• HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — G

From gritty grooves to graceful guitar work, the “G” catalog is grounded in feel and finesse. These tracks are built to underscore emotion and elevate storytelling.

← Back to Main Catalog

G Shuffle

G Shuffle cover art

G Shuffle
by Samuel Williams

Groove-rich and stylish — “G Shuffle” by Samuel Williams combines jazz-R&B sophistication with mellow street flair. Its confident rhythm and tonal ease evoke syncable moments of cool entry, urban scenes, or walking-through-life montages scored with swagger and restraint.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: G Shuffle
Clean Intro: Yes (0:00 – immediate groove entry with swung rhythmic feel)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20
Button Ending: Yes, tight rhythmic ending
Loopable: Very High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Groove-driven shuffle cue for laid-back momentum, character movement, and rhythmic storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: G Shuffle

Song Profile

  • Key Signature: G# Major
  • Beats Per Minute: 93
  • Energy: Medium
  • Genres: R&B, Funk, Jazz
  • Vocals: Instrumental
  • Moods: Upbeat, Cool, Fun, Positive, Retro, Uplifting
  • Cinematic Fit: Animation, Crime, Drama, Mystery
  • Type: One Stop

Production Details

  • Executive Producer: Samuel Williams
  • Music Composition & Arrangement: Samuel Williams
  • Recording, Mixing & Mastering: Samuel Williams

Artists

  • Samuel Williams: Bass, Guitars, Programming, Keyboards
  • Otis Williams: Drums
  • TJ Whitelaw: Lead Guitar
  • Alexis Baro: Trumpet
  • Joel Chambers: B3 Organ
  • Rob Christian: Saxophone, Flute
  • Christian Overton: Trombone

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Groove-rich and stylish — “G Shuffle” by Samuel Williams combines jazz-R&B sophistication with mellow street flair. Its confident rhythm and tonal ease evoke syncable moments of cool entry, urban scenes, or walking-through-life montages scored with swagger and restraint.

Best Use Cases

  • Animation: Stylized movement, character intros
  • Crime: Urban tension, slick transitions
  • Drama: Ensemble rhythm, emotional pacing
  • Mystery: Suspenseful groove, investigative flow

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for underscore
  • Midtempo Groove: Balanced energy
  • Instrumentation: Bass, drums, electric guitar, horns, percussion
  • Solo Features: Bass, Saxophone, Brass

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“G Shuffle” struts with syncable cool — Samuel Williams blends jazz tones and understated fire for scenes of sleek confidence, low-key power, and rhythmic control.

Gael — Instrumental

Gael cover art

Gael
by Carlos Miyares

Atmospheric and contemplative — “Gael” by Carlos Miyares frames emotional subtlety through lyrical sax work and ambient jazz tone. Designed for sync scenes of reflection, scenic introspection, or quiet resolve set against moody visual pacing and cultural nuance.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Gael
Clean Intro: Yes (0:00 – immediate rhythmic entry with Latin groove and tonal identity)
Edit Points: 0:12 / 0:28 / 0:46 / 1:04 / 1:24 / 1:48 / 2:12 / 2:36 / 3:00
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:04 / 1:24–1:48 / 2:12–2:36
Use Case: Rhythmic Latin instrumental for cultural storytelling, movement, and social energy. Strong for travel, environment-driven scenes, and sequences that emphasize identity, rhythm, and connection through place.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Gael

Song Profile

  • Key Signature: Eb Major
  • Beats Per Minute: 69
  • Energy: Low - Moderate
  • Genres: Jazz, Ballad
  • Vocals: Instrumental
  • Moods: Warm, Hopeful, Minimal, Reflective
  • Cinematic Fit: Crime, Drama, Mystery, Romance
  • Type: One Stop

Production Details

  • Direction, Arrangement & Composition: Carlos Miyares
  • Production Assistant: Yoanys Perez
  • Sound Engineer: Ana Laura Vilaragut
  • Mixing: Ana Laura Vilaragut & Carlos Miyares
  • Mastering: Ana Laura Vilaragut

Artists

  • Carlos Miyares: Tenor Sax
  • Alejandro Delgado: Trumpet
  • Miguel Angel WiWi Garcia: Piano
  • Rafael Paseiro: Bass
  • Rodney Barreto: Drums
  • Adel Gonzalez: Percussion

Instrumentation

  • Horns
  • Piano
  • Saxophone
  • Percussion
  • Instrumental Solo: Saxophone

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Atmospheric and contemplative — “Gael” by Carlos Miyares frames emotional subtlety through lyrical sax work and ambient jazz tone. Designed for sync scenes of reflection, scenic introspection, or quiet resolve set against moody visual pacing and cultural nuance.

Best Use Cases

  • Crime: Emotional tension, noir transitions
  • Drama: Character introspection, emotional arcs
  • Mystery: Quiet suspense, reflective pacing
  • Romance: Intimate moments, poetic visuals

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for underscore
  • Low–Moderate Energy: Ideal for mood setting
  • Instrumentation: Horns, piano, saxophone, percussion
  • Solo Feature: Saxophone

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Gael” breathes tonal depth — Carlos Miyares offers syncable instrumental tension for quiet arcs, cultural rhythm, and storylines with poetic intention.

Gainsville

Gainsville cover art

Gainsville
by Mattie Leon

Poignant and evocative — “Gainsville” by Mattie Leon blends folk-pop texture with narrative depth, inviting sync scenes of quiet resolve, homeward longing, or reflective travel. A heartfelt vocal and melodic arc carry emotional authenticity and cinematic gravity.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Gainsville
Clean Intro: Yes (0:00 – immediate tonal/vocal entry with relaxed storytelling tone)
Edit Points: 0:14 / 0:30 / 0:50 / 1:10 / 1:34 / 1:58 / 2:22 / 2:48 / 3:12
Button Ending: Yes, gently resolved ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:10 / 1:34–1:58 / 2:22–2:48
Use Case: Light narrative vocal cue for lifestyle storytelling, nostalgia, and grounded character moments. Strong for small-town environments, reflective scenes, and sequences that emphasize everyday life, memory, and personal perspective.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Gainsville

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 107
  • Energy: Midtempo
  • Genres: Folk, Singer/Songwriter, Punk
  • Vocals: Male Vocal
  • Moods: Moody, Quirky, Reflective
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
  • Type: One Stop

Lyric Themes

  • Strength
  • Connection
  • Home
  • Time

Production Details

  • Words By: Mattie Leon
  • Music By: Mattie Leon, Mike Leon, Nelson Sobral
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Mattie Leon
  • Mastered By: Reuben Ghose

Artists

  • Mattie Leon: All Instruments
  • Mike Leon: Drums

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Piano
  • Bass
  • Drums
  • Strings

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Poignant and evocative — “Gainsville” by Mattie Leon blends folk-pop texture with narrative depth, inviting sync scenes of quiet resolve, homeward longing, or reflective travel. A heartfelt vocal and melodic arc carry emotional authenticity and cinematic gravity.

Best Use Cases

  • Coming-of-Age: Emotional transitions, personal growth
  • Drama: Family tension, inner conflict
  • Indie: Road scenes, introspective montages
  • Romance: Nostalgic moments, heartfelt connection

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocal: Authentic and expressive
  • Midtempo Energy: Versatile pacing
  • Instrumentation: Acoustic & electric guitar, piano, strings, bass, drums

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Gainsville” hums with honest emotion — Mattie Leon delivers cinematic warmth for reflective storytelling, low-saturation visuals, or heart-on-sleeve journeys.

Lyrics

Grass Fields Railroads Stop signs and dirt roads Too much time to kill Will you still be waiting for me when I get back home to Gainesville Birch trees Sunrise Daydream on long drive US Dollar Bill Will you still be waiting for me when I get back home to Gainesville Home Home before too long Home Back to where you are Waving windmills I can't wait till we cross the Peace Bridge Will you still be waiting for me when I get back home to Gainesville Home Home before too long Home Back to where you are Will you still be waiting for me when I get back home Will you still be waiting for me when I get back home Will you still be waiting for me when I get back home to Gainesville

Get Down — Instrumental

Get Down cover art

Get Down
by Samuel Williams

Slick and danceable — “Get Down” by Samuel Williams serves a groove-laden instrumental blend of funk-pop, urban rhythm, and confident sonic sparkle. Designed for sync scenes of nightlife energy, movement montage, or charismatic cutaways layered in smooth flair.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Get Down
Clean Intro: Yes (0:00 – immediate high-energy rhythmic entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20
Button Ending: Yes, punchy, impact-ready ending
Loopable: Very High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: High-energy groove cue for movement, attitude, and rhythmic drive. Strong for dance, montage, fitness, and sequences that require immediate energy, confidence, and visual momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Get Down

Song Profile

  • Key Signature: F Minor
  • Beats Per Minute: 97
  • Energy: Moderate
  • Genres: R&B, Jazz, Dance, Electronic, Funk, Soul
  • Vocals: Instrumental
  • Moods: Carefree, Confident, Cool, Driving, Energetic, Rhythmic, Swagger, Upbeat, Uplifting
  • Cinematic Fit: Drama, Fantasy, Romance
  • Type: One Stop

Instrumental Solos

  • Bass
  • Electric Guitar
  • Drums

Production Details

  • Executive Producer: Samuel Williams
  • Music Composition: Samuel Williams
  • Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

Artists

  • Samuel Williams: Bass, Guitars, Drum Programming, Keyboards
  • Joel Chambers: Organ
  • Rob Christian: Sax
  • Daniel Steduto: Guitars
  • Jozef Teeuwsen: Guitars
  • Larnell Lewis: Drums

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Slick and danceable — “Get Down” by Samuel Williams serves a groove-laden instrumental blend of funk-pop, urban rhythm, and confident sonic sparkle. Designed for sync scenes of nightlife energy, movement montage, or charismatic cutaways layered in smooth flair.

Best Use Cases

  • Drama: Stylish transitions, club scenes
  • Fantasy: Magical realism with rhythm
  • Romance: Flirtatious energy, upbeat chemistry

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for underscore
  • Moderate Energy: Ideal for rhythmic pacing
  • Instrumentation: Bass, drums, electric guitar, horns, synth, percussion
  • Solo Features: Bass, electric guitar, drums

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Get Down” pulses with sonic swagger — Samuel Williams crafts dance-ready rhythm and instrumental finesse ideal for visual sync in stylish urban settings or kinetic sequences.

