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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — E

From electric jazz to emotional ballads, the “E” catalog is eclectic and expressive. These tracks are designed to elevate scenes with elegance, energy, or edge.

← Back to Main Catalog

E-Mail

E-Mail cover art

E-Mail
by Elmer Ferrer

Quirky and tech-touched — “E-Mail” by Elmer Ferrer playfully explores digital rhythm through a fusion of cinematic jazz textures and syncable pulse. Ideal for modern montage, office comedy, or abstract transitions marked by personality and beat-driven flow.

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OMR Cue Map

OMR Cue Map

Track: E-mail
Clean Intro: Yes (0:00 – immediate rhythmic and tonal entry with groove established)
Edit Points: 0:14 / 0:32 / 0:52 / 1:12 / 1:36 / 2:02 / 2:30 / 2:58 / 3:25 / 3:52 / 4:18
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:12 / 1:36–2:02 / 2:30–2:58
Use Case: Rhythmic, groove-driven Latin jazz cue for urban movement, cultural texture, and character-driven montage. Strong for travel sequences, city pacing, and scenes that balance musical sophistication with forward momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: E-Mail

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 125
  • Energy: Moderate High
  • Genres: Jazz, Rock
  • Vocals: Instrumental
  • Moods: Atmospheric, Cinematic, Dark, Dreamy, Emotive, Minimal, Moody, Reflective, Tense
  • Cinematic Fit: Action, Adventure, Crime, Thriller
  • Type: One Stop

Production Details

  • Executive Producers: Xyrla Fernandez, Carmen Avella
  • Music Composition: Elmer Ferrer
  • Recording: Eduardo Perez
  • Production: Elmer Ferrer, Eduardo Ramos
  • Mixing & Mastering: Eduardo Perez

Artists

  • Guitar: Elmer Ferrer
  • Bass Guitar: Jorge Perez Sawa
  • Drums: Ruy Lopez-Nussa

Instrumentation

  • Bass
  • Percussion
  • Strings
  • Synth
  • Electric Guitar (solo)
  • Bass (solo)
  • Drums (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“E-Mail” by Elmer Ferrer is a quirky, tech-touched instrumental that blends cinematic jazz with rhythmic precision. Its digital pulse and atmospheric tone make it ideal for sync scenes involving modern environments, abstract transitions, or stylized tension. The track’s fusion of jazz and rock elements adds depth to visual storytelling.

Best Use Cases

  • Action: Tactical sequences, high-stakes planning, surveillance
  • Crime & Thriller: Investigative montages, psychological tension
  • Adventure: Urban exploration, digital landscapes
  • Art House: Abstract visuals, experimental pacing

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for dialogue-driven scenes
  • Midtempo Energy: Supports pacing and narrative flow
  • Genre Blend: Jazz, Rock, Cinematic
  • Emotional Range: Tense, Dreamy, Reflective

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“E-Mail” answers with style — Elmer Ferrer crafts sync-ready rhythm for modern mood, playfully abstract montage, or transitional groove with a technical wink.

E.T.A.

E.T.A. cover art

E.T.A.
by Normal Machine

Retro and rhythmic — “E.T.A.” by Normal Machine channels synth-pop textures with tongue-in-cheek lyricism and digital swagger. Ideal for sync scenes of glitchy romance, tech-time transitions, or narrative irony layered in electro heartbeat and vocal edge.

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OMR Cue Map

OMR Cue Map

Track: E.T.A.
Clean Intro: Yes (0:00 – immediate rhythmic pulse with tonal atmosphere)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20 / 1:28 / 1:36
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Driving electronic cue for urgency, motion, and time-sensitive sequences. Strong for countdown scenarios, travel progression, tech-driven visuals, and scenes that require momentum with precision.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Experimental Sound Collective • Post Industrial • Sonic Explorers

Normal Machine is a boundary-pushing music collective known for its immersive soundscapes and post-industrial sonic meditations. Blending analog textures, digital noise, and rhythmic experimentation, the group creates music that challenges conventions and invites deep listening.

Emerging from underground scenes in Canada and Europe, Normal Machine has released a series of conceptual albums including Lullaby and Machine Music 15.0, each exploring themes of technology, decay, and rebirth. Their work is often described as cinematic, haunting, and hypnotic.

The group’s live performances are immersive experiences, combining visual projections, modular synths, and unconventional instruments. They’ve appeared at experimental music festivals and art installations, captivating audiences with their raw, visceral energy.

Normal Machine continues to evolve, pushing the limits of sound and form while remaining rooted in a philosophy of sonic exploration and emotional resonance.

Sync Pitch Sheet: E.T.A.

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 109
  • Energy: Medium
  • Genres: Electronic, Indie, Pop
  • Vocals: Female
  • Moods: Atmospheric, Cool, Dark, Moody, Rhythmic
  • Cinematic Fit: Animation, Coming-of-Age, Fantasy, Indie, Sci-Fi, Video Game
  • Lyric Themes: Dream, Adventure, Escape, Hope
  • Type: One Stop

Production Details

Available upon request

Artists

Available upon request

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“E.T.A.” by Normal Machine channels synth-pop textures with tongue-in-cheek lyricism and digital swagger. Ideal for sync scenes of glitchy romance, tech-time transitions, or narrative irony layered in electro heartbeat and vocal edge. The track’s rhythmic pulse and moody atmosphere make it a versatile fit across genres.

Best Use Cases

  • Animation: Stylized sequences, futuristic themes
  • Coming-of-Age: Youthful introspection, emotional transitions
  • Fantasy & Sci-Fi: Dreamscapes, digital realms, surreal moments
  • Indie Films: Quirky montages, ironic tone shifts
  • Video Games: Menu themes, character intros, ambient missions

Sync Appeal

  • One Stop: Easy licensing
  • Female Vocals: Distinctive and stylized
  • Midtempo Pulse: Supports pacing and mood
  • Lyric Themes: Dream, Adventure, Escape, Hope
  • Electronic Texture: Synth-driven with indie edge

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“E.T.A.” takes you there in style — Normal Machine blends irony and tempo for sync scenes wired in motion, romance delay, or techy transitions in pulse and pixel.

Lyrics

Is there anyone out there Come down we're ready we want you If you want it come have it We're done come and visit our planet Take me when you're ready to leave Take me baby I'm a believer I'm a believer and I'm ready to leave Extra-Terrestrial I want to go where you go I'm your little indigo don't leave me all alone Extra-Terrestrial I want to go where you go I'm your little indigo let me ride your space shuttle A hundred billion stars I swear I wish on every one If you come get me I promise I'll never ask to come back down Baby be my alien my ET I've been waiting come and get me baby In the night sky you should drop by Save me take me save me take me Come and take me home Extra-Terrestrial I want to go where you go I'm your little indigo don't leave me all alone Extra-Terrestrial I want to go where you go I'm your little indigo let me ride your space shuttle A hundred billion stars I swear I wish on every one If you come get me I promise I'll never ask to come back down Extra-Terrestrial I want to go where you go I'm your little indigo don't leave me all alone Extra-Terrestrial I want to go where you go I'm your little indigo let me ride your space shuttle 5-4-3-2-1 blastoff we go My planet never felt like home Light years away new galaxy A girl can dream A hundred billion stars I swear I wish on every one If you come get me I promise I'll never ask to come back down So beam me up and ship me out send me way above the clouds A hundred billion stars I swear I wish on every one If you come get me I promise I'll never ask to come back down

Each Other

Each Other cover art

Each Other
by Elmer Ferrer

“Each Other” is a midtempo ambient soundtrack cue in A Minor at 125 BPM, built around synth atmosphere, subtle percussion, and a rhythmic sense of contained tension. Dark, moody, reflective, and mysterious, it works well for dramatic movement, emotional uncertainty, relationship strain, investigative pacing, and scenes where two forces are circling one another without resolution.

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OMR Cue Map

OMR Cue Map

Track: Each Other
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, restrained atmospheric tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Rhythmic ambient cue for relationship tension, emotional uncertainty, quiet conflict, investigative pacing, and dramatic scenes where connection feels strained or unresolved.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Each Other

Song Profile

  • Genres: Ambient, Soundtrack
  • Key Signature: A Minor
  • BPM: 125
  • Tempo: Midtempo
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Dramatic, Light, Minimal, Moody, Mysterious, Reflective, Rhythmic, Tension
  • Type: One Stop

Instrumentation

  • Percussion
  • Synth

Track Summary

“Each Other” is a rhythmic ambient soundtrack cue in A Minor at 125 BPM. Its synth atmosphere and restrained percussion create a mood that is dramatic, mysterious, and reflective, while maintaining enough pulse to support movement, investigation, emotional strain, and narrative pressure.

Sync Highlights

  • A Minor tonality supports tension, uncertainty, and emotional complexity.
  • 125 BPM pulse gives the cue forward motion without overpowering the scene.
  • Minimal synth and percussion arrangement leaves room for dialogue and visual pacing.
  • Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“Each Other” by Elmer Ferrer is built for scenes where emotional connection is complicated by tension, distance, or uncertainty. Its rhythmic ambient structure makes it useful under dialogue, investigation, character movement, and dramatic transitions where the music needs to hold pressure without becoming too foregrounded.

Scene Types

  • Relationship tension and unresolved emotional distance
  • Investigative or procedural pacing
  • Moody dramatic transitions
  • Quiet conflict and withheld information
  • Reflective scenes with subtle rhythmic movement
Track Narrative:
“Each Other” feels like two people, ideas, or forces moving in the same space without fully meeting. Its rhythmic pulse suggests motion, but the atmosphere remains uncertain and unresolved. The cue carries emotional restraint, making it effective for scenes where connection is present but strained, complicated, or quietly slipping out of reach.
Instrumental Notes:
Midtempo instrumental cue in A Minor at 125 BPM, built from synth and percussion. Designed for rhythmic ambient underscore, tension, relationship strain, dramatic pacing, and dialogue-friendly emotional movement.

Stem Tracks

Stem availability can be confirmed upon request.

Easy Come, Easy Go

Easy Come, Easy Go cover art

Easy Come, Easy Go
by OMR Music Production

Poignant and reflective — “Easy Come, Easy Go” by OMR Music Production explores the fleeting nature of love and bittersweet closure. With gentle instrumentation and evocative lyricism, it’s sync-ready for scenes of emotional transition, heartfelt recollection, or romantic melancholy.

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OMR Cue Map

OMR Cue Map

Track: Easy Come, Easy Go
Clean Intro: Yes (0:00 – immediate tonal/acoustic entry, relaxed groove established)
Edit Points: 0:12 / 0:28 / 0:46 / 1:05 / 1:28 / 1:52 / 2:16 / 2:40 / 3:05 / 3:30
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:05 / 1:28–1:52 / 2:16–2:40
Use Case: Light, easygoing cue for relaxed storytelling, lifestyle montage, and character-driven moments. Strong for daytime scenes, travel, casual interaction, and sequences that carry a sense of ease, flow, and emotional openness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Easy Come Easy Go

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 101
  • Energy: Low
  • Genres: Country, Ballad, Singer/Songwriter, Vintage
  • Vocals: Female
  • Moods: Minimal, Moody, Reflective, Somber, Sad
  • Lyric Themes: Dream, Time, Love
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone, Kira Braun
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Elmer Ferrer

Artists

  • Vocals: Kira Braun
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Poignant and reflective — “Easy Come, Easy Go” by OMR Music Production explores the fleeting nature of love and bittersweet closure. With gentle instrumentation and evocative lyricism, it’s sync-ready for scenes of emotional transition, heartfelt recollection, or romantic melancholy.

Best Use Cases

  • Drama: Breakup scenes, emotional flashbacks
  • Romance: Love lost, quiet longing
  • Indie Films: Reflective montages, character introspection
  • Period Pieces: Vintage tone, acoustic authenticity
  • Documentaries: Personal stories, memory-driven narratives

Sync Appeal

  • One Stop: Streamlined licensing
  • Female Vocals: Emotional and intimate
  • Midtempo Flow: Supports pacing and mood
  • Lyric Themes: Dream, Time, Love
  • Organic Texture: Acoustic and vintage instrumentation

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Easy Come, Easy Go” lets vulnerability surface — OMR Music Production provides a syncable soundtrack to departure and emotional clarity framed in sonic softness.

