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  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
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  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
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  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — R

Rhythmic riffs, radiant textures, and raw emotion — the “R” collection resonates with bold, cinematic energy. Explore tracks built for movement, memory, and sync-ready storytelling.

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RAICES — Amhed Mitchel

Raices cover art

Raices
by Amhed Mitchel

Soulful and rooted — “Raices” explores Latin jazz through expressive phrasing and heritage-infused cadence. Amhed Mitchel builds a musical journey across tradition and emotion, suited for cinematic storytelling, spiritual themes, or cultural transitions.

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OMR Cue Map

OMR Cue Map

Track: Raices
Clean Intro: Yes (0:00 – immediate entry with organic, grounded tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with natural tonal fade
Loopable: Moderate–High (consistent phrasing supports editorial flexibility)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Rooted, identity-driven cue centered on heritage, belonging, and cultural grounding. Ideal for scenes exploring origin, family, and connection to place.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Raices

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 111
  • Energy: Medium
  • Genres: Jazz
  • Vocals: Instrumental
  • Moods: Bright, Light, Positive, Reflective, Romantic, Tension
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition & Arrangement: Amhed Mitchel
  • Recording: Jeremy Dufry
  • Mixing: Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Drums: Amhed Mitchel
  • Piano: Robi Botos
  • Flugelhorn: Alexander Brown
  • Percussion: Jorge Luis Papiosco
  • Saxophone: Luis Deis

Instrumentation

  • Bass
  • Drums
  • Horns
  • Percussion
  • Piano
  • Saxophone
  • Synth
  • Trumpet

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Raices” by Amhed Mitchel is a soulful Latin jazz instrumental that blends expressive phrasing with heritage-infused cadence. With rich solos and rhythmic tension, it’s ideal for sync scenes that explore cultural identity, emotional depth, and cinematic storytelling.

Ideal Sync Uses

  • Drama: Emotional transitions, reflective scenes
  • Mystery: Investigative montages, moody edits
  • Thriller: Rising tension, character introspection
  • Crime: Urban sequences, noir-inspired visuals

Scene Suggestions

  • Opening credits with cultural imagery
  • Character walking through a city at dusk
  • Montage of personal or historical reflection
  • Closing scene with emotional resolution

Why It Works

  • Midtempo rhythm supports narrative pacing
  • Instrumental solos add emotional complexity
  • Latin jazz textures evoke sophistication and depth
  • Atmospheric tone enhances visual storytelling
Track Narrative:
“Raices” unfolds with Latin roots, jazz phrasing, and emotional dexterity. Amhed Mitchel’s flugelhorn lead sets a tone of heritage and movement — perfectly suited for cultural storytelling, origin sequences, or spiritual reflection.

RAIN DANCE

Rain Dance cover art

Rain Dance
by Radagast the Brown

“Rain Dance” is an emotionally charged electronic-indie track that pairs rhythmic propulsion with reflective, bruised lyricism. With bass, percussion, and synth driving a cinematic build beneath a male vocal, the track moves between struggle, uplift, and hard-earned emotional release, making it especially strong for scenes that carry both pressure and transcendence.

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Track: Rain Dance
Clean Intro: Yes (0:00 – immediate atmospheric entry with rhythmic texture; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, soft resolved ending with ambient decay
Loopable: High (repetitive rhythmic texture supports seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Ritualistic, atmospheric cue centered on rhythm, nature, and elemental movement. Ideal for environmental visuals and ceremonial or reflective sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Emotional Momentum

Radagast the Brown creates immersive, sync-ready music that fuses electronic texture, emotional depth, and cinematic movement. His work often lives in the space between vulnerability and force, pairing reflective lyricism with rhythmic drive and a distinctive sonic identity.

For supervisors, the appeal is immediate: emotional clarity, dynamic movement, and production that supports both character-driven storytelling and visually expansive sequences. His tracks are especially effective when scenes need atmosphere, tension, and feeling to coexist without sacrificing momentum.

Sync Pitch Sheet: Rain Dance

Song Profile

  • Key Signature: G# Minor
  • Beats Per Minute: 75
  • Energy: Moderate
  • Genres: Electronic, Indie
  • Vocals: Male Vocal
  • Moods: Anthemic, Bright, Catchy, Dreamy, Emotive, Hopeful, Positive, Powerful, Reflective, Romantic, Sad, Upbeat, Uplifting
  • Lyric Themes: Death, Fear, Loneliness, Pain, Struggle
  • Cinematic Fit: Drama, Indie, Thriller, Sci-Fi
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Rain Dance” is built for emotionally heightened scenes where struggle, resilience, and emotional release need to exist in the same frame. Its rhythmic foundation and anthemic lift make it especially effective for scenes that move from fracture toward catharsis without losing tension.

Ideal Sync Uses

  • Drama: emotional breaking point, survival, inner reckoning
  • Indie: introspective montage, wounded resilience, emotional motion
  • Thriller: pressure, momentum, bruised determination
  • Sci-Fi: struggle against larger forces, atmospheric push toward release

Scene Suggestions

  • Character pushing through physical or emotional pain toward clarity
  • Montage built around endurance, memory, and gathering resolve
  • Scene where personal collapse transforms into release or action
  • Closing sequence that needs uplift with real emotional weight underneath

Why It Works

  • Male vocal adds immediacy and emotional intensity
  • Rhythmic structure gives editors clean movement and momentum
  • Anthemic lift supports release without losing bruised texture
  • Electronic-indie blend feels modern, cinematic, and emotionally versatile
Stem Tracks:
Available upon request.
Lyrics:
It's all the circles I should've been in line
Where waving angels hold their hands and die
To pull the stitches push the curtain wide
This will be the greatest story of all

With teeth and sharp and claws and what I'm finding
Throughout the press mistake for not aligning
With ears all to the ground, it's us they're hearing
A rumble and a stamp is what they're feeling

Save yourself from all of us while we're oblivious and the doldrum, we know
Cast the anchor below and halt the engines in tow, we're not waving, but drowning

Sweep this narrow here upon the floor
Lending weight until the eyelids worn
A ghosting armored train with candlelight
And moves the spirit in the rain tonight

With skin and shattered bones and air I'm floating
My ribs all bruised and black and scarlet showing
Return the salt and sands with airless feeling
Hold out the broken hand where hearts are healing

Save yourself from all of us while we're oblivious and the doldrum we know
Cast the anchor below and halt the engines in tow, we're not waving, but drowning

It's all the circles I should've been in line
Where waving angels hold their hands and die
To pull the stitches, push the curtain wide
This will be the greatest story of all

It's all the circles I should've been in line
where waving angels hold their hands and die
To pull the stitches push the curtain wide
This will be the greatest story of all.
Track Narrative:
“Rain Dance” feels like a bruised spirit pushing forward through wreckage, memory, and mounting pressure toward something larger than pain. It carries the force of survival and the strange uplift that comes when collapse and transcendence begin to share the same emotional space.

RANDOM THOUGHT — Justin Enco Band

Random Thought cover art

Random Thought
by Justin Enco Band

Reflective and gritty — “Random Thought” blends post-rock phrasing with melodic shadow and lyrical pause. Justin Enco Band delivers memory fragments wrapped in electric edges, perfect for sync scenes of journal narration, late-night drive, or fleeting emotion.

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OMR Cue Map

Track: Random Thought
Clean Intro: Yes (0:00 – immediate entry with light, introspective tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20
Button Ending: Yes, soft ending with reflective fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Thought-driven cue centered on reflection, curiosity, and internal dialogue. Ideal for voiceover, light introspection, and subtle character moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Random Thought

Song Profile

  • Key Signature: Ab Major
  • Beats Per Minute: 112
  • Energy: Midtempo
  • Genres: Singer-Songwriter
  • Vocals: Male
  • Moods: Sad, Warm, Hopeful, Minimal, Positive, Reflective
  • Lyric Themes: Time
  • Type: One Stop

Production Details

  • Lyrics: Justin Enco
  • Recorded & Mixed At: Purgatory Recording Studio, Sunrise, FL
  • Engineered & Mixed By: Michael Waxman
  • Mastered By: Javier Carrion at Heavy Air Studio, Miami, FL

Artists

  • Vocals & Acoustic Guitar: Justin Enco
  • Keyboards: Michael Waxman
  • Electric & Acoustic Guitars: Dan Warner
  • Bass Guitar: Javier Carrion
  • Drums: David Nizri

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Synth

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Random Thought” by Justin Enco Band is a melancholic yet hopeful singer-songwriter piece that captures the passage of time through sparse instrumentation and emotive vocals. Its introspective tone makes it ideal for sync scenes that explore memory, longing, and quiet transformation.

Ideal Sync Uses

  • Art House: Poetic visuals, abstract storytelling
  • Coming-of-Age: Personal growth, emotional turning points
  • Drama: Intimate dialogue, reflective moments
  • Indie: Lo-fi aesthetics, character-driven scenes
  • Mystery: Quiet tension, internal conflict
  • Romance: Bittersweet connection, emotional distance

Scene Suggestions

  • Character journaling or narrating thoughts
  • Slow-motion walk through a familiar place
  • Flashback montage with faded visuals
  • End credits with lingering emotion

Why It Works

  • Minimal arrangement allows space for dialogue
  • Warm acoustic tones evoke intimacy
  • Male vocals deliver emotional authenticity
  • Midtempo pacing supports reflective storytelling
Track Narrative:
“Random Thought” reflects memory and motion through instrumental phrasing and lyrical mystery — Justin Enco Band builds a cinematic inner voice, ideal for montage, diary scenes, or emotional callbacks.
Lyrics:
You are
And finally we meet again
It's been so long, where to begin?
You ask me if I remember
I say I can't
Seems now is the time to take a chance
Two steps forward and three steps back
Been running on empty in search of something new
But you say to me everything is jaded
And all the stars have faded
The one I always fought
You're my favorite random thought
And you are
So close to reality
Losing sleep comes naturally
These times are not easy
This place is deceiving
And so are some you knew
Remember the times that passed
Thinking all of this would last
Strong and secure
This tale unsure
Of what you thought you meant
And to me everything is shaded
And all the stars have faded
The one I always fought
You're my favorite random thought
And everything is shaded
And all the stars have faded
The one I always fought
You're my favorite random thought
You are

RARE BIRD — Pat Carey

Rare Bird cover art

Rare Bird
by Pat Carey

Sophisticated and soaring — “Rare Bird” glides across jazz textures and elegant phrasing. Pat Carey’s instrumental leads with finesse, blending baritone sax presence into cinematic charm. Ideal for sync scenes of stylish motion, character intros, or upscale ambiance.

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OMR Cue Map

Track: Rare Bird
Clean Intro: Yes (0:00 – immediate melodic entry with distinctive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with gentle tonal lift
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Character-driven cue centered on individuality, uniqueness, and presence. Ideal for scenes highlighting distinctive personalities or standout moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Rare Bird

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 105
  • Energy: Moderate
  • Genres: Ambient, Blues, Jazz
  • Vocals: Instrumental
  • Moods: Reflective, Somber, Chill, Dramatic, Love
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producers: Iridescent Music Company Inc.
  • Music Composition: Pat Carey
  • Recording: Alec Fraser
  • Production: Pat Carey, Alec Fraser, Jason Jestadt
  • Mixing: Alec Fraser
  • Mastering: Andy Krehm

Artists

  • Saxophones: Pat Carey
  • Acoustic & Electric Guitars: Ted Quinlan
  • Piano: Jason Jestadt
  • Acoustic Bass: Kieran Overs
  • Drums: Tom Jestadt

Instrumentation

  • Bass
  • Drums
  • Horns
  • Piano
  • Saxophone

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Rare Bird” by Pat Carey is a sophisticated instrumental that glides through ambient jazz textures with cinematic finesse. Its baritone sax and elegant phrasing make it ideal for sync scenes that evoke introspection, upscale ambiance, or emotional depth.

Ideal Sync Uses

  • Art House: Stylized visuals, abstract storytelling
  • Dramas: Emotional transitions, character development
  • Mystery: Subtle tension, noir-inspired scenes
  • Romance: Reflective moments, quiet intimacy

Scene Suggestions

  • Slow-motion cityscape or travel montage
  • Character introspection or solitude
  • Elegant dinner or upscale lounge setting
  • Closing credits with emotional resonance

Why It Works

  • Midtempo pacing supports cinematic flow
  • Instrumental solos add emotional nuance
  • Ambient jazz textures evoke sophistication
  • Reflective tone enhances visual storytelling
Track Narrative:
“Rare Bird” is tailored with finesse — Pat Carey builds an instrumental flight of sync energy, balancing sophistication and ease. Best paired with motion sequences, montage styling, or refined cinematic texture.

RATTLEBAG — Paul Reddick feat. The Sidemen

Rattlebag cover art

Rattlebag
by Paul Reddick

Gritty and groove-laden — “Rattlebag” stomps with electric blues poetry and raw cinematic tension. Reddick and The Sidemen stir sync-ready swagger with haunting energy. Ideal for scenes of movement, memory, or quiet rebellion.

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OMR Cue Map

Track: Rattlebag
Clean Intro: Yes (0:00 – immediate groove entry with gritty tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42
Button Ending: Yes, resolved ending with grounded finish
Loopable: High (steady groove supports strong looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Gritty, movement-driven cue centered on texture, motion, and lived-in energy. Ideal for road scenes and grounded storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Rattlebag

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 120
  • Energy: Midtempo
  • Genres: Punk, Rock
  • Vocals: Male
  • Moods: Anthemic, Catchy, Confident, Cool, Dramatic, Driving, Energetic, Fun, Gritty, Intense, Powerful, Swagger, Upbeat
  • Lyric Themes: Dream, Life, Love, Relationship, Time
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Written By: Paul Reddick & The Sidemen
  • Recorded By: Ken Friesen
  • Mixed By: King Williams
  • Mastered By: John Whynot

Artists

  • Vocals & Harmonica: Paul Reddick
  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Electric Guitar, Steel Guitar, Twelve-String Guitar: Kyle Ferguson
  • Drums: Vince Maccarone
  • Organ, Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

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OMR Music Production
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Sync Potential

“Rattlebag” by Paul Reddick is a swaggering punk-rock anthem that blends electric blues grit with cinematic tension. Its raw energy and poetic edge make it ideal for sync scenes that demand movement, rebellion, or emotional intensity.

Ideal Sync Uses

  • Action: Fight scenes, chase sequences
  • Adventure: Road trips, discovery montages
  • Crime: Urban tension, noir edits
  • Drama: Emotional breakthroughs, confrontations
  • Indie: Stylized visuals, character-driven arcs
  • Sports: Training montages, victory moments
  • Thriller: Rising suspense, psychological tension

Scene Suggestions

  • Opening credits with bold visuals
  • Character walking through gritty streets
  • Montage of rebellion or transformation
  • Climactic moment with emotional release

Why It Works

  • Uptempo rhythm drives momentum
  • Male vocals deliver raw authenticity
  • Gritty instrumentation adds cinematic texture
  • Anthemic tone enhances emotional impact
Track Narrative:
“Rattlebag” tumbles with blues phrasing and lyrical grit — Paul Reddick crafts a sonic poem of motion, tension, and release. Ideal for film scenes of quiet rebellion, road trip montage, or dust-blown memory.
Lyrics:
Oh reach into your rattlebag Toss your bones on out Oh reach into your rattlebag Toss your bones on out Won't you tell me darlin What I'm thinkin bout Drivin in your 66 Turquoise shade of green Drivin in your 66 Turquoise shade of green Slow goes that beauty box Life is but a dream Oh honey you can roll Roll your crimson dice Oh honey you can roll Roll your crimson dice Oh believe me baby You give good advice Oh reach into your rattlebag Toss your bones on out Oh reach into your rattlebag Toss your bones on out Won't you tell me darlin What I'm thinkin bout

REALIDAD INVENTADA (TRASH POLKA) — Pavlo Carta

Realidad Inventada (Trash Polka) cover art

Realidad Inventada (Trash Polka)
by Pavlo Carta

Agitated and alluring — “Realidad Inventada” fuses the Trash Polka aesthetic with pulsing sync tension. Pavlo Carta crafts a haunting tango of surreal grit, perfect for dystopian narratives, underground energy, or noir-laced stylized visuals.

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OMR Cue Map

Track: Realidad Inventada (Trash Polka)
Clean Intro: Yes (0:00 – immediate entry with stylized tonal contrast; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with stylized tonal finish
Loopable: High (structured phrasing supports looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Stylized, contrast-driven cue centered on perception, illusion, and constructed reality. Ideal for visual storytelling with bold identity and edge.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Realidad Inventada (Trash Polka)

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 130
  • Energy: Up-Tempo
  • Genres: Electronic, Funk, Indie
  • Vocals: Male
  • Moods: Atmospheric, Confident, Cool, Dark, Moody, Rhythmic, Sexy, Swagger
  • Lyric Themes: Time, Relationship, Dream, Life, Love
  • Type: One Stop

Production Details

  • Music Composition: Pavlo Cartaginese
  • Production: Hxney Produccion, A Coruña, España
  • Recording: Honey Produccion, A Coruña, Galicia, España
  • Mastering: Ricky Lorenzo, TribalRecord, Argentina

Artists

  • Composer & Instrumentation: Pavlo Carta (Violocellos, Acusticos FX, Distortions, Synth)
  • Vocals: Phias

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Realidad Inventada (Trash Polka)” by Pavlo Carta is a hypnotic blend of electronic grit and funk swagger. With its pulsing rhythm and surreal textures, it’s ideal for sync scenes that demand edge, tension, and underground allure.