Ghetto Echo

Ghetto Echo cover art

Ghetto Echo
by Melodic Yoza

Raw and resonant — “Ghetto Echo” by Melodic Yoza carves poetic insight through roots reggae and indie-hip-hop textures. Built for sync scenes of urban struggle, inner strength, or cultural commentary framed in lyrical grit and rhythmic flow.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Ghetto Echo
Clean Intro: Yes (0:00 – immediate atmospheric entry with tonal texture and subtle rhythmic presence)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:28–1:02 / 1:20–1:40 / 2:00–2:20
Use Case: Atmospheric urban cue for introspection, memory, and environment-driven storytelling. Strong for city night scenes, internal reflection, and sequences where space, distance, and emotional texture shape the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Ghetto Echo

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 74
  • Energy: Moderate
  • Genres: Reggae, Hip Hop/Rap, Jazz
  • Vocals: Male Vocal
  • Moods: Catchy, Cool, Dramatic, Moody, Positive, Rhythmic, Sad, Serious, Somber, Upbeat
  • Cinematic Fit: Crime, Drama, Mystery
  • Type: One Stop

Lyric Themes

  • Conflict
  • Power
  • Death
  • Struggle
  • Fear

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park, JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Featuring Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Raw and resonant — “Ghetto Echo” by Melodic Yoza carves poetic insight through roots reggae and indie-hip-hop textures. Built for sync scenes of urban struggle, inner strength, or cultural commentary framed in lyrical grit and rhythmic flow.

Best Use Cases

  • Crime: Street realism, tension-building
  • Drama: Emotional depth, cultural identity
  • Mystery: Gritty atmosphere, introspective pacing

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocal: Gritty and expressive
  • Moderate Energy: Ideal for narrative pacing
  • Instrumentation: Bass, drums, percussion, synth

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Ghetto Echo” speaks the streets — Melodic Yoza delivers syncable tension and lyrical rhythm for stories of resistance, legacy, and truth-telling flow.

Lyrics

[Intro] I can hear it, I can hear it I can hear it, I can hear it I can hear it, I can hear it I can hear it, I can hear it I can hear it, I can hear it I can hear it, I can hear it I can hear it, I can hear it I can hear it, I can hear it [Chorus 1] Gun shot a echo Down in the ghetto (Down, down in the ghetto) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it I can hear them echos Gun shot a echo (Down, down in the ghetto) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it [Verse 1] Just so you know Mi know the youth from him little a grow Mi tell him Rеlax and chill man and take things slow Mi tell him Ain’t no need for you to buss the f4f4 Now hold tight What you a gwaan with you Mr. Man Put down thе Glock the nine and the M1 You got to be crazy to buss the M3 Now leave your brother laying Man now how could this be I know something got to be wrong ‘Cause everywhere is blam-blam, blam-blam Gun shots a burst in the ghetto Rapa-pam-pam, pam-pam See upcoming R&B shows Get tickets for your favorite artists You might also like Countri Bunkan Melodic Yoza Countri Boi Kingston Melodic Yoza Mud GodKing Zeus [Chorus 2] Gun shot a echo Down in the ghetto (Down, down in the ghetto) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it I can hear them echos Gun shot a echo (Down, down in the ghetto) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it [Verse 2] Gun shots like rain Falling down a back lane You see the cops they came out with their M16 And start spraying Mama I feel your pain But how will they explain Things in the garrison Yo it just ain’t the same It’s like it’s a war campaign [Chorus 3] Gun shot a echo Down in the ghetto (Down, down in the ghetto) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it I can hear them echos (Echos) Gun shot a echo (Down, down in the ghetto) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it [Bridge] It's such a tragedy To all those families Who lost someone by gun violence So let's just have ourselves a moment of silence [Verse 3] Hey, this ain’t no joke or no laugh thing These kind of things happen so often The Glocks and nine what the youth keep barking Them popping off without even a warning I am asking what’s going starky The 44 Magnum put down the 40 I’m begging please don't shoot up the party ‘Cause gun shot don't love nobody [Chorus 4] Gun shot a echo (Echo) Down in the ghetto (Echo) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it I can hear them echos (Echo) Gun shot a echo (Echo) Down in the ghetto I can hear it, mmhm I can hear it y’all I can hear it, I can hear it [Outro] Oh, oh, yeah Bad boys in the streets Rude boys and police Fighting war for peace Will it ever cease

Ghost of Me

Ghost of Me cover art

Ghost of Me
by Justin Enco Band

Haunting and reflective — “Ghost of Me” by Justin Enco Band fuses folk-rock soul with lyrical ache and melodic dusk. It’s designed for sync scenes that journey through emotional fallout, personal reckoning, or cinematic solitude dusted in grit and longing.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Ghost of Me
Clean Intro: Yes (0:00 – immediate tonal/vocal entry with introspective mood)
Edit Points: 0:16 / 0:34 / 0:54 / 1:16 / 1:40 / 2:06 / 2:32 / 2:58 / 3:24
Button Ending: Yes, resolved emotional ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:16 / 1:40–2:06 / 2:32–2:58
Use Case: Emotional vocal cue for identity loss, memory, and lingering connection. Strong for breakup scenes, personal reflection, and sequences where the past continues to shape the present.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Ghost of Me

Song Profile

  • Key Signature: B Major
  • Beats Per Minute: 172
  • Energy: Fast Tempo
  • Genres: Rock
  • Vocals: Male Vocal
  • Moods: Bright, Hopeful, Positive, Reflective, Upbeat, Uplifting
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance, Thriller
  • Type: One Stop

Lyric Themes

  • Dream
  • Loneliness
  • Fear

Production Details

  • Lyrics: Justin Enco
  • Recorded At: Studio M31, Hollywood, FL (Yves Giraud)
  • Mix/Mastered: Purgatory Recording Studio, Sunrise, FL (Michael Waxman)

Artists

  • Justin Enco: Vocals, Acoustic Guitar

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Haunting and reflective — “Ghost of Me” by Justin Enco Band fuses folk-rock soul with lyrical ache and melodic dusk. It’s designed for sync scenes that journey through emotional fallout, personal reckoning, or cinematic solitude dusted in grit and longing.

Best Use Cases

  • Coming-of-Age: Emotional transitions, self-discovery
  • Drama: Inner conflict, personal loss
  • Indie: Road scenes, reflective montages
  • Romance: Bittersweet moments, longing
  • Thriller: Psychological tension, quiet suspense

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocal: Raw and expressive
  • Fast–Midtempo: Dynamic pacing
  • Instrumentation: Acoustic & electric guitar, bass, drums, percussion

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Ghost of Me” carries cinematic ache — Justin Enco Band delivers syncable lyricism and folk-rock shadow for scenes of inner fracture, bittersweet memory, and emotional vulnerability.

Lyrics

Well, I'm getting older And wiser, one would hope The obstacles of endless dreams Have me by a rope But I'm losing ground and I'm falling short Trying to get through Passing drinks and right-eyed winks Replace the ghost of you, yeah, yeah Working late and question fate Trying to succeed Empty afternoons have become the norm to me Neon lights and lonely nights Come and gone you see One big break this heavy weight Will come and set me free You wait and see The ghost of You will see The ghost of a warrior This guitar won't get me far But I'm trying to persist I'm losing you in one man blues Where darkness can't resist For so long I've sang your song Sweetened with a kiss And now this night we're no more fight Without you I will miss And I will miss That witness Now this life, my sacrifice Had me upside down From now on when things go wrong Life won't be around So drink your fears and live your life Sorry you will be You had the best, you lost the rest Someday you will see The ghost of me You will see You will see Go slowly

Glacier Opportunity

Glacier Opportunity cover art

Glacier Opportunity
by Pat Carey

Expansive and cinematic — “Glacier Opportunity” by Pat Carey layers atmospheric jazz phrasing and melodic grandeur for sync scenes of natural beauty, emotional pause, or slow-reveal storytelling. Its instrumental depth suits visual moments of scale, solitude, or awe.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Glacier Opportunity
Clean Intro: Yes (0:00 – immediate soft atmospheric entry with expansive tonal space)
Edit Points: 0:20 / 0:42 / 1:06 / 1:32 / 1:58 / 2:26 / 2:54 / 3:22
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:42–1:32 / 1:58–2:26 / 2:54–3:22
Use Case: Expansive atmospheric cue for clarity, possibility, and forward-looking reflection. Strong for wide landscapes, strategic thinking moments, and scenes that emphasize scale, perspective, and emerging opportunity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Glacier Opportunity

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 73
  • Energy: Slow Tempo
  • Genres: Jazz
  • Vocals: Instrumental
  • Moods: Carefree, Bright, Upbeat, Cool, Confident, Happy, Light, Positive, Quirky
  • Cinematic Fit: Action, Adventure, Comedy
  • Type: One Stop

Instrumental Solos

  • Electric Guitar
  • Drums
  • Piano
  • Saxophone

Production Details

  • Executive Producers: Iridescent Music Company Inc.
  • Music Composition: Pat Carey
  • Recording: Alec Fraser
  • Production: Pat Carey, Alec Fraser, Jason Jestadt
  • Mixing: Alec Fraser
  • Mastering: Andy Krehm

Artists

  • Pat Carey: Saxophones
  • Ted Quinlan: Acoustic & Electric Guitars
  • Jason Jestadt: Piano
  • Kieran Overs: Acoustic Bass
  • Tom Jestadt: Drums

Instrumentation

  • Horns
  • Piano
  • Saxophone
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Expansive and cinematic — “Glacier Opportunity” by Pat Carey layers atmospheric jazz phrasing and melodic grandeur for sync scenes of natural beauty, emotional pause, or slow-reveal storytelling. Its instrumental depth suits visual moments of scale, solitude, or awe.

Best Use Cases

  • Action: Stylized transitions, reflective pacing
  • Adventure: Scenic exploration, travel montages
  • Comedy: Quirky interludes, lighthearted charm

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for underscore
  • Slow–Midtempo: Ideal for mood setting
  • Instrumentation: Horns, piano, saxophone, synth
  • Solo Features: Electric guitar, drums, piano, saxophone

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Stem Tracks:
Available upon request.
Track Narrative:
“Glacier Opportunity” drifts with grandeur — Pat Carey scores visual serenity and emotional expanse for cinematic reflections shaped by natural rhythm and scale.

Glass Letter

Glass Letter cover art

Glass Letter
by Pavlo Carta

Delicate and cinematic — “Glass Letter” by Pavlo Carta moves like soft revelation. Its instrumental phrasing breathes with quiet nuance and emotional grace, fitting for sync scenes of personal reflection, gentle transition, or visual melancholy with poetic weight.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Glass Letter
Clean Intro: Yes (0:00 – immediate soft melodic entry with intimate tonal clarity)
Edit Points: 0:18 / 0:36 / 0:58 / 1:22 / 1:48 / 2:16 / 2:44 / 3:12 / 3:40
Button Ending: Yes, gently resolved ending
Loopable: Moderate
Best Loop Candidates: 0:36–1:22 / 1:48–2:16 / 2:44–3:12
Use Case: Delicate instrumental cue for intimacy, vulnerability, and personal communication. Strong for quiet emotional scenes, reflective dialogue, and moments where subtle expression and emotional transparency guide the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Glass Letter

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 108
  • Energy: Medium
  • Genres: Folk, Indie, Jazz
  • Vocals: Instrumental
  • Moods: Upbeat, Cool, Uplifting, Positive, Quirky
  • Cinematic Fit: Secrets, Discovery Documentaries, Drama, Romance
  • Type: One Stop

Instrumental Solos

  • Cello

Production Details

  • Produzione: Ricky Lorenzo, TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artists

  • Pavlo Cartaginese: Violoncello, Chitarra, Basso, Pianoforte, Sintetizzatore, Batteria

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Piano

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Delicate and cinematic — “Glass Letter” by Pavlo Carta moves like soft revelation. Its instrumental phrasing breathes with quiet nuance and emotional grace, fitting for sync scenes of personal reflection, gentle transition, or visual melancholy with poetic weight.

