumental Notes:
Emotional cinematic motion with a bittersweet core. Built for montage and character drama, with a pace that cuts cleanly in edit while remaining controlled enough for dialogue and VO.

Stem Tracks

Contact OMR for available stems (rhythmic bed, percussion, harmonic bed, melody stems, atmosphere layers, alternate edits).

THE AURA OF GOSPEL — Thadeus Gonzalez

The Aura of Gospel cover

The Aura of Gospel
by Thadeus Gonzalez

"The Aura of Gospel" fuses metallic drive with uplifting rock sensibilities — bright, confident, and forward-pushing. Anchored by punchy bass, driving drums and electric guitar, and delivered through a resolute male vocal, the track feels like an anthemic rush toward light after darkness. At a brisk 138 BPM in E Major, it's perfect for scenes of triumph, cinematic uplift, energetic montages, or moments when a character rediscovers hope and momentum.

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OMR Cue Map

OMR Cue Map

Track: The Aura of Gospel
Clean Intro: Yes (0:00 – immediate entry with spiritual, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with uplifting tonal finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Spiritual cue centered on elevation, intensity, and communal energy. Ideal for powerful, movement-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound that spans metal, punk, and uplifting rock. His music balances grit with melody, making it highly sync-friendly for both dramatic and triumphant screen moments.

As a performer and songwriter, Thadeus has toured, collaborated with notable producers, and built a catalogue that translates strongly to film and television — from tense, edgy sequences to uplifting, hopeful climaxes.

Sync Pitch Sheet: The Aura of Gospel

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 138
  • Energy: High / Upbeat
  • Genres: Metal, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Confident, Cool, Hopeful, Positive, Reflective, Upbeat, Uplifting
  • Lyric Themes: Desire
  • Type: One Stop

Production Details

  • Instrumentation: Bass, Drums, Electric Guitar, Percussion
  • Tempo / Feel: Up-tempo, driving, anthemic
  • Vocals: Lead male vocal with bold delivery
  • Suggested Edits: 0:00–0:30 build; 0:30–1:10 main verse; 1:10–1:40 chorus (good snippet range)

Audio Preview

Full Track

Snippet Preview (0:30–1:05)

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: The Aura of Gospel

"The Aura of Gospel" packs anthemic momentum and bright tonal lift—a track that brings a sense of forward motion, yearning, and eventual release. Its uptempo pulse and major-key optimism make it especially useful when a scene needs emotional propulsion without losing edge.

Ideal Sync Uses

  • Triumphant montages (training, comeback, overcoming obstacles)
  • Opening or closing sequences that require uplift and energy
  • Heroic entrances or reveal moments
  • Commercials for aspirational brands and products
  • Sports promos, highlight reels, or victory moments
  • Road-trip sequences and sunlit city montages

Why It Works

  • Anthemic Drive: Fast BPM and major key support a sense of momentum and optimism.
  • Sync-Ready Arrangement: Clear verse/chorus structure and strong hook make editing straightforward.
  • Emotional Flexibility: Can underscore both reflective desire and outward triumph.
  • One Stop Clearance: Simplifies licensing and speeds placement decisions.
Track Narrative:
“The Aura of Gospel” is a bright, propulsive rock anthem that channels desire into motion. Thadeus' vocal pushes through urgent verses into a liberating chorus — a musical arc suited to moments where characters reach for light, crack through doubt, or surge toward a longed-for goal. It’s cinematic and hopeful, with enough grit to sit comfortably in edgier contexts while leaning uplifting.
Lyrics:

See, believe,
that all will fall
Down to the ground
can’t stop at all

I need some peace
I need it please
Gimme the light
in your room

The aura of gospel

Nights get so cold
hunters swarm around me
Liquors kiss
handcuffed bliss
still I swim while drowning

Turn on the light in your room
Amen

Can't feel anymore
I’m pulled under
pulled under
Cant see anymore

THE ANDROGYNOUS COBRA — Captain Dirt & The Skirt

The Androgynous Cobra cover art

The Androgynous Cobra
by Kristin Sweetland

Experimental and hypnotic — “The Androgynous Cobra” slithers through desert distortion, ambient twang, and sultry rhythm. Captain Dirt & The Skirt conjure a gender-fluid soundscape perfect for dream sequences, psychedelic montages, or unconventional character intros.

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Track: The Androgynous Cobra
Clean Intro: Yes (0:00 – immediate entry with edgy, stylized tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with confident tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Stylized cue centered on identity, edge, and attitude. Ideal for bold visuals and unconventional storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: The Androgynous Cobra

Song Details

  • Key Signature: E Major
  • Beats Per Minute: 104
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Instrumental
  • Moods: Atmospheric, Upbeat
  • Cinematic Fit: Action, Art House, Fantasy, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Percussion
  • Strings
  • Bass
  • Instrumental Solos: Acoustic Guitar, Bass, Electric Guitar

Production Details

  • Written by: Lyndell Montgomery & Kristin Sweetland
  • Produced by: David Travers-Smith & Captain Dirt & The Skirt
  • Recorded, Mixed & Mastered: Found Sound, Toronto, ON
  • Copyright: © Arbora Vita Music 2013

Artists

  • Electric Guitar: Kristin Sweetland
  • Bass & Violin: Lyndell Montgomery
  • Drums & Percussion: Gary Craig

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Androgynous Cobra is a hypnotic instrumental that slithers through desert distortion, ambient twang, and sultry rhythm. With gender-fluid energy and cinematic tension, it’s ideal for dream sequences, psychedelic montages, and unconventional character intros.

Ideal Sync Uses

  • Fantasy: Surreal landscapes, magical realism
  • Art House: Experimental visuals, identity themes
  • Thriller: Suspenseful transitions, eerie build-ups
  • Mystery: Symbolic clues, enigmatic flashbacks
  • Action: Stylized movement, desert chases

Scene Suggestions

  • Slow-motion walk through a neon-lit alley
  • Montage of a character transforming or disguising
  • Desert road trip with surreal visuals
  • Opening credits with abstract motion graphics

Why It Works

  • Instrumental format allows flexible placement
  • Midtempo groove supports rhythmic editing
  • Atmospheric tone suits genre-bending visuals
  • Electric guitar and bass solos add cinematic flair
Track Narrative:
“The Androgynous Cobra” writhes through sonic ambiguity and desert elegance. Captain Dirt & The Skirt sculpt a mystical terrain of sound — equal parts seduction and danger, shape-shifting and shadow. Designed for tonal mirages and surreal staging.

THE BALLAD OF WISHBONE — Paul Reddick

The Ballad of Wishbone cover art

The Ballad of Wishbone
by Paul Reddick

Surreal and cinematic — “The Ballad of Wishbone” journeys through fevered visions, cryptic romance, and sonic folklore. Paul Reddick spins raw roots poetry through twisted Americana, creating the perfect cue for character intros, frontier tales, or myth-laced narrative arcs.

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Track: The Ballad of Wishbone
Clean Intro: Yes (0:00 – immediate entry with rootsy, narrative tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: Moderate–High (song phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Narrative-driven cue centered on storytelling, character, and journey. Ideal for Americana and reflective storytelling moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: The Ballad of Wishbone

Song Details

  • Key Signature: A Major
  • Beats Per Minute: 78
  • Energy: Mid Tempo
  • Genre: Blues
  • Vocals: Male Vocal
  • Moods: Hopeful, Reflective
  • Lyric Themes: Home, Love, Struggle
  • Cinematic Fit: Art House, Drama, Indie, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums

Production Details

  • Written by: Paul Reddick
  • Produced by: Available Upon Request
  • Engineered by: Available Upon Request
  • Recorded, Mixed & Mastered: Available Upon Request
  • Copyright: © Arbora Vita Music

Artists

  • Credits: Available Upon Request

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Ballad of Wishbone is a surreal blues meditation that wanders through fevered visions, cryptic romance, and sonic folklore. Paul Reddick delivers raw roots poetry with cinematic depth, ideal for myth-laced narratives and character-driven storytelling.

Ideal Sync Uses

  • Drama: Emotional turning points, personal reckoning
  • Indie: Stylized character intros, poetic transitions
  • Mystery: Symbolic flashbacks, cryptic clues
  • Romance: Longing, memory, and quiet devotion
  • Art House: Experimental visuals, lyrical depth

Scene Suggestions

  • Opening credits with slow-motion visuals
  • Character walking through a dusty town at dusk
  • Flashback to a pivotal emotional moment
  • Closing scene with poetic voiceover

Why It Works

  • Male vocals offer grounded emotional resonance
  • Slow tempo supports reflective pacing
  • Blues genre suits Americana, indie, and mystery tones
  • Lyric themes of home, love, and struggle offer universal appeal
Track Narrative:
“The Ballad of Wishbone” walks the ghost line between dream and disaster. Crimson landscapes, smoky melodies, and existential fragments pour from Reddick’s tongue like gospel riddle. He’s “a wayfaring stranger never satisfied,” and this song reads like a whispered sermon from a traveling mystic.
Lyrics:
His rocky journey takes him cross rolling slanted days
Crimson and fragrant he carries them always
My mind is all sky he said and anywhere's my home
At dawn I'll cross that river there I can't linger long

He can't see what brought him here every shadow is a stream
With a knife in his dark mind she's carved upon his dreams
I travel without light he said this road is hard to see
The songs among the branches drawing close to me

He was a stranger here in deep dark air
Came in on the train of love
Straight out of nowhere
Straight out of nowhere

Oh love's the fire and sigh's the smoke he'll soon give up his trade
Don't talk everything he knows he is not afraid
I'll praise you if I can he said with one suspicious eye
You don't have to be so good I love your pretty lies

Ain't it fierce to be a beauty rich in ribbons and rings
He used to sing your glory sweet and pretty things
It's you it's you it's you he said oh tell me tell me why
I long so long I long for her across this life gone by

He was a stranger here in deep dark air
Came in on the train of love
Straight out of nowhere
Straight out of nowhere

He was gone and he was caught he tossed it all away
Thorns and briars they're all bad liars I thought I heard him say
These red hot wheels that burn he said make this old world ride

THE BATTLE NOT FORGOTTEN — Josh Friedman

The Battle Not Forgotten cover art

The Battle Not Forgotten
by Josh Friedman

An evocative acoustic guitar composition that feels both reflective and triumphant. “The Battle Not Forgotten” blends gentle phrasing with warm tonal clarity—moving gracefully from introspection to uplift. Perfect for emotional storytelling, personal victory, and historical reflection.

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OMR Cue Map

Track: The Battle Not Forgotten
Clean Intro: Yes (0:00 – immediate entry with cinematic, tension-driven tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with dramatic impact
Loopable: Moderate (evolving structure supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on memory, conflict, and legacy. Ideal for war themes, flashbacks, and emotional aftermath.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Battle Not Forgotten

Artist: Josh Friedman
Genre: Classical
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Atmospheric, Hopeful, Light, Minimal, Reflective, Uplifting, Warm
Tempo: Midtempo • BPM: 150 • Key: D Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A stirring solo guitar piece with elegant melodic phrasing and cinematic pacing. The track evokes quiet perseverance and renewal—warm yet dignified, perfect for narrative arcs of growth and memory.

Sync Highlights

  • Ideal for drama, reflective documentary, or historical storytelling
  • Subtle build evokes resilience and emotional clarity
  • Acoustic tone pairs well with nature, art, and memory visuals
  • Natural :15/:30/:60 edit points throughout recurring motifs

Sync Potential: The Battle Not Forgotten

Ideal for reflective, emotional sequences—suitable for dramas, memorial moments, or branded content seeking authenticity and hope through simplicity.

  • Personal victories and turning points
  • Memory montages and historical storytelling
  • Character reflection and emotional resolve scenes
Track Narrative:
“The Battle Not Forgotten” carries quiet strength—a melodic remembrance that speaks of struggle and renewal. Its warmth and pacing offer solace, resolution, and dignity in equal measure.
Instrumental:
Solo acoustic guitar (no vocals). Clean, dynamic master with long sustain and natural reverb—perfect for fades, crossfades, or emotional underscore.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist blending classical poise with cinematic warmth. Friedman’s pieces balance delicacy and gravity—perfect for reflective storytelling and emotionally resonant scenes.

Styles: Classical, Folk, Acoustic • Strengths: Emotional pacing, tone clarity, narrative flow • Typical Uses: Drama, Historical, Lifestyle, Premium brand campaigns

THE BEST THINGS — Mattie Leon

The Best Things cover art

The Best Things
by Mattie Leon

Passionate and uplifting — “The Best Things” rallies the hesitant heart with lyrics of resolve and radiant hope. Mattie Leon delivers a message of movement and courage in a world worn by doubt. Ideal for moments of transition, breakthrough scenes, or reels where light cuts through shadow.

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Track: The Best Things
Clean Intro: Yes (0:00 – immediate entry with warm, uplifting tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with positive lift
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Uplifting cue centered on gratitude, joy, and emotional connection. Ideal for feel-good storytelling and relational scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: The Best Things

Song Details

  • Key Signature: B Major
  • Beats Per Minute: 121
  • Energy: Midtempo
  • Genres: Folk, Indie, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Bright, Rhythmic, Upbeat
  • Lyric Themes: Adventure, Desire, Regret, Strength, Success
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Indie
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Production Details

  • Words & Music: Mattie Leon
  • Produced & Recorded by: Mattie Leon
  • Mixed by: Josh Bowman
  • Mastered by: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Best Things by Mattie Leon is a radiant indie-folk anthem that pulses with emotional clarity and melodic optimism. With rhythmic drive and heartfelt lyrics, it’s ideal for scenes of personal growth, youthful ambition, and the bittersweet pursuit of dreams.

Ideal Sync Uses

  • Coming-of-Age: Self-discovery, first steps toward independence
  • Drama: Emotional breakthroughs, quiet resilience
  • Indie Film: Character-driven montages, poetic transitions
  • Art House: Stylized visuals, introspective pacing

Scene Suggestions

  • Montage of a character chasing a dream
  • Flashback to a moment of regret or triumph
  • Slow-motion walk through a city at sunrise
  • Closing credits with a hopeful tone

Why It Works

  • Male vocals deliver sincerity and emotional depth
  • Uptempo rhythm energizes narrative flow
  • Folk-indie blend suits modern sync aesthetics
  • Lyric themes of desire and strength resonate universally
Track Narrative:
“The Best Things” is the sound of hesitation being dissolved. With bold, rhythmic storytelling and emotive vocals, Mattie Leon invites us to break patterns, face fears, and find what really matters—no fate, no luck, just hunger and heart.
Lyrics:
Oh to be bold
Never to hesitate
To live in the light
of every desire
you've been afraid to face

Ohh
You've gotta see the best things through
You've gotta see the best things through
You've gotta see the best things through

When you are torn
Stuck in a doubtful state
When you're too afraid to move
cause it's always been this way

Don't wait up too long for luck
Playing back a life you've wasted
Cause we're all tied up
in minutiae
with brilliant desires in view
see them through

I've been around
I know how regret can taste
But we sift the heavy heart
to find the gold in the remains

We're not written in the stars
We're not dealt our luck like cards at a table
There's a hunger in the heart
and that is your road

THE BOX — Elmer Ferrer

The Box cover art

The Box
by Elmer Ferrer

The Box moves with a contained but persistent tension, blending minimal percussion with dark ambient space and a steady rhythmic undercurrent. There is a sense of something unresolved inside the cue—measured, watchful, and quietly dramatic. Its restrained pulse and mysterious tone make it ideal for investigative scenes, psychological suspense, slow-burn reveals, or moments where a character edges closer to an unsettling truth.

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OMR Cue Map

Track: The Box
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: No, contained unresolved tail
Loopable: High
Best Loop Candidates: 0:32–1:04 / 1:04–1:36 / 1:20–1:52
Use Case: Contained tension cue for confined spaces, interrogation, secrecy, psychological pressure, restricted environments, and scenes where characters are boxed in physically or emotionally.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: The Box

Song Details

  • Energy: Medium / Driving
  • Genres: Ambient, Classical, Electronic
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 120
  • Moods: Atmospheric, Dark, Dramatic, Minimal, Moody, Mysterious, Reflective, Rhythmic, Tension
  • Cinematic Fit: Thriller, Mystery, Crime, Drama, Sci-Fi, Horror, Art House
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Percussion: Elmer Ferrer
  • Programming: Elmer Ferrer

Instrumentation

  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Box delivers a tightly controlled sense of suspense through minimal percussion, dark ambient space, and a quietly insistent pulse. It feels investigative, internal, and psychologically charged, making it ideal for scenes that need tension without overwhelming the dialogue or pacing.

Ideal Sync Uses

  • Thriller: Investigations, slow reveals, mounting unease
  • Mystery: Clue discovery, surveillance, psychological tension
  • Crime: Procedural moments, interrogations, case-building scenes
  • Drama: Quiet internal conflict, uneasy transitions
  • Sci-Fi / Horror: Controlled dread, sterile tension, ominous environments

Scene Suggestions

  • Character examining evidence late at night
  • Investigative montage with subtle narrative pressure
  • Slow approach toward a locked room, device, or secret object
  • Psychological confrontation where tension simmers beneath the surface

Why It Works

  • Minimal structure leaves room for dialogue and picture
  • Rhythmic tension creates forward motion without becoming action-driven
  • Dark, mysterious tone suits investigative and psychological storytelling
  • One-stop clearance makes it easy to place quickly
Track Narrative:
The Box feels like a sealed secret slowly pressing outward. Minimal percussion and dark ambient space create a measured, watchful tension, as though every small movement carries consequence. The cue never overstates itself; instead, it builds suspense through restraint, making it well suited for investigation, doubt, and the quiet dread of approaching an uncomfortable truth.

THE CHRISTMAS SONG — Samuel Williams

The Christmas Song cover art

The Christmas Song
by Samuel Williams

Cozy, jazzy, and timeless — “The Christmas Song” reimagines holiday warmth with soulful charm and fresh flair. Samuel Williams gives this seasonal classic a modern glow, perfect for fireside montage scenes, ad campaigns with nostalgic twist, or end-credit rollouts wrapped in vintage love.

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OMR Cue Map

Track: The Christmas Song
Clean Intro: Yes (0:00 – immediate entry with warm, festive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with classic holiday finish
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Classic holiday cue centered on warmth, nostalgia, and seasonal atmosphere. Ideal for Christmas scenes and festive storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: The Christmas Song

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 136
  • Energy: High
  • Genres: Electronic, Holiday, Jazz, Pop, Soul, Vintage
  • Vocals: Male Vocal
  • Moods: Atmospheric, Bright, Cool, Fun, Happy, Love, Nostalgic, Positive, Reflective, Upbeat, Uplifting
  • Lyric Themes: Christmas, Family, Time, Love, Celebration
  • Cinematic Fit: Fantasy, Romance
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Synth
  • Flute (Solo)
  • Organ (Solo)

Production Details

  • Traditional Song: Public Domain
  • Executive Producer: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording, Mixing & Mastering: Samuel Williams

Artists

  • Sax, Flute, EWI: Rob Christian
  • Keyboards, Talkbox: Jonathan Gateretse
  • Guitars: TJ Whitelaw
  • Drums: Otis Williams
  • Bass: Dwayne Wade
  • Piano, Keyboards, Percussion, Bass, Additional Guitars: Samuel Williams

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Christmas Song by Samuel Williams is a cozy, jazzy reimagining of a holiday classic, infused with soulful charm and modern flair. Its vintage textures and upbeat energy make it perfect for festive scenes that blend nostalgia with contemporary sparkle.

Ideal Sync Uses

  • Fantasy: Magical winter moments, whimsical transitions
  • Romance: Holiday dates, warm reunions, gift-giving scenes
  • Holiday Films: Fireside montages, family gatherings, snow day joy
  • Advertising: Seasonal campaigns with a retro-modern twist

Scene Suggestions

  • Opening credits with twinkling lights and snowfall
  • Slow-motion gift exchange or tree decorating
  • End credits with cozy visuals and heartfelt closure
  • Vintage-style commercial with warm family moments

Why It Works

  • Male vocals offer warmth and timeless appeal
  • High energy and uptempo rhythm elevate festive pacing
  • Jazz-pop-soul blend suits both classic and modern sync needs
  • Lyric themes of love, family, and celebration resonate universally
Track Narrative:
Samuel Williams breathes new soul into “The Christmas Song,” capturing candlelight nostalgia and festive radiance. With cozy jazz textures and heartfelt delivery, this rendition sparkles across generations. From chestnuts and sleigh bells to sweeping choruses, it’s tradition in motion.
Lyrics (Excerpt):
Do-do-do-do-do- do-do-be-be-be- be-be-be-be-be- be-be-be-be-be- be-be-be-be-be-
Chestnuts roasting on an open fire
Jack Frost nipping at your nose
Yuletide carols being sung from choir and foes
Dressed up like Eskimos
Everybody knows
Some turkey at a mistletoe
Helps to make the season bright
Tiny tots with their eyes all aglow
Will find it hard to sleep tonight
They know that Santa's on his way
He's loading lots of toys and goodies on his sleigh
And every mother's child is gonna spy to see
If reindeers really know how to fly
And so I'm offering this simple phrase
To kids from one to ninety-two
Although it's been said many times many ways
Merry Christmas to you
Diva, move it baby, love the bad, move it baby
And so I'm offering this simple phrase
To kids from one to ninety-two
Although it's been said many times, many ways
Every Christmas
I said Merry Christmas
Merry, merry, merry, merry Christmas
To you, to you, to you, to you, to you, to you, to you, to you
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
To you
Have a happy, happy new year
To you, to you and your family
Merry, merry Christmas
To you, to you, to you
Merry, merry Christmas

THE COMPASS ROSE — Kristin Sweetland

The Compass Rose cover art

The Compass Rose
by Kristin Sweetland

Lyrical and celestial — “The Compass Rose” charts a course through poetic longing and mystical navigation. Kristin Sweetland guides us with starlight, storm, and gentle resolve, crafting the sonic equivalent of a sacred map through emotion and elemental drift.

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OMR Cue Map

OMR Cue Map

Track: The Compass Rose
Clean Intro: Yes (0:00 – immediate entry with atmospheric, exploratory tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with ambient fade
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on direction, exploration, and journey. Ideal for travel visuals and narrative transitions.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: The Compass Rose

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 128
  • Energy: Mid Tempo
  • Genres: Country, Folk, Singer-Songwriter
  • Vocals: Female Vocal
  • Moods: Reflective, Sad
  • Lyric Themes: Home, Hope, Strength, Time, Unity
  • Cinematic Fit: Adventure, Art House, Drama, Fantasy, Mystery
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Accordion (Solo)

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed at: Casa Wroxton Studio, Toronto (2002)
  • Mastered at: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Vocals, Acoustic Guitar
  • Ken Whiteley: Classical Guitar
  • George Koller: Double Bass
  • Ben Grossman: Hurdy Gurdy

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Compass Rose by Kristin Sweetland is a lyrical and celestial ballad that charts emotional navigation through time, memory, and inner strength. With acoustic intimacy and mystical undertones, it’s a sonic map for scenes of reflection, longing, and quiet resilience.

Ideal Sync Uses

  • Drama: Emotional turning points, personal revelations
  • Fantasy: Mystical journeys, enchanted landscapes
  • Art House: Poetic visuals, introspective pacing
  • Mystery: Quiet unraveling, spiritual clues

Scene Suggestions

  • Character walking alone through a foggy forest
  • Flashback to a moment of loss or homecoming
  • Closing credits with a bittersweet tone
  • Slow-motion montage of emotional healing

Why It Works

  • Female vocals evoke vulnerability and grace
  • Midtempo rhythm supports reflective pacing
  • Acoustic instrumentation adds timeless warmth
  • Lyric themes of unity and hope resonate deeply
Track Narrative:
“The Compass Rose” unfolds like a psalm for wanderers. With sea imagery and celestial metaphor, Kristin Sweetland charts spiritual longing across night skies and wild winds. The chorus mantra “Go slow compass rose” anchors the journey through doubt, faith, and memory.
Lyrics:
O star in the sky
O star in the sky
Letting us know where we lie

O lamp in the night
O lamp in the night
Guide us with shimmering light

Burn with a fever
Like fire but sweeter
Until we are homeward again

Chorus:
Go slow compass rose
Only the road that we travel on knows
Roll with the valleys and sail with the sea
Always remember

O rose of the winds
O rose of the winds
Give us our bearings within

Carry us safely
With courage and bravery
So far away from our home

Chorus

O star in the sky
O star in the sky
Letting us know where we lie

Guide us ’till morning
Through calm and through storm
And until we are homeward again

Chorus

THE DAYS AND THE NIGHTS — Mattie Leon

The Days and The Nights cover art

The Days and the Nights
by Mattie Leon

Dreamy and bittersweet — “The Days and The Nights” explores solitude and memory through moody rhythms and lyrical introspection. Mattie Leon crafts a quiet ache that lingers like dusk, evoking warm rooms, blurred photos, and moments lost in time.

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OMR Cue Map

Track: The Days and the Nights
Clean Intro: Yes (0:00 – immediate entry with reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with soft emotional fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on time, memory, and emotional passage. Ideal for montage and introspective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: The Days and the Nights

Song Details

  • Key Signature: C# Major
  • Beats Per Minute: 101
  • Energy: Midtempo
  • Genres: Indie, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Fun, Happy, Positive, Quirky, Romantic, Upbeat, Uplifting
  • Lyric Themes: Heartbreak, Loneliness, Time
  • Cinematic Fit: Art House, Drama, Indie, Romance
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Production Details

  • Words & Music: Mattie Leon
  • Produced, Recorded & Mixed by: Mattie Leon
  • Mastered by: Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Days and the Nights by Mattie Leon is a radiant indie-rock track that captures the emotional highs and lows of love and time. With upbeat rhythms and heartfelt vocals, it’s ideal for scenes of youthful energy, romantic tension, and personal growth.

Ideal Sync Uses

  • Drama: Relationship arcs, emotional breakthroughs
  • Romance: First dates, bittersweet flashbacks
  • Indie Film: Character-driven montages, poetic transitions
  • Art House: Stylized visuals, introspective pacing

Scene Suggestions

  • Montage of a couple growing apart
  • Character walking through a city at night
  • Flashback to a pivotal emotional moment
  • Closing credits with a hopeful tone

Why It Works

  • Male vocals deliver sincerity and emotional depth
  • Midtempo rhythm supports narrative flow
  • Indie-rock blend suits modern sync aesthetics
  • Lyric themes of heartbreak and time resonate universally
Track Narrative:
“The Days and The Nights” navigates healing and heartbreak under city rain and moonlight. Mattie Leon’s tender vocals unravel longing and resilience, building a sonic bridge between solitude and reflection. With poetic vulnerability and nuanced storytelling, this track is quietly courageous.
Lyrics:
This city wakes up from a storm
like there's a good thing on the other end of a day being born
But it's hard to find a point of view
that doesn't point it's way to you
It's harder still to think it's true

Cause the day's and the night's are harder to forget when
The days and the nights are all we ever get to see
Oh loneliness is over me
Loneliness is over me

I walk myself out to the bridge
to fill my day with all these subtle things the two of us never did
Whatever keeps my mind from you
With all these days we're born to use
I'm bound to be alone a few

If you can find a place in your heart
to move on
Then I can find a place in my mind
to be fine
sometime

THE ETYMOLOGY OF OUCH — Rich Brown

The Etymology of Ouch cover art

The Etymology of Ouch
by Rich Brown

Percussive and cerebral — “The Etymology of Ouch” dives deep into sonic abstraction, weaving rhythmic tension with instrumental mastery. Rich Brown delivers a groove-saturated meditation on pain, origin, and motion. Ideal for choreography sequences, experimental documentaries, or avant-garde sync cuts.

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OMR Cue Map

OMR Cue Map

Track: The Etymology of Ouch
Clean Intro: Yes (0:00 – immediate entry with experimental, textural tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with abstract tonal decay
Loopable: Moderate–High (textural phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Experimental cue centered on texture, tension, and conceptual storytelling. Ideal for abstract or avant-garde visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: The Etymology of Ouch

Song Details

  • Key Signature: F Major
  • Beats Per Minute: 84
  • Energy: Medium
  • Genres: Horror, Jazz, Electronic, Pop
  • Vocals: Instrumental
  • Moods: Angry, Bright, Confident, Cool, Energetic, Fun, Happy, Party, Positive, Upbeat, Uplifting, Tension
  • Cinematic Fit: Crime, Drama, Horror, Mystery, Thriller, War
  • Type: One Stop

Instrumentation

  • Electric Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Piano
  • Alto Saxophone
  • Trumpet

Instrumental Solos

  • Bass
  • Drums
  • Piano
  • Saxophone

Production Details

  • Executive Producers: Ruchen Mahishmatish & Paul J. Youngman
  • Music Composition: Rich Brown
  • Recording: Jeremy Darby
  • Music Production: Rich Brown
  • Mixing & Mastering: Adam Tune

Artists

  • Electric Bass: Rich Brown
  • Alto Saxophone: Luis Deniz
  • Trumpet: Kevin Turcotte
  • Piano: Chris Donnelly
  • Drums: Larnell Lewis

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Etymology of Ouch is a genre-bending instrumental that fuses horror-jazz tension with electronic and pop textures. Its dynamic solos and cinematic moods make it perfect for high-stakes storytelling and stylized visuals.

Ideal Sync Uses

  • Thriller: Chase scenes, psychological suspense
  • Crime: Heist planning, interrogation sequences
  • Drama: Emotional breakdowns, inner turmoil
  • Horror: Stylized dread, surreal tension
  • War: Tactical build-ups, battlefield introspection

Scene Suggestions

  • Stylized montage of a character spiraling
  • Slow-motion action with rhythmic tension
  • Opening credits with noir-inspired visuals
  • Dark comedy sequence with ironic undertones

Why It Works

  • Instrumental format allows flexible sync placement
  • Jazz solos add sophistication and unpredictability
  • Horror undertones create emotional tension
  • Midtempo groove supports narrative pacing
Track Narrative:
“The Etymology of Ouch” builds groove into geometry — mapping out emotion with bass phrasing and sonic contour. Rich Brown frames dissonance and resonance as a kind of search for truth inside sound, wrapping abstract intellect in instrumental intuition.

THE FETED ONE — Thadeus Gonzalez

The Feted One cover

The Feted One
by Thadeus Gonzalez

Acoustic, urgent, and defiant, “The Feted One” rides an uptempo folk pulse with a clear, rallying vocal at its core. In D Major at 130 BPM, it balances minimal instrumentation with lyrical conviction—perfect for scenes of resolve, underdog grit, and public reckoning. Singer-songwriter intimacy with a rebellious spark makes it an easy fit for empowering arcs and montage builds.

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OMR Cue Map

Track: The F*ted One
Clean Intro: Yes (0:00 – immediate entry with aggressive, high-energy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with powerful finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-intensity cue centered on confrontation, chaos, and raw energy. Ideal for action-heavy and aggressive sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez blends raw rock intensity with songwriter clarity, translating power and vulnerability into sync-ready cuts. From full-band anthems to stripped acoustic drivers, his catalogue lands naturally under scenes of resolve, conflict, and triumph.

Touring experience, collaborations with notable producers, and a cinematic sensibility make Thadeus a go-to for editors seeking immediacy with narrative lift.