Lyrics

VERSE 1 KEEP THE SUN SHINING ON YOUR FACE KEEP THE SHADOWS WELL BEHIND YOU I LEFT YOUR WORLD WITHOUT A TRACE SOMEONE ELSE WILL TAKE MY PLACE THERE'S A VISION IN MY MIND ALWAYS TAKES MY BREATH AWAY HE'S THE GUY I LEFT BEHIND I LET HIM GO THAT DAY CHORUS EASY COME THEN EASY GO EASY COME BY REALLY SLOW EASY COME, THEN EASY GO CRYSTAL FLAKES MELTING IN THE SNOW EASY COME THEN EASY GO TWO LOVERS PLAYING IN A SHOW EASY COME, THEN EASY GO EASY COME, EASY GO VERSE 2 I STILL SEE HIM IN MY DREAMS AND THE MEMORY OF HIS SMILE I CAN FEEL HIS LOVING ARMS THE DREAMS WILL FADE AFTER A WHILE NOW THE YEARS HAVE SLOWLY PASSED I'M STILL GLAD I WALKED AWAY WHILE SOME OLD FEELINGS LAST HE'S NOT THE MAN I NEED TODAY CHORUS BRIDGE OUR LOVE WAS LIKE A TIDE OF SPRING A WAVE OF WARMTH THAT MADE ME SING BUT SNOW SOON COVERED ALL THE FLOWERS OUR LOVE HAS GONE LIKE PASSING HOURS THROUGH MY FINGERS LIKE FALLING RAIN I KNOW I'LL NEVER LOVE HIM AGAIN CHORUS

Echoes of Silence

Echoes of Silence cover art

Echoes of Silence
by OMR Music Production

Spacious and poetic — “Echoes of Silence” by OMR Music Production delivers ambient depth through lyrical themes of loss, memory, and emotional distance. Built for sync scenes of introspection, solitude, or whispered tension framed in cinematic drift.

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OMR Cue Map

OMR Cue Map

Track: Echoes of Silence
Clean Intro: Yes (0:00 – immediate atmospheric entry with sustained tonal bed)
Edit Points: 0:20 / 0:42 / 1:05 / 1:30 / 1:58 / 2:28 / 2:58 / 3:28 / 3:58
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:42–1:30 / 1:58–2:28 / 2:58–3:28
Use Case: Deep, atmospheric ambient cue for introspection, emotional stillness, and cinematic space. Strong for slow-burn scenes, internal reflection, and moments where silence, tension, and subtle movement carry the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Echoes of Silence

Song Profile

  • Key Signature: Bb Major
  • Beats Per Minute: 105
  • Energy: Moderate
  • Genres: Ballads, Pop, R&B, Soul
  • Vocals: Male
  • Moods: Chill, Love, Sad, Somber
  • Cinematic Fit: Romance
  • Lyric Themes: Friendship, Heartbreak, Loss, Love
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Xyrla Fernandez, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Mixing and Mastering: Kevin Dietz & Samuel Williams

Artists

  • Vocals: Duane Blackburn
  • Guitar: Elmer Ferrer
  • Bass Guitar: Andrew Stewart
  • Keys: Duane Blackburn
  • Drums: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Echoes of Silence” by OMR Music Production is a soulful ballad that captures the ache of absence and the weight of memory. With mellow instrumentation and heartfelt male vocals, it’s a compelling choice for romantic dramas, emotional turning points, or scenes of quiet reflection.

Best Use Cases

  • Romance: Love lost, intimate moments
  • Drama: Emotional transitions, character solitude
  • Indie Films: Reflective montages, personal storytelling
  • Documentaries: Memory-driven narratives, human connection

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocals: Soulful and expressive
  • Midtempo Flow: Supports pacing and tone
  • Lyric Themes: Friendship, Heartbreak, Loss, Love
  • Organic Texture: Acoustic and soulful instrumentation

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Echoes of Silence” reverberates beyond the frame — OMR Music Production explores emotional absence through lyric and arrangement, shaping syncable gravity across time and tone.

Lyrics

Don’t’ judge a day by the weather Can’t tell the night by the day We seem to be good together But instead we drift so far away Don’t know a book by its cover Can’t tell a song by a phrase We had no clue it was over We got lost in a dead-end maze We talked it up and talked it down A river of tears flowing around Sad songs in your head And I hear echoes of silence CHORUS If I could have cried your tears If I could make it right I would give up a thousand years To have you one more night VERSE 2 We used to be friends and lovers But things are fading away It seems all of a sudden The more we talk the less we have to say We’re giving up on each other I know we felt out of place Staring at one another Hoping for one last embrace We broke it up and broke it down A river of tears flowing around Sad thoughts in your head And I hear echoes of silence CHORUS (Repeat and Fade)

Ecografia — IndiviDuo

Ecografia cover art

Ecografia
by IndiviDuo

A warm, midtempo Singer/Songwriter–Pop song about the life-changing moment of seeing a new life on an ultrasound. “Ecografia” weaves acoustic guitar, bass, drums, keyboard, and percussion with male and female vocals to describe a heart that suddenly becomes “parte de mi vida,” fears defeated by a smile, and a child who becomes “mi más bella melodía.” It’s intimate, bright, and reflective — ideal for emotional stories about new beginnings, connection, and what truly matters.

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OMR Cue Map

OMR Cue Map

Track: Ecografía
Clean Intro: Yes (0:00 – soft acoustic entry with immediate tonal clarity)
Edit Points: 0:16 / 0:34 / 0:58 / 1:22 / 1:48 / 2:15 / 2:44 / 3:12 / 3:40
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:34–1:22 / 1:48–2:15 / 2:44–3:12
Use Case: Intimate, emotionally grounded acoustic cue for personal storytelling, reflection, and human connection. Strong for family moments, internal realization, and scenes that require warmth, authenticity, and cultural nuance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Ecografia

Song Profile

  • Key Signature: F Major
  • BPM: 93
  • Tempo: Midtempo
  • Genres: Singer/Songwriter, Pop
  • Vocals: Male & Female Vocal
  • Mood/Feel: Bright, Warm, Light, Positive, Reflective
  • Lyric Themes: Life, Connection, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Keyboard
  • Percussion

Track Summary

“Ecografia” is a tender Singer/Songwriter–Pop ballad about the moment a new life changes everything. The narrator describes a heart and inspiration that, “sin saber,” becomes part of their life forever — a pure connection and “tesoro mismo de la vida” that wakes their soul. Seeing the baby on the ultrasound shifts who they are, and the child becomes their “más bella melodía.” With warm acoustic textures, keyboards, and intertwined male and female vocals, the track gently balances awe, vulnerability, and joy, making it ideal for scenes about new beginnings and profound emotional bonds.

Sync Highlights

  • Perfect for pregnancy, new-baby, and early parenthood storylines where emotion runs deep but stays hopeful.
  • Strong fit for hospital, nursery, and homecoming scenes as a child arrives or is first seen.
  • Works over reflective montage of a parent watching their child grow, with subtle, heartfelt energy.
  • Spanish lyric with clear imagery of ultrasound, life, and “bella melodía” makes the emotional stakes explicit.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Ecografia

This track is especially strong wherever the arrival of a child, a deep emotional awakening, or a shift in priorities is central to the story. Its lyrics about fear being defeated by a smile, seeing what truly matters, and being touched daily by “la magia de tu vida” give editors very clear emotional signposts.

Scene Types

  • Ultrasound and pregnancy reveal scenes in drama, dramedy, or romance.
  • Moments where a character realizes their life has changed forever because of a child.
  • Quiet, intimate scenes in a nursery or bedroom with a parent singing or watching over a baby.
  • Montages of day-to-day life with a new child, framed as the “most beautiful melody.”

Film/TV Fit

  • Drama & Dramedy
  • Romance
  • Coming-of-Age (for parents or caregivers)
  • Heartfelt family and relationship-focused storylines

Why It Works

  • Direct references to ultrasound, new life, fear, and newfound clarity about what is important.
  • Midtempo, gentle groove supports emotional dialogue and visuals without overpowering them.
  • Male/female vocal interplay keeps the song flexible for different character perspectives.
Track Narrative:
“Ecografia” tells the story of someone whose life changes the day they see a heartbeat on an ultrasound. Without warning, a new heart and inspiration appear and quietly become part of their life forever. As the baby grows, they carry “el tesoro mismo de la vida,” a pure connection that shakes their soul awake. The narrator admits to fears and exhaustion, but the child’s smile defeats their fiercest worries and shows them what truly matters. Their rough, sleep-deprived voice becomes the one that will sing to the child every day, and the child becomes their “más bella melodía” — the most beautiful song their life has ever written.

Lyrics: Ecografia

Late un corazón, una inspiración Que sin saber ya es parte de mi vida Una bendición, sin invitación Se quedará por siempre de visita Y nadie me avisó Y todo lo que soy cambió ese día Cuando te vi en esa ecografía Y comenzó, tu historia comenzó, el día En que llegaste, y con tu sonrisa iluminaste, mis miedos más feroces derrotaste Viniste a hacerme ver realmente lo importante Y cada dia, me tocas con la magia de tu vida Mi voz desnuda, ronca, y mal dormida Será la que te cante baby cada dia Tu serás, por siempre tu serás, mi más bella melodía Mientras tanto yo, guardo en mi interior El tesoro mismo de la vida Pura conexión, pequeña creación Que sacude mi alma adormecida Y nadie me avisó Y todo lo que soy cambió ese día Cuando te vi en esa ecografía Y comenzó, tu historia comenzó, el día En que llegaste, y con tu sonrisa iluminaste, mis miedos más feroces derrotaste Viniste a hacerme ver realmente lo importante Y cada dia, me tocas con la magia de tu vida Mi voz desnuda, ronca y mal dormida Será la que te cante baby cada dia Tu serás, por siempre tu serás, mi más bella melodía.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, and acoustic Singer/Songwriter influences into cinematic, story-driven songs. Their music often centers on connection, life’s turning points, creativity, and emotional transformation, carried by warm arrangements and expressive vocals.

From upbeat, feel-good anthems to intimate, heart-centered tracks like “Ecografia,” their catalog works across romance, drama, dramedy, and character-driven narratives — especially where love, vulnerability, and what truly matters are front and center on screen.

Styles: Latin Pop, Singer/Songwriter, Acoustic Pop • Strengths: Emotional storytelling, melodic hooks, intimate vocal delivery • Typical Uses: Drama, Dramedy, romance and character arcs that explore connection, life changes, and new beginnings

El Acomensor

El Acomensor cover art

El Acomensor
by Kiki Ferrer

Dynamic and sophisticated — “El Acomensor” by Kiki Ferrer is a vibrant Latin jazz instrumental driven by expressive piano, organ, and saxophone solos. Brimming with groove and technical finesse, it’s built for sync scenes of motion, modern flair, or cultural celebration.

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OMR Cue Map

OMR Cue Map

Track: El Acomensor
Clean Intro: Yes (0:00 – exposed instrumental intro with immediate tonal identity)
Edit Points: 0:18 / 0:36 / 1:02 / 1:28 / 1:58 / 2:28 / 2:58 / 3:28 / 3:58 / 4:28
Button Ending: Yes, resolved musical ending
Loopable: Partial
Best Loop Candidates: 0:36–1:28 / 1:58–2:28 / 2:58–3:28
Use Case: Sophisticated Latin jazz fusion cue for cultural texture, upscale environments, and character-driven storytelling. Strong for restaurant, nightlife, and travel sequences, as well as scenes that require musical identity with rhythmic movement and improvisational energy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: El Acomensor

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 130
  • Energy: Moderate - High
  • Genres: Folk, Jazz
  • Vocals: Instrumental
  • Moods: Carefree, Romantic, Confident, Cool, Positive, Reflective
  • Cinematic Fit: Crime, Drama, Mystery
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Guitars: Dayan Abad
  • Piano & Keyboard: Luis Guerra
  • Bass: Alain Perez
  • Vocals and Backing Vocals: Akinsola Elegbede
  • Saxophone: Rafael Arteaga
  • Drums: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Saxophone
  • Organ
  • Piano

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“El Acomensor” by Kiki Ferrer blends jazz sophistication with folk charm, delivering a vibrant instrumental journey. With uptempo rhythms and expressive solos, it’s a dynamic fit for crime dramas, stylish mysteries, or scenes that call for confident, reflective energy.

Best Use Cases

  • Crime: Urban montages, stylish transitions
  • Drama: Character-driven scenes, emotional pacing
  • Mystery: Investigative sequences, noir aesthetics
  • Indie Films: Quirky interludes, cultural storytelling
  • TV Series: Opening credits, scene bridges

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible and mood-driven
  • Uptempo Pulse: Energetic and stylish
  • Solo Features: Organ, Piano, Saxophone
  • Genre Blend: Jazz sophistication with folk roots

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“El Acomensor” lifts with technical brilliance — Kiki Ferrer delivers syncable jazz architecture for scenes of urban sophistication, vibrant culture, or ensemble celebration.

