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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — N

Navigate cinematic tracks beginning with the letter N — crafted for nuance, narrative, and sync-worthy distinction. From nostalgic melodies to nocturnal moods, this collection is tuned for editors, storytellers, and visual rhythm.

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Naciente (Instrumental)

Naciente cover art

Naciente
by Amhed Mitchel

“Naciente” is a cinematic percussion-driven instrumental by Amhed Mitchel, pulsing with clarity and movement. It’s rhythmic, intentional, and textural — ideal for moments of transformation, motion sequences, or visual storytelling grounded in sonic precision.

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OMR Cue Map

Track: Naciente
Clean Intro: Yes (0:00 – immediate tonal entry with a gradual, emotionally grounded build)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58
Button Ending: Yes, resolved ending with gentle lift and natural release
Loopable: Moderate–High (steady phrasing and evolving texture support editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Atmospheric, forward-unfolding cue centered on emergence, reflection, and quiet momentum. Ideal for transitional storytelling, visual progression, and scenes where emotion builds through movement rather than impact. Works especially well for personal turning points, travel sequences, and character-driven moments that move from uncertainty toward clarity. Strong under dialogue where tone, space, and gradual lift matter more than overt musical signaling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Naciente

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 79
  • Energy: Medium
  • Genres: Jazz, World
  • Vocals: Instrumental
  • Moods: Bright, Upbeat, Positive, Quirky, Tension, Somber
  • Cinematic Fit: Comedy, Crime, Drama
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition: Amhed Mitchel
  • Arrangement: Amhed Mitchel
  • Recording: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Amhed Mitchel
  • Piano: Rafael Zaldivar
  • Upright & Electric Bass: Roberto Riveron
  • Alto Sax: Luis Deniz

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Piano
  • Saxophone

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Naciente” is a cinematic percussion-driven instrumental by Amhed Mitchel, pulsing with clarity and movement. It’s rhythmic, intentional, and textural — ideal for moments of transformation, motion sequences, or visual storytelling grounded in sonic precision.

Ideal Sync Uses

  • Comedy: Quirky transitions, character intros, rhythmic pacing
  • Crime: Investigative montages, urban tension, stylized edits
  • Drama: Reflective scenes, emotional pivots, cultural storytelling

Scene Suggestions

  • Opening credits of a stylized indie film
  • Montage of city movement or transformation
  • Character walking through a tense environment
  • Closing scene with rhythmic fade-out

Why It Works

  • Midtempo rhythm supports pacing and nuance
  • Instrumental solos add dynamic texture
  • Jazz/world fusion enhances global appeal
  • Emotional range spans tension, hope, and introspection

Track Narrative

“Naciente” translates to “emerging” — and the track is exactly that: a musical awakening built on dynamic phrasing, percussive accents, and emotional restraint. It builds like sunrise on a steel skyline — ideal for cinematic openings, character emergence, or moments that require quiet determination and rhythmic lift.

NAMELESS — Josh Friedman

Nameless cover art

Nameless
by Josh Friedman

Warm and understated, “Nameless” pairs acoustic guitar and piano in an intimate conversation. A hopeful, reflective cue with gentle phrasing and midtempo sway—perfect for moments of discovery, calm transition, and emotional storytelling.

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OMR Cue Map

Track: Nameless
Clean Intro: Yes (0:00 – immediate atmospheric entry; tone established without buildup)
Edit Points: 0:14 / 0:28 / 0:42 / 0:58 / 1:16 / 1:34 / 1:52 / 2:10 / 2:28
Button Ending: Yes, subtle resolved ending with tonal fade
Loopable: Very High (minimal structure and consistent texture make it highly loop-friendly)
Best Loop Candidates: 0:28–0:58 / 0:58–1:34 / 1:34–2:10
Use Case: Minimal, atmospheric cue designed to support tone without defining it. Ideal for transitional scenes, background tension, and moments where narrative space needs to remain open. Works especially well under dialogue, establishing shots, and sequences where mood and pacing matter more than musical identity. Strong for editorial flexibility across genres—adaptable, unobtrusive, and highly functional in fast-cut environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Nameless

Artist: Josh Friedman
Genre: Blues, Folk
Instruments: Acoustic guitar, Piano
Lyric Themes: —
Mood: Hopeful, Light, Minimal, Positive, Reflective, Warm
Tempo: Midtempo • BPM: 65 • Key: E Minor
Vocal: Instrumental • Type: One Stop

Track Summary

An elegant blend of acoustic guitar and piano that feels both intimate and expansive. “Nameless” unfolds with slow warmth, offering editors natural pacing and an emotional yet understated arc.

Sync Highlights

  • Perfect for lifestyle, travel, or reflective brand storytelling
  • Subtle build supports emotional transitions without tension
  • Warm tone and minimal texture ideal for narration or dialogue
  • Natural :15/:30/:60 trims around melodic phrase shifts

Sync Potential: Nameless

Excellent for storytelling pieces, reflective lifestyle edits, and premium brand reels centered around connection, authenticity, and warmth.

  • Soft morning or sunset scenes
  • Emotional transitions or character reflections
  • Documentary or travel sequences with a human touch
Track Narrative:
A gentle melody unfolds with simplicity and sincerity. “Nameless” finds emotion in restraint—quiet warmth that feels timeless and real, like a memory rediscovered.
Instrumental:
Acoustic guitar and piano (no vocals). Clean, balanced mix with warm sustain and natural ambience, ideal for fades and subtle underscoring.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a cinematic sensibility and warmth at his core. Friedman’s music combines acoustic intimacy with emotional precision, creating tracks that breathe with clarity and human touch.

Styles: Blues, Folk, Classical • Strengths: Emotional realism, minimal textures, VO-friendly arrangements • Typical Uses: Lifestyle, Documentary, Travel, Premium brand storytelling

NECK SIDE — Josh Friedman

Neck Side cover art

Neck Side
by Josh Friedman

A bright and confident string-driven instrumental with playful phrasing and rhythmic ease. “Neck Side” glides with breezy precision—perfect for upbeat storytelling, creative transitions, and feel-good lifestyle content.

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OMR Cue Map

Track: Neck Slide
Clean Intro: Yes (0:00 – immediate tonal entry with guitar texture and movement; no ramp required)
Edit Points: 0:12 / 0:26 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36
Button Ending: Yes, resolved ending with slight tonal grit and decay
Loopable: High (repetitive phrasing and textural consistency make it editor-friendly)
Best Loop Candidates: 0:26–0:56 / 1:12–1:30 / 1:52–2:14
Use Case: Guitar-driven, textural cue built around movement and tonal grit. Ideal for transitional sequences, mechanical motion, and scenes where physical action or environment needs to be felt rather than stated. Works especially well for montage, travel, and process-driven visuals where rhythm and texture carry pacing. Strong under dialogue where subtle energy is needed without pulling focus, and effective in scenes that rely on realism, motion, and tactile detail.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Neck Side

Artist: Josh Friedman
Genre: Blues, Folk
Instruments: Strings
Lyric Themes: —
Mood: Bright, Confident, Light, Positive
Tempo: Midtempo • BPM: 83 • Key: G Major
Vocal: Instrumental • Type: One Stop

Track Summary

Upbeat and clean, “Neck Side” delivers a bright blend of rhythmic guitar lines and confident string accents. A breezy mood piece that keeps energy alive without overpowering the scene.

Sync Highlights

  • Ideal for upbeat lifestyle, travel, and creative branding
  • Confident groove and tonal balance under dialogue
  • Works well for transitions, reveals, and positive arcs
  • Natural :15/:30/:60 edit points from recurring phrases

Sync Potential: Neck Side

Great fit for lifestyle, maker, or DIY content—sunny travel reels, art documentaries, and optimistic brand campaigns looking for organic motion and positivity.

  • Craftsmanship and process shots
  • Natural light, morning, or workspace scenes
  • Joyful movement and personal connection moments
Track Narrative:
Light on its feet, “Neck Side” moves with easy confidence and open air. Its clean rhythm and sunny tonality feel like motion captured midstride—a perfect cue for forward movement and everyday triumphs.
Instrumental:
String-based arrangement (no vocals). Polished mix with gentle rhythmic accents and clean sustain—ready for use in broadcast or film cues with minimal adjustment.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a warm, expressive tone and strong rhythmic intuition. Friedman crafts acoustic-driven pieces that balance clarity, motion, and melodic warmth across genres.

Styles: Blues, Folk, Classical • Strengths: Organic rhythm, bright tone, clean editorial flow • Typical Uses: Lifestyle, Travel, DIY/Maker, Premium brand storytelling

NESSUNO RITORNA

Nessuno Ritorna cover art

Nessuno Ritorna
by The Green Door

“Nessuno Ritorna” is an atmospheric, forward-driving instrumental built on motion, tension, and momentum. Blending indie and punk energy with cinematic texture, the track delivers a sense of movement without resolution — ideal for transitional scenes, visual build-outs, pursuit sequences, and storylines where the journey matters more than the destination.

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OMR Cue Map

Track: Nessuno Ritorna
Clean Intro: Yes (0:00 – immediate atmospheric entry with tonal weight; no ramp required)
Edit Points: 0:14 / 0:30 / 0:46 / 1:02 / 1:20 / 1:42 / 2:06 / 2:30 / 2:54 / 3:18
Button Ending: Yes, resolved ending with lingering emotional decay
Loopable: Moderate (evolving structure supports edits, but carries a directional emotional arc)
Best Loop Candidates: 0:30–1:02 / 1:20–1:42 / 2:06–2:30
Use Case: Dark, emotionally weighted cue centered on finality, loss, and irreversible decisions. Ideal for scenes where a character crosses a point of no return or confronts the consequences of their actions. Works especially well for aftermath sequences, psychological turning points, and moments where tension resolves into realization rather than relief. Strong for crime drama, neo-noir, and character-driven storytelling where mood, gravity, and emotional consequence carry the scene.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for rebellion, pursuit, atmosphere, and hard-driving visual storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable musical identity, and a natural fit for scenes involving movement, tension, escape, and emotional momentum. Their instrumental material is especially useful when the scene needs lift and propulsion without lyrical interference.

