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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — I

From introspective instrumentals to infectious indie grooves, the “I” catalog is ideal for intimate scenes and impactful storytelling. Explore tracks built for emotional nuance, lyrical depth, and cinematic resonance.

← Back to Main Catalog

I AM A FRIEND — Purple Fox and the Heebie Jeebies

I Am a Friend cover art

I Am a Friend
by Purple Fox and the Heebie Jeebies

Bright, uplifting, and instantly warm — “I Am a Friend” celebrates trust, listening, and togetherness. Indie-rock guitars meet soulful touches and horns, delivering a feel-good, VO-friendly groove for friendship, team-up, and feel-better scenes.

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OMR Cue Map

OMR Cue Map

Track: I Am a Friend
Clean Intro: Yes (0:00 – soft, supportive entry with immediate warmth)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Warm, supportive emotional cue centered on trust, connection, and reassurance. Strong for scenes involving friendship, caregiving, and moments where characters provide comfort or stability to one another. Particularly effective in family storytelling, youth-oriented content, and emotionally grounded scenes that emphasize presence and reliability.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Am a Friend

Artist: Purple Fox and the Heebie Jeebies
Genre: Indie, Rock, Soul   •   Vocal: Male
Tempo: Uptempo
Mood: Bright, Positive, Upbeat
Lyric Themes: Friendship, Time
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion, Synth
Type: One Stop

Track Summary

Sun-lit indie-soul with a big heart. Horn splashes, sturdy backbeat, and a sing-able chorus (“I am a friend — you can count on me”) make it an instant fit for scenes of loyalty, celebration, and support. Easy edit points; plays well under VO.

Sync Highlights

  • Affirming lyric perfect for friendship/teamwork arcs
  • Uptempo groove energizes montage without overpowering VO
  • Warm horns + guitars signal optimism and connection
  • One-stop for fast-turn licensing

Sync Potential: I Am a Friend

Friendship-forward anthem with broad family and brand appeal. Ideal for kids/family series, school/community montages, friendship reconciliations, and upbeat ad creative that highlights care and reliability.

  • Chorus works as a slogan bed (“You can count on me”)
  • Clear structure for :15/:30/:60 cutdowns
  • Instrumental/alt mixes recommended for dialogue space
Track Narrative:
A bright, soul-leaning indie groove about showing up for the people who matter. It underscores moments of reassurance, reunion, and everyday kindness — perfect when a story needs warmth and trust.
Lyrics:
If friends were flowers, there’s no doubt
I’d pick you
Days turn to hours, what life’s about
Time I spend with you

You big giraffe, you make me laugh
I get you
It’s perfect math, my other half
One and one, a whole me and you

I am a friend
You can count on me
I am a friend
That is what I’ll be
I will listen, I will share
I can guarantee I care
We all need one every now and then
I am a friend
I am a friend
I am a friend
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

A joyful mix of indie, rock, and soul with an inclusive, uplifting message. Hooks, horns, and heart — built for stories about friendship, courage, and community, with one-stop simplicity for licensing.

Styles: Indie, Rock, Soul • Strengths: Big choruses, edit-friendly structure, VO-compatible mixes • Typical Uses: Children/Family, Coming-of-Age, Comedy, Feel-Good Brand spots

I Am With You

I Am With You cover art

I Am With You
by Sil Simone

Warm and reflective — “I Am With You” by Sil Simone glides across melodic lines of reassurance and acoustic strength. Designed for sync scenes of quiet companionship, emotional support, or transitional resolve wrapped in soft affirmation and tonal serenity.

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OMR Cue Map

OMR Cue Map

Track: I Am With You
Clean Intro: Yes (0:00 – atmospheric entry with immediate emotional depth)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved emotional ending
Loopable: Moderate
Best Loop Candidates: 0:14–0:48 / 0:48–1:08 / 1:28–1:50
Use Case: Emotionally present, grounding cue that emphasizes connection during moments of vulnerability or uncertainty. Strong for scenes involving support through hardship, emotional reassurance, and quiet solidarity. Particularly effective in drama, relationship arcs, and moments where characters are not alone despite difficult circumstances.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Producer • Touring Veteran

Sil Simone is a seasoned guitarist and producer whose career spans decades of live performance, studio work, and musical direction. Known for his expressive playing and technical finesse, Simone has toured with Canadian legends like Tom Cochrane and Rik Emmett, leaving his mark on stages across North America.

His versatility as a musician allows him to move seamlessly between rock, blues, pop, and country, making him a sought-after collaborator for both live and studio projects. Simone’s guitar work is melodic, soulful, and always in service of the song.

In addition to performing, Simone is a respected producer and arranger, helping artists shape their sound with clarity and creativity. His work reflects a deep understanding of musical storytelling and a commitment to excellence.

Whether on tour or behind the mixing board, Sil Simone continues to inspire with his artistry, professionalism, and passion for music.

Sync Pitch Sheet: I Am With You by Sil Simone

Song Profile

  • Key Signature: B Major
  • Beats Per Minute: 128
  • Energy: Medium Tempo
  • Genres: Ballad, Blues, Folk, Indie, Pop, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Atmospheric, Dreamy, Moody, Reflective
  • Lyric Themes: Unity, Friendship, Connection, Hope, Strength
  • Type: One Stop
  • Cinematic Fit: Comedy, Coming-of-Age, Drama, Fantasy, Romance

Production Details

  • Produced by: Sil Simone and Joey Greco
  • Lyrics: Sil Simone
  • Music Composition: Sil Simone
  • Mixing & Mastering: Joey Greco

Artists

  • Vocals, Keyboards, Guitars, Programming: Sil Simone
  • Drums, Bass, Keys: Joey Greco

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Am With You” is a heartfelt, uptempo ballad that blends acoustic warmth with indie-pop clarity. With themes of unity, connection, and emotional strength, it’s ideal for scenes that explore companionship, resilience, and quiet affirmation.

Ideal Sync Uses

  • Drama: Emotional breakthroughs, supportive moments, character growth
  • Romance: Tender exchanges, hopeful transitions, love reaffirmed
  • Coming-of-Age: Friendship arcs, personal discovery, reflective montages
  • Fantasy: Dreamlike visuals, magical realism, emotional grounding
  • Comedy: Heartfelt interludes, quirky sincerity, warm resolutions

Scene Suggestions

  • Character walking beside a friend in silence
  • Montage of emotional recovery and support
  • Closing credits of a romantic drama
  • Flashback to a moment of connection

Why It Works

  • Male vocals deliver sincerity and emotional depth
  • Uptempo rhythm adds energy while maintaining warmth
  • Acoustic and synth blend supports both modern and timeless visuals
  • Lyric themes align with universal emotional storytelling
Track Narrative:
“I Am With You” wraps support and sonic comfort — Sil Simone shapes emotional intimacy and syncable calm for scenes of loyalty, transition, or quiet resilience.

Lyrics

No more isolation, I am with you
No misinterpretation, this is true
No more desolation, I wrap around you
All the stars in the constellation shine, it's true

The silent screams
The broken dreams
Echoing, echoing in the halls of anonymity
When you're crashing down the runways dim
I'll be the light, be the light that guides you in

No more isolation, I am with you
No misinterpretations, this is true
No more desolation, I wrap around you
All the stars in the constellation shine, it's true

The silent screams
The broken dreams
Echoing, echoing in the halls of anonymity
When you're crashing down, the runway's dim
Be the light, be the light that guides you in

And so
No more oscillations, I am with you
No misinterpretations, this is true
No more desolation, I wrap around you
All the stars in the constellation shine, it's true

Ooh, ooh, ooh, ooh, ooh, ooh, ooh

I Ain’t Sentimental

I Ain’t Sentimental cover art

I Ain't Sentimental
by Paul-Reddick

Tough and unapologetic — “I Ain’t Sentimental” by Paul Reddick swings with dry wit and blues swagger. His deadpan vocal rides a razor-sharp groove, perfect for sync scenes of rebellion, cool detachment, or playful defiance.

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OMR Cue Map

OMR Cue Map

Track: I Ain’t Sentimental
Clean Intro: Yes (0:00 – immediate blues-driven entry with confident, gritty tone)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved natural band ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Gritty, blues-rooted cue with a strong sense of attitude and emotional detachment. Ideal for characters who project toughness, independence, or guarded emotion. Strong for bar scenes, anti-hero introductions, and moments where vulnerability is intentionally suppressed. Particularly effective in crime, Americana, and character-driven drama.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: I Ain’t Sentimental by Paul Reddick

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 126
  • Energy: Mid-tempo
  • Genres: Country, Rock
  • Vocals: Male Vocal
  • Moods: Romantic, Upbeat, Reflective, Retro
  • Lyric Themes: Nostalgia
  • Type: One Stop
  • Cinematic Fit: Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Romance, Western

Production Details

  • Production Credits: Available upon request

Artists

  • Artist Info: Available upon request

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Ain’t Sentimental” is a nostalgic, uptempo country-rock track with a romantic edge and retro flair. With its reflective tone and driving rhythm, it’s ideal for scenes that explore memory, longing, and emotional resilience with a touch of swagger.

Ideal Sync Uses

  • Drama: Character introspection, emotional transitions, rural tension
  • Romance: Bittersweet memories, love lost and found, heartfelt montages
  • Comedy: Quirky reflections, ironic nostalgia, stylized sequences
  • Western: Dusty roads, barroom scenes, personal reckoning

Scene Suggestions

  • Montage of a character revisiting their hometown
  • Slow-motion walk through a vintage diner
  • Flashback to a pivotal romantic moment
  • Closing credits of a coming-of-age film

Why It Works

  • Male vocals deliver grit and emotional authenticity
  • Uptempo rhythm drives narrative momentum
  • Retro country-rock style evokes timeless Americana
  • Lyric theme of nostalgia aligns with reflective storytelling
Track Narrative:
“I Ain’t Sentimental” delivers wry blues attitude with tight rhythm and lyrical defiance — Paul Reddick’s swagger suits sync scenes of sharp coolness, nonchalance, or stylish resistance.

Lyrics

I don't tell no stories bout the days gone by
I can't remember and I don't try
I don't keep mementos my hands are clean
There ain't no records of what I've seen

Well I ain't sentimental I don't keep track
You know and I ain't sentimental I don't look back

I don't need no reminding I don't wanna know
That ain't my problem you know I let it go

I don't keep no picture in a little frame
I don't go lookin at it and speak your name

Well I ain't sentimental I'm on the run
Oh I ain't sentimental about all that's done

I ain't sentimental I'm doin alright
Bring on the morning light

I don't care if you don't know it’s true
If you could still believe I still belong to you

I don't bother worrying what's done is done
I like it like that I can have my fun

I don't tell no stories about the days gone by
I can't remember and I don't try

Well I ain't sentimental I don't keep track
You know and I ain't sentimental I don't look back

I ain't sentimental I'm walkin on
Oh I ain't sentimental I'm movin on
You know I'm movin on

I CAN DO IT — Purple Fox and the Heebie Jeebies

I Can Do It cover art

I Can Do It
by Purple Fox and the Heebie Jeebies

Funky, confident, and full of charm — “I Can Do It” is an empowerment anthem that grooves with horns, retro bass, and feel-good swagger. A mid-tempo burst of motivation for animation, kids’ TV, and uplifting story arcs.

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OMR Cue Map

OMR Cue Map

Track: I Can Do It
Clean Intro: Yes (0:00 – immediate rhythmic entry with upbeat, confident energy)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Upbeat, motivational cue built around confidence, resilience, and forward momentum. Strong for training sequences, personal breakthroughs, and scenes where characters push through obstacles or prove capability. Particularly effective in sports, youth-oriented content, and montage sequences focused on progress and achievement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Can Do It

Artist: Purple Fox and the Heebie Jeebies
Genre: Funk, Rock, Soul
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion
Lyric Themes: Confidence, Empowerment, Fun, Strength, Success
Mood: Fun, Positive, Retro, Upbeat
Tempo: Midtempo • Vocal: Male • Type: One Stop

Track Summary

A swaggering funk-rock motivator anchored by punchy horns and a call-and-response vocal. “I Can Do It” channels empowerment through groove — fun, rhythmic, and sync-ready for achievement, teamwork, or self-confidence moments.

Sync Highlights

  • Perfect for empowerment, learning, and victory montages
  • Midtempo funk pulse keeps scenes moving without overspeeding cuts
  • Horn stabs accent character triumph or comic timing
  • Clean lyrics and one-stop clearance make it promo-safe

Sync Potential: I Can Do It

Energetic and positive with broad cross-demo appeal. Ideal for children’s TV, comedy, sports training, or motivational ad campaigns where determination meets fun.

  • Optimistic funk-rock groove for “you got this” moments
  • Pairs well with transformation, success, or learning sequences
  • Strong chorus hook doubles as ad tagline rhythm
Track Narrative:
A playful, confidence-boosting jam about mastering small victories. From tying shoes to counting high, “I Can Do It” celebrates growth and courage with funk flair — ideal for animated sequences, commercials, and kid-driven self-discovery moments.
Lyrics:
Puttin' on, puttin' on my shoes
I can do it, I can do it
Countin' up, up to 22
I can do it, I can do it
Whistling, just like my dad
I can do it, I can do it
Using words, when I'm really mad
I can do it, I can do it

If you can do it, I can do it
If you can do it, I can do it
If you can do it, I can do it
Do it, do it, do it
Do it, do it, do it

I can do it, I can do it
I can do it, I can do it
I can do it, I can do it
Do it, do it, do it
Do it, do it, do it
Do it, do it, do it
Do it, do it, do it
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

Blending funk, rock, and soul with upbeat lyrics and brass-driven hooks, Purple Fox and the Heebie Jeebies craft empowering anthems that inspire movement and positivity. Their music fuses fun and purpose for TV, film, and family-oriented storytelling.

Styles: Funk, Rock, Soul • Strengths: Empowering hooks, rhythmic confidence, positive energy • Typical Uses: Sports montage, Children’s series, Comedy, Family adventure

I Don't Know Who I Am in Your Presence

I Don't Know Who I Am in Your Presence cover art

I Don't Know Who I Am in Your Presence
by Radagast the Brown

Deeply reflective and emotionally suspended, “I Don't Know Who I Am in Your Presence” blends ambient electronics, piano, strings, and restrained percussion into a cinematic emotional underscore. The track carries a sense of vulnerability and emotional transformation — moving between sadness, wonder, and fragile hope through minimal but emotionally charged movement.

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OMR Cue Map

OMR Cue Map

Track: I Don't Know Who I Am in Your Presence
Clean Intro: Yes (0:00 – immediate ambient piano and tonal atmosphere entry)
Edit Points: 0:20 / 0:40 / 1:02 / 1:24 / 1:46 / 2:08 / 2:32
Button Ending: No, emotionally unresolved ambient fade
Loopable: High
Best Loop Candidates: 0:40–1:24 / 1:24–2:08
Use Case: Emotional underscore cue centered on vulnerability, identity, longing, and reflective transformation. Ideal for intimate dramatic scenes, emotional realizations, fractured relationships, memory sequences, and dialogue-heavy storytelling requiring subtle emotional gravity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Ambient Composer • Emotional Minimalist • Cinematic Atmosphere

Radagast the Brown creates ambient and electronic compositions built around emotional atmosphere, reflective movement, and cinematic restraint. His work emphasizes mood, space, and emotional texture — allowing scenes to breathe while quietly shaping their emotional direction.

Combining piano, strings, synth textures, and minimal rhythmic movement, his compositions are especially suited for emotionally driven storytelling, psychological drama, speculative fiction, and contemplative visual narratives.

His music often exists in the space between sadness and hope — subtle enough to sit beneath dialogue while emotionally rich enough to define the emotional identity of a scene.

Sync Pitch Sheet: I Don't Know Who I Am in Your Presence

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 132
  • Energy: Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cinematic, Emotive, Hopeful, Minimal, Powerful, Reflective, Sad
  • Cinematic Themes: Emotional Underscore, Drama, Romance, Sci-Fi, Art House
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Strings
  • Synth
  • Ambient electronic textures

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Don't Know Who I Am in Your Presence” is an emotionally driven ambient cue that balances sadness, hope, and cinematic restraint. The combination of piano, strings, synth textures, and minimal percussion creates a deeply reflective emotional environment ideal for intimate storytelling and emotional transformation scenes.

Ideal Sync Uses

  • Drama: Emotional realizations, fragile connection, internal conflict
  • Romance: Vulnerability, longing, unresolved intimacy
  • Sci-Fi: Isolation, existential reflection, human fragility
  • Art House: Slow visual pacing, emotional abstraction
  • Emotional Underscore: Dialogue support, memory sequences, personal transformation

Scene Suggestions

  • Character quietly confronting emotional truth
  • Late-night reflective sequence
  • Emotionally restrained breakup or reunion
  • Dream-state memory montage
  • Dialogue-heavy scene requiring subtle emotional tension

Why It Works

  • Minimal arrangement leaves space for dialogue
  • Piano and strings create emotional warmth and fragility
  • Ambient electronic textures add cinematic scale
  • Emotionally suspended structure supports nuanced storytelling

Stem Tracks

Stem availability to be confirmed. Potential stem groupings may include piano, strings, synth textures, percussion pulse, ambient atmosphere, and tonal effects.

Track Narrative:
“I Don't Know Who I Am in Your Presence” feels like emotional gravity pulling two people into a space neither fully understands. Piano and strings drift through ambient electronic textures as the cue slowly reveals vulnerability, longing, and emotional uncertainty — creating a cinematic emotional landscape built for quiet transformation and reflective storytelling.

I GOT MAD STYLE — Purple Fox & the Heebie Jeebies

I Got Mad Style cover art

I Got Mad Style
by Purple Fox & the Heebie Jeebies

Playful funk meets self-expression in this retro-slick anthem. “I Got Mad Style” bursts with horns, groove, and sass—celebrating confidence, individuality, and the freedom to dress and be yourself. Equal parts fun, funky, and empowering.

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OMR Cue Map

OMR Cue Map

Track: I Got Mad Style
Clean Intro: Yes (0:00 – immediate rhythmic entry with confident, groove-driven energy)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Confident, rhythm-forward cue built around identity, presence, and self-assured momentum. Strong for character introductions, swagger-driven sequences, and moments where personality and attitude define the scene. Particularly effective in urban storytelling, lifestyle content, and scenes emphasizing individuality and confidence.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Got Mad Style

Artist: Purple Fox & the Heebie Jeebies
Genre: Funk
Instruments: Bass, Drums, Electric Guitar, Horns, Percussion, Synth
Lyric Themes: Adventure, Fun, Identity, Individuality
Mood: Confident, Cool, Fun, Happy, Party, Playful, Positive, Quirky, Retro, Sexy, Upbeat
Tempo: Uptempo • BPM: 120 • Key: F Major
Vocal: Female vocal • Type: One Stop

Track Summary

An empowering funk jam about individuality and confidence. Funk bass, bright horns, and colorful storytelling blend for a lively anthem perfect for fashion, youth, and empowerment-driven campaigns.

Sync Highlights

  • Perfect for fashion, kids, and personality-forward campaigns
  • Natural :15 / :30 / :60 edit points in chorus and groove breaks
  • Positive lyrical themes of self-expression and fun individuality

Sync Potential: I Got Mad Style

Perfect for brand stories about authenticity, creativity, and personality. Works across children’s lifestyle, back-to-school, youth fashion, and empowerment themes—energetic, relatable, and full of swagger.

  • Kids & family content, school or style montages
  • Fashion promos, individuality-focused campaigns
  • Upbeat branded content and animated series themes
Track Narrative:
A fun, funky celebration of identity and play. “I Got Mad Style” grooves through a day of outfit changes and creative self-expression—delivering humor, rhythm, and heart with every beat.
Lyrics: Inside, outside, back to front Every morning is the same old question, what should I wear today? Got to get out of bed, I got to get prepared for action, adventure and play Should I wear the shorts with the button on the side or the brown pants, though they ripped on the slide? A pair of jeans with my favorite shirt, this will look great when I get in the dirt These pockets are perfect if it just felt right, they hold so much treasure, but the jacket's too tight Mom tells me to hurry and come downstairs But I haven't even decided which socks to wear 10 outfits into one, inside, outside, back to front I got mad styles and I'm on the run, dressing like the rest is just no fun 10 outfits into one, inside, outside, back to front I got mad styles and I'm on the run, dressing like the rest is just no fun no fun, no fun, no fun No fun, no fun, no fun No fun, no fun, no fun No fun, no fun, no fun I gotta hurry so I grab my things and starting with my toes I got my zigzag socks and my hiking boots and a cape to cover my nose Should I wear the shirt with the giant squid, 'cause I'm a deep-sea diving super kid? Tie-dye shirt shows off my skills matched with my hat that fits the bill Ow! So much to do, so little time and X-ray goggles are hard to find Mom says, "Hey, it's time to comb that hair." And did you remember to change your underwear? 10 outfits into one, inside, outside, back to front I got mad styles and I'm on the run, dressing like the rest is just no fun 10 outfits into one, inside, outside, back to front I got mad styles and I'm on the run, dressing like the rest is just no fun If I'm feeling like a cheetah... I'll wear my spots! I'll wear... I'll wear my spots I'll wear... I'll wear my spots If I'm feeling like a zebra... I'll wear my stripes! I'll wear... I'll wear my stripes I'll wear... I'll wear my stripes And if I'm feeling like an elephant steady and slow, then I'm gonna wear gray from my head to my toe 10 outfits into one, inside, outside, back to front I got mad styles and I'm on the run, dressing like the rest is just no fun 10 outfits into one, inside, outside, back to front I got mad styles and I'm on the run, dressing like the rest is just no fun One style, one love. Oh, can't you see I got mad style, I dress for me I dress for me. I dress for me I got mad style and I dress for me. One style, one love Oh, can't you see I got mad style, I dress for me I dress for me. I dress for me I got mad style and I dress for me.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul collective delivering upbeat, family-positive grooves with real-musician feel and modern polish. Purple Fox & the Heebie Jeebies blend contagious hooks, rhythm-section punch, and audience-participation chants that translate effortlessly on screen.

Styles: Funk, R&B, Soul • Strengths: Call-and-response hooks, clean edits, kid-friendly swagger • Typical Uses: Family brands, fashion promos, individuality campaigns, animated montages

I Have Lived You Long

I Have Lived You Long cover art

I Have Lived You Long
by Paul Reddick

Atmospheric and raw — “I Have Lived You Long” by Paul Reddick channels lived-in blues with poetic intensity. Its textured delivery and lyrical weight suit sync scenes of emotional reckoning, haunted memory, or mythic devotion.

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OMR Cue Map

OMR Cue Map

Track: I Have Lived You Long
Clean Intro: Yes (0:00 – soft tonal entry with immediate emotional weight)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Reflective, blues-influenced emotional cue centered on memory, connection, and the passage of time. Carries a poetic and introspective tone consistent with :contentReference[oaicite:0]{index=0}’s songwriting style, which often blends themes of love, loss, and emotional depth. :contentReference[oaicite:1]{index=1} Strong for scenes involving long-term relationships, remembrance, and moments where characters reflect on shared history and emotional legacy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: I Have Lived You Long by Paul Reddick

Song Profile

  • Key Signature: F Minor
  • Beats Per Minute: 91
  • Energy: Mid-tempo
  • Genres: Blues, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Catchy, Fun, Moody, Quirky, Rhythmic, Upbeat, Warm
  • Lyric Themes: Destiny, Strength, Time, Adventure, Love
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Drama, Romance

Production Details

  • Production Credits: Available upon request

Artists

  • Artist Info: Available upon request

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Have Lived You Long” is a genre-blending track that fuses blues, punk, and rock with a quirky, rhythmic pulse. Its mid-tempo energy and warm male vocals make it a versatile choice for scenes that explore emotional depth, personal journeys, and unconventional love stories.

Ideal Sync Uses

  • Adventure: Road trip sequences, discovery montages
  • Drama: Emotional turning points, character growth
  • Romance: Offbeat love scenes, heartfelt flashbacks
  • Comedy: Quirky character intros, ironic juxtapositions

Scene Suggestions

  • Opening credits of a coming-of-age film
  • Slow-motion walk through a chaotic cityscape
  • Montage of a couple navigating ups and downs
  • Hero’s moment of realization in an indie drama

Why It Works

  • Male vocals convey warmth and grit
  • Mid-tempo rhythm balances drive and introspection
  • Genre fusion adds edge and emotional complexity
  • Lyric themes align with universal storytelling arcs
Track Narrative:
“I Have Lived You Long” evokes lyrical longevity and sonic shadowplay — Paul Reddick offers sync tension for scenes of emotional weight, slow-burning myth, or surreal romanticism.

