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OMR MUSIC PRODUCTION

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    • LICENSE REQUEST
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    • NEWSLETTERS
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  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
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  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — D

Dive into cinematic tracks beginning with the letter D — where drama, depth, and dynamic scoring meet screen-ready energy. From delicate duets to driving themes, this collection was built for storytelling and sync.

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D’PASADA — Amhed Mitchel

D’Pasada cover art

D’Pasada
by Amhed Mitchel

Jazz-forward and mood-rich — “D’Pasada” floats on lyrical flute, lithe keys, and tasteful percussion. In F major at 65 BPM, this instrumental balances cool brightness with a mysterious, romantic undercurrent—ideal for polished, cinematic storytelling.

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Track: Pasada (ft. Manuel Valera, José A. Gola, Robb Cappelletto)
Clean Intro: Yes (0:00 – exposed piano intro, clean tonal entry)
Edit Points: 0:14 / 0:32 / 0:52 / 1:10 / 1:34 / 2:02 / 2:28 / 2:55 / 3:22 / 3:50 / 4:18
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:10 / 1:34–2:02 / 2:28–2:55
Use Case: Sophisticated jazz-driven cue for upscale environments, cultural texture, and character-focused storytelling. Strong for restaurant or lounge settings, urban night scenes, travel sequences, and dialogue-driven moments that require musical identity without overpowering the scene.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: D’Pasada

Artist: Amhed Mitchel
Genre: Jazz
Instruments: Flute, Keyboard, Percussion
Vocal Style: Instrumental
Energy Level: Uptempo (note: measured BPM indicates a laid-back pocket)
Key Signature: F Major
Tempo: 65 BPM
Mood Tags: Bright, Cool, Moody, Mysterious, Romantic, Sad
Type: One Stop

Cinematic Fit

  • Romance: Quiet chemistry, moonlit walks, classy cocktail lounges.
  • Drama: Thoughtful transitions, reflective city drives, pivotal choices.
  • Mystery: Clue assembly, late-night research, elegant intrigue.
  • Art House: Slow pans, tactile close-ups, poetic visual interludes.
  • Crime: After-hours surveillance, upscale noir atmospheres.

Sync Potential: D’Pasada

A refined jazz instrumental anchored by expressive flute and nuanced keys. The unhurried 65 BPM pocket offers editors space for dialogue and pacing, making it a natural fit for prestige TV, romantic drama, and elegant mystery sequences.

Sync Highlights

  • Dialogue-friendly arrangement with clear melodic lead.
  • Modular sections suitable for cutdowns, loops, and sting-outs.
  • Flute timbre adds sophistication for upscale settings.
  • Works equally as featured cue or subtle underscore.
  • Color palette complements night exteriors and intimate interiors.
Track Narrative:
A glassy city at dusk — “D’Pasada” moves with unhurried elegance. Flute sketches the storyline while keys and percussion trace the skyline, creating a cool, cinematic glide perfect for romance, reflection, and intrigue.

Stem Tracks: D’Pasada

Instrumentals, alt mixes, and cutdowns available upon request. Contact OMR Music Production for options and delivery.

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer and composer known for blending modern jazz language with Afro-Cuban rhythmic roots. Relocating to Toronto in the mid-2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Daft Punk Rock (Paris Is Crying)

Daft Punk Rock (Paris Is Crying) cover art

Daft Punk Rock (Paris Is Crying)
by Normal Machine

Satirical and electro-driven — “Daft Punk Rock (Paris Is Crying)” by Normal Machine twists techno irony with layered beats and lyrical absurdity. A sync fit for underground scenes, performance art montages, or critiques of modern culture cloaked in sonic satire.

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Track: Daft Punk Rock (Paris Is Burning)
Clean Intro: Yes (0:00 – immediate rhythmic entry with filtered groove)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20 / 1:28 / 1:36
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Driving, high-energy electronic cue for fashion, nightlife, and kinetic visual sequences. Strong for runway, club environments, montage with momentum, and scenes that require rhythmic propulsion, attitude, and modern edge.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Experimental Sound Collective • Post Industrial • Sonic Explorers

Normal Machine is a boundary-pushing music collective known for its immersive soundscapes and post-industrial sonic meditations. Blending analog textures, digital noise, and rhythmic experimentation, the group creates music that challenges conventions and invites deep listening.

Emerging from underground scenes in Canada and Europe, Normal Machine has released a series of conceptual albums including Lullaby and Machine Music 15.0, each exploring themes of technology, decay, and rebirth. Their work is often described as cinematic, haunting, and hypnotic.

The group’s live performances are immersive experiences, combining visual projections, modular synths, and unconventional instruments. They’ve appeared at experimental music festivals and art installations, captivating audiences with their raw, visceral energy.

Normal Machine continues to evolve, pushing the limits of sound and form while remaining rooted in a philosophy of sonic exploration and emotional resonance.

Sync Pitch Sheet: Daft Punk Rock (Paris Is Crying)

Song Profile

  • Artist: Normal Machine
  • Genre: Dance, Electronic
  • Vocals: Female
  • Key Signature: D Minor
  • Tempo: 87 BPM
  • Energy: Medium
  • Mood: Swagger, Upbeat, Confident, Cool, Energetic, Intense, Party
  • Cinematic Fit: Action, Crime, Drama, Historical, Indie, Mystery, Thriller, War
  • Lyric Themes: Pain, Conflict, Death, Hope, Fear
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth
  • Instrumental Solos: Electric Guitar, Synthesizer

Production Credits

  • Production: Available Upon Request
  • Artists: Available Upon Request

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Daft Punk Rock (Paris Is Crying)

Satirical and electro-driven — “Daft Punk Rock (Paris Is Crying)” by Normal Machine twists techno irony with layered beats and lyrical absurdity. A sync fit for underground scenes, performance art montages, or critiques of modern culture cloaked in sonic satire.

Ideal Sync Uses

  • Underground club scenes or avant-garde fashion edits
  • Performance art sequences or experimental visuals
  • Satirical montages or cultural commentary
  • Crime thrillers with stylized tone
  • Indie dramas with urban grit or historical irony

Why It Works

  • Genre: Electronic + Dance with subversive edge
  • Instrumentation: Bass, drums, percussion, synth, electric guitar
  • Vocal Style: Female lead with confident delivery
  • Mood: Swagger, cool, intense, party-ready
  • Sync Flexibility: Fits action, crime, drama, mystery, and art house

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Daft Punk Rock (Paris Is Crying)” spins satire and subversion — Normal Machine flexes stylized production and playful cynicism to soundtrack sync scenes with visual irony or underground tone.

Lyrics

Death in a black car Delivered to the sinners Judgment and jury By those who are unworthy AK's and fire in the streets Cries and screams and blood at our feet Bullets and bombs cut through the song Where did we go wrong Paris is crying Ça fait mal au coeur And people are dying Quelle horreur Our world is burning Le monde fait peur And we're never learning Mais c'est Paris qui pleur Paris is crying Ça fait mal au coeur And people are dying Quelle horreur Our world is burning Le monde fait peur And we're never learning Mais c'est Paris qui pleur The night is raging Fear rules in the city of lights We're gonna show them Our hearts can never be broken AK's and fire in the streets Cries and screams and blood at our feet Bullets and bombs cut through the song Where did we go wrong Paris is crying Ça fait mal au coeur And people are dying Quelle horreur Our world is burning Le monde fait peur And we're never learning Mais c'est Paris qui pleur Paris is crying Ça fait mal au coeur And people are dying Quelle horreur Our world is burning Le monde fait peur And we're never learning Whoa oh oh oh Whoa oh oh oh Whoa oh oh oh oh Whoa oh oh oh Whoa oh oh oh Whoa oh oh oh oh Whoa oh oh oh Whoa oh oh oh Whoa oh oh oh oh Whoa oh oh oh Whoa oh oh oh Whoa oh oh oh oh Where did we go wrong Paris is crying And people are dying Our world is burning And we're never learning Paris is crying And people are dying Our world is burning And we're never learning Paris is crying And people are dying Our world is burning And we're never learning Paris is crying And people are dying Our world is burning

Daisy Dukes and Three-Inch Heels

Daisy Dukes and Three-Inch Heels cover art

Daisy Dukes and Three Inch Heels
by OMR Music Production

Playful and catchy — “Daisy Dukes and Three-Inch Heels” by OMR Music Production blends swagger and sass into a groove-heavy anthem. Built for sync scenes of fashion-fueled power, cheeky confidence, or montage sequences with flair and feminine edge.

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Track: Daisy Dukes & Three Inch Heels
Clean Intro: Yes (0:00 – immediate acoustic/tonal entry, vocal-ready)
Edit Points: 0:12 / 0:28 / 0:45 / 1:05 / 1:28 / 1:52 / 2:15 / 2:40 / 3:05 / 3:30
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:05 / 1:28–1:52 / 2:15–2:40
Use Case: Character-driven country-rock cue for humor, personality, and Southern storytelling. Strong for bar scenes, small-town environments, light comedic moments, and narrative sequences that lean into charm, attitude, and grounded Americana texture.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Daisy Dukes and Three-Inch Heels

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 100
  • Energy: Medium
  • Genres: Cinematic, Country, Folk, Indie, Rock
  • Vocals: Male Vocal
  • Instrumental Solos: Accordion
  • Moods: Bright, Confident, Uplifting, Upbeat, Energetic, Fun, Party
  • Cinematic Fit: Comedy, Western
  • Lyric Themes: Connection, Family, Identity, Relationship, Love
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitars: Elmer Ferrer
  • Bass Guitar: —
  • Programming: Elmer Ferrer

Instrumentation

  • Bass
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

This track is a vibrant blend of Country, Folk, and Cinematic flair, ideal for scenes that demand a confident, upbeat, and slightly cheeky tone. With accordion solos and male vocals, it evokes Americana charm with a modern twist.

Ideal Sync Uses

  • Comedy: Quirky character intros, humorous family dynamics, or small-town antics
  • Western: Light-hearted cowboy moments, bar scenes, or stylized desert montages
  • Reality TV: Fashion reveals, personality-driven segments, or dating show intros
  • Commercials: Automotive, lifestyle, or fashion brands targeting bold, fun-loving audiences
  • Film & TV: Coming-of-age stories, rebellious youth, or eccentric family narratives

Why It Works

  • Midtempo groove: Keeps energy high without overpowering dialogue or visuals
  • Distinctive lyrics: Memorable lines that add character and humor
  • One-stop clearance: Easy licensing for editors and supervisors
  • Versatile mood: Bright, confident, and party-ready with emotional undertones

This track is a sync-ready gem for productions seeking a bold, fun, and slightly irreverent musical backdrop.

Track Narrative:
“Daisy Dukes and Three-Inch Heels” walks a confident line — OMR Music Production sets tone for characters stepping into boldness, spotlight, or stylish power moves.