Sync Pitch Sheet: Nessuno Ritorna

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 124
  • Energy: Medium - High
  • Genres: Indie, Punk, Rock
  • Vocals: Instrumental
  • Moods: Atmospheric, Energetic, Upbeat
  • Cinematic Fit: Action, Crime, Drama, Indie
  • Lyric Themes: —
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Nessuno Ritorna” is an atmospheric, motion-driven instrumental that carries urgency, tension, and forward push without sacrificing clarity. Its combination of indie rock texture and punk-influenced momentum makes it ideal for transitional scenes, pursuit sequences, montage, and visual storytelling that needs movement without lyrical distraction.

Ideal Sync Uses

  • Action: Pursuit, escape, preparation, fast-moving transition
  • Crime: Heist setup, getaway build, surveillance montage
  • Drama: Internal momentum, turning point, determination under pressure
  • Indie: Travel montage, urban movement, restless character arcs

Scene Suggestions

  • Night-driving or city-movement montage
  • Preparation scene before a risky decision or action
  • Character moving with purpose through uncertain terrain
  • Stylized transition sequence with tension and momentum

Why It Works

  • Instrumental format keeps dialogue clear and flexible
  • Steady momentum supports montage and movement-heavy editing
  • Atmospheric texture adds cinematic depth without overcrowding the scene
  • Rock-driven energy helps sustain tension and forward motion
Stem Tracks:
Available upon request.

Track Narrative

“Nessuno Ritorna” feels like motion without retreat — a one-way push into consequence, urgency, and forward momentum. It carries the energy of a road that keeps unspooling, ideal for scenes where turning back is no longer part of the story.

Nevermind — Instrumental

Nevermind cover art

Nevermind
by Samuel Williams

Funk-forward and joyfully retro — “Nevermind” pops with a midtempo pocket led by bass and drums, punchy horns, and playful guitar riffs. Confident, quirky, and upbeat, it’s tailor-made for energetic cuts, feel-good montages, and stylish brand moments.

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OMR Cue Map

Track: Nevermind
Clean Intro: Yes (0:00 – immediate entry with subdued, introspective tone; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50
Button Ending: Yes, soft resolved ending with emotional restraint rather than full closure
Loopable: Moderate–High (consistent phrasing supports looping without breaking tone)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Introspective, emotionally restrained cue centered on suppression, hesitation, and internal conflict. Ideal for scenes where a character avoids confronting something directly—choosing distance, deflection, or silence instead. Works especially well under dialogue in emotionally complex exchanges, as well as moments of quiet tension where what’s unsaid carries more weight than what is spoken. Strong for drama, relationship conflict, and character-driven storytelling where ambiguity and restraint define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One-Stop
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist, composer, and producer whose work threads funk and jazz energy through soul-inflected harmony. With SaMantics, Williams crafts groove-led instrumentals designed for film, television, and elevated brand work.

On “Nevermind”, he leans into punchy horns, crisp rhythm section, and playful guitar lines to deliver a confident, retro-tinged jam that keeps edits moving and spirits high.

Williams has collaborated with acclaimed players including Larnell Lewis, Rob Christian, and Alexis Baro, building a catalog known for vibe, taste, and sync versatility.

Sync Pitch Sheet: Nevermind

Song Details

  • Key Signature: Eb Major
  • BPM: 97
  • Tempo: Midtempo
  • Genre: Funk, Jazz
  • Vocals: Instrumental
  • Mood/Feel: Confident, Cool, Fun, Happy, Positive, Quirky, Retro, Upbeat
  • Type: One-Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

Production Details

  • Produced by: Samuel Williams
  • Written & Arranged by: Samuel Williams
  • Recorded, Mixed & Mastered by: Samuel Williams at Sam Sound Productions
  • Project Manager: Dornalee Browne
  • Executive Producer: Samuel Williams

Artists

  • Drums: Larnell Lewis
  • Bass: Otis Williams
  • Saxophone: Rob Christian
  • Trumpet: Alexis Baro

Sync Notes

  • Feel-good funk with retro horn pops and playful guitar — high-spirited and catchy.
  • Midtempo pocket supports crisp cuts, comedic timing, and upbeat transitions.
  • Perfect for lifestyle, sports-lite energy, and celebratory brand moments.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Nevermind brings confident, upbeat funk-jazz energy with a wink of retro charm — an instant crowd-pleaser for fast-cut edits and feel-good scenes.

Ideal Sync Uses

  • Comedy / Indie: Playful montages, meet-cutes, quick-cut transitions
  • Lifestyle / Advertising: Energetic brand spots, product reveals, celebratory beats
  • Sports / Fitness: Light training sequences, recap highlights
  • Food / Travel: Street markets, city strolls, upbeat discovery

Why It Works

  • Instrumental clarity supports VO and dialogue
  • Midtempo groove is easy to cut to and loop
  • Retro horn hooks make moments memorable without overpowering
Track Narrative:
“Nevermind” clicks into a confident midtempo pocket — bass and drums drive the groove, horns sparkle with retro flair, and guitar riffs add cheeky momentum. It’s upbeat, quirky, and contagiously fun, keeping scenes buoyant and moving forward.

Newborn (Instrumental)

Newborn cover art

Newborn
by Amhed Mithcel

“Newborn” is a percussive-driven instrumental cue by Amhed Mitchel, exploring sonic emergence with restraint and motion. Ideal for scene openers, transitional lifts, or ambient sync moments that call for pulse and clarity.

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OMR Cue Map

OMR Cue Map

Track: Newborn
Clean Intro: Yes (0:00 – immediate soft entry; delicate tonal identity established without buildup)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58
Button Ending: Yes, gentle resolved ending with soft emotional lift
Loopable: Moderate–High (consistent phrasing with gradual development supports clean edits)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Delicate, emotionally grounded cue centered on beginnings, vulnerability, and quiet emergence. Ideal for origin moments, new relationships, and scenes where something is forming rather than resolving. Works especially well for reflective openings, personal turning points, and sequences that introduce a new emotional or narrative chapter. Strong under dialogue where subtlety, space, and tone guide the scene without overt direction.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Newborn

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 80
  • Energy: Medium
  • Genres: Jazz, Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Uplifting, Dreamy, Hopeful, Reflective
  • Cinematic Fit: Drama, Fantasy, Romance
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition: Amhed Mitchel
  • Arrangement: Amhed Mitchel
  • Recording: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Amhed Mitchel
  • Keyboard: Amhed Mitchel
  • Piano: Rafael Zaldivar
  • Electric Bass: Juan Pablo Dominguez
  • Soprano Sax: Jeff King

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Piano

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Newborn” is a percussive-driven instrumental cue by Amhed Mitchel, exploring sonic emergence with restraint and motion. Ideal for scene openers, transitional lifts, or ambient sync moments that call for pulse and clarity.

Ideal Sync Uses

  • Drama: Reflective transitions, emotional arcs, character development
  • Fantasy: Dreamlike sequences, magical realism, ethereal landscapes
  • Romance: Intimate moments, hopeful montages, soft emotional beats

Scene Suggestions

  • Opening scene with sunrise or awakening
  • Slow-motion walk through a dreamscape
  • Quiet emotional breakthrough or realization
  • Closing credits with ambient fade-out

Why It Works

  • Slow tempo allows space for emotion and reflection
  • Ambient jazz fusion enhances cinematic depth
  • Instrumental solos add expressive nuance
  • Hopeful tone supports uplifting narratives

Track Narrative

“Newborn” is a sonic metaphor for emergence — with a rhythmic arc that lifts steadily into clarity. Rich with ambient percussion and tonal patience, this track is tailor-made for cinematic scenes of growth, motion, or quiet epiphany.

New Morning (Instrumental)

New Morning cover art

New Morning
by Amhed Mitchel

“New Morning” offers a gentle sunrise of tone — Amhed Mitchel conjures melodic optimism and understated motion in this instrumental piece. Ideal for scenes of quiet emergence, emotional renewal, or cinematic clarity.

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OMR Cue Map

Track: New Morning
Clean Intro: Yes (0:00 – immediate gentle entry; tone establishes warmth and forward clarity without buildup)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58
Button Ending: Yes, resolved ending with subtle lift and sense of openness
Loopable: Moderate–High (steady phrasing and tonal consistency support clean editorial loops)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Warm, forward-moving cue centered on renewal, clarity, and emotional reset. Ideal for scenes that transition out of tension into possibility—early morning sequences, fresh starts, and moments where a character regains perspective. Works especially well for reflective openings, post-conflict calm, and narrative transitions that signal a new phase. Strong under dialogue where tone, lightness, and forward motion guide the scene without overpowering it.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: New Morning

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 74
  • Energy: Medium
  • Genre: Jazz
  • Vocals: Instrumental
  • Moods: Angry, Tension
  • Cinematic Fit: Comedy, Crime, Drama
  • Lyric Themes: —
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition: Amhed Mitchel
  • Arrangement: Amhed Mitchel
  • Recording: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Amhed Mitchel
  • Piano: Rafael Zaldivar
  • Upright & Electric Bass: Roberto Riveron
  • Alto Sax: Luis Deniz
  • Congas: Eliel Lazo

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion
  • Piano
  • Saxophone

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
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Sync Potential

“New Morning” by Amhed Mitchel is a midtempo jazz instrumental with a gritty edge and rhythmic tension. It’s driven by percussion and melodic interplay, making it ideal for scenes that require emotional weight, urban complexity, or stylized pacing.

Ideal Sync Uses

  • Comedy: Offbeat transitions, ironic tension, stylized edits
  • Crime: Investigative sequences, urban grit, suspenseful pacing
  • Drama: Emotional pivots, character introspection, moody transitions

Scene Suggestions

  • Opening credits with cityscape visuals
  • Montage of rising conflict or internal struggle
  • Stylized walk through a tense environment
  • Closing scene with unresolved tension

Why It Works

  • Midtempo groove supports dramatic pacing
  • Jazz instrumentation adds sophistication and edge
  • Emotional tone spans anger, tension, and introspection
  • Solo features highlight expressive range

Track Narrative

“New Morning” ushers in calm with gentle melody and harmonic rise. Amhed Mitchel crafts a sonic breath — ideal for sequences of introspection, renewal, or first-light visuals where restraint meets beauty.

New World

New World cover art

New World
by Normal Machine

“New World” is a provocative, lyric-forward composition by Normal Machine, filled with emotional clarity and raw tension. Driven by expressive vocals and minimalist production, it's designed for cinematic sequences that explore identity, transformation, or social unrest.