🎤 Lyrics

I will tell your future and you will surely know
Across this windin world the places you will go
Come close and let me tell you it's made of iron and fire
It's rich and hung with jewels it's all the heart requires

Together we have wandered together we have roamed
A wanderland of strayin oh ever far from home
We make our own horizon we make our way along
The future lies in beauty the mystery of song

Standin in your shadow
I'll right the wrong
You will find the treasure
I have lived you long
I have lived you long

I will see you as you are in the wind and in the rain
You may walk among the stones and down the hidden lanes
Come close and let me tell you it's made of iron and fire
It's rich and hung with jewels it's all the heart requires

I send along the whisper a kiss upon the breeze
To the glory of the strangeness and the distant melodies

Together we have wandered together we have roamed
A wanderland of strayin' oh ever far from home

I've heard the secrets
I've heard the song
You will know them always
I have lived you long
I have lived you long
I have lived you long

I've heard the secrets
I've heard the song
You will know them always
I've lived you long

Standin in your shadow
I'll right the wrong
You'll find the treasure
I have lived you long
I have lived you long
I have lived you long

I Know Nothing at All

I Know Nothing at All cover art

I Know Nothing at All
by OMR Music Production

Vulnerable and unresolved — “I Know Nothing at All” by OMR Music Production explores lyrical uncertainty and emotional complexity through intimate phrasing and slow-burning delivery. Ideal for sync scenes of relational hesitation, late-night reckoning, or quiet fallibility steeped in tonal introspection.

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OMR Cue Map

OMR Cue Map

Track: I Know Nothing at All
Clean Intro: Yes (0:00 – soft tonal entry with immediate introspective mood)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Introspective, emotionally grounded cue centered on uncertainty, vulnerability, and self-reflection. Strong for scenes where characters question themselves, face doubt, or navigate unknown outcomes. Particularly effective in drama, coming-of-age storytelling, and moments of internal conflict where emotional clarity has not yet been reached.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: I Know Nothing at All by OMR Music Production

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 118
  • Energy: Medium Tempo
  • Genres: Ballad, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Romantic, Bright, Catchy, Warm, Hopeful, Light, Positive, Reflective, Sad
  • Lyric Themes: Strength, Struggle, Success, Hope
  • Type: One Stop
  • Cinematic Fit: Comedy, Coming-of-Age, Crime, Drama, Mystery, Romance

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer

Instrumentation

  • Acoustic Guitar
  • Keyboard

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Know Nothing at All” is a heartfelt uptempo ballad that blends folk and singer-songwriter sensibilities with emotional depth and melodic charm. Its themes of hope, strength, and personal struggle make it a compelling choice for scenes that explore growth, vulnerability, and triumph.

Ideal Sync Uses

  • Drama: Emotional breakthroughs, reflective moments
  • Romance: Tender confessions, bittersweet memories
  • Coming-of-Age: Self-discovery, youthful resilience
  • Comedy: Light-hearted introspection, quirky transitions

Scene Suggestions

  • Montage of a character overcoming adversity
  • Closing credits of a romantic indie film
  • Flashback to a pivotal life moment
  • Opening scene of a heartfelt drama

Why It Works

  • Male vocals deliver sincerity and emotional clarity
  • Uptempo rhythm adds momentum to reflective scenes
  • Acoustic instrumentation enhances intimacy and warmth
  • Lyric themes align with universal emotional arcs
Track Narrative:
“I Know Nothing at All” swims in quiet doubt — OMR Music Production crafts a syncable confession for scenes of late-night honesty, emotional confrontation, or lyrical introspection.

Lyrics

ROUND AND ROUND I GO AGAIN
JUST LIKE BEFORE
EXPECTING SOMETHING DIFFERENT
MAYBE SOMETHING MORE

WHAT COMES AROUND WILL GO AROUND
SEEMS IT NEVER ENDS
SOMETIMES LIFE KNOCKS YOU DOWN
BUT YOU WILL RISE AGAIN

CHORUS
I DON’T KNOW WHAT YOU DON’T KNOW
I DON’T KNOW WHAT I DON’T KNOW
WALK AWAY AND LET IT GO
I KNOW NOTHING AT ALL
I KNOW NOTHING AT ALL

VERSE 2
IN AND OUT AND UP AND DOWN
I GET NO REST
SOMETHING INSIDE PUSHING ME AROUND
THAT’S LIFE MORE OR LESS

POUND FOR POUND, PULLING ME DOWN
LOSING MY WILL
TRYING TO GET UP, STARTING TO DROWN
IT’S BEEN ALL UPHILL

CHORUS
I DON’T KNOW WHAT YOU DON’T KNOW
I DON’T KNOW WHAT I DON’T KNOW
WALK AWAY AND LET IT GO
I KNOW NOTHING AT ALL
I KNOW NOTHING AT ALL

SOLO/INTERLUDE

BRIDGE
LOST IN A PLACE BETWEEN WHO I AM,
AND WHO I WANT TO BE
I’D RATHER FEEL INVISIBLE,
THAN TRYING TO BE FREE

LOOKING AROUND I’VE LOST SOMETHING
CAN’T REMEMBER WHAT
HITTING MY HEAD AGAINST A WALL
EVERY DOOR IS SHUT

CHORUS (X2)
I DON’T KNOW WHAT YOU DON’T KNOW
I DON’T KNOW WHAT I DON’T KNOW
WALK AWAY AND LET IT GO
I KNOW NOTHING AT ALL
I KNOW NOTHING AT ALL

I DON’T KNOW WHAT YOU DON’T KNOW
I DON’T KNOW WHAT I DON’T KNOW
WALK AWAY AND LET IT GO
I KNOW NOTHING AT ALL
I KNOW NOTHING AT ALL

VERSE 1 (REPRISE)
ROUND AND ROUND, I GO AGAIN
JUST LIKE BEFORE
EXPECTING SOMETHING DIFFERENT
MAYBE SOMETHING MORE

I Like It All B — HYP

I Like It All B cover art

I Like It All B
by HYP

“I Like It All B” is a sultry, midtempo hip-hop/R&B track driven by confidence, attraction, and smooth swagger. A dark, rhythmic groove supports a playful female vocal that moves between flirtation and emotional honesty. Cool, sexy, and assured, the song is built for scenes centered on chemistry, desire, and connection.

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OMR Cue Map

OMR Cue Map

Track: I Like It All B
Clean Intro: Yes (0:00 – immediate rhythmic entry with confident, groove-driven energy)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Confident, upbeat cue driven by groove and attitude. Strong for lifestyle content, character confidence moments, and scenes that emphasize ease, enjoyment, and self-assured presence. Particularly effective in commercials, youth-oriented storytelling, and sequences that require immediate engagement and positivity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Like It All B

Song Profile

  • Key Signature: C# Minor
  • BPM: 102
  • Tempo: Midtempo
  • Genres: Hip Hop / Rap, R&B
  • Vocals: Female vocal
  • Mood/Feel: Confident, Cool, Dark, Moody, Rhythmic, Sexy, Swagger
  • Lyric Themes: Connection, Desire, Love, Relationship, Romance
  • Type: One stop

Instrumentation

  • Bass
  • Drums / Percussion
  • Synth

Track Summary

“I Like It All B” pairs a smooth, dark groove with flirtatious, confident vocals that move between desire and emotional sincerity. The rhythm-forward production and lyrical intimacy make it well-suited for romantic, late-night, or chemistry-driven scenes.

Sync Highlights

  • Sexy midtempo rhythm supports intimate pacing.
  • Female vocal delivers confidence without aggression.
  • Lyrics reinforce themes of attraction and connection.
  • Clean groove works well under dialogue and montages.

Sync Potential: I Like It All B

With its smooth swagger and romantic undercurrent, “I Like It All B” fits scenes centered on attraction, flirtation, and emotional honesty. It’s ideal for moments where chemistry is unmistakable but still unfolding.

Scene Types

  • Late-night conversations and intimate hangouts.
  • Romantic montages and relationship build-ups.
  • Stylish lounges, clubs, and nightlife environments.
  • Character-driven scenes exploring desire and connection.

Film / TV Fit

  • Romantic Drama & Dramedy
  • Urban & Contemporary Series
  • Reality Dating & Lifestyle Shows
  • Fashion, Beauty, and Relationship-Focused Branding

Why It Works

  • Lyrics articulate attraction with confidence and warmth.
  • Dark groove adds mood without overpowering emotion.
  • Female vocal enhances relatability and intimacy.
Track Narrative:
“I Like It All B” tells a story of open attraction and emotional readiness — moving past hesitation and into connection. It’s about recognizing chemistry, owning desire, and allowing intimacy to unfold naturally.

Lyrics: I Like It All B

Come with me Let’s take a ride I’m feelin the appealin’ Gettin me high And you seem to be Lookin kinda fly to my eyes Ain’t no lie Here’s a piece, give me a try I’m a sassy kind of girl So no need to ask why What you sayin to yourself? Am I getting to your mental? Slide into my DMs Now it ain’t coincidental I ain’t got nothin to hide And it’s true that you’ll find Not just a fantasy Realism* from the Westside Now I’ve cried And I’ve tried to mend a broken heart A new beginning time to change And a brand new start I’ll be yours And you’ll be mine A true love genuine I ain’t a psychic But it feels like a fine time For us to get to know each other In a closer way Together… We’ll share our dreams for a better day No need to ask me why But if you do This is what I’ll say [Chorus – 2x] I like the way you walk I like the way you talk I like the way you move Your whole vibe is smooth I like the way you laugh Come on and move that ahhhh… It’s the things you do It’s the things you do [Verse 2] Through my naked eyes I see A fly lookin’ man I’m spittin game He’s spittin’ at me Now I say Do you really wanna fuck with me? Just ya luck, you’ll see It’s Realism* More than just a fantasy I’m over here waiting With anticipation Come over here and Let's start a little conversation Of the mind And it’s true that we find A point of curiosity Temptations of all kinds You got me high Thinkin… You want a piece of me? I’m over here thinkin’… We were meant to be You feelin me? Correct me if I’m wrong You got me singing this song It ain’t a front What you think? (What you thinkin’) Nah Nah… I come to keep it on the real The feelin’s gettin strong Tell me what you feel You lookin kinda fly and I’m really feelin’ you Ain’t no need to ask why Coz it’s just the things you do [Chorus – 2x] I like the way you walk I like the way you talk I like the way you move Your whole vibe is smooth I like the way you laugh Come on and move that ahhhh… It’s the things you do It’s the things you do Damn [Singer] Boy I Like the way you move Like the way you move Boy I Like the way you move Like the way you move
HYP

HYP

HYP blends modern hip-hop and R&B with cinematic restraint and sync-first structure. Their songs balance groove, mood, and lyrical intimacy — designed to support storytelling across film, television, and digital media.

Styles: Hip Hop / Rap, R&B • Strengths: Swagger, emotional clarity, sync-ready pacing • Typical Uses: Romance, Drama, Lifestyle, Nightlife, Relationship Arcs

I LOVE YOU INFINITY — Purple Fox & the Heebie Jeebies

I Love You Infinity cover art

I Love You Infinity
by Purple Fox & the Heebie Jeebies

A warm, upbeat folk-pop anthem celebrating boundless love and connection. “I Love You Infinity” glows with bright acoustic tones, catchy rhythm, and heartfelt lyrics—ideal for family, friendship, and uplifting montage scenes.

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OMR Cue Map

OMR Cue Map

Track: I Love Y
Clean Intro: Yes (0:00 – soft emotional entry with immediate intimacy)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Intimate emotional cue centered on love, connection, and vulnerability. Strong for relationship moments, confessions, and scenes where emotional honesty is front and center. Particularly effective in romance, drama, and character-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Love You Infinity

Artist: Purple Fox & the Heebie Jeebies
Genre: Folk, Singer/Songwriter
Instruments: Acoustic Guitar, Bass, Drums, Electric Guitar
Lyric Themes: Family, Home, Love
Mood: Bright, Confident, Driving, Happy, Positive, Quirky, Reflective, Retro, Upbeat, Uplifting
Tempo: Uptempo • BPM: 120 • Key: A Major
Vocal: Male vocal • Type: One Stop

Track Summary

Heartfelt and catchy, “I Love You Infinity” captures the warmth of togetherness with breezy folk instrumentation and a timeless message of unconditional love—ideal for emotional storytelling or family-driven visuals.

Sync Highlights

  • Perfect for family, love, and home-centered campaigns
  • Strong emotional resonance for montages, celebrations, and end-credit moments
  • Uplifting tone works for commercials, family features, and social reels

Sync Potential: I Love You Infinity

Built for warmth and positivity. Perfect for films, family brands, lifestyle commercials, or series moments where love, connection, or nostalgia take center stage.

  • Family-focused TV and film montages
  • Home and lifestyle brand advertising
  • End-credit or reunion sequences with emotional lift
Track Narrative:
A heartfelt declaration of limitless love and joy. “I Love You Infinity” moves with acoustic warmth and gentle drive, making it perfect for scenes about family, friendship, and the boundless bonds we share.
Lyrics: I've got a heart bigger than a playground, taller than a mountain, higher than the sky And there's no limit to the love I'm giving To my family and friends, my dog Blue Eyes I love you infinity, love you infinity We go on forever and we never have to stop Love you infinity for the possibilities, we can be everything, anything we want anything we want Love you infinity anything we want Love you infinity anything we want Love you infinity anything we want Love you infinity anything we want Love you infinity anything we want Love you infinity.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul collective delivering upbeat, family-positive grooves with real-musician feel and modern polish. Purple Fox & the Heebie Jeebies blend contagious hooks, rhythm-section punch, and audience-participation chants that translate effortlessly on screen.

Styles: Funk, Folk, R&B • Strengths: Feel-good energy, organic sound, family-friendly lyrics • Typical Uses: Family storytelling, heartwarming ads, lifestyle content, and reunion scenes

I Loved You In Another Life Where We Never Grew Old

I Loved You In Another Life Where We Never Grew Old cover art

I Loved You In Another Life Where We Never Grew Old
by Radagast the Brown

A cinematic, emotionally charged instrumental in C# Major at 121 BPM, shaped around longing, memory, and the feeling of time folding in on itself. "I Loved You In Another Life Where We Never Grew Old" moves with steady momentum while carrying bittersweet weight — ideal for romantic drama, reflective montage, and scenes where love is felt through distance, loss, or alternate possibility.

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OMR Cue Map

OMR Cue Map

Track: I Loved You in Another Life Where We Never Grew Old
Clean Intro: Yes (0:00 – atmospheric entry with nostalgic, memory-driven tone)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, soft resolved ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Deeply nostalgic and reflective cue centered on timeless love and memory. Evokes the idea of connection beyond time, aligning with themes of soulmates and enduring relationships that transcend circumstance. :contentReference[oaicite:0]{index=0} Strong for flashbacks, memory sequences, and emotionally expansive storytelling moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Radagast the Brown

Radagast the Brown — Cinematic Composer • Modern Instrumentals

Radagast the Brown creates cinematic instrumentals designed for picture — balancing momentum, atmosphere, and emotional clarity. The writing leans into modern scoring sensibilities: forward-driving pulse when the story needs movement, restrained tension when the frame needs space, and clean harmonic choices that support dialogue and narrative detail.

With a focus on scene utility, these cues are built to cut well in edit — supporting reveals, transitions, internal conflict, and character-focused storytelling across film, television, and premium content.

Sync Pitch Sheet: I Loved You In Another Life Where We Never Grew Old

Song Profile

  • Key Signature: C# Major
  • BPM: 121
  • Energy: Steady, emotional, forward-moving
  • Genres: Cinematic, Modern Instrumental
  • Instruments: Hybrid textures (score-style palette)
  • Moods: Bittersweet, Reflective, Romantic, Lush, Longing
  • Type: One Stop
  • Vocals: Instrumental

Cinematic Themes

  • Drama
  • Romance (supporting use)
  • Art House (select scenes / editorial)
  • Fantasy (supporting / “alternate life” implication)

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

"I Loved You In Another Life Where We Never Grew Old" is ideal for emotionally rich storytelling where love, memory, and time carry narrative weight. The 121 BPM pace gives the cue forward motion, while the tonal character supports bittersweet reflection — perfect for montage, remembrance, and scenes of longing without sentimentality.

Scene Types

  • Romantic memory montage / “what could have been” sequences
  • Bittersweet reunions, goodbyes, or distance-over-time storytelling
  • Time-shift scenes: alternate paths, parallel lives, or reflective flashbacks
  • Character introspection under voiceover or intimate dialogue
  • End-of-act emotional lifts that remain restrained and cinematic

Film/TV Fit

  • Drama
  • Romance (supporting use)
  • Art House / Indie (supporting use)
  • Fantasy (supporting use)

Why It Works

  • 121 BPM provides montage-friendly pacing with emotional momentum.
  • C# Major offers luminous clarity that can read as memory, hope, or alternate possibility.
  • Hybrid cinematic palette supports modern TV/film edits and emotional arcs.
  • Controlled dynamics keep it usable under dialogue and VO while still carrying feeling.
Track Narrative:
"I Loved You In Another Life Where We Never Grew Old" feels like a memory you can’t quite let go of — love carried across time, held in the mind like an alternate world. It supports scenes of longing, reflection, and parallel possibility, where the emotional truth is present even if the moment is out of reach.
Instrumental Notes:
Steady cinematic motion with an emotional, luminous tone. Built for montage and character scenes, and paced to cut cleanly under dialogue, VO, and editorial transitions.

Stem Tracks

Contact OMR for available stems (rhythmic bed, percussion, harmonic bed, melodic elements, atmosphere layers, alternate edits).

I Need More Time to Chill

I Need More Time to Chill cover art

I Need More Time to Chill
by HYP

“I Need More Time to Chill” pulses at 130 BPM in A minor with a brisk drive and dynamic energy balanced against a spacious, laid-back tone. Its rhythm propels forward with urgency, while melodic textures breathe with openness—making it ideal for sequences where pacing, character momentum, or transitions demand both drive and style without dominating dialogue or visual nuance.

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OMR Cue Map

OMR Cue Map

Track: I Need More Time to Chill
Clean Intro: Yes (0:00 – immediate laid-back groove with relaxed rhythmic feel)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved relaxed ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Laid-back, groove-driven cue with a relaxed, easygoing tone. Strong for lifestyle content, downtime sequences, and scenes that emphasize ease, personality, and everyday rhythm. Particularly effective in social, commercial, and light narrative moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-driven instrumentals that pair kinetic rhythm with cinematic space. His productions emphasize clarity, movement, and editorial versatility to support picture while leaving room for dialogue and narrative texture.

“I Need More Time to Chill” captures energetic motion blended with open texture—providing both forward impetus and editorial breathing room.

Sync Pitch Sheet: I Need More Time to Chill

Song Profile

  • Key Signature: A Minor
  • BPM: 130
  • Energy: Up-tempo (energetic motion)
  • Genres: Cinematic underscore, electronic
  • Vocals: Instrumental
  • Moods: Energetic, Confident, Moving, Open, Forward-Driven
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Up-tempo rhythmic foundation
  • Driving bass and percussion
  • Atmospheric layers (open texture)

Audio Preview

Sync Potential

“I Need More Time to Chill” brings forward momentum with a brisk, confident pulse—ideal for scenes needing pacing, energy, and rhythmic drive without overwhelming dialogue or sound design.

Scene Types

  • Fast transitions and pacing sequences
  • Character on-the-move visuals
  • Upbeat montages and montage progressions
  • Action-adjacent movement without heavy intensity
  • Dialogue-friendly underscore with forward drive

Why It Works

  • 130 BPM provides energetic timing and clean edit points.
  • A minor tonality balances motion with open cinematic space.
  • Editorial flexibility helps integrate with dialogue and pacing shifts.
Track Narrative:
“I Need More Time to Chill” feels like forward motion with intention—energetic, open, and ready for pacing cues.
Instrumental Notes:
Fully instrumental and one-stop, “I Need More Time to Chill” provides energetic, forward-driven rhythmic motion with editorial flexibility—ideal for pacing, montage sequencing, and movement-related visuals.

Stem Tracks

Contact OMR for available stems (rhythmic foundation, driving bass, atmospheric layers, full mix) and custom requests for trailers, promos, and timing-specific versions.

I Need Time to Chill

I Need Time to Chill cover art

I Need Time to Chill
by HYP

Ambient, electronic, and emotive, “I Need Time to Chill” unfolds in C minor at 75 BPM with a modern cinematic pulse. Percussion, piano, and atmospheric synths create a cool, dark, yet hopeful texture that feels introspective and reflective. A perfect underscore for scenes of contemplation, emotional reset, and quiet transformation.

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OMR Cue Map

OMR Cue Map

Track: I Need Time to Chill (Sync Version)
Clean Intro: Yes (0:00 – immediate clean groove entry optimized for sync placement)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Streamlined, edit-friendly version of a laid-back groove cue designed for quick placement and flexibility. Strong for dialogue-safe scenes, lifestyle edits, and sequences requiring consistent rhythm without distraction. Particularly effective for editors working under tight deadlines.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP blends ambient, electronic, and cinematic elements into reflective, emotionally grounded instrumentals. Known for rich textures and subtle movement, HYP’s music provides modern, moody soundscapes for editors seeking depth without distraction.

“I Need Time to Chill” showcases HYP’s emotive ambient side—minimalist yet powerful, perfect for moments of reset, inner dialogue, and visual storytelling where atmosphere is everything.

Sync Pitch Sheet: I Need Time to Chill

Song Profile

  • Key Signature: C Minor
  • BPM: 75
  • Energy: Fast (movement-driven ambient)
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Emotive, Hopeful, Moody, Reflective
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Percussion (minimalist, driving)
  • Piano motifs
  • Synth pads and evolving textures

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Sync Potential

“I Need Time to Chill” is a reflective, atmospheric cue that blends cool darkness with hopeful emotional undercurrents. Its ambient electronic palette makes it a natural fit for introspective storytelling, emotional transitions, and visually poetic sequences.

Scene Types

  • Contemplation, therapy, emotional reset scenes
  • Nature visuals and slow-travel sequences
  • Character reflection, healing, and self-discovery
  • Documentary portraits or cinematic interviews
  • Late-night or early-morning quiet moments

Why It Works

  • Ambient + electronic blend creates emotion without overpowering the picture.
  • 75 BPM pacing supports steady forward movement, ideal for transitions.
  • Percussion + piano + synth gives it depth and cinematic weight.
  • Moody but hopeful tone suits character arcs and subtle emotional shifts.
Track Narrative:
“I Need Time to Chill” feels like the moment a character finally exhales—acknowledging their emotional weight while sensing the possibility of renewal. Ambient textures soften the scene, while subtle rhythmic movement hints at forward motion, making this a powerful cue for emotional clarity and quiet transformation.
Instrumental Notes:
This track is fully instrumental, allowing editors to weave it underneath dialogue, narration, or visual storytelling without lyric interference. The evolving textures and gentle momentum make it highly flexible for underscoring mood and emotional tone.

Stem Tracks

Contact OMR for available stems (percussion, piano, synths, ambient textures, and full mix) plus alternate edits crafted for trailers, teasers, and moment-to-moment emotional pacing.

I Once Dwelt In The Shelter Of The Most High

I Once Dwelt In The Shelter Of The Most High cover art

I Once Dwelt In The Shelter Of The Most High
by Radagast the Brown

A steady, contemplative cinematic instrumental in A Major at 82 BPM, built for emotional clarity and grounded forward movement. "I Once Dwelt In The Shelter Of The Most High" carries a calm resolve beneath its reflective tone — ideal for character-driven drama, quiet turning points, and scenes that need warmth without sentimentality.

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OMR Cue Map

OMR Cue Map

Track: I Once Dwelt in the Shelter of the Most High
Clean Intro: Yes (0:00 – atmospheric, reverent entry with immediate spiritual tone)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, resolved spiritual ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Reverent, spiritually grounded cue centered on protection, faith, and reflection. Strong for scenes involving belief, surrender, and moments of quiet spiritual realization. Particularly effective in faith-based storytelling, emotional climaxes, and contemplative sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Radagast the Brown

Radagast the Brown — Cinematic Composer • Modern Instrumentals

Radagast the Brown creates cinematic instrumentals designed for picture — balancing momentum, atmosphere, and emotional clarity. The writing leans into modern scoring sensibilities: forward-driving pulse when the story needs movement, restrained tension when the frame needs space, and clean harmonic choices that support dialogue and narrative detail.