El Chiky

El Chiky cover art

El Chiky
by Pavlo Carta

Rhythmic and fiery — “El Chiky” by Pavlo Carta pulses with percussive drive and Latin jazz flair. Ideal for sync scenes of high-energy motion, dance montage, or playful urban storytelling built on fusion grooves and instrumental charisma.

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OMR Cue Map

Track: El Chiky
Clean Intro: Yes (0:00 – immediate rhythmic/acoustic entry with defined groove)
Edit Points: 0:14 / 0:30 / 0:48 / 1:08 / 1:30 / 1:55 / 2:20 / 2:48 / 3:15 / 3:40
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:08 / 1:30–1:55 / 2:20–2:48
Use Case: Playful, rhythm-driven Latin fusion cue for vibrant environments, cultural movement, and character-driven montage. Strong for street scenes, travel, social interaction, and sequences that blend energy, personality, and musical texture.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: El Chiky

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 128
  • Energy: Medium
  • Genres: Folk, Indie, World, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Moody
  • Cinematic Fit: Action, Adventure, Animation, Comedy, Cooking Documentary, Romance
  • Type: One Stop

Production Details

  • Produced By: Ricky Lorenzo, TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artists

  • Pavlo Cartaginese: Violoncello, Chitarra, Basso, Pianoforte, Sintetizzatore, Batteria
  • Catalina: Bandoneon
  • Molina: Percussioni

Instrumentation

  • Percussion
  • Strings
  • Synth
  • Cello (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“El Chiky” by Pavlo Carta pulses with percussive drive and Latin jazz flair. Ideal for sync scenes of high-energy motion, dance montage, or playful urban storytelling built on fusion grooves and instrumental charisma. Its cello solo and rhythmic layers add cinematic depth and global texture.

Best Use Cases

  • Action: Fast-paced sequences, stylized motion
  • Adventure: Travel montages, cultural exploration
  • Animation: Whimsical transitions, character movement
  • Cooking Documentary: Culinary rhythm, vibrant edits
  • Romance: Playful flirtation, scenic moments

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for dialogue and visuals
  • Midtempo Energy: Balanced pacing with rhythmic flair
  • Solo Feature: Cello adds emotional and melodic depth
  • Genre Blend: Folk, Indie, World, Electronic

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“El Chiky” chases rhythm with swagger — Pavlo Carta delivers syncable energy for vibrant settings, fast-paced edits, and modern motion rooted in instrumental flair.

El Guilto

El Guilto cover art

El Guilto
by Elmer Ferrer

Cinematic and rhythmic — “El Guilto” by Elmer Ferrer intertwines jazz fusion structure and Afro-Cuban pulse. Its layered instrumental phrasing lends itself to sync scenes of cultural backdrop, transition montage, or tension marked by nuance and global musical sensibility.

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OMR Cue Map

OMR Cue Map

Track: El Guilto
Clean Intro: Yes (0:00 – exposed instrumental intro with immediate tonal identity)
Edit Points: 0:20 / 0:40 / 1:08 / 1:36 / 2:08 / 2:40 / 3:12 / 3:44 / 4:16 / 4:48 / 5:20
Button Ending: Yes, resolved musical ending
Loopable: Partial
Best Loop Candidates: 0:40–1:36 / 2:08–2:40 / 3:12–3:44
Use Case: Expansive Latin jazz fusion cue for sophisticated environments, extended scenes, and character-driven storytelling. Strong for upscale settings, performance sequences, and moments where musical identity and evolving energy support the narrative over time.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: El Guilto

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 134
  • Energy: Moderate
  • Genres: Funk, Jazz, Latin, Cinematic
  • Vocals: Instrumental
  • Moods: Carefree, Chill, Upbeat, Cool, Quirky, Rhythmic
  • Cinematic Fit: Action, Adventure, Comedy, Crime, Drama, Mystery, Romance Thriller
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Guitar: Elmer Ferrer
  • Bass Guitar: Roberto Riveron
  • Percussion: Chendy Leon
  • Drums: Larnell Lewis
  • Piano: Michael Shand
  • Flute: Rob Christian

Instrumentation

  • Flute
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Instrumental Solos: Electric Guitar, Flute, Piano

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“El Guilto” by Elmer Ferrer intertwines jazz fusion structure and Afro-Cuban pulse. Its layered instrumental phrasing lends itself to sync scenes of cultural backdrop, transition montage, or tension marked by nuance and global musical sensibility.

Best Use Cases

  • Action: Stylized motion, chase sequences
  • Adventure: Cultural exploration, travel montages
  • Comedy: Quirky transitions, character moments
  • Crime/Drama: Urban tension, investigative scenes
  • Romance Thriller: Cool seduction, rhythmic suspense

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for dialogue and visuals
  • Uptempo Energy: Dynamic pacing with groove
  • Solo Features: Electric Guitar, Flute, Piano
  • Genre Blend: Funk, Jazz, Latin, Cinematic

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“El Guilto” breathes syncable sophistication — Elmer Ferrer sculpts tonal tension and harmonic complexity suited for deep drama or refined cultural sync placement.

El Regocijo del Fula

El Regocijo del Fula cover art

El Regocijo Del Fula
by Elmer Ferrer

Joyful and textured — “El Regocijo del Fula” by Elmer Ferrer fuses Afro-Cuban pulse and jazz fusion with rhythmic fluidity. This instrumental fits sync scenes of celebratory movement, ensemble interplay, or cultural sequences steeped in percussive finesse and tonal lift.

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OMR Cue Map

OMR Cue Map

Track: El Regocijo del Fula
Clean Intro: Yes (0:00 – immediate rhythmic and tonal entry with defined groove)
Edit Points: 0:12 / 0:28 / 0:46 / 1:04 / 1:24 / 1:48 / 2:12 / 2:36 / 3:00 / 3:20
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:04 / 1:24–1:48 / 2:12–2:36
Use Case: Rhythm-forward Latin fusion cue for vibrant environments, cultural movement, and character-driven montage. Strong for travel, street-level energy, and sequences that require musical personality with forward motion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: El Regocijo DelFula

Song Profile

  • Key Signature: Not Applicable
  • Beats Per Minute: Not Applicable
  • Energy: Dark
  • Genres: Electronic, World, Cinematic
  • Vocals: Male Vocal
  • Moods: Dramatic, Eerie
  • Cinematic Fit: Fantasy, Horror, Drama, Mystery, Sci-Fi, Thriller
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Guitars: Elmer Ferrer
  • Programming: Elmer Ferrer

Instrumentation

  • Percussion
  • Synth
  • Bass
  • Drums

Audio Preview

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“El Regocijo DelFula” by Elmer Ferrer is a brooding and textured cinematic piece that blends electronic pulses with eerie atmospheres. Its dark energy and rhythmic tension make it ideal for sync scenes that demand suspense, mystery, or psychological depth.

Best Use Cases

  • Fantasy: Enchanted realms, ominous transitions
  • Horror: Psychological tension, eerie build-ups
  • Drama: Emotional depth, introspective scenes
  • Mystery: Investigative montages, shadowed sequences
  • Sci-Fi: Futuristic landscapes, alien suspense
  • Thriller: Chase scenes, dark revelations

Sync Appeal

  • One Stop: Simplified licensing
  • Male Vocal: Adds human texture and emotional weight
  • Uptempo Drive: Maintains tension and pacing
  • Genre Blend: Electronic, World, Cinematic
  • Dark Energy: Ideal for suspense and dramatic arcs

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“El Regocijo del Fula” celebrates with ensemble voice — Elmer Ferrer layers syncable jazz and Afro-Cuban rhythm for scenes rooted in movement, tradition, and tonal unity.

El ritmo del mundo — Tiffany Joy

El ritmo del mundo cover art

El ritmo del mundo
by Tiffany Joy

Uplifting, global, and groove-driven, “El ritmo del mundo” celebrates music as a healing force and a shared pulse connecting people everywhere. Latin and reggae colors, pulsing percussion, and Tiffany Joy’s radiant vocal delivery create an empowering, sync-friendly anthem for connection, discovery, and joy.

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OMR Cue Map

OMR Cue Map

Track: El Ritmo del Mundo
Clean Intro: Yes (0:00 – immediate rhythmic and tonal entry with Latin groove established)
Edit Points: 0:12 / 0:28 / 0:46 / 1:06 / 1:28 / 1:52 / 2:18 / 2:44 / 3:10 / 3:32
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:06 / 1:28–1:52 / 2:18–2:44
Use Case: Warm, rhythm-driven Latin vocal cue for cultural environments, travel, and lifestyle storytelling. Strong for café scenes, social interaction, and sequences that blend musical identity with relaxed forward motion and human connection.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: El ritmo del mundo

Song Profile

  • Key Signature: B Major
  • BPM: 134
  • Tempo: Uptempo
  • Genres: Latin, Reggae, World
  • Vocals: Female Vocal
  • Mood/Feel: Catchy, Cool/Moody, Reflective, Rhythmic, Romantic
  • Lyric Themes: Connection, Discovery, Dream, Empowerment, Life
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Synth

Track Summary

An upbeat Latin-reggae fusion that frames rhythm as a universal life-force. “El ritmo del mundo” fuses shimmering guitars, percussive lift, and a contagious vocal melody into an affirming, globally-minded anthem suitable for inspirational content and feel-good storytelling.

Sync Highlights

  • Strong, repetitive hook around “el ritmo que corre por el mundo” for memorable sync moments.
  • Uptempo groove supports kinetic editing, dance, and celebration visuals.
  • Lyrics explicitly connect music, heart, and global unity—perfect for inclusive / worldwide campaigns.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: El ritmo del mundo

“El ritmo del mundo” is tailor-made for globally-minded, optimistic storytelling: campaigns about community, wellness, cultural connection, and the power of music. Its infectious groove and message of healing through rhythm make it a strong candidate for feel-good spots and series.

Scene Types

  • Travel and culture montages, city or festival sequences
  • Wellness, lifestyle, and music-centric campaigns
  • Coming-of-age or self-discovery arcs where a character finds their voice
  • Community, charity, or global unity initiatives

Film/TV Fit

  • Coming-of-Age
  • Romance
  • Drama
  • Inspirational / Feel-Good

Usage Suggestions

  • Opening or closing montage for travel, culture, or dance-focused episodes.
  • Hero shot / payoff moment in a spot about choosing joy, connection, or wellness.
  • Performance or rehearsal scenes in music-driven narratives.
  • Global brand campaigns highlighting diversity, rhythm, and shared humanity.

Why It Works

  • Spanish lyrics and world influences add authenticity and international appeal.
  • Uptempo but reflective—works for both high-energy visuals and heartfelt messaging.
  • Clear thematic focus on music-as-cure and global rhythm aligns with aspirational storytelling.
Track Narrative:
“El ritmo del mundo” follows a narrator who discovers that the rhythm running through the world is the same pulse inside her own heart. What begins as a personal sensation of music in the body becomes a revelation: rhythm can heal, connect, and reframe what truly matters. The song moves from inner awakening to outward generosity—sharing that rhythm with others, choosing peace, and finding purpose in singing and learning for life.

Lyrics: El ritmo del mundo

Puedo sentir el ritmo por todo mi cuerpo Mi espíritu se quiere remontar Cada día descubro secretos nuevos Y me dan el motivo para soñar Hago que la música pueda curar La gente que sufren por cosas que no deben de importar Descubro que el ritmo que corre por el mundo Es el mismo que el que corre por mi corazón Cuando canto me siento completa He descubierto pasiones como un secreto Solo debes compartirlo con la gente Que te va a respetar Hago que la música pueda curar La gente que sufren por cosas que no deben de importar Descubro que el ritmo que corre por el mundo Es el mismo que el que corre por mi corazón Pasaré mi vida aprendiendo el ritmo y me doy cuenta de que es común Que todo el mundo tiene un pulso y vivir en paz es una decisión Descubro que el ritmo que corre por el mundo Es el mismo que el que corre por mi corazón Hago que la música pueda curar La gente que sufren por cosas que no deben de importar Descubro que el ritmo que corre por el mundo Es el mismo que el que corre por mi corazón, mi corazón Mi corazón Es el ritmo del mundo En mi corazón
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
Tiffany Joy

Tiffany Joy

Tiffany Joy is a vocalist and songwriter whose music bridges Latin, reggae, jazz, and world influences with a soulful, introspective touch. Whether fronting her own projects or co-creating as part of Individuo, she brings a warm, expressive tone and a storyteller’s ear for emotional detail.