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OMR Cue Map

OMR Cue Map

Track: New World
Clean Intro: Yes (0:00 – immediate atmospheric entry with forward momentum; tone established without buildup)
Edit Points: 0:14 / 0:30 / 0:46 / 1:04 / 1:22 / 1:44 / 2:06 / 2:30 / 2:54
Button Ending: Yes, resolved ending with open, expansive release
Loopable: High (consistent structure and evolving layers support seamless editorial looping)
Best Loop Candidates: 0:30–1:04 / 1:22–1:44 / 2:06–2:30
Use Case: Expansive, forward-driving cue centered on discovery, transformation, and stepping into the unknown. Ideal for large-scale transitions, technological or environmental reveals, and moments where a character or story enters a new phase. Works especially well for montage, world-building sequences, and scenes that require a sense of scale and progression. Strong for sci-fi, innovation-driven storytelling, and visuals where momentum and possibility define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Experimental Sound Collective • Post Industrial • Sonic Explorers

Normal Machine is a boundary-pushing music collective known for its immersive soundscapes and post-industrial sonic meditations. Blending analog textures, digital noise, and rhythmic experimentation, the group creates music that challenges conventions and invites deep listening.

Emerging from underground scenes in Canada and Europe, Normal Machine has released a series of conceptual albums including Lullaby and Machine Music 15.0, each exploring themes of technology, decay, and rebirth. Their work is often described as cinematic, haunting, and hypnotic.

The group’s live performances are immersive experiences, combining visual projections, modular synths, and unconventional instruments. They’ve appeared at experimental music festivals and art installations, captivating audiences with their raw, visceral energy.

Normal Machine continues to evolve, pushing the limits of sound and form while remaining rooted in a philosophy of sonic exploration and emotional resonance.

Sync Pitch Sheet: New World

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 90
  • Energy: Medium
  • Genres: Dance, Electronic, Pop
  • Vocals: Female Vocal
  • Moods: Catchy, Confident, Cool, Fun, Rhythmic, Sexy, Swagger, Upbeat
  • Cinematic Fit: Action, Drama, Historical, Sci-Fi, Thriller, War
  • Lyric Themes: Relationship, Struggle, Loss, Love, Fear
  • Type: One Stop

Production Details

  • Executive Producer: Available upon request
  • Music Composition: Available upon request
  • Arrangement: Available upon request
  • Recording: Available upon request
  • Mixing & Mastering: Available upon request

Artists

  • Lead Artist: Normal Machine
  • Additional Credits: Available upon request

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“New World” by Normal Machine is a provocative, lyric-forward composition filled with emotional clarity and raw tension. Driven by expressive female vocals and minimalist production, it’s designed for cinematic sequences that explore identity, transformation, or social unrest.

Ideal Sync Uses

  • Action: Stylized fight scenes, urban chases, high-stakes transitions
  • Drama: Emotional breakthroughs, character introspection, relationship tension
  • Sci-Fi: Futuristic montages, dystopian visuals, transformation arcs
  • Thriller: Suspenseful builds, psychological tension, noir sequences

Scene Suggestions

  • Opening credits of a futuristic drama
  • Montage of rebellion or personal awakening
  • Stylized fashion or tech commercial
  • Closing scene with emotional ambiguity

Why It Works

  • Midtempo rhythm balances tension and groove
  • Female vocals deliver emotional depth and edge
  • Minimalist production allows space for visual storytelling
  • Genre fusion appeals to modern cinematic aesthetics

Track Narrative

“New World” is a protest ballad and introspective sync cue wrapped in atmospheric vulnerability. Lyrical themes orbit chaos, confusion, and the desperate yearning to rebuild through love. It’s emotionally potent and rhythmically patient — ideal for scenes of reflection, breakdown, or civic unrest.

Lyrics: New World

So we're burning down
Tell me what is at the end of our fears
Your home's on fire
Trying to put it out with tears

In a great big f*cking cloud
We lost ourselves
Looking for diamonds in the sky
Trying to get high like Lucy

We're trying to fight, we're losing
And it's so confusing
I don't know what we're doing
But it's trouble brewing

How can we be so stupid
Just want to love you through it
I want to love, I want to love
I want to love you through it

Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world

Will you hold my hand
Or will you take my life
You wash my back
While you are holding the knife

You know we've all been wounded
But we don't need excuses
Before it all gets ruined
Who do we think we're fooling

How can we be so stupid
Just want to love you through it
I want to love, I want to love
I want to love you through it

Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world
Hey new world, hey new world
It's your world

I just want to love you, I just want to love you
Oh new world
How can you be so stupid
I don't know what we're doing
New world

Nia

Nia cover art

Nia
by HYP

“Nia” sits in F minor at 90 BPM with a grounded, midtempo groove and warm atmospheric texture. Deep rhythmic motion and spacious harmonic layers make it a versatile underscore—supporting emotional beats, scenic pacing, and narrative flow without overwhelming dialogue or action.

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OMR Cue Map

Track: Nia
Clean Intro: Yes (0:00 – immediate rhythmic entry with clean tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, clean resolved ending with controlled drop-off
Loopable: High (consistent groove and tight phrasing make it highly edit-friendly)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Clean, confident, rhythm-driven cue built around presence and controlled movement. Ideal for fashion, lifestyle, and urban storytelling where tone and attitude define the scene. Works especially well for montage, character introductions, and sequences where confidence is expressed through subtle action rather than overt intensity. Strong under dialogue and visual pacing where groove and identity need to support without dominating.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-forward instrumentals that balance rhythm and atmosphere for modern cinematic use. His productions emphasize clean pockets, tasteful texture, and controlled momentum—supporting story, pacing, and editorial flexibility.

“Nia” represents that balance with warm motion and spacious harmonic layers, making it an adaptable bed for narrative and emotional cues.

Sync Pitch Sheet: Nia

Song Profile

  • Key Signature: F Minor
  • BPM: 90
  • Energy: Midtempo (steady groove)
  • Genres: Groove / Cinematic underscore
  • Vocals: Instrumental
  • Moods: Warm, Atmospheric, Moody, Rhythmic, Understated
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Rhythm foundation (gentle pocket)
  • Low-end warmth (bass movement)
  • Textural layers (atmosphere and harmonic space)

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Sync Potential

“Nia” brings a warm, steady pulse with atmospheric space—ideal for emotional beats, scenic pacing, or narrative flow. Its balanced groove and harmonic texture make it useful under dialogue and across reflective visual moments.

Scene Types

  • Emotional or reflective scenes
  • Dialogue-driven pacing moments
  • Character focus and internal beats
  • Travel or city movement with calm energy
  • Transitions and bridges with warm tone

Why It Works

  • 90 BPM supports measured editorial flow.
  • Warm texture enhances emotional resonance.
  • Instrumental clarity leaves room for narrative and sound design.
  • Spacious atmosphere reinforces mood without crowding dialogue.
Track Narrative:
“Nia” feels like a calm stride through emotional terrain—steady, warm, and inviting space for reflection and story beats.
Instrumental Notes:
Fully instrumental and dialogue-friendly, “Nia” provides a clean midtempo underscore with warm harmonic space and a balanced pulse that supports emotional scenes, transitions, and narrative pacing without drawing attention away from the visual storytelling.

Stem Tracks

Contact OMR for available stems (gentle rhythm foundation, bass elements, texture layers, full mix) and custom edit requests for trailers, promos, and timing-specific versions.

Night and the Gale — Kristin Sweetland

Night and the Gale cover art

Night and the Gale
by Kristin Sweetland

Moody, cinematic, and motion-bound — “Night and the Gale” blends haunting melodic lines with visual energy. Kristin Sweetland crafts a soundscape that lives between twilight and tension, built for sync and narrative atmosphere.

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OMR Cue Map

Track: Night and the Gale
Clean Intro: Yes (0:00 – immediate atmospheric entry; tone established with organic movement and no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, natural resolved ending with soft atmospheric decay
Loopable: Moderate (phrasing supports edits while maintaining a flowing, narrative feel)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric, nature-driven cue centered on night, wind, and quiet movement. Ideal for outdoor sequences, environmental storytelling, and scenes where mood is shaped by landscape and subtle tension. Works especially well for transitional moments, slow-burn tension, and reflective sequences where something is shifting beneath the surface. Strong under dialogue where tone and texture support the scene without overt direction.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Night and the Gale

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 74
  • Energy: Slow Tempo
  • Genres: Folk, World
  • Vocals: Instrumental
  • Moods: Romantic, Warm, Hopeful, Positive, Quirky, Reflective
  • Cinematic Fit: Adventure, Art House, Fantasy, Historical, Indie, Mystery, Romance, Sci-Fi, Thriller
  • Type: One Stop

Production Details

  • Composer: Kristin Sweetland
  • Produced/Engineered by: Chris Stringer
  • Recorded at: Union Sound Company
  • Mastered by: Jeff Elliot at Fedge Album Mastering
  • Copyright: © 2024 Arbora Vita Music

Artists

  • Acoustic Guitar, Soprano Recorder, Bass: Kristin Sweetland

Instrumentation

  • Acoustic Guitar
  • Strings
  • Accordion (Solo)
  • Cello (Solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Night and the Gale” by Kristin Sweetland is a cinematic instrumental piece that evokes warmth, mystery, and romantic introspection. With its midtempo pacing and rich acoustic textures, it’s ideal for scenes that require emotional nuance and visual poetry.

Ideal Sync Uses

  • Adventure: Nature sequences, travel montages, personal quests
  • Fantasy: Magical transitions, enchanted landscapes, dream states
  • Romance: Intimate moments, nostalgic flashbacks, hopeful reunions
  • Indie/Art House: Character-driven storytelling, reflective pacing
  • Mystery: Atmospheric build-ups, subtle tension, emotional clues

Scene Suggestions

  • Opening credits of a historical drama
  • Slow-motion nature walk or forest exploration
  • Quiet emotional turning point in a romance
  • Fantasy sequence with magical realism

Why It Works

  • Instrumental format allows flexible sync placement
  • Acoustic guitar and strings create organic warmth
  • Midtempo rhythm supports reflective pacing
  • Unique solos add cinematic texture and depth

“Night and the Gale” is tension embodied — a swirling instrumental storm crafted by Kristin Sweetland. Atmospheric and textured, this piece is ideal for sync with wind, shadow, and emotional volatility in visual media.