With a focus on scene utility, these cues are built to cut well in edit — supporting reveals, transitions, internal conflict, and character-focused storytelling across film, television, and premium content.

Sync Pitch Sheet: I Once Dwelt In The Shelter Of The Most High

Song Profile

  • Key Signature: A Major
  • BPM: 82
  • Energy: Steady, contemplative, grounded
  • Genres: Cinematic, Modern Instrumental
  • Instruments: Hybrid textures (score-style palette)
  • Moods: Reflective, Warm, Resolute, Emotional, Calm
  • Type: One Stop
  • Vocals: Instrumental

Cinematic Themes

  • Drama
  • Art House (select scenes / editorial)
  • Mystery (supporting use)

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

"I Once Dwelt In The Shelter Of The Most High" is built for character-forward storytelling and emotionally grounded scenes. Its 82 BPM pace supports dialogue and pacing, while the overall tone offers calm resolve — useful for moments of reflection, resilience, and quiet turning points.

Scene Types

  • Reflective montage and memory-driven sequences
  • Quiet turning points and personal realizations
  • Aftermath scenes: processing, recovery, regrouping
  • Warm, grounded transitions under dialogue or VO
  • End-of-act emotional lifts without overt climax

Film/TV Fit

  • Drama
  • Art House / Indie (supporting use)
  • Mystery (supporting use)

Why It Works

  • 82 BPM provides steady pacing that edits cleanly under dialogue.
  • A Major adds warmth and clarity while keeping emotional seriousness.
  • Hybrid cinematic palette supports modern TV and film editorial choices.
  • Controlled dynamics allow the cue to sit behind story without overpowering it.
Track Narrative:
"I Once Dwelt In The Shelter Of The Most High" feels like a character returning to center — steady breath, quiet resolve, and emotional clarity after uncertainty. It supports scenes of resilience, reflection, and the decision to move forward without fanfare.
Instrumental Notes:
A calm, steady cue designed for scene utility — clean under dialogue and VO, strong for transitions, and paced for emotional storytelling. The cue’s clarity makes it especially edit-friendly across film and TV.

Stem Tracks

Contact OMR for available stems (rhythmic bed, harmonic bed, lead motif, atmospheric layers, alternate edits).

I Tried to Tell You

I Tried to Tell You cover art

I Tried to Tell You
by Paul Reddick

Hushed and haunted — “I Tried to Tell You” by Paul Reddick captures the quiet desperation of regret through minimalist blues and subdued vocal phrasing. A perfect match for sync scenes of confession, lingering sorrow, or unspoken truth.

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OMR Cue Map

Track: I Tried to Tell You
Clean Intro: Yes (0:00 – immediate blues-driven entry with emotional weight)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, resolved but emotionally restrained ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:12 / 1:12–1:32 / 1:55–2:18
Use Case: Blues-rooted cue centered on regret, miscommunication, and emotional distance. Strong for scenes where characters feel unheard or misunderstood. Particularly effective in relationship breakdowns, confrontations, and aftermath moments where truth arrives too late.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: I Tried to Tell You by Paul Reddick

Song Profile

  • Key Signature: Bb Minor
  • Beats Per Minute: 76
  • Energy: Mid-tempo
  • Genres: Blues, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat, Gritty, Retro
  • Lyric Themes: Connection, Struggle, Longing, Loss, Love
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Romance

Production Details

  • Engineer: Chris Stringer
  • Producer: Colin Cripps
  • Mixing: Nyles Spencer
  • Mastering: Peter Letros

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Cripps: Guitar, Background Vocals
  • Greg Cockerill: Guitar, Background Vocals
  • Derek Downham: Drums, Percussion, Piano, Talk Box
  • Anna Ruddick: Bass
  • Steve Marriner: Fender Rhodes, Guitar, Background Vocals

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Tried to Tell You” is a gritty, fast-paced blues-punk-rock hybrid that channels raw emotion through retro textures and driving rhythm. With themes of connection, longing, and struggle, it’s a powerful fit for scenes that demand emotional urgency and sonic edge.

Ideal Sync Uses

  • Crime: Tense confrontations, urban grit
  • Drama: Emotional breakdowns, pivotal revelations
  • Romance: Passionate arguments, bittersweet flashbacks
  • Action: Chase scenes, underground brawls
  • Art House: Stylized emotional vignettes

Scene Suggestions

  • Montage of a relationship unraveling
  • Flashback to a missed connection
  • Character walking alone through city streets at night
  • Stylized opening sequence with vintage visuals

Why It Works

  • Male vocals deliver emotional grit and urgency
  • Fast tempo energizes dramatic tension
  • Retro punk-blues fusion adds edge and authenticity
  • Lyric themes resonate with universal emotional arcs
Track Narrative:
“I Tried to Tell You” walks the fine line of fragility — Paul Reddick’s emotional restraint sets the tone for sync moments of confession, silence, or soul-deep recognition.
Lyrics:
I tried to tell you
To let you know
I’m bound now darlin
I gotta go

I told you
I told you
You didn’t hear a word
I told you
I told you
I’m gone out in the world

I tried to love you
And let you know
I’m bound now darlin
I gotta go

I told you
I told you
You wouldn’t hear a word
I told you
I told you
I’m all out in the world

I tried to warn you
I waved my hand
I’m gone now darlin
Across the land

I tried to love you
And let you know
I’m bound now darlin
I gotta go

I told you
I told you
You wouldn’t hear a word
I told you
I told you
I’m all out in the world

I Will Vanish

I Will Vanish cover art

I Will Vanish
by Paul Reddick

Poetic and brooding — “I Will Vanish” by Paul Reddick delivers lyrical disappearance with blues phrasing and cinematic mystique. Ideal for sync scenes of spiritual withdrawal, symbolic fadeout, or ghostlike presence conjured in folk-shadow rhythm and tonal decay.

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OMR Cue Map

OMR Cue Map

Track: I Will Vanish
Clean Intro: Yes (0:00 – soft tonal entry with immediate sense of withdrawal)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle fading resolution
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Reflective, emotionally distant cue centered on withdrawal, loss, and disappearance. Strong for scenes involving departure, emotional retreat, or characters fading from relationships or circumstances. Particularly effective in drama and contemplative storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: I Will Vanish by Paul Reddick

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 101
  • Energy: Mid-tempo
  • Genres: Indie, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Warm, Reflective, Positive
  • Lyric Themes: Freedom, Longing, Death, Escape, Time
  • Type: One Stop
  • Cinematic Fit: Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Romance, Western

Production Details

  • Produced by: Colin Linden
  • Recorded by: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed by: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered by: John Whynot

Artists

  • Vocals, Harmonica: Paul Reddick
  • Guitars, Harmonies: Colin Linden
  • Bass: John Dymond
  • Drums: Bryan Owings

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I Will Vanish” is a warm, midtempo indie-punk-rock track that explores themes of escape, time, and emotional release. With its reflective tone and acoustic grit, it’s ideal for scenes that evoke solitude, transformation, and quiet rebellion.

Ideal Sync Uses

  • Drama: Emotional transitions, character introspection
  • Adventure: Journey sequences, personal quests
  • Coming-of-Age: Self-discovery, quiet rebellion
  • Romance: Bittersweet moments, longing reflections
  • Western: Solitary rides, desert landscapes

Scene Suggestions

  • Character walking away from a past life
  • Montage of escape and reinvention
  • Flashback to a moment of emotional clarity
  • Closing credits of a reflective indie film

Why It Works

  • Male vocals deliver emotional authenticity
  • Midtempo rhythm supports cinematic pacing
  • Acoustic instrumentation adds warmth and realism
  • Lyric themes align with universal emotional arcs
Track Narrative:
“I Will Vanish” drifts with syncable disappearance — Paul Reddick channels lyrical ghosting for visuals of withdrawal, memory dissolution, and poetic undoing.
Lyrics:
I will vanish
From this world now from this world
Who has gone to gone to wander
Of the fields now where he roamed

I will vanish
From this world now from this world
Who has gone to gone to wander
Of the fields now where he roamed

Don’t care how long you’re gone
Don’t care how long you stay
Don’t care how long you’re gone
Don’t care how long you stay

I will vanish
From this world now from this world
Who has gone to gone to wander gone to wander
Of the fields now where he roamed

I will vanish
Don’t care how long you’re gone
Don’t care how long you stay
Don’t care how long you’re gone
Don’t care how long you stay

I will vanish
From this world from this world
Who has gone to gone to wander gone to wander
Of the fields he roamed

I will vanish
From this world now from this world
Who has gone to gone to wander gone to wander
Of the fields now where he roamed

I Wonder — Renée Astaria

I Wonder cover art

I Wonder
by Renée Astaria

“I Wonder” is a bright, driving indie-pop / soul-leaning track powered by punchy drums, buoyant bass, electric guitar accents, and modern synth color. The lyric centers on self-trust and forward motion — choosing confidence, staying open to possibility, and letting the heart lead through uncertainty. With an uplifting arc and an energized midtempo pulse, it’s an excellent fit for character reinvention, hopeful transitions, and momentum-building montages.

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OMR Cue Map

OMR Cue Map

Track: I Wonder
Clean Intro: Yes (0:00 – soft melodic entry with immediate introspection)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Introspective cue centered on questioning, uncertainty, and quiet contemplation. Strong for scenes where characters reflect on choices, possibilities, or unknown outcomes. Particularly effective in coming-of-age narratives and moments of internal dialogue.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Wonder

Song Profile

  • Key Signature: F# Major
  • BPM: 110
  • Tempo: Midtempo
  • Genres: Indie, Pop, Singer/Songwriter, Soul
  • Vocals: Female vocal
  • Mood/Feel: Bright, Catchy, Confident, Cool, Driving, Emotive, Energetic, Positive, Powerful, Reflective, Upbeat, Uplifting
  • Lyric Themes: Confidence, Hope
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Track Summary

“I Wonder” delivers upbeat momentum with emotional clarity — a modern indie-pop/soul track built around forward motion, self-trust, and possibility. The lyric balances vulnerability (“alone and at ease”) with courage (“brave any storm”), making it a strong option for scenes where a character chooses growth, confidence, and a new direction.

Sync Highlights

  • Great for reinvention arcs, fresh starts, and “I’m doing this” character beats.
  • Driving midtempo pulse supports movement montages, transitions, and uplifting scene lifts.
  • Hooky but not aggressive — strong for promos, recaps, and energetic drama moments.
  • One-stop, pre-cleared female vocal with a confident, hopeful message.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: I Wonder

“I Wonder” works best when you want optimism with backbone — a confident, uplifting track that still feels personal. It supports scenes where a character makes a decision, steps forward through uncertainty, or moves with purpose while staying emotionally grounded.

Scene Types

  • Reinvention moments: new job, new city, new routine, “starting again.”
  • Forward-motion montages: travel, training, building, creating, rebuilding.
  • Hopeful relationship beats where possibility opens up (not overly romantic-specific).
  • End-of-act lift or “light breaks through” turning points.
  • Branded storytelling spots centered on confidence and momentum.

Film/TV Fit

  • Drama
  • Coming-of-age
  • Rom-com / light romance
  • Docu-style lifestyle and human stories (where vocals are welcome)
  • Advertising / branded content (confidence, energy, positivity)

Why It Works

  • 110 BPM is editorial-friendly and easy to cut for :30/:60.
  • Lyric is universal: self-trust, resilience, and hope without heavy specifics.
  • Modern pop/soul palette feels current, bright, and emotionally clean.
  • One-stop clearance makes it fast to place.
Track Narrative:
“I Wonder” follows a narrator who keeps reaching, experimenting, and refusing to shrink back into old limits. Even when outcomes are uncertain, the song chooses courage over retreat — a story of self-belief, openness to connection, and the determination to keep moving forward until possibility becomes reality.

Lyrics: I Wonder

I always go for the extremes I've shot my shot partially Maybe it's not meant to be But I don't want to give in again I'm always looking for a way and know I won't stay in my place You inspire me you rewire me I wonder what the heart will say today I feel alone and at ease just me, just me, just me I wonder what the heart will say today I know I can brave any storm just me, just me, just me You'll see You'll see Nothing's ever what it seems And while I'm caught up in you and I only There's a possibility that we become a reality No matter what, you inspire me you rewire me I wonder what the heart will say today I feel alone and at ease just me, just me, just me I wonder what the heart will say today I know I can brave any storm just me, just me, just me I wonder what the heart will say I wonder today I feel alone and at ease just me, just me, just me I wonder what the heart will say I know I can brave any storm just me, just me, just me You know you've inspired me today you see, you see, you see, you see You've inspired me you see, you see, you see, you see I wonder what the heart will say I know I can brave any storm just me, just me, just me You'll see You'll see.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria creates emotionally charged, modern songs that blend pop-forward hooks with cinematic atmosphere. Her writing balances confidence and vulnerability, delivering relatable lyrics and energized momentum that translate cleanly to screen.

Her tracks tend to support character-driven arcs — reinvention, resilience, self-trust, and emotional turning points — with arrangements that feel current, uplifting, and editorial-friendly for film, television, and branded storytelling.

Styles: Indie Pop • Singer/Songwriter • Soul-leaning pop energy • Strengths: Confident female vocal, bright momentum, emotional lift • Typical Uses: Coming-of-age, drama lifts, hopeful transitions, modern lifestyle ads

I Won't Break — Piwai

I Won't Break cover art

I Won't Break
by Piwai

“I Won’t Break” is a retro-leaning, dreamy Pop/Singer-Songwriter track with an upbeat pulse and an emotionally resilient core. Built on bass, drums, percussion, and synth, the production keeps a clean forward motion while the lyric centers heartbreak, release, and self-possession — crying it out without collapsing. It’s a strong option for empowerment arcs, post-breakup momentum, reflective night drives, and scenes where a character absorbs the hit and keeps moving.

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OMR Cue Map

OMR Cue Map

Track: I Won’t Break
Clean Intro: Yes (0:00 – immediate tonal entry with steady emotional resolve)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved uplifting ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Resilient, emotionally grounded cue centered on perseverance and inner strength. Strong for overcoming adversity, personal breakthroughs, and scenes where characters refuse to give in. Particularly effective in drama, sports, and motivational storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I Won’t Break

Song Profile

  • Key Signature: A Minor
  • BPM: 123
  • Tempo: Uptempo
  • Genres: Pop, Singer/Songwriter
  • Vocals: Female vocal
  • Mood/Feel: Dreamy, Reflective, Retro
  • Lyric Themes: Love
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“I Won’t Break” balances vulnerability and resolve: a heartbreak lyric delivered with an upbeat, retro-tinged drive. The repeating hook (“I will cry but I won’t break”) makes the emotional message instantly legible on screen, while the production stays clean and momentum-forward for editorial cutting.

Sync Highlights

  • Strong for resilience arcs, post-breakup forward motion, and “I’m still standing” moments.
  • Upbeat tempo helps support montage, travel, and reset sequences while keeping emotional weight.
  • Dreamy/retro tone adds style without overpowering the cut.
  • Hook repetition is highly trailer/edit friendly for quick emotional readability.

Sync Potential: I Won’t Break

This track fits scenes where a character processes loss without losing forward momentum. It’s emotional, but not defeated — ideal for sequences that show grief turning into resolve.

Ideal Uses

  • Post-breakup “rebuild” montage
  • Walking-away scenes (self-possession, boundaries, closure)
  • Reflective night drive / city lights
  • Coming-of-age resilience moments
  • Stylized drama sequences with emotional lift

Why It Works

  • Emotion-forward lyric with a clear takeaway line (“I won’t break”).
  • Upbeat 123 BPM supports pacing and cut points.
  • Dreamy retro palette keeps the track modern but character-friendly.
Track Narrative:
A love story ends in the cold and rain — the narrator lets the tears come, but refuses to fall apart. The song lives in that in-between space: heartbreak still present, strength already returning. It’s less about revenge, more about survival and self-respect — the moment a character accepts what happened and keeps moving anyway.

Lyrics: I Won’t Break

How could you love me then leave me standing in the cold? How could you love me then leave me in the rain, yeah If it's your intention to hurt me, well then you have it How could you love me then leave me standing in the rain, yeah How could you love me then leave me in the cold? I will cry a thousand tears I will cry myself to sleep till I am fine, till I am fine I will cry but I won't break I will cry but I won't break Ah, ha, ha Ah, ha, ha Ah, ha, ha Ah, ha, ha How could you love me and leave me standing in the cold? How could you love me and leave me in the rain? Well I can assure you I'm not broken, not broken inside In fact I'm stronger, much stronger, much stronger than before But I'll still cry and I won't break I will cry but I won't break I will cry but I won't break I will cry but I won't break I will cry but I won't break I will cry but I won't break I will cry but I won't break I won't break.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Piwai

Piwai

Piwai delivers groove-forward, globally influenced songwriting that blends Funk, Soul, Pop, and World textures into cinematic-ready tracks with clear emotional intent. Her vocals sit confidently over rhythmic foundations, making her music especially effective for picture-driven storytelling where momentum and feeling need to coexist.

Whether the scene calls for celebration, movement, or resilience, Piwai’s writing favors strong hooks, clean structure, and editorial utility — one-stop tracks that cut easily and land emotionally.

Styles: Funk / Soul / Pop / World fusion • Strengths: Groove, hook clarity, emotional resilience, upbeat momentum • Typical Uses: Montage, travel, relationship arcs, empowerment beats, branded lifestyle storytelling

I’d Do Anything for You

I’d Do Anything for You cover art

I'd Do Anything For You
by OMR Music Production

Romantic and affirming — “I’d Do Anything for You” by OMR Music Production floats with balladic warmth and lyrical promise. Built for sync moments of love declaration, emotional clarity, or cinematic dedication rendered in melodic calm and soulful ease.

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OMR Cue Map

OMR Cue Map

Track: I’d Do Anything for You
Clean Intro: Yes (0:00 – soft emotional entry with immediate warmth and sincerity)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Warm, emotionally open cue centered on devotion, care, and relational commitment. Strong for scenes involving sacrifice, reassurance, and moments where love is expressed through action rather than distance. Particularly effective in romance, family storytelling, and emotionally grounded dramatic scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: I’d Do Anything for You by OMR Music Production

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 74
  • Energy: Low - Medium
  • Genres: Ballad, Cinematic, Folk, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Warm, Hopeful, Minimal, Reflective, Uplifting
  • Lyric Themes: Freedom, Pain, Hope, Strength, Time
  • Type: One Stop
  • Cinematic Fit: Adventure, War

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I’d Do Anything for You” is a heartfelt ballad with cinematic depth and folk-rock textures. Its warm and uplifting tone, paired with themes of hope and strength, makes it a powerful choice for emotionally resonant storytelling.

Ideal Sync Uses

  • Adventure: Emotional turning points, character growth
  • War: Farewell scenes, moments of resolve
  • Drama: Personal sacrifice, quiet strength
  • Romance: Devotion, enduring love

Scene Suggestions

  • Soldier writing a letter home
  • Character making a life-changing decision
  • Slow-motion montage of perseverance
  • Final scene of reconciliation or reunion

Why It Works

  • Male vocals convey sincerity and emotional depth
  • Low-mid energy suits reflective pacing
  • Minimal instrumentation allows space for dialogue and visuals
  • Lyric themes align with universal emotional arcs
Track Narrative:
“I’d Do Anything for You” warms into emotional commitment — OMR Music Production shapes romantic clarity and tonal sincerity for scenes of devotion, loyalty, and heartfelt bond.
Lyrics:
THE FUTURE IS NOT WHAT IT USED TO BE
TOMORROW CAN NEVER BE THE SAME FOR ME
EVERYONE HURTS IN A POINTLESS WAR
BUT FREEDOM YOU’RE WORTH SUFFERING FOR
WE HAD OUR DREAMS WE HAD TO LET GO
NOTHING CAN CHANGE THAT WE’RE GONNA GROW OLD
IT’LL TAKE TIME, TO REBUILD OUR WORLD
BUT WE’LL MARCH AHEAD WITH OUR COLOURS UNFURLED

CHORUS
I’D DO ANYTHING FOR YOU
I’D DO ANYTHING AT ALL

VERSE 2
THE SEASONS WILL CHANGE AND THE YEARS PASS BY
MEMORIES LIVE WHILE MISERIES DIE
I DON’T KNOW HOW, TO GIVE UP ON HOPE
WE’LL WEEP WHILE WE’RE SLEEPING AND LEARN HOW TO COPE
LET GO OF PAIN, THAT CAN’T HELP OUR CAUSE
LIFE STILL GOES ON, WHILE OUR WORLD’S ON PAUSE
HOW DID IT FEEL, TO SING ALL DAY LONG
BEFORE THE SAD WERE FORGOTTEN AND THE SILENT GOT STRONG

CHORUS
I’D DO ANYTHING FOR YOU
I’D DO ANYTHING AT ALL
KEEP THE SKY FROM FALLING DOWN
KNOW I’LL ALWAYS BE AROUND

BRIDGE
WE WILL SURVIVE
WE WILL THRIVE ONCE MORE
WHILE WE’RE ALIVE
IT’S YOU I’M LIVING FOR
WE WILL ENDURE
WE’LL RISE ABOVE THE PAIN
PEACE IS THE CURE
WHAT WAS WILL BE AGAIN

GUITAR SOLO

CHORUS (Over guitar solo)
I’D DO ANYTHING FOR YOU
I’D DO ANYTHING AT ALL
KEEP THE SKY FROM FALLING DOWN
KNOW I’LL ALWAYS BE AROUND

I'll Sing You to Me — Tiffany Joy

I'll Sing You to Me cover art

I'll Sing You to Me
by Tiffany Joy

“I’ll Sing You to Me” is a radiant Country‑Singer/Songwriter ballad filled with hope and devotion. Tiffany Joy delivers heartfelt vocals over organic instrumentation, expressing love as both distance and connection — a melody reaching through space and time. The song unfolds with a reflective tenderness that makes it ideal for emotional storytelling moments or cinematic nostalgia scenes.

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OMR Cue Map

OMR Cue Map

Track: A Fruitful Year
Track: I’ll Sing You to Me
Clean Intro: Yes (0:00 – intimate melodic entry with immediate tenderness)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, soft resolved ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Intimate, tender cue centered on closeness, longing, and emotional invitation. Strong for romantic scenes, quiet connection, and moments where vulnerability and affection sit close to the surface. Particularly effective in relationship storytelling, slow-burn emotional arcs, and reflective scene endings.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I’ll Sing You to Me

Song Profile

  • Key Signature: E Major
  • BPM: 95
  • Tempo: Midtempo
  • Genres: Country, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Powerful, Hopeful, Reflective
  • Lyric Themes: Love, Destiny
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

“I’ll Sing You to Me” carries a timeless message of connection beyond distance. Tiffany Joy’s vocal performance floats over layered guitars and gentle percussion, merging hope and devotion into one luminous soundscape. The track’s emotional purity makes it ideal for scenes of reunion, soul connection, or heartfelt remembrance.

Sync Highlights

  • Perfect for long‑distance love stories, letters‑in‑motion, or reunion scenes.
  • Fits sequences of reflection, fate, and emotional rebirth.
  • Organic acoustic textures blend easily with cinematic dialogue.
  • Captures hopeful longing suited to romantic or inspirational projects.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: I’ll Sing You to Me

“I’ll Sing You to Me” blends heartfelt storytelling and cinematic warmth, connecting perfectly with visual tales of hope and enduring love. Its message of destiny makes it ideal for film, TV, and advertising centered on emotional connection or distance overcome.

Scene Types

  • Letters, messages, or calls across distance.
  • Reunion or wedding moments.
  • Heartfelt closing montage sequences.
  • Dream or reflection scenes about love that endures.

Film/TV Fit

  • Romance
  • Drama
  • Coming‑of‑Age
  • Inspirational Stories

Why It Works

  • Hopeful and cinematic with universal emotional reach.
  • Simple yet powerful acoustic arrangement supports dialogue.
  • Relatable lyrics and emotive tone enhance emotional resonance.
Track Narrative:
“I’ll Sing You to Me” imagines love as sound — constant, unseen, always calling. Through distance and time, the narrator sends comfort on a melody, drawing hearts back together. It’s a promise carried through song:  no matter where you are, the music of love will find you.