Sync Pitch Sheet: The Feted One

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 130
  • Energy: Upbeat / Driving (acoustic)
  • Genres: Folk, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Minimal, Positive, Reflective
  • Lyric Themes: Power, Rebellion, Strength, Struggle, Success
  • Type: One Stop

Production Details

  • Instrumentation: Acoustic Guitar (lead driver)
  • Tempo / Feel: Bright uptempo strum with propulsive cadence
  • Suggested Edits: 0:00–0:20 intro bed; 0:20–0:55 verse (build); 0:55–1:20 hook/chorus (strong edit point)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: The Feted One

Upbeat acoustic strum + assertive lyric = immediate editorial utility. “The Feted One” underscores determination and public conviction—ideal when a character steps up, pushes back, or claims the moment. Minimal arrangement leaves room for dialogue and SFX while keeping emotional propulsion.

Ideal Sync Uses

  • Underdog rise and rally speeches
  • Decision/commitment moments and walk-ups to the mic
  • Montages of training, organizing, or grassroots momentum
  • Feel-good ads that celebrate perseverance and community
  • End-credit lifts for indie dramas and docs

Why It Works

  • Editorial Space: Acoustic minimalism supports VO and dialogue.
  • Clear Hook: Lyrical stance gives editors obvious story beats.
  • Positive Momentum: D-major brightness + 130 BPM = forward motion.
  • One Stop Clearance: Streamlines licensing decisions.
Track Narrative:
A lean, fast-moving folk driver about standing tall when it counts. The lyric frames a public, against-the-wall moment that flips into courage and clarity—perfect for sequences where resolve hardens and a voice finds its crowd.
Lyrics:

You gonna be the one
whose back’s against the wall
determined not to crawl
You gonna be the one
who stands in front of a crowd
and tells them they're all wrong
Gonna be the one
sometimes

THE FIVE STEP — Josh Friedman

The Five Step cover art

The Five Step
by Josh Friedman

Fast, percussive acoustic guitar with a sly Latin undercurrent and playful quirks. Driving ostinatos and rhythmic taps create upbeat momentum with a hint of tension—great for clever builds, crafty transitions, and upbeat montage pacing.

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OMR Cue Map

Track: The Five Step
Clean Intro: Yes (0:00 – immediate entry with groove-driven tonal identity; no ramp required)
Edit Points: 0:24 / 0:48 / 1:12 / 1:36
Button Ending: Yes, resolved ending with rhythmic finish
Loopable: Very High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–1:12
Use Case: Groove-driven cue centered on motion, swagger, and stylized pacing. Ideal for montage and rhythmic editing. :contentReference[oaicite:0]{index=0}

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Five Step

Artist: Josh Friedman
Genre: Blues, Folk, Latin
Instruments: Acoustic guitar, Percussion
Lyric Themes: —
Mood: Driving, Minimal, Mysterious, Percussive, Positive, Quirky, Rhythmic, Tension, Upbeat, Uplifting
Tempo: Fast • BPM: 147 • Key: G Major
Vocal: Instrumental • Type: One Stop

Track Summary

A kinetic acoustic engine with fingerboard taps and hand percussion. Playful accents and sly turns keep the energy buoyant while a subtle edge of tension propels scenes forward.

Sync Highlights

  • Perfect for clever builds, reveals, and time-lapse assembly
  • Latin-tinged motion adds personality without crowding VO
  • Recurring motifs give natural :15/:30/:60 cut points
  • Works across lifestyle, DIY/maker, travel, and upbeat brand spots

Sync Potential: The Five Step

High-energy underscore for optimistic storytelling with a crafty twist—ideal for process, assembly, travel prep, and upbeat lifestyle segments.

  • Stop-motion builds and maker sequences
  • Product closeups with rhythmic cuts
  • Route reveals, map hops, and kinetic transitions
Track Narrative:
A nimble guitar motif darts and circles, nudged by tactile percussion. It smiles with momentum—curious, quick-witted, and ready to carry the cut to the next beat.
Instrumental:
Acoustic guitar with hand percussion (no vocals). Mix-ready master with crisp transients and tight decay for precision edits and energetic fades.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a rhythmic, cinematic touch. Friedman blends acoustic clarity with playful percussive details to deliver edit-smart cues that move.

Styles: Blues, Folk, Latin, Classical • Strengths: Percussive motion, clean cadences, VO-friendly mixes • Typical Uses: Lifestyle, DIY/Maker, Travel, Premium brand storytelling

THE FOX FIRES — Kristin Sweetland

The Fox Fires cover art

The Fox Fires
by Kristin Sweetland

Spellbinding and mystical — “The Fox Fires” invites listeners into a folklore dreamscape of nature, longing, and spiritual awakening. Kristin Sweetland paints each season with lyrical magic and atmospheric grace, perfect for fantasy reels, poetic dramas, or moody doc sequences.

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OMR Cue Map

Track: The Fox Fires
Clean Intro: Yes (0:00 – immediate entry with mystical, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Mystical cue centered on folklore, light, and natural wonder. Ideal for atmospheric storytelling and magical realism.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: The Fox Fires

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 83
  • Energy: Mid Tempo
  • Genres: Country, Folk
  • Vocals: Female Vocal
  • Moods: Romantic, Bright, Warm, Happy, Positive, Quirky, Reflective
  • Lyric Themes: Desire, Time, Longing, Love, Fear
  • Cinematic Fit: Art House, Drama, Fantasy, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Strings

Instrumental Solos

  • Banjo
  • Violin

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed at: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered at: Music Lane Mastering, Markham, Ontario
  • ©: Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Vocals, Banjo
  • Ken Whiteley: Acoustic Guitar
  • George Koller: Double Bass
  • Anne Lindsay: Fiddle
  • Suzie Vinnick: Harmony Vocals

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Fox Fires by Kristin Sweetland is a spellbinding folk-country ballad that evokes longing, magic, and emotional depth. With warm instrumentation and poetic vocals, it’s ideal for scenes of introspection, romance, and mystical transformation.

Ideal Sync Uses

  • Fantasy: Nature rituals, enchanted landscapes
  • Drama: Emotional turning points, quiet revelations
  • Mystery: Dream sequences, hidden truths
  • Art House: Poetic visuals, surreal transitions
  • Thriller: Atmospheric tension with emotional undertones

Scene Suggestions

  • Character walking through foggy woods at dawn
  • Flashback to a lost love or childhood memory
  • Opening credits with ethereal visuals
  • Montage of seasonal change and emotional growth

Why It Works

  • Female vocals add intimacy and lyrical grace
  • Banjo and violin solos evoke rustic charm and emotional nuance
  • Midtempo pacing supports reflective storytelling
  • Lyric themes resonate with universal human emotion
Track Narrative:
“The Fox Fires” is a seasonal spell—wrapped in pagan warmth, rustic longing, and lyrical mysticism. From woodsmoke and honeymead to storm clouds and prophecy, Kristin Sweetland tells a story of time and transformation. A sonic pilgrimage through spring, summer, winter, and soul.
Lyrics:
Dirt road mountain bride
Why so sad today
Did the cock not crow, the sun not shine
Did the birds all fly away

No, love, something is calling me
From far in the foxfire
Oh so haunting a melody
Sings in me of the wintertime

Ax chop, wood-smoke rise
Burn it hot and low
No man by your side
Could ever warm you so

Still, love, something is calling me
From far in the foxfire
Oh so haunting a melody
Sings in me of the springtime

Red bud, sweet desire
Venus and the bees
Warm bread baked in fire
And cups of honeymead

Still, love, something is calling me
From far in the foxfire
Oh so haunting a melody
Sings in me of the summertime

When will my heart make amends
Will all of the struggles end
When everything I dream about is mine
There’s a long row left to hoe
Plant a seed and let it grow
Everything is ready in its own sweet time

Rain rain, hurricane
The sky is falling down
Good god will, the crick don’t rise
Cause you’ll be leaving town

Oh, love, something has called my name
From far in the foxfire
I’ll leave, never to be the same
Till the end of my lifetime

THE GLASS BOAT — PheeLion

The Glass Boat cover art

The Glass Boat
by PheeLion

“The Glass Boat” merges cinematic tension and tribal pulse — a percussive voyage through shadow and reflection. Deep synth waves and world percussion steer the listener across mysterious waters, where light flickers between clarity and danger.

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OMR Cue Map

Track: The Glass Boat
Clean Intro: Yes (0:00 – immediate entry with delicate, reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (gentle phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Reflective cue centered on fragility, beauty, and quiet movement. Ideal for contemplative scenes and emotional stillness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Glass Boat

Artist: PheeLion
Genre: Electronic, Folk, World
Instruments: Percussion, Synth
Lyric Themes: —
Mood: Atmospheric, Dark, Dramatic, Minimal, Moody, Mysterious, Percussive, Rhythmic, Tension
Tempo: Fast • BPM: 110 • Key: G Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A cinematic blend of global percussion and brooding electronic texture. “The Glass Boat” navigates between rhythm and restraint — a journey through tension and shadow.

Sync Highlights

  • Ideal for thriller, mystery, and psychological tension scenes
  • Driving rhythm supports high-stakes or chase visuals
  • Perfect for travel, ritual, or dark discovery sequences
  • Built-in :15 / :30 / :60 edit points within rhythmic phrasing

Sync Potential: The Glass Boat

Designed for cinematic tension and stylish edge. Perfect for thrillers, high-end advertising, or global travel campaigns emphasizing mystery and motion.

  • Modern noir or tension-driven storytelling
  • Fashion or automotive spots with dark sophistication
  • Travel or discovery visuals with cinematic rhythm
Track Narrative:
The tide shimmers in glass; shadows break against rhythm. “The Glass Boat” sails through tension and beauty — a fragile voyage where every beat mirrors the unknown.
Instrumental:
Layered percussion and evolving synth textures create an intricate, percussive energy ideal for dramatic underscores, tension scenes, and world-electronic atmospheres.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production for alt and stripped-down rhythm stems.
PheeLion

PheeLion

PheeLion’s world-electronic compositions blend cinematic suspense and percussive drive. Her music thrives in the in-between — pulsing, mysterious, and alive with emotion.

Styles: Electronic, World, Folk • Strengths: Layered percussion, cinematic sound design, rhythmic storytelling • Typical Uses: Thriller and mystery cues, travel documentaries, fashion editorials

THE GREEN DOOR — The Green Door

The Green Door cover art

The Green Door
by The Green Door

“The Green Door” is a reflective, blues-tinged rock track built on memory, consequence, and the weight of irreversible moments. The Green Door blends warmth and melancholy with steady momentum, creating a piece that feels both grounded and haunted — ideal for scenes of reflection, loss, and emotional reckoning.

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OMR Cue Map

OMR Cue Map

Track: The Door
Clean Intro: Yes (0:00 – immediate entry with dark, atmospheric tonal identity; no ramp required)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:42 / 2:04 / 2:28 / 2:52 / 3:18 / 3:46 / 4:12 / 4:40
Button Ending: Yes, resolved ending with deep ambient decay
Loopable: Moderate–High (textural evolution supports editorial looping)
Best Loop Candidates: 0:40–1:20 / 1:42–2:28 / 2:52–3:46
Use Case: Cinematic, slow-burn cue centered on mystery, threshold moments, and psychological tension. Ideal for scenes involving discovery, transition, or crossing into the unknown. The track sits in that classic “what’s behind the door” tension space—controlled, immersive, and editorially flexible.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for rebellion, survival, confrontation, and emotional aftermath.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving reflection, consequence, emotional weight, and character-driven storytelling.

Sync Pitch Sheet: The Green Door

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 77
  • Energy: Moderate
  • Genres: Blues, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Positive, Retro, Warm, Reflective
  • Lyric Themes: Death, Pain, Regret, Struggle, Time
  • Cinematic Fit: Drama, Indie, Crime, Mystery
  • Type: One Stop

Instrumentation

  • Bass
  • Electric Guitar

Track Summary

The Green Door is a slow-burning, reflective rock track that centers on memory, irreversible action, and emotional consequence. Its steady pacing and lyrical weight make it ideal for scenes where the past is revisited, confronted, or carried forward.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Green Door is built for reflective narrative moments and emotional aftermath. Its steady, grounded tone and lyrical depth make it especially effective in scenes where characters revisit the past, process loss, or confront the consequences of their actions.

Ideal Sync Uses

  • Drama: Reflection, grief, consequence, emotional processing
  • Indie: Character-driven storytelling, introspection
  • Crime: Aftermath of events, regret, realization
  • Mystery: Slow reveal, emotional uncovering

Scene Suggestions

  • Character revisiting a place tied to a past event
  • Aftermath montage following a major turning point
  • Quiet realization scene where truth sets in
  • Closing sequence reflecting on irreversible choices

Why It Works

  • Measured pacing allows for dialogue and visual space
  • Emotionally grounded tone supports serious storytelling
  • Lyrical content aligns with consequence and reflection
  • Minimal instrumentation keeps the track intimate and focused
Stem Tracks:
Available upon request.
Track Narrative:
A passage through memory and consequence, “The Green Door” follows a moment that cannot be undone — where reflection becomes permanent and the past continues to echo forward.
Lyrics:
Silently we followed him slowly out the door
Never to return again for now or evermore

In the deadest of blackest night and the sky turned to grey
No one here would realize what happened there that day

As time would travel by slowly on our way
Forever to live the past and what it contains

The sky, the sky will not obey
Every day the blood is completely washed away
Forever, every day the blood is completely washed away

I'm asking what was said and what's okay
Prometheus, you understand my pain
Sometimes I wish I'd never been born at all
Forever I'm walking through the door

And the deadest of blackest night and the sky turned to grey
No one here would realize what happened there that day

As time would travel by slowly on our way
Forever to live the past and what it contains
Forever to live the past and what it contains

We know not what we do
Only what we've said and done
For my transgression, I'd rather walk on the surface of the sun

And they would follow him slowly out the door
Never to return again for now or evermore

THE HANDJOB — Dane Hartsell

The Handjob cover art

The Handjob
by Dane Hartsell

Funky and mischievous — “The Handjob” by Dane Hartsell is a rhythm-forward jam built on syncopated swagger, layered grooves, and eyebrow-raising wit. Perfect for cheeky montage scenes, gritty nightlife syncs, or dancefloor escapades that play with punch and playfulness.

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OMR Cue Map

Track: The Handjob
Clean Intro: Yes (0:00 – immediate entry with raw, edgy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Edgy cue centered on attitude, grit, and raw energy. Ideal for underground or provocative storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Guitarist • Producer

Dane Hartsell is a talented Canadian singer-songwriter, guitarist, and producer known for his soulful voice and emotive songwriting. His music blends elements of rock, pop, and blues, creating a unique sound that resonates with a wide audience.

Born and raised in Canada, Hartsell developed a passion for music at a young age. He began playing guitar in his early teens, inspired by a diverse range of artists and genres. His early exposure to music laid the foundation for his eclectic style and deep appreciation for musical storytelling.

Hartsell’s career took off with the release of his debut album, which showcased his ability to craft heartfelt lyrics and memorable melodies. His music quickly gained traction, earning him a dedicated fan base and critical acclaim. Known for his dynamic live performances, Hartsell has played at numerous venues and festivals, captivating audiences with his powerful voice and engaging stage presence.

Dane Hartsell continues to evolve as an artist, consistently pushing the boundaries of his musical abilities. His recent projects reflect his ongoing commitment to creating authentic and impactful music. With a growing discography and a reputation for excellence, Hartsell is poised to make a lasting impact on the music industry.

Sync Pitch Sheet: The Handjob

Song Details

  • Key Signature: D Minor
  • Beats Per Minute: 82
  • Energy: Moderate
  • Genres: Indie, Pop, Rock, Soul
  • Vocals: Male Vocal
  • Moods: Fun, Gritty, Retro, Rhythmic, Swagger, Upbeat, Uplifting
  • Lyric Themes: Fun, Connection, Power, Struggle, Energy
  • Cinematic Fit: Drama, Comedy
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Horns
  • Percussion
  • Synth

Production Details

  • Executive Producer: Dane Hartsell
  • Lyrics: Dane Hartsell, Jeff Dalziel
  • Music Composition: Dane Hartsell, Jeff Dalziel
  • Recording, Mixing & Production: Mike Langford
  • Mastering: Peter Letros

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Dane Hartsell
  • Bass Guitar: Dane Hartsell
  • Drums: Mike Langford

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Handjob by Dane Hartsell is a swagger-filled indie-soul track that blends retro grit with modern pop-rock energy. With punchy instrumentation and confident male vocals, it’s perfect for scenes that need attitude, humor, or emotional edge.

Ideal Sync Uses

  • Comedy: Bold character intros, awkward moments
  • Drama: Power struggles, personal breakthroughs
  • Indie Film: Stylized montages, ironic transitions

Scene Suggestions

  • Character strutting through a city with confidence
  • Slow-motion comedic reveal
  • Montage of rebellion or self-discovery
  • Retro party scene with ironic flair

Why It Works

  • Male vocals deliver swagger and emotional punch
  • Slow tempo adds groove and cinematic weight
  • Horns and synths create a retro-modern fusion
  • Lyric themes of power and connection suit bold storytelling
Track Narrative:
“The Handjob” spins groove into grin — Dane Hartsell infuses funk swagger with flirty edge, sculpting a track that dances on innuendo, bounce, and playful provocation. Built for stylish strut scenes and confident cuts.
Lyrics:
Hey Patrick, you know what my favorite dance is?
The hand job
Do the hand job
Do the hand job
Do the hand job
Do the hand job
Do the hand job
Do the hand job
Do the hand job
Take your hand down off your waist now
Pick it up and shake it right now
But you won't, but you won't say to me
You wanna, wanna do the handjob
(Do the handjob)
Do the handjob
(Do the handjob)
Do the handjob
(Do the handjob)
Do the handjob
(Do the handjob)
Get your back up off the wall now
And get your ass up off the ground
Oh, what you want, what you gonna say to me?
You're gonna wanna do the handjob (do the handjob)
Do the handjob (do the handjob)
Do the handjob (do the handjob)
Do the handjob (do the handjob)
I wanna shake it (hold it)
Take it, take it
I really wanna shake it (that's right)
Take it, take it
I wanna shake it (hold it)
Take it, take it, take it, take it
Come do the hand job (do the hand job)
Do the hand job (do the hand job)
Do the hand job
Do the hand job, do the hand job, do the hand job, do the hand job

THE HIDDEN LIFE OF TREES — The Free Spirits

The Hidden Life of Trees cover art

The Hidden Life of Trees
by The Free Spirits

Ambient, reflective, and ecologically rich — “The Hidden Life of Trees” translates the hush of leaves into soulful resonance. The Free Spirits channel forest intelligence into layers of musical empathy, invoking the mystery of mycorrhizal whispers and sunlit growth. Perfect for nature documentaries, poetic voiceovers, or meditative interludes that honor living landscapes.

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OMR Cue Map

OMR Cue Map

Track: The Hidden Life of Trees
Clean Intro: Yes (0:00 – immediate entry with organic, ambient tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with natural ambient fade
Loopable: Moderate–High (textural continuity supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Organic cue centered on nature, stillness, and interconnectedness. Ideal for environmental storytelling and reflective visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Indie Folk-Rock Collective• Composers • Evolutionary Sound

The Free Spirits are a Toronto-based indie folk-rock collective known for their uplifting harmonies, eclectic instrumentation, and soulful storytelling. Blending flute, electric guitar, vocals, and full-band arrangements, their sound is both earthy and expansive—rooted in compassion and community.

Led by Shari Tallon and featuring collaborators like Taylor Abrahamse and Chris Birkett, The Free Spirits have performed at venues across Ontario and Quebec, including Horseshoe Tavern, Docville Movie Set, and the Wintersong Music Festival. Their concerts are celebrations of joy, unity, and musical exploration.

Their album releases and video shoots—such as the Evolutionary Music Co-op New Year’s Eve performance—highlight their commitment to artistic growth and spiritual connection. With a growing catalog and vibrant live presence, The Free Spirits continue to inspire audiences across Canada.

The Free Spirits are a movement of music, heart, and healing.

Sync Pitch Sheet: The Hidden Life of Trees

Song Details

  • Key Signature: B Major
  • Beats Per Minute: 115
  • Energy: Medium
  • Genres: Rock, Indie, Pop, Singer-Songwriter
  • Vocals: Female Vocal
  • Moods: Atmospheric, Cool, Dreamy, Moody, Rhythmic
  • Lyric Themes: Nature, Connection, Family, Life, Time
  • Cinematic Fit: Crime, Drama, Mystery, Romance, Sports
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth
  • Instrumental Solos: Electric Guitar, Flute

Production Details

  • Written by: Chris Birkett & Shari Tallon
  • Producer & Arranger: Chris Birkett

Artists

  • Vocals: Chris Birkett, Shari Tallon
  • Guitars, Bass, Drums, Percussion, Keys, Horns: Chris Birkett
  • Piano, Organ, Flute, Tin Whistles: Shari Tallon

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Hidden Life of Trees by The Free Spirits is ambient, reflective, and ecologically rich—a sonic translation of forest intelligence into musical empathy. With dreamy textures and lyrical depth, it’s ideal for nature documentaries, poetic voiceovers, or meditative interludes that honor living landscapes.

Ideal Sync Uses

  • Drama: Emotional transitions, quiet revelations
  • Mystery: Symbolic clues, introspective pacing
  • Romance: Nature-bound connection, reflective moments
  • Sports: Slow-motion triumphs, personal growth
  • Crime: Stylized tension with organic undertones

Scene Suggestions

  • Character walking through a forest at dawn
  • Montage of seasonal change and emotional growth
  • Voiceover reflecting on life and connection
  • Closing credits with a meditative tone

Why It Works

  • Female vocals evoke warmth and lyrical grace
  • Flute and electric guitar solos add cinematic texture
  • Midtempo pacing supports reflective storytelling
  • Lyric themes resonate with universal human emotion and ecological awareness
Track Narrative:
“The Hidden Life of Trees” puts poetry to forest science, echoing themes of slow wisdom, mutual care, and time beyond the human scale. Its verses explore communication, protection, and rhythm in a living woodland. The Free Spirits root the experience in harmony and awe.
Lyrics:
The hidden life of trees
What are they here for?
The hidden life of trees
They talk to each other
Across the forest floor
Release the touch one another
Branches reach for the sky
Between heaven and earth
They live and they die
So much to learn from fear
Time moves real slow
They take time to grow
And I'm like us who fade away
For them a year is just another day
So much to learn from them
The hidden life of trees
What are they here for?
The hidden life of trees
They talk to each other across the forest floor
They made the air that we breathe
And they talk with the priests
Communicating with ease
Making scent with their leaves
The hidden life of trees
What are they here for?
The hidden life of trees
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Don't cut it down
In life of dreams
All of the seeds that have fallen
Only one becomes a new tree
In life of dreams
Respond to what's out there
They like to live in communities
In life of dreams
Scientists wonder
Do they have a brain like you and me
In life of dreams
Responding to danger
Protect each other like family
Across the forest floor
Across the forest floor

THE ICE PALACE — Kristin Sweetland

The Ice Palace cover art

The Ice Palace
by Kristin Sweetland

Shimmering and cinematic — “The Ice Palace” drifts through frozen dreamscapes with delicate precision. Kristin Sweetland sculpts this instrumental piece like crystal: fragile, bold, and glacially beautiful. Perfect for winter-themed montages, fantasy snow worlds, and meditative moments wrapped in frost.

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OMR Cue Map

OMR Cue Map

Track: The Ice Palace
Clean Intro: Yes (0:00 – immediate entry with crystalline, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with shimmering tonal decay
Loopable: Moderate–High (ambient phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on cold beauty, isolation, and visual elegance. Ideal for fantasy and atmospheric storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: The Ice Palace

Song Details

  • Key Signature: D Minor
  • Beats Per Minute: 65
  • Energy: Slow Tempo
  • Genres: Folk, World
  • Vocals: Instrumental
  • Moods: Atmospheric, Hopeful, Light, Minimal, Positive, Reflective, Uplifting
  • Cinematic Fit: Art House, Fantasy, Historical, Mystery, Romance, Sci-Fi, Thriller
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Keyboard
  • Strings
  • Instrumental Solos: Acoustic Guitar, Violin

Production Details

  • Composer: Kristin Sweetland
  • Produced/Engineered by: Chris Stringer
  • Recorded at: Union Sound Company
  • Mastered by: Jeff Elliot at Fedge Album Mastering
  • © 2024: Arbora Vita Music

Artists

  • Acoustic Guitar, Electric Guitar, Percussion, Vocals: Kristin Sweetland
  • Violin: Sahra Featherstone

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Ice Palace by Kristin Sweetland is a shimmering instrumental that evokes frozen dreamscapes and delicate emotional resonance. With its slow tempo and crystalline textures, it’s ideal for scenes that require quiet wonder, introspection, or ethereal beauty.

Ideal Sync Uses

  • Fantasy: Snow-covered realms, magical transitions
  • Art House: Visual poetry, symbolic solitude
  • Historical: Period drama with emotional restraint
  • Romance: Quiet intimacy, reflective longing
  • Sci-Fi: Futuristic serenity, alien landscapes
  • Thriller: Atmospheric tension, slow reveals

Scene Suggestions

  • Opening credits over a snowy landscape
  • Character walking alone through a winter forest
  • Flashback to a childhood memory
  • Slow-motion moment of emotional realization

Why It Works

  • Instrumental format allows flexible placement
  • Acoustic guitar and violin solos add cinematic elegance
  • Slow tempo supports meditative pacing
  • Mood palette suits a wide range of emotional tones
Track Narrative:
Like frost blooming across glass, “The Ice Palace” breathes elegance into every ambient moment. Kristin Sweetland builds sonic architecture that glows with tension and transcendence — music for memory, quiet grandeur, and wintry escape.

THE JOURNEY — Pat Carey

The Journey cover art

The Journey
by Pat Carey

Spirited and expansive — “The Journey” sweeps through jazz passages with grace, groove, and bold instrumentation. Pat Carey maps out movement, memory, and sonic architecture like a seasoned traveler guiding us through scenic rhythm. Ideal for road-movie scores, heartfelt ads, or dynamic title sequences that flow from thought to flight.

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OMR Cue Map

OMR Cue Map

Track: The Journey
Clean Intro: Yes (0:00 – immediate entry with melodic, uplifting tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with forward-moving lift
Loopable: Moderate–High (progressive phrasing supports editorial use)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Uplifting cue centered on movement, growth, and transition. Ideal for travel, montage, and transformation arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: The Journey

Song Details

  • Key Signature: C Minor
  • Beats Per Minute: 57
  • Energy: Slow Tempo
  • Genres: Blues, Jazz, Ambient, Singer-Songwriter
  • Vocals: Instrumental
  • Moods: Chill, Dramatic, Hopeful, Love, Reflective, Sad, Somber
  • Cinematic Fit: Art House, Drama, Fantasy, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Horns
  • Keyboard
  • Percussion
  • Piano
  • Saxophone
  • Instrumental Solos: Electric Guitar, Piano, Saxophone

Production Details

  • Produced by: Pat Carey & Steve Grisbrook
  • Recorded at: Iridescent Music Studio
  • Engineered & Mixed by: Steve Grisbrook
  • Mastered by: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Soprano, Tenor & Baritone Saxophones: Pat Carey
  • Guitar: Ted Quinlan
  • Bass: Garth Vogan
  • Piano: Jason Jestadt
  • Drums: Tom Jestadt

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Journey by Pat Carey is a soulful instrumental that moves with emotional gravity and cinematic grace. With its slow tempo and expressive saxophone, it’s ideal for scenes of introspection, transformation, or quiet resilience.

Ideal Sync Uses

  • Drama: Emotional turning points, character reflection
  • Mystery: Slow reveals, moody transitions
  • Romance: Tender moments, bittersweet memories
  • Fantasy: Dreamlike passages, surreal landscapes
  • Art House: Symbolic visuals, poetic pacing

Scene Suggestions

  • Character walking alone at night
  • Montage of personal growth or loss
  • Slow-motion flashback sequence
  • Closing credits with emotional weight

Why It Works

  • Instrumental format allows versatile placement
  • Saxophone solos evoke deep emotion and cinematic flair
  • Midtempo pacing supports reflective storytelling
  • Mood palette spans sorrow, hope, and quiet strength
Track Narrative:
A wide-open road of sound — “The Journey” travels with clarity and curiosity, using bold instrumental phrasing to trace emotional terrain. Pat Carey lets his horn do the talking, narrating scenes of departure, introspection, and arrival.

THE LAKESIDE STROLL — Rich Brown

The Lakeside Stroll cover art

The Lakeside Stroll
by Rich Brown

Breezy and buoyant — “The Lakeside Stroll” floats on melodic intuition and easy rhythm. Rich Brown channels peaceful contemplation through intricate bass phrasing and ambient charm. Perfect for tranquil interludes, scenic transitions, or anything that glides with soft soul and summer glow.

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OMR Cue Map

OMR Cue Map

Track: The Lakeside Stroll
Clean Intro: Yes (0:00 – immediate entry with relaxed, pastoral tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20
Button Ending: Yes, resolved ending with gentle tonal fade
Loopable: High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Relaxed cue centered on calm, environment, and everyday beauty. Ideal for lifestyle and scenic storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: The Lakeside Stroll

Song Details

  • Key Signature: F Major
  • Beats Per Minute: 110
  • Energy: Medium
  • Genres: Funk, Jazz
  • Vocals: Female Vocal
  • Moods: Romantic, Bright, Upbeat, Cool, Confident, Fun, Positive, Uplifting
  • Cinematic Fit: Action, Crime, Drama, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth
  • Instrumental Solos: Bass, Piano, Saxophone

Production Details

  • Executive Producer: Rich Brown
  • Music Composition & Production: Rich Brown
  • Recording: [Details not provided]
  • Mixing & Mastering: [Details not provided]

Artists

  • Electric Bass: Rich Brown
  • Alto Saxophone: Luis Deniz
  • Fender Rhodes: Robi Botos
  • Drums: Larnell Lewis

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Lakeside Stroll by Rich Brown is a groove-rich celebration of joy, movement, and connection. With funky basslines, jazzy solos, and radiant female vocals, it’s perfect for scenes that sparkle with energy, confidence, and good vibes.

Ideal Sync Uses

  • Action: Stylish entrances, playful chase scenes
  • Crime: Cool investigation montages, suave character intros
  • Drama: Lighthearted transitions, moments of celebration
  • Mystery: Quirky reveals, upbeat tension
  • Thriller: Funky interludes, unexpected twists

Scene Suggestions

  • Character walking confidently through a city
  • Montage of friends enjoying a summer day
  • Stylized party or rooftop gathering
  • End credits with a feel-good vibe

Why It Works

  • Female vocals add warmth and charisma
  • Funk and jazz blend creates rhythmic sophistication
  • Midtempo groove supports stylish pacing
  • Solos from bass, piano, and saxophone elevate cinematic flair
Track Narrative:
A musical exhale under open sky — “The Lakeside Stroll” invites gentle movement through harmonic stillness. Rich Brown sketches a sunlit moment with tone and rhythm, letting every note breathe like wind in reeds.

THE LIGHT AT THE END — Josh Friedman

The Light at the End cover art

The Light at the End
by Josh Friedman

A gentle and luminous acoustic instrumental that radiates calm optimism. “The Light at the End” glows with warmth and subtle motion—perfect for reflective storytelling, heartfelt transitions, or hopeful cinematic moments.