NO CONTROL

No Control cover art

No Control
by Radagast the Brown

“No Control” is a dreamy electronic-pop track with a female vocal that balances cool atmosphere and emotional propulsion. With bass, drums, electric guitar, percussion, and synth creating a modern pulse, the song feels ideal for scenes of transition, uncertainty, ambition, and movement into unfamiliar territory.

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OMR Cue Map

Track: No Control
Clean Intro: Yes (0:00 – immediate entry with defined tonal identity; no ramp required)
Edit Points: 0:12 / 0:26 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with controlled drop or tonal release
Loopable: High (consistent groove and phrasing allow for flexible editorial looping)
Best Loop Candidates: 0:26–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Driven, emotionally charged cue centered on loss of control, escalation, and release. Ideal for sequences where tension breaks into action, emotion spills over, or a character crosses a line. Works especially well for montage, conflict build, and scenes where momentum overtakes restraint. Strong for drama, thriller, and high-stakes storytelling where intensity and forward motion define the moment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Emotional Momentum • Cinematic Edge

Radagast the Brown creates immersive, sync-ready songs that fuse electronic texture, emotional depth, and cinematic movement. His work often blends reflective lyricism with modern rhythmic production, making it especially effective for film and television scenes that need atmosphere and momentum at once.

For supervisors, the appeal is immediate: distinctive sonic identity, emotional clarity, and arrangements that support both visual pacing and character-driven storytelling.

Sync Pitch Sheet: No Control

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 115
  • Energy: Moderate
  • Genres: Electronic, Pop
  • Vocals: Female Vocal
  • Moods: Atmospheric, Cool, Dreamy, Moody
  • Lyric Themes: Ambition, Change, Destiny, Life, Struggle
  • Cinematic Fit: Drama, Indie, Sci-Fi, Coming of Age
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“No Control” is built for scenes of uncertainty, acceleration, and movement into the unknown. Its female vocal and atmospheric pop production make it especially effective for transitions, ambition under pressure, and moments where momentum matters more than certainty.

Ideal Sync Uses

  • Drama: transition, instability, emotional motion
  • Indie: new territory, restlessness, self-reinvention
  • Sci-Fi: ignition, momentum, altered path
  • Coming of Age: change, risk, stepping forward despite doubt

Scene Suggestions

  • Character moving into a new phase without clear footing
  • Montage built around change, ignition, and unstable momentum
  • Scene where ambition pushes past fear or uncertainty
  • Night-drive or departure sequence with emotional ambiguity

Why It Works

  • Female vocal adds tension and emotional lift together
  • Dreamy mood supports uncertainty without losing motion
  • Pop/electronic blend feels modern and editorially flexible
  • Ignition motif makes it strong for transition and acceleration scenes
Stem Tracks:
Available upon request.
Lyrics:
You go, I stay, don't know where to go from here
Fading away, everything so unclear
Give us the keys, ignite, ignite the ignition
Ignition, ignition
Keep getting speed, ignite, ignite the ignition
Ignition, ignition

Take every chance on who you want to be
But where do we fall in this new territory?
Give us the keys, ignite, ignite the ignition
Ignition, ignition
Keep getting speed, ignite, ignite the ignition
Ignition, ignition

Fading through the tides, harmony in line
Holding on to life, breaking all the ties
Give us the keys, ignite, ignite the ignition
Ignition
Give us the keys, ignite, ignite the ignition
Ignition, ignition
Keep getting speed, ignite, ignite the ignition
Ignition, ignition

Fading through the tides, harmony in line
Holding on to life, breaking all the ties
Give us the keys, ignite, ignite the ignition
Ignition

Close your eyes
Close your eyes
Hold the line
Hold the line.
Track Narrative:
“No Control” feels like momentum arriving before certainty does. It carries the emotional tension of moving forward anyway, with enough lift and atmosphere to make uncertainty feel charged rather than empty.

No Estés Triste — IndiviDuo

No Estés Triste cover art

No Estés Triste
by IndiviDuo

A midtempo Latin–Electronic ballad that turns a painful goodbye into a gentle blessing. “No Estés Triste” follows a traveler saying farewell, reminding the one left behind that every journey, every poem, and every shared moment remains carved into the heart. Bright yet bittersweet, it’s a reassuring “don’t be sad” letter wrapped in an upbeat, melodic groove.

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OMR Cue Map

Track: No Estás Triste
Clean Intro: Yes (0:00 – immediate atmospheric entry with restrained emotional tone; no ramp required)
Edit Points: 0:14 / 0:30 / 0:46 / 1:02 / 1:20 / 1:42 / 2:06 / 2:30 / 2:54
Button Ending: Yes, soft resolved ending with emotional restraint
Loopable: Moderate–High (consistent phrasing supports looping while maintaining tone)
Best Loop Candidates: 0:30–1:02 / 1:20–1:42 / 2:06–2:30
Use Case: Subtle, introspective cue centered on emotional denial and internal contradiction. Ideal for scenes where a character suppresses or reframes what they are truly feeling. Works especially well under dialogue in emotionally complex exchanges, as well as moments of quiet tension where subtext carries more weight than action. Strong for psychological drama, relationship conflict, and character-driven storytelling where restraint and ambiguity define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: No Estés Triste

Song Profile

  • Key Signature: B Major
  • BPM: 95
  • Tempo: Midtempo
  • Genres: Electronic, Latin, Singer/Songwriter, Ballad
  • Vocals: Female & Male Vocal (duet)
  • Mood/Feel: Bright, Positive, Quirky, Upbeat
  • Lyric Themes: Destiny, Heartbreak/Loss, Love, Time
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“No Estés Triste” frames goodbye as part of the journey rather than its end. Riding a midtempo Latin–Electronic groove, the song compares life to a one-way train where every stop is a farewell, yet insists that “todo va a estar bien.” It honors shared memories, poems, and love given, while gently pushing the other person toward healing and forward motion.

Sync Highlights

  • Ideal for departure scenes—airports, train stations, bus terminals, or emotional road goodbyes.
  • Works well under reflective post-breakup sequences that aren’t bitter but accepting.
  • Upbeat feel keeps heavy subject matter from becoming overly dark.
  • Perfect for narratives about long-distance love, migration, or life transitions.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: No Estés Triste

This track is a strong choice for scenes that mix sadness with warmth and acceptance. Rather than dwelling in loss, it encourages the listener to remember, honor, and keep living with the love they’ve always given.

Scene Types

  • Train, bus, or plane departure scenes—especially when one character stays behind.
  • Montages of remembering a relationship after a breakup or death, but with gratitude.
  • Family or friendship goodbyes where paths diverge but love remains.
  • Voiceover reflections about time passing, separation, and staying connected in spirit.

Film/TV Fit

  • Drama
  • Romance & Romantic Dramedy
  • Coming-of-Age (leaving home, moving on)
  • Hope & Redemption
  • Cross-border / migration stories

Why It Works

  • Balances melancholy and optimism—emotionally rich but not overwhelming.
  • Train metaphor and “alma viajera” (traveling soul) are very visual and sync-friendly.
  • Duet vocals give room for multi-perspective narrative (both sides of the farewell).
Track Narrative:
“No Estés Triste” follows someone who has made peace with leaving. They know you can’t fight destiny, that every story has an end, and that the train of life only moves forward. As they travel with no regrets, they carry the other person in their thoughts and ask just one thing: don’t be sad. The love you gave, the poems you wrote, the life you lived—all of it is etched into their soul. Their “alma viajera” (traveling soul) will be with you wherever you go, turning parting into a softer, more hopeful kind of goodbye.

Lyrics: No Estés Triste

No puedes pelear con el destino Cada historia tiene su final Hoy se van a abrir nuestros caminos Y la vida debe continuar Sabes que no hay mal que por bien no venga, el tiempo todo cura, venga lo que venga, nunca te detengas, sabes todo va a estar bien Vamos en un tren que solo va de ida y en cada parada hay una despedida, sé que así es la vida para mal o para bien Triste, cuando me vaya no estés triste Melancolía ya tuviste Es el momento de seguir con ese amor que siempre diste Todas las cosas que viviste Las poesías que escribiste Están clavadas en el alma y corazón ya no estés triste Corazón ya no estés triste Viajo sin ningún remordimiento Dimos todo lo que había que dar Yo te llevaré en el pensamiento Ya nos volveremos a encontrar Sabes que no hay mal que por bien no venga, el tiempo todo cura, venga lo que venga, nunca te detengas, sabes todo va a estar bien Vamos en un tren que solo va de ida y en cada parada hay una despedida, sé que así es la vida para mal o para bien Triste, cuando me vaya no estés triste Melancolía ya tuviste Es el momento de seguir con ese amor que siempre diste Todas las cosas que viviste Las poesías que escribiste Están clavadas en el alma y corazón ya no estés triste Corazón ya no estés triste Vamos en un tren que solo va de ida y en cada parada hay una despedida, sé que así es la vida para mal o para bien Triste, cuando me vaya no estés triste Melancolía ya tuviste Es el momento de seguir con ese amor que siempre diste Todas las cosas que viviste Las poesías que escribiste Están clavadas en el alma y corazón ya no estés triste Corazón ya no estés triste Ya no estés triste Fueras a donde fueras Mi alma viajera Estará contigo, amor Fueras a donde fueras Mi alma viajera estará contigo, amor.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership blending Latin, Country, Pop, and Electronic touches into emotionally clear, cinematic songs. Their work often lives at the intersection of love, distance, fate, and inner growth, making their catalog highly adaptable for film and TV.

“No Estés Triste” showcases their ability to approach goodbye with both honesty and tenderness—acknowledging pain while gently insisting on hope. Across their songs, warm arrangements and conversational vocals support relationship-driven storytelling with a distinctly human, intimate tone.

Styles: Latin Pop / Electronic Singer/Songwriter • Strengths: Duet chemistry, thematic clarity, cross-cultural appeal • Typical Uses: Romance, Dramedy, Hope & Redemption, travel and separation arcs

No Guitars Allowed — Elmer Ferrer (Instrumental)

No Guitars Allowed cover art

No Guitars Allowed
by Elmer Ferrer

Bold and ironic — “No Guitars Allowed” strips back expectations and dives into a groove-driven instrumental by Elmer Ferrer. Layered percussion and subtle synths give this track modern edge for high-energy sync moments.