Lyrics: I’ll Sing You to Me

I sing you to me through a thousand nights without you I will sing you to me Never knowing what's surrounds you A melody will float from me and lay right down beside you Some harmony will leave me and find its way into you Cause in my mind it's you and I Destined to live life like a love song I'll sing you to me through a thousand nights without you, I will sing you to me Never knowing what's surrounds you, cause in my mind it's you and I Floating through this life together, yeah la da da da da ooh ooh ooh yeah My heart will drum a rhythm that you'll find your fingers beating And in the air some poetry you'll find yourself repeating Cause in my mind it's you and I destined to live life like a love song I'll sing you to me through a thousand nights without you, I will sing you to me Never knowing what surrounds you, cause in my mind it's you and I floating through this life together I'll sing you to me, I'll bet you hear my song Some cool melody floating right along And wherever you are you'll stop and smile, cause you heard it all the while And wherever you are you'll stop and smile 'cause you heard it all the while oh I'll sing you to me through a thousand nights without you, I will sing you to me Never knowing what surrounds you cause in my mind it's you and I Oh in my mind it's you and I Oh in my mind it's you and I floating through this life together La da da da da da, ooh yeah La la la la la la la la la la la la la la la yeah yeah
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy brings heartfelt storytelling to life through a fusion of Country, Singer‑Songwriter, and Soulful Pop influences. Her songs embody connection, hope, and sincerity, carried by her expressive vocals and acoustic warmth.

With an ear for cinematic emotion and lyrical purity, Tiffany Joy’s music lends itself perfectly to heartfelt film and television moments — from love that endures to dreams rediscovered through melody.

Styles: Country, Singer/Songwriter •  Strengths: Emotional honesty, warm tone, expressive delivery •  Typical Uses: Romance, Drama, Hope & Inspiration Scenes

I’m A Criminal

I'm A Criminal cover art

I'm A Criminal
by Paul Reddick

Grooving and unapologetic — “I’m A Criminal” by Paul Reddick feat. The Sidemen hits with lyrical confidence and rhythmic grit. A perfect fit for sync scenes of outlaw swagger, sly defiance, or winking tension backed by blues attitude and sly instrumentation.

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OMR Cue Map

OMR Cue Map

Track: I’m a Criminal
Clean Intro: Yes (0:00 – immediate gritty entry with strong blues-driven attitude)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved natural band ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Gritty, character-heavy blues cue with attitude, menace, and lived-in edge. Strong for outlaw energy, anti-hero introductions, morally compromised characters, and scenes where danger and charisma coexist. Particularly effective in crime drama, Americana, and raw character-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: I’m A Criminal by Paul Reddick

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 81
  • Energy: Midtempo
  • Genres: Rock, Blues, Soul
  • Vocals: Male Vocal
  • Moods: Bright, Upbeat, Uplifting, Positive
  • Lyric Themes: Power, Rebellion, Regret, Desire, Money
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Thriller, Western

Production Details

  • Executive Producer: John Cook
  • Mastered by: John Whynot
  • Mixed by: King Williams
  • Recorded by: Ken Friesen
  • Written by: Paul Reddick & The Sidemen

Artists

  • Vocals, Harmonica: Paul Reddick
  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, Twelve-String Guitar: Kyle Ferguson
  • Organ, Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I’m A Criminal” is a gritty, soulful blues-rock track with a bright and upbeat feel. Its themes of rebellion, desire, and regret make it a compelling choice for narratives that explore moral ambiguity, personal conflict, and raw ambition.

Ideal Sync Uses

  • Crime: Heist scenes, character intros with edge
  • Drama: Moral dilemmas, personal downfall
  • Thriller: Tension-building sequences
  • Western: Rogue characters, dusty landscapes
  • Comedy: Offbeat anti-hero moments

Scene Suggestions

  • Opening credits with a swaggering walk
  • Montage of a character breaking the rules
  • Flashback to a pivotal moment of regret
  • Stylized chase or escape sequence

Why It Works

  • Male vocals deliver raw emotional grit
  • Midtempo groove supports dynamic pacing
  • Blues-rock instrumentation adds cinematic texture
  • Lyric themes resonate with complex character arcs
Track Narrative:
“I’m A Criminal” charms with blues defiance — Paul Reddick and The Sidemen deliver syncable swagger for scenes of mischief, streetwise humor, or tonal rebellion.
Lyrics:
I'm a criminal
Set to swipe and steal
I'm a master misappropriator
I dig the dirty deal

I'm a criminal
I feed on forbidden fruit
I'm a second story slider
I live to lift and loot

Missin’ tomorrow morning
Dodge on down the day
Evasive every evening
Soon I'll steal away

I'm a criminal
A chiseler and a cheat
A derelict on duty
Rip off, remove, retreat

I'm Gonna Win

I'm Gonna Win cover art

I'm Gonna Win
by Samuel Williams

Empowering and triumphant — “I'm Gonna Win” by Samuel Williams is a soulful anthem that rises from adversity into victory. With gospel-tinged power and resolute vocals, it’s crafted for sync scenes of personal breakthrough, comeback moments, or bold declarations.

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OMR Cue Map

OMR Cue Map

Track: I’m Gonna Win
Clean Intro: Yes (0:00 – immediate motivational entry with confident forward motion)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Uplifting, determined cue built around resilience, focus, and competitive drive. Strong for sports sequences, breakthroughs, preparation montages, and scenes where a character commits fully to winning or overcoming the odds. Particularly effective in motivational storytelling, branded content, and high-energy narrative builds.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: I’m Gonna Win by Samuel Williams

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 75
  • Energy: Moderate
  • Genres: R&B, Rock, Soul, Indie, Pop
  • Vocals: Female Vocal
  • Moods: Swagger, Upbeat, Rhythmic
  • Lyric Themes: Strength, Struggle, Success, Faith
  • Type: One Stop
  • Cinematic Fit: Action, Comedy, Crime, Drama, Thriller, War

Production Details

  • Executive Producer: Samuel Williams
  • Music Composition: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Lead & Background Vocals, Vocal Arrangement: Vaness Alegacy
  • Additional Background: Jessica Williams
  • Trumpet: Alexis Baro
  • Sax: Rob Christian
  • Trombone: Christian Overton
  • Bass, Guitars, Drum Programming, Keyboards: Samuel Williams
  • Lead Guitar Solo: Jozef Teeuwsen

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I’m Gonna Win” is a bold, rhythmic anthem that blends indie-pop swagger with soulful grit. With themes of strength, struggle, and triumph, it’s a powerful choice for scenes that celebrate perseverance and personal victory.

Ideal Sync Uses

  • Action: Training montages, fight prep, victory moments
  • Drama: Overcoming adversity, emotional breakthroughs
  • Crime: Hustle scenes, strategic planning
  • Thriller: Rising tension, character empowerment
  • War: Rallying moments, personal resolve

Scene Suggestions

  • Character preparing for a big challenge
  • Slow-motion walk with confidence
  • Final push toward a goal
  • Closing credits with a victorious tone

Why It Works

  • Female vocals deliver power and authenticity
  • Fast tempo energizes visual storytelling
  • Electric guitar solo adds cinematic flair
  • Lyric themes align with triumph and transformation
Track Narrative:
“I'm Gonna Win” builds from soulful ache into rhythmic conviction — Samuel Williams delivers a sync-ready anthem for scenes of resilience, victory, or emotional elevation.
Lyrics:
Yaaa e Ya, Ya e Yaaaa
Ya e Ya, Ya e Yaaaa
I'm Gonna Win (yaaaaaa)

Thought you got the best of me
Pulled the carpet from beneath my feet
Shame staring right at me
It knocked me down so frequently

Songs that my heart sings
Are filled with pain and suffering
The struggle is exhausting
But it will not be the end of me

I'm gonna win (oooooo ya)
I'm rejoicing now, (Ya I'm rejoicing from within)
Deep down within, (from deep down within ya)
I believe, I believe it now, (ya I believe I'm gonna win)
I'm gonna win, (oooooo ya e yaaa)

I feel Your love in me
Oh it whispers to me in my ... in my dreams
No matter how it seems
I know I'm gonna get this victory

Ya, ya yaa your
Your Angels surround me
Oh They fight so strong and migh-tily ... (might-ily ya)
No matter how it seems
I know I'm gonna get this victory

Uhh huh uhhh huh
I'm gonna win... (oh said I'm gonna win ya)
I'm rejoicing now, (I'm rejoicing from within ya)
Deep down within, (from deep down within ya)
I believe, I believe it now (I believe it now, said I believe it now)
(And now I'm gonna... and now I'm gonna win)

I'm gonna win, ya ya ee yaa
I'm rejoicing now, oohhhh ohh
Deep down within, deep down within yaaa e ya
I believe, I believe it now, ohhhh yaaaa

I'm gonna win
Said I'm gonna win ya
Said I'm gonna win ya
Said I'm gonna win ya
Said I'm gonna winnnn
Said I'm gonna win ya
Said I'm gonna winnnn ya
Yaa e yaaa
I'm gonna win

Ooooooo... oooooo
I'm gonna win (yaaaa yaaa)
Oh Said I'm gonna win yaaaa... ooooooo
I'm gonna win
Yaaa e yaaa
I'm gonna win

I'M HAPPY WITH MYSELF — Purple Fox and the Heebie Jeebies

I'm Happy with Myself cover art

I'm Happy with Myself
by Purple Fox and the Heebie Jeebies

Funk-pop sparkle with a confident, feel-good lift. “I’m Happy with Myself” pairs bright guitars and percussive bounce with an empowering, sing-along hook — tailor-made for kid/family moments, wins, and courage-on-the-rise sequences.

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OMR Cue Map

OMR Cue Map

Track: I’m Happy With Myself
Clean Intro: Yes (0:00 – immediate upbeat entry with confident, positive tone)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved uplifting ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Bright, feel-good cue centered on self-acceptance, confidence, and positivity. Strong for lifestyle storytelling, personal growth moments, and scenes where characters embrace who they are. Particularly effective in commercials, youth-oriented content, and upbeat narrative sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I'm Happy with Myself

Artist: Purple Fox and the Heebie Jeebies
Genre: Funk, Pop, Rock
Instruments: Bass, Drums, Electric Guitar, Percussion, Synth
Lyric Themes: Confidence, Happiness, Power, Strength, Success
Mood: Bright, Positive, Upbeat
Tempo: Uptempo • Vocal: Female • Type: One Stop

Track Summary

Sunny funk-pop momentum with an empowering refrain (“I’m happy with myself”). Tight drums, buoyant bass, and hand-percussion keep scenes moving while the vocal radiates confidence — perfect for wins, glow-ups, and joyful reveals.

Sync Highlights

  • Uplift chorus ideal for celebration, confidence, and reveal beats
  • Clean structure supports :15/:30/:60 cutdowns
  • VO-friendly mix; easy alt/instro potential
  • Kid/family safe; brand-friendly positivity

Sync Potential: I'm Happy with Myself

Broad, upbeat appeal for family, comedy, and coming-of-age stories. A natural bed for confidence-building spots, school/community montages, and sunny brand campaigns.

  • Empowerment arc (try-ons, skill masteries, team wins)
  • Joy-forward ad creative (smiles, sunshine, positive reveals)
  • Animation/Children sequences needing bounce and warmth
Track Narrative:
A bright, confidence-first jam about momentum and self-belief. Funky pulse + pop shine underscore moments of progress, practice, and little victories — the sonic smile for kid/family scenes.
Lyrics:
Even the smallest minnow
Can make the waves of a whale
It just takes a bit of confidence

Cuz when you’re small and little
and go the pace of a snail
it might take some time to work it out

Step it up, left to right, cuz everyday I’m counting
Moving on, feeling right, cuz I got the power

I’m Happy, I’m Happy with Myself
I’m Happy, I’m Happy with Myself

Just look at Yertle the Turtle
He’s got his head in the game
He don’t draw back, he don’t give up and quit

so when it comes to a hurdle
I go about it just the same
I jump up, and over it

Step it up, left to right, cuz everyday I’m counting
Moving on, feeling right, cuz I got the power

I’m Happy, I’m Happy with Myself
I’m Happy, I’m Happy with Myself

Check me out,
can’t wipe this smile off my face
Come on and check me out,
can’t wipe this smile off my face
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

Funk, pop, and rock blend into joyful, empowering songs designed for movement and smiles. Positive lyrics, edit-friendly structures, and one-stop simplicity make the catalog a reliable fit for family-forward storytelling.

Styles: Funk, Pop, Rock • Strengths: Upbeat hooks, clean structure, VO-friendly mixes • Typical Uses: Children/Family, Comedy, Coming-of-Age, Brand positivity

I'm Nice

I'm Nice cover art

I'm Nice
by HYP

“I'm Nice” pulses at 86 BPM in F major with a warm, feel-good groove and a smooth, laid-back energy. Its welcoming rhythmic foundation and open melodic textures make it ideal for visuals that emphasize connection, character joy, or lighthearted pacing—supporting narrative while maintaining a confident, uncomplicated warmth under picture.

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OMR Cue Map

OMR Cue Map

Track: I’m Nice (Sync Version)
Clean Intro: Yes (0:00 – immediate clean rhythmic entry optimized for sync placement)
Edit Points: 0:12 / 0:26 / 0:42 / 1:00 / 1:18 / 1:36 / 1:55 / 2:15
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:26–1:00 / 1:00–1:18 / 1:36–1:55
Use Case: Clean, confident groove-driven cue designed for fast, flexible sync placement. Strong for fashion edits, social content, and scenes that require attitude without distraction. Particularly effective for editors needing quick, reliable cuts under tight deadlines.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP specializes in groove-forward instrumentals with a clean sense of motion and warm harmonic texture. His productions emphasize editorial flexibility and tonal warmth—making them ideal for narrative pacing and supportive underscore.

“I'm Nice” showcases a relaxed, confident energy with welcoming warmth, designed to support character connection, day-to-day rhythm, and lighthearted moments under picture.

Sync Pitch Sheet: I'm Nice

Song Profile

  • Key Signature: F Major
  • BPM: 86
  • Energy: Midtempo (warm, confident)
  • Genres: Cinematic underscore, electronic
  • Vocals: Instrumental
  • Moods: Warm, Welcome, Confident, Light, Reflective
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Steady rhythmic foundation
  • Open harmonic bed (major warmth)
  • Atmospheric layers (space and breath)

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Sync Potential

“I'm Nice” brings warm, confident motion—well suited for scenes emphasizing connection, lighthearted pacing, and narrative ease without overwhelming the soundscape.

Scene Types

  • Character connection moments
  • Daytime urban or lifestyle visuals
  • Montages with warm energy
  • Transitions and connective pacing
  • Dialogue-forward scenes needing supportive underscore

Why It Works

  • 86 BPM supports smooth editorial pacing and clean cut points.
  • F major tonality adds warmth and openness.
  • Open arrangement leaves room for dialogue and sound design.
Track Narrative:
“I'm Nice” feels like a warm, confident stroll—welcoming, open, and cinematically gentle.
Instrumental Notes:
Fully instrumental and **one-stop**, “I’m Nice” offers a warm and confident underscore with editorial flexibility—ideal for connection scenes, lifestyle pacing, and supportive underscore under picture.

Stem Tracks

Contact OMR for available stems (steady groove, open textures, harmonic layers, full mix) and custom requests for trailers, promos, and project-specific versions.

I'm Shocked G — HYP

I'm Shocked G cover art

I'm Shocked G
by HYP

“I’m Shocked G” is a slow, ambient instrumental built around space, restraint, and emotional weight. Atmospheric layers unfold gradually, allowing subtle piano tones, distant guitar, and soft rhythmic elements to drift in and out of focus. Moody and reflective, the track feels suspended in time — ideal for scenes that linger on realization, aftermath, or quiet internal processing.

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OMR Cue Map

OMR Cue Map

Track: I’m Shocked G
Clean Intro: Yes (0:00 – immediate rhythmic entry with playful, reactive energy)
Edit Points: 0:12 / 0:26 / 0:42 / 1:00 / 1:18 / 1:36 / 1:55 / 2:15
Button Ending: Yes, resolved energetic ending
Loopable: High
Best Loop Candidates: 0:26–1:00 / 1:00–1:18 / 1:36–1:55
Use Case: Playful, reaction-driven cue with a sense of surprise, personality, and movement. Strong for comedic beats, quick-cut edits, and scenes where a character reacts, discovers, or is caught off guard. Particularly effective in digital content, youth storytelling, and stylized sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I'm Shocked G

Song Profile

  • Key Signature: G# Minor
  • BPM: 84
  • Tempo: Slow
  • Genres: Ambient
  • Vocals: Instrumental
  • Mood/Feel: Atmospheric, Moody, Reflective
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Piano
  • Synth

Track Summary

“I’m Shocked G” creates a spacious, introspective environment where emotion is carried through texture rather than melody. Subtle piano lines and ambient synths hover over restrained rhythm, allowing scenes to breathe and unfold naturally.

Sync Highlights

  • Slow pacing supports emotional weight and reflection.
  • Ambient textures enhance atmosphere without distraction.
  • Instrumental format allows seamless dialogue placement.
  • Ideal for understated, emotionally grounded storytelling.

Sync Potential: I'm Shocked G

“I’m Shocked G” excels in scenes that demand stillness and emotional depth. Its ambient, reflective tone supports moments of realization, aftermath, and internal reckoning without forcing narrative direction.

Scene Types

  • Aftermath scenes following major events or revelations.
  • Quiet reflection and emotional processing.
  • Late-night interiors and solitary moments.
  • Slow-moving visual montages and memory sequences.

Film / TV Fit

  • Drama & Psychological Series
  • Independent Film
  • Documentary-Style Narratives
  • Artful, mood-driven brand content

Why It Works

  • Ambient design prioritizes emotion over action.
  • Subtle instrumentation keeps focus on story.
  • Slow tempo allows scenes to breathe naturally.

Instrumental: I'm Shocked G

“I’m Shocked G” unfolds like a moment of stunned clarity — suspended between thought and feeling. Piano notes echo gently through ambient haze while distant textures pulse beneath the surface. Cinematically, the track supports scenes where words fall away and emotion takes over: processing loss, absorbing truth, or sitting quietly with the weight of realization.
Track Narrative:
“I’m Shocked G” captures the stillness that follows impact — when the world slows, senses sharpen, and reality settles in. It’s a soundtrack for introspection, aftermath, and emotional pause.
HYP

HYP

HYP explores atmospheric and cinematic soundscapes alongside rhythm-driven production, crafting music that supports emotion-first storytelling. Their ambient work emphasizes restraint, space, and mood — ideal for reflective sync placements.

Styles: Ambient, Cinematic • Strengths: Emotional subtlety, spacious design, sync adaptability • Typical Uses: Drama, Reflection, Aftermath, Mood-Driven Visuals

I'm Worried

I'm Worried cover art

I'm Worried
by OMR Music Production

Tender and troubled — “I'm Worried” by OMR Music Production drifts through intimate self-reflection with moody phrasing and soft-spoken blues tension. Perfect for sync scenes of doubt, emotional fatigue, or introspective longing set in candlelit atmosphere.

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OMR Cue Map

OMR Cue Map

Track: I’m Worried
Clean Intro: Yes (0:00 – soft tonal entry with immediate unease and introspective tension)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle but unresolved-feeling ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Introspective, tension-leaning cue centered on anxiety, doubt, and emotional uncertainty. Strong for scenes involving internal conflict, anticipation, and moments where characters fear what may happen next. Particularly effective in drama, slow-burn narrative tension, and psychologically grounded storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: I’m Worried by OMR Music Production

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 74
  • Energy: Low - Medium
  • Genres: Funk, Indie, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Angry, Catchy, Cool, Dark, Moody, Reflective, Tension
  • Lyric Themes: Change, Identity, Relationship, Struggle, Fear
  • Type: One Stop
  • Cinematic Fit: Mystery

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“I’m Worried” is a moody, introspective funk-rock track that explores identity, fear, and emotional tension. With its dark tone and reflective lyrics, it’s ideal for scenes that delve into psychological depth and personal struggle.

Ideal Sync Uses

  • Mystery: Suspenseful reveals, internal conflict
  • Drama: Relationship breakdowns, emotional introspection
  • Thriller: Quiet tension, character unraveling
  • Indie: Art house moments, stylized melancholy

Scene Suggestions

  • Character pacing alone in a dimly lit room
  • Montage of emotional breakdown or identity crisis
  • Slow pan through a tense domestic setting
  • Flashback to a moment of regret or fear

Why It Works

  • Male vocals deliver raw vulnerability
  • Midtempo rhythm supports dramatic pacing
  • Funk-rock instrumentation adds edge and atmosphere
  • Lyric themes resonate with emotional complexity
Track Narrative:
“I'm Worried” rests in low-lit uncertainty — OMR Music Production scores sync tension for scenes of quiet struggle, emotional retreat, or lyrical insomnia.
Lyrics:
I HEAR THERE’S SOMETHING COMING BACK TO TOWN
BEEN HERE BEFORE BUT LIKES TO MOVE AROUND
I’M WORRIED, SO WORRIED

DIDN’T MISS IT MUCH WHILE MY GUARD WAS DOWN
BUT HAS A NEED TO MAKE ITS WAY AROUND
I’M WORRIED, SO WORRIED

VERSE 2
THE WORLD IS CRUMBLING, WHILE YOU WALK ABOUT
PASS JUDGEMENT DAILY AS YOU LEAVE NO DOUBT
I’M WORRIED, SO WORRIED

FALLEN IN A HOLE AND YOU CAN’T GET OUT
DRIVING ROUND IN CIRCLES IN A ROUNDABOUT
I’M WORRIED, SO WORRIED

CHORUS
I KNOW YOU
I SEE YOU
YOU’RE NOT GOING TO CHANGE

I FEEL YOU
NEARBY ME
BURNING WHAT REMAINS

VERSE 3
SINKING IN A CROWD WITH MY ARMS STRETCHED OUT
TELLING EVERYBODY “WHAT’S IT ALL ABOUT”
I’M WORRIED, SO WORRIED

MAYBE WE ARE NOT WHO WE SAY WE ARE
I DIDN’T COME THIS FAR JUST TO COME THIS FAR
I’M WORRIED, SO WORRIED

CHORUS
I KNOW YOU
I SEE YOU
YOU’RE NOT GOING TO CHANGE

I FEEL YOU
NEARBY ME
BURNING WHAT REMAINS

If By This

If By This cover art

If By This
by Paul Reddick

Mystical and poetic — “If By This” by Paul Reddick threads lyrical ambiguity with blues-rooted cadence. Set for sync moments of spiritual pause, symbolic transition, or emotional surrender wrapped in folk surrealism and sonic haze.

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OMR Cue Map

OMR Cue Map

Track: If By This
Clean Intro: Yes (0:00 – immediate blues-rooted entry with reflective weight and grounded character)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, resolved natural ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:12 / 1:12–1:32 / 1:55–2:18
Use Case: Reflective, blues-informed cue with a sense of consequence, gravity, and lived-in emotional truth. Strong for scenes involving reckoning, moral tension, and moments where characters weigh the cost of what has happened or what must come next. Particularly effective in Americana, crime drama, and character-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: If By This by Paul Reddick

Song Profile

  • Key Signature: F Minor
  • Beats Per Minute: 116
  • Energy: Mid-tempo
  • Genres: Blues, Folk, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Positive, Reflective
  • Lyric Themes: Nature, Home, Time, Identity, Love
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Thriller, Western

Production Details

  • Produced by: Colin Linden
  • Recorded by: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed by: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered by: John Whynot

Artists

  • Vocals, Harmonica: Paul Reddick
  • Guitars, Harmonies: Colin Linden
  • Drums: Gary Craig
  • Strings: Chris Carmichael

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“If By This” is a midtempo folk-blues track with a reflective and heartfelt tone. Its themes of home, nature, and identity make it a strong candidate for emotionally resonant storytelling across genres.