Best Use Cases

  • Secrets: Emotional reveals, quiet tension
  • Discovery Documentaries: Scenic transitions, cultural depth
  • Drama: Reflective moments, character solitude
  • Romance: Intimate visuals, poetic pacing

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for underscore
  • Midtempo Energy: Ideal for mood setting
  • Instrumentation: Bass, drums, percussion, piano
  • Solo Feature: Cello

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Glass Letter” carries breath and tension — Pavlo Carta scores visual vulnerability and soft revelation for sync moments of quiet truth, emotional turning point, or cinematic grace.

Glisten Up — HYP

Glisten Up cover art

Glisten Up
by HYP

“Glisten Up” is a slow-burning, atmospheric instrumental that drifts between darkness and subtle illumination. Built on a restrained rhythmic pulse and layered with shadowy synth textures, the track feels introspective and cinematic — quietly propulsive rather than overtly dramatic. Its cool, mysterious tone supports scenes that unfold inward, allowing emotion and tension to accumulate gradually beneath the surface.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Glisten Up
Clean Intro: Yes (0:00 – immediate atmospheric entry with polished tonal texture)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft tail ending
Loopable: Very High
Best Loop Candidates: 0:28–1:02 / 1:20–1:40 / 2:00–2:20
Use Case: Polished atmospheric cue for clarity, subtle uplift, and modern visual tone. Strong for lifestyle visuals, transitional scenes, and moments where clean texture and understated motion support the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Glisten Up

Song Profile

  • Key Signature: G Minor
  • BPM: 80
  • Tempo: Slow
  • Genres: Electronic, Hip Hop / Rap, Pop
  • Vocals: Instrumental
  • Mood/Feel: Atmospheric, Cool, Dark, Dreamy, Moody, Mysterious, Reflective, Rhythmic
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Track Summary

“Glisten Up” unfolds with patience and restraint, allowing atmosphere and rhythm to guide the emotional arc. Dark synth layers shimmer against a slow, steady groove, creating a soundscape that feels reflective and quietly tense. Its minimalism and pacing make it highly adaptable for cinematic storytelling where mood carries more weight than action.

Sync Highlights

  • Slow tempo leaves space for dialogue and visual storytelling.
  • Atmospheric textures enhance mystery and introspection.
  • Modern electronic-hip-hop blend feels current and versatile.
  • Instrumental format ensures clean edits and broad usability.

Sync Potential: Glisten Up

“Glisten Up” works best in scenes driven by mood and subtext — moments where emotion simmers beneath the surface. Its slow pulse and shadowy atmosphere support reflection, uncertainty, and quiet anticipation.

Scene Types

  • Late-night cityscapes and neon-lit environments.
  • Internal character moments and emotional contemplation.
  • Stylized montages with slow, deliberate pacing.
  • Suspenseful transitions and unresolved tension.

Film / TV Fit

  • Psychological Drama & Thriller
  • Crime & Noir-Inspired Series
  • Artful Indie Film
  • Fashion, Beauty, and Luxury Branding

Why It Works

  • Dark, dreamy tone enhances atmosphere without distraction.
  • Slow rhythm allows emotional tension to build naturally.
  • Clean instrumental structure supports flexible editing.

Instrumental: Glisten Up

“Glisten Up” moves like a low light flickering in the dark — subtle, reflective, and controlled. A slow rhythmic backbone anchors shimmering synth layers that ebb and flow without demanding attention. The bass remains grounded and understated, allowing atmosphere to take the lead. Cinematically, the track supports moments of internal motion: decisions forming, emotions surfacing, and tension quietly crystallizing. It’s ideal for scenes where meaning is implied rather than stated, and where mood does the storytelling.
Track Narrative:
“Glisten Up” captures the sensation of clarity emerging from shadow — a moment where reflection turns into awareness. Calm but emotionally charged, the track mirrors the quiet shift that precedes action or change.
HYP

HYP

HYP crafts moody, cinematic-forward tracks that blend modern electronic textures with hip-hop sensibility and pop accessibility. Their instrumentals emphasize atmosphere, pacing, and emotional nuance — making them a strong fit for contemporary sync storytelling.

Styles: Electronic, Hip Hop / Rap, Pop • Strengths: Atmospheric design, slow-burn tension, edit-friendly structure • Typical Uses: Drama, Thriller, Fashion, Luxury, Reflective Montages

Glorious Enemy

Glorious Enemy cover art

Glorious Enemy
by Kristin Sweetland

Mythic and haunting — “Glorious Enemy” by Kristin Sweetland weaves lyrical mysticism and surreal tension through poetic vocals and shimmering texture. A sync-ready standout for scenes of internal struggle, spiritual revelation, or enchanted duality suspended in cinematic atmosphere.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Glorious Enemy
Clean Intro: Yes (0:00 – immediate tonal/vocal entry with tension-driven emotional tone)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:44 / 2:10 / 2:36 / 3:02 / 3:30
Button Ending: Yes, resolved emotional ending
Loopable: Moderate
Best Loop Candidates: 0:36–1:20 / 1:44–2:10 / 2:36–3:02
Use Case: Emotional vocal cue for conflict, duality, and complex relationships. Strong for dramatic tension, internal struggle, and scenes where connection and opposition exist simultaneously.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Glorious Enemy

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 109
  • Energy: Mid Tempo
  • Genres: Folk, Singer/Songwriter
  • Vocals: Female Vocal
  • Moods: Hopeful, Moody, Reflective
  • Cinematic Fit: Drama, Indie, Mystery, Thriller
  • Type: One Stop

Lyric Themes

  • Power
  • Destiny
  • Relationship
  • Fear
  • Discovery

Instrumental Solos

  • Acoustic Guitar
  • Cello
  • Mandolin

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Vocals, Electric Guitar
  • Ken Whiteley: Bass, Mandolin
  • Paul Brennan: Drums
  • Roman Borys: Cello
  • Stephen Fearing: Harmony Vocals
  • Suzie Vinnick: Harmony Vocals

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Mythic and haunting — “Glorious Enemy” by Kristin Sweetland weaves lyrical mysticism and surreal tension through poetic vocals and shimmering texture. A sync-ready standout for scenes of internal struggle, spiritual revelation, or enchanted duality suspended in cinematic atmosphere.

Best Use Cases

  • Drama: Emotional depth, personal conflict
  • Indie: Poetic visuals, character introspection
  • Mystery: Quiet suspense, symbolic tension
  • Thriller: Psychological unraveling, surreal moments

Sync Appeal

  • One Stop: Simplified licensing
  • Female Vocal: Ethereal and expressive
  • Midtempo Flow: Ideal for emotional pacing
  • Instrumentation: Acoustic guitar, bass, drums, electric guitar, keyboard, percussion, synth
  • Solo Features: Acoustic guitar, cello, mandolin

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Glorious Enemy” glows with mystery and tension — Kristin Sweetland delivers syncable surrealism and lyrical ambiguity for stories of enchanted struggle, cosmic introspection, and emotional duality.

Lyrics

Midnight Something’s come over me Streetlight Blows out right over me Heavy orange moon Hangs down low over the road Late-night Radio haunting me Moonlight Pouring down onto me Over my face It carves out my shade in the snow Chorus: And we know And we know Dark without light Wrong without right Isn’t so Cold war Global conspiracy No more Free to be you and me One in the same We all fight in the name of our Lord Save me Glorious enemy Give me Purpose and destiny Hold me so close I know you’ll never let go Chorus Never look back You must never show fear You must never be envious Don’t let them hear you Be doubting yourself They must not see you cry You will stand strong Live for the cause Till you die Chorus Midnight Something’s come over me Streetlight Blows out right over me Heavy orange moon Hangs down low over the road

Go West

Go West cover art

Go West
by Pat Carey

Expansive and rootsy — “Go West” by Pat Carey blends jazz storytelling with folk-infused instrumental atmosphere. Its contemplative pacing and melodic phrasing evoke syncable scenes of travel, outdoor wander, or cinematic reflection framed by harmonic space and rhythmic grace.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Go West
Clean Intro: Yes (0:00 – immediate groove entry with blues/roots rhythmic drive)
Edit Points: 0:10 / 0:22 / 0:34 / 0:46 / 0:58 / 1:10 / 1:22 / 1:34 / 1:46 / 1:58
Button Ending: Yes, resolved musical ending
Loopable: High
Best Loop Candidates: 0:22–0:46 / 0:34–1:10 / 1:10–1:34
Use Case: Driven blues/roots cue for movement, travel, and forward progression. Strong for road sequences, journey montage, and scenes that emphasize direction, momentum, and purposeful transition.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Go West

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 118
  • Energy: Moderate
  • Genres: Blues, Country, Rock, Folk, Jazz, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Bright, Confident, Cool, Light, Positive, Reflective, Romantic, Somber
  • Cinematic Fit: Fantasy, Drama, Romance, Western
  • Type: One Stop

Instrumental Solos

  • Electric Guitar
  • Saxophone

Production Details

  • Executive Producers: Iridescent Music Company Inc.
  • Music Composition: Ted Quinlan
  • Recording: Alec Fraser
  • Produced by: Pat Carey, Alec Fraser, Jason Jestadt
  • Mixed by: Alec Fraser
  • Mastered by: Andy Krehm

Artists

  • Pat Carey: Saxophones
  • Ted Quinlan: Acoustic & Electric Guitars
  • Jason Jestadt: Piano
  • Kieran Overs: Acoustic Bass
  • Tom Jestadt: Drums

Instrumentation

  • Bass
  • Electric Guitar
  • Horns
  • Percussion
  • Piano
  • Saxophone
  • Strings

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Expansive and rootsy — “Go West” by Pat Carey blends jazz storytelling with folk-infused instrumental atmosphere. Its contemplative pacing and melodic phrasing evoke syncable scenes of travel, outdoor wander, or cinematic reflection framed by harmonic space and rhythmic grace.

Best Use Cases

  • Fantasy: Magical realism, sweeping landscapes
  • Drama: Emotional journeys, character arcs
  • Romance: Serene moments, nostalgic transitions
  • Western: Open roads, frontier spirit

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for underscore
  • Uptempo Flow: Ideal for pacing and movement
  • Instrumentation: Bass, electric guitar, horns, percussion, piano, saxophone, strings
  • Solo Features: Electric guitar, saxophone

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Go West” travels with syncable quietude — Pat Carey composes spacious instrumental tone for visual stories of journey, horizon, and understated movement across emotional terrain.