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OMR Cue Map

Track: No Guitars Allowed
Clean Intro: Yes (0:00 – immediate rhythmic entry with layered instrumental texture; no ramp required)
Edit Points: 0:14 / 0:30 / 0:46 / 1:04 / 1:22 / 1:44 / 2:06 / 2:30 / 2:54 / 3:18
Button Ending: Yes, clean resolved ending with rhythmic taper and tonal decay
Loopable: High (groove-based structure and repeating phrases make it highly edit-friendly)
Best Loop Candidates: 0:30–1:04 / 1:22–1:44 / 2:06–2:30
Use Case: Groove-driven, musically sophisticated cue centered on rhythm, interplay, and forward motion. Ideal for montage, process-driven visuals, and scenes where movement and precision define the pacing. Works especially well for lifestyle, culinary, urban exploration, and craft-focused storytelling where texture and musicianship elevate the scene. Strong under dialogue where energy is needed without overt melodic dominance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: No Guitars Allowed

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 70
  • Energy: High
  • Genres: Latin, Indie, Rock
  • Vocals: Instrumental
  • Moods: Angry, Atmospheric, Cool, Tension
  • Cinematic Fit: Action, Adventure, Crime, Drama, Horror, Mystery
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Ramil Borbonet, Alberto Pablos
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Orestes Aguila
  • Production: Elmer Ferrer
  • Mixing: Orestes Aguila
  • Mastering: Joe Lambert

Artists

  • Guitar: Elmer Ferrer
  • Bass Guitar: Michael Fernandez
  • Drums: Rodney Barreto
  • Percussion: Yaroldy Abreu

Instrumentation

  • Bass
  • Drums
  • Electric Guitar (Solo)
  • Horns

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“No Guitars Allowed” by Elmer Ferrer is a bold, groove-heavy instrumental that flips expectations with irony and edge. Its high-energy Latin-rock fusion makes it ideal for scenes that demand tension, swagger, and cinematic punch.

Ideal Sync Uses

  • Action: Combat sequences, chase scenes, tactical build-ups
  • Crime: Heist planning, surveillance montages, urban tension
  • Drama: Character confrontations, emotional breakdowns
  • Horror: Psychological suspense, eerie transitions
  • Mystery: Investigative pacing, noir-style reveals

Scene Suggestions

  • Opening credits of a gritty thriller
  • Stylized montage of urban rebellion
  • Dark indie film with ironic undertones
  • High-stakes negotiation or betrayal

Why It Works

  • Fast tempo drives urgency and impact
  • Electric guitar solos add raw intensity
  • Latin percussion injects rhythmic complexity
  • Instrumental format allows flexible sync placement

“No Guitars Allowed” flips expectation — a percussion and synth instrumental that energizes without leaning on typical guitar tropes. Elmer Ferrer builds a sonic groove ideal for contemporary sync moments, dance cuts, or media that demands rhythm with personality.

No Practice Run — Jerome Tucker

No Practice Run cover art

No Practice Run
by Jerome Tucker

Urgent and unapologetic — “No Practice Run” dives into Jerome Tucker’s passionate delivery with bold lyrical presence and rhythmic drive. This track brings raw energy to visual stories built around risk, determination, and emotional candor.

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OMR Cue Map

OMR Cue Map

Track: No Practice Run
Clean Intro: Yes (0:00 – immediate entry with defined tonal identity; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with controlled impact
Loopable: High (consistent structure and rhythmic phrasing support flexible editorial looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Driven, high-stakes cue centered on execution, urgency, and irreversible action. Ideal for sequences where decisions carry weight and outcomes cannot be undone. Works especially well for build-to-action moments, strategic planning turning into movement, and scenes where pressure replaces hesitation. Strong for drama, thriller, and montage where commitment and consequence define the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Vocalist • Composer

Jerome Tucker is a powerhouse bassist and vocalist whose music fuses soul, funk, blues, and rock into a high-energy, emotionally rich experience. Originally from the U.S. and now based in Toronto, Tucker brings a deep Southern groove and electrifying stage presence to every performance.

A A former U.S. Navy serviceman, Tucker’s musical journey has taken him from the streets of Philadelphia to international stages. He’s played alongside legends like Otis Clay and shared the stage with artists across genres, always delivering raw, heartfelt performances.

With the Jerome Tucker Band, he’s carved out a unique sound that blends tight grooves, soaring vocals, and socially conscious lyrics. Their live shows are known for their infectious energy and deep musicality, earning them a devoted following across Canada and beyond.

Jerome Tucker continues to push boundaries, creating music that uplifts, challenges, and connects. His voice and bass lines are unmistakable—and his message is clear: music is a force for unity and joy.

Sync Pitch Sheet: No Practice Run

Song Profile

  • Key Signature: C# Minor
  • Beats Per Minute: 98
  • Energy: Moderate - High
  • Genres: Funk, R&B, Soul
  • Vocals: Male Vocal
  • Moods: Upbeat, Confident, Cool, Energetic, Fun, Happy, Retro, Positive, Uplifting
  • Cinematic Fit: Action, Crime, Drama, Thriller
  • Lyric Themes: Strength, Happiness, Life, Success, Love
  • Type: One Stop

Production Details

  • Lyrics: Jerome Tucker
  • Executive Producers: Jerome Tucker, Rich Greenspoon
  • Music Composition: Jerome Tucker
  • Recording: Rich Greenspoon
  • Production: Rich Greenspoon
  • Mixing: Rich Greenspoon
  • Mastering: Rich Greenspoon

Artists

  • Vocals: Jerome Tucker
  • Guitar: Carl Harvey, Jerome Tucker
  • Bass Guitar: Jerome Tucker
  • Percussion & Drums: Rich Greenspoon
  • Keyboards: Jerome Tucker
  • Background Vocals: Rochelle Zubot, Kollette Easy

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth
  • Electric Guitar (Solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“No Practice Run” by Jerome Tucker is a bold, groove-driven anthem that channels urgency, confidence, and emotional grit. With its retro funk foundation and lyrical clarity, it’s ideal for sync placements that highlight personal triumph, risk, or transformation.

Ideal Sync Uses

  • Action: Training montages, high-energy transitions, bold entrances
  • Crime: Urban tension, character swagger, undercover sequences
  • Drama: Emotional breakthroughs, personal victories
  • Thriller: Strategic build-ups, psychological tension

Scene Suggestions

  • Opening credits of a retro crime drama
  • Character walking with purpose through city streets
  • Montage of hustle, ambition, or creative process
  • Climactic moment of personal success

Why It Works

  • Midtempo groove supports rhythmic editing
  • Male vocals deliver emotional clarity and drive
  • Funk instrumentation adds swagger and energy
  • Positive themes align with uplifting narratives
Track Narrative:
“No Practice Run” is all in — a lyrical performance packed with immediacy, grit, and emotional insistence. Jerome Tucker delivers a vocal-driven track meant to underscore moments of action, confrontation, and consequence in cinematic sync.

Lyrics: No Practice Run

It's alright, it's alright, it's alright, it's alright
Life is empty nights, nobody can live it right
Oh, get it right
Life can be nice
No, they can't live it right
There's no practice wrong
Yeah, set our people on hard press
Said I'm sanctified, possessed
Got no hang-ups, got no vices
I'm just funky, baby, take my advices
They call me a liar, little country girl
Said I'm a city man, can't you tell
Sometimes I'm living on a spoon
Catching a groove baby, watch me move
Life can be nice, no fake, can't live it right
You just have to live it young
Life can be nice, no fake, can't live it right
There's no black and strong
Oh, when there ain't love, I get right to it
Said I give you the fire, then I keep on doing it
I'm on the point, and I just can't stop
Well I can prove it when I hit the spot
Evil baby, hard press
Got no vices, ain't taking less
Seven liter baby
When I'm drinking wine
You call it crystal
I call it fine
It's alright, it's alright, it's alright, it's alright, it's alright, it's alright
It's alright, it's alright, it's alright, it's alright
Get it right
Ain't no guarantee, baby
That we'll get that life together
Life can be nice
No, they can't get it right
There's no guarantee
Life can be nice
No, they can't get it right
If you live it right
There's no fact to smile
Everything you want, buy it and be nice
Tell me I can get it right
Ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride, ride

NO SURF IN NASHVILLE — Tom Conneely and the Paradise Birds

No Surf in Nashville cover art

No Surf in Nashville
by Tom Conneely and the Paradise Birds

Sun-baked Americana with indie edges — “No Surf in Nashville” rides a steady uptempo groove, acoustic strum, and electric color as the lyric wrestles with stasis, second chances, and the push to finally move. Lonesome-hopeful, road-ready, and wide open for picture.

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OMR Cue Map

Track: No Surf in Nashville
Clean Intro: Yes (0:00 – immediate tonal entry with defined attitude and style; no ramp required)
Edit Points: 0:12 / 0:26 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, clean resolved ending with stylistic drop-off
Loopable: High (groove consistency and phrasing support flexible looping)
Best Loop Candidates: 0:26–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Stylized, attitude-driven cue built around contrast, identity, and perspective. Ideal for scenes where a character feels out of place, defines themselves against their environment, or moves through a setting with a distinct point of view. Works especially well for indie film, character introductions, and offbeat montage where tone and identity matter more than traditional emotional cues. Strong under dialogue and visual storytelling where style, irony, and subtle tension define the moment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds weave open-road country, folk intimacy, and indie grit into film-friendly songs that feel lived-in and luminous. Acoustic guitars ring against tasteful electric lines, while rhythm sections keep a warm, propulsive lift — perfect for character journeys, small-town vignettes, and late-night resolve.

With storytelling at the center, their recordings balance heart and motion — a modern Americana palette that can carry romance, reflection, and the restless pull of change.

Sync Pitch Sheet: No Surf in Nashville

Artist: Tom Conneely and the Paradise Birds
Genre: Country, Folk, Singer-Songwriter
Vocal Style: Male Vocal
Energy Level: Uptempo
Key Signature: E Major
Tempo: 123 BPM
Mood Tags: Hopeful, Positive, Reflective, Romantic
Instruments: Acoustic Guitar, Bass, Drums, Electric Guitar
Lyric Themes: Change, Connection, Loss, Relationship, Time
Cinematic Fit: Drama, Romance, Indie, Coming-of-Age, Road Trip
Type: One Stop

Track Summary

A forward-leaning Americana driver. Acoustic strum and crisp drums carry a confessional vocal that wrestles with inertia and burning bridges — ultimately reaching for renewal. Ideal for highway transitions, hopeful setbacks, and end-of-episode lifts.