Ideal Sync Uses

  • Drama: Personal reflection, emotional turning points
  • Coming-of-Age: Self-discovery, quiet transformation
  • Adventure: Journey sequences, moments of awe
  • Western: Landscapes, solitude, connection to place
  • Art House: Stylized introspection, poetic visuals

Scene Suggestions

  • Character returning to their childhood home
  • Montage of nature and solitude
  • Flashback to a formative memory
  • Closing credits with a sense of resolution

Why It Works

  • Male vocals convey warmth and sincerity
  • Midtempo rhythm supports reflective pacing
  • Organic instrumentation adds emotional depth
  • Lyric themes align with universal human experiences
Track Narrative:
“If By This” circles tonal abstraction — Paul Reddick conjures syncable shadow and lyrical prophecy for visuals of quiet revelation and spiritual passage.
Lyrics:
Ruby’s red my love skies are blue
Ruby’s rubies skies are blue
Sweetly sweetly to be loving you

All the seasons round and round
All the seasons roll round and round
Oh the leaves are tremblin driftin to the ground

If by this your mind may move
Come live with me
And be my love

All the silver all the gold
All the silver all the gold
All the love your body holds

If by this your mind may move
Come live with me
And be my love

I have a bird to whistle and a bird to sing
Oh a bird to whistle and a bird to sing
It’s a tedious journey that lonesomeness brings

We can sit and rest upon the hill
Oh darling rest now upon the hill
And watch this world go as you will

If by this your mind may move
Come live with me
And be my love

Be my love

If I Ever Lost You

If I Ever Lost You cover art

If I Ever Lost You
by Mattie Leon

Introspective and acoustic — “If I Ever Lost You” by Mattie Leon unfolds with lyrical vulnerability and restrained emotional weight. Perfect for sync scenes of relational doubt, gentle revelation, or late-night melancholy wrapped in organic phrasing and vocal stillness.

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OMR Cue Map

Track: If I Ever Lost You
Clean Intro: Yes (0:00 – soft acoustic entry with immediate emotional intimacy)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Intimate, acoustic-driven emotional cue centered on love, vulnerability, and the fear of loss. Strong for relationship-driven scenes, moments of emotional exposure, and sequences where characters confront what they stand to lose. Particularly effective in romance, drama, and memory-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: If I Ever Lost You by Mattie Leon

Song Profile

  • Key Signature: Bb Major
  • Beats Per Minute: 110
  • Energy: Midtempo
  • Genres: Indie, Singer/Songwriter, Folk
  • Vocals: Male Vocal
  • Moods: Positive, Reflective
  • Lyric Themes: Pain, Connection, Loneliness, Love, Fear
  • Type: One Stop
  • Cinematic Fit: Drama, Indie, Romance, Thriller

Production Details

  • Words by: Mattie Leon
  • Music by: Mattie Leon
  • Produced & Recorded by: Mattie Leon
  • Mixed by: Mattie Leon
  • Mastered by: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“If I Ever Lost You” is a tender, midtempo indie-folk ballad that explores themes of love, fear, and emotional vulnerability. With its reflective tone and heartfelt delivery, it’s ideal for scenes that require intimacy, longing, and quiet emotional resonance.

Ideal Sync Uses

  • Drama: Emotional turning points, relationship tension
  • Romance: Moments of connection, vulnerability, or loss
  • Indie: Poetic visuals, introspective pacing
  • Thriller: Quiet tension, emotional stakes

Scene Suggestions

  • Character reflecting on a relationship
  • Montage of emotional distance or longing
  • Flashback to a moment of intimacy
  • Closing credits of a romantic drama

Why It Works

  • Male vocals deliver sincerity and emotional nuance
  • Midtempo rhythm supports reflective pacing
  • Acoustic instrumentation enhances intimacy and warmth
  • Lyric themes align with universal emotional arcs
Track Narrative:
“If I Ever Lost You” dwells in emotional honesty — Mattie Leon offers syncable grace and lyrical vulnerability for visuals of soft heartbreak and reflective silence.
Lyrics:
Come on pick up pick up
Pick up once for anyone that’s calling
Come on pick up pick up
The silence is just scaring us that’s all and
I just want to know you’re alright
I just want to know you’re alright

Cause what would I do?
What if I ever lost you?
I don’t want to be there waiting for that call to come through
What if I ever lost you?
I can already feel my hands they’re trembling like it’s true
And I just want to know you’re alright

So come on pick up pick up
Pick up before my mind can start to worry
Cause that’s all it ever does
Tortures me with thoughts of what the worst could be
And I just want to know you’re alright
I just want to know you’re alright

Cause what would I do?
What if I ever lost you?
I don’t want to be there waiting for that call to come through
What if I ever lost you?
I can already feel my hands they’re trembling like it’s true
And I just want to know you’re alright

All these shadows playing games
They’re spelling out your name on the ground
Every minute feels like days
Cause I don’t want to stay
In a world that doesn’t have your face around

So come on pick up pick up
Come on pick up pick up

IF THIS IS A DREAM, TAKE CARE NOT TO WAKE UP

If This Is a Dream, Take Care Not to Wake Up cover art

If This Is a Dream, Take Care Not to Wake Up
by Radagast the Brown

“If This Is a Dream, Take Care Not to Wake Up” is a reflective ambient-electronic instrumental shaped by uplift, fragility, and dream-state stillness. With electric guitar, percussion, strings, and synth layered into a soft cinematic bloom, the track feels ideal for wonder, emotional suspension, and scenes that need to feel delicately held in time.

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OMR Cue Map

Track: If This Is a Dream, Take Care Not to Wake Up
Clean Intro: Yes (0:00 – atmospheric entry with ethereal, dreamlike tone)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, soft floating resolution
Loopable: High
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Ethereal, cinematic cue centered on dream states, altered reality, and emotional suspension. Strong for surreal sequences, memory fragments, and moments where reality feels uncertain or heightened. Particularly effective in fantasy, psychological storytelling, and visually driven sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: If This Is a Dream, Take Care Not to Wake Up

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 134
  • Energy: Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Hopeful, Minimal, Reflective, Sad, Uplifting
  • Cinematic Fit: Drama, Romance, Sci-Fi, Art House
  • Type: One Stop, Soundtrack

Instrumentation

  • Electric Guitar
  • Percussion
  • Strings
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“If This Is a Dream, Take Care Not to Wake Up” is built for scenes of suspended wonder, fragile beauty, and emotional stillness that the scene does not want to lose. Its reflective uplift and dreamlike softness make it especially effective for romance, revelation, and moments that feel almost too delicate to hold.

Ideal Sync Uses

  • Drama: fragile peace, soft realization, suspended feeling
  • Romance: dream-state intimacy, tenderness, emotional hush
  • Sci-Fi: awe, altered state, serene wonder
  • Art House: dream logic, suspended time, luminous reflection

Scene Suggestions

  • Moment of delicate emotional beauty that feels temporary
  • Romantic or reflective scene held in a dreamlike emotional state
  • Visual sequence where wonder and sadness coexist
  • Montage built around not wanting a fleeting state to end

Why It Works

  • Electric guitar with ambient texture adds warmth and intimacy
  • Reflective uplift supports beauty without losing emotional depth
  • Minimal structure keeps the cue open and cinematic
  • Dream-state quality makes it ideal for suspended, delicate scenes
Stem Tracks:
Available upon request.
Track Narrative:
“If This Is a Dream, Take Care Not to Wake Up” feels like holding still inside a fleeting state of beauty, aware that it could vanish the moment it is disturbed. It carries wonder, ache, and the quiet desire to remain inside something fragile and luminous.

IF THY GRACE SHOULD TARRY

If Thy Grace Should Tarry cover art

If Thy Grace Should Tarry
by Radagast the Brown

“If Thy Grace Should Tarry” is a reflective ambient instrumental shaped by stillness, emotional restraint, and quiet sadness. With bass, percussion, strings, and synth working in sparse interplay, the track feels ideal for scenes of waiting, loss, contemplation, and emotional distance that unfolds without dramatic excess.

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OMR Cue Map

Track: If Thy Grace Should Tarry
Clean Intro: Yes (0:00 – reverent tonal entry with immediate spiritual weight)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, resolved spiritual ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Reverent, spiritually grounded cue centered on patience, faith, and surrender. Strong for scenes involving waiting, belief, and moments where characters rely on something beyond themselves. Particularly effective in faith-based storytelling, emotional climaxes, and contemplative sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: If Thy Grace Should Tarry

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 122
  • Energy: Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Minimal, Reflective, Sad
  • Cinematic Fit: Drama, Art House, Indie, Historical
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Strings
  • Synth

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“If Thy Grace Should Tarry” is built for scenes of absence, waiting, and emotional quiet. Its restrained, reflective character makes it especially useful when grief, resignation, or emotional suspension need to be felt without overt musical instruction.

Ideal Sync Uses

  • Drama: Loss, waiting, emotional aftermath, quiet sorrow
  • Art House: Sparse emotional framing, reflective imagery
  • Indie: Character stillness, contemplative transition
  • Historical: Memory, longing, restrained emotional gravity

Scene Suggestions

  • Character alone in the wake of absence or disappointment
  • Reflective montage built around stillness and emotional distance
  • Quiet interior sequence where hope feels delayed
  • Closing moment that lands in sadness without melodrama

Why It Works

  • Minimal arrangement creates emotional room and restraint
  • Bass and strings add weight without overstatement
  • Instrumental format keeps the cue flexible and dialogue-safe
  • Reflective tone supports scenes of waiting and emotional suspension
Stem Tracks:
Available upon request.
Track Narrative:
“If Thy Grace Should Tarry” feels like time stretching around a hope that has not yet arrived. It carries emotional stillness, quiet ache, and the sense of waiting inside a silence that does not fully answer back.

IF YOU'RE NOT YOU, THEN HOW CAN I BE ME

If You're Not You, Then How Can I Be Me cover art

If You're Not You, Then How Can I Be Me
by Radagast the Brown

“If You're Not You, Then How Can I Be Me” is a rhythmic ambient soundtrack instrumental with piano, percussion, and synth. Its minimal but moody structure makes it ideal for identity tension, reflective movement, and scenes where self-definition depends on another unstable presence.

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OMR Cue Map

OMR Cue Map

Track: If You’re Not You Then How Can I Be Me
Clean Intro: Yes (0:00 – soft entry with reflective, identity-driven tone)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Reflective, emotionally thoughtful cue centered on identity, interdependence, and relational meaning. Strong for scenes involving self-discovery, relational dynamics, and moments where characters define themselves through connection to others. Particularly effective in drama, coming-of-age storytelling, and introspective narratives.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: If You're Not You, Then How Can I Be Me

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 150
  • Energy: Moderate
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Light, Minimal, Moody, Reflective, Rhythmic
  • Cinematic Fit: Drama, Indie, Art House, Sci-Fi
  • Type: One Stop, Soundtrack

Instrumentation

  • Percussion
  • Piano
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“If You're Not You, Then How Can I Be Me” is built for scenes of unstable identity, relational mirroring, and internal dependence. Its minimal soundtrack structure makes it especially effective when the scene needs to explore selfhood through disorientation, emotional reliance, or fractured emotional logic.

Ideal Sync Uses

  • Drama: identity tension, emotional dependence, inner instability
  • Indie: self-questioning, introspection, relational ambiguity
  • Art House: fractured selfhood, conceptual emotional space
  • Sci-Fi: mirrored identity, destabilized self-perception

Scene Suggestions

  • Reflective scene where identity feels tied to another person’s instability
  • Montage built around self-loss, mirroring, or dependence
  • Sequence exploring emotional confusion through rhythm and repetition
  • Minimal transition where the idea of self becomes uncertain

Why It Works

  • Minimal rhythmic structure supports conceptual and internal scenes
  • Piano and synth add emotional clarity without crowding the frame
  • Soundtrack framing makes it especially useful for scene architecture
  • Reflective mood supports identity-based storytelling with nuance
Stem Tracks:
Available upon request.
Track Narrative:
“If You're Not You, Then How Can I Be Me” feels like selfhood becoming unstable in the presence of another person’s fracture. It carries repetition, dependency, and emotional uncertainty in a way that makes the scene feel unsettled and intimate at once.

If You Want — Male Vocal

If You Want cover art

If You Want
by Ran de Casa

Dark-dance hip hop with swagger — “If You Want” rides a slow, minimal pocket where bass and drums hit clean while synths glow around confident, call-and-response hooks. Built for hype edits, kinetic promos, and late-night city motion.

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OMR Cue Map

OMR Cue Map

Track: If U Want
Clean Intro: Yes (0:00 – immediate rhythmic entry with inviting, groove-forward tone)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved confident ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Groove-driven, inviting cue centered on connection, openness, and forward momentum. Strong for social scenes, lifestyle storytelling, and moments where characters engage, connect, or make a move. Particularly effective in commercial, youth-oriented content, and sequences with personality and ease.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Male Vocal • One-Stop
  • Track Narrative

Sync Pitch Sheet: If You Want

Song Details

  • Tempo: Slow
  • Genre: Dance, Hip hop/rap, R&B
  • Vocals: Male Vocal
  • Mood/Feel: Confident, Dark, Minimal, Moody, Rhythmic, Swagger, Upbeat
  • Type: One-Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Lyric Themes

  • Happiness, Hope, Love, Strength, Success

Sync Notes

  • Minimal, hard-hitting groove with chanty “if you want it, we can run it” hooks — perfect for hype edits.
  • Slow BPM + crisp drums = punchy cuts and strong transitions.
  • Confident, inclusive language (“let’s go”) plays well for brand and sports spots.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

If You Want drives a slow, swaggering dance/hip-hop pulse with motivational hooks — ideal for hype reels, kinetic promos, and confident lifestyle cuts.

Ideal Sync Uses

  • Sports / Fitness: Hype teasers, training bumps, tunnel walks
  • Advertising: Energy drinks, streetwear, performance gear, auto
  • Video Games: Menus, victory screens, mission intros
  • Lifestyle / Travel: Nightlife reels, city montage, fashion cuts

Why It Works

  • Space for VO and SFX; hooky repeats = natural edit points
  • Slow tempo + tight drums make cuts feel big and deliberate
  • Theme of choice/drive fits brand and competition narratives

Lyrics

Prezi, Prezi. And every time we go, Prezi. Randy Cass What else you doing? Every time we go Prezi. This, that, and the third. And every time we go... Talking that... And every time we go... Get you what you need, what you going to need. And every time we go... Name one mama that'll tell you that I ain't raw. If he's alive, he's a bum sleeping by a stall. Curry out five, mumble sauce on his jaw. I drop him a dollar, gotta make a phone call. What you want? What you want? If you want it we can run it let's go. Let's go. Let's go. If you want it we can run it right. Automatic, I'm aiming for your happiness. Love gun but I ain't spraying for no mattress. Baby seduction on a different kind of happiness. I'ma focus on the places with the black hands. Black goals, black love. If you want it we can run it let's go. Black hope, black love. If you want it we can run it right. Bar 15, fuck with me, on. Ride pretty, buck with me, on. Sound pretty, fall with me, on. Whole city, jump with me, let's go. Let's go. Let's go. Let's go. If you want it we can run it let's go. Let's go. Let's go. If you want it we can run it right. Been about it, you have some assets. Enter the dragon, water with my tactics. Still float, and you can still flow, and I know. Every time we go... Been a savage, eat the cabbage out the patch yeah. Been about it, found my balance in the past year. Enter the dragon, water with my tactics. Still float, and you can still grow, let 'em know. Let 'em know. Let 'em know. Let 'em know. If you want it we can run it let's go. Let's go. Let's go. Let's go. If you want it we can run it right. And every time we go... And every time we go... Been a savage, eat the cabbage out the patch yeah. Been about it, found my balance in the past year. Enter the dragon, water with my tactics. Still float and you can still grow, let 'em know. Let 'em know. Let 'em know. Let 'em know. If you want it we can run it let's go. Let's go. Let's go. If you want it we can run it right. Let's go. Let's go. If you want it we can run it let's go. Let's go. We chillin', y'all. If you want it we can run it right. Oh. I see. You are truly masterful. Black gold, only know black. I call water.
Track Narrative:
“If You Want” hits with a slow, minimal stomp — bass and drums punch through shadowy synths while vocal chants spark momentum. It’s confident and moody with a swaggering lift, perfect for scenes about choice, drive, and stepping up.

Is There Butter in Heaven?

Is There Butter in Heaven? cover art

Is There Butter in Heaven?
by HYP

“Is There Butter in Heaven?” moves at 95 BPM in E Major, offering a warm, reflective instrumental cue with a steady pulse and gentle forward motion. The tone leans contemplative but subtly uplifting—ideal for character moments, emotional transitions, and narrative beats that need mood and momentum without crowding dialogue.

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OMR Cue Map

OMR Cue Map

Track: Is There Butter in Heaven (Sync Version)
Clean Intro: Yes (0:00 – immediate tonal entry with quirky, stylized character)
Edit Points: 0:12 / 0:26 / 0:42 / 1:00 / 1:18 / 1:36 / 1:55 / 2:15
Button Ending: Yes, resolved stylized ending
Loopable: High
Best Loop Candidates: 0:26–1:00 / 1:00–1:18 / 1:36–1:55
Use Case: Quirky, stylized cue with a surreal edge and playful tonal identity. Strong for offbeat storytelling, comedic moments, and scenes that lean into abstraction or heightened reality. Particularly effective in indie film, animation, and sequences requiring a distinctive, unconventional musical voice.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP specializes in groove-forward instrumentals that balance rhythmic motion with atmospheric texture. His productions emphasize clarity, emotional depth, and editorial flexibility—supporting visuals while leaving room for narrative and sound design.

“Is There Butter in Heaven?” highlights that balance through warm major-key color and steady pacing, making it an editorial-friendly cue for dialogue-forward scenes and emotional transitions.

Sync Pitch Sheet: Is There Butter in Heaven?

Song Profile

  • Key Signature: E Major
  • BPM: 95
  • Energy: Midtempo (steady, warm)
  • Genres: Cinematic underscore, electronic
  • Vocals: Instrumental
  • Moods: Reflective, Warm, Subtly Uplifting, Thoughtful, Gentle Momentum
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Steady rhythmic pulse (editor-friendly pacing)
  • Warm harmonic bed (major-key emotional clarity)
  • Textural accents and layered atmosphere

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Sync Potential

“Is There Butter in Heaven?” offers a warm, reflective pulse that supports emotional continuity and character-forward storytelling—ideal for scenes that need subtle movement without overt drama.

Scene Types

  • Character reflection and inner-thought sequences
  • Emotional transitions and soft turning points
  • Dialogue-forward scenes needing gentle musical support
  • Montages with warmth, memory, or acceptance
  • Quiet travel, city/night, or scenic connective visuals

Why It Works

  • 95 BPM gives steady pacing with natural edit points.
  • E Major tonality brings hope and emotional clarity without becoming “cheesy.”
  • Open arrangement leaves space for dialogue and sound design.
Track Narrative:
“Is There Butter in Heaven?” feels like a quiet question with forward motion—warm, reflective, and gently optimistic, designed for moments of realization, connection, and emotional progression.
Instrumental Notes:
Fully instrumental and one-stop, “Is There Butter in Heaven?” delivers a warm midtempo underscore with editorial flexibility—ideal under dialogue, introspective beats, and scenic transitions where emotion needs support without distraction.

Stem Tracks

Contact OMR for available stems and custom edit requests (rhythm foundation, harmonic bed, atmospheric layers, full mix, and alt versions for promos/trailers).

IMEKOMBOLEWA

IMEKOMBOLEWA cover art

IMEKOMBOLEWA
by HYP

“IMEKOMBOLEWA” runs in B minor at 90 BPM with a steady, midtempo drive and a modern, rhythmic edge. Tight pocket, clean low-end movement, and atmospheric space make it a strong underscore for story-first visuals—supporting dialogue, editorial cuts, and forward motion without crowding the frame.

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OMR Cue Map

OMR Cue Map

Track: Imekombolewa
Clean Intro: Yes (0:00 – immediate rhythmic entry with driving, world-influenced pulse)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved rhythmic ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Rhythm-driven cue with a sense of movement, release, and forward progression. Strong for scenes involving transition, breakthrough, or escape from prior tension. Particularly effective in travel, transformation sequences, and moments of regained momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-forward instrumentals that balance rhythm and atmosphere for modern cinematic use. His productions emphasize clean pockets, tasteful texture, and controlled momentum—supporting story and pacing while leaving space for dialogue and editorial flexibility.

“IMEKOMBOLEWA” showcases that approach: steady forward motion, modern tone, and a tight midtempo pocket built for stylish sequences and character-driven storytelling.

Sync Pitch Sheet: IMEKOMBOLEWA

Song Profile

  • Key Signature: B Minor
  • BPM: 90
  • Energy: Midtempo (steady, forward momentum)
  • Genres: Groove / hip hop-influenced, Cinematic underscore
  • Vocals: Instrumental
  • Moods: Cool, Rhythmic, Atmospheric, Confident, Focused, Moody, Understated
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Drums / percussion (tight pocket)
  • Bass (driving low-end movement)
  • Textural layers (space, tone, atmosphere)

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Sync Potential

“IMEKOMBOLEWA” delivers steady midtempo propulsion with a modern, controlled vibe. It’s dialogue-friendly, edit-friendly, and reliable for sequences that need motion and tone without a dramatic lift—making it a strong bed for contemporary storytelling and premium visuals.

Scene Types

  • City movement, travel, and momentum shots
  • Planning, preparation, and “getting ready” sequences
  • Character focus with calm determination
  • Brand/lifestyle visuals with modern restraint
  • Transitions and scene bridges with rhythmic continuity

Why It Works

  • 90 BPM provides consistent editorial pacing and cut-friendly flow.
  • Clean instrumental space supports dialogue and sound design.
  • Rhythmic pocket keeps scenes moving without demanding attention.
  • Modern tone fits contemporary drama, lifestyle, and stylish content.
Track Narrative:
“IMEKOMBOLEWA” feels like a steady stride—focused, composed, and quietly energized. It suggests forward motion and intent, supporting scenes where confidence is expressed through control rather than volume.
Instrumental Notes:
Fully instrumental and dialogue-friendly, “IMEKOMBOLEWA” provides a clean midtempo underscore with a tight pocket and atmospheric space. Its restrained arrangement supports editorial flexibility for cuts, ramps, and transitions without overpowering the narrative.

Stem Tracks

Contact OMR for available stems (drums/percussion, bass elements, texture layers, full mix) and custom edit requests for trailers, promos, and timing-specific versions.

In Your Wake

In Your Wake cover art

In Your Wake
by Mattie Leon

Evocative and melodic — “In Your Wake” by Mattie Leon traces the quiet aftermath of connection through acoustic texture and vulnerable lyrical phrasing. Ideal for sync scenes of heartbreak, emotional reckoning, or personal reflection steeped in raw honesty and tonal poise.

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OMR Cue Map

OMR Cue Map

Track: In Your Wake
Clean Intro: Yes (0:00 – soft, reflective entry with immediate emotional weight)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Reflective, emotionally grounded cue centered on aftermath, loss, and the lingering presence of someone or something gone. Strong for scenes dealing with consequence, memory, and emotional residue. Particularly effective in drama and introspective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: In Your Wake by Mattie Leon

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 123
  • Energy: Up-tempo
  • Genres: Folk, Indie, Pop, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Bright, Hopeful, Positive, Reflective, Romantic, Uplifting, Warm
  • Lyric Themes: Regret, Identity, Loss, Love, Fear
  • Type: One Stop
  • Cinematic Fit: Drama, Fantasy, Indie, Romance

Production Details

  • Words by: Mattie Leon
  • Music by: Mattie Leon, Mike Leon, Nelson Sobral
  • Produced & Recorded by: Mattie Leon
  • Mixed by: Josh Bowman
  • Mastered by: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Piano
  • Bass
  • Drums

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“In Your Wake” is an uplifting indie-folk-pop track that blends emotional depth with melodic brightness. Its themes of identity, love, and loss are delivered with warmth and sincerity, making it a versatile choice for cinematic storytelling.

Ideal Sync Uses

  • Drama: Personal growth, emotional breakthroughs
  • Romance: New beginnings, heartfelt confessions
  • Fantasy: Hopeful transitions, magical realism
  • Indie: Character-driven moments, introspective arcs

Scene Suggestions

  • Opening montage of a journey or transformation
  • Reunion or reconciliation between characters
  • Flashback to a pivotal emotional moment
  • Closing credits of a romantic or coming-of-age film

Why It Works

  • Male vocals convey emotional authenticity
  • Uptempo rhythm adds momentum and optimism
  • Layered instrumentation supports dynamic storytelling
  • Lyric themes resonate with universal emotional experiences
Track Narrative:
“In Your Wake” traces emotional reverberation and acoustic sorrow — Mattie Leon scores syncable tension for visuals of romantic unraveling and lyrical introspection.
Lyrics:
Falling asleep in your arms
Watching the night unfold
Obsidian sky and your pheromones

I used to dream of your eyes
Blue as the silted stone
Tricking the light under Lake Peyto

I've been
Drowned in
Doubt so
Long and
All that I was is lost or been thrown away

I have burned my fear and sorrow
At the foot of your embrace
What I lost then
I have found it in your wake

I have been burned to the ground
Left for an open grave
And I've taken bets on how long you'd stay

But if this is real somehow
And you've found fertile land in the drought
Let me be yours to come cultivate

I have burned my fear and sorrow
At the foot of your embrace
What I lost then
I have found it in your wake
All the doubts I care to harbour
And regrets I elevate
What I lost then
I have found it in your wake

It's all around you now
The beautiful light that compels me somehow
I'm a beacon in your wake
You're maybe the only one
Who pulls me apart from the things that I've done
I'm a beacon in your wake

INOPORTUNO — Elmer Ferrer

Inoportuno cover art

Inoportuno
by Elmer Ferrer

Inoportuno arrives with a playful bounce and a confident rhythmic groove. Bright electronic textures and quirky percussion create a lighthearted sense of momentum that feels mischievous rather than dramatic. The cue carries a fun, upbeat energy perfect for scenes where characters stumble into unexpected situations, comedic complications unfold, or a story moment takes on a slightly ironic or offbeat tone.

