123 TO INFINITY — Purple Fox & the Heebie Jeebies

Sync Pitch Sheet: 123 to Infinity

Artist: Purple Fox & the Heebie Jeebies
Genre: Funk, R&B, Soul
Instruments: Bass, Drums, Keyboard, Percussion
Lyric Themes: Celebration, Connection, Relationship, Strength, Unity
Mood: Bright, Confident, Cool, Energetic, Fun, Positive, Quirky, Upbeat
Tempo: Uptempo • BPM: 130 • Key: A Minor
Vocal: Male vocal • Type: One Stop

Track Summary

A punchy party-starter with chantable hooks and clean family-friendly swagger. Tight rhythm section, playful call-and-response, and instant smile factor—engineered for quick edits and feel-good cuts.

Sync Highlights

• Natural :15 / :30 / :60 edit points around chorus chants and breaks
• Great for upbeat montage, celebrations, sports/rewards reveals, kids & family branding
• Clear, positive messaging with unity and participation (“hands up… spin around”)

Sync Potential: 123 to Infinity

Designed for high-energy, family-positive storytelling across ads, trailers, promos, and social campaigns. Works especially well with participation cues, jump cuts, and celebratory payoffs.

• Kids & family products, education, community initiatives
• Sports highlight reels, team spirit, school events
• Theme-park, festival, and lifestyle brand content

Track Narrative:
A countdown to togetherness—groove-forward drums, buoyant bass, and rallying chants invite everyone into the circle. The vibe stays inclusive and kinetic, landing in a chorus that lifts hands, smiles, and momentum.

Lyrics: It goes one, two, three, it's a K I D in the place to be Can't be no me if there is no we, get together you see, all around the world From the boys and the girls. It's fate dynamic, don't you panic, don't be manic, can't you stand it? 93 born, can't you see? 86, fat knots don't mix Seven's trying, sugar spice, twice as nice, and it goes one, two, three Put your hands up and then you spin around Wave them side to side and then you just get down If you want to groove then come and dance with me It goes one, two, three to infinity Hands up, spin around Side to side, just get down Hands up, spin around Side to side, just get down Now, give me a one! One! Give me a two! Two! Give me a three! Three! Three! Three! Three! Three! To infinity! Yay! Put your hands up and then you spin around Wave them side to side and then you just get down If you want to groove then come and dance with me It goes one, two, three to infinity.

Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alt mixes (instrumental, vox-only, beat-only).

1849 — The Green Door

Sync Pitch Sheet: 1849

Song Profile

• Key Signature: A Minor
• Beats Per Minute: 69
• Energy: Low - Moderate
• Genres: Indie, Punk, Rock
• Vocals: Instrumental
• Moods: Moody, Retro
• Cinematic Fit: Drama, Western, Historical, Indie
• Lyric Themes: —
• Type: One Stop

Instrumentation

• Bass
• Drums
• Electric Guitar

Audio Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“1849” is a restrained, cinematic instrumental with a weathered frontier feel. Its low, steady pulse and retro mood make it ideal for wide landscapes, aftermath, and scenes where tension lingers beneath stillness.

Ideal Sync Uses

• Drama: Quiet aftermath, emotional distance, unresolved tension
• Western: Frontier landscapes, slow rides, dust-settling aftermath
• Historical: Passage-of-time montage, memory, consequence
• Indie: Atmospheric transitions, understated movement

Scene Suggestions

• Wide landscape sequence with emotional weight
• Slow ride or journey across open terrain
• Aftermath scene where action has passed but tension remains
• Reflective transition grounded in time and place

Why It Works

• Instrumental format leaves full room for dialogue and atmosphere
• Low tempo gives the cue gravity and space
• Retro mood supports historical or western-coded visuals
• Minimal, steady drive helps tension linger without overstating

Stem Tracks:
Available upon request.

Track Narrative

“1849” feels like a horizon that remembers everything. Sparse, weathered, and quietly tense, it is built for scenes where the land carries its own story and the silence says more than the people inside it.

24 On 7 — Syd & I

Sync Pitch Sheet: 24 On 7

Artist: Syd & I
Genre: Electronic, Indie, Pop
Instruments: Bass, Drums, Percussion, Synth
Lyric Themes: Change, Struggle, Survival, Time
Mood: Atmospheric, Cool, Dreamy, Minimal, Moody, Percussive, Reflective, Rhythmic
Tempo: Slow • BPM: 83 • Key: C# Major
Vocal: Female vocal • Type: One stop

Track Summary

A nocturnal, insomniac slow-burner built on cool bass, spacious drums, and intimate female vocal. The lyric lives in emotional loops and avoidance: staying awake to dodge disappointment, replaying “you and I” in fragments instead of resolution. Perfect for late-night interior scenes, emotional spirals, and visually rich, slow-motion storytelling.

Sync Highlights

• Strong use for insomnia, doom-scrolling, and digital-overload vignettes
• Natural edit points around repeated phrases (“never gonna wake up again”, “you and I”)
• Works under dialogue or pure visual montage thanks to minimal, atmospheric production
• Ideal for YA/streaming drama, prestige series, and reflective trailer moments

Sync Potential: 24 On 7

“24 On 7” is tailor-made for contemporary drama and streaming placement where technology, sleeplessness, and emotional fatigue intersect. Its subtle build and hypnotic groove support both intimate close-ups and wide, cinematic night exteriors.

• Series and films featuring burnout, anxiety, or late-night introspection
• Young adult and coming-of-age stories centered on identity and modern relationships
• Montages of scrolling, messaging, deleting, and replaying memories
• Brand and social campaigns focused on mental health, wellness, or the cost of constant connectivity
• Stylized city-at-night visuals, long drives, and urban solitude sequences

Track Narrative:
A character trapped in an emotional feedback loop, choosing sleeplessness over being hurt again. “24 On 7” sits where glowing screens, quiet rooms, and unprocessed feelings collide. The vocal feels close and confessional against minimal, moody production, making it a natural fit for stories about avoidance, self-protection, and the moment just before someone finally decides to move on.

Lyrics: It's been 247 I roll off of my bed right into it again All my dreams fade away 'cause I'll never close my eyes I know you'll know me then But I'm stuck in this loop again Never gonna wake up again 'Cause I'll never fall asleep And you'll never get to disappoint me then 'Cause I'll never fall asleep to these images of you and I I'll never feel the potential fade away 'Cause I won't face it in the night, those feelings of you and I of you and I I give up on my head stuck to the screen and the feeling If I only played it your way I'd give up everything I'm trying to keep I know you'll know me then But I can't seem to let you in Never gonna wake up again 'Cause I'll never fall asleep And you'll never get to disappoint me babe 'Cause I'll never fall asleep to those images of you and I I'll never feel a potential fade away 'Cause I won't face it in the night, those feelings of you and I of you and I

Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alt mixes (instrumental, vox-only, beat-only, TV mix).

28-7

Sync Pitch Sheet: 28-7

Song Profile

• Genres: Ambient, Electronic
• Tempo: Slow
• Vocals: Instrumental
• Moods: Atmospheric, Minimal, Reflective
• Lyric Themes: —
• Type: One Stop

Instrumentation

• Keyboard
• Percussion
• Piano
• Synth

Track Summary

“28-7” is a sparse and atmospheric instrumental cue with a reflective electronic-ambient character. Its restrained piano, soft synth textures, and minimal rhythmic movement give it a quiet cinematic quality suited to emotional pauses, memory-driven scenes, and understated dramatic pacing.

Sync Highlights

• Minimal arrangement leaves space for dialogue and visual storytelling.
• Slow tempo supports reflection, emotional distance, and quiet dramatic movement.
• Ambient electronic texture works well under memory, transition, and interior scenes.
• Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“28-7” by Elmer Ferrer is a minimal, reflective ambient-electronic instrumental designed for scenes that need emotional restraint rather than melodic dominance. Its slow movement, piano-led atmosphere, and subtle synth/percussion textures make it ideal for quiet cinematic moments where the music supports thought, memory, or unresolved emotion.

Scene Types

• Reflective character moments
• Memory sequences
• Quiet dramatic transitions
• Emotional aftermath scenes
• Dialogue-safe underscore

Stem Tracks

Stem availability can be confirmed upon request.

Track Narrative:
“28-7” unfolds as a restrained ambient instrumental, moving slowly through piano, synth, keyboard, and subtle percussive textures. The track feels intimate and spacious, creating a sense of reflection without forcing the emotional direction of the scene. Its minimal structure makes it especially effective for visual storytelling that needs atmosphere, patience, and quiet emotional weight.

5 FINGERS — Ran de Casa (Male Vocal)

Sync Pitch Sheet: 5 Fingers

Song Details

• Key Signature: G# Minor
• BPM: 55
• Tempo: Slow
• Genre: Hip hop / Rap
• Vocals: Male Vocal
• Mood/Feel: Confident, Cool, Moody, Rhythmic, Swagger, Upbeat
• Type: One-Stop

Instrumentation

• Bass
• Drums
• Percussion
• Synth

Lyric Themes

• Dream, Power, Strength, Success, Time

Sync Notes

• Slow, heavy pocket with confident delivery — ideal for grind, ambition, and winner’s-circle vibes.
• Clean, rhythmic space leaves room for VO and punchy edits.
• Hooks around “five fingers” and A→B motion support goal-oriented storytelling.

Sync Potential

5 Fingers is a slow-burn hip-hop cut with swagger and purpose — perfect for edits that track the grind from plan to payoff.

Ideal Sync Uses

• Sports / Competition: Training arcs, focused warm-ups, highlight reels
• Lifestyle / Advertising: Streetwear, tech, performance products
• Drama / Indie: Night drives, city hustles, decision beats
• Video Game: Menu loops, mission setup, urban free-roam

Why It Works

• Memorable hook + motivational themes fit goal-oriented narratives
• Spacious production plays well under dialogue/VO
• Slow BPM with strong groove makes for clean, impactful cuts

Stem Tracks

Stems not currently posted. Contact OMR Music Production to request alt mixes (instrumental, vox-only, beat-only).

Lyrics

Prezi, Prezi, Prezi, Prezi, Prezi, Prezi I wanna be seen five figures the dream. I wanna be clean five figures a piece. A bite to get right with it ride with me and mind your biz high on this probably. Oh this ain't about weed it's a different green, but once my mission complete five fingers esteem. I'd bite a bit like it lit five with me. The lightning too high for them but not for me. I think I always knew I had a little whack in me. Chef a meal off the bay on my daiquiri. We can roll around the rock on some kind of reef. Make a wave around the block for the pottery. The way I make my case they think they got a lot of me. I write it off on a page from the papertree. That's why I had to purchase a ticket in the lottery. Making millions off of everything I got with me. It just depends on what you want depends on what you need, depends on what you want, depends on what you see, what you see say your piece five steps from A to B. Five fingers is enough, five fingers write the dream. Oh yeah I'm the one I'm trying to be. I'm the only motherfucker coming everyday for me. Oh yeah, this is simply A to B. One life, one chance, one way to be for me. I'm a dream, I believe I can be the one for me. Everything that I need is in reach from what I see. What I see, what I see, seeing seven days a week. Over half a million minutes every every meeting me. So much time on my hands that I'm looking like a thief. I'm on everybody watch once they get to listening. Look at me glistening, see me sliding on a beat. Make you wanna play around this is sound luxury. Oh my goodness, thank God for the bounce in the beat. From the earth from the ground come and bow in the lead. Pray for me pray for me, I need blessings for the drink. bless my hands bless my fingers help me find a way to speak. depends on what you want depends on what you see, what you see, say your piece. five steps from A to B. Five fingers is enough, five fingers write the dream. Depends on what you need... Depends on what you want. Depends on who you be with I'm the one I'm trying to be for me. I'm the only motherfucker coming every day to me. Oh yes, this is simply A to B. One life, one chance, one way to be for me, me, me, me. Depends on what you need, depends on what you want. Depends on what you see, what you see say your piece five steps from A to B. Five fingers is enough, five fingers write the dream. I'm the one I'm trying to be for me. I'm the only motherfucker coming everyday to me. One life, one chance, one way to be for me

Track Narrative:
“5 Fingers” moves like a mission statement — a slow, heavy groove underlines lyrics about grind, time, and self-belief. Confident and cool with moody sheen, it drives scenes toward action, focus, and the next level.

13 DIFFERENT WAYS OF LOOKING AT A CANARY — Josh Friedman

Sync Pitch Sheet: 13 Different Ways of Looking at a Canary

Artist: Josh Friedman
Genre: Classical
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Bright, Hopeful, Light, Positive, Reflective, Romantic
Tempo: Midtempo • BPM: 74 • Key: G Minor
Vocal: Instrumental • Type: One Stop

Track Summary

Elegant solo guitar vignettes with lyrical phrasing and a calm, confident cadence. The piece glides with understated motion—editor-friendly and emotionally versatile.

Sync Highlights

• Subtle, VO-friendly arrangement with natural edit points
• Warm, intimate tone for reflective or romantic moments
• Works as gentle underscore without pulling focus
• Easy :15/:30/:60 trims around phrase endings

Sync Potential: 13 Different Ways of Looking at a Canary

Suits prestige drama, art-house, light romance, lifestyle, and premium brand storytelling. Perfect for thoughtful transitions, memory sequences, and quiet reveals.

• Contemplative walk-and-think moments
• Soft morning or golden-hour montages
• Letters, journals, heirlooms, or object-closeups

Track Narrative:
A gently unfolding set of guitar sketches—each “way of looking” offers a new glint of feeling: curiosity, tenderness, a hint of longing. It settles into scenes like natural light, inviting the viewer closer without announcing itself.

Instrumental:
Solo acoustic guitar performance (no vocals). Clean, mix-ready master with gentle decay and musical cadences suitable for graceful cut-outs and fades.

Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.

1000 YEARS

Sync Pitch Sheet: 1000 Years

Song Details

• Key Signature: C Major
• Beats Per Minute: 93
• Energy: Midtempo
• Genres: Folk, Indie
• Vocals: Male
• Moods: Reflective, Sad
• Cinematic Fit: Indie Drama, Mystery, Romance, Period Piece, Poetic Narrative
• Lyric Themes: Connection, Love, Relationship, Time
• Type: One Stop
• Label: OMR Music Production

Instrumentation

• Vocals
• Guitar
• Harmonica
• Percussion
• Piano
• Strings

Production Details

• Written & Performed By: Paul Reddick
• Produced By: OMR Music Production
• Mixed & Mastered By: OMR Team

Artist Credits

• Lead Vocals & Harmonica: Paul Reddick
• Additional Production: OMR Music Production

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
+1 (416) 735-0330
omrmusicproduction.com

Sync Potential

1000 Years by Paul Reddick is a poetic and haunting folk-indie ballad that drifts through memory and longing with lyrical reverence. Its midtempo pacing and melancholic tone make it ideal for scenes of quiet intimacy, emotional transformation, and visual storytelling without dialogue.

Ideal Sync Uses

• Indie Drama: Emotional turning points, character introspection
• Mystery: Reflective transitions, memory flashbacks
• Romance: Bittersweet connection, poetic longing
• Period Piece: Timeless emotional resonance
• Art House: Visual metaphor, lyrical pacing

Scene Suggestions

• Opening or closing credits with emotional weight
• Slow-motion sequences or memory flashbacks
• Dialogue-free scenes with visual storytelling
• Transitional moments in episodic arcs

Why It Works

• Male vocals convey vulnerability and depth
• Midtempo pacing supports emotional storytelling
• Folk-indie instrumentation adds authenticity
• Lyric themes align with universal emotional arcs

Track Narrative:
“1000 Years” drifts through time with poetic melancholy — guitar, harmonica, and vocals intertwine in a quiet meditation on love and connection. OMR Music Production delivers a sync-ready ballad for scenes of reflection, emotional depth, and cinematic intimacy.

Lyrics:
1000 years of silence
1000 years of rain
1000 years of longing
Calling out your name

I walked across the water
I wandered through the flame
I waited for the thunder
But the thunder never came

1000 years of memory
1000 years of pain
1000 years of dreaming
Just to see your face again

12-06-19

Sync Pitch Sheet: 12-06-19

Song Profile

• Key Signature: F# Major
• Beats Per Minute: 88
• Energy: Midtempo
• Genres: Blues, Folk, Vintage
• Vocals: Instrumental
• Moods: Bright, Uplifting, Happy, Positive
• Lyric Themes: Happiness, Life, Love, Relationship, Struggle
• Type: One Stop

Production Details

• Executive Producer: John Cook
• Mastered by: John Whynot
• Mixed by: King Williams
• Recorded by: Ken Friesen
• Written by: Paul Reddick & The Sidemen

Artists

• Harmonica, Vocals: Paul Reddick
• Dobro, Electric Guitar, Mandolin: Colin Linden
• Drums: Vince Maccarone
• Bass: Greg Marshak
• Keys: Richard Bell
• Additional Production: OMR Music Production

Instrumentation

• Harmonica
• Dobro
• Electric Guitar
• Mandolin
• Drums
• Bass
• Piano
• Organ

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“12-06-19” by Paul Reddick is a cinematic blues groove rich in tone and tension. Without lyrics, the instrumental speaks through atmosphere and soul, evoking shadowy alleys, restless thoughts, and slow-burning introspection.

Ideal Sync Uses

• Drama: Emotional introspection, noir transitions
• Indie: Art house pacing, poetic narrative
• Romance: Reflective moments, memory flashbacks
• Mystery: Transitional scenes, visual storytelling
• Period Piece: Atmospheric montage

Scene Suggestions

• Slow-motion sequences or memory flashbacks
• Dialogue-free scenes with visual storytelling
• Transitional moments in episodic arcs
• Opening or closing credits with moody visuals

Why It Works

• Midtempo pacing supports emotional depth
• Instrumental format allows flexible sync placement
• Blues and folk textures evoke timeless atmosphere
• Production quality ensures cinematic polish

Track Narrative

“12-06-19” is a brooding instrumental steeped in vintage blues textures and cinematic tension. Paul Reddick’s harmonica leads the way through a sonic landscape that feels both intimate and expansive. The track’s layered instrumentation and slow-burning rhythm evoke a sense of mystery, making it ideal for emotionally charged scenes, noir storytelling, or reflective character moments. It’s a piece that doesn’t just underscore—it breathes with the story.

23

Sync Pitch Sheet: 23

Song Profile

• Key Signature: —
• Beats Per Minute: —
• Energy: Midtempo
• Genres: Funk, Jazz, Indie, Rock
• Vocals: Instrumental
• Moods: Bright, Uplifting, Happy, Playful, Carefree, Upbeat, Fun, Retro
• Lyric Themes: Happiness, Hope, Celebration, Discovery, Dream
• Type: One Stop

Production Details

• Additional Production: OMR Music Production

Artists

• Guitar: Elmer Ferrer

Instrumentation

• Electric Guitar
• Keyboard
• Bass
• Drums

Audio Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“23” by Elmer Ferrer is a groove-heavy instrumental bursting with retro charm and playful energy. Funk, jazz, and indie rock collide in a bright, carefree soundscape perfect for scenes of celebration, discovery, or youthful joy.

Ideal Sync Uses

• Indie Comedy: Opening credits, upbeat intros
• Lifestyle Series: Playful transitions, travel montages
• Youth Content: Celebration scenes, retro flashbacks
• Commercials: Lighthearted product reveals

Scene Suggestions

• Opening credits or title sequences
• Feel-good moments in episodic storytelling
• Playful transitions between scenes
• Retro-themed flashbacks or montages

Why It Works

• Midtempo groove keeps energy light and engaging
• Instrumental format offers flexible sync placement
• Retro funk textures evoke celebration and nostalgia
• High production value ensures cinematic polish

Track Narrative:
“23” is a celebration of groove and spontaneity. Elmer Ferrer’s guitar leads a playful conversation with bass, drums, and keys, creating a sonic playground that feels both retro and fresh. The track evokes scenes of carefree movement — think sunlit bike rides, quirky character intros, or joyful reunions. Its instrumental nature makes it a flexible sync asset, ideal for moments that need rhythm without lyrical distraction. Whether underscoring a montage or adding flair to a product spot, “23” delivers charm, color, and undeniable vibe.

2K4

Sync Pitch Sheet: 2K4

Song Profile

• Key Signature: —
• Beats Per Minute: —
• Energy: Midtempo
• Genres: Jazz, Party, Funk, Soul
• Vocals: Instrumental
• Moods: Energetic, Uplifting, Upbeat, Cool, Positive, Retro
• Lyric Themes: —
• Type: One Stop

Production Details

• Additional Production: OMR Music Production

Artists

• Composer: Samuel Williams

Instrumentation

• Electric Guitar
• Bass
• Drums
• Percussion

Audio Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“2K4” by Samuel Williams is a high-energy blend of jazz, funk, and soul with a retro party vibe. Driven by punchy drums, groovy bass, and electric guitar riffs, it’s a feel-good instrumental perfect for scenes that need rhythm, swagger, and positivity.

Ideal Sync Uses

• Urban Comedies: Party scenes, stylized transitions
• Reality Shows: Fashion montages, lifestyle edits
• Brand Campaigns: Product launches, bold visuals
• Youth Content: Energetic intros and bumpers

Scene Suggestions

• Commercials with bold visuals
• Stylized social media content
• Upbeat transitions between scenes
• Party or nightlife montages

Why It Works

• Midtempo rhythm keeps energy high but controlled
• Instrumental format allows flexible sync placement
• Retro funk textures evoke celebration and coolness
• Polished production ensures broadcast-ready quality

Track Narrative:
“2K4” is a sonic throwback with modern swagger — a groove-driven instrumental that channels the spirit of classic funk and soul through a jazz-infused lens. Samuel Williams crafts a rhythmic playground where bass and drums lock in tight, electric guitar adds flair, and percussion keeps the energy flowing. The track feels like a stylish strut through city streets, perfect for scenes that need confidence, movement, and retro cool. Whether it's a fashion montage, a product reveal, or a party sequence, “2K4” brings the vibe.

2nd Street

Sync Pitch Sheet: 2nd Street Blues

Song Profile

• Key Signature: E Minor
• Beats Per Minute: 96
• Energy: Midtempo
• Genres: Funk, Punk, Rock
• Vocals: Male Vocal
• Moods: Upbeat, Confident, Fun, Retro
• Lyric Themes: Identity, Loneliness, Time, Home
• Type: One Stop

Production Details

• Written & Performed by: Paul Reddick
• Produced by: OMR Music Production
• Mixed & Mastered by: OMR Team

Artists

• Lead Vocals & Harmonica: Paul Reddick

Instrumentation

• Electric Guitar
• Bass
• Drums
• Keyboard

Audio Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“2nd Street Blues” by Paul Reddick rolls like smoke over moonlit pavement. With gritty guitars, punchy drums, and retro swagger, this midtempo blues-rock track is built for scenes of movement, identity, and emotional grit.

Ideal Sync Uses

• Action: Stylized walk-ups, urban tension
• Adventure: Road trip montages, character discovery
• Animation: Retro-styled intros, visual rhythm
• Art House: Poetic pacing, introspective edits
• Comedy: Quirky transitions, confident entrances
• Coming-of-Age: Youthful rebellion, self-realization
• Crime & Drama: Noir sequences, emotional unraveling
• Romance: Bittersweet connection, reflective moments

Scene Suggestions

• Character walking through a city at night
• Montage of personal struggle and discovery
• Opening credits with bluesy edge
• Stylized flashback or identity reveal

Why It Works

• Midtempo pacing supports narrative flow
• Male vocals add emotional grit and authenticity
• Funk-punk textures evoke retro cool and tension
• Lyric themes align with identity, time, and home

Track Narrative:
“2nd Street” is a slow-burning blues meditation that captures the ache of distance and the pull of memory. Paul Reddick’s vocals drift like smoke, grounded by earthy instrumentation and a steady groove that evokes the rhythm of a wandering soul. The lyrics speak to longing, disconnection, and the quiet hope of return — making this track ideal for scenes of introspection, emotional turning points, or characters caught between past and present. With its cinematic tone and timeless feel, “2nd Street” offers rich emotional texture for visual storytelling.

Lyrics:
I’m lookin now baby out at the sea
I don’t see nothin lookin back at me
I’m hangin around out in the wood
I don’t feel nothin like I should
Oh my mind is runnin down
I guess I’ll go back
And hang around town
That’s me darlin hangin round a railway train
I don’t know when I’ll be home again
Driftin and driftin from day to day
I’m beginning to forget why I went away
Oh my mind is runnin down
I guess I’ll go back
And hang around town
Lookin now darlin at a picture of you
Won’t you tell me what the hell I’m sposed to dov I’m going out walking up the Second street
Where the wind is warm and the air is sweet
Oh my mind is runnin down
I guess I’ll go back
And hang around town

3:15 PM

Sync Pitch Sheet: 3:15 PM

Song Profile

• Key Signature: —
• Beats Per Minute: —
• Energy: Midtempo
• Genres: Ballad, Jazz
• Vocals: Instrumental
• Moods: Bright, Confident, Cool, Upbeat, Positive, Tension, Somber
• Lyric Themes: —
• Type: One Stop

Production Details

• Additional Production: OMR Music Production

Artists

• Composer: Carlos Miyares

Instrumentation

• Saxophone
• Keyboard
• Horns

Audio Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“3:15 PM” by Carlos Miyares flows with improvisational warmth and cinematic grace. This jazz ballad builds gradually, weaving harmonic subtleties and emotional undertones into a rich instrumental tapestry perfect for reflective and visually poetic scenes.

Ideal Sync Uses

• Indie Drama: Emotional transitions, introspective pacing
• Romance: Cityscape visuals, slow-motion reflections
• Documentary: Urban storytelling, contemplative edits

Scene Suggestions

• Reflective montages
• Jazz club sequences
• Transitional moments with emotional weight
• Visual storytelling with minimal dialogue

Why It Works

• Midtempo flow supports emotional nuance
• Instrumental format allows flexible sync placement
• Jazz textures evoke sophistication and depth
• Expressive phrasing enhances cinematic storytelling

Track Narrative:
“3:15 PM” is a cinematic jazz ballad that unfolds like a quiet conversation between instruments. Carlos Miyares blends saxophone warmth with harmonic depth, creating a soundscape that feels both intimate and expansive. The track’s pacing invites reflection, making it ideal for scenes of solitude, emotional turning points, or visual storytelling that leans into mood and nuance. With its expressive phrasing and tonal richness, “3:15 PM” offers a sync-ready palette for filmmakers seeking elegance and emotional resonance.

60 Clicks

Sync Pitch Sheet: 60 Clicks

Song Profile

• Genres: Country, Folk, Singer/Songwriter
• Tempo: Midtempo
• Vocals: Male Vocal
• Moods: Carefree, Minimal, Reflective
• Lyric Themes: Death, Regret, Relationship, Strength, Time
• Type: One Stop

Instrumentation

• Acoustic Guitar
• Electric Guitar
• Bass
• Drums

Audio Preview

Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
+1 (416) 735-0330
omrmusicproduction.com

Sync Potential

“60 Clicks” walks the line between truth and tenderness. Lee Palmer pens a poignant blues reflection, rich with lyrical grit and melodic grace. Woven with acoustic textures and soul-rooted vocals, the track offers cinematic vulnerability—perfect for scenes of remembrance, resolution, or farewell.

Scene Types

• Farewell moments
• Road trip reflections
• Rural drama
• Character-driven storytelling

Film/TV Fit

• Westerns
• Indie dramas
• Documentaries
• Legacy-themed narratives

Usage Suggestions

• Closing credits with emotional weight
• Flashback sequences
• Dialogue-free scenes of memory and loss

Why It Works

• Minimal instrumentation allows space for visuals
• Reflective tone supports emotional storytelling
• Lyric themes resonate with legacy and loss
• Midtempo pacing suits transitional scenes

Track Narrative:
“60 Clicks” is a poignant and reflective ballad that captures the final chapter of a man’s life with honesty, warmth, and grace. Written and performed by Lee Palmer, the song unfolds as a heartfelt tribute to a friend who faced death with courage and clarity. Through vivid storytelling and acoustic textures, Palmer paints a portrait of legacy, love, and letting go.

Lyrics:
They lay Billy down today
He wasn't that old, he wasn't that old
He said he'd beat it twice but he came back to stay
It would take him to an early grave
Sixty clicks was all he made

He called a month before he passed
It had been a long time, been a long time
He had one request of me to ask
He seemed at peace and unafraid
Sixty clicks was all he made

He said sixty clicks man it came and went
Like the first nickel I ever spent
There's no regrets there's no one to blame
You see I had a good run, had some good fun
Left my gal set up for the years to come
These are to be my final days
Can you write sixty clicks below my name?
Can you write sixty clicks below my name?

I traveled eight hundred miles
To shake his hand, to shake his hand
I wasn't in time for his last smile
I wish I could rewrite that day
Sixty clicks was all he made

He said sixty clicks, man it came and went
Like the first nickel I ever spent
There's no regrets, there's no one to blame
You see I had a good run, had some good fun
Left my gal set up for the years to come
These are to be my final days
Can you write sixty clicks below my name?
Can you write sixty clicks below my name?
Can you write sixty clicks below my name?
Can you write sixty clicks below my name?