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OMR Cue Map

Track: The Light at the End
Clean Intro: Yes (0:00 – immediate entry with emotional, cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with uplifting resolution
Loopable: Moderate (evolving structure supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on hope, resolution, and emotional payoff. Ideal for final scenes and narrative closure.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Light at the End

Artist: Josh Friedman
Genre: Ambient, Classical
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Atmospheric, Hopeful, Light, Minimal, Reflective, Romantic, Warm
Tempo: Midtempo • BPM: 112 • Key: G Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A serene and heartfelt acoustic guitar piece with ambient classical tones. “The Light at the End” balances introspection and quiet optimism—ideal for transitions from uncertainty to clarity.

Sync Highlights

  • Gentle emotional lift for endings, revelations, or resolutions
  • Works beautifully under dialogue or narration
  • Warm tonal palette for lifestyle, drama, or romance
  • Natural :15/:30/:60 cut points via phrasing and repetition

Sync Potential: The Light at the End

A hopeful, reflective cue ideal for moments of realization or emotional renewal—perfect for film, episodic storytelling, or brand content with an inspiring throughline.

  • Closing montages and epilogue sequences
  • Emotional resolutions or reconciliations
  • Sunrise, light-through-window, or time-lapse visuals
Track Narrative:
“The Light at the End” glows softly, rising from shadow to clarity. Its melody breathes calm assurance and quiet perseverance—a soundtrack for hope restored.
Instrumental:
Solo acoustic guitar (no vocals). Smooth, luminous tone with natural sustain and ambient reverb—optimized for cinematic or emotional underscore.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

A classically rooted guitarist and composer, Josh Friedman crafts elegant, emotion-driven instrumentals with modern cinematic depth. His acoustic tone merges warmth, restraint, and human resonance.

Styles: Ambient, Classical, Folk • Strengths: Emotional restraint, tonal balance, edit-friendly phrasing • Typical Uses: Drama, Romance, Lifestyle, Brand film, Emotional storytelling

THE LILY — Josh Friedman

The Lily cover art

The Lily
by Josh Friedman

A tender and contemplative acoustic piece with graceful motion and quiet strength. “The Lily” feels like the calm center of an emotional arc—poised between melancholy and light, perfect for scenes of reflection, renewal, or unspoken connection.

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OMR Cue Map

Track: The Lily
Clean Intro: Yes (0:00 – immediate entry with delicate, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft ambient decay
Loopable: Moderate–High (textural continuity supports editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Delicate, atmospheric cue centered on purity, stillness, and visual elegance. Ideal for introspective scenes and emotionally quiet storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Lily

Artist: Josh Friedman
Genre: Blues, Folk
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Atmospheric, Dreamy, Hopeful, Light, Minimal, Positive, Reflective, Warm
Tempo: Midtempo • BPM: 96 • Key: A Minor
Vocal: Instrumental • Type: One Stop

Track Summary

Poised and tender, “The Lily” blossoms slowly with soft harmonic textures and emotional poise. Its subtle phrasing and ambient tone evoke grace and quiet beauty—perfect for scenes of renewal, longing, or emotional stillness.

Sync Highlights

  • Elegant cue for romance, reflection, or emotional pause
  • Minimal arrangement allows easy integration with VO
  • Acoustic intimacy pairs well with nature or portrait visuals
  • Natural :15/:30/:60 edit points through chord transitions

Sync Potential: The Lily

A graceful acoustic piece suited for emotional reflection, fine art visuals, or quiet cinematic moments. Works beautifully in period or lifestyle storytelling seeking warmth and restraint.

  • Character introspection or turning points
  • Romantic interludes or reconciliations
  • Nature, art, or slow-motion transitions
Track Narrative:
“The Lily” opens like a quiet breath—gentle, natural, and unhurried. Each phrase unfolds with human warmth, echoing moments of peace, tenderness, and graceful realization.
Instrumental:
Solo acoustic guitar (no vocals). Clean, expressive tone with soft dynamics—ideal for intimate or reflective scoring.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Classical guitarist and cinematic composer, Josh Friedman crafts emotive, finely textured instrumentals that speak with elegance and restraint. His work bridges traditional craft and modern emotional storytelling.

Styles: Ambient, Classical, Folk • Strengths: Tonal warmth, phrasing depth, minimal beauty • Typical Uses: Romance, Art film, Lifestyle, Emotional storytelling, Nature cues

THE MORE THEY TELL ME ABOUT YOU THE LESS I BELIEVE THEM

The More They Tell Me About You the Less I Believe Them cover art

The More They Tell Me About You the Less I Believe Them
by Radagast the Brown

“The More They Tell Me About You the Less I Believe Them” is a reflective ambient instrumental built on piano, strings, and synth. Its moody, dreamy atmosphere makes it ideal for scenes of doubt, emotional distance, and quiet observation where uncertainty becomes more powerful than certainty.

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OMR Cue Map

Track: The More They Tell Me About You the Less I Believe Them
Clean Intro: Yes (0:00 – immediate entry with tense, suspicious tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with lingering tonal unease
Loopable: Moderate (progressive phrasing supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Suspicion-driven cue centered on doubt, perception, and emotional contradiction. Ideal for scenes where trust erodes and subtext carries the tension.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: The More They Tell Me About You the Less I Believe Them

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 67
  • Energy: Low
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Dreamy, Moody, Reflective
  • Cinematic Fit: Drama, Indie, Art House, Mystery
  • Type: One Stop

Instrumentation

  • Piano
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“The More They Tell Me About You the Less I Believe Them” is built for scenes of quiet suspicion, emotional ambiguity, and internal distance. Its restrained ambient structure makes it especially effective when the scene needs contemplation, doubt, and a sense that the truth remains just out of reach.

Ideal Sync Uses

  • Drama: mistrust, distance, emotional uncertainty
  • Indie: introspection, relational ambiguity, quiet tension
  • Art House: mood-led reflection, suspended meaning
  • Mystery: doubt, hesitation, unresolved perception

Scene Suggestions

  • Reflective scene where a character doubts the story they have been given
  • Quiet montage shaped by emotional uncertainty
  • Moment of distance between two people where truth feels unstable
  • Slow transition where ambiguity matters more than resolution

Why It Works

  • Piano and strings add intimacy and emotional gravity
  • Slow pacing allows the scene to breathe and deepen
  • Ambient texture supports mood without pulling focus
  • Reflective tone makes it especially useful for doubt and interiority
Stem Tracks:
Available upon request.
Track Narrative:
“The More They Tell Me About You the Less I Believe Them” feels like watching certainty dissolve in real time. It carries restraint, doubt, and quiet emotional distance in a way that lets the scene stay unresolved and deeply human.

The Lucuma Connection — Tiffany Joy

The Lucuma Connection cover art

The Lucuma Connection
by Tiffany Joy

“The Lucuma Connection” is a sensual World-Pop groove that wraps longing, desire, and emotional tension into one hypnotic pulse. Tiffany Joy’s vocal glides between vulnerability and confidence, as the lyric wrestles with the risk of another heartache while craving the touch that makes it hard to breathe. Romantic, cool, and a little dangerous, it’s a late-night track built for heat, memory, and chemistry.

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OMR Cue Map

Track: The Lucuma Connection
Clean Intro: Yes (0:00 – immediate entry with warm, rhythmic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with smooth tonal finish
Loopable: Moderate–High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Warm, rhythm-driven cue centered on connection, culture, and movement. Ideal for travel, food, or lifestyle storytelling with a bright emotional tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Lucuma Connection

Song Profile

  • Key Signature: A Minor
  • BPM: 132
  • Tempo: Uptempo
  • Genres: World, Pop
  • Vocals: Female vocal
  • Mood/Feel: Romantic, Sad, Sexy, Confident, Cool
  • Lyric Themes: Heartbreak, Desire, Struggle, Longing, Love
  • Type: One stop

Instrumentation

  • Acoustic guitar
  • Percussion

Track Summary

“The Lucuma Connection” is a sultry, rhythmic World-Pop track that captures the rush of wanting someone you know could break your heart. Acoustic guitar and percussion create a warm, pulsing bed while Tiffany Joy’s vocal moves from tender confession to breathless urgency. The repeated “I can’t breathe” hook and the plea for “your love around” make it ideal for scenes where emotional stakes and physical chemistry collide.

Sync Highlights

  • Excellent for romantic tension, attraction, and will-they/won’t-they moments.
  • Fits late-night city drives, steamy encounters, and intimate dance scenes.
  • World-pop flavor adds sophistication for travel, lifestyle, and upscale settings.
  • Lyrics support storylines about risk, craving, and the fear of repeating past mistakes.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: The Lucuma Connection

With its sensual groove and emotionally charged lyric, “The Lucuma Connection” is tailor-made for romantic and character-driven storytelling. The contrast between “I don’t want another heartache” and the repeated need for “your love around” gives supervisors a powerful emotional arc to lean into, whether the scene is about giving in to desire or trying to pull away.

Scene Types

  • Slow-burn romantic tension in bars, lounges, or rooftop parties.
  • Intimate dance or bedroom scenes where chemistry is front and center.
  • After-the-fact reflection moments, missing someone once they leave.
  • Montages of long-distance love, airport goodbyes, or returns.

Film/TV Fit

  • Romance & Romantic Drama
  • Contemporary Series (relationship arcs)
  • Premium Cable / Streaming Dramas
  • Travel, Lifestyle, and Fashion-forward content

Why It Works

  • Combines modern pop accessibility with a global, world-inflected feel.
  • Hooks built around breath and absence (“I can’t breathe”) intensify emotional stakes.
  • Versatile lyric that plays for both early-spark attraction and post-breakup longing.
Track Narrative:
“The Lucuma Connection” traces the tug-of-war between self-protection and surrender. The narrator knows what another heartache could cost, yet the physical and emotional pull is undeniable. As the world feels empty when this person leaves, the repeated need for “your love around” turns the song into a breathless confession of dependence, desire, and the struggle to let go.

Lyrics: The Lucuma Connection

I don't wanna another heartache I don't want another mistake But this feeling I can't shake, oh how I want your love around For your touch is like a cool breeze, yeah, I love your kisses and the way you tease Oh baby, you know how to please, I'm hungry for your love around I tried to understand how your love had touched me Your feelings squeeze my hand and I can't breathe I can't breathe Oh yeah Ooh hey A whole new world I've found feels empty when you leave And I know I miss you so I can't breathe, I can't breathe so I don't want another heartache And I don't want another mistake But this feeling I can't shake, how I want your love around Oh how I need your love around Oh how I want your love around Oh how I need your love around Oh how I want your love around Oh how I need your love around Oh how I want your love around
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy merges polished pop production with the authenticity of a singer-songwriter soul. Her songs explore love, identity, and honest emotion — each performance tracing the human heart’s rhythm of loss and renewal.

With “The Lucuma Connection,” she leans into a sensual World-Pop palette, blending intimate vocals, acoustic textures, and hypnotic rhythm to soundtrack late-night moments and cinematic romance.

Styles: Pop, World, Singer/Songwriter • Strengths: Emotive vocals, dynamic range, lyrical clarity • Typical Uses: Drama, Romance, Character Arcs, Late-Night & Travel Sequences

The Lord Is My Shephard

The Lord Is My Shephard cover art

The Lord Is My Shephard
by Pheelion

Midtempo, faith-forward blend of singer-songwriter warmth and subtle electronic lift. Comforting, confident, and uplifting — ideal for reflective drama, hopeful resolution, and scenes of protection and grace. One-Stop at OMR.

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OMR Cue Map

Track: The Lord Is My Shepherd
Clean Intro: Yes (0:00 – immediate entry with spiritual, reverent tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with peaceful tonal fade
Loopable: Moderate–High (gentle phrasing supports editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Spiritual cue centered on comfort, faith, and emotional grounding. Ideal for reflective, sacred, or deeply personal moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion’s devotional writing and modern electronic textures deliver a calm, resolute glow — a sound crafted for scenes of protection, guidance, and hope-led endurance.

Sync Pitch Sheet: The Lord Is My Shephard

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 64
  • Energy: Midtempo (gentle)
  • Genres: Blues, Singer/Songwriter
  • Vocals: Female vocal
  • Moods: Bright, Confident, Minimal, Positive, Upbeat
  • Lyric Themes: Connection, Faith, Hope, Life, Strength
  • Type: One Stop

Instrumentation

  • Percussion
  • Synth

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Steady, reassuring momentum with an uplifting core — a natural fit for scenes of guidance, protection, and renewal: sunrise walks, homecoming resolutions, or restorative endings that promise safety and grace.

Scene Types

  • Reflective travel and homecoming
  • Moments of protection and comfort
  • Community unity and healing
  • End-of-episode hope and resolve

Film/TV Fit

  • Drama
  • Historical
  • Coming-of-Age
  • Indie

Why It Works

  • 64 BPM supports contemplative pacing
  • E Major brightness keeps tone hopeful
  • Minimal instrumentation leaves space for dialogue and picture
  • Faith/strength themes read universally on screen
Track Narrative:
A modern psalm in motion — gentle percussion and luminous synths frame words of protection and promise, guiding characters from shadow to safety with steadfast grace.
The Lord is my shepherd, Psalm 23. The Lord is my shepherd I shall not want. He makes me lie down in green pastures. He leads me beside quiet waters. He restores my soul. He guides me in the paths of righteousness for the sake of His name. Even though I walk through the valley of the shadow of death, I will fear no evil, for You are with me Your rod and Your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my head with oil my cup overflows. Surely goodness and mercy will follow me all the days of my life, and I will dwell in the house of the Lord forever.

Stem Tracks

Contact OMR for available stems and alternate mixes.

THE NEXT DAY — Justin Enco Band

The Next Day cover art

The Next Day
by Justin Enco Band

Emotional and introspective — “The Next Day” captures heartbreak through soft pop balladry and personal reflection. The Justin Enco Band weaves lyrical vulnerability into melodic resonance, crafting a mood that suits farewell scenes, solitary road trips, or any moment when feelings linger quietly after the storm.

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OMR Cue Map

OMR Cue Map

Track: The Next Day
Clean Intro: Yes (0:00 – immediate entry with reflective, forward-looking tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with gentle tonal lift
Loopable: Moderate–High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on aftermath, renewal, and moving forward. Ideal for transitions out of conflict into a new emotional phase.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: The Next Day

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 136
  • Energy: Fast Tempo
  • Genres: Folk, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Hopeful, Positive, Reflective, Upbeat, Uplifting
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Indie, Mystery, Romance, Thriller
  • Type: One Stop
  • Reminiscent of: Elliott Smith, Nick Drake

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Synth
  • Instrumental Solos: Bass, Piano, Saxophone

Production Details

  • Lyrics: Justin Enco
  • Recorded & Mixed at: Purgatory Recording Studio, Sunrise, FL
  • Engineered & Mixed by: Michael Waxman
  • Mastered by: Javier Carrion at Heavy Air Studio, Miami, FL

Artists

  • Vocals, Acoustic Guitars: Justin Enco
  • Keyboards: Michael Waxman
  • Electric & Acoustic Guitars: Dan Warner
  • Bass Guitar: Javier Carrion
  • Drums: David Nizri

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Next Day by Justin Enco Band is a radiant, uptempo anthem of renewal and emotional clarity. With heartfelt male vocals and a driving folk-rock arrangement, it’s perfect for scenes that celebrate personal growth, romantic optimism, or the quiet triumph of moving forward.

Ideal Sync Uses

  • Coming-of-Age: Graduation, self-discovery, new beginnings
  • Drama: Emotional breakthroughs, hopeful transitions
  • Romance: First dates, reconciliations, sunrise moments
  • Indie: Stylized montages, introspective pacing
  • Mystery/Thriller: Reflective interludes, character depth

Scene Suggestions

  • Character waking up to a new chapter in life
  • Road trip montage with emotional undertones
  • Voiceover reflecting on love and success
  • Closing credits with a sense of hope

Why It Works

  • Male vocals deliver sincerity and emotional resonance
  • Uptempo pacing energizes reflective storytelling
  • Lyric themes of love and success are universally relatable
  • Folk-rock instrumentation suits both indie and mainstream formats
Track Narrative:
“The Next Day” is a personal unraveling — from emotional setbacks to self-awareness in the aftermath of heartbreak. Echoing melancholy through pop confessionals, Justin Enco Band turns vulnerability into melody.
Lyrics:
The next day couldn't help but notice
You're standing there alone
Times are tough right now
I know my ears will listen for a while
Feeling strange, I'm on my own
Nowhere to turn, nowhere to go
Can you help me escape this life?
But if you were to show me your way
I know my youthfulness would stay
And when you open up your arms I give in
'Cause you're my alcohol
I've been drinking, I've been thinking
All I know is that I'm sinking
I've been drinking, I've been thinking
All I know is that I'm sinking in love
Love of the next day
Love of the next day
So you'll spend the night with him
Hurt me some more
I'll get the shape I'm in
I know you mean not what you do
So give me a chance and I'll succeed
I'll play the role in your philosophy
Why can't I get you in this time?
But should I go and leave this place
Would it be a condemned embrace
When you open up your arms again
'Cause you're my alcohol
I've been drinking, I've been thinking
And all I know is that I am sinking
I've been drinking, I've been thinking
All I know is that I am sinking
No, on the next day
No, on the next day
The next day, the next day
The next day, couldn't help but notice
You're standing there all alone
Times are tough right now
I know my ears will listen for a while

THE OTHER MAN — Paul Reddick

The Other Man cover art

The Other Man
by Paul Reddick

Brooding and mythic — “The Other Man” prowls through outlaw longing, shadow narrative, and poetic menace. Paul Reddick delivers lyrical grit soaked in sonic tension, perfect for neo-noir montages, antihero arcs, or desert intros built on voice and blues.

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OMR Cue Map

OMR Cue Map

Track: The Other Man
Clean Intro: Yes (0:00 – immediate entry with roots-driven, narrative tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded emotional finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Narrative-driven cue centered on jealousy, conflict, and relational tension. Ideal for grounded drama and character-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: The Other Man

Song Details

  • Key Signature: A Minor
  • Beats Per Minute: 125
  • Energy: Mid-tempo
  • Genres: Blues, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Hopeful, Positive, Reflective, Retro, Romantic, Upbeat, Warm
  • Lyric Themes: Betrayal, Connection, Desire, Identity, Relationship
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Production & Artist Info

Available upon request

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Other Man by Paul Reddick is a swaggering blues-punk confession that pulses with emotional grit and retro charm. With raw vocals and rhythmic drive, it’s perfect for scenes of romantic tension, identity crisis, or stylish rebellion.

Ideal Sync Uses

  • Drama: Relationship breakdowns, personal reckoning
  • Romance: Love triangles, emotional flashbacks
  • Crime: Noir-inspired tension, betrayal reveals
  • Coming-of-Age: Self-discovery, rebellion arcs
  • Art House: Stylized visuals, poetic introspection

Scene Suggestions

  • Character walking away from a complicated love
  • Montage of emotional unraveling
  • Slow-motion confrontation in a smoky bar
  • Closing credits with a bittersweet tone

Why It Works

  • Male vocals deliver raw emotional intensity
  • Mid-tempo pacing supports dramatic storytelling
  • Blues-punk-rock fusion suits edgy and emotional syncs
  • Lyric themes of identity and betrayal resonate deeply
Track Narrative:
“The Other Man” haunts the outskirts — cryptic, romantic, and rough-edged. Reddick’s gritty blues delivery channels a ghost lover, an outlaw poet, and a wandering soul. With lyrics like “Bloodstained bandits on the run,” this is love from the dark side.
Lyrics:
In that steely stainless night I do the best I can
I remain just out of sight I am the other man
Kiss me Ruby on the mouth lets get it while we can
We will tear up north and south I am the other man
I am the other man
I am the other man

Bloodstained bandits on the run I shake them by the hand
Honey baby you can have your fun I am the other man
Wake up Ruby in your bed a wishbone in your hand
Remember darlin what you said I am the other man
I am the other man
I am the other man

Some of these places they don't exist they're slippin in the sand
That represent
I am the other man
I am the other man
I am the other man

Gotta take it day by day in the blue lit promised land
The price is never mine to pay I am the other man
I am the other man
I am the other man
I am I am the other man
I am the other man

The Plan

The Plan cover art

The Plan
by Elmer Ferrer

“The Plan” is a cool, rhythmic electronic-reggae instrumental in A Major at 60 BPM. Built from bass, drums, percussion, and synth, it carries a dark, moody, atmospheric feel with steady forward motion — ideal for strategy, preparation, surveillance, controlled movement, and scenes where something deliberate is being set in motion.

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OMR Cue Map

OMR Cue Map

Track: The Plan
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, rhythmic continuation tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00
Use Case: Cool strategic cue for planning, setup, surveillance, controlled movement, quiet confidence, and scenes where a calculated sequence is unfolding.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: The Plan

Song Profile

  • Genres: Electronic, Reggae
  • Key Signature: A Major
  • BPM: 60
  • Tempo: Uptempo feel / half-time pulse
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Moody, Rhythmic
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“The Plan” is an electronic-reggae instrumental in A Major at 60 BPM, with a cool rhythmic pulse and dark atmospheric undertone. Its bass, drums, percussion, and synth create a steady sense of preparation, movement, and controlled confidence.

Sync Highlights

  • Rhythmic reggae/electronic feel supports movement without overpowering dialogue.
  • A Major tonality gives the track clarity while retaining a cool, moody edge.
  • Strong fit for planning, surveillance, setup, and controlled momentum scenes.
  • Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“The Plan” by Elmer Ferrer works especially well for scenes built around strategy and controlled movement. Its electronic-reggae rhythm gives it a cool, composed energy, making it useful under heist preparation, quiet surveillance, tactical montage, urban movement, or any scene where the audience senses that a plan is already in motion.

Scene Types

  • Heist planning and preparation
  • Surveillance or quiet pursuit
  • Urban movement and tactical montage
  • Cool character confidence
  • Scenes where strategy unfolds without dialogue-heavy explanation
Track Narrative:
“The Plan” feels like the moment before action — not frantic, but calculated. Its bass and percussion suggest movement already underway, while the darker electronic atmosphere keeps the scene cool, contained, and purposeful. The cue supports characters who are not improvising; they know where they are going.
Instrumental Notes:
Electronic-reggae instrumental in A Major at 60 BPM, built from bass, drums, percussion, and synth. Designed for strategy, preparation, surveillance, cool movement, and rhythm-driven dramatic pacing.

Stem Tracks

Stem availability can be confirmed upon request.

THE POWER OF OUR LOVE — The Free Spirits

The Power of Our Love cover art

The Power of Our Love
by The Free Spirits

Uplifting and cosmic — “The Power of Our Love” channels the energetic magic of soul connection, positivity, and hope. The Free Spirits deliver a spiritual anthem that lifts and lingers, woven for scenes of emotional triumph, sunrise rituals, or heartfelt declarations that glow from within.

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OMR Cue Map

Track: The Power of Our Love
Clean Intro: Yes (0:00 – immediate entry with warm, uplifting tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (consistent phrasing supports editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Uplifting romantic cue centered on connection, affirmation, and emotional strength. Ideal for relationship storytelling and heartfelt moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Indie Folk-Rock Collective• Composers • Evolutionary Sound

The Free Spirits are a Toronto-based indie folk-rock collective known for their uplifting harmonies, eclectic instrumentation, and soulful storytelling. Blending flute, electric guitar, vocals, and full-band arrangements, their sound is both earthy and expansive—rooted in compassion and community.

Led by Shari Tallon and featuring collaborators like Taylor Abrahamse and Chris Birkett, The Free Spirits have performed at venues across Ontario and Quebec, including Horseshoe Tavern, Docville Movie Set, and the Wintersong Music Festival. Their concerts are celebrations of joy, unity, and musical exploration.

Their album releases and video shoots—such as the Evolutionary Music Co-op New Year’s Eve performance—highlight their commitment to artistic growth and spiritual connection. With a growing catalog and vibrant live presence, The Free Spirits continue to inspire audiences across Canada.

The Free Spirits are a movement of music, heart, and healing.

Sync Pitch Sheet: The Power of Our Love

Song Details

  • Key Signature: A Major
  • Beats Per Minute: 118
  • Energy: Medium
  • Genres: Party, Electronic, Folk, Indie, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Angry, Bright, Upbeat, Moody, Rhythmic, Tension
  • Lyric Themes: Freedom, Power, Love
  • Cinematic Fit: Crime, Drama, Horror, Sports, Video Game
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar (solo)
  • Percussion
  • Piano, Keys, Organ
  • Horns, Flute, Tin Whistles

Production & Artist Info

  • Writers: Chris Birkett & Shari Tallon
  • Producer/Arranger: Chris Birkett
  • Vocals: Chris Birkett, Shari Tallon
  • Instrumentation: All performed by Chris Birkett & Shari Tallon

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Power of Our Love by The Free Spirits is a bold, rhythmic anthem that channels emotional tension and raw energy into a cinematic pulse. With electric guitar solos and layered instrumentation, it’s tailor-made for high-stakes scenes and dramatic arcs.

Ideal Sync Uses

  • Crime: Power struggles, betrayal reveals
  • Drama: Emotional confrontations, inner turmoil
  • Sports: Training montages, victory moments
  • Video Game: Character intros, boss battles
  • Horror: Rising tension, psychological suspense

Scene Suggestions

  • Slow-motion walk into a showdown
  • Montage of resistance and rebellion
  • Emotional flashback with rhythmic drive
  • End-credit roll with a sense of triumph

Why It Works

  • Male vocals deliver emotional grit and urgency
  • Electric guitar solos add cinematic flair
  • Uptempo pacing energizes dramatic sequences
  • Lyric themes of love and power resonate across genres
Track Narrative:
“The Power of Our Love” radiates idealism, unity, and emotional truth. Through metaphysical imagery like “a hole in the universe,” The Free Spirits bridge spiritual longing and romantic devotion. It’s an anthem for empathy and resonance.
Lyrics:
When I touch you
I can feel your spirit fly
When you're near me
Feels like we're in the sky
I never thought that
I could feel this way about life
Even though we're
Living in deception
We continue
To be free
Our vibration
All the world could feel
The power of our love will open up a hole in the universe
The power of our love will open up a hole in the sky, yeah

Wish that people
Could feel what we are feeling
Then the world would
Be a better place
Take the sadness
And throw it in the river
And the river will wash your tears away

The power of our love will open up a hole in the universe
The power of our love will open up a hole in the sky
The power of our love will open up a hole in the universe
The power of our love will open up a hole in the sky

I never thought about the question
Why does love have to be defined
While I am searching for the answers
Love catches me every time

The power of our love will open up a hole in the universe
The power of our love will open up a hole in the sky
We are climbers, we're climbing to the stars
The power of our love will open up a hole in the universe
The power of our love will open up a hole in the sky
The power of our love will open up a hole in the universe
The power of our love will open up a hole in the sky

THE PURPLE TIME — Rich Brown

The Purple Time cover art

The Purple Time
by Rich Brown

Moody and atmospheric — “The Purple Time” moves through soft dissonance and temporal groove. Rich Brown offers an instrumental meditation that drifts and deepens with every phrase, perfect for noir moments, reflective interludes, or rhythmic montages that call for elegant emotional sway.

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OMR Cue Map

OMR Cue Map

Track: The Purple Time
Clean Intro: Yes (0:00 – immediate entry with atmospheric, reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with ambient tonal fade
Loopable: Moderate–High (textural phrasing supports seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on mood, color, and introspective calm. Ideal for contemplative visuals and poetic storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: The Purple Time

Song Details

  • Key Signature: F# Minor
  • Beats Per Minute: 82
  • Energy: Medium
  • Genres: Funk, Jazz
  • Vocals: Instrumental
  • Moods: Confident, Cool, Reflective, Somber, Sad
  • Cinematic Fit: Drama, Mystery
  • Type: One Stop

Instrumentation

  • Electric Bass
  • Drums
  • Piano
  • Saxophone
  • Trumpet
  • Horns
  • Percussion
  • Synth

Instrumental Solos

  • Drums
  • Piano
  • Saxophone

Production & Artist Info

  • Executive Producer: Rich Brown
  • Music Composition: Rich Brown
  • Recording & Production: Rich Brown
  • Mixing & Mastering: Available upon request
  • Artists:
    • Electric Bass: Rich Brown
    • Alto Saxophone: Luis Deniz
    • Piano: Robi Botos
    • Drums: Larnell Lewis

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Purple Time by Rich Brown is a moody, groove-driven instrumental that blends jazz sophistication with funk swagger. With expressive solos and a somber undertone, it’s ideal for introspective drama and shadowy mystery sequences.

Ideal Sync Uses

  • Drama: Emotional reflection, character solitude
  • Mystery: Noir-inspired tension, investigative montages
  • Art House: Stylized visuals, poetic introspection
  • Urban Scenes: Late-night cityscapes, jazz club ambiance

Scene Suggestions

  • Slow pan across a rain-soaked street
  • Character lost in thought at a bar
  • Montage of unresolved clues and quiet tension
  • Closing credits with a reflective tone

Why It Works

  • Instrumental format allows flexible placement
  • Midtempo groove supports emotional pacing
  • Jazz-funk fusion adds sophistication and edge
  • Solos offer cinematic moments of musical expression
Track Narrative:
“The Purple Time” lingers like memory’s shadow. Rich Brown guides the listener through a temporal flow that dissolves into breath and movement. A groove-soaked soundtrack for slow transitions and cinematic grace.

THE QUESTION — Purple Fox & the Heebie Jeebies

The Question cover art

The Question
by Purple Fox & the Heebie Jeebies

A playful blues-folk riddle set to a foot-tapping acoustic groove. “The Question” blends wit, rhythm, and a singable hook that charms kids and adults alike — perfect for quirky interludes, family content, or clever transitions in film and TV.

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OMR Cue Map

Track: Theque 1
Clean Intro: Yes (0:00 – immediate entry with abstract, groove-forward tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with controlled tonal finish
Loopable: High (tight rhythmic structure supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Abstract cue centered on rhythm, texture, and movement. Ideal for stylized sequences and modern visual pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Question

Artist: Purple Fox & the Heebie Jeebies
Genre: Blues, Folk, Singer/Songwriter
Instruments: Acoustic Guitar
Lyric Themes: Fun
Mood: Bright, Building, Cool, Dark, Driving, Energetic, Fun, Happy, Light, Playful, Positive, Quirky, Retro, Upbeat, Uplifting
Tempo: Midtempo • BPM: 101 • Key: D Major
Vocal: Female vocal • Type: One Stop

Track Summary

“The Question” delivers a clever lyrical twist in a stripped-down, acoustic blues setting. It’s simple, witty, and perfectly timed for light, comedic, or interstitial moments.

Sync Highlights

  • Ideal for quirky TV segments or animated riddles
  • Great for family-friendly puzzles or learning shows
  • Flexible for short scene transitions and title cards

Sync Potential: The Question

This fun, acoustic track fits perfectly into educational, whimsical, or humor-driven scenes. Works especially well in children’s programming, podcasts, or playful brand spots.