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OMR Cue Map

OMR Cue Map

Track: Inoportuno
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: No, unresolved atmospheric tail
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:48–1:20 / 1:04–1:36
Use Case: Tension cue for awkward timing, interruption, disruption, unexpected arrival, uneasy transitions, and scenes where something enters at exactly the wrong moment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Inoportuno

Song Details

  • Energy: Medium / Playful
  • Genres: Electronic, Indie
  • Vocals: Instrumental
  • Key: D Major
  • BPM: 91
  • Moods: Bright, Cool, Fun, Happy, Light, Playful, Positive, Quirky, Rhythmic, Upbeat
  • Cinematic Fit: Comedy, Indie, Coming of Age, Light Drama
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Inoportuno brings quirky charm and rhythmic bounce to the screen. Its playful electronic groove and upbeat energy make it ideal for comedic timing, ironic moments, or scenes where things unfold slightly off-script.

Ideal Sync Uses

  • Comedy: awkward situations and comedic complications
  • Indie Film: quirky character moments
  • Coming of Age: playful or mischievous sequences
  • Light Drama: ironic or offbeat transitions

Scene Suggestions

  • Character stumbling into an unexpected situation
  • Playful montage of small mishaps
  • Lighthearted planning scene with humorous undertones
  • Quirky transitional scene between story beats
Track Narrative:
Inoportuno carries the spirit of something arriving at exactly the wrong—or perfectly right—moment. Its playful rhythm and bright textures create a tone of mischievous momentum, ideal for scenes where the story takes a humorous or unexpected turn.

Inside Out — Piwai

Inside Out cover art

Inside Out
by Piwai

“Inside Out” is a bright, midtempo Jazz/Latin/Soul blend with a confident groove and sunny lift. Bass, drums, electric guitar, percussion, and synth create a playful, romantic momentum that feels modern yet timeless. Lyrically, it’s about love expanding outward—curious, hopeful, and energized— making it a strong choice for feel-good relationship beats, stylish montage, warm social scenes, and upbeat transitions that still stay dialogue-friendly.

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OMR Cue Map

Track: Inside Out
Clean Intro: Yes (0:00 – immediate tonal entry with building internal tension)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved but tension-leaning ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Emotionally charged cue centered on internal conflict, inversion, and psychological pressure. Strong for scenes where characters are unraveling, confronting themselves, or experiencing a shift in perspective. Particularly effective in thriller, drama, and character-driven tension.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Inside Out

Song Profile

  • Key Signature: C# Major
  • BPM: 94
  • Tempo: Midtempo
  • Genres: Jazz, Latin, Soul
  • Vocals: Female vocal
  • Mood/Feel: Bright, Confident, Cool, Fun, Happy, Positive, Romantic, Upbeat
  • Lyric Themes: Love
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Track Summary

“Inside Out” carries a warm, playful confidence — a groove-forward romantic track built for movement and light. The lyric is simple, hooky, and non-specific, making it highly usable for picture where vibe matters more than story detail. It’s easy to cut, easy to live with under dialogue, and ideal for scenes that need lift without feeling sugary.

Sync Highlights

  • Perfect for upbeat relationship beats, flirtation, first-date energy, and “good day” sequences.
  • Great under lifestyle montage: city motion, travel, friends, markets, café scenes, sunny walk-and-talks.
  • Latin/Jazz influence adds sophistication and style without getting busy.
  • One-stop, clear vocal hook for quick recognition and easy editorial placement.

Sync Potential: Inside Out

This track is a “vibe carrier” — it supports scenes that need warmth, optimism, and stylish momentum. It plays especially well when the edit wants groove and charm without lyrical specificity.

Ideal Uses

  • Light romance beats (flirtation, reconnecting, playful chemistry)
  • Sunlit montage (weekend, travel, city movement, “life is good” sequences)
  • Social scenes (friends, markets, cafés, studio/workplace energy)
  • Credits rolls that need a bright, confident send-off
  • Branded spots (lifestyle, positivity, connection)

Why It Works

  • Midtempo 94 BPM is flexible for a wide range of edits.
  • Simple lyric hook keeps meaning broad and sync-friendly.
  • Jazz/Latin/Soul palette signals “cool” and “quality” instantly.
Track Narrative:
A love story in motion — the narrator feels something real growing from the inside out and wants to follow it to the truth. The track lives in curiosity and warmth: the joyful momentum of connection, the confidence of leaning in, and the sense that love is expanding into something bigger.

Lyrics: Inside Out

La la la la la la la la la la la la la la la la la I'm building from the inside, going to the outside I wanna know, I wanna know where this love is going I'm building from the inside, going to the outside I wanna know, I wanna know where this love is going I'm building from the inside, going to the outside I wanna know, I wanna know where this love is going now Lead me to the truth of this love Lead me to the truth of this love Lead me to the truth of this love Lead me to the truth of this love I'm building from the inside, going to the outside I wanna know, I wanna know where this love is going Building from the inside, going to the outside I wanna know, I wanna know where this love is going I'm building from the inside, going to the outside I wanna know, I wanna know where this love is going now Lead me to the truth of this love Lead me to the truth of this love Lead me to the truth of this love Lead me to the truth of this love Lead me to the truth of this love.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Piwai

Piwai

Piwai delivers groove-driven, globally influenced songs built for sync — blending Funk, Soul, Jazz, Latin, and World textures with confident vocals and clean, editorial-friendly structure. Her music consistently carries momentum and mood without becoming lyrically over-specific, making it highly adaptable for film/TV, trailers, and branded storytelling.

With a strong rhythmic identity and bright tonal palette, Piwai is especially effective for scenes that need warmth, forward motion, and “cool confidence” — music that supports picture while still feeling alive.

Styles: Jazz / Latin / Soul fusion • Strengths: Groove, lift, vibe clarity, sync-safe lyric simplicity • Typical Uses: Romance beats, lifestyle montage, social scenes, travel, upbeat transitions

In Times of Fear

In Times of Fear cover art

In Times of Fear
by Pheelion

Atmospheric, uptempo electronic with world textures and a steady, cinematic pulse. A reflective yet driving cue for tension-to-triumph arcs, inner resolve, and scenes of courage under pressure. One-Stop at OMR.

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OMR Cue Map

OMR Cue Map

Track: In Times of Fear
Clean Intro: Yes (0:00 – atmospheric entry with immediate tension and unease)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, unresolved or tension-sustained ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Atmospheric tension cue centered on fear, uncertainty, and looming threat. Strong for suspense sequences, anticipation, and scenes where danger is implied rather than shown. Particularly effective in thriller, horror, and slow-burn narrative builds.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion weaves gospel-rooted harmony with cinematic electronics, creating reflective yet propulsive cues that underscore courage, perseverance, and faith in motion. Built for picture — from intimate drama to suspenseful transformation.

Sync Pitch Sheet: In Times of Fear

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 118
  • Energy: Uptempo
  • Genres: Ambient, Electronic, World
  • Vocals: Female vocal
  • Moods: MoodyPositive, Reflective, Sad
  • Lyric Themes: Faith, Fear, Hope, Strength
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Piano
  • Synth

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Uptempo, moody-positive momentum that travels from unease to assurance. Ideal for suspenseful transitions, inner-strength breakthroughs, and reflective action sequences where faith meets resolve.

Scene Types

  • Tension montage resolving into hope
  • Training or preparation sequences
  • Night-drive or investigative passages
  • Emotional aftermath with forward motion

Film/TV Fit

  • Drama
  • Thriller
  • Mystery
  • Indie

Why It Works

  • 118 BPM uptempo sustains drive and editorial pace
  • AMinor palette balances tension with emotional clarity
  • Female vocal lends warmth and sincerity
  • Bass, piano, synth, percussion create dynamic build-and-release
Track Narrative:
A determined heartbeat for moments of trial. “In Times of Fear” channels anxiety into motion — a journey from shadow to strength, built on pulse, texture, and quietly defiant melody.
The Lord is my light and my salvation. Whom shall I fear? The Lord is the stronghold of my life. Of whom shall I be afraid? When you lie down, you will not be afraid. When you lie down, your sleep will be sweet. Have I not commanded you? Be strong and courageous. Do not tremble or be dismayed. For the Lord your God is with you wherever you go.

Stem Tracks

Contact OMR for available stems and alternate mixes.

INTENSE — Elmer Ferrer

Intense cover art

Intense
by Elmer Ferrer

Intense moves with bold rhythmic confidence and a sleek electronic drive. Built around bass, percussion, and synth, the cue feels stylish, powerful, and full of forward energy without becoming overly aggressive. Its dance-electronic pulse makes it ideal for high-energy montage, nightlife visuals, fashion-forward sequences, sports highlights, or any scene that needs motion, attitude, and modern cinematic swagger.

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OMR Cue Map

Track: Intense
Clean Intro: Yes (0:00)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: No, high-energy tail
Loopable: High
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:10–1:38
Use Case: High-pressure cue for action builds, confrontation, urgency, chase pacing, escalating stakes, and scenes where tension needs to feel immediate and relentless.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Intense

Song Details

  • Energy: High / Driving
  • Genres: Dance, Electronic
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 73
  • Moods: Confident, Cool, Energetic, Fun, Party, Powerful, Upbeat
  • Cinematic Fit: Sports, Action, Lifestyle, Comedy, Video Game
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Intense brings modern drive, rhythmic attitude, and cinematic momentum. Its polished energy makes it particularly effective for visually dynamic scenes that need confidence, pace, and edge without tipping into chaos.

Ideal Sync Uses

  • Sports: workout, training, and highlight sequences
  • Action: fast movement and stylish buildup
  • Lifestyle: fashion, nightlife, and urban motion
  • Comedy / Video Game: playful high-energy scenes with strong momentum

Scene Suggestions

  • Fast-cut montage with confident visual pacing
  • Character entering a scene with modern swagger
  • Nightlife or party sequence with strong movement
  • Sports or training visuals needing stylish energy
Track Narrative:
Intense feels like controlled power in motion. Its groove is confident and energetic, pushing scenes forward with a sense of style and intent. The cue works best when the picture needs lift, swagger, and momentum all at once.

Interludia

Interludia cover art

Interludia
by Elmer Ferrer

Poignant and brief — “Interludia” by Elmer Ferrer floats through acoustic delicacy and emotional restraint. In under a minute, it creates cinematic stillness perfect for sync scenes of gentle transition, thoughtful pause, or soft wonder grounded in melodic simplicity.

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OMR Cue Map

Track: Interludia
Clean Intro: Yes (0:00 – minimal, atmospheric entry with immediate space and restraint)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:38 / 1:55
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:44 / 0:44–1:02 / 1:20–1:38
Use Case: Minimal, atmospheric underscore designed for subtle emotional support and scene transitions. Strong for dialogue-heavy scenes, quiet introspection, and bridging moments between larger cues. Particularly effective in drama, documentary-style storytelling, and sequences requiring tonal continuity without distraction.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Interludia by Elmer Ferrer

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 168
  • Energy: Dark
  • Genres: Classical, Ambient, Folk
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Uplifting, Dreamy, Happy, Positive, Quirky, Reflective, Tension, Somber, Sad
  • Lyric Themes: Instrumental
  • Type: One Stop
  • Cinematic Fit: Comedy, Crime, Fantasy, Horror, Drama, Mystery, Sci-Fi, Thriller

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Production: Elmer Ferrer
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Electric Guitar: Elmer Ferrer

Instrumentation

  • Percussion
  • Electric Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Interludia” is a poignant instrumental piece that blends ambient textures with classical restraint. Its brief runtime and emotional depth make it ideal for cinematic moments of transition, introspection, or eerie stillness.

Ideal Sync Uses

  • Drama: Reflective pauses, emotional shifts
  • Fantasy: Magical transitions, quiet wonder
  • Thriller: Tension-building sequences
  • Comedy: Quirky interludes or ironic contrast
  • Crime & Mystery: Atmospheric cues, investigative montages
  • Horror: Subtle dread, eerie ambiance

Scene Suggestions

  • Opening or closing credits with minimal dialogue
  • Montage of quiet reflection or solitude
  • Dream sequence or surreal transition
  • Character walking through an emotionally charged space

Why It Works

  • Instrumental format allows flexible emotional interpretation
  • Dark energy supports tension and introspection
  • Ambient and classical blend suits diverse genres
  • Short duration ideal for transitional sync moments
Track Narrative:
“Interludia” glows in gentle brevity — Elmer Ferrer paints syncable reflection for visual stillness, transitional beat, and emotional pause.

International

International cover art

International
by Melodic Yoza

High-energy and culturally rich — “International” by Melodic Yoza blends hip-hop roots with reggae soul and lyrical pride. Perfect for sync scenes of travel, identity affirmation, or global hustle riding pulse-driven rhythm and genre fusion.

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OMR Cue Map

Track: International
Clean Intro: Yes (0:00 – immediate rhythmic entry with global, groove-driven energy)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved rhythmic ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Energetic, globally influenced cue with a strong sense of movement and cultural identity. Strong for travel sequences, urban environments, and scenes emphasizing diversity, connection, and forward motion. Particularly effective in commercials, lifestyle content, and vibrant location-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: International by Melodic Yoza

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 87
  • Energy: Moderate
  • Genres: Hip Hop/Rap
  • Vocals: Male Vocal
  • Moods: Angry, Swagger, Upbeat, Cool, Confident, Moody, Rhythmic, Tension
  • Lyric Themes: Friendship, Connection, Identity, Energy, Adventure
  • Type: One Stop
  • Cinematic Fit: Crime, Drama, Mystery

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park (존박), JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Featured Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“International” by Melodic Yoza is a genre-blending anthem that fuses hip-hop swagger with global soul. Its rhythmic pulse and lyrical pride make it ideal for scenes of travel, identity, and urban adventure.

Ideal Sync Uses

  • Crime: Street-level tension, chase scenes
  • Drama: Character empowerment, cultural pride
  • Mystery: Urban exploration, underground intrigue

Scene Suggestions

  • Montage of international travel or hustle
  • Character walking through a vibrant cityscape
  • Intro sequence for a multicultural ensemble cast
  • Closing credits with rhythmic swagger

Why It Works

  • Male vocals deliver confident and cool energy
  • Midtempo groove supports rhythmic pacing
  • Global fusion adds cultural richness
  • Lyric themes align with identity and adventure
Track Narrative:
“International” pulses with transcontinental swagger — Melodic Yoza blends diasporic rhythm and lyrical versatility for sync moments of movement, ambition, or cultural pride.

Lyrics

[Intro] I know it might seem like we’re the unknown But we’re known to crush microphone Been on the low, low Rocking the stage shows Everywhere we go Been to so much different time zones Because we’re internationally known Been around the world now just like whirlwind Hey yo, Oso cook it up and serve them [Verse 1] International nigga Ain’t never left the dot Feel like the earth is my turf Simple man and I walk With only God in my heart ‘Cause truly living I’m him He’s truly living through me Thеse bars are riddled with hymns Hе’s truly living in you That’s all dependant on you I try to move godly With everything that I do More so referencing conduct than money and jewels Except the ones that I drop There’s reasoning when I talk Vanauley walk to the top Beginning don’t see an end And I don’t see and end In sitting on CNN Them very peoples is them I flipping topics again We transcending them trends The re-emergence begins Flex harder than any gym John, Joe, or Jacob No diss, no hush hush No help It’s just us G force illustrious No fuss and no muss Yoza just rolled up Go spark that shit up See pop shows near Toronto Get tickets as low as $6 You might also like Set It Melodic Yoza Abracadabra Melodic Yoza Mud GodKing Zeus [Chorus] I know it might seem like we’re the unknown But we’re known to crush microphone Been on the low, low Rocking the stage shows Everywhere we go Been to so much different time zones Because we’re internationally known Been around the world now just like whirlwind Hey yo, Oso cook it up and serve them [Verse 2] Uh-uh-uh, uh-uh-uh-uh-uh, uh-uh-uh-uh-uh-uh-uh Take a walk with me sey pon my travel map Place where mi travel nuff of them never travel that Step up on on the track yea inna my travel fox All I'm kicking is pure travel facts Everywhere we go yea you know them want we rally back From London to Spain right back to chiraq Bombs over Baghdad every time I rock Straight Yoza now this ya one ya be a boom shot So give it up for Tdot, Jamrock, and New lots Every time we rock man, yu know that its a new rap Style wey mi flash mi call it reggae soul hop When we touch down man, you know that it’s a road block Been around the world like I'm playing hopscotch Stages to stadiums right back to my block All chatter box mi say yo them get a dazzle box Call up mi ninjas and tell them gravel that Blakkamoore, Oso, Yoza we don't stop Who can make the, who can make the, who can make the dance rock [Verse 3] Well it's the black to the Moore, militant to the core My lyrics them nough like sand pon sea shore Higher levels man a reach ‘cause we done find the cure We out deh you see me and the Yoz pon tour Step out like a fox when we travel, ina me diamond sox shoe sole to the gravel Reach the borderline my paperwork straight no hassle Keep the dance warm from night till the mawn Mash up the stage, turn a new page the next day we gone I'm on then I'm off then I'm on again Still every show I feel like I'm born again Next night I'm coming like a raging storm again We're worldwide internationally Keep it moving internationally First ‘n’ foremost what's on my agenda More bookings pon my calendar [Chorus] I know it might seem like we’re the unknown But we’re known to crush microphone Been on the low, low Rocking the stage shows Everywhere we go Been to so much different time zones Because we’re internationally known Been around the world now just like whirlwind Hey yo, Oso cook it up and serve them

Into the Room

Into the Room cover art

Into the Room
by Jeff Jones

Poised and emotive — “Into the Room” by Jeff Jones channels mellow Americana soul with lyrical focus. Suited for sync scenes of emotional re-entry, personal realization, or relational tension framed by a warm instrumental palette and vocal sincerity.

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OMR Cue Map

Track: Into the Room
Clean Intro: Yes (0:00 – immediate tonal entry with subtle tension and anticipation)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved but tension-aware ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Tension-leaning cue built around anticipation, presence, and subtle dramatic weight. Strong for entrances, reveals, and scenes where a character or situation shifts the tone upon arrival. Particularly effective in drama, thriller, and narrative moments where timing and atmosphere are critical.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist• Vocalist • Rock Legend

Jeff Jones is an American-Canadian bassist and vocalist whose career spans decades of rock history. Born in Chicago in 1953 and raised in Toronto, Jones was immersed in music from an early age, thanks to his jazz pianist father and early encounters with legends like Oscar Peterson.

In 1968, Jones became the original bassist and lead vocalist for Rush, performing alongside Alex Lifeson and John Rutsey. Though his time with the band was brief, it marked the beginning of a storied career. He later gained fame with Ocean, whose hit “Put Your Hand in the Hand” became a million-selling single.

Jones joined Red Rider in the late 1970s, contributing to their iconic track “Lunatic Fringe.” He continues to perform with Tom Cochrane and Red Rider, and is also a member of The Carpet Frogs, backing Burton Cummings. His bass work has graced hits like Bernie LaBarge’s “Dream Away” and countless other projects.

In recent years, Jones released the single “Naked in the Church” with Roar, followed by “Velvet Sky” in 2024—a lush, melodic track featuring Gerry Finn. His enduring creativity and versatility have made him a cornerstone of the Canadian music scene.

Sync Pitch Sheet: Into The Room by Jeff Jones

Song Profile

  • Key Signature: Ab Major
  • Beats Per Minute: 118
  • Energy: Moderate
  • Genres: Indie, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat, Positive, Uplifting
  • Lyric Themes: Connection, Heartbreak, Love, Hope
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Crime, Drama, Mystery

Production Details

  • Executive Producer: Ken Friesen
  • Music Composition: Jeff Jones
  • Recording: ROAR Records
  • Production: ROAR Records
  • Mixing: Ken Friesen
  • Mastering: Ken Friesen

Artists

  • Lead Vocals: Jeff Jones
  • Guitar: Gerry Finn
  • Bass Guitar: Jeff Jones
  • Drums: David DiRenzo
  • Keyboards: Steve O'Connor
  • Various Instruments: Bill Bell

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Synth
  • Saxophone (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Into The Room” by Jeff Jones is a vibrant indie-rock anthem that blends emotional depth with sonic uplift. Its lyrical themes of heartbreak and hope are delivered with sincerity and energy, making it ideal for scenes of personal transformation and emotional tension.

Ideal Sync Uses

  • Drama: Emotional breakthroughs, relational tension
  • Adventure: Character journeys, pivotal transitions
  • Crime: Urban grit with emotional stakes
  • Mystery: Reflective pacing, character introspection

Scene Suggestions

  • Montage of emotional re-entry or realization
  • Character walking into a pivotal moment
  • Flashback to a moment of heartbreak or hope
  • Closing credits of a drama or indie feature

Why It Works

  • Male vocals deliver emotional authenticity
  • Uptempo rhythm supports energetic pacing
  • Saxophone solo adds cinematic flair
  • Lyric themes resonate with universal emotional arcs
Track Narrative:
“Into the Room” builds emotional tension and release — The Free Spirits shape syncable tone for scenes of arrival, acceptance, and relational shift.

🎤 Lyrics

Come on over here, right now Trouble follows you, that's okay Who you wanna know? Mad love, mad love Crazy, crazy times, you and me Searching for a sign, can't you see? Don't you wanna find real love? Real love Real love Free to comfort me each morning Yeah, I'm waiting for the light Walking down the road with nothing I'm gonna be alright Don't get carried away Feels comfort each morning Yet I'm waiting for the light Walked into the room with nothing With nothing at all I'm gonna be alright We're gonna be alright We're gonna be alright We're gonna be alright All right It's gonna be all right

Intro — Instrumental

Intro cover art

Intro
by Samuel Williams

Atmospheric and anticipatory — “Intro” by Samuel Williams builds melodic curiosity with ambient layering and soulful tonal rise. Perfect for sync scenes of early motion, subdued entrance, or cinematic staging wrapped in tonal patience and instrumental depth.

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OMR Cue Map

Track: Intro
Clean Intro: Yes (0:00 – immediate atmospheric entry with clear scene-setting intent)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:38 / 1:55
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:44 / 0:44–1:02 / 1:20–1:38
Use Case: Atmospheric opening cue designed to establish tone, space, and emotional context. Strong for scene beginnings, title cards, and early moments where the visual world is still being introduced. Particularly effective in drama, documentary-style storytelling, and reflective narrative setups.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Intro by Samuel Williams

Song Profile

  • Key Signature: Db Major
  • Beats Per Minute: 86
  • Energy: Moderate
  • Genres: Ambient, Funk, Indie, R&B
  • Vocals: Instrumental
  • Moods: Chill, Cool, Happy, Love, Retro, Upbeat, Uplifting
  • Lyric Themes: Instrumental
  • Type: One Stop
  • Cinematic Fit: Comedy, Fantasy, Romance

Production Details

  • Executive Producer: Samuel Williams
  • Music Composition: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Organ: Joel Chambers
  • EWI: Rob Christian
  • Guitars: Daniel Steduto, Jozef Teeuwsen
  • Drums: Larnell Lewis
  • Bass, Guitars, Drum Programming, Keyboards: Samuel Williams

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion
  • Synth
  • Organ (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Intro” by Samuel Williams is a soulful, ambient instrumental that builds anticipation with layered textures and tonal warmth. Its blend of funk, indie, and retro elements makes it ideal for cinematic openings, transitions, and emotionally rich staging.