God Rest Ye Merry Gentlemen

God Rest Ye Merry Gentlemen cover art

God Rest Ye Merry Gentlemen
by Samuel Williams

Elegant and festive — “God Rest Ye Merry Gentlemen” by Samuel Williams reimagines the classic carol with modern instrumental warmth and acoustic grace. Designed for sync scenes of winter ambiance, candlelight celebration, or nostalgic holiday moments laced in cinematic intimacy and melodic reverence.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: God Rest Ye Merry, Gentlemen
Clean Intro: Yes (0:00 – immediate recognizable melodic entry with structured tonal identity)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08 / 2:24
Button Ending: Yes, resolved traditional ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:04 / 1:20–1:36 / 1:52–2:08
Use Case: Dramatic seasonal cue for holiday scenes, tradition-driven storytelling, and moments that blend warmth with underlying tension. Strong for Christmas narratives, reflective seasonal montage, and stylized interpretations of classic themes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: God Rest Ye Merry Gentlemen

Song Profile

  • Key Signature: Bb Minor
  • Beats Per Minute: 82
  • Energy: Moderate
  • Genres: Holiday, Jazz, R&B, Vintage
  • Vocals: Instrumental
  • Moods: Bright, Upbeat, Cool, Energetic, Reflective, Uplifting
  • Cinematic Fit: Crime, Drama, Fantasy
  • Type: One Stop

Instrumental Solos

  • Bass
  • Electric Guitar
  • Flute

Production Details

  • Traditional Song: Public Domain
  • Executive Producer: Samuel Williams
  • Arrangement, Recording, Mixing & Mastering: Samuel Williams

Artists

  • Rob Christian: Sax, Flute, EWI
  • Jonathan Gateretse: Keyboards, Talkbox
  • TJ Whitelaw: Guitars
  • Otis Williams: Drums
  • Dwayne Wade: Bass
  • Samuel Williams: Piano, Keyboards, Percussion, Bass, Additional Guitars

Instrumentation

  • Bass
  • Drums
  • Horns
  • Percussion
  • Piano
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Elegant and festive — “God Rest Ye Merry Gentlemen” by Samuel Williams reimagines the classic carol with modern instrumental warmth and acoustic grace. Designed for sync scenes of winter ambiance, candlelight celebration, or nostalgic holiday moments laced in cinematic intimacy and melodic reverence.

Best Use Cases

  • Crime: Stylized noir, holiday tension
  • Drama: Reflective moments, emotional depth
  • Fantasy: Magical realism, seasonal wonder

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for underscore
  • Slow Tempo: Ideal for reflective pacing
  • Instrumentation: Bass, drums, horns, percussion, piano, synth
  • Solo Features: Bass, electric guitar, flute

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“God Rest Ye Merry Gentlemen” glows with syncable grace — Samuel Williams reshapes timeless melody into instrumental warmth perfect for scenes of reflection, winter beauty, and holiday nostalgia.

God Rest Ye Merry Gentlemen (Interlude)

God Rest Ye Merry Gentlemen (Interlude) cover art

God Rest Ye Merry Gentlemen (Interlude)
by Samuel Williams

Intimate and reflective — “God Rest Ye Merry Gentlemen (Interlude)” by Samuel Williams offers a brief but emotionally rich instrumental rendition shaped by acoustic warmth and melodic subtlety. Perfect for sync transitions, moments of calm reverence, or short-form holiday storytelling steeped in cinematic quietude.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: God Rest Ye Merry, Gentlemen
Clean Intro: Yes (0:00 – immediate recognizable melodic entry with structured tonal identity)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08 / 2:24
Button Ending: Yes, resolved traditional ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:04 / 1:20–1:36 / 1:52–2:08
Use Case: Dramatic seasonal cue for holiday scenes, tradition-driven storytelling, and moments that blend warmth with underlying tension. Strong for Christmas narratives, reflective seasonal montage, and stylized interpretations of classic themes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: God Rest Ye Merry Gentlemen (Interlude)

Song Profile

  • Key Signature: Db Major
  • Beats Per Minute: 129
  • Energy: Moderate - High
  • Genres: Holiday, Jazz, R&B, Vintage
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Light, Reflective, Sad
  • Cinematic Fit: Crime, Drama
  • Type: One Stop

Instrumental Solos

  • Flute
  • Piano

Production Details

  • Traditional Song: Public Domain
  • Executive Producer: Samuel Williams
  • Arrangement, Recording, Mixing & Mastering: Samuel Williams

Artists

  • Rob Christian: Sax, Flute, EWI
  • Jonathan Gateretse: Keyboards, Talkbox
  • TJ Whitelaw: Guitars
  • Otis Williams: Drums
  • Dwayne Wade: Bass
  • Samuel Williams: Piano, Keyboards, Percussion, Bass, Additional Guitars

Instrumentation

  • Piano
  • Flute

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Intimate and reflective — “God Rest Ye Merry Gentlemen (Interlude)” by Samuel Williams offers a brief but emotionally rich instrumental rendition shaped by acoustic warmth and melodic subtlety. Perfect for sync transitions, moments of calm reverence, or short-form holiday storytelling steeped in cinematic quietude.

Best Use Cases

  • Crime: Stylized noir, introspective tension
  • Drama: Emotional transitions, reflective scenes

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for underscore
  • Midtempo Flow: Ideal for pacing and subtle movement
  • Instrumentation: Piano, Flute
  • Solo Features: Flute, Piano

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“God Rest Ye Merry Gentlemen (Interlude)” rests with reverence — Samuel Williams crafts cinematic stillness and acoustic purity ideal for introspective winter storytelling and reflective sync moments.

Godo — Piwai

Godo cover art

Godo
by Piwai

“Godo” is an infectious, rhythm-driven Funk/Soul/World fusion built on deep bass grooves, punchy drums, electric guitar accents, and layered percussion. Driven by an energetic female vocal and chant-style refrains, the track radiates movement, connection, and collective uplift. With its hypnotic repetition and percussive pulse, it’s ideal for montage, cultural celebration, movement sequences, and scenes that build communal energy and emotional strength.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Godo
Clean Intro: Yes (0:00 – immediate tonal entry with rhythmic pulse and atmospheric texture)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48 / 2:00
Button Ending: Yes, resolved rhythmic ending
Loopable: Very High
Best Loop Candidates: 0:24–0:48 / 0:36–1:00 / 1:00–1:36
Use Case: Rhythmic atmospheric cue for modern tone, subtle tension, and forward motion. Strong for lifestyle visuals, urban environments, and sequences where groove and texture create momentum without overpowering the scene.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Godo

Song Profile

  • Key Signature: D# Minor
  • BPM: 81
  • Tempo: Uptempo
  • Genres: Funk, Soul, World
  • Vocals: Female vocal
  • Mood/Feel: Rhythmic, Upbeat
  • Lyric Themes: Connection, Energy, Happiness, Relationship, Strength
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Godo” blends world-influenced vocal chants with groove-forward funk rhythm, creating a track that feels communal, celebratory, and movement-ready. Its repetitive hook structure and percussive momentum make it easy to cut to picture while maintaining a strong cultural and emotional presence.

Sync Highlights

  • Great for festival scenes, cultural celebrations, travel sequences, and unity moments.
  • Strong rhythmic base supports montage, dance, sports, and movement visuals.
  • Chant-style vocals create communal energy without overly specific narrative.
  • Works well in branded content, lifestyle spots, and global storytelling contexts.

Sync Potential: Godo

“Godo” carries an infectious pulse built for scenes that celebrate togetherness, momentum, and forward motion. Its chant-based vocal phrasing makes it adaptable for dialogue-adjacent placements while maintaining high energy.

Ideal Uses

  • Celebratory group scenes
  • Travel / culture-driven sequences
  • Dance or movement-based edits
  • Sports, training, or empowerment montages
  • Global lifestyle or brand storytelling
Track Narrative:
“Godo” feels like a call-and-response celebration — a pulse that builds collective momentum. The vocal refrains operate like a chant in motion, while the groove and percussion suggest strength through togetherness. It plays especially well in scenes where connection is physical (movement, travel, gathering) and emotional (unity, resilience, shared joy), without requiring literal lyrical comprehension to land.

Lyrics: Godo

Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende A a a he ö a a a he ö A a a he ö a a a he Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Wona Wona Wona Wona Wona Wona Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Anje pa joala ya na Anje fo se va no mira ho Anje mu shi wa na E se va ncha va ncha ka se Harisende Harisende Harisende Harisende Anje mu shi wa na Anje fo se va ncha mira ho Anje m joa ya na E se va ncha va ncha ka se Anje shi wa na Anje fo se va ncha mira ho Anje m joa ya na E se va ncha va ncha ka se Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende Harisende
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Piwai

Piwai

Piwai brings vibrant, groove-forward songwriting that blends Funk, Soul, Latin, and World influences into irresistible, cinematic-ready tracks. Her music leans rhythmic and uplifting, with chant-like vocal phrasing that travels across language while still landing emotionally on screen.

With a strong sense of movement, momentum, and communal energy, Piwai’s tracks work especially well for cultural storytelling, celebration scenes, travel sequences, and edits where rhythm becomes the engine of the picture.

Styles: Funk / Soul / World fusion • Strengths: Percussive groove, chant refrains, upbeat momentum • Typical Uses: Travel, cultural scenes, montage, group celebration, brand lifestyle storytelling

Gone, Gone, Gone

Gone, Gone, Gone cover art

Gone, Gone, Gone
by Kristin Sweetland

Ethereal and evocative — “Gone, Gone, Gone” by Kristin Sweetland draws cinematic mystery through poetic lyrics and surreal texture. A sync-ready blend for dreamlike passages, spiritual introspection, or emotionally haunted visuals layered in ambient tone and lyrical abstraction.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Gone Gone Gone
Clean Intro: Yes (0:00 – immediate soft tonal/vocal entry with reflective mood)
Edit Points: 0:16 / 0:34 / 0:54 / 1:16 / 1:40 / 2:06 / 2:32 / 2:58 / 3:24
Button Ending: Yes, gently resolved ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:16 / 1:40–2:06 / 2:32–2:58
Use Case: Reflective vocal cue for loss, distance, and emotional release. Strong for travel sequences, personal reflection, and scenes where absence, separation, or letting go shapes the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Gone, Gone, Gone

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 88
  • Energy: Mid Tempo
  • Genres: Folk, Latin, World
  • Vocals: Female Vocal
  • Moods: Bright, Fun, Happy, Light, Positive, Quirky, Reflective, Romantic, Upbeat, Uplifting, Warm
  • Cinematic Fit: Crime, Drama, Indie, Thriller
  • Type: One Stop

Lyric Themes

  • Power
  • Struggle
  • Death
  • Regret

Instrumental Solos

  • Acoustic Guitar

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered by: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Vocals, Hammertone Guitar
  • Ken Whiteley: Bass, Slide Guitar, Hammond Organ, Train Whistle
  • Paul Brennan: Drums
  • Suzie Vinnick: Harmony Vocals

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Ethereal and evocative — “Gone, Gone, Gone” by Kristin Sweetland draws cinematic mystery through poetic lyrics and surreal texture. A sync-ready blend for dreamlike passages, spiritual introspection, or emotionally haunted visuals layered in ambient tone and lyrical abstraction.