Ideal Sync Uses

  • Action: Chase scenes, fight sequences
  • Art House: Stylized visuals, abstract narratives
  • Crime: Urban tension, noir edits
  • Drama: Emotional intensity, character depth
  • Indie: Experimental storytelling, moody transitions
  • Romance: Seductive tension, unconventional intimacy

Scene Suggestions

  • Nightclub or underground rave sequence
  • Stylized montage with surreal visuals
  • Character transformation or rebellion
  • Slow-motion walk through neon-lit streets

Why It Works

  • Uptempo beat drives momentum
  • Dark synth textures evoke mystery
  • Male vocals add emotional grit
  • Atmospheric tone enhances stylized storytelling
Track Narrative:
“Realidad Inventada (Trash Polka)” is a hypnotic collision of rhythm and distortion — Pavlo Carta channels surreal tension through cello grit, synth swagger, and pulsing percussion. This track evokes underground rebellion and cinematic edge, perfect for stylized visuals, noir sequences, and emotionally charged storytelling.

Real Joy — Tiffany Joy

Real Joy cover art

Real Joy
by Tiffany Joy

“Real Joy” is an uplifting Pop‑Singer/Songwriter track where Tiffany Joy transforms self‑doubt into radiant optimism. Driven by acoustic and electric guitars, warm percussion, and glowing vocals, it’s a personal anthem about rediscovering strength, purpose, and happiness — the real joy that comes from within.

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OMR Cue Map

OMR Cue Map

Track: Real Joy
Clean Intro: Yes (0:00 – immediate entry with warm, uplifting tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with bright tonal lift
Loopable: Moderate–High (steady phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Uplifting cue centered on positivity, warmth, and emotional clarity. Ideal for feel-good moments and scenes driven by connection and optimism.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Real Joy

Song Profile

  • Key Signature: C Major
  • BPM: 88
  • Tempo: Midtempo
  • Genres: Pop, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Hopeful, Positive, Reflective, Warm
  • Lyric Themes: Dream, Strength, Happiness, Success
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion
  • Synth

Track Summary

“Real Joy” blends heartfelt lyricism and uplifting production into a radiant expression of hope. With an empowering chorus and a reflective groove, Tiffany Joy captures the movement between struggle and serenity. Perfect for cinematic closing cues, emotional wins, or morning‑light revival scenes.

Sync Highlights

  • Fits scenes of renewal, success, and personal growth.
  • Great for inspirational montages or “finding purpose” sequences.
  • Warm acoustic tone complements narrative transitions.
  • Flexible emotional range — from reflection to triumph.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Real Joy

“Real Joy” translates emotional uplift into an easy, cinematic warmth. Its tone works effortlessly under film and TV moments where the audience reconnects with courage, balance, or rediscovered happiness.

Scene Types

  • Feel‑good emotional resolution scenes.
  • Montages of healing, achievement, or morning renewal.
  • Character reflection with optimistic realization.
  • Sunrise or hopeful travel sequences.

Film/TV Fit

  • Drama
  • Romance
  • Coming‑of‑Age
  • Inspirational Content

Why It Works

  • Balances realism with warmth — powerful and accessible.
  • Universal message of resilience and inner strength.
  • Midtempo pulse eases into reflective cinematic pacing.
Track Narrative:
“Real Joy” is Tiffany Joy’s affirmation of triumph through truth and resilience. The narrative travels from inner conflict to awakening, revealing joy not as perfection but as acceptance. It’s both intimate and cinematic — a healing anthem about rediscovering light in one’s own voice.

Lyrics: Real Joy

I might be all right this time if I could just see the silver lining Maybe I would fly so high if I could just see my stars were shining I've been asleep for days, just dreaming of a happier times But when I wake I know that I'm the only one who can find a real joy I'm talking about a real joy, I want it, I want it, yeah A real joy I gotta find a real joy, I want it, I want it, yeah I'm kicking, I'm crying, I'm screaming, I'm fighting with myself We should be a team but I'm so damn mean, it hurts my health If the choice is mine then why does the answer elude me? All I need's just a bottle of wine and my guitar just to soothe me, help me find a real joy I gotta find a real joy, I want it, I want it, yeah A real joy I'm talking about a real joy, I want it, I want it, yeah And Lord knows I've been here so many times I've been down this road before And it's so clear to me, you know I know I gotta find the answers to all of my dreams Oh I'm talking about a real joy To know that I'm a real joy, I want it, I want it, yeah To show them that I'm a real joy I gotta find a real joy, I want it, I want it, yeah Don't you know that I'm a real joy, real joy Don't you know that I'm a real, real joy Don't you know that I'm a real joy, baby Gotta find a real joy, real joy Gotta find a real, real joy Gotta find a real joy, baby A real joy I'm talking about, I'm saying about, I'm saying I'm a real real joy, I know A real joy I'm talking about, I'm singing about, I'm saying I'm a real real joy, I know Don't you know that I'm a real joy Don't you know that I'm a real joy Don't you know that I'm a real joy Don't you know that I'm a real joy, real joy
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy fuses Pop, Soul, and Singer‑Songwriter elements into emotionally reflective, life‑affirming songs. With a warm voice and relatable storytelling, she captures transformation, courage, and self‑belief with a cinematic touch.

Her music inspires connection through heartfelt lyrics and melodic optimism — songs that fit scenes of rediscovery, reflection, and warmth.

Styles: Pop, Singer/Songwriter •  Strengths: Emotive vocals, positive themes, cinematic warmth •  Typical Uses: Drama, Romance, Inspiration, Hopeful Montages

REALIZATION — Pat Carey

Realization cover art

Realization
by Pat Carey

Soulful and intentional — “Realization” cruises with melodic balance, warm brass phrasing, and subtle groove. Pat Carey brings jazz elements to contemplative life, ideal for sync scenes of transition, confidence, or daybreak pacing with class.

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OMR Cue Map

OMR Cue Map

Track: Realization
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, soft resolved ending with reflective fade
Loopable: Moderate–High (flowing phrasing supports looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Insight-driven cue centered on awareness, clarity, and emotional understanding. Ideal for turning-point moments and character realization scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Realization

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 101
  • Energy: Mid Tempo
  • Genres: Cinematic, Jazz
  • Vocals: Instrumental
  • Instrumental Solos: Electric Guitar, Piano, Saxophone
  • Moods: Dramatic, Reflective, Serious, Tense
  • Cinematic Fit: Action, Adventure, Crime, Drama, Mystery
  • Type: One Stop

Production Details

  • Produced by: Pat Carey, Steve Grisbrook
  • Recorded at: Iridescent Music Studio
  • Engineered & Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Pat Carey: Soprano, Tenor & Baritone Saxophones
  • Ted Quinlan: Guitar
  • Garth Vogan: Bass
  • Jason Jestadt: Piano
  • Tom Jestadt: Drums

Instrumentation

  • Saxophone
  • Horns
  • Keyboard

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Realization” by Pat Carey is a moody, jazz-infused instrumental that blends cinematic tension with expressive solos and urban sophistication. With saxophone, piano, and electric guitar weaving through a midtempo groove, it’s ideal for sync scenes that explore introspection, mystery, and emotional depth.

Ideal Sync Uses

  • Drama: Reflective character moments, emotional transitions
  • Crime: Investigative sequences, noir tension
  • Mystery: Psychological unraveling, suspenseful pacing
  • Indie: Stylized edits, urban storytelling
  • Documentary: City life, personal journeys

Scene Suggestions

  • Montage of late-night city streets
  • Character in quiet contemplation or decision-making
  • Slow-motion walk through urban landscape
  • Closing credits with unresolved tension

Why It Works

  • Midtempo groove supports pacing and mood
  • Instrumental format allows flexible placement
  • Saxophone and piano solos add emotional resonance
  • Genre blend suits drama, mystery, and cinematic tone
Track Narrative:
“Realization” floats with smooth phrasing and tonal poise — Pat Carey leads an instrumental journey of vibe, motion, and understated cool. Perfect for scenes of renewal, runway confidence, or quiet cinematic sophistication.

RECUERDOS — Amhed Mitchel

Recuerdos cover art

Recuerdos
by Amhed Mitchel

Emotional and reflective — “Recuerdos” is a jazz-infused instrumental designed to evoke memory and meaning. Amhed Mitchel builds soft piano lines and expressive phrasing ideal for sync scenes of intimacy, introspection, or nostalgic montage.

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OMR Cue Map

Track: Recuerdos
Clean Intro: Yes (0:00 – immediate entry with nostalgic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with gentle emotional fade
Loopable: Moderate–High (steady phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Memory-driven cue centered on nostalgia, reflection, and emotional recall. Ideal for flashbacks and scenes revisiting past moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Recuerdos

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 136
  • Energy: High
  • Genres: Jazz, World
  • Vocals: Instrumental
  • Instrumental Solos: Piano, Saxophone
  • Moods: Romantic, Light, Positive, Reflective, Somber, Uplifting, Sad
  • Cinematic Fit: Crime, Drama, Mystery
  • Type: One Stop

Production Details

  • Executive Producers: Amhed Mitchel
  • Music Composition: Amhed Mitchel
  • Music Arrangement: Amhed Mitchel
  • Recording: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Amhed Mitchel
  • Piano: Adrean Ferrugia
  • Upright Bass: Kieran Overs
  • Soprano Sax: Jeff King
  • Alto Sax: Luis Deniz

Instrumentation

  • Horns
  • Piano
  • Saxophone
  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Recuerdos” by Amhed Mitchel is a high-energy jazz instrumental that blends romantic phrasing with cinematic tension. Its expressive piano and saxophone solos make it a compelling choice for scenes that explore memory, emotion, and quiet intensity.

Ideal Sync Uses

  • Drama: Emotional transitions, reflective moments
  • Mystery: Investigative sequences, subtle suspense
  • Crime: Urban tension, noir-inspired edits

Scene Suggestions

  • Character walking through a quiet city
  • Montage of personal reflection or loss
  • Slow-motion sequence with emotional weight
  • Closing credits with nostalgic tone

Why It Works

  • Midtempo pacing supports narrative flow
  • Instrumental solos add emotional complexity
  • Jazz textures evoke sophistication and depth
  • Romantic tone enhances cinematic storytelling
Track Narrative:
“Recuerdos” turns quiet tones into emotional landscapes — Amhed Mitchel paints a jazz instrumental full of personal weight and gentle complexity. Ideal for scenes of memory, character longing, or soft storytelling.

RED HOT HOT ROD — Purple Fox & the Heebie Jeebies

Red Hot Hot Rod cover art

Red Hot Hot Rod
by Purple Fox & the Heebie Jeebies

A turbo-charged funk groove built for motion and swagger. “Red Hot Hot Rod” races with horns, bass, and electric flair — a retro-futuristic jam that drives scenes of energy, style, and fast-paced fun.

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OMR Cue Map

OMR Cue Map

Track: Redhot 1
Clean Intro: Yes (0:00 – immediate entry with high-energy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with punchy finish
Loopable: High (driving rhythm supports seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: High-energy cue built for movement, urgency, and forward momentum. Ideal for montage, action pacing, and scenes driven by intensity and speed.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Red Hot Hot Rod

Artist: Purple Fox & the Heebie Jeebies
Genre: Funk, R&B, Soul
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion
Lyric Themes: Energy, Escape, Fun, Power, Success
Mood: Driving, Fun, Positive, Quirky, Retro, Swagger, Upbeat
Tempo: Uptempo • BPM: 120 • Key: A Minor
Vocal: Male vocal • Type: One Stop

Track Summary

“Red Hot Hot Rod” burns rubber with soulful swagger and funky horsepower. A dynamic and punchy track for motion, momentum, and style-driven storytelling.

Sync Highlights

  • Perfect for automotive spots, retro chases, and speed montages
  • Driving horns and rhythm make it ideal for travel, energy, or fashion ads
  • Built-in structure for :15/:30/:60 cut-downs

Sync Potential: Red Hot Hot Rod

Funk-fueled and flashy, this track powers car commercials, racing sequences, and retro action montages. Great for fast-cuts and kinetic edits needing rhythmic drive and swagger.

  • Automotive, sports, or technology brand syncs
  • High-speed chase or montage scenes
  • Stylish commercial or animated action energy
Track Narrative:
Sleek, funky, and electric — “Red Hot Hot Rod” is a musical engine revving with attitude. Perfect for visuals of speed, style, and unstoppable momentum.
Lyrics: You don't need a freeway You just need a runway Taking off a thousand miles an hour Coming through, out of my way If you want a cool car If you want a fast car taking off a thousand miles an hour Turbo rocket cylinder It's electric Red hot hot rod Get those fancy cars Red hot hot rod Faster than a shooting star Red hot hot rod That engine is a work of art Red hot, hot, hot, hot, hot, hot car You don't need a gas tank You just need an electric bank Taking off a thousand miles an hour Sleekest hybrid boosters inside at the top of the rank Red hot hot rod Get those fancy cars Red hot hot rod Faster than a shooting star Red hot hot rod That engine is a work of art Red hot, hot, hot, hot, hot, hot car Hot! Getting all the fancy cars No Faster than a shooting star That engine is a work of art It's electric.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul collective delivering upbeat, family-positive grooves with real-musician feel and modern polish. Purple Fox & the Heebie Jeebies blend contagious hooks, rhythm-section punch, and audience-participation energy that fits perfectly into film, TV, and brand content.

Styles: Funk, R&B, Soul • Strengths: Groove-based energy, horn-driven swagger, bright vintage tone • Typical Uses: Automotive spots, retro montages, fun lifestyle branding, and racing sequences

RED HOT LAVA — Purple Fox & the Heebie Jeebies

Red Hot Lava cover art

Red Hot Lava
by Purple Fox & the Heebie Jeebies

A funky, soulful romp that turns the childhood game “the floor is lava” into a groove-driven adventure. “Red Hot Lava” bubbles with brass, bounce, and playful confidence — perfect for kids’ TV, animation, or scenes full of imagination and movement.

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OMR Cue Map

OMR Cue Map

Track: Redhot 2
Clean Intro: Yes (0:00 – immediate entry with rhythmic intensity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with energetic release
Loopable: High (consistent groove supports editorial looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Rhythm-forward cue centered on drive, motion, and controlled intensity. Ideal for montage, transitions, and sequences requiring sustained energy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Red Hot Lava

Artist: Purple Fox & the Heebie Jeebies
Genre: Funk, Soul
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion
Lyric Themes: Adventure, Escape, Fear, Fun
Mood: Confident, Positive, Quirky, Upbeat
Tempo: Midtempo • BPM: 112 • Key: A Minor
Vocal: Male vocal • Type: One Stop

Track Summary

Funky, catchy, and brimming with youthful swagger, “Red Hot Lava” takes playground energy to cinematic levels. Perfectly balances humor and tension in a fun, family-friendly groove.

Sync Highlights

  • Ideal for kids’ shows, adventure games, and playful ads
  • Works with scenes featuring energy, chase, or action comedy
  • Retro funk tone appeals to nostalgic yet modern soundtracks

Sync Potential: Red Hot Lava

A funky and comedic cue that fits perfectly into animated sequences, commercials, or light-hearted action montages. Playful enough for kids’ programming but punchy enough for family entertainment promos.

  • Animated action or comedy scenes
  • Video game intros or energetic montages
  • Family-brand campaigns emphasizing movement or adventure
Track Narrative:
“Red Hot Lava” turns childhood play into funk-fueled adventure. Its groove walks the line between danger and delight, igniting the imagination of young and old alike.
Lyrics: R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A Freestyle down the sidewalk, flyin' like a red-tailed hawk Playin' hopscotch to a diet song Balance on the high step, hang on tight like a spider's web You think I touched the ground 'cause then they're gone It's all red hot lava Watch out where you step It's all red hot lava But just hold your breath It's all red hot lava Heads up, this ain't no test It's all red hot lava, red hot lava Watch out! Aww! You might think I'm crazy, but the ground is made of lava gravy Shocks the fur and the socks right out your shoes Beware the shadow it attacks, a crack might break your mama's back But watch out for that magma molten ooze Red hot lava Watch out where you step It's all red hot lava But just hold your breath It's all red hot lava Heads up, this ain't no test It's all red hot lava, red hot lava Watch out! Aww! R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A R-E-D H-O-T L-A-V-A
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul collective delivering upbeat, family-positive grooves with real-musician feel and modern polish. Purple Fox & the Heebie Jeebies blend contagious hooks, rhythm-section punch, and audience-participation chants that light up the screen.

Styles: Funk, Soul • Strengths: Playful funk, creative lyricism, rhythmic confidence • Typical Uses: Kids’ animation, family comedy, upbeat adventure content, and playful branding

RED RAIN — Kristin Sweetland

Red Rain cover art

Red Rain
by Kristin Sweetland

Mysterious and poetic — “Red Rain” blends lyrical myth with evocative composition. Kristin Sweetland conjures scenes of supernatural beauty, making this track ideal for sync with dark fantasy, spiritual questioning, or cinematic folklore montages.

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OMR Cue Map

OMR Cue Map

Track: Red Rain
Clean Intro: Yes (0:00 – immediate atmospheric entry with emotional weight; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, soft resolved ending with lingering decay
Loopable: Moderate–High (flowing structure supports editing flexibility)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Emotional, atmosphere-heavy cue centered on tension, reflection, and unresolved feeling. Ideal for dramatic scenes and introspective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Red Rain

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 85
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter, World
  • Vocals: Female Vocal
  • Instrumental Solos: Acoustic Guitar, Bansuri Flute
  • Moods: Positive, Reflective
  • Lyric Themes: Freedom, Power, Time, Love, Fear
  • Cinematic Fit: Action, Art House, Fantasy, Mystery, Thriller
  • Type: One Stop

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed at: Casa Wroxton studio, Toronto, Ontario (2002)
  • Mastered at: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: vocals, acoustic guitar
  • George Koller: double bass
  • Ernie Tollar: bansuri flutes
  • Ken Whiteley: electric sitar guitar, shaker
  • Ben Grossman: udu, tambourine, triangle

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Bansuri Flute
  • Double Bass
  • Electric Sitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Red Rain” by Kristin Sweetland is a poetic, midtempo folk track that blends acoustic textures with mystical undertones. Its lyrical themes of freedom, fear, and time make it ideal for emotionally rich storytelling and cinematic introspection.

Ideal Sync Uses

  • Fantasy: Mythical landscapes, spiritual quests
  • Mystery: Dreamlike transitions, enigmatic scenes
  • Thriller: Psychological tension, surreal montages
  • Art House: Symbolic visuals, poetic narratives

Scene Suggestions

  • Opening sequence with ethereal visuals
  • Character wandering through a forest or dreamscape
  • Montage of emotional awakening or transformation
  • Closing credits with a reflective tone

Why It Works

  • Midtempo rhythm supports narrative pacing
  • Female vocals add emotional resonance
  • Acoustic instrumentation evokes intimacy and depth
  • World elements enhance mystical and cinematic appeal
Track Narrative:
“Red Rain” falls into mystery with poetic phrasing and symbolic abstraction — Kristin Sweetland delivers a lyrical tale of strange phenomena, emotional reflection, and mythic imagery. Ideal for moody visual storytelling and scenes of haunting wonder.
Lyrics:
In the streets the faithful prayed
Lovers loved and children played
Deep beneath the darkened sun
That cast a shadow over everyone
Water turned to wine and turned to blood and then
It rained red rain in India
Rained red rain in India

Controversial mystery
Stain blood rains through history
Was it this phenomena
That Darwin wrote about in Africa
Or rapture come a callin’ to the end again
It rained red rain in India
Rained red rain in India

Come to me and lay me down
Out beyond the lights of town
Open up the sanguine sky
And make it thunder like a battle cry
Cover me and flood my ruby lips like when
It rained red rain in India
Rained red rain in India

In a scientific study
Ruddy rain was flesh and bloody
Run and tell Mulder and Scully
Falling They’re coming
Falling They’re coming
Down

Do you think that if or when
Our civilization ends
We’ll return to starry dust
Reunited with the rocks and rust
To rise and then to fall again
When in rains red rain in India
Rains red rain in India
Rains red rain in India
Rains red rain in India

Reflection of You — Renée Astaria

Reflection of You cover art

Reflection of You
by Renée Astaria

“Reflection of You” is a heartfelt Pop/Reggae/Soul track that balances warmth and introspection. Built on a relaxed midtempo groove with piano, bass, and gentle percussion, the song explores forgiveness, inherited pain, and emotional reconciliation. Its hopeful tone and affirming chorus make it well-suited for scenes centered on healing, understanding, and renewed connection.

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OMR Cue Map

OMR Cue Map

Track: Reflection of You
Clean Intro: Yes (0:00 – immediate entry with intimate tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with gentle emotional fade
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective cue centered on connection, identity, and emotional mirroring. Ideal for character moments and introspective sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Reflection of You

Song Profile

  • Key Signature: C Major
  • BPM: 104
  • Tempo: Midtempo
  • Genres: Pop, Reggae, Soul
  • Vocals: Female vocal
  • Mood/Feel: Catchy, Hopeful, Positive
  • Lyric Themes: Pain, Healing, Forgiveness
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Piano

Track Summary

“Reflection of You” centers on reconciliation — acknowledging past pain while choosing empathy and forgiveness. Its relaxed groove and melodic warmth support emotionally grounded scenes where understanding replaces resentment and connection is restored.

Sync Highlights

  • Ideal for healing arcs, family reconciliation, and emotional closure.
  • Midtempo groove supports reflective dialogue and memory sequences.
  • Hopeful tone keeps scenes moving toward resolution rather than regret.
  • Pop/reggae/soul blend adds warmth and accessibility.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Reflection of You

“Reflection of You” works best in emotionally restorative moments — when characters confront their past and find peace through understanding. Its warm delivery supports scenes of forgiveness, reconnection, and personal growth.

Scene Types

  • Family or generational reconciliation scenes.
  • Quiet emotional conversations and apologies.
  • Memory-driven montages reflecting growth and healing.
  • End-of-conflict moments leading to renewed connection.

Film/TV Fit

  • Drama
  • Family-focused stories
  • Character-driven series
  • Indie features
  • Branded storytelling centered on healing and unity

Why It Works

  • Forgiveness theme resonates universally.
  • Hopeful mood balances emotional weight.
  • Midtempo pacing supports dialogue and transitions.
  • One-stop, female vocal track with warm crossover appeal.
Track Narrative:
“Reflection of You” follows a journey from resentment to compassion. The narrator confronts inherited pain and unmet years, ultimately realizing that identity is shaped by both struggle and love. By choosing forgiveness without erasure, the song lands on peace and mutual recognition.

Lyrics: Reflection of You

I hope that you find peace I'm sorry that we didn't have Sorry that we didn't have those days together For so many years I I resented you My memories are clouded and I still work through the pain I am a reflection of you Reflection of you Through and through, I am you, that's the truth Yeah, I reflect you I know you were confused But you were well-intentioned You didn't know But life has taught you better I see how you have grown But your conscience won't let you be Can you hear me? I can help you now give me your hand I am a reflection of you Reflection of you Through and through, I am you, that's the truth, yeah I reflect you I am a reflection of you Reflection of you The good and the bad, the happy and sad That's the truth I wouldn't change anything, I reflect you My heart is on the mend Now that we can be friends I will forgive, never forget We can be friends I am a reflection of you Reflection of you Through and through, I am you, that's the truth, yes I reflect you I am a reflection of you Reflection of you The good and the bad, the happy and sad I wouldn't change anything The good and the bad, happy and sad The good and the bad, happy and sad I wouldn't change a thing The good and the bad, happy and sad I wouldn't change anything I am a reflection of you Reflection of you That's the truth, yeah I reflect you.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria writes emotionally honest songs that balance warmth, clarity, and healing. Her music often explores identity, forgiveness, and personal growth, making it especially effective in character-driven narratives.

With a soulful vocal presence and modern crossover sound, her catalog supports scenes that require empathy, resolution, and emotional authenticity.

Styles: Pop, Soul, Reggae-inflected • Strengths: Healing narratives, melodic warmth, emotional clarity • Typical Uses: Drama, family stories, reconciliation arcs, reflective montages

Relief

Relief cover art

Relief
by Elmer Ferrer

“Relief” is a midtempo ambient-electronic soundtrack cue in C Major at 85 BPM, built around piano and synth textures. Minimal, moody, mysterious, and reflective, it carries a sense of tension beginning to soften — ideal for aftermath, quiet realization, emotional release, and scenes where pressure gives way to breath.

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OMR Cue Map

OMR Cue Map

Track: Relief
Clean Intro: Yes (0:00)
Edit Points: 0:21 / 0:42 / 1:03 / 1:24 / 1:45 / 2:06
Button Ending: No, soft reflective tail
Loopable: High
Best Loop Candidates: 0:21–1:03 / 1:03–1:45 / 1:24–2:06
Use Case: Reflective ambient cue for aftermath, emotional release, quiet realization, recovery, mystery resolving into calm, and scenes where tension softens without disappearing completely.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Relief

Song Profile

  • Genres: Ambient, Electronic, Soundtrack
  • Key Signature: C Major
  • BPM: 85
  • Tempo: Midtempo
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Minimal, Moody, Mysterious, Percussive, Reflective, Tension
  • Type: One Stop

Instrumentation

  • Piano
  • Synth

Sync Potential

“Relief” by Elmer Ferrer is suited for scenes where pressure begins to ease but the emotional residue remains. Its piano and synth textures create a reflective atmosphere that supports aftermath, quiet realization, recovery, and subtle dramatic transition.

Scene Types

  • Aftermath and emotional recovery
  • Quiet realization after conflict
  • Reflective transitional scenes
  • Mystery softening into clarity
  • Dialogue-safe dramatic underscore
Track Narrative:
“Relief” feels like the first deep breath after a long period of pressure. The cue does not fully resolve the darkness; instead, it allows space for the character or scene to soften, process, and move forward. Its piano and synth textures make it reflective, restrained, and emotionally useful for aftermath and quiet release.
Instrumental Notes:
Midtempo ambient-electronic instrumental in C Major at 85 BPM, built from piano and synth. Designed for reflective aftermath, emotional release, subtle tension, quiet realization, and dialogue-friendly dramatic movement.

Stem Tracks

Stem availability can be confirmed upon request.

RENACIMIENTO — Elmer Ferrer

Renacimiento cover art

Renacimiento
by Elmer Ferrer

Delicate and radiant — “Renacimiento” explores gentle guitar motion and ambient melodic structure. Elmer Ferrer shapes a graceful instrumental arc ideal for reflective edits, visual poetry, or emotional sync narratives with uplifting tone.

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OMR Cue Map

OMR Cue Map

Track: Renacimiento
Clean Intro: Yes (0:00 – immediate entry with cinematic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with uplifted release
Loopable: Moderate–High (progressive structure supports edits)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Transformation-driven cue centered on rebirth, growth, and forward motion. Ideal for turning points and narrative renewal.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Renacimiento

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 82
  • Energy: Medium
  • Genres: Ambient, Ballad, Latin, Folk, Singer/Songwriter, World
  • Vocals: Male
  • Instrumental Solos: —
  • Moods: Carefree, Sad, Warm, Hopeful, Light, Quirky, Reflective, Uplifting, Romantic
  • Lyric Themes: Destiny, Hope, Strength, Faith, Time
  • Cinematic Fit: Drama, Fantasy, Mystery, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing: Elmer Ferrer
  • Mastering: Elmer Ferrer

Artists

  • All Instruments: Elmer Ferrer
  • Vocals: Elmer Ferrer

Instrumentation

  • Acoustic Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Renacimiento” by Elmer Ferrer is a slow, ambient ballad that radiates warmth and introspection. Its acoustic guitar-driven arrangement and cinematic tone make it ideal for scenes that explore emotional rebirth, quiet strength, and poetic reflection.

Ideal Sync Uses

  • Drama: Personal transformation, emotional turning points
  • Fantasy: Magical realism, spiritual journeys
  • Mystery: Reflective tension, subtle revelations
  • Romance: Intimate moments, nostalgic flashbacks

Scene Suggestions

  • Character walking through a quiet landscape
  • Montage of healing or rediscovery
  • Slow-motion visuals with emotional depth
  • Closing credits with a hopeful tone

Why It Works

  • Slow tempo supports reflective pacing
  • Acoustic guitar adds intimacy and warmth
  • Ambient textures enhance cinematic atmosphere
  • Emotional tone aligns with themes of hope and destiny
Track Narrative:
“Renacimiento” channels breath and rhythm through Elmer Ferrer’s melodic landscape — ideal for moments of soul-shift, reflective transition, or quiet transformation. It blooms like the title suggests.

Lyrics: Renacimiento

Como la luz, como la lluvia, vendrás
Como rayito de fe, limpia camino amargo
Como la luz, como la lluvia, vendrás
Como rayito de fe, limpia camino amargo

RENAISSANCE WOMAN — OMR Music Production

Renaissance Woman cover art

Renaissance Woman
by OMR Music Production

Empowered and poetic — “Renaissance Woman” is an anthem of creative fire, resilience, and multidimensional selfhood. OMR Music Production weaves a lyrical celebration perfect for sync scenes of personal evolution, artistic transformation, or visionary drive.

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OMR Cue Map

OMR Cue Map

Track: Renaissance Woman
Clean Intro: Yes (0:00 – immediate entry with confident tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with confident finish
Loopable: Moderate–High (steady phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Empowerment-driven cue centered on capability, independence, and strength. Ideal for character-led storytelling and confident progression.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Renaissance Woman

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 125
  • Energy: Medium Tempo
  • Genres: Indie, Rock
  • Vocals: Female Vocal
  • Instrumental Solos: Electric Guitar
  • Moods: Carefree, Bright, Confident, Upbeat, Quirky, Fun, Uplifting
  • Lyric Themes: Empowerment, Identity, Strength, Success, Time
  • Cinematic Fit: Action, Comedy, Drama, Romance
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Kira Braun
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Renaissance Woman” by OMR Music Production is a confident, upbeat indie rock anthem that celebrates empowerment and multidimensional identity. With electric guitar swagger, bright percussion, and female vocals full of charisma, it’s ideal for sync scenes that highlight transformation, ambition, and personal strength.

Ideal Sync Uses

  • Action: Training montages, breakthrough moments
  • Comedy: Quirky character intros, playful edits
  • Drama: Personal evolution, emotional resilience
  • Romance: Empowered love stories, bold declarations

Scene Suggestions

  • Opening credits with bold visuals
  • Montage of creative or career success
  • Character walking with purpose and style
  • Closing scene with triumphant energy

Why It Works

  • Uptempo rhythm energizes movement and momentum
  • Female vocals deliver clarity and charisma
  • Electric guitar solos add edge and attitude
  • Lyric themes align with empowerment and success
Track Narrative:
“Renaissance Woman” radiates from within — OMR Music Production delivers empowering lyrics and fluid sonic architecture fit for scenes of self-discovery, passion, or transformative artistry.
Lyrics:
VERSE 1
YOU’VE GOT TO TRUST YOURSELF
BE WHO YOU ARE
DO WHAT YOU WANT TO DO
DISCOVER YOU
YOUR POINT OF VIEW
KNOW YOURSELF THROUGH AND THROUGH

CHORUS
RENAISSANCE WOMAN
IN A GOLDEN AGE
AN OPEN MIND
ON A GLOBAL STAGE
I LEFT MY TROUBLES BEHIND
AND I TURNED THE PAGE
IT’S A PRIVILEGE OF THIS MODERN AGE

VERSE 2
I WANT TO MAKE IT CLEAR
I’M THE NEW FRONTIER
WHAT YOU SEE IS WHAT YOU GET
I’M NOT AFRAID
I JUST INSIST
ON AVOIDING EMOTIONAL DEBT

CHORUS

BRIDGE
THERE’S A TIME FOR WORK
AND A TIME FOR LOVE
AIN’T GOT NO TIME TO TALK
YEAH, IT’S TIME TO WALK

CHORUS

SOLO

CHORUS ... -->

REQUIEM — The Green Door

Requiem cover art

Requiem
by The Green Door

“Requiem” is a dark, ritualistic rock track driven by judgment, mortality, and the weight of spiritual consequence. The Green Door blends gritty momentum with solemn Latin phrasing, giving the song a cinematic gravity that feels equally suited to reckoning, aftermath, and scenes where violence and memory refuse to separate.

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OMR Cue Map

OMR Cue Map

Track: Requiem
Clean Intro: Yes (0:00 – immediate atmospheric entry with somber tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with slow tonal decay
Loopable: Moderate (evolving structure supports emotional continuity)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Somber, reflective cue centered on loss, absence, and emotional gravity. Ideal for aftermath, memorial, and deeply introspective scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for conflict, reckoning, atmosphere, and emotional storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving judgment, moral consequence, ritual, and the lingering weight of violence.

Sync Pitch Sheet: Requiem

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 93
  • Energy: Moderate
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Atmospheric, Moody, Retro, Upbeat
  • Lyric Themes: —
  • Cinematic Fit: Drama, Crime, Thriller, Historical
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

Requiem is a dark, tension-laden rock track built around ritual language, mortality, and judgment. Its repeated Latin refrain and gritty momentum make it especially effective for scenes involving execution, consequence, aftermath, and narratives where violence is framed with moral or spiritual gravity.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Requiem is built for narratives of judgment, violence, and spiritual consequence. Its solemn phrasing and dark propulsion make it especially useful for scenes where death, ritual, or reckoning carry both emotional and symbolic weight.

Ideal Sync Uses

  • Drama: Moral consequence, grief, reckoning, aftermath
  • Crime: Execution, retribution, underworld ritual, violent consequence
  • Thriller: Dread, fatal inevitability, ritualized tension
  • Historical: Procession, burial, conflict with spiritual overtones

Scene Suggestions

  • Aftermath sequence following a killing or act of retribution
  • Slow procession, burial, or ritualized farewell
  • Stylized montage built around blood, dust, and moral consequence
  • Character facing judgment in a scene that carries spiritual or historical weight

Why It Works

  • Latin refrain instantly adds ritual and gravity
  • Steady momentum supports editing while preserving solemn tone
  • Male vocal adds grit without losing the ceremonial feel
  • Dark, symbolic imagery gives supervisors strong visual pairing potential
Stem Tracks:
Available upon request.
Track Narrative:
“Requiem” feels like judgment already spoken aloud. It carries the sound of ritual, dust, and consequence — a track for scenes where violence is not just action, but memory, burden, and the beginning of what follows.
Lyrics:
Sugar down, Sacramento, judge you quick, forget
from my gun, salvation, on your knees, bow your head

Requiem aeternam, dona eis, Domine
Et lux perpetua, luceat, eis

In your hands, blood and sand, did you lose or win?

Requiem aeternam dona eis, Domine

Shine inside, all on your soul
You live on some side,
you go alone

Come on, fall in line, circle girl to the sky

Requiem aeternam dona eis, Domine
Requiem aeternam dona eis, Domine
Et lux perpetua, luceat, eis

REUNION — Amhed Mitchel

Reunion cover art

Reunion
by Amhed Mitchel

Ambient and emotional — “Reunion” paints a jazz-infused sonic landscape full of anticipation, reflection, and heartfelt presence. Amhed Mitchel guides melodic phrasing with delicacy and depth, perfect for sync scenes of reconnection, soulful transitions, or memory-laden arrivals.

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OMR Cue Map

Track: Reunion
Clean Intro: Yes (0:00 – immediate entry with warm tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28
Button Ending: Yes, resolved ending with emotional lift
Loopable: Moderate–High (consistent phrasing supports looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Warm, emotional cue centered on reconnection, resolution, and shared history. Ideal for reunion scenes and emotional payoff moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Reunion

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 133
  • Energy: High
  • Genres: Jazz, Ambient, Gospel
  • Vocals: Instrumental
  • Instrumental Solos: Electric Guitar, Bass, Piano
  • Moods: Romantic, Atmospheric, Warm, Hopeful, Light, Positive, Reflective, Somber, Uplifting
  • Lyric Themes: —
  • Cinematic Fit: Mystery, Romance
  • Type: One Stop, Soundtrack

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition: Amhed Mitchel
  • Music Arrangement: Amhed Mitchel
  • Recording: Jeremy Dufry
  • Mixing: Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Drums: Amhed Mitchel
  • Piano & Accordion: Stan Fomin
  • Electric & Eminence Bass: Roberto Riveron
  • Electric Guitar: Elmer Ferrer

Instrumentation

  • Drums
  • Piano

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Reunion” by Amhed Mitchel is a cinematic instrumental that blends jazz, gospel, and ambient textures into a warm, reflective soundscape. With high energy and emotional nuance, it’s ideal for scenes of reconnection, introspection, and heartfelt transitions.

Ideal Sync Uses

  • Mystery: Emotional reveals, memory sequences
  • Romance: Reunion scenes, quiet intimacy

Scene Suggestions

  • Slow-motion arrivals or departures
  • Flashback sequences with emotional weight
  • Moments of reflection or healing
  • Closing credits with a hopeful tone

Why It Works

  • Midtempo pacing supports emotional transitions
  • Instrumental format allows flexible placement
  • Jazz and gospel influences add soul and depth
  • Warm piano and guitar solos evoke intimacy and nostalgia
Track Narrative:
“Reunion” unfolds with subtle emotion and ambient jazz fluency — Amhed Mitchel crafts moments of heart and space, perfect for visual storytelling in films exploring return, healing, or personal rediscovery.

REVOLVER — The Green Door

Revolver cover art

Revolver
by The Green Door

“Revolver” is a hard-charging rock track built on confrontation, survival, and mythic showdown energy. The Green Door blends retro Western tension with driving momentum, making the song a strong fit for duels, rivalries, last-man-standing conflict, and scenes where violence and consequence arrive face to face.

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OMR Cue Map

OMR Cue Map

Track: Revolver
Clean Intro: Yes (0:00 – immediate entry with dark, driving tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with controlled impact
Loopable: High (steady pulse and repeating phrasing support seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Dark, tension-driven cue centered on threat, pressure, and controlled danger. Ideal for crime, pursuit, and psychological escalation scenes where atmosphere and momentum define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for confrontation, survival, rivalry, and hard-driving visual storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving duels, showdown energy, moral conflict, and the physical cost of standing your ground.

Sync Pitch Sheet: Revolver

Song Details

  • Key Signature: A Minor
  • Beats Per Minute: 126
  • Energy: Moderate - High
  • Genres: Metal, Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar
  • Moods: Retro, Upbeat
  • Lyric Themes: Conflict, Power, Strength, Struggle, Survival
  • Cinematic Fit: Action, Western, Crime, Drama, Thriller
  • Type: One Stop

Track Summary

Revolver is a showdown-driven rock track built around tension, force, and the cost of survival. With high-noon imagery, a driving pulse, and a repeated refrain that lands with weight, it is ideal for scenes centered on rivalry, violence, endurance, and hard-won aftermath.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Revolver is built for direct confrontation and survival under pressure. Its Western-coded imagery, repeated refrain, and driving rock momentum make it especially useful for duel scenes, final stand moments, physical struggle, and narratives where one hit can change everything.

Ideal Sync Uses

  • Action: Showdown, impact, final push, physical confrontation
  • Western: High-noon tension, gunfighter mythology, last-man-standing energy
  • Crime: Rivalry, face-off, violent consequence, underworld reckoning
  • Drama: Endurance, emotional collapse under pressure, defiant recovery

Scene Suggestions

  • Face-off between two rivals before violence breaks
  • Slow-motion aftermath of a decisive blow or gunshot
  • Stylized montage built around dominance, pain, and comeback
  • Character dragging themselves back up after repeated hits

Why It Works

  • High-noon imagery gives the track instant cinematic framing
  • Driving rhythm supports cut-heavy sequences and rising tension
  • Male vocal adds grit and physical presence
  • The refrain gives editors a memorable point of emphasis
Stem Tracks:
Available upon request.
Track Narrative:
“Revolver” feels like a duel that starts before the first shot. It carries the sound of swagger meeting consequence, of bodies taking punishment while pride refuses to drop. Hard-driving and cinematic, it belongs in scenes where survival is earned one blow at a time.
Lyrics:
Swagger down to town square
Found there high noon showdown
Opponent glares with cold stares

Revolver
Coming round again
Fired like a bullet
Locomotion
From a loaded gun

Sinks into himself
Feels the earth
Slip right through his fingers
Sometimes there are no winners

Circle in the sky
Like a vulture
Savior
Savior to the silence
Savior
Savior to the silence

Staggers to his feet
Each time the blow arrives
The ground shutters beneath
Above the sun will rise

ReWound

ReWound cover art

ReWound
by Godgifu

Godgifu’s “ReWound” is a slow-building instrumental cue that blends dark rock weight, atmospheric tension, and deliberate momentum into a powerful cinematic slow burn. With its heavy pulse and rising pressure, it is built for confrontation, escalation, and scenes where something inevitable is closing in.

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OMR Cue Map

OMR Cue Map

Track: ReWound
Clean Intro: Yes (0:00 – immediate dark tonal entry with tension already present and no ramp required)
Edit Points: 0:23 / 0:47 / 1:10 / 1:33 / 1:57 / 2:20 / 2:43
Button Ending: Likely no, better suited for fade or heavy natural tail release
Loopable: Moderate to High (strong phrase repetition and slow-build structure support effective tension loops)
Best Loop Candidates: 0:23–1:10 / 0:47–1:33 / 1:10–1:57
Use Case: Slow-build tension cue for confrontation, pressure, and irreversible turning points. Ideal for dark drama, crime, thriller, and scenes where intensity gathers with weight rather than speed. Strong for pre-impact sequences, stylized escalation, and moments when something inevitable is closing in.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic • Indie • Dark Alternative • Cinematic Vocal

Godgifu creates atmospheric, emotionally layered music that moves between electronic pulse, indie edge, and cinematic mood. The sound is modern and immersive, built from dark textures, rhythmic restraint, and vocal tones that feel both intimate and otherworldly.

For supervisors, the appeal is clear: moody emotional depth, female vocal presence, modern rhythmic momentum, and a strong fit for scenes involving identity, longing, isolation, transformation, and psychologically layered storytelling.

Sync Pitch Sheet: ReWound

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 82
  • Energy: Medium
  • Genres: Metal, Punk, Rock
  • Vocals: Instrumental
  • Moods: Atmospheric, Building, Dark, Dramatic, Mysterious, Powerful
  • Cinematic Fit: Action, Crime, Drama, Thriller, Art House
  • Type: One Stop

Production Details

  • Artist: Godgifu
  • Produced By: Not specified

Artists

  • Lead Artist: Godgifu

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“ReWound” is a dark, slow-building instrumental cue with strong cinematic pressure. Its heavy pacing, layered tension, and atmospheric rock palette make it ideal for scenes shaped by confrontation, dread, and the sense that something irreversible is approaching.

Ideal Sync Uses

  • Action: pre-impact build, preparation, controlled escalation, slow-burn movement
  • Crime: underworld tension, interrogation setup, moral pressure, approaching consequence
  • Drama: breaking points, irreversible decisions, emotional pressure becoming action
  • Thriller: suspense, psychological tightening, looming threat, dark anticipation
  • Art House: symbolic intensity, visual tension, mood-first storytelling

Scene Suggestions

  • Character walking toward confrontation with growing dread
  • Slow-burn sequence before a reveal, fight, or emotional rupture
  • Dark montage built around consequence or descent
  • Crime or thriller scene where pressure rises without releasing

Why It Works

  • Slow tempo gives the track weight and inevitability
  • Instrumental format makes it highly flexible under dialogue and picture
  • Dark rock palette brings grit, threat, and physical tension
  • Building structure supports escalation and slow-burn storytelling exceptionally well
Stem Tracks:
Available upon request.

Instrumental

“ReWound” is an instrumental track. With no vocal content competing for space, it is especially effective for dialogue-heavy scenes, slow-build tension, and editorial use where atmosphere, pacing, and escalation need to remain front and center.

Track Narrative:
“ReWound” feels like pressure tightening around a moment that cannot be avoided. It moves slowly, but not passively, carrying dark intent, physical weight, and the sense that something irreversible is about to happen. Built for confrontation, consequence, and dread that gathers before impact, it belongs in scenes where tension is not released so much as endured.

RHYTHM — Justin Enco

Rhythm cover art

Rhythm
by Justin Enco Band

Vulnerable and poetic — “Rhythm” explores emotional survival and the search for inner light. Justin Enco’s post-rock textures and spoken-word delivery frame a poignant sonic experience, ideal for sync scenes of isolation, rediscovery, or resilience.

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OMR Cue Map

OMR Cue Map

Track: Rhythm
Clean Intro: Yes (0:00 – immediate rhythmic entry with clear tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with energetic tonal finish
Loopable: High (groove-based structure supports strong editorial looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Groove-forward cue centered on movement, pacing, and musical drive. Ideal for montage, lifestyle storytelling, and scenes where rhythm carries the visual flow.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Rhythm

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 149
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Instrumentation: Acoustic Guitar, Bass, Drums, Electric Guitar
  • Moods: Warm, Hopeful, Positive, Reflective
  • Lyric Themes: Happiness, Hope, Strength, Time, Love
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance, Thriller
  • Type: One Stop
  • Reminiscent Of: Elliott Smith, Nick Drake

Production Details

  • Lyrics: Justin Enco
  • Recorded At: Studio M31, Hollywood, FL (Yves Giraud)
  • Mix/Mastered: Purgatory Recording Studio, Sunrise, FL (Michael Waxman)

Artists

  • Vocals & Acoustic Guitar: Justin Enco

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Rhythm” by Justin Enco is a heartfelt folk track that blends acoustic warmth with lyrical introspection. With its uptempo pacing and reflective tone, it’s ideal for sync scenes that explore emotional growth, resilience, and the passage of time.

Ideal Sync Uses

  • Coming-of-Age: Personal milestones, self-discovery
  • Drama: Emotional turning points, quiet strength
  • Indie: Character-driven narratives, poetic visuals
  • Romance: Honest connection, hopeful beginnings
  • Thriller: Reflective interludes, emotional contrast

Scene Suggestions

  • Montage of growth or healing
  • Road trip or travel sequences
  • Quiet moments of reflection
  • Closing scenes with emotional resolution

Why It Works

  • Uptempo rhythm drives momentum and optimism
  • Male vocals convey sincerity and depth
  • Acoustic instrumentation adds warmth and authenticity
  • Lyric themes align with hope, love, and resilience
Track Narrative:
“Rhythm” reflects the struggle to hold on to what’s real in the face of emotional collapse — Justin Enco spins internal chaos into lyrical order, giving voice to memory, pain, and the search for resonance.
Lyrics:
You cannot define me
I've burned myself for you
You cannot confide me
For what you've put me through
Spent the last few years
Boxing shadows
Hoping life would flip the script
But in the end we're low content
And time can play the cruelest games

Now I know that you're the air I breathe
Now I know you're stitched into my clothes
Scent of heaven, a taste of life
You're the only thing that's right
Rhyme and reason to our rhythm now
Now

Troubled soul, you stood and shined
A remedy love took us blind
A stroke of good luck, you took my heart
I should be told I've come full circle
Mirrors cracked, not broken
I'd fight them all for you
If you only knew

Now I know that you're here, I breathe
Now I know you're stitched into my clothes
Sent for heaven, a taste of life
You're the only thing that's right
Rhyming reason to our rhythm now

These days are not the same without you in my life
You don't know how empty I've become
And now I walk a thousand steps
Stand above, above the rest
The hands of time can prove to you it's real
Seeking truth and honest answers
Brand new days full of laughter
Rhyme and reason to our rhythm now

RID THE WORLD OF GREED — OMR Music Production

Rid the World of Greed cover art

Rid the World of Greed
by OMR Music Production

Anthemic and urgent — “Rid the World of Greed” merges bold lyricism with dynamic sound design. OMR Music Production delivers a punch of activism through driving rhythm and theatrical vocal presence. Perfect for sync moments demanding protest, truth, or rising consciousness.

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OMR Cue Map

OMR Cue Map

Track: Rid the World of Greed
Clean Intro: Yes (0:00 – immediate entry with purposeful tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with firm tonal release
Loopable: Moderate–High (steady phrasing supports flexible looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Message-driven cue centered on protest, conscience, and moral tension. Ideal for socially charged storytelling, reflective montage, and scenes where conviction and critique shape the emotional tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Rid the World of Greed

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 140
  • Energy: High
  • Genres: Rock, Grunge, Electronic, Indie
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Percussion, Synth
  • Moods: Angry, Confident, Cool, Dark, Moody, Powerful, Rhythmic, Sexy, Swagger, Anthemic, Tension
  • Lyric Themes: Unity, Nature, Hope, Strength, Time
  • Cinematic Fit: Action, Crime, Drama, Horror Thriller
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Rid the World of Greed” by OMR Music Production is a gritty, high-energy anthem that fuses grunge and electronic textures with a rebellious rock spirit. With its driving rhythm and theatrical male vocals, it’s ideal for sync scenes that demand tension, urgency, and emotional firepower.

Ideal Sync Uses

  • Action: Chase scenes, fight sequences, rebellion
  • Crime: Undercover ops, moral conflict
  • Drama: Protest, personal reckoning
  • Horror Thriller: Psychological tension, dark transformation

Scene Suggestions

  • Opening credits with bold visuals
  • Montage of uprising or resistance
  • Character walking through chaos or conflict
  • Climactic moment of truth or confrontation

Why It Works

  • Fast tempo drives intensity and momentum
  • Male vocals deliver raw emotion and edge
  • Grunge and synth layers create sonic tension
  • Lyric themes align with unity, nature, and strength
Track Narrative:
“Rid the World of Greed” voices rising tension and activist resolve — a poetic warning turned into song. With visual and lyrical weight, it calls for change and uplifts awareness.
Lyrics:
VERSE 1
HIDING THERE IN PLAIN SIGHT
HOLDING ON FOR DEAR LIFE
LIVING IN THIS WORLD OF GREED
ASKING WHAT THEY REALLY NEED

THEN WILL WE SEE
THERE ARE NO GUARANTEES
LEADERS TAKE AWAY OUR JOYS
LEAVING HOPE DESTROYED

CHORUS
WHEN THE EARTH CRIES OUT
WE WILL PLANT THE SEED
WITHOUT A DOUBT
RID THE WORLD OF GREED

WHEN THE TIME IS RIGHT
WITH TRUE INSIGHT
WE WILL PLANT THE SEED
RID THE WORLD OF GREED

VERSE 2
THE SUN A FADING LIGHT
THE DAY HAS TURNED TO THE NIGHT
SHADOWS FORMING IN THE TREES
BRANCHES SWAYING IN THE BREEZE

FAREWELL TO SAND AND SEA
GOODBYE TO ALL THE FREE
NATURE HAS BEEN REPLACED
RAINBOW COLORS ALL ERASED

CHORUS

INTERLUDE

CHORUS

RIDE ON NATTY — Melodic Yoza

Ride On Natty cover art

Ride on Natty
by Melodic Yoza

Soulful and roots-driven — “Ride On Natty” channels conscious reggae energy and uplifting vocal phrasing. Melodic Yoza weaves radiant instrumentation with lyrical strength, perfect for sync scenes of freedom, cultural pride, or spiritual resilience.

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OMR Cue Map

Track: Ride On Natty
Clean Intro: Yes (0:00 – immediate entry with warm rhythmic identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58 / 3:20
Button Ending: Yes, resolved ending with relaxed forward finish
Loopable: High (steady groove and repeated phrasing support seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Easy-moving cue centered on flow, travel, and laid-back momentum. Ideal for road sequences, lifestyle montage, and scenes where movement feels natural, warm, and unforced.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Ride on Natty

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 88
  • Energy: Moderate
  • Genres: Reggae, Indie, Dance, Hip Hop/Rap, Pop
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar, Percussion, Synth
  • Moods: Carefree, Catchy, Confident, Cool, Fun, Positive, Quirky, Rhythmic, Swagger, Upbeat, Uplifting
  • Lyric Themes: Pain, Struggle
  • Cinematic Fit: Action, Comedy, Fantasy
  • Type: One Stop

Production Details

  • Production: Available Upon Request

Artists

  • Credits: Available Upon Request

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Ride on Natty” by Melodic Yoza is a roots-driven reggae anthem with indie-pop swagger and rhythmic bounce. Its uplifting tone and lyrical strength make it ideal for sync scenes that celebrate freedom, resilience, and cultural pride.

Ideal Sync Uses

  • Action: Heroic entrances, streetwise montages
  • Comedy: Quirky character intros, playful edits
  • Fantasy: Cultural journeys, spiritual quests

Scene Suggestions

  • Character walking through vibrant streets
  • Montage of struggle and triumph
  • Closing credits with upbeat energy
  • Flashback to moments of resilience

Why It Works

  • Midtempo groove supports rhythmic flow
  • Male vocals deliver charisma and depth
  • Genre fusion adds cultural and sonic richness
  • Lyric themes align with struggle and hope
Track Narrative:
“Ride On Natty” rolls with voice and vulnerability — Melodic Yoza channels street truths and poetic rhythm into a modern reggae-style reflection. A lyrical journey through survival and connection.
Lyrics:
Yeah, you know
I wanna dedicate this one to all my peoples in the garrison
You know all the cats who walkin' round like Chuck Harrison
And whole vets pushin' wheelchairs and carts
I know it's embarrassing
But you still gotta ride on, Nati
Yeah, you know
You know what I'm talkin' 'bout
It's like the homeless not asking for change
And I told them, man there ain't no change
And things won't change
It always stays the same
Not telling me what you got to gain
Not living in a world where no one feeds my pain
My life is down the drain
And all I feel is this burning acid rain
This burning acid rain
But still I'ma ride on, yeah
I gotta still let you ride on
You got to just ride on, yeah
Na-ti, na-ti, na-ti, ride on
You got to just ride on
Yeah, na-ti, na-ti, na-ti, ride on
You got to just ride on
Yeah, na-ti, na-ti, na-ti, ride on

And as I travel along, I'm on my way
Just yesterday, no wonder MTA
I heard someone say, "Brother help me today"
Can't find no food or no place to stay
Say he's feeling stuck, down on his luck
I gave him a buck and tell him don't give up
'Cause when times get tougher, the going gets rougher
So ride on and be a one, don't give up
You got to ride on
Yeah, notty, notty, notty ride on
You got to just ride on
Yeah, notty, notty, notty ride on
You got to just ride on
Yeah, notty, notty, notty ride on
You got to just ride on
Yeah, notty, notty, notty ride

It's like I woke up this morning, couldn't wall to anger
I'm pleading for the men who sleep in the bus shed
And etting the ones who a walk and beg
How this kind of have a do hurt my head
'Cause I know what it's like not having a place to rest
You remember those days I used to sleep on the step
When people walk by I would call you homeless
But right now nothing 'cause you just ain't home yet
Oh yes, I'ma ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on

Good evening, ladies and gentlemen
I may have a small commercial break
I'm really down on my luck
And whatever you could give me right now
Would be highly appreciated
Thanks for your time
And have a beautiful day
May God bless you
Please stand clear
Closing door
Straight yowza
Ride on
But still I'ma ride on
Yeah
Natti natti natti ride on
You got to just ride on
Yeah
Natti natti natti ride
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
You got to just ride on, yeah
Na-ti-na-ti-na-ti, ride on
Yeah, get on
Ricky Rick, what up, my ninja?
Hey Gabe, I see you
Hey yo, you left, what up, my ninja?
I like your voice, so ciao, ride on

Ripe — Thadeus Gonzalez

Ripe cover art

Ripe
by Thadeus Gonzalez

“Ripe” explodes with raw, riff-driven intensity — a fast, confident, uptempo rock track built on pounding drums, gritty guitars, and a commanding vocal. Thadeus Gonzalez channels urgency, destiny, and self-reckoning as the song swings between moments of triumph and the fear of losing everything “before you’re ripe.” Heavy, energized, and built for high-impact sync moments.

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OMR Cue Map

OMR Cue Map

Track: Ripe
Clean Intro: Yes (0:00 – immediate entry with bright, character-forward tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with playful tonal finish
Loopable: High (consistent pulse and repeating phrasing support seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Bright, confident cue centered on readiness, attitude, and expressive movement. Ideal for stylized montage, character intros, and scenes where energy feels polished, playful, and fully formed.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Ripe

Song Profile

  • Key Signature: D# Minor
  • BPM: 124
  • Tempo: Uptempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Mood/Feel: Confident, Cool, Dark, Driving, Fun, Intense, Powerful, Upbeat
  • Lyric Themes: Destiny, Life, Struggle, Success, Time
  • Instruments: Bass, Drums, Electric Guitar
  • Type: One Stop

Track Summary

“Ripe” captures the pressure and exhilaration of hitting your prime — then watching it slip away. Gonzalez delivers a relentless performance rooted in punk-rock grit, heavy guitars, and a pulsing beat. The song’s explosive chorus and dark urgency make it ideal for action, rebellion, competition, or adrenaline-charged storytelling.

Sync Highlights

  • Perfect for high-energy sequences, training montages, or character breaking-point moments.
  • Dark-cool tone fits edgy drama, thrillers, or anti-hero arcs.
  • Driving rhythm is ideal for fast edits, race scenes, or chase builds.
  • Gritty male vocal adds emotional depth to intense visuals.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Ripe

“Ripe” is built for sync scenarios demanding adrenaline, rebellion, personal transformation, or rising-to-power arcs. Its rawness, rhythm, and dark-uplifting tone make it highly versatile for TV, film, gaming, sports, and streaming content with an edge.

Scene Types

  • Fight sequences or underground club scenes
  • Intense workouts or competitive training
  • Transformation arcs and “leveling up” moments
  • Fast-cut edits, racing, skate, or street-culture sequences

Film/TV Fit

  • Action
  • Rock-Driven Drama
  • Thrillers
  • Sports Content
  • Gaming & Esports

Why It Works

  • Heavy riffs + uptempo pace = instant energy injection.
  • Edgy tone supports darker character arcs.
  • Memorable hook (“Before you're ripe”) adds emotional punch.
Track Narrative:
“Ripe” is about reaching a peak moment — and facing the fear of losing it before you even realize it’s there. Gonzalez delivers a story of urgency, destiny, and the inner war between timing and fate. It’s a battle cry against hesitation, pushing you to seize the moment before it’s gone.

Lyrics: Ripe

There ain't no time like the time when you're ripe It's the best you'll taste in your life Everything clicks, fits like a glove Every step you take is it from above Then it's stripped away Then it's stripped away Then it's stripped away Before your time A whole new life is seen through your eyes It's the best prize of your life Soon time will test your mind all the things you've left behind Juice will fall from the vine Then it's stripped away Then it's stripped away Then it's stripped away Before you're ripe Before you're ripe Before you're ripe Before you're ripe Oh Oh Oh Oh Oh oh oh There ain't no time, there ain't no time when you're There ain't no time, there ain't no time when you're There ain't no time, there ain't no time when you're There ain't no time, there ain't no time I know Then it's stripped away Then it's stripped away Then it's stripped away Before you're ripe Before you're ripe Before you're ripe Before you're ripe
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes.
Thadeus Gonzalez

Thadeus Gonzalez

Thadeus Gonzalez is a high-octane rock vocalist and guitarist whose style blends metal, punk, and hard-driving modern rock. His performances are marked by intensity, urgency, and a cinematic sense of emotional scale.

With themes of struggle, destiny, transformation, and defiance, his music is a natural fit for action-driven storytelling, sports media, and any visual narrative demanding power and grit.

Styles: Metal, Punk, Rock • Strengths: High-energy vocals, heavy riffs, emotional intensity • Typical Uses: Action, Sports, Adrenaline, Edgy Drama, Competition

RISE IN LOVE — D1do

Rise in Love cover art

Rise in Love
by D1do

Uplifting and electric — “Rise in Love” surges with positivity, blending electronic rhythm and vocal spark. D1do crafts an anthem for connection and possibility, ideal for sync scenes of elevation, unity, or emotional triumph.

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OMR Cue Map

OMR Cue Map

Track: Rise in Love
Clean Intro: Yes (0:00 – immediate soft entry with warm tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with emotional lift and gentle fade
Loopable: Moderate–High (flowing phrasing supports clean editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Romantic, uplifting cue centered on connection, growth, and emotional opening. Ideal for relationship-driven storytelling, reconciliation, and scenes where feeling deepens into clarity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Story-teller• Advocate

D1Do whose real name is Anthony DiDomenico, is a talented singer-songwriter hailing from Toronto, Canada. Known for his heartfelt lyrics and captivating melodies, D1DO has carved out a niche in the Canadian music scene with his unique blend of pop, rock, and folk influences.

Raised in a musically inclined family, Anthony began playing guitar and writing songs during his teenage years. His early exposure to music laid the foundation for a career defined by emotional depth and lyrical honesty.

Influenced by artists like John Mayer, Ed Sheeran, and Bruce Springsteen, D1DO’s sound fuses pop sensibilities with the raw introspection of folk and rock. His songs explore themes of love, loss, and self-discovery, resonating deeply with listeners.

D1DO has released several singles and EPs, performed across Canada, and collaborated with fellow artists and producers. His advocacy for mental health awareness adds a powerful layer to his artistry, using music as a tool for healing and connection.

Sync Pitch Sheet: Rise in Love

Song Profile

  • Key Signature: Db Major
  • Beats Per Minute: 80
  • Energy: Moderate
  • Genres: Hip Hop/Rap, Electronic, Pop, Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar, Percussion, Synth
  • Moods: Anthemic, Catchy, Confident, Cool, Moody, Positive, Rhythmic, Upbeat, Uplifting
  • Lyric Themes: Change, Strength, Struggle, Love
  • Cinematic Fit: Action, Comedy, Drama, Romance
  • Type: One Stop

Production Details

  • Production: Available Upon Request

Artists

  • Credits: Available Upon Request

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Sync Potential

“Rise in Love” by D1do is a slow-burning anthem that fuses electronic pulse with hip hop grit and pop-rock emotion. Its confident delivery and uplifting message make it ideal for scenes of transformation, empowerment, and emotional connection.

Ideal Sync Uses

  • Action: Training montages, breakthrough moments
  • Comedy: Romantic misadventures, quirky transitions
  • Drama: Emotional turning points, inner strength
  • Romance: First encounters, heartfelt reunions

Scene Suggestions

  • Slow-motion walk toward destiny
  • Character rising from adversity
  • Emotional flashback or resolution
  • Closing credits with a hopeful tone

Why It Works

  • Slow tempo adds emotional weight
  • Male vocals convey depth and sincerity
  • Genre blend suits modern cinematic styles
  • Lyric themes align with growth and love
Track Narrative:
“Rise in Love” glows with melodic optimism — D1do delivers radiant rhythm and vocal motivation, perfect for rising sequences, self-empowerment arcs, or storytelling built on emotional lift and unity.
Lyrics:
Falling in love
Falling you see
We don't say
Rising into love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love

Some days when things aren't going your way
It feels life's a struggle and
Wake up
Go to work
Pay bills
It's the same
Someone get me off this train
I know
There's something deeper
Beyond the thoughts
We feel it clearer
And I know
When I'm knocked down
I get up
Rise in love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love

And all I can say
Put aside your fears
You'll be okay
Because I'm not giving up
When things get down
We rise in love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love

The time is flowing
Your mind's an ocean
It's kinda wavy
Inside a boat
And I'm coasting
Until I find my lady
It's kinda crazy
How we're giving up
Just before
We touch the door
Love is yours
There's no other course
Changing deep inside
Reframing the pain
To a piece of light
Break free
When you feel the vibe
Make peace
And see the guides yea
I'm letting it go
Exit the mind
As I enter my soul
It's time for the message though
Rise in love
Let 'em know

Cuz I'm not giving up
When things get down
Not losing touch
Not losing touch
There's something's changing us
That's deep inside
We rise in love

And all I can say
Put aside your fears
You'll be okay
Because I'm not giving up
When things get down
We rise in love
Because I'm not giving up
When things get down
Not losing touch
There's something changing us
That's deep inside
We rise in love

RIVERS — The Green Door

Rivers cover art

Rivers
by The Green Door

“Rivers” is a reflective, cinematic instrumental built on flowing string textures and emotional restraint. With a steady midtempo pulse and a sense of quiet forward movement, the track supports scenes of introspection, transition, and unfolding realization without overwhelming dialogue.

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OMR Cue Map

Track: Rivers
Clean Intro: Yes (0:00 – immediate atmospheric entry with fluid tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, soft resolved ending with lingering ambient decay
Loopable: High (flowing structure and consistent texture support seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Fluid, reflective cue centered on passage, movement, and emotional continuity. Ideal for travel, environmental storytelling, and scenes where time and feeling move together in a calm, sustained way.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cinematic • Atmospheric • Story-Driven

The Green Door delivers emotionally grounded, sync-ready compositions that blend texture, movement, and narrative intention. Their instrumental work leans into restraint and atmosphere, making it ideal for dialogue-forward scenes and visual storytelling.

Sync Pitch Sheet: Rivers

Song Details

  • Key Signature: E Minor
  • Beats Per Minute: 129
  • Energy: Moderate
  • Genres: Indie, World
  • Type: Instrumental
  • Instrumentation: Strings
  • Moods: Reflective
  • Cinematic Fit: Drama, Indie, Documentary, Emotional Underscore
  • Type: One Stop

Track Summary

Rivers is a flowing, emotionally restrained instrumental that supports scenes of introspection, passage, and quiet transformation. Its string-driven arrangement allows it to sit naturally under dialogue while still providing emotional lift.

Sync Potential

Rivers is ideal for scenes requiring emotional clarity without distraction. Its restrained tone and steady movement make it especially effective in narrative transitions and reflective moments.

Ideal Sync Uses

  • Drama: Reflection, quiet realization, emotional transition
  • Indie: Character-driven storytelling, subtle internal shifts
  • Romance: Memory, distance, unspoken emotion
  • Underscore: Dialogue-safe emotional bed

Why It Works

  • Instrumental format keeps dialogue clear
  • String textures provide emotional depth without overpowering
  • Consistent pacing supports editorial flexibility
Stem Tracks:
Available upon request.
Instrumental Notes:
This track is fully instrumental, built around layered string arrangements and subtle dynamic progression designed for dialogue-safe placement.
Track Narrative:
“Rivers” moves like memory—steady, reflective, and always progressing forward. It supports moments where change is happening quietly beneath the surface, where characters are thinking more than speaking.

ROAD SODA — Captain Dirt & the Skirt

Road Soda cover art

Road Soda
by Kristin Sweetland

Gritty and playful — “Road Soda” blends Americana swagger with lyrical eccentricity. Captain Dirt & The Skirt channel a dusty roadside dreamscape perfect for sync scenes of irreverent travel, outlaw flair, or retro cinematic moments.

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Track: Road Soda
Clean Intro: Yes (0:00 – immediate entry with gritty, loose tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded natural finish
Loopable: High (steady groove and repeating phrasing support strong editorial looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Raw, road-worn cue centered on movement, attitude, and lived-in energy. Ideal for travel sequences, rough-edged character storytelling, and scenes where grit and momentum drive the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Road Soda

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 94
  • Energy: Mid Tempo
  • Genres: Country, Folk, World
  • Vocals: Instrumental
  • Instrumentation: Strings (Acoustic Guitar, Banjo, Violin)
  • Moods: Atmospheric, Bright, Light, Positive, Upbeat, Uplifting
  • Lyric Themes: —
  • Cinematic Fit: Action, Adventure, Art House, Drama, Thriller
  • Type: One Stop

Production Details

  • Written by: Lyndell Montgomery & Kristin Sweetland
  • Produced by: David Travers-Smith & Captain Dirt & The Skirt
  • Recorded/Mixed/Mastered by: David Travers-Smith at Found Sound, Toronto, ON
  • Copyright: © Arbora Vita Music 2013

Artists

  • Acoustic Guitar: Kristin Sweetland
  • Bass, Violin: Lyndell Montgomery
  • Banjo, Mandolin: Ken Whiteley

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Road Soda” by Kristin Sweetland is a midtempo instrumental that blends country twang, folk charm, and world textures into a bright, uplifting sonic journey. Its organic instrumentation and cinematic feel make it ideal for sync scenes that evoke travel, introspection, and rustic adventure.

Ideal Sync Uses

  • Action: Offbeat chase scenes, rural tension
  • Adventure: Road trips, nature exploration
  • Art House: Visual storytelling, abstract edits
  • Drama: Reflective transitions, emotional pacing
  • Thriller: Quirky suspense, character-driven tension

Scene Suggestions

  • Driving through open landscapes
  • Montage of rural life or travel
  • Character wandering with purpose
  • Opening credits with rustic flair

Why It Works

  • Midtempo pace supports narrative flow
  • Instrumental format allows flexible placement
  • Organic strings evoke authenticity and warmth
  • Mood palette fits uplifting and introspective scenes
Track Narrative:
“Road Soda” veers with fuzzed-out garage spirit and outlaw funk — Captain Dirt & the Skirt throw down a backbeat made for burnouts, rebellious montage, and stylized Americana edge.

ROCKIN’ STRAWBERRY JAM — Lee Palmer

Rockin’ Strawberry Jam cover art

Rockin' Strawberry Jam
by Lee Palmer

Sweet and punchy — “Rockin’ Strawberry Jam” spreads blues roots and funky fruit riffs across the toast of Americana swagger. Lee Palmer delivers high-fiber songwriting perfect for kitchen-party montages, rustic moods, and lyrical smirk.

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OMR Cue Map

Track: Rockin Strawberry Jam
Clean Intro: Yes (0:00 – immediate groove entry with playful tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with lively natural finish
Loopable: High (steady groove and repeating phrasing support seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Playful, roots-driven cue centered on movement, charm, and loose upbeat energy. Ideal for montage, food or market visuals, and scenes where character and groove carry the pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Rockin’ Strawberry Jam

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 117
  • Energy: Moderate
  • Genres: Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar
  • Instrumental Solos: Electric Guitar, Saxophone
  • Moods: Confident, Cool, Dramatic, Energetic, Happy, Quirky, Retro, Swagger, Tense, Upbeat
  • Lyric Themes: Fun, Gratitude, Happiness, Power, Love
  • Cinematic Fit: Comedy, Drama, Romance
  • Type: One Stop

Production Details

  • Arranged & Produced by: Palmer, McNally
  • Lyrics: Lee Palmer
  • Music Composition: Lee Palmer
  • Head Sound Engineer: Darren Magierowski
  • Assistant Engineer: Jill Zimmerman (Head Engineer on background vocals)
  • Final Mix: Magierowski, McNally, Zimmerman
  • Mastering: Samuel Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Chris Ayries
  • Acoustic & Electric Harmonica: Roly Platt
  • Saxophone: Turner King
  • Electric Bass: Alec Fraser Jr.
  • Electric & Acoustic Guitar: Iain McNally
  • Wurlitzer, Grand Piano & Organ: Steve O’Connor
  • Drums & Percussion: Sean O’Grady

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Rockin’ Strawberry Jam” by Lee Palmer is a swagger-filled uptempo rock track with retro flair and lyrical charm. Its confident delivery and quirky instrumentation make it ideal for scenes that blend humor, romance, and dramatic tension.

Ideal Sync Uses

  • Comedy: Playful montages, character quirks
  • Drama: Bold entrances, emotional pivots
  • Romance: Flirtatious moments, love with attitude

Scene Suggestions

  • Kitchen party or backyard jam
  • Character strutting with confidence
  • Retro flashback or stylized montage
  • Closing credits with a wink

Why It Works

  • Uptempo rhythm drives energetic scenes
  • Male vocals add swagger and grit
  • Electric guitar & sax solos elevate musical impact
  • Mood blend suits quirky and confident storytelling
Track Narrative:
“Rockin’ Strawberry Jam” tastes like boots, barn doors, and bold blues energy — Lee Palmer keeps the country soul hot and sticky. Great for slice-of-life scenes with edge and charm.
Lyrics:
My gal, she's sweet, makes my life complete
She loves me 'cause she can
Should be in the news for the things she do
She says that I'm a man
That's not what keeps me coming back
It's her rockin' strawberry jam

She takes what's old and truth be told
She brings it back to life
She knows ways to amaze
Makes everything taste right
There's no doubt that I'm a fan
Of her rockin' strawberry jam

Rockin' Strawberry Jam
I love that
Rockin' Strawberry Jam
Gotta get some
Rockin' Strawberry Jam
Oh my
She makes it like no one else can
That Rockin' Strawberry Jam

Pssst, not nice
Rockin' Strawberry Jam, I love that
Rockin' Strawberry Jam, better get some
Rockin' Strawberry Jam, oh my
She makes it like no one else can
That Rockin' Strawberry Jam

ROCKIN’ THIS CHAIR — Lee Palmer

Rockin’ This Chair cover art

Rockin' This Chair
by Lee Palmer

Easygoing and rootsy — “Rockin’ This Chair” leans into porch-side swing and lyrical charm. Lee Palmer wraps his voice around a breezy groove, perfect for sync scenes of comfort, reflection, or rural daydream storytelling.

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OMR Cue Map

Track: Rockin This Chair
Clean Intro: Yes (0:00 – immediate groove entry with relaxed tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded rhythmic finish
Loopable: High (steady groove and repeated phrasing support strong editorial looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Laid-back, groove-forward cue centered on comfort, attitude, and lived-in energy. Ideal for bar scenes, porch or interior storytelling, and moments where relaxed character presence defines the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Rockin’ This Chair

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 120
  • Energy: Moderate
  • Genres: Blues, Country, Pop
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar
  • Instrumental Solos: Accordion, Electric Guitar
  • Moods: Energetic, Fun, Happy, Positive, Quirky, Retro, Upbeat, Uplifting
  • Lyric Themes: Fun, Gratitude, Happiness, Power, Love
  • Cinematic Fit: Comedy, Western
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Music Composition: Lee Palmer
  • Sound Mixing: Elmer Ferrer
  • Sound Engineers: George Seara
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Background Vocals: Mary McKay
  • Hammond Organ, Piano, Accordion: Lance Anderson
  • Acoustic Spanish & Electric Guitars: Elmer Ferrer
  • Drums: Al Cross
  • Bass: David Woodhead
  • Harmonica: Roly Platt
  • Cajon & Percussion: Joaquin Nunez

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Rockin’ This Chair” by Lee Palmer is a breezy, rootsy uptempo track that blends country charm with pop accessibility. Its porch-side swing and lyrical warmth make it ideal for scenes of comfort, gratitude, and rural storytelling.

Ideal Sync Uses

  • Comedy: Whimsical transitions, lighthearted moments
  • Western: Modern cowboy scenes, rustic montages

Scene Suggestions

  • Character relaxing on a porch or countryside
  • Montage of simple pleasures and rural life
  • Opening or closing credits with a warm tone
  • Feel-good flashback or reflective moment

Why It Works

  • Uptempo groove supports energetic pacing
  • Male vocals add sincerity and charm
  • Accordion & guitar solos enhance rustic authenticity
  • Mood palette fits uplifting and quirky storytelling
Track Narrative:
“Rockin’ This Chair” moves with front-porch grace and lyrical sentiment — Lee Palmer captures the spirit of slow moments and warm reflections. Ideal for Americana sequences and peaceful sync.
LYRICS:
She ain't long and lean, she ain't rolly polly
She's somewhere in between, now listen to my story
She left me here beside myself
Now I'm my own best friend, there ain't no one else
I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
I'm chillin' back in my baby's arms
I'm rockin' his chair

She ain't five foot two, she ain't five foot ten
She's somewhere in the middle of that, my friend
Life is all about the in-betweens
I can tell you it's true, it's all I've seen
I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
'Til I'm back in my baby's arms
I'm rockin' in a chair

I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
'Til I'm back in my baby's arms
I'm rockin' this chair

I'm rockin' this chair
I should be rockin' my baby
I love her, I swear
I ain't goin' nowhere
'Til I'm back in my baby's arms
I'm rockin', I'm rockin', I'm rockin' this chair

Roller Ran — Male Vocal

Roller Ran cover art

Roller Ran
by Ran de Casa

A kinetic dance/hip-hop charger that glides on a midtempo stomp. “Roller Ran” couples chant-ready hooks with sleek bass and synth momentum — built for hype reels, city motion, and confident brand cuts.

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OMR Cue Map

Track: Roller Ran
Clean Intro: Yes (0:00 – immediate rhythmic entry with motion-driven tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with energetic tonal drop
Loopable: High (steady pacing and repeating phrasing support seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Motion-driven cue centered on pace, momentum, and playful propulsion. Ideal for chase-lite montage, skating or street movement, and scenes where forward motion and rhythm shape the visual flow.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Male Vocal • One-Stop
  • Track Narrative
  • Artist Bio
Ran de Casa

Ran de Casa — Rapper • Writer • Producer

Ran de Casa blends chant-driven hooks with reflective verses, threading community, resilience, and ambition through dance and hip-hop frameworks. The sound favors tight drums, bass weight, and melodic synths — crafted to move both crowds and picture.

Known for call-and-response energy and clear space for dialogue/VO, Ran’s catalog is built for sync: memorable refrains, purposeful pacing, and clean edit points.

“Roller Ran” channels forward motion and unity — a glide-step groove that keeps cameras (and cities) rolling.

Sync Pitch Sheet: Roller Ran

Song Details

  • Key Signature: C Minor
  • BPM: 155
  • Tempo: Midtempo
  • Genre: Dance, Hip hop/rap
  • Vocals: Male Vocal
  • Mood/Feel: Confident, Cool, Moody, Rhythmic, Sexy, Swagger, Upbeat
  • Type: One-Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Lyric Themes

  • Connection, Empowerment, Strength, Success, Unity

Sync Notes

  • Chantable “we’re rollin’” motif = instant hype & edit handles.
  • Midtempo drive with crisp space for VO and SFX.
  • Unity/crew language suits sports, lifestyle, and team-centric spots.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Roller Ran is a swaggering, midtempo mover — chant hooks and sleek low-end make it ideal for high-impact edits and fast visual momentum.

Ideal Sync Uses

  • Sports / Fitness: Walk-outs, training montages, hype teasers
  • Advertising: Auto, streetwear, performance gear, nightlife
  • Lifestyle / Travel: City rides, crew motion, skate/bike reels
  • Video Game: Menu loops, mission intros, victory stings

Why It Works

  • Hook-heavy chant refrains create natural cut points
  • Clear mix leaves room for VO/dialogue
  • Unity/drive themes are brand-safe and widely relatable

Lyrics

Prezi, Prezi, Prezi. Ah! Okay Kassa Yeah. Okay Kassa. So we rollin' And we rollin' And we rollin' I learned early on how to just roll with the flow. Slow down let me see the room. It's my intuition stickin' to the code. Hold ground gon' peep the view, the vision. Watching all of the moves, got the wisdom keepin' distance. Firewall from the fools, good business pay attention if you are in the room. 'Cause there's people operatin' outside of the rules. So we rollin' And we rollin' And we rollin' Doing our, doing our thing. You and I doing our thing. You and now, you and our thing. You and I doing our thing. Unified doing our thing. You and I doing our thing. Unified doing our thing. You and I, doing our... Back from the rollin', refresh button moment. Trying to be the coldest, blaze the rarest locusts. Hope you damned jokers got the same focus. Open up my lane, find a deal and a closing. Papers and we rollin'. And we rollin' And we rollin' If you're coming with me, I swear you'll love it. This understanding we have, I swear it's solid. If you're coming with me, we gonna manage. Introduce yourself to runnin' from again. If you're coming with me I swear you'll love it. Stop seein' runnin' from again. Take away their growth when they, find closed minds, turn key then I open them. Stacy wanna roll again, but girl I got the holiest. When it come to fixin' a demand, I got the brokerage. Get it and we rollin' And we rollin' And we rollin' I keep it rollin', rollin', rollin' to the goal. Going from A to B, keep it simple. Solely, solely on a go. Girl you won't roll with me? Keep it rollin', rollin', rollin' to the goal. Going from A to B, keep it simple. Simple, simple, solely on the go. Girl won't you roll with me? Coldest don't need no jacket. Roll it on me, no wrap it. Oh. Coldest don't need no jacket. Rollin' don't need no wrap it. Alright, so we rollin'.
Track Narrative:
“Roller Ran” glides with crew-on-a-mission energy — chant refrains and sleek low-end keep momentum high while verses double down on focus, unity, and forward motion. A clean, confident mover for scenes that roll.

ROOM FOR ALL — Elmer Ferrer

Room For All cover art

Room For All
by Elmer Ferrer

Room For All opens with a gentle acoustic warmth that feels reflective and quietly inviting. As the cue unfolds, it carries a bright, hopeful energy shaped by acoustic guitar and subtle keyboard textures. There is a sense of openness in the arrangement—something human, generous, and emotionally welcoming. The track works beautifully for scenes of reunion, personal renewal, romantic optimism, or any moment where the story begins to widen with possibility.

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OMR Cue Map

OMR Cue Map

Track: Room for All
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, open-ended atmospheric tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Open, inclusive atmospheric cue for connection, community, resolution, shared space, emotional openness, and scenes where multiple storylines or characters converge in a unified moment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Room For All

Song Details

  • Energy: Medium / Hopeful
  • Genres: Blues, Folk, World
  • Vocals: Instrumental
  • Key: E Minor
  • BPM: 123
  • Moods: Bright, Hopeful, Reflective, Romantic
  • Cinematic Fit: Drama, Romance, Indie, Coming of Age
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Acoustic Guitar
  • Keyboard

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Room For All offers warmth, openness, and emotional lift. Its acoustic foundation and hopeful tone make it especially useful for scenes that need connection, personal healing, or the quiet expansion of emotional possibility.

Ideal Sync Uses

  • Drama: renewal, reconnection, and emotional openness
  • Romance: tender optimism and deepening connection
  • Indie: reflective montage with warmth and humanity
  • Coming of Age: acceptance, belonging, or personal growth

Scene Suggestions

  • Character returning to a meaningful relationship or place
  • Warm montage of reconnection or emotional healing
  • Quiet romantic moment built on comfort and trust
  • Scene where a character begins to feel possibility again
Track Narrative:
Room For All feels like an emotional door opening. Its reflective warmth and bright acoustic voice suggest welcome, possibility, and the sense that something once limited has begun to expand. The cue works best when a story shifts toward connection, hope, and a more generous emotional horizon.

ROOMS — Elmer Ferrer

Rooms cover art

Rooms
by Elmer Ferrer

Rooms unfolds with quiet intimacy, built around a gentle acoustic guitar that carries a sense of reflection and emotional stillness. The cue feels personal and contemplative, like stepping through memories or lingering in a moment that refuses to fully fade. Its minimal arrangement allows the emotion to breathe, making it ideal for scenes of solitude, quiet realizations, reflective montage, or moments when a character confronts the weight of time, distance, or memory.

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OMR Cue Map

Track: Rooms
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, atmospheric room-tone tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Interior atmospheric cue for quiet rooms, emotional distance, contained tension, reflective spaces, memory, isolation, and scenes where the environment carries unspoken weight.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Rooms

Song Details

  • Energy: Low / Intimate
  • Genres: Folk, Singer-songwriter, World
  • Vocals: Instrumental
  • Key: D Major
  • BPM: 56
  • Moods: Dreamy, Light, Minimal, Reflective, Sad, Warm
  • Cinematic Fit: Drama, Romance, Indie, Coming of Age
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Acoustic Guitar

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Rooms is built for emotional stillness and personal reflection. Its simple acoustic texture creates an intimate atmosphere that allows characters and story moments to breathe naturally.

Ideal Sync Uses

  • Drama: quiet realization, emotional aftermath, private reflection
  • Romance: tender or bittersweet emotional moments
  • Indie: contemplative montage, memory sequences, quiet storytelling
  • Coming of Age: introspection, growth, emotional transition

Scene Suggestions

  • Character sitting alone reflecting on a past decision
  • Slow montage of memories or emotional transitions
  • Quiet conversation revealing vulnerability
  • Reflective moment after a life-changing event
Track Narrative:
Rooms feels like walking through quiet spaces filled with memory. Its gentle acoustic voice suggests moments that linger—conversations that echo long after they end, or reflections that reshape how the past is understood. The cue works best when a story slows down enough to let emotion speak softly.

ROSA — Marito Marques

ROSA cover art

Rosa
by Marito Marques

A delicate bloom of melody, memory, and emotion — “Rosa” unfolds with quiet strength and graceful beauty. Marito Marques crafts an elegant piece rooted in feeling and space, ideal for sync scenes of reflection, love, or ethereal montage.

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OMR Cue Map

Track: Rosa
Clean Intro: Yes (0:00 – immediate melodic entry with warm tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58
Button Ending: Yes, resolved ending with gentle emotional fade
Loopable: Moderate–High (flowing phrasing supports flexible editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Warm, romantic cue centered on tenderness, beauty, and emotional presence. Ideal for intimate storytelling, reflective montage, and scenes where softness and connection define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Marito Marques

Drummer • Composer • Producer

Marito Marques is a Grammy-nominated drummer, composer, and producer whose musical journey bridges continents and cultures. Born in Portugal and based in Toronto, Marques is known for his dynamic performances and genre-defying compositions that blend jazz, world music, and contemporary sounds.

He began playing drums at age 5 and quickly rose to prominence, performing with the National Youth Orchestra of Portugal and later studying at Humber College in Canada. Marques has collaborated with international artists including Ivan Lins, Hilario Duran, and Larnell Lewis, showcasing his versatility and global appeal.

His solo albums, such as Magic Everywhere and Immerse, feature rich sonic landscapes and have earned critical acclaim. Marques is also a sought-after session musician and producer, contributing to projects across jazz, pop, and classical genres.

With a passion for rhythm and innovation, Marito Marques continues to push musical boundaries, inspiring audiences around the world.

Sync Pitch Sheet: Rosa

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 108
  • Energy: Medium Tempo
  • Genres: Blues, Folk, Singer/Songwriter
  • Vocals: Male Vocal
  • Instrumentation: Acoustic Guitar, Keyboard, Percussion
  • Moods: Sad, Minimal, Reflective
  • Lyric Themes: Unity, Empowerment, Strength, Connection
  • Cinematic Fit: Action, Comedy, Crime, Romance
  • Type: One Stop

Production Details

  • Producer & Arranger: Marito Marques
  • Music Composition: Marito Marques & Munir Hossn
  • Lyrics: Woz Kaly
  • Recorded at: GMP Studios

Artists

  • Percussion & Kalimba: Marito Marques
  • Vocalist: Woz Kaly
  • Flute: Rob Christian
  • Electric Guitar: Michael Eckert
  • Acoustic Guitar: Graham Young

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Rosa” by Marito Marques is a delicate bloom of melody, memory, and emotion. Rooted in quiet strength and graceful beauty, it’s ideal for sync scenes that explore reflection, connection, and emotional depth.

Ideal Sync Uses

  • Action: Emotional aftermath, introspective pacing
  • Comedy: Tender moments, character vulnerability
  • Crime: Moody transitions, contemplative tension
  • Romance: Intimate scenes, heartfelt flashbacks

Scene Suggestions

  • Character walking alone in thought
  • Montage of emotional growth or unity
  • Quiet moment of connection or realization
  • Closing credits with reflective tone

Why It Works

  • Midtempo rhythm supports emotional pacing
  • Male vocals convey sincerity and depth
  • Organic instrumentation adds warmth and intimacy
  • Lyric themes align with empowerment and unity
Track Narrative:
“Rosa” blossoms in calm harmony and emotional depth — Marito Marques blends gentle instrumentation and expressive tone for scenes of grace, memory, and soft visual storytelling.
Lyrics:
Mm-mm-mm-mm-mm-mm-mm
Mm-mm-mm-mm-mm-mmm
Qui, qui, bâille ne fait
Djef, djef boukène doul faté
Tankou, tankou, djam bâkhla
Tuyonu, yonu, mom se bop
Rosa
Dange
Rosa
Dange

Ah, ah, ah, ah, ah, ah, ah
Qui, qui, bah, y'en a fait
Djef, djef, boukène d'ol faté
Tanko, tanko, jambakhla
Djiyone, djiyone, môme s'abope
Rosa d'Ango
Rosa d'Ango

J'ai fait mon gain, je ne peux plus me calmer
J'ai gagné, j'ai gagné, j'ai gagné
J'ai gagné, j'ai gagnée, j'ai gagné
J'ai gagné, j'ai gagnés, j'ai gagné
Je suis un homme, je suis un homme
Je suis un homme, je suis un homme

Tain de basumba sumbekte
Boumou tchamba tchamba tokna
Djigén djigén ghaounogogo
N'y ko kham kham nanyola
N'y pa fai fai fai fai fai la
Ah ah ah
Boumou tchamba tokna

Qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui, qui
Oh-oh-oh-oh-oh-oh-oh
Rosa
Oh-oh-oh-oh-oh- oh-oh-oh-oh-oh- oh-oh-oh-oh-oh- oh-oh-oh-oh
Ah-ah-ah, ah-ah-ah, Rosa
Oh-oh-oh-oh-oh- oh-oh-oh-oh-oh- oh-oh-oh-oh-oh

Rosa Parks, Rosa Parks, Rosa Parks, Rosa Parks
Oh la la, Rannianua, Inunua, Rannianua

ROSE OF THE WOOD — Kristin Sweetland

Rose of the Wood cover art

Rose of the Wood
by Kristin Sweetland

Evocative and organic — “Rose of the Wood” carries melodic mystery with earthy textures and gentle acoustic depth. Kristin Sweetland blends folk, ambient, and cinematic tones into a contemplative sonic landscape, perfect for pastoral visuals, art documentaries, or quiet transitions.

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OMR Cue Map

Track: Rose of the Wood
Clean Intro: Yes (0:00 – immediate atmospheric entry with organic tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, soft resolved ending with natural decay
Loopable: Moderate–High (flowing structure and consistent phrasing support clean edits)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Organic, nature-driven cue centered on stillness, beauty, and quiet emotional depth. Ideal for landscape storytelling, reflective transitions, and scenes where environment and feeling move together gently.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Rose of the Wood

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 88
  • Energy: Mid Tempo
  • Genres: Folk, World
  • Vocals: Instrumental
  • Instrumentation: Acoustic Guitar, Percussion, Synth, Strings
  • Instrumental Solos: Acoustic Guitar, Electric Guitar, Soprano Recorder
  • Moods: Atmospheric, Dreamy, Minimal, Reflective
  • Lyric Themes: —
  • Cinematic Fit: Historical
  • Type: One Stop

Production Details

  • Composer: Kristin Sweetland
  • Produced/Engineered by: Chris Stringer
  • Recorded at: Union Sound Company
  • Mastered by: Jeff Elliot at Fedge Album Mastering
  • Copyright: © 2024 Arbora Vita Music

Artists

  • Acoustic Guitar, Electric Guitar, Soprano Recorder, Percussion: Kristin Sweetland
  • Low Whistle: Sahra Featherstone

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Rose of the Wood” by Kristin Sweetland is a cinematic instrumental that evokes mystery, nature, and introspection. Its blend of folk and ambient textures makes it ideal for historical narratives, art documentaries, and reflective transitions.

Ideal Sync Uses

  • Historical: Period pieces, archival montages
  • Art House: Visual storytelling, poetic edits
  • Drama: Quiet revelations, emotional pacing

Scene Suggestions

  • Character walking through forest or ruins
  • Montage of memory or transformation
  • Opening credits with atmospheric tone
  • Closing scene with reflective mood

Why It Works

  • Midtempo rhythm supports narrative flow
  • Instrumental format allows flexible placement
  • Organic textures evoke authenticity and depth
  • Mood palette fits introspective and historical storytelling
Track Narrative:
“Rose of the Wood” evokes ancient forest spirits and surreal solitude — Kristin Sweetland’s melodies whisper through a sonic woodland, perfect for scenes of magical realism, fairy tale mood, or nature-bound mystery.

ROSEMARY — Paul Reddick

Rosemary cover art

Rosemary
by Paul Reddick

Tender and introspective — “Rosemary” is a quiet blues meditation layered with emotional complexity. Paul Reddick whispers longing into a soft-spoken vocal and slow-burning groove, ideal for sync scenes of memory, dusk light, and intimate reflection.

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OMR Cue Map

Track: Rosemary
Clean Intro: Yes (0:00 – immediate entry with earthy tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with grounded emotional finish
Loopable: Moderate–High (steady phrasing supports looping while maintaining flow)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Roots-driven cue centered on memory, place, and emotional texture. Ideal for reflective storytelling, domestic or rural settings, and scenes where warmth and authenticity carry the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Rosemary

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 103
  • Energy: Mid-tempo
  • Genres: Blues, Jazz
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar, Horns
  • Instrumental Solos: Electric Guitar, Saxophone
  • Moods: Sad, Warm, Dreamy, Light, Reflective
  • Lyric Themes: Strength, Regret, Life, Struggle, Success
  • Cinematic Fit: Art House, Drama, Indie, Mystery, Romance
  • Type: One Stop

Production Details

  • Executive Producer: Colin Linden
  • Producer / Audio Production: Joe Louis Walker
  • Linear Notes: Larry LeBlanc
  • Composers: Paul Neufeld, Paul Reddick
  • Remixing: Colin Linden

Artists

  • Harmonica, Vocals, Percussion: Paul Reddick
  • Drums: Bryan Owings, Corey Richardson, Gary Craig
  • Piano: Chris Brown, Richard Bell
  • Guitar, Mandolin: Colin Linden
  • Bass, Guitar: Dave Rowe, John Dymond, Larry Taylor
  • Guitar: Greg Marshak, Kyle Ferguson
  • Violin: Kathleen Edwards
  • Trumpet: Kevin Turcotte, Sarah McElcheran
  • Congas: Paul Brundtland
  • Sousaphone: Paul Neufeld
  • Alto Sax: Rich Howse
  • Trombone: Scott Suttie
  • Tenor Sax: Sean O'Connor

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Rosemary” by Paul Reddick is a quiet blues meditation layered with emotional complexity. With soft-spoken vocals and a slow-burning groove, it’s ideal for sync scenes that explore memory, dusk light, and intimate reflection.

Ideal Sync Uses

  • Art House: Poetic visuals, abstract storytelling
  • Drama: Emotional transitions, character depth
  • Indie: Stylized edits, personal narratives
  • Mystery: Quiet tension, psychological nuance
  • Romance: Bittersweet moments, longing

Scene Suggestions

  • Character walking through a dimly lit street
  • Montage of reflection or regret
  • Slow-motion sequence with emotional weight
  • Closing credits with a warm, melancholic tone

Why It Works

  • Midtempo groove supports introspective pacing
  • Male vocals deliver emotional authenticity
  • Blues and jazz textures evoke depth and warmth
  • Lyric themes align with life, struggle, and success
Track Narrative:
“Rosemary” moves through shadowed emotion with stripped-down beauty — Paul Reddick’s vocals and subtle instrumentation deliver a blues meditation steeped in stillness, connection, and remembrance.
Lyrics:
Way way over the cold motor town
Up the road where the wind pours down
Rosemary
Rosemary
Rosemary

A brand new apple for the same old snake
Another deal some broken make
Rosemary
Rosemary
Rosemary

Long time has spoken good skies are blue
Scrape that devil off your shoe
Rosemary
Rosemary
Rosemary

ROUND THIS TIME OF YEAR — Paul Reddick

Round This Time of Year cover art

Round This Time of Year
by Paul Reddick

Reflective and raw — “Round This Time of Year” sketches emotional terrain with smoky blues phrasing and lyrical honesty. Paul Reddick delivers a winter tale of grit and remembrance, ideal for sync scenes in cold-weather reflection or bittersweet montage.

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OMR Cue Map

Track: Round This Time of Year (Explicit)
Clean Intro: Yes (0:00 – immediate groove entry with seasonal tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with grounded natural finish
Loopable: Moderate–High (steady groove and phrasing support flexible looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Seasonal, roots-driven cue centered on atmosphere, routine, and time-of-year reflection. Ideal for holiday-adjacent storytelling, community scenes, and moments where setting and season shape the emotional tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Round This Time of Year

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 60
  • Energy: Slow-tempo
  • Genre: Blues
  • Vocals: Male Vocal
  • Instrumentation: Strings, Acoustic Guitar
  • Moods: Atmospheric, Minimal, Moody, Reflective
  • Lyric Themes: Relationship, Longing, Time, Love
  • Cinematic Fit: Art House, Drama, Indie, Mystery, Romance
  • Type: One Stop

Production Details

  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams
  • Audio Engineer / Producer: Colin Linden
  • Mastering Engineer: John Whynot
  • Composer: Paul Reddick

Artists

  • Harmonica, Loops, Vocals: Paul Reddick
  • Bass, Guitar, Harmony, Mandolin, Background Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Percussion: Stephen Hodges

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Round This Time of Year” by Paul Reddick is a slow-burning blues track that evokes winter solitude and emotional depth. With sparse instrumentation and a haunting vocal delivery, it’s ideal for scenes that explore memory, longing, and quiet transformation.

Ideal Sync Uses

  • Art House: Minimalist visuals, poetic introspection
  • Drama: Emotional turning points, character solitude
  • Indie: Stylized edits, personal storytelling
  • Mystery: Quiet tension, psychological nuance
  • Romance: Bittersweet moments, emotional distance

Scene Suggestions

  • Character walking alone in snowfall
  • Flashback montage of a lost relationship
  • Slow pan across a quiet room
  • Closing credits with a moody, reflective tone

Why It Works

  • Slow tempo enhances emotional gravity
  • Male vocals convey raw vulnerability
  • Acoustic textures support intimate storytelling
  • Lyric themes align with time, love, and longing
Track Narrative:
“Round This Time of Year” murmurs cold truths in a voice carved from memory — Paul Reddick summons smoke, snow, and the ache of seasonal ghosts. Perfect for visual poetry or late-night sync.
Lyrics:
See the clouds follow the sun
When will you be returning
Three nights I’ve dreamt about it now
Three day long my yearning

Gone in such a hurry
Troubles in your way
The wind blows fierce at the windowpane
The wheels wind away

Lots of people walk the street
Some might treat you fair
Someday I’ll remember you
Round this time of year

Lots of people walk the street
Some might treat you fair
Someday I’ll remember you
Round this time of year

ROYAL HUT — Elmer Ferrer

Royal Hut cover art

Royal Hut
by Elmer Ferrer

Bold and unified — “Royal Hut” is a genre-blending instrumental built from creative harmony. Elmer Ferrer weaves layered textures into a radiant narrative of convergence and style, ideal for sync scenes of cultural fusion, expressive movement, or visual montages of unity.

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OMR Cue Map

Track: Royal Hut
Clean Intro: Yes (0:00 – immediate rhythmic entry with textured tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with controlled rhythmic finish
Loopable: High (groove-based structure and repeated phrasing support seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Groove-forward cue centered on culture, movement, and stylized atmosphere. Ideal for travel, urban montage, and scenes where rhythmic identity and environment define the pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Royal Hut

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 113
  • Energy: Moderate
  • Genres: Cinematic, Latin, Jazz
  • Vocals: Instrumental
  • Instrumentation: Electric Guitar, Violin, Bass Guitar, Percussion, Bass Synth
  • Instrumental Solos: Electric Guitar, Violin
  • Moods: Energetic, Happy, Carefree
  • Cinematic Fit: Action, Crime, Adventure, Drama, Thriller, Comedy, Mystery
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz
  • Production: Elmer Ferrer
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Electric Guitar: Elmer Ferrer
  • Bass Guitar: Andrew Stewart
  • Percussion: Chendy Leon
  • Bass Synth: Elmer Ferrer
  • Violin: Natalie MacMaster, Donnell Leahy

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Royal Hut” by Elmer Ferrer is a genre-blending instrumental that radiates energy and sophistication. With vibrant guitar solos and cinematic violin flourishes, it’s ideal for sync scenes that demand movement, cultural fusion, or stylish action.

Ideal Sync Uses

  • Action: Chase scenes, stylish combat
  • Crime: Urban tension, surveillance montages
  • Adventure: Travel sequences, cultural exploration
  • Drama: Emotional arcs with rhythmic drive
  • Thriller: Suspenseful build-ups with flair
  • Comedy: Quirky transitions, upbeat pacing
  • Mystery: Intrigue with rhythmic pulse

Scene Suggestions

  • Stylized montage of city life
  • Character entering a vibrant marketplace
  • Split-screen travel sequences
  • Opening credits with cultural rhythm

Why It Works

  • Moderate tempo supports dynamic pacing
  • Instrumental format allows flexible placement
  • Latin and jazz textures evoke global sophistication
  • Electric guitar and violin solos add cinematic flair
Track Narrative:
“Royal Hut” celebrates musical fusion and expressive possibility — Elmer Ferrer brings textured guitar landscapes into vivid focus, ideal for sync with vibrant group scenes, cultural storytelling, or stylish motion sequences.

ROUND TREE — Amhed Mitchel (Instrumental)

Round Tree cover art

Round Tree
by Amhed Mitchel

“Round Tree” grooves with indie‑jazz flair — uptempo drive (Key: D Major; 95 BPM) powered by acoustic guitar, bass, and percussion layered with synth textures. Bright, moody, and sync‑ready, it balances rhythmic motion with upbeat charm.

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OMR Cue Map

OMR Cue Map

Track: Round Tree
Clean Intro: Yes (0:00 – immediate atmospheric entry with grounded tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, soft resolved ending with natural tonal fade
Loopable: Moderate–High (flowing phrasing supports clean editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Reflective cue centered on place, stillness, and natural continuity. Ideal for environmental storytelling, contemplative transitions, and scenes where landscape and inner mood quietly align.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Round Tree

Song Details

  • Key Signature: D Major
  • BPM: 95
  • Tempo: Uptempo
  • Genre: Indie, Jazz
  • Vocals: Instrumental
  • Mood/Feel: Bright, Moody, Rhythmic, Upbeat
  • Type: One‑Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Synth

Sync Notes

  • Best fit: Indie films, upbeat montages, rhythmic lifestyle content, travel campaigns.
  • Tone: Bright yet moody, balancing groove with reflective energy.
  • Mix: Acoustic guitar and synth textures with rhythmic drive in bass and drums.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Round Tree blends indie and jazz with an upbeat, rhythmic energy. Perfect for syncs that need groove, brightness, and a touch of moody sophistication.

Ideal Sync Uses

  • Indie / Art House: Upbeat but moody montages, character sequences
  • Lifestyle: Rhythmic urban or travel content
  • Advertising: Bright, stylish campaigns with indie‑jazz flair
  • Sports / Fitness: Energetic but reflective edits

Why It Works

  • Uptempo pacing with rhythmic drive suits kinetic visuals
  • Indie‑jazz fusion makes it versatile across genres
  • Instrumental clarity supports voiceover and narrative
Track Narrative:
“Round Tree” roots indie‑jazz textures in acoustic guitar and synth layers, driven by rhythmic bass and percussion. Bright yet moody, the track is sync‑ready for upbeat storytelling with a reflective undertone.

RUMBA EN 5TA Y 32 — Carlos Miyares

Rumba En 5ta y 32 cover art

Rumba En 5ta y 32
by Carlos Miyares

Vibrant and street-born — “Rumba En 5ta y 32” breathes rhythmic intensity and cultural pride into modern jazz language. Carlos Miyares blends Afro-Cuban phrasing with electric sync energy, perfect for scenes of Havana pulse, city choreography, or collective celebration.

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Track: Rumba en 5ta y 32
Clean Intro: Yes (0:00 – immediate rhythmic entry with lively Afro-Cuban tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with energetic rhythmic finish
Loopable: High (groove-based structure supports seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Rhythm-driven cue rooted in Latin groove and cultural energy. Ideal for street scenes, dance moments, and sequences where movement, celebration, and environment define the pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Rumba En Sta Y 32

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 120
  • Energy: Moderate
  • Genres: Latin, World
  • Vocals: Instrumental
  • Instrumentation: Saxophone, Horns
  • Instrumental Solos: Saxophone
  • Moods: Carefree, Bright, Confident, Positive
  • Cinematic Fit: Comedy, Romance
  • Type: One Stop

Production Details

  • Composer: Carlos Miyares
  • Musical Arrangement: Carlos Miyares
  • Musical Direction & Production: Chucho Valdes, Carlos Miyares
  • Executive Producer: Maya Maria Garcia
  • Recording, Mixing & Mastering: Ing. Orestes Aguila
  • Production Assistant: Yoanys Perez
  • Recording Assistants: Rebeca Alderete Bauta, Onel Cuellar Jimenez

Artists

  • Tenor Sax: Carlos Miyares
  • Double Bass: Lazaro Rivero Alarcon “Fino”
  • Piano: Tony Rodriguez
  • Drums: Oliver Valdes Rey
  • Percussion: Yaroldy Abreu Rubles

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Rumba En Sta Y 32” by Carlos Miyares is a vibrant instrumental that pulses with Afro-Cuban energy and urban flair. With its uptempo rhythm and confident saxophone lead, it’s ideal for sync scenes that celebrate movement, joy, and cultural pride.

Ideal Sync Uses

  • Comedy: Playful transitions, upbeat montages
  • Romance: Flirtatious moments, city strolls
  • Travel: Cultural immersion, vibrant street scenes
  • Celebration: Dance sequences, group joy

Scene Suggestions

  • Character dancing through Havana streets
  • Montage of city life and local rhythm
  • Opening credits with cultural energy
  • Playful romantic encounter in a café

Why It Works

  • Uptempo rhythm energizes visual pacing
  • Saxophone lead adds melodic charisma
  • Latin/world textures evoke vibrant authenticity
  • Instrumental format allows flexible placement
Track Narrative:
“Rumba En 5ta Y 32” channels the heart of Cuban jazz and rumba tradition into a sync-ready street symphony — Carlos Miyares brings saxophone fire and rhythmic dialogue to life, perfect for authentic cultural montage or expressive ensemble motion.

RUN — Elmer Ferrer

Run cover art

Run
by Elmer Ferrer

Run pulses with sleek electronic momentum and a confident rhythmic drive. Layered synth textures and a steady groove create a sense of forward motion that feels both cool and cinematic. The cue carries a subtle swagger—stylish rather than aggressive— making it ideal for night movement through city streets, sleek pursuit sequences, modern thriller pacing, or scenes where characters move with purpose and quiet determination.

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OMR Cue Map

Track: Run
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, forward-driving tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Momentum cue for escape, pursuit, urgent movement, rising pressure, decision-under-stress scenes, and sequences where the character is physically or emotionally trying to get away.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Run

Song Details

  • Energy: Medium / Driving
  • Genres: Electronic
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 75
  • Moods: Atmospheric, Confident, Cool, Dreamy, Moody, Rhythmic, Sexy, Upbeat
  • Cinematic Fit: Thriller, Crime, Action, Video Game
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Run delivers sleek electronic momentum and a confident rhythmic pulse, making it ideal for modern cinematic pacing. Its stylish drive works especially well for movement-heavy scenes that require cool intensity rather than aggressive action.

Ideal Sync Uses

  • Thriller: pursuit sequences, tension-filled movement
  • Crime: urban motion, nighttime surveillance or pursuit
  • Action: stylized running or chase scenes
  • Video Game: fast traversal, mission movement or tactical advancement

Scene Suggestions

  • Character running through nighttime streets or corridors
  • Stylized chase sequence with controlled pacing
  • Preparation or movement toward a critical confrontation
  • Video game level progression or pursuit moment
Track Narrative:
Run feels like motion under pressure. Its steady electronic pulse and cool atmosphere create the sensation of moving forward with urgency while keeping control. The cue supports scenes where the destination matters just as much as the speed—moments when determination and momentum take over.

Running

Running cover art

Running
by Kelsey Kindall

“Running” is a fast-feeling pop/world track in D Minor at 70 BPM, built around bass, percussion, and synth. Cool, dark, dreamy, quirky, and rhythmic, it carries a tense escape narrative about betrayal, secrets, self-protection, and refusing to carry someone else’s consequences.

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OMR Cue Map

Track: Running
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, urgent escape tail
Loopable: High
Best Loop Candidates: 0:40–1:20 / 1:00–1:40 / 1:20–2:00
Use Case: Dark pop/world cue for escape, betrayal, secrets, getaway energy, self-protection, and scenes where a character refuses to be blamed, trapped, or pulled back into someone else’s chaos.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Running

Song Profile

  • Genres: Pop, World
  • Key Signature: D Minor
  • BPM: 70
  • Tempo: Fast feel / half-time pulse
  • Vocals: Female Vocal
  • Moods: Atmospheric, Cool, Dark, Dreamy, Minimal, Moody, Quirky, Rhythmic, Upbeat
  • Lyric Themes: Betrayal, Escape
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Sync Potential

“Running” is built for scenes where escape is not just physical — it is emotional, social, and psychological. Its dark rhythmic pulse and betrayal-driven lyric make it a strong fit for getaway sequences, character exits, relationship fallout, exposed secrets, and moments where someone refuses to stay complicit.

Scene Types

  • Escape or getaway sequences
  • Betrayal and exposed secrets
  • Relationship fallout and emotional self-protection
  • Character exits with momentum
  • Scenes where truth breaks through manipulation

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

Silence is priceless
Holding on to secrets
Not your accomplice
I don't have to keep it
I bite my tongue
You are looking guilty
The deed is done
Now you try to blame me

It's not my burden to bear
It's not my problem to solve

Running faster
Don't look back yet
Doesn't matter
I need to get out
Leave it behind
I'm gonna find
My peace of mind
I'm not your fall guy

Whispers inside my head of lies you spread to lead me back to you
Don't stick around to see I guarantee that I will follow through
Don't try to make amends or play pretend
I know just what you do
There's only one way out I promise I'll tell everyone the truth
It's not my burden to bear It's not my problem to solve

Running faster
Don't look back yet
Doesn't matter
I need to get out
Leave it behind
I'm gonna find
My peace of mind
I'm not your fall

Running faster
Don't look back yet
Doesn't matter
I need to get out
Leave it behind
I'm gonna find
My peace of mind
I'm not your fall guy

Whispers inside my head
Holding on to secrets
You told me what you did
I don't have to keep it
Don't try to make amends
You are looking guilty
There's only one way out
I promise I'll tell everyone the truth

Running faster
Don't look back yet
Doesn't matter
I need to get out
Leave it behind
I'm gonna find
My peace of mind
I'm not your fall

Running faster
Don't look back yet
Doesn't matter
I need to get out
Leave it behind
I'm gonna find
My peace of mind
I'm not your fall guy
Track Narrative:
“Running” feels like the moment a character stops protecting someone who betrayed them. The song carries urgency without panic, confidence without innocence, and escape without apology. Its lyric makes the emotional stakes clear: the secret is not theirs to carry, the blame is not theirs to absorb, and the only way forward is out.

RUNNING TOO HOT — Tom Conneely and the Paradise Birds

Running Too Hot cover art

Running Too Hot
by Tom Conneely and the Paradise Birds

A driving, heart-on-sleeve folk song with singer-songwriter intimacy and an urgent, widescreen lift. Acoustic pulse, warm bass, and crisp kit support a confessional vocal about burnout, regret, and reaching for grace — tailor-made for road montages, reflective turning points, and closing-scene catharsis.

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OMR Cue Map

Track: Running Too Hot
Clean Intro: Yes (0:00 – immediate entry with high-tension tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with controlled intensity drop
Loopable: High (steady pulse and repeated phrasing support strong editorial looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: High-pressure cue centered on urgency, escalation, and instability. Ideal for chase sequences, rising tension, and moments where things feel on the edge of losing control.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds fuse rootsy folk honesty with modern indie tone and cinematic warmth. Their sound unfolds like film — melodic layers of acoustic guitar, vintage percussion, and emotional storytelling that blur the line between vulnerability and hope.

Each song feels like a postcard from the heartlands — poetic, organic, and grounded in lived experience. Tom’s distinct voice anchors the narratives with soul and sincerity, while the Birds weave arrangements that shimmer with texture and restraint.

Whether it’s a dawn drive, a letter never sent, or a quiet reckoning, their music captures the unguarded moments that define the human journey.

Stem Tracks

Individual stems (Drums, Bass, Acoustic Gtr, Electric Gtr, Synth/Keys, Lead Vox, BGVs) are available for custom edits or remix deliverables. Provide cue timing and deliverable specs (sample rate/bit depth, mix notes), and we’ll prep the requested stem pack.

Request Stems →

Sync Pitch Sheet: Running Too Hot

Artist: Tom Conneely and the Paradise Birds
Genre: Folk, Singer-Songwriter
Vocal Style: Male Vocal
Energy Level: Uptempo
Key Signature: F# Major
Tempo: 135 BPM
Mood Tags: Positive, Reflective, Romantic, Upbeat, Uplifting
Instruments: Acoustic Guitar, Bass, Drums, Percussion, Synth
Lyric Themes: Death, Heartbreak, Loss, Regret, Time
Cinematic Fit: Drama, Indie, Romance, Coming-of-Age, Road Trip
Type: One Stop

Track Summary

Propulsive folk-rock with a bittersweet core. Verses shoulder the weight of exhaustion and regret; choruses open into a cathartic refrain that lifts pictures forward. Organic band palette sits beautifully under VO and dialogue with clear edit points.

Sync Highlights

  • Uptempo motion ideal for travel, pursuit, or time-is-running sequences
  • Lyric language supports reflection, aftermath, and redemptive beats
  • Warm acoustic bed + modern touches = contemporary yet timeless
  • Clean sections for easy ins/outs; stems available for custom builds

Sync Potential: Running Too Hot

Key • Tempo: F# Major • 135 BPM
Mood: Positive, Reflective, Romantic, Upbeat, Uplifting
Fits: End-of-episode uplift, reflective road scenes, decision montages, trailer mid-act builds

Highlights

  • Anthemic chorus (“running too hard… just a little too long”) yields memorable hook for cut-to-black
  • Acoustic drive works for montage beds; drums/bass isolate well for rhythmic underscores
  • Great with rustic interiors, headlights, late-night highways, quiet reckonings
Track Narrative:
Exhaustion meets resolve. “Running Too Hot” captures the moment a character admits they’ve pushed too far — then chooses to turn toward home, healing, or the person who still believes.
Lyrics:
All the rose-colored lenses,
empty bottle thoughts
I'm more tired of me than myself,
but monsters still want more
Don't leave a light on for me,
just dream I'm coming home
I've been running too hard, running too hard, running too hard,
just a little too long

So brush my hair back for me
and tell me I'll be fine
It's too late now,
too late to make up time
And dress me in my finest suit and paint my face with a kiss goodbye
It's too late now,
too late to make up time

I've been running too hard, running too hard, running too hard,
just a little too long
I've been running too hard, running too hard, running too hard,
just a little too long
I've been running too hard, running too hard, running too hard
Just a little
I've been running too hard, running too hard, running too hard,
just a little too long

RUN, RUN, RUN — OMR Music Production

Run, Run, Run cover art

Run, Run, Run
by OMR Music Production

High-velocity and heartfelt — “Run, Run, Run” dives into themes of escape, heartbreak, and self-liberation. OMR Music Production fuses kinetic vocal delivery and emotional urgency, making this track a strong match for sync scenes of flight, emotional turning points, or dramatic reinvention.

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OMR Cue Map

Track: Run Run Run
Clean Intro: Yes (0:00 – immediate rhythmic entry with driving tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with energetic finish
Loopable: High (consistent drive and structure support seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Fast-moving cue centered on pursuit, urgency, and forward momentum. Ideal for chase sequences, escape scenarios, and scenes where motion drives the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Run, Run, Run

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 120
  • Energy: Medium
  • Genres: Party, Folk, Indie, Pop, Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar
  • Moods: Bright, Confident, Hopeful, Positive, Reflective, Romantic, Upbeat, Tension
  • Lyric Themes: Struggle, Heartbreak, Betrayal, Regret
  • Cinematic Fit: Drama, Romance, Action
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Xyrla Fernandez, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming & Production: Elmer Ferrer
  • Mixing & Mastering: Kevin Dietz, Samuel Williams

Artists

  • Vocals: Dane Michael Hartsell
  • Background Vocals: Lori-Anne Smith, Patricia Shirley
  • Guitar & Bass: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Keys: Matt Horner

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Run, Run, Run” by OMR Music Production is a high-velocity anthem of emotional urgency. With driving guitars and a raw vocal performance, it’s ideal for sync scenes that capture escape, heartbreak, and personal reinvention.

Ideal Sync Uses

  • Drama: Emotional turning points, character breakdowns
  • Romance: Breakup scenes, longing montages
  • Action: Chase sequences, escape moments
  • Indie: Stylized edits, personal storytelling

Scene Suggestions

  • Character running through city streets at night
  • Montage of heartbreak and reflection
  • Flashback sequence of betrayal
  • Closing credits with emotional tension

Why It Works

  • Uptempo rhythm drives urgency and motion
  • Male vocals deliver emotional intensity
  • Rock textures add grit and authenticity
  • Lyric themes align with struggle and regret
Track Narrative:
“Run, Run, Run” tears through tangled emotion with lyrical speed — OMR Music Production delivers sonic clarity fueled by heartbreak. A perfect track for sync scenes of explosive departure, catharsis, or self-rescue under pressure.
Lyrics:
CHORUS
Run, run, run, Baby
Run away from you
Done, done, done, Darling
You and I are through
If I had of stuck around
I know you wouldn’t stay true

VERSE 1
I remember when we first met
I believed everything you said
And then I woke and realized
That it was all a pack of lies
I cried when you promised me the moon
It might have been a bit too soon
But I promised you the sun, Baby
Now all I want to do is run

CHORUS
Run, run, run, Baby
Run away from you
Done, done, done, Darling
You and I are through
If I had of stuck around
I know you wouldn’t stay true

VERSE 2
Now looking back on our first night
We talked until the dawn of light
Your words all sounded so sincere
Until the fog disappeared
I took a glimpse beyond the sound
Startled by the things I had found
Realized what you had done Baby
Now all I wanna do is run

CHORUS
Run, run, run, Baby
Run away from you
Done, done, done, Darling
You and I are through
If I had of stuck around
I know you wouldn’t stay true

INTERLUDE

BRIDGE
There’s been a time or two when I looked back
Before love slipped between the cracks
The game was lost before it was won
Now all I could do is turn and run

CHORUS
Run, run, run, Baby
Run away from you
Done, done, done, Darling
You and I are through
If I had of stuck around
I know you wouldn’t stay true

VERSE 3
I wish it could have been different then
I couldn’t do it over again
I won’t stick around for fun
Now all I wanna do is run

CHORUS (Repeat)
Run, run, run, Baby
Run away from you
Done, done, done, Darling
You and I are through
If I had of stuck around
I know you wouldn’t stay true

RUN THROUGH YOU (HIDEAWAY) — Thadeus Gonzalez

Run Through You (Hideaway) cover

Run Through You (Hideaway)
by Thadeus Gonzalez

Midtempo and magnetic in A minor at 104 BPM, “Run Through You (Hideaway)” threads punk urgency into a retro-tinged rock canvas. Acoustic strums, electric grit, and subtle synth textures back a reflective lyric about identity, time, and grit—perfect for scenes of self-reinvention, inner conflict, and hard-won resolve.

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OMR Cue Map

OMR Cue Map

Track: Run Through You (Hideaway)
Clean Intro: Yes (0:00 – immediate entry with emotional tension and forward drive; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate–High (narrative phrasing supports looping while maintaining intensity)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Emotionally charged cue centered on urgency, confrontation, and internal pressure. Ideal for scenes where emotional intensity and movement intersect, particularly in character-driven escalation moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez crafts reflective rock with a punk pulse—songs that bridge introspection and action. “Run Through You (Hideaway)” brings synth accents and acoustic grit to a confessional, cut-friendly arrangement fit for film and TV.

Sync Pitch Sheet: Run Through You (Hideaway)

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 104
  • Energy: Midtempo / Reflective Drive
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Moody, Quirky, Reflective, Retro, Upbeat
  • Lyric Themes: Identity, Strength, Struggle, Success, Time
  • Type: One Stop

Production Details

  • Instrumentation: Acoustic Guitar, Bass, Drums, Electric Guitar, Percussion, Synth
  • Feel: Retro pulse with reflective verses and lift-off hooks
  • Edit-Friendly Sections: 0:00–0:24 intro bed • 0:24–0:56 verse • 0:56–1:22 hook/chorus (clean cut)
  • Lyrics: Thadeus Gonzalez & Erin E Douglass
  • Composers: Thadeus Gonzalez & Erin E Douglass
  • Produced & Mixed By: Kyle Homme (Matt Costa, Sugarcult, Reel Big Fish)
  • Additional Production: Tim Narducci, Dennis Hill
  • Recorded, Engineered, Mastered By: Kyle Homme
  • Release Date: April 12, 2024

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Full Track

Snippet Preview (0:56–1:22)

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Run Through You (Hideaway)

Confessional verses, a retro pulse, and a hook about letting the “best of you hideaway” make this a natural for identity pivots, setbacks, and comeback beats. It sits well under reflective movement—late drives, locker-room regrouping, or dawn-of-resolve montages.

Ideal Sync Uses

  • Identity crises and turning-point monologues
  • Training/rebuild sequences with inner narration
  • Road nightscapes and city introspection
  • Series promos with reflective edge + momentum

Why It Works

  • Editorial Space: Clean arrangement supports VO and dialogue.
  • Memorable Hook: Lyrical refrain provides a thematic anchor.
  • Retro Texture: Subtle synth + guitars give identity and mood.
  • One Stop: Quick, straightforward clearance.
Track Narrative:
A midtempo reckoning with the parts of ourselves we outrun. “Run Through You (Hideaway)” frames the chase—between worst impulses and best intentions—into a reflective, hook-driven anthem for characters finding their voice again.
Lyrics:

It's the thing you can't tame
standing in your way
You'll never get passed
So you’re turning around
but this thing hunts you down
Back where the standoff began

And all they'll say when a fool is fooled
Is you let the worst of you run through
And all they'll say when cool ain’t cool
Is you let the best of you hideaway

It’s the endless test of time
fight for your mind
Mountains you must climb
With every chance and choice
find your own voice
No condemnation lasts

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