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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — P

Powerful pulses, playful patterns, and polished production — the “P” playlist packs a punch with every track. Explore cinematic sync built for rhythm, emotion, and storytelling that moves.

← Back to Main Catalog

P.R. Jubilee — Paul Reddick feat. The Sidemen

P.R. Jubilee cover art

P.R. Jubilee
by Paul Reddick

Gritty and roots-deep — “P.R. Jubilee” stomps through blues dirt and soul smoke. Paul Reddick and The Sidemen turn lyrical fever into musical fire, perfect for sync scenes in shadowed drama, rustbelt montage, or barroom redemption.

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OMR Cue Map

Track: P.R. Jubilee
Clean Intro: Yes (0:00 – immediate groove entry with upbeat, blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with energetic, confident finish
Loopable: High (steady groove and repeating phrasing support seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Upbeat, blues-driven cue centered on release, celebration, and turning a corner after disorder. Ideal for scenes where tension gives way to movement, attitude, and forward energy. Works especially well for montage, recovery sequences, and moments where characters re-engage with life after setback. Strong under dialogue and visual pacing where groove and optimism carry the scene without overpowering it.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: P.R. Jubilee

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 74
  • Energy: Midtempo
  • Genres: Blues, Country, Vintage
  • Vocals: Male Vocal
  • Moods: Upbeat, Confident, Positive, Quirky
  • Cinematic Fit: Adventure, Comedy, Drama, Indie, Romance, Sports, Western
  • Lyric Themes: Happiness, Relationship, Life, Struggle, Love
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Written By: Paul Reddick & The Sidemen
  • Recorded By: Ken Friesen
  • Mixed By: King Williams
  • Mastered By: John Whynot

Artists

  • Vocals & Harmonica: Paul Reddick
  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, 12-String Guitar: Kyle Ferguson
  • Organ & Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“P.R. Jubilee” by Paul Reddick is a gritty, roots-driven blues-country anthem with vintage swagger and lyrical charm. Its midtempo groove and confident tone make it ideal for sync scenes that celebrate resilience, community, and character.

Ideal Sync Uses

  • Adventure: Road trips, rural exploration
  • Comedy: Quirky transitions, character intros
  • Drama: Personal growth, emotional pivots
  • Indie: Stylized edits, small-town storytelling
  • Romance: Playful moments, heartfelt scenes
  • Sports: Underdog montages, victory arcs
  • Western: Barroom scenes, dusty landscapes

Scene Suggestions

  • Opening credits with vintage visuals
  • Montage of community life or celebration
  • Character walking through a rural town
  • Closing scene with upbeat resolution

Why It Works

  • Midtempo rhythm supports steady pacing
  • Male vocals deliver grit and warmth
  • Blues-country instrumentation adds authenticity
  • Lyric themes resonate with everyday triumphs
Track Narrative:
“P.R. Jubilee” roars with street wisdom and sonic growl — Paul Reddick and The Sidemen deliver a raw moment for sync scenes that need truth, rebellion, and unfiltered soul.
Lyrics:
All our love in vain
We got total upside down
Honey lost our way
You sure know how to love a man
In the disarray
In the disarray

Honey now I'm in between
Your low downtown and mine
The days keep reminding me
The sun is sure to shine

Paradiso — Kristin Sweetland

Paradiso cover art

Paradiso
by Kristin Sweetland

Elegantly cinematic and contemplative — “Paradiso” paints serene visions with melodic grace. Kristin Sweetland blends acoustic textures and ambient swells for a scene-setting instrumental piece, perfect for sync in poetic dramas, dream sequences, or nature travelogues.

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OMR Cue Map

OMR Cue Map

Track: Paradiso
Clean Intro: Yes (0:00 – immediate atmospheric entry with open, luminous tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, soft resolved ending with airy tonal fade
Loopable: High (consistent texture and flowing phrasing support seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Light, atmospheric cue centered on openness, elevation, and serene emotional clarity. Ideal for scenes that convey beauty, transcendence, or peaceful escape. Works especially well for landscape visuals, reflective montage, and moments where environment and emotion align in a calm, expansive way. Strong under dialogue where tone supports stillness, presence, and quiet uplift.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Paradiso

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 124
  • Energy: Mid Tempo
  • Genres: Folk, Vintage, World
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Uplifting, Warm, Hopeful, Light, Positive, Reflective
  • Cinematic Fit: Adventure, Art House, Historical, Indie, Mystery, Romance, Thriller
  • Type: One Stop

Production Details

  • Composer: Kristin Sweetland
  • Produced/Engineered By: Chris Stringer
  • Recorded At: Union Sound Company
  • Mastered By: Jeff Elliot at Fedge Album Mastering
  • Copyright: © 2024 Arbora Vita Music

Artists

  • Kristin Sweetland: Banjo, Electric Guitar, Piano, Alto Recorder, Music Box

Instrumentation

  • Strings
  • Electric Guitar Solo
  • Violin Solo

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Paradiso” by Kristin Sweetland is a cinematic instrumental that evokes warmth, wonder, and introspection. With its folk-rooted textures and ambient flourishes, it’s ideal for sync scenes that explore emotional depth, natural beauty, and poetic storytelling.

Ideal Sync Uses

  • Adventure: Nature travelogues, scenic transitions
  • Art House: Dream sequences, visual metaphors
  • Historical: Period montages, reflective narration
  • Indie: Character introspection, stylized edits
  • Mystery: Atmospheric build-ups, emotional reveals
  • Romance: Tender moments, hopeful resolutions
  • Thriller: Calm before tension, thematic contrast

Scene Suggestions

  • Opening credits with sweeping landscapes
  • Slow-motion montage of personal reflection
  • Closing scene with emotional closure
  • Voiceover-driven transitions in documentaries

Why It Works

  • Uptempo rhythm adds movement and lift
  • Instrumental format allows flexible placement
  • Electric guitar and violin solos add melodic richness
  • Mood palette supports emotional and visual storytelling
Track Narrative:
“Paradiso” unfolds like a memory — lush, quiet, and deeply resonant. Kristin Sweetland’s instrumental composition evokes inner landscapes, ideal for scoring meditative visuals or elevated emotional tone in slow-burning scenes.

Parents’ Child — Lee Palmer

Parents' Child cover art

Parents' Child
by Lee Palmer

Gentle and timeless — “Parents’ Child” reflects on unconditional love and generational bond. Lee Palmer shares a personal acoustic tribute built for scenes of family connection, legacy, and reflection.

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OMR Cue Map

Track: Parents Child
Clean Intro: Yes (0:00 – immediate entry with warm, intimate tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with gentle emotional fade
Loopable: Moderate–High (steady phrasing supports flexible editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Intimate, relationship-driven cue centered on family, generational connection, and emotional continuity. Ideal for scenes exploring parent-child dynamics, memory, and personal history. Works especially well for montage, reflective storytelling, and moments where love, care, and shared experience define the tone. Strong under dialogue where warmth and subtle emotion support the narrative without overpowering it.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Parents’ Child

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 95
  • Energy: Moderate
  • Genres: Country, Folk, Rock
  • Vocals: Male Vocal
  • Moods: Carefree, Bright, Upbeat
  • Cinematic Fit: Coming-of-age, Drama, Western
  • Lyric Themes: Identity, Family, Love
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Music: Lee Palmer
  • Pre-Production & Final Mix: Elmer Ferrer
  • Sound Engineer: James Paul
  • Mastering: Sam Williams

Artists

  • Lee Palmer: Acoustic Guitar, Vocals
  • Neil Donnell: Background Vocals
  • Roly Platt: Acoustic & Electric Harmonica
  • Burke Carroll: All Things Slide
  • Alec Fraser: Upright Bass, Session Leader
  • Al Cross: All Things Percussion
  • Elmer Ferrer: Acoustic & Spanish Guitars

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Electric Guitar Solo

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Parents’ Child” by Lee Palmer is a heartfelt acoustic track that captures the essence of family, identity, and love. With its midtempo rhythm and warm instrumentation, it’s ideal for scenes that explore generational bonds, personal growth, and emotional legacy.

Ideal Sync Uses

  • Coming-of-age: Childhood memories, family milestones
  • Drama: Emotional turning points, reflective moments
  • Western: Rural landscapes, legacy themes

Scene Suggestions

  • Opening montage of family life
  • Flashback to childhood or parental influence
  • Closing scene with emotional resolution
  • Voiceover-driven narrative transitions

Why It Works

  • Midtempo pacing supports reflective storytelling
  • Male vocals convey sincerity and warmth
  • Country-folk instrumentation adds authenticity
  • Lyric themes resonate with universal family experiences
Track Narrative:
“Parents’ Child” carries lyrical honesty through acoustic warmth — Lee Palmer honors emotional legacy in a song fit for personal storytelling, love letters, and sunset scenes.
Lyrics:
I've raised my children like my parents before me
I gave them room to run
Like me they've taken the road less travelled
I'll be gone before their journey's done

I've tried to teach them what I've learned the hard way
Those words like clouds float on by
They're bound and determined to find their own way
And run until they learn to fight

I told them it's not what you have that matters
It's who you love and who loves you
Yeah, if you can't own it, then you can't lose it
Chasing things just keeps your mind confused

Well, I've lived in my truck
I've lived in a palace
I've lived on the road for a while
I'm still learning
I'm still running
And I'm still my parent's child

Who you are and who you're with
What you stand for and what you give
Be famous, be foolish, be brilliant, be wild
You're still your parent's child
Be famous, be foolish, be brilliant, be wild
You're still your parent's child

(dog whining)

🔗 PARITY OF ESTEEM (An Illustration of Imbalance) — Rich Brown

Parity of Esteem cover art

Parity of Esteem
by Rich Brown

Tension and complexity bloom from layered rhythm — “Parity of Esteem (An Illustration of Imbalance)” pushes boundaries with jazz precision and conceptual weight. Rich Brown conjures disparity through deft bass phrasing and percussive geometry, perfect for sync scenes of structural unraveling, political depth, or meditative contrast.

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OMR Cue Map

Track: Parity of Esteem (An Illustration of Imbalance)
Clean Intro: Yes (0:00 – immediate atmospheric entry with thoughtful tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with restrained tonal release
Loopable: Moderate (progressive structure supports edits while maintaining narrative tension)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Introspective, tension-aware cue centered on imbalance, perception, and emotional asymmetry. Ideal for scenes where relationships, systems, or expectations feel uneven beneath the surface. Works especially well under dialogue, reflective montage, and character-driven storytelling where quiet tension and structural imbalance define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Parity of Esteem

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 66
  • Energy: Low - Medium
  • Genre: Jazz
  • Vocals: Instrumental
  • Moods: Angry, Atmospheric, Building, Dark, Light, Minimal, Moody, Mysterious, Reflective, Rhythmic, Tension
  • Cinematic Fit: Crime, Drama, Horror, War
  • Type: One Stop

Production Details

  • Executive Producers: Ruchen Mahishmatish & Paul J. Youngman
  • Music Composition & Production: Rich Brown
  • Recording: Jeremy Darby
  • Mixing & Mastering: Adam Tune

Artists

  • Rich Brown: Electric Bass
  • Luis Deniz: Alto Saxophone
  • Chris Donnelly: Piano
  • Larnell Lewis: Drums

Instrumentation

  • Bass
  • Drums
  • Horns
  • Keyboard
  • Percussion
  • Saxophone
  • Instrumental Solos: Bass, Drums, Saxophone

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Parity of Esteem” by Rich Brown is a cerebral jazz composition that explores imbalance through rhythmic tension and tonal contrast. Its layered instrumentation and moody textures make it ideal for sync scenes that demand emotional complexity and structural unease.

Ideal Sync Uses

  • Crime: Investigative montages, surveillance sequences
  • Drama: Emotional unraveling, character introspection
  • Horror: Psychological build-ups, eerie transitions
  • War: Tactical planning, moral ambiguity

Scene Suggestions

  • Opening credits with abstract visuals
  • Slow-motion montage of urban decay
  • Dialogue-free tension scenes
  • Documentary segments on social imbalance

Why It Works

  • Midtempo pacing supports layered storytelling
  • Instrumental format allows flexible placement
  • Jazz structure adds sophistication and edge
  • Mood palette enhances tension and introspection
Track Narrative:
“Parity of Esteem (An Illustration of Imbalance)” delivers rich counterpoint and sonic unrest — Rich Brown’s instrumentation urges visual storytelling around systems, inequity, and kinetic thought.

Partners in Crime (Summer of '73) — OMR Music Production

Partners in Crime cover art

Partners in Crime
by OMR Music Production

Retro, rebellious, and full of swagger — “Partners in Crime (Summer of '73)” spins a nostalgic yarn about mischief, music, and teen bravado. OMR Music Production captures the rhythm of pool halls, punchlines, and friendship in full bloom, perfect for sync scenes with classic flashback or youth-centered montage.

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OMR Cue Map

Track: Partners in Crime (Summer of 73)
Clean Intro: Yes (0:00 – immediate groove entry with character-forward tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with confident, natural finish
Loopable: High (steady phrasing and groove-based structure support seamless looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Character-driven cue centered on mischief, loyalty, and shared history. Ideal for retro-leaning montage, friendship dynamics, and scenes where chemistry and rule-breaking move together. Works especially well for caper energy, memory-driven storytelling, and moments where attitude and connection carry the pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Partners in Crime (Summer of '73)

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 125
  • Energy: Medium - High
  • Genres: Party, Soul, R&B, Rock, Vintage
  • Vocals: Male Vocal
  • Moods: Carefree, Romantic, Confident, Upbeat, Fun, Retro, Positive, Uplifting
  • Lyric Themes: Friendship, Fun, Nostalgia, Connection, Time
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Xyrla Fernandez, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition, Programming & Production: Elmer Ferrer
  • Mixing & Mastering: Kevin Dietz & Samuel Williams

Artists

  • Vocals: Justin Bacchus
  • Background Vocals: Lori-Anne Smith, Patricia Shirley
  • Guitar & Bass: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Trombone: Alex Dritsas
  • Baritone Sax: Bruno Bellotta
  • Trumpet: Bruno Simone
  • Saxophones: Pat Carey, Sergio Simone

Instrumentation

  • Bass
  • Electric Guitar
  • Drums
  • Horns

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Partners in Crime (Summer of '73)” by OMR Music Production is a swaggering, retro soul-rock anthem that channels youthful rebellion and nostalgic charm. With its upbeat groove and vintage instrumentation, it’s perfect for sync scenes that celebrate friendship, mischief, and carefree joy.

Ideal Sync Uses

  • Adventure: Road trips, summer escapades
  • Comedy: Mischievous montages, character intros
  • Drama: Flashbacks, coming-of-age transitions
  • Indie: Stylized edits, retro storytelling
  • Romance: Playful flirtation, nostalgic dates
  • Sports: Victory celebrations, locker room camaraderie

Scene Suggestions

  • Opening credits with vintage visuals
  • Montage of teenage rebellion or friendship
  • Character walking through a retro diner or arcade
  • Closing scene with upbeat resolution

Why It Works

  • Uptempo rhythm energizes visual pacing
  • Male vocals deliver charisma and warmth
  • Retro instrumentation adds nostalgic flair
  • Lyric themes align with youth, connection, and time
Track Narrative:
“Partners in Crime” wears a smile of trouble and teenage heat — OMR Music Production lights up memory lane with riffs and realness, perfect for flashback sync or retro-vibe visuals.
Lyrics:
VERSE 1
Going to Rosie’s: Shoot a game of pool
Had to skip another boring day at school
Met the guys in the parking lot
It was a close one, we almost got caught
Laughed all the whole way to the billiard hall
Joking about the close call
Pushing and shoving our way up the street
Rolling up our sleeves in the melting heat

CHORUS
It was the summer of ‘73
Just a bunch of kids who lived to be free
Passing around a cigarette
Hooting and hollering at the blond in the Vette

VERSE 2
The years have passed and Rosie’s shut down
We’re a whole lot older and we all moved uptown
Getting together nearly every week
Sometimes skipping work just so we can meet
We love to talk about the good old days
Acapulco Gold and Purple Haze
Hanging around at the Sit ‘n Eat
The British Invasion or a Hard Rock Beat

CHORUS
We eased our way into the billiard hall
Tony set the rack up and Donny hit the balls
We played right through our dinner time
I love those guys, My Partners in Crime.

INTERLUDE

CHORUS
We eased our way into the billiard hall
Tony set the rack up and Donny hit the balls
We played right through our dinner time
I love those guys, My Partners in Crime.

VERSE 3
We’ll do some jamming on a Wednesday night
Or maybe watch us some pay-per-view fight
Married with kids in a different time
But I still love those guys, My Partners in Crime

CHORUS
We eased our way into the billiard hall
Tony set the rack up and Donny hit the balls
We played right through our dinner time
I love those guys, My Partners in Crime.

VERSE 4
We eased our way into the billiard hall
Tony set the rack up and Donny hit the balls
We played right through our dinner time
I love those guys, My Partners in Crime.

OUTRO

Party Time on 47th Street — OMR Music Production

Party Time on 47th Street cover art

Party Time on 47th Street
by OMR Music Production

Funky, festive, and full of street soul — “Party Time on 47th Street” is a rhythmic celebration of urban joy. OMR Music Production blends Latin-inspired grooves with punchy brass and percussive swagger, perfect for sync scenes that capture community, motion, and cultural vibrancy.

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OMR Cue Map

Track: Party Time at 47 Street
Clean Intro: Yes (0:00 – immediate rhythmic entry with lively tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with upbeat tonal finish
Loopable: High (groove-forward structure and repeating phrasing support strong editorial looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Lively, social cue centered on celebration, movement, and street-level energy. Ideal for party scenes, neighborhood montage, and sequences where people, place, and rhythm define the tone. Works especially well for upbeat visual pacing, crowd energy, and moments that need motion without chaos.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
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Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Party Time on 47th Street

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 125
  • Energy: Medium - High
  • Genres: Party, Indie, Rock, Vintage
  • Vocals: Male Vocal
  • Moods: Carefree, Bright, Upbeat, Fun, Reflective, Positive
  • Lyric Themes: Party
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Xyrla Fernandez, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition, Programming & Production: Elmer Ferrer
  • Mixing & Mastering: Kevin Dietz & Samuel Williams

Artists

  • Vocals: Justin Bacchus
  • Background Vocals: Lori-Anne Smith, Patricia Shirley
  • Guitar & Bass: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Trombone: Alex Dritsas
  • Baritone Sax: Bruno Bellotta
  • Trumpet: Bruno Simone
  • Saxophones: Pat Carey, Sergio Simone
  • Keys: Sam Williams

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Party Time on 47th Street” by OMR Music Production is a funky, festive celebration of urban joy. With Latin-inspired grooves, punchy brass, and percussive swagger, it’s ideal for sync scenes that highlight community, motion, and cultural vibrancy.

Ideal Sync Uses

  • Comedy: Street festivals, quirky neighborhood scenes
  • Drama: Urban transitions, reflective moments
  • Indie: Stylized edits, cultural storytelling
  • Romance: Playful dates, rooftop parties
  • Documentary: City life, cultural celebration

Scene Suggestions

  • Opening credits with street visuals
  • Montage of community gathering or block party
  • Character walking through a vibrant urban setting
  • Closing scene with reflective joy

Why It Works

  • Slow tempo adds groove and swagger
  • Male vocals deliver warmth and charisma
  • Brass and percussion energize cultural scenes
  • Lyric themes align with celebration and connection
Track Narrative:
“Party Time on 47th Street” pulses with the heartbeat of a neighborhood in motion — brass, bass, and percussion collide in a celebration of rhythm and connection. OMR Music Production delivers a sync-ready anthem for scenes of joy, movement, and cultural celebration.
Lyrics:
CHORUS
It’s party time on 47th Street
There’s music playing everywhere
Listen to the 12-bar blues beat
I’m gonna take your little sister there

VERSE 1
Hey Mister, Mister, let her be
I’m going to take your little sister there with me
Hey Mister, Mister, why don’t you step aside
Give us some room, going to take her to the South Side
Hey pretty sister, love those dancing shoes
We’re going to light up the town tonight
We’re gonna dance to those Chicago Blues
Pretty sister better hold on tight

CHORUS
It’s party time on 47th Street
There’s music playing everywhere
Listen to the 12-bar blues beat
I’m gonna take your little sister there

VERSE 2
Hey Mister, Mister why don’t you come along
Hear Little Walter wailing on a song
Hey Mister, Mister he’s one old groovy cat
Chicago Blues is where the music’s at
Hey little sister, listen to the bass
Feel the groove, put a smile on my face
Hey little sister, why don’t we take a chance
Shake it out sister, come on let’s dance

CHORUS
It’s party time on 47th Street
There’s music playing everywhere
Listen to the 12-bar blues beat
I’m gonna take your little sister there

SOLO

VERSE 3
Hey Mister, Mister, let her be
I’m going to take your little sister there with me
Hey Mister, Mister, why don’t you step aside
Give us some room, going to take her to the South Side
Hey little sister, listen to the bass
Feel the groove, put a smile on your face
Hey little sister, why don’t we take a chance
Shake it out sister, come on let’s dance

CHORUS (Repeat)
It’s party time on 47th Street
There’s music playing everywhere
Listen to the 12-bar blues beat
I’m gonna take your little sister there

BRIDGE
Hey man, going to the South Side
Hey man, there’s Maxwell Street
Hey man, listen that groovy slide
Hey man, Hey man Yeah!

OUTRO

Patchwork Butterfly — Tiffany Joy

Patchwork Butterfly cover art

Patchwork Butterfly
by Tiffany Joy

“Patchwork Butterfly” is a bright and rhythmically rich Pop‑Reggae fusion celebrating love’s power to hold us together through imperfection. With Tiffany Joy’s warm, expressive voice over acoustic, electric, and percussive layers, the song captures the beauty of persistence, humor, and devotion — even when everything feels unfinished. Hopeful, charming, and irresistibly human.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Patchwork Butterfly
Clean Intro: Yes (0:00 – immediate soft entry with delicate tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58
Button Ending: Yes, gentle resolved ending with airy emotional fade
Loopable: Moderate–High (flowing phrasing and consistent texture support editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Delicate, transformation-driven cue centered on fragility, growth, and emotional becoming. Ideal for scenes involving change, self-discovery, and quiet emergence. Works especially well for reflective montage, intimate character progression, and moments where beauty and vulnerability shape the emotional tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Patchwork Butterfly

Song Profile

  • Key Signature: A Major
  • BPM: 120
  • Tempo: Uptempo
  • Genres: Pop, Reggae
  • Vocals: Female Vocal
  • Mood/Feel: Romantic, Bright, Positive
  • Lyric Themes: Time, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“Patchwork Butterfly” celebrates the imperfect joy of love and human perseverance. Tiffany Joy’s voice dances through reggae‑flavored rhythms and pop brightness, expressing devotion, forgiveness, and humor. The result is an upbeat but emotionally nuanced piece fit for cinematic love stories and transformative scenes.

Sync Highlights

  • Works well under joyful montages or romantic comedies.
  • Uplifting groove fits travel, celebration, or end‑credit cues.
  • Optimistic tone contrasts and resolves tension‑based sequences.
  • Performance radiates warmth and charm for wide audience appeal.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Patchwork Butterfly

This track’s energy and emotional levity make it ideal for romantic or life‑affirming scenes. “Patchwork Butterfly” fits perfectly under imagery of perseverance, reunion, or gentle transformation — moments where love restores the human spirit.

Scene Types

  • Feel‑good romantic montages and credits.
  • Inspirational or friendship story arcs.
  • Freedom drives, homecomings, and restoration scenes.
  • Summer sequences emphasizing optimism or connection.

Film/TV Fit

  • Romantic Comedy
  • Drama
  • Family & Inspiration Features
  • Heartwarming TV Moments

Why It Works

  • Catchy and emotionally relatable.
  • Bright tone balances humor and sincerity.
  • Organic and rhythmic for natural editing flow.
Track Narrative:
“Patchwork Butterfly” tells the story of progress through imperfection. Each lyric stitches pieces of humor, love, and persistence into a cohesive whole — a musical metaphor for being remade through devotion. Tiffany Joy’s delivery makes imperfection feel beautiful, reminding listeners that love is always worth returning to.

Lyrics: Patchwork Butterfly

I bought a new piano the other day I promised my friends they'd all hear me play It's true The other day was three years ago And still no show I went to Paris on my honeymoon Swore to learn French just to make you swoon It's true I haven't quite made it past bonjour I swear I swore I've thought of a million ways To quit before I'd even started Chock full of excuses To the corners of my mind But you, you've been there all the while With that same old smile Piecing me together Like a patchwork butterfly It's true I've quit so many times For no good reason But never will I ever Never will I ever Never will I ever Quit my loving you I promised to write you a lullaby One that would soothe you and make you cry It's true I stared at an empty page for days Then went out to play I've got a million things to do There's just no time to sing to you If I start tomorrow More excuses can I borrow today Yeah I've thought of a million ways To quit before I'd even started Chock full of excuses To the corners of my mind But you, you've been there all the while With that same old smile Piecing me together Like a patchwork butterfly It's true I've quit so many times Tangled up in rhymes Holding on to something In the end was always you Oh it's true I've quit so many times For no good reason But never will I ever Never will I ever Never will I ever Quit my loving you
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy’s music blends Pop, Reggae, and Soul influences into heartfelt stories about perseverance and joy. Her warm vocal tone and organic instrumentation bring optimism and connection to every track.

With an emphasis on authenticity and melodic craft, she creates songs that resonate across styles — translating honesty and hope into cinematic emotion for film, TV, and storytelling media.

Styles: Pop, Reggae, Soul •  Strengths: Uplifting storytelling, melodic warmth, vocal depth •  Typical Uses: Drama, Romance, Family Scenes, Heartfelt Montages

Path to Heaven — Amhed Mitchel

Path to Heaven cover art

Path to Heaven
by Amhed Mitchel

Poignant and expansive — “Path to Heaven” is an emotional jazz instrumental that traces a soul's journey skyward. Amhed Mitchel builds quiet momentum through guitar and piano interplay, ideal for sync scenes of tribute, inner reflection, or cinematic ascension.

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OMR Cue Map

OMR Cue Map

Track: Path to Heaven
Clean Intro: Yes (0:00 – immediate atmospheric entry with uplifted tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with gentle lift and open release
Loopable: Moderate–High (consistent phrasing and gradual development support clean edits)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Spiritual, forward-unfolding cue centered on ascent, hope, and emotional release. Ideal for scenes involving redemption, searching, or movement toward peace. Works especially well for montage, reflective transitions, and character-driven storytelling where tone suggests grace, distance, and quiet upward motion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Path to Heaven

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 150
  • Energy: High
  • Genres: Cinematic, Indie, Jazz, Ambient, Folk, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Carefree, Romantic, Warm, Hopeful, Light, Reflective, Somber, Sad
  • Lyric Themes: —
  • Type: One Stop, Soundtrack

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition & Arrangement: Amhed Mitchel
  • Recording: Jeremy Dufry
  • Mixing: Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Drums: Amhed Mitchel
  • Piano & Nord Keyboard: Robi Botos
  • Electric & Eminence Bass: Roberto Riveron
  • Electric Guitar: Elmer Ferrer
  • Saxophone: Luis Deis

Instrumentation

  • Bass
  • Horns
  • Piano
  • Saxophone
  • Instrumental Solos: Electric Guitar, Bass, Acoustic Guitar, Piano, Saxophone, Brass

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Path to Heaven” by Amhed Mitchel is a cinematic jazz-infused instrumental that evokes emotion through its rich textures and expressive solos. With a blend of ambient folk and indie jazz, it’s ideal for scenes that explore introspection, mystery, and emotional depth.

Ideal Sync Uses

  • Drama: Reflective transitions, emotional turning points
  • Romance: Quiet moments, longing gazes
  • Mystery: Investigative montages, moody atmospheres
  • Crime: Noir-style edits, slow reveals
  • Documentary: Human stories, cultural introspection

Scene Suggestions

  • Slow-motion walk through city streets
  • Flashback sequences with emotional weight
  • Closing credits with lingering reflection
  • Montage of solitude or personal growth

Why It Works

  • Midtempo pacing supports narrative flow
  • Instrumental format allows emotional flexibility
  • Jazz and ambient textures add cinematic depth
  • Solo instrumentation enhances character introspection
Track Narrative:
“Path to Heaven” opens like a prayer and ascends in quiet layers — Amhed Mitchel channels remembrance into sound, ideal for scenes of reverence, closure, or transcendence.

Pearl River Blues — Paul Reddick feat. The Sidemen

Pearl River Blues cover art

Pearl River Blues
by Paul Reddick

“Pearl River Blues” is a swampy, roots-infused blues track that blends lyrical grit with rhythmic swagger. With its upbeat tempo, quirky charm, and rich instrumentation, it evokes southern landscapes, emotional resilience, and small-town storytelling. Ideal for scenes that celebrate adventure, community, and character-driven narratives.

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OMR Cue Map

OMR Cue Map

Track: Pearl River Blues
Clean Intro: Yes (0:00 – immediate groove entry with blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded, natural finish
Loopable: High (steady groove and repeating phrasing make it highly editor-friendly)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Gritty, roots-driven cue centered on movement, place, and lived-in emotional weight. Ideal for river-town imagery, road scenes, and grounded storytelling where atmosphere and groove carry the narrative. Works especially well under dialogue, montage, and scenes where realism, texture, and forward motion matter more than polish.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Pearl River Blues

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 133
  • Energy: Up-tempo
  • Genres: Blues, Folk, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Bright, Confident, Upbeat, Fun, Quirky
  • Cinematic Fit: Adventure, Comedy, Drama, Indie, Romance, Sports, Western
  • Lyric Themes: Happiness, Time, Relationship, Struggle, Love
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Written By: Paul Reddick & The Sidemen
  • Recorded By: Ken Friesen
  • Mixed By: King Williams
  • Mastered By: John Whynot

Artists

  • Vocals & Harmonica: Paul Reddick
  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, 12-String Guitar: Kyle Ferguson
  • Organ & Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Pearl River Blues” by Paul Reddick is a swampy, roots-driven anthem that blends lyrical grit with rhythmic swagger. Its upbeat tempo and quirky charm make it ideal for sync scenes that explore southern landscapes, personal journeys, and emotional resilience.

Ideal Sync Uses

  • Adventure: Road trips, river crossings
  • Comedy: Quirky transitions, character intros
  • Drama: Personal growth, emotional pivots
  • Indie: Stylized edits, small-town storytelling
  • Romance: Playful moments, heartfelt scenes
  • Sports: Underdog montages, victory arcs
  • Western: Barroom scenes, dusty landscapes

Scene Suggestions

  • Opening credits with vintage visuals
  • Montage of community life or celebration
  • Character walking through a rural town
  • Closing scene with upbeat resolution

Why It Works

  • Uptempo rhythm energizes visual pacing
  • Male vocals deliver grit and warmth
  • Blues-folk instrumentation adds authenticity
  • Lyric themes resonate with everyday triumphs
Track Narrative:
“Pearl River Blues” pulls history through melody — Paul Reddick crafts a sonic reckoning through layers of harmony and lyrical truth. The Sidemen add musical grit that mirrors emotional terrain, perfect for scenes of introspection, rural drama, or blues storytelling.
Lyrics:
Sidle baby over close
Overlap yourself on me
Oh we'll dawdle all day long
Irresistibly
Irresistibly

We got turned all upside down
Honey lost our way
You sure know how to love a man
In the disarray
In the disarray

Round a curve and bearin down
Chuffs on an empty train
Standin honey hand in hand
With all our love in vain
All our love in vain

Honey now I'm in between
Your low-down town and mine
Oh the days keep reminding me
The sun is sure to shine
The sun will surely shine

Searchin for your joy
Searchin for your sorrow
It's the same excursion every way
Today and tomorrow
Today and tomorrow

Pearly Whites — Syd & I

Pearly Whites cover art

Pearly Whites
by Syd & I

“Pearly Whites” is a warm-toned, midtempo indie-pop confessional built around soft percussion, gentle synth textures, and a quietly heartbreaking vocal. The song captures the moment someone recognizes their own worth after being ignored, brushed aside, or misunderstood — reflective, emotional, and beautifully restrained. Perfect for breakup realizations, emotional turning points, and character-driven storytelling where quiet truth finally surfaces.

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OMR Cue Map

OMR Cue Map

Track: Pearly Whites
Clean Intro: Yes (0:00 – immediate entry with bright tonal character and rhythmic identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with playful tonal finish
Loopable: High (repeating phrasing and steady momentum support seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Bright, character-forward cue centered on charm, surface confidence, and playful edge. Ideal for stylized introductions, light mischief, and scenes where personality leads the pacing. Works especially well for montage, dialogue-led character moments, and storytelling that benefits from wit, bounce, and attitude without overt intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Pearly Whites

Artist: Syd & I
Genre: Indie, Pop, Singer-songwriter
Instruments: Percussion, Synth
Lyric Themes: Time, emotional clarity, letting go
Mood: Sad, Warm, Light, Minimal, Positive, Reflective
Tempo: Midtempo • BPM: 91 • Key: E♭ Major
Vocal: Female vocal • Type: One Stop

Track Summary

A tender indie-pop reflection on choosing oneself. Soft synths and light percussion create a gentle, emotionally open canvas while the vocal delivers a quiet but firm realization: the relationship has run its course. Perfect for breakup scenes, emotional honesty, and introspective storytelling.

Sync Highlights

  • Ideal for emotional turning points and character realizations
  • Warm, minimal production leaves space for dialogue and VO
  • Strong for YA drama, indie film, modern romance
  • Clear edit points in verse/chorus lifts

Sync Potential: Pearly Whites

Built for introspection and emotional nuance, “Pearly Whites” shines in film & TV scenes where a character accepts hard truths or quietly steps into their own confidence. Soft, modern, and sync-friendly.

  • Breakup scenes, difficult conversations, emotional aftermath
  • Walking-away moments, reflective car rides, late-night pacing
  • Indie romance and YA coming-of-age arcs
  • Light, emotional branded work (beauty, wellness, mental health)
Track Narrative:
“Pearly Whites” unfolds through quiet moments — forced smiles, muted hurt, unresolved conversations. The protagonist recognizes the emotional one-sidedness and chooses clarity over chaos. The repeated refrain “it’s too late for apologies” marks the instant where they step out of limbo and into self-direction. Tender, bittersweet, and deeply human.
Lyrics: Emotionless smiling through those pearly whites You know that I'm hurting Your carelessness bites I would say I'm sorry, but at this point is It's too late for apologies, maybe I should just quit I don't know if I want this even down the line But it's my decision and for me it's time We're never talking, yet we eyeball all the time I told you to hear me, but you do with a closed mind I would say I'm sorry, but at this point is It's too late for apologies, maybe I should just quit I know that this turned quick for spontaneous kind But it's my decision, and for me it's time I would say I'm sorry, but at this point is It's too late for apologies, maybe I should just quit I don't know if I want this even down the line But it's my decision and I apologize
Stem Tracks:
Stems not yet posted. Contact OMR Music Production for instrumentals, vox-only, or alternate mixes.
Syd & I

Syd & I

Syd & I craft intimate, modern indie-pop that blends tenderness with emotional strength. Their sound is minimal yet expressive — perfect for film and TV moments where subtlety matters.

Styles: Indie Pop, Electronic, Singer-songwriter • Strengths: Emotional clarity, soft soundscapes, intimate vocals • Typical Uses: YA drama, introspective scenes, emotional indie cinema

Pelea — IndiviDuo

Pelea cover art

Pelea
by IndiviDuo

A midtempo Latin–Reggae–World track about fighting your way out of fear, addiction, and emotional collapse. “Pelea” blends bass, drums, electric guitar, percussion, and synth with Spanish verses and a powerful English bridge. Addressed to someone on the edge, the song urges them to keep fighting—“ese frío en el pecho no te gana la pelea”—and reminds them they are stronger than their demons. Uplifting, rhythmic, and deeply emotional, it’s perfect for scenes of struggle, intervention, recovery, and brotherhood.

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OMR Cue Map

OMR Cue Map

Track: Pelea
Clean Intro: Yes (0:00 – immediate entry with tense, driving tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with controlled impact
Loopable: High (steady pulse and repeating structure support strong editorial looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Tension-driven cue centered on conflict, confrontation, and escalating pressure. Ideal for scenes where opposing forces push toward collision. Works especially well for standoffs, pursuit, and dramatic sequences where momentum and emotional friction define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Pelea

Song Profile

  • Key Signature: B Minor
  • BPM: 90
  • Tempo: Midtempo
  • Genres: Latin, Reggae, World
  • Vocals: Male & Female Vocal
  • Mood/Feel: Upbeat, Confident, Positive, Rhythmic
  • Lyric Themes: Hope, Relationship, Strength, Struggle, Fear
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“Pelea” is a rhythmic, uplifting Latin–Reggae–World track that serves as an emotional intervention. The narrator addresses someone collapsing under addiction, depression, fear, or exhaustion—someone “roto,” “solo,” and “matándose poco a poco.” Instead of judgment, they bring compassion and strength. They insist the person is built of tougher stuff, that the cold in their chest won’t win, and that the vice destroying them won’t take the final victory. The English bridge expands the emotional universe with lines about darkness, failed hope, lost ties, and refusing to let this be the end of their game. A powerful blend of rhythm and heart, ideal for transformational arcs.

Sync Highlights

  • Extremely strong for addiction, intervention, and rehabilitation storylines.
  • Fits scenes of exhaustion, rock bottom, or emotional collapse followed by support.
  • Great for heartfelt turning points where a character chooses to keep fighting.
  • English/Spanish duality broadens sync reach and emotional clarity.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Pelea

This track shines in scenes where love, support, and emotional resilience intersect. Its theme—“don’t give up the fight”—makes it ideal anywhere a character helps someone reclaim hope, identity, or life itself.

Scene Types

  • Intervention scenes where friends or family confront a spiraling loved one.
  • Hospital, rehab, or recovery center moments when someone decides to fight back.
  • Quiet emotional breakdowns followed by a comforting hug or vow not to abandon someone.
  • Montages of slow, difficult recovery: workouts, therapy, baby steps toward stability.

Film/TV Fit

  • Drama & Dramedy
  • Gritty character-driven series
  • Coming-of-Age (mature emotional arcs)
  • Family and friendship-centered stories

Why It Works

  • The chorus's repeated “Pelea” mantra is a natural emotional climax.
  • Verses describe pain vividly but compassionately—ideal for multi-layered arcs.
  • Male/female vocals reinforce themes of support, connection, and shared struggle.
Track Narrative:
“Pelea” portrays someone who is falling apart—tired, sleepless, scared, lost, and slowly destroying themselves. The narrator refuses to let them fade. They acknowledge the pain but push with love: keep fighting, don’t give up, don’t let this darkness win. The English bridge broadens the emotional scope, describing the collapse of hope and identity while insisting on the return of the person’s inner light. The song is both a plea and a promise: you are not alone, you are stronger than this, and I will not let this be the end of you.

Lyrics: Pelea

Cuesta creerlo pero aquí estamos sin querer Tu con tristeza y yo sin calma Tal vez mañana tú no recuerdes que te hablé yo no me olvidaré tu cara Sé que estás cansado Que has dormido poco Estás asustado ...me duele verte así tan roto Sé que estás muy triste...te has quedado solo Sé que te perdiste...Te estás matando poco a poco Pelea, yo sé de que estás hecho Ese frío en el pecho no te gana la pelea 
 Pelea, con todo tu aliento Cuando sopla el viento el corazón se tambalea Pelea, yo sé de que estás hecho Este vicio hermano no te gana la pelea Pelea, no bajes los brazos Ven dame un abrazo y no abandones la pelea I’ve always been a wordsmith but there are no words to describe this Trying to make the hope stick but this darkness got you heartsick It’s only failure if you give up the fight bring it back now remember your light I know what you’re made i can see that you’re afraid of having cut all the beautiful ties that held you to this life broke you don’t know your own name and i won’t let this vice be the end of your game.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Reggae, World, Pop, and acoustic influences into cinematic, emotionally resonant songs. Their work often centers on connection, resilience, healing, and transformation, carried by warm arrangements and expressive vocals.

From bright, feel-good tracks to deeply supportive and powerful pieces like “Pelea,” their catalog is built for drama, dramedy, family stories, social-issue arcs, and character journeys where emotional survival and human connection are central.

Styles: Latin Pop, Reggae, World, Singer/Songwriter • Strengths: Emotional storytelling, dual-language writing, rhythmic grooves • Typical Uses: Drama, Dramedy, social-issue arcs, recovery and resilience narratives, character turning points

Pero Yo — IndiviDuo

Pero Yo cover art

Pero Yo
by IndiviDuo

Upbeat yet bittersweet, “Pero Yo” is a country-tinged pop song about leaving, longing, and keeping love alive through memory. Dual male–female vocals ride a warm, fast groove as the narrator moves on physically but refuses to stop feeling—perfect for farewell scenes, distance relationships, and emotional travel montages.

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OMR Cue Map

OMR Cue Map

Track: Pero Yo
Clean Intro: Yes (0:00 – immediate entry with introspective tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with restrained emotional release
Loopable: Moderate–High (consistent phrasing supports flexible looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Introspective, emotionally conflicted cue centered on self-expression, contradiction, and internal voice. Ideal for scenes where a character asserts their perspective against outside pressure. Works especially well under dialogue and reflective moments where personal identity and tension define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Pero Yo

Song Profile

  • Key Signature: G Major
  • BPM: 144
  • Tempo: Fast
  • Genres: Country, Pop, Singer/Songwriter
  • Vocals: Female & Male Vocal (duet)
  • Mood/Feel: Warm, Positive–Reflective, Bittersweet
  • Lyric Themes: Heartbreak, Longing, Love, Time
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Pero Yo” is an energetic yet tender farewell song about leaving someone behind while carrying them in your heart. Up-tempo drums and electric guitars keep momentum moving forward, while the lyrics speak to distance, devotion, and the ache of separation. The hook centers on not stopping missing the other person and keeping them alive in song and memory.

Sync Highlights

  • Fast, feel-good groove with emotional lyrics—ideal for uplifting but bittersweet goodbye moments.
  • Refrain around “no dejo de extrañarte” and “tengo una canción” supports themes of memory, letters, and music-as-lifeline.
  • Dual vocals give editors options for interplay, POV shifts, and call-and-response cuts.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Pero Yo

“Pero Yo” plays as a modern, Latin-inflected country/pop farewell—perfect for scenes where characters leave home, end a chapter, or say goodbye without losing hope. The song’s tone is emotional but not heavy, keeping a sense of warmth and forward motion even as it acknowledges heartbreak.

Scene Types

  • Airport, bus, or train station goodbyes—one character departing, the other left behind.
  • Montages of long-distance relationships: calls, texts, missed connections, shared memories.
  • Road-trip or relocation sequences where someone leaves their hometown but carries it with them.
  • Flashbacks mixed with present-day shots, showing how a past love still lingers.

Film/TV Fit

  • Romance / Romantic Drama
  • Coming-of-Age
  • Drama
  • Family & Relationship-driven series

Usage Suggestions

  • As a montage cue over packing bags, last looks at a room, and the journey out of town.
  • As a mid-episode needle drop underscoring a breakup or emotional conversation about leaving.
  • Over voiceover letters, diary entries, or messages sent across distance.
  • In branded content focused on travel, new beginnings, or staying connected despite distance.

Why It Works

  • Fast tempo keeps energy up while lyrics deliver emotional depth.
  • Warm production and duet vocals feel intimate, organic, and cinematic.
  • Clear themes of time, memory, and devotion support storylines about change and holding on.
Track Narrative:
“Pero Yo” follows a narrator on the verge of departure—someone who has to go, but whose heart refuses to move on. They speak to the person they’re leaving, promising that every memory, every look, and every heartbeat will be carried in song. Even as they acknowledge that life is no longer the same, they turn to music and devotion as a way to keep the connection alive. The song lives in the tension between moving forward and never stopping missing the one left behind.

Lyrics: Pero Yo

Tantas vueltas dio la vida, tantos saludos, tantas despedidas y hoy llego hasta aquí Y estoy frente a ti, mirándote Son minutos en mi diario, pasaron los años en el calendario y hoy debo partir Hoy quiero volar No es fácil seguir dejando todo atrás Pero yo no dejo de extrañarte, tengo mi corazón latiendo en otra parte y tengo una canción para que no se mueran todos los recuerdos Oh pero yo no sé cómo explicarte toda la devoción que siento por mirarte Te dejo el corazón, te llevaré conmigo en todo momento Y si es que no vuelvo a verte, te envuelvo en mis letras para no perderte y aprendo a vivir Y vuelvo a soñar No es fácil seguir sabiendo que no estás Pero yo no dejo de extrañarte, tengo mi corazón latiendo en otra parte y tengo una canción para que no se mueran todos los recuerdos Oh pero yo no sé cómo explicarte toda la devoción que siento por mirarte Te dejo el corazón, te llevaré conmigo en todo momento Y respiro a ver si sana el corazón y te invoco como un loco en mis canciones Hoy mi vida no es la misma sin tu voz, si tu ausencia se llevó todas mis ilusiones Pero yo no dejo de extrañarte, tengo mi corazón latiendo en otra parte y tengo una canción para que no se mueran todos los recuerdos Oh pero yo no sé cómo explicarte toda la devoción que siento por mirarte Te dejo el corazón, te llevaré conmigo en todo momento Pero yo no dejo de extrañarte, tengo mi corazón latiendo en otra parte y tengo una canción para que no se mueran todos los recuerdos.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, pop, country, and singer-songwriter influences into heartfelt, story-driven songs. Their arrangements often pair warm guitars and rhythm-section grooves with intimate dual vocals, giving each track a built-in conversational, cinematic feel.

Writing about love, distance, time, and inner transformation, IndiviDuo’s music travels easily between personal drama and broader coming-of-age and relationship arcs. The interplay of female and male perspectives makes their catalog especially useful for scenes where two characters are emotionally intertwined but pulled in different directions.

Styles: Latin-inflected Pop, Country, Singer/Songwriter • Strengths: Duet vocals, melodic hooks, emotionally clear storytelling • Typical Uses: Romance, Coming-of-Age, Family & Relationship-driven drama, travel and goodbye montages

PHOTOGRAPH — Paul Reddick

Photograph cover art

Photograph
by Paul Reddick

Paul Reddick pulls melancholy through melody with a traveler’s soul and a troubadour’s truth, ideal for sync moments of regret, reflection, or cross-country yearning.

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OMR Cue Map

OMR Cue Map

Track: Photograph
Clean Intro: Yes (0:00 – immediate entry with reflective, memory-driven tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, soft resolved ending with nostalgic fade
Loopable: Moderate (narrative phrasing supports edits while maintaining emotional flow)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Nostalgic, memory-driven cue centered on reflection, time, and emotional recall. Ideal for flashbacks, photo-driven storytelling, and scenes revisiting the past. Works especially well for montage and voiceover where memory and perspective shape the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Photograph

Song Profile

  • Key Signature: Ab Major
  • Beats Per Minute: 115
  • Energy: Mid-tempo
  • Genres: Indie, Rock
  • Vocals: Male Vocal
  • Moods: Swagger, Upbeat, Fun
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance, Thriller
  • Lyric Themes: Desire, Identity, Love, Relationship, Romance
  • Type: One Stop

Production Details

Available upon request

Artists

Available upon request

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Photograph” by Paul Reddick is a poetic indie-rock track that blends swagger with vulnerability. Its mid-tempo groove and evocative lyrics make it a strong candidate for sync scenes that explore memory, identity, and emotional tension.

Ideal Sync Uses

  • Coming-of-Age: Self-discovery, flashbacks
  • Drama: Emotional turning points
  • Indie: Stylized edits, moody transitions
  • Romance: Intimate moments, longing
  • Thriller: Reflective pauses, character depth

Scene Suggestions

  • Montage of old photographs or memories
  • Character walking alone through a city at night
  • Slow-motion reveal of a romantic interest
  • Closing credits with emotional resonance

Why It Works

  • Midtempo rhythm supports reflective pacing
  • Male vocals convey emotional depth
  • Indie-rock instrumentation adds edge and atmosphere
  • Lyric themes align with personal and romantic narratives
Track Narrative:
“Photograph” holds a faded smile and restless voice — Paul Reddick turns quiet longing into sonic dust, fit for scenes that remember without return.
Lyrics:
[...lyrics retained as-is...]

PIMPAO — Elmer Ferrer

Pimpao cover art

Pimpao
by Elmer Ferrer

Sharp and evocative — “Pimpao” hits with Cuban swagger and sonic heat. Elmer Ferrer weaves rhythmic grit with melodic drive in this instrumental, perfect for sync moments of impact, motion, or turning points that punch with style.

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OMR Cue Map

OMR Cue Map

Track: Pimpao
Clean Intro: Yes (0:00 – immediate rhythmic entry with lively tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with energetic tonal finish
Loopable: High (groove-based structure and repeating phrasing support seamless looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Playful, rhythm-forward cue centered on movement, culture, and expressive energy. Ideal for street-level storytelling, travel sequences, and lively montage. Works especially well where personality and rhythm drive pacing without overt intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Pimpao

Song Profile

  • Key Signature: F# Minor
  • Beats Per Minute: 93
  • Energy: Moderate - High
  • Genres: Rock, Latin, Blues, Jazz, World
  • Vocals: Instrumental
  • Moods: Carefree, Bright, Confident, Cool, Fun, Happy, Playful, Positive, Quirky, Upbeat
  • Cinematic Fit: Comedy, Action, Crime
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Ramil Borbonet, Alberto Pablos
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Orestes Aguila
  • Music Production: Elmer Ferrer
  • Mixing: Orestes Aguila
  • Mastering: Joe Lambert

Artists

  • Guitar: Elmer Ferrer
  • Bass Guitar: Michael Fernandez
  • Drums: Rodney Barreto
  • Harmonica: Jesusin Cruz
  • Percussion: Yaroldy Abreu

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Pimpao” by Elmer Ferrer is a vibrant instrumental that fuses Cuban flair with global grooves. Its rhythmic complexity and melodic swagger make it ideal for sync scenes that demand motion, style, and a touch of playful sophistication.

Ideal Sync Uses

  • Comedy: Quirky transitions, character entrances
  • Action: Chase scenes, stylish montages
  • Crime: Heist planning, clever escapes

Scene Suggestions

  • Opening credits with animated visuals
  • Montage of city life or street culture
  • Stylized dance or performance sequence
  • Playful confrontation or reveal

Why It Works

  • Midtempo rhythm supports dynamic pacing
  • Instrumental format allows flexible placement
  • Latin-jazz fusion adds global appeal
  • Solo sections highlight musical virtuosity
Track Narrative:
“Pimpao” is a statement in motion — Elmer Ferrer turns a blues motif into a cultural flashpoint, ideal for sync scenes with rhythm, confidence, and bold turns.

Pinegum — Paul Reddick feat. The Sidemen

Pinegum cover art

Pinegum
by Paul Reddick

Grit and poetry ride together — “Pinegum” blends muddy groove and lyrical tension. Paul Reddick and The Sidemen deliver a sync-worthy roots cut primed for brooding scenes, dusty roads, or redemption themes.

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OMR Cue Map

OMR Cue Map

Track: Pinegum
Clean Intro: Yes (0:00 – immediate groove entry with blues-rooted tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with grounded finish
Loopable: High (steady groove and repeating phrasing support strong editorial looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Gritty, roots-driven cue centered on texture, movement, and grounded atmosphere. Ideal for road scenes, environmental storytelling, and sequences where realism and groove carry the narrative. Strong under dialogue where tone supports without overpowering.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Pinegum

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 95
  • Energy: Midtempo
  • Genres: Blues, Funk, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Confident, Fun, Happy, Playful, Positive, Quirky, Upbeat, Uplifting
  • Cinematic Fit: Adventure, Comedy, Drama, Indie, Romance, Sports, Western
  • Lyric Themes: Nature, Escape, Romance, Adventure, Faith
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Written By: Paul Reddick & The Sidemen
  • Recorded By: Ken Friesen
  • Mixed By: King Williams
  • Mastered By: John Whynot

Artists

  • Vocals & Harmonica: Paul Reddick
  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, 12-String Guitar: Kyle Ferguson
  • Organ & Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Pinegum” by Paul Reddick blends muddy groove and lyrical tension with a playful, rootsy swagger. Its midtempo pulse and quirky charm make it ideal for sync scenes that explore redemption, rural landscapes, and emotional journeys.

Ideal Sync Uses

  • Adventure: Road trips, outdoor exploration
  • Comedy: Offbeat transitions, character intros
  • Drama: Personal growth, emotional pivots
  • Indie: Stylized edits, small-town storytelling
  • Romance: Playful moments, heartfelt scenes
  • Sports: Underdog montages, victory arcs
  • Western: Barroom scenes, dusty landscapes

Scene Suggestions

  • Opening credits with vintage visuals
  • Montage of nature or escape sequences
  • Character walking through a rural town
  • Closing scene with upbeat resolution

Why It Works

  • Midtempo rhythm energizes visual pacing
  • Male vocals deliver grit and warmth
  • Blues-funk instrumentation adds authenticity
  • Lyric themes resonate with nature, escape, and faith
Track Narrative:
“Pinegum” rolls with earthy urgency and midnight wisdom — Reddick leads with blues mysticism and The Sidemen echo the dust behind him. Built for scenes that wander, wrestle, and endure.

Nightbound snowbound

Scuffing across the scene

Oh the wind sings sweetly

Amongst the evergreens

Sippin from your bottle

In these winter woods

Well I know it's rambling

Makes you feel so good

Honey you don't seem to care

With the pinegum in your hair

To Elizabethville Elizabethville Elizabethville

Where we can tempt our fate

Pity Party

Pity Party cover art

Pity Party
by Kelsey Kindall

“Pity Party” is a midtempo pop / singer-songwriter track in Bb Major at 110 BPM, built around acoustic guitar, piano, percussion, and synth. Atmospheric, minimal, moody, reflective, and sad, it explores identity, change, and the disorientation of growing up — where comparison, uncertainty, and hope exist at the same time.

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OMR Cue Map

OMR Cue Map

Track: Pity Party
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, reflective tail
Loopable: Moderate
Best Loop Candidates: 0:40–1:20 / 1:00–1:40 / 1:20–2:00
Use Case: Reflective singer-songwriter cue for coming-of-age moments, life transitions, self-doubt, comparison, emotional introspection, and scenes where a character questions their path while quietly growing into it.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Pity Party

Song Profile

  • Genres: Pop, Singer-Songwriter
  • Key Signature: Bb Major
  • BPM: 110
  • Tempo: Midtempo
  • Vocals: Female Vocal
  • Moods: Atmospheric, Minimal, Moody, Reflective, Rhythmic, Sad
  • Lyric Themes: Change, Dream, Hope, Identity, Life
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Piano
  • Synth

Sync Potential

“Pity Party” works especially well for coming-of-age storytelling and introspective moments. Its reflective tone, grounded instrumentation, and honest lyric about comparison, identity, and growth make it ideal for character-driven narratives, life transitions, quarter-life reflection, and scenes where someone questions their path but begins to understand it.

Scene Types

  • Coming-of-age reflection
  • Life comparison and self-doubt
  • Personal growth and identity shifts
  • Quiet emotional realization scenes
  • Montage of life transitions and change

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

I didn't drink, but I got high
Pray to God that no one dies
Lie awake on restless nights, thinking what does it all mean
Feeling stuck I'm in between
One's going out, one's getting married
They're moving on, I'm a casualty of what does it all mean

Cause I used to like dancing, thought life was magic
Then we all blink thinking what the hell happened
I used to free fall, now I'm so careful
Change is a burden that I never asked for

It might be heavy in the beginning
But the more that I grow, the more that I'm living
What's the rush, is this a race
I feel like I keep losing pace
If this all ends the same, then what does it all mean

Cause I used to like dancing, thought life was magic
Then we all blink thinking what the hell happened
I used to free fall, now I'm so careful
Change is a burden that I never asked for

It used to be simple, then I ate the apple
And now I feel naked, but hope is more sacred
And I know there's promise, if I'm being honest
It's harder to see it, when I don't believe it

Cause I've been waiting for someone to tell me what I'm missing
Think I've known it all along, but I haven't been listening

Cause I used to like dancing, this life is magic
One day we'll blink thinking what the hell happened
I used to free fall, now I'm more careful
Changes the way that I find what I'm made for

It might be heavy in the beginning
But the more that I grow, the more that I'm living
Track Narrative:
“Pity Party” feels like the quiet moment where comparison and doubt surface, but growth begins underneath it. The track moves through uncertainty, nostalgia, and pressure, but lands in something more grounded — the realization that change is not something to outrun, but something that shapes who we become. It is built for scenes where a character questions everything, and in doing so, starts to find their direction.

PLAN B — Ran de Casa

Plan B cover art

PLAN B
by Ran de Casa

“Plan B” is a gritty, midtempo hip hop/reggae crossover built on tension, swagger, and controlled unpredictability. At 86 BPM in F Minor, it blends bass, drums, percussion, and synth into a dark, atmospheric groove that balances confidence with instability. Its conversational delivery and hook-driven sections create strong editorial anchors, making it ideal for stylized scenes, character-driven storytelling, and narrative sequences with edge.

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OMR Cue Map

Track: Plan B
Clean Intro: Yes (0:00 – immediate entry with controlled, purposeful tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with decisive tonal finish
Loopable: High (structured phrasing and steady pacing support seamless looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Strategy-driven cue centered on adjustment, problem-solving, and shifting direction. Ideal for scenes where plans change and characters pivot under pressure. Works especially well for montage and decision-based storytelling where intent and recalibration define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Plan B

Song Profile

  • Key Signature: F Minor
  • BPM: 86
  • Tempo: Midtempo
  • Genres: Hip Hop / Reggae
  • Vocals: Male vocal
  • Mood/Feel: Dark, Gritty, Atmospheric, Swagger, Rhythmic
  • Lyric Themes: Life, Power, Relationship, Time
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

A character-driven track built around tension, unpredictability, and narrative presence. “Plan B” blends conversational delivery with rhythmic grit, creating a tone that feels both grounded and volatile. Its hook-driven structure and tonal shifts make it highly effective for scenes that require personality, edge, and controlled chaos.

Sync Highlights

  • Hook (“What’s your Plan B?”) provides strong editorial anchor.
  • Midtempo groove supports dialogue while maintaining tension.
  • Textured production adds grit without overcrowding scenes.
  • Multiple tonal pockets allow flexible editing options.
  • One-stop ending delivers a clean scene or promo out.

Sync Potential: Plan B

CRIME

Why it fits: Dark, gritty tone supports urban environments and character-driven power dynamics.

  • Street-level strategy scenes
  • Power positioning moments
  • Character confrontations
  • Urban narrative sequences
  • Low-intensity tension builds

THRILLER

Why it fits: Unpredictable tone and conversational flow create underlying tension.

  • Slow-burn suspense scenes
  • Unstable character moments
  • Pre-confrontation buildup
  • Controlled chaos sequences
  • Psychological tension beats

INDIE

Why it fits: Character-first delivery and tonal shifts align with stylized storytelling.

  • Dialogue-driven scenes
  • Urban realism storytelling
  • Character-focused transitions
  • Offbeat narrative moments
  • Stylized montage sequences

DRAMA

Why it fits: Themes of life, power, and relationships support grounded emotional storytelling.

  • Relationship tension scenes
  • Character conflict moments
  • Personal stakes sequences
  • Emotional turning points
  • Internal struggle scenes

Lyrics: Plan B

Crazy Well, well, well If it isn't Mr. Game Crusader himself Randy Kasa, always trying to save some shit When you gonna use them glasses you always wear? You're blind, motherfucker Do you lie while you lie? Why you wanna lie on me? Do you lie? Slip and slide too many times Why you trying to lie on me? Paid two times, she's a god damn lie God damn lie Two times that's one goodbye Bye bye Why would you think you could ever F with a G? I'm always one step ahead of things Why would you blink? Interrupt the vision you could see Hesitate swinging Mr. Green Going through a thing Mulligan because your old thing They rewinding the real thing Why you even compete? Quarantine all them feelings of defeat Properly into property Sanitize your mind Clean all the thoughts out the grime Can't the goal of us to die You can save lives You could do the work of the divine Upward is the way to climb Take another dime Don't ask for the last time Never was about role mine I'm gonna take flight Thank you ma'am, I had a great time Couple songs go on dynamite Let me say goodbye Oh you was coming at me, but what's your plan B? Oh you was coming with me, but what's your plan B? Oh you was coming with me, but what's your plan B? And what's your plan C? ...
A study in control under pressure. The track moves through tension, confrontation, and unpredictability, reflecting a mindset that is always one step ahead — or at least trying to be.
Stems available upon request.

Ran de Casa blends hip hop and reggae influences into a cinematic sound built on rhythm, identity, and character. His work emphasizes tone and narrative, making it highly adaptable across film and television.

Play Like BB — Lee Palmer

Play Like BB cover art

Play Like BB
by Lee Palmer

Sentimental and soulful — “Play Like BB” salutes the timeless power of blues phrasing. Lee Palmer channels BB King's spirit in this polished instrumental, ideal for scenes of homage, heart, and musical heritage.

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Track: Play Like BB
Clean Intro: Yes (0:00 – immediate groove entry with blues-driven tonal identity; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with expressive tonal finish
Loopable: High (steady groove and repeating phrasing support strong editorial looping)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20 / 2:20–2:42
Use Case: Blues-inspired cue centered on feel, expression, and musical character. Ideal for performance-driven scenes, bar environments, and storytelling grounded in musicianship and attitude. Strong under dialogue where groove and personality support the scene.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Play Like BB

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 113
  • Energy: Moderate
  • Genres: Blues, Funk, Soul, Vintage
  • Vocals: Male Vocal
  • Moods: Carefree, Upbeat, Confident, Retro
  • Cinematic Fit: Adventure, Crime, Historical, Mystery
  • Lyric Themes: Energy, Power
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Composition: Lee Palmer
  • Sound Engineer: Jeremy Darby
  • Sound Engineer/Producer: Danny Greenspoon
  • Pre-Production & Final Mix: Elmer Ferrer
  • Mastering: Samuel Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Bass: David Woodhead
  • Electric Guitar: Wendell Ferguson
  • Keys & Accordion: Jenn Kee
  • Percussion: Al Cross

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Play Like BB” by Lee Palmer is a soulful tribute to blues legacy, blending vintage tones with confident swagger. Its midtempo groove and expressive guitar work make it ideal for sync scenes that evoke musical heritage, emotional depth, and timeless cool.

Ideal Sync Uses

  • Adventure: Road trip montages, discovery scenes
  • Crime: Stylized investigations, character intros
  • Historical: Period pieces with musical themes
  • Mystery: Reflective transitions, moody edits

Scene Suggestions

  • Opening credits with vintage visuals
  • Montage of musical performance or rehearsal
  • Character walking through a retro setting
  • Closing scene with emotional resonance

Why It Works

  • Midtempo rhythm supports reflective pacing
  • Male vocals convey authenticity and soul
  • Vintage blues-funk instrumentation adds timeless appeal
  • Lyric themes align with energy and power
Track Narrative:
“Play Like BB” pulls from subtle phrasing and note-driven emotion — Palmer’s tribute touches the soul with restraint, resonance, and reverence. A cue for character depth, quiet resolve, or legacy-driven arcs.
Lyrics:

I wanna learn to play like B.B. before I be gone

I wanna learn to play like B.B. before I be gone

Through that swinging door

The power of a howling wind

Plays with the touch

It says so much

Through every turnaround and bend

I wanna learn to play like Bebe

Before I be gone

I wanna learn to play like Bebe

Before I be gone

He ain't lightning fast

He can make that thunder roll

Make a rain a shine

Make a laugh a cry

He's with a man of soul

I wanna learn to play like B.B.

Before I be gone

I wanna learn to play like me before I be gone

Don't need to steal his licks

Just walk a few steps in his shoes

Feel the good, the bad, the happy, the sad

The stuff that makes the blues, the blues

I wanna learn to play like B.B.

Before I be gone

Wanna learn to play like B.B.

Before I be gone

I wanna learn to play like Bebe

Before I be gone

I wanna learn to play like Bebe

Before I be gone

Plaza Villa Sarmiento

Plaza Villa Sarmiento cover

Plaza Villa Sarmiento
by Pavlo Carta

“Plaza Villa Sarmiento” is a quirky, cello-led instrumental that blends world, jazz, and folk influences into a playful and cinematic soundscape. With its midtempo rhythm and expressive strings, it evokes the charm of urban plazas, cultural nostalgia, and character-driven storytelling—perfect for scenes that explore adventure, local life, and emotional nuance

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Track: Plaza Villa Sarmiento
Clean Intro: Yes (0:00 – immediate entry with atmospheric, location-driven tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, soft resolved ending with natural fade
Loopable: Moderate–High (flowing phrasing supports clean editorial looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Location-driven cue centered on environment, atmosphere, and cultural presence. Ideal for outdoor visuals, travel sequences, and scenes where place defines tone. Works especially well for montage and storytelling that leans into geography and mood.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Plaza Villa Sarmiento

Song Profile

  • Key Signature: F# Minor
  • Beats Per Minute: 104
  • Energy: Medium
  • Genres: World, Jazz, Folk
  • Vocals: Instrumental
  • Moods: Quirky
  • Cinematic Fit: Adventure, Coming of Age, Comedy, Urban Culture and Street Life Documentaries, Drama, Historical, Indie, Romance
  • Type: One Stop

Production Details

  • Produced At: Ricky Lorenzo TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artist

  • Pavlo Cartaginese: Violoncello, Chitarra, Basso, Pianoforte, Sintetizzatore, Batteria

Instrumentation

  • Strings
  • Instrumental Solo: Cello

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Plaza Villa Sarmiento” offers a sense of local nostalgia, acoustic openness, and lyric-less storytelling. Pavlo Carta sketches scenery through tone, serving sync editors or instrumental playlists alike.

Polvo de Tango — Pavlo Carta

Polvo de Tango cover

Polvo de Tango
by Pavlo Carta

A haunting fusion of tango and ambient motion — “Polvo de Tango” glides between melancholic phrasing and subtle rhythmic pulse. Pavlo Carta evokes the whisper of Argentina’s streets dusted with cosmic emotion, ideal for slow-motion storytelling or evocative underscores.

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Track: Polvo de Tango
Clean Intro: Yes (0:00 – immediate entry with expressive, rhythmic tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, resolved ending with emotional and rhythmic finish
Loopable: Moderate–High (steady phrasing and rhythmic consistency support looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Expressive, rhythm-driven cue centered on tension, passion, and movement. Ideal for scenes involving dance, emotional push-pull, and stylized interaction. Works especially well for montage and storytelling where rhythm and emotion intertwine to define pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Polvo de Tango

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 123
  • Energy: Medium
  • Genres: Indie, Folk, Funk, World
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Moody, Rhythmic, Upbeat
  • Lyric Themes: Instrumental
  • Type: One Stop

Production Details

  • Produzione: Ricky Lorenzo, TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artists

  • Violoncello, Guitar, Bass, Piano, Synth, Drums: Pavlo Cartaginese
  • Percussion: Molina
  • Guitar: Martin

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Polvo de Tango” by Pavlo Carta is a haunting, rhythmic instrumental that blends tango’s emotive depth with ambient textures and cinematic flair. With cello-driven phrasing and subtle percussive movement, it evokes mystery, nostalgia, and cultural richness—ideal for sync scenes that require emotional nuance and visual poetry.

Ideal Sync Uses

  • Drama: Reflective transitions, emotional turning points
  • Indie: Stylized edits, cultural storytelling
  • Fantasy: Dreamlike sequences, magical realism
  • Mystery: Investigative montages, moody reveals
  • Romance: Intimate moments, slow-motion scenes

Scene Suggestions

  • Opening credits with slow aerial shots
  • Montage of a character wandering through historic streets
  • Flashback sequence with emotional weight
  • Closing scene with quiet resolution

Why It Works

  • Uptempo rhythm adds drive without overpowering
  • Instrumental cello conveys emotion and elegance
  • Ambient textures support cinematic depth
  • Genre fusion enhances cross-cultural storytelling
Track Narrative:
“Polvo de Tango” paints passion with ambient hues — the tango is present in gesture, not in pace. Pavlo Carta captures longing as a cosmic whisper that dances through time, mood, and shadow.

Polvo Cosmico — Pavlo Carta

Polvo de Tango cover

Polvo Cosmico
by Pavlo Carta

“Polvo Cósmico” by Pavlo Carta is a cinematic instrumental that blends ambient textures with a sense of celestial mystery. Its layered soundscape evokes the vastness of space and introspective wonder, making it ideal for sync scenes involving cosmic themes, emotional depth, or poetic transitions

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Track: Polvo Cósmico
Clean Intro: Yes (0:00 – immediate atmospheric entry with spacious tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, soft resolved ending with lingering ambient decay
Loopable: High (consistent texture and ambient phrasing support seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric, space-driven cue centered on scale, distance, and abstraction. Ideal for scenes involving isolation, discovery, or expansive environments. Works especially well for montage and visual storytelling where tone suggests vastness, suspension, and quiet movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Polvo Cosmico

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 120
  • Energy: Medium
  • Genres: World, Indie, Folk
  • Vocals: Instrumental
  • Moods: Atmospheric, Cinematic, Dark, Dramatic, Dreamy, Minimal, Moody, Mysterious, Rhythmic, Tension
  • Lyric Themes: Instrumental
  • Type: One Stop

Production Details

  • Produzione: Ricky Lorenzo, TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artists

  • Violoncello, Guitar, Bass, Piano, Synth, Drums: Pavlo Cartaginese

Instrumentation

  • Bass
  • Percussion
  • Strings
  • Synth

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Polvo Cosmico” by Pavlo Carta is a moody, cinematic instrumental that blends folk-rooted strings with ambient synths and rhythmic tension. Its dark elegance and dreamy textures make it ideal for sync scenes that explore mystery, space, introspection, and emotional gravity.

Ideal Sync Uses

  • Drama: Emotional transitions, introspective moments
  • Fantasy: Magical realism, surreal dreamscapes
  • Historical: Period montages, reflective scenes
  • Mystery: Investigative sequences, eerie discoveries
  • Sci-Fi: Cosmic visuals, space exploration
  • Documentary: Astronomy, nature, universe themes

Scene Suggestions

  • Slow-motion visuals of stars or galaxies
  • Character walking through fog or ruins
  • Flashback or memory sequence
  • Closing scene with unresolved tension

Why It Works

  • Uptempo rhythm adds subtle propulsion
  • Cello solos evoke emotional depth
  • Synth layers enhance cinematic atmosphere
  • Genre fusion supports cross-format storytelling
Track Narrative:
“Polvo de Tango” paints passion with ambient hues — the tango is present in gesture, not in pace. Pavlo Carta captures longing as a cosmic whisper that dances through time, mood, and shadow.

Por Culpa de tus Mentiras — Maqui

Por Culpa de tus Mentiras cover art

Por Culpa de tus Mentiras
by Maqui

An uptempo Latin–Electronic ballad driven by male vocal and guitar-led groove, “Por Culpa de tus Mentiras” channels betrayal into rhythmic resolve. The narrator confronts someone whose lies shattered his hope, turning upward glances into questions—“¿dónde estás?”—while the music keeps pushing forward. It’s emotional, direct, and surprisingly energetic for heartbreak, ideal for modern drama and relationship stories.

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OMR Cue Map

Track: Por Culpa de Tus Mentiras
Clean Intro: Yes (0:00 – immediate entry with emotional tension and lyrical tone; no ramp required)
Edit Points: 0:14 / 0:28 / 0:42 / 1:00 / 1:18 / 1:36 / 1:58 / 2:20 / 2:42 / 3:04
Button Ending: Yes, resolved ending with emotional release
Loopable: Moderate (narrative phrasing supports edits while preserving emotional progression)
Best Loop Candidates: 0:28–1:00 / 1:18–1:36 / 1:58–2:20
Use Case: Emotionally driven cue centered on betrayal, confrontation, and consequence. Ideal for scenes involving relationship tension, truth exposure, and emotional fallout. Works especially well under dialogue where conflict and emotional weight shape the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Por Culpa de tus Mentiras

Song Profile

  • Key Signature: D Minor
  • BPM: 132
  • Tempo: Uptempo
  • Genres: Electronic, Latin, Singer/Songwriter, Ballad
  • Vocals: Male Vocal
  • Mood/Feel: Confident, Positive, Upbeat
  • Lyric Themes: Betrayal, Heartbreak, Hope, Love, Regret
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Por Culpa de tus Mentiras” is a rhythmic confrontation piece, where the narrator faces someone whose deception left a deep wound. He recognizes that his hope and illusions collapsed because of their lies, and now every time he looks up, he can’t help but wonder where they are. The track’s uptempo energy and confident vocal delivery keep it from feeling defeated—it’s heartbreak with a backbone.

Sync Highlights

  • Ideal for breakup scenes where anger and hurt co-exist with lingering love.
  • Great for scenes of emotional confrontation, truth-telling, or seeing someone’s true colors.
  • Uptempo, modern production fits contemporary drama and streaming series.
  • Male vocal perspective adds weight to male-led heartbreak arcs.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Por Culpa de tus Mentiras

This track works wherever betrayal, disappointment, and emotional fallout need a driving, contemporary Latin feel. It’s particularly effective when a character is processing the lies of someone they trusted and starting to see clearly for the first time.

Scene Types

  • Breakup scenes after discovering infidelity or deception.
  • Montages of someone packing up, leaving, or reclaiming their independence.
  • Reflective nightlife or city-walk sequences where a character replays what happened.
  • Scenes of journaling, confronting memories, or burning old keepsakes.

Film/TV Fit

  • Drama
  • Romance / Romantic Dramedy
  • Teen & YA series
  • Latin and cross-cultural narrative content

Why It Works

  • Direct, emotionally clear lyric about lies and their impact.
  • Energetic arrangement keeps heartbreak scenes dynamic and watchable.
  • Strong hook (“Por culpa de tus mentiras…”) is memorable and sync-friendly.
Track Narrative:
“Por Culpa de tus Mentiras” centers on someone who built their hopes around a person who was secretly carrying a metaphorical thorn—someone who judged, blamed, and deceived. The narrator realizes that his illusion was as false as her heart, and as that illusion collapses, so does his hope. He looks up and asks where she is now, knowing that her lies reshaped his relationship with faith, trust, and love. The song sits in that space between hurt and hard-won clarity.

Lyrics: Por Culpa de tus Mentiras

Tal vez hoy podrías confesármelo que tramas Tal vez por hoy puedas hacer una excepción y muestres compasión por las personas que te aman Tal vez solo por hoy te acuerdes del que te soñaba Sin pudor guardabas una espina ya encarnada Fue mi ilusión falsa como el corazón de la que juzga, la que culpa y la que engaña Y hoy por esta ilusión se desborona mi esperanza Mira, por culpa de tus mentiras, hoy cada vez que miro arriba, me pregunto dónde estás Mira, por culpa de tus mentiras, hoy cada vez que miro arriba, me pregunto dónde estás Sin pudor guardabas una espina ya encarnada Fue mi ilusión falsa como el corazón, de la que juzga, la que culpa y la que engaña Y hoy por esta ilusión se desborona mi esperanza Mira, por culpa de tus mentiras, hoy cada vez que miro arriba, me pregunto dónde estás Mira, por culpa de tus mentiras, hoy cada vez que miro arriba, me pregunto dónde estás Mira, por culpa de tus mentiras, hoy cada vez que miro arriba, me pregunto dónde estás Mira, por culpa de tus mentiras, hoy cada vez que miro arriba, me pregunto dónde estás.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Maqui

Maqui

Maqui is a Latin singer/songwriter whose work blends Electronic textures with organic guitars and rhythm, delivering emotionally charged stories in a modern, sync-friendly package. His songs often explore betrayal, regret, and resilience through a confident vocal presence and melodic hooks.

“Por Culpa de tus Mentiras” highlights his ability to turn heartbreak into something kinetic and cinematic— holding onto vulnerability while still pushing forward. Across his catalog, Maqui’s tracks sit comfortably in contemporary film and TV landscapes that call for rhythmic Latin energy with real emotional weight.

Styles: Latin–Electronic Singer/Songwriter • Strengths: Emotional intensity, strong hooks, modern production • Typical Uses: Drama, Romance, YA, breakup and confrontation sequences

Precious Anymore — Mattie Leon

Precious Anymore cover art

Precious Anymore
by Mattie Leon

Honest and bittersweet — “Precious Anymore” explores fading feelings with a warm vocal delivery and reflective arrangement. Mattie Leon tells a story of change wrapped in raw emotion, crafted for scenes of memory, realization, or quiet closure.

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OMR Cue Map

Track: Precious Anymore
Clean Intro: Yes (0:00 – immediate entry with intimate, reflective tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, soft resolved ending with emotional fade
Loopable: Moderate–High (steady phrasing supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Reflective, emotionally grounded cue centered on loss of value, distance, and shifting perspective. Ideal for scenes where relationships or priorities change over time. Works especially well for montage and dialogue-driven storytelling focused on emotional recalibration.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Precious Anymore

Song Profile

  • Key Signature: B Major
  • Beats Per Minute: 71
  • Energy: Low - Medium
  • Genres: Singer/Songwriter, Ballad, Indie
  • Vocals: Male Vocal
  • Moods: Sad, Warm, Light, Minimal, Positive, Reflective
  • Lyric Themes: Home, Time, Relationship, Life, Love
  • Type: One Stop

Production Details

  • Words By: Mattie Leon
  • Music By: Mattie Leon
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Mattie Leon
  • Mastered By: Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Piano

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Precious Anymore” by Mattie Leon is a heartfelt ballad that captures the quiet ache of fading love. With its warm piano tones and reflective vocal delivery, it’s ideal for sync scenes that explore memory, emotional growth, and personal closure.

Ideal Sync Uses

  • Drama: Emotional turning points, reflective transitions
  • Indie: Stylized edits, character-driven storytelling
  • Coming-of-Age: Moments of realization, growth
  • Art House: Minimalist visuals, poetic sequences

Scene Suggestions

  • Flashback sequence with emotional weight
  • Character walking alone through a quiet setting
  • Closing scene with unresolved tension
  • Montage of personal reflection or change

Why It Works

  • Low to midtempo pacing supports introspective tone
  • Male vocals convey sincerity and vulnerability
  • Piano-driven arrangement adds emotional clarity
  • Lyric themes resonate with universal human experiences
Track Narrative:
“Precious Anymore” looks inward with quiet resolve — Mattie Leon reflects on impermanence through a gently unfolding melody. The lyrics evoke transition and loss, capturing the bittersweet heartache of growing apart from what once held meaning. It’s a track built for emotional turning points, memory montages, and late-night reflection scenes.
Lyrics:

Well I hold on to the good things I have known
To keep my heart in ambers while I'm freezing in the cold
I know
I know
I know these days are gold
but these days don't seem that precious anymore

Another 30 days has come and gone
Another forced goodbye for someone I have loved or known
So much time in churches man it starts to feel like home
and these days don't feel that precious anymore

Move on up in something that I swore I'd never be
to keep me treading water in an ocean I will leave
I know
I know
I know these days are gold
but these days don't feel that precious anymore

Presto

Presto cover art

Presto
by Nato

A driven, minor-key string piece that threads baroque energy through a darker, more mysterious lens. At 96 BPM in D minor, “Presto” delivers momentum and tension without feeling frantic, balancing drama and power with reflective, emotional undercurrents — ideal for stakes-raising moments, psychological turns, and elegant suspense.

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OMR Cue Map

OMR Cue Map

Track: Corrente e Double Presto
Clean Intro: Yes (0:00 – immediate entry with fast-paced rhythmic identity; no ramp required)
Edit Points: 0:10 / 0:20 / 0:34 / 0:48 / 1:02 / 1:18 / 1:36 / 1:54 / 2:12 / 2:30
Button Ending: Yes, resolved ending with sharp, energetic punctuation
Loopable: High (rapid phrasing and structured repetition support seamless looping)
Best Loop Candidates: 0:20–0:48 / 1:02–1:18 / 1:36–1:54
Use Case: Fast-paced, kinetic cue centered on precision, motion, and intensity. Ideal for chase sequences, rapid montage, and scenes requiring tight rhythmic control. Works especially well for action and stylized sequences where speed and articulation define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato crafts cinematic instrumentals that blend classical forms with world and modern textures, bringing a fresh, emotional edge to traditional structures like the allemande, corrente, fugue, and high-energy presto movements. His work focuses on string writing, detailed phrasing, and dynamic contrast to create scores that feel both timeless and contemporary.

With a focus on mood, colour, and pacing, Nato’s compositions are built for picture — supporting nuanced storytelling, character emotion, and artful editorial choices across film, television, and premium content.

Sync Pitch Sheet: Presto

Song Profile

  • Key Signature: D Minor
  • BPM: 96
  • Energy: Driving, tense, forward-moving
  • Genre: Classical
  • Instruments: Strings
  • Moods: Dark, Dramatic, Mysterious, Positive, Powerful, Reflective, Sad, Tension
  • Type: One Stop
  • Vocals: Instrumental

Instrumentation

  • Lead and ensemble strings with driving rhythm and harmonic motion
  • Minor-key gestures and figures emphasizing tension and resolve

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Presto” is a strong fit for sequences where tension and elegance need to coexist — dramatic turns, calculated moves, rising stakes, or psychological pressure. The D minor tonality and string writing add classical gravitas, while the pulse keeps scenes moving with intent.

Scene Types

  • Strategic or covert planning, schemes unfolding in motion
  • Elegant but ominous interiors, corridors, stairways, galleries
  • Moments of internal conflict, doubt, or moral tension
  • Slow-burn suspense, looming confrontations, or decision beats

Film/TV Fit

  • Drama
  • Psychological thriller
  • Period / Historical
  • Art House / Indie

Why It Works

  • 96 BPM provides steady drive without overwhelming dialogue or pacing.
  • D minor string palette communicates seriousness, danger, and emotional depth.
  • Mood spread covers dark, powerful, and reflective, making it versatile within an episode.
  • Instrumental only keeps it safe and clean under VO and dialogue.
Track Narrative:
“Presto” feels like a countdown in motion — a character moving through space with something on their mind, a decision forming, or pressure mounting behind composed gestures. The minor-key drive suggests risk and consequence, while flashes of brightness hint that there’s still a possible way through.
Instrumental Notes:
Fully instrumental and string-based, the cue supports dialogue and FX cleanly. The rhythmic writing adds propulsion and tension, but the orchestration leaves enough space in the midrange for speech and sound design to cut through.

Stem Tracks

Contact OMR for available stems (lead strings, ensemble strings, rhythm figures, alternate edits).

PRÓLOGO — Elmer Ferrer

Prólogo cover art

Prologo
by Elmer Ferrer

Atmospheric and intricate — “Prólogo” sets the tone with expressive guitar work and cinematic motion. Elmer Ferrer leads a meditative instrumental journey ideal for thematic openings, title sequences, or brooding landscapes.

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OMR Cue Map

OMR Cue Map

Track: Prologo
Clean Intro: Yes (0:00 – immediate thematic entry with cinematic tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14
Button Ending: Yes, resolved ending with clear tonal punctuation
Loopable: Moderate–High (structured phrasing supports flexible looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:30–1:52
Use Case: Introductory, cinematic cue centered on setup, tone, and narrative framing. Ideal for opening sequences and scene introductions. Works especially well where the music establishes mood, direction, and emotional context from the outset.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Prólogo

Song Profile

  • Key Signature: Not Applicable
  • Beats Per Minute: 155
  • Energy: High
  • Genres: Cinematic, Ambient, Horror, Indie
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Mysterious, Percussive, Tension
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz
  • Production: Elmer Ferrer
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Electric Guitar: Elmer Ferrer
  • Percussion: Chendy Leon
  • Programming: Elmer Ferrer
  • Cello: Rachel Pomedli
  • Viola: Drew Jurecka
  • Violin: Drew Jurecka

Instrumentation

  • Drums
  • Percussion
  • Strings

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“Prólogo” by Elmer Ferrer is a high-energy instrumental piece that blends eerie textures with cinematic tension. Its uptempo rhythm and layered strings make it a powerful choice for scenes that demand suspense, mystery, or emotional gravity.

Ideal Sync Uses

  • Horror: Opening credits, chase scenes, psychological tension
  • Thriller: Investigative montages, dramatic reveals
  • Fantasy: Dark world-building, magical suspense
  • Crime/Drama: Interrogations, surveillance sequences
  • War: Tactical build-ups, emotional aftermath

Scene Suggestions

  • Title sequence with abstract visuals
  • Character entering a mysterious location
  • Montage of rising conflict or tension
  • Flashback with ominous undertones

Why It Works

  • Uptempo pacing drives urgency and suspense
  • String arrangements add cinematic depth
  • Percussive elements enhance rhythmic tension
  • Atmospheric tone suits dark and mysterious narratives
Track Narrative:
“Prólogo” offers a reverent opening, rich in melodic introspection. Elmer Ferrer’s arrangement carries weight and fluidity — an instrumental prelude that invites listeners into deeper themes and cinematic space.

PROMESSA — Rich Brown

Promessa cover art

Promessa
by Rich Brown

Deep and resonant — “Promessa” blends jazz textures with layered bass harmonics. Rich Brown carves out emotion in motion, ideal for contemplative edits, artful montages, or musical storytelling without words.

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OMR Cue Map

OMR Cue Map

Track: Promessa
Clean Intro: Yes (0:00 – immediate entry with warm, expressive tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46
Button Ending: Yes, resolved ending with gentle emotional lift
Loopable: Moderate–High (flowing phrasing supports seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Emotional, promise-driven cue centered on intention, connection, and forward commitment. Ideal for scenes involving trust, reassurance, and relational development. Works especially well for montage and dialogue where sincerity and emotional continuity define the tone.
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Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Promessa

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 91
  • Energy: Medium
  • Genres: Jazz, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dreamy, Hopeful, Light, Minimal, Moody, Reflective, Rhythmic, Somber, Sad
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producers: Ruchen Mahishmatish & Paul J. Youngman
  • Music Composition: Rich Brown
  • Recording: Jeremy Darby
  • Music Production: Rich Brown
  • Mixing & Mastering: Adam Tune

Artists

  • Electric Bass & Clave: Rich Brown
  • Alto Saxophone: Luis Deniz
  • Piano: Robi Botos
  • Drums: Larnell Lewis

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Saxophone
  • Trumpet

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Promessa” by Rich Brown is a moody, midtempo jazz instrumental that blends atmospheric textures with rhythmic nuance. Its introspective tone and layered instrumentation make it a compelling choice for scenes that explore emotional depth and quiet tension.

Ideal Sync Uses

  • Drama: Reflective moments, emotional transitions
  • Mystery: Subtle suspense, investigative sequences
  • Romance: Intimate scenes, longing or melancholy

Scene Suggestions

  • Character walking through a city at night
  • Montage of solitude or contemplation
  • Slow-motion sequence with emotional weight
  • Closing credits with a reflective tone

Why It Works

  • Midtempo groove supports narrative pacing
  • Instrumental solos add emotional complexity
  • Jazz textures evoke sophistication and mood
  • Atmospheric tone enhances cinematic depth
Track Narrative:
“Promessa” breathes promise with quiet power. Rich Brown’s instrumental speaks in low-end frequencies, forming soulful arcs of reflection — a sonic commitment to emotion without excess.

PUM PUM — Melodic Yoza

Pum Pum cover art

Pum Pum
by Melodic Yoza

Energetic and rhythmic — “Pum Pum” pulses with dancehall flair and vibrant cadence. Melodic Yoza crafts a groove-driven instrumental that fires up scenes of celebration, Caribbean flavor, and urban nightlife.

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OMR Cue Map

OMR Cue Map

Track: Pum Pum
Clean Intro: Yes (0:00 – immediate rhythmic entry with punchy tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with impactful rhythmic finish
Loopable: High (beat-driven structure supports strong editorial looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Beat-driven cue centered on rhythm, impact, and forward motion. Ideal for montage, street-level storytelling, and scenes where pulse and repetition define pacing. Works especially well where energy is controlled but persistent.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Pum Pum

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 108
  • Energy: Medium
  • Genres: Party, Reggae, Indie, Funk, Dance
  • Vocals: Male Vocal
  • Moods: Swagger, Upbeat, Confident, Cool, Fun, Rhythmic, Tension
  • Lyric Themes: Fun, Desire, Relationship, Life, Success
  • Type: One Stop

Production Details

Available Upon Request

Artists

Available Upon Request

Instrumentation

  • Bass
  • Drums
  • Horns
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Pum Pum” by Melodic Yoza is a groove-heavy, dancehall-inspired anthem that pulses with swagger and rhythmic tension. Its midtempo beat and vibrant instrumentation make it ideal for sync scenes that celebrate nightlife, flirtation, and urban energy.

Ideal Sync Uses

  • Action: Club scenes, chase montages
  • Comedy: Flirtatious moments, party mishaps
  • Crime: Streetwise edits, undercover sequences
  • Romance: Seductive encounters, playful tension

Scene Suggestions

  • Opening credits with urban visuals
  • Montage of nightlife or celebration
  • Character entering a party or club
  • Closing scene with rhythmic energy

Why It Works

  • Midtempo groove supports dynamic pacing
  • Male vocals deliver charisma and swagger
  • Dancehall-reggae fusion adds cultural flair
  • Lyric themes align with fun, desire, and success
Track Narrative:
“Pum Pum” by Melodic Yoza is a swagger-filled fusion of dancehall, funk, and indie rhythm — a sonic celebration of confidence, desire, and urban cool. With pulsing basslines, vibrant horns, and infectious percussion, this sync-ready anthem channels the energy of Caribbean nightlife and the tension of flirtatious encounters. OMR Music Production delivers a bold instrumental perfect for scenes of movement, romance, and cinematic swagger.
Lyrics:

Ayy, day man, what's up with you?
Long time no, man, what's up with the pose?
You a bad person, don't even pose
When me trim my line, she not buy me off
And you remind me of my coach
And I'm so flat broke
When I show up, I want you to pose
Girl, you know you got that

Boom, boom, boom, boom, boom, boom, boom, boom, boom, boom
She have a problem
Boom, boom, boom, boom, boom, boom, boom, boom, boom, boom
Ooh, ooh, ooh, ooh

See, met a girl from France, yeah
Said she want like, sing like Beyoncé
Well, say what you want, what you can't say
Way she flex, man, got in my army
Got me screaming up and on it
With a friend, no gay function on it
Told him, "Put that tree on me"
Yeah, girl, stop it, I'm a salami

She have a Luck
She have a fuck
She have a fuck
She have a fuck
She have a fuck

Those ain't no camel toes
They gotta be elephant oafs
Those ain't no camel toes
They gotta be elephant oafs

Hey girl you got that stuff
The fuck fuck fuck fuck till it off
The fuck fuck fuck fuck fuck

Boom boom boom boom
Boom boom see a robot boom boom boom boom
See a robot boom boom boom boom boom boom boom boom boom boom
Boom boom boom boom boom boom boom boom boom

PUMA PUNKU — Kiki Ferrer

Puma Punku cover art

Puma Punku
by Kiki Ferrer

Percussive and enigmatic — “Puma Punku” conjures sonic impressions of ancient architecture and rhythmic geometry. Kiki Ferrer delivers a propulsive instrumental ideal for science doc scenes, archaeological atmospheres, or abstract choreography.

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OMR Cue Map

OMR Cue Map

Track: Puma Punku
Clean Intro: Yes (0:00 – immediate atmospheric entry with ancient, textured tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, resolved ending with lingering tonal depth
Loopable: Moderate (evolving structure supports edits while maintaining atmosphere)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric, ancient-world cue centered on mystery, history, and cultural depth. Ideal for scenes involving ruins, exploration, and mythic environments. Works especially well for documentary-style visuals, cinematic landscape storytelling, and sequences where tone suggests age, scale, and unknown origin.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: Puma Punku

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 135
  • Energy: Moderate - High
  • Genres: Jazz, Folk
  • Vocals: Instrumental
  • Moods: Carefree, Sad, Building, Warm, Hopeful, Positive, Reflective, Uplifting
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Guitars: Elmer Ferrer & Dayan Abad
  • Keyboard: Josue Santos
  • Bass: Roberto Riveron
  • Vocals & Backing Vocals: Akinsola Elegbede
  • Piano: Luis Guerra
  • Drums & Percussion: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Organ

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Puma Punku” by Kiki Ferrer is a warm, midtempo jazz-folk instrumental that evokes reflection, hope, and emotional depth. With acoustic guitar solos, rhythmic percussion, and uplifting organ textures, it’s ideal for scenes that build emotional resonance and narrative introspection.

Ideal Sync Uses

  • Drama: Transitional moments, emotional turning points
  • Mystery: Reflective sequences, character development

Scene Suggestions

  • Sunset drives or quiet walks
  • Montages of personal growth
  • Flashback sequences
  • Closing credits with emotional tone

Why It Works

  • Midtempo pace supports narrative flow
  • Instrumental format allows flexible placement
  • Organic instrumentation adds authenticity
  • Mood range spans from reflective to uplifting
Track Narrative:
“Puma Punku” pulses with layered percussion and cryptic tonal echoes — a musical monolith in motion. Kiki Ferrer translates mystery and movement into groove, capturing the essence of time-worn patterns and energetic symmetry.

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