Ideal Sync Uses

  • Comedy: Stylish intros, quirky transitions
  • Fantasy: Magical realism, dreamlike sequences
  • Romance: Tender moments, emotional buildup

Scene Suggestions

  • Opening credits with visual flair
  • Montage of character preparation or arrival
  • Slow-motion walk into a new environment
  • Stylized flashback or memory sequence

Why It Works

  • Instrumental format allows flexible emotional interpretation
  • Retro-funk textures add cinematic charm
  • Organ solo adds soulful depth
  • Midtempo groove supports pacing and tone
Track Narrative:
“Intro” sketches sonic emergence — Samuel Williams designs ambient uplift and soulful drift for visuals of new beginnings, unfolding thought, or soft activation.

Intro

Intro cover art

Intro
by Pavlo Carta

Haunting and textural — “Intro” by Pavlo Carta sweeps into ambient tension and cinematic minimalism. Ideal for sync scenes of quiet realization, mystery unfurling, or poised emotional lift wrapped in tonal abstraction and instrumental suspense.

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OMR Cue Map

Track: Intro
Clean Intro: Yes (0:00 – immediate rhythmic entry with forward motion and scene-setting clarity)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05
Button Ending: Yes, resolved rhythmic ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Rhythm-driven opening cue built to establish movement, energy, and location quickly. Strong for travel sequences, cultural scene-setting, and visual introductions that need momentum from the outset. Particularly effective in lifestyle, urban, and location-based storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Intro by Pavlo Carta

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 100
  • Energy: Moderate
  • Genres: Electronic, Indie
  • Vocals: Instrumental
  • Moods: Atmospheric, Dreamy, Minimal, Rhythmic
  • Lyric Themes: Instrumental
  • Type: One Stop
  • Cinematic Fit: Art House, Indie, Mystery, Sci-Fi

Production Details

  • Production Credits: Available Upon Request

Artists

  • Cello: Pavlo Carta

Instrumentation

  • Bass
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Intro” by Pavlo Carta is a minimalist, atmospheric instrumental that blends electronic textures with cinematic restraint. Its dreamy tone and rhythmic pulse make it ideal for scenes that require subtle emotional tension or visual elegance.

Ideal Sync Uses

  • Art House: Stylized transitions, visual poetry
  • Indie: Character introspection, ambient montage
  • Mystery: Suspenseful pacing, investigative sequences
  • Sci-Fi: Futuristic landscapes, surreal moments

Scene Suggestions

  • Opening credits with abstract visuals
  • Character walking through a dreamlike environment
  • Montage of quiet reflection or transformation
  • Slow pan across a mysterious setting

Why It Works

  • Instrumental format allows flexible emotional interpretation
  • Midtempo rhythm supports cinematic pacing
  • Electronic textures add modern and ambient depth
  • Minimalist structure enhances visual storytelling
Track Narrative:
“Intro” holds ambient introspection — Pavlo Carta guides sync visuals through quiet ignition, emotional emergence, and rhythmic mood.

Intro — Instrumental

Intro cover art

Intro
by Samuel Williams

Atmospheric and anticipatory — “Intro” by Samuel Williams builds melodic curiosity with ambient layering and soulful tonal rise. Perfect for sync scenes of early motion, subdued entrance, or cinematic staging wrapped in tonal patience and instrumental depth.

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OMR Cue Map

OMR Cue Map

Track: Intro Algo Mas
Clean Intro: Yes (0:00 – atmospheric melodic entry with a warm, slightly expanded emotional tone)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:14–0:48 / 0:48–1:08 / 1:28–1:50
Use Case: Warm, melodic introductory cue with a slightly more expressive and emotionally open feel than a standard prelude. Strong for story openings, personal journeys, and sequences that need both setup and emotional invitation. Particularly effective in drama, romance, and reflective scene transitions.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Intro-Algo Mas

Song Details

  • Genre: Funk, Reggae
  • Tempo: Midtempo
  • Mood/Feel: Confident, Cool, Fun, Positive, Sexy, Swagger, Upbeat
  • Type: One-Stop
  • Vocals: Instrumental

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Synth

Production Details

  • Produced by: Samuel Williams
  • Written & Arranged by: Samuel Williams
  • Recorded, Mixed & Mastered by: Samuel Williams at Sam Sound Productions
  • Project Manager: Dornalee Browne
  • Executive Producer: Samuel Williams

Artists

  • Drums: Larnell Lewis
  • Bass: Otis Williams
  • Saxophone: Rob Christian
  • Trumpet: Alexis Baro

Sync Notes

  • Uplifting funk-reggae fusion that blends swagger with groove.
  • Midtempo pacing keeps energy balanced and sync-friendly.
  • Confident horns and bassline provide stylish momentum.
  • Perfect for projects that need cool, playful, and sexy energy.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Intro-Algo Mas by Samuel Williams delivers a confident, swagger-filled blend of funk and reggae. With its cool horn lines, funky bass, and stylish groove, it’s ideal for projects that need playful energy, retro-cool vibes, and sync-ready swagger.

Ideal Sync Uses

  • Comedy: Playful montages, quirky character moments
  • Drama: Cool, stylish transitions or cityscapes
  • Sports: Training sequences, upbeat edits
  • Advertising: Youthful, retro-inspired campaigns
  • Video Games: Funky, urban or street-level gameplay

Why It Works

  • Instrumental clarity leaves room for dialogue and VO
  • Midtempo groove works across many pacing needs
  • Swagger-filled horns add memorable character
  • Playful funk-reggae crossover widens sync appeal
Track Narrative:
“Intro-Algo Mas” struts with a confident funk-reggae swagger — bass and drums lay a stylish groove, while horns and electric guitar punch in with playful attitude. Synth textures and percussion add modern flair, keeping the energy cool, fun, and undeniably sync-ready. It’s a track that embodies swagger and positivity, perfect for scenes that demand charisma and movement.

IN YOUR BLOOD — The Green Door

In Your Blood cover art

In Your Blood
by The Green Door

“In Your Blood” is an atmospheric, dreamlike rock track charged with ritualistic imagery, elemental force, and emotional intensity. The Green Door pairs moody synth textures with a strong forward pulse, making the song a powerful fit for transformation scenes, mythic storytelling, and moments where personal fate feels larger than the individual.

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OMR Cue Map

Track: In Your Blood
Clean Intro: Yes (0:00 – immediate guitar-driven entry with raw, emotional edge)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved but slightly loose band ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Gritty, emotionally charged rock cue centered on identity, instinct, and internal drive. Strong for character-defining moments, rebellion, and scenes where emotion feels embedded and unavoidable. Particularly effective in indie film, drama, and narratives built around personal struggle and authenticity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for atmosphere, transformation, conflict, and emotional storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, evocative imagery, male vocal presence, and a natural fit for scenes involving ritual, fate, identity, and elemental intensity.

Sync Pitch Sheet: In Your Blood

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 138
  • Energy: Medium - High
  • Genres: Indie, Pop, Rock
  • Vocals: Male Vocal
  • Moods: Atmospheric, Dreamy, Moody, Reflective, Uplifting
  • Lyric Themes: Death, Life, Power, Strength, Time
  • Cinematic Fit: Drama, Indie, Fantasy, Sci-Fi
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth

Track Summary

In Your Blood is a vivid, emotionally charged rock track that blends dreamlike atmosphere with ritualistic intensity. Its lyric imagery and pulsing motion make it especially useful for transformation arcs, mystical sequences, and scenes where personal destiny and inner force collide.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

In Your Blood is built for scenes where emotion, mythology, and identity overlap. Its blend of atmospheric texture and lyrical intensity makes it particularly effective for transformation moments, dream states, spiritual imagery, and narratives where the inner life feels cinematic and elemental.

Ideal Sync Uses

  • Drama: Inner reckoning, identity shift, emotional intensity
  • Indie: Dream-state montage, symbolic movement, atmosphere-led storytelling
  • Fantasy: Ritual, prophecy, sacred imagery, mythic awakening
  • Sci-Fi: Altered state, transformation, cosmic or visionary sequences

Scene Suggestions

  • Transformation or awakening sequence with strong visual symbolism
  • Dream montage blending landscape, body, and memory
  • Character standing inside a larger force they do not fully understand
  • Stylized sequence where danger and revelation arrive together

Why It Works

  • Fast pulse creates momentum without sacrificing atmosphere
  • Synth textures expand the track’s cinematic range
  • Male vocal adds immediacy while preserving mystery
  • Lyrical imagery gives editors strong symbolic material to work with
Stem Tracks:
Available upon request.
Track Narrative:
“In Your Blood” feels like a force rising from beneath the surface — part memory, part instinct, part prophecy. It moves with the intensity of something ancient turning personal, making it ideal for scenes where identity is revealed through pressure, danger, and inner fire.
Lyrics:
Lyrics:
Ah
Burning in the sun
And so I draw one
Over the flame
But under the sky then I find
I'm in your life
Alright
Silent, sickening, solace
Earth and thunder, honor for us

Ah
Sunset, sacred, buried, danger
Deadly, rifle, killer, cradle

Ah
Burning in the sun
And so I know I'm wrong
Over the flame
But under the sky, then I find
I'm in your life
Alright
Mystic, mother, mesa
Life for, vanished, now we face her

Ah
Calling to them, blowing through us
Winding, weapon, deathly, knew us
Ah

Isabella — Instrumental

Isabella cover art

Isabella
by Elmer Ferrer

“Isabella” is a gentle instrumental radiating optimism through acoustic warmth. Elmer Ferrer composes with melodic simplicity and tonal depth, ideal for sync scenes of childhood purity, emotional lightness, or reflective charm in cinematic transition.

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OMR Cue Map

OMR Cue Map

Track: In Your Blood
Clean Intro: Yes (0:00 – immediate guitar-driven entry with raw, emotional edge)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved but slightly loose band ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Gritty, emotionally charged rock cue centered on identity, instinct, and internal drive. Strong for character-defining moments, rebellion, and scenes where emotion feels embedded and unavoidable. Particularly effective in indie film, drama, and narratives built around personal struggle and authenticity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Isabella by Elmer Ferrer

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: Not Applicable
  • Energy: Low
  • Genres: Cinematic, Classical, Ambient, Folk, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Romantic, Uplifting, Warm, Hopeful, Light, Positive, Reflective, Somber
  • Lyric Themes: Instrumental
  • Type: One Stop
  • Cinematic Fit: Fantasy, Drama, Romance

Production Details

  • Executive Producers: Xyrla Fernandez, Carmen Avella
  • Music Composition: Elmer Ferrer
  • Recording: Eduardo Perez
  • Music Production: Elmer Ferrer, Eduardo Ramos
  • Mixing: Eduardo Perez
  • Mastering: Eduardo Perez

Artists

  • Guitar: Elmer Ferrer

Instrumentation

  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
Song Placement Review

Track Narrative:
“Isabella” gently blossoms with cinematic warmth — Elmer Ferrer channels acoustic sincerity for sync scenes of innocence, emotional openness, or gentle discovery.

Is It Worth It

Is It Worth It cover art

Is It Worth It
by Elmer Ferrer

“Is It Worth It” is an atmospheric indie instrumental in G Minor at 125 BPM, built around strings and a restrained dramatic pulse. Dark, reflective, mysterious, and quietly hopeful, it works well for scenes of emotional uncertainty, moral questioning, difficult decisions, and moments where tension begins to shift toward possibility.

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OMR Cue Map

Track: Is It Worth It
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, reflective unresolved tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Reflective dramatic cue for moral questioning, difficult choices, emotional uncertainty, relationship strain, and scenes where tension gradually opens into hope.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Is It Worth It

Song Profile

  • Genres: Indie
  • Key Signature: G Minor
  • BPM: 125
  • Tempo: Midtempo / dramatic pulse
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Dramatic, Hopeful, Minimal, Moody, Mysterious, Reflective, Tension, Uplifting
  • Type: One Stop

Instrumentation

  • Strings

Track Summary

“Is It Worth It” is a dramatic indie instrumental in G Minor at 125 BPM. Built around strings, it balances dark reflective tension with a subtle sense of hope, making it suitable for emotional turning points, unresolved questions, and scenes where the stakes are personal.

Sync Highlights

  • G Minor tonality supports tension, doubt, and emotional weight.
  • 125 BPM pulse gives the cue forward movement without losing restraint.
  • String-based arrangement provides cinematic drama with minimal clutter.
  • Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“Is It Worth It” by Elmer Ferrer is built for dramatic scenes where a character is weighing consequence, sacrifice, or emotional cost. Its string-led atmosphere gives the cue tension and gravity, while its hopeful undertone allows the scene to move toward possibility rather than collapse.

Scene Types

  • Difficult decisions and moral crossroads
  • Relationship strain or emotional reckoning
  • Reflective montage after conflict
  • Quiet dramatic build toward resolution
  • Hope emerging after uncertainty
Track Narrative:
“Is It Worth It” feels like the moment before a decision becomes irreversible. The strings carry tension and doubt, but there is also a trace of hope underneath — a sense that the weight of the choice may still lead somewhere meaningful. The cue is reflective, dramatic, and personal, built for scenes where emotion is held back but not absent.
Instrumental Notes:
String-led instrumental in G Minor at 125 BPM, designed for dramatic reflection, tension, emotional decision-making, and scenes where uncertainty gradually opens into hope.

Stem Tracks

Stem availability can be confirmed upon request.

Is there butter in heaven?

Is there butter in heaven? cover art

Is there butter in heaven?
by HYP

“Is there butter in heaven?” grooves at 95 BPM in E Major with a warm, reflective pulse and gentle forward motion. It’s built for character moments, emotional transitions, and dialogue-forward scenes needing mood without distraction.

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OMR Cue Map

OMR Cue Map

Track: Is There Butter in Heaven (Sync Version)
Clean Intro: Yes (0:00 – immediate tonal entry with quirky, stylized character)
Edit Points: 0:12 / 0:26 / 0:42 / 1:00 / 1:18 / 1:36 / 1:55 / 2:15
Button Ending: Yes, resolved stylized ending
Loopable: High
Best Loop Candidates: 0:26–1:00 / 1:00–1:18 / 1:36–1:55
Use Case: Quirky, surreal cue with a playful and unconventional tone. Strong for offbeat storytelling, comedic moments, and scenes that lean into abstraction or heightened reality. Particularly effective in indie, animation, and stylized narrative sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-driven instrumentals that pair rhythmic motion with cinematic space. His productions emphasize clarity, emotional control, and editorial versatility—supporting picture while leaving room for dialogue and narrative texture.

“Is there butter in heaven?” balances warm major-key color with steady pacing—ideal for reflective transitions and character-forward underscoring.

Sync Pitch Sheet: Is there butter in heaven?

Song Profile

  • Key Signature: E Major
  • BPM: 95
  • Energy: Midtempo (steady, warm)
  • Genres: Cinematic underscore, electronic
  • Vocals: Instrumental
  • Moods: Reflective, Warm, Subtly Uplifting, Thoughtful
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Steady rhythmic foundation
  • Warm harmonic bed (major-key clarity)
  • Atmospheric textures (space for dialogue)

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Sync Potential

A warm, reflective instrumental with steady motion—built for emotional transitions, narrative continuity, and dialogue-forward scenes that need subtle support without pulling focus.

Scene Types

  • Character reflection / inner-thought sequences
  • Emotional transitions and quiet turning points
  • Dialogue-forward scenes needing gentle support
  • Warm memory/acceptance montages
  • Scenic travel / connective pacing visuals

Why It Works

  • 95 BPM supports editor-friendly pacing and clean cut points.
  • E Major adds emotional clarity with subtle optimism.
  • Open arrangement leaves room for dialogue and sound design.
Track Narrative:
“Is there butter in heaven?” feels like a quiet question carried by steady motion—warm, reflective, and gently optimistic.
Instrumental Notes:
Fully instrumental and one-stop, “Is there butter in heaven?” provides a warm midtempo underscore with editorial flexibility—ideal under dialogue, introspective beats, and scenic transitions.

Stem Tracks

Contact OMR for available stems and custom edit requests (rhythmic foundation, harmonic bed, atmospheric layers, full mix).

It Don't Make Sense

It Don't Make Sense cover art

It Don't Make Sense
by OMR Music Production

Spirited and biting — “It Don't Make Sense” by OMR Music Production takes aim at chaos, contradiction, and the absurdity of modern life. Driven by a funky beat and sharp lyrical phrasing, it's ready for sync scenes of social satire, comic disruption, or anxious revelation.

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OMR Cue Map

OMR Cue Map

Track: It Don’t Make Sense
Clean Intro: Yes (0:00 – soft tonal entry with immediate emotional ambiguity)
Edit Points: 0:18 / 0:36 / 0:54 / 1:15 / 1:36 / 1:58 / 2:20
Button Ending: Yes, gentle but unresolved-feeling ending
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:15 / 1:36–1:58
Use Case: Introspective cue centered on confusion, emotional contradiction, and unresolved feeling. Strong for scenes where logic breaks down and characters struggle to make sense of their situation. Particularly effective in drama, relationship tension, and moments of internal conflict.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: It Don’t Make Sense by OMR Music Production

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 135
  • Energy: Medium - High
  • Genres: Indie, Grunge, Rock
  • Vocals: Male Vocal
  • Moods: Angry, Sad, Confident, Cool, Moody, Rhythmic, Tension
  • Lyric Themes: Friendship, Life, Faith, Love
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
Song Placement Review

Sync Potential

“It Don’t Make Sense” by OMR Music Production is a gritty, emotionally charged indie rock track that channels tension and vulnerability through raw vocals and driving instrumentation. Its uptempo rhythm and moody tone make it ideal for scenes that explore inner conflict, rebellion, or emotional catharsis.

Ideal Sync Uses

  • Drama: Confrontation scenes, emotional breakdowns
  • Indie Film: Character-driven montages, urban grit
  • Thriller: Escalating tension, psychological unraveling
  • Coming-of-Age: Moments of self-discovery or rebellion

Scene Suggestions

  • Late-night drive through city streets
  • Fight or fallout between close friends
  • Flashback to a pivotal emotional moment
  • Montage of personal struggle or transformation

Why It Works

  • Male vocals deliver emotional grit and authenticity
  • Uptempo beat drives narrative momentum
  • Grunge and rock elements add edge and tension
  • Lyric themes resonate with universal human experiences
Track Narrative:
“It Don’t Make Sense” dances through dysfunction — OMR Music Production hits the beat with lyrical urgency, perfect for sync scenarios of comic unraveling, social irony, or big truths in small talk.

🎤 Lyrics

INTRO I FEEL THEM LOOKING AT ME FROM THE OTHER SIDE TRYING TO FIND A PLACE TO RUN AND HIDE TRADING WORDS BUT NEVER LET THOUGHTS COLLIDE I BARE MY MIND TO YOU, WITH BOTH ARMS STRETCHED WIDE VERSE 1A I SEE SIX, YOU SEE THE NUMBER NINE I SAY SIN, YOU SAY WE’RE DOING FINE VERSE 1B JUST A COLD DAY IN A WARM HEARTED CITY CLEARLY NOT LOVE BUT WARMER THAN PITY VERSE 1C I SEE LIES, YOU SEEL REALITY I LIVE LIFE, YOU FEAR MORTALITY VERSE 1D YOU SEE THE WORLD THE SAME AS YOU ARE FOCUS ON THE GUILT NEVER RAISING THE BAR CHORUS IT DON’T MAKE SENSE SITTING ON THE FENCE WITH THE EVIDENCE ALL OVER YOUR FACE I CAN’T RELATE TO ALL THAT HATE WHEN PEOPLE MOCK OUR FAITH WHILE LIVING IN DISGRACE VERSE 2A PRETTY CLOUDS, YOU SAY IT’S GOING TO RAIN GLASS HALF FULL, YOU SAY IT’S MOSTLY DRAINED VERSE 2B JUST A COLD DAY IN A WARM-HEARTED CITY CLEARLY NOT LOVE BUT WARMER THAN PITY VERSE 2C I SEE LIFE, YOU SAY IT ALWAYS ENDS I SAY BYE, YOU SAY WE COULD BE FRIENDS VERSE 2D YOU SEE THE WORLD THE SAME AS YOU ARE FOCUS ON THE GUILT, NEVER RAISING THE BAR CHORUS CHORUS

It Goes With You

It Goes With You cover art

It Goes With You
by Paul Reddick

Bluesy and poetic — “It Goes With You” by Paul Reddick is a moody confessional built on vivid lyricism and shadowy instrumental atmosphere. This track is ideal for sync scenes of introspective revelation, personal mythology, or quiet reckoning.

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OMR Cue Map

OMR Cue Map

Track: It Goes With You
Clean Intro: Yes (0:00 – immediate blues-rooted entry with reflective warmth)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, natural resolved ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:12 / 1:12–1:32 / 1:55–2:18
Use Case: Reflective, blues-informed cue centered on emotional imprint and the idea that experiences stay with you. Strong for scenes involving memory, consequence, and the lasting impact of relationships or choices. Particularly effective in character-driven drama and reflective storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: It Goes With You by Paul Reddick

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 122
  • Energy: Mid-tempo
  • Genres: Indie, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Atmospheric, Upbeat, Gritty
  • Lyric Themes: Time, Love
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Crime, Drama, Mystery, Romance

Production Details

  • Engineer: Chris Stringer
  • Producer: Colin Cripps
  • Mixing: Nyles Spencer
  • Mastering: Peter Letros

Artists

  • Harmonica, Vocals: Paul Reddick
  • Guitar, Background Vocals: Colin Cripps
  • Guitar, Background Vocals: Greg Cockerill
  • Drums, Percussion, Piano, Talk Box: Derek Downham
  • Bass: Anna Ruddick
  • Fender Rhodes, Guitar, Background Vocals: Steve Marriner

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“It Goes With You” by Paul Reddick is a gritty, midtempo indie-punk-rock track that blends atmospheric tension with emotional urgency. With themes of time and love, it’s a powerful choice for scenes that explore personal stakes, transformation, and emotional depth.

Ideal Sync Uses

  • Drama: Emotional turning points, character introspection
  • Crime: Urban tension, moral dilemmas
  • Romance: Bittersweet moments, unresolved connection
  • Art House: Stylized visuals, poetic pacing

Scene Suggestions

  • Montage of a character navigating emotional fallout
  • Slow-motion walk through a gritty cityscape
  • Flashback to a moment of love and loss
  • Closing credits of a moody indie drama

Why It Works

  • Male vocals deliver raw emotional resonance
  • Midtempo rhythm supports cinematic pacing
  • Gritty instrumentation adds edge and atmosphere
  • Lyric themes align with universal emotional arcs
Track Narrative:
“It Goes With You” vibrates with lyrical intimacy — Paul Reddick drifts through emotional terrain with the weight of memory and longing. A sync-ready fit for moments of quiet symbolism or cinematic solitude.

Lyrics

Where did you come from? I don’t know Where in the world now Did you go? How can I tell you? Tell you true All that I love It goes with you All that I love It goes with you Who was the stranger Led you astray? Who was the gambler Lost your way? How could I tell you? Tell you true? All that I love It goes with you All that I love It goes with you Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? When was the hour Seemed just right When was the minute? And by what light? How could I tell you? Tell you true? All that I love It goes with you All that I love It goes with you Is there a reason? Is there a rhyme? What was the season? When was the time? How could I tell you? Tell you true? All that I love It goes with you All that I love It goes with you Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why? Oh why?

IT REPEATS — Elmer Ferrer

It Repeats cover art

It Repeats
by Elmer Ferrer

It Repeats carries a reflective emotional gravity shaped by resonant strings and a steady underlying motion. The cue feels cyclical in the best sense—like memory returning, patterns resurfacing, or a character confronting something that refuses to stay buried. Its blend of mystery, hope, and quiet power makes it especially effective for emotionally layered drama, introspective montage, or scenes where past and present begin to echo one another.

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OMR Cue Map

OMR Cue Map

Track: It Repeats
Clean Intro: Yes (0:00)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36
Button Ending: No, looping continuation feel
Loopable: Very High
Best Loop Candidates: 0:12–0:48 / 0:24–1:00 / 0:36–1:12
Use Case: Repetitive tension cue for cyclical behavior, obsession, psychological loops, investigative patterns, montage repetition, and scenes where time, thought, or action feels stuck or recurring.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer recognized for blending world influences, modern cinematic writing, and emotional musical storytelling.

Across hundreds of recordings and screen projects, Ferrer’s work has moved fluidly between blues, rock, world, and orchestral-leaning cinematic music, always anchored by a strong emotional voice and compositional precision.

His achievements include Latin Grammy nominations and a Goya Award for Best Score, reflecting a career built on versatility, artistry, and deep musical expression.