Her songs often explore identity, time, love, and personal growth—moving from vulnerability to resilience with melodic clarity and rhythmic lift. Tiffany’s performances feel both intimate and expansive, making her work a natural fit for character-driven narratives, global stories, and inspirational arcs.

Styles: Latin, Reggae, World, Jazz • Strengths: Emotional vocal delivery, bilingual/Spanish storytelling, rhythmically engaging but sync-friendly arrangements • Typical Uses: Drama, Coming-of-Age, Romance, Inspirational and Art House film/TV, and globally minded campaigns

EL TEMPLO DE LOS ATURDIDOS — Elmer Ferrer

El Templo de los Aturdidos cover art

El Templo de los Aturdidos
by Elmer Ferrer

El Templo de los Aturdidos moves with a brooding, hypnotic tension, blending dark electronic textures, guitar edge, and a steady rhythmic undercurrent. The cue feels disoriented in an intentional way—as though a character is walking through a place or state of mind that is unfamiliar, unstable, and emotionally charged. Its moody pulse and atmospheric weight make it well suited for psychological drama, urban tension, investigative sequences, or scenes where confusion and pressure quietly build beneath the surface.

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OMR Cue Map

Track: El Templo de los Aturdidos
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, driving atmospheric tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Dark, rhythmic tension cue suited for underground environments, psychological pressure, investigative movement, and scenes where atmosphere feels dense, immersive, and slightly disorienting.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: El Templo de los Aturdidos

Song Details

  • Energy: Medium / Brooding
  • Genres: Electronic, Indie
  • Vocals: Instrumental
  • Key: C Minor
  • BPM: 86
  • Moods: Atmospheric, Dark, Moody, Tension
  • Cinematic Fit: Thriller, Crime, Drama, Mystery, Indie
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

El Templo de los Aturdidos thrives on controlled disorientation. Its dark electronic foundation, moody pulse, and textured instrumentation create a sense of mental pressure and emotional instability without tipping into full action. It is ideal for scenes that need urban tension, psychological unease, or a brooding narrative undercurrent.

Ideal Sync Uses

  • Thriller: mounting pressure, shadowed movement, uneasy observation
  • Crime: surveillance, urban pursuit, morally gray tension
  • Drama: internal conflict, emotional destabilization, difficult choices
  • Mystery: slow realization, distorted perspective, hidden motives
  • Indie: moody character-driven sequences with edge and atmosphere

Scene Suggestions

  • Character navigating a dangerous neighborhood or tense interior space
  • Late-night drive with mounting emotional pressure
  • Psychological unraveling beneath a calm exterior
  • Investigation scene with a darker, more human edge

Why It Works

  • Dark pulse creates tension without overpowering the scene
  • Blend of electronic and guitar textures adds grit and emotional complexity
  • Midtempo pace supports suspense, drama, and urban storytelling
  • One-stop clearance makes it easy to place quickly
Track Narrative:
El Templo de los Aturdidos feels like wandering through confusion with purpose. Its moody rhythm and dark textures suggest a mind trying to stay steady while the world tilts around it. The cue carries tension not through spectacle, but through atmosphere—making it especially effective for scenes where uncertainty, pressure, and emotional instability quietly take hold.

Elizabethville

Elizabethville cover art

Elizabethville
by Paul Reddick

Soulful and mysterious — “Elizabethville” by Paul Reddick feat. The Sidemen folds folk-blues gravity into lyric storytelling and sonic texture. A sync-ready match for scenes of personal discovery, rural Americana, or slow-burning emotional plotlines edged in grit and grace.

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OMR Cue Map

Track: Elizabethville
Clean Intro: Yes (0:00 – immediate tonal entry with blues-driven groove)
Edit Points: 0:14 / 0:32 / 0:52 / 1:12 / 1:36 / 2:00 / 2:26 / 2:52 / 3:18 / 3:44 / 4:08
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:12 / 1:36–2:00 / 2:26–2:52
Use Case: Gritty, blues-driven Americana cue for character-focused storytelling, rural environments, and grounded emotional narrative. Strong for road scenes, small-town settings, and sequences that carry a sense of history, struggle, and authenticity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Elizabethville

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 153
  • Energy: Up-tempo
  • Genres: Rock, Blues, Punk
  • Vocals: Male Vocal
  • Moods: Romantic, Confident, Upbeat, Cool, Fun, Positive
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Romance
  • Lyric Themes: Connection, Relationship, Longing, Time, Together
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Written By: Paul Reddick & The Sidemen
  • Recorded By: Ken Friesen
  • Mixed By: King Williams
  • Mastered By: John Whynot

Artists

  • Paul Reddick: Harmonica, Vocals
  • Greg Marshak: Acoustic Bass, Electric Bass
  • Colin Linden: Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar
  • Kyle Ferguson: Electric Guitar, Steel Guitar, Twelve-String Guitar
  • Vince Maccarone: Drums
  • Richard Bell: Organ, Piano

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Elizabethville” by Paul Reddick feat. The Sidemen folds folk-blues gravity into lyric storytelling and sonic texture. A sync-ready match for scenes of personal discovery, rural Americana, or slow-burning emotional plotlines edged in grit and grace.

Best Use Cases

  • Action: Gritty motion, stylized sequences
  • Adventure: Americana landscapes, road trip montages
  • Art House: Poetic visuals, emotional depth
  • Comedy: Quirky transitions, character-driven moments
  • Coming-of-Age: Youthful discovery, emotional growth
  • Crime/Drama: Urban tension, introspective scenes
  • Romance: Longing, connection, time-shifted memories

Sync Appeal

  • One Stop: Simplified licensing
  • Male Vocal: Emotional resonance and lyrical depth
  • Fast Tempo: High energy with rhythmic drive
  • Genre Blend: Rock, Blues, Punk
  • Lyric Themes: Connection, Relationship, Longing, Time, Together

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Elizabethville” slips into memory — Paul Reddick & The Sidemen paint syncable mystery and character depth across rural soundscape and lyrical silhouette.

Lyrics

Climbin to the lookout Lookin east and west Climbin to the lookout Lookin east and west We've seen a lot now baby But we're bound to see the rest We spent three lovely hours together And a coolness moved on in Three lovely hours together And a coolness moved on in Now your door is scrapin shut And I'm wonderin where you’ve been Red and yellow orange and brown Scuttle baby from town to town Across your face the wind is kissin Down the line it's you I'm missin I been runnin I believe I'm runnin low I been runnin so long I believe I'm runnin low Won't you tell me What is there to know ?

EMBERS

Embers cover art

Embers
by Ezekiel Hampton

“Embers” is an anthemic electronic-indie track with a male vocal that blends uplift, belief, and emotional reassurance. With bass, drums, keyboard, percussion, and synth creating a big forward-moving frame, the song feels ideal for loyalty, rescue, emotional support, and scenes where connection becomes the thing that keeps someone standing.

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OMR Cue Map

Track: Embers
Clean Intro: Yes (0:00 – soft atmospheric entry with gradual tonal development)
Edit Points: 0:16 / 0:32 / 0:52 / 1:12 / 1:36 / 2:00 / 2:24 / 2:48 / 3:12 / 3:36
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:32–1:12 / 1:36–2:00 / 2:24–2:48
Use Case: Atmospheric, slow-building cue for emotional tension, reflection, and cinematic pacing. Strong for introspective scenes, unresolved moments, and sequences where subtle forward motion supports internal conflict and narrative depth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Embers

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 135
  • Energy: High
  • Genres: Electronic, Indie
  • Vocals: Male Vocal
  • Moods: Anthemic, Party, Positive, Powerful, Upbeat, Uplifting
  • Lyric Themes: Dream
  • Cinematic Fit: Drama, Sports, Indie, Inspirational
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Keyboard
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Embers” is built for scenes of rescue, loyalty, and emotional reassurance that grows into something anthemic. Its male vocal and big uplifting drive make it especially effective for montage, support under pressure, and moments where someone is carried emotionally by another presence.

Ideal Sync Uses

  • Drama: loyalty, emotional support, rediscovered trust
  • Sports: encouragement, team bond, persistence
  • Indie: connection, belief, emotional carry-through
  • Inspirational: uplift, resilience, being held through difficulty

Scene Suggestions

  • Montage built around not giving up on someone
  • Scene where connection becomes the force that steadies the character
  • Emotional recovery sequence with growing uplift
  • Closing or turning-point moment shaped by trust and reassurance

Why It Works

  • Male vocal gives the song emotional conviction and scale
  • Anthemic structure creates strong lift for visual crescendos
  • High BPM supports montage and forward energy
  • Dream-support themes make it especially effective for perseverance and bond-driven scenes
Stem Tracks:
Available upon request.
Lyrics:
Blindly leading the blind and open spaces
Our hearts wink and nod at the past faces
Beating pulses inward, signal rescue
Fanned a flame from embers that were true

Embers, here to call your own
Embers, here to call your own

Though I drift you'd never let me go
let me go
Relinquishing the need, the need to be in control
I wanted to believe I was on my own
on my own
You carry me when I can't walk alone

Though I drift you'd never let me go
let me go
Relinquishing the need, the need to be in control
I wanted to believe I was on my own
on my own
You carry me when I can't walk alone

You're holding still my heart will swing
With faded breath we watch the dream
You're holding still my heart will swing
With faded breath we watch the dream
We watch the dream, we watch the dream, we watch the dream, we watch the dream

Blindly leading the blind and open spaces
Our hearts wink and nod at the past faces
Beating pulses inward, signal rescue
Fanned a flame from embers that were true
Embers, here to call your own
Embers, here to call your own

Though I drift you'd never let me go
let me go
Relinquishing the need, the need to be in control
I wanted to believe I was on my own
on my own
You carry me when I can't walk alone

Though I drift you'd never let me go
let me go
Relinquishing the need, the need to be in control
I wanted to believe I was on my own
on my own
You carry me when I can't walk alone

And I will wait for stars to fall on this
And I will wait
And I will wait for stars to fall on this
And I will wait
And I will wait for stars to fall on this
And I will wait

Though I drift you'd never let me go let me go
Relinquishing the need, the need to be in control
I wanted to believe I was on my own
on my own
You carry me when I can't walk alone

Though I drift you'd never let me go
Relinquishing the need, the need to be in control
I wanted to believe I was on my own
You carry me when I can't walk alone
And I will wait for stars to fall on this
And I will wait.
Track Narrative:
“Embers” feels like finding out that what remained alive beneath the damage was enough to carry someone forward. It holds uplift, support, and emotional rescue together in a way that feels expansive and deeply human.

END CREDITS

End Credits cover art

End Credits
by Ezekiel Hampton

“End Credits” is a bright electronic-indie-pop track with a male vocal that blends fate, hope, love, and forward-looking energy. With bass, percussion, and synth shaping its upbeat pulse, the song feels ideal for final scenes, emotional release, and closings that need lift without losing the story’s ache.

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OMR Cue Map

OMR Cue Map

Track: A Fruitful Year
Clean Intro: Yes (0:00 – clean instrumental intro)
Edit Points: 0:10 / 0:21 / 0:32 / 0:43 / 0:54 / 1:04
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:10–0:32 / 0:21–0:43 / 0:32–0:54
Use Case: Warm, rhythmic cue for forward motion, reflective montage, seasonal transition, and quietly optimistic scene-setting. Strong for light travel, growth, and emotionally grounded movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: End Credits

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 116
  • Energy: Moderate to High
  • Genres: Electronic, Indie, Pop
  • Vocals: Male Vocal
  • Moods: Atmospheric, Bright, Catchy, Confident, Cool, Energetic, Fun, Happy, Party, Positive, Sexy, Upbeat, Uplifting
  • Lyric Themes: Destiny, Hope, Love, Time
  • Cinematic Fit: Drama, Romance, Indie, Coming of Age
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“End Credits” is built for final scenes that need release, hope, and lingering emotional motion. Its male vocal and bright upbeat electronic-indie frame make it especially effective for endings that look forward, even while carrying the ache of what just happened.