Best Use Cases

  • Crime: Stylized tension, emotional fallout
  • Drama: Personal reckoning, poetic visuals
  • Indie: Character-driven arcs, surreal transitions
  • Thriller: Psychological depth, symbolic pacing

Sync Appeal

  • One Stop: Simplified licensing
  • Female Vocal: Expressive and haunting
  • Midtempo Flow: Ideal for emotional pacing
  • Instrumentation: Bass, drums, electric guitar, percussion
  • Solo Feature: Acoustic Guitar

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Gone, Gone, Gone” moves like memory’s whisper — Kristin Sweetland scores syncable surrealism and emotional ghosting for narrative arcs built on presence, absence, and ambient truth.

Lyrics

Train rolls by and the whistle blows I slide off the side of the road Dead-car dust in the dark of the Trans-Canada Do I live, I don’t know Wind’s cold and it starts to snow I gotta call a man cause I gotta get towed To Ottawa Once more the whistle blows Give me shelter from the cold Dark night of my soul I’ll lie down with a bottle of Jack In front of that train rolling on the track I’ll go to meet my maker and I won’t be back Gone gone gone In a town in a room in a cheap motel Louie’s lying and I’m giving him hell I could see the future but I never did tell Anyone Lipstick stain like a sweet red plum Cheap smokes and a bottle of rum I could stay and argue but it’s just no fun Gotta run Once more the whistle blows Give me shelter from the cold Dark night of my soul I’ll make peace with a wintery grave Where no one will hear me And I won’t be saved Gonna pay the piper for mistakes I’ve made Gone gone gone All is quiet now I hear it coming Thunder roar Wild engine running I’ll hail the fateful hour From high in a whiskey tower Storm rolls in and it’s giving me Power Once more the whistle blows Give me shelter from the cold Dark night of my soul Till I ride high on the wind and rain I’ll fly to the heavens back again I’m gonna be delivered just like that train Gone Gone Gone

Goodbye Party

Goodbye Party cover art

Goodbye Party
by Kelsey Kindall

“Goodbye Party” is an uptempo pop/world track in G Minor at 118 BPM, built around bass, percussion, and synth. Bright, catchy, cool, dreamy, and rhythmic, it turns betrayal and emotional distance into a confident departure anthem — the sound of someone leaving the past behind without asking permission.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Goodbye Party
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, upbeat pop/world tail
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Bright departure cue for moving on, leaving toxic environments, self-definition, family or hometown conflict, and scenes where a character exits with confidence instead of apology.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Goodbye Party

Song Profile

  • Genres: Pop, World
  • Key Signature: G Minor
  • BPM: 118
  • Tempo: Uptempo
  • Vocals: Female Vocal
  • Moods: Atmospheric, Bright, Catchy, Cool, Dreamy, Fun, Rhythmic, Upbeat
  • Lyric Themes: Betrayal, Identity, Power, Regret, Struggle
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Sync Potential

“Goodbye Party” works especially well for scenes where leaving becomes an act of power. Its bright, rhythmic pop/world feel gives the track forward motion, while the lyric frames departure as identity, freedom, and self-respect. It can support character exits, hometown departures, emotional independence, and upbeat scenes where the celebration is not about arriving somewhere new, but finally refusing to stay.

Scene Types

  • Leaving a toxic relationship or environment
  • Hometown departure and personal reinvention
  • Empowered exit scenes
  • Bright breakup or moving-on montage
  • Friend-group celebration after emotional release

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

You've had so much practice
You're so far from perfect
Held me hostage in your made up world
Memories
I'm not your little girl
I packed up the attic
Put all the black and white pictures in the attic
Tell me
I'm so emotional
I wouldn't dare to go
I can't lie and tell you that I'm sorry
You're invited to my goodbye party

Oh - Move on
Oh - Move on
Party
Oh - Move on
Oh - Move on
Goodbye Party
Oh - Move on

You bask in my failures
Hold onto grudges and call them prayers unanswered
I've made up my mind to leave
You call me the enemy
Can't win when your mind's made up
Haven't changed your opinions in a decade oh
Won't wait for an apology oh

Don't look now I'm way too proud
You didn't convince that I wouldn't make something of myself
Won't go back to your hometown
If its just proximity that lets you keep opinions to yourself
Then I'm out
You're invited to my goodbye party

Oh - Move on
Oh - Move on
Party
Oh - Move on
Oh - Move on
Goodbye Party
Oh - Move on

Oh - Move on
Oh - Move on
Party
Oh - Move on
Oh - Move on
Goodbye Party
Oh - Move on
Track Narrative:
“Goodbye Party” feels like a celebration held at the exact moment a character stops apologizing for leaving. The production is bright and rhythmic, but the lyric carries the emotional weight of betrayal, judgment, and self-definition. It is not a sad goodbye. It is a confident exit — the sound of someone packing up the past, walking out, and turning the departure into the party.

Good for the Robin

Good for the Robin cover art

Good For the Robin
by The Free Spirits

Warm and thoughtful — “Good for the Robin” by The Free Spirits weaves lyrical reflection through acoustic folk-pop ambiance. A sync-friendly tune for nature-based storytelling, sentimental transitions, or visual arcs of gentle awakening and emotional clarity.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Good for the Robin
Clean Intro: Yes (0:00 – immediate rhythmic entry with rock/blues groove and vocal presence)
Edit Points: 0:14 / 0:32 / 0:52 / 1:14 / 1:38 / 2:02 / 2:28 / 2:54 / 3:20
Button Ending: Yes, resolved rock ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:14 / 1:38–2:02 / 2:28–2:54
Use Case: Character-driven rock cue for social commentary, tension, and grounded storytelling. Strong for protest themes, socio-political narratives, and scenes where attitude, message, and real-world edge drive the tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Indie Folk-Rock Collective• Composers • Evolutionary Sound

The Free Spirits are a Toronto-based indie folk-rock collective known for their uplifting harmonies, eclectic instrumentation, and soulful storytelling. Blending flute, electric guitar, vocals, and full-band arrangements, their sound is both earthy and expansive—rooted in compassion and community.

Led by Shari Tallon and featuring collaborators like Taylor Abrahamse and Chris Birkett, The Free Spirits have performed at venues across Ontario and Quebec, including Horseshoe Tavern, Docville Movie Set, and the Wintersong Music Festival. Their concerts are celebrations of joy, unity, and musical exploration.

Their album releases and video shoots—such as the Evolutionary Music Co-op New Year’s Eve performance—highlight their commitment to artistic growth and spiritual connection. With a growing catalog and vibrant live presence, The Free Spirits continue to inspire audiences across Canada.

The Free Spirits are a movement of music, heart, and healing.

Sync Pitch Sheet: Good for the Robin

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 123
  • Energy: Medium
  • Genres: Rock, Dance, Pop
  • Vocals: Male Vocal
  • Moods: Angry, Bright, Upbeat, Uplifting, Hopeful, Positive
  • Cinematic Fit: Crime, Drama, Mystery
  • Type: One Stop

Lyric Themes

  • Conflict
  • Power
  • Struggle
  • Success
  • Time

Instrumental Solos

  • Electric Guitar

Production Details

  • Written by: Chris Birkett & Shari Tallon
  • Produced & Arranged by: Chris Birkett

Artists

  • Vocals: Chris Birkett, Shari Tallon
  • Guitars: Chris Birkett
  • Bass: Chris Birkett
  • Piano: Shari Tallon
  • Drums & Percussion: Chris Birkett
  • Keys: Chris Birkett
  • Organ: Chris Birkett, Shari Tallon
  • Horns: Chris Birkett
  • Flute & Tin Whistles: Shari Tallon

Instrumentation

  • Bass
  • Drums
  • Percussion

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Good for the Robin” by The Free Spirits is a high-energy anthem that channels resilience through rhythmic drive and lyrical grit. With its uptempo pulse and bold instrumentation, it’s a powerful fit for scenes of triumph, transformation, or emotional confrontation.

Best Use Cases

  • Crime: Urban tension, pursuit sequences
  • Drama: Personal breakthroughs, emotional intensity
  • Mystery: Investigative montages, psychological depth

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocal: Assertive and expressive
  • Uptempo Energy: Ideal for dynamic pacing
  • Instrumentation: Bass, drums, percussion
  • Solo Feature: Electric Guitar

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Good for the Robin” sings with tonal soul — The Free Spirits score syncable levity and lyrical lightness for scenes touched by nature, emotional curiosity, or seasonal shift.

Lyrics

Good for robin, pain for the world Good for robin, pain for the world Robbing the poor to feed the wealthy We go sick to make them healthy Ooh, where is Batman, where we need him We can be heroes and set ourselves free It's good for nothing, pain for the world It's good for nothing, pain for the world Darwin's theory is out of time, yeah You know survival of the strongest is a crime, yeah Why do we worship celebrities When they are the worst kind of people on TV (Pray for the Robin, pray for the Robin, pray for the world) Good for the robin Good for the robin Bad for the world Bad for the world Bad for the world Good for the robin Bad for the world Good for the robin Bad for the world Good for the robin, good for the robin Good for the robin, good for the robin Good for the robin, good for the robin What is up with society? I can't sleep through catastrophe

Good Morning Joe

Good Morning Joe cover art

Good Morning Joe
by Lee Palmer

Easygoing and rootsy — “Good Morning Joe” by Lee Palmer strolls through lyrical Americana with cozy instrumentation and front-porch charm. A syncable standout for scenes of morning routine, rural grounding, or storybook reflection delivered with natural ease and musical grace.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Good Morning Joe
Clean Intro: Yes (0:00 – immediate groove entry with blues-driven rhythm and tonal warmth)
Edit Points: 0:10 / 0:22 / 0:34 / 0:46 / 0:58 / 1:10 / 1:22 / 1:34 / 1:46 / 1:58
Button Ending: Yes, resolved blues ending
Loopable: High
Best Loop Candidates: 0:22–0:46 / 0:34–1:10 / 1:10–1:34
Use Case: Character-driven blues cue for everyday life, routine, and grounded storytelling. Strong for morning scenes, working environments, and sequences that emphasize personality, rhythm, and real-world texture.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Good Morning Joe

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 105
  • Energy: Moderate
  • Genres: Country, Pop, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Moods: Carefree, Romantic, Positive, Reflective, Somber
  • Cinematic Fit: Mystery, Western
  • Type: One Stop

Lyric Themes

  • Friendship
  • Connection
  • Relationship
  • Longing
  • Time

Instrumental Solos

  • Saxophone

Production Details

  • Arranged & Produced by: Lee Palmer, Iain McNally
  • Lyrics & Composition: Lee Palmer
  • Head Sound Engineer: Darren Magierowski
  • Assistant Engineer: Jill Zimmerman
  • Final Mix: Magierowski, McNally, Zimmerman
  • Mastering: Samuel Williams

Artists

  • Lee Palmer: Acoustic Guitar, Vocals
  • Chris Ayries: Background Vocals
  • Roly Platt: Harmonica
  • Turner King: Saxophone
  • Alec Fraser Jr.: Electric Bass
  • Iain McNally: Electric & Acoustic Guitar
  • Steve O’Connor: Wurlitzer, Grand Piano, Organ
  • Sean O’Grady: Drums & Percussion

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
Song Placement Review

Sync Potential

Easygoing and rootsy — “Good Morning Joe” by Lee Palmer strolls through lyrical Americana with cozy instrumentation and front-porch charm. A syncable standout for scenes of morning routine, rural grounding, or storybook reflection delivered with natural ease and musical grace.