Sync Pitch Sheet: It Repeats

Song Details

  • Energy: Medium / Emotional
  • Genres: Ambient, Classical, World
  • Vocals: Instrumental
  • Key: A Minor
  • BPM: 121
  • Moods: Emotive, Hopeful, Mysterious, Powerful, Reflective
  • Cinematic Fit: Drama, Historical, Indie, Mystery, Art House
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Strings

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

It Repeats combines emotional resonance with quiet mystery, making it ideal for scenes where memory, reflection, and recurring patterns play a central role. Its string-led atmosphere gives editors a powerful emotional bed without overpowering dialogue or picture.

Ideal Sync Uses

  • Drama: emotionally layered reflection and aftermath
  • Historical: memory, consequence, or generational echo
  • Mystery: repeated clues, unresolved emotional tension
  • Indie / Art House: poetic montage and introspective narrative movement

Scene Suggestions

  • Character returning to a place that carries emotional history
  • Montage connecting past and present through memory
  • Quiet realization that a pattern is repeating
  • Reflective scene where unresolved emotion resurfaces
Track Narrative:
It Repeats feels like the return of something unfinished. Its emotional pull is shaped by memory, recognition, and the unsettling comfort of familiar patterns. The cue supports scenes where a character senses that the past is not gone, only waiting to echo again in a new form.

It's a Sure Thing — Thadeus Gonzalez

It's a Sure Thing cover art

It's a Sure Thing
by Thadeus Gonzalez

Upbeat punk-rock swagger with a confident vocal, propulsive rhythm, and an undeniable hook. Perfect for moments of rebellion, energy, and bold self-assurance on screen.

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OMR Cue Map

OMR Cue Map

Track: It’s a Sure Thing
Clean Intro: Yes (0:00 – immediate confident entry with steady forward tone)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:24 / 1:45 / 2:05 / 2:25
Button Ending: Yes, resolved confident ending
Loopable: High
Best Loop Candidates: 0:28–1:05 / 1:05–1:24 / 1:45–2:05
Use Case: Confident, forward-moving cue centered on certainty, commitment, and decisiveness. Strong for scenes where outcomes are clear, characters take action, or relationships are firmly defined. Particularly effective in romance, resolution moments, and narrative payoffs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: It's a Sure Thing

Song Profile

  • Genres: Punk, Rock
  • Vocals: Male vocal
  • Tempo: Uptempo
  • Mood/Feel: Confident, Cool, Moody, Powerful
  • Lyric Themes: Confidence, Dream, Power, Rebellion, Strength
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar

Cinematic Fit

  • Action & Sports: confidence montages, road races, adrenaline sequences
  • Crime: swagger entrances, power moves, underworld tension
  • Drama: moments of defiance or self-reinvention
  • Trailers/Promos: victory edits, brand spots, gear-up sequences
  • Video Game: level intros, mission energy, upgrade menus

Editorial Notes

  • Suggested 40s Excerpt: ~0:55–1:35 (chorus drive with attitude and clean edit points)
  • Mix Tips: push kick-snare pocket; trim top-end for VO clarity
  • Alts: intro riff loops cleanly for bumpers and cutdowns

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“It’s a Sure Thing” hits with unstoppable confidence — a swaggering anthem built for scenes of triumph, rebellion, and risk. Its lyrical assertiveness and crisp pacing make it a go-to for high-impact, character-driven storytelling.

Best Use Cases

  • Action: chase edits, gear-up moments, arrival shots
  • Sports: training montages, pre-game hype, victory reveals
  • Drama: breakthrough scenes, turning points, confident walkaways
  • Brand Spots: rebellion, power, individuality campaigns
  • Video Game: combat energy, character intros, upgrade reveals

Sync Appeal

  • One Stop: easy clearance through OMR
  • Vocal: bold, expressive delivery that projects confidence
  • Tempo: uptempo drive that keeps edits in motion
  • Instrumentation: punchy rhythm, sharp guitars, dynamic drums

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Lyrics

Like a space train skipping stones in my brain, lightning bolts way up my sleeve. Hear the news, read the Wolfman is finally dead, getting drunk on Christmas Eve. And I don't mind, try anything twice. Don't care what they say. Then that's a sure thing. It's a sure thing. It's a sure thing, picking up a lot of steam. Got to get myself dry cleaned. Call your cell phone, no one's home, no ringtone, sleeping in the big machine. And I don't mind, try anything twice. Don't care what they say. Then that's a sure thing. It's a sure thing. You can feed me lies, I will break your stride. You know it's okay. Baby, I'm a sure thing. You can swallow my pride, I will blow your mind. You know it's okay. Baby, I'm a sure thing. Yeah! Yeah! Baby, I'm a sure thing. Yeah! Yeah! Baby, it's a sure thing. And I don't mind, try anything twice. Don't care what they say. And it's a sure thing. Yeah, I'm a sure thing. You can feed me lies, I will break your stride. You know it's okay. Baby, I'm a sure thing. You can swallow my pride, I will blow your mind. You know it's okay. Baby, I'm a sure thing. Yeah! Yeah! Baby, I'm a sure thing. Yeah! Yeah! Baby, it's a sure thing.
Track Narrative:
“It’s a Sure Thing” radiates self-assurance and energy. With swaggering guitars, pounding drums, and a vocal that celebrates confidence and individuality, it’s built for scenes of triumph, rebellion, and bold motion.

It's Alright — Renée Astaria

It's Alright cover art

It's Alright
by Renée Astaria

“It’s Alright” is a vibrant Dance/Pop/World anthem built on driving rhythm, punchy drums, buoyant synths, and celebratory horn accents. With a confident female vocal and an infectious uptempo groove, the track delivers a message of resilience and forward momentum — shaking off doubt, refusing to be held back, and choosing confidence in the face of struggle. Its cool, rhythmic energy makes it ideal for empowerment montages and high-spirited, feel-good scenes.

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OMR Cue Map

OMR Cue Map

Track: It’s Alright
Clean Intro: Yes (0:00 – soft tonal entry with immediate reassurance and calm)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Calm, reassuring cue centered on acceptance, comfort, and emotional grounding. Strong for scenes where tension resolves, characters find peace, or reassurance is needed. Particularly effective in drama, family storytelling, and reflective endings.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: It's Alright

Song Profile

  • Key Signature: F# Minor
  • BPM: 130
  • Tempo: Uptempo
  • Genres: Dance, Pop, World
  • Vocals: Female vocal
  • Mood/Feel: Cool, Rhythmic, Upbeat
  • Lyric Themes: Confidence, Strength, Struggle, Success
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Horns
  • Percussion
  • Synth

Track Summary

“It’s Alright” is a high-energy, rhythm-forward anthem that blends modern dance-pop with global flair. The driving groove, bright horn stabs, and confident vocal delivery reinforce a message of perseverance and self-belief — refusing to be stopped, beaten down, or boxed in by outside pressure.

Sync Highlights

  • Perfect for empowerment montages, victory moments, and comeback arcs.
  • Upbeat dance rhythm supports fitness, sports, lifestyle, and celebratory visuals.
  • Positive, defiant lyric works well for confidence-driven narratives and branding.
  • World-influenced elements add color and energy without distracting from picture.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: It's Alright

With its upbeat tempo and fearless message, “It’s Alright” is designed for moments of momentum and confidence. It works especially well when characters shake off doubt, reclaim their power, or move forward together despite resistance.

Scene Types

  • Training and preparation sequences leading into success.
  • Comeback or “prove them wrong” montages.
  • Celebratory group scenes filled with movement and joy.
  • Final-act resolutions where characters push through obstacles.

Film/TV Fit

  • Drama
  • Sports and competition content
  • Feel-good streaming series
  • Ads and branded campaigns (confidence, fitness, lifestyle)
  • Youth- and culture-forward programming

Why It Works

  • 130 BPM provides steady, danceable momentum.
  • Universal message of resilience and strength.
  • Bright instrumentation keeps energy high without overwhelming dialogue.
  • One-stop, female vocal track ideal for contemporary placements.
Track Narrative:
“It’s Alright” follows a narrator who refuses to be defined by setbacks or outside voices. Each chorus reinforces the decision to keep moving, to keep trying, and to trust that progress comes from persistence. The song’s closing imagery — colors combining into light — lands as a statement of unity, strength, and shared momentum.

Lyrics: It's Alright

No you can't do it all you know You can try but you will fail You'll still hear on this earth I say, it's gonna, gonna be okay I thought that this was 'bout to change today But now I know that I don't give a damn anyway I'm not gonna do what you say Won't let you get me down. It's alright I won't let it stop me now. It's alright I won't let it block me now, I'll do what I can to break new ground It's alright I won't let it stop me now I won't let it beat me down I'll keep on trying again and again and again and again You can't stop me You can't stop me No you can't stop You can try but you will fail When I can, I say yes, my friend When I fall, I get up again You're thriving, why don't you give yourself a chance? Keep on trying and you'll find your wealth Don't do what they say You can't beat me down. Alright I won't let it stop me now. It's alright I won't let it block me now, I'll do what I can to break new ground It's alright I won't let it stop me now. Alright I won't let it beat me down I won't let it beat me down, no, I won't let it stop me now All the colors of the rainbow, coming in the white light Combine inside Combine it's alright won't let it stop me now. Alright Won't let it beat me down. It's alright I won't let it block my love to you and me and all around. It's alright I won't let it stop me now. It's alright I won't let it block us 'Cause I won't let it beat us down now, won't let it stop us now.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria crafts energetic, emotionally confident songs that blend global rhythm, modern pop, and cinematic sensibility. Her work emphasizes resilience, self-belief, and forward momentum — music designed to lift scenes and support characters in motion.

With a strong rhythmic foundation and uplifting lyrical core, her tracks translate seamlessly into empowerment-driven storytelling, celebratory moments, and visually dynamic edits.

Styles: Dance-pop, world-influenced pop • Strengths: Uplifting energy, confident female vocal, rhythmic drive • Typical Uses: Comeback arcs, fitness/sports, lifestyle branding, feel-good montages

It’s Alright — Instrumental

It’s Alright cover art

It's Alright
by Samuel Williams

Warm and easygoing — “It’s Alright” by Samuel Williams flows with laid-back reggae grooves and melodic charm. Ideal for sync scenes of comfort, travel, calm transitions, or emotional reprieve in slice-of-life storytelling.

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OMR Cue Map

OMR Cue Map

Track: It’s Alright
Clean Intro: Yes (0:00 – immediate melodic entry with warm, emotional tone)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:28 / 1:50 / 2:12
Button Ending: Yes, resolved uplifting ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:08–1:28 / 1:50–2:12
Use Case: Warm, emotionally expressive cue with a reassuring yet slightly more forward-moving tone. Strong for recovery moments, reconciliation, and scenes where characters begin to move forward after difficulty. Particularly effective in drama and relationship-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: It’s Alright by Samuel Williams

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 72
  • Energy: Low - Moderate
  • Genres: Party, Reggae, Funk, Pop
  • Vocals: Instrumental
  • Moods: Carefree, Upbeat, Cool, Dreamy, Positive, Rhythmic
  • Lyric Themes: Instrumental
  • Type: One Stop
  • Cinematic Fit: Comedy, Coming-of-age, Fantasy, Romance

Production Details

  • Executive Producer: Samuel Williams
  • Music Composition: Samuel Williams
  • Music Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Talkbox: Jonathan Gateretse
  • Rhythm Guitar: Vindell Smith
  • Bass, Piano, Keyboards, Percussion, Programming: Samuel Williams
  • Whistlers: Johnathan Smith & Dornalee Browne

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Instrumental Solos: Bass, Piano

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“It’s Alright” by Samuel Williams is a laid-back, feel-good instrumental that blends reggae grooves with funk-pop charm. Its rhythmic optimism and dreamy vibe make it ideal for scenes of comfort, travel, or lighthearted transitions.

Ideal Sync Uses

  • Comedy: Quirky intros, relaxed pacing
  • Coming-of-age: Youthful freedom, carefree moments
  • Fantasy: Magical realism, whimsical transitions
  • Romance: Playful flirtation, lighthearted connection

Scene Suggestions

  • Montage of a sunny road trip
  • Character walking through a vibrant market
  • Opening credits with a relaxed tone
  • Stylized flashback to a joyful memory

Why It Works

  • Instrumental format allows flexible emotional interpretation
  • Funk-reggae fusion adds groove and charm
  • Bass and piano solos enhance musicality
  • Positive mood palette supports uplifting storytelling
Track Narrative:
“It’s Alright” rests in rhythmic optimism — Samuel Williams composes syncable instrumental comfort for visuals of lighthearted flow, reassurance, or gentle departure.

It’s Later Than You Think

It’s Later Than You Think cover art

It's Later Than You Think
by Paul Reddick

Brooding and mythic — “It’s Later Than You Think” by Paul Reddick paces through lyrical blues shadow and ominous groove. Fit for sync scenes of transition, emotional closure, or narrative tension cloaked in folk magic and poetic unease.

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OMR Cue Map

OMR Cue Map

Track: It’s Later Than You Think
Clean Intro: Yes (0:00 – immediate blues-rooted entry with reflective urgency)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, resolved but weighty ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:12 / 1:12–1:32 / 1:55–2:18
Use Case: Reflective, blues-driven cue centered on urgency, time passing, and the weight of missed or fleeting opportunity. Strong for scenes where characters confront reality, deadlines, or the consequences of delay. Particularly effective in drama, Americana storytelling, and reflective turning points.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: It’s Later Than You Think by Paul Reddick

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 127
  • Energy: Mid-tempo
  • Genres: Blues, Jazz, Rock
  • Vocals: Male
  • Moods: Bright, Confident, Fun, Happy, Positive, Quirky, Retro, Upbeat, Uplifting
  • Lyric Themes: Home, Identity, Strength, Loneliness, Time
  • Type: One Stop
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Western

Production Details

  • Produced By: Colin Linden
  • Written By: Colin Linden
  • Recorded By: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed By: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered By: John Whynot

Artists

  • Harmonica, Vocals: Paul Reddick
  • Guitars: Colin Linden
  • Piano: John Whynot
  • Drums, Percussion, Tubular Bells: Stephen Hodges
  • Trumpet/Horn Arrangements: Darrell Leonard
  • Saxophone: Joe Sublette, Jim McMillen
  • Trombone: Jim Thompson

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“It’s Later Than You Think” by Paul Reddick is a vibrant fusion of blues, jazz, and rock with a retro twist. Its quirky charm and confident male vocals make it a standout choice for dynamic storytelling and character-driven scenes.

Ideal Sync Uses

  • Comedy: Offbeat humor, ironic transitions
  • Drama: Personal reflection, emotional tension
  • Western: Modern cowboy swagger
  • Crime: Stylized investigations, noir sequences
  • Coming-of-Age: Identity discovery, youthful rebellion

Scene Suggestions

  • Opening credits with vintage flair
  • Montage of a character navigating city life
  • Barroom confrontation with swagger
  • Stylized flashback to a pivotal moment

Why It Works

  • Male vocals deliver emotional authenticity
  • Horn arrangements add cinematic punch
  • Mid-tempo groove supports varied pacing
  • Lyric themes resonate with universal storytelling
Track Narrative:
“It’s Later Than You Think” whispers through closing chapters — Paul Reddick delivers sync magic for visuals of looming consequence, emotional weight, or lyrical dusk.

Lyrics

Get your house in order come back from the brink Cast your eyes on western skies It’s later than you think Come back to your senses and order one more drink Raise it to the great unknown It’s later than you think I’m on one side of the room you are on the other Never has this closer Been this further The clock is ticking faster than the drippin in the sink I wonder who you’re waiting for It’s later than think The bellman’s got your suitcase the coat check’s got your mink You’ve got to the key to 903 It’s later than you think You’ve got the secret number you’re playing in the pink The moon is lost behind the fog It’s later than think The bellman’s got your suitcase the coat check’s got your mink You’ve got the key to 903 It’s later than you think It’s later than you think It’s later than you think

It's Only Love

It's Only Love cover art

It's Only Love
by OMR Music Production

Soulful and honest — “It’s Only Love” by OMR Music Production delivers lyrical perspective with acoustic ease and emotional humility. Ideal for sync scenes of romantic reflection, soft confrontation, or bittersweet closure wrapped in melodic light and spoken truth.

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OMR Cue Map

OMR Cue Map

Track: It’s Only Love
Clean Intro: Yes (0:00 – soft emotional entry with immediate intimacy)
Edit Points: 0:16 / 0:34 / 0:52 / 1:12 / 1:32 / 1:55 / 2:18
Button Ending: Yes, gentle resolved ending
Loopable: Moderate
Best Loop Candidates: 0:16–0:52 / 0:52–1:12 / 1:32–1:55
Use Case: Intimate, emotionally grounded cue centered on love, vulnerability, and simplicity. Strong for relationship moments, confessions, and scenes where emotional connection is stripped down to its essence. Particularly effective in romance and character-driven storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: It’s Only Love by OMR Music Production

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 70
  • Energy: Low - Medium
  • Genres: Ballad, Cinematic, Folk, Singer/Songwriter
  • Vocals: Male
  • Moods: Warm, Reflective, Uplifting
  • Lyric Themes: Pain, Connection, Heartbreak, Strength, Love
  • Type: One Stop
  • Cinematic Fit: Romance, Drama, Art House, Coming-of-Age

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“It’s Only Love” by OMR Music Production is a heartfelt ballad that blends cinematic warmth with folk sincerity. Its acoustic textures and emotional clarity make it ideal for scenes of romantic reflection, personal growth, or bittersweet closure.

Ideal Sync Uses

  • Romance: Emotional turning points, declarations of love
  • Drama: Quiet introspection, heartfelt dialogue
  • Coming-of-Age: Moments of realization, personal strength
  • Art House: Poetic transitions, visual storytelling

Scene Suggestions

  • Slow-motion walk through a meaningful location
  • Flashback to a pivotal relationship moment
  • Closing credits with emotional resonance
  • Character writing a letter or reflecting alone

Why It Works

  • Male vocals deliver emotional depth
  • Acoustic instrumentation supports intimate tone
  • Lyric themes resonate with universal emotions
  • Warm production enhances cinematic appeal
Track Narrative:
“It’s Only Love” balances emotional reflection — OMR Music Production builds sync-ready insight for scenes of romantic honesty and lyrical clarity.

Lyrics

VERSE 1 TURN AROUND TAKE MY HAND WHY CAN’T YOU SEE I WANT TO BE YOUR EVERYDAY MAN VERSE 2 WALK WITH ME FOR A WHILE PLEASE SHARE YOUR PAIN YOU’LL LAUGH AGAIN I’LL BRING BACK YOUR SMILE CHORUS IT’S ONLY LOVE THAT I HEAR IN YOUR SILENCE IT’S ONLY LOVE THAT I FEEL IN YOUR TOUCH IT’S ONLY LOVE IT’S ONLY LOVE VERSE 3 LET IT GO HEAR MY HEART BEATING SO LOUD MY HEAD IN A CLOUD WE CAN’T BE APART VERSE 4 LEAN ON ME I’LL STAY STRONG WON’T LET YOU FALL IT’S YOU ABOVE ALL IT’S WHERE WE BELONG CHORUS BRIDGE YOU LOOK AT ME WITH YOUR HEART NOT YOUR EYES I FEEL THERE IS JOY IN YOUR SOUL WHERE PAIN LIES IT NEEDS TO RISE DARK SKIES ABOVE IT’S ONLY LOVE INTERLUDE CHORUS

IT'S YOUR TOWN — Elmer Ferrer

It's Your Town cover art

It's Your Town
by Elmer Ferrer

It's Your Town carries an upbeat electronic groove with a playful sense of confidence and motion. Driven by bass, synth, percussion, and keyboard textures, the cue feels energetic and slightly quirky, making it ideal for scenes that celebrate individuality, urban movement, or lighthearted momentum. Its rhythmic brightness works especially well for montages, lifestyle visuals, or sequences where a character steps forward with confidence and a sense of ownership over their environment.

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OMR Cue Map

OMR Cue Map

Track: It's Your Town
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: No, natural continuation tail
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:48–1:20 / 1:04–1:36
Use Case: Community-forward cue for hometown identity, local movement, neighborhood montage, character belonging, small-town atmosphere, and scenes where place becomes part of the emotional story.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: It's Your Town

Song Details

  • Energy: Bright / Driving
  • Genres: Electronic
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 75
  • Moods: Bright, Confident, Cool, Fun, Positive, Quirky, Rhythmic, Upbeat
  • Cinematic Fit: Comedy, Lifestyle, Youth Culture, Urban Montage
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Keyboard
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

It's Your Town brings playful confidence and upbeat motion through a bright electronic groove. Its rhythmic energy makes it ideal for scenes where characters embrace their environment with attitude, independence, and a touch of humor.

Ideal Sync Uses

  • Comedy: quirky character introductions
  • Lifestyle: urban movement and montage
  • Youth / Coming-of-Age: characters finding their place
  • Travel: exploring a new city with playful energy

Scene Suggestions

  • Character walking confidently through a busy city street
  • Montage introducing a town or neighborhood
  • Lighthearted sequence of characters navigating their environment
  • Opening scene establishing tone with personality and rhythm
Track Narrative:
It's Your Town moves with playful ownership and rhythmic confidence. The cue suggests a character stepping into a space where they belong—or deciding to claim it anyway. Its bright groove and quirky energy make it perfect for scenes where personality leads the story.

I'VE GOT A HEART — Purple Fox and the Heebie Jeebies

I've Got A Heart cover art

I've Got A Heart
by Purple Fox and the Heebie Jeebies

Upbeat soul-rock with a big, loving chorus. “I’ve Got A Heart” celebrates boundless care for family, friends, and even that blue-eyed dog — a fast, retro-tinged feel-good cut that lands perfectly on scenes of joy, hugs, and togetherness.

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OMR Cue Map

OMR Cue Map

Track: A Fruitful Year
Clean Intro: Yes (0:00 – clean instrumental intro)
Edit Points: 0:10 / 0:21 / 0:32 / 0:43 / 0:54 / 1:04
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:10–0:32 / 0:21–0:43 / 0:32–0:54
Use Case: Warm, rhythmic cue for forward motion, reflective montage, seasonal transition, and quietly optimistic scene-setting. Strong for light travel, growth, and emotionally grounded movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: I've Got A Heart

Artist: Purple Fox and the Heebie Jeebies
Genre: Blues, Rock, Soul
Instruments: Bass, Drums, Electric Guitar, Percussion
Lyric Themes: Family, Friendship, Love
Mood: Confident, Retro, Upbeat
Tempo: Fast • BPM: 138 • Key: A Major
Vocal: Male • Type: One Stop

Track Summary

Fast, heart-on-sleeve soul-rock with an “infinity love” refrain. Tight drums and chugging guitars carry a jubilant, family-first message that lands beautifully on embrace, reunion, and celebration scenes.

Sync Highlights

  • Feel-good hook (“I love you, infinity…”) for family/relationship arcs
  • Upbeat pacing supports joyful montage and victory beats
  • Clean, positive lyrics — brand and promo friendly
  • Natural :15/:30/:60 edit points in verse/chorus structure

Sync Potential: I've Got A Heart

A bright, modern retro jam ideal for children/family series, comedy beats, celebratory reveals, and brand spots about love, kindness, and connection.

  • Family montage, birthdays, “welcome home,” or pet-family moments
  • Commercials emphasizing care, community, and optimism
  • Fast tempo energizes edits without overshadowing VO
Track Narrative:
A joyous declaration of limitless love. The groove is brisk and uplifting, framing scenes where characters show up for one another — from family reunions to community wins and feel-good resolutions.
Lyrics:
I’ve got a heart
Bigger than a playground
Taller than a mountain
Wider than the sky
And there’s no limit
To the love I’m giving
To my family and friends
and my dog with blue eyes

I love you, infinity, love you infinity
We go on forever so we never have to stop
Love you infinity, for the possibilities
We can be anything, everything we want

I love you, infinity, love you infinity
We go on forever so we never have to stop
Love you infinity, for the possibilities
We can be anything, everything we want
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

Blues-rock-soul energy with upbeat, family-friendly storytelling. Big choruses, clean positivity, and one-stop clearance make this catalog a dependable choice for joyful, connection-driven syncs.

Styles: Blues, Rock, Soul • Strengths: Positive hooks, fast tempo energy, VO-friendly mixes • Typical Uses: Children/Family, Comedy, Coming-of-Age, Brand optimism

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