  • Comedy interludes and riddle reveals
  • Children’s educational content
  • Light brand cues with curiosity or humor
Track Narrative:
“The Question” is a witty little puzzle with an answer that hits just right. A doorbell riddle wrapped in acoustic swing, it brings curiosity and charm to every cue.
Lyrics: What never asks a question But often gives answers A door bell.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul and folk-inspired group known for playful, imaginative storytelling through music. Their blend of humor, groove, and lyrical wit has made them a family favorite in both live performance and sync.

Styles: Funk, Folk, Blues • Strengths: Humor, acoustic energy, and rhythmic playfulness • Typical Uses: Kids’ programming, witty interludes, and family entertainment branding

THE RABBIT — Elmer Ferrer

The Rabbit cover art

The Rabbit
by Elmer Ferrer

The Rabbit bursts forward with playful energy and rhythmic drive. Built around lively percussion and vibrant synth textures, the cue blends world influences with modern electronic groove. Its quirky, upbeat character makes it perfect for stylized montages, clever comedic pacing, or fast-moving sequences where curiosity, discovery, and movement shape the narrative. The track carries both mystery and fun, making it a versatile cue for energetic storytelling.

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OMR Cue Map

Track: The Rabbit
Clean Intro: Yes (0:00)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: No, playful unresolved tail
Loopable: High
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:10–1:38
Use Case: Light, agile cue for quick movement, curiosity, playful tension, sneaky action, and scenes where something small, clever, or unpredictable is constantly in motion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending world influences with contemporary cinematic composition.

His music spans blues, rock, world, and cinematic scoring, with a style that balances rhythmic energy and emotional storytelling. Ferrer’s work has appeared across hundreds of recordings and film projects.

He has earned Latin Grammy nominations and a Goya Award for Best Score, establishing his reputation as a versatile composer capable of shaping music for both stage and screen.

Sync Pitch Sheet: The Rabbit

Song Details

  • Energy: High / Playful
  • Genres: Electronic, World
  • Vocals: Instrumental
  • Key: C Major
  • BPM: 120
  • Moods: Bright, Catchy, Cool, Fun, Happy, Mysterious, Percussive, Playful, Quirky, Rhythmic, Upbeat, Uplifting
  • Cinematic Fit: Comedy, Adventure, Family-style storytelling, Light Action
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Rabbit blends rhythmic energy with playful curiosity. Its upbeat percussion and quirky momentum make it an excellent cue for sequences driven by movement, clever editing, or humorous pacing.

Ideal Sync Uses

  • Comedy: quirky character-driven moments
  • Adventure: energetic exploration scenes
  • Travel: discovery and playful movement sequences
  • Light Action: stylized fast-paced montage

Scene Suggestions

  • Character rushing through a chaotic or humorous situation
  • Montage of exploration or discovery
  • Playful chase or fast-paced comedic scene
  • Stylized montage driven by rhythm and movement
Track Narrative:
The Rabbit moves with curious energy and playful momentum. The cue captures the feeling of chasing something just out of reach—part mystery, part excitement, and entirely driven by motion. It thrives in scenes where movement, discovery, and rhythm keep the story alive.

THE SAND PIPER — Kristin Sweetland

The Sand Piper cover art

The Sandpiper
by Kristin Sweetland

Ethereal and cinematic — “The Sand Piper” glides across sound and shore with gentle rhythm and spectral resonance. Kristin Sweetland captures the spirit of coastal solitude in this instrumental reverie, ideal for nature-inspired film scenes, introspective transitions, or moments of quiet contemplation.

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OMR Cue Map

Track: The Sand Piper
Clean Intro: Yes (0:00 – immediate entry with delicate, coastal tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft ambient fade
Loopable: Moderate–High (gentle phrasing supports seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Light, atmospheric cue centered on nature, stillness, and coastal imagery. Ideal for reflective outdoor scenes and quiet emotional beats.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: The Sandpiper

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 104
  • Energy: Mid Tempo
  • Genres: World
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Uplifting, Warm, Hopeful, Light, Minimal, Positive, Reflective
  • Cinematic Fit: Adventure, Art House, Drama, Fantasy, Historical, Indie, Mystery, Romance, Sci-Fi, Thriller
  • Type: One Stop

Instrumentation

  • Keyboard
  • Strings
  • Acoustic Guitar
  • Electric Guitar
  • Alto Recorder
  • Button Accordion
  • Cello
  • Other Winds

Instrumental Solos

  • Acoustic Guitar
  • Other Winds

Production & Artist Info

  • Composer: Kristin Sweetland
  • Produced/Engineered by: Chris Stringer
  • Recorded at: Union Sound Company
  • Mastered by: Jeff Elliot at Fedge Album Mastering
  • © 2024: Arbora Vita Music
  • Artists:
    • Acoustic/Electric Guitar, Alto Recorder, Button Accordion: Kristin Sweetland
    • Cello: Felix Deak

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Sandpiper by Kristin Sweetland is a gentle, cinematic instrumental that evokes warmth, wonder, and emotional uplift. With delicate acoustic textures and windswept melodies, it’s ideal for scenes of romantic discovery, mystical landscapes, or poetic introspection.

Ideal Sync Uses

  • Romance: Serene moments, emotional awakenings
  • Fantasy: Magical transitions, nature-based enchantment
  • Drama: Reflective solitude, healing arcs
  • Historical: Period scenes with pastoral beauty
  • Indie: Artful visuals, character-driven storytelling

Scene Suggestions

  • Sunrise walk along the shore
  • Character gazing out over a quiet field
  • Montage of emotional recovery
  • Closing credits with a sense of peace

Why It Works

  • Instrumental format allows flexible placement
  • Midtempo pacing supports emotional flow
  • World genre adds timeless, cross-cultural appeal
  • Acoustic and wind solos offer cinematic intimacy
Track Narrative:
“The Sand Piper” dances with wave and wind, a tranquil sonic painting from Kristin Sweetland. Its drifting tones speak to solitude, beauty, and the timeless rhythm of the shore. A luminous coastal whisper fit for sync or soul.

The Shield About Me

The Shield About Me cover art

The Shield About Me
by Pheelion

Atmospheric, midtempo ambient/electronic with piano, synth, and a warm, hopeful lift. A reflective cue that moves from ache to assurance—ideal for recovery arcs, quiet resilience, and scenes of comfort after hardship. One-Stop at OMR.

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OMR Cue Map

Track: The Shield About Me
Clean Intro: Yes (0:00 – immediate entry with protective, grounded tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with calm tonal finish
Loopable: Moderate–High (steady phrasing supports editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Grounded cue centered on protection, resilience, and inner strength. Ideal for reflective or recovery-focused scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion blends sacred lyricism with modern ambient/electronic craft, shaping cues that lift from lament to light. Built for intimate drama, uplift, and restorative endings.

Sync Pitch Sheet: The Shield About Me

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 110
  • Energy: Midtempo
  • Genres: Ambient, Electronic
  • Vocals: Female vocal
  • Moods: Atmospheric, Dreamy, Hopeful, Light, Minimal, Reflective, Sad, Warm
  • Lyric Themes: Faith, Hope, Pain, Strength, Struggle
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Synth

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

From downcast to uplift: a gentle ascent that suits recovery scenes, bedside consolations, sunrise walks after loss, and quiet victories where hope returns.

Scene Types

  • Healing and emotional recovery
  • Prayer, reflection, and resolve
  • Comfort after crisis
  • End-of-episode reassurance

Film/TV Fit

  • Drama
  • Romance
  • Indie
  • Coming-of-Age

Why It Works

  • 110 BPM offers steady forward motion
  • C Minor frames ache-to-hope transitions
  • Piano + synth provide warmth and space for dialogue
  • Faith/strength themes resonate universally
Track Narrative:
A hand on the shoulder in a long night. “The Shield About Me” lifts weary hearts with tender piano figures, airy synths, and a calm, protective pulse.
Why my soul are you downcast? Why so disturbed within me? Put your hope in God. For I will yet praise him, my savior and my God. But you, oh Lord, are a shield about me. My glory and the lifter of my head. The righteous cry out, and the Lord hears them. He delivers them from all their troubles. The Lord is close to the broken-hearted and saves those who are crushed in spirit.

Stem Tracks

Contact OMR for available stems and alternate mixes.

THE SOLACE — Sil Simone (feat. Gerry Mosby & Phil Naro)

The Solace cover art

The Solace
by Sil Simone

Melancholic and searching — “The Solace” blends atmospheric rock with emotive longing. Sil Simone, joined by Gerry Mosby and the late Phil Naro, evokes memory and mystery in rich textures. A sonic reflection of vulnerability, connection, and beauty found in the shadows.

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OMR Cue Map

Track: The Solace (feat. Gerry Mosby & Phil Naro)
Clean Intro: Yes (0:00 – immediate entry with soulful, emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (song phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Soulful cue centered on comfort, healing, and emotional connection. Ideal for heartfelt storytelling and resolution scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Producer • Touring Veteran

Sil Simone is a seasoned guitarist and producer whose career spans decades of live performance, studio work, and musical direction. Known for his expressive playing and technical finesse, Simone has toured with Canadian legends like Tom Cochrane and Rik Emmett, leaving his mark on stages across North America.

His versatility as a musician allows him to move seamlessly between rock, blues, pop, and country, making him a sought-after collaborator for both live and studio projects. Simone’s guitar work is melodic, soulful, and always in service of the song.

In addition to performing, Simone is a respected producer and arranger, helping artists shape their sound with clarity and creativity. His work reflects a deep understanding of musical storytelling and a commitment to excellence.

Whether on tour or behind the mixing board, Sil Simone continues to inspire with his artistry, professionalism, and passion for music.

Sync Pitch Sheet: The Solace

Song Details

  • Key Signature: Eb Minor
  • Beats Per Minute: 94
  • Energy: Moderate
  • Genres: Pop, Rock
  • Vocals: Male Vocal
  • Moods: Angry, Dramatic, Positive, Romantic, Serious, Somber
  • Lyric Themes: Love, Time
  • Cinematic Fit: Action, Adventure, Crime, Drama, Fantasy, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Synth
  • Bass

Production Details

  • Producer & Engineer: Gerry Mosby
  • Additional Engineers: Silvio Michael Simone, Ed Wilson
  • Lyrics & Composition: Silvio Michael Simone

Artists

  • Vocals & Keyboards: Silvio Michael Simone
  • Background Vocals & Bass: Gerry Mosby
  • Background Vocals: Phil Naro
  • Drums: Randy Cooke

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Solace by Sil Simone is a brooding pop-rock ballad that pulses with emotional gravity and cinematic tension. With moody synths and heartfelt vocals, it’s ideal for scenes of romantic conflict, personal reckoning, or dramatic transformation.

Ideal Sync Uses

  • Drama: Emotional breakdowns, quiet revelations
  • Romance: Love lost, love found, bittersweet moments
  • Crime: Noir-inspired tension, betrayal scenes
  • Fantasy: Dreamlike transitions, mystical introspection
  • Thriller: Psychological suspense, character unraveling

Scene Suggestions

  • Character walking alone after a breakup
  • Montage of emotional healing or regret
  • Slow-motion flashback to a pivotal moment
  • Closing credits with a somber yet hopeful tone

Why It Works

  • Male vocals deliver emotional depth and sincerity
  • Midtempo pacing supports reflective storytelling
  • Synth and bass textures add cinematic weight
  • Lyric themes of love and time resonate universally
Track Narrative:
“The Solace” hovers in emotional twilight — wrapped in evocative vocals and lyrical abstraction. Sil Simone’s collaboration with Gerry Mosby and Phil Naro blends yearning and subtle harmony into a sonic reflection.
Lyrics:
And the love
That will shine
Still eludes me every time I wake
And I find myself
Caught in the solace of the times, the times

And this love
That will shine
Still eludes me every time I wake and I
Find myself caught in the solace of a love
No love could ever...

I've been talking red
Would ever
I've been talking red

The Solid Rock

The Solid Rock cover art

The Solid Rock
by Pheelion

Hope-forward folk/singer-songwriter with piano and synth lift. Confident, radiant, and steady — built for resolve, testimony, and triumphant arrivals. One-Stop at OMR.

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Track: The Solid Rock
Clean Intro: Yes (0:00 – immediate entry with steady, grounded tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with firm tonal finish
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Grounded cue centered on stability, faith, and resilience. Ideal for scenes of conviction and emotional anchoring.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion’s folk-leaning devotionals meet modern synth glow, delivering steady uplift and purpose-driven warmth — crafted for scenes of conviction, testimony, and homecoming grace.

Sync Pitch Sheet: The Solid Rock

Song Profile

  • Key Signature: Ab Major
  • Beats Per Minute: 110
  • Energy: Midtempo
  • Genres: Folk, Singer/Songwriter
  • Vocals: Female vocal
  • Moods: Hopeful, Light, Positive, Reflective
  • Lyric Themes: Faith, Power, Strength, Success, Unity
  • Type: One Stop

Instrumentation

  • Piano
  • Synth

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Steadfast and radiant — a cue for vows, resolve, and celebratory homecomings. Perfect for milestone ceremonies, faith-affirming moments, end-of-episode uplift, and community unity scenes.

Scene Types

  • Testimony and recommitment moments
  • Homecoming & reunions
  • Montages of perseverance paying off
  • Closing scenes with assured hope

Film/TV Fit

  • Drama
  • Coming-of-Age
  • Indie
  • Romance

Why It Works

  • 110 BPM keeps forward, confident motion
  • Ab Major projects warmth and uplift
  • Piano + synth support dialogue and emotional clarity
  • Faith/strength/unity themes land universally
Track Narrative:
A declaration set to melody: “The Solid Rock” holds steady underfoot — piano resilience, synth glow, and a voice of assurance guiding characters toward firm ground.
A million times a million, Lord, you proved yourself to me. So I stand on the solid rock of my Lord, Jesus Christ. and not on my own understanding nor the shifting sands of the world or the lies of the evil one. I stand on the solid rock of my Lord, Jesus Christ who is faithful and unshakable.

Stem Tracks

Contact OMR for available stems and alternate mixes.

THE SONIC RELOCATION AND TRANSFORMATIONAL REVERBERATION OF THE SPIRIT

The Sonic Relocation and Transformational Reverberation of the Spirit cover art

The Sonic Relocation and Transformational Reverberation of the Spirit
by Radagast the Brown

“The Sonic Relocation and Transformational Reverberation of the Spirit” is a bright, energetic indie-pop track with a female vocal that blends discovery, motion, and emotional lift. With bass, percussion, and synth supporting its forward pulse, the song feels ideal for scenes of transformation, wonder, and movement into a newly awakened perspective.

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Track: The Sonic Relocation and Transformational Reverberation of the Spirit
Clean Intro: Yes (0:00 – immediate entry with abstract, evolving tonal identity; no ramp required)
Edit Points: 0:20 / 0:40 / 1:00 / 1:22 / 1:46 / 2:10 / 2:36 / 3:02 / 3:30 / 4:00
Button Ending: Yes, resolved ending with expansive ambient decay
Loopable: Moderate (progressive evolution supports narrative pacing)
Best Loop Candidates: 0:40–1:22 / 1:46–2:36 / 3:02–3:30
Use Case: Experimental cue centered on transformation, introspection, and sonic space. Ideal for abstract visuals and conceptual storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Emotional Momentum • Cinematic Edge

Radagast the Brown creates immersive, sync-ready songs that fuse electronic texture, emotional depth, and cinematic movement. His work often blends reflective lyricism with modern rhythmic production, making it especially effective for film and television scenes that need atmosphere and momentum at once.

For supervisors, the appeal is immediate: distinctive sonic identity, emotional clarity, and arrangements that support both visual pacing and character-driven storytelling.

Sync Pitch Sheet: The Sonic Relocation and Transformational Reverberation of the Spirit

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 90
  • Energy: Moderate
  • Genres: Indie, Pop, Singer/Songwriter
  • Vocals: Female Vocal
  • Moods: Bright, Energetic, Positive, Upbeat
  • Lyric Themes: Adventure, Desire, Discovery, Dream, Hope
  • Cinematic Fit: Indie, Drama, Coming of Age, Sci-Fi
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“The Sonic Relocation and Transformational Reverberation of the Spirit” is built for scenes of discovery, altered perspective, and movement into a more expansive state of being. Its female vocal and upbeat lift make it especially effective when a scene needs transformation to feel energized, strange, and emotionally alive.

Ideal Sync Uses

  • Indie: discovery, personal shift, playful wonder
  • Drama: awakening, movement toward change, emotional reset
  • Coming of Age: discovery, risk, new perspective
  • Sci-Fi: altered state, systems awakening, expanded consciousness

Scene Suggestions

  • Montage built around breakthrough or altered perception
  • Scene where confusion turns into a more expansive understanding
  • Movement sequence with optimism, curiosity, and forward energy
  • Stylized transformation scene that needs light and lift

Why It Works

  • Female vocal brings clarity, lift, and momentum
  • Bright rhythmic pulse gives editors clean forward movement
  • Indie-pop texture keeps it accessible and distinctive
  • Discovery-driven lyrics make it strong for transformation and awakening
Stem Tracks:
Available upon request.
Lyrics:
Stop.
I need to ask for more
Tepid to soar
Spark a little riot now

Carry to the core
Enough to score
All of the omissions loud

Set the sequence code
All systems go
Seven in a miry mode

Fire down below
A warm blue glow

See you in the morning light (3x)
And so I fall
When everything will be alright
Through a wall
See you in the morning light (3x)
So I fall, caught in the middle

Calling ground control
Lost in fold
Feather in a canyon cross

At once I felt the cold
Faces of old
Haunting in a starlit gloss

See ellipse of gold
Visions untold
Artificial memory

In all the seven seas
I did not see

And when the vessel cracks
It all turns black
Searching for significance

All too much for me
Seventeen seems
A great responsibility

In an effort to dream
We split the seam
The operation is complete

Trapped in the mezzanine
Await new scenes

Rectify
The eye inside
Turn the tide
Calling me

Look! the sky
Heard my cry
It recognized
All I had seen
Track Narrative:
“The Sonic Relocation and Transformational Reverberation of the Spirit” feels like awakening inside motion, as though the world is shifting its shape at the exact moment understanding arrives. It carries discovery, wonder, and a bright sense that transformation is already underway.

THE SPARK OF KNOWLEDGE — Josh Friedman

The Spark of Knowledge cover art

The Spark of Knowledge
by Josh Friedman

Dreamy and hopeful solo guitar with a warm, reflective glow. Minimal textures, lyrical phrasing, and midtempo motion make it ideal for gentle reveals, quiet realizations, and premium lifestyle storytelling.

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OMR Cue Map

Track: The Spark of Knowledge
Clean Intro: Yes (0:00 – immediate entry with curious, forward-moving tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with uplifting tonal finish
Loopable: Moderate–High (consistent phrasing supports editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Light cinematic cue centered on discovery, curiosity, and realization. Ideal for learning moments and narrative breakthroughs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: The Spark of Knowledge

Artist: Josh Friedman
Genre: Folk
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Dreamy, Hopeful, Light, Minimal, Positive, Reflective, Romantic, Sad, Warm
Tempo: Midtempo • BPM: 150 • Key: A Minor
Vocal: Instrumental • Type: One Stop

Track Summary

Lyrical fingerstyle guitar with a tender, optimistic lilt. Airy voicings and midtempo motion support VO, picture warmth, and emotional lift without overstating the moment.

Sync Highlights

  • Dreamy, hopeful tone for reflective or romantic scenes
  • Minimal arrangement = VO-friendly midrange and clean edits
  • Natural :15/:30/:60 trims via recurring phrases and cadences
  • Warm acoustic palette suits lifestyle, travel, and premium brand work

Sync Potential: The Spark of Knowledge

Ideal for intimate lifestyle, thoughtful drama, and brand films emphasizing craft, connection, or discovery.

  • Soft reveals, first-light or window-light sequences
  • Memory-lane or handwritten-notes transitions
  • Craftsmanship, hands-and-details, and closeup product stories
Track Narrative:
A warm spark catching—one idea lighting the next. Gentle figures bloom into quiet confidence, inviting reflection, tenderness, and forward motion.
Instrumental:
Solo acoustic guitar (no vocals). Clean, mix-ready master with smooth sustain and soft transients for graceful fades and precise edits.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a cinematic acoustic voice. Friedman’s pieces balance lyrical warmth and minimal clarity—crafted for editors who need space, feeling, and clean narrative flow.

Styles: Folk, Classical, Ambient • Strengths: VO-friendly mixes, lyrical phrasing, edit-smart cadences • Typical Uses: Lifestyle, Drama, Travel, Premium brand storytelling

The Surgeons — Thadeus Gonzalez

The Surgeons cover art

The Surgeons
by Thadeus Gonzalez

Industrial-tinged rock with a mechanical pulse and knife-edge guitars. Anthemic, high-tempo energy built for chase edits, fight beats, and hard-turn reveals.

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OMR Cue Map

Track: The Surgeons
Clean Intro: Yes (0:00 – immediate entry with tense, clinical tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with precise tonal finish
Loopable: High (tight phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Tension-driven cue centered on precision, urgency, and controlled pressure. Ideal for procedural, medical, or high-stakes scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: The Surgeons

Song Profile

  • Genres: Metal, Rock
  • Vocals: Male vocal
  • Tempo: Fast
  • Mood/Feel: Anthemic, Confident, Moody, Powerful
  • Lyric Themes: Change, Fear, Life, Struggle
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar

Cinematic Fit

  • Action & Thriller: chase sequences, fight choreography, gear-up montages
  • Crime: stakeouts, heists, underworld swagger
  • Sports: hype reels, training cuts, competitive intros
  • Video Game: mission/combat gameplay, esports edits
  • Drama: defiance beats, closing stares, turn-the-corner moments

Editorial Notes

  • Suggested 40s Excerpt: ~0:30–1:10 (driving drums + riff into hook; clean edit points)
  • Mix Tips: accentuate kick/snare; slight saturation on bass for weight; watch cymbal build
  • Alts: riff-bed underscores loop cleanly for bumpers and cutdowns

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“The Surgeons” delivers precision and power—anchored by tight drumming, razor-sharp guitars, and a commanding vocal that channels tension into defiance. The track’s mechanical pulse and anthemic energy make it ideal for fast-cut visual sequences that emphasize resilience, rebellion, or transformation.

Best Use Cases

  • Action & Thriller: chase sequences, tactical operations, and underground fight scenes
  • Crime & Drama: power plays, revenge arcs, and character awakenings
  • Sports: training montages, extreme sports edits, and hype promos
  • Video Game: boss battles, mission intros, and high-energy transitions
  • Brand Spots: products or campaigns emphasizing strength, endurance, or grit

Sync Appeal

  • One Stop: Simplified clearance through OMR Music Production
  • Male Vocals: Confident and gritty delivery adds emotional weight
  • Tempo: Fast pacing supports high-energy visual cuts
  • Instrumentation: Guitar-driven with heavy rhythm—great for impact edits
  • Mood/Feel: Anthemic, moody, powerful—fits both defiance and redemption arcs

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Lyrics

Take a long, long, good look What do you see, what would you change, change, take from me Do you see things you know I never would? You just took from me all the things you could All of my life I've been under the knife Everybody wants something from me all the time The surgeons The surgeons It's a long, long, long cold wait in this hospital wing, I need a change, change, change the way that I've been living Do you see things you know I never would or would you? leave me a sick fool All of my life I've been under the knife Everybody wants something from me all the time All of my life it's been nothing but fight Everybody takes something 'til there's nothing inside! Shut down! All of my life I've been under the knife Everybody wants something from me All of my life it's been nothing but fight Everybody takes something from me Not this time! surgeons surgeons surgeons surgeons
Track Narrative:
“The Surgeons” slices forward with surgical precision — locked drums, serrated guitars, and an anthemic vocal that turns pressure into power. Built for kinetic edits, high-stakes turns, and sequences that demand relentless momentum.

THE TRAVELLER (INSTRUMENTAL) — Rich Brown

The Traveller cover art

The Traveller
by Rich Brown

Wanderlust meets groove — “The Traveller” journeys through rich harmonic textures and rhythmic invention. Rich Brown builds a sonic passport for movement, discovery, and quiet introspection. Crafted with lyrical bass phrasing and mood-forward structure, this instrumental whispers through emotion and motion alike.

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OMR Cue Map

Track: The Traveller
Clean Intro: Yes (0:00 – immediate entry with exploratory, cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with forward-moving lift
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on journey, movement, and discovery. Ideal for travel sequences and narrative progression.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: The Traveller

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 81
  • Energy: Medium
  • Genres: Indie, Horror
  • Vocals: Instrumental
  • Moods: Atmospheric, Dreamy, Light, Minimal, Reflective, Tension, Sad
  • Cinematic Fit: Crime, Drama, Horror, War
  • Type: One Stop

Instrumentation

  • Bass (Solo)
  • Percussion
  • Synth

Production Details

  • Executive Producer: Rich Brown
  • Music Composition: Rich Brown
  • Music Production: Rich Brown

Artists

  • Electric & Acoustic Bass: Rich Brown

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Traveller by Rich Brown is a haunting instrumental piece that drifts between tension and introspection. With its sparse bass solo and ambient textures, it evokes a sense of emotional distance and quiet unease—perfect for scenes that explore isolation, mystery, or psychological depth.

Ideal Sync Uses

  • Drama: Solitary reflection, emotional unraveling
  • Horror: Atmospheric buildup, eerie transitions
  • Crime: Surveillance scenes, moral ambiguity
  • War: Aftermath, memory, or meditative pacing

Scene Suggestions

  • Slow pan across a desolate landscape
  • Character walking through abandoned streets
  • Flashback to traumatic or pivotal moment
  • Opening credits with minimalist tension

Why It Works

  • Instrumental format allows flexible placement
  • Midtempo pacing supports reflective storytelling
  • Bass solo adds emotional gravity and uniqueness
  • Mood range from dreamy to tense fits multiple genres
Track Narrative:
“The Traveller” drifts through cinematic space with groove-rich introspection. Rich Brown charts sonic geography through harmonic shifts and bass-forward meditation — music as movement, melody as motion.

THE VISIT — Elmer Ferrer

The Visit cover art

The Visit
by Elmer Ferrer

The Visit arrives with urgency and attitude. Driven by pulsing bass and rhythmic synth textures, the cue blends electronic tension with a touch of dark funk. It carries the feeling of an unexpected arrival — a moment when someone important walks into the room and the emotional atmosphere instantly shifts. Its energetic pace and dramatic tone make it well suited for high-stakes encounters, confrontational scenes, urban tension, or sequences where power dynamics are suddenly in play.

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OMR Cue Map

Track: The Visit
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, subtle unresolved tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Quiet tension cue for uneasy arrivals, unfamiliar environments, social discomfort, restrained drama, and scenes where something feels slightly off beneath a calm surface.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: The Visit

Song Details

  • Energy: High / Driving
  • Genres: Dance, Electronic, Funk
  • Vocals: Instrumental
  • Key: C Minor
  • BPM: 120
  • Moods: Atmospheric, Dark, Dramatic, Intense, Moody, Powerful, Tension
  • Cinematic Fit: Crime, Thriller, Drama, Action
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Visit thrives on dramatic arrival energy. Its driving bass and rhythmic pulse instantly create tension and movement, making it ideal for scenes where a powerful presence enters the story or the stakes suddenly rise.

Ideal Sync Uses

  • Crime: confrontation scenes, power struggles, urban tension
  • Thriller: unexpected arrival or turning point
  • Drama: emotionally charged encounters
  • Action: stylized movement sequences or high-stakes preparation

Scene Suggestions

  • Important character entering a room or meeting
  • Slow-motion walk toward confrontation
  • High-stakes negotiation or tense conversation
  • Montage showing shifting power dynamics

Why It Works

  • Strong rhythmic pulse adds urgency and cinematic momentum
  • Dark electronic tones create dramatic tension
  • Funk-inspired groove adds personality and attitude
  • One-stop clearance allows quick licensing placement
Track Narrative:
The Visit captures the moment when everything changes with a single arrival. Its driving rhythm and dark atmosphere suggest a shift in power or perspective, where tension fills the room before a word is spoken. The cue carries both movement and presence, making it ideal for scenes where anticipation and confrontation quietly build.

THE WAYWARD — The Green Door

The Wayward cover art

The Wayward
by The Green Door

“The Wayward” closes the album with a slow-burning sense of judgment, aftermath, and collective memory. Built on moody retro tension and a deliberate pulse, the track feels like a final reckoning told from the edge of history—ideal for scenes of moral consequence, aftermath, and narratives where victory and violence are impossible to separate.

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OMR Cue Map

Track: The Wayward
Clean Intro: Yes (0:00 – immediate entry with dark, drifting tonal identity; no ramp required)
Edit Points: 0:20 / 0:40 / 1:00 / 1:22 / 1:46 / 2:10 / 2:36 / 3:02 / 3:30
Button Ending: Yes, resolved ending with atmospheric decay
Loopable: Moderate–High (evolving texture supports editorial looping)
Best Loop Candidates: 0:40–1:22 / 1:46–2:36 / 3:02–3:30
Use Case: Cinematic cue centered on isolation, drift, and emotional ambiguity. Ideal for characters in transition or narrative uncertainty.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for rebellion, survival, reckoning, and hard-driving visual storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving judgment, aftermath, conflict, and the emotional residue of power.

Sync Pitch Sheet: The Wayward

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 60
  • Energy: Low - Moderate
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Moody, Retro, Upbeat
  • Lyric Themes: Conflict, Power, Struggle, Success, Time
  • Cinematic Fit: Drama, Historical, Crime, Thriller
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

The Wayward is a deliberate, morally weighted rock track that feels like the closing chapter of a violent history. Its slow tempo, repeated refrain, and lyrical focus on justice, conflict, and collective witness make it especially strong for scenes of aftermath, reckoning, and unresolved consequence.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Wayward is built for stories about consequence, moral ambiguity, and the cost of collective action. Its slow pace and repeated, witness-like phrasing make it especially effective for aftermath scenes, historical reflection, and narratives where justice feels inseparable from violence.

Ideal Sync Uses

  • Drama: Aftermath, moral reckoning, collective memory
  • Historical: Conflict aftermath, frontier justice, social consequence
  • Crime: Fallout, judgment, organized violence, code of loyalty
  • Thriller: Slow-burn consequence, ominous reflection, moral unease

Scene Suggestions

  • Aftermath montage following violence or collective action
  • Scene where survivors or witnesses reflect on what was done
  • Historical or frontier sequence with emotional weight and dust-settling tension
  • Closing sequence where victory feels morally compromised

Why It Works

  • Slow tempo gives the track gravity and space
  • Repetitive phrasing reinforces collective witness and consequence
  • Male vocal adds grit while keeping the tone grounded and narrative
  • Strong thematic focus on justice, conflict, and aftermath supports serious storytelling
Stem Tracks:
Available upon request.
Track Narrative:
“The Wayward” feels like the smoke after judgment has already been carried out. It moves with the gravity of people who were there, who remember, and who cannot separate justice from what it cost. Slow, steady, and morally charged, it belongs in scenes where the reckoning is over but the consequences remain.
Lyrics:
At the time of the end it seemed all had heard
All were there
But the wayward

They brought their brothers and wives and boys and girls
They all were there
But the wayward

Now those other men will speak of this with other words
But none of the wayward

How we scoured the sky and we salted the earth
They all were there
But the wayward

We rode on and on and we did our work
They all were there
But the wayward

For our justice is blind and it's fit to hurt
They all were there
But the wayward

THE WAY THAT I KEEP LOVING YOU — Mattie Leon

The Way That I Keep Loving You cover art

The Way That I Keep Loving You
by Mattie Leon

Tender and timeless — “The Way That I Keep Loving You” reflects parental love and the ache of watching someone grow up. Mattie Leon delivers raw emotion with lyrical grace and melodic honesty, carrying listeners through vulnerability, hope, and devotion.

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OMR Cue Map

OMR Cue Map

Track: The Way That I Keep Loving You
Clean Intro: Yes (0:00 – immediate entry with warm, emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic cue centered on enduring connection and emotional continuity. Ideal for relationship storytelling and heartfelt moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: The Way That I Keep Loving You

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 97
  • Energy: Midtempo
  • Genres: Singer-Songwriter, Indie, Folk
  • Vocals: Male Vocal
  • Moods: Atmospheric, Dreamy, Light, Minimal, Moody, Positive, Reflective, Warm
  • Lyric Themes: Heartbreak, Home, Time, Family, Love
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Piano
  • Synth
  • Percussion
  • Drums

Production Details

  • Words & Music: Mattie Leon
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Mattie Leon
  • Mastered By: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

The Way That I Keep Loving You by Mattie Leon is a heartfelt indie-folk ballad that blends lyrical intimacy with warm, atmospheric instrumentation. Its midtempo rhythm and emotional depth make it perfect for scenes of quiet reflection, romantic longing, or family-centered storytelling.

Ideal Sync Uses

  • Drama: Emotional turning points, family tension
  • Romance: Bittersweet love scenes, heartfelt confessions
  • Coming-of-Age: Memory montages, personal growth
  • Indie: Character-driven moments, introspective arcs

Scene Suggestions

  • Character revisiting childhood home
  • Slow-motion montage of family memories
  • Quiet moment of heartbreak or realization
  • Closing credits with emotional resonance

Why It Works

  • Male vocals convey sincerity and emotional nuance
  • Midtempo pacing supports reflective storytelling
  • Rich instrumentation adds warmth and cinematic texture
  • Universal themes of love, time, and family
Track Narrative:
“The Way That I Keep Loving You” is a quiet devotional — a heart-wrenching ode to unconditional love and the passage of time. Mattie Leon evokes the deep emotional resonance of parenthood with poetic vulnerability and melodic strength.
Lyrics:
If I could I'd keep everything
Every word you're going to say to me
Every picture there is of you
Every drawing that you drew
I'd keep it all

You could never know
the way it feels just sitting in the room
with you
while you're falling asleep and
You could never know
the places in my heart you brought with you
It's true
I never loved anything
the way that I keep loving you

There's nothing you could ever be
that'd make you any less than everything to me
Nothing you could do
Nobody you could choose
No one at all

You could never know
the way it feels just sitting in the room
with you
while you're falling asleep and
You could never know
the places in my heart you brought with you
It's true
I never loved anything
the way that I keep loving you

I tear up when someone says your name
and reminds me that there comes a day
when you'll grow up and move
out of this house
out of this room
Oh I don't know what I'll do

You could never know
the way it feels just sitting in the room
with you
while you're falling asleep and
You could never know
the places in my heart you brought with you
It's true
I never loved anything
the way that I keep loving you
``

The Way the Evening Speaks

The Way the Evening Speaks cover art

The Way the Evening Speaks
by Lucian Kano Balmer

Playful, bright, and gently hypnotic, “The Way the Evening Speaks” pairs lyrical strings, hand-in-glove rhythm, and wordless male vocal syllables that feel like an intimate ritual at golden hour. Folk–vintage colours and a midtempo pulse make it perfect for whimsical romance, light-hearted togetherness, and scenes where time slows just long enough for connection to sink in.

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OMR Cue Map

OMR Cue Map

Track: The Way the Evening Speaks
Clean Intro: Yes (0:00 – immediate entry with atmospheric, reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft ambient fade
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on dusk, transition, and quiet emotion. Ideal for end-of-day scenes and reflective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Lucian Kano Balmer

Lucian Kano Balmer — Violinist • Composer • Vocalist

Lucian Kano Balmer blends lyrical violin, warm ensemble writing, and evocative vocal textures into intimate, cinematic pieces that feel both timeless and quietly adventurous. His work lives where folk, classical, and world influences intersect.

Known for his melodic clarity and emotional nuance, Balmer’s compositions are tailor-made for character-driven storytelling — from reflective arcs and relationships to quiet moments of joy, memory, and transformation.

Sync Pitch Sheet: The Way the Evening Speaks

Song Profile

  • Key Signature: G Major
  • BPM: 112
  • Energy: Midtempo
  • Genres: Folk, Vintage
  • Vocals: Male vocal (wordless syllables / vocables)
  • Moods: Bright, Happy, Light, Playful, Positive, Quirky, Reflective, Romantic, Upbeat, Uplifting, Warm
  • Lyric Themes: Relationship, Strength, Time (expressed through melody and vocal phrasing)
  • Type: One Stop

Instrumentation

  • Expressive strings with folk–world phrasing
  • Bass and light drums for gentle groove
  • Wordless male vocal line as melodic colour

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“The Way the Evening Speaks” feels like a warm, shared ritual at day’s end — playful vocal syllables and buoyant strings dancing over an easy, midtempo groove. It’s ideal for moments of connection, soft joy, and the kind of relationship beats that feel lived-in and real.

Scene Types

  • Light-hearted couple or family moments
  • Golden-hour gatherings, patios, or backyards
  • Montages of shared routines, long-term relationships, or time passing together
  • Whimsical travel, village, or community sequences

Film/TV Fit

  • Romance
  • Drama
  • Coming-of-Age
  • Art House / Indie

Why It Works

  • 112 BPM midtempo keeps scenes moving while staying relaxed.
  • Wordless male vocal adds intimacy without clashing with dialogue.
  • Folk/Vintage palette reads organic, human, and timeless.
  • Bright, playful, romantic tone is highly usable for relationship storytelling.
Track Narrative:
“The Way the Evening Speaks” feels like listening in on a familiar ritual between people who know each other well — a melodic conversation of strings, rhythm, and wordless voice. It’s the sound of shared routines, inside jokes, and long-standing affection, perfect for scenes where time, relationship, and quiet strength are at the heart of the story.
Lyrics: Na ni pa ma da Na ni pa ma da Na ni pa ma ga ri sa ni sa Sa ma ga ri ni sa Sa ma ga ri ni sa Sa ma da ga ri ni sa Sa ni da ga ma Sa ni da ga ma dha ri ga ri ga dha ri Sa ni da ga ma Sa ni da ga ma ga ri ga ri Ga ni ni ni dha

Stem Tracks

Contact OMR for available stems (lead vocal, strings, rhythm section, and full mix) and alternate edits.

THERE IS A WAY OUT — Elmer Ferrer

There Is a Way Out cover art

There Is a Way Out
by Elmer Ferrer

There Is a Way Out builds with driving rhythmic energy and a steady sense of urgency, combining pulsing percussion and dark electronic textures to create forward motion without overwhelming the scene. The cue feels determined and relentless, as if a narrow path forward is emerging under pressure. Its modern, propulsive structure makes it ideal for escape sequences, rising tension, and moments where time is running out but momentum must be maintained.

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OMR Cue Map

OMR Cue Map

Track: There Is a Way Out
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: Yes, subtle hopeful resolve
Loopable: Moderate
Best Loop Candidates: 0:36–1:12 / 1:12–1:48 / 1:30–2:06
Use Case: Emotional transition cue for breakthrough moments, escape from pressure, rising hope, internal realization, and scenes where tension begins to shift toward possibility and resolution.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: There Is a Way Out

Song Details

  • Energy: Midtempo / Driving / Urgent
  • Genres: Dance, Electronic
  • Vocals: Instrumental
  • Key: A Minor
  • BPM: 80
  • Moods: Atmospheric, Building, Cool, Dark, Dramatic, Minimal, Moody, Mysterious, Percussive, Rhythmic, Tension
  • Cinematic Fit: Thriller, Crime, Action, Drama, Sci-Fi
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

There Is a Way Out is built on rhythmic momentum and controlled pressure. Its percussive drive, dark atmosphere, and steady forward motion make it a strong option for scenes that need urgency without becoming overwhelming. It works especially well when a sequence needs to feel active, tense, and purposeful while still leaving room for picture and dialogue.

Ideal Sync Uses

  • Thriller: escape sequences, pursuit, mounting pressure, tactical movement
  • Crime: surveillance, setup, planning, procedural momentum
  • Action: controlled chase energy, preparation under pressure, forward-driving edits
  • Drama: emotionally tense transitions, consequences unfolding in motion
  • Sci-Fi: system urgency, hostile movement, structured tension in futuristic environments

Scene Suggestions

  • A character or team pushing forward while time is running out
  • An escape sequence where movement matters more than chaos
  • Montage of tactical preparation under pressure
  • Dark transitional sequence where determination overrides fear

Why It Works

  • Rhythmic pulse creates immediate forward motion
  • Minimal structure leaves room for dialogue, sound design, and editorial flexibility
  • Dark and cool tonal palette supports suspense without overstating it
  • One-stop clearance makes it easy to move quickly when a fit appears
Track Narrative:
There Is a Way Out feels like forward motion under pressure. The rhythmic pulse never lets up, creating a sense of urgency without chaos. It suggests determination and controlled momentum, making it ideal for scenes where escape is possible, but only if every move is made with precision.

THESE ARE THE DAYS — Mattie Leon

These Are The Days cover art

These Are the Days
by Mattie Leon

Nostalgic and affirming — “These Are The Days” shines a light on love, growth, and gratitude amid life’s chaos. Mattie Leon channels intimacy and perspective into this heartfelt pop anthem that resonates with emotional clarity.

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OMR Cue Map

OMR Cue Map

Track: These Are the Days
Clean Intro: Yes (0:00 – immediate entry with uplifting, nostalgic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Nostalgic cue centered on memory, joy, and shared experience. Ideal for montage and life-reflection sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: These Are the Days

Song Details

  • Key Signature: B Major
  • Beats Per Minute: 82
  • Energy: Midtempo
  • Genres: Ballad, Folk, Indie, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Atmospheric, Dreamy, Moody, Reflective
  • Lyric Themes: Happiness, Home, Relationship, Dream, Life
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Piano
  • Bass
  • Drums

Production Details

  • Words & Music: Mattie Leon
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Mattie Leon
  • Mastered By: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

These Are the Days by Mattie Leon is a slow-burning indie ballad that captures the quiet beauty of everyday life. With warm instrumentation and introspective lyrics, it’s perfect for scenes that explore memory, connection, and emotional growth.

Ideal Sync Uses

  • Drama: Family moments, personal reflection
  • Romance: Tender scenes, nostalgic flashbacks
  • Coming-of-Age: Graduation, growing up, life transitions
  • Indie: Character-driven storytelling, emotional arcs

Scene Suggestions

  • Montage of childhood memories
  • Character journaling or looking through old photos
  • Slow walk through a familiar neighborhood
  • Closing credits with emotional resonance

Why It Works

  • Male vocals offer warmth and sincerity
  • Slow tempo supports reflective pacing
  • Organic instrumentation enhances emotional depth
  • Universal themes of life, love, and home
Track Narrative:
“These Are The Days” is a retrospective embrace — capturing the beauty of the present through the lens of hardship. Mattie Leon delivers a love song to resilience, partnership, and the quiet triumphs we build over time.
Lyrics:
Every night I lie awake
thinking about us
and everything we've made
The life you've given up
for her and me

Your hands are always tied
If you're running out of steam
you can use a bit of mine
We'll catch our breath some day
You'll see
You'll see

I know right now
life seems hard
but someday it'll be our favourite part
Even when it feels like nothing goes our way
Trust me, babe, we've got it made

Hanging pictures on the wall
of places that we've been
for days I can't recall
what it's like to go somewhere
with you
with you

I know right now
life seems hard
but someday it'll be our favourite part
Even when it feels like nothing goes our way
Trust me, babe, we've got it made

We've got it made, babe
look at us now
Beautiful girl
Beautiful house
These are the days we were dreaming about
Everything we wanted
Ya, we've found

We've got it made, babe
look at us now
Beautiful girl
Beautiful house
These are the days we were dreaming about
Everything we wanted
Ya, we've found

Ya, we've found it

I know right now
life seems hard
but someday it'll be our favourite part
Even when it feels like nothing goes our way
Trust me, babe, we've got it made

THINGS ARE TOO GOOD TO BE BLUE — Lee Palmer

Things Are Too Good To Be Blue cover art

Things Are Too Good to be Blue
by Lee Palmer

Soulful and cheeky — “Things Are Too Good To Be Blue” flips blues tradition on its head with gratitude and groove. Lee Palmer celebrates brighter days, earned wisdom, and love that turns the blues into gold.

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OMR Cue Map

OMR Cue Map

Track: Things Are Too Good to Be Blue
Clean Intro: Yes (0:00 – immediate entry with upbeat, rootsy tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with confident tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Upbeat cue centered on optimism and forward momentum. Ideal for light, positive storytelling and feel-good sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Things Are Too Good to be Blue

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 123
  • Energy: Moderate
  • Genres: Blues, Country, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Carefree, Bright, Upbeat, Uplifting, Fun, Quirky, Retro
  • Lyric Themes: Time, Identity, Life, Success, Love
  • Cinematic Fit: Comedy, Romance, Western
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Instrumental Solos: Bass, Electric Guitar, Harmonica

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Composition: Lee Palmer
  • Pre-Production & Final Mix: Elmer Ferrer
  • Sound Engineer: James Paul
  • Mastering: Sam Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Upright Bass & Session Leader: Alec Fraser
  • Percussion: Al Cross
  • Acoustic & Spanish Guitars: Elmer Ferrer

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Things Are Too Good to be Blue by Lee Palmer is a breezy, rootsy anthem that celebrates optimism with a wink and a groove. With retro charm and lyrical swagger, it’s perfect for scenes that need a dose of joy, self-assurance, or playful confidence.

Ideal Sync Uses

  • Comedy: Quirky character intros, lighthearted montages
  • Romance: Flirty banter, feel-good moments
  • Western: Modern cowboy swagger, barroom charm

Scene Suggestions

  • Character strutting into a new town
  • Montage of good luck and small victories
  • Closing credits with a cheeky tone
  • Playful flashback to a simpler time

Why It Works

  • Male vocals deliver warmth and charisma
  • Uptempo pacing energizes comedic and romantic scenes
  • Blues-country-folk blend suits Americana and retro syncs
  • Lyric themes of success and love offer universal appeal
Track Narrative:
“Things Are Too Good To Be Blue” turns tradition upside down. Lee Palmer’s lyrical wink and soulful delivery offer a blues track that glows with affirmation. It’s about arriving, reflecting, and relishing the good you waited for.
Lyrics:
I heard Dutchie say that things were too good
To sing the blues like he knew he could
Those words stuck with me 'til this day
I finally get what he meant and I'm here to say
If things are too good to be blue
I got all that I need
All that I need
If things are too good to be blue
I got all that I need with you

Well, I had my schooling in love and in life
I paid my dues and my ex-wife said, "It's all worked out"
But I had to wait, it took a long, long time to feel this great

Things are too good to be blue
I got all that I need
All that I need
Things are too good to be blue
I got all that I need with you

Things are too good to be blue
I got all that I need, all that I need
Things are too good to be blue
I got all that I need with you
I got all that I need with you
Yeah, things are too good to be blue

THINKIN' TWICE

Thinkin’ Twice cover art

Thinkin' Twice
by D1do

Introspective and evocative — “Thinkin’ Twice” dives into the fog of doubt, identity, and self-reflection. Its lyric-driven narrative unravels the internal monologue of conflict and clarity, wrapped in rhythmic urgency and emotional grit.

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OMR Cue Map

OMR Cue Map

Track: Thinkin’ Twice
Clean Intro: Yes (0:00 – immediate entry with reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with subtle tonal fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on hesitation, reconsideration, and emotional processing. Ideal for character decision moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Story-teller• Advocate

D1Do whose real name is Anthony DiDomenico, is a talented singer-songwriter hailing from Toronto, Canada. Known for his heartfelt lyrics and captivating melodies, D1DO has carved out a niche in the Canadian music scene with his unique blend of pop, rock, and folk influences.

Raised in a musically inclined family, Anthony began playing guitar and writing songs during his teenage years. His early exposure to music laid the foundation for a career defined by emotional depth and lyrical honesty.

Influenced by artists like John Mayer, Ed Sheeran, and Bruce Springsteen, D1DO’s sound fuses pop sensibilities with the raw introspection of folk and rock. His songs explore themes of love, loss, and self-discovery, resonating deeply with listeners.

D1DO has released several singles and EPs, performed across Canada, and collaborated with fellow artists and producers. His advocacy for mental health awareness adds a powerful layer to his artistry, using music as a tool for healing and connection.

Sync Pitch Sheet: Thinkin’ Twice

Song Details

  • Key Signature: F# Major
  • Beats Per Minute: 97
  • Energy: Moderate
  • Genres: Electronic, Pop, Rock
  • Vocals: Male Vocal
  • Moods: Anthemic, Bright, Catchy, Confident, Dramatic, Energetic, Fun, Happy, Hopeful, Positive, Powerful, Sad, Upbeat, Uplifting
  • Lyric Themes: Strength, Connection, Identity, Life, Struggle
  • Cinematic Fit: Action, Comedy, Coming-of-age, Drama, Romance
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth
  • Instrumental Solos: None

Production Details

Available upon request

Artists

Available upon request

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Thinkin’ Twice by D1do is a bold, emotionally charged anthem that blends electronic textures with pop-rock grit. With its midtempo pulse and empowering lyrics, it’s ideal for scenes that explore inner strength, transformation, and the tension between vulnerability and resolve.

Ideal Sync Uses

  • Action: Training montages, breakthrough moments
  • Drama: Emotional turning points, identity struggles
  • Coming-of-age: Self-discovery, friendship arcs
  • Romance: Reconnection, bittersweet flashbacks
  • Comedy: Empowerment with a wink

Scene Suggestions

  • Character walking away from a toxic situation
  • Slow-motion moment of triumph or realization
  • Montage of rebuilding or reconnecting
  • End credits with a hopeful tone

Why It Works

  • Midtempo pacing allows emotional flexibility
  • Male vocals deliver authenticity and edge
  • Electronic-pop-rock blend suits modern cinematic tones
  • Lyric themes resonate with universal human experiences
Track Narrative:
“Thinkin’ Twice” invites listeners into mental stillness and inner turbulence — asking if clarity exists beyond thought. Reflections on identity, cycles, and emotional survival build a lyrical architecture for modern introspection.
Lyrics:
I've been living a lie
Searching for proof of the truth
But can't find it on the outside
Mirrors are wise...

[Full lyrics continue here — toggle reveals entire verse set]

THIS FEELS LIKE ONE OF THOSE DAYS — Lee Palmer

This Feels Like One of Those Days cover art

This Feels Like One of Those Days
by Lee Palmer

Lazy, cheeky, and irresistibly human — “This Feels Like One of Those Days” captures the comedy of sluggish afternoons, nap ambitions, and holy-crap time slips. Lee Palmer brings blues charm to the fine art of not doing much.

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OMR Cue Map

Track: This Feels Like One of Those Days
Clean Intro: Yes (0:00 – immediate entry with laid-back tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20
Button Ending: Yes, resolved ending with relaxed tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Laid-back cue centered on ease, routine, and everyday tone. Ideal for lifestyle scenes and casual pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: This Feels Like One of Those Days

Song Details

  • Key Signature: E Major
  • Beats Per Minute: 102
  • Energy: Moderate
  • Genres: Country, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Carefree, Chill, Relaxing
  • Lyric Themes: Fun, Escape, Home, Time
  • Cinematic Fit: Comedy, Western
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Instrumental Solos: Piano

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics & Composition: Lee Palmer
  • Arrangements & Mixing: Elmer Ferrer
  • Sound Engineer: George Seara
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Background Vocals: Mary McKay
  • Hammond Organ, Piano, Accordion: Lance Anderson
  • Acoustic Spanish & Electric Guitars: Elmer Ferrer
  • Drums: Al Cross
  • Bass: David Woodhead
  • Harmonica: Roly Platt
  • Cajon & Percussion: Joaquin Nunez

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

This Feels Like One of Those Days by Lee Palmer is a laid-back, feel-good track that captures the spirit of spontaneous escape and everyday joy. With its warm instrumentation and relaxed tempo, it’s perfect for scenes that celebrate simplicity, homegrown charm, and lighthearted reflection.

Ideal Sync Uses

  • Comedy: Lazy day sequences, quirky routines
  • Western: Modern frontier moments, small-town charm
  • Drama: Peaceful transitions, nostalgic flashbacks

Scene Suggestions

  • Character lounging on a porch or road-tripping
  • Montage of simple pleasures and quiet escapes
  • Opening credits with a relaxed vibe
  • Closing scene with a sense of contentment

Why It Works

  • Male vocals offer warmth and relatability
  • Midtempo pacing suits reflective and casual scenes
  • Country-folk blend evokes Americana and rustic charm
  • Lyric themes of time and home resonate universally
Track Narrative:
“This Feels Like One of Those Days” celebrates the moments when the to-do list stays undone and the couch wins. With laid-back delivery and lyrical charm, Lee Palmer spins minor chaos into musical comfort. The song captures real-life rhythm — late mornings, mismatched clothes, TV marathons, and no apologies.
Lyrics:
I woke up at the crack of noon
Feels like that was about two hours too soon
I got dressed in the usual fashion
No matter what I tried everything was clashing
This feels like one of those days
This feels like one of those days
I'm sure things are gonna be okay
This feels like one of those days

I thought I'd get me a bunch of stuff done
I couldn't see where that would be much fun
I'm not so prone to procrastination
It must be a sign that I need a vacation
This feels like one of those days
This feels like one of those days
I'm sure things are gonna be okay
This feels like one of those days

I decided to watch my favorite TV show
A few hours later I was good to go
I had to eat something before my afternoon nap
Where does the time go? Holy crap
This feels like one of those days
This feels like one of those days
I'm sure things are gonna be okay
This feels like one of those days
This feels like one of those days
This feels like one of those days

THIS LOTUS ASCENSION (INSTRUMENTAL) — Rich Brown

This Lotus Ascension cover art

This Lotus Ascension
by Rich Brown

Meditative and transcendent — “This Lotus Ascension” unfolds like a spiritual journey through sound. Rich Brown sculpts this instrumental experience with grace, space, and harmonic breathwork, balancing internal stillness with sonic expansion.

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OMR Cue Map

Track: This Lotus Ascension
Clean Intro: Yes (0:00 – immediate entry with ambient, meditative tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with expansive ambient fade
Loopable: Moderate–High (textural evolution supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Meditative cue centered on transformation, growth, and inner stillness. Ideal for introspective and spiritual storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: This Lotus Ascension

Song Details

  • Key Signature: Bb Major
  • Beats Per Minute: 81
  • Energy: Medium
  • Genres: Ambient, Jazz
  • Vocals: Instrumental
  • Moods: Hopeful, Sad, Serious, Tense
  • Cinematic Fit: Crime, Drama, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Flute
  • Keyboard
  • Percussion
  • Piano
  • Saxophone
  • Instrumental Solos: Piano, Saxophone

Production Details

  • Executive Producers: Ruchen Mahishmatish & Paul J. Youngman
  • Music Composition & Production: Rich Brown
  • Recording: Jeremy Darby
  • Mixing & Mastering: Adam Tune

Artists

  • Electric Bass: Rich Brown
  • Alto Saxophone: Luis Deniz
  • Piano: Robi Botos
  • Drums: Larnell Lewis

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

This Lotus Ascension by Rich Brown is a moody, contemplative instrumental that blends ambient textures with jazz sophistication. Its slow-burning energy and emotional depth make it ideal for scenes that explore tension, introspection, and quiet transformation.

Ideal Sync Uses

  • Crime: Investigative sequences, noir atmospheres
  • Drama: Emotional turning points, reflective monologues
  • Mystery: Slow reveals, eerie discoveries
  • Romance: Bittersweet moments, longing gazes

Scene Suggestions

  • Character walking alone through a city at night
  • Flashback to a pivotal emotional moment
  • Slow-motion introspection or decision-making
  • Closing credits with a haunting tone

Why It Works

  • Instrumental format allows flexible emotional overlay
  • Midtempo pacing supports tension and reflection
  • Jazz elements add sophistication and nuance
  • Mood range from hopeful to sad suits layered storytelling
Track Narrative:
“This Lotus Ascension” breathes like a mantra. Rich Brown meditates on growth, space, and flow with sonic elegance — an instrumental piece that rises like vapor, grounded in groove and reverence.

THIS TRAIN IS ALWAYS RUNNING — Purple Fox and the Heebie Jeebies

This Train Is Always Running cover art

This Train Is Always Running
by Purple Fox and the Heebie Jeebies

An indie-soul anthem of motion and positivity. “This Train Is Always Running” glides forward with steady percussion, soulful guitar, and a bright, hopeful tone — a perfect cue for journeys, dreams, and togetherness.

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OMR Cue Map

Track: This Train Is Always Running
Clean Intro: Yes (0:00 – immediate entry with driving, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with forward momentum
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Driving cue centered on motion, persistence, and momentum. Ideal for travel sequences and ongoing narrative movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: This Train Is Always Running

Artist: Purple Fox and the Heebie Jeebies
Genre: Indie, Rock, Soul
Instruments: Bass, Drums, Electric Guitar, Percussion
Lyric Themes: Dream
Mood: Bright, Fun, Happy, Playful, Positive, Quirky, Upbeat, Uplifting
Tempo: Slow • BPM: 83 • Key: C Major
Vocal: Male • Type: One Stop

Track Summary

A soulful, feel-good anthem of motion and optimism. The steady rhythm and sunny melody make it ideal for montage, travel, and feel-good scenes. “This Train Is Always Running” brings a sense of endless forward movement.

Sync Highlights

  • Perfect for uplifting montage or end-credit sequences
  • Organic instrumentation fits travel, adventure, and discovery visuals
  • Steady 83 BPM groove suits pacing shots and steady tracking scenes
  • Positive lyrics emphasize motivation and forward momentum

Sync Potential: This Train Is Always Running

A strong fit for children/family, animation, adventure, and feel-good storytelling. Its message of ongoing motion and optimism resonates across media focused on growth, journeys, and new beginnings.

  • Montage sequences featuring travel, friendship, or teamwork
  • Adventure and coming-of-age story arcs
  • Commercials promoting perseverance or discovery
Track Narrative:
A steady, soulful motion piece — every lyric and beat propels forward. “This Train Is Always Running” captures the spirit of adventure, resilience, and the joy of shared journeys.
Lyrics:
You are the one, let’s do it now
Anywhere you wanna go
Look at the sky, look at the birds
Look at the mountains covered with snow

I hear your voice, out in the trees
Always know just where you are
Cause I’ll always be with you,

Up in the highest places
I see your shining face, it’s

Your song that’s always singing
Your dream that’s always dreaming
This Train Is Always Running for you

Your mountain’s always climbing
Your day is always dawning
This Train is Always Running for you
Running for you

Up in the highest places
I see your shining face, it’s

Your song that’s always singing
Your dream that’s always dreaming
This Train is Always Running for you
Your mountain’s always climbing
Your day is always dawning
This Train is Always Running for you
Running for you

You are the one, let’s do it now
Anywhere you wanna go
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

A playful fusion of indie, rock, and soul designed to uplift. Each track carries warmth, joy, and encouragement — a perfect match for animation, family features, and adventure-driven storytelling.

Styles: Indie, Rock, Soul • Strengths: Upbeat hooks, clear lyrics, and positive tone • Typical Uses: Animation, Children/Family, Adventure, Feel-Good Montage

THOSE THAT CAME BEFORE US — Josh Friedman

Those That Came Before Us cover art

Those That Came Before Us
by Josh Friedman

A moving acoustic piece that carries a sense of heritage and continuity. “Those That Came Before Us” balances gentle rhythmic drive with melodic grace—perfect for stories of legacy, passage, and quiet reflection.

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OMR Cue Map

Track: Those That Came Before Us
Clean Intro: Yes (0:00 – immediate entry with cinematic, legacy-driven tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate (progressive phrasing supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on legacy, memory, and generational weight. Ideal for historical reflection and emotional payoff.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Those That Came Before Us

Artist: Josh Friedman
Genre: Folk, World
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Atmospheric, Dreamy, Hopeful, Light, Minimal, Reflective, Warm
Tempo: Fast • BPM: 144 • Key: D Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A fast yet gentle acoustic meditation that feels timeless—woven from threads of heritage and introspection. It shimmers with emotional depth and rhythmic steadiness, ideal for stories of remembrance or renewal.

Sync Highlights

  • Evokes legacy, passage, and quiet resilience
  • Fast but delicate phrasing keeps edits fluid and expressive
  • Warm acoustic tone suited for reflective or emotional visuals
  • Natural structure supports :15/:30/:60 spots and montages

Sync Potential: Those That Came Before Us

Perfect for emotional storytelling around lineage, personal reflection, and the passing of time. Works well in drama, heritage branding, or world/travel sequences.

  • Legacy and memory-driven storytelling
  • Documentary or period reflections with emotional tone
  • Nature, travel, or ancestral connection imagery
Track Narrative:
A musical conversation across generations. The steady rhythm recalls movement and tradition, while the melody speaks of memory, gratitude, and forward journey.
Instrumental:
Solo acoustic guitar performance—fluid, resonant, and full of quiet momentum. Ideal for reflective or heritage-centered scoring.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Acoustic composer whose music fuses folk and world textures with cinematic sensitivity. Friedman’s guitar work conveys motion, emotion, and connection—crafted for visual storytelling that seeks authenticity.

Styles: Folk, World, Classical • Strengths: Emotional phrasing, rhythmic subtlety, organic warmth • Typical Uses: Travel, Heritage, Drama, Reflective branding, Film cues

THOSE WINTER BLUES — Lee Palmer

Those Winter Blues cover art

Those Winter Blues
by Lee Palmer

Frostbitten and soulful — “Those Winter Blues” walks the line between seasonal melancholy and romantic heartbreak. Lee Palmer delivers icy verses warmed by bluesy resilience and vocal depth, perfect for sync moments that conjure emotional chill and slow-burning grace.

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OMR Cue Map

Track: Those Winter Blues
Clean Intro: Yes (0:00 – immediate entry with blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded tonal fade
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues cue centered on mood, reflection, and seasonal melancholy. Ideal for grounded, character-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Those Winter Blues

Song Details

  • Key Signature: A Minor
  • Beats Per Minute: 129
  • Energy: Moderate - High
  • Genre: Blues
  • Vocals: Male Vocal
  • Moods: Chill, Cool, Dramatic, Light, Positive, Reflective, Romantic, Somber
  • Lyric Themes: Heartbreak, Hope, Relationship, Longing, Loss
  • Cinematic Fit: Crime, Drama, Mystery
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Piano
  • Instrumental Solos: Electric Guitar, Piano

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics & Composition: Lee Palmer
  • Arrangements & Mixing: Elmer Ferrer
  • Sound Engineer: George Seara
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Background Vocals: Mary McKay
  • Hammond Organ, Piano, Accordion: Lance Anderson
  • Acoustic Spanish & Electric Guitars: Elmer Ferrer
  • Drums: Al Cross
  • Bass: David Woodhead
  • Harmonica: Roly Platt
  • Cajon & Percussion: Joaquin Nunez

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Those Winter Blues by Lee Palmer is a soulful, uptempo blues track that blends emotional depth with rhythmic charm. With themes of heartbreak and hope, it’s ideal for scenes that explore longing, reflection, and the bittersweet beauty of moving on.

Ideal Sync Uses

  • Crime: Moody transitions, character intros
  • Drama: Relationship tension, emotional flashbacks
  • Mystery: Reflective pacing, noir atmosphere

Scene Suggestions

  • Character walking through a cold cityscape
  • Montage of romantic regret or personal growth
  • Closing credits with a soulful tone
  • Barroom introspection or quiet confrontation

Why It Works

  • Male vocals deliver emotional authenticity
  • Uptempo groove adds drive to dramatic scenes
  • Blues instrumentation suits gritty and heartfelt storytelling
  • Lyric themes resonate with universal emotional arcs
Track Narrative:
“Those Winter Blues” is a seasonal confession — catching cold feelings, broken love, and long stretches of gray. With a rhythm that rolls like sleet on pavement, Lee Palmer shares what it means to wait for sun that might not return, and a heart that already left.
Lyrics:
Those winter blues, baby, they're bitter cold
Stop you in your tracks
Whether you're young or whether you're old
I got those winter blues
Yeah, I'm waiting for the sun to shine
I got those winter blues
My baby, my baby
My baby, she's no longer mine

Those winter blues
Find you in the dark
Slide you out of drive
Slip you into park
I got those winter blues
Waiting for the sun to shine
I've got those winter blues
My baby, my baby
My baby, she's no longer mine

Hey, hey, hey, hey
Hey, hey, hey, hey

Those winter blues came after you and me
Came after the fall of what was never meant to be
I've got those winter blues
Yeah, I'm waiting for the sun to shine
I got those winter blues
My baby, my baby
My baby, she's no longer mine

Hey, hey, hey, hey
Hey, hey, hey, hey

THREE PIPE NIGHT — Kristin Sweetland (Instrumental)

Three Pipe Night cover art

Three Pipe Night
by Kristin Sweetland

Dreamy and cinematic — “Three Pipe Night” floats in atmospheric reverence, shaped by Kristin Sweetland’s elegant textures. This instrumental piece evokes twilight reflections and quiet resolve, perfect for sync scenes steeped in contemplation, longing, or emotional stillness.

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OMR Cue Map

OMR Cue Map

Track: Three Pipe Night
Clean Intro: Yes (0:00 – immediate entry with atmospheric, moody tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on solitude, reflection, and late-night mood. Ideal for introspective scenes and slow-burn storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Three Pipe Night

Song Details

  • Key Signature: A Minor
  • Beats Per Minute: 83
  • Energy: Mid Tempo
  • Genres: Folk, World
  • Vocals: Instrumental
  • Moods: Bright, Dreamy, Hopeful, Light, Positive, Quirky, Reflective, Romantic, Warm
  • Cinematic Fit: Art House, Drama, Fantasy, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Strings
  • Instrumental Solos: Acoustic Guitar, Bass, Electric Guitar, Percussion

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed at: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered at: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Hammertone Guitar: Kristin Sweetland
  • Double Bass: George Koller
  • Pennywhistle: Ernie Tollar
  • Udu: Ben Grossman

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Three Pipe Night by Kristin Sweetland is a whimsical and romantic instrumental that evokes warmth, wonder, and poetic introspection. With its folk-world blend and dreamy textures, it’s ideal for scenes that explore emotional depth, mystical landscapes, and quiet revelations.

Ideal Sync Uses

  • Art House: Visual poetry, surreal transitions
  • Drama: Reflective moments, emotional solitude
  • Fantasy: Enchanted forests, magical realism
  • Mystery: Gentle suspense, ethereal clues
  • Romance: Serene intimacy, nostalgic longing

Scene Suggestions

  • Character wandering through a dreamlike landscape
  • Montage of quiet joy or personal reflection
  • Opening credits with a mystical tone
  • Closing scene with emotional resolution

Why It Works

  • Instrumental format allows emotional flexibility
  • Midtempo pacing supports gentle storytelling
  • Folk-world instrumentation adds organic charm
  • Mood range from quirky to romantic suits layered narratives
Track Narrative:
“Three Pipe Night” traces an ambient journey through introspective nightfall. Kristin Sweetland’s touch conjures stillness and slow motion — an instrumental reverie for moonlit solitude and soft emotional weight.

Three Times — Tiffany Joy

Three Times cover art

Three Times
by Tiffany Joy

“Three Times” is a bright, hooky Punk-Rock/World-pop hybrid that turns post-breakup loneliness into a wry, defiant confession. Tiffany Joy’s vocal rides a cool, confident groove as she admits to missing someone “only” three times a day, juggling PJs, poetry, late-night news, and lingering heartbreak. Retro-tinged and reflective yet upbeat, it’s perfect for scenes that balance vulnerability with a shrug-it-off resilience.

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OMR Cue Map

Track: Three Times
Clean Intro: Yes (0:00 – immediate entry with rhythmic, melodic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with smooth tonal finish
Loopable: Moderate–High (consistent phrasing supports editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Light, rhythmic cue centered on repetition, pattern, and emotional flow. Ideal for montage and pacing-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Three Times

Song Profile

  • Key Signature: A Major
  • BPM: 75
  • Tempo: Fast
  • Genres: Punk, Rock, World
  • Vocals: Female vocal
  • Mood/Feel: Bright, Confident, Cool, Reflective, Retro
  • Lyric Themes: Longing, Heartbreak, Love
  • Type: One stop

Instrumentation

  • Acoustic guitar
  • Bass
  • Drums
  • Electric guitar
  • Keyboard

Track Summary

“Three Times” follows a narrator piecing life together in the wake of a breakup — cooking in PJs, writing poetry, doom-scrolling the news — while insisting she only stops “three times” to miss and love the one who left. A punchy, fast-moving groove and retro-rock attitude keep the mood bright, even as the lyric quietly admits to deeper hurt. The result is a cool, modern take on emotional denial and vulnerability, ideal for character-driven stories.

Sync Highlights

  • Great for “I’m fine… really” post-breakup routines and self-care montages.
  • Upbeat enough to sit under dialogue without overwhelming the scene.
  • Works for indie, punk-inflected, or retro-styled series and films.
  • Lyrics about counting the moments of missing someone match inner-monologue and VO.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Three Times

“Three Times” shines in modern, character-centric storytelling where humour, hurt, and resilience coexist. Its fast feel and bright guitars give editors rhythmic drive, while the lyric taps into relatable questions — “Why’d you have to go and run away? Are you coming back to me?” — without feeling heavy or bleak. It’s particularly strong where the visual leans playful or quirky, even as emotions run deep.

Scene Types

  • Morning or nightly routines of a newly single character.
  • Indie rom-com sequences of “life after you” — errands, work, late-night scrolling.
  • Split-screen scenes showing both sides of a breakup or separation.
  • Montages where the character insists they’re fine, but we see they’re not.

Film/TV Fit

  • Indie Romance & Dramedy
  • Contemporary Series (relationship and roommate arcs)
  • Young Adult & College-age stories
  • Stylish international / World-influenced drama and comedy

Why It Works

  • Balances upbeat punk-rock energy with reflective, emotionally honest lyrics.
  • Memorable “I only stop three times…” hook is easy to cut around and return to.
  • Universal breakup theme with a fresh, slightly ironic twist.
Track Narrative:
“Three Times” is the soundtrack to pretending you’re okay. The narrator fills her days with cooking, books, news, and late-night distractions, measuring her heartbreak by how many times she lets herself miss and love the person who left. Bright guitars and a driving beat keep the mood forward-moving, even as the repeated question — “Are you coming back to me?” — reveals how much she’s still holding on.

Lyrics: Three Times

I've been spending days all by myself I cook in my PJs and I read books on health and I, I stay distracted all day long Write loads of poetry and a million songs I only stop three times to think that I miss you, cry aloud three times that I love you I, I'm doing fine I only stop three times to think that I miss you, cry aloud three times that I love you If this the best I ever had, three times is not so bad I stay up late watching the news Too many horror stories got me confused and I, I roll over, dim the lights Wishing you were here to, to hold me tight I only stop three times to think that I miss you, cry aloud three times that I love you I, I'm doing fine I only stop three times to think that I miss you, cry aloud three times that I love you If this the best I ever had, three times is not so bad Why'd you have to go and run away? Are you coming back to me? Are you coming back to me? Why'd you have to go and run away? Are you coming back to me? Are you coming back to me? I only stop three times to think that I miss you, cry aloud three times that I love you I, I'm doing fine I only stop three times to think that I miss you, cry aloud three times that I love you If this is the best I ever had Three times is not so bad
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy merges polished pop and rock production with the intimacy of a singer-songwriter. Her catalogue moves easily between sensual World-Pop, reflective ballads, and bright, guitar-driven anthems — always anchored by emotional clarity and a strong sense of story.

On “Three Times,” she leans into a cool, punk-tinged sound, capturing the contradictions of post-breakup life: moving on, holding it together, and secretly counting the moments you still care.

Styles: Pop, Rock, World, Singer/Songwriter • Strengths: Emotive vocals, dynamic range, lyrical honesty • Typical Uses: Drama, Romance, Dramedy, Character-Driven Series

🔖 TIGHT LITTLE SWEATER — Captain Dirt & The Skirt

Tight Little Sweater cover art

Tight Little Sweater
by Kristin Sweetland

Slick, sassy, and rhythmically bold — “Tight Little Sweater” grooves with swagger and flair. Captain Dirt & The Skirt thread mischief and grit through each instrumental phrase, crafting a sync-ready mood that slinks between confidence and edge. Think strut, not stumble.

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OMR Cue Map

OMR Cue Map

Track: Tight Little Sweater
Clean Intro: Yes (0:00 – immediate entry with playful, edgy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Stylized cue centered on attitude, humor, and edge. Ideal for quirky or offbeat storytelling moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Tight Little Sweater

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 138
  • Energy: Up Tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Upbeat, Uplifting, Warm, Dreamy, Reflective, Happy, Hopeful, Positive
  • Cinematic Fit: Action, Adventure, Art House, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Instrumental Solos: Bass, Electric Guitar

Production Details

  • Written by: Lyndell Montgomery & Kristin Sweetland
  • Produced by: David Travers-Smith & Captain Dirt & The Skirt
  • Recorded, Mixed & Mastered by: David Travers-Smith at Found Sound, Toronto, ON
  • ©: Arbora Vita Music 2013

Artists

  • Electric Guitar, Hammertone Guitar: Kristin Sweetland
  • Bass: Lyndell Montgomery
  • Drums: Gary Craig

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tight Little Sweater by Kristin Sweetland is a fast-paced, feel-good instrumental that radiates charm, warmth, and playful confidence. With its folk-rock energy and melodic sparkle, it’s perfect for scenes that celebrate quirky romance, personal triumph, or whimsical adventure.

Ideal Sync Uses

  • Adventure: Road trip montages, spontaneous escapes
  • Art House: Stylized visuals, poetic pacing
  • Mystery: Lighthearted clues, character quirks
  • Thriller: Unexpected twists with ironic flair
  • Action: Energetic transitions, playful tension

Scene Suggestions

  • Character dancing alone in their room
  • Montage of joyful chaos or creative flow
  • Opening credits with a quirky tone
  • Closing scene with a wink and a smile

Why It Works

  • Instrumental format allows flexible placement
  • Up-tempo pacing energizes visual storytelling
  • Folk textures add warmth and authenticity
  • Mood palette suits both heartfelt and humorous scenes
Track Narrative:
“Tight Little Sweater” struts into view with brassy edge and melodic mischief. With quirky instrumentation and groove-laced riffs, Kristin Sweetland (as Captain Dirt & The Skirt) spins a sonic outfit tailor-made for sync swagger and playful visuals.

TINTO TANTO QUANTO CANTO — Marito Marques feat. Ruben Lameira

Tinto Tanto Quanto Canto cover art

Tinto Tanto Quanto Canto
by Marito Marques

Vibrant and poetic — “Tinto Tanto Quanto Canto” pours lyrical warmth into a soulful blend of rhythm and voice. Marito Marques and Ruben Lameira raise a glass to emotion, language, and musical longing, swirling tradition into contemporary flair with sync-friendly elegance.

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OMR Cue Map

Track: Tinto Tanto Quanto Canto
Clean Intro: Yes (0:00 – immediate entry with warm, rhythmic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with musical lift
Loopable: Moderate–High (groove supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Warm, musical cue centered on culture, expression, and rhythm. Ideal for travel, lifestyle, and celebratory scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Marito Marques

Drummer • Composer • Producer

Marito Marques is a Grammy-nominated drummer, composer, and producer whose musical journey bridges continents and cultures. Born in Portugal and based in Toronto, Marques is known for his dynamic performances and genre-defying compositions that blend jazz, world music, and contemporary sounds.

He began playing drums at age 5 and quickly rose to prominence, performing with the National Youth Orchestra of Portugal and later studying at Humber College in Canada. Marques has collaborated with international artists including Ivan Lins, Hilario Duran, and Larnell Lewis, showcasing his versatility and global appeal.

His solo albums, such as Magic Everywhere and Immerse, feature rich sonic landscapes and have earned critical acclaim. Marques is also a sought-after session musician and producer, contributing to projects across jazz, pop, and classical genres.

With a passion for rhythm and innovation, Marito Marques continues to push musical boundaries, inspiring audiences around the world.

Sync Pitch Sheet: Tinto Tanto Quanto Canto feat. Ruben Laeira

Song Details

  • Key Signature: Eb Major
  • Beats Per Minute: 56
  • Energy: Slow Tempo
  • Genres: Folk, Pop, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Reflective
  • Lyric Themes: Happiness, Connection, Desire, Love, Celebration
  • Cinematic Fit: Adventure, Art House, Comedy, Indie
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Strings
  • Synth

Production Details

  • Producer & Arranger: Marito Marques
  • Music Composition: Marito Marques
  • Recorded at: GMP Studios

Artists

  • Percussion: Marito Marques
  • Vocalists: Maro, Salvador Sobral, Marco Rodrigues, Luis Trigacheiro
  • Accordion: Joao Frade
  • Guitar: Francisco Sales
  • Piano: Carlos Garcia
  • Strings: Nicole Marques, Aleksandar Gajic, Bryan Holt

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tinto Tanto Quanto Canto is a poetic and reflective midtempo track that blends folk-pop warmth with lyrical intimacy. With its slow groove and rich instrumentation, it evokes emotional connection, celebration, and quiet joy—ideal for scenes that explore love, longing, or cultural depth.

Ideal Sync Uses

  • Adventure: Soulful travel sequences, cultural immersion
  • Art House: Poetic visuals, emotional nuance
  • Comedy: Romantic charm, heartfelt moments
  • Indie: Character-driven storytelling, reflective arcs

Scene Suggestions

  • Slow-motion celebration or reunion
  • Intimate dinner or rooftop moment
  • Closing credits with emotional resonance
  • Montage of connection across generations

Why It Works

  • Male vocals add warmth and authenticity
  • Midtempo pacing suits reflective storytelling
  • Folk-pop blend offers emotional versatility
  • Lyric themes align with love, joy, and human connection
Track Narrative:
“Tinto Tanto Quanto Canto” is a soulful toast to connection and celebration — a slow-burning blend of folk-pop textures and lyrical warmth. Marito Marques crafts a reflective groove that invites intimacy and joy, perfect for sync scenes rooted in love, longing, and cultural depth.
Lyrics:
Sinto sede quando canto
Cantigas ao meu amore
Se for água já nem tanto
Com vinho muito melhor
De dia sou retraído
À noite bem mais aberto
E cantar faz mais sentido
Com um copinho por perto

Viva o tinto que desperta o que vai dentro de mim
Deixa a porta mais aberta
Da casa para o jardim
E depois uma janela dos tempos que sempre quis
Nos braços dos olhos dela bem perto de ser feliz

De dia sou retraído
À noite bem mais aberto
E cantar faz mais sentido
Com um copinho por perto

Vivo ao tinto
Que desperta o que vai dentro de mim
Deixa a porta
Mais aberta da casa para o jardim

A vida com mais sabor
Cantando aquilo que sinto
Ao brinde de um grande amor
Pode ser de branco ou de tin

Viva o tinto que desperta
O que vai dentro de mim
Deixa a porta
Mais aberta da casa para o jardim

TOGETHER WE ROLL — Lee Palmer

Together We Roll cover art

Together We Roll
by Lee Palmer

Easygoing and spirited — “Together We Roll” celebrates musical chemistry and free-flowing groove. Lee Palmer gathers the crew for a feel-good jam where strings sing, rhythm leads, and every bar feels like a smile. It’s the sound of friends locked in and letting loose.

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OMR Cue Map

Track: Together We Roll
Clean Intro: Yes (0:00 – immediate entry with upbeat, rolling tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with forward momentum
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Upbeat cue centered on movement, teamwork, and forward motion. Ideal for montage and collaborative storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Together We Roll

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 106
  • Energy: Moderate
  • Genres: Country, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Carefree, Bright, Fun, Happy, Playful, Positive, Quirky, Upbeat, Uplifting
  • Lyric Themes: Friendship, Love, Together
  • Cinematic Fit: Comedy, Western
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Instrumental Solos: Harmonica

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Music Composition: Lee Palmer
  • Pre-Production Demos & Final Mix: Elmer Ferrer
  • Sound Engineer: James Paul
  • Mastering: Sam Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Upright Bass & Session Leader: Alec Fraser
  • Percussion: Al Cross
  • Acoustic & Spanish Guitars: Elmer Ferrer

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Together We Roll is a breezy, midtempo anthem of camaraderie and joy — a country-folk blend that radiates warmth, humor, and heart. With its playful harmonica solo and upbeat vibe, it’s perfect for scenes that celebrate friendship, quirky adventures, and lighthearted connection.

Ideal Sync Uses

  • Comedy: Buddy moments, road trip banter
  • Western: Modern cowboy charm, rustic humor
  • Feel-Good Montage: Group bonding, outdoor fun
  • Opening Credits: Lighthearted tone setting

Scene Suggestions

  • Friends loading up a van for a weekend getaway
  • Playful montage of small-town antics
  • Closing scene with a wink and a smile
  • Celebratory toast around a campfire

Why It Works

  • Male vocals add authenticity and charm
  • Midtempo pacing suits comedic and heartfelt scenes
  • Harmonica solo adds rustic flair
  • Lyric themes align with unity, joy, and togetherness
Track Narrative:
“Together We Roll” is a musical high-five — Lee Palmer nods to friendship, string skills, and rhythm shared in tandem. The lyrics groove through guitar licks and loyal companionship, set to toe-tapping ease and pickin’ flair.
Lyrics:
Well, buddy me, we love to pick
We love to play that six-stringed stick
We can pull off a note or two
We can play it hard, we can play it cool
Together we roll, together we roll
We say our goodbyes and off we go
Keep it in time, keep it in tune
Two pals, two players, two pickers together in harmony
Together we roll, Buddy and Me

Buddy and Me, we have our own voices
Play our own tunes, make our own choices
They played us hands, so here we sit
Pickin' side by side, we'll never quit
Together we roll, together we roll
Say our goodbyes and off we go
Keep it in time, keep it in tune
Two pals, two players, two pickers together in harmony
Together we roll, buddy and me

Buddy me, we love to pick
We love to play those guitar licks
We can pull off a note or three
We can rip it out, we can set you free
Together we roll, together we roll
Say our goodbyes and off we go
Keep it in time, keep it in tune
Two pals, two players, two pickers together in harmony
Together we roll, buddy and me
Together we roll, buddy and me
Together we roll, buddy and me

TONIGHT'S THE NIGHT

Tonight's The Night cover art

Tonight's the Night
by Melodic Yoza

Hypnotic and heartfelt — “Tonight’s The Night” rides rhythmic chemistry and lyrical intimacy. Melodic Yoza blends groove with vulnerability, crafting a love-soaked anthem of connection, risk, and spiritual magnetism. Ideal for sync scenes of late-night confession, desire, or soulful pursuit.

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OMR Cue Map

OMR Cue Map

Track: Tonight’s the Night
Clean Intro: Yes (0:00 – immediate entry with energetic, anticipatory tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with high-energy finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-energy cue centered on anticipation, excitement, and build-up. Ideal for event-driven scenes and climactic moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Tonight’s the Night

Song Details

  • Key Signature: Ab Major
  • Beats Per Minute: 81
  • Energy: Medium Tempo
  • Genres: Electronic, Pop, Reggae, Rock, Soul
  • Vocals: Male Vocal
  • Moods: Catchy, Confident, Cool, Dramatic, Fun, Happy, Hopeful, Love, Rhythmic, Swagger, Upbeat
  • Lyric Themes: Identity, Love, Relationship, Time
  • Cinematic Fit: Comedy, Drama, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Electronic elements
  • Pop rhythm section
  • Reggae-inspired grooves
  • Soulful textures

Production Details

  • Producer: Available Upon Request
  • Recording Info: Available Upon Request

Artists

  • Lead Vocals: Melodic Yoza
  • Additional Artist Info: Available Upon Request

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tonight’s the Night by Melodic Yoza is a genre-blending anthem of swagger, rhythm, and romantic confidence. With its soulful vocals and reggae-pop pulse, it’s built for scenes that celebrate identity, connection, and the thrill of the moment.

Ideal Sync Uses

  • Comedy: Flirty encounters, nightlife montages
  • Drama: Relationship tension, emotional turning points
  • Mystery: Stylish transitions, character intros
  • Romance: First dates, rooftop kisses, late-night walks

Scene Suggestions

  • Stylized club entrance or dancefloor reveal
  • Montage of romantic buildup or flirtation
  • Character prepping for a big night out
  • Closing credits with a confident vibe

Why It Works

  • Male vocals deliver charm and swagger
  • Mid-tempo groove suits stylish pacing
  • Genre fusion adds versatility and edge
  • Lyric themes align with love, time, and self-expression
Track Narrative:
“Tonight’s The Night” rides the rhythm of vulnerability, passion, and philosophical soul-searching. The lyrics explore love, loss, and mystical connection against a backdrop of groove, hooks, and melodic momentum.
Lyrics:
Lovey-dovey, shoot lovey-dovey
Yeah
Lovey-dovey
Baby don't leave
Lovey-dovey, shoot lovey-dovey
If you gon' love me, tonight's the night
(Lovey-dovey, shoot, lovey-dovey)
And if you gon' leave me, tonight's the night
(Tonight's the night)
Well, if you gon' love me, tonight's the night
(Lovey-dovey, shoot, lovey-dovey)
And if you gon' leave me
Tonight, tonight, tonight, tonight

And I've been through
Oh many a diamonds
But I never met a one that tried to change my mind
But I looked her with my eyes
And see with my mind
I really thought what we had
Was genuine
But it was just

Yeah, I met her one time
For what felt like a mistime
She crossed the line
And said that she wanna be my spiritual friend
But to think about it now, man, I look back and
I ain't no silly problems
Oh, really, it couldn't mean
But you'd rather sit back and listen up to a friend
It was a mystic beginning and the way it ends
It's my all defense

If you don't love me
Tonight's the night (lovey, lovey, shoot, lovey, lovey)
And if you gonna leave me
Tonight's the night (tonight's the night)
And if you gonna love me
Tonight's the night (lovey, lovey, shoot, lovey, lovey)
And if you gonna leave me
Tonight, tonight, tonight, tonight

I was a king on the throne, she was a queen in my own
But I asked her to marry me without a ring
If you could work it out, now we could do a whole thing
Well, I'ma keep it tight, what a joy it bring
See your pretty looks, I know you shine a face
I thought you was the mother of the human race
I'm yearning for your love because I needed a taste
So it felt like a Oreo, it was my face

And just in case, just before I rest my case
I know you try so hard just to regulate
But that's not the way how I operate

If you don't love me
Tonight's the night
Lovey-dovey, shoop, lovey-dovey
Don't ever be gon' leave me
Tonight's the night
Girl, if you gon' love me
Tonight's the night
Lovey-dovey, shoop, lovey-dovey
Don't ever be gon' leave me
Tonight's the night
Tonight's the night

Come, my baby love
Come, my baby love
Come, my baby love
Come
Baby, don't go
Baby, don't go

If you don't love me
Tonight's the night (Love it, love it, shoot, love it, love it)
Then you're gonna leave me
Tonight's the night (Tonight's the night)
And just in case
Just before it's okay
And just in case
Just before it's okay
And just in case
Just before it's okay

TOO DEEP — Jerome Tucker

Too Deep cover art

Too Deep
by Jerome Tuckere

Raw and resilient — “Too Deep” dives into the trenches of financial strain and emotional devotion. Jerome Tucker pours out lyrical grit backed by stripped-down soul blues, crafting a survival anthem that throbs with truth. Perfect for sync scenes of sacrifice, struggle, and hard-won love.

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OMR Cue Map

Track: Too Deep
Clean Intro: Yes (0:00 – immediate entry with moody, immersive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with emotional fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Moody cue centered on emotional depth, immersion, and introspection. Ideal for dramatic and character-focused storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Vocalist • Composer

Jerome Tucker is a powerhouse bassist and vocalist whose music fuses soul, funk, blues, and rock into a high-energy, emotionally rich experience. Originally from the U.S. and now based in Toronto, Tucker brings a deep Southern groove and electrifying stage presence to every performance.

A A former U.S. Navy serviceman, Tucker’s musical journey has taken him from the streets of Philadelphia to international stages. He’s played alongside legends like Otis Clay and shared the stage with artists across genres, always delivering raw, heartfelt performances.

With the Jerome Tucker Band, he’s carved out a unique sound that blends tight grooves, soaring vocals, and socially conscious lyrics. Their live shows are known for their infectious energy and deep musicality, earning them a devoted following across Canada and beyond.

Jerome Tucker continues to push boundaries, creating music that uplifts, challenges, and connects. His voice and bass lines are unmistakable—and his message is clear: music is a force for unity and joy.

Sync Pitch Sheet: Too Deep

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 116
  • Energy: Moderate
  • Genres: Funk, R&B, Soul
  • Vocals: Male Vocal
  • Moods: Carefree, Romantic, Upbeat, Positive
  • Lyric Themes: Home, Strength, Struggle, Love, Money
  • Cinematic Fit: Action, Drama
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Instrumental Solos: Electric Guitar

Production Details

  • Lyrics & Composition: Jerome Tucker
  • Executive Producers: Jerome Tucker, Rich Greenspoon
  • Recording, Mixing, Mastering: Rich Greenspoon

Artists

  • Vocals & Bass Guitar: Jerome Tucker
  • Guitars: Carl Harvey
  • Percussion & Drums: Rich Greenspoon
  • Keyboards: Rob Neal Christian
  • Background Vocals: Howard Ross, Jerome Tucker

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Too Deep by Jerome Tucker is a groove-rich fusion of funk, soul, and R&B — a midtempo anthem that balances swagger with sincerity. With electric guitar solos and lyrical depth, it’s ideal for scenes that explore resilience, romance, and the tension between struggle and strength.

Ideal Sync Uses

  • Action: Urban chase scenes, confident walk-ups
  • Drama: Emotional turning points, personal breakthroughs
  • Montage: Hustle, grind, and rise-to-power arcs
  • Character Intro: Cool, grounded, and complex leads

Scene Suggestions

  • Protagonist walking through city streets with purpose
  • Flashback to family roots or early struggle
  • Romantic tension with a soulful edge
  • Closing credits with emotional weight and groove

Why It Works

  • Male vocals deliver grit and heart
  • Electric guitar solo adds emotional punch
  • Funk and soul textures evoke authenticity
  • Lyric themes align with strength, love, and survival
Track Narrative:
“Too Deep” dives into the trenches of financial strain and emotional devotion. Jerome Tucker pours out lyrical grit backed by stripped-down soul blues, crafting a survival anthem that throbs with truth. A sync-ready cut built for scenes of sacrifice, resilience, and hard-won love.
Lyrics:
Fuck poles on my house today
Cut the gas and lights off last week
Lord, I swear I'm so mad, mad, mad
That I clear I can't even speak
Lost my job a month ago
But I just can't lose a beat
Can't hold my head in defeat
Decided I'd say, "I love you, girl"

Said, "My car was bad, I ain't got nothin' in there
And I don't even care
'Cause I still have you, baby
And that we can share"

I walk a million miles just to prove to you
Just to prove this love is true
I made it way too deep
Oh, oh, oh, oh, oh, oh
I got in way too deep
I got in way too deep
I got in way too deep

Said I walk around with no money in my pocket, baby
I still, I still have that feeling for you, baby
I know I ain't got nothing to give ya
And I ain't got nothing to receive
But I still have that feeling for you, baby
I got it way too deep

I tell you that
I got it way too deep
I got it way too deep
I got it way too deep

Friday, gonna write me a check
Pay some bills, then blow the rest
Friday, gonna write me a chair
Pay some bills, then blow the rest

I got it way too deep
I got it way too deep
I got in way too deep
I got in way too deep
I got in way too deep
I got in way too deep
Ride me, you gonna ride me a chair

TOSCANA — Amhed Mitchel (Instrumental)

Toscana cover art

Toscana
by Amhed Mitchel

Warm, tranquil, and sophisticated — “Toscana” flows like Mediterranean breeze through harmonic textures and rhythmic elegance. Amhed Mitchel invites listeners on an instrumental escape, rich with cinematic atmosphere and emotional stillness.

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Track: Toscana
Clean Intro: Yes (0:00 – immediate entry with warm, scenic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with uplifting tonal finish
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Scenic cue centered on travel, warmth, and atmosphere. Ideal for lifestyle visuals and location-based storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Toscana

Song Details

  • Key Signature: Eb Major
  • Beats Per Minute: 85
  • Energy: Medium
  • Genres: Ambient, Jazz, Singer-Songwriter, World
  • Vocals: Instrumental
  • Moods: Warm, Hopeful, Positive, Reflective
  • Cinematic Fit: Drama, Romance
  • Type: One Stop

Instrumentation

  • Drums
  • Piano
  • Instrumental Solos: Electric Guitar, Piano, Saxophone

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition & Arrangement: Amhed Mitchel
  • Recording: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Amhed Mitchel
  • Keyboard: Stan Fomin
  • Piano & Rhodes: David Restivo
  • Upright & Electric Bass: Kieran Overs
  • Alto Sax: Luis Deniz
  • Guitar: Ten Quinlan

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Toscana by Amhed Mitchel is a warm, midtempo instrumental that blends ambient jazz textures with global elegance. With its reflective pacing and melodic richness, it’s ideal for scenes that explore emotional depth, romantic connection, or quiet transformation.

Ideal Sync Uses

  • Drama: Emotional turning points, introspective transitions
  • Romance: Serene intimacy, poetic flashbacks
  • Art House: Visual meditation, cultural nuance
  • Travel & Lifestyle: Scenic montages, soulful discovery

Scene Suggestions

  • Character walking through a sunlit piazza
  • Montage of quiet joy or personal reflection
  • Closing credits with emotional warmth
  • Slow-motion moment of romantic realization

Why It Works

  • Instrumental format allows flexible placement
  • Midtempo pacing supports emotional storytelling
  • Jazz and world textures add sophistication
  • Mood palette suits both drama and romance
Track Narrative:
“Toscana” pours sunlit imagery into melodic phrasing — a sonic postcard from Mediterranean calm. Amhed Mitchel maps emotional stillness with harmonic ease, crafting an instrumental reverie of escape, elegance, and sync-ready flow.

Toxic

Toxic cover art

Toxic
by Kelsey Kindall

“Toxic” is a fast, dark pop/R&B track in F Minor at 150 BPM, built around bass, percussion, and synth. Atmospheric, moody, and rhythmic, it delivers a sharp, confident vocal centered on conflict, power, and walking away from manipulation. The track carries high-energy attitude with a controlled edge, making it ideal for confrontational scenes, personal empowerment, and cutting ties with toxic relationships.

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OMR Cue Map

Track: Toxic
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, aggressive pop tail
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: High-energy pop/R&B cue for confrontation, toxic relationship fallout, personal empowerment, calling someone out, and scenes where a character walks away with confidence and finality.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Toxic

Song Profile

  • Genres: Pop, R&B
  • Key Signature: F Minor
  • BPM: 150
  • Tempo: Fast
  • Vocals: Female Vocal
  • Moods: Atmospheric, Dark, Dreamy, Minimal, Moody, Rhythmic
  • Lyric Themes: Conflict, Energy, Power
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Sync Potential

“Toxic” is built for scenes of confrontation and emotional clarity. Its fast tempo, dark tone, and cutting lyric make it ideal for calling someone out, breaking free from manipulation, and reclaiming control in relationships that have crossed the line.

Scene Types

  • Relationship confrontation and fallout
  • Calling out manipulation or gossip
  • Personal empowerment and final decisions
  • Walking away from toxic dynamics
  • High-energy female-led confidence moments

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

My ears are burning and you're holding the match
My stomach's turning to hear what you say next
Go collect all your friends, tell them your opinions
Dare to start a war that you can't end
Get off your pedestal so you can look me in the eye
And say it to my face before I walk away

I don't fight for toxic, one red flag I'm done
You live for the gossip but my life has moved on
Think you'll keep me lovesick but I am not your pawn
Take your shot and miss it 'cause I'm already gone
Toxic, toxic, toxic

My head is spinning, you mess around
Nobody's listening so you don't have to be so loud
Go collect your pity and put your hate on me
Keep on trying to waste my energy
Get off your pedestal so you can look me in the eye
And say it to my face before I walk away

I don't fight for toxic, one red flag I'm done
You live for the gossip but my life has moved on
Think you'll keep me lovesick but I am not your pawn
Take your shot and miss it 'cause I'm already gone
Toxic, toxic, toxic

Why do you keep playing with the fire?
I don't want to have to watch you burn
I don't fight for toxic, I don't fight for toxic
One red flag I'm done, you live for the gossip
But my life has moved on
Think you'll keep me lovesick but I am not your pawn
Take your shot and miss it 'cause I'm already gone
Track Narrative:
“Toxic” feels like the moment a character stops engaging and starts walking away. The energy is sharp, controlled, and decisive — not reactive, but final. It captures the shift from being affected to being done, making it a strong fit for scenes where someone chooses clarity over chaos.

TRACING MY STEPS BACK TO YOU

Tracing My Steps Back to You cover art

Tracing My Steps Back to You
by Radagast the Brown

“Tracing My Steps Back to You” is a cinematic ambient instrumental shaped by momentum, emotional pull, and reflective power. With percussion, strings, and synth building a strong forward arc, the track feels ideal for return, reunion, determination, and scenes where movement is charged with feeling.

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OMR Cue Map

Track: Tracing My Steps Back to You
Clean Intro: Yes (0:00 – immediate entry with emotional, cinematic tonal identity; no ramp required)
Edit Points: 0:20 / 0:40 / 1:00 / 1:22 / 1:46 / 2:10 / 2:36 / 3:02 / 3:30 / 4:00
Button Ending: Yes, resolved ending with emotional resolution
Loopable: Moderate (evolving structure supports narrative pacing)
Best Loop Candidates: 0:40–1:22 / 1:46–2:36 / 3:02–3:30
Use Case: Cinematic cue centered on memory, return, and emotional closure. Ideal for reunion arcs and reflective narrative endings.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: Tracing My Steps Back to You

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 142
  • Energy: High
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Cinematic, Hopeful, Minimal, Powerful, Reflective
  • Cinematic Fit: Drama, Romance, Sci-Fi, Indie
  • Type: One Stop

Instrumentation

  • Percussion
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Tracing My Steps Back to You” is built for determined movement, emotional return, and scenes where momentum carries both purpose and feeling. Its strong forward drive and reflective lift make it especially effective for reunion, pursuit, and journeys back toward something meaningful.

Ideal Sync Uses

  • Drama: return, resolve, emotional drive
  • Romance: reunion, longing with movement, heartfelt momentum
  • Sci-Fi: purposeful transit, expansive motion, reflective determination
  • Indie: travel montage, personal mission, emotional progress

Scene Suggestions

  • Character moving decisively toward reconnection or resolution
  • Montage built on return, distance, and purposeful motion
  • Travel sequence where feeling and action move together
  • Final act push toward someone or something emotionally important

Why It Works

  • High BPM adds momentum without sacrificing emotion
  • Strings and synth create lift and scale
  • Minimal-cinematic framing keeps the track clear and editorially useful
  • Hopeful power supports scenes of return and intention
Stem Tracks:
Available upon request.
Track Narrative:
“Tracing My Steps Back to You” feels like distance being crossed with intention and feeling fully intact. It carries the emotional force of return — not passive memory, but active movement toward what still matters.

TRAILER — Amhed Mitchel (Instrumental)

Trailer cover art

Trailer
by Amhed Mitchel (feat. Oz Noy)

Funk‑rock swagger with retro spark — “Trailer” slams an uptempo pocket, bright horn hits, synth flourishes, and overdriven guitar attitude. Confident, positive, and sync‑ready for high‑energy teasers, sports spots, and fast‑cut montage.

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OMR Cue Map

Track: Trailer (ft. Oz Noy)
Clean Intro: Yes (0:00 – immediate entry with high-impact tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with cinematic punch
Loopable: High (driving structure supports trailer-style edits)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-impact cue centered on energy, build, and dramatic tension. Ideal for trailers, promos, and high-intensity edits.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Trailer

Song Details

  • Tempo: Uptempo
  • Genre: Funk, Rock
  • Vocals: Instrumental
  • Mood/Feel: Bright, Confident, Positive, Retro, Upbeat
  • Type: One‑Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Synth

Sync Notes

  • Best fit: Sports hype, action‑leaning teasers, brand launches, kinetic montage, high‑energy promos.
  • Tone: Confident, bold, and retro‑bright with modern edge.
  • Mix: Big drums and bass with cutting guitar; space for VO between horn riffs.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Trailer fires on all cylinders with funk‑rock propulsion, horn stabs, and guitar grit — ideal for upbeat brand spots, sports cut‑downs, product reveals, and teaser trailers that need instant impact.

Ideal Sync Uses

  • Sports: Hype reels, highlight packages, training teasers
  • Action / Thriller: Fast‑cut sequences with confident swagger
  • Advertising: Product launches, retro‑tinged campaigns
  • Lifestyle: Energetic urban montages, automotive content

Why It Works

  • Immediate groove and attitude for quick editorial reads
  • Horn hooks + guitar drive create memorable punctuation
  • Instrumental clarity supports VO and supers
Track Narrative:
“Trailer” rides a confident funk‑rock engine — punchy drums and bass, horn jabs, and overdriven guitar deliver bright, upbeat momentum with retro lift. Built for kinetic edits, brand hype, and high‑octane visuals.

TRASH — Kiki Ferrer (Instrumental)

Trash cover art

Trash
by Kiki Ferrer

Angular, moody, and rhythmically rebellious — “Trash” rides a groove of syncopated edge and gritty sonics. Kiki Ferrer crafts cinematic texture with bite, tension, and an artful sense of unease. It’s a sync gem for scenes of underground drama, stylish grit, or pulsing rebellion.

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OMR Cue Map

Track: Trash
Clean Intro: Yes (0:00 – immediate entry with gritty, percussive tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with punchy tonal finish
Loopable: High (tight rhythmic structure supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Grit-driven cue centered on raw texture, edge, and attitude. Ideal for underground, urban, or stylized tension scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: Trash

Song Details

  • Key Signature: D Minor
  • Beats Per Minute: 125
  • Energy: Moderate
  • Genre: Rock
  • Vocals: Instrumental
  • Moods: Angry, Upbeat, Cool, Confident, Fun, Happy, Positive, Tension
  • Cinematic Fit: Drama, Horror, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Instrumental Solos: Bass Guitar, Electric Guitar, Drums, Organ

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing & Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Guitars: Elmer Ferrer & Dayan Abad
  • Keyboard: Luis Guerra
  • Bass: Alain Perez
  • Drums: Kiki Ferrer

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Trash by Kiki Ferrer is a gritty, uptempo rock instrumental that punches with attitude and sonic swagger. With its driving rhythm and aggressive solos, it’s tailor-made for scenes that demand tension, rebellion, or raw energy.

Ideal Sync Uses

  • Drama: Confrontations, emotional breakdowns
  • Thriller: Chase scenes, suspenseful build-ups
  • Horror: Unsettling transitions, chaotic moments
  • Action: Fight sequences, rebellious montages

Scene Suggestions

  • Character smashing through emotional walls
  • Montage of destruction or rebellion
  • High-speed escape or pursuit
  • Stylized horror intro or closing credits

Why It Works

  • Instrumental format allows flexible placement
  • Uptempo pacing drives intensity
  • Rock textures add edge and urgency
  • Fits high-stakes, high-impact scenes
Track Narrative:
“Trash” throws grit into rhythm and emotion. Kiki Ferrer builds cinematic mood with raw edges — an instrumental that pulses with rebellion, discomfort, and dark momentum. Sync-ready for noir settings, stylistic confrontation, or industrial soul searching.

TRAVESIA — Amhed Mitchel (Instrumental)

Travesia cover art

Travesia
by Amhed Mitchel

Buoyant, hopeful, and reflective — “Travesia” moves with an uplifting, uptempo feel (Key: D Major; ~65 BPM, double‑time feel). Jazz‑forward textures led by piano, guitars, and tasteful synths create a clean, modern mood perfect for travel, progress, and character‑arc montages.

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OMR Cue Map

Track: Través (ft. Hadrien Feraud & Federico Peña)
Clean Intro: Yes (0:00 – immediate entry with fluid, jazz-influenced tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with musical flourish
Loopable: Moderate–High (groove continuity supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Fluid cue centered on movement, musicianship, and sophistication. Ideal for upscale, lifestyle, or travel storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Travesia

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 65 (feels uptempo / double‑time)
  • Tempo: Uptempo
  • Genre: Jazz
  • Vocals: Instrumental
  • Mood/Feel: Hopeful, Positive, Reflective
  • Type: One‑Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Piano
  • Synth

Sync Notes

  • Best fit: Travel and discovery, progress montages, training/build sequences, reflective wins, light lifestyle.
  • Cut points: Natural edit opportunities approx. 0:15 • 0:30 • 0:45 • 1:00 • 1:30 (verify against master).
  • Mix: Melody‑forward with clean underbed potential for dialogue.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Travesia is an uplifting, modern jazz instrumental with a reflective core—ideal for scenes that convey forward motion, optimism, and thoughtful resolve.

Ideal Sync Uses

  • Drama: Quiet triumphs, reconnection, reflective transitions
  • Coming‑of‑Age / Indie: Travel sequences, growth montages
  • Lifestyle / Travel: Scenic city‑to‑nature montages, day‑in‑the‑life
  • Sports: Light training or recovery sequences

Why It Works

  • Instrumental format gives maximum editorial flexibility
  • Hopeful, positive palette aligns with brand‑safe storytelling
  • Clean rhythm bed supports voiceover and dialogue
Track Narrative:
“Travesia” charts an optimistic journey—steady pulse, lyrical keys, and airy guitars suggesting movement, renewal, and open‑road possibility. Its reflective tone and clean production make it a natural fit for montage storytelling and brand‑friendly moments of progress.

Treating the Wounds of Permissive Angels

Treating the Wounds of Permissive Angels cover art

Treating the Wounds of Permissive Angels
by Radagast the Brown

Tender, atmospheric, and quietly restorative, “Treating the Wounds of Permissive Angels” moves through ambient strings, synth textures, and restrained percussion with a sense of fragile repair. The track feels suspended between sorrow and hope — ideal for emotional recovery, aftermath, forgiveness, memory, and scenes where healing begins without fully resolving.

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OMR Cue Map

Track: Treating the Wounds of Permissive Angels
Clean Intro: Yes (0:00 – immediate ambient synth and string atmosphere)
Edit Points: 0:16 / 0:32 / 0:50 / 1:08 / 1:28 / 1:48 / 2:08 / 2:30
Button Ending: No, soft ambient fade
Loopable: High
Best Loop Candidates: 0:32–1:08 / 1:08–1:48 / 1:48–2:30
Use Case: Reflective ambient cue centered on emotional repair, fragile hope, and aftermath. Ideal for scenes of healing, reconciliation, quiet forgiveness, memory, personal recovery, and emotionally restrained transitions where the mood is tender but unresolved.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Ambient Composer • Cinematic Minimalist • Reflective Soundscapes

Radagast the Brown creates ambient and electronic compositions shaped around emotional restraint, cinematic atmosphere, and introspective movement. His work is built for visual storytelling — often functioning less like traditional songs and more like emotional environments unfolding underneath picture.

Blending synth textures, strings, percussion, and minimal harmonic movement, Radagast creates cues that excel in reflective drama, art house storytelling, memory-driven sequences, and emotionally suspended scenes.

His catalog provides supervisors with dialogue-friendly underscore carrying emotional depth without overwhelming the visual narrative.

Sync Pitch Sheet: Treating the Wounds of Permissive Angels

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 121
  • Energy: Low–Moderate
  • Genres: Ambient, Soundtrack
  • Vocals: Instrumental
  • Moods: Atmospheric, Emotive, Hopeful, Minimal, Reflective
  • Cinematic Themes: Emotional Underscore, Drama, Art House, Mystery, Healing / Recovery
  • Type: One Stop

Instrumentation

  • Percussion
  • Strings
  • Synth
  • Ambient soundtrack textures

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Treating the Wounds of Permissive Angels” is an emotionally restrained ambient cue built around fragile hope, reflective movement, and quiet recovery. Its blend of strings, synth textures, and subtle percussion creates a soft cinematic atmosphere that supports scenes where healing is present but not complete.

Ideal Sync Uses

  • Drama: Emotional aftermath, reconciliation, personal recovery
  • Healing / Recovery: Quiet repair, forgiveness, tender transition
  • Art House: Minimal visual storytelling, reflective pacing
  • Mystery: Emotional resolution after uncertainty
  • Emotional Underscore: Memory, hope, restrained catharsis

Scene Suggestions

  • Character recovering after emotional rupture
  • Quiet reconciliation without dialogue
  • Soft transition from pain toward acceptance
  • Reflective montage after a major loss or revelation
  • Closing moment with fragile but present hope

Why It Works

  • Strings and synth textures create emotional warmth without becoming sentimental
  • Minimal arrangement leaves space for dialogue and picture
  • Reflective tone supports nuanced storytelling
  • Soft unresolved ending keeps emotional complexity intact

Stem Tracks

Stem availability to be confirmed. Potential stem groupings may include strings, synth atmosphere, percussion layer, ambient texture, and tonal effects.

Track Narrative:
“Treating the Wounds of Permissive Angels” feels like the first breath after emotional impact. It does not resolve the pain completely, but it gives the scene a place to rest. Ambient strings and synth textures move with quiet care, creating a cue that supports healing, forgiveness, memory, and the fragile beginning of recovery.

TROUBLE AGAIN — Paul Reddick feat. The Sidemen

Trouble Again cover art

Trouble Again
by Paul Reddick

Blues-soaked and lyrical — “Trouble Again” unfurls like a windstorm of emotion and reflection. Paul Reddick and The Sidemen deliver a meditation on struggle, change, and surprise heartbreak. The track pairs poetic phrasing with groove-soaked production, inviting soulful surrender and sync-ready resonance.

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OMR Cue Map

OMR Cue Map

Track: Trouble Again
Clean Intro: Yes (0:00 – immediate entry with blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues cue centered on recurring conflict, character tension, and narrative repetition. Ideal for grounded drama.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Trouble Again

Song Details

  • Key Signature: E Minor
  • Beats Per Minute: 95
  • Energy: Midtempo
  • Genres: Country, Folk
  • Vocals: Male
  • Moods: Bright, Confident, Fun, Happy, Hopeful, Positive, Quirky, Romantic, Upbeat, Uplifting
  • Cinematic Fit: Comedy, Coming-of-Age, Drama, Indie, Romance
  • Lyric Themes: Change, Heartbreak
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Keyboard
  • Percussion
  • Synth

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Paul Reddick & The Sidemen

Artists

  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, Twelve-String Guitar: Kyle Ferguson
  • Harmonica, Vocals: Paul Reddick
  • Organ, Piano: Richard Bell

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Trouble Again by Paul Reddick is a midtempo country-folk tune that radiates charm, resilience, and emotional nuance. With its male vocals and bright instrumentation, it’s a versatile sync choice for stories of change, romantic missteps, or quirky self-discovery.

Ideal Sync Uses

  • Comedy: Lighthearted mishaps, romantic blunders
  • Coming-of-Age: Youthful transitions, personal growth
  • Drama: Reflective moments, emotional pivots
  • Indie & Romance: Quirky love scenes, hopeful endings

Scene Suggestions

  • Character walking away from a breakup with a smile
  • Montage of small-town charm and personal reinvention
  • Opening credits with a hopeful tone
  • Playful romantic tension or awkward first dates

Why It Works

  • Male vocals add emotional authenticity
  • Midtempo pacing suits narrative flow
  • Country-folk textures evoke warmth and relatability
  • Lyric themes of change and heartbreak offer emotional depth
Track Narrative:
“Trouble Again” unravels the quiet chaos of sudden heartbreak — a lyrical spiral through surprise, sorrow, and blues wisdom. Paul Reddick and The Sidemen sculpt emotional unrest with poetic grit and soulful precision.
Lyrics:

Well it's trouble again
Up from the ground
A blue weathervane
That whirls around
For all that's gone
And tumbles down
Like a lonesome song

Make a change blues
Been sung so long
Blues what will you do
Dark rumble shakes
Through daytime too
Change in the ocean
Change in the deep blue sea
Take me back now baby
You'll see some change in me

Makes a good heart break
Standing in the rain
From four til late
In your back lane
I didn't see it comin
Oh it's trouble again
Didn't see it comin
You know it's trouble again
Oh I didn't see it comin
You know it's trouble again

TROVA — Elmer Ferrer

Trova cover art

Trova
by Elmer Ferrer

Elegant and evocative — “Trova” pays tribute to a rich Latin musical tradition through instrumental poise and melodic storytelling. Elmer Ferrer blends modern jazz guitar with folkloric soul for a piece that sings even without words. The mood is cinematic, but the pulse is undeniably intimate.

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OMR Cue Map

Track: Trova
Clean Intro: Yes (0:00 – immediate entry with melodic, expressive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with lyrical tonal finish
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Expressive cue centered on culture, melody, and emotional storytelling. Ideal for travel and character-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Trova

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 123
  • Energy: Moderate
  • Genres: Country, Latin, Ambient, Folk, Jazz, Singer-Songwriter, World
  • Vocals: Instrumental
  • Moods: Warm, Hopeful, Light, Positive, Reflective, Somber, Sad
  • Cinematic Fit: Comedy, Mystery, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Horns
  • Strings
  • Saxophone
  • Instrumental Solos: Acoustic Guitar, Harmonica

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Acoustic Guitar: Elmer Ferrer
  • Upright Bass: Roberto Riveron
  • Percussion: Chendy Leon
  • Drums: Larnell Lewis
  • Harmonica: Roni Eytan
  • Piano: Michael Shand
  • Cello: Rachel Pomedli

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Trova by Elmer Ferrer is a globally inspired instrumental that blends Latin warmth with ambient jazz and folk textures. With its moderate energy and emotional range—from hopeful to somber—it’s a versatile cue for scenes that explore depth, nuance, and quiet transformation.

Ideal Sync Uses

  • Comedy: Reflective transitions, heartfelt moments
  • Mystery: Atmospheric build-ups, subtle tension
  • Romance: Quiet intimacy, emotional resolution
  • Indie & Art House: Cultural depth, poetic visuals

Scene Suggestions

  • Character walking through a quiet village at dusk
  • Montage of emotional reflection or personal growth
  • Slow-motion moment of romantic connection
  • Closing credits with a bittersweet tone

Why It Works

  • Instrumental format allows flexible placement
  • Uptempo pacing supports narrative movement
  • Latin and jazz textures add sophistication and warmth
  • Emotional palette suits both light and somber scenes
Track Narrative:
“Trova” is a lyrical instrumental — where melody becomes the poet, and rhythm echoes the soul. Elmer Ferrer guides listeners through a rich sonic journey that honors Cuban trova tradition with finesse and emotional clarity.

TROWDOWN — Melodic Yoza

Trowdown cover art

Trowdown
by Melodic yoza

Carnival-ready and rhythm-heavy — “Trowdown” blends dancehall energy with lyrical swagger. Melodic Yoza delivers an anthem for the night crowd with signature patois style and party ignition. It’s a call-and-response jam drenched in bass, island cadence, and confidence that sparks movement.

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OMR Cue Map

Track: Trowdown
Clean Intro: Yes (0:00 – immediate entry with aggressive, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with high-energy finish
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Aggressive cue centered on confrontation, energy, and physical movement. Ideal for action and high-intensity sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Trowdown

Song Details

  • Key Signature: F# Major
  • Beats Per Minute: 82
  • Energy: Slow
  • Genres: Party, Reggae, Hip Hop/Rap, Indie
  • Vocals: Male
  • Moods: Carefree, Catchy, Confident, Cool, Moody, Party, Rhythmic, Sexy, Swagger, Upbeat, Uplifting
  • Cinematic Fit: Comedy, Fantasy
  • Lyric Themes: Fun, Energy, Party, Celebration
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park (존박), JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore & Wayne Henry

Featuring Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Trowdown by Melodic Yoza is a swagger-rich, slow-groove anthem that blends reggae pulse with hip-hop flair and indie party vibes. With its confident male vocals and rhythmic bounce, it’s built for scenes that celebrate energy, attitude, and carefree celebration.

Ideal Sync Uses

  • Comedy: Party scenes, character entrances, playful chaos
  • Fantasy: Magical mischief, surreal dance sequences
  • Indie: Youthful rebellion, underground culture
  • Reality TV: Fashion reveals, nightlife montages

Scene Suggestions

  • Stylized club entrance with slow-motion swagger
  • Montage of party prep and wild celebration
  • Character dancing alone with full confidence
  • Fantasy world with rhythmic, surreal energy

Why It Works

  • Male vocals deliver bold personality
  • Slow tempo adds groove and swagger
  • Genre fusion suits diverse sync styles
  • Lyric themes match upbeat, celebratory visuals
Track Narrative:
“Trowdown” by Melodic Yoza is a swagger-filled celebration of rhythm and attitude — bass, drums, and synth lock into a slow groove while reggae and hip-hop textures fuel the party. With confident male vocals and a cinematic pulse, this track is built for scenes of bold energy, nightlife swagger, and carefree celebration.
Lyrics:
[Intro]
Well yee come di ting call
Till the morning come
Then mi sing
Wata gwaan, wata wata gwaan
Wata gwaan, wata wata gwaan
Wata gwaan, wata wata gwaan
Ready mi ready fi nice up di lawn
Come on

[Chorus]
I can't wait and till the morning come
Now when the dance get nice and we having some fun
When the girls them come out and a shake them tum tum
And move them body just like a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah
When a suh wi throwdown
A suh wi throwdown
A suh wi throwdown, yea yah

[Verse 1]
Steady moving suh mi stay s suh mi perlong
Set them moving like five and four furlong
And everybody wanna be the girls man
Who a nuh Bobby Brown them a Eric Sherman
Some a bad boy, some a them a herbs man
But I go now flip it on your version
New style say it's a brand new slang
Straight out the gates like raparapapampam
‘Cause I know you been waiting like so long
Buy out the bar come now let's have a drink Dan
Invite the girls come and let's start the show man
Who can mek di hey who can mek di dance ram
See pop shows near Toronto
Get tickets as low as $6

[Chorus]
I can't wait and till the morning come...

[Verse 2]
Dance a keep and di session pack
Stone love it a play them girls look hot...

[Bridge]
Like upside down we gonna turn the party
Like inside out me and my shorty...

[Chorus]
I can't wait and till the morning come...

[Outro]
Like wake up inna the morning now early and bright
And all we wanna do is go live some life
Man a suh wi throwdown
Man a suh wi throwdown, yea yah
Man a suh wi throwdown, yea yah

Trust in Me

Trust in Me cover art

Trust in Me
by Pheelion

Midtempo dance/folk/world blend with percussive pulse and airy synths. A reflective, faith-forward cue that steadies the frame—built for turning-point decisions, quiet courage, and scenes of calm after anxiety. One-Stop at OMR.

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OMR Cue Map

Track: Trust in Me
Clean Intro: Yes (0:00 – immediate entry with emotional, steady tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with reassuring tonal finish
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional cue centered on trust, reassurance, and relational grounding. Themes of trust in music often revolve around safety, connection, and emotional surrender, making this ideal for resolution moments and character bonding scenes. :contentReference[oaicite:0]{index=0}

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion’s devotional songwriting meets modern rhythmic lift, shaping reflective cues that steady the frame and invite peace. Built for scenes of reassurance, clarity, and choosing faith over fear.

Sync Pitch Sheet: Trust in Me

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 110
  • Energy: Midtempo
  • Genres: Dance, Folk, World
  • Vocals: Female vocal
  • Moods: Reflective
  • Lyric Themes: Faith, Love, Power
  • Type: One Stop

Instrumentation

  • Percussion
  • Synth

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Steady, reflective uplift that calms the room. Ideal for prayerful pauses, anxiety-to-peace transitions, decision points, and resolve after doubt.

Scene Types

  • Quiet resolve and centered breathing
  • Letters, journaling, or nighttime prayer
  • Recovery and renewed confidence
  • Hopeful end-of-episode moments

Film/TV Fit

  • Drama
  • Art House
  • Indie
  • Coming-of-Age

Why It Works

  • 110 BPM provides calm forward motion
  • C Minor balances introspection with strength
  • Percussion + synth leave room for dialogue
  • Faith/Love/Power themes land clearly on screen
Track Narrative:
“Trust in Me” gathers scattered thoughts into steady breath—percussive heartbeat, gentle synth glow, and a voice that chooses faith over fear.
Trust in the Lord with all your heart and lean not on your own understanding. In all your ways, submit to him, and he will make your paths straight. Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus. For the spirit God gave us does not make us timid, but gives us power, love, and self-discipline.

Stem Tracks

Contact OMR for available stems and alternate mixes.

Tu Boca Sin Palabras — Tiffany Joy

Tu Boca Sin Palabras cover art

Tu Boca Sin Palabras
by Tiffany Joy

A midtempo Country–Folk–Pop confession about silence that hurts more than truth. “Tu Boca Sin Palabras” looks back on nights of endless kisses and shared warmth, then lands in the present moment where the other person won’t speak, won’t cry, and won’t let go. Anthemic and moody but still hopeful, the track frames life without them as “a poet without words” and “a rainbow without colors.”

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OMR Cue Map

OMR Cue Map

Track: Tu Boca Sin Palabras
Clean Intro: Yes (0:00 – immediate entry with romantic, expressive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (song phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic cue centered on unspoken emotion, intimacy, and connection. Ideal for relationship storytelling and visual subtext.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Tu Boca Sin Palabras

Song Profile

  • Key Signature: D Major
  • BPM: 90
  • Tempo: Midtempo
  • Genres: Country, Folk, Pop
  • Vocals: Female Vocal
  • Mood/Feel: Anthemic/Building, Catchy, Dark, Hopeful, Moody, Positive, Reflective, Retro, Sad
  • Lyric Themes: Life, Loss, Love, Pain, Regret
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

“Tu Boca Sin Palabras” lives in the emotional gap between what once was and what will no longer be. The narrator remembers all-night kisses, shared sheets, and mornings scented with skin, then clashes with a present where the other person won’t speak, won’t cry, and won’t fully leave. Life without them is “a poet without words” and “a rainbow without colors,” and the song builds slowly from intimacy to a cathartic, aching plea.

Sync Highlights

  • Ideal for breakup or near-breakup scenes where one partner is begging for honesty, not comfort.
  • Works under introspective bedroom sequences, late-night guitar scenes, or solitary reflection.
  • Strong metaphorical lines about poets, colors, and silence cut well to visual storytelling.
  • Anthemic build supports emotional climaxes without feeling overproduced.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Tu Boca Sin Palabras

This track is a natural fit for scenes wrestling with emotional avoidance—when a character refuses to say what needs to be said, and the silence itself becomes its own kind of cruelty. It balances darkness with a thread of hope, making it highly usable across drama and dramedy.

Scene Types

  • Bedroom or kitchen-table showdowns where one partner won’t open up.
  • Post-breakup nights alone with a guitar, remembering touch, scent, and small details.
  • Slow, reflective walks or drives after a painful conversation that went nowhere.
  • Montages of life “without you” feeling colorless and muted.

Film/TV Fit

  • Drama
  • Romantic Dramedy
  • Indie & Art House
  • Coming-of-Age (love and loss arcs)

Why It Works

  • Rich metaphors (“poet without words,” “rainbow without colors”) are highly visual and universal.
  • Midtempo, moody build works under both quiet dialogue and montage.
  • Female vocal adds vulnerability and intimacy to relationship-centered scenes.
Track Narrative:
“Tu Boca Sin Palabras” opens with a string of memories—kisses that lasted all night, the smell of skin in the morning, long days spent together under the heat of the sheets. Now, the narrator faces a partner who won’t speak, won’t cry, and won’t let themselves go. She hates this moment, this silence, this lack of tears more than any argument. Her life without them feels boring and empty, warmed only by her guitar. She dreams of their hands and their kisses, but begs them: tell me what you feel, and don’t lie. The song equates life without them to a poet without words and a rainbow without colors, asking them to come back—and not hurt her anymore—while acknowledging that their soul is still stuck and unwilling to move on.

Lyrics: Tu Boca Sin Palabras

Recuerdas mi amor, cuando nos besamos toda la noche toda la noche Recuerdas el olor de mi piel en la mañana Recuerdas mi amor cuando me amaste cuando me amaste y podíamos pasar el día en el calor de las sábanas Uh, dime que sí Por qué te odio en este momento con tu boca sin palabras y no me dices lo que necesito oír Porque te odio en este momento con tus ojos sin lágrimas, un alma que no se permite ir sin ti Mi vida sin ti es tan aburrida, tan aburrida y paso las noches con solo el calor de mi guitarra Sueño con tus manos, el sabor de tus besos y los días cuando fuiste solo mío Dime lo que sientes, pero no me digas mentiras No las quiero oír Porque te odio en este momento con tu boca sin palabras y no me dices lo que necesito oír Porque te odio en este momento con tus ojos sin lágrimas, un alma que no se permite ir Mi vida sin ti es como un poeta sin palabras Vuelves a mí y no me lastimes más Mi vida sin ti es como un arcoíris sin colores Vuelves a mí y no me lastimes más Porque te odio en este momento con tu boca sin palabras y no me dices lo que necesito oír Porque te odio en este momento con tus ojos sin lágrimas, un alma que no se permite ir no se permite ir Porque te odio en este momento con tu boca sin palabras y no me dices lo que necesito oír Porque te odio en este momento con tus ojos sin lágrimas, un alma que no se permite ir sentir.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy blends Country, Folk, and Latin-pop colors into intimate, emotionally layered songs. Her writing often circles around vulnerability, spiritual and emotional honesty, and the small sensory details that linger long after a relationship changes shape.

In “Tu Boca Sin Palabras,” she gives voice to the specific pain of being met with silence when words are desperately needed. The track captures life drained of color but not entirely of hope—perfect for character-driven stories where love, loss, and self-worth collide. Across her catalog, Tiffany Joy’s warm vocals and reflective lyrics make her music a strong fit for drama, romance, and introspective arcs.

Styles: Country–Folk Singer/Songwriter, Latin-influenced Pop • Strengths: Emotional nuance, lyrical imagery, intimate vocal delivery • Typical Uses: Drama, Romantic Dramedy, Hope & Redemption, introspective character studies

TUCO

Tuco cover art

Tuco
by The Green Door

“Tuco” is a swagger-heavy instrumental built on grit, momentum, and outlaw attitude. With its confident pulse and retro-rock edge, the track is ideal for character entrances, pursuit sequences, western-coded montage, and scenes where mood and movement need to land instantly without lyrics.

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Track: Tuco
Clean Intro: Yes (0:00 – immediate entry with dark, tension-driven tonal identity; no ramp required)
Edit Points: 0:20 / 0:40 / 1:00 / 1:22 / 1:46 / 2:10 / 2:36 / 3:02 / 3:30
Button Ending: Yes, resolved ending with cinematic decay
Loopable: Moderate–High (evolving structure supports editorial looping)
Best Loop Candidates: 0:40–1:22 / 1:46–2:36 / 3:02–3:30
Use Case: Cinematic cue centered on menace, character tension, and controlled danger. Ideal for antagonist-driven scenes and slow-burn suspense.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for movement, confrontation, atmosphere, and hard-driving visual storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable musical identity, and a natural fit for scenes involving outlaw energy, pursuit, swagger, and visual attitude without lyrical interference.

Sync Pitch Sheet: Tuco

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 132
  • Energy: Medium - High
  • Genres: Metal, Punk, Rock
  • Vocals: Instrumental
  • Moods: Confident, Cool, Gritty, Moody, Retro, Swagger, Upbeat
  • Cinematic Fit: Action, Crime, Western, Indie
  • Lyric Themes: —
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Tuco” is a motion-driven instrumental with swagger, grit, and immediate attitude. Its combination of retro rock texture and confident momentum makes it ideal for character entrances, western-coded visuals, pursuit sequences, and edit-heavy montage that needs personality without lyrics.

Ideal Sync Uses

  • Action: Pursuit, weapon prep, character entrance, escalation
  • Crime: Getaway setup, underworld swagger, antihero movement
  • Western: Outlaw vibe, frontier grit, modern gunslinger energy
  • Indie: Stylized montage, attitude-driven transition, offbeat cool

Scene Suggestions

  • Character entrance with instant swagger and edge
  • Stylized movement through desert, backroads, or industrial space
  • Preparation montage before confrontation or escape
  • Western-coded sequence with humor, danger, and attitude

Why It Works

  • Instrumental format keeps the track flexible for dialogue and cut points
  • Strong rhythmic drive supports movement and montage cleanly
  • Retro rock texture gives the cue strong visual personality
  • Confident tone helps define antihero and outlaw energy instantly
Stem Tracks:
Available upon request.

Track Narrative

“Tuco” moves with the confidence of someone who walks into danger already smiling. It is all swagger, dust, and velocity — ideal for scenes where attitude lands before action does.

TULSA SOUND — Lee Palmer

Tulsa Sound cover art

Tulsa Sound
by Lee Palmer

Gritty and groove-driven — “Tulsa Sound” spins a musical homage to Southern soul and road-born storytelling. Lee Palmer pours lyrical grit, nostalgic heat, and fried-catfish flair into this anthem of migration, music, and roots. It’s blues-country with a slow burn and sync potential for vintage Americana scenes.

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Track: Tulsa Sound
Clean Intro: Yes (0:00 – immediate entry with roots-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Roots cue centered on groove, character, and Americana tone. Ideal for grounded storytelling and regional texture.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Tulsa Sound

Song Details

  • Key Signature: G Minor
  • Beats Per Minute: 99
  • Energy: Moderate
  • Genres: Blues, Funk, Rock
  • Vocals: Male
  • Moods: Dramatic, Energetic, Happy, Upbeat, Uplifting
  • Cinematic Fit: Crime, Drama, Mystery
  • Lyric Themes: Connection, Identity, Individuality, Struggle, Success
  • Type: One Stop

Instrumentation

  • Percussion
  • Bass
  • Drums
  • Electric Guitar
  • Instrumental Solos: Electric Guitar

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Music Composition: Lee Palmer
  • Sound Mixing: Elmer Ferrer at the Tone Catcher
  • Sound Engineers: Kevin Dietz, Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer, Lori-Ann Smith, Patricia Shirley
  • Hammond Organ, Acoustic Piano, Accordion: Mark Lalama
  • Electric & Slide Guitar: Kevin Briet
  • Acoustic & Electric Bass: Alec Fraser Jr.
  • Drums: Al Cross

Guest Performances

  • Guitars, Baritone Guitar, Ukulele, Background Vocals: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Violin: Aaron Solomon
  • Tenor Sax: Turner King
  • Trumpet: Dave Dunlop

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tulsa Sound by Lee Palmer is a midtempo blues-rock anthem that blends funk swagger with lyrical grit. With its male vocals and electric guitar solos, the track pulses with identity, struggle, and triumph—making it a powerful sync choice for character-driven narratives and emotionally charged scenes.

Ideal Sync Uses

  • Crime: Urban tension, character intros, gritty transitions
  • Drama: Personal breakthroughs, emotional pivots
  • Mystery: Stylized investigation, moody montage
  • Indie: Stories of resilience, self-discovery

Scene Suggestions

  • Character walking through a city with purpose
  • Montage of struggle and success
  • Opening credits with a bluesy edge
  • Stylized flashback or identity reveal

Why It Works

  • Male vocals add emotional weight and authenticity
  • Electric guitar solos provide dramatic flair
  • Midtempo pacing suits narrative flow
  • Lyric themes resonate with personal and cinematic arcs
Track Narrative:
“Tulsa Sound” drives through dusty Americana landscapes with storytelling swagger. Palmer blends southern blues, laid-back country, and a nostalgic heartbeat that hits like a train ride through backroads. Lyrical snapshots evoke memory, migration, and sonic identity.
Lyrics:
He came from Tulsa, made his way to L.A.
Couldn't make a dollar, back to Oklahoma he came
Snow hand after midnight
Snow hand after midnight
That Tulsa sound
That Tulsa sound
That Tulsa sound
That Tulsa sound
Makes everything
Fry catfish and collard greens
That Tulsa sound
That Tulsa sound
Came naturally
Like soaking up the sun
Crazy mama and cocaine
Nowhere to run
Leonard Skinner
He called me the freak
Leonard Skinner
Calm in the breeze, that Tulsa sound
Ooh, that Tulsa sound
That Tulsa sound
Ooh, that Tulsa sound
Mix everything
Fried catfish and collard greens, that Tulsa sound
Ooh, that Tulsa sound
Mix everything
Fried catfish and collard greens
That Tulsa sound
Ooh, that Tulsa sound
Ooh, give me that Tulsa sound
Ooh, yeah
Oh, yeah, yeah, yeah, yeah
Oh, oh, oh, yeah
Give me all your tools and sound, yeah
Play for me
All your tools and sound

TUMBAO PA KOKI — Carlos Miyares

Tumbao Pa Koki cover art

Tumbao Pa Koki
by Carlos Miyares

Bold, expressive, and rhythmically rich — “Tumbao Pa Koki” merges Latin jazz vitality with Afro-Cuban elegance. Carlos Miyares leads the groove with sophistication and a pulse that dances through horn, clave, and melodic fire. Backed by Chucho Valdés’ influence, the arrangement showcases world-class soloing and irresistible swing.

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OMR Cue Map

Track: Tumbao Pa Koki
Clean Intro: Yes (0:00 – immediate entry with rhythmic, Latin tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with energetic tonal finish
Loopable: Moderate–High (groove continuity supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Rhythm-driven cue centered on movement, culture, and energy. Ideal for dance, travel, and vibrant scene-setting.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Tumbao Pa Koki

Song Details

  • Key Signature: G Minor
  • Beats Per Minute: 120
  • Energy: Moderate
  • Genres: Latin, Jazz, World
  • Vocals: Instrumental
  • Moods: Bright, Confident, Cool, Energetic, Fun, Happy, Light, Playful, Positive, Quirky, Romantic, Upbeat, Uplifting, Tension
  • Cinematic Fit: Action, Adventure, Animation, Crime, Drama, Romance
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Horns
  • Percussion
  • Piano
  • Saxophone
  • Instrumental Solos: Drums, Piano, Saxophone

Production Details

  • Composer: Carlos Miyares
  • Musical Arrangement: Carlos Miyares
  • Musical Direction & Production: Chucho Valdés & Carlos Miyares
  • Executive Producer: Maya Maria Garcia
  • Recording, Mixing & Mastering: Ing. Orestes Aguila
  • Production Assistant: Yoanys Perez
  • Recording Assistants: Rebeca Alderete Bauta & Onel Cuellar Jimenez

Artists

  • Tenor Sax: Carlos Miyares
  • Double Bass: Lázaro Rivero Alarcón “Fino”
  • Piano: Tony Rodriguez
  • Drums: Oliver Valdés Rey
  • Percussion: Yaroldy Abreu Rubles

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tumbao Pa Koki by Carlos Miyares is a vibrant, midtempo instrumental that fuses Latin jazz with global flair. With its playful rhythms, dynamic solos, and cinematic versatility, it’s a sync-ready gem for scenes that demand movement, charm, and emotional lift.

Ideal Sync Uses

  • Action: Stylish chase scenes, rhythmic fight sequences
  • Adventure: Cultural exploration, upbeat travel montages
  • Animation: Whimsical transitions, character intros
  • Crime & Drama: Urban tension, clever reveals
  • Romance: Playful flirtation, vibrant connection

Scene Suggestions

  • Character strutting through a lively street market
  • Montage of cultural celebration or festival
  • Animated sequence with rhythmic motion
  • Stylized romantic encounter with playful tension

Why It Works

  • Instrumental format allows flexible placement
  • Latin jazz textures add sophistication and energy
  • Solos provide dynamic emotional shifts
  • Mood palette suits both light and dramatic scenes
Track Narrative:
“Tumbao Pa Koki” celebrates rhythmic heritage with brass-driven charisma and melodic depth. Carlos Miyares blends Cuban cadence with jazz phrasing in a composition crafted for movement, storytelling, and sonic celebration.

TUMBLIN' DOWN — Paul Reddick feat. The Sidemen

Tumblin' Down cover art

Tumblin' Down
by Paul Reddick

Downbeat, dusty, and soul-hardened — “Tumblin’ Down” walks the tightrope between defiance and heartbreak. Paul Reddick and The Sidemen deliver lyrical grit and melodic weariness in a ballad built for late nights and faded memories. The arrangement blends folk-rock textures with bluesy undertones, evoking cinematic tension and emotional depth.

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Track: Tumblin’ Down
Clean Intro: Yes (0:00 – immediate entry with blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded emotional finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues cue centered on collapse, consequence, and emotional descent. Ideal for grounded drama and character unraveling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Tumblin’ Down

Song Details

  • Key Signature: D Minor
  • Beats Per Minute: 81
  • Energy: Midtempo
  • Genres: Folk, Rock, Singer-Songwriter
  • Vocals: Male
  • Moods: Atmospheric, Hopeful, Moody, Reflective
  • Cinematic Fit: Art House, Drama, Indie, Mystery, Romance
  • Lyric Themes: Heartbreak, Longing, Love, Strength, Struggle
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Paul Reddick & The Sidemen

Artists

  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, Twelve-String Guitar: Kyle Ferguson
  • Harmonica, Vocals: Paul Reddick
  • Organ, Piano: Richard Bell

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Tumblin’ Down by Paul Reddick is a slow-burning folk-rock meditation on heartbreak and resilience. With its moody textures, male vocals, and lyrical depth, it’s ideal for scenes that explore emotional unraveling, quiet strength, and the beauty of longing.

Ideal Sync Uses

  • Drama: Emotional turning points, reflective transitions
  • Indie: Character introspection, poetic montage
  • Romance: Bittersweet moments, quiet connection
  • Mystery: Atmospheric build-ups, shadowy reveals
  • Art House: Visual metaphor, lyrical pacing

Scene Suggestions

  • Character walking alone after a breakup
  • Montage of personal struggle and quiet triumph
  • Slow-motion memory sequence
  • Closing credits with emotional resonance

Why It Works

  • Male vocals convey vulnerability and depth
  • Slow tempo supports emotional storytelling
  • Folk-rock instrumentation adds authenticity
  • Lyric themes align with universal emotional arcs
Track Narrative:
“Tumblin’ Down” captures the slow unraveling of love and resolve — a sonic portrait of grit, memory, and emotional reckoning. With harmonica cries and dusty guitar lines, it conjures the feeling of walking away from something that once mattered deeply, now fading into twilight.
Lyrics:
I been slippin and slidin in the world somewhere
I'm all set up so I hardly even care
Well I'm doin alright I get my foolin around
But when you step out of my mind
It all comes tumblin down

You know I'm livin I'm livin fairly well
I even quit tryin to break the spell
Been a long time now I've had my feet back on the ground
But when you step out of my mind
It all comes tumblin down

It ain't no trouble you know trouble don't bother me
I got a good friend and she keeps my company
I have my fun I like to go out on the town
But when you step from of my mind
You know it all comes tumblin down

TUSSLE — Thadeus Gonzalez

Tussle cover

Tussle
by Thadeus Gonzalez

A midtempo rocker in A minor at 134 BPM, “Tussle” blends crunchy rock heft with confessional storytelling. Acoustic guitar textures lock with bass and drums while a resolute male vocal traces schoolyard scraps into lifelong inner conflict—ultimately angling toward strength and hard-won hope. Ideal for scenes of self-reckoning, flashback grit, and determined forward motion.

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OMR Cue Map

Track: Tussle
Clean Intro: Yes (0:00 – immediate entry with aggressive, tension-driven tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (tight structure supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-intensity cue centered on confrontation, chaos, and physical movement. Ideal for action sequences and fast edits.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez channels personal grit into cinematic rock statements—balancing heaviness with melody and lyric punch. His catalogue moves from anthemic full-band energy to intimate, reflective confessions, making it highly adaptable for picture.

Tour-proven presence and a narrative-first writing style give editors clean, emotive beats to cut to—whether the scene needs swagger, tension, or uplift.

Sync Pitch Sheet: Tussle

Song Profile

  • Key Signature: A minor
  • Beats Per Minute: 134
  • Energy: Midtempo / Driving
  • Genres: Metal, Rock
  • Vocals: Male Vocal
  • Moods: Anthemic, Bright, Confident, Happy, Hopeful, Positive, Reflective, Upbeat, Uplifting
  • Lyric Themes: Conflict, Power, Strength, Struggle
  • Type: One Stop

Production Details

  • Instrumentation: Acoustic Guitar, Bass, Drums
  • Feel: Steady pocket with rising, anthemic choruses; confessional verses
  • Edit-Friendly Sections: 0:00–0:25 intro bed • 0:25–0:55 verse • 0:55–1:20 hook/chorus (good sting out)

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Snippet Preview (0:55–1:20)

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Tussle

Memory-lane fistfights meet present-tense inner battles. “Tussle” is built for flashbacks, personal reckonings, and steady momentum sequences. The midtempo drive and hook-forward chorus give editors solid lift without crowding dialogue.

Ideal Sync Uses

  • Flashback sequences of formative fights or rivalries
  • Training and redemption arcs with gritty resolve
  • Walk-and-think city montages; late-night drives
  • Series promos needing confessional swagger + uplift
  • Sports, combat sports, or competition reels with narrative edge

Why It Works

  • Autobiographical Detail: Clear verse images make picture editing intuitive.
  • Editorial Space: Guitar/bass/drums leave room for VO and SFX.
  • Anthemic Lift: Chorus delivers payoff without sacrificing grit.
  • One Stop Clearance: Speeds licensing turnaround.
Track Narrative:
A steady, hard-earned anthem about the fights we never quite leave behind. “Tussle” turns childhood scraps into a portrait of adult resolve—fuel for scenes where characters face themselves, own their past, and push forward anyway.
Lyrics:

When I was in 3rd grade
I learned how to fight
It happened during recess
playing a game I liked
And when the ball
hit me in the head
I saw red
Embarrassed I ran over
slugged that kid in the neck
I'm still fighting the same man
today
Always a tussle, in my head

Then came 5th grade
here comes another fight
They said I couldn't beat him
cause I was half his size
I never even let him swing
and when I watched him fall
I picked him up from off the ground and
shoved his head in the wall
No I can not win
when you hit the ground
Every swing or miss
I can't fix what I am now

Another time in High School
I got in brawl out with some friends
we were playing baseball
A guy started talking trash
and said I couldn’t hit
I ran over to second base
and I punched him in the lip

Tu-Yo — IndiviDuo

Tu-Yo cover art

Tu-Yo
by IndiviDuo

An uptempo Pop / Singer–Songwriter track about an unbalanced relationship between a risk-taker and someone who never jumps. “Tu-Yo” sets acoustic and electric guitars, bass, drums, and percussion under male and female vocals as the narrator admits they’re tired of a love that’s “un día sí y otro día no.” While they “juegan el cuello” and bet on chance, their partner waits for a light to fall from the sky before moving, never risking a hair and never leaving the ground — which is exactly why they can’t fly. Reflective yet propulsive, it’s ideal for stories about letting go, self-worth, and mismatched life philosophies.

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OMR Cue Map

Track: Tu y Yo
Clean Intro: Yes (0:00 – immediate entry with romantic, duet-driven tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (song phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic cue centered on connection, partnership, and shared emotion. Ideal for relationship storytelling and emotional arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Tu-Yo

Song Profile

  • Key Signature: G Major
  • BPM: 115
  • Tempo: Uptempo
  • Genres: Pop, Singer/Songwriter
  • Vocals: Male & Female Vocal
  • Mood/Feel: Reflective (with energetic pop drive)
  • Lyric Themes: Life, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Tu-Yo” is an uptempo Pop / Singer–Songwriter track about realizing that loving someone who never takes a leap is slowly draining your life. The narrator lists how nothing is ever enough — a mile or a million feels the same, a car or a yacht or a plane never quite “wins” their love. While one person “se juega el cuello” and bets on chance, the other waits passively for a light to fall from the sky before they’ll jump, never risking a hair and never forgetting the ground, which is why they can’t fly. Eventually, the narrator travels “desde lejos” just to say: “mi vida es mía.” The relationship becomes a short story summed up in one line: “un día sí y otro día no.”

Sync Highlights

  • Strong fit for arcs about realizing a relationship is one-sided or stuck in indecision.
  • Great for scenes where a character finally claims their own life and walks away from emotional limbo.
  • Works over montages of contrasting lifestyles: a risk-taker vs. someone who never leaves their comfort zone.
  • Spanish lyric offers clear, sync-friendly hooks about risk, fear, and the inability to “volar.”

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Tu-Yo

This track is especially strong wherever mismatched ambition, risk tolerance, or life philosophy drives a breakup or turning point. Its reflective, lyrical core paired with an uptempo feel keeps scenes emotionally engaging without becoming heavy.

Scene Types

  • Scenes where one partner finally ends a “short but intense” relationship that never fully committed.
  • Montages of a character packing up, leaving town, or literally traveling “desde lejos” to start over.
  • Conversations about wanting more from life while the other person fears taking any risk.
  • Moments of self-affirmation — walking away from an on/off love to choose independence.

Film/TV Fit

  • Romantic Drama & Dramedy
  • Character-driven series about adulthood, careers, or reinvention
  • Young Adult & Coming-of-Age (learning to choose oneself)
  • Indie features with realistic relationship arcs

Why It Works

  • The contrast between “me juego el cuello” and “nunca arriesgas un pelo” is tailor-made for visual storytelling.
  • Uptempo band feel keeps breakup or realization scenes dynamic and forward-moving.
  • Male/female vocals make it flexible for different couple dynamics or ensemble casts.
Track Narrative:
“Tu-Yo” tells the story of a relationship where one person lives in constant doubt and the other lives by taking chances. Day after day, the narrator watches their partner hesitate, waiting for perfect signs and conditions that never come. No gesture feels like enough — not distance traveled, not gifts, not words. In contrast, the narrator risks everything, betting on love and on life itself, only to realize that they are the only one ever leaving the ground. Finally, they come from far away just to say out loud that their life belongs to them, not to this half commitment. The love story, they conclude, was “un día sí y otro día no” — a brief, uneven chapter they are now ready to close.

Lyrics: Tu-Yo

Un día sí y otro día no, todo dependía de tu ánimo Una milla o tal vez un millón, para ti es lo mismo, siempre hay tráfico Yo estoy cansado de verte dudando día tras día, tras día Hoy vine desde lejos a decirte que mi vida es mía Yo me juego el cuello mientras que tú quieres encontrar una luz que caiga del cielo para poder saltar Nunca arriesgas un pelo mientras que yo le apuesto al azar Nunca olvidas el suelo y por eso no puedes volar Si era un auto, un yate o un avión, nunca me alcanzaba pa' ganar tu amor Si te traigo un verso o una flor, para ti es lo mismo, no tiene valor Yo estoy cansado de verte dudando día tras día, tras día Hoy vine desde lejos pa' decirte que mi vida es mía Yo me juego el cuello mientras que tú quieres encontrar una luz que caiga del cielo para poder saltar Nunca arriesgas un pelo mientras que yo le apuesto al azar Nunca olvidas el suelo y por eso no puedes volar Me juego el cuello mientras que tú quieres encontrar una luz que caiga del cielo para poder saltar Nunca arriesgas un pelo mientras que yo le apuesto al azar Nunca olvidas el suelo y por eso no puedes volar Un día sí y otro día no, esa fue la historia de este corto amor.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, and acoustic Singer/Songwriter influences into cinematic, story-driven songs. Their music often centers on connection, risk, crossroads moments, and emotional transformation, carried by warm arrangements and expressive vocals.

From bright, feel-good anthems to reflective, self-realization tracks like “Tu-Yo,” their catalog works across romance, dramedy, and character-focused narratives where choosing oneself, growing up, and re-writing the story are part of the emotional journey.

Styles: Latin Pop, Singer/Songwriter, Acoustic Pop • Strengths: Emotional storytelling, melodic hooks, conversational lyrics • Typical Uses: Romance, Dramedy, coming-of-age and reinvention arcs, realistic relationship stories

Twelve Bar Addiction — Lee Palmer (Instrumental)

Twelve Bar Addiction cover art

Twelve Bar Addiction
by Lee Palmer

Rooted and revealing — “Twelve Bar Addiction” captures a musician’s quiet devotion to sound and story. Lee Palmer sings of sacrifice, calling, and the rhythm that won't quit, even when the dream fades. The arrangement blends country, folk, and blues textures with heartfelt instrumentation and lyrical grit.

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OMR Cue Map

OMR Cue Map

Track: Twelve Bar Addiction
Clean Intro: Yes (0:00 – immediate entry with blues groove tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48 / 2:00
Button Ending: Yes, resolved ending with classic blues finish
Loopable: Very High (12-bar structure supports seamless repetition)
Best Loop Candidates: 0:24–1:12 / 1:12–2:00
Use Case: Blues cue centered on groove, repetition, and character texture. Ideal for bar scenes, transitions, and rhythmic edits.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Twelve Bar Addiction

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 97
  • Energy: Moderate
  • Genres: Country, Folk, Singer-Songwriter
  • Vocals: Male
  • Moods: Warm, Hopeful, Positive, Reflective, Somber, Sad
  • Cinematic Fit: Adventure, Crime, Thriller, Video Game
  • Lyric Themes: Life, Struggle, Happiness, Time
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Piano

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Composition: Lee Palmer
  • Sound Engineer: Jeremy Darby
  • Producer: Danny Greenspoon
  • Mix: Elmer Ferrer
  • Mastering: Samuel Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Bass: David Woodhead
  • Electric Guitar: Wendell Ferguson
  • Keys & Accordion: Jenn Kee
  • Percussion: Al Cross

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Twelve Bar Addiction by Lee Palmer is a midtempo country-folk reflection on life’s rhythms, emotional struggle, and the passage of time. With warm instrumentation and heartfelt male vocals, it’s a versatile sync choice for scenes that explore personal growth, quiet resilience, or bittersweet nostalgia.

Ideal Sync Uses

  • Adventure: Road trip montages, reflective travel scenes
  • Crime: Small-town tension, character introspection
  • Thriller: Emotional undercurrents, quiet suspense
  • Video Game: Narrative-driven cutscenes, character backstory

Scene Suggestions

  • Character contemplating life at a crossroads
  • Flashback montage of personal highs and lows
  • Quiet barroom reflection or late-night drive
  • Closing credits with emotional resonance

Why It Works

  • Male vocals offer emotional authenticity
  • Midtempo pacing suits reflective storytelling
  • Country-folk instrumentation adds rootsy charm
  • Lyric themes align with universal human experience
Track Narrative:
“Twelve Bar Addiction” is a love letter to the grind — the late nights, the empty rooms, and the stubborn heartbeat of a musician who can’t quit. It’s about chasing sound, chasing meaning, and finding identity in the echo of a well-worn chord.
Lyrics:
I come from a small town
Where most make their living
Traveling the highways
And working the land
The church stood proudly
Through the hills and the valleys
The rivers, the rivers they ran

I felt I was called to
The life of a rambler
A musical gambler
Like others had done
It's a wedding without rings
For better or worse
You see the clouds before you ever see sun

It's a twelve hour addiction
A lifelong affliction
Bound to last a whole while
A nighttime condition
Now it's too late for wishing
There's no changing things now

There's no use for dreamers
When time clocks are ringing
Calling on you
For work to be done
So playing's the closest
To working I've seen
Some time ago, some time to come

It's a twelve-bar addiction
A lifelong affliction
It's bound to last the whole while
Nighttime condition
Now it's too late for wishing
There's no changing things now
There's no changing things now

Two Sun Summer — Syd & I

Two Sun Summer cover art

Two Sun Summer
by Syd & I

“Two Sun Summer” is a bright, atmospheric electro-pop love story about that one unforgettable season with the right person. Shimmering synths, upbeat rhythm, and a romantic, yearning vocal capture road-trip vistas, mountaintop views, and golden-hour memories that feel almost too good to be true. Perfect for youthful romance, adventure montages, and hopeful endings where love rewrites what the future can be.

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OMR Cue Map

OMR Cue Map

Track: Two Sun Summer
Clean Intro: Yes (0:00 – immediate entry with warm, sunlit tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with uplifting tonal fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Warm cue centered on summer, nostalgia, and lightness. Ideal for lifestyle visuals and feel-good storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Two Sun Summer

Artist: Syd & I
Genre: Electronic, Pop
Instruments: Bass, Percussion, Synth
Lyric Themes: Connection, Desire, Relationship, Romance, Adventure
Mood: Atmospheric, Bright, Upbeat
Tempo: Uptempo • BPM: 118 • Key: D Major
Vocal: Female vocal • Type: One Stop

Track Summary

A glowing electro-pop anthem about a once-in-a-lifetime summer romance. Upbeat yet emotional, the track balances starry-eyed wonder with a hint of wistfulness, driven by pulsing bass, bright synths, and a heartfelt topline. Optimistic and cinematic, with plenty of lift for montage and payoff moments.

Sync Highlights

  • Perfect for summer romance arcs, travel and road-trip sequences
  • Strong chorus hook around “two-sun summer” for title cards and emotional payoffs
  • Uptempo but not aggressive, leaving room for dialogue and VO
  • Natural edit points between verses, pre-chorus lift, and choruses

Sync Potential: Two Sun Summer

“Two Sun Summer” is built for sun-drenched storytelling: coastal drives, festival nights, mountaintop vistas, and slow-motion memories that feel bigger than life. The lyrics lock in on a rare connection and a season that changed everything, making it a natural fit for modern romance and coming-of-age narratives.

  • Streaming drama and YA romance (series arcs, season finales, key couple moments)
  • Travel, tourism, and lifestyle spots showcasing adventure, escape, and connection
  • Montages of friends or lovers exploring a city, coastline, or festival
  • End-credits or final-episode sequences with a hopeful, expansive tone
Track Narrative:
“Two Sun Summer” follows someone looking back on the season that redefined what love and possibility look like. From peaks and bridges to rare “two-sun” skies, the imagery feels larger than life, yet grounded in real emotional risk — trusting, committing, and realizing this connection may be once in a lifetime. The final repetitions of “two-sun summer with you” land as both memory and promise, ideal for scenes where a relationship is crystallized in time.
Lyrics: I did all that I could do Never went to the peaks without you maybe once or twice but never with the two suns shining through I want to see it again, it doesn't got to be too too good to be true But all this pessimistic thoughts are coming through I did all that I could do So was it once in a lifetime for this two-sun summer to shine on through to me Once in a blue moon for this two-sun summer, two-sun summer with you And I got what I wanted afraid of commitment he said what I needed we went over those bridges I want to do it again, don't know if I can but I'll trust him with this and he says it'll be cool So I did all that I could do for our once in a lifetime for this two-sun summer to shine on through to me Once in a blue moon for this two-sun summer, two-sun summer with you Summer sun doesn't shine without you You made me believe in more than I used to Always thought it was me who couldn't see things through But you showed me two sun summers Once in a lifetime for this two-sun summer to shine on through to me Once in a blue moon for this two-sun summer, two-sun summer with you it's a two sun summer with you a two sun summer with you Never went to the peaks with you never went without you A two-sun summer with you with you two-sun summer with you
Stem Tracks:
Stems not yet posted. Contact OMR Music Production for instrumentals, alt mixes, or custom edits.
Syd & I

Syd & I

Syd & I blend electronic pop textures with intimate, emotionally honest songwriting. Their tracks pair modern production and atmospheric synth work with lyrics that zoom in on pivotal moments — the night you change, the summer you never forget, the version of yourself you finally become.

Styles: Electronic Pop, Indie, Alt Pop • Strengths: Emotional storytelling, modern sound design, hooky yet subtle toplines • Typical Uses: Streaming drama, YA romance, lifestyle and travel storytelling

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