Sync Highlights

  • Uptempo momentum supports travel, montages, and emotional turning points
  • Clean lyric through-line: change vs. comfort, losing vs. choosing
  • Organic band feel plays well under dialogue and VO with strategic stems
  • Editable sections for easy in/out points and builds

Sync Potential: No Surf in Nashville

Artist: Tom Conneely and the Paradise Birds
Genre: Country / Folk / Singer-Songwriter
Key • Tempo: E Major • 123 BPM
Mood: Hopeful, Positive, Reflective, Romantic
Fit: Drama, Romance, Indie, Coming-of-Age, Road Trip, Lifestyle

Highlights

  • Great for leaving town, phone-call stakes, sunrise resolve
  • Modern Americana tone pairs with open landscapes and intimate interiors
  • Versatile for trailers, episodic syncs, and branded stories
Track Narrative:
A push-start after a long stall. “No Surf in Nashville” frames the moment before the turn — suitcase by the door, engine coughing to life, a promise not to waste another day. The groove keeps moving even when the character hesitates.
Lyrics:
There's no inspiration
It's nothing on TV
And every day starts the same, same staring at the window, waiting for the weather to change
Waiting on a phone call for somebody to change your life
And every day's another reason to change but I don't do anything but stay the same
it's all I know how to do
I know how to do
All I do
that I know how to do
That I know how
I better get a move on
I better get a clue
The only thing I'm burning faster than time is every bridge I built that keeps me connected to you
And I don't want to lose you
And I don't want to lose you
And I don't want to lose you
losing you is the only thing I know how to do
All I do
All I do
That I know how to do
know how to do
That I know how to do
know how to do
That I know
know how to do
That I know
know how to do
That I know how to do
know how to do
know how to do
I know how
know how to do
know how to do
know how to do

No Way — Jerome Tucker

No Way cover art

No Way
by Jerome Tucker

Soulful and unfiltered — “No Way” dives deep into Jerome Tucker’s vocal vulnerability with lyrics that ride the edge of love, separation, and resilience. A heartfelt slow burner for scenes of reflection and emotional transition.

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OMR Cue Map

OMR Cue Map

Track: No Way
Clean Intro: Yes (0:00 – immediate groove entry with defined tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58 / 3:22
Button Ending: Yes, resolved ending with confident tonal finish
Loopable: High (steady groove and consistent phrasing make it highly edit-friendly)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Groove-driven, attitude-forward cue centered on refusal, confrontation, and emotional pushback. Ideal for scenes where a character draws a line, rejects an offer, or asserts control in a tense exchange. Works especially well under dialogue in conflict-driven scenes, as well as moments where resistance and stance define the tone. Strong for drama, relationship conflict, and grounded storytelling where conviction and presence carry the moment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Vocalist • Composer

Jerome Tucker is a powerhouse bassist and vocalist whose music fuses soul, funk, blues, and rock into a high-energy, emotionally rich experience. Originally from the U.S. and now based in Toronto, Tucker brings a deep Southern groove and electrifying stage presence to every performance.

A A former U.S. Navy serviceman, Tucker’s musical journey has taken him from the streets of Philadelphia to international stages. He’s played alongside legends like Otis Clay and shared the stage with artists across genres, always delivering raw, heartfelt performances.

With the Jerome Tucker Band, he’s carved out a unique sound that blends tight grooves, soaring vocals, and socially conscious lyrics. Their live shows are known for their infectious energy and deep musicality, earning them a devoted following across Canada and beyond.

Jerome Tucker continues to push boundaries, creating music that uplifts, challenges, and connects. His voice and bass lines are unmistakable—and his message is clear: music is a force for unity and joy.

Sync Pitch Sheet: No Way

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 73
  • Energy: Moderate
  • Genres: Funk, Rock, R&B, Soul
  • Vocals: Male Vocal
  • Moods: Upbeat, Positive, Retro, Uplifting
  • Cinematic Fit: Comedy, Drama, Romance
  • Lyric Themes: Change, Family, Struggle, Longing, Love
  • Type: One Stop

Production Details

  • Lyrics: Jerome Tucker
  • Executive Producers: Jerome Tucker, Rich Greenspoon
  • Music Composition: Jerome Tucker, Larry McCray, Steve McCray
  • Recording: Rich Greenspoon
  • Production: Rich Greenspoon
  • Mixing: Rich Greenspoon
  • Mastering: Rich Greenspoon

Artists

  • Vocals: Jerome Tucker
  • Guitars: Carl Harvey
  • Bass Guitar: Jerome Tucker
  • Percussion, Drums, Effects, Keyboards: Rich Greenspoon
  • Background Vocals: Rochelle Zubot, Kollette Easy
  • Flute: Jodi Tucker
  • Flute Solo: Rob Neal Christian

Instrumentation

  • Bass
  • Drums
  • Electric Guitar (Solo)
  • Flute (Solo)
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“No Way” by Jerome Tucker is a soulful, groove-forward track that blends funk and emotional storytelling. With its retro textures and expressive solos, it’s ideal for scenes that explore longing, change, and personal connection.

Ideal Sync Uses

  • Comedy: Quirky transitions, romantic setups, character intros
  • Drama: Emotional turning points, family flashbacks, personal growth
  • Romance: Intimate moments, longing sequences, hopeful resolutions

Scene Suggestions

  • Montage of a character reflecting on love or loss
  • Slow-motion walk through a city at night
  • Closing credits of a romantic drama
  • Flashback to a pivotal emotional moment

Why It Works

  • Fast tempo adds energy and movement
  • Male vocals deliver warmth and sincerity
  • Flute and guitar solos add cinematic texture
  • Lyric themes resonate across genres
Track Narrative:
“No Way” pulses with retro soul and funk energy, driven by Jerome Tucker’s heartfelt vocals and a groove-rich arrangement. The track explores themes of love, struggle, and emotional change, wrapped in upbeat rhythms and cinematic solos. Ideal for sync scenes that need emotional depth with rhythmic lift—perfect for drama, romance, or character-driven comedy.

Lyrics: No Way

Lord, Lord, I won't die
We continue to go down this road
We won't be together again
Said things seem out of place
Like we just can't win
Said I love ya (love ya)
I need ya (need ya)
Want ya everyday (want ya, want ya)
And start all over again
'Cause Lord said there seems
There's just no way (just no way, no way, no way)
To be together, yeah, yeah
Just no way (just no way, no way, no way)
Lord knows there's just no way
You didn't treat me like family
So I moved on
Said I found me a new thing
And now it's hard to turn
And I'm so long gone
Said I love you (love you)
And I miss you (miss you)
Want you everyday (want you, want you)
And start all over again
'Cause love, 'til this scene, there's just no way
Be to me, to be together
Said that the scene, that there's just, just no way
No way
There's just no way (no way, no way, no way, no way, no way, no way, no way, no way, no way, no way)
'Cause Lord, tell this scene
There's just no way (just no way, no way)
Just no way, baby (no way)
We can't change together (just no way, no way)
When it seems that there is just no way
No way
No way
Baby
It's been a yellow day for a long time
Just can't throw it away
Just can't throw it away
All of these feelings
(Experience, experience, experience)

NO U BETTER NOT — Ran de Casa

No U Better Not cover art

NO U BETTER NOT
by Ran de Casa

“No U Better Not” is a fast, hook-driven hip hop/R&B track that blends swagger, humor, and attitude into a highly stylized, rhythmic experience. At 146 BPM in C# Minor, it combines bass, drums, percussion, and synth to create a punchy, modern sound with strong character presence. Its repetitive hook and quirky lyrical tone make it ideal for standout scenes, stylized edits, and moments that balance confidence with personality.

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OMR Cue Map

Track: No U Better Not
Clean Intro: Yes (0:00 – immediate entry with defined tonal identity and underlying tension; no ramp required)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:30 / 1:52 / 2:14 / 2:36 / 2:58
Button Ending: Yes, resolved ending with controlled impact or tonal drop
Loopable: High (steady groove and consistent phrasing allow flexible editorial looping)
Best Loop Candidates: 0:24–0:56 / 1:12–1:30 / 1:52–2:14 / 2:14–2:36
Use Case: Tension-driven cue centered on warning, confrontation, and implied consequence. Ideal for scenes where a line is being drawn or a situation is about to escalate. Works especially well for dialogue-heavy standoffs, pre-conflict moments, and sequences where pressure builds beneath controlled behavior. Strong for drama, thriller, and character-driven storytelling where restraint and tension define the tone before action unfolds.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: No U Better Not

Song Profile

  • Key Signature: C# Minor
  • BPM: 146
  • Tempo: Fast
  • Genres: Hip Hop / R&B
  • Vocals: Male vocal
  • Mood/Feel: Catchy, Confident, Quirky, Rhythmic, Swagger
  • Lyric Themes: Desire, Fear, Love, Power, Relationship
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

A bold, personality-driven track that blends swagger with humor and unpredictability. “No U Better Not” thrives on repetition and attitude, delivering a distinctive tone that stands out in stylized scenes. Its rhythmic punch and hook-forward structure make it highly effective for quick cuts, comedic tension, and character-led moments.

Sync Highlights

  • Strong repetitive hook creates immediate recognition and edit anchors.
  • Quirky tone adds personality to stylized or comedic scenes.
  • Fast tempo supports dynamic cutting and montage pacing.
  • Rhythmic consistency allows easy looping and extension.
  • One-stop ending provides a clean editorial finish.

Sync Potential: No U Better Not

COMEDY

Why it fits: Quirky delivery and unexpected lyrical tone make it ideal for humor with edge.

  • Awkward or uncomfortable comedic scenes
  • Character embarrassment moments
  • Stylized humor sequences
  • Over-the-top personality moments
  • Unexpected comedic reveals

CRIME

Why it fits: Swagger and attitude support stylized crime storytelling with personality.

  • Anti-hero introductions
  • Stylized crew scenes
  • Urban character moments
  • Low-stakes crime sequences
  • Confident character movement

DRAMA

Why it fits: Relationship and power themes allow crossover into character-driven storytelling.