Lyrics

VERSE 1 I HAD A CRAZY MOMMA, AND A TWO TIMING PAPPA AND THERE’S MORE SHIT IN MY WAY A PISTOL PACKING SISTER AND BIBLE PREACHING BROTHER AND I STILL AIN’T RUNNING AWAY VERSE 2 THERE’S A DARLING OF A DARLING RIGHT NEXT DOOR A HONEY OF A HONEY, THAT I ADORE WEARING DAISY DUKES AND THREE-INCH HEELS AND DRIVING A CONVERTIBLE AUTOMOBILE VERSE 3 MET JIMMY DEAN AT IVY AND VINE GOT TO TALKING SH*T OVER A JUG OF SHINE TOLD ME SOME THINGS I NEVER KNEW MENTIONED IT WAS STUFF THAT WAS LONG OVERDO CHORUS YOUR BROTHER AIN’T YOUR BROTHER HE’S YOUR COUSIN ONCE REMOVED YOUR SISTER IS YOUR MOTHER IT CAN EASILY BE PROVED YOUR PAPPY AIN’T YOUR PAPPY HE’S THE FULLER BRUSH MAN A TRUNK FULL OF NOTHING THAT’S HOW IT ALL BEGAN VERSE 4 MET UP WITHMOMMA AT THE GROCERY STORE TOLD HER BOUT THE GIRL THAT LIVES NEXT DOOR MOMMA TOLD ME SON I GOT SOMETHING TO SAY THAT AIN’T NO GIRL, THAT’S LITTLE JOHNNY RAY VERSE 5 A DARLING OF A DARLING I CAN’T IGNORE A HONEY OF A HONEY I’VE FALLEN FOR WEARING DAISY DUKES AND THREE-INCH HEELS AND DRIVING A CONVERTIBLE AUTOMOBILE VERSE 6 MOMMA SAID IT CAN’T GET ANY WORSE LIVING IN A WORLD WERE OUR FAMILY’S BEEN CURSED TOLD ME IT WAS TIME THAT I FINALLY KNEW TOLD ME ALL THIS STUFF LONG OVERDO CHORUS

Dancing in a Dream

Dancing in a Dream cover art

Dancing in a Dream
by Paul Reddick

Lyrical and atmospheric — “Dancing in a Dream” by Paul Reddick paints a moody landscape of introspection and poetic drift. Swelling guitar and evocative vocals shape sync scenes of memory, longing, or contemplative motion across visual metaphors and cinematic space.

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Track: Dancing in a Dream
Clean Intro: Yes (0:00 – soft atmospheric intro, clean tonal entry)
Edit Points: 0:12 / 0:28 / 0:44 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40 / 3:00 / 3:20
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:28–1:00 / 1:20–2:00 / 2:00–2:40
Use Case: Emotional, dreamlike electronic cue for introspective storytelling, romantic atmosphere, and cinematic montage. Strong for slow-motion sequences, reflective character moments, and scenes that balance uplift with emotional distance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Dancing in a Dream

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 119
  • Energy: Mid-tempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Instrumental Solos: Electric Guitar, Flute, Piano
  • Moods: Dreamy, Moody, Retro
  • Cinematic Fit: Action, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Romance
  • Lyric Themes: Dream, Heartbreak, Love, Relationship, Time
  • Type: One Stop

Production Details

  • Written by: Chris Birkett & Shari Tallon
  • Producer & Arranger: Chris Birkett
  • Recording, Mixing, Mastering: Available upon request

Artists

  • Vocals: Chris Birkett, Shari Tallon
  • Guitars, Bass, Drums, Percussion, Keys, Organ, Horns: Chris Birkett
  • Piano, Flute, Tin Whistles, Organ: Shari Tallon

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential:
“Dancing in a Dream” is a lyrical and atmospheric track that paints a moody landscape of introspection and poetic drift. With swelling guitar and evocative male vocals, it’s ideal for sync scenes involving:
  • Memory flashbacks and dream sequences
  • Romantic montages or breakup reflections
  • Slow-motion visuals or contemplative motion
  • Art house and indie drama transitions
  • Coming-of-age moments with emotional depth
  • Crime or mystery scenes with emotional undertones

The track’s dreamy, retro mood and mid-tempo pacing make it versatile for cinematic storytelling, especially where emotional nuance and visual metaphor are key.

Track Narrative:
“Dancing in a Dream” floats with intention — Paul Reddick blends ethereal pacing and lyrical romance into a sync-ready meditation on memory and desire.

Lyrics

Dancing in a dream a dream When our day was fair was fair Dancing in a dream a dream You were there were there Cool and blue so blue With you with you Dancing in a dream Dancing in a dream Nothin's as it seems in a dream You call to me call to me In a language kind so kind You call to me to me Of the heart and mind of mind Dancing in a dream Dancing in a dream Things ain't like they seem in a dream You whisper low so low What was done is all undone You whisper low so low Only one only one Dancing in a dream Dancing in a dream Nothin's like it seems in a dream in a dream

DARK HIGHWAY — The Green Door

Dark Highway cover art

Dark Highway
by The Green Door

“Dark Highway” is a brooding, road-worn rock track built on loyalty, endurance, and the hope of finding light in threatening terrain. The Green Door pairs gritty instrumentation with an anthemic refrain, making the song a strong fit for escape narratives, night drives, and scenes where two people hold the line together against a hostile world.

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OMR Cue Map

Track: Dark Highway
Clean Intro: Yes (0:00 – immediate low-end pulse with atmospheric entry)
Edit Points: 0:15 / 0:30 / 0:48 / 1:05 / 1:28 / 1:52 / 2:18 / 2:45 / 3:12 / 3:40
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:30–1:05 / 1:28–1:52 / 2:18–2:45
Use Case: Dark, atmospheric tension cue for night driving, psychological unease, and slow-burn suspense. Strong for crime scenes, investigative sequences, urban nocturnal environments, and moments where tension builds subtly without overt action.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for defiance, survival, companionship, and hard-driving visual storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving movement, threat, escape, and emotional solidarity.

Sync Pitch Sheet: Dark Highway

Song Details

  • Key Signature: A Minor
  • Beats Per Minute: 76
  • Energy: Moderate
  • Genres: Metal, Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar, Percussion, Synth
  • Moods: Upbeat
  • Lyric Themes: Escape, Fear, Love, Strength, Unity
  • Cinematic Fit: Drama, Thriller, Crime, Indie, Road Narrative
  • Type: One Stop

Track Summary

Dark Highway is a steady-burning rock track about staying close under pressure and moving through danger with someone you trust. Its repeating chorus gives it strong editorial value, while the lyric content supports scenes of threat, escape, endurance, and emotional partnership.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Dark Highway is built for movement through uncertainty. Its road imagery, strong refrain, and emotionally grounded sense of companionship make it especially useful for night drives, fugitives, escape sequences, and scenes where connection becomes a form of survival.

Ideal Sync Uses

  • Drama: Loyal partnership, emotional endurance, searching for hope
  • Thriller: Night travel, pursuit, dangerous passage, temporary refuge
  • Crime: On-the-run sequences, fugitives, after-the-fact escape
  • Indie: Road scenes with emotional undertow and quiet resolve

Scene Suggestions

  • Two characters driving through the night after a rupture or escape
  • Montage built around leaving danger behind without certainty ahead
  • Scene of reassurance between partners under pressure
  • Visuals of movement through rural roads, city outskirts, or border spaces

Why It Works

  • Repeated chorus is memorable and easy to edit around
  • Road-and-light imagery gives the track immediate cinematic value
  • Male vocal adds grit while keeping the emotional message accessible
  • Balances threat and hope in a way that fits narrative tension
Stem Tracks:
Available upon request.
Track Narrative:
“Dark Highway” feels like two people holding steady in hostile territory. It carries the sound of distance, danger, and devotion moving together — a track for the long road out, where fear is present but not in control, and staying beside someone becomes its own kind of resistance.
Lyrics:
Through the world we roam
Far away from home
Others make us feel alone
They don't hear what we say
Wouldn't care anyway
Mostly they all dream of getting paid

Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright

If you were here with me
We can make believe
Everything is right where it should be
Forget about the ones
That have all the guns
If they're not here, we're not on the run

Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright

Stay right by my side
It's a dark highway
We can find a light
Everything will be alright
Stay right by my side
It's a dark highway
We can find a light
Everything will be alright

If you were here with me
We can make believe
Everything is right where it should be
Forget about the ones
That have all the guns
If they're not here, we're not on the run

Day Drunk

Day Drunk cover art

Day Drunk
by Dane Hartsell

Lighthearted and cheeky — “Day Drunk” by Dane Hartsell kicks off with Saturday morning swagger and ends in porch-swaying bliss. With country-infused vocals and twangy charm, it’s sync-ready for scenes of carefree celebration, backyard shenanigans, or slow roll into a summer haze.

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OMR Cue Map

Track: Day Drunk
Clean Intro: Yes (0:00 – immediate acoustic/tonal entry)
Edit Points: 0:11 / 0:26 / 0:44 / 1:05 / 1:28 / 1:52 / 2:16 / 2:40 / 3:05
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:26–1:05 / 1:28–1:52 / 2:16–2:40
Use Case: Light, carefree country-rock cue for daytime drinking, summer energy, and lifestyle-driven storytelling. Strong for outdoor scenes, road trips, bar patios, and montage built around friendship, escape, and relaxed rebellion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Guitarist • Producer

Dane Hartsell is a talented Canadian singer-songwriter, guitarist, and producer known for his soulful voice and emotive songwriting. His music blends elements of rock, pop, and blues, creating a unique sound that resonates with a wide audience.

Born and raised in Canada, Hartsell developed a passion for music at a young age. He began playing guitar in his early teens, inspired by a diverse range of artists and genres. His early exposure to music laid the foundation for his eclectic style and deep appreciation for musical storytelling.

Hartsell’s career took off with the release of his debut album, which showcased his ability to craft heartfelt lyrics and memorable melodies. His music quickly gained traction, earning him a dedicated fan base and critical acclaim. Known for his dynamic live performances, Hartsell has played at numerous venues and festivals, captivating audiences with his powerful voice and engaging stage presence.

Dane Hartsell continues to evolve as an artist, consistently pushing the boundaries of his musical abilities. His recent projects reflect his ongoing commitment to creating authentic and impactful music. With a growing discography and a reputation for excellence, Hartsell is poised to make a lasting impact on the music industry.

Sync Pitch Sheet: Day Drunk

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 83
  • Energy: Moderate
  • Genres: Country, Party, Pop
  • Vocals: Male Vocal
  • Moods: Carefree, Bright, Catchy, Confident, Cool, Fun, Happy, Hopeful, Party, Playful, Positive, Quirky, Retro, Romantic, Upbeat, Uplifting
  • Cinematic Fit: Comedy, Western
  • Lyric Themes: Unity, Friendship, Fun, Happiness, Celebration
  • Type: One Stop

Production Details

  • Executive Producer: Dane Hartsell
  • Lyrics: Dane Hartsell, Jeff Dalziel
  • Music Composition: Dane Hartsell, Jeff Dalziel
  • Recording, Mixing: Mike Langford
  • Mastering: Peter Letros

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar & Bass: Dane Hartsell
  • Drums: Mike Langford

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential:
“Day Drunk” is a breezy anthem of carefree celebration, tailor-made for scenes that radiate joy, friendship, and sun-soaked spontaneity. With its laid-back tempo and upbeat country-pop vibe, it’s a perfect fit for:
  • Summer party montages and backyard BBQs
  • Road trip sequences with friends
  • Comedy scenes with playful or quirky energy
  • Western-inspired moments with a modern twist
  • Romantic escapades with a lighthearted tone
  • Feel-good commercials or lifestyle content

The track’s infectious charm and relatable lyrics make it ideal for sync placements that celebrate togetherness, freedom, and living in the moment.

Track Narrative:
“Day Drunk” is country charm with an unrushed beat — Dane Hartsell offers a laid-back toast to sunshine, good friends, and zero regrets.

Lyrics

Saturday morning, house to myself Who says we gotta wait 'til the night to raise a little hell? Fill the cooler with cold beer and holler at the boys Up a little Alabama, make a little noise And get a little day drunk into the night Gonna catch a little buzz under the summer sunlight Only got one life to live, so let's have a little fun And get a little day drunk into the night Gonna sip from my cup until I feel alright The sun is shining and we ain't got nothing to do It's just me and the boys drinking in the afternoon Sweet Tennessee whiskey, I pass a bottle around Don't know if we'll make it out to the bar 'cause we're throwing down That tequila sunrise is gonna burn my eyes When I wake up tomorrow morning And under these southern skies 'Cause we got a little date Drunk into the night Gonna catch a little buzz Under the summer sunlight Only got one life to live So let's have a little fun And get a little day drunk into the night Gonna sip from my cup until I feel alright The sun is shining and we ain't got nothing to do Just me and the boys drinking in the afternoon Oh yeah, just drinking in the afternoon Yeah, let's get a little day drunk into the night Gonna catch a little buzz under the summer sunlight Only got one life to live, so let's have a little fun And get a little day drunk into the night Gonna sip from my cup until I feel alright The sun is shining and we ain't got nothing to do It's just me and the boys drinking in the afternoon Oh, yeah, yeah, yeah They're just drinkin' in the afternoon Oh, come on, yeah Who's got the whiskey? Brandy, you got the whiskey?

DEATH VALLEY — The Green Door

Death Valley cover art

Death Valley
by The Green Door

“Death Valley” is a cinematic desert meditation — textural, expansive, and emotionally grounded in time and landscape. Driven by a haunting female vocal and atmospheric rock foundation, the track evokes scale, isolation, and quiet transformation, making it ideal for visual storytelling rooted in nature, memory, and elemental force.

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OMR Cue Map

Track: (Death Valley)
Clean Intro: Yes (0:00 – immediate tonal/rhythmic entry)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:42 / 2:05 / 2:28 / 2:50
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:02 / 1:20–1:42 / 2:05–2:28
Use Case: Contemporary pop-driven cue for youthful energy, lifestyle storytelling, and character-forward montage. Strong for social scenes, relationship dynamics, and sequences that balance movement with emotional accessibility.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for atmosphere, reflection, movement, and emotional storytelling.

For supervisors, the appeal is immediate: strong sonic identity, evocative tone, and a natural fit for scenes involving landscape, memory, introspection, and transformation.

Sync Pitch Sheet: Death Valley

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 73
  • Energy: Low - Moderate
  • Genres: Metal, Punk, Rock
  • Vocals: Female Vocal
  • Moods: Anthemic, Reflective, Emotive, Moody, Retro
  • Lyric Themes: Death, Nature, Time
  • Cinematic Fit: Drama, Indie, Historical, Art House
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Track Summary

Death Valley is a slow-burning, atmospheric track that captures the scale and silence of a landscape shaped by time. Its haunting vocal and steady progression make it especially effective for visual storytelling that emphasizes space, reflection, and the passage of time.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Death Valley is built for wide, cinematic storytelling where landscape and emotion intersect. Its slow tempo and atmospheric tone make it ideal for reflective sequences, visual scale, and scenes where silence and environment carry narrative weight.

Ideal Sync Uses

  • Drama: Reflection, loss, emotional distance
  • Indie: Character introspection, environmental storytelling
  • Historical: Landscape-driven narrative, passage of time
  • Art House: Visual meditation, symbolic imagery

Scene Suggestions

  • Wide desert or landscape shots emphasizing scale and isolation
  • Character alone in environment reflecting on past events
  • Slow montage showing time, erosion, or transformation
  • Closing sequence where environment mirrors emotional state

Why It Works

  • Spacious arrangement allows visuals to lead
  • Female vocal adds emotional nuance and uniqueness
  • Slow tempo supports reflective pacing
  • Strong environmental tone enhances visual storytelling
Stem Tracks:
Available upon request.
Track Narrative:
A landscape shaped by time and silence, “Death Valley” captures the stillness between moments — where the environment becomes the story and memory lingers in every frame.
Lyrics:
I sat and watched the last light
In the valley of death
The crimson cliffs
Fading into the mist

And I sat surrounded by rocks
Of every color and size
The wind whispered
Through the desert

In a land under the sea
The inside of the earth
Pushed up and out
Layers of time
Layers of time exposed

The salt
The wind
The moon
The moon illuminates the view

In the desert she comes alive
In the desert she comes alive
In the desert she comes alive

De Donde Depende

De Donde Depende cover art

De Donde Depende
by Pavlo Carta

Dreamy and expressive — “De Donde Depende” by Pavlo Carta blends cinematic atmosphere with latin-infused phrasing and gentle sonic motion. This instrumental supports sync scenes of quiet contemplation, romance, abstract narrative flow, or moody transitions with an international tone.

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OMR Cue Map

Track: De Donde Depende
Clean Intro: Yes (0:00 – immediate acoustic tonal entry)
Edit Points: 0:14 / 0:30 / 0:48 / 1:10 / 1:34 / 2:00 / 2:28 / 2:55 / 3:22
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:10 / 1:34–2:00 / 2:28–2:55
Use Case: Warm, culturally grounded acoustic cue for Latin environments, travel sequences, and character-driven storytelling. Strong for intimate scenes, family moments, and settings that require authenticity, texture, and emotional connection.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: De Donde Depende

Song Profile

  • Key Signature: Ab Minor
  • Beats Per Minute: 121
  • Energy: Medium
  • Genres: Ambient, Classical, World, Folk
  • Vocals: Instrumental
  • Instrumental Solos: Cello
  • Moods: Atmospheric, Happy, Light, Minimal
  • Cinematic Fit: Adventure, Art House, Philosophy, Psychology and Mindfulness Documentaries, Drama, Romance
  • Type: One Stop

Production Details

  • Produced by: Ricky Lorenzo, TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artists

  • Pavlo Cartaginese: Violoncello, Chitarra, Basso, Pianoforte, Sintetizzatore, Batteria

Instrumentation

  • Strings

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

De Donde Depende is a dreamy and expressive instrumental that blends cinematic atmosphere with Latin-infused phrasing and gentle sonic motion. Its evocative textures and international tone make it ideal for sync placements in:

  • Quiet Contemplation: Scenes of introspection, solitude, or emotional reflection
  • Romance: Tender moments, slow-burn love stories, or poetic transitions
  • Abstract Narrative Flow: Art house sequences, experimental storytelling, or visual metaphors
  • Moody Transitions: Scene changes with emotional weight or cultural nuance
  • International Tone: Travel documentaries, philosophical explorations, or global perspectives

With its cello-led instrumental and ambient folk-classical fusion, this track supports sync needs across drama, romance, mindfulness, and cinematic storytelling.

Track Narrative:
“De Donde Depende” searches through melodic nuance — Pavlo Carta crafts an instrumental tale where sync scenes shift through culture, memory, and quiet cinematic poetry.

De Pasada

De Pasada cover art

De Pasada
by Amhed Mitchel

Whimsical and upbeat — “De Pasada” by Amhed Mitchel invites listeners on a breezy jazz stroll, capturing the charm of fleeting encounters. With expressive instrumentation and syncable pace, it’s ideal for scenes of passing moments, casual discovery, or cinematic mood-lift through rhythm.

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OMR Cue Map

OMR Cue Map

Track: De Pasada
Clean Intro: Yes (0:00 – exposed piano intro, immediate tonal entry)
Edit Points: 0:16 / 0:34 / 0:58 / 1:22 / 1:48 / 2:15 / 2:44 / 3:12 / 3:40
Button Ending: Yes, resolved musical ending
Loopable: Partial
Best Loop Candidates: 0:34–1:22 / 1:48–2:15 / 2:44–3:12
Use Case: Expressive Latin jazz cue for cultural atmosphere, refined environments, and character-driven storytelling. Strong for upscale interiors, travel sequences, and scenes that require musical sophistication with emotional nuance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: De Pasada

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 128
  • Energy: Medium–High
  • Genres: Jazz, World
  • Vocals: Instrumental
  • Instrumental Solos: Bass, Piano, Saxophone
  • Moods: Carefree, Bright, Cool, Hopeful, Positive, Reflective, Retro, Romantic, Warm, Uplifting
  • Cinematic Fit: Crime, Drama, Mystery, Comedy
  • Type: One Stop

Production Details

  • Executive Producer: Amhed Mitchel
  • Music Composition & Arrangement: Amhed Mitchel
  • Recording: Jeremy Dufry
  • Mixing: Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Drums: Amhed Mitchel
  • Piano: David Restivo
  • Electric & Eminence Bass: Roberto Riveron
  • Saxophone: Luis Denis

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Piano
  • Saxophone

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Whimsical and upbeat — “De Pasada” by Amhed Mitchel invites listeners on a breezy jazz stroll, capturing the charm of fleeting encounters. With expressive instrumentation and syncable pace, it’s ideal for scenes of:

  • Passing moments and casual discoveries
  • Montages of urban life or travel
  • Character transitions or reflective interludes
  • Lighthearted crime, mystery, or comedy sequences
  • Feel-good commercial spots or brand storytelling

The track’s instrumental nature and medium-high energy make it highly adaptable for sync, especially where dialogue or visual pacing benefit from rhythmic lift without lyrical distraction.

Track Narrative:
“De Pasada” glides through jazz delight — Amhed Mitchel maps syncable movement for scenes of carefree rhythm, transient joy, or musical serendipity.

De Repente — IndiviDuo

De Repente cover art

De Repente
by IndiviDuo

A midtempo, reflective Funk–Indie Rock track that questions materialism, inequality, and the loss of empathy. “De Repente” pairs bass, drums, electric guitar, percussion, and synth with male and female vocals to warn how quickly we can start valuing money over people, trading dreams for bills and losing our way. It is powerful source material for socially aware dramas, character studies, and scenes about conscience, change, and reawakening our shared humanity.

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OMR Cue Map

Track: De Repente
Clean Intro: Yes (0:00 – soft piano-led intro, clean tonal entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:48 / 2:16 / 2:44 / 3:12 / 3:40
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:48–2:16 / 2:44–3:12
Use Case: Intimate, reflective cue for emotional transitions, quiet dialogue scenes, and moments of personal realization. Strong for character-driven storytelling, subtle relationship dynamics, and introspective visual pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: De Repente

Song Profile

  • Key Signature: G Minor
  • BPM: 99
  • Tempo: Midtempo
  • Genres: Funk, Indie Rock
  • Vocals: Male & Female Vocal
  • Mood/Feel: Reflective
  • Lyric Themes: Change, Relationship, Struggle, Success, Money
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“De Repente” is a midtempo Funk–Indie Rock track that takes aim at consumerism and the way money can quietly replace empathy, courage, and solidarity. The lyric paints a world where we suddenly care more about “la plata que la gente,” trading dreams for bills and losing the path until a crash feels imminent. Male and female vocals share the message over a reflective but rhythmic groove, reminding us that happiness lives in simple moments — a meal, a kiss, a fleeting star, a grandmother’s smile — and that if you are not part of the solution, you may be part of the problem. It balances social critique with human warmth, making it potent for narrative sync.

Sync Highlights

  • Strong fit for socially conscious storylines where characters confront greed, inequality, or lost values.
  • Great for montages of urban life, consumer culture, or characters feeling out of place in a money-driven world.
  • Works over reflective scenes where a protagonist reassesses priorities or decides to change course.
  • Spanish lyric with memorable lines about “plata,” “sueños,” and “billetes” makes the message clear and impactful.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: De Repente

This track is particularly strong wherever moral choices, systems of power, and the human cost of “success” are central to the story. Its reflective tone and lyrics about swapping dreams for money, losing the path, and forgetting what truly matters make it a natural match for character- and issue-driven narratives.

Scene Types

  • Montages of office life, financial districts, or consumer culture where characters feel out of sync.
  • Moments when a protagonist realizes they have been chasing the wrong goals.
  • Quiet conversations about corruption, inequality, or moral compromise.
  • End-of-episode reflections that leave viewers pondering values, priorities, and what really counts.

Film/TV Fit

  • Drama & Dramedy
  • Socially Conscious & Political Storylines
  • Coming-of-Age with ethical or existential themes
  • Issue-based arcs in episodic series

Why It Works

  • Speaks directly to themes of money vs. humanity, making it on-the-nose (in a good way) for value conflicts.
  • Midtempo groove supports both reflective montage and in-scene dialog without overpowering.
  • Balances critique with warmth and hope, ending on shared humanity rather than cynicism.
Track Narrative:
“De Repente” describes a world that has quietly drifted off course. One day you realize that this planet is a fragile “bola de cristal,” and that when we leave, all our cash and possessions disappear with us. Somewhere along the way, money started to matter more than people, and dreams were traded for bills. The song calls out how we have lost the path and forgotten courage, generosity, and compassion, yet insists that it is not too late to lift our heads, wake up, and change direction. Happiness, it reminds us, lives in small, human moments: food on a plate, a stolen kiss, a shooting star, a grandmother’s smile, singing by candlelight. If we do not help fix things, we may be part of the problem.

Lyrics: De Repente

Hay que tenerlo bien presente Este planeta es una bola de cristal Un día nos vamos de repente Todo tu cash todos tus bienes También se irán Esto tendría que ser un mundo diferente Solo tenemos que cambiar la realidad Aun no es tarde pa' salir y alzar la frente, de repente Y despertar Hay algo raro en el ambiente Son muchas luces no te dejes deslumbrar Nunca te olvides viejo amigo Si fácil viene, fácil se va De repente te importa más la plata que la gente (y no lo nieges es evidente) Lentamente intercambiamos sueños por billetes (y no me alcanza nunca es suficiente) De repente, hay algo que nos hace diferentes (pa' quien trabajas de donde vienes) Lentamente perdimos el camino de repente (si no cambiamos la ruta el choque es iminente) Da da da da da da da da da da Yo se que me entiendes se que me comprendes Tu no estás contenta se que hay algo que te duele Es que hay algo más allá que no se compra y no se vende Y la felicidad es simplemente Un viaje de ida, un beso a escondidas, Una estrella fugaz, es un plato de comida Una flor muy hermosa la sonrisa de mi abuela Es cantarte mi canción a la luz de la vela Es que somos iguales queremos lo mismo es la realidad Esto no es romanticismo Se que tienes corazón y te lo digo aunque te duela Si no no eres la solución entonces tu eres el problema ¿A dónde fueron los valientes? ¿A dónde está el desinterés y la piedad? Nunca te olvides viejo amigo Si fácil viene, fácil se va De repente te importa más la plata que la gente (y no lo nieges es evidente) Lentamente intercambiamos sueños por billetes (y no me alcanza nunca es suficiente) De repente, hay algo que nos hace diferentes (pa' quien trabajas de donde vienes) Lentamente perdimos el camino de repente (si no cambiamos la ruta el choque es iminente) Da da da da da da da da da da De repente, hay algo que nos hace diferentes (pa' quien trabajas y cuanto tienes) Lentamente perdimos el camino de repente (si no cambiamos la ruta el choque es iminente)
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, Funk, and acoustic influences into cinematic, story-driven songs. Their music often centers on connection, distance, creativity, social conscience, and emotional transformation, carried by warm arrangements and expressive vocals.

From intimate ballads to socially aware, groove-driven tracks like “De Repente,” their catalog works across drama, dramedy, and coming-of-age narratives, especially where questions of values, priorities, and community are front and center on screen.

Styles: Latin Pop, Funk, Indie Rock, Singer/Songwriter • Strengths: Emotional storytelling, melodic hooks, socially conscious themes • Typical Uses: Drama, Dramedy, character studies, socially aware arcs and reflective montages

Death of a Good Hustle — Thadeus Gonzalez

Death of a Good Hustle cover art

Death of a Good Hustle
by Thadeus Gonzalez

“Death of a Good Hustle” is a high-octane rock anthem where gritty guitars and driving drums collide with a fierce call for reinvention. Thadeus Gonzalez delivers a raw, urgent vocal about tearing down old habits, burying your demons, and breathing in something new — a cathartic, fast-tempo track built for scenes of transformation, rebellion, and hard-won resolve.

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OMR Cue Map

Track: Death of a Good Hustle
Clean Intro: Yes (0:00 – immediate tonal atmosphere with low-end presence)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:15 / 1:38 / 2:02 / 2:28 / 2:55 / 3:22
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:24–0:56 / 1:15–1:38 / 2:02–2:28
Use Case: Dark, moody tension cue for crime, consequence, and psychological weight. Strong for aftermath scenes, investigative sequences, and moments where ambition, risk, or downfall carries emotional gravity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Death of a Good Hustle

Song Profile

  • Key Signature: G♯ Minor
  • BPM: 142
  • Tempo: Fast
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Mood/Feel: Confident, Upbeat
  • Lyric Themes: Change, Death, Destiny, Struggle, Success
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Track Summary

“Death of a Good Hustle” hits with relentless momentum — tight drums, overdriven guitars, and a vocal that lives on the edge of confession and battle cry. Lyrically, the song confronts the “old self” and the grind that nearly killed it, choosing instead to bury toxic habits and step into something new. It’s both darkly cathartic and forward-looking, ideal for characters burning down the past to make room for a different life.

Sync Highlights

  • Perfect for rebellion, reinvention, and “no turning back” turning-point scenes.
  • Fast tempo and muscular groove drive high-energy montage or performance sequences.
  • Lyrical focus on burying demons and starting over fits redemption and recovery arcs.
  • Modern rock/metal edge works for edgy dramas, genre films, and stylized action content.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Death of a Good Hustle

“Death of a Good Hustle” shines wherever a character is done playing the old game — quitting the grind, walking away from a toxic life, or confronting the cost of their choices. Its blend of metal/punk energy and lyrical rebirth makes it a strong fit for gritty narratives, stylized genre pieces, and premium drama looking for a modern, aggressive edge.

Scene Types

  • Decision-point moments where a character commits to change.
  • Fast-cut montages of burning bridges, cleaning house, or walking away.
  • Intense training, preparation, or “getting ready for the fight” sequences.
  • High-impact title cards, trailers, or season promos needing punch and urgency.

Film/TV Fit

  • Action & Crime Drama
  • Psychological & Supernatural Thriller
  • Gritty Indie & Urban Stories
  • Sports & Competition Content with a darker edge

Why It Works

  • Hooks built around “sweet death of a good hustle” echo themes of sacrifice and rebirth.
  • Fast rock groove supports kinetic editing and elevated stakes.
  • Lean arrangement leaves space for dialogue and sound design while still feeling huge.
Track Narrative:
“Death of a Good Hustle” follows a protagonist who has pushed the grind as far as it can go and finally chooses to kill it off. The “hustle” becomes a kind of ghost — made of bad habits, compromises, and demons that can only be buried by starting over. With each repeated “breathe in the new air,” the song leans harder into renewal, turning a destructive lifestyle into fuel for transformation.

Lyrics: Death of a Good Hustle

Tear your old self down Tell your demons now Then tear your old self down and start a new Forget your old mistakes Forget the tricks you played Hustle to the grave and start a new Start a vow right now See how things turn out Bury your demons down Start a new Sweet death, sweet death, sweet death of a good hustle Sweet death, sweet death, sweet death of a good hustle Sweet death, sweet death, sweet death, sweet death, sweet death, sweet death, sweet death of a good hustle Sweet death, sweet death, sweet death, sweet death, sweet death, sweet death, sweet death of a good hustle Breathe in the new air Breathe in the new Breathe in the new air Breathe in the new Breathe in the new air Breathe in the new Breathe in the new air Breathe in the new Breathe in the new air Breathe in the new Breathe in the new air Breathe in the new The new The new The new The new The new Tear your old self down The new Start a vow right now The new To bury your demons down The new Along with you The new
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Thadeus Gonzalez

Thadeus Gonzalez

Thadeus Gonzalez is a riff-driven rocker whose songs fuse punk urgency, metal grit, and melodic hooks into cinematic, guitar-forward anthems. His vocals ride the line between confession and confrontation, making his work a strong match for character-centric storytelling.

With themes that circle change, struggle, and defiance, his tracks feel tailor-made for screens that live in the shadows — crime, thriller, and character drama where redemption is never easy and the past refuses to stay buried.

Styles: Rock, Metal, Punk • Strengths: High-energy performances, dark-to-hopeful arcs, guitar-driven tension • Typical Uses: Action, Thriller, Crime Drama, Edgy Promos, Rebellion Montages

DEEP DIVE — PheeLion

Deep Dive cover art

Deep Dive
by PheeLion

“Deep Dive” flows with an effortless tropical pulse — a blend of dancefloor clarity, electronic shimmer, and reggae-inspired rhythm. Breezy yet propulsive, it channels cool confidence and motion, ideal for fashion, travel, and energy-forward storytelling.

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OMR Cue Map

OMR Cue Map

Track: Deep Dive
Clean Intro: Yes (0:00 – atmospheric build with gradual rhythmic entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:24 / 1:48 / 2:12 / 2:36 / 3:00 / 3:24
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:32–1:04 / 1:24–1:48 / 2:12–2:36
Use Case: Immersive electronic cue for underwater visuals, introspective sequences, and slow-burn cinematic movement. Strong for atmospheric montage, internal reflection, and scenes that require depth, space, and emotional continuity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Deep Dive

Artist: PheeLion
Genre: Dance, Electronic, Reggae
Instruments: Percussion, Synth
Lyric Themes: —
Mood: Atmospheric, Bright, Cool, Minimal, Party, Rhythmic, Upbeat
Tempo: Uptempo • BPM: 129 • Key: D Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A buoyant electronic instrumental layered with Caribbean-inspired percussion and shimmering synths. Its breezy tone and rhythmic clarity make “Deep Dive” an effortless fit for modern lifestyle and motion-based visuals.

Sync Highlights

  • Perfect for travel, fashion, and tropical adventure sequences
  • Upbeat yet chill — supports active movement and smooth pacing
  • Ideal for product launches, brand reels, and modern vignettes
  • Uptempo pulse supports :30 / :60 rhythmic edits

Sync Potential: Deep Dive

A polished, groove-driven instrumental suited for upbeat content with modern edge — ideal for fashion, resort branding, and tech campaigns that emphasize motion, vitality, and style.

  • Luxury lifestyle or destination campaigns
  • Dynamic sportswear or travel footage
  • Nightlife montages and modern brand openers
Track Narrative:
The water glows and ripples — sound moves like light. “Deep Dive” feels like immersion: rhythm without weight, joy without rush. The groove flows endlessly forward.
Instrumental:
Percussion and synth-driven composition (no vocals). Optimized for bright, fluid sync work where rhythm and clarity drive the emotion.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request alternate or percussive-only mixes for confirmation.
PheeLion

PheeLion

PheeLion blends global grooves and sleek electronic production to create rhythmically charged, emotionally intelligent tracks. Her sound combines motion, clarity, and warmth — equally suited to cutting-edge design, travel, and lifestyle media.

Styles: Electronic, Dance, Reggae • Strengths: Groove precision, rhythmic clarity, sonic warmth • Typical Uses: Travel and resort branding, fashion reels, luxury lifestyle, upbeat montage

Delay

Delay cover art

Delay
by Mattie Leon

Soulful and spacious — “Delay” by Mattie Leon explores emotional hesitation wrapped in ambient folk textures. With thoughtful pacing and lyrical weight, it’s built for scenes of longing, reflection, or quiet revelation framed in cinematic tone.

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OMR Cue Map

OMR Cue Map

Track: Delay
Clean Intro: Yes (0:00 – minimal rhythmic pulse with immediate tonal presence)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:12 / 1:32 / 1:56 / 2:20 / 2:45 / 3:10
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:24–0:56 / 1:12–1:32 / 1:56–2:20
Use Case: Minimal tension cue for suspense, investigative pacing, and psychological buildup. Strong for dialogue-driven scenes, subtle unease, and sequences where tension develops without overt action.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Delay

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 93
  • Energy: Midtempo
  • Genres: Indie, Pop, Singer-Songwriter
  • Vocals: Male
  • Moods: Atmospheric, Moody, Reflective, Rhythmic
  • Cinematic Fit: Art House, Drama, Indie, Romance
  • Lyric Themes: Identity, Loneliness, Love, Regret, Relationship
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced & Mixed: Mattie Leon
  • Mastered: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Soulful and spacious — “Delay” by Mattie Leon explores emotional hesitation wrapped in ambient folk textures. With thoughtful pacing and lyrical weight, it’s built for scenes of:

  • Longing and emotional reflection
  • Quiet revelations or personal turning points
  • Romantic tension or unresolved connection
  • Art house or indie drama sequences
  • Slow-motion visuals or memory-driven montages

Its midtempo rhythm and moody atmosphere make it a versatile fit for sync, especially where introspection and emotional nuance are key.

Track Narrative:
“Delay” is a study in restraint — Mattie Leon builds space around emotional truth, threading sync-ready tension and quiet resolution across tender sonic architecture.

Lyrics

I'm lying alone underneath the lamplight and the light in my phone You're not even home You're not even home The sirens in the distance carry broken men to breaking homes and I can't help but thinking I'm bound to be the next that's called Did love bring us all of the way I don't want to delay my love hanging it up in a rush with the way we are I don't want to delay my love when all you are is a world away The fire is gone Spent the whole night crying to your silent withdrawal whose side are you on? Whose side are you on? With all your intuition how can you not see the damage you've done? These words are ammunition and you can't take back emboldened ones

Desapercibida — Individuo

Desapercibida cover art

Desapercibida
by Individuo

Emotional, melodic, and quietly resolute, “Desapercibida” traces the arc from heartbreak to self-release. Acoustic and electric guitars, warm rhythm section, and dual vocals (male & female) carry a bittersweet story of love turned memory—ideal for intimate drama, reflective endings, and character-driven moments of closure.

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OMR Cue Map

OMR Cue Map

Track: Desapercibida
Clean Intro: Yes (0:00 – soft acoustic entry, immediate tonal clarity)
Edit Points: 0:15 / 0:32 / 0:50 / 1:12 / 1:36 / 2:00 / 2:28 / 2:55 / 3:22
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:32–1:12 / 1:36–2:00 / 2:28–2:55
Use Case: Intimate, culturally grounded cue for subtle emotional storytelling and character-focused scenes. Strong for relationship dynamics, reflective moments, and environments where authenticity and restraint are key.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Desapercibida

Song Profile

  • Key Signature: G Major
  • BPM: 81
  • Tempo: Slow
  • Genres: Singer/Songwriter
  • Vocals: Female & Male Vocals (duet / featured voices)
  • Mood/Feel: Bright, Minimal, Positive, Reflective, Upbeat
  • Lyric Themes: Heartbreak, Identity, Love, Pain, Time
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

A heartfelt Latin-influenced singer/songwriter piece that marries lyrical vulnerability with an ultimately empowering stance. “Desapercibida” moves from brokenness to self-definition—romantic, poetic, and emotionally direct, but still mix-friendly and spacious.

Sync Highlights

  • Clear arc from pain to release—great for emotional turning points and closures.
  • Built-in edit points around choruses and repeated “Desapercibida” hook.
  • Dual vocals open options for character POV or relationship-focused storytelling.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Desapercibida

“Desapercibida” is a natural fit for character-driven stories about love, loss, and emotional recovery. The track’s gentle groove, melodic guitars, and intimate vocals make it ideal for reflective scenes and emotionally weighty transitions.

Scene Types

  • Post-breakup reflection and moving-on sequences
  • Quiet moments of self-discovery or acceptance
  • Memory / flashback montages of a past relationship
  • Road trip, travel, or city-walk scenes with internal monologue

Film/TV Fit

  • Drama
  • Romance
  • Coming-of-Age
  • Art House / Indie

Usage Suggestions

  • End-of-episode codas where a character chooses themselves over a past love.
  • Montage of letting go—packing up, deleting photos, leaving familiar spaces behind.
  • Intercut performance / narrative scenes in music-driven storytelling.
  • Subtitled international sequences emphasizing emotional universality.

Why It Works

  • Spanish lyrics add authenticity and emotional nuance for global or Latin storylines.
  • Slow tempo with rhythmic lift supports both introspective and hopeful visuals.
  • Hook phrase “Desapercibida” lands as a memorable emotional anchor.
Track Narrative:
“Desapercibida” tells the story of a love that once defined everything and now has to be released. The narrator moves from heartbreak and idealization—“corazón de papel, ojos de miel”—to a quiet vow: the former lover will fade into the background of their life. What begins as a wound becomes a kind of creative transformation, turning pain into poetry, song, and ultimately, self-healing.

Lyrics: Desapercibida

Esta es la última vez que me juego la vida Si no te vuelvo a ver, esta es mi despedida Un antes y un después Tú fuiste un antes y un después Me partiste la vida Al llegar me partiste en dos la vida Corazón de papel, ojos de miel, tu piel siempre va a ser mi batalla perdida Todo aquel amor se hizo poesía A partir de hoy en mi corazón tú serás canción, sanará mi herida Sanará mi herida Yo un pintor sin pincel, tú reina sin corona Pudo ser y no fue, no sé por qué se fue y no sé por qué fui tan buena persona Todo aquel amor se hizo poesía A partir de hoy en mi corazón tú serás canción, sanará mi herida Sanará mi herida Si algún día sientes compasión porque piensas que tu decisión me ha dejado solo y sin salida No me vengas a pedir perdón, eso no me hará sentir mejor, muchas son las lágrimas caídas Todo aquel amor se hizo poesía A partir de hoy en mi corazón, por mi voz pasarás desapercibida Desapercibida Desapercibida Desapercibida
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
Individuo

Individuo

Individuo weaves Latin, reggae, world, and singer/songwriter influences into emotionally resonant songs that explore identity, love, time, and personal transformation. Their arrangements balance groove and intimacy, pairing organic instrumentation with expressive dual vocals.

With lyrically rich storytelling and a cinematic sense of dynamics, Individuo’s catalog feels equally at home in character-driven drama, romance, and inspirational narratives. The music offers warmth, movement, and emotional clarity—an inviting palette for sync across global and multilingual projects.

Styles: Latin, Reggae, World, Singer/Songwriter • Strengths: Dual/featured vocals, lyric-driven narratives, rhythmically engaging but mix-friendly production • Typical Uses: Drama, Romance, Coming-of-Age, Inspirational, Art House and International storytelling

Demonios del Día

Demonios del Día cover art

Demonios del Dia
by Elmer Ferrer

Intense and layered — “Demonios del Día” by Elmer Ferrer mixes rhythmic movement and dark-toned harmony with cinematic jazz fusion flair. Built for sync scenes of urgency, shadowed drama, or moody transition marked by a pulse of instrumental sophistication.

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OMR Cue Map

OMR Cue Map

Track: Demonios del Día
Clean Intro: Yes (0:00 – immediate rhythmic entry with tonal atmosphere)
Edit Points: 0:14 / 0:28 / 0:44 / 1:00 / 1:20 / 1:42 / 2:05 / 2:28 / 2:52 / 3:18
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:00 / 1:20–1:42 / 2:05–2:28
Use Case: Rhythmic, emotionally charged cue for internal conflict, cultural intensity, and character-driven tension. Strong for dramatic sequences, personal struggle, and scenes where rhythm and emotion intersect.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Demonios del Día

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 112
  • Energy: Moderate–High
  • Genres: Cinematic, Jazz, Rock, Blues, World
  • Vocals: Instrumental
  • Instrumental Solos: Electric Guitar, Piano
  • Moods: Romantic, Bright, Confident, Cool, Positive, Retro, Uplifting
  • Cinematic Fit: Action, Adventure, Comedy, Crime, Fantasy, Mystery
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Xyrla Fernandez
  • Music Composition: Elmer Ferrer, Alexis Bosch
  • Recording: Eduardo Perez
  • Production: Elmer Ferrer
  • Mixing & Mastering: Eduardo Perez

Artists

  • Guitar: Elmer Ferrer
  • Bass Guitar: Juan Pablo Dominguez
  • Piano: Alexis Bosch
  • Drums: Ruy Lopez-Nussa
  • Saxophone: Cesar Lopez

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Saxophone

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Intense and layered — “Demonios del Día” by Elmer Ferrer mixes rhythmic movement and dark-toned harmony with cinematic jazz fusion flair. Built for sync scenes of urgency, shadowed drama, or moody transition marked by a pulse of instrumental sophistication.

  • Action-driven sequences with emotional tension
  • Stylized crime or mystery montages
  • Fantasy or adventure scenes with rhythmic propulsion
  • Character transitions or internal conflict moments
  • Cool, confident brand campaigns or trailers

With its midtempo pace and instrumental complexity, the track offers sync versatility across genres needing cinematic edge and musical depth.

Track Narrative:
“Demonios del Día” fuses complexity and rhythmic force — Elmer Ferrer builds syncable edge for dramatic shifts, abstract motion, or sequences shaped by musical turbulence.

DESBAROLLLDA — Josh Friedman

Desbarollda cover art

Desbarollda
by Josh Friedman

Dreamy, midtempo acoustic guitar with a gentle forward drift. Lyrical figures and airy space create a hopeful, reflective tone that plays beautifully under VO and intimate storytelling.

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OMR Cue Map

OMR Cue Map

Track: Desbarolda
Clean Intro: Yes (0:00 – immediate acoustic ensemble entry)
Edit Points: 0:15 / 0:32 / 0:54 / 1:18 / 1:42 / 2:10 / 2:38 / 3:05 / 3:32
Button Ending: Yes, resolved musical ending
Loopable: Partial
Best Loop Candidates: 0:32–1:18 / 1:42–2:10 / 2:38–3:05
Use Case: Energetic, culturally rich acoustic cue for vibrant environments, travel sequences, and expressive storytelling. Strong for street-level scenes, social interaction, and moments that require rhythm with authenticity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Desbarollda

Artist: Josh Friedman
Genre: Folk
Instruments: Acoustic guitar
Lyric Themes: —
Mood: Dreamy, Hopeful, Minimal, Reflective
Tempo: Midtempo • BPM: 147 • Key: G Major
Vocal: Instrumental • Type: One Stop

Track Summary

A floating, melodic guitar line glides over gentle pulse and air. Spacious phrasing and soft transients invite contemplation while keeping dialogue clear and edits graceful.

Sync Highlights

  • Dreamy, VO-friendly texture with natural phrase-end cut points
  • Warm, reflective tone for memory, letters, and quiet reveals
  • Midtempo drift supports montage flow without urgency
  • Easy :15/:30/:60 trims around cadence closures

Sync Potential: Desbarollda

Suits prestige drama, reflective lifestyle, artful brand spots, slow morning routines, and quiet travel passages where warmth and space matter.

  • Window-light montages and soft-focus closeups
  • Journals, heirlooms, and memory-lane transitions
  • Gentle scene bridges with lingering shots
Track Narrative:
A hush of guitar and motion—like daylight sliding across a wall. It invites the viewer closer, adding a hopeful shimmer without taking the spotlight.
Instrumental:
Solo acoustic guitar (no vocals). Mix-ready master with smooth tails and gentle decay for elegant fades and clean editorial cut-outs.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a poetic acoustic voice and cinematic instincts. Known for lyrical phrasing, edit-smart cadences, and warm, reflective textures that elevate quiet storytelling.

Styles: Folk, Classical, Singer/Songwriter • Strengths: Spacious underscore, lyrical motion, VO-friendly tone • Typical Uses: Drama, Lifestyle, Romance, Premium brand storytelling

Descalzo

Descalzo cover art

Descalzo
by Kiki Ferrer

Minimal and resonant — “Descalzo” by Kiki Ferrer steps into reflective rhythm, marrying ambient percussion with emotive movement. Ideal for sync moments of quiet strength, transitional montage, or personal reckoning scenes styled with sonic restraint.

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OMR Cue Map

OMR Cue Map

Track: Descalzo
Clean Intro: Yes (0:00 – soft acoustic entry, immediate tonal clarity)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08 / 3:35
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:45–2:12 / 2:40–3:08
Use Case: Warm, introspective cue for personal storytelling, emotional transitions, and grounded character moments. Strong for reflective scenes, relationships, and culturally rooted environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: Descalzo

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 115
  • Energy: Moderate
  • Genres: Funk, Latin, Rock, World
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar, Drums
  • Moods: Angry, Confident, Cool, Fun, Positive, Reflective, Upbeat, Uplifting, Tension
  • Cinematic Fit: Crime, Drama, Thriller
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing & Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Vocals & Clapping: Elena Morales
  • Guitars: Dayan Abad
  • Keyboard & Piano: Luis Guerra
  • Bass: Ivan Ruiz & Dayan Abad
  • Drums & Percussion: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Piano
  • Trumpet

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Minimal and resonant — “Descalzo” by Kiki Ferrer steps into reflective rhythm, marrying ambient percussion with emotive movement. Ideal for sync moments of quiet strength, transitional montage, or personal reckoning scenes styled with sonic restraint.

  • Character introspection or emotional turning points
  • Stylized crime or thriller sequences with tension
  • Montages of personal growth or solitude
  • Drama scenes with rhythmic undercurrent
  • Brand campaigns seeking cool, confident energy

With its midtempo groove and layered instrumentation, the track offers sync versatility across genres needing emotional depth and rhythmic drive.

Track Narrative:
“Descalzo” finds footing in minimalism — Kiki Ferrer crafts syncable calm and meditative pulse built for narrative space and emotional contour.

Deserve My Love

Deserve My Love cover art

Deserve My Love
by Mattie Leon

Soulful and intimate — “Deserve My Love” by Mattie Leon blends gentle instrumentation and emotional nuance. Built for sync scenes of romance, vulnerability, or internal conflict where love and worth intersect in lyrical tension.

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OMR Cue Map

OMR Cue Map

Track: Deserve My Love
Clean Intro: Yes (0:00 – immediate tonal entry, vocal-ready)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:42 / 2:05 / 2:28 / 2:50
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:02 / 1:20–1:42 / 2:05–2:28
Use Case: Contemporary R&B/pop cue for relationship storytelling, emotional connection, and modern character-driven scenes. Strong for romantic dynamics, lifestyle montage, and intimate dialogue moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Info

Sync Pitch Sheet: Deserve My Love

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 66
  • Energy: Low-tempo
  • Genres: Singer-Songwriter, Indie, Pop
  • Vocals: Male Vocal
  • Moods: Moody, Reflective
  • Cinematic Fit: Art House, Drama, Indie, Romance
  • Lyric Themes: Love
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced & Mixed: Mattie Leon
  • Mastered: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Piano
  • Synth

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

This track offers strong sync appeal across a range of cinematic and television genres. With its moody, reflective tone and lyrical themes of emotional vulnerability and love, it fits seamlessly into scenes requiring introspection, tension, or romantic complexity.

Ideal Sync Uses

  • Drama: Emotional turning points, character introspection, relationship breakdowns
  • Romance: Unrequited love, heartbreak, quiet moments of connection
  • Indie Films: Art house aesthetics, slow-burn storytelling, montage sequences
  • TV Series: Character-driven arcs, flashbacks, emotional cliffhangers

Scene Suggestions

  • Rain-soaked breakup scene with minimal dialogue
  • Montage of a character walking alone through city streets
  • Flashback to a pivotal moment of emotional betrayal
  • Closing credits of a romantic drama or indie feature

Why It Works

  • Low-tempo pacing supports reflective and emotional scenes
  • Male vocals convey sincerity and vulnerability
  • Minimalist instrumentation allows dialogue and visuals to breathe
  • Lyrics reinforce themes of love, loss, and emotional reckoning
Track Narrative:
“Deserve My Love” tugs at the edge of longing — Mattie Leon weaves a cinematic thread around lyrical questions of emotional reciprocity and human connection.

Lyrics

I came by to get the whole story I only heard it in bits and parts I’m done with excuses in the morning For all the choices you make in the dark You know that I can’t wait The rest of my life hoping you’ll change I’ve already made up my mind If you can’t love me If you can’t love me Then you can’t love anyone And you don’t deserve my love You don’t deserve my love Save the tears that you’re crying There Ian’t nothing that they can do And all that uncomfortable silence Can you feel it? That’s your lying catching up with you You know that I can’t wait The rest of my life hoping you’ll change I’ve already made up my mind If you can’t love me If you can’t love me Then you can’t love anyone And you don’t deserve my love You don’t deserve my love This is the romantic curtain call And you’re lying to yourself If you think there’s someone out there You can want You can trust You can love because if you can’t love me If you can’t love me Then you can’t love anyone And you don’t deserve my love You don’t deserve my love

Desierta

Desierta cover art

Desierta
by Elmer Ferrer

“Desierta” is a midtempo ambient instrumental with a sparse, mysterious, and tension-filled atmosphere. Built around synth and trumpet textures, it carries a cinematic sense of isolation, distance, and unresolved movement — ideal for desert landscapes, psychological unease, slow-burn tension, and moody dramatic transitions.

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OMR Cue Map

OMR Cue Map

Track: Desierta
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, atmospheric unresolved tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Sparse desert-noir cue for isolation, mystery, tension, psychological distance, moody landscapes, and restrained dramatic movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Desierta

Song Profile

  • Genres: Ambient, Soundtrack
  • Tempo: Midtempo
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Light, Minimal, Moody, Mysterious, Tension
  • Type: One Stop

Instrumentation

  • Synth
  • Trumpet

Track Summary

“Desierta” is a sparse ambient soundtrack cue with mysterious synth textures and trumpet color. Its midtempo movement and restrained tonal palette create a feeling of open space, emotional distance, and unresolved tension.

Sync Highlights

  • Minimal arrangement leaves space for dialogue and visual atmosphere.
  • Trumpet texture adds a lonely, cinematic edge.
  • Dark and mysterious tone supports suspense, desert imagery, and psychological tension.
  • Instrumental one-stop track supports fast clearance and flexible placement.

Sync Potential

“Desierta” by Elmer Ferrer is built for atmospheric scene work where isolation, tension, and visual space matter. Its synth and trumpet textures create a restrained cinematic mood that can support mystery, emotional distance, desert landscapes, crime-drama pacing, and quiet suspense.

Scene Types

  • Desert landscapes and lonely road sequences
  • Slow-burn mystery and psychological tension
  • Crime drama transitions
  • Quiet suspense and withheld information
  • Emotional distance or aftermath scenes
Track Narrative:
“Desierta” feels like standing in a wide-open place where the silence is not peaceful. Its synth atmosphere and lonely trumpet color suggest distance, heat, memory, and something unresolved beneath the surface. The cue moves with restraint, making it useful for scenes where tension is present but still contained.
Instrumental Notes:
Ambient instrumental with synth and trumpet textures. Designed for atmospheric tension, minimal visual pacing, desert-noir mood, mystery, and restrained dramatic underscore.

Stem Tracks

Stem availability can be confirmed upon request.

Desire Line

Desire Line cover art

Desire Line
by Mattie Leon

Bold and melodic — “Desire Line” by Mattie Leon channels Americana swagger and hook-driven punch. A sync-ready fit for scenes of personal pivot, scenic escape, or character revelation charted through lyrical candor and sonic drive.

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OMR Cue Map

OMR Cue Map

Track: Desire Line
Clean Intro: Yes (0:00 – atmospheric intro with gradual rhythmic entry)
Edit Points: 0:14 / 0:30 / 0:46 / 1:04 / 1:24 / 1:48 / 2:12 / 2:36 / 3:00 / 3:24
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:30–1:04 / 1:24–1:48 / 2:12–2:36
Use Case: Atmospheric electronic cue for introspective movement, emotional pacing, and cinematic montage. Strong for transitional sequences, internal reflection, and scenes that require rhythm without intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Desire Line

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 106
  • Energy: Midtempo
  • Genres: Country, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Dreamy, Positive, Reflective, Warm
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Indie
  • Lyric Themes: Family, Identity, Love, Strength, Time
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced & Mixed: Mattie Leon
  • Mastered: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

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Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Bold and melodic — “Desire Line” by Mattie Leon channels Americana swagger and hook-driven punch. A sync-ready fit for scenes of personal pivot, scenic escape, or character revelation charted through lyrical candor and sonic drive.

Ideal Sync Uses

  • Coming-of-Age: Moments of growth, self-discovery, and emotional transition
  • Drama: Family dynamics, personal reckoning, and identity exploration
  • Indie Films: Scenic montages, reflective voiceovers, and emotional climaxes
  • Romantic Subplots: Quiet realizations, longing, and connection

Scene Suggestions

  • Character walking through childhood home after years away
  • Montage of life milestones and generational echoes
  • Road trip sequence with reflective narration
  • Final scene of a coming-of-age film with emotional closure

Why It Works

  • Midtempo rhythm supports narrative pacing and emotional flow
  • Warm, dreamy tone enhances nostalgic and heartfelt scenes
  • Male vocals deliver sincerity and depth
  • Lyrics explore identity, family, and time — universal themes for storytelling
Track Narrative:
“Desire Line” draws the unmarked route — Mattie Leon turns melodic urgency and lyrical realism into syncable fire for scenes of instinctive pivot, romantic shift, or risk-for-reward pursuit.

Lyrics

I have never felt alone or had to face a day out on my own Anything I tried to do I’d seen it done a dozen times by you I’ve got debts you paid I’ve got moves you made Every step you take Builds a desire line for me some way Hand me downs and broken bones and backseats of the car you used to own You’re weaved into the fabric of my memory and all that I’ve become I’ve got debts you paid I’ve got moves you made Every step you take Builds a desire line for me some way All the mountains I didn’t need to move Because I was coming of age behind you Rushing out to my defence, a soldier into violence I know It must have been so bittersweet to watch the world go easier on me I’ve got debts you paid Learned from your mistakes Every step you take Builds a desire line for me some way

Destiny Hidden

Destiny Hidden cover art

Destiny Hidden
by Justin Enco Band

Anthemic and evocative — “Destiny Hidden” by Justin Enco Band explores themes of fate, resilience, and introspective tension through rooted instrumentation and emotional lift. A sync fit for scenes of personal awakening, journey epiphany, or climactic resolve.

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OMR Cue Map

OMR Cue Map

Track: Destiny Hidden
Clean Intro: Yes (0:00 – immediate tonal atmosphere, low-energy entry)
Edit Points: 0:16 / 0:32 / 0:52 / 1:12 / 1:36 / 2:00 / 2:28 / 2:55 / 3:22
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:32–1:12 / 1:36–2:00 / 2:28–2:55
Use Case: Subtle tension cue for mystery, discovery, and psychological undercurrent. Strong for investigative scenes, hidden motives, and moments where information slowly reveals itself.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Destiny Hidden

Song Profile

  • Key Signature: Db Major
  • Beats Per Minute: 132
  • Energy: Uptempo
  • Genres: Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Romantic, Light, Positive, Reflective
  • Cinematic Fit: Coming of Age, Drama, Fantasy, Indie, Mystery, Romance, Thriller
  • Lyric Themes: Dream, Love, Destiny
  • Type: One Stop
  • Reminiscent Of: Damien Rice, Iron & Wine, Bon Iver, Sufjan Stevens, Jose Gonzalez

Production Details

  • Produced By: Justin Enco & Michael Waxman
  • Lyrics: Justin Enco
  • Recorded At: Purgatory Recording, Sunrise, FL
  • Engineered & Mixed: Michael Waxman at Purgatory Recording
  • Mastered: Vic Anosini at Sony Studios, New York, NY

Artists

  • Vocals, Acoustic Guitars, Backing Vocals, Arrangements: Justin Enco
  • Piano, Organs, Programming: Michael Waxman
  • Electric Guitars: Dan Warner
  • Bass Guitar: Dan Warner
  • Drums & Percussion: Brett Segal

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Piano
  • Synth

Audio Preview

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Destiny Hidden” blends lyrical depth with cinematic lift — a track that resonates with emotional clarity and thematic ambition. Its uptempo energy and romantic tone make it ideal for scenes of revelation, pursuit, and transformation.

Ideal Sync Uses

  • Coming-of-Age: Self-discovery, emotional awakening, pivotal choices
  • Drama: Character breakthroughs, destiny shifts, personal resolve
  • Fantasy & Mystery: Dream sequences, magical realism, inner journeys
  • Romance: Longing, connection, and emotional vulnerability
  • Thriller: Tension-building with emotional undercurrents

Scene Suggestions

  • Montage of a character chasing a dream against the odds
  • Emotional climax where truth is revealed
  • Romantic reunion under surreal or symbolic circumstances
  • Opening credits of a mystery or fantasy film

Why It Works

  • Uptempo rhythm drives momentum and emotional urgency
  • Male vocals convey sincerity and longing
  • Instrumentation blends acoustic warmth with cinematic texture
  • Lyrics explore destiny, dreams, and emotional clarity — universal themes for storytelling
Track Narrative:
“Destiny Hidden” gives space to quiet conviction — Justin Enco Band delivers syncable gravity for character shift, destiny realignment, or breakthrough framed by resolve and sonic clarity.

Lyrics

This ain't a letter, no, it's no better than an empty dream Some words unspoken could be misfortune or the truth Walking or staying, the world in my hands, but it is clouded grey Dark and illusion, a world of pollution, but the sunlight won't fade away Destiny's hidden, maybe forbidden Sometimes we choose and lose But could we change, even if strange Even to bear the cold Some stories with chapters Sometimes the laughter is haunted with fear And visions are granted, even if slanted Why do you appear so clear to me? And I've walked for miles far away And I've seen many faces replay And I've been wondering Is it you I want to see? Wake me up, is this really just a dream? I know you're glistening, baby I'm listening to every word you say So much is daunting, complex But wanting draws me near So call me too late But you know I can't wait Till our eyes meet again And destiny speaks unclear and meek This time I can't let you go again Sorry for stalling, sorry for falling into you I give you a promise, fragile but honest Can we start for good? So maybe a CEO couldn't be a match That God's approved So tell me you feel, tell me it's real 'Cause I'm on my knees for you And I've walked for miles far away And I've seen many faces replay And I've been wondering is it you I want to see Wake me up, is this real or just a dream? We've been through enough before But not to mess up our ring, no And if my words to you would say Darling, let's run away, would you? Oh, I'm on you Oh, now I'm on you Oh, I love you

Devil's Load

Devil's Load cover art

Devil's Load
by Paul Reddick

Gritty and poetic — “Devil's Load” by Paul Reddick channels deep folk blues, pushing lyrical weight and sonic mood into sync-ready terrain. A powerful match for scenes of burden, mystery, or interior struggle with vintage edge and emotional gravity.

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OMR Cue Map

OMR Cue Map

Track: Devil’s Load
Clean Intro: Yes (0:00 – immediate low-end pulse and tonal weight)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:15 / 1:38 / 2:02 / 2:28 / 2:55 / 3:22
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:24–0:56 / 1:15–1:38 / 2:02–2:28
Use Case: Dark, weighty tension cue for crime, consequence, and psychological pressure. Strong for high-stakes moments, internal conflict, and scenes where intensity builds through restraint rather than action.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Devil's Load

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 108
  • Energy: Mid-tempo
  • Genres: Folk, Rock, World
  • Vocals: Male Vocal
  • Moods: Fun, Retro, Upbeat
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Thriller, Western
  • Lyric Themes: Money, Pain, Power, Struggle
  • Type: One Stop

Production Details

Available upon request

Artists

Available upon request

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Gritty and poetic — “Devil's Load” by Paul Reddick channels deep folk blues, pushing lyrical weight and sonic mood into sync-ready terrain. A powerful match for scenes of burden, mystery, or interior struggle with vintage edge and emotional gravity.

Ideal Sync Uses

  • Crime & Thriller: Tense build-ups, gritty character intros, noir sequences
  • Drama: Emotional reckoning, personal struggle, moral ambiguity
  • Western: Dusty landscapes, outlaw themes, solitary journeys
  • Art House & Mystery: Symbolic visuals, psychological depth, vintage aesthetics
  • Comedy: Offbeat montages with ironic undertones

Scene Suggestions

  • Opening credits of a neo-Western or crime drama
  • Montage of a character hustling through urban decay
  • Flashback to a pivotal moment of betrayal or loss
  • Stylized chase or escape sequence with retro flair

Why It Works

  • Midtempo groove drives narrative pacing with rhythmic grit
  • Male vocals deliver raw emotion and character
  • Electric guitar and bluesy textures evoke vintage tension and atmosphere
  • Lyrics explore struggle, power, and survival — themes central to dramatic storytelling
Track Narrative:
“Devil's Load” haunts with meaning — Paul Reddick carves a sync-worthy soundscape around poetic weight, vintage mystique, and lyrical burden.

Lyrics

Oh Mama I'm broke No money no tokes I'm on a hungry dark road And I'm a long gone daddy with the devil's load Well the devil's load what's goin down What's comin up what's goin around Just a lonely boy on the side of the road Try'na get a ride with the devil's load It's a devil's load and it’s gonna rain It's a carved out vessel that's full of pain I'm a red hot rocket with a drifters code Try'na get a ride with the devil's load Oh Mama I'm broke No money no tokes I'm on a hungry dark road And I'm a long gone daddy with the devils load Now the devil's load is lightin a fire It's draggin me down darlin to the wire It's the one thing that I could've know'd Try'na get a ride with the devil's load It's a devil's load baby bound by a chain And I'm never comin back this way again It's jumpin the track and my bag is stowed Try'na get a ride with the devil's load Oh Mama I'm broke No money no tokes I'm on a hungry dark road And I'm a long gone daddy with the devils load This devil's load is in my walls From room to room down empty halls I'm sweepin away every tear that flowed Try'na shake away this devil's load This devil's load is hurtin my head And the legs are shakin on my dirty bed It's talkin to me and it's long and slowed I'm fightin all night with the devil's load Oh Mama I'm broke No money no tokes I'm on a hungry dark road And I'm a long gone daddy with the devils load

Devilment

Devilment cover art

Devilment
by Paul Reddick

Hypnotic and rustic — “Devilment” by Paul Reddick leans deep into folk mystique with textured guitar and evocative blues phrasing. A sync match for scenes of dark wisdom, rebel calm, or moody Southern symbolism with poetic sting and rhythm.

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OMR Cue Map

OMR Cue Map

Track: Devilment
Clean Intro: Yes (0:00 – immediate low-end pulse with atmospheric entry)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:15 / 1:38 / 2:02 / 2:28 / 2:55 / 3:22
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:24–0:56 / 1:15–1:38 / 2:02–2:28
Use Case: Dark, driving tension cue for crime, urgency, and psychological pressure. Strong for pursuit, investigation, and scenes where intensity builds beneath controlled pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Devilment

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 129
  • Energy: Mid-tempo
  • Genres: Blues, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat, Cool, Dark, Gritty, Moody, Retro
  • Cinematic Fit: Action, Adventure, Art House, Comedy, Crime, Drama, Mystery, Thriller, Western
  • Lyric Themes: Desire, Romance, Individuality, Energy, Love
  • Type: One Stop

Production Details

  • Produced By: Colin Linden
  • Recorded By: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed By: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered By: John Whynot

Artists

  • Harmonica, Vocals: Paul Reddick
  • Guitars, Banjo, Electric, Bass, Baritone Guitar: Colin Linden
  • Drums: Bryan Owings

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Devilment is a hypnotic and rustic blues-rock track that leans deep into folk mystique. With textured guitar work and evocative phrasing, it’s a natural fit for scenes steeped in dark wisdom, rebel calm, or moody Southern symbolism. Its poetic sting and rhythmic grit make it ideal for cinematic storytelling.

Best Use Cases

  • Drama & Mystery: Underscore for introspective or emotionally charged scenes
  • Western & Crime: Perfect for dusty roads, outlaw tales, or noir tension
  • Art House & Thriller: Adds texture to surreal, psychological, or suspenseful moments
  • Adventure & Action: Gritty backdrop for rebellious energy or pursuit sequences
  • Character Themes: Amplifies individuality, desire, and romantic tension

Sync Appeal

  • One Stop: Easy clearance for licensing
  • Authentic Blues Vibe: Raw and rootsy with cinematic depth
  • Male Vocals: Expressive and textured delivery
  • Retro Mood: Evokes timeless grit and cool
  • Tempo: Uptempo with a mid-tempo feel — versatile pacing

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Devilment” simmers with sonic folklore — Paul Reddick crafts syncable mood and musical grit for storytelling centered on temptation, reflection, and wild hearts.

Lyrics

Some time when you look at me All my troubles cease to be You are lovely you are fine You’ve got the devilment on your mind Oh so fine a heart so pure You’re alluringly demure You’re the fruit upon the vine You’ve got the devilment on your mind You’ve got the devilment on your mind You are perfect you are sweet You are small with the little feet You are thin as turpentine You’ve got the devilment on your mind Ain’t no trouble ain’t no toil Ain’t no cauldron on the boil Ain’t no axe for you to grind You’ve got devilment on your mind You’ve got devilment on your mind You’ve got devilment on your mind You’ve got devilment on your mind

Dia Chuvoso

Dia Chuvoso cover art

Dia Chuvoso
by Marito Marques

Dreamy and expressive — “Dia Chuvoso” by Marito Marques captures the mood of a rainy day with cinematic finesse. Through organic texture and emotive phrasing, this instrumental fits sync scenes of solitude, memory, or poetic stillness framed by atmospheric depth.

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OMR Cue Map

OMR Cue Map

Track: Dia Chuvoso
Clean Intro: Yes (0:00 – soft acoustic/piano entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:45–2:12 / 2:40–3:08
Use Case: Gentle, reflective cue for rainy-day introspection, quiet dialogue, and emotional pause. Strong for interior scenes, memory sequences, and subdued storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Marito Marques

Drummer • Composer • Producer

Marito Marques is a Grammy-nominated drummer, composer, and producer whose musical journey bridges continents and cultures. Born in Portugal and based in Toronto, Marques is known for his dynamic performances and genre-defying compositions that blend jazz, world music, and contemporary sounds.

He began playing drums at age 5 and quickly rose to prominence, performing with the National Youth Orchestra of Portugal and later studying at Humber College in Canada. Marques has collaborated with international artists including Ivan Lins, Hilario Duran, and Larnell Lewis, showcasing his versatility and global appeal.

His solo albums, such as Magic Everywhere and Immerse, feature rich sonic landscapes and have earned critical acclaim. Marques is also a sought-after session musician and producer, contributing to projects across jazz, pop, and classical genres.

With a passion for rhythm and innovation, Marito Marques continues to push musical boundaries, inspiring audiences around the world.

Sync Pitch Sheet: Dia Chuvoso

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 58
  • Energy: Slow Tempo
  • Genres: Funk, Jazz, Latin
  • Vocals: Instrumental
  • Moods: Cool, Positive
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Indie
  • Type: One Stop

Production Details

  • Producer & Composer: Marito Marques
  • Arranged By: Joao Frade, Monir Hossn
  • Mixed By: Helik Hadar
  • Mastered By: Joao Carvalho
  • Recorded At: Revolution Recording

Artists

  • Percussion: Marito Marques
  • Keyboard: Jeremy Ledbetter
  • Saxophone: Landen Vieira
  • Pedal Steel Guitar: Michael Leckert
  • Bass: Rich Brown
  • Flute: Rob Christian

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Acoustic Guitar (solo)
  • Bass (solo)
  • Organ (solo)

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Dia Chuvoso” is dreamy and expressive, capturing the mood of a rainy day with cinematic finesse. Through organic texture and emotive phrasing, this instrumental fits sync scenes of solitude, memory, or poetic stillness framed by atmospheric depth.

Best Use Cases

  • Art House: Enhances visual storytelling with subtle emotional resonance
  • Coming-of-Age: Ideal for reflective moments and transitional scenes
  • Drama: Underscore for introspective or emotionally layered sequences
  • Indie: Adds authenticity and mood to character-driven narratives

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for dialogue-heavy scenes
  • Organic Sound: Rich acoustic textures with emotional depth
  • Slow Tempo: Supports pacing for contemplative visuals
  • Positive Mood: Uplifting yet introspective tone

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Dia Chuvoso” lets melancholy linger — Marito Marques composes instrumental emotion for scenes of visual stillness, inner pause, or weather-led moodscape.

Diamond High — Thadeus Gonzalez

Diamond High cover art

Diamond High
by Thadeus Gonzalez

High-octane punk/rock built for picture: tight riffs, a driving rhythm section, and a confident vocal with gritty, sync-ready punch. Ideal for action cuts, sports hype, chase edits, and swagger-driven reveals.

Full Track

Snippet Preview (approx 0:45–1:25)

License Request
OMR Cue Map

OMR Cue Map

Track: Diamond High
Clean Intro: Yes (0:00 – airy electronic intro, gradual lift)
Edit Points: 0:12 / 0:28 / 0:44 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40 / 3:00
Button Ending: Yes, resolved musical ending
Loopable: High
Best Loop Candidates: 0:28–1:00 / 1:20–2:00 / 2:00–2:40
Use Case: Bright, aspirational electronic cue for lifestyle, success, and forward momentum. Strong for montage, branding, and elevated character progression.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Diamond High

Song Profile

  • Genres: Punk, Rock
  • Vocals: Male vocal
  • Tempo: Fast
  • Mood/Feel: Confident, Cool, Gritty, Powerful, Upbeat
  • Lyric Themes: Desire, Fear, Power, Struggle, Success
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar

Cinematic Fit

  • Action & Thriller: pursuit, fight beats, high-stakes reveals
  • Sports: hype reels, training cuts, victory montages
  • Crime: stakeouts, getaway sequences, underworld swagger
  • Video Game: combat/mission gameplay, e-sports edits
  • Drama: defiance, resolve, anti-hero turns

Editorial Notes

  • Go-to 40s Excerpt: ~0:45–1:25 (propulsive riff into hook; clean edit points)
  • Mix Tips: short 0.5s fades; parallel comp on drums for extra punch if needed
  • Alt Use: riff-only intros loop cleanly for bumpers and cutdowns

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Diamond High” delivers immediate attitude and forward motion. The chorus lands hard without dragging tempo, making it ideal for rapid-cut sequences and brand spots that need grit and confidence.

  • Best Use Cases: trailers, teaser stings, sizzle reels, sports opens
  • Cutdowns: 30/15/10 can be derived from the suggested 40s window
  • Dialogue-friendly: verses sit slightly drier; easy to duck under VO

Lyrics

Chains that you gotta follow Burning the sun of tomorrow You bleed in the groundhog's shadow Just enough 'cause you want one more day The brilliant shine will turn to gray Diamond high, so high That you can't come down, can't come down Diamond high, so high That you can't come down, can't come down Look around as you hit the ground Caught your eye 'cause it's candy All the things that you can't be Inside me that you plead for A brilliant shine dies today In your hands you hold a fake Diamond high, so high that you can't come down, can't come down Diamond high, so high that you can't come down, can't come down Look around as you hit the ground Digging the bones in this diamond high All the lights, intensified Catch your eye The mesmerize Diamond high, so high! That you can't come down, can't come down All dead bones line your crown 'cause it's a fake, you're a fake, it's a fake, you're a fake!
Track Narrative:
“Diamond High” charges forward with razor-edged guitars and a locked rhythm section. It’s the sound of confidence turning confrontational—built for kinetic edits, anti-hero swagger, and sequences that demand momentum.

Diamonds — Paul Reddick

Diamonds cover art

Diamonds
by Paul Reddick

Poetic, atmospheric indie/rock with harmonica-laced textures and a quietly anthemic lift. Cinematic and versatile for scenes of memory, tenderness, and hard-won hope.

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OMR Cue Map

OMR Cue Map

Track: Diamonds
Clean Intro: Yes (0:00 – immediate tonal entry, vocal-ready)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:42 / 2:05 / 2:28 / 2:50
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:02 / 1:20–1:42 / 2:05–2:28
Use Case: Emotional pop cue for connection, aspiration, and personal transformation. Strong for relationship arcs, character growth, and reflective montage.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio

Paul Reddick

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades, Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Diamonds

Song Profile

  • