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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — S

Soulful scores, suspenseful builds, and sweeping soundscapes — the “S” series sets the stage with style and substance. Built for mood-forward sync licensing across visual media.

← Back to Main Catalog

S’SENSE — Samuel Williams

S'SENSE cover art

S'Sense
by Samuel Williams

Soulful and elevated — “S’SENSE” channels sophistication through groove-rich instrumentation and spatial clarity. Samuel Williams delivers jazz-inflected vibe with sync-ready elegance, perfect for fashion-forward visuals, modern romance, or urbane transitions.

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OMR Cue Map

OMR Cue Map

Track: Ssense
Clean Intro: Yes (0:00 – immediate entry with smooth, atmospheric tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with subtle tonal fade
Loopable: High (consistent groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Smooth, modern cue centered on atmosphere, rhythm, and understated movement. Ideal for lifestyle visuals and contemporary storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: S’Sense

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 142
  • Energy: High
  • Genres: Jazz, Indie
  • Vocals: Instrumental
  • Instrumentation: Bass, Keyboard, Percussion, Synth
  • Instrumental Solos: Piano, Saxophone
  • Moods: Carefree, Atmospheric, Dreamy, Reflective, Minimal, Moody, Rhythmic
  • Cinematic Fit: Crime, Drama, Mystery
  • Type: One Stop

Production Details

  • Executive Producer: Samuel Williams
  • Music Composition: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Soprano Sax: Rob Christian
  • Bass, Piano, Acoustic & Electric Guitars, Drum Programming, Keyboards: Samuel Williams

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“S’Sense” by Samuel Williams is a groove-rich instrumental that blends jazz sophistication with indie minimalism. With spatial clarity and rhythmic elegance, it’s ideal for sync scenes that explore urban mood, emotional nuance, and cinematic cool.

Ideal Sync Uses

  • Crime: Surveillance sequences, noir transitions
  • Drama: Reflective pacing, emotional tension
  • Mystery: Stylized edits, psychological depth
  • Fashion: Runway visuals, editorial montages

Scene Suggestions

  • Character walking through a city at night
  • Montage of introspection or solitude
  • Slow-motion transitions with ambient tone
  • Closing credits with rhythmic elegance

Why It Works

  • Fast tempo supports dynamic pacing
  • Instrumental format allows flexible placement
  • Jazz textures evoke sophistication and mood
  • Atmospheric tone enhances cinematic depth
Track Narrative:
“S’SENSE” glides with stylish minimalism — instrumental soul shaped for modern pacing. Samuel Williams delivers polished phrasing and easy confidence ideal for sync scenes in upscale settings, personal transformation, or visual storytelling built on mood and motion.

SA 1530 — Kiki Ferrer

SA 1530 cover art

SA 1530
by Kiki Ferrer

Percussive and cinematic — “SA 1530” delivers Latin-infused texture and rhythmic movement. Kiki Ferrer crafts a sync-ready instrumental grounded in groove and atmospheric layers, perfect for travel montages, contemplative motion, or cultural transitions.

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OMR Cue Map

OMR Cue Map

Track: SA 1530
Clean Intro: Yes (0:00 – immediate entry with rhythmic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with confident finish
Loopable: High (steady structure supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Groove-forward cue centered on motion, rhythm, and forward energy. Ideal for montage and pacing-driven sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: SA 1530

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 120
  • Energy: Moderate
  • Genre: Rock
  • Vocals: Instrumental
  • Instrumentation: Bass, Drums, Electric Guitar
  • Instrumental Solos: Electric Guitar, Drums
  • Moods: Angry, Energetic, Serious, Tense
  • Cinematic Fit: Crime, Drama, Thriller, War
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Guitars: Elmer Ferrer
  • Drums: Kiki Ferrer

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“SA 1530” by Kiki Ferrer is a percussive, cinematic rock instrumental with Latin-infused textures and rhythmic drive. Its midtempo pulse and atmospheric layering make it ideal for sync scenes that demand tension, motion, and cultural edge.

Ideal Sync Uses

  • Crime: Tactical sequences, urban surveillance
  • Drama: Emotional buildup, transitional scenes
  • Thriller: Chase scenes, psychological suspense
  • War: Strategic montages, battlefield introspection

Scene Suggestions

  • Character preparing for confrontation
  • Slow-motion walk through tense environment
  • Montage of cultural or political unrest
  • Opening credits with rhythmic tension

Why It Works

  • Midtempo groove supports pacing and suspense
  • Instrumental format allows flexible placement
  • Rock textures evoke urgency and grit
  • Atmospheric tone enhances cinematic depth
Track Narrative:
“SA 1530” pulses with geographical memory and musical craft — Kiki Ferrer paints rhythm into terrain. A sync-ready instrumental perfect for slow journeys, city vistas, or reflective sound beds driven by timbre and tradition.

Sapphire Thieves — Thadeus Gonzalez

Sapphire Thieves cover art

Sapphire Thieves
by Thadeus Gonzalez

“Sapphire Thieves” is a swaggering Country-Rock burner built on gritty guitars, driving drums, and an anthemic vocal hook. Lyrically, it taps into themes of escape, loyalty, and outlaw romance — a crew on the run, taking what they need and chasing a life beyond the limits of their old world. The track’s mix of bright energy, rebellious attitude, and cinematic scope makes it a natural fit for sequences of motion, risk, and freedom on screen.

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OMR Cue Map

OMR Cue Map

Track: Sapphire Thieves
Clean Intro: Yes (0:00 – immediate entry with suspense-driven tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with tension release
Loopable: High (steady pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Suspenseful cue centered on stealth, intrigue, and tension. Ideal for heist, crime, and covert operation scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sapphire Thieves

Song Profile

  • Key Signature: G Major
  • BPM: 132
  • Tempo: Uptempo
  • Genres: Country, Rock
  • Vocals: Male vocal
  • Mood/Feel: Bright, Confident, Cool, Energetic, Fun, Gritty, Moody, Positive, Quirky, Retro, Sexy, Upbeat
  • Lyric Themes: Escape, Freedom, Friendship, Rebellion, Romance, Struggle
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Synth

Track Summary

“Sapphire Thieves” plays like a modern outlaw anthem — a tight, hook-driven Country-Rock track that celebrates escape, loyalty, and shared risk. The groove is propulsive and upbeat, while the lyric hints at crossing borders, taking chances, and leaving an old life behind, giving editors plenty of emotional and visual angles to cut to.

Sync Highlights

  • Perfect for getaway drives, road-trip montages, or band-of-outsiders narratives.
  • Uptempo groove and bright tonality keep high-energy sequences feeling fun and cinematic.
  • Rebellious, romantic undertone works well for partner-in-crime or ride-or-die relationships.
  • Organic band production fits gritty dramas, streaming series, and stylized genre pieces.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Sapphire Thieves

With its mix of swagger, melody, and forward motion, “Sapphire Thieves” is ideal for storylines about escape, reinvention, and life on the move. It works equally well as a signature track for misfit crews, desert-highway runs, or late-night city escapes — anywhere characters are breaking away from the expected and choosing their own path.

Scene Types

  • Getaway and heist-adjacent sequences with a rebellious edge.
  • Road-trip or travel montages with friends or lovers.
  • Bar, club, or small-venue performance scenes.
  • Character turning-point moments where they decide to leave town or start over.

Film/TV Fit

  • Drama
  • Action / Crime
  • Road-movie and coming-of-age stories
  • Streaming series with gritty or off-beat tone
  • Ad campaigns focused on freedom, travel, or personal reinvention

Why It Works

  • Uptempo, hooky feel makes it easy to cut picture against.
  • Lyrics reinforce themes of escape, loyalty, and rebellion without being overly specific.
  • Country-Rock palette bridges mainstream rock energy with Americana grit.
  • Strong chorus can underscore title cards, trailers, or climactic montage beats.
Track Narrative:
“Sapphire Thieves” follows a pair (or crew) who have decided to take their fate into their own hands — grabbing what they need, leaving a fading city behind, and disappearing into the stars. The lyric hints at beauty, risk, and complicity: it is as much about emotional theft (hearts, time, second chances) as it is about physical escape. The song lives in that liminal space between danger and freedom, making it a powerful backdrop for stories of flight, loyalty, and the price of starting over.

Lyrics: Sapphire Thieves

We will take what we can, all the beautiful things, everything we will need. Then leave this city, leave the nude lands, cross the stars as the sapphire thieves.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Thadeus Gonzalez

Thadeus Gonzalez

Thadeus Gonzalez crafts high-impact rock songs that translate seamlessly to the screen. His writing blends hook-driven melodies, muscular rhythm sections, and emotionally charged vocals, giving editors and supervisors tracks that cut through dialogue and picture without overwhelming them.

Across his catalog, you’ll find themes of struggle, reinvention, defiance, and hard-won resilience — all delivered with a cinematic sense of dynamics and pacing. Big choruses, tight arrangements, and strong guitar tones make his music ideal for trailers, series, and features needing rock energy with narrative weight.

Styles: Rock, Punk, Metal-influenced Rock • Strengths: Anthemic hooks, driving grooves, emotionally committed vocals • Typical Uses: Action, Drama, Character-driven Stories, Road and Rebel Narratives, High-Energy Spots

Sarabande e double 2

Sarabande e double 2 cover art

Sarabande e double 2
by Nato

A bright, fast, and modernized take on the sarabande, transformed into a lively 139 BPM D-major dance hybrid. While rooted in classical structure, this variation mixes energy, tension, humour, and emotional contrast — shifting from quirky and fun to dramatic and reflective with ease. Perfect for stylish sequences, clever montage, and emotionally complex storytelling.

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OMR Cue Map

OMR Cue Map

Track: Sarabande e Double 2
Clean Intro: Yes (0:00 – immediate entry with classical tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with formal tonal cadence
Loopable: Moderate–High (structured phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Classical cue centered on form, elegance, and structure. Ideal for period storytelling and refined visual sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato crafts cinematic instrumentals that blend classical forms with world and modern textures, bringing a fresh, emotional edge to traditional structures like the sarabande and its more expansive or energetic doubles. His writing mixes expressive string work with rhythmic drive and emotional nuance, creating cues that feel both timeless and contemporary.

With a focus on mood, colour, and pacing, Nato’s compositions are built for picture — supporting nuanced storytelling, character emotion, and artful editorial choices across film, television, and premium content.

Sync Pitch Sheet: Sarabande e double 2

Song Profile

  • Key Signature: D Major
  • BPM: 139
  • Energy: Fast, lively, tense but bright
  • Genres: Classical, World
  • Instruments: Strings
  • Moods: Catchy, Cinematic, Dark, Dramatic, Energetic, Fun, Happy, Moody, Positive, Powerful, Quirky, Reflective, Sad, Tension
  • Type: One Stop
  • Vocals: Instrumental

Instrumentation

  • Energetic string ensemble
  • Fast sarabande-influenced rhythm
  • Strong dynamic contrasts supporting emotional shifts

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sarabande e double 2” brings classical elegance with a bolt of energy — ideal for stylized editing, clever visual sequences, and emotionally layered storytelling. It carries tension and brightness simultaneously, making it a strong fit for scenes requiring forward motion with emotional bite.

Scene Types

  • Fast-cut montage with classical flair
  • Energetic but refined transitions or motion scenes
  • Playful scheming, clever plans, or emotional contradictions
  • Dramatic turns that need tension with elegance

Film/TV Fit

  • Drama
  • Romance
  • Art House / Indie
  • Period / Historical with a modern twist

Why It Works

  • 139 BPM adds energy without chaos.
  • D major brings brightness even through tension.
  • String-only palette keeps it dialogue-friendly.
  • Wide emotional range increases versatility in an episode or film.
Track Narrative:
“Sarabande e double 2” feels like a refined chase — elegant steps moving quickly toward something desired or feared. Its bright major key brings hope, while the speed adds stakes, making it perfect for clever movement, emotional tension, or visually expressive storytelling.
Instrumental Notes:
Entirely string-based, the cue balances clarity and motion. Despite the fast tempo, the orchestration leaves room for dialogue and FX, making it a strong choice for dynamic scenes that need musical sophistication without overwhelming the mix.

Stem Tracks

Contact OMR for available stems (lead strings, ensemble strings, alternate edits, fast-tempo doubles).

Sarabande e double 1

Sarabande e double 1 cover art

Sarabande e double 1
by Nato

A slow, expressive sarabande in B minor, rich with emotional weight and lyrical phrasing. At 65 BPM, “Sarabande e double 1” leans into drama and introspection — powerful yet restrained, romantic yet quietly sad. Perfect for reflective moments, emotional turning points, or scenes where time seems to slow under the weight of feeling.

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OMR Cue Map

OMR Cue Map

Track: Sarabande e Double 1
Clean Intro: Yes (0:00 – immediate entry with classical tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with formal cadence
Loopable: Moderate–High (structured phrasing supports editorial flexibility)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Classical cue centered on discipline, form, and emotional restraint. Ideal for historical scenes and composed storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato crafts cinematic instrumentals that blend classical forms with world and modern textures, bringing a fresh, emotional edge to traditional structures like the sarabande and its expressive, often introspective double. His writing emphasizes lyrical phrasing, emotional nuance, and dynamic clarity, resulting in music that feels both timeless and deeply cinematic.

With a focus on mood, colour, and pacing, Nato’s compositions are built for picture — supporting nuanced storytelling, character emotion, and artful editorial choices across film, television, and premium content.

Sync Pitch Sheet: Sarabande e double 1

Song Profile

  • Key Signature: B Minor
  • BPM: 65
  • Energy: Slow, expressive, weighty
  • Genres: Classical, World
  • Instruments: Strings
  • Moods: Dramatic, Powerful, Reflective, Romantic, Sad
  • Type: One Stop
  • Vocals: Instrumental

Instrumentation

  • Expressive string writing with long, lyrical lines
  • Sarabande rhythm and character (slow, weighted, graceful)
  • Emotional dynamic shaping for dramatic arcs

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sarabande e double 1” is ideal for emotional weight, introspective moments, and narrative depth. The slow sarabande pulse adds classical dignity, while the minor key and expressive writing allow it to sit under scenes of grief, longing, reflection, or quiet connection.

Scene Types

  • Grief, heartbreak, or emotional processing
  • Slow-motion or reflective montage
  • Romantic longing or bittersweet intimacy
  • Quiet realizations or turning points

Film/TV Fit

  • Drama
  • Romance
  • Period / Historical
  • Art House / Indie

Why It Works

  • 65 BPM creates emotional gravity and slow-build tension.
  • B minor offers tenderness, sadness, and introspective beauty.
  • String-only palette leaves room for dialogue, VO, and atmosphere.
  • Classic sarabande form elevates dramatic scenes with elegance and depth.
Track Narrative:
“Sarabande e double 1” feels like a heart remembering — slow, weighted, graceful, and full of unresolved emotion. Every phrase seems to reach for something just out of view, making it perfect for scenes of loss, longing, private reflection, or difficult but meaningful choices.
Instrumental Notes:
Fully string-based and lyrical, the cue supports dialogue, VO, and emotional pacing perfectly. The slow sarabande rhythm provides structure without intruding, making it a strong choice for intimate storytelling.

Stem Tracks

Contact OMR for available stems (lead strings, supporting strings, alternate edits, expressive doubles).

SATURN — Purple Fox and the Heebie Jeebies

Saturn cover art

Saturn
by Purple Fox and the Heebie Jeebies

Cosmic blues-rock with a curious streak. “Saturn” drifts through moons, rings, and magnetospheres over a midtempo groove, balancing wonder with warmth — great for space-tinged visuals, discovery themes, and reflective montage.

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OMR Cue Map

OMR Cue Map

Track: Saturn
Clean Intro: Yes (0:00 – immediate entry with expansive tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Expansive, atmospheric cue centered on space, scale, and contemplation. Ideal for cinematic visuals and reflective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Saturn

Artist: Purple Fox and the Heebie Jeebies
Genre: Blues, Metal, Rock
Instruments: Bass, Drums, Electric Guitar
Lyric Themes: Connection, Discovery, Energy, Strength, Time
Mood: Reflective, Warm
Tempo: Midtempo • BPM: 90 • Key: G Major
Vocal: Male • Type: One Stop

Track Summary

A steady, midtempo pulse underpins planetary imagery and “particles of light,” landing a contemplative yet uplifting tone. Guitar-led textures keep it earthy while the lyric reaches for the cosmic.

Sync Highlights

  • Space/astronomy references ideal for science, learning, and wonder
  • Midtempo groove supports reflective montage and VO
  • Clean, positive language suitable for family and education content
  • Natural edit points at verse/chorus pivots and the “Saturn” hook

Sync Potential: Saturn

A strong fit for children/family, animation, science explainer sequences, and discovery-driven stories. Works well under timelapse, planetarium, stargazing, or “learning is fun” vignettes.

  • STEM/education cues and museum or planetarium content
  • Coming-of-age discovery beats; reflective end-of-episode montages
  • Brand spots around curiosity, exploration, and possibility
Track Narrative:
From rings and moons to “particles of light,” the lyric maps cosmic awe back to personal grounding — a gentle arc from looking up to finding your feet on the ground.
Lyrics:
There’s 29 awaiting confirmation
And 53 too cold to burn
Some are larger than Mercury
Saturn

What about the other, 69 moons
What about the others,

There’s bronze, red, gold, and copper rings
Who knows what they bring
High above this place Magnetosphere of Saturn
What about the other, 69 moons
What about the others,

Particles of light drifting all around
I can find my feet back on the ground
Particles of light drifting all around
I can find my feet back on the ground

Saturn, Saturn
What about the others, Saturn?
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

A colorful fusion of blues, rock, soul, and feel-good storytelling. Curiosity, connection, and positivity run through the catalog — a dependable match for discovery-forward and family-friendly syncs.

Styles: Blues, Rock, Soul • Strengths: Upbeat grooves, VO-friendly mixes, positive imagery • Typical Uses: Children/Family, Animation, Lifestyle, Education/Science

SAVE MAMMA — Dane Hartsell

Save Mamma cover art

Save Momma
by Dane Hartsell

Funky and bold — “Save Mamma” flips swagger into a soulful plea. Dane Hartsell blends sass and groove with playful lyric hooks and rhythmic punch, perfect for sync scenes of romantic pursuit, parental storytelling, or cheeky character entrances.

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OMR Cue Map

OMR Cue Map

Track: Save Mamma
Clean Intro: Yes (0:00 – immediate entry with emotional urgency; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Urgent, emotional cue centered on protection, desperation, and care. Ideal for high-stakes personal storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Guitarist • Producer

Dane Hartsell is a talented Canadian singer-songwriter, guitarist, and producer known for his soulful voice and emotive songwriting. His music blends elements of rock, pop, and blues, creating a unique sound that resonates with a wide audience.

Born and raised in Canada, Hartsell developed a passion for music at a young age. He began playing guitar in his early teens, inspired by a diverse range of artists and genres. His early exposure to music laid the foundation for his eclectic style and deep appreciation for musical storytelling.

Hartsell’s career took off with the release of his debut album, which showcased his ability to craft heartfelt lyrics and memorable melodies. His music quickly gained traction, earning him a dedicated fan base and critical acclaim. Known for his dynamic live performances, Hartsell has played at numerous venues and festivals, captivating audiences with his powerful voice and engaging stage presence.

Dane Hartsell continues to evolve as an artist, consistently pushing the boundaries of his musical abilities. His recent projects reflect his ongoing commitment to creating authentic and impactful music. With a growing discography and a reputation for excellence, Hartsell is poised to make a lasting impact on the music industry.

Sync Pitch Sheet: Save Momma

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 99
  • Energy: Moderate
  • Genres: Grunge, Indie, Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar, Percussion, Synth
  • Instrumental Solos: Electric Guitar, Drums
  • Moods: Angry, Tense
  • Cinematic Fit: Drama, Action
  • Type: One Stop

Production Details

  • Executive Producer: Dane Hartsell
  • Lyrics: Dane Hartsell, Jeff Dalziel
  • Music Composition: Dane Hartsell, Jeff Dalziel
  • Recording: Mike Langford
  • Production: Mike Langford
  • Mixing: Mike Langford
  • Mastering: Peter Letros

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Dane Hartsell
  • Bass Guitar: Dane Hartsell
  • Drums: Mike Langford

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Save Momma” by Dane Hartsell is a gritty, swagger-filled rock anthem with emotional punch and rhythmic drive. Its midtempo groove and confident male vocal make it ideal for sync scenes that explore family tension, romantic pursuit, or rebellious energy.

Ideal Sync Uses

  • Drama: Family conflict, emotional flashbacks
  • Action: Character buildup, stylized entrances
  • Romance: Bold declarations, playful tension
  • Comedy: Quirky swagger, cheeky transitions

Scene Suggestions

  • Character walking into a bar with attitude
  • Montage of family memories or tension
  • Slow-motion entrance with retro flair
  • Closing credits with rhythmic swagger

Why It Works

  • Midtempo groove supports pacing and emotion
  • Male vocal adds character and grit
  • Rock textures evoke tension and swagger
  • Retro tone enhances stylized storytelling
Track Narrative:
“Save Mamma” packs attitude and affection — Dane Hartsell drops a bluesy groove with slick vocal phrasing and lyrical repetition that charms and taunts. This cut is sync-ready for scenes of flirtation, mother-son tension, or dramatic comedy with Southern flavor.
Lyrics:
Your mama's still waitin' on my bank report
(On the porch, baby, on the porch)
Your mama, she knows that I'm gonna love her more
Yeah, I say, say, say, I say, say, say
Your mama's little kiss, your mama's little kiss
I say, say, say, I say, say, say
Your mama's little kiss, your mama's little kiss
Oh
Your mama's been waitin' on a vengeance, yeah
Your mama she knows that she can bend for me
I say, say, say
I say, say, say
Your mama little P.S.
Your mama little P.S.
I say, say, say
I say, say, say
Your mama little P.S.
Your mama little P.S.
I want you to say to me, to me, yeah
I want you to say, I want you to say, yeah
I want you to say to me, to me, yeah
Yeah, say, say, say, say, say
Your papa little kiss, papa little kiss
Oh, say, say, say, oh, say, say, say
Your papa little kiss, your papa little kiss
Hey, yeah, papa little kiss
You know that I'm out to get your mama, right?
Yeah, you do, huh?
(Wah, wah, wah, wah, wah)

SAVE RAP

Save Rap cover art

Save Rap
by Radagast the Brown

“Save Rap” is a swagger-heavy hip hop track with a male vocal built on confidence, rhythm, irreverence, and verbal spectacle. With bass, drums, percussion, and synth driving the beat, it feels ideal for attitude, comic bravado, stylish chaos, and scenes that need larger-than-life personality with a wink.

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OMR Cue Map

Track: Save Rap M1
Clean Intro: Yes (0:00 – immediate entry with rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (steady beat supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Rhythm-driven cue centered on urgency, motion, and modern energy. Ideal for fast-paced visuals and urban storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Save Rap

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 90
  • Energy: Moderate
  • Genres: Hip hop/rap
  • Vocals: Male Vocal
  • Moods: Confident, Cool, Fun, Party, Quirky, Rhythmic, Swagger, Upbeat
  • Lyric Themes: Adventure, Empowerment, Energy, Escape, Home
  • Cinematic Fit: Comedy, Sports, Crime, Indie
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Save Rap” is built for scenes that need personality, bravado, wit, and rhythmic attitude. Its male vocal and playful swagger make it especially effective for comic set pieces, confident entrances, montage with edge, and sequences where the character’s oversized voice is part of the point.

Ideal Sync Uses

  • Comedy: absurd confidence, comic swagger, oversized personality
  • Sports: bravado, warm-up energy, attitude-driven montage
  • Crime: stylized confidence, cocky movement, ironic edge
  • Indie: eccentric character identity, rhythmic wit, playful chaos

Scene Suggestions

  • Character entrance built on sheer personality and confidence
  • Comic montage with swagger and verbal spectacle
  • Stylized urban sequence that needs wit and rhythm
  • Moment where bravado and absurdity are equally important

Why It Works

  • Male rap vocal gives the cue identity, humor, and drive
  • Midtempo groove supports attitude without rushing the scene
  • Quirky swagger makes it memorable and visually playful
  • Hip hop framework brings confidence and rhythmic authority to the frame
Stem Tracks:
Available upon request.
Lyrics:
Rap without no padlock, I'm like Dave Babcock or Matlock
I'm at the fishing taco with the fat cock for rap props
You think I get some C's, no I got mingus degrees, Ronald
I've gone bonkers, carry a golden compass,
Harry important trumpet can touch tonsils
So much sponsors, look is Toronto, you clinch dentures to my great adventure
You can pay the pinter
Rappers standing near looking like a hairless Gary Canou
I bury the flute, yield crop, bearing the fruit,
compare me to rare stuff, dare me to toot
You rappers like Juice Newton, you nuisances can't even put your two cents in
Stupid shit I'm still fencing, super shit I'm Superman
Flying 'round the world and saving rap
Shaving cats, engraving rap with a signature
The dignitary liberates warm nipples
Raps that form ripple waves
Triple wealth grants and shoe, rappers eating packs of ass cracks
Flying 'round the world to save rap
Flying 'round the world to save rap
Flying 'round the world to save rap
Flying 'round the world carpet man

One milky trombone to ease your nerves, some seeds deserve no hors d'oeuvres
You out of order serving chowder at the chowder counter
Corn husk MC's, jealous 'cause I'm out in Tuscany
Breast in my face, hard like a newt, testicle in the base
Messing with me is a lesson in P, Ronnie, a lesser MC knows my grease flows
See me calculate, palpitate, salad in Talpiot days, eradicate crab cakes
They fantasize my phallus size
I melanate then I celebrate
My can of P of gigantic D is obvious
Rappers call me Johnny Baloney, you call me Dr. Piss
The optimal flow is possible bro, I'm impossible, you just got to know
I'm like a hoagie, you wanna know me?
Rab Brown on the beat
Ladies know I'm counting, they queef from mountain to beef
Scuba
Flying 'round the world to save rap
Flying 'round the world I save rap
Flying 'round the world to save rap
Flying 'round the world carpet man

I'm like a dulcimer
Cherish my onions
You can't see me drop these..
Cherish my onions
You can't see me drop these...
Track Narrative:
“Save Rap” feels like a character exploding into the frame with too much confidence to ignore and too much wit to contain. It carries comic bravado, rhythmic authority, and gleeful exaggeration in a way that turns attitude into spectacle.

SCABIAS — Marito Marques

SCABIAS cover art

Scabias
by Marito Marques

Joyful and kinetic — “SCABIAS” dances through lyrical playfulness and expressive rhythm. Marito Marques blends scat phrasing, harmonic motion, and uplifting tone into a sync-friendly soundscape ideal for childhood whimsy, playful animation, or warm emotional transitions.

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OMR Cue Map

OMR Cue Map

Track: SC Bias
Clean Intro: Yes (0:00 – immediate entry with textured tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with subtle tonal fade
Loopable: High (consistent texture supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Textural cue centered on mood, subtle motion, and tonal layering. Ideal for atmospheric storytelling and background tension.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Marito Marques

Drummer • Composer • Producer

Marito Marques is a Grammy-nominated drummer, composer, and producer whose musical journey bridges continents and cultures. Born in Portugal and based in Toronto, Marques is known for his dynamic performances and genre-defying compositions that blend jazz, world music, and contemporary sounds.

He began playing drums at age 5 and quickly rose to prominence, performing with the National Youth Orchestra of Portugal and later studying at Humber College in Canada. Marques has collaborated with international artists including Ivan Lins, Hilario Duran, and Larnell Lewis, showcasing his versatility and global appeal.

His solo albums, such as Magic Everywhere and Immerse, feature rich sonic landscapes and have earned critical acclaim. Marques is also a sought-after session musician and producer, contributing to projects across jazz, pop, and classical genres.

With a passion for rhythm and innovation, Marito Marques continues to push musical boundaries, inspiring audiences around the world.

Sync Pitch Sheet: Scabias

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 100
  • Energy: Medium
  • Genres: Jazz, Latin, World
  • Vocals: Instrumental
  • Moods: Bright, Fun, Happy, Hopeful, Light, Playful, Positive, Quirky, Upbeat, Uplifting, Warm
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Producer & Arranger: Marito Marques
  • Music Composition: Marito Marques & Munir Hossn
  • Recording: GMP Studios

Artists

  • Percussion & Kalimba: Marito Marques
  • Flute: Rob Christian
  • Electric Guitar: Michael Eckert
  • Acoustic Guitar: Graham Young

Instrumentation

  • Bass
  • Drums
  • Keyboard
  • Percussion
  • Saxophone
  • Accordion (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Scabias” by Marito Marques is a bright, midtempo instrumental that fuses jazz, Latin, and world elements into a playful and uplifting sonic palette. With accordion solos and vibrant percussion, it radiates warmth and joy, making it ideal for sync placements that call for energy and charm.

Ideal Sync Uses

  • Adventure: Light-hearted exploration, cultural travel
  • Art House: Whimsical or quirky moments
  • Drama: Emotional transitions with warmth
  • Indie: Playful montages or character-driven scenes

Scene Suggestions

  • Children playing in a sunlit field
  • Animated sequence with joyful motion
  • Family road trip montage
  • Opening credits with upbeat tone

Why It Works

  • Midtempo rhythm supports dynamic pacing
  • Accordion solo adds cultural flair
  • Jazz and Latin textures evoke sophistication and joy
  • Instrumental format allows flexible placement
Track Narrative:
“SCABIAS” pulses with warmth and affection — Marito Marques sculpts an audio hug with lyrical fragments, musical invention, and rhythmic charm. Perfect for scenes of playful parenting, radiant motion, or expressive indie sequences where sound tells the heart’s story.
Lyrics:
A-ba-do-ba-yo-do-do-da-yo
La-la-do-wa-yo-da-do
Do-do-do
La-la-da
Ooh-ooh-ooh-ooh

Loving one, loving one
Skip away the day with you, my little one
Loving one, loving one
We can run as fast as anyone
Loving one

Every day with a joyful spirit reflected in your eyes
Thankful for your energy and your ease to ground my worried mind
Loving one
Loving one

Doom doom doom doom doom
Boom boom doom doom doom
Doom doom doom doom doom
Da da doo doo da da
Doom doom doom doom doom
Doom doom doom doom doom
Doom doom day doom doom again
Ba da doo da da

Watching you grow up to be
Filled me with such joy
A glowing light runs beside me
Unconditionally loving one

SCUFFLEWOOD — Paul Reddick feat. The Sidemen

Scufflewood cover art

Scufflewood
by Paul Reddick

Roots-driven and rhythm-rich — “Scufflewood” kicks with blues flair and stomp-down swagger. Paul Reddick and The Sidemen deliver lyrical groove and musical grit, tailor-made for sync moments of revival, dance floor spirit, or rural transformation.

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OMR Cue Map

Track: Scufflewood
Clean Intro: Yes (0:00 – immediate entry with gritty, roots-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Gritty, roots-driven cue centered on texture, tension, and lived-in storytelling. Ideal for grounded narratives and character-driven scenes with edge.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Scufflewood

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: —
  • Energy: Midtempo
  • Genres: Blues, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat, Confident, Quirky, Positive
  • Lyric Themes: Empowerment, Energy, Fun, Happiness
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Paul Reddick & The Sidemen

Artists

  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, Twelve-String Guitar: Kyle Ferguson
  • Harmonica, Vocals: Paul Reddick
  • Organ, Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Scufflewood” by Paul Reddick is a swaggering, midtempo blues-rock anthem with quirky charm and confident energy. Its rhythmic grit and lyrical punch make it a standout choice for scenes that demand movement, attitude, and a touch of rural soul.

Ideal Sync Uses

  • Adventure: Road trip sequences, outdoor challenges
  • Comedy: Offbeat character intros, humorous montages
  • Drama: Personal breakthroughs, emotional uplift
  • Indie: Stylized transitions, quirky moments
  • Sports: Training montages, victory celebrations
  • Western: Modern cowboy scenes, rural grit

Scene Suggestions

  • Character dancing alone in a dusty barn
  • Montage of small-town life with upbeat tone
  • Opening credits with confident swagger
  • Celebratory moment after a win or breakthrough

Why It Works

  • Midtempo groove supports versatile pacing
  • Male vocals deliver grit and personality
  • Blues-rock instrumentation adds authenticity
  • Quirky mood enhances character-driven scenes
Track Narrative:
“Scufflewood” hits with backwoods boogie and dancefloor rebellion. Paul Reddick and The Sidemen stir swampy grooves with lyrical invitations to move. Perfect for sync cuts needing infectious drive, backroad spirit, or musical awakening.
Lyrics:
I can't help myself and start to feel good
I can't help myself I start to feel good
I'm steppin it up to shuffle on the stompdown scufflewood

She tried it once and you know she understood
Oh you know she tried it once and the little girl understood
She’s steppin up to shuffle on the stompdown scufflewood

Come on and find yourself a brand new livelihood
Come on and find yourself a brand new livelihood
Start steppin it up to shuffle on the stompdown scufflewood

The doctor's recommend'n you know that you should
The doctor's recommend'n people that you should
Go start steppin it up to shuffle on the stompdown scufflewood

SEARCHING FOR THE LIGHT — OMR Music Production

Searching for the Light cover art

Searching for the Light
by OMR Music Production

Soulful and reflective — “Searching for the Light” walks with the forgotten and reaches toward hope. OMR Music Production delivers blues-leaning lyricism paired with melodic restraint, perfect for sync scenes of transformation, reckoning, or urban emotional depth.

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OMR Cue Map

Track: Searching for the Light
Clean Intro: Yes (0:00 – immediate entry with hopeful, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with uplifting tonal fade
Loopable: Moderate–High (progressive phrasing supports editorial flexibility)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Uplifting cue centered on hope, perseverance, and forward motion. Ideal for transformation arcs and moments of emerging clarity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Searching for the Light

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 113
  • Energy: Medium
  • Genres: Ambient, Ballad, Cinematic, Indie, Rock
  • Vocals: Male Vocal
  • Moods: Reflective, Somber, Sad
  • Lyric Themes: Change, Pain, Hope, Identity, Struggle
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Searching for the Light” by OMR Music Production is a cinematic ballad that channels emotional depth through ambient textures and blues-leaning lyricism. With a reflective tone and somber mood, it’s ideal for scenes of transformation, personal struggle, and quiet revelation.

Ideal Sync Uses

  • Drama: Emotional turning points, character introspection
  • Fantasy: Dreamlike transitions, mystical revelations
  • Indie: Urban solitude, poetic visuals

Scene Suggestions

  • Character walking alone at night
  • Montage of personal struggle or healing
  • Slow-motion sequence with emotional weight
  • Closing credits with a somber tone

Why It Works

  • Midtempo pacing supports dramatic flow
  • Male vocals convey vulnerability and depth
  • Ambient and rock elements blend cinematic and indie aesthetics
  • Lyric themes resonate with universal emotional arcs
Track Narrative:
“Searching for the Light” pairs character study and lyricism to illuminate struggle and clarity. OMR Music Production frames societal tension and individual reckoning with tone and metaphor. Ideal for narrative arcs of redemption, community, or spiritual turning points.
Lyrics:
VERSE 1
DESOLATE MAN, LOSES HIS HAT
FEELS THE COLD
CAN’T KEEP HIS HEAD WARM
BEGGING FOR HIS DINNER
EMPTY SOUL
HE HAS BECOME THE NORM

VERSE 2
BROTHER MAN, WALKS WITH THE PEOPLE
KNOWS THEIR PAIN
WANTS TO LEND A HAND
EMPTYS OUT HIS POCKETS
STUCK IN A DARK HOLE
SINKING IN THE SAND

CHORUS
YOUR TRUTH AND MY TRUTH
DON’T ALWAYS MAKE IT RIGHT
YOUR DREAMS AND MY DREAMS
SEARCHING FOR THE LIGHT

VERSE 3
KNOW IT ALL MAN, THE MASTERMIND
SEES IT ALL
BUT HE IS STILL BLIND
SAYS HE’S ON THE RIGHT PATH
STILL LOOKING AROUND
AN EMPTY MIND

VERSE 4
WONDER MAN, CLOSES HIS EYES
SEES THE WORLD
NOT FOR THE FIRST TIME
LOOKING FOR THE HIGH ROAD
CAN’T FIND IT
SOME WOULD CALL HIM BLIND

CHORUS

SOLO

BRIDGE
ONE MORE REASON FOR BEING
ONE MORE PURPOSE TO LIVE
MOTIVATION TO WAKE UP
ANOTHER CHANCE TO GIVE

CHORUS

Seasons — Female Vocal

Seasons cover art

Seasons
by Samuel Williams

Soulful and reflective — “Seasons” moves with a slow, R&B-tinged groove where acoustic guitar, synth textures, and percussion support a heartfelt female vocal. Rhythmic yet intimate, it’s perfect for scenes about growth, change, and finding strength.

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OMR Cue Map

OMR Cue Map

Track: Seasons
Clean Intro: Yes (0:00 – immediate entry with smooth, groove-forward tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with warm tonal fade
Loopable: Moderate–High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Smooth, soulful cue centered on emotional cycles, growth, and reflection. Ideal for relationship arcs, seasonal transitions, and scenes where time and feeling evolve together. The track sits comfortably in a modern soul/jazz space with strong melodic presence and groove-driven flow, making it especially effective under dialogue and character-driven storytelling. :contentReference[oaicite:0]{index=0}

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • One-Stop
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Seasons

Song Details

  • Genre: R&B, Singer/Songwriter, Soul
  • Tempo: Slow
  • Mood/Feel: Reflective, Rhythmic
  • Type: One-Stop
  • Key Signature: C Major
  • BPM: 68
  • Vocals: Female Vocal

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Synth

Lyric Themes

  • Change, Fear, Freedom, Strength, Success

Production Details

  • Produced by: Samuel Williams
  • Written & Arranged by: Samuel Williams
  • Recorded, Mixed & Mastered by: Samuel Williams at Sam Sound Productions
  • Project Manager: Dornalee Browne
  • Executive Producer: Samuel Williams

Artists

  • Drums: Larnell Lewis
  • Bass: Otis Williams
  • Saxophone: Rob Christian
  • Trumpet: Alexis Baro

Sync Notes

  • Slow, reflective R&B/Soul with rhythmic lift — ideal for growth and transformation arcs.
  • Clear vocal leads with supportive, spacious arrangement for dialogue and VO.
  • Great for reflective montages, character decisions, and hopeful resolutions.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Seasons pairs a heartfelt vocal with a slow, rhythmic groove — a reflective, hopeful tone that complements stories about change, courage, and self-acceptance.

Ideal Sync Uses

  • Drama: Turning points, letters/VO moments, personal breakthroughs
  • Romance: Quiet reconnections, reflective goodbyes or new beginnings
  • Coming-of-Age: Discovery, resilience, and stepping into identity
  • Advertising: Empowerment-focused brand spots, cause-driven campaigns

Why It Works

  • Lyric themes of change and strength resonate across genres
  • Slow tempo leaves space for dialogue and emotional pacing
  • Organic instrumentation with modern synth color feels timeless yet current

Lyrics

Oh Ah Ooh Ah Know that seasons change Nothing stays the same It's better that way Oh know that as we change no need to be afraid Go out and ride the wave Oh can't you see this was meant to be Found the strength I need to live free Yeah Oh can't you see this was meant to be Know No more hiding, this is me Oh Know that seasons change Nothing stays the same It's better that way Know that as we change no need to be afraid Go out and ride the wave Oh can't you see, this was meant to be Find the strength I need to live free yeah Oh can't you see this was meant to be Oh no more hiding, this is me Find a way, seasons change Seasons change Don't be afraid Don't be afraid Seasons change The more things that change, stay the same Woo Find a way, seasons change Find a way, don't be afraid Oh don't be afraid Find a way, seasons change the more things change, the more they stay the same know that seasons change nothing stays the same it's better that way And know that as we change no need to be afraid Go out and ride the wave Oh cause it's better that way Ride the wave Seasons change.
Track Narrative:
“Seasons” carries a slow, reflective pulse — acoustic guitar and synth textures cradle a resolute vocal about change and courage. Rhythmic and intimate, it underlines moments of transition with warm, hopeful clarity.

SECRETS IN THE SNOW — The Free Spirits

Secrets in the Snow cover art

Secrets in the Snow
by The Free Spirits

Haunting and poetic — “Secrets in the Snow” explores memory, concealment, and revelation through ethereal melody and introspective lyricism. The Free Spirits weave emotion into imagery, perfect for sync moments of reflection, personal mystery, or wintry revelation.

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Track: Secrets in the Snow
Clean Intro: Yes (0:00 – immediate entry with cold, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with subtle ambient decay
Loopable: Moderate–High (flowing structure supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on mystery, stillness, and quiet tension. Ideal for winter scenes and slow-burn narrative reveals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Indie Folk-Rock Collective• Composers • Evolutionary Sound

The Free Spirits are a Toronto-based indie folk-rock collective known for their uplifting harmonies, eclectic instrumentation, and soulful storytelling. Blending flute, electric guitar, vocals, and full-band arrangements, their sound is both earthy and expansive—rooted in compassion and community.

Led by Shari Tallon and featuring collaborators like Taylor Abrahamse and Chris Birkett, The Free Spirits have performed at venues across Ontario and Quebec, including Horseshoe Tavern, Docville Movie Set, and the Wintersong Music Festival. Their concerts are celebrations of joy, unity, and musical exploration.

Their album releases and video shoots—such as the Evolutionary Music Co-op New Year’s Eve performance—highlight their commitment to artistic growth and spiritual connection. With a growing catalog and vibrant live presence, The Free Spirits continue to inspire audiences across Canada.

The Free Spirits are a movement of music, heart, and healing.

Sync Pitch Sheet: Secrets in the Snow

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 102
  • Energy: Medium
  • Genres: Electronic, Folk, Indie, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Upbeat, Rhythmic, Tension
  • Lyric Themes: Freedom, Time, Love
  • Type: One Stop

Production Details

  • Written By: Chris Birkett & Shari Tallon
  • Producer & Arranger: Chris Birkett

Artists

  • Vocals: Chris Birkett, Shari Tallon
  • Guitars: Chris Birkett
  • Bass: Chris Birkett
  • Piano: Shari Tallon
  • Drums & Percussion: Chris Birkett
  • Keys: Chris Birkett
  • Organ: Chris Birkett, Shari Tallon
  • Horns: Chris Birkett
  • Flute: Shari Tallon
  • Tin Whistles: Shari Tallon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Secrets in the Snow” by The Free Spirits is a haunting, midtempo indie-electronic ballad that blends poetic lyricism with cinematic tension. With layered instrumentation and emotional depth, it’s ideal for sync scenes that explore mystery, memory, and revelation.

Ideal Sync Uses

  • Action: Stylized transitions, emotional buildup
  • Crime: Investigative sequences, hidden motives
  • Drama: Personal reflection, emotional turning points
  • Horror: Psychological tension, eerie atmosphere
  • Mystery: Discovery, concealment, revelation
  • Video Game: Narrative-driven exploration, ambient storytelling

Scene Suggestions

  • Character walking through snowfall with inner monologue
  • Montage of secrets unraveling
  • Slow-motion escape or pursuit
  • Closing credits with emotional resonance

Why It Works

  • Midtempo pacing supports dramatic tension
  • Male vocals add emotional weight
  • Indie-electronic textures evoke mystery and depth
  • Lyric themes align with freedom, time, and love
Track Narrative:
“Secrets in the Snow” paints silence, longing, and the hidden truths beneath winter’s veil. With lyrical fragments that speak to concealment and emergence, The Free Spirits offer a soundscape suited for introspective arcs, seasonal shifts, or emotional mystery.
Lyrics:

They're my secrets
Where they come from I don't know
I don't know
Hiding from sight
We won't see them 'til the spring
Comes around

They're my secrets
All my secrets
These are secrets in the snow
Secrets in the snow

They're my secrets
All my secrets
These are secrets in the snow
Secrets in the snow

What lies under
Storm and thunder
Fight the wind
As she blows
Dirty secrets
In whose eyes, well I don't know
Time will show

They're my secrets
All my secrets
These are secrets in the snow
(Secrets in the snow)

They're my secrets
All my secrets
These are secrets in the snow
Secrets in the snow

We are programmed
To believe that what we see
Is right
So blow the cover
So that all the world can see
That we're free

Covered by this white lovely stuff
That falls from the sky and just covers up
What lies beneath will not be seen
Until springtime comes around

Out in my garden, the secrets are hidden
There's a thousand cigarette butts, even though it's forbidden
All my pleasures are frozen, when will I be chosen?
These are my secrets in the snow

What lies beneath? Is it good or is it bad?
There's a whole other universe hiding in there
For the love for my brother and to love one another
Is a secret yet to unfold

And what lies beneath is just for you
And not for those who are blind from view
And what lies beneath the deep blue light
Is the sound of your heart in flight

It's silent, it's silent, it's silent
It's the sound of your heart
It's silent, it's silent, it's silent

Where are my secrets?
All my secrets
These are secrets in the snow
(Secrets in the snow)

They're my secrets
All my secrets
These are secrets in the snow
(Secrets in th

SELF-FULFILLING PROPHECIES

Self-Fulfilling Prophecies cover art

Self-Fulfilling Prophecies
by Ezekiel Hampton

“Self-Fulfilling Prophecies” is a bright electronic-pop track with a male vocal that blends love, fear, and emotional accountability. With bass, percussion, and synth driving its upbeat pulse, the song feels ideal for relationship strain, self-sabotage, and scenes where hope and damage continue to fight for control.

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Track: Self Fulfilling Prophecies
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with reflective tonal fade
Loopable: Moderate–High (consistent phrasing supports editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on consequence, realization, and internal narrative. Ideal for character-driven turning points.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Self-Fulfilling Prophecies

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 124
  • Energy: High
  • Genres: Electronic, Pop
  • Vocals: Male Vocal
  • Moods: Bright, Confident, Fun, Hopeful, Positive, Upbeat, Uplifting
  • Lyric Themes: Fear, Love, Power, Relationship, Time
  • Cinematic Fit: Drama, Romance, Indie, Coming of Age
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Self-Fulfilling Prophecies” is built for scenes where love and fear keep creating the very damage they are trying to avoid. Its male vocal and upbeat electronic-pop motion make it especially effective for strained relationships, regret, and moments where self-awareness arrives too late to fully prevent the fallout.

Ideal Sync Uses

  • Drama: self-sabotage, regret, emotional accountability
  • Romance: relationship breakdown, longing, fear of loss
  • Indie: emotional complexity, modern relationship tension
  • Coming of Age: consequence, self-awareness, difficult growth

Scene Suggestions

  • Relationship scene where both people know the damage is repeating
  • Montage built around regret, looping conflict, and emotional noise
  • Scene where a character realizes they are helping create the loss they fear
  • Emotional transition that needs energy without losing consequence

Why It Works

  • Male vocal adds vulnerability and directness
  • Bright upbeat motion keeps the song emotionally alive rather than static
  • Electronic-pop frame gives the cue contemporary relationship energy
  • Self-awareness themes make it especially useful for modern emotional conflict
Stem Tracks:
Available upon request.
Lyrics:
i want to get lost with you
let everything slip away
but i don’t want to keep you hostage if it’s all a mistake

don’t hold a candle for me
you couldn’t leave it alone
we gotta pay the debt on the time that we borrowed

it was a hell of a show
we put on at the revue
but there were limitations on what i was able to do

all of this to prove a point
without regard for the cost
i never meant for this loss

what are we fighting for? A long delay
what are we looking for, so far away

i’m only dragging you down
i’m dimming all of the lights
i’m just afraid of what i will do if i don’t make this right

self-fulfilling prophecies
they organize all the grief
to oversimplify in my mind’s eye all the deceit

you need more, for me to stay
call it a jealousy, with no one to blame
what are we fighting for? A long delay
what are we looking for, so far away

i wanna turn down the noise
i wanna switch to reset
the sun is going down and i just know that we will regret

when everything is at stake
how can i really move on
i know this wasn’t just chance it was a phenomenon

easy now, we lost today
baby, I’m sorry, that I can’t change
you need more, for me to stay
call it a jealousy, with no one to blame
what are we fighting for? A long delay
what are we looking for, so far away.
Track Narrative:
“Self-Fulfilling Prophecies” feels like the moment someone sees exactly how fear has been helping write the ending they were trying to avoid. It carries regret, motion, and self-awareness together in a way that keeps the emotional conflict painfully alive.

SELF PORTRAIT — Amhed Mitchel

Self Portrait cover art

Self Portrait
by Amhed Mitchel

Evocative and introspective — “Self Portrait” is a jazz instrumental built on feeling, patience, and personal detail. Amhed Mitchel delivers emotional depth through melodic layers and rhythmic dialogue, ideal for sync scenes of solitude, growth, or creative reflection.

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Track: Self Portrait
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with soft emotional fade
Loopable: Moderate–High (steady phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Introspective cue centered on identity, reflection, and personal perspective. Ideal for internal monologue and character study.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Self Portrait

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 103
  • Energy: Medium
  • Genres: Jazz, Ambient, Folk
  • Vocals: Instrumental
  • Moods: Atmospheric, Hopeful, Minimal, Reflective, Somber, Uplifting, Sad
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Composer & Arranger: Amhed Mitchel
  • Recording Engineer: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Jorge Mitchel
  • Piano: Amhed Mitchel
  • Keyboard: Stan Fomin
  • Bass: Roberto Riveron
  • Alto Sax: Luis Deniz
  • Congas: Jorge L. “Papiosco” Torres

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Piano
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Self Portrait” by Amhed Mitchel is a contemplative jazz instrumental that blends ambient textures with emotional nuance. With its midtempo pacing and cinematic depth, it’s ideal for scenes of introspection, transformation, and quiet revelation.

Ideal Sync Uses

  • Drama: Emotional turning points, personal reflection
  • Mystery: Slow unraveling, internal tension
  • Romance: Tender moments, bittersweet memories
  • Thriller: Psychological depth, quiet suspense

Scene Suggestions

  • Character painting or journaling alone
  • Flashback montage with minimal dialogue
  • Slow walk through a quiet cityscape
  • End credits with lingering emotional tone

Why It Works

  • Instrumental format allows flexible overlay
  • Jazz and ambient fusion suits modern cinematic scoring
  • Solo piano and sax evoke intimacy and depth
  • Mood range spans sadness, hope, and reflection
Track Narrative:
“Self Portrait” sketches emotional texture with each phrase — Amhed Mitchel builds a jazz instrumental of storytelling without words. This piece is ready for character introspection, quiet ambition, or scenes where stillness meets transformation.

Senegalese Jitney — HYP

Senegalese Jitney cover art

Senegalese Jitney
by HYP

“Senegalese Jitney” is a vibrant, groove-driven instrumental that blends electronic dance energy with funky rhythmic swagger. Built on punchy percussion and a confident bass line, the track feels playful, stylish, and in constant forward motion. Upbeat and rhythmic, it carries a sense of movement and celebration.

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OMR Cue Map

Track: Senegalese Jitney
Clean Intro: Yes (0:00 – immediate entry with vibrant rhythmic identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (groove-driven structure supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Energetic, culturally rich cue centered on movement, travel, and rhythm. Ideal for street scenes and dynamic environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Senegalese Jitney

Song Profile

  • Key Signature: E Major
  • BPM: 114
  • Tempo: Midtempo
  • Genres: Dance, Electronic, Funk
  • Vocals: Instrumental
  • Mood/Feel: Confident, Cool, Quirky, Rhythmic, Sexy, Upbeat
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“Senegalese Jitney” thrives on rhythm and motion. Its funk-infused bass and lively percussion create a playful, kinetic atmosphere that feels modern, global, and irresistibly groove-forward.

Sync Highlights

  • Upbeat groove energizes scenes instantly.
  • Funk-electronic fusion feels stylish and modern.
  • Instrumental format ensures broad sync usability.
  • Midtempo pacing supports movement and transitions.

Sync Potential: Senegalese Jitney

With its upbeat swagger and playful rhythm, “Senegalese Jitney” fits scenes built around movement, confidence, and celebration. It’s ideal for visuals that emphasize motion, style, and forward energy.

Scene Types

  • Travel and city-movement montages.
  • Fashion-forward walk-ups and transitions.
  • Fun, upbeat lifestyle content.
  • Stylish promos and brand spots.

Film / TV Fit

  • Lifestyle & Travel Programming
  • Fashion & Reality Series
  • Commercials & Brand Campaigns
  • Urban & Contemporary Content

Why It Works

  • Rhythm-first design drives motion naturally.
  • Quirky tone adds personality and charm.
  • Clean instrumental structure supports flexible editing.

Instrumental: Senegalese Jitney

“Senegalese Jitney” moves like a late-night ride through neon streets — lively, unpredictable, and full of swagger. The bass and percussion lock into a funky, dance-ready groove while synth accents add color and bounce. Cinematically, the track supports movement and momentum: travel sequences, stylish transitions, and scenes driven by confidence and joy.
Track Narrative:
“Senegalese Jitney” tells a story of motion and attitude — cruising forward with confidence, embracing rhythm, and enjoying the ride wherever it leads.
HYP

HYP

HYP blends electronic groove, funk influence, and cinematic sensibility into sync-ready instrumentals built for motion and style. Their work emphasizes rhythm, confidence, and modern energy.

Styles: Dance, Electronic, Funk • Strengths: Groove-forward production, playful energy, sync versatility • Typical Uses: Travel, Lifestyle, Fashion, Brand Campaigns

SENSATIONAL FRIENDS — Jerome Tucker

Sensational Friends cover art

Sensational Friends
by Jerome Tucker

Uplifting and urgent — “Sensational Friends” is a rallying call for community, resilience, and action. Jerome Tucker combines storytelling and soul with rhythmic power, creating a track built for sync moments of solidarity, health advocacy, and emotional connection.

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OMR Cue Map

Track: Sensational Friends
Clean Intro: Yes (0:00 – immediate entry with upbeat tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with lively finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Upbeat cue centered on connection, friendship, and energy. Ideal for group scenes and light, social storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Vocalist • Composer

Jerome Tucker is a powerhouse bassist and vocalist whose music fuses soul, funk, blues, and rock into a high-energy, emotionally rich experience. Originally from the U.S. and now based in Toronto, Tucker brings a deep Southern groove and electrifying stage presence to every performance.

A A former U.S. Navy serviceman, Tucker’s musical journey has taken him from the streets of Philadelphia to international stages. He’s played alongside legends like Otis Clay and shared the stage with artists across genres, always delivering raw, heartfelt performances.

With the Jerome Tucker Band, he’s carved out a unique sound that blends tight grooves, soaring vocals, and socially conscious lyrics. Their live shows are known for their infectious energy and deep musicality, earning them a devoted following across Canada and beyond.

Jerome Tucker continues to push boundaries, creating music that uplifts, challenges, and connects. His voice and bass lines are unmistakable—and his message is clear: music is a force for unity and joy.

Sync Pitch Sheet: Sensational Friends

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 94
  • Energy: Moderate
  • Genres: Funk, Blues, R&B
  • Vocals: Male Vocal
  • Moods: Chill, Hopeful, Serious
  • Lyric Themes: Friendship, Power, Family, Strength, Love
  • Type: One Stop

Production Details

  • Lyrics: Jerome Tucker
  • Executive Producers: Jerome Tucker, Rich Greenspoon
  • Composers: Jerome Tucker, Larry McCray, Steve McCray
  • Recording, Mixing, Mastering: Rich Greenspoon

Artists

  • Vocals: Jerome Tucker
  • Guitar: Jerome Tucker, Alan Boyd
  • Bass Guitar: Jerome Tucker
  • Percussion & Drums: Rich Greenspoon
  • Keyboards: Rich Greenspoon

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Sensational Friends” by Jerome Tucker is a soulful midtempo anthem that celebrates unity, resilience, and emotional strength. With its blend of funk, blues, and R&B, the track is ideal for sync scenes that highlight community, advocacy, and heartfelt connection.

Ideal Sync Uses

  • Crime: Community response, personal redemption
  • Drama: Family dynamics, emotional breakthroughs
  • Mystery: Character-driven tension, reflective moments

Scene Suggestions

  • Montage of friends supporting each other
  • Reunion or reconciliation scene
  • Closing credits with a hopeful tone
  • Public health or social justice campaign

Why It Works

  • Midtempo groove suits emotional pacing
  • Male vocals deliver sincerity and warmth
  • Funk and blues fusion adds rhythmic depth
  • Lyric themes align with friendship, strength, and love
Track Narrative:
“Sensational Friends” is an anthem for those who stand tall through struggle — Jerome Tucker builds rhythmic urgency and lyrical devotion into a blues-soul hybrid ready for charity campaigns, emotional crescendos, or scenes of personal empowerment and advocacy.
Lyrics:

When we first met
You were standing at the foot of a mountain
Full of disbelief
Feeling robbed of your future
Raising a family
You could not believe
But I knew you had the power
To climb and skip down the other side
And swim across the great big sea
Then bloom into a flower
A precious flower and a love
And help another little flower
Grow up to be a great big tree

Sensational friend
We'll be there again and again
Sensational friends
Friends to see you in

Never thought much 'bout this thing called cancer
'Til it struck my own mama down
Made me feel like who's this stranger up in a house
Laughing and clowning and lurking around your house
Lord how mercy, could be your mama
Could be your daughter, your auntie, your sister
Don't worry — if we don't do something soon, they're gonna miss you

We're getting up our backs
Raising up a storm
'Cause we's ten feet tall
Sensational friends
Said we's ten feet tall
We'll be there again and again
Like Superman on the double, yeah
Sensational friends
Like Superman
Always on time, yeah

We've got to find an answer to this call
Of giving love, funds and support and all
'Cause research don't come cheap
Reach down into your pockets way down deep
Yeah, sensational friends
(We'll be there again, again, again)

Yeah, we're gonna step in
We're gonna raise a little money
(Sensational friends)
Yeah, we're gonna get together as a walk
(Friends to see you again)
Yeah, we're gonna walk
Yeah, we're gonna walk
(Sensational friends)
Walk all over this town
(We'll be there again, again, again)
Until everybody, everybody knows we's around
(Sensational friends)
Yeah, we're gonna walk
We're gonna walk

Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

SEPTIEMBRE — Pavlo Carta

Septiembre cover art

Septiembre
by Pavlo Carta

Poetic and meditative — “Septiembre” is a piano-driven piece that evokes the passing of time and the beauty of memory. Pavlo Carta delivers subtle phrasing and ambient warmth, ideal for sync scenes involving personal transition, seasonal melancholy, or quiet resolve.

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OMR Cue Map

Track: Septiembre
Clean Intro: Yes (0:00 – immediate entry with warm, nostalgic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with soft emotional fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Nostalgic cue centered on memory, time, and emotional reflection. Ideal for transitional scenes and reflective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Septiembre

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 90
  • Energy: Medium
  • Genres: Hip Hop/Rap, Electronic, Pop
  • Vocals: Male Vocal
  • Moods: Atmospheric, Cool, Dark, Dreamy, Moody
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Producer: Hxney
  • Production: Ricky Lorenzo, TribalRecord BsAs Argentina, Acoruna Spagna, Matestereo Produccion
  • Music Composition: Pavlo Cartaginese

Artists

  • Violoncello, Guitar, Bass, Piano, Synth, Drums: Pavlo Cartaginese
  • Vocals: Hxney

Instrumentation

  • Bass
  • Percussion
  • Synth
  • Cello (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Septiembre” by Pavlo Carta is a moody, midtempo track that blends ambient textures with hip hop and cinematic pop. With cello solos and atmospheric production, it’s ideal for sync scenes that explore memory, cultural identity, and emotional depth.

Ideal Sync Uses

  • Adventure: Travel sequences, cultural immersion
  • Coming of Age: Personal growth, reflective transitions
  • Drama: Emotional turning points, quiet tension
  • Indie: Stylized edits, poetic visuals
  • Romance: Bittersweet moments, longing
  • Comedy: Quirky introspection, offbeat pacing
  • Cultural Heritage Documentaries: Identity, tradition, memory
  • Fantasy: Dreamlike transitions, mystical tone

Scene Suggestions

  • Character walking through a foggy landscape
  • Montage of seasonal change or emotional growth
  • Slow-motion memory sequence
  • Closing credits with ambient resonance

Why It Works

  • Midtempo pacing supports reflective storytelling
  • Cello solo adds emotional gravity
  • Ambient textures evoke mood and depth
  • Genre fusion suits modern cinematic scoring
Track Narrative:
“Septiembre” unfolds like a soft memory — Pavlo Carta’s piano phrasing carries emotional weight with subtle elegance. This cue finds its voice in scenes of change, seasonal quiet, and meditative depth. A companion for moments when silence speaks loudest.

SET IT — Melodic Yoza

Set It cover art

Set It
by Melodic Yoza

Confident and motivational — “Set It” is a lyrical anthem of ambition and self-belief. Melodic Yoza blends urban resilience with Caribbean-infused swagger, crafting a track perfect for sync scenes of hustle, transformation, or triumphant breakthrough.

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OMR Cue Map

OMR Cue Map

Track: Set It
Clean Intro: Yes (0:00 – immediate entry with punchy rhythmic identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with energetic drop
Loopable: High (tight groove and repetition support seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-energy cue centered on rhythm, attitude, and movement. Ideal for montage, urban visuals, and fast-paced sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Set It

Song Profile

  • Key Signature: Bb Major
  • Beats Per Minute: 84
  • Energy: Moderate
  • Genres: Hip Hop/Rap, Indie
  • Vocals: Male Vocal
  • Moods: Atmospheric, Swagger, Cool, Moody, Rhythmic, Uplifting
  • Lyric Themes: Dream, Strength, Success, Ambition
  • Type: One Stop

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park, JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Featuring

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Set It” by Melodic Yoza is a confident, slow-burning anthem of ambition and self-belief. With atmospheric production and rhythmic swagger, it’s ideal for sync scenes that highlight transformation, hustle, and personal triumph.

Ideal Sync Uses

  • Crime: Urban tension, strategic buildup
  • Drama: Character breakthroughs, emotional arcs
  • Indie: Stylized introspection, poetic visuals

Scene Suggestions

  • Character walking through city streets with purpose
  • Montage of ambition and hustle
  • Slow-motion entrance or reveal
  • Closing credits with a victorious tone

Why It Works

  • Slow tempo supports dramatic pacing
  • Male vocals deliver charisma and depth
  • Hip hop and indie fusion adds cultural and sonic richness
  • Lyric themes align with ambition and success
Track Narrative:
“Set It” is grind anthem meets urban uplift — Melodic Yoza celebrates vision, perseverance, and momentum with lyrical flair and rhythmic power. Perfect for sync cuts focused on hustle, reinvention, or spotlight moments of rise.

[Intro]
Yoza
Stand up
Set Mi a go set it ‘cause you know we a go mek it
Like microphone check it — watch di way how mi a rep it
Now bounce on, select it — don’t disrespect it
‘Cause anything you want, man, you got to go get it

[Chorus]
Set it —
‘Cause you know we gonna make it
Even though nuff a them no won’t let it
Set it —
Ca my dreams mi nah run left it
Set it —
And I will never, never, never forget it
I will never forget it no

[Verse 1]
Staying alive just like The Bee Gees
Out here hustling my CD
People walk by like they don't see me
And show me man a lot of disrespect
But you know Yoza got no regrets
‘Cause all them haters am gonna put on reset
They so mad, they so mad at my success
Tell them don't be upset — 'cause imma
See pop shows near Toronto
Get tickets as low as $6

[Chorus] (repeat)

[Verse 2]
Mama say son when you put your work in
Son everything gonna work out
All you got to do is go and get your works out
And look how life just works out
And in my mind yeah, you know I had no doubts
Remember when them used to call me church mouse
But I step up in the place — we got mad clout
I hear the, I hear the, I hear the crowd shout

[Bridge]
And putting in work — that’s all I do
I didn't just pop up out of the blue
We gon’ make it — I thought you knew
‘Cause finally my dreams are coming through
So no excuse — we just make moves
And my style go

[Final Chorus]
Set it
‘Cause you know we gonna make it
Even though nuff a them no won’t let it
Set it
Ca my dreams mi nah run left it
Set it
And I will never, never, never forget it
I will never forget it no
(Set it)

SHADOW OF YOU — Justin Enco

Shadow of You cover art

Shadow of You
by Justin Enco Band

Raw and reflective — “Shadow of You” is a breakup elegy soaked in regret and resilience. Justin Enco delivers lyrical vulnerability and acoustic depth crafted for sync scenes of heartbreak, introspection, and final departure.

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OMR Cue Map

OMR Cue Map

Track: Shadow of You
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with soft emotional fade
Loopable: Moderate–High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on memory, presence, and emotional imprint. Ideal for introspective storytelling and relationship moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Shadow of You

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 59
  • Energy: Slow Tempo
  • Genres: Folk, Indie, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Warm, Hopeful, Minimal, Reflective
  • Lyric Themes: Heartbreak, Regret, Struggle, Loneliness, Loss
  • Type: One Stop

Production Details

  • Lyrics: Justin Enco
  • Recorded At: Studio M31, Hollywood, FL (Yves Giraud)
  • Mix/Mastered: Purgatory Recording Studio, Sunrise, FL (Michael Waxman)

Artists

  • Vocals & Acoustic Guitar: Justin Enco

Instrumentation

  • Acoustic Guitar
  • Bass
  • Keyboard

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Shadow of You” by Justin Enco Band is a raw, acoustic meditation on heartbreak and emotional isolation. With its slow tempo and warm, reflective tone, it’s a perfect fit for scenes of personal struggle, quiet resilience, and emotional turning points.

Ideal Sync Uses

  • Coming-of-Age: Emotional growth, self-discovery
  • Drama: Breakups, introspection, solitude
  • Indie: Stylized melancholy, poetic visuals
  • Romance: Lost love, bittersweet memories
  • Thriller: Quiet tension, aftermath of conflict

Scene Suggestions

  • Character sitting alone after a breakup
  • Rainy window reflections and flashbacks
  • Final walk away from a relationship
  • Voiceover montage of regret and resilience

Why It Works

  • Slow tempo enhances emotional gravity
  • Male vocals convey vulnerability and depth
  • Minimal instrumentation allows space for dialogue and visuals
  • Lyric themes align with universal emotional arcs
Track Narrative:
“Shadow of You” lingers like echo and ember — Justin Enco pens the aftermath of a lost love with unflinching honesty and melodic weight. A perfect companion for scenes of closure, memory, or emotional vulnerability.
Lyrics:

I sit here in this empty room
Trying to find words to say
Oh you really got me good and girl
Make me feel this way

The shadow of you and what we've been through
Has left me bleeding and scarred
And our book is closed and this life you chose
And you're failing fast

They say you gotta prove your worth these days
Actions rule the words
But I'm cold and I'm tired of this
So let the truth unfold

So I'll comfort your soul and I'll sing you a song
This kind of day won't last
The world through your eyes is covered in lies
So let the new day pass

We're halfway home and we're both so alone
The beaches sparkle with sand
This life we shared is faded and bare
Wasted dreams of old

This fight is tough and I'm not enough
I'm just watching near
Your pages are worn and your soul has been torn
And your future's unclear

So I'll comfort your soul and I'll sing you a song
These scattered days won't last
And the world through your eyes is covered in lies
So let the new day pass

And I'll march on to the beat of my drum
Yeah, I'll fade away
And if we parted seas, honey, think of me
My words, and our yesterdays

Mm-mm-mm-mm-mm
To find you again alone in my head
Another time when we are cast
And no one's to blame
For we both lost this game
So let the new day pass

SHADOWS — Paul Reddick

Shadows cover art

Shadows
by Paul Reddick

Dark and lyrical — “Shadows” evokes twilight symbolism and hypnotic repetition through poetic phrasing and melodic restraint. Paul Reddick conjures ritual and rhythm into an atmospheric cut ready for sync scenes of mystery, nightfall, or emotional transformation.

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OMR Cue Map

OMR Cue Map

Track: Shadows
Clean Intro: Yes (0:00 – immediate entry with moody tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with subtle tonal fade
Loopable: High (consistent texture supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Atmospheric cue centered on mystery, tension, and subtle unease. Ideal for suspense and slow-burn narrative scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Shadows

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 118
  • Energy: Mid-tempo
  • Genres: Punk, Reggae, Rock
  • Vocals: Male Vocal
  • Moods: Swagger, Upbeat, Fun, Gritty
  • Lyric Themes: Confidence, Struggle, Fear
  • Type: One Stop

Production Details

  • Engineer: Chris Stringer
  • Producer: Colin Cripps
  • Mixing: Nyles Spencer
  • Mastering: Peter Letros

Artists

  • Harmonica, Vocals: Paul Reddick
  • Guitar, Background Vocals: Colin Cripps
  • Guitar, Background Vocals: Greg Cockerill
  • Drums, Percussion, Piano, Talk Box: Derek Downham
  • Bass: Anna Ruddick
  • Fender Rhodes, Guitar, Background Vocals: Steve Marriner

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Shadows” by Paul Reddick is a gritty, swagger-filled track that blends punk urgency with reggae rhythm and rock edge. Its hypnotic repetition and confident tone make it ideal for sync scenes that demand tension, movement, and emotional grit.

Ideal Sync Uses

  • Action: Chase scenes, confrontations
  • Adventure: Urban exploration, underground missions
  • Crime: Surveillance, street-level drama
  • Drama: Personal struggle, emotional reckoning
  • Mystery: Twilight scenes, hidden truths
  • Sports: Training montages, competitive edge
  • Thriller: Suspenseful buildup, psychological tension

Scene Suggestions

  • Nighttime cityscape with slow-motion walk
  • Character preparing for a showdown
  • Montage of gritty determination
  • Stylized intro or credits sequence

Why It Works

  • Uptempo rhythm drives momentum
  • Male vocals deliver raw emotion
  • Genre fusion adds sonic complexity
  • Lyric themes match tension and resolve
Track Narrative:
“Shadows” pulses like a nocturnal incantation — Paul Reddick draws dreamlike repetition and imagery into a sync-ready landscape of transformation. Ideal for lyrical montages, character unraveling, or mystical settings.
Lyrics:
Shadows overtook me
Stars overran me
Shadows overtook me
Stars overran me
Shadows overtook me
And I saw the lights go down
Stars overran me
And I saw the lights go down
Shadows overtook me
And I saw the lights go down
Stars overran me
And I saw the lights go down

When the darkness appears in the howling hour
And the moon rolls above
When the darkness appears in the howling hour
And the moon rolls above

Midnight tolled beside me
Twilight rolled around me
Midnight tolled beside me
Twilight rolled around me
Midnight tolled beside me
And I saw the lights go down
Twilight rolled around me
And I saw the lights go down
Midnight tolled beside me
And I saw the lights go down
Twilight rolled around me
And I saw the lights go down

When the darkness appears in the howling hour
And the moon rolls above
When the darkness appears in the howling hour
And the moon rolls above
When the darkness appears in the howling hour
And the moon rolls above
When the darkness appears in the howling hour
And the moon rolls above
And the moon rolls above
And the moon rolls above

SHAKE EM BLUES — Lee Palmer

Shake Em Blues cover art

Shake Em Blues
by Lee Palmer

Gritty and groove-rich — “Shake Em Blues” rides swagger and swing with electric grit and honky-tonk pulse. Lee Palmer delivers a rootsy homage to perseverance and rhythm, ideal for sync cuts that walk the line between road-ready and barroom revival.

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OMR Cue Map

OMR Cue Map

Track: Shake ’Em Blues
Clean Intro: Yes (0:00 – immediate entry with bluesy groove identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with expressive finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Blues-driven cue centered on attitude, swagger, and character presence. Ideal for bar scenes and personality-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Shake Em Blues

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 58
  • Energy: Low
  • Genres: Blues, Folk, Rock, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Angry, Romantic, Sexy, Cool, Retro, Sad
  • Lyric Themes: Heartbreak, Betrayal, Loneliness, Love, Money
  • Type: One Stop

Production Details

  • Arranged & Produced By: Palmer, McNally
  • Lyrics & Composition: Lee Palmer
  • Head Sound Engineer: Darren Magierowski
  • Assistant Engineer: Jill Zimmerman
  • Final Mix: Magierowski, McNally, Zimmerman
  • Mastering: Samuel Williams

Artists

  • Vocals & Acoustic Guitar: Lee Palmer
  • Background Vocals: Chris Ayries
  • Harmonica: Roly Platt
  • Saxophone: Turner King
  • Bass: Alec Fraser Jr.
  • Guitar: Iain McNally
  • Keys: Steve O’Connor
  • Drums & Percussion: Sean O’Grady

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Piano

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Shake Em Blues” by Lee Palmer is a swaggering, rootsy track with electric grit and honky-tonk pulse. Its blend of blues and folk-rock makes it ideal for sync scenes that explore betrayal, longing, and emotional tension with a retro edge.

Ideal Sync Uses

  • Crime: Barroom confrontations, shady deals
  • Drama: Emotional fallout, relationship tension
  • Mystery: Noir sequences, slow-burn suspense

Scene Suggestions

  • Character walking away from betrayal
  • Slow-motion bar scene with romantic tension
  • Retro montage of heartbreak and resilience
  • Opening credits with a gritty, stylish tone

Why It Works

  • Midtempo groove supports dramatic pacing
  • Male vocals convey emotional depth
  • Retro instrumentation adds timeless character
  • Lyric themes align with cinematic tension
Track Narrative:
“Shake Em Blues” barrels through the speakers with upbeat swagger and classic grit. Lee Palmer drives a harmonica-heavy jam full of sync-ready punch and blues storytelling. Use this for scenes of fast-paced action, dive bar groove, or defiant swagger.
Lyrics:
I work hard all week
Just like you
Some days you just can't catch a break
No matter what you do
I get them blues and I can't shake'em
I get them blues and I can't shake'Em
Don't know how much longer I can take'em
I get them blues and I can't shake'em

There's no more ring on my finger
No more money in the bank
She done did me dirty
That ship sailed and then it sank
I get the blues and I can't shake'em
I get the blues and I can't shake'Em
Don't know how much longer I can take'Em
I get the blues and I can't shake'em

I got a brand new gal
Stands about five foot six
Makes me feel good in so many ways
One thing that she can't fix
I get them blues and I can't shake'em
I get them blues and I can't shake'em
Don't know how much longer I can take'em
I get the blues and I can't shake'em

Bye-bye, bye-bye, bye-bye

Shattered — Tiffany Joy

Shattered cover art

Shattered
by Tiffany Joy

“Shattered” channels bright Country‑Singer/Songwriter spirit through an uplifting rhythm and vulnerable storytelling. Tiffany Joy’s clear, melodic performance turns heartbreak into catharsis — a journey from disappointment to self‑recovery underscored by reflective optimism, warm keys, and acoustic drive.

Full Track

Snippet Preview

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OMR Cue Map

OMR Cue Map

Track: Shattered
Clean Intro: Yes (0:00 – immediate entry with emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotionally intense cue centered on heartbreak, loss, and vulnerability. Ideal for dramatic relationship scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Shattered

Song Profile

  • Key Signature: G Major
  • BPM: 73
  • Tempo: Fast
  • Genres: Country, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Bright, Upbeat, Fun, Hopeful, Retro, Positive, Reflective
  • Lyric Themes: Struggle, Heartbreak, Identity, Loneliness, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Keyboard

Track Summary

“Shattered” captures the bittersweet freedom that follows heartbreak. Tiffany Joy’s country‑pop phrasing and bright sound disguise a deeper story of rediscovery. Upbeat in melody yet tender in spirit, it’s ideal for modern romance, character resilience, or empowerment arcs.

Sync Highlights

  • Perfect for breakup recovery or emotional growth scenes.
  • Fast tempo contrasts effectively with introspection visuals.
  • Optimistic tone fits closing shots or moving‑on montages.
  • Organic sound fits relatable, heart‑forward productions.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Shattered

“Shattered” mixes upbeat momentum with heartfelt realism, making it versatile for films and TV featuring rediscovery, letting go, or staying hopeful after loss. Its blend of melodic brightness and lyrical vulnerability makes it equally at home in romantic drama or inspirational storytelling.

Scene Types

  • Moving on after breakup montage sequences.
  • Character crossroads or scenic road escapes.
  • Quiet affirmations and self‑reflection moments.
  • Hopeful end‑of‑episode fades and returns to light.

Film/TV Fit

  • Drama
  • Romance
  • Inspirational Stories
  • Country Lifestyle Content

Why It Works

  • Optimistic energy balances reflective lyrics.
  • Timeless Country‑Pop style feels fresh and authentic.
  • Emotive performance ties character growth to sound.
Track Narrative:
“Shattered” tells a story of rediscovering self‑worth after the collapse of an imagined perfect love. Tiffany Joy sings from the threshold between pain and renewal — learning to hold strength in her own hands while rebuilding piece by piece.

Lyrics: Shattered

I used to live in a fairy tale Woke every morning to a prince who knew me so well We had a place we could call our own Now that life is in a box with the lid closed and I, I am shattered Whoa, I am picking up the pieces I shouldn't matter, how you feel it's my life I wanna get mad if I could only get angry It might be a lot easier for me I wanna get mad if I could only get angry Then my heart could be free from you You From you You How could it be that I was so naive Hid under covers playing footsies with your cold feet Our love was like a story line Turn the page now only loneliness I find and I, I am shattered Whoa, I am picking up the pieces I shouldn't matter how you feel, it's my life I wanna get mad if I could only get angry It might be a lot easier for me I wanna get mad if I could only get angry Then my heart could be free from you You From you You You'll come to see it's worth fighting for me You'll come to see it's worth fighting for me oh oh You'll come to see it's worth fighting for me You'll come to see it's worth fighting fighting I wanna get mad if I could only get angry It might be a lot easier for me I wanna get mad if I could only get angry Then my heart could be free from you You From you You you you
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy merges Country and Singer‑Songwriter warmth into music centered on vulnerability, redemption, and joy. Her expressive vocals carry both strength and softness, making her songs ideal for emotional storytelling.

Through simple yet vibrant arrangements, her style blends tradition with contemporary honesty — each note shining with heart, hope, and cinematic authenticity.

Styles: Country, Singer/Songwriter •  Strengths: Emotive storytelling, lyrical realism, optimistic tone •  Typical Uses: Drama, Romance, Feel‑Good Moments, Character Arcs

SHE DANCED — PheeLion

She Danced cover art

She Danced
by PheeLion

A sensuous midtempo sway where whispered verse and velvet percussion bloom into ritual and release. “She Danced” blends world-tinged rhythm with hypnotic mantra vocals—tailor-made for fashion noir, romantic intrigue, and fever-dream montage.

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OMR Cue Map

OMR Cue Map

Track: She Danced
Clean Intro: Yes (0:00 – immediate entry with graceful tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with elegant fade
Loopable: Moderate–High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Graceful, movement-driven cue centered on beauty, motion, and emotional presence. Ideal for dance, romance, and visual storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: She Danced

Artist: PheeLion
Genre: Dance, Latin, World
Instruments: Percussion
Lyric Themes: Discovery, Relationship, Romance, Strength, Unity
Mood: Light, Minimal
Tempo: Midtempo • BPM: 102 • Key: F Major
Vocal: Female Vocal • Type: One Stop

Track Summary

A gently pulsing dance cue with intimate, mantra-style vocals and ceremonial percussion. Elegant, restrained, and sensual—equally at home in fashion, romance, and modern drama.

Sync Highlights

  • Romantic tension, candlelit ritual, or masked-ball intrigue
  • Fashion walk or perfume spot with sultry restraint
  • Transitional montage where desire and mystery intersect
  • Clear :15 / :30 edit landmarks within vocal refrains

Sync Potential: She Danced

Designed for moody elegance: upscale romance, couture, and scenes of awakening or surrender. Works for prestige drama, psychological romance, and nocturnal city tableaux.

  • Perfume or jewelry campaigns
  • Ritualistic or dreamlike dance sequences
  • Intimate dialog over slow, pulsing motion
Track Narrative:
Corridors of light and shadow. A robe unthreads; vows and invitations blur into rhythm. She asks, and the room answers—breath, incense, and the slow geometry of desire.
Lyrics:

She walked the long winding corridors
as the sunlight shifted through the shadows
Long velvet robe shattered, about it rolled
It fell into a million pieces and it fell into a million pieces
She asked him
She asked him to dance, to sing, to dance, to give him to sing everything
A sense of frankincense erupted to dance, to sing, united to give him passion, everything
To dance, to sing, to give him everything
Do I please you? Do I please you?
To dance, to sing, to give him everything
To dance, to dance, to sing, to sing, to give him, to give him everything.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request alternate or vox-down mixes for confirmation.
PheeLion

PheeLion

PheeLion sculpts nocturnal, cinematic dance—smoke, silk, and shadow over a steady pulse. Her signature is restraint with intent: intimate vocals, tactile percussion, and modern electronic craft.

Styles: Dance, World, Electronic • Strengths: Mantra vocals, elegant percussion, atmospheric depth • Typical Uses: Fashion noir, romance, psychological drama, luxury branding

SHOULDA COULDA WOULDA — OMR Music Production

Shoulda Coulda Woulda cover art

Shoulda, Coulda, Woulda
by OMR Music Production

Funky and reflective — “Shoulda, Coulda, Woulda” dances through self-realization and regret with groove-forward production and lyrical honesty. OMR Music Production frames emotional awakening with retro flavor, perfect for sync scenes of personal growth, comedic reflection, or stylized soul-searching.

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OMR Cue Map

OMR Cue Map

Track: Shoulda Coulda Woulda
Clean Intro: Yes (0:00 – immediate entry with reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on regret, hindsight, and missed opportunity. Ideal for introspective storytelling and emotional dialogue.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Shoulda, Coulda, Woulda

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 120
  • Energy: Medium - High
  • Genres: Funk, Party, R&B, Pop
  • Vocals: Male Vocal
  • Moods: Carefree, Catchy, Confident, Cool, Energetic, Fun, Positive, Quirky, Retro, Upbeat, Uplifting
  • Lyric Themes: Life, Longing, Love, Regret
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition, Programming, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar & Bass: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Horns: Yumar Bonachea

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Shoulda, Coulda, Woulda” by OMR Music Production is a funky, upbeat track that blends retro charm with modern swagger. With its infectious groove and playful regret, it’s perfect for scenes that need energy, humor, and emotional punch.

Ideal Sync Uses

  • Action: Stylized entrances, playful tension
  • Comedy: Romantic mishaps, quirky montages
  • Crime: Heist prep, smooth getaway
  • Drama: Flashbacks, emotional realizations

Scene Suggestions

  • Character dancing alone in their apartment
  • Montage of romantic missteps
  • Stylized flashback with funky transitions
  • Opening credits with a confident tone

Why It Works

  • Uptempo rhythm energizes scenes
  • Male vocals deliver charm and attitude
  • Retro funk instrumentation adds timeless appeal
  • Lyric themes blend humor and heart
Track Narrative:
“Shoulda Coulda Woulda” spins funk and reflection into lyrical therapy — OMR Music Production weaves a groove that holds up a mirror. It’s tailor-made for scenes of realization, breakthrough, or stylized emotional montage.
Lyrics:
CHORUS
SHOULDA COULDA WOULDA
BUT I SAT ON THE FENCE OF REASON
ISN’T, WASN’T, DOESN’T
MEAN THERE’S SOMETHING I DON’T BELIEVE IN

VERSE 1
HOLD ON TO YOUR HAT, I’M GOING BACK
TO WHAT I USED TO KNOW
GOTTA GET MY LIFE BACK ON TRACK
GET AWAY FROM THIS RIDICULOUS SHOW

VERSE 2
SHOULDA PULLED THE SWITCH LONG AGO
PUTTING MY THOUGHTS INTO RHYMES
CAN’T SPEND ANOTHER DAY ALONE
FINDING THE WORDS TO MOVE ME ONE MORE TIME

CHORUS
SHOULDA COULDA WOULDA...

VERSE 3
LOST SIGHT OF THE MOON COUNTING THE STARS
LIFE WITHOUT YOU PLAYS IN MONOTONE
MISS YOU BEFORE, BEFORE YOU’VE GONE
LIFE’S ON HOLD WHILE THE FUTURE’S POSTPONED

VERSE 4
COULDA LEARNED TO LOVE LIKE YOU DO
SPENT MY LIFE WAITING YOU’RE NEXT MOVE
IF I HAD THE “IT” THAT YOU DO
PEOPLE WOULDA SEEN I HAD NOTHING TO PROVE

SOLO

CHORUS
SHOULDA COULDA WOULDA...

BRIDGE
I WOULDA BARED MY SOUL TO YOU
LEARNED TO LOVE AS ONE
KNOWING WHAT WE’VE GONE THROUGH
COULDA DONE WHAT’S NEVER BEEN DONE

CHORUS (REPEAT TO FADE)
SHOULDA COULDA WOULDA...

Si Dejo De Creer — IndiviDuo

Si Dejo De Creer cover art

Si Dejo De Creer
by IndiviDuo

A heartfelt, introspective Latin-pop ballad exploring self-belief, vulnerability, and emotional renewal. With its gentle acoustic bed, intimate female vocal, and themes of faith and inner strength, “Si Dejo De Creer” beautifully supports reflective montages, emotional turning points, and scenes where a character rediscovers hope after doubt.

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OMR Cue Map

OMR Cue Map

Track: Si Dejo de Creer
Clean Intro: Yes (0:00 – immediate entry with emotional tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Emotional cue centered on doubt, belief, and internal struggle. Ideal for character-driven arcs and moments of uncertainty.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Si Dejo De Creer

Song Profile

  • Key Signature: C Major
  • BPM: 61
  • Tempo: Midtempo / Ballad
  • Genres: Latin, Pop, Singer/Songwriter, Ballad
  • Vocals: Female Vocal
  • Mood/Feel: Hopeful, Reflective, Positive
  • Lyric Themes: Dreams, Faith, Hope, Strength
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

“Si Dejo De Creer” is an introspective and emotionally uplifting ballad about reclaiming belief in oneself. The heartfelt vocal performance and spacious acoustic arrangement make it ideal for scenes of healing, rediscovery, and personal growth.

Sync Highlights

  • Perfect for emotional turning points and “regaining inner strength” moments.
  • Lyrics are universally uplifting and sync-friendly without being overly specific.
  • Slow tempo supports reflective montages and character-driven storytelling.
  • Warm acoustic tone blends beautifully under dialogue.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Si Dejo De Creer

This track excels in emotional, character-driven storytelling. Its message of hope after doubt makes it especially strong for dramas, romances, and coming-of-age arcs where characters confront fear, uncertainty, or personal setbacks.

Scene Types

  • Reflective walks, nighttime contemplation, emotional solitude.
  • Montages of healing, rebuilding, or rediscovering purpose.
  • Heartfelt moments between family members or partners.
  • Sequences where a character decides to try again after failing.

Film/TV Fit

  • Drama
  • Romance
  • Coming-of-Age
  • Inspirational scripted stories
  • Latin cinema and series

Why It Works

  • Universal, uplifting lyrical message.
  • Intimate female vocal enhances emotional clarity.
  • Warm production supports both feature and background uses.
  • Perfect pacing for internal or transformative narrative moments.
Track Narrative:
“Si Dejo De Creer” explores the fragile but powerful journey of believing in oneself again. The narrator reflects on doubt, fear, and the temptation to give up—yet finds clarity in the realization that losing faith means losing the path forward entirely. The song feels like an inner conversation between past wounds and future hope, carried by delicate acoustic textures and a vulnerable vocal. It’s a quiet, emotional uplift built from introspection, courage, and rediscovery.

Lyrics: Si Dejo De Creer

Casi sin pensar voy viviendo y no logro ver el camino Pierdo la fe, comienzo a dudar de mi sueño Quisiera saber que el destino aún no está escrito Si dejo de creer, el camino perderé A dónde llegaré a ningún lugar Si dejo de creer y no escucho lo que canté, jamás lo intentaré Como desafiando al miedo un niño al caer se levanta no pierde la fe y lo intentará de nuevo Quisiera saber si este niño aún vive adentro Si dejo de creer, el camino perderé A dónde llegaré a ningún lugar Si dejo de creer y no escucho lo que canté, jamás lo intentaré Aunque el camino sea complejo encontraremos la señal Si dejo de creer, el camino perderé A dónde llegaré a ningún lugar Si dejo de creer y no escucho lo que canté, jamás lo intentaré Si dejo de creer, el camino perderé A dónde llegaré a ningún lugar Si dejo de creer y no escucho lo que canté, jamás lo intentaré Si dejo de creer, el camino perderé.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership blending Latin, pop, and singer-songwriter sensibilities into warm, emotionally grounded compositions. Their catalog is built around heartfelt storytelling, expressive vocal performances, and arrangements that naturally fit cinematic narratives.

Known for lyrics about love, identity, distance, and personal transformation, their music thrives in dramas, romances, and coming-of-age stories. The organic instrumentation—acoustic guitar, gentle rhythm beds, and intimate vocals—supports both feature placement and subtle background use.

Styles: Latin Pop, Singer/Songwriter • Strengths: Emotional clarity, intimate vocals, cinematic acoustic textures • Typical Uses: Romance, Drama, Coming-of-Age, inspirational arcs

SIEMPRE SE PUEDE — Elmer Ferrer

Siempre Se Puede cover art

Siempre Se Puede
by Elmer Ferrer

Siempre Se Puede unfolds with a reflective cinematic atmosphere built around Latin and world textures. Gentle percussion and evolving instrumentation create a sense of thoughtful movement, while the vocal adds emotional depth and human presence. The cue carries a dreamy, introspective quality that works beautifully for travel sequences, reflective storytelling, or moments of quiet determination where a character finds clarity and purpose.

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OMR Cue Map

OMR Cue Map

Track: Siempre Se Puede
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: Yes, resolved uplift
Loopable: Moderate
Best Loop Candidates: 0:32–1:04 / 1:04–1:36 / 1:20–1:52
Use Case: Uplifting cue for perseverance, overcoming obstacles, emotional breakthrough, forward momentum, hopeful resolution, and scenes where determination turns into progress.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Male Vocal
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer recognized for blending Latin musical traditions with cinematic composition. His work spans blues, rock, world, and film scoring, combining technical mastery with emotional storytelling.

With contributions to hundreds of recordings and international film projects, Ferrer’s music frequently bridges cultural influences with modern production, creating cinematic soundscapes suited for visual storytelling.

His career includes Latin Grammy nominations and a Goya Award for Best Score, highlighting his versatility as both a performer and composer.

Sync Pitch Sheet: Siempre Se Puede

Song Details

  • Energy: Medium / Reflective
  • Genres: Ambient, Indie, Latin, World, Cinematic
  • Vocals: Male Vocal
  • Key: D Minor
  • BPM: 95
  • Moods: Atmospheric, Dreamy, Moody, Reflective
  • Cinematic Fit: Drama, Travel, Documentary-style storytelling, Indie Film
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Strings

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Siempre Se Puede offers a reflective cinematic mood built around Latin instrumentation and an expressive vocal performance. Its thoughtful pacing and atmospheric textures allow scenes to develop emotionally while maintaining subtle forward movement.

Ideal Sync Uses

  • Drama: emotional character reflection
  • Travel: cultural exploration sequences
  • Indie Film: introspective montage scenes
  • Documentary-style storytelling: reflective narrative transitions

Scene Suggestions

  • Character reflecting during a long journey
  • Montage of travel or cultural landscapes
  • Emotional turning point in a character’s story
  • Quiet contemplative scene with visual storytelling
Track Narrative:
Siempre Se Puede carries the feeling of forward movement through reflection. Its atmospheric arrangement and expressive vocal create a sense of travel—not just across places, but through emotion and perspective. The cue supports scenes where characters quietly discover that progress is still possible.

Si Me Vieras Tú — IndiviDuo

Si Me Vieras Tú cover art

Si Me Vieras Tú
by IndiviDuo

An uptempo Country–Latin–Soul track about unspoken love and the ache of wanting to be seen. “Si Me Vieras Tú” rides a bright, horn-lifted groove with bass, drums, electric guitar, percussion, and male/female vocals tracing the struggle to find a pretext to speak, while a guarded crush hides behind their “caparazón.” The narrator imagines that if there were just one crack in that shell, the other person would finally understand the intensity of what they are living and “muriendo.” It’s a fun, catchy, but emotionally loaded song that suits romantic tension, longing, and almost-confession moments on screen.

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OMR Cue Map

OMR Cue Map

Track: Si Me Vieras Tú
Clean Intro: Yes (0:00 – immediate entry with emotional, melodic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic, emotionally expressive cue centered on longing, vulnerability, and perspective. Ideal for relationship-driven storytelling and intimate character moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Si Me Vieras Tú

Song Profile

  • Key Signature: D Minor
  • BPM: 135
  • Tempo: Uptempo
  • Genres: Country, Latin, Soul
  • Vocals: Female & Male Vocal
  • Mood/Feel: Bright, Catchy, Confident, Fun, Upbeat
  • Lyric Themes: Connection, Desire, Dream, Loneliness, Love
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

Track Summary

“Si Me Vieras Tú” is an uptempo, horn-driven Country–Latin–Soul track that turns romantic longing into something vibrant and cinematic. The narrator searches for excuses to talk to someone whose gaze holds “el color de una oportunidad,” but their target is closed off behind a shell — a “caparazón” with no opening. The song imagines that if there were even a small hole in that armor, and if there were real feeling inside, they would understand how intensely the narrator is living and “muriendo” over them. It balances fun, catchy energy with the emotional pull of unspoken love and daydreamed connection.

Sync Highlights

  • Perfect for scenes where a character is secretly in love with someone who seems unreachable or oblivious.
  • Great for crush montages, stolen glances, hallway passes, and bar or party settings.
  • Works for upbeat romantic tension where words are hard to find, but the feeling is obvious.
  • Spanish lyric centers on seeing, shells, and opportunities — natural fits for visual storytelling about guarded hearts.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Si Me Vieras Tú

This track is especially strong wherever crushes, one-sided love, or the fear of making the first move are central to the story. Its mix of upbeat groove and vulnerable lyric makes it perfect when the audience is inside the narrator’s head but the other character has no idea what’s going on.

Scene Types

  • Meet-cute and slow-burn crush arcs in romance, dramedy, or YA series.
  • School corridors, offices, cafes, or neighborhood spots where one character keeps passing another.
  • Montages of a character imagining conversations they never quite dare to have.
  • Moments where a guarded or emotionally distant character is briefly glimpsed in a softer light.

Film/TV Fit

  • Romantic Comedy & Dramedy
  • Young Adult & Coming-of-Age
  • Ensemble romance / relationship series
  • Light-hearted indie features with emotional undercurrents

Why It Works

  • Directly expresses the wish “si me vieras tú, como a ti te veo yo,” perfect for POV-driven love stories.
  • Uptempo, horn-accented groove keeps things fun and forward-moving, even when the lyrics carry longing.
  • Male/female vocals keep it flexible for various character pairings and ensemble casts.
Track Narrative:
“Si Me Vieras Tú” follows someone who moves through the world half in reality and half in a dream built around one person. They walk by, searching in that person’s gaze for the “color of an opportunity” to connect, while their own head spins with thoughts and rehearsed pretexts they never quite use. The object of affection feels sealed inside a shell, a “caparazón” that shows nothing. The narrator imagines that if there were even a tiny hole and any feeling inside, that person would finally understand the depth of what they’re living — the joy, the ache, the sense of dying slowly from not being seen. The song is a bright, rhythmic portrait of quiet longing and the hope that someday, their eyes will finally meet in the same way.

Lyrics: Si Me Vieras Tú

Hoy, sin mirar atrás, buscando en tu mirada el color de una oportunidad Para entrar, para conquistar aquellos pensamientos que no te dejan mirar Pero no es fácil encontrar pretextos para irte a hablar, no es nada fácil de creer, pero mientras pasas me robas el alma si me vieras tú Como a ti te veo yo Si tu caparazón tuviera un agujero y si adentro hubiera sentimientos, entenderías lo que yo estoy viviendo Hoy, me atrevo a pensar que desde el cielo te escapaste y me dejaste una canción sin terminar Buscaré en mil canciones más hasta que me escuches y te pueda confesar Que no es tan fácil encontrar pretextos para irte a hablar No es nada fácil de creer, pero mientras pasas me robas el alma si me vieras tú Como a ti te veo yo Si tu caparazón tuviera un agujero y si adentro hubiera sentimiento, te entenderías lo que yo estoy viviendo Si me vieras tú Como a ti te veo yo Si tu caparazón tuviera un agujero Y si adentro hubiera sentimiento, entenderías lo que yo estoy viviendo Porque yo estoy sintiendo Porque yo estoy muriendo.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Country, Soul, and Pop influences into cinematic, story-driven songs. Their music often centers on connection, longing, emotional risk, and transformation, carried by warm arrangements and expressive, conversational vocals.

From joyful, day-seizing anthems to yearning, heart-forward tracks like “Si Me Vieras Tú,” their catalog works across romance, dramedy, young adult series, and character-driven narratives where love, fear, and courage to speak up are at the core of the story.

Styles: Latin Pop, Country–Soul, Singer/Songwriter • Strengths: Emotional storytelling, melodic hooks, character-centric lyrics • Typical Uses: Romance, Dramedy, YA and ensemble series, crush and slow-burn love arcs with a bright, modern feel

Si No lo Hiciste Por Amor — IndiviDuo

Si No lo Hiciste Por Amor cover art

Si No lo Hiciste Por Amor
by IndiviDuo

An uptempo Pop–Singer/Songwriter track that turns heartbreak and regret into a clear-eyed goodbye. “Si No lo Hiciste Por Amor” rides an energetic band feel — acoustic guitar, bass, drums, electric guitar, percussion and male/female vocals — as the narrator remembers someone who “trajo el hambre pero no el mercado,” blocked their path, and broke their heart, yet was still “lo más lindo de mi vida.” The hook draws a sharp line: if it wasn’t done out of love, it should’ve been done out of respect. Bright but reflective, it’s perfect for breakup, closure, and post-heartache strength scenes.

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OMR Cue Map

OMR Cue Map

Track: Si No Lo Hiciste por Amor
Clean Intro: Yes (0:00 – immediate entry with emotional, vocal-led tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with strong emotional release
Loopable: Moderate (song structure supports editorial use but driven by vocal phrasing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Emotionally charged, vocal-driven cue centered on love, intention, and emotional truth. Ideal for relationship-driven storytelling, particularly scenes of confrontation, confession, or emotional clarity where motivations are questioned and feelings are laid bare. The track’s lyrical core reinforces themes of authenticity and purpose in love, making it especially effective in dramatic romantic arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Si No lo Hiciste Por Amor

Song Profile

  • Key Signature: E Major
  • BPM: 125
  • Tempo: Uptempo
  • Genres: Pop, Singer/Songwriter
  • Vocals: Female & Male Vocal
  • Mood/Feel: Bright, Positive, Reflective
  • Lyric Themes: Heartbreak, Regret, Relationship, Loss, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Si No lo Hiciste Por Amor” is an uptempo breakup song that mixes poetic bite with surprising tenderness. The narrator describes someone who brought hunger but not the market, silenced their melody, soured the “sangría,” and blocked their path — yet remains the most beautiful thing in their life. The central hook draws a moral boundary: if you didn’t act out of love, you should at least have acted out of respect. The relationship becomes an unfinished story, an equation without a result, and ultimately something they are almost glad has left their life. It’s a reflective but forward-moving track, ideal for scenes that look back on a painful love with clarity rather than despair.

Sync Highlights

  • Great for breakup and post-breakup scenes where a character is processing what happened with maturity.
  • Works well over “packing up and leaving” montages, deleting photos, or closing a chapter.
  • Effective for reflective drives, late-night kitchen scenes, or journal-writing moments after a split.
  • Spanish lyric sections about love vs. respect, unfinished stories, and “ecuación sin resultado” provide strong thematic hooks.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Si No lo Hiciste Por Amor

This track is especially strong wherever characters are re-evaluating a past relationship, naming the hurt, and choosing self-respect. Its mix of bright groove and reflective lyric makes it a strong contender whenever the tone needs to stay watchful and adult, rather than purely heartbroken.

Scene Types

  • Post-breakup reflection scenes (talking with a friend, therapist, or alone).
  • Montages of moving out, changing locks, or reclaiming spaces after someone leaves.
  • Contemplative bar, cafe, or city-walk sequences where the character revisits memories and lets go.
  • Moments of closure when a character acknowledges the pain but keeps the good memories.

Film/TV Fit

  • Romantic Drama & Dramedy
  • Romantic Comedy (more grounded beats)
  • Character-driven series with strong relationship arcs
  • Young Adult & Adult ensemble shows

Why It Works

  • The hook “Si no lo hiciste por amor, debiste hacerlo por respeto” is a ready-made line for scenes about boundaries.
  • Uptempo Pop–Singer/Songwriter feel keeps the sequence from becoming too heavy or melodramatic.
  • Balances heartbreak with gratitude and perspective, giving editors emotional nuance to play with.
Track Narrative:
“Si No lo Hiciste Por Amor” tells the story of a love that hurt deeply but still meant everything. The narrator remembers how this person brought need without support, muted their melody, blocked their path, and turned sweetness bitter — yet was also the most beautiful part of their life. The relationship ends abruptly, the story left unfinished, like an equation with no result. Looking back, the narrator draws one conclusion: if the other person didn’t act out of love, they should at least have acted out of respect. Even so, they admit that this person will always be the best of their memories, folding pain, gratitude, and acceptance into one clear-eyed goodbye.

Lyrics: Si No lo Hiciste Por Amor

Trajiste el hambre pero no el mercado lograste silenciar mi melodía Rompiste mi ilusión y sin embargo Tu has sido lo más lindo de mi vida Bloqueaste mi camino con tu huella Hiciste siempre amarga la sangría Me quitas y me escondes la cabeza Tu has sido lo más lindo de mi vida Y así es la vida Si no lo hiciste por amor Debiste hacerlo por respeto Siempre te amé sin precaución Me rompiste el corazón Con solo un beso Hoy veo que todo fue un error Solo me quedan los recuerdos Te fuiste sin decir adios Me dejaste aquí muriéndome por dentro El cuento lo dejamos empezado Hiciste realidad mi pesadilla Seremos ecuación sin resultado Que lindo que te fuiste de mi vida Y así es la vida Si no lo hiciste por amor Debiste hacerlo por respeto Y aunque no tenga explicación Tu serás siempre el mejor de De mis recuerdos.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, and Singer/Songwriter influences into cinematic, story-driven songs. Their music often centers on connection, heartbreak, resilience, and emotional transformation, carried by warm arrangements and expressive vocals.

From sunny, feel-good anthems to reflective breakup tracks like “Si No lo Hiciste Por Amor,” their catalog works across romance, dramedy, and character-focused series where love, loss, and self-respect are at the heart of the story.

Styles: Latin Pop, Singer/Songwriter, Acoustic Pop • Strengths: Emotional storytelling, memorable hooks, nuanced relationship writing • Typical Uses: Romance, Dramedy, breakup and closure arcs, reflective and empowering post-relationship scenes

SING TO ME IN SLIGHTS

Sing to Me in Slights cover art

Sing to Me in Slights
by Radagast the Brown

“Sing to Me in Slights” is a moody ambient instrumental shaped by subtle tension, reflective tone, and finely controlled movement. With piano, strings, synth, and percussion in restrained conversation, the track feels ideal for scenes of emotional friction, inward thought, and moments where meaning arrives indirectly.

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OMR Cue Map

Track: Sing to Me in Slights
Clean Intro: Yes (0:00 – immediate entry with delicate, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with soft ambient decay
Loopable: Moderate–High (textural consistency supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Subtle, introspective cue centered on nuance, emotional restraint, and unspoken tension. Ideal for quiet dialogue and understated dramatic scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: Sing to Me in Slights

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 139
  • Energy: Medium - High
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Minimal, Moody, Reflective
  • Cinematic Fit: Thriller, Drama, Indie, Art House
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sing to Me in Slights” is built for emotionally layered scenes where meaning is carried through nuance, friction, and understatement. Its moody, minimal pulse makes it especially effective for psychological tension, unresolved conversations, and reflective sequences with hidden pressure.

Ideal Sync Uses

  • Thriller: Quiet pressure, subtext, emotional threat
  • Drama: Friction, guarded emotion, reflective distance
  • Indie: Interior movement, ambiguous feeling, subtle tension
  • Art House: Minimal narrative drift, mood-led emotional complexity

Scene Suggestions

  • Low-dialogue exchange charged by what is not being said
  • Reflective montage built on unease rather than release
  • Character scene where affection and resentment coexist
  • Transition sequence carrying quiet psychological tension

Why It Works

  • Minimal mood keeps the emotional reading open and subtle
  • Piano and strings add human warmth inside restraint
  • Higher BPM adds internal movement without forcing energy
  • Instrumental format leaves editorial space for dialogue and performance
Stem Tracks:
Available upon request.
Track Narrative:
“Sing to Me in Slights” feels like emotion arriving sideways — not directly spoken, but implied in tone, distance, and gesture. It carries tension through nuance, making it ideal for scenes where subtlety does the real dramatic work.

Sisi

Sisi cover art

Sisi
by HYP

“Sisi” sits in B minor at 87 BPM with a calm, midtempo pocket and a modern atmospheric bed. Its restrained groove and spacious texture make it a dialogue-friendly underscore—ideal for character moments, steady transitions, and scenes that need tone and momentum without clutter.

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OMR Cue Map

OMR Cue Map

Track: Sisi
Clean Intro: Yes (0:00 – immediate entry with rhythmic, modern tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Groove-driven cue centered on energy, rhythm, and forward motion. Ideal for urban visuals and fast-paced storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-forward instrumentals that balance rhythm and atmosphere for modern cinematic use. His productions emphasize clean pockets, tasteful texture, and controlled momentum—supporting story, pacing, and editorial flexibility.

“Sisi” reflects that approach with a restrained midtempo pulse and spacious tone built for narrative, transitions, and dialogue-forward scenes.

Sync Pitch Sheet: Sisi

Song Profile

  • Key Signature: B Minor
  • BPM: 87
  • Energy: Midtempo (calm, controlled momentum)
  • Genres: Groove / Cinematic underscore
  • Vocals: Instrumental
  • Moods: Cool, Atmospheric, Moody, Minimal, Rhythmic, Focused, Understated
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Rhythm foundation (tight pocket)
  • Low-end movement (bass-led pulse)
  • Textural layers (atmosphere and space)

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Sync Potential

“Sisi” provides calm midtempo motion with a modern, restrained vibe. It’s dialogue-friendly and cut-friendly—useful for sequences that need continuity, tone, and subtle propulsion without escalation.

Scene Types

  • City movement, travel, and momentum shots
  • Planning, preparation, and “getting ready” sequences
  • Character reflection with quiet determination
  • Modern lifestyle and premium brand visuals
  • Transitions and scene bridges with rhythmic continuity

Why It Works

  • 87 BPM supports smooth editorial pacing and scene flow.
  • Instrumental space leaves room for dialogue and sound design.
  • Atmospheric tone reinforces mood without pulling focus.
  • Controlled groove keeps scenes moving with quiet confidence.
Track Narrative:
“Sisi” feels like steady forward motion under a calm surface—measured, focused, and quietly confident. It supports scenes where tone and pacing do the storytelling.
Instrumental Notes:
Fully instrumental and dialogue-friendly, “Sisi” provides a clean midtempo underscore with a steady pocket and spacious atmosphere. Its restrained arrangement supports editorial flexibility for cuts, ramps, and transitions without dominating the narrative.

Stem Tracks

Contact OMR for available stems (rhythm foundation, bass elements, texture layers, full mix) and custom edit requests for trailers, promos, and timing-specific versions.

Si Suenas Vos — Maqui

Si Suenas Vos cover art

Si Suenas Vos
by Maqui

A warm, midtempo Blues–Country–Rock track where the narrator’s entire sense of peace and joy is tied to one sound: “Si suenas vos, yo sueno.” Part love song, part ode to music itself, “Si Suenas Vos” paints this person (and their guitar) as refuge, routine-breaker, and healing force—cutting deep but also closing the wound with melody and magic.

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OMR Cue Map

Track: Si Sueñas Vos
Clean Intro: Yes (0:00 – immediate entry with warm, melodic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with gentle tonal fade
Loopable: High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Warm, reflective cue centered on dreams, connection, and emotional resonance. Ideal for romantic and introspective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Si Suenas Vos

Song Profile

  • Key Signature: D♯ Minor
  • BPM: 100
  • Tempo: Midtempo
  • Genres: Blues, Country, Rock
  • Vocals: Male Vocal
  • Mood/Feel: Bright, Hopeful, Positive, Reflective, Warm
  • Lyric Themes: Connection, Escape, Happiness, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“Si Suenas Vos” is a love letter to a person and their music—their laughter contaminates the darkness, six strings break the routine, and their melody carves a deep line through the narrator’s body that only their magic can heal. The track wraps deep emotional dependence in a warm, midtempo groove that feels intimate yet expansive.

Sync Highlights

  • Perfect for scenes where a character finds refuge in another person—or in music itself.
  • Great fit for studio, rehearsal, or performance sequences with an emotional undercurrent.
  • Works for relationship arcs where one person becomes the other’s safe place.
  • Blues/Country/Rock blend suits Americana-flavored, indie, and character-driven content.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Si Suenas Vos

This track is a natural match for stories about the healing power of connection and music. It plays beautifully under scenes where characters escape the world through playing, singing, or simply being together in their own sonic bubble.

Scene Types

  • Intimate studio or bedroom performance scenes where music bonds two people.
  • Montages of shared creativity—writing, jamming, recording, or rehearsing together.
  • Comfort scenes: one character playing to soothe another after a hard day.
  • Road-trip or late-night drive scenes where music fills the silence and deepens connection.

Film/TV Fit

  • Romance & Romantic Dramedy
  • Coming-of-Age
  • Music-driven series and films
  • Indie / Art House
  • Hope & Redemption arcs where music is a lifeline

Why It Works

  • Lyric explicitly ties emotional wellbeing to sound: “Si suenas vos, yo sueno.”
  • Warm, midtempo groove is highly usable under dialogue and montage.
  • Blends romance, refuge, and musical passion in a single coherent mood.
Track Narrative:
“Si Suenas Vos” portrays someone whose sanctuary is another person’s music. This person is refuge, hiding place, and guitar all at once—their laugh brightens dark days, their six strings shatter routine, and their melody cuts the narrator open from top to bottom, in a way only they can mend. At their side, there is no failure, nothing to prove. If they sound, he comes alive. The repeated refrain “Si suenas vos, yo sueno” turns into a simple but powerful emotional truth.

Lyrics: Si Suenas Vos

Eres mi refugio y mi guarida donde cada noche siempre voy a dar Eres mi guitarra y contaminas con tu risa esos días de terrible oscuridad Por eso yo te quiero Si suenas vos yo sueno Es tan atractiva tu mentira que a tu lado creo que nada me hace mal Con seis cuerdas rompes la rutina me fascina que me lleves a ese sitio una vez más Por eso yo te quiero Si suenas vos, yo sueno A tu lado no existe el fracaso entre tú y yo no hay nada que demostrar Oh, tu melodía en mi cuerpo ha hecho un tajo de arriba a abajo y solo tu magia lo puede cerrar por eso yo te quiero Si suenas vos yo sueno Por eso yo te quiero Si suenas vos yo sueno Por eso yo te quiero Si suenas vos yo sueno por eso yo te quiero Si suenas vos yo sueno.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Maqui

Maqui

Maqui is a Latin singer/songwriter who blends Blues, Country, Rock, and modern textures into emotionally direct, performance-ready songs. His work often treats music as both subject and vehicle—using guitars, grooves, and honest lyrics to explore love, escape, and inner repair.

In “Si Suenas Vos,” he leans into a tender, music-as-refuge narrative, portraying sound and connection as the only things that make life bearable. Across his catalog, Maqui’s grounded vocal delivery and melodic instinct make his tracks a strong fit for contemporary film and TV looking for heartfelt, guitar-driven cues with depth.

Styles: Blues/Country Rock, Latin Singer/Songwriter • Strengths: Emotional clarity, guitar-led feel, modern warmth • Typical Uses: Romance, Coming-of-Age, music-life stories, intimate character beats

Si Tus Besos — Maqui

Si Tus Besos cover art

Si Tus Besos
by Maqui

A fast, warm Latin Singer/Songwriter track that turns longing and loneliness into vivid, poetic imagery. “Si Tus Besos” follows a narrator scorched by time when their lover isn’t there — “como quema el tiempo si no estás” — comparing their kisses to water, ships, wind, time, and even faith. Driven by acoustic guitar, bass, drums, and percussion, the song balances upbeat energy with reflective emotion, making it ideal for romantic stories where absence, memory, and the pull to escape together are at the heart of the scene.

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OMR Cue Map

OMR Cue Map

Track: Si Tus Besos
Clean Intro: Yes (0:00 – immediate entry with romantic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with emotional lift
Loopable: High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Romantic cue centered on intimacy, affection, and emotional closeness. Ideal for relationship-driven scenes and heartfelt storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Si Tus Besos

Song Profile

  • Key Signature: E Major
  • BPM: 150
  • Tempo: Fast
  • Genres: Latin, Singer/Songwriter
  • Vocals: Male Vocal
  • Mood/Feel: Bright, Upbeat, Warm, Hopeful, Positive, Reflective
  • Lyric Themes: Regret, Time, Loneliness, Escape, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

“Si Tus Besos” is a fast, rhythmically lilting Latin Singer/Songwriter track that uses rich metaphor to explore how time stretches and burns when someone you love is gone. The narrator compares their lover’s kisses to water, ships, wind, time, and faith: they would drink them, run aground for them, fly on them, grow with them, and believe through them. When the other person isn’t there, the wind no longer sings, the world collapses in a moment, and a single second of feeling becomes an eternity. Despite the ache, the song carries a hopeful, warm energy, making it ideal where longing is painful but not hopeless.

Sync Highlights

  • Perfect for romantic longing sequences, especially where time and memory are key motifs.
  • Great for scenes of separation: one character waiting, pacing, or replaying moments alone.
  • Works over nostalgic or dreamlike montages of a couple’s past, contrasted with present-distance.
  • Metaphor-rich Spanish lyric gives editors strong lines for subtitled, emotionally elevated scenes.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Si Tus Besos

This track is especially strong wherever emotional distance, waiting, or yearning to escape together are central to the story. Its blend of bright tempo and reflective lyric lets it sit comfortably under both hopeful and bittersweet visuals.

Scene Types

  • Long-distance relationship moments: airport, bus terminal, or train station goodbyes and reunions.
  • Nighttime apartment scenes with one character alone, replaying memories or checking their phone.
  • Escape fantasies — imagining running away together, even if it only happens in the character’s head.
  • Slow-motion or time-lapse sequences that emphasize how long it feels to wait for someone’s return.

Film/TV Fit

  • Romantic Drama & Dramedy
  • Romantic Comedy (more wistful beats)
  • Young Adult & Coming-of-Age
  • Character-driven indie features with strong romantic subplots

Why It Works

  • Highly visual metaphors around kisses, water, ships, wind, time, and faith support rich visual storytelling.
  • Fast, upbeat pace keeps sequences emotionally engaging without feeling too heavy.
  • Warm, expressive male vocal makes it a strong POV piece for a single lead character.
Track Narrative:
“Si Tus Besos” follows a narrator who feels time scorch and collapse whenever the person they love is gone. Without them, the wind doesn’t sing, memories don’t play, and a single second of feeling becomes an eternity. In their imagination, the lover’s kisses are everything: water to drink, ships they’d gladly wreck, wind that could carry them away forever, the time that would help them grow, and the faith they would build their life on. The song lives in that space between absence and hope — the ache of waiting for someone’s return and the fierce belief that their love is worth the pain of every passing moment.

Lyrics: Si Tus Besos

Como duele el tiempo y como quema, como quema el tiempo si no estás, como quema el tiempo si no estás Así quedo yo cuando me dejas, como quedo yo cuando te vas Eres como el agua que se aleja, como el agua que viene y se va, como el agua que viene y se va Como dueles, cuánto dueles, cuando llegarás Como dueles, cuánto dueles, cuando volverás Que si tus besos fueran agua bebería, si fueran barcos de seguro encallaría, si fueran viento con tus besos volaría, para escapar contigo y no regresaría Que si tus besos son sinceros te amaría, si no lo son yo de seguro igual lo haría Que si tus besos fueran tiempo crecería, si fueran fe yo con tus besos.. creería Ya no canta el viento ni el recuerdo, ya no juegan en mi soledad, ya no canta el viento si no estás Se derrumba el mundo en un momento, de repente entiendo que es verdad Cuando dicen que en el sentimiento, un segundo es una eternidad, un segundo es una eternidad Como dueles, cuánto dueles, cuando llegarás Como dueles, cuánto dueles, cuando volverás Que si tus besos fueran agua bebería, si fueran barcos de seguro encallaría, si fueran viento con tus besos volaría, para escapar contigo y no regresaría Que si tus besos son sinceros te amaría, si no lo son yo de seguro igual lo haría Que si tus besos fueran tiempo crecería, si fueran fe yo con tus besos Que si tus besos fueran agua bebería, si fueran barcos de seguro encallaría, si fueran viento con tus besos volaría, para escapar contigo y no regresaría Que si tus besos son sinceros te amaría, si no lo son yo de seguro igual lo haría Que si tus besos fueran tiempo crecería, si fueran fe yo con tus besos...
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
Maqui

Maqui

Maqui is a Latin Singer/Songwriter with a gift for turning emotional states into vivid, memorable images. His songs often weave themes of time, distance, love, and inner conflict into warm, acoustic-driven arrangements, carried by an expressive, intimate vocal delivery.

Tracks like “Si Tus Besos” highlight his ability to balance poetic depth with rhythmic, upbeat energy — a combination that works beautifully across romance, dramedy, and character-driven stories where longing, resilience, and the passage of time are part of the emotional core.

Styles: Latin Singer/Songwriter, Acoustic Latin Pop • Strengths: Poetic imagery, emotional storytelling, warm acoustic textures • Typical Uses: Romance, Dramedy, reflective and nostalgic arcs, separation and reunion storylines

SIGNAL HILL — Mattie Leon

Signal Hill cover art

Signal Hill
by Mattie Leon

Poetic and introspective — “Signal Hill” by Mattie Leon blends emotional resonance with lyrical clarity. The track explores themes of longing, hope, and renewal across imagery of home, tide, and celestial movement. Perfect for sync scenes of heartfelt transition, reunion, or spiritual uplift.

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OMR Cue Map

OMR Cue Map

Track: Signal Hill
Clean Intro: Yes (0:00 – immediate entry with reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on place, memory, and perspective. Ideal for scenic storytelling and introspective moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Signal Hill

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 172
  • Energy: Up-tempo
  • Genres: Folk, Indie, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Romantic, Warm, Dreamy, Hopeful, Positive, Reflective
  • Lyric Themes: Home
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered By: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon
  • Violin: Graham McLaughlin

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Signal Hill” by Mattie Leon is a poetic and introspective track that blends emotional resonance with lyrical clarity. With themes of home, longing, and renewal, it’s ideal for scenes that explore heartfelt transitions, reunions, and spiritual uplift.

Ideal Sync Uses

  • Coming-of-Age: Personal growth, self-discovery
  • Drama: Emotional turning points, family reconnection
  • Indie: Stylized visuals, introspective moments
  • Romance: Reunion, quiet intimacy

Scene Suggestions

  • Character returning home after a long absence
  • Montage of memories and reflection
  • Sunrise drive through countryside
  • Closing credits with a hopeful tone

Why It Works

  • Up-tempo rhythm adds emotional lift
  • Male vocals convey sincerity and warmth
  • Organic instrumentation supports cinematic depth
  • Lyric themes align with universal emotional arcs
Track Narrative:
“Signal Hill” frames emotional and geographical transition through lyrical grace and timeless melody — Mattie Leon evokes light, loss, and connection across ocean, sky, and memory. Sync-ready for scenes of reunion, homecoming, or cinematic longing.
Lyrics:
Across the blue and boundless still
Silver constellations spill
on the Atlantic
Pointing west to where I will
See the sun that will rise
Over Signal Hill

The fading colours of our home
we left for grace and grace alone
Hold me now
and leave I never will
Sure as the sun that will rise
Over Signal Hill

Don't give up
Don't give up on us yet
Don't give up on us yet

They'll receive us you and I
the way the cliffs receive the tide
and for a moment
we'll be safe and be still
Watch the sun that will rise
Over Signal Hill

SIGNS

Signs cover art

Signs
by Amhed Mitchel

Reflective and spiritual — “Signs” travels through ambient instrumental layers and emotive undertones. Amhed Mitchel crafts a contemplative cue full of atmosphere and grace, ideal for sync scenes of quiet awe, personal reflection, or metaphysical transitions.

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OMR Cue Map

OMR Cue Map

Track: Signs
Clean Intro: Yes (0:00 – immediate entry with subtle, atmospheric tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with understated fade
Loopable: High (textural consistency supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Subtle cue centered on interpretation, observation, and quiet tension. Ideal for investigative or introspective scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Signs

Song Profile

  • Key Signature: Eb Major
  • Beats Per Minute: 95
  • Energy: Medium
  • Genres: Jazz, Ambient, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Atmospheric, Sad, Romantic, Warm, Dreamy, Hopeful, Light, Minimal, Reflective, Somber
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Composition & Arrangement: Amhed Mitchel
  • Recording: Jeremy Dufry
  • Mixing: Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Drums & Piano: Amhed Mitchel
  • Electric & Eminence Bass: Roberto Riveron
  • Electric Guitar: Elmer Ferrer

Instrumentation

  • Piano
  • Electric Guitar
  • Bass
  • Drums

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Signs” by Amhed Mitchel is a contemplative instrumental piece that blends ambient textures with jazz phrasing. Its emotive piano and subtle guitar work create a sonic landscape ideal for scenes of introspection, mystery, and emotional depth.

Ideal Sync Uses

  • Mystery: Quiet suspense, metaphysical transitions
  • Romance: Reflective solitude, emotional longing
  • Crime: Aftermath scenes, psychological tension

Scene Suggestions

  • Character staring out a window in silence
  • Montage of emotional memories
  • Slow-motion walk through a quiet city
  • Closing credits with a somber tone

Why It Works

  • Midtempo pacing supports reflective scenes
  • Instrumental format allows space for dialogue
  • Ambient jazz textures add emotional nuance
  • Mood palette aligns with cinematic introspection
Track Narrative:
“Signs” opens a soundscape of introspective movement and distant horizon — ideal for scenes involving spiritual journeys, emotional recovery, or visual storytelling imbued with quiet revelation.

Si Me Besas — IndiviDuo

Si Me Besas cover art

Si Me Besas
by IndiviDuo

A bright, uptempo Latin-electronic ballad with a romantic, slightly quirky twist. “Si Me Besas” follows a narrator sneaking through the night with poetic promises—hiding in a lover’s soul, bringing back “a bouquet of stars,” and lighting a fire where fears can sleep outside. Dual male–female vocals, pulsing rhythm, and synth textures make this ideal for modern romance, playful intimacy, and scenes where passion and escapism collide.

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OMR Cue Map

OMR Cue Map

Track: Si Me Besas
Clean Intro: Yes (0:00 – immediate entry with romantic, melodic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic cue centered on intimacy, affection, and emotional connection. Ideal for relationship-driven storytelling and heartfelt moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Si Me Besas

Song Profile

  • Key Signature: E Minor
  • BPM: 130
  • Tempo: Uptempo
  • Genres: Electronic, Latin, Singer/Songwriter, Ballad
  • Vocals: Female & Male Vocals (duet)
  • Mood/Feel: Bright, Light, Positive, Quirky, Reflective, Romantic, Upbeat
  • Lyric Themes: Escape, Fear, Love, Success
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“Si Me Besas” blends an uptempo Latin groove with modern electronic touches and a romantic, slightly playful lyric. The narrator promises clandestine visits, healing fires, and star-lit devotion—all hinging on a single kiss. The duet vocal, rhythmic energy, and intimate imagery make it a strong choice for contemporary romance, flirtation, and night-time escapism.

Sync Highlights

  • Perfect for romantic, intimate, or flirtatious scenes with a modern Latin feel.
  • Uptempo 130 BPM groove supports dance, nightlife, and kinetic visual sequences.
  • Lyrics about kissing, escape, and emotional healing are highly sync-friendly for romance-forward content.
  • Dual vocals allow easy alignment with two-character perspectives and relationship arcs.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Si Me Besas

With its seductive promises, nocturnal imagery, and upbeat Latin-electronic production, “Si Me Besas” is tailor-made for scenes where romance, secrecy, and chemistry drive the story. It works especially well wherever a kiss—or the anticipation of one—carries real emotional weight.

Scene Types

  • Night-time balcony, rooftop, or bedroom scenes charged with anticipation.
  • Playful, intimate sequences between lovers escaping the outside world.
  • Dance or club scenes where two characters are clearly drawn to each other.
  • Montages of a growing relationship built on private, stolen moments.

Film/TV Fit

  • Romance & Romantic Comedy
  • Drama / Dramedy
  • Coming-of-Age (first serious love / first kiss arcs)
  • Latin and globally-minded series or features

Why It Works

  • Romantic yet playful lyrical tone avoids cliché while staying emotionally clear.
  • Uptempo but not aggressive—easy to cut, duck, and build around dialogue.
  • Electro-Latin palette feels current for streaming-era series and films.
  • Duet structure maps neatly onto two-hander scenes and relationship storytelling.
Track Narrative:
“Si Me Besas” reads like a whispered pact made after dark. The narrator wants to slip past the world’s noise, hide in a lover’s soul, and return with a bouquet of stars to light their skin. A kiss becomes the gateway to escape, healing, and shared warmth by the fire. The song lives in those private, charged spaces—closed doors, late nights, and the feeling that the outside world has temporarily disappeared—making it a natural fit for intimate, romantic storytelling.

Lyrics: Si Me Besas

Hola, ábreme la puerta Quiero esconderme allá en tu alma para tenerte cerca Te escribiré canciones bellas Para cantártelas mi amor, cuando nadie nos veía Hola, ajusta la puerta Escaparé por la ventana cuando el mundo se duerma Regresaré con un ramo de estrellas Para pegarlas en tu piel y que nunca te pierdas Y todo esto es lo que haré Y todo esto es lo que haré Y todo esto es lo que haré solamente si tú me besas Pasa, enciende la hoguera Y sanarán nuestras heridas para cuando amanezca Encontraré la luz perfecta Para que nazca la pasión y el temor duerma afuera Y todo esto es lo que haré Y todo esto es lo que haré Y todo esto es lo que haré solamente si tú Y todo esto es lo que haré Y todo esto es lo que haré Y todo esto es lo que haré solamente si tú me besas Y todo esto es lo que haré Y todo esto es lo que haré Y todo esto es lo que haré solamente si tú Y todo esto es lo que haré Y todo esto es lo que haré solamente si tú Me besas.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that weaves Latin, electronic, and singer-songwriter influences into cinematic, emotionally resonant tracks. Their music combines intimate storytelling with modern production, making it highly adaptable for film and TV.

From tender ballads to groove-driven, late-night confessionals, IndiviDuo’s catalog excels at underscoring romance, vulnerability, and transformation. The interplay between female and male vocals gives many songs a built-in two-character dynamic, ideal for dialogue-heavy and relationship-centered scenes.

Styles: Latin Pop, Electronic-tinged Singer/Songwriter • Strengths: Duet storytelling, romantic tension, cinematic lyric imagery • Typical Uses: Romance, Dramedy, Coming-of-Age, nightlife and escape-driven sequences

SILENT ERA — Amhed Mitchel (Instrumental)

Silent Era cover art

Silent Era
by Amhed Mitchel

“Silent Era” drifts with atmospheric jazz textures — midtempo flow (Key: Ab Major; 127 BPM) guided by saxophone and percussion. Hopeful, reflective, and sync‑ready, the track evokes cinematic romance and light introspection.

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OMR Cue Map

OMR Cue Map

Track: Silent Era
Clean Intro: Yes (0:00 – immediate entry with cinematic, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with vintage tonal decay
Loopable: Moderate (evolving structure supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on nostalgia, history, and visual storytelling. Ideal for period pieces and stylized montage reflecting early film aesthetics.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Silent Era

Song Details

  • Key Signature: Ab Major
  • BPM: 127
  • Tempo: Midtempo
  • Genre: Jazz
  • Vocals: Instrumental
  • Mood/Feel: Atmospheric, Hopeful, Light, Positive, Reflective, Romantic
  • Type: One‑Stop

Instrumentation

  • Percussion
  • Saxophone

Sync Notes

  • Best fit: Romance, drama, reflective montages, atmospheric visuals.
  • Tone: Hopeful, cinematic, and light with a touch of romantic flair.
  • Mix: Saxophone leads supported by gentle percussion layers.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Silent Era drifts with atmospheric saxophone over warm percussion — ideal for reflective, romantic, and cinematic syncs that need light, hopeful energy.

Ideal Sync Uses

  • Romance: Intimate moments, reflective transitions
  • Drama: Emotional arcs, character reflections
  • Art House: Atmospheric visuals, poetic pacing
  • Lifestyle / Travel: Scenic montages, cultural storytelling

Why It Works

  • Atmospheric saxophone tone adds cinematic depth
  • Hopeful, reflective moods versatile across genres
  • Instrumental clarity supports dialogue and visuals
Track Narrative:
“Silent Era” unfolds with hopeful saxophone lines over subtle percussion, creating an atmospheric, reflective soundscape. Romantic and light, it’s sync‑ready for cinematic visuals that explore love, memory, and emotional stillness.

SILENT GOODBYE — Justin Enco Band

Silent Goodbye cover art

Silent Goodbye
by Justin Enco Band

Emotional and raw — “Silent Goodbye” explores the quiet tension between farewell and commitment. The Justin Enco Band channels melodic sincerity and lyrical depth, perfect for sync moments of personal reckoning, intimate dialogue, or final turning points.

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OMR Cue Map

Track: Silent Goodbye
Clean Intro: Yes (0:00 – immediate entry with emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with soft emotional fade
Loopable: Moderate–High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional cue centered on departure, closure, and unspoken emotion. Ideal for farewell scenes and quiet endings.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Silent Goodbye

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 70
  • Energy: Midtempo
  • Genres: Folk, Indie, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Reflective, Atmospheric, Sad, Somber
  • Lyric Themes: Connection, Time, Relationship, Love, Fear
  • Type: One Stop

Production Details

  • Produced By: Justin Enco & Michael Waxman
  • Lyrics: Justin Enco
  • Recorded At: Purgatory Recording, Sunrise, FL
  • Engineered & Mixed By: Michael Waxman
  • Mastered By: Vic Anosini at Sony Studios, New York, NY

Artists

  • Vocals, Acoustic Guitars, Backing Vocals, Arrangements: Justin Enco
  • Piano, Organs, Programming: Michael Waxman
  • Electric & Acoustic Guitars, Bass Guitar: Dan Warner
  • Drums & Percussion: Brett Segal

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Silent Goodbye” by Justin Enco Band is a haunting and heartfelt track that captures emotional vulnerability with cinematic grace. Its atmospheric textures and lyrical depth make it ideal for scenes of reflection, separation, and quiet transformation.

Ideal Sync Uses

  • Coming-of-Age: Emotional growth, farewell moments
  • Drama: Relationship tension, personal reckoning
  • Indie: Stylized introspection, poetic visuals
  • Romance: Breakups, bittersweet memories

Scene Suggestions

  • Character walking away from a relationship
  • Montage of time passing and emotional change
  • Quiet moment of realization or regret
  • Closing credits with a somber tone

Why It Works

  • Midtempo pacing supports emotional gravity
  • Male vocals convey sincerity and depth
  • Organic instrumentation adds cinematic warmth
  • Lyric themes align with universal emotional arcs
Track Narrative:
“Silent Goodbye” aches with compassion and conviction — The Justin Enco Band delivers balladic strength and lyrical vulnerability built for scenes of separation, emotional confession, or tender resilience.
Lyrics:
In your eyes makes me want to believe
Everything is true
And this is meant to be
Who's wrong and who's right
We both fell short tonight
Everything's alright
We're here for you
We're here for you

Last time I left, last on your face
You looked at me with silent goodbyes
Now I can't contest, yes everything's a mess
But I'll stand by you baby till I die

Times are not always so easy
But I know we can see this through
And I might be wrong
And cannot move along
'Cause baby I belong with you
With you

Songs live on
Like memories save us space
In our hearts
Like a place to run to
And the scar marks the past
And will forever last
Sometimes we just can't see through

We can go back and forth in our minds and in our hearts
The outcome is a start with no end
So no more goodbyes when I look into your eyes
Please just let me shine on you

Let's run away from our fears and the past
We'll move right along, I know it's meant to last
The love in my heart I will forever show
And I'm sorry baby, I just don't wanna let you know
That I will not let you go
That I will not let you go
That I will not let you go
It's true

SILENT NIGHT — Samuel Williams

Silent Night cover art

Silent Night
by Samuel Willaims

Reverent and cinematic — “Silent Night” by Samuel Williams brings classic holiday nostalgia into a modern vocal arrangement. With tender phrasing and warm resonance, this version is ideal for heartwarming seasonal moments, film montages, or reflective holiday scenes.

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OMR Cue Map

OMR Cue Map

Track: Silent Night
Clean Intro: Yes (0:00 – immediate entry with calm, reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with peaceful tonal fade
Loopable: Moderate–High (gentle phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Calm, reflective cue centered on stillness, peace, and introspection. Ideal for quiet moments, emotional pauses, and contemplative scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Silent Night

Song Profile

  • Key Signature: Ab Major
  • Beats Per Minute: 85
  • Energy: Moderate
  • Genres: Holiday, Pop, R&B, Soul
  • Vocals: Female Vocal
  • Moods: Romantic, Upbeat, Confident, Retro
  • Lyric Themes: Love
  • Type: One Stop

Production Details

  • Traditional Song: Public Domain
  • Executive Producer: Samuel Williams
  • Arrangement, Recording, Mixing & Mastering: Samuel Williams

Artists

  • Sax, Flute, EWI: Rob Christian
  • Keyboards, Talkbox: Jonathan Gateretse
  • Guitars: TJ Whitelaw
  • Drums: Otis Williams
  • Bass: Dwayne Wade
  • Piano, Keyboards, Percussion, Bass, Additional Guitars: Samuel Williams

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Piano

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Silent Night” by Samuel Williams is a soulful and cinematic reinterpretation of the classic holiday hymn. With a romantic female vocal and retro instrumentation, it’s ideal for scenes that evoke warmth, nostalgia, and emotional connection during the holiday season.

Ideal Sync Uses

  • Drama: Family gatherings, emotional reunions
  • Romance: Holiday love stories, quiet intimacy
  • Holiday: Reflective montages, seasonal transitions

Scene Suggestions

  • Slow pan across a decorated living room
  • Couple sharing a quiet moment by candlelight
  • Closing credits of a holiday film
  • Flashback to childhood Christmas memories

Why It Works

  • Slow tempo enhances emotional resonance
  • Female vocals add warmth and elegance
  • Retro soul textures evoke timeless charm
  • Holiday familiarity supports universal appeal
Track Narrative:
“Silent Night” radiates reverence and soul — Samuel Williams balances tradition and invention through warm vocals and inventive phrasing. Perfect for moments of reflection, seasonal transitions, or spiritual resolve.
Lyrics:
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Silent night
Holy night
All is calm and dark
All is bright round
Young virgin, mother and child
Holy infant, so tender and mild
Heavenly peace
Sleep in heavenly peace

Silent night, oh holy night
Son of God, love's pure light
Oh, wait
Young beams from Thy holy place
With the dawn of redeeming grace
Oh Jesus Lord at Thy birth
Jesus, Lord, at Thy birth

Oh, oh, oh
Hey
Was a sunny night, a holy night
All is calm and all is bright
Was a sunny night, a holy night
All is calm and all is bright
Holy night, all is calm and all is bright
Holy night, all is calm and all is bright
I know that's right

Sleep in heavenly
Sleep in heavenly
Sleep in heavenly peace

Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

Silver Inside — Thadeus Gonzalez

Silver Inside cover art

Silver Inside
by Thadeus Gonzalez

A fast-paced, atmospheric rocker with layers of grit and grace — “Silver Inside” combines pounding rhythm, soaring guitars, and an evocative vocal that channels both struggle and triumph. A cinematic blend of intensity and uplift.

Full Track

Snippet Preview (~1:00–1:40 feel)

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OMR Cue Map

OMR Cue Map

Track: Silver Inside
Clean Intro: Yes (0:00 – immediate entry with atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural consistency supports seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on introspection, depth, and subtle emotional layering. Ideal for reflective storytelling and visual texture.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Silver Inside

Song Profile

  • Genres: Metal, Punk, Rock
  • Vocals: Male vocal
  • Tempo: Fast
  • Mood/Feel: Atmospheric, Cool, Moody, Upbeat
  • Lyric Themes: Change, Power, Strength, Struggle, Time
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar

Cinematic Fit

  • Action & Thriller: montage builds, climactic battles, or final showdowns
  • Drama: turning points, emotional revelations, or rising empowerment scenes
  • Sports: comeback sequences, training energy, celebration moments
  • Fantasy & Sci-Fi: transformative journeys, tech builds, heroic awakenings
  • Video Game: mission sequences, energy surges, or reward themes

Editorial Notes

  • Suggested 40s Excerpt: ~1:00–1:40 (anthemic drive with layered guitars and dynamic lift)
  • Mix Tips: emphasize midrange guitar crunch; preserve vocal space for cinematic tone
  • Alt Versions: chorus-only bed and instrumental outro loop seamlessly

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Silver Inside” pulses with conviction — fast, driving, and cinematic. The blend of grit and melody gives editors a versatile cut for scenes of transformation, perseverance, and triumph.

Best Use Cases

  • Action: battles, pursuits, victory sequences
  • Drama: redemption arcs, resilience moments
  • Sports: highlight reels, underdog wins
  • Trailers: crescendo cuts and rising transitions
  • Video Game: level progression, boss reveals, cinematic intros

Sync Appeal

  • One Stop: easy clearance through OMR Music Production
  • Vocal: assertive and emotional with strong sonic depth
  • Tempo: fast drive with great cut points for transitions
  • Instrumentation: heavy guitars and steady percussion offer energy and focus

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Lyrics

We will find our way We will find our way 'cause the grass was our grave Under the sun We won't hesitate We won't hesitate 'cause the road map was brilliant Outside the door Seeing the times are changing And those wheels were weapons The unholy ones were left without submission The unholy ones were granted Silver inside Silver inside Silver inside The last of our kind Felt the heavy days Felt the hell to pay 'cause the road map was brilliant Outside the door If this is our final crime Lord, if this is our final crime, we'll make it count Make it count this time Seeing the times are changing And those wheels were weapons The unholy ones were left without submission The unholy ones were granted with silver inside Silver inside Silver inside The last of our kind Seeing the times are changing And those wheels were weapons The unholy ones were left without submission The unholy ones were granted Granted Silver inside Silver inside Silver inside The last of our kind Silver inside Silver inside Silver inside The last of all our kind
Track Narrative:
“Silver Inside” captures the sound of resilience under pressure — defiance wrapped in melody, fire tempered by reflection. It’s cinematic rock for moments of endurance, evolution, and strength.

SIMPLE — Amhed Mitchel (Female Vocal)

Simple cover art

Simple
by Amhed Mitchel (feat. Joanna Majoko)

“Simple” shines with jazz warmth and lyrical intimacy — midtempo flow (Key: D Major; 55 BPM) led by piano, saxophone, and percussion, topped with Joanna Majoko’s radiant vocals. Bright, romantic, and sync‑ready for storytelling centered on connection and love.

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OMR Cue Map

OMR Cue Map

Track: Simple (ft. Joanna Majoko)
Clean Intro: Yes (0:00 – immediate entry with soulful tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with warm tonal fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Soulful cue centered on simplicity, connection, and emotional clarity. Ideal for dialogue scenes and understated emotional storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Simple

Song Details

  • Key Signature: D Major
  • BPM: 55
  • Tempo: Midtempo
  • Genre: Jazz
  • Vocals: Female Vocal
  • Mood/Feel: Bright, Cool, Positive, Reflective, Romantic
  • Lyric Themes: Connection, Energy, Happiness, Individuality, Love
  • Type: One‑Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Piano
  • Saxophone

Sync Notes

  • Best fit: Drama, romance, coming‑of‑age, lifestyle campaigns centered on love and connection.
  • Tone: Bright yet reflective, romantic and uplifting.
  • Mix: Female vocals lead with warm jazz instrumentation supporting.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Simple radiates positivity and love, blending jazz textures with lyrical intimacy. Perfect for syncs that need bright, romantic energy with reflective undertones.

Ideal Sync Uses

  • Romance: Intimate or poetic moments of love
  • Drama: Emotional turning points, heartfelt reflections
  • Coming‑of‑Age: Discovery, connection, personal growth
  • Lifestyle / Travel: Scenic journeys, reflective campaigns

Why It Works

  • Female vocal adds intimacy and emotional resonance
  • Bright, romantic mood supports heartfelt visuals
  • Jazz instrumentation provides sophistication and warmth

Lyrics

Oh oh Ayy yeah Oh Hey ya Hey ya Babe, a little bird Hey ya Oh la Oh Oh, hey ya Hey ya Hey ya Hey ya Oh Simple como el un, dos, tres Simple como el A, B, C, como el un, dos, tres, A, B, C, D, E Simple como el un, dos, tres, A, B, L, L, entérate la belleza que está en la simpleza. Simple como el un, dos, tres Oh, A, B, a la, eh, a la B Michel, padre, donde quiera que estés, que mi canto llegue a ti.
Track Narrative:
“Simple” brings heartfelt energy through Joanna Majoko’s luminous vocal, set against warm jazz instrumentation. Bright and romantic, it’s sync‑ready for scenes of love, connection, and personal reflection.

Sing It All Out — Renée Astaria

Sing It All Out cover art

Sing It All Out
by Renée Astaria

“Sing It All Out” is an uplifting, cinematic Pop/Rock/Soul anthem driven by pulsing drums, electric guitars, and atmospheric synth textures. With a confident female vocal at its center, the lyric reads like a personal manifesto — discipline, courage, and living fully in the moment. Its bright urgency and emotional lift make it a strong fit for empowerment scenes, forward-motion montages, and character breakthroughs where resilience and self-belief take over.

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OMR Cue Map

OMR Cue Map

Track: Simple (ft. Joanna Majoko)
Clean Intro: Yes (0:00 – immediate entry with soulful tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with warm tonal fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Soulful cue centered on simplicity, connection, and emotional clarity. Ideal for dialogue scenes and understated emotional storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sing It All Out

Song Profile

  • Key Signature: F# Minor
  • BPM: 136
  • Tempo: Uptempo
  • Genres: Pop, Rock, Soul
  • Vocals: Female vocal
  • Mood/Feel: Atmospheric, Dreamy, Moody
  • Lyric Themes: Fear, Love, Power
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Track Summary

“Sing It All Out” is a high-energy, emotionally uplifting anthem that pairs modern pop polish with rock drive and soulful conviction. The production builds momentum with punchy drums, bright guitars, and airy synth atmosphere, while the lyric focuses on courage, discipline, and choosing the present moment. It’s designed to amplify forward motion and personal breakthrough, making it easy to cut against picture for uplifting narrative arcs.

Sync Highlights

  • Strong for empowerment moments, self-belief arcs, and “keep going” turning points.
  • Uptempo pulse supports training, travel, build, and “new chapter” montage edits.
  • Positive, universal lyric avoids overly specific story details while staying emotional.
  • Modern pop-rock palette fits TV drama, YA, lifestyle branding, and inspirational campaigns.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Sing It All Out

With its blend of dreamy atmosphere and driving pop-rock energy, “Sing It All Out” works best in stories about stepping into courage — choosing the present, pushing through fear, and committing to a goal. The chorus lift and motivational lyric make it ideal for scenes where characters transform pressure into momentum.

Scene Types

  • Training / prep sequences leading into a big event (sports, performance, competition).
  • Road/travel montages signaling reinvention or a fresh start.
  • Career or creative breakthrough moments (studio, stage, rehearsal, practice).
  • Final-act “I’m doing this” choices — stepping onstage, taking the risk, committing to love.

Film/TV Fit

  • Drama
  • Coming-of-age / YA
  • Romance (uplifting arcs)
  • Sports / competition stories
  • Ads and branded content (confidence, lifestyle, wellness, empowerment)

Why It Works

  • 136 BPM makes edits feel energized and forward-driving.
  • Motivational lyric is universal and broadly licensable.
  • Atmospheric production keeps it cinematic, not purely “radio pop.”
  • Chorus hook provides a natural cut-point for lifts, reveals, and title moments.
Track Narrative:
“Sing It All Out” is an internal pep talk turned outward — a character standing in the doorway of their next chapter, choosing discipline over doubt and presence over fear. It’s about committing to the moment, taking the risk, and letting the voice come through even when it shakes. By the final chorus, the message lands as a release: you already have what you need — now live it, love deeply, and sing it all out.

Lyrics: Sing It All Out

It's never too late as long as you are here have discipline just implement it all stepwise Make the most of these precious moments and you'll have no regrets Dreams decorated with flowers, keep growing work towards your dreams fight till your fists are bloody sing till you're tired or till you cry for joy Sing it all out Love deeply Be in the moment, don't ask for more Bring it on now Live fearlessly You'll figure it out, you don't need more Everything you need is right here Take it all with ease, right here And you'll have no regrets Blaze with your power, keep going Take all the risks treat all your cuts with honey Always be inspired and you will find your voice Sing it all out Love deeply Be in the moment, don't ask for more Bring it on now Live fearlessly You'll figure it out, you don't need more Don't try to hold back time, no Grasp the moment, cry if you need to try to smile between the fears, you are only human Trust in the divine Sing it all out Love deeply Be in the moment, don't ask for more Bring it on now Live fearlessly You'll figure it out, you don't need more Sing it all out Love deeply Be in the moment, don't ask for more Bring it on now Live fearlessly You'll figure it out, you don't need more Sing it all out.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria delivers emotionally charged, modern songs that blend pop immediacy with rock power and cinematic atmosphere. Her work pairs strong melodic hooks with expressive vocals, creating tracks that land naturally in character-driven storytelling.

Across her writing, you’ll hear themes of courage, presence, love, and personal momentum — music built for moments of change: the decision to keep going, to step forward, to take the risk, and to speak with clarity.

Styles: Pop, Rock, Soul • Strengths: Motivational lyric messaging, uplifting chorus lift, modern cinematic production • Typical Uses: Empowerment arcs, coming-of-age, lifestyle branding, sports/training, reinvention stories

Sirius In Retrograde

Sirius In Retrograde cover art

Sirius In Retrograde
by HYP

“Sirius In Retrograde” unfolds at 88 BPM in G# minor, carrying a moody, introspective pulse with a sense of cosmic drift and inward reflection. The restrained tempo and minor-key gravity create a hypnotic, cinematic underscore—ideal for psychological moments, night sequences, internal conflict, and scenes that lean into mystery without escalating intensity.

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OMR Cue Map

OMR Cue Map

Track: Sirius in Retrograde (Sync Version)
Clean Intro: Yes (0:00 – immediate entry with atmospheric, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with controlled tonal fade
Loopable: High (steady pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Atmospheric cue centered on motion, tension, and cosmic or abstract themes. Ideal for stylized visuals and modern cinematic storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-driven instrumentals that balance rhythmic motion with cinematic atmosphere. His work emphasizes emotional restraint, tonal depth, and editorial flexibility—supporting picture while leaving room for dialogue and sound design.

“Sirius In Retrograde” explores introspection and tension through minor-key color and steady pacing, making it a strong fit for moody, character-driven storytelling.

Sync Pitch Sheet: Sirius In Retrograde

Song Profile

  • Key Signature: G# Minor
  • BPM: 88
  • Energy: Midtempo (restrained, hypnotic)
  • Genres: Cinematic underscore, electronic
  • Vocals: Instrumental
  • Moods: Dark, Introspective, Atmospheric, Hypnotic, Cinematic
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Measured rhythmic pulse
  • Minor-key harmonic layers (tension and depth)
  • Atmospheric textures (space and mood)

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Sync Potential

“Sirius In Retrograde” delivers a restrained, atmospheric pulse with psychological weight—ideal for scenes that require tension, introspection, and emotional undercurrent without overt action.

Scene Types

  • Psychological or internal conflict sequences
  • Night scenes and urban isolation
  • Slow-burn tension and unease
  • Character introspection and moral ambiguity
  • Dialogue-forward scenes needing moody support

Why It Works

  • 88 BPM provides hypnotic pacing and clean edit points.
  • G# minor adds darkness and emotional gravity.
  • Open arrangement leaves space for dialogue and sound design.
Track Narrative:
“Sirius In Retrograde” feels like time folding inward—moody, suspended, and quietly tense as the story drifts through uncertainty.
Instrumental Notes:
Fully instrumental and one-stop, “Sirius In Retrograde” provides hypnotic, minor-key underscore designed for psychological depth, night pacing, and emotionally complex storytelling.

Stem Tracks

Contact OMR for available stems and custom edit requests (rhythmic pulse, harmonic layers, atmospheric textures, full mix).

SISTER SIMONE — Mattie Leon

Sister Simone cover art

Sister Simone
by Mattie Leon

Stirring and devotional — “Sister Simone” maps emotional pilgrimage across southern landscapes and spiritual recovery. Mattie Leon evokes personal crisis, reconciliation, and reverent imagery, perfect for sync scenes of self-discovery, redemption, or sacred connection.

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OMR Cue Map

OMR Cue Map

Track: Sister Simone
Clean Intro: Yes (0:00 – immediate entry with warm, soulful tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Soulful cue centered on connection, warmth, and character presence. Ideal for intimate storytelling and relationship-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Sister Simone

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 87
  • Energy: Medium
  • Genres: Folk, Indie, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Bright, Fun, Happy, Positive, Quirky, Retro, Upbeat, Uplifting
  • Lyric Themes: Connection, Hope, Relationship, Faith, Love
  • Type: One Stop

Production Details

  • Words and Music: Mattie Leon
  • Produced By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered By: Reuben Ghose

Artists

  • Vocals: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sister Simone” by Mattie Leon is a heartfelt, midtempo indie folk track that blends spiritual reflection with emotional vulnerability. Its warm male vocal and acoustic textures make it ideal for scenes of personal growth, quiet resilience, and emotional turning points.

Ideal Sync Uses

  • Drama: Spiritual awakening, emotional recovery
  • Romance: Introspective moments, relationship transitions
  • Coming-of-Age: Self-discovery, youthful reflection
  • Thriller: Quiet tension, internal conflict

Scene Suggestions

  • Character walking alone through a rural town
  • Flashback to a pivotal childhood moment
  • Contemplative montage of personal struggle
  • Closing scene of a redemption arc

Why It Works

  • Midtempo pace supports emotional pacing
  • Male vocals convey sincerity and depth
  • Folk instrumentation adds authenticity
  • Lyric themes resonate with universal human experience
Track Narrative:
“Sister Simone” draws redemption and regret across rosaries and Appalachian roots — a sync-ready journey through prayer, vulnerability, and human return. This track reverberates with devotion and cinematic honesty.
Lyrics:
Where the Appalachians jigsaw into Tennessee
There's a feeling
There's a whisper in the evergreens
Saying "Head back down the seven states and provinces,
and be there with Simone before the morning is"

I gave her all the space she said she didn't need
As logic choked the air from one more fantasy
it's been 40 nights I haven't slept a wink of them
Make it right whatever shape I get to Memphis in

And I'm terrified to live and die all by myself
I'm ready to be saved
Sister Simone

Thumbing through the decades of a rosary
I close my eyes and search for where my faith should be
Cause courage disappears whenever tears arrive
and in the gospel of Simone I will be reconciled

Forgive me for the doubt I left in you and me
I never thought that good things come this easily
Forgive me for the feeling I was wasting time
I didn't want for you to think you'd wasted mine
So let me take you out to where the city ends
watch the Memphis lights till we're alright again

SITTIN’ PRETTY — Pat Carey

Sittin' Pretty cover art

Sittin' Pretty
by Pat Carey

Polished and playful — “Sittin’ Pretty” swings into big band confidence with brass swagger and instrumental charm. Pat Carey crafts a blues-infused groove perfect for sync scenes of upscale strut, jazzy confidence, or stylized sophistication.

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OMR Cue Map

OMR Cue Map

Track: Sittin’ Pretty
Clean Intro: Yes (0:00 – immediate entry with relaxed groove identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with laid-back finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Relaxed, confident cue centered on ease, comfort, and understated swagger. Ideal for lifestyle and character-driven visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Sittin’ Pretty

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 89
  • Energy: Medium
  • Genre: Jazz
  • Vocals: Instrumental
  • Moods: Bright, Upbeat, Cool, Positive, Quirky, Tension
  • Type: One Stop

Production Details

  • Composers: M. Fonfara
  • Produced By: Jake Langley
  • Recorded & Mixed By: Sal Mormando at Kaleidoscope Sound
  • Engineered and Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Tenor Saxophone: Pat Carey
  • Guitar: Mat Langley
  • Hammond B3 Organ: Kyle Koenler
  • Piano, Rhodes Piano: Michael Fonfara
  • Drums: Joe Strasser

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sittin’ Pretty” by Pat Carey is a polished, midtempo jazz instrumental that blends swagger with sophistication. With electric guitar, organ, and sax solos, it’s perfect for scenes that need a confident, stylish, or quirky vibe.

Ideal Sync Uses

  • Action: Heist planning, slick entrances
  • Adventure: Urban exploration, jazzy transitions
  • Animation: Stylized character intros, comedic pacing
  • Comedy: Quirky montages, upscale mischief

Scene Suggestions

  • Character strutting through a city in slow motion
  • Montage of clever problem-solving
  • Stylized intro to a detective or con artist
  • Animated sequence with rhythmic visual gags

Why It Works

  • Midtempo groove supports pacing and tension
  • Instrumental format allows flexible overlays
  • Jazz textures evoke class and coolness
  • Solo sections add dynamic flair
Track Narrative:
“Sittin’ Pretty” delivers swagger without words — Pat Carey infuses brass and rhythm into a groove that strolls like satin. Sync-ready for montages, title sequences, or scenes of stylish movement and upscale charm.

SIX WAS THE SIX — Paul Reddick

Six Was the Six cover art

Six Was the Six
by Paul Reddick

Hypnotic and poetic — “Six Was the Six” explores themes of cyclical motion, travel, and blues reckoning. Paul Reddick spins lyrical phrasing over rhythmic blues groove, ideal for sync scenes of surreal journey, existential struggle, or atmospheric Americana.

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OMR Cue Map

OMR Cue Map

Track: Six Was the Six (Explicit)
Clean Intro: Yes (0:00 – immediate entry with gritty tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with strong tonal finish
Loopable: High (repetitive groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Gritty, character-driven cue centered on tension, rhythm, and attitude. Ideal for grounded storytelling and scenes with edge.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Six Was the Six

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 107
  • Energy: Mid-tempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Powerful, Confident, Upbeat, Driving
  • Lyric Themes: Struggle, Adventure, Conflict
  • Type: One Stop

Production Details

  • Composer: Paul Reddick
  • Producer, Engineer, Mixing: Colin Linden
  • Mastering: John Whynot
  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams

Artists

  • Vocals, Harmonica, Loops: Paul Reddick
  • Bass, Guitar, Mandolin, Harmony Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Drums, Percussion: Stephen Hodges

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Six Was the Six” by Paul Reddick is a hypnotic, blues-infused rock track with poetic grit and rhythmic drive. Its lyrical phrasing and cyclical groove make it ideal for sync scenes that explore surreal journeys, existential struggle, and atmospheric Americana.

Ideal Sync Uses

  • Action: Tense buildup, stylized confrontation
  • Adventure: Road trip sequences, rugged exploration
  • Crime: Urban tension, underground dealings
  • Drama: Personal reckoning, emotional flashbacks
  • Indie: Stylized edits, poetic visuals
  • Thriller: Psychological suspense, slow-burn tension

Scene Suggestions

  • Character walking through a desolate landscape
  • Montage of conflict and survival
  • Opening credits with gritty tone
  • Flashback to a pivotal moment of loss

Why It Works

  • Midtempo pacing supports dramatic tension
  • Male vocals deliver raw emotion
  • Rock textures evoke power and grit
  • Lyric themes align with struggle and adventure
Track Narrative:
“Six Was the Six” pulses with grit and existential reflection — Paul Reddick spins metaphors, flight, and rolling motion into poetic repetition. Perfect for scenes of Southern reckoning, outlaw rhythm, or nonlinear blues cadence.
Lyrics:
The day’s slide slippin through the night
All along in such a travel
Eases blue to black and flight
Truth of the matters unravel
Who remembers wrong or right
Spun out back in tire gravel

A mind gone weary a voice like gravel
Smooth and coolin through a night
Drunken straight in scenes of travel
Who can say what price the flight
In rhyme or reason loves unravel
Roads they ramble left and right

Six was the six that couldn’t get fixed
Six was the six that couldn’t get fixed

Oh the winding must be right
The gold is in the river gravel
Like the diamonds in the night
Take the road any which way travel
Rage not against flying or flight
So far so good so sweet unraveled

Unseen unheard unbound unraveled
Got to make the camps alright
Tossin the dice it’s just a fist of gravel
Dark and stars turn day into the night
All alone a dream a dream of travel
Sky’s so high and wide in flight

Six was the six that couldn’t get fixed
Six was the six that couldn’t get fixed

High the tumbled jump down flight
Let the clock and cloud unravel
Might it could be may be right
Rock and roll earth and gravel
Knock the door down death of the night
Travel on poor Bob oh travel
The day’s slide slippin through the night
All along in such a travel
Eases blue to black and flight
Truth of the matters unravel
Who remembers wrong or right
Spun out back in tire gravel

Six was the six that couldn’t get fixed
Six was the six that couldn’t get fixed

SLEEPY JOHN ESTES — Paul Reddick feat. The Sidemen

Sleepy John Estes cover art

Sleepy John Estes
by Paul Reddick

Gritty and reverent — “Sleepy John Estes” is a blues homage wrapped in shadow and rhythm. Paul Reddick and The Sidemen deliver lyrical repetition and silhouette-styled phrasing perfect for sync scenes of nightlife myth, Southern portraiture, or slow-burning folklore.

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OMR Cue Map

OMR Cue Map

Track: Sleepy John Estes
Clean Intro: Yes (0:00 – immediate entry with traditional blues tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with classic tonal finish
Loopable: High (steady blues groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Traditional blues cue centered on heritage, authenticity, and storytelling. Ideal for period pieces and roots-driven narratives.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Sleepy John Estes

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 133
  • Energy: Up-tempo
  • Genres: Blues, Rock
  • Vocals: Male Vocal
  • Moods: Romantic, Upbeat, Energetic, Playful, Retro
  • Lyric Themes: Nostalgia, Longing, Time
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Paul Reddick & The Sidemen

Artists

  • Vocals, Harmonica: Paul Reddick
  • Electric & Acoustic Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, 12-String Guitar: Kyle Ferguson
  • Organ, Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sleepy John Estes” by Paul Reddick is a gritty and reverent blues homage wrapped in shadow and rhythm. With lyrical repetition and silhouette-styled phrasing, it’s ideal for sync scenes that evoke Southern folklore, emotional longing, and stylized Americana.

Ideal Sync Uses

  • Art House: Stylized edits, poetic visuals
  • Drama: Emotional flashbacks, character depth
  • Indie: Rural introspection, cultural memory
  • Mystery: Slow-burn suspense, hidden truths
  • Romance: Nostalgic longing, quiet tension

Scene Suggestions

  • Character walking through a dusty town at dusk
  • Montage of memory and time
  • Opening credits with a retro tone
  • Slow-motion sequence of emotional reflection

Why It Works

  • Up-tempo rhythm adds drive and energy
  • Male vocals deliver grit and authenticity
  • Blues-rock instrumentation evokes timeless Americana
  • Lyric themes align with nostalgia and longing
Track Narrative:
“Sleepy John Estes” echoes through silhouette and story — Paul Reddick channels repetition and atmosphere into sync-ready blues poetry. Tailor-made for rustic reverence, dusty night scenes, or the sound of Americana lore.
Lyrics:
Another night buzzed and all wound round
We chased your hound dog down and down
We chased your hound dog down and down
We chased your hound dog down and down
All the world in silhouette
With Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette

Who'd a known and who could tell
That livin so hard was livin so well
Long gone down gone to stay
Night by night baby day by day

Rollin a stone long overdue
Calling a song sweet and blue
Calling a song sweet and blue
Calling a song sweet and blue

Out rolled the dawning cross the right of way
It gets so lonesome tween night and day
It gets so lonesome tween night and day
It gets so lonesome tween night and day

Who'd a known and who could tell
That livin so hard was livin so well
Long gone down gone to stay
Night by night darlin day by day

Another night buzzed and all wound round
We chased your hound dog down and down
We chased your hound dog down and down
We chased your hound dog down and down
All the world in silhouette
With Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette
Sleepy John Estes and a cigarette

Who'd a known and who could tell
That livin so hard was livin so well
Long gone down gone to stay
Night by night baby day by day

Slow Fast

Slow Fast cover art

Slow Fast
by Elmer Ferrer

“Slow Fast” is a high-energy instrumental in G Major at 153 BPM, built for motion, contrast, and forward drive. Its title suggests shifting pace and kinetic tension, making it useful for chase movement, montage acceleration, comic urgency, momentum changes, and scenes where the visual rhythm moves between restraint and release.

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OMR Cue Map

OMR Cue Map

Track: Slow Fast
Clean Intro: Yes (0:00)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36
Button Ending: No, fast-motion tail
Loopable: High
Best Loop Candidates: 0:24–0:48 / 0:48–1:12 / 1:00–1:24
Use Case: Fast-paced cue for chase movement, kinetic montage, comic urgency, sudden acceleration, visual contrast, and scenes where rhythm shifts between control and release.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Slow Fast

Song Profile

  • Key Signature: G Major
  • BPM: 153
  • Tempo: Fast / high-energy movement
  • Vocals: Instrumental
  • Type: One Stop

Track Summary

“Slow Fast” is a high-tempo instrumental cue in G Major at 153 BPM. Its energy, pacing, and title suggest contrast, acceleration, and playful momentum, making it useful for scenes with sudden shifts, kinetic movement, or rhythmic visual editing.

Sync Highlights

  • 153 BPM creates strong forward motion for montage, pursuit, and energetic editing.
  • G Major supports brightness, clarity, and movement.
  • Strong fit for scenes built around acceleration, contrast, or visual rhythm.
  • Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“Slow Fast” by Elmer Ferrer is built for scenes where pacing changes are part of the storytelling. Its fast BPM and kinetic character make it a strong fit for chase sequences, quirky montage, action-comedy movement, high-energy transitions, and visual edits that need rhythm and acceleration.

Scene Types

  • Fast-cut montage and acceleration sequences
  • Chase movement or comic pursuit
  • Action-comedy transitions
  • Sports, training, or kinetic visual pacing
  • Scenes shifting between restraint and release
Track Narrative:
“Slow Fast” feels like a scene suddenly finding its legs — a shift from hesitation into motion, from setup into acceleration. Its quick pulse and bright tonal center give it movement and lift, making it useful for playful urgency, momentum, pursuit, and rapid visual storytelling.
Instrumental Notes:
Fast instrumental cue in G Major at 153 BPM. Designed for high-energy pacing, movement, acceleration, montage, chase scenes, and editorial sequences that need rhythmic momentum.

Stem Tracks

Stem availability can be confirmed upon request.

Smoke

Smoke cover art

Smoke
by Kelsey Kindall

“Smoke” is a slow pop/R&B track in B Minor at 80 BPM, built around bass, percussion, and synth. Catchy, cool, warm, and rhythmically moody, it uses the image of smoke and fire to explore denial, emotional danger, fear of being alone, and the difficult moment when a character realizes the warning signs were there all along.

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OMR Cue Map

OMR Cue Map

Track: Smoke
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, hazy unresolved tail
Loopable: Moderate
Best Loop Candidates: 0:40–1:20 / 1:00–1:40 / 1:20–2:00
Use Case: Moody pop/R&B cue for denial, emotional danger, toxic attachment, relationship warning signs, fear of being alone, and scenes where a character knows something is wrong but keeps staying anyway.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Smoke

Song Profile

  • Genres: Pop, R&B
  • Key Signature: B Minor
  • BPM: 80
  • Tempo: Slow
  • Vocals: Female Vocal
  • Moods: Catchy, Cool, Moody, Positive, Rhythmic, Upbeat, Warm
  • Lyric Themes: Fear, Love, Pain, Regret, Struggle
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Sync Potential

“Smoke” works well for scenes where emotional danger is visible but ignored. Its warm, catchy pop/R&B surface contrasts with lyrics about denial, fear, toxic attachment, and staying too long. The track is especially useful for relationship drama, internal conflict, late-night reflection, and moments where a character knows the warning signs but is not yet ready to leave.

Scene Types

  • Toxic relationship realization
  • Emotional denial and warning signs
  • Late-night internal conflict
  • Scenes about fear of being alone
  • Quiet recovery before a decision to leave

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

The smoke alarm went off again
I'm asleep
Rather be on fire then
Be on the street
Comfy in my bed
No I don't wanna leave
I don't wanna leave

Been in the fire many times
No big deal
I know how to compromise
Scars will heal right?
If I close my eyes
I can be naive

Might be a false alarm
I tell myself
It'll rain and put it out
I'll ignore the signs
The only way I sleep at night

Smoke fogs up my brain
Smoke blinds me from the pain
I know that this won't make much sense
I'm addicted at my own expense
Smoke convinces me to stay

I forgot you lit the fire

I forgot you

The smoke alarm went off again
I don't care
Let it keep on ringing in my ears
Never be as loud as all the fears
Of being by myself
If it was someone else I'd call her crazy
Stick around and pray he's gonna save me
Put myself in danger for the maybe

Might be a false alarm
I tell myself
It'll rain and put it out
I'll ignore the signs
The only way I sleep at night

Smoke fogs up my brain
Smoke blinds me from the pain
I know that this won't make much sense
I'm addicted at my own expense
Smoke convinces me to stay

Smoke (fog up my brain)
Smoke (go up in flames)
Smoke (keep me in a haze)
Smoke (you shouldn't stay)

Stop drop let it roll off your back
Wake up time to leave it in the past
I forgot you lit the fire
The smoke alarm went off again
I'm asleep
Track Narrative:
“Smoke” feels like a character trying to sleep through the alarm because leaving feels scarier than the danger itself. The track’s warm, rhythmic surface masks a darker emotional truth: the signs are obvious, the fire was lit by someone else, and staying has become its own kind of addiction. It is built for scenes where denial starts to break and self-preservation begins to surface.

SMOKEHOUSE — Paul Reddick feat. The Sidemen

Smokehouse cover art

Smokehouse
by paul-reddick

Swampy and hypnotic — “Smokehouse” churns slow-motion rhythm, gritty harmonica, and Southern twilight. Paul Reddick and The Sidemen deliver a blues-poetic soundtrack ready for sync scenes of dusk menace, crossroads heat, or nightfall mythology.

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OMR Cue Map

OMR Cue Map

Track: Smokehouse
Clean Intro: Yes (0:00 – immediate entry with gritty blues groove; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded finish
Loopable: High (groove-driven phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Bluesy, textured cue centered on atmosphere, grit, and character. Ideal for bar scenes and lived-in environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Smokehouse

Song Profile

  • Key Signature: F# Minor
  • Beats Per Minute: 127
  • Energy: Up-tempo
  • Genres: Blues, Rock, Soul
  • Vocals: Male Vocal
  • Moods: Upbeat
  • Lyric Themes: Freedom, Power, Time, Love, Fear
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Paul Reddick & The Sidemen

Artists

  • Vocals, Harmonica: Paul Reddick
  • Electric & Acoustic Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, 12-String Guitar: Kyle Ferguson
  • Organ, Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Smokehouse” by Paul Reddick is swampy and hypnotic, churning slow-motion rhythm, gritty harmonica, and Southern twilight. It’s a blues-poetic soundtrack ready for sync scenes of dusk menace, crossroads heat, or nightfall mythology.

Ideal Sync Uses

  • Action: Tension-building sequences, pursuit scenes
  • Adventure: Rugged landscapes, journey intros
  • Drama: Emotional depth, character arcs
  • Indie: Stylized edits, poetic visuals
  • Sports: Underdog moments, training montages
  • Western: Dusty towns, outlaw themes

Scene Suggestions

  • Slow-motion walk through a smoky bar
  • Opening credits with Southern noir tone
  • Montage of personal struggle and triumph
  • Nighttime drive through rural backroads

Why It Works

  • Up-tempo rhythm drives momentum
  • Male vocals add grit and authenticity
  • Blues-soul-rock fusion evokes timeless Americana
  • Lyric themes align with freedom, power, and emotional tension
Track Narrative:
“Smokehouse” smolders across a sonic swamp — Paul Reddick and The Sidemen roll smoke, space, and Southern grit into a moody blues stroll. Best suited for transitions, slow-motion intensity, or metaphoric movement under dusk.
Lyrics:
Fires are burnin doors are swingin wide
Fires are burnin doors are swingin wide
Rollin at the smokehouse
Down by the riverside

Fan the flames baby shake em on down
Fan the flames shake em on down
Rollin at the smokehouse
Seven miles from town

All the world's in a midnight haze
All the world's in a midnight haze
Rollin at the smokehouse
Oh darlin stay always

I hold my hand up to the moon
I hold my hand up to the moon
Rollin at the smokehouse
This nineteen of June

Cool cool whiskey passin cross your lips
Cool cool whiskey passin cross your lips
Rollin at the smokehouse at the smokehouse
Darlin shake your hips

Rollin at the smokehouse

Smooth Sekhmet

Smooth Sekhmet cover art

Smooth Sekhmet
by HYP

“Smooth Sekhmet” moves in A# minor at 84 BPM, a slow, sensual blend of hip hop, R&B, and soul. Deep bass, smokey keys, steady drums, and warm synth textures come together in a dark, cool, and atmospheric groove. Perfect for seductive nighttime visuals, moody reflections, or stylish scenes that need understated swagger.

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OMR Cue Map

OMR Cue Map

Track: Smooth Sekhmet
Clean Intro: Yes (0:00 – immediate entry with smooth, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with controlled fade
Loopable: High (steady pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Smooth, groove-forward cue centered on rhythm, flow, and modern tone. Ideal for stylish visuals and pacing-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP blends hip hop, R&B, and soul influences to create atmospheric instrumentals that balance groove, mood, and emotional depth. Known for dark, sensual textures and slow-burning rhythms, HYP’s work is ideal for contemporary storytelling that leans into style and subtle intensity.

“Smooth Sekhmet” embodies this approach—a smoky, moody groove that supports both intimate character moments and stylish, late-night visuals.

Sync Pitch Sheet: Smooth Sekhmet

Song Profile

  • Key Signature: A# Minor
  • BPM: 84
  • Energy: Slow (seductive, head-nod groove)
  • Genres: Hip hop / Rap, R&B, Soul
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Moody, Rhythmic, Sexy
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Bass (deep and warm)
  • Drums and percussion
  • Piano and electric keys
  • Synth pads and melodic accents

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Sync Potential

“Smooth Sekhmet” is built for sensual, moody, late-night scenes where subtle confidence and emotional undercurrent matter more than overt drama. Its slow, dark groove makes it ideal for character-driven storytelling, stylish visuals, and seductive atmospheres.

Scene Types

  • Late-night drives and moody cityscapes
  • Intimate character moments and quiet tension
  • Fashion, lifestyle, or luxury product visuals
  • Seductive or emotionally charged interactions
  • Slow-motion entrances, exits, or transitions

Why It Works

  • 84 BPM creates a sultry, slow-burn groove.
  • R&B + Soul influence gives warmth and emotional weight.
  • Minimal but atmospheric arrangement leaves room for dialogue.
  • Sexy, dark tone fits modern drama and stylized storytelling.
Track Narrative:
“Smooth Sekhmet” feels like a slow, confident exhale in a dimly lit room—warm shadows, low lights, and quiet intensity. The groove moves with purpose, hinting at unspoken emotions and seductive tension, perfect for scenes built on mood, atmosphere, and implication.
Instrumental Notes:
Fully instrumental, “Smooth Sekhmet” offers a smoky, emotional bed that supports dialogue and visuals without competition. The cool, dark harmonic palette blends easily into a wide range of dramatic and stylistic contexts.

Stem Tracks

Contact OMR for available stems (bass, drums, keys, percussion, synth textures, and full mix), along with alternate edits and cutdowns designed for pacing, emotional tone, and specific runtime needs.

Smoothy — Instrumental

Smoothy cover art

Smoothy
by Samuel Williams

Cool, moody, and reflective — “Smoothy” slides into a slow-burn jazz-soul pocket. Piano phrases, warm bass, and tasteful percussion create a swaggering atmosphere that’s perfect as a cinematic underbed for late-night cityscapes, stylish transitions, and intimate character moments.

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OMR Cue Map

OMR Cue Map

Track: Smoothy
Clean Intro: Yes (0:00 – immediate entry with relaxed groove identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with smooth tonal finish
Loopable: High (consistent groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Relaxed cue centered on ease, flow, and understated motion. Ideal for lifestyle visuals and low-key storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One-Stop
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Smoothy

Song Details

  • Genre: Jazz, Soul
  • Tempo: Slow
  • Mood/Feel: Cool, Moody, Reflective, Swagger
  • Type: One-Stop
  • Key Signature: F Minor
  • BPM: 72
  • Vocals: Instrumental

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Piano

Production Details

  • Produced by: Samuel Williams
  • Written & Arranged by: Samuel Williams
  • Recorded, Mixed & Mastered by: Samuel Williams at Sam Sound Productions
  • Project Manager: Dornalee Browne
  • Executive Producer: Samuel Williams

Artists

  • Drums: Larnell Lewis
  • Bass: Otis Williams
  • Saxophone: Rob Christian
  • Trumpet: Alexis Baro

Sync Notes

  • Slow-burn jazz-soul with understated swagger and nocturnal mood.
  • Reflective piano and warm bass create intimate, stylish space for dialogue.
  • Perfect for late-night cityscapes, luxe branding, and character introspection.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Smoothy leans into a slow, moody groove — piano and bass ride a laid-back pulse, creating reflective swagger that’s ideal for sophisticated storytelling and stylish transitions.

Ideal Sync Uses

  • Drama: Intimate late-night scenes, reflective montages
  • Crime/Thriller: Noir-ish city sequences, cool surveillance cuts
  • Lifestyle / Fashion: Luxe branding, runway, moody lookbooks
  • Advertising: Premium, minimalist campaigns with attitude

Why It Works

  • Instrumental clarity leaves ample room for VO and dialogue
  • Slow tempo supports intimate pacing and editorial restraint
  • Jazz-soul palette adds classy, modern sophistication

Stem Tracks

  • Bass
  • Drums
  • Percussion
  • Piano
  • Full Mix

Note: Replace with exact deliverables if different.

Track Narrative:
“Smoothy” sinks into a slow, smoky pocket — piano sketches reflective motifs over warm bass and understated percussion. The feel is cool and self-assured, inviting late-night contemplation and stylish motion across the frame.

SO LONG AS YOU’VE BEEN LOVED — Lee Palmer

So Long As You've Been Loved cover art

So Long As You've Been Loved
by Lee Palmer

Tender and reflective — “So Long As You've Been Loved” unfolds with gentle truth and lyrical ease. Lee Palmer blends country-folk phrasing and emotional honesty into a graceful narrative ideal for sync scenes of closure, emotional reflection, or life’s quiet wisdom.

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OMR Cue Map

OMR Cue Map

Track: So Long As You’ve Been Loved
Clean Intro: Yes (0:00 – immediate entry with warm, emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional fade
Loopable: Moderate–High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Warm, reflective cue centered on love, reassurance, and emotional continuity. Ideal for relationship storytelling and closing moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: So Long As You’ve Been Loved

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 90
  • Energy: Moderate
  • Genres: Country, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Carefree, Romantic, Bright, Positive, Reflective, Uplifting
  • Lyric Themes: Strength, Connection, Time, Life, Love
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Music Composition: Lee Palmer
  • Sound Mixing: Elmer Ferrer at the Tone Catcher
  • Sound Engineers: Kevin Dietz, Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Hammond Organ, Acoustic Piano, Accordion: Mark Lalama
  • Electric and Slide Guitar: Kevin Briet
  • Acoustic and Electric Bass: Alec Fraser Jr.
  • Drums: Al Cross

Guest Performances

  • Guitars, Baritone Guitar, Ukulele, Background Vocals: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Violin: Aaron Solomon
  • Tenor Sax: Turner King
  • Trumpet: Dave Dunlop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Percussion
  • Strings

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“So Long As You’ve Been Loved” by Lee Palmer is tender and reflective, unfolding with lyrical ease and emotional honesty. Its country-folk phrasing and graceful narrative make it ideal for sync scenes of closure, connection, and life’s quiet wisdom.

Ideal Sync Uses

  • Comedy: Heartfelt moments, character growth
  • Romance: Emotional reflection, love scenes
  • Western: Rural introspection, legacy themes

Scene Suggestions

  • Closing credits with emotional resonance
  • Montage of life’s milestones
  • Quiet moment of reflection between characters
  • Sunset drive through countryside

Why It Works

  • Midtempo rhythm supports reflective pacing
  • Male vocals convey warmth and sincerity
  • Country-folk instrumentation evokes timeless storytelling
  • Lyric themes align with love, life, and emotional strength
Track Narrative:
“So Long As You’ve Been Loved” centers on personal journey, resilience, and timeless grace. Lee Palmer delivers affirmation through melody and lyric, ideal for emotional montage, reflection, or moments of gratitude and change.
Lyrics:
If you ask how I am, I'd say fair to Midland
If you ask where I'm bound, it's towards the sun
If you ask where I've been, that's a story I could tell you
But it's in the past and already done

It don't matter if you climb
The highest mountain and shine
With the stars high above
It don't matter if you swim
Clear across the ocean
So long as you've been loved

And if you asked about love I'd say I'm no expert
If you asked where it's found I can't say my friend
If you asked where it's been I'd say there from the beginning
Like there to the very end

It don't matter if you climb
The highest mountain and shine
With the stars high above
It don't matter if you swim
Clear across the ocean
So long as you've been loved

If you ask how I am, I'd say terrific
If you ask where I'm bound, it's just ahead
If you ask what I've learned, that's a story I could tell you
But I'll sing it in these words instead

It don't matter if you climb the highest mountain
And shine with the stars high above
It don't matter if you swim clear across the ocean
So long as you've been loved

So long as you've been loved

SO LONG, THANK YOU, GOODBYE — Paul Reddick

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So Long, Thank You, Goodbye cover art

So Long, Thank You, Goodbye
by Paul Reddick

A gritty curtain call wrapped in bluesy defiance — “So Long, Thank You, Goodbye” by Paul Reddick punches with unapologetic farewell energy. The track mixes raw vocal swagger with harmonica-soaked texture, perfect for sync scenes about breakups, bitter closure, or the last stand before the road stretches out alone.

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OMR Cue Map

OMR Cue Map

Track: So Long Thank You Goodbye (Explicit)
Clean Intro: Yes (0:00 – immediate entry with reflective, roots-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded emotional finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Reflective, roots-driven cue centered on closure, departure, and acceptance. Ideal for endings, farewells, and transitional moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: So Long, Thank You, Goodbye

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 104
  • Energy: Mid-tempo
  • Genres: Blues, Rock, Soul
  • Vocals: Male Vocal
  • Moods: Cool, Fun, Happy, Playful, Positive, Quirky, Retro, Upbeat
  • Lyric Themes: Loneliness, Death, Betrayal, Fear
  • Type: One Stop

Production Details

  • Composer: Paul Reddick
  • Producer, Engineer, Mixing: Colin Linden
  • Mastering: John Whynot
  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams

Artists

  • Vocals, Harmonica, Loops: Paul Reddick
  • Bass, Guitar, Mandolin, Harmony Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Percussion: Stephen Hodges

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“So Long, Thank You, Goodbye” by Paul Reddick is a gritty curtain call wrapped in bluesy defiance. With harmonica-soaked swagger and lyrical bite, it’s ideal for sync scenes about breakups, bitter closure, or the last stand before the road stretches out alone.

Ideal Sync Uses

  • Art House: Stylized exits, poetic finality
  • Drama: Emotional reckoning, farewell moments
  • Indie: Character-driven transitions
  • Mystery: Closing scenes, unresolved tension
  • Romance: Breakups, bittersweet endings

Scene Suggestions

  • Character walking away from a relationship
  • Montage of goodbyes and departures
  • Closing credits with a retro tone
  • Final confrontation with emotional weight

Why It Works

  • Mid-tempo pacing supports dramatic flow
  • Male vocals deliver grit and authenticity
  • Blues-rock textures evoke timeless Americana
  • Lyric themes align with closure, fear, and emotional tension
Track Narrative:
“So Long, Thank You, Goodbye” channels blues abrasion and lyrical deconstruction. Paul Reddick paints raw closure through damaged imagery and emotional corrosion — ready for sync cues of downfall, betrayal, or final departure.
Lyrics:
Voodoo’d down in bad condition
Burned and echoed grey
Cast out and longly gone badly
Laying in the gutter with not a thing to say
Wrong and guilty full of flaw
Greasy broken lacking
Creased and cracked weak and nasty
Drinkin smokin hackin you’re the one the dog’s been trackin
So long. Thank you. Goodbye.

Mean and hard low down and dirty
Shameless shabby shot
Day by day to fade away
Evil tempered hot man cool you’re not
Small and beady Johnny Walker jockey
Boots of mannish leather
Rotten cheap loud mouthed with filth
Your life is hangin buddy by a nasty little tether
So long. Thank you. Goodbye.

Cold and dead long forgotten
Rotting in the rust
Meet the devil yo buddy you piece of shit
Bones and dirt and dust and dirt and dust and bones
So long. Thank you. Goodbye.

So long. Thank you. Goodbye.

SO MUCH MORE WITH ME — Mattie Leon

So Much More With Me cover art

So Much More With Me
by Mattie Leon

“So Much More With Me” is a warm invitation wrapped in retro soul. Mattie Leon channels vintage pop charm and velvet-toned vocals into a groovy heart-on-sleeve offering. Sync-ready for moments of promise, personal connection, or the sweet beginnings of something real.

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OMR Cue Map

OMR Cue Map

Track: So Much More with Me
Clean Intro: Yes (0:00 – immediate entry with warm, emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic, emotionally driven cue centered on connection, affirmation, and vulnerability. Ideal for relationship storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: So Much More With Me

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 104
  • Energy: Midtempo
  • Genres: Indie, Rock
  • Vocals: Male Vocal
  • Moods: Anthemic, Bright, Positive, Reflective, Rhythmic, Upbeat, Uplifting, Warm
  • Lyric Themes: Connection, Time, Identity, Relationship, Love
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced, Recorded, Mixed: Mattie Leon
  • Mastered: Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“So Much More With Me” by Mattie Leon is a warm invitation wrapped in retro soul. With velvet-toned vocals and vintage pop charm, it’s sync-ready for moments of promise, personal connection, or the sweet beginnings of something real.

Ideal Sync Uses

  • Art House: Stylized romance, introspective scenes
  • Drama: Emotional breakthroughs, character growth
  • Indie: Relationship arcs, personal discovery
  • Romance: First dates, heartfelt confessions

Scene Suggestions

  • Montage of two characters falling in love
  • Reunion after time apart
  • Reflective walk through a cityscape
  • Closing credits with a hopeful tone

Why It Works

  • Midtempo rhythm supports emotional pacing
  • Male vocals convey sincerity and warmth
  • Indie rock textures offer modern yet timeless appeal
  • Lyric themes align with connection, identity, and love
Track Narrative:
“So Much More With Me” breathes emotional restraint and poetic honesty — Mattie Leon blends light phrasing and reflective lyricism into a song ready for cinematic confession, hopeful return, or lyrical introspection.
Lyrics:
I'll wait until the days get longer
to count up all the ways I want to
tell you from me
you used to be everything
and you're still everything right now

I could belong to no one other
I couldn't feel more certainty
You've got your arms wrapped up in another's
You could be so much more with me

We wear it like an old spring jacket,
the feelings that we used to have
They make us believe
time will spoil everything
but I don't think you'd ever let me down.

Sobreviviendo — Tiffany Joy

Sobreviviendo cover art

Sobreviviendo
by Tiffany Joy

“Sobreviviendo” blends Folk and Pop influences in a deeply reflective Spanish‑English piece about choosing life and presence over routine survival. With minimal instrumentation and heartfelt vocals, Tiffany Joy invites the listener inward — to slow down, to breathe, and to start living again. Serene yet powerful, it’s both an introspective ballad and a quiet cinematic moment of awakening.

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OMR Cue Map

OMR Cue Map

Track: Sobreviviendo
Clean Intro: Yes (0:00 – immediate entry with expressive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with strong emotional release
Loopable: Moderate–High (song structure supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional, resilience-driven cue centered on survival, perseverance, and inner strength. Ideal for dramatic arcs and character breakthroughs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sobreviviendo

Song Profile

  • Key Signature: D Minor
  • BPM: 112
  • Tempo: Slow
  • Genres: Folk, Pop, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Minimal, Reflective
  • Lyric Themes: Desire, Life, Struggle, Time, Fear
  • Type: One Stop

Instrumentation

  • Acoustic Guitar

Track Summary

“Sobreviviendo” explores the quiet tension between surviving and living. Tiffany Joy delivers a delicate, bilingual performance that pairs simplicity with depth — bridging cultures and emotions through gentle folk patterns and heartfelt phrasing. Perfect for film and series about introspection, courage, or re‑emergence.

Sync Highlights

  • Excellent for dramas portraying self‑discovery or emotional renewal.
  • Fits pensive visuals: seaside walks, journal scenes, mornings of clarity.
  • Soft Spanish phrasing adds cross‑cultural cinematic texture.
  • Minimal arrangement supports narration or intimate dialogue.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Sobreviviendo

A minimal, bilingual Folk‑Pop ballad that carries emotional depth and cultural resonance. “Sobreviviendo” illuminates transitional scenes — where a character learns to let go of fear and truly live. Subtle and intimate, it’s suitable for independent cinema, TV dramas, and heartfelt documentary moments.

Scene Types

  • Quiet introspection at life crossroads.
  • Road or travel sequences of change and realization.
  • Coupled reflection and emotional intimacy scenes.
  • End‑credit sequences of quiet strength.

Film/TV Fit

  • Drama
  • Romance
  • Folk Stories & Cultural Features
  • Life and Discovery Documentaries

Why It Works

  • Bilingual lyric connects authentically across audiences.
  • Soft rhythmic guitar supports subtle storytelling.
  • Intimate tone enhances visual warmth and emotional realism.
Track Narrative:
“Sobreviviendo” captures a turning point — from exhaustion to awakening. Tiffany Joy reflects on fear, time, and self‑expectation before softly reclaiming life with courage. It’s an anthem of gentle defiance: a reminder to stop just surviving and begin to live.

Lyrics: Sobreviviendo

I walk in again unknowingly to a world that seems too fast to my desires Faces pass me by unassumingly And I'm all alone again, I don't know why Why do I strive to live by little daily dreams? When I've got all the time this life can buy? I should enjoy the ride while the board is free Swallow my pride and realize que necesito Dejar de sobrevivir Y empezar a vivir, necesito y necesitas cariño Dejar de sobrevivir y empezar a vivir Still I come crashing down on a lonely bed and lay there staring blankly at the wall Plan a million scenarios all in my head And fear the task of fulfilling them all Funny cuz the chaos of this busyness It eats away, it eats away at me Still I'm the one who chooses how I spend my days If only I could see que necesito Dejar de sobrevivir Y empezar a vivir, necesito y necesitas cariño Dejar de sobrevivir Y empezar a vivir, sé No sé por qué mi vida es así, es así Me preocupa, a veces me gusta mi vida Y lo que necesito hacer es dejar de sobrevivir y empezar a vivir, empezar a vivir Empezar a vivir, empezar a vivir
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy moves fluidly between Folk, Pop, and Latin influences to craft songs that explore life, love, and authenticity. Her multilingual expression and acoustic sensitivity invite connection across emotional and cultural landscapes.

With simplicity and heart at the center of her art, she transforms introspection into cinematic warmth — music that encourages presence, courage, and compassion.

Styles: Folk, Pop, Singer/Songwriter •  Strengths: Reflective storytelling, multilingual depth, emotional clarity •  Typical Uses: Drama, Romance, Inspiration, Cultural Narratives

Soca Lullaby — Instrumental

Soca Lullaby cover art

Soca Lullaby
by Samuel Williams

Breezy and reflective — “Soca Lullaby” blends soulful jazz harmony with a laid-back island pulse. Acoustic guitar, bass, drums, and percussion create an atmospheric, midtempo flow that feels cool, hopeful, and warmly introspective — a versatile instrumental bed for cinematic transitions and emotive travel/lifestyle visuals.

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OMR Cue Map

OMR Cue Map

Track: Soca Lullaby
Clean Intro: Yes (0:00 – immediate entry with rhythmic, soothing tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with gentle tonal fade
Loopable: High (steady rhythm supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Light, rhythmic cue centered on calm, warmth, and cultural texture. Ideal for relaxed scenes and gentle storytelling moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One-Stop
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Soca Lullaby

Song Details

  • Genre: Funk, Jazz, Soul
  • Tempo: Midtempo
  • Mood/Feel: Atmospheric, Cool, Hopeful, Moody, Positive, Reflective
  • Type: One-Stop
  • Key Signature: Ab Major
  • BPM: 127
  • Vocals: Instrumental

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

Production Details

  • Produced by: Samuel Williams
  • Written & Arranged by: Samuel Williams
  • Recorded, Mixed & Mastered by: Samuel Williams at Sam Sound Productions
  • Project Manager: Dornalee Browne
  • Executive Producer: Samuel Williams

Artists

  • Drums: Larnell Lewis
  • Bass: Otis Williams
  • Saxophone: Rob Christian
  • Trumpet: Alexis Baro

Sync Notes

  • Warm, island-tinged groove with soulful jazz colors and reflective calm.
  • Midtempo pacing supports transitions, travel cuts, and gentle builds.
  • Acoustic guitar + percussion offer organic motion with cinematic space.
  • Great for scenes that need hopeful, cool, and quietly uplifting energy.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Soca Lullaby drifts with a mellow, midtempo sway — acoustic guitar and percussion create a reflective island pulse, while bass grounds the mood in warm soulfulness. It’s a cool, cinematic underbed that invites motion and optimism.

Ideal Sync Uses

  • Drama: Contemplative transitions, hopeful resolves
  • Romance: Gentle connection scenes, sun-dappled montages
  • Lifestyle / Travel: Scenic journeys, coastal cityscapes
  • Advertising: Feel-good brand vignettes with modern warmth

Why It Works

  • Instrumental clarity leaves space for dialogue and VO
  • Organic percussion adds tasteful motion without crowding
  • Midtempo groove is adaptable across editorial pacing
Track Narrative:
“Soca Lullaby” settles into a gently swaying pulse — acoustic guitar glides over warm bass and airy percussion, creating a cool, hopeful atmosphere. Reflective and positive, it’s a cinematic instrumental that carries scenes forward with understated grace.

SOLARIUM — Amhed Mitchel

Solarium cover art

Solarium
by Amhed Mitchel

Celestial and meditative — “Solarium” is a sonic drift through ambient light and spatial elegance. Amhed Mitchel creates an instrumental tapestry that evokes clarity, calm, and interior wonder — ideal for sync moments in modern drama, spiritual themes, or minimalist montage.

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OMR Cue Map

OMR Cue Map

Track: Solarium
Clean Intro: Yes (0:00 – immediate entry with bright, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (textural flow supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Bright, ambient cue centered on light, openness, and clarity. Ideal for daytime visuals and reflective transitions.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Solarium

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 78
  • Energy: Low - Medium
  • Genre: Jazz
  • Vocals: Instrumental
  • Moods: Carefree, Romantic, Bright, Warm, Light, Hopeful, Positive, Reflective, Uplifting
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition & Arrangement: Amhed Mitchel
  • Recording: Jeremy Dufry
  • Mixing: Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Drums: Amhed Mitchel
  • Piano: David Restivo
  • Electric & Eminence Bass: Roberto Riveron

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Piano
  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Solarium” by Amhed Mitchel is a celestial jazz instrumental that drifts through ambient light and spatial elegance. With piano and organ solos, it’s ideal for sync scenes that evoke clarity, calm, and interior wonder.

Ideal Sync Uses

  • Comedy: Whimsical transitions, light-hearted introspection
  • Fantasy: Dreamlike sequences, magical realism
  • Romance: Quiet intimacy, reflective moments

Scene Suggestions

  • Character gazing through a sunlit window
  • Montage of peaceful solitude
  • Slow-motion walk through nature
  • Closing credits with a warm tone

Why It Works

  • Low-medium energy supports gentle pacing
  • Instrumental format allows flexible overlay
  • Jazz textures evoke sophistication and warmth
  • Mood palette aligns with uplifting and reflective storytelling
Track Narrative:
“Solarium” glides on instrumental serenity — Amhed Mitchel builds tonal space through soft piano and ambient swell. It’s crafted for scenes of awakening, transitional beauty, or reflective solitude in film and visual storytelling.

SOLDIER — Melodic Yoza

Soldier cover art

Soldier
by Melodic Yoza

Bold and reflective — “Soldier” marches through dusty textures and cinematic grit. Melodic Yoza delivers a track built for modern tension and quiet resilience, where each note feels earned and deliberate. A perfect underscore for narrative arcs in survival, determination, or intimate transformation.

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OMR Cue Map

Track: Soldier
Clean Intro: Yes (0:00 – immediate entry with driving rhythmic identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with strong tonal finish
Loopable: High (consistent pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Driving cue centered on determination, endurance, and forward motion. Ideal for action-lite sequences and perseverance arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Soldier

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 70
  • Energy: Low - Moderate
  • Genres: Cinematic, Hip Hop/Rap, Indie
  • Vocals: Male Vocal
  • Moods: Confident, Dark, Driving, Hopeful, Rhythmic, Romantic, Sad, Swagger, Upbeat, Anthemic
  • Lyric Themes: Power, Strength, Struggle, Success, Survival
  • Type: One Stop

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park, JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Featuring

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Soldier” by Melodic Yoza is bold and reflective, marching through dusty textures and cinematic grit. It’s built for modern tension and quiet resilience, ideal for sync scenes that explore survival, determination, and emotional transformation.

Ideal Sync Uses

  • Crime: Urban tension, strategic buildup
  • Drama: Personal struggle, emotional arcs
  • Mystery: Slow-burn suspense, hidden truths
  • Thriller: Psychological depth, confrontation
  • War: Survival, sacrifice, resilience

Scene Suggestions

  • Character walking through a battlefield or deserted city
  • Montage of struggle and perseverance
  • Flashback to a pivotal moment of loss or strength
  • Closing credits with a reflective tone

Why It Works

  • Slow tempo enhances emotional gravity
  • Male vocals deliver grit and vulnerability
  • Hip hop and indie fusion adds cinematic depth
  • Lyric themes align with survival and transformation
Track Narrative:
“Soldier” stands as a declaration of struggle and survival — Melodic Yoza brings grit and lyricism together, crafting an anthem for life in the margins. It’s ideal for sync scenes of perseverance, grit, or urban heroism.

[Intro]
They say every man’s success is always measured by his peers
But through them years
I've shed a lot of blood, sweat, and tears
And learned that I had to be courageous and brave and conquer all my fears
As mama once told me, “You have to be triumphant sonny and never afraid”

[Chorus]
I’m a soldier (Yea)
A soldier for life
Oh, living in them streets (Why oh)
The streets of hard knock life
Y'all know I'm a soldier, yea
A soldier for life
Oh, living in them streets (Why oh woa)
Just trying to survive

[Verse 1]
Living in them streets I've had some ups and downs
And I've been praying things will turn around
‘Cause I've fallen down so many times
With nothing to do but depend on but my rhymes
Got bridges burned and lessons learned
But still I stay on my grind
Never fall behind
Even though the things might change
One thing remains
I’ll always be the same
No matter what it is that might come my way
I’m a soldier tomorrow like I am today
And we gon’ soldier it all the way
So all my soldiers let me hear you say

[Pre-Chorus]
S-O-L-D-I-E-R
We ready for (Ready for)
We ready for (Ready for)
We ready for war

[Chorus]
I’m a soldier (Yea)
A soldier for life
Oh, living in them streets (Why oh)
The streets of hard knock life
Y'all know I'm a soldier, yea
A soldier for life
Oh, living in them streets (Why oh woa)
Just trying to survive

[Verse 2]
With mama long gone
Papa can’t be found
And living on my own I got to hold things down
I got to keep on going when they treat I wrong
Throughout my trials and my tribulations
I’m a soldier man and I’ve got to be strong
‘Cause I walked the path of getting back
Ya I had to escape because it had me trapped
Just a little young bro trying to make some dough
Yo you know how that goes
All about them flows
But nowadays
Ninjas be acting scandalous
And think Yoza might be new to this
And making money a lot
One night I heard some shots
Who goes

[Pre-Chorus]
S-O-L-D-I-E-R
We ready for
We ready for
We ready for war

[Chorus]
I’m a soldier (Yea)
A soldier for life
Oh, living in them streets (Why oh)
The streets of hard knock life
Y'all know I'm a soldier, yea
A soldier for life
Oh, living in them streets (Why oh woa)
Just trying to survive

[Bridge]
And when all them dark clouds pass away
You know there got to be some brighter days
So pick yourself up from off the ground
And don't let the system hold you down
‘Cause we got to rise above it all
I'm almost there, ain’t no time to crawl
‘Cause the harder they come the harder they fall
And this song's for y'all
So let’s brawl

[Chorus]
I’m a soldier (Yea)
A soldier for life
Oh, living in them streets (Why oh)
The streets of hard knock life
Y'all know I'm a soldier, yea
A soldier for life
Oh, living in them streets (Why oh woa)
Just trying to survive

[Outro]
A soldier for life
On the battlefield
Like a Navy SEAL

SOLDIER BOY — Jerome Tucker

Soldier Boy cover art

Soldier Boy
by Jerome Tucker

Deep and urgent — “Soldier Boy” delivers lyrical gravity and sonic protest. Jerome Tucker confronts war, loss, and longing with poetic plea and rhythmic fire. Ideal for sync scenes of political tension, emotional reckoning, or spiritual rally.

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OMR Cue Map

OMR Cue Map

Track: Soldier Boy
Clean Intro: Yes (0:00 – immediate entry with rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Rhythmic cue centered on identity, movement, and character presence. Ideal for youthful or stylized storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Vocalist • Composer

Jerome Tucker is a powerhouse bassist and vocalist whose music fuses soul, funk, blues, and rock into a high-energy, emotionally rich experience. Originally from the U.S. and now based in Toronto, Tucker brings a deep Southern groove and electrifying stage presence to every performance.

A A former U.S. Navy serviceman, Tucker’s musical journey has taken him from the streets of Philadelphia to international stages. He’s played alongside legends like Otis Clay and shared the stage with artists across genres, always delivering raw, heartfelt performances.

With the Jerome Tucker Band, he’s carved out a unique sound that blends tight grooves, soaring vocals, and socially conscious lyrics. Their live shows are known for their infectious energy and deep musicality, earning them a devoted following across Canada and beyond.

Jerome Tucker continues to push boundaries, creating music that uplifts, challenges, and connects. His voice and bass lines are unmistakable—and his message is clear: music is a force for unity and joy.

Sync Pitch Sheet: Soldier Boy

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 115
  • Energy: Moderate
  • Genres: Cinematic, R&B, Electronic, Indie, Pop, Rock
  • Vocals: Male Vocal
  • Moods: Angry, Upbeat, Cool, Somber, Tension
  • Lyric Themes: Strength, Conflict, Power, Family
  • Type: One Stop

Production Details

  • Lyrics: Jerome Tucker
  • Executive Producers: Jerome Tucker, Rich Greenspoon
  • Composers: Jerome Tucker, Larry McCray, Steve McCray
  • Recording, Production, Mixing, Mastering: Rich Greenspoon

Artists

  • Vocals & Bass Guitar: Jerome Tucker
  • Guitar: Carl Harvey
  • Guitar Solo: Nas Tana
  • Percussion, Drums, Effects, Keyboards: Rich Greenspoon
  • Flute: Jodi Tucker

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Soldier Boy” by Jerome Tucker is deep and urgent, delivering lyrical gravity and sonic protest. With poetic plea and rhythmic fire, it’s ideal for sync scenes of political tension, emotional reckoning, or spiritual rally.

Ideal Sync Uses

  • Action: Tactical buildup, final stand
  • Adventure: Journey through conflict
  • Crime: Urban tension, moral ambiguity
  • Drama: Personal struggle, family dynamics
  • Thriller: Psychological suspense, confrontation
  • War: Sacrifice, survival, legacy

Scene Suggestions

  • Character preparing for battle or protest
  • Montage of conflict and resilience
  • Flashback to a pivotal moment of loss
  • Closing credits with emotional weight

Why It Works

  • Midtempo pacing supports dramatic tension
  • Male vocals deliver emotional depth
  • Genre fusion adds sonic complexity
  • Lyric themes align with strength, conflict, and survival
Track Narrative:
“Soldier Boy” is a call for humanity — Jerome Tucker merges modern protest poetry with raw musical truth. Built for film, docu-drama, or socio-political storytelling, this track holds heartbreak, urgency, and unrelenting plea.
Lyrics:
Do, do, do, do, do, do, do, do, do, do, do, do, do
I feel that cold little air
That cold stare
And I know you're leaving
I don't know if I care
Angels staring down at life
Give her comfort to me at night
Knowing the world is in turmoil
While the powers that be kill for soul

Little soldier boy, bring him home
Bring him home right now
His mama's waiting
Bring 'em home, bring 'em home
Right now

You've been planted
Destruction land
Setting fire
To everything
Under orders
To seize it all
You don't want to do it
But duty calls

Brainstorm coming down at night
Shows of hatred, tore them inside
Shock and awe, was not successful
Little babies, up so broad

Bring 'em home, bring 'em home right now
His mama's waiting
Bring 'em home, bring 'em home right now

Fire burning me
Call 'em down, get you again
Fire, burning race
Call 'em down, get you again

I've been smelling frankincense
Burning old penances
We're brewing up a stew
When I see him and you

Little soldier boy, bring him home
Bring him home right now
His mama's waiting
Bring him home
Bring him home right now

Little soldier boy
Bring him home
Bring him home right now
His mama's waiting
Bring him home
Bring him home

SOME AFTERNOON ALONE — Paul Reddick

Some Afternoon Alone cover art

Some Afternoon Alone
by Paul Reddick

Sparse and shadowed — “Some Afternoon Alone” paints emotional landscape with lyrical fragments and twilight imagery. Paul Reddick threads memory and distance into a blues-poetic form, suited for sync moments of quiet regret, fading love, or dreamlike recollection.

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OMR Cue Map

OMR Cue Map

Track: Some Afternoon Alone (Explicit)
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with soft emotional fade
Loopable: Moderate–High (steady phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Introspective cue centered on solitude, reflection, and quiet emotional space. Ideal for character-driven, contemplative scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Some Afternoon Alone

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 83
  • Energy: Mid-tempo
  • Genres: Blues, Folk, World
  • Vocals: Male Vocal
  • Moods: Upbeat, Moody, Positive, Retro
  • Lyric Themes: Change, Home, Time, Longing, Love
  • Type: One Stop

Production Details

  • Composer: Paul Reddick
  • Producer, Mixing, Engineering: Colin Linden
  • Mastering Engineers: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams
  • Additional Engineering: John Whynot

Artists

  • Vocals, Harmonica, Loops: Paul Reddick
  • Bass, Guitar, Mandolin, Harmony, Background Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Drums, Percussion: Stephen Hodges

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Some Afternoon Alone” by Paul Reddick is sparse and shadowed, threading memory and distance into a blues-poetic form. Its lyrical fragments and twilight imagery make it ideal for sync moments of quiet regret, fading love, or dreamlike recollection.

Ideal Sync Uses

  • Adventure: Wandering, reflection
  • Art House: Visual poetry, abstract narrative
  • Coming-of-Age: Personal growth, solitude
  • Crime: Melancholy aftermath, moral ambiguity
  • Drama: Emotional turning point
  • Mystery: Atmospheric tension
  • Romance: Lost love, longing
  • Western: Dusty roads, quiet resolve

Scene Suggestions

  • Character walking alone through a quiet town
  • Flashback to a moment of emotional significance
  • Montage of change and reflection
  • Closing credits with nostalgic tone

Why It Works

  • Midtempo pacing supports introspective scenes
  • Male vocals convey emotional authenticity
  • Organic instrumentation enhances timeless feel
  • Lyric themes align with longing, change, and home
Track Narrative:
“Some Afternoon Alone” drifts across fragmentary lyricism and subdued musical phrasing — Paul Reddick blurs timeline and image into poetic blues, ideal for sequences of distant memory, dusk departure, or reflective soliloquy.
Lyrics:
Why did you stay there?
You loved the colours on the land
Why did you stay there?
You loved the colours on the land
In the howlin wind of nowhere
The cover found hand in hand
You loved the colours
Did you forget some place along?
You loved the colours
Did you forget some place along?
The cover found hand in hand
Long gone as a song

Did you forget some place?
Some time some afternoon alone
Did you forget some place?
Some time some afternoon alone
Along and gone as a song
A vision of our happy home

Some afternoon alone
You called me long back when
Some afternoon alone
You called me long back when
A vision of our happy home
Here I am that was then

You called me long back when
I never did the things I should
You called me long back when
I never did the things I should
But here I am that was then
The moon is rising red as blood

SOMEBODY’S DAUGHTER — Lee Palmer

Somebody’s Daughter cover art

Somebody's Daughter
by Lee Palmer

Soulful and socially aware — “Somebody’s Daughter” brings empathy into lyrical focus, turning everyday observation into emotional storytelling. Lee Palmer builds a narrative around forgotten lives and compassionate witness — perfect for film scenes of urban empathy, social introspection, or humanist montage.

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OMR Cue Map

OMR Cue Map

Track: Somebody’s Daughter
Clean Intro: Yes (0:00 – immediate entry with warm, narrative tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional fade
Loopable: Moderate–High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Narrative-driven cue centered on identity, perspective, and empathy. Ideal for character-focused storytelling and emotional arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Somebody's Daughter

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 78
  • Energy: Medium
  • Genres: Americana, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Soulful, Reflective, Empathetic, Honest
  • Lyric Themes: Social Awareness, Compassion, Urban Life
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Sergio Simone
  • Lyrics & Music: Lee Palmer
  • Production: Lee Palmer & Team
  • Mixing & Mastering: Samuel Williams

Artists

  • Vocals & Guitar: Lee Palmer
  • Keys: Sam Williams
  • Bass: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Background Vocals: Lori-Anne Smith

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Keys

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Somebody’s Daughter” by Lee Palmer is a soulful and socially aware ballad that brings empathy into lyrical focus. With heartfelt storytelling and urban imagery, it’s ideal for sync scenes that explore compassion, reflection, and the human condition.

Ideal Sync Uses

  • Drama: Urban introspection, character empathy
  • Documentary: Social justice, homelessness, human stories
  • Indie: Poetic realism, emotional transitions
  • Romance: Quiet moments of connection or reflection
  • Public Service: Advocacy, awareness campaigns

Scene Suggestions

  • Montage of city streets and overlooked lives
  • Character reflecting on personal or societal change
  • Closing credits with emotional resonance
  • Voiceover scenes with humanist tone

Why It Works

  • Male vocals deliver sincerity and warmth
  • Acoustic instrumentation supports emotional tone
  • Lyric themes align with empathy and awareness
  • Mid-tempo pacing allows for narrative flexibility
Track Narrative:
“Somebody’s Daughter” reflects deeply on marginalized voices and human dignity — Lee Palmer delivers a quiet plea to recognize the soul behind every circumstance. With resonant lyrics and gentle rhythm, this track fits scenes of social storytelling, compassion, or street-level perspective.
Lyrics:
He's somebody's son, she's somebody's daughter
Somebody's brother, sister or mother
He's somebody's father
That cup in their hands
Overflows with bad luck
Life on the street
Is all that they've got

Asking for change
A handwritten sign
Every time hungry I'm broke
Anything helps
And God bless three times (God bless, God bless, God bless)
Same corner each day
It's a magical spot
Life on the street is all that they've got

Don't want to be fixed like some broken vase
No flowers will bloom, don't want to be saved
They live to survive
They laugh and they cry
They've run out of tears
Inhibitions and fears
Not hard to see why
Imagine the view
From have to have not
Life on the street is all that they've got

She's somebody's daughter
Somebody's daughter
Somebody start up
Somebody start up
Somebody start up
Ooh ooh
Somebody start a

SOMETHING FROM ME — Mattie Leon

Something From Me cover art

Something From me
by Mattie Leon

Tender and joyful — “Something From Me” shines with Mattie Leon’s signature sincerity and melodic warmth. The lyrics evoke love through thoughtful gift-giving, romantic memory, and personal connection, suited for sync moments of seasonal intimacy and heartfelt togetherness.

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OMR Cue Map

OMR Cue Map

Track: Something from Me
Clean Intro: Yes (0:00 – immediate entry with emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with gentle emotional fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional cue centered on giving, vulnerability, and personal connection. Ideal for intimate scenes and relationship storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Something From Me

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 84
  • Energy: Medium
  • Genres: Indie Folk, Singer-Songwriter, Americana
  • Vocals: Male Vocal
  • Moods: Honest, Warm, Reflective, Hopeful
  • Lyric Themes: Vulnerability, Connection, Emotional Offering
  • Type: One Stop

Production Details

  • Executive Producers: Mattie Leon, Sergio Simone
  • Lyrics & Music: Mattie Leon
  • Production: Mattie Leon & Team
  • Mixing & Mastering: Samuel Williams

Artists

  • Vocals & Guitar: Mattie Leon
  • Keys: Sam Williams
  • Bass: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Background Vocals: Lori-Anne Smith

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Keys

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Something From Me” by Mattie Leon is a heartfelt offering of emotional vulnerability and quiet strength. With warm acoustic textures and sincere vocal delivery, it’s ideal for sync scenes that explore connection, introspection, and personal truth.

Ideal Sync Uses

  • Drama: Emotional turning points, character reflection
  • Romance: Honest dialogue, quiet intimacy
  • Indie: Poetic realism, stylized transitions
  • Documentary: Personal storytelling, human connection
  • Family: Reconciliation, heartfelt moments

Scene Suggestions

  • Character writing a letter or sharing a truth
  • Montage of emotional growth or healing
  • Closing scene with quiet resolution
  • Voiceover with personal reflection

Why It Works

  • Male vocals convey sincerity and depth
  • Acoustic instrumentation supports emotional tone
  • Lyric themes align with vulnerability and connection
  • Mid-tempo pacing allows for narrative flexibility
Track Narrative:
“Something From Me” celebrates the emotional beauty of giving. Mattie Leon blends heartfelt storytelling with melodic elegance, turning ordinary gestures into poetic affirmation. It’s a seasonal sync fit for romantic connection and warm family moments.
Lyrics:
YOU ALWAYS TELL ME THE SAME THING EACH YEAR
YOU DON'T NEED TO GET ME A THING
DON'T WASTE YOUR MONEY
DON'T WASTE YOUR TIME
IT'S NOT WORTH THE TROUBLE IT BRINGS
WHEN I GO OUT THERE AND WAIT IN THE LINES
THAT'S NOT FOR YOU
THAT'S FOR ME
MY FAVORITE GIFT IS THE LOOK IN YOUR EYE
WHEN YOU OPEN UP SOMETHING FROM ME

I'M ALWAYS GUESSING ON WHAT YOU MIGHT LIKE
A NECKLACE, A SILK DRESS, A RING
BOUQUETS OF FLOWERS DON'T LAST ENOUGH HOURS
BUT LOOK AT THE JOY THAT THEY BRING
WHEN I GO OUT THERE AND CLAW THROUGH THE MALL
IT'S NOT AS BAD AS IT SEEMS
MY FAVORITE GIFT IS THE LOOK IN YOUR EYE
WHEN YOU OPEN UP SOMETHING FROM ME

OH
THERE WAS SOMETHING THAT YOU TOLD ME
THAT YOU WANTED IN NOVEMBER
IF I COULD JUST REMEMBER

OH
AND EVERYBODY THAT WE KNOW
WILL START TO GET TOGETHER
ASK HOW YOU AND I'VE BEEN
I'LL SAY "NEVER BETTER"

SO WHEN I GO OUT THERE AND WAIT IN THE LINES
IT'S NOT AS BAD AS IT SEEMS
MY FAVORITE GIFT IS THE LOOK IN YOUR EYE
WHEN YOU OPEN UP SOMETHING FROM ME

SOMETIMES — Lee Palmer

Sometimes cover art

Sometimes
by Lee Palmer

Thoughtful and honest — “Sometimes” is a poetic rumination on love’s unpredictability and life’s delicate chances. Lee Palmer wraps introspective lyricism around acoustic rhythm, offering sync potential for scenes of relationship reflection or romantic openness.

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OMR Cue Map

OMR Cue Map

Track: Sometimes (Lee Palmer)
Clean Intro: Yes (0:00 – immediate entry with reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on uncertainty, emotion, and shifting perspective. Ideal for introspective character moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Sometimes

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 76
  • Energy: Medium - Low
  • Genres: Americana, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Thoughtful, Honest, Tender, Reflective
  • Lyric Themes: Love, Chance, Reflection
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Sergio Simone
  • Lyrics & Music: Lee Palmer
  • Production: Lee Palmer & Team
  • Mixing & Mastering: Samuel Williams

Artists

  • Vocals & Guitar: Lee Palmer
  • Bass: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Keys: Sam Williams
  • Background Vocals: Lori-Anne Smith

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Keys

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sometimes” by Lee Palmer is a poetic rumination on the unpredictability of love and the gentle beauty of life's unanswered questions. With acoustic tenderness and melodic ease, the track fits scenes of introspection, romantic vulnerability, and emotional openness.

Ideal Sync Uses

  • Drama: Relationship crossroads, emotional revelation
  • Indie: Quiet character moments, stylized transitions
  • Romance: Reflective intimacy, honest dialogue
  • Documentary: Personal storytelling, human connection
  • Family: Moments of growth, healing, acceptance

Scene Suggestions

  • Character walking alone in thought
  • Closing credits with emotional grace
  • Voiceover exploring personal truth
  • Flashback or memory sequence

Why It Works

  • Male vocals deliver warmth and sincerity
  • Acoustic instrumentation supports emotional tone
  • Lyric themes speak to vulnerability and love
  • Mid-tempo pacing allows for quiet impact
Track Narrative:
“Sometimes” dwells in emotional realism — Lee Palmer finds melody in the unpredictability of connection. Crafted for sequences of uncertain love, personal growth, or quiet reflection, this track lands like a lyrical conversation.
Lyrics:
Sometimes love finds you, sometimes it can't
Sometimes you find love, it can be as simple as that
If you keep your heart and eyes wide open
You might see those words left unspoken
Sometimes, sometimes

Sometimes you get it wrong
Sometimes you don't
Sometimes you get it right when you were thinking that you won't
When you take a chance the next time
Taking a chance is on your mind
Sometimes, sometimes

Sometimes stars align, sometimes they fall
Sometimes on the way down you see
The brightest stars of all
When you're close enough to steal a kiss
You get the point of stars like this
Sometimes, sometimes

Sometimes, sometimes

SOMETIMES — OMR Music Production

Sometimes cover art

Sometimes
by OMR Music Production

Fierce and determined — “Sometimes” is a rallying anthem of defiance, persistence, and resilience. OMR Music Production delivers driving rhythm and lyrical urgency, built for sync scenes of personal battle, inner strength, and emotional breakthrough.

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OMR Cue Map

OMR Cue Map

Track: Sometimes (OMR Music Production)
Clean Intro: Yes (0:00 – immediate entry with atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with ambient fade
Loopable: Moderate–High (textural continuity supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on uncertainty, mood, and emotional ambiguity. Ideal for slow-burn narrative development.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Sometimes

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 110
  • Energy: Medium
  • Tempo: Midtempo
  • Genres: Country, Gospel, Indie, Pop
  • Vocals: Male Vocal
  • Mood/Feel: Moody, Powerful, Uplifting
  • Lyric Themes: Power, Hope, Struggle, Escape, Fear
  • Type: One Stop

Cinematic Fit

  • Action
  • Crime
  • Drama

Song Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Sometimes” by OMR Music Production is a midtempo anthem that blends country grit with gospel soul and indie-pop urgency. With powerful male vocals and emotionally charged instrumentation, the track delivers a cinematic experience rooted in themes of struggle, hope, and escape.

Ideal Sync Uses

  • Action: Scenes of personal triumph or emotional breakthrough
  • Crime: Character-driven tension, moral conflict
  • Drama: Turning points, emotional revelations, inner battles

Scene Suggestions

  • Opening montage of a protagonist facing adversity
  • Flashback sequence revealing emotional trauma
  • Climactic moment of decision or escape
  • End credits with a message of resilience

Why It Works

  • Male vocals deliver emotional intensity and authenticity
  • Instrumentation supports both tension and uplift
  • Lyric themes align with universal human challenges
  • Midtempo pacing allows for dynamic scene integration
Track Narrative:
“Sometimes” is built on struggle and hope — OMR Music Production channels raw energy and lyrical persistence into a track ideal for moments of revolt, courage, and redemption. It’s sonic grit wrapped in emotional fire.
Lyrics:
VERSE 1
PEOPLE WHO DON’T UNDERSTAND OUR WAY
WILL NEVER BELIEVE WE HAVE THINGS TO SAY
WE SPEAK OUR MIND, WE’VE PUT IN OUR TIME
HOLD OUR HEADS HIGH AS WE GO OUR WAY

HERE WE LAY AMONG THE RUIN AND DECAY
WAITING TO FIGHT ANOTHER DAY
OUR FACES WORN, OUR CLOTHING TORN
YOU’VE GOT TO BELIEVE US WHEN WE SAY

PRE-CHORUS
THERE IS A WAY OUT
WE CAN ESCAPE
DON’T FEAR SUCCEEDING
THERE ARE NO MISTAKES

CHORUS
SOMETIMES THEY’RE WAITING, WAITING ON YOU
TO MAKE THE FIRST MOVE TO SEE WHAT YOU’LL DO
SOMETIMES THEY’RE RACING, RACING RIGHT BY
THEY WON’T SAY A WORD THEY DON’T CARE IF YOU DIE
SOMETIMES I’VE JUST, I’VE JUST HAD ENOUGH
I LOOK AT MY WORLD AND I WANT IT TO STOP
SOMETIMES I CAN’T, CAN’T GET ENOUGH
GOTTA DO WHAT I DO AND NEVER GIVE UP
YOU NEVER GIVE UP, OH YOU NEVER GIVE UP

VERSE 2
GOT NO RELIGION BUT WE STILL BELIEVE
THE MORE WE DO THE LESS WE GRIEVE
WE DON’T NEED VISION TO HELP US SEE
THEY LOCK US UP IN CHAINS TO SET US FREE

PRE-CHORUS
(repeat)

CHORUS 2
SOMETIMES THEY’RE WAITING, WAITING ON YOU
TO MAKE THE FIRST MOVE TO SEE WHAT YOU’LL DO
SOMETIMES THEY’RE RACING, RACING RIGHT BY
THEY WON’T SAY A WORD THEY DON’T CARE IF YOU DIE

SOMETIMES YOU HAVE TO, HAVE TO FIGHT BACK
GATHER YOUR HEROS AND PLAN YOUR ATTACK
SOMETIMES YOU’RE ALL, YOU’RE ALL THE WAY IN
YOU DO WHAT YOU HAVE TO, TO PICK UP THE WIN

BRIDGE
SOMETIMES, YOU LOSE
SOMETIMES YOU WIN
SOMETIMES YOU’RE USED
SOMETIMES YOU’RE IN
SOMETIMES IT’S THERE
SOMETIMES IT’S GONE
SOMETIMES THEY CARE
SOMETIMES YOU’RE ON
(REPEAT)

Somos Dos — IndiviDuo

Somos Dos cover art

Somos Dos
by IndiviDuo

An uptempo Latin-pop anthem about unity, shared dreams, and fearless love. “Somos Dos” imagines a house by the sea, a guiding star, and music that always leads two people where they’re meant to go. Bright, romantic, and endlessly affirming, it turns “we’re two” into “we’re more”—a promise of support, survival, and going anywhere together.

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OMR Cue Map

Track: Somos Dos
Clean Intro: Yes (0:00 – immediate entry with romantic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with emotional lift
Loopable: High (steady phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Romantic cue centered on unity, connection, and partnership. Ideal for relationship storytelling and shared emotional moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Somos Dos

Song Profile

  • Key Signature: F♯ Major
  • BPM: 134
  • Tempo: Uptempo
  • Genres: Latin, Pop
  • Vocals: Female & Male Vocal (duet)
  • Mood/Feel: Bright, Catchy, Confident, Fun, Happy, Positive, Reflective, Romantic, Upbeat, Uplifting
  • Lyric Themes: Connection, Dream, Fear, Survival
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

“Somos Dos” celebrates partnership as shelter, adventure, and purpose. From a dreamed-of house by the sea to a star that never stops shining, the song paints a life where miracles and melodies help two people survive whatever comes. Its uplifting hook—“No tengas miedo, somos dos, somos más”—turns fear into courage and aloneness into a shared, unstoppable “we.”

Sync Highlights

  • Excellent for couple-centric moments where two characters choose each other and their shared future.
  • Fits montages of building a life together: moving in, renovating, traveling, parenting, or starting over.
  • Ideal for seaside, coastal, or travel imagery, especially with hints of magic or destiny.
  • Uptempo energy suits celebratory, hopeful, or “we’ve got this together” scenes.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Somos Dos

This track is tailor-made for joyful, romantic, and life-affirming sequences where partnership is the anchor. It’s perfect when the story wants to say: as long as we’re together, we’ll be okay.

Scene Types

  • Montages of a couple building or settling into a home (especially by the sea).
  • Travel or road-trip sequences where two people explore the world as a team.
  • Moments of reassurance when one character fears the future, and the other says “we’ve got this.”
  • Engagements, anniversaries, or key relationship milestones and celebrations.

Film/TV Fit

  • Romance & Romantic Comedy
  • Dramedy
  • Coming-of-Age (relationship-focused arcs)
  • Feel-good streaming series
  • Travel and lifestyle content with a couple focus

Why It Works

  • Highly affirming lyric about unity, courage, and shared dreams.
  • Uptempo, bright groove that keeps emotional scenes light and energetic.
  • Duet vocals strongly support couple-centered storytelling.
Track Narrative:
“Somos Dos” remembers and reaffirms a shared dream: a house by the sea, a star that never stops shining, music that always leads the way. Two people stand together against fear and uncertainty, repeating the mantra that they are more than just two—they are “somos más,” everything they want to be as long as they move as one. The refrain “Te sigo a donde quieras” turns love into motion, promise, and trust.

Lyrics: Somos Dos

En la casa que soñamos muy cerquita al mar duerme aquella historia que jamás voy a olvidar Dos casualidades y un papel para escribir y la música siempre nos lleva a dónde debemos ir No tengas miedo, somos dos, somos más Somos todo lo que quieras, todo lo que quieras Somos dos, qué más da Somos todo lo que quieras, te sigo a donde quieras Te sigo a donde quieras En la casa que soñamos muy cerquita al mar, vive aquella estrella que te alumbra sin parar Milagros a melodía para sobrevivir Y la música siempre nos lleva a dónde debemos ir No tengas miedo, somos dos, somos más Somos todo lo que quieras, todo lo que quieras Somos dos, qué más da Somos todo lo que quieras, te sigo a donde quieras Somos dos, somos más Somos todo lo que quieras, todo lo que quieras Somos dos, qué más da Somos todo lo que quieras, te sigo a donde quieras Somos dos, somos más, somos todo lo que quieras, todo lo que quieras Somos dos, qué más da Somos todo lo que quieras, te sigo a donde quieras Somos dos, somos más Somos todo lo que quieras, todo lo que quieras Somos dos, qué más da Somos todo lo que quieras, te sigo a donde quieras Somos dos, somos más Somos todo lo que quieras, todo lo que quieras Somos dos.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting duo blending Latin and pop influences into cinematic, story-driven songs. Their catalog leans into themes of love, distance, dreams, and emotional resilience, often framed through the interplay of female and male perspectives.

“Somos Dos” spotlights their gift for hopeful, relationship-centered writing—where partnership becomes a source of courage and a compass for the future. Across their work, IndiviDuo’s warm harmonies and melodic clarity make their tracks especially effective for drama, romance, and character-driven narratives that celebrate connection.

Styles: Latin Pop, Acoustic Singer/Songwriter • Strengths: Duet chemistry, romantic storytelling, melodic hooks • Typical Uses: Romance, Dramedy, Coming-of-Age, hopeful and uplifting relationship arcs

SONG FOR MUMI — Carlos Miyares

Song For Mumi cover art

Song for Mumi
by Carlos Miyares

Tender and reflective — “Song for Mumi” drifts through melodic lines and emotional restraint. Carlos Miyares sculpts instrumental space into a heartfelt tribute, suited for sync moments of memory, personal journey, or introspective film scenes.

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OMR Cue Map

OMR Cue Map

Track: Song for Mumi
Clean Intro: Yes (0:00 – immediate entry with melodic, heartfelt tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft tonal decay
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Personal, melodic cue centered on dedication, memory, and emotional warmth. Ideal for tribute-style storytelling and reflective scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Song for Mumi

Song Profile

  • Genres: Jazz, Instrumental, Cinematic
  • Tempo: Slow-Mid
  • Energy: Low-Medium
  • Vocals: Instrumental
  • Mood/Feel: Reflective, Emotional, Elegant
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Cinematic Fit

  • Drama
  • Documentary
  • Romance
  • Art House

Instrumentation

  • Saxophone
  • Piano
  • Upright Bass
  • Drums

Production Details

  • Composer & Performer: Carlos Miyares
  • Production: OMR Music Production
  • Mixing & Mastering: OMR Studio Team

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Song for Mumi” by Carlos Miyares is a heartfelt jazz instrumental that flows with emotional grace and melodic sensitivity. Built on saxophone-led phrasing and subtle rhythmic interplay, the track evokes intimacy, memory, and quiet strength—ideal for visual storytelling that leans into reflection and emotional nuance.

Ideal Sync Uses

  • Drama: Scenes of personal reflection or emotional transition
  • Documentary: Portraits of legacy, memory, or cultural depth
  • Romance: Quiet interludes, emotional connection
  • Art House: Stylized transitions, introspective moments

Scene Suggestions

  • Character walking through a meaningful location
  • Flashback sequence with emotional resonance
  • Closing credits with reflective tone
  • Voiceover narration exploring personal history

Why It Works

  • Saxophone leads with emotional clarity
  • Jazz instrumentation supports cinematic elegance
  • Slow pacing allows for narrative breathing room
  • Instrumental format offers flexible sync placement
Track Narrative:
“Song for Mumi” channels love and memory through quiet instrumental phrasing. Carlos Miyares delivers a personal piece designed for story scenes of family, remembrance, or inner emotion — cinematic and quietly powerful.

SOOTHE THE MACHINERY — Rich Brown feat. Yvette Tollar

Soothe the Machinery cover art

Soothe the Machinery
by Rich Brown

Atmospheric and urgent — “Soothe the Machinery” merges lyrical tension with sonic environmentalism. Rich Brown and Yvette Tollar craft a haunting soundscape of industrial consequence, suited for sync scenes of ecological crisis, futurist narrative, or philosophical reflection.

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OMR Cue Map

Track: Soothe the Machinery (feat. Yvette Tollar)
Clean Intro: Yes (0:00 – immediate entry with smooth, atmospheric tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with gentle tonal fade
Loopable: Moderate–High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Smooth, contemplative cue centered on balance, calm, and emotional grounding. Ideal for reflective scenes and thoughtful pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Soothe The Machinery

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 124
  • Energy: Medium
  • Genres: Funk, Jazz, Party
  • Vocals: Female Vocal
  • Moods: Energetic, Hopeful, Serious, Tense, Uplifting
  • Lyric Themes: Power, Escape, Tension, Resilience
  • Type: One Stop

Cinematic Fit

  • Crime
  • Drama
  • Mystery

Song Production Details

  • Executive Producers: Rich Brown
  • Music Composition: Rich Brown
  • Recording: Not listed
  • Music Production: Rich Brown
  • Mixing & Mastering: Not listed

Artists

  • Electric Bass: Rich Brown
  • Vocals: Yvette Tollar
  • Alto Saxophone: Luis Deniz
  • Piano: David Virelles
  • Fender Rhodes: David Virelles
  • Keys/Synth: David Virelles
  • Drums: Larnell Lewis

Instrumentation

  • Electric Bass
  • Drums
  • Piano
  • Fender Rhodes
  • Keys/Synth
  • Alto Saxophone
  • Female Vocals

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Soothe The Machinery” by Rich Brown is a groove-driven instrumental that blends jazz improvisation with ambient textures and rhythmic complexity. The track evokes a sense of internal motion and emotional calibration, ideal for sync scenes that explore introspection, transformation, or futuristic tension.

Ideal Sync Uses

  • Drama: Scenes of personal reflection or emotional recalibration
  • Documentary: Explorations of technology, identity, or innovation
  • Art House: Stylized transitions, abstract visuals
  • Science Fiction: Futuristic environments, internal monologue

Scene Suggestions

  • Character alone in a lab or digital space
  • Slow-motion montage of mechanical or emotional repair
  • Voiceover exploring existential themes
  • Closing credits with ambient resonance

Why It Works

  • Electric bass anchors rhythmic depth
  • Ambient textures allow for cinematic flexibility
  • Instrumental format supports diverse sync placements
  • Midtempo pacing balances tension and calm
Track Narrative:
“Soothe the Machinery” is sonic protest and poetic plea — Rich Brown’s composition featuring Yvette Tollar captures the ecological toll of modernity and the human urge to restore balance. Built for sync with dystopian themes or nature-based introspection.
Lyrics:
Turn the hourglass before it runs
Cheating the time we have left
A day away from eternity
Cultivate the wheels of progress
Turning of a raging tide
Darker shades to the blue and green
Drink as the ice melts away
Take heed the lessons of wind and sea
Consequence of feeding wild woe
Filed under acts of God

And as the skies cry, watch them soothe machinery
Try to turn back the hands of time, world keeps turning, turning
I hear the wind sigh, it's a haunting melody
As machines suffocate the trees, we keep moving, moving on

And as the skies cry, watch them soothe machinery
Try to turn back the hands of time, world keeps turning, turning
I hear the wind sigh, it's a haunting melody
As machines suffocate the trees, we keep moving, moving on

SOFIA (THE WHITE SHARK) — Elmer Ferrer

Sofia (The White Shark) cover art

Sofia (The White Shark)
by Elmer Ferrer

Sofia (The White Shark) carries a quiet emotional mystery, balancing minimal synth textures with a sense of openness, warmth, and restrained tension. There is something cinematic and slightly elusive in the cue, as if it is observing a powerful presence from a thoughtful distance rather than rushing toward danger. Its combination of light, sadness, and subtle uplift makes it ideal for reflective nature scenes, emotionally nuanced drama, contemplative transitions, or moments where awe and uncertainty coexist.

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OMR Cue Map

OMR Cue Map

Track: Sophia (The White Shark)
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, suspense-driven tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Suspense-driven cue for predator tension, underwater danger, stalking presence, rising threat, investigative dread, and scenes where something unseen is approaching with controlled intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Sofia (The White Shark)

Song Details

  • Energy: Low / Reflective
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Key: G Major
  • BPM: 82
  • Moods: Atmospheric, Cinematic, Hopeful, Light, Minimal, Mysterious, Reflective, Sad, Tension, Uplifting, Warm
  • Cinematic Fit: Drama, Mystery, Sci-Fi, Art House, Indie
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sofia (The White Shark) offers a rare balance of mystery, emotional openness, and restrained cinematic tension. Its minimal synth palette creates space and atmosphere, while the warmer emotional undertones keep it from feeling cold or distant. This makes it especially effective for visually rich scenes that need wonder, contemplation, or quiet emotional weight.

Ideal Sync Uses

  • Drama: reflective character moments, emotionally layered transitions
  • Mystery: quiet uncertainty, subtle discovery, unresolved beauty
  • Sci-Fi: contemplative future worlds, open landscapes, restrained awe
  • Art House: minimal storytelling, visually poetic sequences
  • Indie: thoughtful emotional scenes with warmth and distance

Scene Suggestions

  • Wide cinematic shot of ocean, landscape, or open space
  • Character observing something beautiful but unknowable
  • Reflective sequence where sadness and hope coexist
  • Quiet transition after an emotionally significant encounter

Why It Works

  • Minimal arrangement leaves room for visual storytelling and dialogue
  • Blend of mystery and warmth makes the cue emotionally distinctive
  • Subtle tension keeps it cinematic without becoming heavy-handed
  • One-stop clearance makes it easy to place quickly
Track Narrative:
Sofia (The White Shark) feels like watching something powerful move just beneath the surface—beautiful, distant, and impossible to fully understand. Its sparse synth textures create openness and mystery, while the emotional undertow adds a sense of quiet reverence. The cue works best when a scene needs both atmosphere and feeling, allowing awe, sadness, and hope to exist in the same frame.

SOUL CAPTAIN — Captain Dirt & The Skirt

Soul Captain cover art

Soul Captain
by Kristin Sweetland

Bold and driven — “Soul Captain” sails forward with jazz-tinged momentum and cinematic character. Captain Dirt & The Skirt deliver instrumental phrasing full of determination, inspired by the closing lines of Invictus by William Ernest Henley. A sync-perfect cue for scenes of personal mastery, introspective travel, or bold transition.

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OMR Cue Map

OMR Cue Map

Track: Soul Captain
Clean Intro: Yes (0:00 – immediate entry with groove-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with confident finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Groove-forward cue centered on confidence, identity, and rhythmic energy. Ideal for stylized scenes and character-driven visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Soul Captain

Song Details

  • Key Signature: E Minor
  • Beats Per Minute: 114
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar, Electric Guitar
  • Moods: Atmospheric, Dark, Moody, Reflective, Sad
  • Cinematic Themes: Action, Adventure, Art House, Coming-of-Age, Drama, Mystery
  • Type: One Stop

Production Details

  • Written by: Lyndell Montgomery and Kristin Sweetland
  • Produced by: David Travers-Smith and Captain Dirt & The Skirt
  • Recorded/Mixed/Mastered by: David Travers-Smith at Found Sound, Toronto, ON
  • Copyright: © Arbora Vita Music 2013

Artists

  • Classical, Hammertone & Electric Guitar: Kristin Sweetland
  • Bass: Lyndell Montgomery
  • Vocals: Darlen Ya
  • Drums & Percussion: Gary Craig

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Classical Guitar
  • Hammertone Guitar

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Soul Captain is a moody, atmospheric instrumental piece that blends folk textures with cinematic depth. Its reflective tone and layered guitar work make it ideal for scenes that explore emotional nuance, personal transformation, and quiet intensity.

Ideal Sync Uses

  • Drama: Emotional introspection, character solitude
  • Coming-of-Age: Transitional moments, self-discovery
  • Mystery: Quiet tension, unraveling secrets
  • Art House: Stylized visuals, poetic pacing
  • Adventure: Reflective travel sequences
  • Action: Post-conflict resolution, aftermath scenes

Scene Suggestions

  • Character walking alone through a foggy landscape
  • Flashback montage with emotional weight
  • Closing credits with a somber tone
  • Slow-motion sequence of personal loss or triumph

Why It Works

  • Instrumental format allows flexible emotional overlay
  • Guitar solos evoke intimacy and depth
  • Midtempo pacing supports reflective storytelling
  • Atmospheric mood enhances visual tension
Track Narrative:
“Soul Captain” channels poetic strength into sonic journey — Kristin Sweetland builds a quiet anthem of control, reflection, and emotional direction. This instrumental breathes sync energy for themes of resilience, choice, and inner clarity.

SOUL CLAP — Amhed Mitchel (Male Vocal)

Soul Clap cover art

Soul Clap
by Amhed Mitchel (feat. Dane Hartsell)

Retro swagger and R&B soulfulness — “Soul Clap” struts a midtempo groove (Key: A Major; 97 BPM), blending blues, R&B, and soul textures with male vocals full of attitude and power. Bright, confident, and sync‑ready for swagger‑charged visuals.

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OMR Cue Map

OMR Cue Map

Track: Soul Clap (ft. Dane Hartsell)
Clean Intro: Yes (0:00 – immediate entry with rhythmic, upbeat tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Upbeat cue centered on rhythm, energy, and communal feel. Ideal for lively scenes, montage, and feel-good moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Soul Clap

Song Details

  • Key Signature: A Major
  • BPM: 97
  • Tempo: Midtempo
  • Genre: Blues, R&B, Soul
  • Vocals: Male Vocal
  • Mood/Feel: Bright, Catchy, Confident, Cool, Fun, Positive, Retro, Swagger, Upbeat
  • Type: One‑Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Piano
  • Synth

Sync Notes

  • Best fit: Retro‑tinged ads, swagger sequences, party montages, cool lifestyle campaigns.
  • Tone: Confident, fun, playful, with retro energy.
  • Mix: Prominent vocals over funk‑soul groove; room for supers/visual emphasis.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Soul Clap delivers swagger‑filled blues‑soul with retro confidence and catchy vocal hooks. Perfect for syncs demanding upbeat attitude, swagger, and playful charm.

Ideal Sync Uses

  • Advertising: Retro‑themed campaigns, fashion spots
  • Comedy / Indie: Quirky montages, fun lifestyle cuts
  • Sports: Confident swagger edits, highlight sequences
  • Lifestyle: Playful urban or nightlife content

Why It Works

  • Catchy vocal line with memorable “Soul Clap” hook
  • Retro, upbeat vibe enhances fun and swagger
  • Male vocal brings emotional and commercial versatility

Lyrics

I'll turn the music up Cuz I don't really feel enough Wrapped between the bass and drums That's the only peace I feel and love A little rock and roll never hurt no one but I need a little soul soul I need a little soul clap oh I need a little soul clap oh Got to give me my soul back oh Need a little soul clap soul clap everybody soul clap yeah Everybody soul clap yeah Now do you feel the strings in every single song I sing? Now do you feel the soul or you gotta let it go just let go A little rock and roll never hurt no one but I need a little soul Need a little soul clap oh I need a little soul clap Now I'm gotta get my soul back oh I need a little soul clap soul clap everybody soul clap I think it's the bridge. A beat and thumbs but you don't don't really know why The beat and thumbs but you don't don't really know why Your feet move but you don't don't really know why You don't know why Be cool but you don't don't really know why That's right Shout it to the soul I need a little soul clap soul clap everybody soul clap yeah Everybody soul clap yeah Oh and everybody soul clap Everybody soul clap He used to make you weak in the knees.
Track Narrative:
“Soul Clap” struts with swagger — bass, guitar, and keys groove hard under Dane Hartsell’s confident vocal. Bright and retro‑tinged, it’s playful, catchy, and sync‑ready for ads, lifestyle, and swagger‑driven storytelling.

Sounds — Thadeus Gonzalez

Sounds cover art

Sounds
by Thadeus Gonzalez

“Sounds” is a muscular, high-energy rock track that treats sound as both memory and momentum. Driven guitars, pounding drums, and a hooky vocal refrain turn the idea of “visual decibels” into a cinematic push forward — perfect for sequences where a character finds their edge, pushes through doubt, or steps into a larger, louder version of their life.

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OMR Cue Map

Track: Sounds
Clean Intro: Yes (0:00 – immediate entry with abstract, textural tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with subtle tonal decay
Loopable: High (minimal, repetitive structure supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Abstract cue centered on texture, tone, and sonic atmosphere. Ideal for background layering and experimental visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sounds

Song Profile

  • Key Signature: Bb Major
  • BPM: 121
  • Tempo: Uptempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male vocal
  • Mood/Feel: Atmospheric, Upbeat
  • Lyric Themes: Life
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“Sounds” turns big guitars and pounding rhythms into a celebration of perception, imagination, and inner resilience. The lyric hook “the sounds I saw that are all around you” frames life itself as a wall of energy to push through, making the track ideal for stories about creative process, personal breakthrough, or characters learning to trust their own instincts. Its uptempo drive and spacious, atmospheric feel sit comfortably under dialogue-light sequences while still delivering a clear emotional lift.

Sync Highlights

  • Great for montage sequences of growth, training, or creative experimentation.
  • Uptempo rock energy with enough space to support voiceover or minimal dialogue.
  • Lyrics about “sounds” and imagery make it a natural fit for music-driven or art-driven narratives.
  • Works well as an end-of-episode uplift, festival-style recap, or teaser trailer bed.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Sounds

With its blend of anthemic rock and reflective lyrics, “Sounds” is highly flexible for film, TV, and trailers that need motion, resolve, and a sense of inner vision. The track’s driving groove and hooky refrain can underscore arcs of reinvention, creative risk-taking, or characters stepping into an unknown future with courage.

Scene Types

  • Coming-into-one’s-own montages and “levelling up” sequences.
  • Urban or nightlife visuals where sound and light are central to the story.
  • Documentary or docu-series moments about artists, athletes, or creators at work.
  • End-credit runs that leave the audience feeling energized and forward-looking.

Film/TV Fit

  • Drama & Character-Driven Series
  • Music, Art, or Culture-Focused Docs
  • Sports & Competition Content
  • Teen/Young-Adult Stories & Streaming Originals

Why It Works

  • Lyrics support themes of perception, memory, and carrying on after loss.
  • Uptempo rock feel gives editors strong rhythmic anchors for cutting picture.
  • Modern but timeless guitar tone that plays well across genres and eras.
  • One-stop clearance simplifies licensing for fast-turnaround productions.
Track Narrative:
“Sounds” frames life as a swirl of images and noise — the “visual decibels” surrounding a person trying to make sense of their world. The narrator leans into that chaos instead of running from it, finding strength in the idea that everything you need is already around you, if you’re willing to see and hear it clearly. It’s a song about resilience, creative vision, and the way certain moments echo long after the volume drops.

Lyrics: Sounds

The sounds I saw that are all around you The sounds I saw that are all around you It's a gift, all you've seen before, you've got to find again Grand life If you stumble, it's those things that I stand behind Loud words All the things you think in your mind Imagine the imagery Everything you have, you need The sounds I saw that are all around you The sounds I saw that are all around you Visual decibels You scratch, you claw, you climb the sounds To feel the melody The heart you beat, the life alive The sounds I saw that are all around you The sounds I saw are all around And once you're gone, I'll make it through To the sounds I saw that are all around you All around you All around you The sounds I saw that are all around you It's the sounds I saw that are all around And once you're gone, I'll make it through To the sounds I saw that are all around you All around you All around you The sounds I saw Are all around you
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Thadeus Gonzalez

Thadeus Gonzalez

Thadeus Gonzalez crafts high-impact rock built for the screen — blending metal, punk, and modern alternative edges into songs that feel instantly cinematic. His tracks lean into big riffs, bold hooks, and emotionally charged vocals that cut through a mix without overpowering the story.

With themes that often touch on struggle, resilience, identity, and transformation, his catalog is a natural fit for projects centered on conflict, reinvention, and inner resolve. From fast-paced sequences to moody, slow-burn moments, his music provides editors with clear dynamics, strong transitions, and a sense of momentum that keeps scenes moving.

Styles: Metal, Punk, Rock • Strengths: High-energy riffs, emotional intensity, modern rock attitude • Typical Uses: Drama, Action, Sports, Character-Driven Series, Trailers & Promos

Soul Stroll Through Izulu

Soul Stroll Through Izulu cover art

Soul Stroll Through Izulu
by HYP

“Soul Stroll Through Izulu” unfolds at 80 BPM in F Major with an easy, soulful gait and sun-warmed harmonic color. Its relaxed tempo and major-key warmth create a grounded, human feel—ideal for reflective travel, community moments, cultural texture, and scenes that benefit from calm presence and emotional openness without urgency.

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OMR Cue Map

OMR Cue Map

Track: Soul Stroll Through Izulu (Sync Version)
Clean Intro: Yes (0:00 – immediate entry with rhythmic, global tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (groove-driven structure supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Rhythm-forward cue centered on movement, culture, and energy. Ideal for travel, street scenes, and vibrant storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-driven instrumentals that blend rhythmic feel with cinematic atmosphere. His productions emphasize warmth, restraint, and editorial flexibility—supporting picture while leaving space for dialogue and lived-in moments.

“Soul Stroll Through Izulu” channels ease, openness, and human presence—ideal for grounded storytelling and culturally rich visual environments.

Sync Pitch Sheet: Soul Stroll Through Izulu

Song Profile

  • Key Signature: F Major
  • BPM: 80
  • Energy: Low–Mid (relaxed, grounded)
  • Genres: Cinematic underscore, soul-inflected instrumental
  • Vocals: Instrumental
  • Moods: Warm, Soulful, Grounded, Reflective, Human
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Laid-back rhythmic foundation
  • Warm harmonic movement (major-key openness)
  • Soul-leaning textures with cinematic space

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Sync Potential

“Soul Stroll Through Izulu” provides warmth and calm forward motion—ideal for scenes that highlight humanity, environment, and emotional presence without narrative urgency.

Scene Types

  • Walking and observational sequences
  • Community, culture, and place-driven visuals
  • Reflective travel and arrival moments
  • Dialogue-forward scenes needing warmth
  • Montages emphasizing connection and ease

Why It Works

  • 80 BPM supports relaxed pacing and natural breathing room.
  • F Major adds openness, warmth, and emotional accessibility.
  • Open arrangement leaves space for dialogue and ambient sound.
Track Narrative:
“Soul Stroll Through Izulu” feels like unhurried movement through lived-in space—warm, present, and grounded in human rhythm.
Instrumental Notes:
Fully instrumental and one-stop, “Soul Stroll Through Izulu” offers a relaxed, soulful underscore designed for dialogue, observational pacing, and scenes centered on environment and connection.

Stem Tracks

Contact OMR for available stems and custom edit requests (rhythmic bed, harmonic layers, atmospheric textures, full mix).

SPEAKS WITH NO WORDS

Speaks with No Words cover art

Speaks with No Words
by The Green Door

“Speaks with No Words” is a restrained, atmospheric instrumental built on mood, space, and emotional suggestion. With a steady pulse and minimal arrangement, the track creates a subtle undercurrent of tension and introspection, making it ideal for dialogue-driven scenes, internal reflection, and quiet narrative transitions.

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OMR Cue Map

Track: Speaks with No Words
Clean Intro: Yes (0:00 – immediate entry with atmospheric, emotional tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural flow supports seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on unspoken emotion, presence, and subtle storytelling. Ideal for dialogue-heavy or silent emotional moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready compositions that blend movement, tension, and atmosphere. Their instrumental work is designed to support storytelling with emotional clarity while maintaining space for dialogue.

For supervisors, the appeal is immediate: clean arrangement, controlled dynamics, and a natural ability to enhance scenes without overwhelming them.

Sync Pitch Sheet: Speaks with No Words

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 97
  • Energy: Moderate
  • Genres: Indie, Rock
  • Vocals: Instrumental
  • Moods: Atmospheric, Moody
  • Cinematic Fit: Drama, Indie, Mystery
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Speaks with No Words” is ideal for dialogue-heavy scenes where emotional tone needs support without distraction. Its understated arrangement allows it to sit cleanly beneath narrative while still adding depth and movement.

Ideal Sync Uses

  • Drama: Internal reflection, emotional distance, unresolved tension
  • Indie: Character-driven scenes, subtle transitions
  • Mystery: Quiet buildup, observational sequences

Why It Works

  • Instrumental format keeps dialogue clear
  • Moody tone adds emotional weight without overstating
  • Steady pacing supports edit flexibility
Stem Tracks:
Available upon request.
Track Narrative:
“Speaks with No Words” carries the emotional weight of what remains unsaid. It moves quietly beneath the surface, supporting moments where silence reveals more than dialogue ever could.

SPEAK TO ME THROUGH STRANGERS

Speak to Me Through Strangers cover art

Speak to Me Through Strangers
by Radagast the Brown

“Speak to Me Through Strangers” is an emotive ambient instrumental that balances cinematic lift with reflective openness. With piano, strings, synth, and percussion gradually building, the track feels suited to scenes of connection, fragile hope, emotional transition, and moments where distance begins to turn toward clarity.

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OMR Cue Map

Track: Speak to Me Through Strangers
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (consistent phrasing supports editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Reflective cue centered on distance, communication, and emotional disconnect. Ideal for introspective storytelling and layered narratives.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: Speak to Me Through Strangers

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 120
  • Energy: Moderate to Building
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Building, Cinematic, Dreamy, Emotive, Hopeful, Minimal, Reflective, Uplifting
  • Cinematic Fit: Drama, Sci-Fi, Indie, Romance, Art House
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Speak to Me Through Strangers” is built for scenes where emotion expands from uncertainty toward connection. Its hopeful, cinematic lift and delicate build make it especially effective for emotional transitions, reflective discoveries, and sequences where vulnerability slowly opens into possibility.

Ideal Sync Uses

  • Drama: Emotional opening, fragile connection, quiet catharsis
  • Sci-Fi: Wonder, contact, introspective discovery
  • Indie: Reflective motion, personal transformation, intimate scale
  • Romance: Distance softening into emotional reach
  • Art House: Dreamlike transition, cinematic uplift, mood-led movement

Scene Suggestions

  • Emotional montage that turns from uncertainty toward hope
  • Character encountering meaning or connection in an indirect way
  • Quiet reveal with uplifting undertow rather than triumph
  • Final act transition where mood begins to rise without losing depth

Why It Works

  • Piano and strings create warmth and emotional clarity
  • Building structure supports cinematic transitions and lift
  • Minimal ambient base keeps it open and flexible for dialogue
  • Hopeful tone adds emotional release without feeling overstated
Stem Tracks:
Available upon request.
Track Narrative:
“Speak to Me Through Strangers” feels like meaning arriving indirectly — through atmosphere, chance, and emotional residue. It carries the sense that connection can emerge from distance, and that hope sometimes enters quietly before it fully declares itself.

SPIDERS IN THE STORM — Captain Dirt & The Skirt

Spiders in the Storm cover art

Spiders in the Storm
by Kristin Sweetland

Surreal and slinking — “Spiders in the Storm” spins through electric twang and textured rhythm. Captain Dirt & The Skirt conjure sonic tension and weird-west whimsy, ideal for sync scenes of storm-chased mystery, noir montage, or oddball heroics.

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OMR Cue Map

Track: Spiders in the Storm
Clean Intro: Yes (0:00 – immediate entry with tense, gritty tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Gritty, tension-driven cue centered on unease, movement, and atmosphere. Ideal for suspenseful environments and grounded storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Spiders in the Storm

Song Details

  • Key Signature: G Minor
  • Beats Per Minute: 134
  • Energy: Up Tempo
  • Genres: Folk, World
  • Vocals: Instrumental
  • Instrumental Solos: Accordion, Violin
  • Moods: Bright, Hopeful, Light, Positive, Reflective, Romantic, Uplifting, Warm
  • Cinematic Themes: Action, Art House, Fantasy, Mystery, Thriller
  • Type: One Stop

Production Details

  • Written by: Lyndell Montgomery and Kristin Sweetland
  • Produced by: David Travers-Smith and Captain Dirt & The Skirt
  • Recorded/Mixed/Mastered by: David Travers-Smith at Found Sound, Toronto, ON
  • Copyright: © Arbora Vita Music 2013

Artists

  • Classical Guitar, Electric Guitar, Castanets: Kristin Sweetland
  • Bass, Violin: Lyndell Montgomery
  • Peck Horn: David Travers-Smith
  • Accordion: Ken Whiteley

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Keyboard
  • Strings
  • Accordion
  • Violin
  • Castanets
  • Peck Horn

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Spiders in the Storm is a vibrant, cinematic instrumental that blends folk and world textures with a sense of wonder and emotional uplift. Its rich instrumentation and uptempo energy make it ideal for scenes that evoke magic, movement, and transformation.

Ideal Sync Uses

  • Fantasy: Enchanted landscapes, whimsical journeys
  • Art House: Stylized visuals, poetic pacing
  • Thriller: Unexpected twists with emotional contrast
  • Mystery: Curious exploration, light tension
  • Action: Fast-paced sequences with emotional depth

Scene Suggestions

  • Opening credits with sweeping visuals
  • Montage of travel or discovery
  • Character transformation or breakthrough
  • Stylized dream or fantasy sequence

Why It Works

  • Uptempo rhythm energizes visual storytelling
  • Accordion and violin solos add cultural and emotional texture
  • Bright and hopeful mood supports uplifting narratives
  • Instrumental format allows flexible scene integration
Track Narrative:
“Spiders in the Storm” rattles and rolls through instrumental weirdness — Kristin Sweetland spins sonic cobwebs into a desert storm. Built for placement with twisted adventure, indie mystery, or eerie swagger.

SPY BLOWN MIND

Spy Blown Mind cover art

Spy Blown Mind
by Radagast the Brown

“Spy Blown Mind” is a cool instrumental built on electronic tension, bass movement, and sleek piano-synth texture. Minimal but focused, the track feels ideal for surveillance, modern intrigue, and scenes that need controlled motion with a subtle edge of psychological unease.

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OMR Cue Map

Track: Spy Blown Mind
Clean Intro: Yes (0:00 – immediate entry with high-tension rhythmic identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with sharp tonal hit
Loopable: High (tight pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-energy cue centered on espionage, tension, and rapid pacing. Ideal for spy sequences and action-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Emotional Momentum • Cinematic Edge

Radagast the Brown creates immersive, sync-ready songs and instrumentals that fuse electronic texture, emotional depth, and cinematic movement. His work often blends reflective atmosphere with modern rhythmic production, making it especially effective for film and television scenes that need mood and momentum at once.

For supervisors, the appeal is immediate: distinctive sonic identity, editorial flexibility, and arrangements that support both visual pacing and narrative tension.

Sync Pitch Sheet: Spy Blown Mind

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 105
  • Energy: Moderate
  • Genres: Electronic
  • Vocals: Instrumental
  • Moods: Cool
  • Cinematic Fit: Thriller, Crime, Mystery, Sci-Fi
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Piano
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Spy Blown Mind” is built for scenes of covert movement, observation, and cool controlled tension. Its sleek instrumental structure makes it especially effective when a scene needs intrigue, pace, and atmosphere without pulling focus from dialogue or visual detail.

Ideal Sync Uses

  • Thriller: surveillance, infiltration, quiet tension
  • Crime: procedural movement, planning, modern edge
  • Mystery: hidden motive, cool suspicion, investigative rhythm
  • Sci-Fi: systems, stealth, psychological distance

Scene Suggestions

  • Tracking or surveillance sequence with restrained motion
  • Modern procedural scene that needs cool tension
  • Character navigating a covert or uncertain environment
  • Stylized transition that calls for sleek intrigue rather than force

Why It Works

  • Instrumental format keeps it highly flexible and dialogue-safe
  • Piano and synth add sleek intelligence and subtle tension
  • Moderate pulse supports movement without overpowering the scene
  • Cool tone makes it especially useful for modern suspense and crime
Stem Tracks:
Available upon request.
Track Narrative:
“Spy Blown Mind” feels like quiet intelligence moving through a charged environment without showing its full hand. It carries sleek tension and controlled focus, making the scene feel precise, modern, and just slightly dangerous.

Stallions — HYP

Stallions cover art

Stallions
by HYP

“Stallions” is a hard-hitting hip-hop narrative that explores ambition, survival, and the dangerous pursuit of success. Driven by a confident midtempo groove and commanding male vocal, the track balances swagger with consequence — capturing the tension between power, freedom, and the cost of living fast.

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OMR Cue Map

OMR Cue Map

Track: Stallions (Explicit Version)
Clean Intro: Yes (0:00 – immediate entry with aggressive rhythmic identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with powerful finish
Loopable: High (driving beat supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Aggressive, energy-driven cue centered on power, motion, and intensity. Ideal for action, sports, and high-impact visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Stallions

Song Profile

  • Key Signature: A Minor
  • BPM: 88
  • Tempo: Midtempo
  • Genres: Hip Hop / Rap
  • Vocals: Male vocal
  • Mood/Feel: Confident, Rhythmic, Upbeat
  • Lyric Themes: Ambition, Power, Survival, Struggle, Success, Freedom
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“Stallions” tells a cinematic story of ascent and consequence — where ambition and loyalty collide with risk and reality. Its driving rhythm and assertive vocal delivery give the track narrative weight, making it ideal for character-driven storytelling.

Sync Highlights

  • Narrative lyrics support character arcs.
  • Midtempo groove balances energy and clarity.
  • Confident delivery enhances power-driven scenes.
  • One-stop clearance simplifies licensing.

Sync Potential: Stallions

“Stallions” fits seamlessly into stories centered on ambition, power, and the consequences of survival-driven choices. Its lyrical depth and confident energy make it ideal for scenes where success and risk walk side by side.

Scene Types

  • Rise-and-grind montages.
  • Crime, hustle, and street-driven narratives.
  • Moments of victory shadowed by consequence.
  • Urban drama and character-focused arcs.

Film / TV Fit

  • Crime & Urban Drama
  • Biographical & Survival Stories
  • Documentary-style narratives
  • High-stakes reality programming

Why It Works

  • Lyrics advance story, not just mood.
  • Confident rhythm keeps pacing strong.
  • Themes of ambition resonate universally.
Track Narrative:
“Stallions” follows the journey from scarcity to status — driven by hunger, loyalty, and belief in destiny. It captures the thrill of rising fast, the blind spots of ambition, and the price of power.

Lyrics: Stallions

They could never tell me how real that the struggle is, Imagine troubled kids becoming bonafide smugglers. They came a long way from hittin’ licks off in the hood, Now they’re moving weight across the border, money is good. They never knew that escaping from poverty was so close. They boast of territory from Tijuana and up the west coast. The best toast to life is when you're holding up your bottles, Knowing that you ain’t starvin’ and living like there’s no tomorrow. We tryna get and keep it by any means now! We livin' life and sacrifice for dreams now! We so drippy! Big medallions! Highly favored, we some thoroughbred stallions! The money coming faster than the bridge toll at the Golden Gate, They run the Golden State, ain’t nothing to it just control your fate. The competition's hatin’ but appraising from a distance. Please believe this team can bring the smoke and end it in an instant... It’s like: Poof! Then you're gone. Want proof? Here’s a song. But the truth? They know they're wrong. And this could only go on, for so long. They mamas and they aunties tried to tell ‘em shit is dangerous, But nothing's more attractive than this dough and living famous. They say that pride will come before the fall but they ain’t missed a step. At least that’s what they thought, they ain’t consider where the moneys kept. Cumplimiento de la lay caught em slippin’! Them international wire transfers weren’t hidden! Now they’re on their way to prison, no kidding. Fast living, but fuck it! That’s a given! We tryna get and keep it by any means now! We livin' life and sacrifice for dreams now! We so drippy! Big medallions! Highly favored, we some thoroughbred stallions!
HYP

HYP

HYP crafts narrative-driven hip-hop that blends ambition, realism, and cinematic pacing. Their music supports powerful storytelling rooted in struggle, survival, and success.

Styles: Hip Hop / Rap • Strengths: Storytelling, confidence, sync-ready narratives • Typical Uses: Crime Drama, Biopics, Urban Series, Character Arcs

Stand On Ceremony — Thadeus Gonzalez

Stand On Ceremony cover art

Stand On Ceremony
by Thadeus Gonzalez

Fast, guitar-driven rock with a grit-and-grace vocal and a resolute, hopeful lift. Built for rally moments, no-nonsense swagger, and scenes that turn tradition on its head.

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Track: Stand on Ceremony
Clean Intro: Yes (0:00 – immediate entry with atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with ambient fade
Loopable: Moderate–High (textural phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on ritual, formality, and understated tension. Ideal for ceremonial or symbolic scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Stand On Ceremony

Song Profile

  • Genres: Metal, Rock
  • Vocals: Male vocal
  • Tempo: Fast
  • Mood/Feel: Confident, Hopeful, Powerful, Reflective
  • Lyric Themes: Confidence, Connection, Identity, Struggle, Time
  • Type: One Stop
  • Instruments: Acoustic Guitar, Bass, Drums, Electric Guitar, Percussion

Cinematic Fit

  • Drama: resolve beats, community rallies, no-nonsense speeches
  • Action & Sports: gear-up montages, locker-room fire, victory laps
  • Crime: code-of-honor moments, crew solidarity, standoffs
  • Trailers/Promos: rally chorus lifts, end-tag impact

Editorial Notes

  • Suggested 40s Excerpt: ~0:50–1:30 (hook declaration “we don’t stand on ceremony…” with strong edit hits)
  • Mix Tips: keep vocal upfront; accentuate kick/snare; acoustic strums add air around the crunch
  • Alts: chorus-only bed and riff-only bed loop cleanly for cutdowns

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Stand On Ceremony” wears its creed on its sleeve — a driving anthem for moments of clarity, courage, and collective resolve. Its straight-ahead pulse and declarative hook make it a natural for rally edits and zero-pretense attitude.

Best Use Cases

  • Drama: town-hall victories, team reckonings, final-act stands
  • Action & Crime: crew codes, brotherhood beats, “enough is enough” turns
  • Sports: hype reels, tunnel walks, statement wins
  • Brand Spots: authenticity, hard-work, no-frills identity campaigns

Sync Appeal

  • One Stop: streamlined clearance via OMR
  • Vocal: declarative, rally-ready delivery
  • Tempo: fast drive supports kinetic cutting
  • Instrumentation: rock core with percussive lift and occasional acoustic texture for depth

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Lyrics

All a good things turn to rust You build 'em up, they'll turn to dust And I've barely made my rounds It was all the time I spent Found this burden born on my head Outside the laugh was still up here Oh we don't stand on ceremony around here Judge my name, I'll make it clear That we don't stand on ceremony around here And I've been watching all these years Telling every tale that we just heard What can we change? Walking for miles in circles To see what has stayed the same Till this moment, there's been no warning Outside the laugh was still up here That we don't stand on ceremony around here Judge my name, I'll make it clear That we don't stand on ceremony around here And I've been watching all these years We ain't no fool Ain't no fools Fool Ain't no fool Until this moment, there's been no warning Outside the laugh was still up here That we don't stand on ceremony around here Judge my name, I'll make it clear That we don't stand on ceremony around here And I've been watching all these years Ain't no fools Ain't no fool Fool Ain't no fool Mmm
Track Narrative:
“Stand On Ceremony” turns hard lessons into resolve — a straight-ahead rocker that trades frills for backbone. It’s the sound of lines drawn, names made clear, and a community standing tall.

STARLIGHT IN THE BLOOD

Starlight in the Blood cover art

Starlight in the Blood
by Ezekiel Hampton

“Starlight in the Blood” is an atmospheric indie-cinematic track with a male vocal that blends dreamy uplift with emotional regret. With bass, drums, percussion, and synth pushing the song forward, it feels ideal for relationship fallout, attempts at renewal, and scenes where the desire to come alive survives inside emotional damage.

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OMR Cue Map

Track: Starlight in the Blood
Clean Intro: Yes (0:00 – immediate entry with cinematic, atmospheric tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with expansive tonal fade
Loopable: Moderate–High (evolving structure supports editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Cinematic cue centered on scale, mystery, and internal transformation. Ideal for expansive visuals and slow-burn emotional arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Starlight in the Blood

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 124
  • Energy: High
  • Genres: Ambient, Indie, Cinematic
  • Vocals: Male Vocal
  • Moods: Atmospheric, Dreamy, Upbeat, Uplifting
  • Lyric Themes: Regret
  • Cinematic Fit: Drama, Indie, Romance, Coming of Age
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Starlight in the Blood” is built for scenes of romantic fracture, regret, and emotional return. Its male vocal and uplifting atmospheric drive make it especially effective when a scene needs conflict and longing to move together rather than cancel each other out.

Ideal Sync Uses

  • Drama: regret, romantic fallout, attempt at renewal
  • Indie: emotional confusion, dreamy momentum, relational tension
  • Romance: breakup, pleading, desire to reconnect
  • Coming of Age: emotional misstep, awakening, self-realization

Scene Suggestions

  • Breakup scene with emotional aftershock and lingering pull
  • Montage built around regret and the wish to come alive again
  • Scene where confession and longing arrive too late
  • Dreamy emotional transition that still carries relational tension

Why It Works

  • Male vocal adds emotional directness and urgency
  • Dreamy uplift keeps regret from feeling static or closed
  • Uptempo motion supports montage and emotional momentum
  • Cinematic-indie texture makes it especially useful for relationship-driven storytelling
Stem Tracks:
Available upon request.
Lyrics:
Starlight, precious starlight
In the bloodline, watch for landmines
Moondust, fallen moondust
With this I trust, commence our tryst

Now she's breaking it off, she's making a scene
She said, I caught you in a lie
He's regretting it all, repenting his sins
He says, I want to come alive

Now she's breaking it off, she's making a scene
She said, I caught him in a lie
He's regretting it all, repenting his sins
He says, I want to come alive

Starlight, precious starlight
In the bloodline, watch for landmines
Moondust, fallen moondust
With this I trust, commence our tryst

Now she's breaking it off, she's making a scene
She said, I caught you in a lie
He's regretting it all, repenting his sins
He says, I want to come alive

Now she's breaking it off, she's making a scene
She said, I caught you in a lie
He's regretting it all, repenting his sins
He says, I want to come alive

I just want to come alive
I just want to come alive
I just want to come alive
I just want to come alive
I just want to come alive
come alive
come alive
come alive
come alive
come alive.
Track Narrative:
“Starlight in the Blood” feels like trying to recover life and feeling after trust has already been broken. It carries dreamy motion, regret, and a stubborn hunger to come back to something vital before it disappears completely.

STAR AND MOON — Paul Reddick

Star and Moon cover art

Star and Moon
by Paul Reddick

Dreamlike and gentle — “Star and Moon” floats in quiet space between wonder and melancholy. Paul Reddick’s lyrical phrasing and subtle ambient textures create a blues ballad ripe for sync scenes of emotional longing, dusk transition, or memory-based montage.

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Track: Star and Moon
Clean Intro: Yes (0:00 – immediate entry with rootsy, melodic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Roots-driven cue centered on reflection, storytelling, and natural imagery. Ideal for grounded narratives and transitional scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Star and Moon

Song Details

  • Key Signature: A Major
  • Beats Per Minute: 138
  • Energy: Up-tempo
  • Genres: Blues, Folk, Vintage
  • Vocals: Male
  • Moods: Dark, Moody, Sad
  • Lyric Themes: Longing, Love, Nature, Nostalgia, Time
  • Cinematic Themes: Art House, Drama, Indie, Mystery, Romance, Western
  • Type: One Stop

Production Details

  • Engineer: Chris Stringer
  • Producer: Colin Cripps
  • Mixing: Nyles Spencer
  • Mastering: Peter Letros

Artists

  • Harmonica, Vocals: Paul Reddick
  • Guitar, Background Vocals: Colin Cripps
  • Guitar, Background Vocals: Greg Cockerill
  • Drums, Percussion, Piano, Talk Box: Derek Downham
  • Bass: Anna Ruddick
  • Fender Rhodes, Guitar, Background Vocals: Steve Marriner

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Piano
  • Fender Rhodes
  • Harmonica
  • Talk Box

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Star and Moon is a haunting, blues-infused track that blends vintage textures with emotional depth. Its male vocals and evocative harmonica lines make it ideal for scenes that explore longing, memory, and quiet intensity.

Ideal Sync Uses

  • Drama: Emotional turning points, internal conflict
  • Romance: Melancholic love scenes, longing
  • Western: Dusty landscapes, reflective solitude
  • Art House: Stylized visuals, poetic pacing
  • Mystery: Atmospheric tension, slow reveals
  • Indie: Character-driven storytelling

Scene Suggestions

  • Character walking alone under moonlight
  • Flashback montage with emotional weight
  • Closing credits with a somber tone
  • Slow-motion sequence of personal loss or reflection

Why It Works

  • Male vocals convey emotional vulnerability
  • Harmonica and talk box add vintage grit
  • Up-tempo pacing supports dynamic storytelling
  • Dark and moody tone enhances visual tension
Track Narrative:
“Star and Moon” is a delicate, melancholic meditation. Paul Reddick’s phrasing evokes time slipping, memory lingering, and emotional distance. This track rests between dusk and dream — ideal for sync moments of poetic reflection and ethereal transitions.
Lyrics:
Can you hear beyond the blue?
Far and nearly gone from time
I have words for you for you
You’ve got to leave it all behind
Leave it all behind
Leave it all behind

The sweet scent still lingers
In the liquid of your clothes
The secret holds its silence
We will never know
Never know
Never know

Couldn’t stay and couldn’t go
The beauties of the scene
They pass us by in a single glance
Another blue another green
Blue and green
Blue and green

Bells ring reminders
For all the hours and all the days
If I could only hold them back
And look upon your face
Upon your face
Upon your face

Follow closely follow close
As the falling afternoon
As night follows day
And the star follows the moon
Follows the moon
Follows the moon

STEEL SAND — Elmer Ferrer

Steel Sand cover art

Steel Sand
by Elmer Ferrer

Steel Sand drives forward with a gritty blend of electronic rhythm and rock attitude. Heavy bass, pulsing percussion, and sharp electric guitar textures create a confident and cinematic sense of momentum. The cue carries a cool, swaggering energy that feels built for movement—ideal for chase sequences, tactical preparation scenes, stylized action moments, or any visual that needs power without losing its cinematic edge.

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OMR Cue Map

Track: Steel Sand
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, gritty atmospheric tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Gritty atmospheric cue for harsh landscapes, industrial tension, desert-noir movement, survival pressure, and scenes where metal, heat, distance, and uncertainty shape the visual mood.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Steel Sand

Song Details

  • Energy: High / Driving
  • Genres: Electronic, Metal, Rock
  • Vocals: Instrumental
  • Key: D Major
  • BPM: 70
  • Moods: Cool, Dark, Epic, Gritty, Moody, Rhythmic, Swagger, Upbeat
  • Cinematic Fit: Action, Thriller, Crime, Video Game
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Steel Sand blends gritty rock textures with electronic momentum, delivering a confident cinematic energy. The cue’s swagger and rhythmic power make it ideal for action-driven visuals that need intensity without overwhelming the scene.

Ideal Sync Uses

  • Action: chase scenes, tactical movement, physical momentum
  • Thriller: escalating tension or pursuit
  • Crime: gritty urban sequences and confrontational build
  • Video Game: combat levels, boss approach, or high-stakes missions

Scene Suggestions

  • Character preparing for a dangerous confrontation
  • Stylized chase or pursuit through urban environments
  • Montage of tactical preparation before an operation
  • Video game action sequence building toward conflict
Track Narrative:
Steel Sand feels like power gathering beneath the surface. Its gritty textures and confident rhythmic drive create a cinematic sense of motion and authority. The cue works best in moments where momentum matters—when characters move forward with determination, swagger, and a willingness to confront what lies ahead.

Step by Step — Renée Astaria

Step by Step cover art

Step by Step
by Renée Astaria

“Step by Step” is a warm, slow-tempo indie pop/soul track built around reassurance and forward motion — taking life day by day, counting blessings, and realizing you’re already further than you think. The lyric is gently motivational without feeling preachy, repeating “have no fear / you are alive” as an anchor for scenes about recovery, resilience, and quiet wins. At 79 BPM in D Major, with a confident female vocal over a retro-leaning groove, it’s a strong fit for personal-reset montages, relationship healing moments, and end-of-episode closes that land on hope and self-belief.

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OMR Cue Map

Track: Step by Step
Clean Intro: Yes (0:00 – immediate entry with uplifting tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with forward-moving lift
Loopable: Moderate–High (progressive phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Uplifting cue centered on growth, perseverance, and gradual progress. Ideal for montage and transformation sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Step by Step

Song Profile

  • Key Signature: D Major
  • BPM: 79
  • Tempo: Slow
  • Genres: Indie, Pop, Soul
  • Vocals: Female vocal
  • Mood/Feel: Bright, Hopeful, Positive, Catchy
  • Lyric Themes: Fear, Success
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Track Summary

“Step by Step” is an encouraging, retro-leaning indie pop/soul song that meets anxiety with tenderness — reminding the listener to move day by day, notice the “silver linings,” and trust that they’ve already made it this far. The chorus (“Have no fear / you are alive”) plays like an emotional hand on the shoulder, making it an excellent option for resilience arcs, recovery moments, and scenes that need gentle momentum rather than big catharsis.

Sync Highlights

  • Great for personal reset montages, healing arcs, and “keep going” moments.
  • Slow tempo supports dialogue, reflection, and intimate pacing.
  • Lyric is direct and supportive — best when the scene wants the message to land clearly.
  • One-stop clearance; broad, positive language makes it flexible across story types.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Step by Step

This track works best when a story needs reassurance that doesn’t feel dramatic — the emotional equivalent of steady breathing and supportive presence. It can underscore getting back on track after a setback, a relationship moving from tension into tenderness, or a character quietly rebuilding confidence while the world keeps moving.

Scene Types

  • Recovery / “back on my feet” montages: therapy, rehab, training, small daily wins.
  • Post-argument relationship repair: walking together, making amends, choosing softness.
  • Graduation / milestone reflection: looking back on the struggle, realizing growth.
  • Morning routines after a hard chapter: coffee, sunlight, journaling, taking the first step.
  • End-of-episode closes that land on hope, resilience, and calm forward motion.

Film/TV Fit

  • Drama (character growth arcs)
  • Romance / relationship storytelling
  • Coming-of-age
  • Inspirational / human-interest storytelling (non-preachy)
  • Branded storytelling (wellness / positivity)

Why It Works

  • Direct encouragement (“step by step,” “have no fear”) that supports clear narrative messaging.
  • 79 BPM leaves room for dialogue and emotional subtext.
  • Major key positivity without feeling childish — warm, grown-up optimism.
  • Catchy, retro-leaning vibe helps it feel confident rather than fragile.
Track Narrative:
“Step by Step” is a gentle pep-talk from the inside — a voice reminding someone to slow down, count blessings, and stop punishing themselves for what they can’t control. The story turns fear into momentum: day by day, the character keeps moving, finds silver linings in cloudy days, and realizes they’re already here — already making it — already ready to fly.

Lyrics: Step by Step

Take it step by step Day by day counting my blessings Along the way I'm already there Don't despair All in vain Cause you have no control There's no shame over any of it at all and you've already made it You are here and you're doing it all Yeah Yes you've already made it Have no fear You are alive It's all right It's your time to fly You are passion and flame passion and flame Driven and patient Don't stop, don't despair No despair No fear There's inspiration everywhere I take it step by step enjoying the way, all the silver linings of my cloudy days I'm ready to share Joy everywhere Ease your pain your hand in mine There's no shame You're ready to shine cause you've already made it Have no fear We're ready for the call Yeah We've already made it We thrive It's time to fly You are passion and flame passion and flame driven and patient Don't stop, don't despair No despair No fear There's inspiration everywhere Take it step by step Day by day Take it step by step Count my blessings along the way Take it step by step Day by day Have no fear You are alive It's all right It's your time to fly Have no fear You are alive.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria writes cinematic-leaning pop/soul with emotionally clear, character-first messaging — music that helps editors underline turning points, healing arcs, and “keep going” moments with confidence and warmth.

“Step by Step” showcases her reassuring side: steady, hopeful, and hook-forward — designed to support resilience, recovery, and forward motion without overwhelming the scene.

Styles: Indie Pop • Soul • Retro warmth • Strengths: Encouraging lyric clarity, confident female vocal, steady emotional lift • Typical Uses: Recovery montages, relationship repair, fresh starts, hopeful episode closes

STILL ON FIRE — Jerome Tucker

Still On Fire cover art

Still on Fire
by Jerome Tucker

Funky and romantic — “Still On Fire” is a celebration of enduring passion and soulful connection. Jerome Tucker delivers an R&B anthem full of groove, intimacy, and playful heat, ideal for sync scenes of lasting love, sunshine montages, or flirtatious energy.

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OMR Cue Map

Track: Still on Fire
Clean Intro: Yes (0:00 – immediate entry with soulful, groove-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Soulful cue centered on resilience, passion, and sustained energy. Ideal for comeback arcs and confident storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Vocalist • Composer

Jerome Tucker is a powerhouse bassist and vocalist whose music fuses soul, funk, blues, and rock into a high-energy, emotionally rich experience. Originally from the U.S. and now based in Toronto, Tucker brings a deep Southern groove and electrifying stage presence to every performance.

A A former U.S. Navy serviceman, Tucker’s musical journey has taken him from the streets of Philadelphia to international stages. He’s played alongside legends like Otis Clay and shared the stage with artists across genres, always delivering raw, heartfelt performances.

With the Jerome Tucker Band, he’s carved out a unique sound that blends tight grooves, soaring vocals, and socially conscious lyrics. Their live shows are known for their infectious energy and deep musicality, earning them a devoted following across Canada and beyond.

Jerome Tucker continues to push boundaries, creating music that uplifts, challenges, and connects. His voice and bass lines are unmistakable—and his message is clear: music is a force for unity and joy.

Sync Pitch Sheet: Still on Fire

Song Details

  • Key Signature: A Major
  • Beats Per Minute: 80
  • Energy: Moderate
  • Genres: Folk, R&B
  • Vocals: Male
  • Instrumental Solos: Saxophone
  • Moods: Carefree, Uplifting, Energetic, Happy
  • Cinematic Fit: Action, Adventure, Drama, Romance
  • Type: One Stop

Production Details

  • Lyrics: Jerome Tucker
  • Executive Producers: Jerome Tucker, Rich Greenspoon
  • Music Composition: Jerome Tucker
  • Recording: Rich Greenspoon
  • Music Production: Rich Greenspoon
  • Mixing: Rich Greenspoon
  • Mastering: Rich Greenspoon

Artists

  • Vocals, Bass Guitar, Percussion, Drums: Jerome Tucker
  • Guitar: Carl Harvey
  • Keyboards: Kingsley Etienne
  • Background Vocals: Rochelle Zubot, Kollette Easy
  • Saxophone: Neil Brathwaite

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Keyboards
  • Saxophone
  • Male Vocals

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Still on Fire is a soulful, groove-driven track that blends R&B warmth with folk storytelling. With male vocals and a saxophone solo that adds emotional flair, it’s perfect for scenes that celebrate love, joy, and personal connection.

Ideal Sync Uses

  • Romance: Intimate moments, joyful reunions
  • Drama: Character breakthroughs, emotional uplift
  • Adventure: Feel-good travel sequences
  • Action: Stylized transitions or reflective aftermath

Scene Suggestions

  • Slow-motion walk through a city street
  • Montage of relationship highlights
  • Closing credits with a soulful vibe
  • Character dancing alone in a moment of joy

Why It Works

  • Male vocals convey warmth and authenticity
  • Saxophone solo adds emotional and cinematic depth
  • Moderate tempo supports reflective yet uplifting scenes
  • Funk and soul textures enhance feel-good storytelling
Track Narrative:
“Still On Fire” ignites passion and celebration — Jerome Tucker blends groove, warmth, and emotional playfulness into a song built for cinematic chemistry. Perfect for scenes of romantic spark, sunshine vibes, or feel-good soul.
Lyrics:
Baby, when we first met
I was on stage, playin' a gig
You walked in through the back
And I was elated, woo
Still on fire, baby
Said I'm still on fire, baby
Well, I'm still on fire, baby, yeah
And I hope that you are too

Love is a morning
You are my sunrise when it's dawning
Fair blue eyes like the sky
Is a morning glory
Still on fire baby
Well, I'm still, still, still on fire for you
Still on fire, baby
Oh, that you are too

One day in the sunshine
We'll feel alright
Every moment we treasure
It's like the meaning of time

Baby, well, I'll rub you down
You'll rub me right back
And it's a funky time
Darling, let's get it on
We can love like we want to
Even if it's the same old, same old song

Said I'm still on fire, baby
Well, I'm still on fire, baby
Said, I'm still on fire
Still on fire, baby
Still, still
Said, I'm still on fire, baby
Still, still on fire, too

One day in the sunshine makes me feel alright
Every moment we treasure, that's our appetite
One day in the sunshine
Makes me feel alright
Every moment we treasure
That's our happy time
One day in the sunshine
It's finally come home to me
Out of every moment
It's finally come home to me
One day in the sunshine

STONE OF INDIGO — Paul Reddick

Stone of Indigo cover art

Stone of Indigo
by Paul Reddick

Mystical and raw — “Stone of Indigo” spins poetry through rustic rhythm and lyrical enigma. Paul Reddick traces emotional maps with cryptic lines and shadowed phrasing, designed for sync scenes of frontier tension, surreal travel, or introspective unrest.

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OMR Cue Map

OMR Cue Map

Track: Stone of Indigo (Explicit)
Clean Intro: Yes (0:00 – immediate entry with moody, roots tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded tonal fade
Loopable: High (consistent groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Moody cue centered on texture, depth, and subtle tension. Ideal for grounded storytelling with emotional undertones.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Stone of Indigo

Song Details

  • Key Signature: F# Major
  • Beats Per Minute: 106
  • Energy: Mid-tempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male
  • Moods: Atmospheric, Cool, Reflective
  • Lyric Themes: Connection, Home, Identity, Loneliness, Loss
  • Cinematic Themes: Adventure, Art House, Coming-of-Age, Crime, Drama, Mystery, Romance, Western
  • Type: One Stop

Production Details

  • Composer: Paul Reddick
  • Audio Engineer, Producer, Mixing: Colin Linden
  • Audio Engineer, Mastering: John Whynot
  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams

Artists

  • Harmonica, Loops, Vocals: Paul Reddick
  • Bass, Guitar, Harmony, Mandolin, Background Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Drums, Percussion: Stephen Hodges

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Mandolin
  • Violin
  • Organ
  • Piano
  • Harmonica
  • Loops

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Stone of Indigo is a gritty, emotionally resonant track that blends rock intensity with atmospheric depth. With male vocals and layered instrumentation, it’s ideal for scenes that explore identity, longing, and transformation.

Ideal Sync Uses

  • Drama: Emotional turning points, internal conflict
  • Mystery: Stylized tension, unraveling secrets
  • Western: Dusty landscapes, reflective solitude
  • Art House: Poetic pacing, visual abstraction
  • Coming-of-Age: Personal growth, quiet rebellion
  • Crime: Moral ambiguity, urban grit

Scene Suggestions

  • Character walking through a desolate town
  • Flashback montage with emotional weight
  • Closing credits with a moody tone
  • Slow-motion sequence of personal loss or reflection

Why It Works

  • Male vocals convey emotional depth and grit
  • Rock instrumentation supports dramatic tension
  • Mid-tempo pacing allows for cinematic flexibility
  • Atmospheric tone enhances visual storytelling
Track Narrative:
“Stone of Indigo” evokes lyrical mysticism and emotional wandering — Paul Reddick delivers sonic poetry across shifting time and landscape. This one fits stories of solitude, desert dreamscapes, or haunted reflection.
Lyrics:
I am just a stranger here
Standin at your door
Sitting at your tableside
Skirting round the floor
I am just a dreamer here
Standin at your door
Those shoes that you’ve been wearing
The dust upon the floor
The ring upon your finger
The stone of indigo
The shoes that you’ve been wearing
The dust upon the toe

Five and two days you’ve been gone
Four and three to town
Six was the six that couldn’t get fixed
No one friend two found
Five and two days you’ve been gone
Four and three to town

The trains now they were loaded
With people leavin town
The tracks gave way from the ocean
The trains they went on down
The trains now they were loaded
With people leavin town

Feel the dark fall through my fingers
Tell me no more lies
Gold is in my pockets
Blood is in my eyes
Feel the dark fall through my fingers
The sun begins to rise
The sun begins to rise
The sun begins to rise
The sun begins to rise
The sun begins to rise

STRANGE OBSESSION — Jeff Jones

Strange Obsession cover art

Strange Obsession
by Jeff Jones

Heartbroken and honest — “Strange Obsession” captures the emotional fallout of love lost through melodic vulnerability. Jeff Jones spins lyrical ache into pop ballad form, ideal for sync scenes of romantic separation, personal reflection, or love’s afterglow.

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OMR Cue Map

OMR Cue Map

Track: Strange Obsession
Clean Intro: Yes (0:00 – immediate entry with tense, atmospheric tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with subtle tension release
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Tension-driven cue centered on intrigue, fixation, and psychological pull. Ideal for suspense and character-driven tension.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist• Vocalist • Rock Legend

Jeff Jones is an American-Canadian bassist and vocalist whose career spans decades of rock history. Born in Chicago in 1953 and raised in Toronto, Jones was immersed in music from an early age, thanks to his jazz pianist father and early encounters with legends like Oscar Peterson.

In 1968, Jones became the original bassist and lead vocalist for Rush, performing alongside Alex Lifeson and John Rutsey. Though his time with the band was brief, it marked the beginning of a storied career. He later gained fame with Ocean, whose hit “Put Your Hand in the Hand” became a million-selling single.

Jones joined Red Rider in the late 1970s, contributing to their iconic track “Lunatic Fringe.” He continues to perform with Tom Cochrane and Red Rider, and is also a member of The Carpet Frogs, backing Burton Cummings. His bass work has graced hits like Bernie LaBarge’s “Dream Away” and countless other projects.

In recent years, Jones released the single “Naked in the Church” with Roar, followed by “Velvet Sky” in 2024—a lush, melodic track featuring Gerry Finn. His enduring creativity and versatility have made him a cornerstone of the Canadian music scene.

Sync Pitch Sheet: Strange Obsession

Song Details

  • Key Signature: F# Major
  • Beats Per Minute: 90
  • Energy: Moderate
  • Genres: Cinematic, Folk, Pop, Rock, Singer-Songwriter
  • Vocals: Male, Female
  • Instrumental Solos: Flute, Organ
  • Moods: Happy, Love, Reflective, Uplifting
  • Lyric Themes: Heartbreak, Love
  • Cinematic Themes: Comedy, Fantasy, Mystery, Sports
  • Type: One Stop

Production Details

  • Executive Producers: Ken Friesen
  • Music Composition: Jeff Jones
  • Recording: ROAR Records
  • Music Production: ROAR Records
  • Mixing: Ken Friesen
  • Mastering: Ken Friesen

Artists

  • Lead Vocals, Bass Guitar: Jeff Jones
  • Guitar: Gerry Finn
  • Drums: David DiRenzo
  • Keyboards: Steve O'Connor
  • Various Instruments: Bill Bell

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Flute
  • Organ

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Strange Obsession by Jeff Jones is a cinematic pop-folk ballad that blends emotional storytelling with uplifting instrumentation. With male and female vocals, flute and organ solos, and a reflective tone, it’s ideal for scenes that explore love, heartbreak, and personal growth.

Ideal Sync Uses

  • Comedy: Romantic tension, quirky introspection
  • Fantasy: Dreamlike transitions, magical realism
  • Mystery: Emotional unraveling, character depth
  • Sports: Underdog moments, personal triumph

Scene Suggestions

  • Montage of romantic highs and lows
  • Character walking through a reflective landscape
  • Closing credits with emotional resolution
  • Voiceover exploring themes of time and longing

Why It Works

  • Male and female vocals offer emotional range
  • Flute and organ solos add cinematic texture
  • Midtempo pacing supports narrative flexibility
  • Lyric themes align with universal emotional arcs
Track Narrative:
“Strange Obsession” feels like the aftermath of goodbye — Jeff Jones folds melodic memory and lyrical confession into a song meant for movie scenes of emotional fallout, quiet devastation, or farewell montages.
Lyrics:
These months and years just fly
There's a strange obsession
Every time you walk by
Now you're off to California
That's just one more cliche
You know I'm such a fool
There's nothing I can do
If you hate to see me cry
Turn your glance away, oh baby

And if it sounds like your heart is breaking
What more can I say?
You know I'm such a fool
Nothing I can do
It's always been about you

Move me to tears when I heard you say
You'll have to let me go forever
Effective today
Hey, hey

And if it sounds like your heart is breaking
What more can I say, oh baby
You know I'm such a fool
Not much I can do
It's always been about you

I'll always be your fool
Some twists of fate are cruel
It's always been about you

STRAWBERRY MOON — The Free Spirits

Strawberry Moon cover art

Strawberry Moon
by The Free Spirits

Lush and romantic — “Strawberry Moon” drifts through whimsical devotion and lunar mystery. The Free Spirits blend ambient groove with heartfelt phrasing, perfect for sync scenes of moonlight love, cosmic fantasy, or dreamlike celebration.

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OMR Cue Map

OMR Cue Map

Track: Strawberry Moon
Clean Intro: Yes (0:00 – immediate entry with dreamy, melodic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft ambient fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Dreamy cue centered on atmosphere, romance, and visual tone. Ideal for night scenes and emotionally reflective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Indie Folk-Rock Collective• Composers • Evolutionary Sound

The Free Spirits are a Toronto-based indie folk-rock collective known for their uplifting harmonies, eclectic instrumentation, and soulful storytelling. Blending flute, electric guitar, vocals, and full-band arrangements, their sound is both earthy and expansive—rooted in compassion and community.

Led by Shari Tallon and featuring collaborators like Taylor Abrahamse and Chris Birkett, The Free Spirits have performed at venues across Ontario and Quebec, including Horseshoe Tavern, Docville Movie Set, and the Wintersong Music Festival. Their concerts are celebrations of joy, unity, and musical exploration.

Their album releases and video shoots—such as the Evolutionary Music Co-op New Year’s Eve performance—highlight their commitment to artistic growth and spiritual connection. With a growing catalog and vibrant live presence, The Free Spirits continue to inspire audiences across Canada.

The Free Spirits are a movement of music, heart, and healing.

Sync Pitch Sheet: Strawberry Moon

Song Details

  • Key Signature: D Minor
  • Beats Per Minute: 120
  • Energy: Medium
  • Genres: Folk, Indie, Pop
  • Vocals: Male Vocal
  • Instrumental Solos: Flute
  • Moods: Bright, Confident, Fun, Rhythmic, Romantic, Sexy, Upbeat, Carefree
  • Lyric Themes: Dream, Happiness, Identity, Love, Romance
  • Cinematic Fit: Fantasy, Romance
  • Tempo: Uptempo
  • Type: One Stop

Production Details

  • Writers: Chris Birkett & Shari Tallon
  • Producer/Arranger: Chris Birkett

Artists

  • Vocals: Chris Birkett, Shari Tallon
  • Guitars: Chris Birkett
  • Bass: Chris Birkett
  • Piano: Shari Tallon
  • Drums/Percussion: Chris Birkett
  • Keys: Chris Birkett
  • Organ: Chris Birkett, Shari Tallon
  • Horns: Chris Birkett
  • Flute/Tin Whistles: Shari Tallon

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion
  • Synth
  • Flute
  • Organ
  • Horns
  • Tin Whistles

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Strawberry Moon by The Free Spirits is a vibrant indie-folk anthem that radiates joy, romance, and self-discovery. With uptempo rhythms, rich synth textures, and flute solos, it’s perfect for scenes that celebrate freedom, fantasy, and emotional connection.

Ideal Sync Uses

  • Fantasy: Magical transitions, whimsical montages
  • Romance: First kisses, carefree dates, emotional breakthroughs
  • Coming-of-Age: Identity exploration, joyful rebellion
  • Travel: Road trip sequences, scenic escapes

Scene Suggestions

  • Sunset montage with lovers dancing
  • Character discovering their true self
  • Opening credits with dreamy visuals
  • Celebration scenes with rhythmic energy

Why It Works

  • Uptempo beat energizes visuals
  • Flute solo adds cinematic charm
  • Lyric themes resonate with universal emotions
  • Bright and romantic mood fits diverse genres
Track Narrative:
“Strawberry Moon” celebrates celestial romance and lyrical intimacy. The Free Spirits craft a dreamy ballad that glows with devotion, fantasy, and sunset euphoria. A mood piece built for scenes of cosmic wonder, beach wedding, or heart-open magic.
Lyrics:
Yeah, yeah, yeah
This night is not over, it's only just begun
Even though I'm whacked, I just wanna have fun
I can feel the wind and how it shakes the trees
Standing over me and I'm down on my knees
Even all the birds that fly in the sky
Call your name out as they fly by
I cannot imagine leaving this place
I will stay where I can't see your face
By the light of a strawberry moon

Hopelessly romantic, that is you and me
Poetry in motion, living our dreams
I can hear the angels singing our love song
Everything is perfect and nothing is wrong
I know that you love me like I love you
I will be faithful, I will be true
I have spent my lifetime searching for this
And I found it with the first kiss
Under the light of the strawberry moon

You are all I long for, worship and adore
I gave you all my heart and you gave me back more
I was always wishing until I came to you
Everything I wished for has become true
Even the birds that fly in the sky
Call your name out as they fly by
I cannot imagine leaving this place
I will stay where I can't see your face
By the light of the strawberry moon

Strawberry night
Strawberry night
Strawberry night
Strawberry night
Strawberry mood
Strawberry mood

STREET FIGHTS — Thadeus Gonzalez

Street Fights
by Thadeus Gonzalez

Gritty and emotionally charged — “Street Fights” pulses with tension, urgency, and raw vulnerability. Thadeus Gonzalez blends distorted guitar, pounding drums, and a defiant vocal delivery to evoke the chaos of urban struggle and personal reckoning. Perfect for sync scenes involving inner conflict, street-level drama, or high-stakes action, this track brings cinematic weight to moments of rebellion, resilience, and emotional fallout.

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OMR Cue Map

OMR Cue Map

Track: Street Fights
Clean Intro: Yes (0:00 – immediate entry with gritty, high-energy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with aggressive finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-intensity cue centered on conflict, movement, and raw energy. Ideal for action sequences and confrontational scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for his emotionally charged performances and genre-blending sound. With a style that fuses metal, punk, and alternative rock, Gonzalez has carved out a cinematic sonic identity that resonates across both stage and screen.

Originally the frontman of Electric Sister, Gonzalez launched his solo career with the critically acclaimed album Utopian Society, followed by the harder-edged Silver Inside and the introspective Opposite Faces. His latest release, Street Fights Are Starting to Hurt, explores themes of resilience, identity, and urban tension—making his music a natural fit for sync in film, television, and visual media.

Thadeus has toured extensively across the U.S. and U.K., performed at SXSW, and collaborated with top producers including Tim Narducci. His work is defined by lyrical depth, sonic grit, and a fearless approach to reinvention.

Thadeus Gonzalez continues to push boundaries with every release, solidifying his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Street Fights

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 123
  • Energy: High
  • Genres: Metal, Rock
  • Vocals: Male Vocal
  • Moods: Anthemic, Moody, Reflective, Retro, Uplifting
  • Lyric Themes: Conflict, Identity, Loneliness, Pain, Struggle
  • Type: One Stop

Production Details

  • Lyrics: Thadeus Gonzalez & Erin E Douglass
  • Composers: Thadeus Gonzalez & Erin E Douglass
  • Produced & Mixed By: Kyle Homme (Matt Costa, Sugarcult, Reel Big Fish)
  • Additional Production: Tim Narducci, Dennis Hill
  • Recorded, Engineered, Mastered By: Kyle Homme
  • Release Date: April 12, 2024

Artists

  • Vocals: Thadeus Gonzalez, Kyle Homme, Tim Narducci
  • Guitars: Dennis Hill, Kyle Homme, Tim Narducci, Thadeus Gonzalez, Steve Garvey
  • Bass: Dennis Hill, Tim Narducci
  • Drums: David Cubine, Doug Hovan
  • Keyboards: Dennis Hill, Brad Barth

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview (0:45–1:25)

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Street Fights” by Thadeus Gonzalez is a fast-paced, anthemic rock track that channels raw emotion and urban grit. With its driving guitars, cinematic tension, and themes of conflict and identity, it’s ideal for sync scenes that explore rebellion, resilience, and personal struggle.

Ideal Sync Uses

  • Action: Street confrontations, underground fight scenes
  • Drama: Identity crises, emotional unraveling
  • Thriller: Urban pursuit, psychological tension
  • Sports: Training montages, comeback moments

Scene Suggestions

  • Opening credits with cityscape visuals and rising tension
  • Montage of a character preparing for a confrontation
  • Flashback sequence of personal trauma or rebellion
  • Climactic moment in a street brawl or protest

Why It Works

  • Fast tempo drives urgency and intensity
  • Male vocals deliver grit and authenticity
  • Electric guitar and percussion add cinematic punch
  • Lyric themes reflect pain, struggle, and identity
  • Retro-rock edge suits stylized visuals and period pieces
Track Narrative:
“Street Fights” is a gritty anthem of defiance and identity — Thadeus Gonzalez channels raw emotion and urban tension into a fast-driving rock track built for scenes of rebellion, personal reckoning, and cinematic confrontation. With its electrifying guitars and moody pulse, it’s a sonic match for fight sequences, character flashbacks, or moments of inner turmoil.
Lyrics:

Lawless vandal on the run,
hinders my every move
As you’re reaching for your gun
my blood spits back on you

I wake up the same
more or less deranged
fists in my face
Street fights are starting to hurt

Street life is bringing me down
Cars that pass by all look away
they don't wanna see the mess we're in

A gut punch a side kick, I am now
here we are back on the road again

I wake up the same
day after day
Why can't things change?

Street lights are robbing me blind
We are in the garden
We are in the light
Hold on tighter darlin
they will steal you in the night

STROLLIN' THE KEY WITH BEVERLY — Pat Carey (Instrumental)

Strollin' the Key with Beverly cover art

Strollin' the Key with Beverley
by Pat Carey

Breezy and jazz-rich — “Strollin' the Key with Beverly” evokes sunshine, rhythm, and relaxed elegance. Pat Carey blends baritone sax warmth with rhythmic swing, capturing the feeling of a coastal wander with someone who makes the world feel in tune. Perfect for sync scenes of romantic strolls, travel montages, or stylish downtime.

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OMR Cue Map

OMR Cue Map

Track: Strollin’ the Key with Beverly
Clean Intro: Yes (0:00 – immediate entry with laid-back jazz tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with relaxed tonal finish
Loopable: High (steady jazz groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Smooth, jazz-driven cue centered on ease, sophistication, and flow. Ideal for lifestyle scenes and refined environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Strollin' the Key With Beverley

Song Details

  • Key Signature: G Minor
  • Beats Per Minute: 74
  • Energy: Mid Tempo
  • Genres: Jazz, Party, Blues, Vintage
  • Vocals: Instrumental
  • Solos: Bass, Electric Guitar, Saxophone, Brass
  • Moods: Bright, Carefree, Confident, Happy, Light, Love, Positive, Reflective
  • Cinematic Fit: Action, Comedy, Romance
  • Type: One Stop

Production Details

  • Produced By: Pat Carey, Steve Grisbrook
  • Recorded At: Iridescent Music Studio
  • Engineered & Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Saxophones (Soprano, Tenor, Baritone): Pat Carey
  • Guitar: Ted Quinlan
  • Bass: Garth Vogan
  • Piano: Jason Jestadt
  • Drums: Tom Jestadt
  • Trumpet: Howard Moore

Instrumentation

  • Horns
  • Keyboard
  • Saxophone
  • Bass
  • Electric Guitar
  • Piano
  • Drums
  • Trumpet

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Strollin' the Key With Beverley by Pat Carey is a smooth, midtempo jazz instrumental that blends vintage charm with party-ready brass and sax solos. Its carefree vibe and confident energy make it a perfect fit for scenes that celebrate joy, movement, and lighthearted sophistication.

Ideal Sync Uses

  • Action: Stylish walk-ups, suave entrances
  • Comedy: Quirky transitions, playful montages
  • Romance: Flirtatious moments, jazzy interludes
  • Lifestyle: Cocktail scenes, upscale gatherings

Scene Suggestions

  • Character strolling through a vibrant cityscape
  • Retro-themed party with brass-driven soundtrack
  • Montage of carefree adventures
  • Opening credits with jazzy flair

Why It Works

  • Instrumental format allows flexible placement
  • Midtempo groove supports rhythmic visuals
  • Brass and sax solos add cinematic punch
  • Mood palette spans light, confident, and reflective tones
Track Narrative:
“Strollin' the Key with Beverly” turns everyday charm into instrumental poetry. Pat Carey’s saxophone phrasing delivers romantic momentum with a coastal glow, perfect for visuals of golden-hour love, island escape, or leisurely connection.

Succumbing To Forlorn Fantasies

Succumbing To Forlorn Fantasies cover art

Succumbing To Forlorn Fantasies
by Radagast the Brown

A slow, emotionally heavy cinematic instrumental in A Minor at 82 BPM, built for longing, regret, and inward unraveling. "Succumbing To Forlorn Fantasies" lingers in the space between memory and obsession — ideal for intimate drama, reflective aftermath, and scenes where a character is lost in what could have been.

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OMR Cue Map

OMR Cue Map

Track: Succumbing to Forlorn Fantasies
Clean Intro: Yes (0:00 – immediate entry with dark, cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with dramatic tonal fade
Loopable: Moderate (evolving structure supports narrative pacing)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Dark cinematic cue centered on obsession, illusion, and emotional descent. Ideal for psychological drama and tension-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Radagast the Brown

Radagast the Brown — Cinematic Composer • Modern Instrumentals

Radagast the Brown creates cinematic instrumentals designed for picture — balancing momentum, atmosphere, and emotional clarity. The writing leans into modern scoring sensibilities: forward-driving pulse when the story needs movement, restrained tension when the frame needs space, and clean harmonic choices that support dialogue and narrative detail.

With a focus on scene utility, these cues are built to cut well in edit — supporting reveals, transitions, internal conflict, and character-focused storytelling across film, television, and premium content.

Sync Pitch Sheet: Succumbing To Forlorn Fantasies

Song Profile

  • Key Signature: A Minor
  • BPM: 82
  • Energy: Slow, intimate, emotionally heavy
  • Genres: Cinematic, Modern Instrumental
  • Instruments: Hybrid textures (score-style palette)
  • Moods: Forlorn, Melancholy, Reflective, Intimate, Bittersweet
  • Type: One Stop
  • Vocals: Instrumental

Cinematic Themes

  • Drama
  • Art House (select scenes / editorial)
  • Mystery (supporting use)
  • Romance (supporting use)

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

"Succumbing To Forlorn Fantasies" is ideal for scenes of emotional retreat — when a character turns inward, clinging to memory, fantasy, or regret. Its 82 BPM pace supports slow, intimate pacing under dialogue or VO, while the minor tonality reinforces melancholy, longing, and unresolved feeling.

Scene Types

  • Quiet heartbreak: aftermath, loneliness, and emotional withdrawal
  • Memory-driven montage and “what could have been” reflection
  • Obsession or rumination scenes under VO
  • Late-night solitude, journaling, staring-at-the-wall moments
  • Soft emotional turns in drama without overt sentimentality

Film/TV Fit

  • Drama
  • Art House / Indie (supporting use)
  • Mystery (supporting use)
  • Romance (supporting use)

Why It Works

  • 82 BPM supports intimate pacing and emotional space.
  • A Minor reinforces melancholy, longing, and inward tension.
  • Hybrid cinematic palette stays modern and edit-friendly under dialogue/VO.
  • Restrained dynamics let the scene breathe while keeping emotional pressure present.
Track Narrative:
"Succumbing To Forlorn Fantasies" feels like sinking into a memory that won’t release — a character replaying an alternate version of life, knowing it isn’t real but needing it anyway. It supports scenes of regret, longing, and the quiet ache of emotional escape.
Instrumental Notes:
Slow, intimate scoring with a melancholy center — designed for reflective scenes, emotional aftermath, and VO-friendly pacing. Minimal intrusion, maximum emotional weight.

Stem Tracks

Contact OMR for available stems (harmonic bed, melody stems, atmosphere layers, alternate edits).

Struggle, Resilience and Retribution (Part 1) — HYP

Struggle, Resilience and Retribution Part 1 cover art

Struggle, Resilience and Retribution (Part 1)
by HYP

“Struggle, Resilience and Retribution (Part 1)” is a slow-building, cinematic instrumental rooted in tension and emotional gravity. Sparse piano phrases, restrained percussion, and ambient synth textures combine to create a dramatic soundscape that feels deliberate and unresolved. The track unfolds patiently, allowing weight and consequence to linger in every moment.

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OMR Cue Map

Track: Struggle, Resilience and Retribution (Part 1)
Clean Intro: Yes (0:00 – immediate entry with tense, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with controlled tonal finish
Loopable: High (driving pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Tension-driven cue centered on conflict, perseverance, and forward momentum. Ideal for action-lite sequences and rising stakes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Struggle, Resilience and Retribution (Part 1)

Song Profile

  • Key Signature: A# Minor
  • BPM: 80
  • Tempo: Slow
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Mood/Feel: Atmospheric, Dramatic, Moody, Reflective
  • Type: One stop, Soundtrack

Instrumentation

  • Percussion
  • Piano
  • Synth

Track Summary

“Struggle, Resilience and Retribution (Part 1)” establishes an emotional foundation built on tension and introspection. Minimalist piano motifs and ambient textures allow the track to breathe, while subtle percussion underscores a sense of inevitability and unresolved conflict.

Sync Highlights

  • Soundtrack pacing supports long-form storytelling.
  • Slow tempo heightens dramatic weight.
  • Minimal structure leaves room for dialogue.
  • Atmospheric tone enhances emotional gravity.

Sync Potential: Struggle, Resilience and Retribution (Part 1)

This track excels in scenes that explore hardship, consequence, and emotional endurance. Its slow, deliberate progression makes it ideal for dramatic turning points and reflective sequences that carry narrative weight.

Scene Types

  • Character reflection after major conflict.
  • Moments of reckoning and realization.
  • Slow-burning dramatic reveals.
  • End-of-episode or transitional sequences.

Film / TV Fit

  • Crime & Psychological Drama
  • Biographical & True Story Narratives
  • Indie & Art-House Film
  • Serialized Drama & Prestige Television

Why It Works

  • Emotion-first design enhances storytelling.
  • Soundtrack classification supports continuity.
  • Restrained instrumentation avoids distraction.

Instrumental: Struggle, Resilience and Retribution (Part 1)

“Struggle, Resilience and Retribution (Part 1)” moves like a heavy pause between chapters. Piano notes fall slowly, surrounded by ambient tension and restrained percussion. Cinematically, the track supports moments of endurance and reckoning — where struggle has already occurred, resilience is forming, and the consequences ahead remain unresolved.
Track Narrative:
This opening chapter reflects the aftermath of conflict — the quiet space where wounds are assessed and resolve begins to harden. It’s a moment of stillness before momentum returns.
HYP

HYP

HYP specializes in cinematic, emotionally driven compositions designed for narrative impact. Their soundtrack-oriented work emphasizes restraint, pacing, and dramatic tension — ideal for long-form storytelling and character-focused visuals.

Styles: Ambient, Electronic, Soundtrack • Strengths: Emotional pacing, cinematic tension, sync adaptability • Typical Uses: Drama, Crime, Biopic, Long-Form Narrative Content

Struggle, Resilience and Retribution (Part 2) — HYP

Struggle, Resilience and Retribution Part 2 cover art

Struggle, Resilience and Retribution (Part 2)
by HYP

“Struggle, Resilience and Retribution (Part 2)” deepens the emotional tension introduced in Part 1, shifting from reflection toward resolve. Darker textures, low-end pulse, and restrained rhythmic movement give the track a sense of quiet determination. Atmospheric and mysterious, it feels like momentum forming beneath the surface.

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OMR Cue Map

OMR Cue Map

Track: Struggle, Resilience and Retribution (Part 2)
Clean Intro: Yes (0:00 – immediate entry with darker, evolving tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with dramatic tonal hit
Loopable: High (consistent pulse supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Intensified continuation cue centered on escalation, payoff, and consequence. Ideal for climactic narrative moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Struggle, Resilience and Retribution (Part 2)

Song Profile

  • Key Signature: A# Minor
  • BPM: 80
  • Tempo: Slow
  • Genres: Ambient Electronic, Hip Hop / Rap
  • Vocals: Instrumental
  • Mood/Feel: Atmospheric, Cool, Moody, Mysterious, Reflective
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“Struggle, Resilience and Retribution (Part 2)” introduces subtle forward motion beneath its atmospheric surface. Low-end bass and restrained percussion add weight and tension, suggesting resolve forming after hardship.

Sync Highlights

  • Continuation cue ideal for episodic storytelling.
  • Dark, mysterious tone enhances tension.
  • Slow build supports emotional escalation.
  • Instrumental structure ensures editorial flexibility.

Sync Potential: Struggle, Resilience and Retribution (Part 2)

This second chapter excels in scenes where resolve replaces reflection. It’s ideal for sequences that hint at retaliation, preparation, or the emotional shift from endurance to action.

Scene Types

  • Preparation and plotting sequences.
  • Quiet escalation before confrontation.
  • Psychological tension and suspense.
  • Bridges between reflection and action.

Film / TV Fit

  • Crime & Psychological Drama
  • Serialized Prestige Television
  • Thriller & Neo-Noir
  • Character-driven narratives

Why It Works

  • Subtle momentum enhances narrative flow.
  • Dark textures reinforce suspense.
  • Pairs seamlessly with Part 1 for story continuity.

Instrumental: Struggle, Resilience and Retribution (Part 2)

“Struggle, Resilience and Retribution (Part 2)” feels like a slow inhale before movement. The atmosphere tightens, rhythm subtly emerges, and resolve begins to crystallize. Cinematically, the track supports moments of preparation and inner resolve — when reflection gives way to intention and the path forward becomes clear.
Track Narrative:
This chapter represents the turning point — where endurance transforms into resolve, and the emotional groundwork laid earlier begins to move toward action.
HYP

HYP

HYP creates cinematic, sync-forward compositions that explore tension, mood, and narrative progression. Their work blends ambient electronic textures with subtle rhythmic drive for emotionally resonant storytelling.

Styles: Ambient Electronic, Hip Hop / Rap • Strengths: Narrative continuity, emotional tension, sync versatility • Typical Uses: Drama, Thriller, Crime, Serialized Storytelling

Submergence

Submergence cover art

Submergence
by HYP

“Submergence” drives forward at 125 BPM in F minor, a hypnotic fusion of ambient and electronic textures shaped by deep bass pulses, minimal percussion, and swirling synth elements. Atmospheric yet rhythmic, dark yet cool, it evokes the feeling of descending into a mysterious, submerged world. Ideal for tension-building visuals, stylish sequences, or emotionally distant dreamlike scenes.

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OMR Cue Map

Track: Submergence (Sync Version)
Clean Intro: Yes (0:00 – immediate entry with atmospheric, submerged tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural flow supports seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on depth, immersion, and introspection. Ideal for underwater, dreamlike, or internal narrative scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP crafts immersive atmospheric worlds through minimalist rhythmic structures, deep bass design, and synth-driven textures. His work blends ambient and electronic influences to build emotional, cinematic spaces ideal for storytelling.

“Submergence” is one of his most hypnotic creations—a dark, pulsing descent into moody, dreamlike ambience with a steady uptempo pace that pushes scenes forward.

Sync Pitch Sheet: Submergence

Song Profile

  • Key Signature: F Minor
  • BPM: 125
  • Energy: Uptempo but atmospheric
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Dreamy, Minimal, Moody, Mysterious, Reflective, Rhythmic, Sexy, Swagger
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Deep pulse bass
  • Minimal electronic percussion
  • Synth pads, sweeps, and evolving textures

Audio Preview

Sync Potential

“Submergence” is ideal for scenes that require motion with emotional distance: cool confidence, sensual mystery, or stylish tension. Its uptempo pace makes it suitable for sequences that move, while its ambient design keeps it subtle enough for dialogue and narrative.

Scene Types

  • Night drives, neon-lit city visuals
  • Underwater sequences or dreamlike visuals
  • Fashion, tech, or luxury brand spots
  • Investigations, tracking shots, or quiet suspense
  • Emotional dissociation moments

Why It Works

  • 125 BPM provides forward motion without aggression.
  • Dark ambient textures create emotional depth and mystery.
  • Minimal arrangement overlays cleanly with voice-over or dialogue.
  • Sensual, moody tonality fits modern cinematic aesthetics.
Track Narrative:
“Submergence” feels like slowly sinking into a shadowed, futuristic world—weightless, mysterious, and quietly energized. Its hypnotic pulse carries the listener deeper, making it perfect for scenes where atmosphere and motion blend into a single emotional current.
Instrumental Notes:
Entirely instrumental, “Submergence” leaves plenty of sonic space for dialogue, visuals, and sound design. Its steady pulse and evolving synth textures make it versatile for both narrative and commercial placement.

Stem Tracks

Contact OMR for available stems (bass, percussion, synth layers, ambient textures, full mix) and custom cutdowns suited for trailers, promos, and scene transitions.

Succumbing to Forlorn Fantasies

Succumbing to Forlorn Fantasies cover art

Succumbing to Forlorn Fantasies
by Radagast the Brown

Melancholic, restrained, and emotionally suspended, “Succumbing to Forlorn Fantasies” drifts through ambient textures with cinematic patience. Slow-moving synth layers and understated tonal movement create the feeling of emotional surrender — as though memory and imagination are beginning to blur together. Ideal for scenes rooted in longing, reflection, isolation, or unresolved emotional gravity.

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OMR Cue Map

OMR Cue Map

Track: Succumbing to Forlorn Fantasies
Clean Intro: Yes (0:00 – immediate atmospheric tonal entry)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:34 / 1:56 / 2:18
Button Ending: No, ambient unresolved fade
Loopable: High
Best Loop Candidates: 0:34–1:12 / 1:12–1:56 / 1:56–2:18
Use Case: Emotional ambient cue centered on longing, introspection, emotional surrender, and unresolved internal tension. Ideal for reflective drama, emotional aftermath, lonely environments, memory-driven storytelling, and scenes where characters drift deeper into internal conflict or emotional fantasy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Ambient Composer • Cinematic Minimalist • Reflective Soundscapes

Radagast the Brown creates ambient and electronic compositions shaped around emotional restraint, cinematic atmosphere, and introspective movement. His work is built for visual storytelling — often functioning less like traditional songs and more like emotional environments unfolding underneath picture.

Blending synth textures, ambient space, and minimal harmonic movement, Radagast creates cues that excel in reflective drama, art house storytelling, memory-driven sequences, and emotionally suspended scenes.

His catalog provides supervisors with dialogue-friendly underscore carrying emotional depth without overwhelming the visual narrative.

Sync Pitch Sheet: Succumbing to Forlorn Fantasies

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 82
  • Energy: Low
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Reflective, Emotional, Minimal, Melancholic
  • Cinematic Themes: Emotional Underscore, Drama, Art House, Mystery, Psychological
  • Type: One Stop

Instrumentation

  • Synth
  • Ambient textures
  • Minimal electronic pulse
  • Cinematic atmosphere layers

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Succumbing to Forlorn Fantasies” is a slow-burning ambient cue built around emotional restraint, introspection, and cinematic atmosphere. Its minimal pacing and melancholic tonal movement make it highly effective for scenes driven by internal emotion, isolation, memory, and psychological reflection.

Ideal Sync Uses

  • Drama: Emotional aftermath, internal conflict, quiet realization
  • Psychological: Dissociation, emotional surrender, mental drift
  • Mystery: Reflective investigation, emotional uncertainty
  • Art House: Minimal visual storytelling, slow cinematic pacing
  • Emotional Underscore: Longing, loneliness, unresolved emotion

Scene Suggestions

  • Character staring into empty space after emotional loss
  • Late-night reflective driving sequence
  • Memory montage with fragmented emotional recall
  • Slow emotional breakdown without dialogue
  • Closing sequence with unresolved emotional tension

Why It Works

  • Minimal arrangement leaves room for dialogue and picture
  • Slow pacing enhances emotional gravity
  • Ambient textures create immersive atmosphere
  • Emotionally restrained tone supports nuanced storytelling

Stem Tracks

Stem availability to be confirmed. Potential stem groupings may include ambient synth textures, tonal drones, electronic pulse, atmospheric layers, and cinematic effects.

Track Narrative:
“Succumbing to Forlorn Fantasies” unfolds like emotional surrender in slow motion. Ambient textures drift through empty cinematic space while restrained harmonic movement keeps the emotional tone unresolved and suspended. The track feels less like a destination and more like a character quietly dissolving into memory, longing, or imagined emotional refuge.

Sueno — IndiviDuo

Sueno cover art

Sueno
by IndiviDuo

A bright, fast-paced country-leaning singer/songwriter duet about the feeling that love has finally arrived— so perfect it “seems like a dream.” With acoustic guitar, piano, full band, and intertwined male–female vocals, “Sueno” captures the warmth of connection, gratitude, and the desire to never wake up from the moment. Ideal for heartfelt romantic scenes, sunlit montages, and stories where one relationship changes everything.

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OMR Cue Map

Track: Sueño
Clean Intro: Yes (0:00 – immediate entry with dreamy, melodic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Dreamlike cue centered on imagination, emotion, and reflection. Ideal for surreal or introspective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sueno

Song Profile

  • Key Signature: D Major
  • BPM: 144
  • Tempo: Fast
  • Genres: Country, Singer/Songwriter
  • Vocals: Female & Male Vocals (duet)
  • Mood/Feel: Bright, Hopeful, Positive, Reflective, Uplifting, Warm
  • Lyric Themes: Connection, Dream, Happiness, Love, Relationship
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Piano

Track Summary

“Sueno” is a fast-paced, uplifting duet about the transformative power of love. The narrator looks back and realizes that everything changed from the moment this person arrived—their laughter, their presence, their warmth. Framed as a dream they never want to wake from, the track pairs bright, full-band country/singer-songwriter instrumentation with a tender, romantic lyric that feels tailor-made for heartfelt cinematic moments.

Sync Highlights

  • Excellent for “life-changing love” arcs and emotional payoffs in romance and drama.
  • Fast tempo and full band energy are great for positive, forward-moving montages.
  • Lyrics about dreams, warmth, and not wanting the moment to end map cleanly to on-screen romance.
  • Male–female duet supports clearly defined two-character relationship storytelling.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Sueno

“Sueno” shines in moments where love feels both surreal and completely right. Its upbeat tempo, warm band sound, and “this changed everything” lyric make it ideal for scenes that celebrate connection—whether that’s a new relationship, a rekindled one, or a moment of realization that someone has become home.

Scene Types

  • Romantic montages: road trips, shared mornings, laughing together in everyday life.
  • “Falling in love” sequences, especially when a relationship shifts from friendship to something more.
  • Celebratory scenes: weddings, receptions, backyard gatherings, small-town events.
  • Emotional payoff scenes where a character realizes how far they’ve come thanks to another person.

Film/TV Fit

  • Romance & Romantic Drama
  • Dramedy
  • Coming-of-Age
  • Small-town and country-set series or features

Why It Works

  • Feels both intimate and big-hearted—perfect for emotional yet optimistic story beats.
  • Fast tempo and major key deliver warmth and momentum without overshadowing visuals.
  • Lyrics are clear, romantic, and sync-friendly while leaving visual interpretation open.
  • Duet structure supports split perspectives, shared narrations, and relationship-driven plots.
Track Narrative:
“Sueno” tells the story of someone who feels they’ve finally found the person they were always meant to meet. Looking back, they see how everything changed from that first smile onward. The relationship is described as a dream they refuse to wake from—full of warmth, touch, and quiet gratitude. Musically, the lively tempo and full-band arrangement keep the emotion buoyant, turning what could be a fragile feeling into something joyful and confidently lived-in.

Lyrics: Sueno

Te miro y no puede ser que en toda mi vida no has estado junto a mí Y ahora te tengo aquí Me entrego y comparto todo Me enloqueces y me curas a la vez Qué lindo fue encontrarte Sueño, parece un sueño Y si me despierto, terminará el sueño Así que prefiero quedarme fundido en tu calor Y si es un sueño que no acabe, por favor Hoy miro atrás y encuentro que todo ha cambiado desde que llegaste a mí Desde que vi tu risa Para seguir el sueño hoy, solo tenemos que estar juntos, por favor No olvides mi caricia Sueño, parece un sueño Y si me despierto, terminará el sueño Así que prefiero quedarme fundido en tu calor Y si es un sueño que no acabe, por favor Oh Oh Sueño, parece un sueño Y si me despierto, terminará el sueño Así que prefiero quedarme fundido en tu calor Y si es un sueño que no acabe, por favor.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends country and singer-songwriter influences with Latin-tinged warmth and cinematic storytelling. Their music leans on organic instrumentation—acoustic guitars, piano, rhythm section—paired with emotive duet vocals that feel tailor-made for film and TV.

Focusing on themes of love, connection, change, and inner transformation, their songs move easily between small, intimate moments and bigger emotional arcs. The interplay between male and female perspectives gives directors and editors a natural way to underscore relationship-driven narratives with authenticity and heart.

Styles: Country-inflected Singer/Songwriter, Acoustic Pop • Strengths: Duet vocals, emotional clarity, warm organic arrangements • Typical Uses: Romance, Dramedy, Coming-of-Age, small-town and relationship-centered stories

SUGAR — Purple Fox & the Heebie Jeebies

Sugar cover art

Sugar
by Purple Fox & the Heebie Jeebies

A sweet-tooth funk jam with brass sparkle and playful swagger. “Sugar” stacks candy-shop imagery on a pocket-tight groove—perfect for party scenes, playful montages, and family-friendly spots that need a catchy, upbeat hook.

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OMR Cue Map

OMR Cue Map

Track: Sugar
Clean Intro: Yes (0:00 – immediate entry with upbeat, groove-forward tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (tight groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Upbeat cue centered on fun, energy, and playful movement. Ideal for light, vibrant scenes and montage.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sugar

Artist: Purple Fox & the Heebie Jeebies
Genre: Funk, R&B, Soul
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion
Lyric Themes: Celebration, Friendship, Fun, Happiness, Love
Mood: Confident, Cool, Positive, Swagger, Upbeat
Tempo: Uptempo • BPM: 120 • Key: F Major
Vocal: Female vocal • Type: One Stop

Track Summary

Bright horns and a feel-good pocket power a candy-coated anthem. “Sugar” is hooky, high-energy, and tailor-made for playful montage cuts, party sequences, and celebratory branding.

Sync Highlights

  • Perfect for food/beverage, birthdays, or party scenes
  • Call-and-response feel invites crowd participation
  • Clean edit points across verses/choruses for :15/:30/:60 cuts

Sync Potential: Sugar

Crowd-pleasing funk built for family entertainment, upbeat ads, and scenes of celebration. Works great for sweets-focused visuals, carnival/fair sequences, and colorful lifestyle edits.

  • Commercials (treats, desserts, family dining)
  • Kids’/family TV party moments or dance-along cues
  • Event highlight reels and quick-cut social promos
Track Narrative:
A horn-splashed sugar rush with playful vocals and festival spirit. “Sugar” keeps the smiles wide, the feet moving, and the edits snappy.
Lyrics: Sugar, yeah Alright Sugar, yeah Alright Sugar, yeah Alright Sugar, oh yeah Hot candy, caramel, and a chocolate vanilla swirl Marshmallow, butterscotch, and another Gibson girl Hot fudge, banana split, whipped cream, maraschino cherries A teffy to your levee and a crunchy to your munchy and a rasp, straws, blueberry Sugar, yeah Alright Sugar, yeah Alright Sugar, yeah Alright Sugar, oh yeah A piece of pecan pie a la mode, Dutch angel apple crumb cake Red Hot, peanut butter cups, eat your sweets for goodness sake Cotton candy, triple root beer float, cinnamon mint cookie dough Mr. Leon, my Leon, let's go missing, that's amazing, then a mama rang on my telephone, hello! Sugar, yeah Alright Hello Sugar, yeah I'm in meringue Alright Now kids, don't eat too many sweets Alright Just remember to brush your teeth If you don't want to brush all your teeth, only brush the ones that you want to keep Sugar
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul collective delivering upbeat, family-positive grooves with real-musician feel and modern polish. Purple Fox & the Heebie Jeebies blend contagious hooks, rhythm-section punch, and audience-participation chants that light up the screen.

Styles: Funk, Soul, R&B • Strengths: Playful funk, creative lyricism, rhythmic confidence • Typical Uses: Kids’ animation, family comedy, celebratory ads, and upbeat brand content

SUMMER — Elmer Ferrer

Summer cover art

Summer
by Elmer Ferrer

Summer moves with an easy warmth, carrying a playful and reflective spirit that feels sunlit, intimate, and quietly cinematic. Its minimal percussion and gentle rhythmic flow create a sense of ease rather than urgency, making the cue feel personal, human, and full of small emotional details. The track is well suited for light romantic moments, nostalgic montage sequences, quirky character scenes, or any moment that needs warmth, charm, and a subtle sense of possibility.

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OMR Cue Map

OMR Cue Map

Track: Summer
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: Yes, light resolved ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:04 / 1:04–1:36 / 1:20–1:52
Use Case: Light, warm cue for seasonal moments, nostalgic reflection, carefree movement, lifestyle montage, and scenes that capture ease, brightness, and emotional openness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Summer

Song Details

  • Energy: Low / Gentle
  • Genres: Blues, Folk, Latin
  • Vocals: Instrumental
  • Key: F Major
  • BPM: 53
  • Moods: Atmospheric, Bright, Fun, Happy, Hopeful, Light, Minimal, Playful, Positive, Quirky, Reflective, Romantic, Uplifting, Warm
  • Cinematic Fit: Romance, Comedy, Coming of Age, Indie, Drama
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Summer offers warmth, lightness, and understated charm. Its minimal, playful feel makes it ideal for scenes that need optimism, human connection, or a relaxed emotional lift without becoming sentimental or overly polished.

Ideal Sync Uses

  • Romance: early connection, tender moments, light intimacy
  • Comedy: quirky character beats, charming transitions, gentle humor
  • Coming of Age: memory, growth, summer nostalgia, self-discovery
  • Indie: montage, neighborhood life, observational warmth
  • Drama: quiet hope, emotional reset, reflective calm

Scene Suggestions

  • Sunny montage of everyday life or personal freedom
  • Light romantic scene with warmth and subtle chemistry
  • Character walking through a neighborhood or open space in reflective calm
  • Playful transition after a difficult or emotionally heavy scene
Track Narrative:
Summer feels like sunlight settling gently over a quiet moment. Its playful warmth and reflective ease suggest memories in motion—small joys, human closeness, and the kind of emotional openness that arrives without effort. The cue is ideal when a scene needs charm, lightness, and a sense of life unfolding naturally.

SUMMER PARTY — Carlos Miyares (Instrumental)

Summer Party cover art

Summer Party
by Carlos Miyares

Lively and sun-soaked — “Summer Party” grooves with rhythmic freedom and tropical charm. Carlos Miyares builds a layered instrumental full of movement, horns, and percussive color, ready for sync scenes of warm-weather celebration, rooftop vibes, or cinematic joy.

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OMR Cue Map

Track: Summer Party
Clean Intro: Yes (0:00 – immediate entry with lively, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with celebratory finish
Loopable: High (consistent rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Energetic cue centered on celebration, social energy, and upbeat atmosphere. Ideal for party scenes and feel-good storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Summer Party

Song Details

  • Key Signature: Bb Major
  • Beats Per Minute: 95
  • Energy: Moderate
  • Genres: Funk, Jazz
  • Vocals: Instrumental
  • Instrumental Solos: Organ, Saxophone
  • Moods: Carefree, Cool, Happy, Positive, Upbeat
  • Cinematic Themes: Comedy, Mystery, Romance
  • Type: One Stop

Production Details

  • Direction, Arrangements & Music Composition: Carlos Miyares
  • Production Assistant: Yoanys Perez
  • Sound Engineer: Ana Laura Vilaragut
  • Mixing: Ana Laura Vilaragut & Carlos Miyares
  • Mastering: Ana Laura Vilaragut

Artists

  • Tenor Sax: Carlos Miyares
  • Trumpet: Alejandro Delgado
  • Piano: Miguel Angel WiWi Garcia
  • Bass: Rafael Paseiro
  • Drums: Rodney Barreto
  • Percussion: Adel Gonzalez

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Keyboard
  • Percussion
  • Saxophone
  • Organ
  • Trumpet
  • Piano

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Summer Party by Carlos Miyares is a vibrant, midtempo jazz-funk instrumental that radiates joy, rhythm, and sophistication. With standout solos on organ and saxophone, it’s ideal for scenes that celebrate movement, charm, and lighthearted energy.

Ideal Sync Uses

  • Comedy: Playful transitions, stylish entrances
  • Mystery: Light intrigue, rhythmic pacing
  • Romance: Flirtatious moments, upbeat interludes
  • Lifestyle: Summer montages, rooftop parties

Scene Suggestions

  • Character walking through a lively street
  • Montage of social gatherings or celebrations
  • Opening credits with jazzy flair
  • Stylized transitions with rhythmic energy

Why It Works

  • Instrumental format allows flexible placement
  • Organ and sax solos add cinematic punch
  • Midtempo groove supports rhythmic visuals
  • Bright and upbeat mood enhances storytelling
Track Narrative:
“Summer Party (Instrumental)” serves sync-ready joy through tropical tones and danceable energy. Carlos Miyares shapes the celebration through horn bursts, rhythmic pulse, and melodic color — perfect for visuals of poolside celebration, sunset motion, or festive release.

SUMMER WAVE — Melodic Yoza

Summer Wave cover art

Summer Wave
by Melodic Yoza

Joyful and sunlit — “Summer Wave” rides dancehall rhythm and feel-good vibe. Melodic Yoza and Shane Free deliver bounce, beach flirtation, and seasonal energy perfect for sync scenes of sunshine cruising, playful connection, or festival color.

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OMR Cue Map

Track: Summer Wave
Clean Intro: Yes (0:00 – immediate entry with bright, rhythmic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with energetic fade
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Bright, upbeat cue centered on warmth, motion, and seasonal energy. Ideal for summer visuals and lifestyle storytelling, aligning with the breezy, upbeat feel often associated with summer-themed music.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Summer Wave

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 83
  • Energy: Moderate
  • Genres: Hip Hop, Holiday, Party, Pop
  • Vocals: Male Vocal
  • Instrumental Solos: None listed
  • Moods: Bright, Carefree, Catchy, Confident, Cool, Happy, Positive, Rhythmic, Swagger, Upbeat, Uplifting
  • Cinematic Themes: Comedy, Fantasy, Romance
  • Type: One Stop

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park (존박), JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Featured Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Summer Wave by Melodic Yoza is a laid-back, groove-rich anthem that blends hip hop swagger with pop brightness and holiday vibes. With a catchy vocal delivery and rhythmic instrumentation, it’s ideal for scenes that celebrate fun, freedom, and summertime energy.

Ideal Sync Uses

  • Comedy: Beach antics, playful montages
  • Fantasy: Dreamlike transitions, magical realism
  • Romance: Flirtatious moments, summer love
  • Lifestyle: Travel, fashion, celebration

Scene Suggestions

  • Montage of friends on a summer road trip
  • Character dancing in the sun
  • Opening credits with tropical visuals
  • Closing scene with carefree joy

Why It Works

  • Male vocals deliver charisma and rhythm
  • Moderate tempo supports relaxed pacing
  • Bright and catchy mood enhances visual storytelling
  • Party and holiday themes align with seasonal sync needs
Track Narrative:
“Summer Wave” surfs across upbeat flow and feel-good fun — Melodic Yoza blends island bounce with flirtatious wordplay and breezy warmth. Designed for tropical montage, party promo, or beach club montage.
Lyrics :
Step out inna my summer shades
Feeling so summer blaze
Just got a summer fade
Shorty walk bye yo now with her summer ways
Gave me a summer gaze
I gave her a summer wave
Step up and ask her what's her summer name
And girlfriend can I take you to the summer games
Or come again smoothies on the beach
Chill up inna di summer heat
Or dance in the summer rain
Or sing again
She don't mind and I won't complain
And since the situation shall remain the same
How about, bout girl I take you down the lane
On some do-ba, do-ba, do-ba, do-ba deng
‘Cause when I'm chilling in the sun it’s all about fun
Say oh-oh-oh-oh-oh
Ya I keep a dance up on the corner
Beverley and Lana
Go oh-oh-oh-oh-oh
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[Chorus]
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
[Spoken Word: Shane Free & Melodic Yoza]
Yo Yoza
What’s good Free?
Yo, you see this girl coming?
Yea ninja but it’s hot out here
I need some Skunkle
[Verse 2]
Slow down baby
Hear me now baby, wine ya window down
Come let’s play, the sun is out let's get together
Royal crown cutie white or brown
‘Bout to pour another round headed to the spot girl, lemme show ya
Yeah girl, it’s heating up thirty degrees
So won’t you meet me underneath the palm trees
Baby, if ya really wanna get wit me (Alright)
Then all ya gotta do is say Shane free
So I offer her some Bajan green
And while I'm sipping on that thing that make ya walk wit a lean, yeah
Cooking up for her the finest cuisine
And she’s a queen so let’s go enjoy the scene
And now ya rolling wit the surfer let me show ya how to barrel
Like oh-oh-oh-oh-oh (Woah)
And when the wave is coming at you, I'm a show you how to paddle
Like oh-oh-oh-oh-oh
[Chorus]
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
[Bridge]
Summer, summer, summer time
Let’s just sit back and unwind
With a couple friends of mine
We’ll enjoy the summer time
Yeah, and then we’ll go
Summer time
Yeah, and then we’ll go
[Chorus]
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
Jump up and wave
The summer wave
The summer wave
The summer wave
The summer wave yo

SUNDAY — Elmer Ferrer

Sunday cover art

Sunday
by Elmer Ferrer

Sunday blends hip-hop rhythm with sleek electronic textures to create a groove that feels cool, minimal, and slightly gritty. Driven by bass, drums, percussion, and synth, the cue carries a confident urban pulse while leaving plenty of space for visual storytelling. Its balance of tension and playful attitude makes it well suited for stylized montage, city movement, investigative pacing, or scenes where characters move through their environment with quiet confidence and purpose.

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OMR Cue Map

Track: Sunday
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: Yes, soft resolved ending
Loopable: Moderate
Best Loop Candidates: 0:36–1:12 / 1:12–1:48 / 1:30–2:06
Use Case: Calm, reflective cue for quiet weekends, family moments, introspection, lifestyle scenes, gentle resets, and sequences that convey stillness, comfort, and emotional ease.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Sunday

Song Details

  • Energy: Medium / Driving
  • Genres: Electronic, Hip Hop, R&B
  • Vocals: Instrumental
  • Key: G Minor
  • BPM: 120
  • Moods: Cool, Dramatic, Fun, Gritty, Minimal, Moody, Playful, Rhythmic, Tension
  • Cinematic Fit: Crime, Urban Drama, Lifestyle, Comedy, Investigative
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sunday delivers a relaxed yet confident urban groove that sits comfortably between cool attitude and quiet tension. Its minimal rhythmic space allows dialogue and visuals to breathe while still providing strong stylistic momentum.

Ideal Sync Uses

  • Crime / Urban Drama: stylized city movement and investigation
  • Lifestyle: confident character walking through environment
  • Comedy: playful montage with rhythmic pacing
  • Documentary / Culture: modern city atmosphere and rhythm

Scene Suggestions

  • Character cruising through a city street or neighborhood
  • Stylized montage of urban life or nightlife
  • Detective or journalist quietly working through clues
  • Playful sequence introducing a character’s daily rhythm
Track Narrative:
Sunday feels like a calm moment inside the rhythm of a city. Its groove moves confidently but never rushes, suggesting characters who know their environment and move through it with quiet control and style.

Sunset — Instrumental

Sunset cover art

Sunset
by Samuel Williams

A moody, uptempo folk-indie-world blend — “Sunset” moves with rhythmic drive and cinematic warmth. Bass, drums, electric guitar, and percussion create a propulsive undercurrent that’s upbeat yet atmospheric, perfect for scenic motion and golden-hour transitions.

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OMR Cue Map

Track: Sunset
Clean Intro: Yes (0:00 – immediate entry with warm, reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Warm, reflective cue centered on transition, closure, and visual beauty. Ideal for end-of-day scenes and emotional wrap-ups.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One-Stop
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sunset

Song Details

  • Key Signature: Bb Major
  • BPM: 62
  • Tempo: Uptempo
  • Genre: Folk, Indie, World
  • Vocals: Instrumental
  • Mood/Feel: Moody, Rhythmic, Upbeat
  • Type: One-Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Production Details

  • Produced by: Samuel Williams
  • Written & Arranged by: Samuel Williams
  • Recorded, Mixed & Mastered by: Samuel Williams at Sam Sound Productions
  • Project Manager: Dornalee Browne
  • Executive Producer: Samuel Williams

Artists

  • Drums: Larnell Lewis
  • Bass: Otis Williams
  • Saxophone: Rob Christian
  • Trumpet: Alexis Baro

Sync Notes

  • Rhythmic, upbeat indie-world pulse with moody undertones — ideal for movement and travel.
  • Electric-guitar textures add modern grit over organic bass and percussion.
  • Clear instrumental bed leaves plenty of space for dialogue/VO and SFX.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sunset pairs a driving rhythm with a moody indie-world vibe, creating a kinetic underbed that’s perfect for scenic motion, road montages, and upbeat transitions.

Ideal Sync Uses

  • Lifestyle / Travel: Scenic journeys, city-to-coast transitions
  • Indie: Character movement, montage pacing with grit
  • Advertising: Energetic brand spots needing organic momentum
  • Sports / Outdoor: Action-light edits with rhythmic propulsion

Why It Works

  • Instrumental clarity supports VO and on-screen dialogue
  • Modern guitar textures + percussion create forward motion
  • Moody/Upbeat blend adds depth without crowding the cut

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist, composer, and producer whose music bridges jazz, soul, folk, and global sounds. As the driving force behind SaMantics, Williams blends groove, improvisation, and storytelling into a cinematic voice for film and television.

On “Sunset”, Williams explores indie and world textures, combining bass, percussion, and electric guitar into a rhythmic landscape that balances mood and momentum. His ability to craft instrumentals that feel both atmospheric and sync-ready has made him a sought-after collaborator for projects that demand depth and motion.

Williams’ career includes performances at major Canadian festivals and collaborations with international artists such as Larnell Lewis, Rob Christian, and Alexis Baro. His work reflects a dedication to groove-driven innovation while remaining grounded in authenticity.

Through his artistry, Williams continues to shape a body of work that is at once intimate and expansive — music built for stories, journeys, and the spaces in between.

Track Narrative:
“Sunset” rides a steady, guitar-led groove — bass and drums lock in while percussion adds travel-ready motion. Moody yet upbeat, it sets a cinematic pace for golden-hour scenes and forward-looking storytelling.

SUN (PUNK) CHILD — Tom Conneely and the Paradise Birds

Sun (Punk) Child cover art

Sun (Punk) Child
by Tom Conneely and the Paradise Birds

Desert-scorched folk-rock with a vintage sneer and a survivor’s heartbeat. Tight drum pulse, gritty keys, and a swaggering vocal sketch an outlaw coming-of-age — perfect for dusty highways, sun-bleached montage cuts, or heat-haze title sequences.

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OMR Cue Map

Track: Sun Punk Child
Clean Intro: Yes (0:00 – immediate entry with energetic, alternative tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Energetic cue centered on youth, rebellion, and movement. Ideal for edgy, fast-paced storytelling and stylized visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds blend dust-track storytelling with modern indie grit — organic grooves, lived-in melodies, and widescreen emotion. Their songs move like film scenes: intimate, sun-baked, and instantly placeable.

From whisper-quiet confessionals to road-ready anthems, the Birds deliver authentic performances with production that slots cleanly under VO and dialogue — a one-stop toolkit for editors and supervisors.

Stem Tracks

Stems available on request (Drums, Bass, Keys, Lead Vox, BGVs, FX). Provide cue timing, deliverable specs, and any mix notes; we’ll prep a tailored stem pack.

Request Stems →

Sync Pitch Sheet: Sun (Punk) Child

Artist: Tom Conneely and the Paradise Birds
Genre: Folk, Rock, Vintage
Vocal Style: Male Vocal
Energy Level: Fast
Key Signature: C# Major
Tempo: 77 BPM
Mood Tags: Positive
Instruments: Keyboard
Lyric Themes: Identity, Strength, Struggle, Success, Time
Cinematic Fit: Action, Indie, Coming-of-Age, Western, Road Trip, Title Cards
Type: One Stop

Track Summary

Heat-haze swagger with desert imagery and a tough-as-nails POV. Punchy rhythm bed and gritty vocal attitude create forward motion without overcrowding the spectrum — great under VO.

Sync Highlights

  • Hooky “sun child” refrain for trailer tags and end-cards
  • Steady pulse supports driving, training, and gear-up sequences
  • Minimalist arrangement leaves room for SFX and dialogue

Sync Potential: Sun (Punk) Child

Key • Tempo: C# Major • 77 BPM
Vibe: Desert-noir confidence; dusty boots and long shadows
Fits: Neo-western sequences, character intros, sun-baked transitions, biker/road visuals

Highlights

  • Memorable chant sections for rhythmic cutting
  • Natural edit points between verses/choruses
  • One-stop clearance with optional stems for custom builds
Track Narrative:
A sun-scarred protagonist claims their identity against the odds — grit, glare, and the stubborn joy of still standing. Perfect for scenes of resolve after the storm.
Lyrics:
I am son, son of the desert,
I'm a sun child, a sun child
I was born out in the valley, with psilocybin in my chin
Psilocybin in my chin

Cocaine, cigarettes, sit around making bets
Sun child, sun child, sun child
Brought up rough on empty streets,
goddamn that midnight heat
Ain't nobody gonna know the damage is done
til the morning comes, sun child, sun child, sun child

sun child, sun child
sun child, sun child
sun child, sun child
sun child, sun child

SUNSHINE — Samuel Williams (Instrumental)

Sunshine cover art

Sunshine
by Samuel Willaims

Warm and radiant — “Sunshine” delivers smooth jazz textures and lyrical flow through instrumental phrasing. Samuel Williams blends soft sax presence with mellow rhythm, ideal for sync scenes of relaxation, brunch gatherings, or coastal morning montages.

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OMR Cue Map

OMR Cue Map

Track: Sunshine
Clean Intro: Yes (0:00 – immediate entry with bright, uplifting tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with positive tonal lift
Loopable: High (consistent phrasing supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Uplifting cue centered on optimism, warmth, and positivity. Ideal for feel-good scenes and light storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Sunshine

Song Details

  • Key Signature: F# Major
  • Beats Per Minute: 91
  • Energy: Moderate
  • Genres: Jazz, R&B, Soul
  • Vocals: Instrumental
  • Instrumental Solos: Flute, Saxophone
  • Moods: Carefree, Dramatic, Happy, Moody, Rhythmic, Uplifting
  • Cinematic Themes: Comedy, Drama, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Samuel Williams
  • Music Composition: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Sax & Flute: Rob Christian
  • Bass, Piano, Acoustic & Electric Guitars, Drums, Percussion: Samuel Williams

Instrumentation

  • Percussion
  • Bass
  • Piano
  • Acoustic Guitar
  • Electric Guitar
  • Drums
  • Flute
  • Saxophone

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sunshine by Samuel Williams is a soulful, midtempo instrumental that blends jazz warmth with rhythmic R&B textures. Featuring expressive flute and saxophone solos, it’s ideal for scenes that evoke emotional uplift, romantic charm, and reflective cool.

Ideal Sync Uses

  • Comedy: Lighthearted transitions, stylish entrances
  • Drama: Emotional turning points, quiet introspection
  • Romance: Intimate moments, soulful connection

Scene Suggestions

  • Character walking through a sunlit cityscape
  • Montage of personal growth or reflection
  • Closing credits with a warm, jazzy vibe
  • Stylized transitions with rhythmic elegance

Why It Works

  • Instrumental format allows flexible placement
  • Flute and sax solos add cinematic emotion
  • Midtempo groove supports narrative pacing
  • Uplifting and moody tones enhance visual storytelling
Track Narrative:
“Sunshine” is sonic daylight — Samuel Williams captures optimism through clean sax tones and laid-back rhythm. This instrumental is built for visuals of effortless joy, golden-hour movement, or stylish leisure in sunlit spaces.

SUNSHINE REPRISE — Samuel Williams (Instrumental)

Sunshine Reprise cover art

Sunshine Reprise
by Samuel Williams

Reflective and mellow — “Sunshine Reprise” revisits smooth jazz tones with more restraint and emotional intimacy. Samuel Williams delivers soft sax phrasing layered over spacious rhythm, suited for sync scenes of sunset quiet, personal insight, or morning contemplation.

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OMR Cue Map

OMR Cue Map

Track: Sunshine (Reprise)
Clean Intro: Yes (0:00 – immediate entry with softer, reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22
Button Ending: Yes, resolved ending with gentle fade
Loopable: Moderate–High (lighter phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58
Use Case: Reflective reprise cue centered on memory, continuity, and emotional softness. Ideal for callbacks and closing scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Sunshine Reprise

Song Details

  • Key Signature: F# Major
  • Beats Per Minute: 91
  • Energy: Moderate
  • Genres: Ambient, Folk, Jazz
  • Vocals: Instrumental
  • Instrumental Solos: Saxophone
  • Moods: Bright, Chill, Fun, Happy, Hopeful, Love, Positive, Romantic, Upbeat
  • Cinematic Themes: Mystery, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Samuel Williams
  • Music Composition: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Guitars & Percussion: Samuel Williams
  • Sax: Rob Christian

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Saxophone

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sunshine Reprise by Samuel Williams is a breezy, acoustic-driven instrumental that blends ambient textures with folk warmth and jazzy sophistication. With a romantic and upbeat feel, it’s perfect for scenes that celebrate joy, connection, and curiosity.

Ideal Sync Uses

  • Romance: First dates, heartfelt moments, scenic walks
  • Mystery: Whimsical discoveries, light intrigue
  • Feel-Good: Travel montages, lifestyle vignettes

Scene Suggestions

  • Sun-drenched countryside drive
  • Playful montage of friends exploring a new city
  • Quiet romantic moment under string lights
  • Opening credits with a warm, acoustic vibe

Why It Works

  • Instrumental format offers flexible placement
  • Saxophone solo adds emotional depth
  • Midtempo groove supports pacing and transitions
  • Bright and romantic tones enhance visual storytelling
Track Narrative:
“Sunshine Reprise” is a quieter second glance — the track mirrors its predecessor’s warmth but breathes softer, like reflection after a joyful day. Ideal for transitional scenes where space, memory, and ambient flow set the tone.

SUNSHINE (YOU WERE MY) — Captain Dirt & The Skirt (Instrumental)

Sunshine (You Were My) cover art

Sunshine (You Were My)
by Kristin Sweetland

Nostalgic and cinematic — “Sunshine (You Were My)” traces an emotional arc through minimalist melody and ambient tone. Captain Dirt & The Skirt shape a memory piece full of longing, designed for sync scenes of quiet reflection, farewell flashbacks, or end-of-journey montage.

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OMR Cue Map

OMR Cue Map

Track: Sunshine You Were My
Clean Intro: Yes (0:00 – immediate entry with nostalgic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with emotional fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Nostalgic cue centered on memory, longing, and emotional reflection. Ideal for relationship storytelling and flashback sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Sunshine (You Were My)

Song Details

  • Key Signature: C Major
  • Beats Per Minute: 87
  • Energy: Mid Tempo
  • Genres: Folk, Indie
  • Vocals: Instrumental
  • Instrumental Solos: Bass, Piano
  • Moods: Atmospheric, Bright, Building, Fun, Happy, Hopeful, Light, Playful, Positive, Quirky, Reflective, Romantic, Uplifting, Warm
  • Cinematic Themes: Art House, Drama, Fantasy, Mystery, Romance
  • Type: One Stop

Production Details

  • Written by: Lyndell Montgomery and Kristin Sweetland
  • Inspired by: “You Are My Sunshine” by Jimmie Davis
  • Produced by: David Travers-Smith and Captain Dirt & The Skirt
  • Recorded, Mixed & Mastered by: David Travers-Smith at Found Sound, Toronto, ON
  • Copyright: © Arbora Vita Music 2013

Artists

  • Hammertone Guitar, Little Lady Harmonica: Kristin Sweetland
  • Bass: Lyndell Montgomery
  • Percussion: Gary Craig
  • Piano: Michael Johnston

Instrumentation

  • Piano
  • Strings
  • Synth
  • Bass
  • Percussion
  • Harmonica
  • Hammertone Guitar

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sunshine (You Were My) by Kristin Sweetland is a whimsical, emotionally rich instrumental that blends folk charm with indie elegance. With warm piano and bass solos, it’s ideal for scenes that explore memory, romance, and poetic transformation.

Ideal Sync Uses

  • Romance: Tender moments, nostalgic flashbacks
  • Drama: Emotional turning points, quiet reflection
  • Fantasy: Magical realism, dreamlike transitions
  • Art House: Stylized visuals, introspective pacing

Scene Suggestions

  • Character walking through a sunlit field
  • Montage of childhood memories or lost love
  • Opening credits with soft, cinematic tone
  • Closing scene with emotional resolution

Why It Works

  • Instrumental format allows flexible placement
  • Piano and bass solos add emotional depth
  • Midtempo pacing supports reflective storytelling
  • Romantic and uplifting mood enhances visual warmth
Track Narrative:
A wistful echo of earlier joy — “Sunshine (You Were My)” leans into memory and resonance. Captain Dirt & The Skirt craft emotional spaciousness through sparse phrasing and ambient warmth, perfect for film moments of grief, change, and reflective departure.

SUNSTONE — Kristin Sweetland (Instrumental)

Sunstone cover art

Sunstone
by Kristin Sweetland

Ethereal and quietly radiant — “Sunstone” threads ambient guitar textures through emotional terrain. Kristin Sweetland crafts a sync-ready instrumental steeped in mystery and warmth, ideal for documentary pacing, slow-burn montage, or introspective travel cues.

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OMR Cue Map

Track: Sunstone
Clean Intro: Yes (0:00 – immediate entry with ambient, luminous tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with ambient decay
Loopable: Moderate–High (textural consistency supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric cue centered on light, clarity, and introspection. Ideal for meditative visuals and emotional transitions.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Sunstone

Song Details

  • Key Signature: D Major
  • Beats Per Minute: 69
  • Energy: Slow Tempo
  • Genres: Folk, Singer-Songwriter, World
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar
  • Moods: Bright, Hopeful, Positive, Reflective, Romantic, Uplifting, Warm
  • Cinematic Themes: Adventure, Art House, Fantasy, Historical, Indie, Romance
  • Type: One Stop

Production Details

  • Composer: Kristin Sweetland
  • Produced/Engineered by: Chris Stringer
  • Recorded at: Union Sound Company
  • Mastered by: Jeff Elliot at Fedge Album Mastering
  • Copyright: © 2024 Arbora Vita Music

Artists

  • Acoustic Guitar, Hammertone Guitar, Percussion: Kristin Sweetland

Instrumentation

  • Acoustic Guitar
  • Hammertone Guitar
  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sunstone by Kristin Sweetland is a radiant acoustic instrumental that evokes warmth, romance, and timeless beauty. With its slow tempo and expressive guitar work, it’s perfect for cinematic storytelling that leans into emotional depth and visual elegance.

Ideal Sync Uses

  • Romance: Gentle love scenes, heartfelt reunions
  • Historical: Period dramas, poetic transitions
  • Fantasy: Magical landscapes, quiet wonder
  • Adventure: Reflective travel moments, personal quests

Scene Suggestions

  • Sunrise over a mountain range
  • Character journaling in solitude
  • Slow-motion montage of a romantic journey
  • Closing credits with emotional resonance

Why It Works

  • Acoustic guitar solo adds intimacy and texture
  • Slow tempo supports reflective pacing
  • Warm, uplifting mood enhances emotional storytelling
  • Instrumental format allows versatile placement
Track Narrative:
A sonic stone warmed by memory — “Sunstone” glows subtly with ambient phrasing and melodic curiosity. Its quiet emotional pull makes it ideal for contemplative visuals or spiritual transitions under open skies.

SUPER ROUGH BREAKDOWN — Thadeus Gonzalez

Super Rough Breakdown
by Thadeus Gonzalez

This release channels raw vulnerability through distorted guitars, pounding drums, and Gonzalez’s defiant vocal delivery. It’s a visceral soundtrack to urban chaos and personal reckoning—perfect for scenes of rebellion, resilience, and high-stakes drama. Whether you're scoring a street-level showdown or diving into inner turmoil, this track delivers cinematic intensity with unapologetic edge.

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OMR Cue Map

Track: Super Rough Breakdown
Clean Intro: Yes (0:00 – immediate entry with gritty, high-energy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with aggressive finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-intensity cue centered on chaos, impact, and raw energy. Ideal for action, confrontation, and explosive sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for his emotionally charged performances and genre-blending sound. With a style that fuses metal, punk, and alternative rock, Gonzalez has carved out a cinematic sonic identity that resonates across both stage and screen.

Originally the frontman of Electric Sister, Gonzalez launched his solo career with the critically acclaimed album Utopian Society, followed by the harder-edged Silver Inside and the introspective Opposite Faces. His latest release, Street Fights Are Starting to Hurt, explores themes of resilience, identity, and urban tension—making his music a natural fit for sync in film, television, and visual media.

Thadeus has toured extensively across the U.S. and U.K., performed at SXSW, and collaborated with top producers including Tim Narducci. His work is defined by lyrical depth, sonic grit, and a fearless approach to reinvention.

Thadeus Gonzalez continues to push boundaries with every release, solidifying his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Super Rough Breakdown

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 116
  • Energy: High
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Atmospheric, Hopeful, Moody, Reflective
  • Lyric Themes: Conflict, Power, Rebellion, Regret, Struggle
  • Type: One Stop

Production Details

  • Lyrics: Thadeus Gonzalez & Erin E Douglass
  • Composers: Thadeus Gonzalez & Erin E Douglass
  • Produced & Mixed By: Kyle Homme (Matt Costa, Sugarcult, Reel Big Fish)
  • Additional Production: Tim Narducci, Dennis Hill
  • Recorded, Engineered, Mastered By: Kyle Homme
  • Release Date: April 12, 2024

Artists

  • Vocals: Thadeus Gonzalez, Kyle Homme, Tim Narducci
  • Guitars: Dennis Hill, Kyle Homme, Tim Narducci, Thadeus Gonzalez, Steve Garvey
  • Bass: Dennis Hill, Tim Narducci
  • Drums: David Cubine, Doug Hovan
  • Keyboards: Dennis Hill, Brad Barth

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview (0:45–1:25)

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Super Rough Breakdown

“Super Rough Breakdown” delivers a high-energy blend of metal, punk, and rock—anchored by driving electric guitars, pounding drums, and a gritty male vocal performance. With its uptempo pace (116 BPM) and emotionally charged themes of conflict, rebellion, and regret, this track is ideal for sync placements that demand intensity and edge.

Ideal Sync Uses

  • Urban drama and street-level conflict scenes
  • Montages of personal struggle or transformation
  • Action sequences with emotional stakes
  • Rebellious youth narratives or coming-of-age arcs
  • Sports promos or competitive tension builds
  • Post-apocalyptic or dystopian settings

Comparable Sync References

  • “Do I Wanna Know?” – Arctic Monkeys
  • “Welcome to the Black Parade” – My Chemical Romance
  • “No One Knows” – Queens of the Stone Age
  • “Killing in the Name” – Rage Against the Machine

Why It Works

  • Emotionally Resonant: Themes of power, regret, and rebellion connect with universal storytelling arcs.
  • Musically Versatile: Fits across genres from rock to cinematic hybrid scores.
  • Production Quality: Polished yet raw—ideal for both indie and mainstream sync needs.
  • One Stop Clearance: Simplifies licensing for fast turnaround.
Track Narrative:
“Super Rough Breakdown” is a visceral collision of rebellion and reflection — Thadeus Gonzalez unleashes a storm of distorted guitars, pounding drums, and emotionally raw vocals to capture the chaos of inner and outer conflict. With its uptempo drive and moody atmosphere, the track is tailor-made for sync scenes involving street-level tension, personal transformation, or high-stakes emotional fallout. It’s a sonic gut-punch that resonates in moments of struggle, regret, and defiant resolve.
Lyrics:

Took awhile for you to wake up
and notice where you sleep
Your head was being held down
in the water deep

But now you finally realized
this city has dragged you down
Start looking for your way out
there's none around

And I can't give you what you want
If I can't see what you see
When everything you're building up
breaks down
it’s a super rough breakdown

The cops are down on the corner
the thieves they hide from the light
Tell the prostitutes at the border
just to stay out of sight

I used to think I was better
I used to think I was right
See there ain't no law and order
that will save us all tonight

And what you want
And what you need
And what you say
should be the same

When the world has no order
and nothing falls in line
I made all the wrong decisions
every single time

Then the final straw comes
crashing down as you make your way
It lands on your shoulders
with all the mistakes I’ve made

SUR FOX — Purple Fox and the Heebie Jeebies

Sur Fox cover art

Sur Fox
by Purple Fox and the Heebie Jeebies

A wink-and-grin funk-rock jammer. “Sur Fox” strings together rapid-fire kid-friendly jokes over a head-nodding groove — perfect for comedic cues, classroom giggles, and lighthearted family moments.

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OMR Cue Map

Track: Sur Fox
Clean Intro: Yes (0:00 – immediate entry with sleek, rhythmic tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with confident tonal finish
Loopable: High (steady groove supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Stylish cue centered on motion, coolness, and precision. Ideal for slick visuals and modern storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Sur Fox

Artist: Purple Fox and the Heebie Jeebies
Genre: Funk, Rock, Soul
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion
Lyric Themes: Escape, Fun, Life, Strength, Time
Mood: Retro, Upbeat
Tempo: Slow • BPM: 82 • Key: E Major
Vocal: Female • Type: One Stop

Track Summary

Groove-forward and cheeky. A stack of clean, kid-safe jokes rides a laid-back funk pocket with vintage touches (horn stabs, tight drums). Edits easily around each punchline for comedic pacing.

Sync Highlights

  • Joke-by-joke structure gives natural :05–:10 edit bites
  • Family-friendly humor perfect for children’s TV, classroom scenes, and comedy bumpers
  • Retro funk feel works under VO without fighting dialog
  • Clean language and positive tone broaden brand appeal

Sync Potential: Sur Fox

Built for light comedy and family programming, educational interstitials, and playful brand beats.

  • Children/Family series, classroom montages, library/learning spots
  • Comedy bumpers, end-credit gags, cast shenanigans reels
  • Retail/CPG or community campaigns leaning into humor and warmth
Track Narrative:
A playful volley of kid-friendly one-liners laid over a pocket-tight funk groove. It’s humor as a rhythm — set-ups, punchlines, and knowing grins between the beats.
Lyrics:
What time do ducks wake up?
At the quack of dawn!
Why didn’t the koala get the job?
Yes, Mrs. Eucalyptus? I’m sorry, you’re over-koalafied
What did the science book say to the math book?
Wow, you’ve got problems!
What did the left eye say to the right eye?
Between us, something smells!
Why did Humpty Dumpty have a great Fall?
To make up for a miserable summer!
What kind of key opens a banana?
A Monkey!
What word is always spelled wrong in the dictionary?
Wrong? Right! Right? No, wrong!
What do you call a boomerang that won’t come back?
A stick!
Why was the broom running late?
It overswept!
What dinosaur has the best vocabulary?
The thesaurus!
What did zero say to eight?
Nice belt!
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

Funk, rock, and soul with a playful, positive core. The catalog leans into humor, curiosity, and community — a dependable match for children/family, comedy, and lifestyle storytelling.

Styles: Funk, Rock, Soul • Strengths: Edit-friendly hooks, VO-friendly mixes, clean humor • Typical Uses: Children/Family, Comedy, Education/Learning, Lifestyle

Surrender — Renée Astaria

Surrender cover art

Surrender
by Renée Astaria

“Surrender” is a heartfelt R&B/Soul track with a romantic lift — warm piano, grounded bass and drums, and electric guitar accents supporting an intimate female vocal performance. Lyrically, it’s about choosing faith over fear and taking a leap into love: surrendering to what’s real, right now. The emotional clarity and uplifting tone make it a strong fit for relationship turning points, reconciliations, and hopeful montage moments.

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OMR Cue Map

Track: Surrender
Clean Intro: Yes (0:00 – immediate entry with emotional tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (song structure supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotional cue centered on letting go, acceptance, and vulnerability. Often associated with themes of release and emotional resolution, where surrender can represent giving in to love, loss, or inner truth. :contentReference[oaicite:0]{index=0}

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Surrender

Song Profile

  • Key Signature: F minor
  • BPM: 74
  • Tempo: Fast
  • Genres: R&B, Soul
  • Vocals: Female vocal
  • Mood/Feel: Reflective, Romantic, Upbeat, Uplifting
  • Lyric Themes: Connection, Faith, Love, Unity
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Piano

Track Summary

“Surrender” blends intimate R&B/Soul warmth with a hopeful, forward-moving energy. Piano-led harmony and a steady rhythm section give the vocal space to feel personal and immediate, while the chorus leans into a romantic “take the risk” message. It’s a strong choice for relationship arcs where characters choose vulnerability, trust, and commitment.

Sync Highlights

  • Ideal for romantic turning points: confessions, reconciliations, and “choose us” moments.
  • Faith-and-love theme supports hopeful emotional arcs without being overly specific to one story.
  • Warm R&B palette works under dialogue and close-ups while still lifting in the chorus.
  • Great for montages showing connection building over time (dates, travel, healing, new beginnings).

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Surrender

“Surrender” is built for scenes where emotional resistance gives way to trust. The lyric centers on faith, presence, and taking a shared risk — making it a natural fit for romantic storylines, reunion arcs, and character moments where someone finally says what they’ve been holding back.

Scene Types

  • Romantic confessions, “will you stay” moments, or quiet declarations of love.
  • Reconciliation scenes after conflict — letting defenses down.
  • Couple montage sequences (first dates, shared routines, travel, healing).
  • Final-act commitment choices: stepping forward, taking the leap, saying yes.

Film/TV Fit

  • Romance
  • Drama
  • Coming-of-age and relationship-driven series
  • Feel-good streaming content
  • Ads / branded storytelling (connection, unity, trust, togetherness)

Why It Works

  • Clear romantic message with universal language (faith, fearlessness, unity).
  • R&B/Soul instrumentation supports intimacy and emotional closeness.
  • Chorus is a natural lift point for emotional reveals and montage peaks.
  • One-stop, female vocal track suitable for contemporary placements.
Track Narrative:
“Surrender” captures the moment someone stops trying to control the outcome and chooses love anyway — standing in front of the person they want, admitting uncertainty about the future, but offering faith, presence, and commitment right now. It’s the emotional pivot from guarded to open: “take the risk with me… we were meant to be.”

Lyrics: Surrender

No I don't know what is gonna happen today, this year, this life But I will put my faith in you I won't ask for anything more Just give me one chance to be more than a friend Take the risk with me, it's meant, our lives were meant to be Surrender to me Can't you see I'm here for you Can't you see I'm here for you There's nothing to fear Can't you see I'm here for you Let your heart take over now I know You're right in front of me this space and air we share And I hope you can feel me too I know that I can't control a future or past but my love I can send it take the risk with me, it's meant, our lives were meant to be Surrender to me Can't you see I'm here for you Can't you see I'm here for you Surrender to me Can't you see I'm here for you I'm here for you Can't you see let your heart take over Can't you see, I'm here for you baby Oh Can't you see I'm here for you Let your heart take over Can't you see I'm here for you surrender to me were meant to be.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria delivers emotionally charged, modern songs that blend soulful intimacy with cinematic pop sensibility. Her writing balances heartfelt vulnerability and uplifting momentum, creating tracks that translate naturally into character-driven storytelling on screen.

With themes centered on love, faith, connection, and personal courage, her music supports pivotal relationship moments, reinvention arcs, and hopeful scenes where characters move from uncertainty to commitment.

Styles: R&B, Soul, Pop-leaning cinematic • Strengths: Emotional clarity, romantic lift, modern instrumentation • Typical Uses: Romance, drama, reconciliation, hopeful montage sequences, branded storytelling

Sweet Surrender

Sweet Surrender cover art

Sweet Surrender
by Pheelion

Dreamy, atmospheric ambient/electronic with gentle pulse and intimate female vocal. A tender invitation to rest and release—perfect for healing arcs, reconciliation, and contemplative night scenes. One-Stop at OMR.

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OMR Cue Map

OMR Cue Map

Track: Sweet Surrender
Clean Intro: Yes (0:00 – immediate entry with warm, reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with soft tonal fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Gentle cue centered on acceptance, peace, and emotional release. Ideal for resolution scenes and reflective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion shapes devotion into cinematic quietude—minimal electronics, whispered pulse, and emotive vocal lines that cradle scenes of mercy, rest, and release.

Sync Pitch Sheet: Sweet Surrender

Song Profile

  • Key Signature: C
  • Beats Per Minute: 110
  • Energy: Midtempo
  • Genres: Ambient, Electronic
  • Vocals: Female vocal
  • Moods: AtmosphericCinematic, Dark, Dreamy, Emotive, Minimal, Moody, Mysterious, Percussive, Reflective
  • Lyric Themes: Faith, Hope, Love
  • Type: One Stop, Soundtrack

Instrumentation

  • Keyboard
  • Percussion
  • Synth

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

A hushed invitation to lay burdens down. Ideal for reconciliation, hospital or hospice quiet scenes, late-night reflections, and restorative endings where grace and rest take center stage.

Scene Types

  • Reconciliation and forgiveness
  • Recovery and emotional rest
  • Night-drive contemplation
  • Closing credits with solace

Film/TV Fit

  • Drama
  • Art House
  • Romance
  • Indie

Why It Works

  • 110 BPM keeps a gentle forward motion
  • Minimal synth/keyboard lets picture breathe
  • Faith/hope/love themes resonate universally
  • Soft vocal intimacy carries emotional weight
Track Narrative:
An exhale after the storm. “Sweet Surrender” floats on gentle percussion and warm synths, inviting scenes of acceptance, mercy, and the peace that follows letting go.
Come to me all you who are weary and burdened and I will give you rest. Take my yoke upon you and learn from me. For I am gentle and humble in heart. And you will find rest for your souls. For my yoke is easy and my burden is light. Come to me all you who are weary and burdened and I will give you rest. Take my yoke upon you and learn from me. For I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light.

Stem Tracks

Contact OMR for available stems and alternate mixes.

SWEET, SWEET SUMMERTIME — OMR Music Production

Sweet, Sweet Summertime cover art

Sweet, Sweet, Summertime
by OMR Music Production

Fun and flirtatious — “Sweet, Sweet Summertime” blends lyrical groove with radiant hooks and warm-weather nostalgia. OMR Music Production delivers a seasonal anthem pulsing with playful imagery, perfect for sync with poolside montages, festival vibes, or sunny romance scenes.

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OMR Cue Map

OMR Cue Map

Track: Sweet Sweet Summertime
Clean Intro: Yes (0:00 – immediate entry with bright, upbeat tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with energetic, feel-good finish
Loopable: High (consistent rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Bright, feel-good cue centered on joy, nostalgia, and carefree energy. Ideal for summer visuals, montage, and uplifting scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Sweet, Sweet, Summertime

Song Details

  • Key Signature: G Major
  • Beats Per Minute: 103
  • Energy: Medium
  • Genres: Country, Holiday, Party, Rock
  • Vocals: Male Vocal
  • Moods: Carefree, Happy, Uplifting
  • Cinematic Fit: Comedy, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Sweet, Sweet, Summertime by OMR Music Production is a sun-soaked anthem of joy and celebration. With its upbeat groove, retro flair, and male vocals, it’s perfect for scenes that radiate fun, friendship, and feel-good vibes.

Ideal Sync Uses

  • Comedy: Summer escapades, party montages
  • Romance: Beach dates, road trip flirtations
  • Holiday: Seasonal promos, vacation highlights
  • Party: Backyard BBQs, festival scenes

Scene Suggestions

  • Friends dancing around a bonfire
  • Opening credits of a summer rom-com
  • Slow-motion cannonball into a pool
  • End-of-school celebration montage

Why It Works

  • Male vocals add personality and warmth
  • Midtempo rhythm keeps energy balanced and breezy
  • Retro and uplifting mood enhances visual storytelling
  • One-stop licensing makes placement easy
Track Narrative:
“Sweet, Sweet Summertime” hits with bold seasonal confidence — from beach parties to cheeky romance, this groove-fueled track is built for sunlit syncs, heatwave humor, and youth-fueled narratives.
Lyrics (Excerpt — Verse 1):
BIKINI TOPS, WHITE FLIP FLOPS
LATE NIGHT PARTIES THAT NEVER STOP
SANDY TOES, SUNBURNED NOSE
MUSIC GETS LOUDER AS THE PARTY GROWS

LAZY DAYS, SECRET WISHES
SUMMER LOVE AND MIDNIGHT KISSES
SHOOTING STARS, STARLIT NIGHTS
MAKING DREAMS UNDERNEATH THE LIGHTS
CHORUS A
HONEY IN MY HEART
MOLASSES IN MY MIND
SWEET SWEET SUMMERTIME
FIRE IN MY EYES
NECTAR ON THE VINE
SWEET, SWEET SUMMERTIME
VERSE 2
JELLO SHOTS, FAVE NIGHT SPOTS
DRIVE-IN MOVIES WITH SCARY PLOTS
SKIP THE TRIP, SKINNY DIPS
SUNSET HIGHS, DOUBLE FLIPS
MOONLIT WALKS, HEARTFELT TALKS
OUTDOOR CONCERTS, GETTING HIGH
LIFEGUARD CRUSH, RED-FACED BLUSH
POOLSIDE DATING
OH WHAT A RUSH
CHORUS B
SOAKING UP THE SUN
LOVING ON MY MIND
SWEET, SWEET SUMMERTIME
DRINKS ARE SERVED WITH ICE
ADD A SLICE OF LIME
SWEET, SWEET SUMMERTIME
INTERLUDE
CHORUS C
BREEZE IS BLOWING SOFT
SEEK UNTIL YOU FIND
SWEET, SWEET SUMMERTIME
BIRDS ARE SINGING LOUD
WORKING IS A CRIME
SWEET, SWEET SUMMERTIME
CHORUS A
BRIDGE
DON’T WORRY ABOUT IT
SUMMER WILL COME
IF YOU’RE HAPPY OR SAD
SUMMER WILL COME
IT’S A CYCLE, A MIRACLE
A BLESSING FROM THE SUN
SUMMER WILL COME
CHORUS A, B, C
SOLO

SYNCHRONIZE — Elmer Ferrer

Synchronize cover art

Synchronize
by Elmer Ferrer

Synchronize hits with sleek rhythmic energy and a confident, modern edge. Driven by bass, drums, percussion, and synth, the cue feels built for motion, attitude, and tight visual pacing. Its upbeat swagger and dance-rock pulse make it ideal for nightlife scenes, fashion-forward montage, fast-cut promos, sporty movement, or any sequence that needs energy, style, and a strong sense of forward momentum.

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OMR Cue Map

OMR Cue Map

Track: Synchronize
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: No, seamless continuation
Loopable: Very High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 0:48–1:20
Use Case: Rhythmic cue for coordinated movement, teamwork, montage pacing, systems in motion, technological sequences, and scenes where elements align in timing and purpose.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Synchronize

Song Details

  • Energy: High / Driving
  • Genres: Dance, Electronic, Rock
  • Vocals: Instrumental
  • Key: A# Minor
  • BPM: 120
  • Moods: Catchy, Confident, Cool, Driving, Energetic, Fun, Party, Positive, Rhythmic, Sexy, Swagger, Upbeat
  • Cinematic Fit: Sports, Comedy, Action, Video Game, Lifestyle
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Synchronize is built for movement, confidence, and modern pace. Its energetic blend of dance, electronic, and rock elements makes it especially effective for scenes that need stylish propulsion and visual rhythm.

Ideal Sync Uses

  • Sports: training, competition, highlight reels
  • Action: movement-heavy montage and energetic transitions
  • Comedy: cool, upbeat character sequences
  • Video Game / Lifestyle: contemporary fast-paced visual content

Scene Suggestions

  • Stylized workout or training montage
  • Nightlife or fashion-forward scene with swagger
  • Fast-cut promo or commercial sequence
  • Character moving confidently through a high-energy environment
Track Narrative:
Synchronize feels like motion falling perfectly into rhythm. Its pulse is confident and stylish, giving scenes a sense of coordination, energy, and cool intent. The cue works best when the visual pacing is sharp and the mood is driven by momentum and attitude.

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