  • Relationship tension scenes
  • Conflict with personality
  • Stylized emotional beats
  • Character-driven transitions
  • Attitude-based storytelling

THRILLER

Why it fits: Underlying tension and repetition create a controlled, slightly unpredictable tone.

  • Stylized tension sequences
  • Pre-confrontation scenes
  • Unpredictable character moments
  • Dark humor tension builds
  • Controlled chaos visuals
A confident, unpredictable personality navigating desire, power, and control with humor and edge. The track leans into character over polish, making it feel immediate, raw, and distinctly memorable.

Lyrics: No U Better Not

I ain't going for it I ain't going for it I ain't going for it Guapo, oh she think I'm guapo She just can't help herself I'm a favorite pop tho Baby you look good as fuck She looking for the throttle Pop another bottle Ride me like a Bronco Let me get the ponchos Vente go with my cho Hit her with the oh yeah Started from the top, bro Drop into Piccato Feeling like Cerrato Flip it like a waffle Rofl out the asshole Know you better not, hoe Know you better, know you better not, hoe Pooted and she slipped into denial Stinking and she look me in my eyes, bro You better not I'm a executive move I ain't got nothing to prove I'm just a regular dude Can't come up on you Can't trust in you Can't bust in you What do you want me to do? If that poot is true Can't fuck with you Can't just be you One poot was cool, but this smelled like two Gripping and slipping in the room Sickening it gave me the flu Tripping but we know the truth Busy and I was out the through Bravo, spicy as Tabasco Girl, put them bands on Goddamn it, Don yo Tried to get it up again, but couldn't fight the cargo That bitch ate a fajitas tho All the what's galosso Smelling like Gelato, hoe Know you better, know you better not, hoe Know you better, know you better not, hoe Pooted and she looked me in my eyes, though That bitch gotta go Bravo, had to say bravado Now she talking crypto Cooler than the bottle Turned to the ugly face Muffin baby Gerber Now she get up out of here with the risk of cargo Get the raid clean like Marie hit the condo Sip a couple times though, got my mind blown Dripping to survival, ready for revival Fuse feeling vibro, check my fucking vitals Know you better, know you better not, hoe Wouldn't call myself aficionado Smelled like 20 a McDonald's Who brought her to my crib? Know you better not, hoe Know you better, know you better not, hoe Pooted and she slipped into denial Stinking and she looked me in my eyes, bro You better not Oh oh oh oh
Stems available upon request.

Ran de Casa creates modern hip hop and R&B that blends swagger, rhythm, and personality. His music brings character to the forefront, making it highly adaptable for cinematic use across drama, comedy, and stylized storytelling.

NORTH, IONIAN, AND SARGASSO — Josh Friedman

North, Ionian, and Sargasso cover art

North, Ionian, and Sargasso
by Josh Friedman

A beautifully atmospheric acoustic piece that drifts between light and shadow. “North, Ionian, and Sargasso” moves like a tide—hopeful, minimal, and reflective, perfect for open landscapes, inner journeys, or scenes of quiet determination.

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OMR Cue Map

OMR Cue Map

Track: North Ionian and Sargasso
Clean Intro: Yes (0:00 – immediate atmospheric entry with fluid tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, soft resolved ending with lingering atmospheric decay
Loopable: High (consistent textural flow and minimal disruption support seamless looping)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Atmospheric, fluid cue centered on drift, distance, and suspended motion. Ideal for scenes where movement feels slow, deliberate, or emotionally detached. Works especially well for oceanic visuals, travel sequences, introspective journeys, and moments where characters are in transition but not yet arriving. Strong under dialogue where tone and space create a sense of distance, isolation, or quiet forward pull.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: North, Ionian, and Sargasso

Artist: Josh Friedman
Genre: Folk, Singer/Songwriter
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Atmospheric, Hopeful, Light, Minimal, Moody, Reflective
Tempo: Midtempo • BPM: 115 • Key: G Major
Vocal: Instrumental • Type: One Stop

Track Summary

Evocative and cinematic, this track captures the quiet expanse of motion and memory. The acoustic guitar flows with introspection and light melancholy, giving editors space for narrative breathing and emotional layering.

Sync Highlights

  • Atmospheric flow for reflective or journey-driven scenes
  • Warm tone supports travel, lifestyle, and character moments
  • Subtle build provides organic progression and edit points
  • Natural :15/:30/:60 cuts through harmonic phrasing

Sync Potential: North, Ionian, and Sargasso

Suited for drama, travelogue, and lifestyle content where reflection meets motion. Works equally well in art-house or premium brand contexts that lean on tone and space.

  • Travel sequences and road montages
  • Emotional reflection and transition scenes
  • Nature, water, or horizon imagery
Track Narrative:
“North, Ionian, and Sargasso” drifts with purpose—like a compass turning toward memory. It moves with light melancholy and steady hope, offering an emotional map for journeys of change.
Instrumental:
Solo acoustic guitar (no vocals). Warm, dynamic recording with open tonal range for atmospheric transitions and reflective pacing.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a deeply cinematic acoustic sensibility. Friedman’s work blends tone, atmosphere, and emotion, shaping instrumental storytelling that feels timeless and human.

Styles: Folk, Singer/Songwriter, Classical • Strengths: Textural balance, emotional nuance, VO-friendly dynamics • Typical Uses: Drama, Lifestyle, Travel, Brand storytelling, Art-house film

Not All the Time — Justin Enco Band

Not All the Time cover art

Not All The Time
by Justin Enco Band

Melancholy meets spoken truth — “Not All the Time” threads vulnerability with poetic rhythm as Justin Enco Band distills relational tension into lyrical reflection. Ideal for scenes with late-night introspection or personal reckoning.

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OMR Cue Map

Track: Not All the Time
Clean Intro: Yes (0:00 – immediate entry with grounded tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:06 / 2:28 / 2:50 / 3:12
Button Ending: Yes, resolved ending with emotional restraint rather than full closure
Loopable: Moderate–High (steady phrasing with subtle variation supports editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:06–2:28
Use Case: Emotionally nuanced cue centered on inconsistency, mixed signals, and relational push-pull. Ideal for scenes where characters are not fully aligned—moments of hesitation, partial honesty, or shifting emotional ground. Works especially well under dialogue in relationship-driven storytelling, as well as sequences where tone moves between connection and distance. Strong for drama and character arcs where ambiguity and fluctuation define the emotional landscape.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Not All The Time

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 92
  • Energy: Midtempo
  • Genres: Folk
  • Vocals: Male Vocal
  • Moods: Upbeat, Positive
  • Cinematic Fit: Coming of Age, Drama, Fantasy, Indie, Mystery, Romance, Thriller
  • Lyric Themes: Destiny, Identity, Struggle, Success, Time
  • Type: One Stop

Production Details

  • Lyrics: Justin Enco
  • Produced By: Justin Enco & Michael Waxman
  • Recorded At: Purgatory Recording, Sunrise, FL
  • Engineered & Mixed: Michael Waxman
  • Mastering: Vic Anosini at Sony Studios, New York, NY

Artists

  • Vocals, Acoustic Guitars, Backing Vocals, Arrangements: Justin Enco
  • Piano, Organs, Programming: Michael Waxman
  • Electric Guitars: Dan Warner
  • Bass Guitar: John Falcone
  • Drums & Percussion: Brett Segal

Instrumentation

  • Percussion
  • Acoustic Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Not All The Time” by Justin Enco Band is a reflective yet uplifting folk track that blends acoustic warmth with lyrical depth. With influences like Damien Rice and Bon Iver, it’s ideal for sync scenes that explore identity, time, and emotional growth.

Ideal Sync Uses

  • Coming of Age: Self-discovery, transitions, personal milestones
  • Drama: Emotional turning points, quiet introspection
  • Fantasy & Mystery: Dreamlike sequences, time-shifting moments
  • Romance: Tender scenes, longing, connection

Scene Suggestions

  • Montage of a character growing through adversity
  • Flashback to a pivotal childhood moment
  • Slow-motion walk through a foggy forest
  • Closing credits of an indie drama

Why It Works

  • Midtempo pace supports emotional storytelling
  • Male vocals convey sincerity and vulnerability
  • Acoustic instrumentation adds organic texture
  • Lyric themes resonate across genres and formats
Track Narrative:
“Not All the Time” speaks with the intimacy of reflection — Justin Enco Band captures relational uncertainty and emotional timing with lyrical honesty and mellow phrasing. This track invites contemplation and understated drama, perfect for late-night visuals and inner monologue sequences.

Lyrics: Not All the Time

I'm sorry
Now and forever
And I promise, oh I promise
That things will get better
But sometimes it just don't work out
The way that you plan
And sometimes
You have to take a stand

Late night crowds, a social setting
What kept reacts well, who are you etting?
I'm at the amber ready, shining through temptation
Telling you what you're doing for a moment
You et who you are
It's not who we are, we're not on the bed yet
It's not just mistakes that make us so mad
Well it's not a lot of people say it's on my mind, oh
We are all good just not all the time

What is yours must be mine
The grass is so much greener on the other side
But long ago it seems to me simplicity was the theme
And jealousy, my friends, was just a word, a word, a word

It's not who we are, we're not on that bed yet
It's not just mistakes that make us all mad
Well it's not a lot of people say that's on my mind

NOT OVER YET — Elmer Ferrer

Not Over Yet cover art

Not Over Yet
by Elmer Ferrer

Not Over Yet drifts through a reflective emotional space shaped by electric guitar and soft synth textures. The cue feels suspended between sadness and possibility, as though something unresolved still lingers just beyond the frame. Its minimal atmosphere and dreamy tone make it especially effective for endings that are not quite endings, moments of quiet resilience, or scenes where a character senses that the story still has one more turn to take.

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OMR Cue Map

OMR Cue Map

Track: Not Over Yet
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, unresolved forward-driving tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Motivational tension cue for comeback moments, resilience, unfinished conflict, determination, rising stakes, and scenes where momentum continues and the story is still unfolding.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Not Over Yet

Song Details

  • Energy: Low / Reflective
  • Genres: Ambient
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 85
  • Moods: Atmospheric, Dreamy, Light, Minimal, Moody, Reflective, Sad
  • Cinematic Fit: Drama, Indie, Art House, Romance, Sci-Fi
  • Type: One Stop, Soundtrack

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Electric Guitar
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Not Over Yet offers a quiet emotional afterglow with just enough forward pull to suggest unfinished business. Its ambient mood and gentle guitar-led atmosphere make it ideal for scenes that sit between closure and continuation.

Ideal Sync Uses

  • Drama: unresolved emotional aftermath
  • Indie: reflective character transitions
  • Art House: open-ended visual storytelling
  • Romance: bittersweet emotional continuation
  • Sci-Fi: contemplative endings with lingering questions

Scene Suggestions

  • Character standing in the aftermath of a difficult choice
  • Closing montage suggesting that more remains unresolved
  • Quiet scene where a relationship or story thread is still alive
  • Reflective visual transition into the next chapter of a story
Track Narrative:
Not Over Yet feels like the emotional space after a conclusion that doesn’t quite land as final. Its soft guitar and ambient texture suggest a story still breathing beneath the silence, where sadness, possibility, and unfinished meaning continue to coexist.

Noviembre — Pavlo Carta

Noviembre
by Pavlo Carta

Dreamlike and stirring — “Noviembre” draws on subtle acoustic textures and emotional phrasing. Pavlo Carta crafts an instrumental that blends melancholy and calm, perfect for cinematic transitions, nature visuals, or introspective storytelling.

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OMR Cue Map

OMR Cue Map

Track: Noviembre
Clean Intro: Yes (0:00 – immediate soft entry with reflective tonal identity; no ramp required)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:34 / 1:58 / 2:22 / 2:46 / 3:10
Button Ending: Yes, gentle resolved ending with emotional fade
Loopable: Moderate (phrasing supports edits while maintaining a natural emotional arc)
Best Loop Candidates: 0:36–1:12 / 1:34–1:58 / 2:22–2:46
Use Case: Reflective, seasonally grounded cue centered on transition, memory, and emotional cooling. Ideal for scenes that sit between movement and resolution—late-stage reflection, quiet departures, and moments where something is fading rather than beginning. Works especially well for autumnal visuals, end-of-day sequences, and character-driven storytelling where tone is introspective and understated. Strong under dialogue where subtle emotion and space guide the scene.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Noviembre

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 100
  • Energy: Midtempo
  • Genres: Electronic, Hip Hop/Rap
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Moody, Rhythmic
  • Cinematic Fit: Action, Art House, Crime, Indie, Mystery
  • Type: One Stop

Production Details

  • Music Composition: Pavlo Cartaginese
  • Produced By: Hxney Produccion, A Coruña, España
  • Mastering: Ricky Lorenzo, TribalRecord, Argentina
  • Recorded At: A Coruña, Galicia, España

Artists

  • Compositore, Violoncellos, Distortions, Acusticos FX, Synth: Pavlo Carta

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth
  • Cello (Solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Noviembre” by Pavlo Carta is a moody, cinematic instrumental that blends electronic textures with hip hop rhythms and cello-driven emotion. Its dark, atmospheric tone makes it ideal for sync scenes that require tension, introspection, or surreal transitions.

Ideal Sync Uses

  • Action: Suspenseful build-ups, stealth sequences
  • Art House: Experimental visuals, abstract storytelling
  • Crime & Mystery: Investigative montages, noir settings
  • Indie: Dreamlike transitions, emotional solitude

Scene Suggestions

  • Slow-motion cityscape with ambient lighting
  • Character walking through fog or rain
  • Montage of internal conflict or unraveling mystery
  • Closing credits of a psychological thriller

Why It Works

  • Midtempo rhythm supports pacing and tension
  • Cello solo adds emotional gravity
  • Electronic textures enhance modern cinematic tone
  • Atmospheric mood fits a wide range of genres
Track Narrative:
“Noviembre” unfolds like autumn air — with soft instrumental phrasing and subtle rhythmic motion that evokes memory, introspection, and transitional emotion. Pavlo Carta’s understated arrangement creates sonic space for quiet scenes, travel visuals, and moody editorial sync.

NUDAY — Melodic Yoza

NUDAY cover art

Nuday
by Melodic Yoza

“NUDAY” bursts forward with rhythmic optimism and lyrical urgency. Melodic Yoza blends genre-bending flow and truth-telling into a sonic anthem that speaks to change, action, and mental clarity in volatile times.

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OMR Cue Map

OMR Cue Map

Track: Nuday
Clean Intro: Yes (0:00 – immediate entry with rhythmic warmth and positive tonal identity; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58 / 3:20
Button Ending: Yes, resolved ending with uplifting tonal finish
Loopable: High (steady groove and repeated phrasing support seamless editorial looping)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Uplifting, reflective cue centered on renewal, awareness, and forward perspective. Ideal for scenes where characters shift mindset, gain clarity, or move into a new phase with intention. Works especially well for montage, lifestyle storytelling, and sequences that balance reflection with motion. Strong under dialogue where tone supports growth and positivity without becoming overly sentimental.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Nuday

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 78
  • Energy: Moderate
  • Genres: Ballad, Reggae, Hip Hop/Rap
  • Vocals: Male Vocal
  • Moods: Romantic, Upbeat, Cool, Confident, Rhythmic, Uplifting, Somber
  • Cinematic Fit: Crime, Drama, Mystery
  • Lyric Themes: Change, Nature, Power, Hope, Time
  • Type: One Stop

Production Details

  • Production: Available Upon Request

Artists

  • Credits: Available Upon Request

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Nuday” by Melodic Yoza is a genre-blending ballad that fuses reggae rhythms with hip hop cadence and emotional depth. With its slow tempo and confident tone, it’s ideal for sync scenes that explore transformation, resilience, and introspection.

Ideal Sync Uses

  • Crime: Urban tension, reflective aftermath
  • Drama: Emotional turning points, personal growth
  • Mystery: Slow reveals, moody transitions

Scene Suggestions

  • Character walking alone through a city at night
  • Montage of change and reflection
  • Closing credits of a dramatic episode
  • Slow-motion flashback with emotional weight

Why It Works

  • Slow tempo enhances emotional gravity
  • Male vocals deliver sincerity and depth
  • Genre fusion adds unique sonic identity
  • Mood range supports dramatic and romantic arcs
Track Narrative:
“NUDAY” is a lyrical awakening — Melodic Yoza blends roots reflection, spoken flow, and melodic clarity to explore change, community, and mental shift. It’s a call to consciousness wrapped in sync-friendly energy.

Lyrics: NUDAY

I'm living in a brand new dawn Don't you know, don't you know Living in a brand new dawn Don't you know Don't you know We're living in this brand new dawn Rock on, come on Living in a new day Don't you know I'm living in this brand new dawn Don't you know I'm living in a new day So don't you know We're living in this brand new dawn Don't you know We're living in a new day Hey, hey, hey It's a brand new dawn (don't you know) I'm living in this new day (don't you know) I'm living in a brand new dawn I'm reminiscing 'Bout them days So when I used to chill Time to get together Now it's time to build I'm at that That point of no return And knowing that we all got to live and learn So before all of your bridges burn Just make sure that you get your turn In a this your new day It's a new day (don't you know) I'm living in a brand new dawn I'm living in this new day (don't you know) I'm living in a brand new dawn (don't you know) It's a new day (don't you know) I'm living in a brand new dawn (don't you know) We're living in this new day (don't you know) It's a brand new dawn And you only reap Say what you sow, so watch them seeds that you grow 'Cause sometimes you just never know, and this time Where did love go, and why can't we grow? Where did love go, and why did it grow? I know you and I, T.Y. Can show some love and don't be shy Ain't no need to force no fight No lie, no lies Gotta walk one chalk line

Nuevo — Amhed Mitchel

Nuevo cover art

Nuevo
by Amhed Mitchel

Rhythmic, reflective, and rooted in movement — “Nuevo” delivers Amhed Mitchel’s signature instrumental storytelling, blending Afro-Cuban percussion with cinematic ambiance. Ideal for sync cues built around travel, renewal, or emotional introspection.

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OMR Cue Map

Track: Nuevo
Clean Intro: Yes (0:00 – immediate entry with clear tonal identity and forward presence; no ramp required)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:46 / 2:10 / 2:34 / 2:58 / 3:20
Button Ending: Yes, resolved ending with confident lift and open finish
Loopable: Moderate–High (consistent phrasing and forward motion support editorial flexibility)
Best Loop Candidates: 0:32–1:06 / 1:24–1:46 / 2:10–2:34
Use Case: Forward-moving, emotionally grounded cue centered on entering a new phase with clarity and intent. Ideal for scenes where change has already occurred and the character begins to move within that new reality. Works especially well for montage, progression sequences, and moments where confidence replaces uncertainty. Strong for storytelling that bridges reflection and action, where tone signals readiness rather than hesitation.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Nuevo

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 89
  • Energy: Medium
  • Genres: Jazz
  • Vocals: Instrumental
  • Moods: Romantic, Upbeat, Cool, Confident, Rhythmic, Uplifting, Somber
  • Cinematic Fit: Mystery, Romance
  • Lyric Themes: Change, Nature, Power, Hope, Time
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition: Amhed Mitchel
  • Arrangement: Amhed Mitchel
  • Recording: John Bailey
  • Second Engineer: Milan Sarkadi
  • Editing: Elmer Ferrer

Artists

  • Drums: Amhed Mitchel
  • Piano: Rafael Zaldivar
  • Upright & Electric Bass: Roberto Riveron
  • Alto Sax: Luis Deniz

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth
  • Piano
  • Saxophone

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Nuevo” by Amhed Mitchel is a cinematic jazz instrumental that blends Afro-Cuban percussion with ambient textures and melodic introspection. With its slow, rhythmic pulse and expressive solos, it’s ideal for sync scenes that explore emotional depth, transformation, or quiet tension.

Ideal Sync Uses

  • Mystery: Investigative sequences, moody transitions
  • Romance: Reflective moments, emotional breakthroughs
  • Drama: Character introspection, personal growth

Scene Suggestions

  • Montage of a character walking through a quiet city
  • Slow-motion flashback with emotional weight
  • Closing credits of an indie drama
  • Stylized travel sequence with ambient visuals

Why It Works

  • Midtempo rhythm supports reflective pacing
  • Instrumental solos add emotional nuance
  • Jazz textures enhance cinematic tone
  • Atmospheric mood fits a wide range of genres
Track Narrative:
“Nuevo” spins calm into rhythm — Amhed Mitchel blends organic percussion with ambient phrasing to create a sense of motion without urgency. A track built for sequences that reflect arrival, awakening, or transformation.

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