Best Use Cases

  • Mystery: Quiet tension, character depth
  • Western: Rural landscapes, reflective pacing
  • Drama: Emotional transitions, personal connection

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocal: Warm and expressive
  • Midtempo Flow: Ideal for narrative pacing
  • Instrumentation: Bass, drums, electric guitar, horns, percussion
  • Solo Feature: Saxophone

For licensing inquiries, contact OMR Music Production or visit Song Placement Review.

Track Narrative:
“Good Morning Joe” opens the day with melodic optimism — Lee Palmer spins syncable Americana soul for storytelling grounded in warmth, ritual, and rural simplicity.

🎤 Lyrics

Good morning Joe It's sure been a while Good morning Joe It's sure been a while I can feel you here with me You're still standing tall Good morning, Joe Do you think of me? Good morning, Joe Do you think of me? We had our time together before they set you free Good morning Joe Good morning I want to thank you for dropping by Come and go these days without warning Good morning Joe, good morning Good morning, Joe I'll see you again Good morning, Joe I'll see you again It feels good to have you here Every now and then Good morning Joe Good morning I want to thank you For dropping by You come and go these days without warning Good morning, Joe Good morning Good morning, Joe Good morning, Joe Good morning No, no, no

Gotta Find A…

Gotta Find A... cover art

Gotta Find a...
by Paul Reddick

Urgent and gritty — “Gotta Find A…” by Paul Reddick builds a smoky blues-rock tension wrapped in lyrical soul-searching and rhythmic drive. Perfect for sync sequences of pursuit, inner turmoil, or nocturnal pacing with emotional blues and poetic friction.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Gotta Find A
Clean Intro: Yes (0:00 – immediate groove entry with blues-driven rhythm and vocal phrasing)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48 / 2:00
Button Ending: Yes, resolved blues ending
Loopable: High
Best Loop Candidates: 0:24–0:48 / 0:36–1:12 / 1:12–1:36
Use Case: Groove-driven blues cue for pursuit, restlessness, and forward drive. Strong for travel, search sequences, and scenes where momentum, repetition, and determination shape the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Gotta Find A…

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 82
  • Energy: Mid-tempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat, Positive, Powerful, Reflective
  • Cinematic Fit: Action, Adventure, Art House, Coming-of-Age, Crime, Drama, Mystery, Romance
  • Type: One Stop

Lyric Themes

  • Destiny
  • Connection
  • Hope
  • Discovery
  • Love

Production Details

  • Engineer: Chris Stringer
  • Producer: Colin Cripps
  • Mixing: Nyles Spencer
  • Mastering: Peter Letros

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Cripps: Guitar, Background Vocals
  • Greg Cockerill: Guitar, Background Vocals
  • Derek Downham: Drums, Percussion, Piano, Talk Box
  • Anna Ruddick: Bass
  • Steve Marriner: Fender Rhodes, Guitar, Background Vocals

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
Song Placement Review

Sync Potential

Urgent and gritty — “Gotta Find A…” by Paul Reddick builds a smoky blues-rock tension wrapped in lyrical soul-searching and rhythmic drive. Perfect for sync sequences of pursuit, inner turmoil, or nocturnal pacing with emotional blues and poetic friction.

Best Use Cases

  • Action: High-stakes movement, urban grit
  • Drama: Emotional depth, personal struggle
  • Mystery: Tension-building, introspective scenes
  • Romance: Longing, discovery, connection

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocal: Soulful and expressive
  • Slow Tempo: Ideal for reflective pacing
  • Instrumentation: Bass, drums, electric guitar, percussion

For licensing inquiries, contact OMR Music Production or visit Song Placement Review.

Track Narrative:
“Gotta Find A…” stirs tonal tension — Paul Reddick delivers sync-ready blues poetry for visual narratives of search, midnight motion, and personal crossroads.

Lyrics

I gotta find a I gotta find a Another nother Another nother I gotta get to I gotta get to Another nother Oh I know it And I feel it I know that I’m close Yes I know it And I feel it And I know that I’m close I’m gonna love and I’m gonna love and Until the end of Until the end of Oh I know it And I feel it I know that I’m close Yes I know it And I feel it And I know that I’m close I gotta find a I gotta find a I gotta find a I gotta find a

Grande lo pequeño — Individuo

Grande lo pequeño cover art

Grande lo pequeño
by Individuo

Poignant and atmospheric, “Grande lo pequeño” is a heartfelt tribute to someone whose presence made the smallest moments feel immense. Floating between pop, R&B, and songwriter intimacy, the track blends piano, guitars, and pulse-like drums with a deeply emotive vocal—ideal for loss, memory, and hard-won hope.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Grande lo Pequeño
Clean Intro: Yes (0:00 – immediate soft tonal entry with intimate atmospheric texture)
Edit Points: 0:18 / 0:36 / 0:56 / 1:18 / 1:42 / 2:08 / 2:34 / 3:00
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:36–1:18 / 1:42–2:08 / 2:34–3:00
Use Case: Intimate atmospheric cue for subtle emotion, detail-driven storytelling, and reflective moments. Strong for quiet scenes, close dialogue, and sequences where small gestures and internal shifts carry the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Grande lo pequeño

Song Profile

  • Key Signature: E Major
  • BPM: 68
  • Tempo: Uptempo (slow-burn, pulse-like groove)
  • Genres: Pop, R&B, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Atmospheric, Dreamy, Emotive, Moody, Reflective, Rhythmic
  • Lyric Themes: Dream, Escape/Faith, Hope, Loss
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Piano
  • Synth

Track Summary

A tender, piano-led pop ballad with R&B shading and cinematic weight. “Grande lo pequeño” moves through grief and gratitude, honoring someone whose music opened the narrator’s “cage” and taught them to believe in their own voice. Lush but spacious, it’s highly supportive of dialogue and emotional close-ups.

Sync Highlights

  • Builds from intimate verses into soaring, mantra-like refrains (“tú podías hacer grande lo pequeño”).
  • Rich emotional arc: from paralysis and loss to reverence and remembered courage.
  • Works beautifully for memorial, tribute, and legacy-driven storytelling.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Grande lo pequeño

“Grande lo pequeño” is a powerful choice for stories of loss, artistic legacy, and the quiet heroes who believed in us first. Its mix of intimacy and build makes it suitable for scenes that need emotional gravity without overpowering the picture.

Scene Types

  • Tribute / memorial scenes for mentors, family, or bandmates
  • Studio, rehearsal, or performance flashbacks anchored in memory
  • Grief, healing, and “moving forward” arcs
  • Final performances, letter reads, or legacy montages

Film/TV Fit

  • Drama
  • Coming-of-Age
  • Romance (bittersweet / post-loss)
  • Art House / Character Study

Usage Suggestions

  • End-of-episode montage as characters process a loss or major turning point.
  • Piano-room scenes where a character returns to an instrument tied to someone they loved.
  • Feature-film sequence intercutting past and present (mentorship, lessons, first performances).
  • Documentary-style tributes to musicians, teachers, or caregivers (where licensed).

Why It Works

  • Spanish lyrics and poetic imagery convey depth even for non-Spanish-speaking audiences.
  • Strong refrain around “hacer grande lo pequeño” ties directly into visual metaphors of legacy and impact.
  • Slow BPM with rhythmic undercurrent gives editors room for longer emotional cuts.
Track Narrative:
“Grande lo pequeño” tells the story of someone frozen in grief, trying to understand the absence of a person who once made the smallest things feel enormous. Through night, tears, and trembling hands, the narrator keeps searching for them in the piano and in memory. The lyrics recall how this person unlocked their “cage,” believed before they did, and turned little moments into something vast. The refrain becomes both eulogy and affirmation: even in loss, their influence lives on in every chord, every step toward courage, every song that eases the pain.

Lyrics: Grande lo pequeño

Paralizado tratando de entender lo que ha pasado Difícil de creer que te has marchado, y que jamás escucharé tu corazón Cansado Y mientras tanto, la noche se confunde con mi llanto Me asusta como tiemblan estas manos Me quedaré por siempre aquí buscándote en el piano Con los ojos cerrados escucho tu voz, te llevaste la magia y dejaste el color, un acorde perpetuo se apaga esta noche en mi alma Con los sueños quebrados en el corazón, como trastabillando y buscando el valor, una pausa, un respiro, un alivio al dolor en mi canto Y tu guitarra abrió la cerradura de mi jaula Y entonces tuvo fe mi voz callada y solo así yo pude ver lo grande que es tu alma Con los ojos cerrados escucho tu voz, te llevaste la magia y dejaste el color, un acorde perpetuo se apaga esta noche en mi alma Con los sueños quebrados en el corazón, como trastabillando y buscando el valor, una pausa un respiro un alivio al dolor en mi canto Tú podías hacer grande lo pequeño y podías también escuchar los sueños, tú sabías hablar solo con tus dedos, tú creíste antes que yo, recuerdo Tú podías hacer grande lo pequeño y podías también escuchar los sueños, tú sabías hablar solo con tus dedos, tú creíste antes que yo, recuerdo Tú podías hacer grande lo pequeño y podías también escuchar los sueños, tú sabías hablar solo con tus dedos, tú creíste antes que yo, recuerdo Tú podías hacer grande lo pequeño
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
Individuo

Individuo

Individuo blends Latin, reggae, pop, and jazz elements into emotionally resonant songs that explore identity, time, love, and personal evolution. Their arrangements balance groove and space, pairing rich harmonic color with intimate, often bilingual storytelling.

With expressive vocals and organically textured production, Individuo’s tracks feel both global and deeply personal—ideal for character-driven narratives, journeys of self-discovery, and heartfelt relationship arcs. Their music moves comfortably between reflective ballads and rhythm-forward pieces that still leave plenty of room for dialogue.

Styles: Latin, Reggae, Pop, Singer/Songwriter, Jazz • Strengths: Lyric-driven storytelling, expressive vocals, rhythmically engaging yet mix-friendly production • Typical Uses: Drama, Coming-of-Age, Romance, Inspirational and Art House storytelling across film, TV, and streaming

Grand Rising

Grand Rising cover art

Grand Rising
by Melodic Yoza

Reggae-soul fusion with uplifting spirit and melodic warmth; ideal for coming-of-age arcs, sunrise sequences, reflective transitions, and scenes of renewal. One-Stop at OMR.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Grand Rising
Clean Intro: Yes (0:00 – immediate tonal entry with clean, modern atmosphere and rhythmic pulse)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48 / 2:00
Button Ending: Yes, resolved modern ending
Loopable: Very High
Best Loop Candidates: 0:24–0:48 / 0:36–1:00 / 1:00–1:36
Use Case: Clean modern cue for optimism, forward momentum, and lifestyle tone. Strong for morning energy, branding, and sequences that emphasize clarity, confidence, and a fresh start.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Melodic Yoza — Reggae-Soul Fusion

Melodic Yoza blends reggae pulse with soul warmth and hip-hop cadence, crafting songs that feel both timeless and contemporary. His vocals carry uplift and clarity, while groove-forward production delivers cinematic momentum.

For screen use, Yoza’s tracks excel in coming-of-age arcs, urban journeys, and scenes of transformation. Emotional truth, rhythmic lift, and universal themes make his catalog a natural fit for film, television, and brand storytelling.

Sync Pitch Sheet: Grand Rising

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 80 - Slow feel
  • Energy: Slow, uplifting
  • Genres: R&B, Soul
  • Vocals: Male Vocal
  • Moods: AtmosphericMoody, Rhythmic, Romantic, Sad, Swagger
  • Cinematic Fit: Coming-of-Age, Drama, Romance
  • Type: One Stop (OMR)

Lyric Themes

  • Nature
  • Renewal
  • Gratitude

Instrumentation

  • Bass
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Reggae-soul fusion with an uplifting core. Ideal for sunrise scenes, reflective transitions, character breakthroughs, and feel-good finales. Strong fit for coming-of-age arcs and emotional renewal.

Best Use Cases

  • Coming-of-Age: New beginnings, self-realization
  • Drama: Reconciliation, hopeful turning points
  • Romance: Intimate renewal, warm reconnection
  • Lifestyle/Brand: Morning rituals, wellness, travel

Sync Appeal

  • One Stop: Streamlined licensing via OMR
  • Male Vocal: Warm, confident delivery
  • Slow Energy: Spacious, emotive pacing
  • Instrumentation: Bass, percussion, synth

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
A radiant anthem of nature, gratitude, and renewal. Melodic Yoza channels sunrise-energy and grounded reflection, moving from intimate verses to a wider, hopeful horizon. Built for scenes where new light changes everything.

Lyrics

Yeah, you know. Stago. Know the humming of the leaves and the trees from the breeze when they really do freeze like somewhere on the sea shore. And I'm sure. The sky's got ways to rub up the legs for the beautiful stars tonight I await. My Mama Nature. Cah when the sunshine the rainfall, green grass to do good, and I go with the wind blows, just to watch all the spring flow. And Mama Nature, you know. You're so fresh like the night dew. So forever yeah, I do. Love it when you shine on true. Yeah, ground rising. Ground rising, ground rising, ground rising. Yeah, the sun's still shining. Oh, it's a ground rising, ground rising, ground rising. The sun's still shining. When I look into your sky blue, ooh. I love it when you shine on true. It's forever, yeah, I do. I love it when you shine on true. Ground rising, ground rising, ground rising. Yeah, the sun's still shining. Yeah, ground rising, ground rising, ground rising. Yeah, the sun's still shining. Yeah, ground rising, ground rising, ground rising. The sun's still shining. Ground rising, ground rising, ground rising. The sun's still shining. Breathing toxic air, aware and don't care. Like where now do we go from here, now when we mess up our atmosphere. I know you feel it when the earth shakes. From all the earthquakes, but I know that you'll be on them tides. The sun gonna rise. When I look into your sky blue, ooh. I love it when you shine on true. It's forever, yeah, I do. I love it when you shine on true. Ground rising, ground rising, ground rising. Yeah, the sun's still shining. Yeah, ground rising, ground rising, ground rising. Yeah, the sun's still shining. Yeah, ground rising, ground rising, ground rising. The sun's still shining. Ground rising, ground rising, ground rising. The sun's still shining.

Stem Tracks

Contact OMR for available stem packs and alt mixes.

Gravity Free — Renée Astaria

Gravity Free cover art

Gravity Free
by Renée Astaria

“Gravity Free” is a bright, midtempo pop/soul track with a breezy, cinematic sense of freedom — sunrise energy, ocean-air clarity, and the feeling of letting go into a lucid dream state. The lyric is adventurous and uplifting, moving from anxious desire into calm surrender (“I let myself float”), with a confident female vocal leading a catchy hook that feels weightless and optimistic. At 99 BPM in C Major, it’s ideal for travel sequences, fresh-start mornings, romantic escapes, and montage moments where a character chooses possibility over fear.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Gravity Free
Clean Intro: Yes (0:00 – immediate atmospheric entry with light, floating tonal texture)
Edit Points: 0:16 / 0:32 / 0:48 / 1:06 / 1:24 / 1:44 / 2:04 / 2:24 / 2:44
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:32–1:06 / 1:24–1:44 / 2:04–2:24
Use Case: Light atmospheric cue for weightlessness, freedom, and emotional lift. Strong for aerial visuals, reflective transitions, and scenes that emphasize release, openness, and detachment from grounded tension.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Gravity Free

Song Profile

  • Key Signature: C Major
  • BPM: 99
  • Tempo: Midtempo
  • Genres: Pop, Soul
  • Vocals: Female vocal
  • Mood/Feel: Bright, Uplifting, Confident, Playful
  • Lyric Themes: Adventure, Desire, Discovery, Freedom, Hope
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar

Track Summary

“Gravity Free” captures the feeling of stepping into the day with open senses — ocean-bright imagery, risk turning into release, and a floating hook that lands like a deep exhale. The lyric moves from anxious desire into calm, lucid freedom, repeating “I let myself float” as the emotional anchor, while the pop/soul groove keeps everything optimistic and forward.

Sync Highlights

  • Perfect for travel, freedom, and “new chapter” storytelling with a sunlit tone.
  • Catchy chorus makes it strong for montages, promos, and upbeat episode closes.
  • Romantic but not heavy — works for light relationship arcs and playful chemistry.
  • One-stop clearance; lyric is positive and broad (easy to place).

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Gravity Free

This song thrives in sequences where the story wants lift: a character choosing openness, a getaway beginning, a “first good morning in a long time,” or a montage of movement where the visuals feel expansive and sun-warmed. The hook is simple and repeatable, making it especially editor-friendly for pacing and emotional continuity.

Scene Types

  • Sunrise / morning reset scenes (ocean, road, city waking up) with fresh-start energy.
  • Adventure/travel montages: packing, departing, driving, arriving, “we made it” reveals.
  • Light romance: playful dates, beach walks, first-kiss-afterglow, carefree connection.
  • Personal breakthrough beats: letting go, choosing joy, releasing fear, stepping into confidence.
  • Credits / end-of-episode closes that land on hope, freedom, and forward motion.

Film/TV Fit

  • Drama (uplifting arcs)
  • Romance / relationship storytelling
  • Coming-of-age
  • Travel / lifestyle series
  • Branded storytelling (positive, aspirational)

Why It Works

  • Clear “freedom” concept without being overly specific — broad placement flexibility.
  • Midtempo (99 BPM) supports montage pacing without feeling rushed.
  • Major key + bright mood makes it safe for optimistic storytelling.
  • Hook phrase (“gravity free”) is memorable and sync-friendly.
Track Narrative:
“Gravity Free” follows a character who meets the day with open eyes — stepping from anxious desire into trust, taking the plunge, and discovering peace on the other side of risk. The ocean and horizon imagery frames a quiet transformation: letting go, floating, and seeing life (and love) more clearly. It’s a gentle celebration of freedom — from fear, from the body’s weight, and from whatever kept the spirit grounded.

Lyrics: Gravity Free

I woke up before the sunrise Mind's open to what would come The ocean glass like a mirror Warm water call me on my anxious desires I will take the risk knowing this could end in a split second but I don't fear death I brace forth, take the plunge knowing I will mend Take the fall, let go of it all, release and enjoy the trip I let myself float Gravity free in my peace I see you clearly We are free of our bodies I raise my eyes on the horizon Giving thanks for another day Painted in red and orange colors Cool winds release me in a dream state I let myself float Gravity free in my peace I see you clearly We are free of our bodies Free I let myself float Gravity free in my peace I see you clearly We are free of our bodies In my lucid dreams I find every single hue of my life With open wings I take flight with eagle's sight on its inside I let myself float Gravity free in my peace I see you clearly We are free of our bodies I let myself float Gravity free in my peace I see you clearly We are free We are free.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria delivers emotionally direct, cinematic-leaning songs that blend modern pop/soul polish with human, character-first storytelling. Her writing often lives in life moments — courage, love, time, transformation — creating tracks that help editors underline pivots, transitions, and “choose the light” scenes without losing authenticity.

“Gravity Free” highlights her sunlit side: confident, hook-forward, and visually lyrical — built for movement, travel energy, and romantic optimism with a clean, one-stop workflow.

Styles: Pop • Soul • Cinematic uplift • Strengths: Memorable hooks, positive emotional clarity, confident female vocal • Typical Uses: Travel montages, fresh starts, romantic escapes, hopeful finales

Green Light

Green Light cover art

Green Light
by Kelsey Kindall

“Green Light” is a fast, confident pop/R&B track in G Major at 150 BPM, built around bass, percussion, and synth. With a catchy, dreamy, sexy, and upbeat feel, it captures freedom, late-night escape, youthful recklessness, and the rush of driving toward possibility with no desire to slow down.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Green Light
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, high-energy pop tail
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Fast pop/R&B cue for late-night freedom, road trips, youthful escape, romantic adventure, reckless confidence, and scenes where characters choose motion over hesitation.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Green Light

Song Profile

  • Genres: Pop, R&B
  • Key Signature: G Major
  • BPM: 150
  • Tempo: Fast
  • Vocals: Female Vocal
  • Moods: Atmospheric, Catchy, Confident, Cool, Dreamy, Moody, Rhythmic, Sexy, Upbeat
  • Lyric Themes: Adventure, Freedom
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Sync Potential

“Green Light” is built for scenes of movement, escape, and charged freedom. Its fast tempo, confident vocal, and night-drive lyric make it a strong fit for road sequences, romantic adventure, young adult drama, lifestyle campaigns, and scenes where characters feel alive because they are finally moving.

Scene Types

  • Late-night drives and road-trip sequences
  • Young adult adventure and freedom
  • Romantic escape or flirtatious movement
  • Summer lifestyle and fashion spots
  • Fast-cut montage with confident energy

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

Can you come pick me up
I know it's 2am
But I need a drive to clear my head
I'm done, tryna fall asleep
Turn up the beat, keep me company

Put the top down, and we don't have to slow down
And I don't care, I'm gonna let the wind mess up my hair

I'm about to act 18, careless and we're living free
We could live our lives like a daydream

Let's stay up till the sunrise
We can race against the night
Living high to high
Like we're hitting every greenlight
Cause I don't wanna slow down

I'd rather hang out, take a trip and not be tied down
We could be a little reckless
Could be reckless with you

I'm about to act 18, careless and we're living free
We could live our lives like a daydream

Let's see the sunrise
We can race against the night
Living high to high
Like we're hitting every greenlight

I've been all alone with no one to talk to
Waiting by the phone for your call to come through
We can put the top down, we don't have to slow down
Let's get out of this town, yeah
See the stars, drive a little far
When I'm with you, doesn't matter where we are
Let's just hit some green lights
We'll keep driving all night till we see the sunrise

Let's stay up till the sunrise
We can race against the night
Living high to high
Like we're hitting every greenlight

Let's stay up till the sunrise
We can race against the night
Living high to high
Like we're hitting every greenlight
Track Narrative:
“Green Light” feels like the decision to stop waiting and start moving. The song carries late-night electricity, youthful confidence, and the emotional lift of escape — not running away from life, but racing toward a version of it that feels freer, louder, and more alive.

Green Valley

Green Valley cover art

Green Valley
by Elmer Ferrer

Earthy and expansive — “Green Valley” by Elmer Ferrer unfolds like sunrise over rolling hills. With elegant guitar phrasing and warm harmonic flow, this instrumental evokes peaceful scenery, nostalgic clarity, and cinematic breath. Ideal for sync scenes of homecoming, nature, or emotional stillness.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Green Valley
Clean Intro: Yes (0:00 – immediate rhythmic entry with guitar-led tonal identity)
Edit Points: 0:14 / 0:32 / 0:52 / 1:14 / 1:38 / 2:04 / 2:30 / 2:58 / 3:26 / 3:54
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:14 / 1:38–2:04 / 2:30–2:58
Use Case: Guitar-driven instrumental cue for travel, environment, and grounded movement. Strong for scenic sequences, cultural transitions, and scenes that emphasize place, rhythm, and organic forward motion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Green Valley

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 104
  • Energy: Moderate
  • Genres: Funk, Jazz Rock, Country, Ambient, Cinematic, Folk, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Sad, Dreamy, Emotive, Reflective, Somber
  • Cinematic Fit: Fantasy, Drama, Romance
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Piano

Instrumental Solos

  • Electric Guitar

Production Details

  • Executive Producers: Elmer Ferrer, Ramil Borbonet, Alberto Pablos
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Orestes Aguila
  • Production: Elmer Ferrer
  • Mixing: Orestes Aguila
  • Mastering: Joe Lambert

Artists

  • Elmer Ferrer: Guitar
  • Michael Fernandez: Bass Guitar
  • Rodney Barreto: Drums

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
Song Placement Review

Sync Potential

Earthy and expansive — “Green Valley” by Elmer Ferrer unfolds like sunrise over rolling hills. With elegant guitar phrasing and warm harmonic flow, this instrumental evokes peaceful scenery, nostalgic clarity, and cinematic breath. Ideal for sync scenes of homecoming, nature, or emotional stillness.

Best Use Cases

  • Fantasy: Magical realism, nature immersion
  • Drama: Emotional transitions, introspection
  • Romance: Quiet longing, scenic intimacy

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for underscore
  • Midtempo Flow: Ideal for narrative pacing
  • Instrumentation: Acoustic guitar, bass, drums, percussion, piano
  • Solo Feature: Electric Guitar

For licensing inquiries, contact OMR Music Production or visit Song Placement Review.

Track Narrative:
“Green Valley” moves like memory in motion — Elmer Ferrer paints sync-ready emotional depth for scenes of open nature, personal return, or heartfelt stillness.

GRILLETE — Elmer Ferrer

Grillete cover art

Grillete
by Elmer Ferrer

Grillete moves with playful confidence, blending funk, jazz, and electronic color into a cue that feels stylish, upbeat, and full of personality. Its rhythmic groove and bright, quirky energy give it a cinematic charm that works especially well for cool character moments, light caper sequences, romantic mischief, or scenes that need movement with wit rather than pressure. The track feels agile, modern, and effortlessly charismatic.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Grillete
Clean Intro: Yes (0:00)
Edit Points: 0:17 / 0:34 / 0:51 / 1:08 / 1:25 / 1:42 / 1:59
Button Ending: No, sustained tension tail
Loopable: High
Best Loop Candidates: 0:17–0:51 / 0:51–1:25 / 1:08–1:42
Use Case: Dark, restrained tension cue for psychological pressure, confinement themes, internal struggle, crime/drama pacing, and scenes where a character feels trapped or controlled.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Grillete

Song Details

  • Energy: Medium / Playful
  • Genres: Electronic, Funk, Jazz
  • Vocals: Instrumental
  • Key: C Minor
  • BPM: 91
  • Moods: Bright, Confident, Cool, Fun, Happy, Light, Playful, Positive, Quirky, Romantic, Upbeat
  • Cinematic Fit: Comedy, Romance, Indie, Crime
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Grillete is built for scenes with style, charm, and forward motion. Its funky rhythmic base and playful confidence make it especially effective for light capers, cool character intros, romantic tension with a wink, or any sequence that needs personality and momentum without heaviness.

Ideal Sync Uses

  • Comedy: quirky movement, playful setups, character-driven humor
  • Romance: flirtation, charm, light romantic chemistry
  • Indie: stylish montage, urban character moments, eccentric personality beats
  • Crime: light caper energy, clever movement, cool low-stakes tension

Scene Suggestions

  • Character walking with confidence through a lively setting
  • Playful romantic encounter with offbeat chemistry
  • Montage of small victories, clever moves, or improvisation
  • Stylized setup scene with charm and motion rather than pressure
Track Narrative:
Grillete feels like confidence with a grin. Its groove carries a cool, playful intelligence, moving lightly but with purpose. The cue brings color and personality to a scene, making it ideal for moments where charm, rhythm, and cinematic wit need to take the lead.

Guanibarrana

Guanibarrana cover art

Guanibarrana
by Elmer Ferrer

Ethereal and expansive — “Guanibarrana” by Elmer Ferrer echoes with fluid motion and spiritual atmosphere. Its cinematic guitar-driven form evokes ancestral earth tones, rhythmically aligned with sync scenes of awakening, ceremonial reverence, or lyrical landscape traversal.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Guanibarrana
Clean Intro: Yes (0:00 – immediate rhythmic/tonal entry with layered Latin fusion texture)
Edit Points: 0:14 / 0:32 / 0:52 / 1:14 / 1:38 / 2:04 / 2:30 / 2:58 / 3:26 / 3:54
Button Ending: Yes, resolved ensemble ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:14 / 1:38–2:04 / 2:30–2:58
Use Case: Complex Latin fusion cue for movement, cultural identity, and dynamic storytelling. Strong for travel, ensemble-driven scenes, and sequences that require energy, sophistication, and musical interplay.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Guanibarrana

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 156
  • Energy: High
  • Genres: Jazz, Latin, World
  • Vocals: Instrumental
  • Moods: Bright, Upbeat, Fun, Happy, Mysterious, Positive, Quirky, Tension
  • Cinematic Fit: Action, Adventure, Comedy, Crime, Fantasy, Mystery, Thriller
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Synth

Instrumental Solos

  • Electric Guitar
  • Bass

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz
  • Production: Elmer Ferrer
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Elmer Ferrer: Electric Guitar
  • Rich Brown: Bass Guitar
  • Chendy Leon: Percussion
  • Larnell Lewis: Drums
  • Rachel Pomedli: Cello
  • Rebekah Wolkstein: Viola
  • Drew Jurecka & Lyn Kuo: Violin

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
Song Placement Review

Sync Potential

Ethereal and expansive — “Guanibarrana” by Elmer Ferrer echoes with fluid motion and spiritual atmosphere. Its cinematic guitar-driven form evokes ancestral earth tones, rhythmically aligned with sync scenes of awakening, ceremonial reverence, or lyrical landscape traversal.

Best Use Cases

  • Action: Stylized movement, rhythmic tension
  • Adventure: Cultural exploration, scenic travel
  • Fantasy: Mystical transitions, dreamlike pacing
  • Comedy: Quirky interludes, ensemble rhythm
  • Crime & Mystery: Urban intrigue, suspenseful groove
  • Thriller: Psychological motion, tonal suspense

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for underscore
  • High Energy: Ideal for dynamic pacing
  • Instrumentation: Acoustic guitar, bass, drums, percussion, synth
  • Solo Features: Electric guitar, bass

For licensing inquiries, contact OMR Music Production or visit Song Placement Review.

Track Narrative:
“Guanibarrana” moves with ancestral pulse — Elmer Ferrer constructs syncable sonic breath for scenes of mystic drift, cultural homage, or spirit-laced transcendence.

GUY FAWKES — Josh Friedman

Guy Fawkes cover art

Guy Fawkes
by Josh Friedman

Fast, romantic-leaning acoustic guitar with light piano punctuation. Minimal textures and warm, reflective phrasing create energetic lift without crowding VO—great for bright transitions, tactile closeups, and premium lifestyle pacing.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Guy Fawkes
Clean Intro: Yes (0:00 – immediate tonal entry with tension-driven rhythmic pulse)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: Yes, resolved but restrained ending
Loopable: High
Best Loop Candidates: 0:28–1:02 / 1:20–1:40 / 2:00–2:20
Use Case: Tension-driven cue for strategy, subversion, and controlled conflict. Strong for investigative scenes, political undertones, and sequences where intelligence, secrecy, and underlying threat shape the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Guy Fawkes

Artist: Josh Friedman
Genre: Folk, World
Instruments: Acoustic guitar, Piano
Lyric Themes: —
Mood: Hopeful, Light, Minimal, Reflective, Romantic, Warm
Tempo: Fast • BPM: 142 • Key: D Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A brisk acoustic figure with elegant piano accents. Lean, uplifting textures and tidy cadences make for energetic underscore that keeps scenes moving while leaving space for VO and SFX.

Sync Highlights

  • Fast, positive motion for reveals, time-lapse, and quick builds
  • Minimal arrangement = VO-friendly midrange
  • Romantic warmth without melodrama—great for premium lifestyle
  • Easy :15/:30/:60 trims at phrase endings

Sync Potential: Guy Fawkes

Fits light adventure and travel, maker/DIY, food prep, upbeat lifestyle reels, and premium brand spots seeking clean momentum with a warm, worldly touch.

  • Assembly montages and process closeups
  • Map hops, route traces, cutaway transitions
  • Elegant product reveals and tactile details
Track Narrative:
A quickstep guitar engine with piano sparkles. It moves scenes forward with optimistic glow—graceful, warm, and precise at every cut.
Instrumental:
Acoustic guitar and piano (no vocals). Mix-ready master with crisp transients and smooth tails for clean cuts, speed-ramps, and fades.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a cinematic acoustic voice. Blends clean propulsion with lyrical warmth, delivering edit-smart pieces that elevate lifestyle, travel, and premium brand storytelling.

Styles: Folk, World, Singer/Songwriter, Classical • Strengths: Minimal textures, lyrical motion, VO-friendly midrange • Typical Uses: Lifestyle, Travel, DIY/Maker, Premium brand campaigns

Some images ©

  • Log out