Ideal Sync Uses

  • Drama: release, resolution, final emotional lift
  • Romance: hope after separation, reunion possibility, lingering connection
  • Indie: end-of-story motion, emotional afterglow
  • Coming of Age: reflection, growth, uncertain but hopeful future

Scene Suggestions

  • Final montage that looks forward rather than fully closes the emotional door
  • End-credit sequence with warmth and unresolved hope
  • Last scene where the character chooses movement over despair
  • Closing image that needs uplift without feeling detached from the story’s pain

Why It Works

  • Male vocal gives the ending emotional continuity and perspective
  • Catchy uplift helps final scenes feel memorable and open-ended
  • Electronic-indie-pop blend feels modern and emotionally accessible
  • Hope/time themes make it especially strong for closings and final credits
Stem Tracks:
Available upon request.
Lyrics:
I'll try to find a way
I'll try to find a way
I'll try to find a way
I'll try to find a way
I'll try to find a way

what time is it?
just the one time
I'll try to find a way
I'll try to find a way
I'll try to find a way

Don't want to die no more
Turn back just one more time
I'll try to find a way to try to find a way to walk on water
try to find a way to walk on water
love me now
I'll try to find a way to try to find a way to walk on water
try to find a way to walk on water
And I

She's a long way from home
Underneath the rain
I hope we'll see this place again
I hope we'll see this place again.
Track Narrative:
“End Credits” feels like a final breath that still believes in another chance. It carries motion, memory, and hope together, making the ending feel open, human, and still reaching for something just beyond the frame.

Enero

Enero cover art

Enero
by Pavlo Carta

Meditative and melodic — “Enero” by Pavlo Carta blends subtle phrasing and quiet optimism into a cinematic instrumental. A sync-ready fit for scenes of new beginnings, reflective motion, or gently unfolding storylines supported by expressive tonal clarity.

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OMR Cue Map

Track: Enero
Clean Intro: Yes (0:00 – soft tonal entry with immediate melodic presence)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08
Button Ending: No, soft tail ending
Loopable: Moderate
Best Loop Candidates: 0:36–1:20 / 1:45–2:12 / 2:40–3:08
Use Case: Gentle, melodic cue for reflection, memory, and emotional transition. Strong for quiet scenes, personal moments, and storytelling that requires warmth, subtlety, and introspective pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Enero

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 115
  • Energy: Mid-Tempo
  • Genres: Indie, Rock, Hip Hop, Soul
  • Vocals: Instrumental
  • Moods: Atmospheric, Cinematic, Dark, Dreamy, Emotive, Minimal, Moody, Reflective
  • Cinematic Fit: Art House, Indie, Mystery, Romance, Thriller
  • Type: One Stop

Production Details

  • Music Composition: Pavlo Cartaginese
  • Produced By: Hxney Produccion, A Coruña, España
  • Mastering: Ricky Lorenzo, TribalRecord Argentina
  • Recording: Honey Produccion, A Coruña, Galicia, España

Artists

  • Pavlo Carta: Violoncellos (acoustic & electric), Distortions, Synthesizer, Instrumentation

Instrumentation

  • Bass
  • Percussion
  • Strings
  • Synth
  • Instrumental Solo: Cello

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Enero” by Pavlo Carta is meditative and melodic, blending subtle phrasing and quiet optimism into a cinematic instrumental. A sync-ready fit for scenes of new beginnings, reflective motion, or gently unfolding storylines supported by expressive tonal clarity.

Best Use Cases

  • Art House: Poetic visuals, introspective tone
  • Indie: Personal storytelling, emotional arcs
  • Mystery: Ambient tension, slow reveals
  • Romance: Reflective moments, emotional connection
  • Thriller: Subtle suspense, moody transitions

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for dialogue and visuals
  • Midtempo Flow: Balanced pacing with emotional depth
  • Solo Feature: Cello adds cinematic resonance
  • Genre Blend: Indie, Rock, Hip Hop, Soul
  • Mood Palette: Atmospheric, Dreamy, Reflective

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Enero” steps quietly forward — Pavlo Carta composes emotional clarity for scenes of soft transition and character reflection, where nuance leads.

ENVELOPED BY A WARMTH MOST MAGNIFICENT

Enveloped by a Warmth Most Magnificent cover art

Enveloped by a Warmth Most Magnificent
by Radagast the Brown

“Enveloped by a Warmth Most Magnificent” is a spacious ambient instrumental shaped by tenderness, reflection, and emotional lift. With strings and synth moving in a restrained, luminous arc, the track feels ideal for scenes of grace, quiet healing, and moments where sadness gradually opens into something hopeful.

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OMR Cue Map

Track: Enveloped by a Warmth Most Magnificent Master
Clean Intro: Yes (0:00 – soft atmospheric entry with immediate tonal presence)
Edit Points: 0:22 / 0:44 / 1:08 / 1:34 / 2:00 / 2:28 / 2:58 / 3:28 / 3:58
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:44–1:34 / 2:00–2:28 / 2:58–3:28
Use Case: Cinematic ambient cue for emotional immersion, conceptual storytelling, and internal transformation. Strong for slow-burn scenes, dreamlike sequences, and moments where warmth, memory, and subtle emotional shifts guide the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: Enveloped by a Warmth Most Magnificent

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 117
  • Energy: Moderate
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Dreamy, Hopeful, Minimal, Reflective, Sad, Uplifting
  • Cinematic Fit: Drama, Indie, Romance, Art House
  • Type: One Stop

Instrumentation

  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Enveloped by a Warmth Most Magnificent” is built for scenes of emotional thaw, memory, tenderness, and hard-won grace. Its minimal, uplifting arc makes it especially useful when a scene needs to move through sadness without losing light.

Ideal Sync Uses

  • Drama: healing, reflection, emotional release
  • Indie: interior movement, memory, soft revelation
  • Romance: tenderness, reunion, quiet intimacy
  • Art House: luminous stillness, emotional drift, contemplative imagery

Scene Suggestions

  • Character emerging from grief into a softer emotional state
  • Reflective montage with warmth gradually replacing distance
  • Quiet reconciliation or internal acceptance scene
  • Ending that lands in hope without becoming triumphant

Why It Works

  • Strings and synth create lift while staying intimate
  • Minimal structure leaves room for dialogue and performance
  • Hopeful-sad tonal mix supports emotional complexity
  • Dreamy atmosphere helps scenes feel expansive without overstating emotion
Stem Tracks:
Available upon request.
Track Narrative:
“Enveloped by a Warmth Most Magnificent” feels like sorrow being met by something gentler and more forgiving. It carries the emotional sensation of soft light entering a space that has been cold for too long.

EROSION MECHANISMS PRECIPITATE THE DECLINE

Erosion Mechanisms Precipitate the Decline cover art

Erosion Mechanisms Precipitate the Decline
by Radagast the Brown

“Erosion Mechanisms Precipitate the Decline” is a light but reflective ambient-electronic instrumental with piano, percussion, and synth. Its hopeful minimalism and fast internal pace make it ideal for delicate transitions, slow-change sequences, and moments where decline is felt more as process than collapse.

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OMR Cue Map

Track: Erosion Mechanisms Precipitate the Decline
Clean Intro: Yes (0:00 – immediate atmospheric entry with tonal presence)
Edit Points: 0:22 / 0:46 / 1:12 / 1:40 / 2:10 / 2:40 / 3:12 / 3:44 / 4:16
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:46–1:40 / 2:10–2:40 / 3:12–3:44
Use Case: Cinematic ambient cue for gradual tension, decay, and internal transformation. Strong for slow-burn narrative, psychological unraveling, and sequences where change occurs subtly over time rather than through overt action.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Erosion Mechanisms Precipitate the Decline

Song Profile

  • Key Signature: Bb Major
  • Beats Per Minute: 147
  • Energy: Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Dreamy, Hopeful, Light, Minimal, Reflective
  • Cinematic Fit: Drama, Indie, Art House, Sci-Fi
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Erosion Mechanisms Precipitate the Decline” is built for scenes of gradual change, quiet deterioration, and reflective motion. Its minimal ambient-electronic structure makes it especially effective when the story needs to show process, drift, or emotional wearing-down without turning overtly tragic.

Ideal Sync Uses

  • Drama: slow change, emotional wearing-down, subtle consequence
  • Indie: process, transition, soft decline
  • Art House: minimal evolution, meditative movement, tonal drift
  • Sci-Fi: system shift, decay, quiet transformation

Scene Suggestions

  • Montage showing gradual erosion in a relationship or inner state
  • Visual sequence built around process rather than event
  • Reflective passage where things are changing without direct confrontation
  • Scene where hope and decline remain strangely intertwined

Why It Works

  • Minimal structure keeps the cue subtle and editorially flexible
  • Piano and synth add emotional and tonal clarity
  • Fast underlying motion gives process scenes life without forcing urgency
  • Reflective tone supports nuanced storytelling rather than blunt emphasis
Stem Tracks:
Available upon request.
Track Narrative:
“Erosion Mechanisms Precipitate the Decline” feels like watching a shift happen too gradually to stop and too quietly to ignore. It carries process, fragility, and subtle emotional drift in a way that makes the frame feel alive with slow change.

ERRANT SON

Errant Son cover art

Errant Son
by Ezekiel hampton

“Errant Son” is a dark electronic-pop track with a male vocal that blends regret, fracture, and force. With bass, percussion, and synth shaping its slow, atmospheric pulse, the song feels ideal for damaged identity, moral exhaustion, and scenes where struggle, pride, and consequence all remain unresolved.

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OMR Cue Map

OMR Cue Map

Track: Errant Son
Clean Intro: Yes (0:00 – immediate atmospheric entry with subtle forward motion)
Edit Points: 0:16 / 0:34 / 0:54 / 1:14 / 1:38 / 2:04 / 2:30 / 2:56 / 3:22 / 3:48
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:34–1:14 / 1:38–2:04 / 2:30–2:56
Use Case: Cinematic ambient cue for internal conflict, journey, and emotional displacement. Strong for character-driven scenes, slow-burn narrative, and sequences where subtle motion reflects personal transformation or uncertainty.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Errant Son

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 82
  • Energy: Low to Moderate
  • Genres: Electronic, Pop
  • Vocals: Male Vocal
  • Moods: Atmospheric, Confident, Cool, Dark, Moody, Rhythmic, Sexy
  • Lyric Themes: Pain, Regret, Strength, Struggle, Time
  • Cinematic Fit: Drama, Crime, Thriller, Indie
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Errant Son” is built for scenes of damage, pride, and the inability to fully heal or reconcile the past. Its male vocal and slow dark pulse make it especially effective for morally burdened characters, fractured self-awareness, and scenes that need emotional ruin without theatrical excess.

Ideal Sync Uses

  • Drama: regret, internal fracture, emotional ruin
  • Crime: damage, pride, consequence, moral fatigue
  • Thriller: psychological burden, dark momentum, exhausted conflict
  • Indie: identity collapse, wounded self-reflection

Scene Suggestions

  • Character reckoning with the long tail of damage and failure
  • Dark reflective sequence where healing feels inaccessible
  • Scene where pride and exhaustion coexist in the same emotional space
  • Montage built around waste, regret, and slow internal collapse

Why It Works

  • Male vocal gives the song narrative gravity and bruised immediacy
  • Slow pulse allows scenes to breathe under pressure
  • Dark electronic-pop blend feels modern without losing weight
  • Lyrical language supports damaged characters and unresolved consequence
Stem Tracks:
Available upon request.
Lyrics:
by the hand of an errant son
never thought of another one
but the scope has a dented glass
mixing the present with the past

i don’t feel what i used to feel
hard to know what is real
in the land of the wasted
where we scar, but we never heal

covered up so heavily dressed
digging through the layers would be a mess
copies of us to populate our towns
never full, but wanting less

oh
fire
come down
from the mountain
can we ever evolve

not a sign of a whisper lends
comfort to a fool entrenched
but if a nail could be so strong
why all the dance and song

parallel with the silent dream
other than a grand orchestra unseen
in the land of the wasted
where we explore in the darker themes

all adore, elevate this sale
one never would have lost the trail
fall on the sword of a warrior
no penance for the ones who fail

give it up, give it up
had enough, had enough
all in a disarray
let it up, let it up
it was a bluff, it was a bluff
put the power on display.
Track Narrative:
“Errant Son” feels like a conscience moving through ruin without finding absolution. It carries shame, force, and damaged resolve together, making the scene feel burdened, intimate, and far from healed.

Eternity

Eternity cover art

Eternity
by OMR Music Production

Epic and ambient — “Eternity” by OMR Music Production unfolds with cinematic scope, lyrical gravity, and harmonic suspense. It’s designed for sync scenes of spiritual magnitude, apocalyptic tone, or emotional climax shaped by shadow and light.

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OMR Cue Map

OMR Cue Map

Track: Eternity
Clean Intro: Yes (0:00 – soft atmospheric entry with immediate tonal presence)
Edit Points: 0:18 / 0:36 / 0:58 / 1:22 / 1:48 / 2:16 / 2:44 / 3:12 / 3:40
Button Ending: Yes, gently resolved ending
Loopable: Moderate
Best Loop Candidates: 0:36–1:22 / 1:48–2:16 / 2:44–3:12
Use Case: Cinematic emotional cue for reflection, resolution, and timeless atmosphere. Strong for closing moments, reflective montage, and scenes where the narrative expands into something larger, more contemplative, and emotionally grounded.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Eternity

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 125
  • Energy: Low - Medium
  • Genres: Cinematic, Horror, Indie, Ambient, Ballad, Pop, R&B, Singer/Songwriter, Vintage
  • Vocals: Female Vocal
  • Moods: Hopeful, Retro, Reflective, Somber, Sad
  • Cinematic Fit: Fantasy, Horror, Mystery, Romance
  • Lyric Themes: Dream, Pain, Love, Hope
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Xyrla Fernandez, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone, Xyrla Fernandez
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing and Mastering: Kevin Dietz & Samuel Williams

Artists

  • Vocals: Patricia Shirley
  • Background Vocals: Lori-Anne Smith
  • Guitar & Bass: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Eternity” by OMR Music Production unfolds with cinematic scope, lyrical gravity, and harmonic suspense. Its ambient textures and haunting female vocals make it ideal for sync scenes of spiritual magnitude, apocalyptic tone, or emotional climax shaped by shadow and light.

Best Use Cases

  • Fantasy: Ethereal landscapes, mystical transitions
  • Horror: Psychological tension, eerie build-ups
  • Mystery: Slow reveals, emotional depth
  • Romance: Longing, heartbreak, hope

Sync Appeal

  • One Stop: Simplified licensing
  • Female Vocal: Emotional resonance and lyrical clarity
  • Uptempo Flow: Maintains pacing with ambient depth
  • Genre Blend: Cinematic, Horror, Indie, Ambient, Pop, R&B
  • Mood Palette: Hopeful, Sad, Reflective, Retro

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Eternity” expands with sonic reach — OMR Music Production composes a syncable emotional sweep fit for storylines of transcendence, collapse, or closure.

Lyrics

VERSE 1 Through oceans of ages I hear you calling I’ve longed for this day to come You own my every thought Knowing my senses All of me is drawn to your heartbeat CHORUS INTRO Would you ever love me? Could you love at all? CHORUS Is there love beyond life Are we doomed to be Ease the pain, condemn me to be free Is there hope beyond dreams Take my soul and see To your will, I submit all of me VERSE 2 I’ve seen your darkest places Laughing and grieving Just want to be there with you Rush me for I cannot wait To be together In your arms to be born again CHORUS INTRO Would you ever love me Could you love at all CHORUS Is there love beyond life Are we doomed to be Ease the pain, condemn me to be free Is there hope beyond dreams Take my soul and see To your will, I submit all of me Is there love beyond life Are we doomed to be This is love take my very breath I agree Is there hope beyond dreams Take my soul and see It will be you and me in eternity

Europe

Europe cover art

Europe
by Elmer Ferrer

“Europe” is an uptempo instrumental in G Major at 120 BPM, blending dance, electronic, and world textures into a cool, mysterious, rhythmic cue. Built from bass, percussion, and synth, it carries a dark yet dreamy momentum suited for stylish travel sequences, nightlife movement, international intrigue, and tension-driven visual pacing.

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OMR Cue Map

OMR Cue Map

Track: Europe
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, rhythmic electronic tail
Loopable: High
Best Loop Candidates: 0:32–1:04 / 1:04–1:36 / 1:20–1:52
Use Case: Uptempo electronic-world cue for travel movement, nightlife, international intrigue, fashion pacing, stylish transitions, and rhythmic tension under modern visual sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Europe

Song Profile

  • Genres: Dance, Electronic, World
  • Key Signature: G Major
  • BPM: 120
  • Tempo: Uptempo
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dark, Dreamy, Minimal, Moody, Mysterious, Rhythmic, Tension
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Track Summary

“Europe” is an uptempo electronic-world instrumental in G Major at 120 BPM. Its rhythmic bass, percussion, and synth textures create a cool, atmospheric pulse with dark, mysterious, and dreamy undertones.

Sync Highlights

  • 120 BPM pulse supports movement, montage, and stylish pacing.
  • Dance/electronic/world blend works for international, travel, nightlife, and fashion contexts.
  • Minimal rhythmic structure leaves room for visual momentum and editorial flexibility.
  • Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“Europe” by Elmer Ferrer is built for stylish visual momentum. Its electronic-world rhythm, cool synth textures, and dark dreamy atmosphere make it effective for travel sequences, city movement, international intrigue, nightlife, luxury brand visuals, and scenes that need rhythmic tension without becoming overly aggressive.

Scene Types

  • European city movement and travel montage
  • Nightlife, fashion, and luxury brand visuals
  • International intrigue or surveillance pacing
  • Stylish transitions and kinetic scene changes
  • Rhythmic tension under dialogue-light sequences
Track Narrative:
“Europe” moves like a night drive through an unfamiliar city — cool, rhythmic, and slightly mysterious. Its dance/electronic pulse creates forward motion, while the darker atmospheric tones suggest tension beneath the surface. The cue feels modern, international, and stylish without losing its cinematic edge.
Instrumental Notes:
Uptempo instrumental in G Major at 120 BPM, built from bass, percussion, and synth. Designed for rhythmic movement, travel montage, stylish transitions, international atmosphere, and modern electronic-world pacing.

Stem Tracks

Stem availability can be confirmed upon request.

EVASIVE CODA TO THE FALSE CONSTRUCT

Evasive Coda to the False Construct cover art

Evasive Coda to the False Construct
by Radagast the Brown

“Evasive Coda to the False Construct” is a minimal ambient instrumental built on percussion, piano, strings, and synth. Its stark, stripped-back atmosphere makes it ideal for deconstruction, aftermath, and scenes where an illusion has already broken but the emotional meaning is still settling into place.

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OMR Cue Map

OMR Cue Map

Track: Evasive Coda to the False Construct
Clean Intro: Yes (0:00 – soft atmospheric entry with immediate tonal presence)
Edit Points: 0:20 / 0:42 / 1:06 / 1:32 / 1:58 / 2:26 / 2:54 / 3:22 / 3:50
Button Ending: No, soft tail ending
Loopable: Moderate
Best Loop Candidates: 0:42–1:32 / 1:58–2:26 / 2:54–3:22
Use Case: Cinematic ambient cue for reflection, aftermath, and conceptual resolution. Strong for post-conflict scenes, psychological clarity, and sequences where prior tension dissolves into understanding or ambiguity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Evasive Coda to the False Construct

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 60
  • Energy: Low
  • Genres: Ambient
  • Vocals: Instrumental
  • Moods: Atmospheric, Minimal
  • Cinematic Fit: Drama, Art House, Mystery, Sci-Fi
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Strings
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Evasive Coda to the False Construct” is built for aftermath, stripped perception, and the quiet collapse of something once believed. Its minimal ambient structure makes it especially effective when the scene needs to hold emptiness, consequence, or the lingering emotional residue of a broken narrative.

Ideal Sync Uses

  • Drama: aftermath, emotional clearing, quiet consequence
  • Art House: deconstruction, minimal emotional space, tonal residue
  • Mystery: false story exposed, quiet revelation
  • Sci-Fi: system failure, stripped illusion, post-disclosure calm

Scene Suggestions

  • Scene after a false reality or assumption has been broken
  • Minimal transition shaped by emotional emptiness rather than action
  • Aftermath sequence where meaning is still settling into the frame
  • Reflective moment after revelation or collapse

Why It Works

  • Extremely minimal structure leaves space for visual and emotional nuance
  • Slow pacing supports aftermath and decompression scenes
  • Piano, strings, and synth add quiet depth without crowding the frame
  • Ambient restraint makes it especially useful for post-revelation storytelling
Stem Tracks:
Available upon request.
Track Narrative:
“Evasive Coda to the False Construct” feels like standing in the quiet left behind when illusion has already failed. It carries sparseness, consequence, and the emotional hush that follows something coming apart at its foundation.

Every Temptation

Every Temptation cover art

Every Temptation
by Paul Reddick

Steamy and driven — “Every Temptation” by Paul Reddick coils lyrical tension around swamp blues grooves and firebrand delivery. Designed for sync scenes of dark romance, temptation, or outlaw charisma framed by a rhythm that simmers then sparks.

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OMR Cue Map

OMR Cue Map

Track: Every Temptation
Clean Intro: Yes (0:00 – immediate tonal entry with relaxed blues groove)
Edit Points: 0:16 / 0:34 / 0:54 / 1:14 / 1:38 / 2:00 / 2:24 / 2:48 / 3:12 / 3:36
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:34–1:14 / 1:38–2:00 / 2:24–2:48
Use Case: Laid-back blues cue for introspective storytelling, romantic tension, and atmospheric narrative. Strong for nighttime scenes, reflective dialogue, and sequences that blend mood, lyricism, and subtle emotional pull.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Every Temptation

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 115
  • Energy: Mid-tempo
  • Genres: Rock, Country, Folk
  • Vocals: Male Vocal
  • Moods: Bright, Upbeat, Positive, Reflective
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Romance, Western
  • Lyric Themes: Connection, Heartbreak, Desire, Love
  • Type: One Stop

Production Details

  • Produced By: Colin Linden
  • Written By: Colin Linden
  • Recorded By: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed By: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered By: John Whynot

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Linden: Guitars, Harmonies
  • John Dymond: Bass
  • John Whynot: Piano
  • Gary Craig: Drums

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Every Temptation” by Paul Reddick coils lyrical tension around swamp blues grooves and firebrand delivery. Designed for sync scenes of dark romance, temptation, or outlaw charisma framed by a rhythm that simmers then sparks.

Best Use Cases

  • Drama: Emotional tension, romantic conflict
  • Romance: Desire, heartbreak, connection
  • Coming-of-Age: Personal growth, youthful longing
  • Western: Dusty roads, outlaw swagger
  • Art House: Symbolic visuals, poetic transitions

Sync Appeal

  • One Stop: Easy licensing
  • Male Vocal: Raw and expressive
  • Midtempo Groove: Supports pacing and emotional arcs
  • Lyric Themes: Connection, Desire, Heartbreak, Love
  • Organic Instrumentation: Acoustic guitar, harmonica, piano, drums

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Every Temptation” burns slow — Paul Reddick delivers sync-ready mood and magnetic darkness for scenes that lean into desire, danger, or brooding resolve.

Lyrics

In violet dusk a blackbird sang his throat towards the moon By the edge of purple clouds the sky was the deepest blue Oh and it’s every temptation Your mouth is full of night I fell in love with a pretty girl A heart like a clasping knife Warm your throat with moonlight unwind the winding path Wear your purple dresses sipping wine in a ruby glass Oh and it’s every temptation Your mouth is full of night I fell in love with a pretty girl A heart like a clasping knife Oh and it’s every temptation Your mouth is full of night I fell in love with a pretty girl A heart like a clasping knife I have seen and I have known I’ve been dragged away There’s somebody sweet and kind calling at the close of day Oh and it’s every temptation Your mouth is full of night I fell in love with a pretty girl A heart like a clasping knife Oh and it’s every temptation Your mouth is full of night I fell in love with a pretty girl A heart like a clasping knife

Everything — Tiffany Joy

Everything cover art

Everything
by Tiffany Joy

“Everything” is a sultry R&B‑Soul‑Pop fusion that captures intimacy, connection, and emotional surrender. With smooth instrumentation, longing lyrics, and a moody yet reflective tone, the track explores the push and pull between passion and vulnerability — the all‑consuming nature of love, and the ache of wanting to be truly seen. A midtempo groove grounded in warmth and desire.

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OMR Cue Map

OMR Cue Map

Track: Everything
Clean Intro: Yes (0:00 – immediate tonal/vocal entry with emotional clarity)
Edit Points: 0:14 / 0:32 / 0:52 / 1:14 / 1:36 / 2:00 / 2:26 / 2:52 / 3:18 / 3:44
Button Ending: Yes, resolved emotional ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:14 / 1:36–2:00 / 2:26–2:52
Use Case: Emotional vocal cue for love, connection, and relational storytelling. Strong for romantic scenes, heartfelt dialogue, and montage where lyrical content reinforces character relationships and emotional stakes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Everything

Song Profile

  • Key Signature: F Major
  • BPM: 90
  • Tempo: Midtempo
  • Genres: R&B, Soul, Pop
  • Vocals: Male Vocal
  • Mood/Feel: Moody, Reflective
  • Lyric Themes: Connection, Desire, Identity, Longing, Love
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Everything” dives into the raw intensity of desire — where affection blurs with need and vulnerability meets power. With velvety vocals and organic R&B instrumentation, it creates a mood that is both intimate and cinematic. Ideal for moments of deep connection, longing, or quiet emotional revelation.

Sync Highlights

  • Fits romantic dramas, late‑night reflection scenes, or emotional flashbacks.
  • Perfect under candlelit visuals, dancing silhouettes, or character intimacy arcs.
  • Warm tone and smooth rhythm complement modern relationship storytelling.
  • Relative tempo and instrumentation make it suitable for episodic romance or feature film montages.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Everything

A moody, evocative track that captures emotional intensity and sensual connection. “Everything” brings a cinematic edge to romantic storytelling, ideal for sequences about passion, complexity, and yearning.

Scene Types

  • Romantic tension or reconnection scenes.
  • Late‑night reflection or intimacy moments.
  • Dreamlike montages and close‑up emotional storytelling.
  • Slow‑motion or silhouette visuals evoking closeness and longing.

Film/TV Fit

  • Romance
  • Drama
  • Character Introspective Scenes
  • Modern Love Stories

Why It Works

  • Rich, emotional vocal performance that draws the listener in.
  • Organic R&B/Soul production perfect for subtle cinematic underscoring.
  • Lyrics explore desire and identity with authenticity and warmth.
Track Narrative:
“Everything” narrates the intoxicating pull between fulfillment and longing — when love becomes both salvation and surrender. Each verse deepens the emotional complexity, portraying connection as something that consumes and defines. By the end, the song resolves not with closure but with acceptance — that love’s intensity is both beautiful and haunting.

Lyrics: Everything

Cover me in your words, your mind, poetry, love flows from me Can't you see? You've infiltrated me, my soul bears your markings, Leaving all for the taking and giving all to possibility I crave your touch I crave your voice And I am yours if you reach out to me, and know I drown in my desire to feel you next to me, consuming me and even when I have you, desperation surfaces, a clinging, clawing, hopeless need to pull you into me The one I long to be, even more than temporarily, you're everything And our love ignites the flame insatiably And those three words are ringing in my ears, dripping off your tongue and on your lips drive me crazy, and you want me to feel you, but you've left, lost and gone to sea And you are swimming Open your eyes, turn around and come back to me, and know I drown in my desire to feel you next to me consuming me, and even when I have you, desperation surfaces, a clinging, clawing, hopeless need to pull you into me The one I long to be, here in momentarily It's never enough, never enough, it's true When all I have and all I need is you It's never enough, never enough, it's true When all I have and all I need is you It's never enough, never enough, it's true When all I have and all I need is you It's never enough, never enough, it's true When all I have and all I need is you And I drown in my desire to feel you next to me, consuming me, and even when I have you, desperation surfaces, a clinging, clawing, hopeless need to pull you into me You know I drown in my desire to feel you next to me, consuming me, and even when I have you, desperation surfaces, a clinging, clawing, hopeless need to pull you into me The one I long to be, even momentarily And the one I long to see, everything you see in me And oh what this could be, something more than make believe I could be your everything I could be your everything
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy bridges Pop, R&B, and Soul into music that pulses with vulnerability and authenticity. Her voice carries warmth and clarity, exploring deep emotional themes of connection, longing, and transformation through pure storytelling.

Whether acoustic and intimate or full and cinematic, her songs lean into human emotion — balancing power with tenderness. Tiffany Joy creates sonic spaces where listeners can find truth and beauty in reflection, motion, and love.

Styles: R&B, Soul, Pop • Strengths: Emotional depth, vocal intimacy, cinematic tone • Typical Uses: Drama, Romance, Intimate Moments, Reflective Storytelling

EVERYTHING FOR YOU — Elmer Ferrer

Everything For You cover art

Everything For You
by Elmer Ferrer

Everything For You carries a delicate emotional tension through a minimal acoustic guitar performance that feels intimate, thoughtful, and slightly off-center in a beautiful way. Its blend of lightness, sadness, and quiet quirkiness gives the cue a very human quality, as though affection and vulnerability are being expressed without fully resolving. The track works especially well for tender dramatic scenes, reflective character moments, bittersweet montage, or understated romantic storytelling with emotional complexity.

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OMR Cue Map

OMR Cue Map

Track: Everything for You
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45
Button Ending: Yes (clean acoustic resolve)
Loopable: Moderate
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:00–1:30
Use Case: Light, quirky acoustic cue for reflective moments, character-driven storytelling, gentle emotional transitions, indie-style scenes, and slightly offbeat or bittersweet narrative beats.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Everything For You

Song Details

  • Energy: Medium / Intimate
  • Genres: Classical
  • Vocals: Instrumental
  • Key: A Minor
  • BPM: 130
  • Moods: Light, Minimal, Quirky, Reflective, Sad
  • Cinematic Fit: Drama, Romance, Indie, Coming of Age, Art House
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Acoustic Guitar

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Everything For You offers intimate emotional texture with a minimal acoustic voice. Its bittersweet quality makes it well suited for scenes that need tenderness, vulnerability, and subtle emotional nuance rather than overt sentimentality.

Ideal Sync Uses

  • Drama: private emotional reflection and unresolved feeling
  • Romance: bittersweet affection or tender emotional distance
  • Indie: quiet montage and character-based storytelling
  • Coming of Age / Art House: delicate emotional transitions

Scene Suggestions

  • Character reflecting on love, sacrifice, or missed connection
  • Quiet montage of memory and emotional aftermath
  • Intimate conversation with vulnerability beneath the surface
  • Small personal moment that carries emotional weight without dialogue
Track Narrative:
Everything For You feels like an offering made quietly and without certainty. Its minimal acoustic phrasing suggests care, tenderness, and a touch of sadness, as though something deeply felt is being expressed in the smallest possible gesture. The cue is strongest in scenes where emotional truth lives in restraint rather than scale.

Everybody’s Gotta Get Paid

Everybody’s Gotta Get Paid cover art

Everybody's Gotta Get Paid
by Mattie Leon

Punchy and relatable — “Everybody’s Gotta Get Paid” by Mattie Leon grooves with melodic charisma and lyrical grit. Designed for sync scenes of blue-collar hustle, social satire, or confident everyday swagger laced with indie-pop charm and rhythmic flow.

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OMR Cue Map

OMR Cue Map

Track: Everybody’s Gotta Get Paid
Clean Intro: Yes (0:00 – immediate rhythmic entry with confident groove)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20 / 1:28 / 1:36
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Confident, groove-driven cue for hustle, ambition, and urban storytelling. Strong for business sequences, deal-making scenes, character swagger, and montage built around movement, success, and momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Everybody’s Gotta Get Paid

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 103
  • Energy: Midtempo
  • Genres: Indie, Rock
  • Vocals: Male Vocal
  • Moods: Catchy, Upbeat, Uplifting, Fun, Positive
  • Cinematic Fit: Crime, Drama, Indie, Thriller
  • Lyric Themes: Conflict, Power, Struggle, Survival, Betrayal
  • Type: One Stop

Production Details

  • Words By: Mattie Leon
  • Music By: Mattie Leon, Mike Leon, Nelson Sobral
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered By: Reuben Ghose

Artists

  • Mattie Leon: All Instruments
  • Mike Leon: Drums

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Punchy and relatable — “Everybody’s Gotta Get Paid” by Mattie Leon grooves with melodic charisma and lyrical grit. Designed for sync scenes of blue-collar hustle, social satire, or confident everyday swagger laced with indie-pop charm and rhythmic flow.

Best Use Cases

  • Crime: Urban tension, street hustle
  • Drama: Power dynamics, betrayal
  • Indie: Quirky character arcs, social realism
  • Thriller: Survival, conflict, moral ambiguity

Sync Appeal

  • One Stop: Easy licensing
  • Male Vocal: Confident and expressive
  • Midtempo Groove: Supports pacing and narrative tension
  • Lyric Themes: Conflict, Power, Struggle, Survival, Betrayal
  • Instrumentation: Bass, Drums, Electric Guitar

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Everybody’s Gotta Get Paid” hits with working-class vibe — Mattie Leon delivers syncable rhythm and clever lyric energy for scenes of grind, aspiration, or playful pushback.

Lyrics

I'VE GOT 50 ENEMIES I'VE GOT SUSPECT REVENUE STREAMS I'LL TAKE ADVANTAGE OF HONESTLY I'VE GOT ISSUES WITH BEING OOD HAND OUT IN PLACES NO ONE EVER SHOULD CAN'T KNOCK SOMEBODY WHO'S GOT IT MADE EVERYBODY'S GOTTA GET PAID ANOTHER KNOCKOFF ANOTHER SCHEME ANOTHER END TO JUSTIFY THE MEANS ANYTHING TO GET WHAT I NEED THAT'S WHAT I NEED THAT'S WHAT I NEED WHAT'S THE DIFFERENCE EXPLAIN TO ME I DON'T KNOW TOO MANY FOLKS THAT WORK FOR FREE DON'T TELL ME I CAN'T TAKE IT TO THE GRAVE EVERYBODY'S GOT TO GET PAID I'M JUST TRYING TO JUSTIFY WHAT I GOTTA DO TO SURVIVE IT'S EVERYBODY FOR THEMSELVES IF IT'S NOT ME MAN IT'S SOMEBODY ELSE IF YOU GO HIGH I GO LOW GOT STEADY HANDS WHEN YOU LOSE CONTROL I'M SNATCHING UP THE FRUITS OF YOUR MISTAKES EVERYBODY'S GOTTA GET PAID

Everyday Blues Jam

Everyday Blues Jam cover art

Everyday Blues Jam
by Lee Palmer

Laid-back and groove-driven — “Everyday Blues Jam” by Lee Palmer delivers a warm, lived-in blues vibe perfect for sync scenes of everyday resilience, porch-side reflection, or casual strut. Soulful vocals, fluid guitar, and timeless rhythm create sonic ease with character.

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OMR Cue Map

OMR Cue Map

Track: Everyday Blues Jam
Clean Intro: Yes (0:00 – immediate blues groove with defined rhythmic bed)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20 / 1:28 / 1:36
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Groove-driven blues cue for relaxed momentum, lifestyle storytelling, and character-driven montage. Strong for bar scenes, casual environments, and sequences that require musical texture with steady forward motion and editorial flexibility.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Everyday Blues Jam

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 73
  • Energy: Low - Medium
  • Genre: Blues
  • Vocals: Male Vocal
  • Moods: Carefree, Hopeful, Positive, Reflective, Tension
  • Cinematic Fit: Action, Adventure, Comedy, Crime, Romance
  • Lyric Themes: Love, Fear
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics: Lee Palmer
  • Music Composition: Lee Palmer
  • Sound Engineer: Jeremy Darby
  • Producer & Engineer: Danny Greenspoon
  • Mixing: Elmer Ferrer
  • Mastering: Samuel Williams

Artists

  • Lee Palmer: Acoustic Guitar, Vocals
  • Neil Donnell: Background Vocals
  • Roly Platt: Acoustic & Electric Harmonica
  • Burke Carroll: Slide Instruments
  • David Woodhead: Bass
  • Wendell Ferguson: Electric Guitar
  • Jenn Kee: Wurlitzer, Hammond, Fender Rhodes, Grand Piano, Accordion
  • Al Cross: Percussion

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Laid-back and groove-driven — “Everyday Blues Jam” by Lee Palmer delivers a warm, lived-in blues vibe perfect for sync scenes of everyday resilience, porch-side reflection, or casual strut. Soulful vocals, fluid guitar, and timeless rhythm create sonic ease with character.

Best Use Cases

  • Action: Cool-down moments, character intros
  • Adventure: Road trip montages, scenic transitions
  • Comedy: Quirky charm, lighthearted tension
  • Crime: Bluesy grit, urban realism
  • Romance: Reflective love scenes, emotional nuance

Sync Appeal

  • One Stop: Easy licensing
  • Male Vocal: Soulful and grounded
  • Low-Mid Energy: Ideal for mood setting
  • Lyric Themes: Love, Fear
  • Instrumentation: Bass, Drums, Electric Guitar, Percussion

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Everyday Blues Jam” eases into character — Lee Palmer delivers syncable soul and melodic warmth built for moments of quiet strength or steady groove.

Lyrics

Every day, every day I have the blues Every day, every day I have the blues All you see me worry, baby, is you, I hate to lose Yeah, nobody love me, nobody seem to care Nobody loves me Nobody seems to care Hard luck and trouble Well, man, I've had my share Every day (every day) Every day I have the blues Every day (every day) Every day (every day) Every day I have the blues Every day (every day) All you see me wearing, baby, it's you I hate to lose I'm gonna pack my bag and move on down the line I'm gonna pack my bag and move on down the line Where no one will be waiting, no one will be crying Every day, every day, every day I have the blues Every day, every day, every day, every day Every day I have the blues, every day, every day You see, we're married, you, I ain't a loon Every day (every day) Every day I have the blues Every day (every day) Every day (every day) Every day I have the blues Every day Ah, you see my world, baby You, I hate the blues Every day (every day) Every day I have the blues (every day) Every day (every day) Yeah, every day I have the blues (every day) You see, my word, baby, it's you I hate to lose

Exalted Beyond Reason Lest a Gaze Unsteady

Exalted Beyond Reason Lest a Gaze Unsteady cover art

Exalted Beyond Reason Lest a Gaze Unsteady
by Radagast the Brown

Atmospheric and emotionally suspended, “Exalted Beyond Reason Lest a Gaze Unsteady” blends ambient synth textures, subtle percussion, and restrained string movement into a cinematic slow-burn. The track carries a reflective tension throughout — ideal for scenes built on uncertainty, emotional distance, internal unraveling, or quiet psychological momentum.

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OMR Cue Map

OMR Cue Map

Track: Exalted Beyond Reason Lest a Gaze Unsteady
Clean Intro: Yes (0:00 – immediate atmospheric synth entry with subtle tension bed)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:32 / 1:52 / 2:14 / 2:36
Button Ending: No, ambient unresolved fade
Loopable: High
Best Loop Candidates: 0:36–1:12 / 1:12–1:52 / 1:52–2:36
Use Case: Atmospheric tension cue centered on emotional instability, reflective unease, and slow-building psychological pressure. Particularly effective for interior drama, restrained thriller sequences, dream logic, and scenes where mood and ambiguity drive the emotional narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Ambient Composer • Electronic Minimalist • Cinematic Atmosphere

Radagast the Brown creates immersive ambient and electronic compositions designed around atmosphere, emotional ambiguity, and cinematic restraint. His work emphasizes texture and psychological tone over traditional structure, making his music highly adaptable for film, television, and editorial storytelling.

Drawing from ambient electronics, minimalism, and slow-burning tension, Radagast crafts cues that function as emotional environments — subtle enough to support dialogue while still shaping the emotional gravity of a scene.

His catalog is especially suited for introspective drama, speculative fiction, psychological thrillers, and visually driven storytelling where atmosphere and pacing are central to the narrative experience.

Sync Pitch Sheet: Exalted Beyond Reason Lest a Gaze Unsteady

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 129
  • Energy: Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Light, Minimal, Reflective, Tension
  • Cinematic Fit: Drama, Thriller, Mystery, Sci-Fi, Art House
  • Lyric Themes: —
  • Type: One Stop

Instrumentation

  • Percussion
  • Strings
  • Synth
  • Ambient electronic textures

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Exalted Beyond Reason Lest a Gaze Unsteady” is a slow-building ambient electronic cue that balances restraint with emotional pressure. Its reflective synth work, subtle percussion, and atmospheric tension make it especially effective for scenes requiring psychological depth without overpowering dialogue or pacing.

Ideal Sync Uses

  • Drama: Emotional withdrawal, unresolved tension, introspection
  • Thriller: Quiet suspense, restrained psychological unease
  • Mystery: Ambiguous movement, investigative atmosphere
  • Sci-Fi: Isolation, drifting environments, existential tone
  • Art House: Visual contemplation, abstract emotional movement

Scene Suggestions

  • Character silently processing emotional fallout
  • Slow-moving psychological montage
  • Night driving or solitary travel sequence
  • Dream-state or fragmented memory scene
  • Minimal dialogue sequence requiring tonal support

Why It Works

  • Minimal structure allows editorial flexibility
  • Ambient textures create atmosphere without distraction
  • Reflective tension supports emotional complexity
  • Dialogue-friendly arrangement works beneath narrative scenes

Stem Tracks

Stem availability to be confirmed. Potential stem groupings may include ambient synth bed, percussion layer, strings texture, tonal pulse, and atmospheric effects.

Track Narrative:
“Exalted Beyond Reason Lest a Gaze Unsteady” unfolds like an emotional drift through unstable territory — reflective but uneasy, minimal but emotionally loaded. The cue moves carefully through ambient textures and restrained rhythmic motion, creating the feeling of something unresolved slowly revealing itself beneath the surface.

Exit Wounds — Fake Your Own Death

Exit Wounds cover art

Exit Wounds
by Fake Your Own Death

“Exit Wounds” is a darkly anthemic rock track that turns emotional scars into flickers of light across the sky. Gritty guitars, pounding drums, and a soaring vocal hook build around the image of a “sky full of exit wounds,” creating a cinematic soundbed for stories about breakups, reckoning, and the moment someone finally sees the cost of a toxic love.

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OMR Cue Map

OMR Cue Map

Track: Exit Wounds
Clean Intro: Yes (0:00 – immediate tonal entry with underlying tension pulse)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20 / 1:28 / 1:36
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Dark, pulse-driven tension cue for conflict, urgency, and high-stakes sequences. Strong for investigative scenes, confrontation build-ups, and moments where controlled intensity and forward motion drive the narrative.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Exit Wounds

Song Profile

  • Key Signature: E Minor
  • BPM: 74
  • Tempo: Fast
  • Genres: Metal, Punk, Rock
  • Vocals: Male vocal
  • Mood/Feel: Anthemic, Bright, Catchy, Confident, Fun, Moody, Reflective, Retro, Upbeat, Uplifting
  • Lyric Themes: Discovery, Love, Rebellion, Regret, Relationship
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“Exit Wounds” wraps a poetic, surreal lyric around a muscular modern-rock engine. The recurring image of a “sky full of exit wounds of light” turns emotional fallout into something visual and cinematic, while the groove drives forward with a sense of urgency and hard-won release. It’s a strong fit for sequences where characters confront the damage of a relationship, push through regret, or realize that surviving love can leave its own scars.

Sync Highlights

  • Perfect for breakup fallout, post-argument aftermath, or emotional turning-point scenes.
  • Anthemic chorus and hooky phrasing work well over wide shots, slow motion, or stylized montage.
  • Lyrics blend abstraction with emotional clarity, making it usable across multiple story contexts.
  • Modern rock palette that sits comfortably in trailers, promos, and episodic drama cues.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Exit Wounds

With its blend of melodic hooks, angular guitars, and evocative imagery, “Exit Wounds” excels in moments where emotional impact and visual style need to work together. The track supports both intimate character beats and more explosive, edited-to-the-beat sequences, making it ideal for trailers, title sequences, or climactic montage cuts where past choices finally catch up to the characters.

Scene Types

  • End-of-episode montages revealing consequences or emotional fallout.
  • Stylized city-at-night or neon-lit sequences with strong visual motifs.
  • Trailers/teasers built around heartbreak, obsession, or self-reinvention.
  • Flashback/flash-forward intercuts where memory and present day collide.

Film/TV Fit

  • Drama & Relationship-Driven Series
  • Indie & Art-House Features
  • Romance with an edge / Anti-romance stories
  • Thriller & Mystery content with emotional stakes

Why It Works

  • Combines emotional weight with a memorable, driving rock feel.
  • Imagistic lyrics give editors and directors clear visual hooks to play against.
  • Works under dialogue-light sequences without crowding the scene.
  • One-stop clearance keeps licensing streamlined for tight production timelines.
Track Narrative:
“Exit Wounds” follows a narrator standing in the afterglow of emotional impact — looking up at a sky full of “wounds of light” and recognizing how each hurt has left its mark. The song moves through images of cigarettes, torn seams, and jealous lovers to capture the way relationships bruise, blur, and ultimately reshape a person. It’s less about clean endings and more about living with what’s been carved into you, and deciding what to do with the scars.

Lyrics: Exit Wounds

Sky is full of exit wounds of light tonight Silly child, it's your dime on the table but tell my time Plastic eyes, empty socks, detention drug for throwing rocks Rebellion of joy For you, leash, for me, a toy Oh no, regrets Has to be your best perfume death You don't know what it's for Open up then open up some more One more thing discovered by a cruel and jealous lover who needs to win, who needs to bother to discover something other One day you will wake and mistake these walls for skin As soon as you concede, childhood breaks at the link Spitting teeth in reverse First one in is never first Fingerpainting on her dress Naked when you pull the thread One more cigarette Has to be your best perfume death If you don't know what it's for open up then open up some more One more thing discovered by a cruel and jealous lover who needs to win, who needs to bother One more thing discovered by a cruel and jealous lover who needs to win, who needs to bother to discover something other Sky is full of exit wounds of light tonight Sky is full of exit wounds of light tonight Sky is full, the sky is full, the sky is full, the sky is
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Fake Your Own Death

Fake Your Own Death

Fake Your Own Death channel post-punk, alt-rock, and dark indie influences into songs that feel tailor-made for the screen. Their sound balances grit and atmosphere — big drums, textured guitars, and melodic vocals that carry emotional weight without overwhelming dialogue.

Lyrically, the band leans into themes of memory, regret, escape, and identity, making their catalog a strong match for projects about inner conflict, coming-of-age, and complicated relationships. Editors get clear dynamics, strong builds, and vivid imagery to cut against, whether the brief calls for slow-burn mood or cathartic release.

Styles: Alt-Rock, Post-Punk, Indie Rock • Strengths: Cinematic tension, poetic lyrics, dynamic builds • Typical Uses: Drama, Mystery, Thriller, Streaming Series, Trailers & Promos

Extraordinaria

Extraordinaria cover art

Extraordinaria
by Pavlo Carta

Bright and expressive — “Extraordinaria” by Pavlo Carta offers vibrant melodic phrasing over rhythmic Latin fusion textures. Designed for sync scenes of celebration, cultural flair, or elegant visual storytelling with a spirited instrumental edge.

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OMR Cue Map

OMR Cue Map

Track: Extraordinaria
Clean Intro: Yes (0:00 – immediate melodic entry with expressive tonal identity)
Edit Points: 0:18 / 0:36 / 0:58 / 1:22 / 1:48 / 2:16 / 2:44 / 3:12 / 3:40 / 4:08
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:36–1:22 / 1:48–2:16 / 2:44–3:12
Use Case: Expressive instrumental cue for emotional storytelling, cultural nuance, and character-driven moments. Strong for reflective scenes, intimate narrative, and sequences where melody and phrasing guide the emotional arc.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Extraordinaria

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 100
  • Energy: Medium
  • Genres: Funk, Dance, World
  • Vocals: Instrumental
  • Moods: Cool, Energetic, Fun, Moody, Mysterious, Percussive, Quirky, Rhythmic, Upbeat
  • Cinematic Fit: Biography, Nature Documentaries, Historical
  • Type: One Stop

Production Details

  • Produced By: Ricky Lorenzo (TribalRecord BsAs Argentina)
  • Music Composition: Pavlo Cartaginese

Artists

  • Pavlo Cartaginese: Violoncello, Guitar, Bass, Piano, Synthesizer, Drums
  • David Woodhead: Bass
  • Wendell Ferguson: Electric Guitar
  • Jenn Kee: Wurlitzer, Hammond, Fender Rhodes, Grand Piano, Accordion
  • Al Cross: Percussion

Instrumentation

  • Bass
  • Percussion
  • Synth
  • Electric Guitar
  • Cello (Solo)

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Bright and expressive — “Extraordinaria” by Pavlo Carta offers vibrant melodic phrasing over rhythmic Latin fusion textures. Designed for sync scenes of celebration, cultural flair, or elegant visual storytelling with a spirited instrumental edge.

Best Use Cases

  • Biography: Cultural identity, creative process
  • Nature Documentaries: Movement, rhythm, visual transitions
  • Historical: Period montages, global perspectives

Sync Appeal

  • One Stop: Easy licensing
  • Instrumental: Flexible for underscore and montage
  • Midtempo Groove: Supports pacing and visual rhythm
  • Moods: Cool, Energetic, Quirky, Rhythmic, Mysterious
  • Instrumentation: Bass, Percussion, Synth, Cello Solo

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Extraordinaria” brings vivid movement — Pavlo Carta delivers sync-ready vitality for scenes of Latin flair, expressive joy, or stylish musical montage.

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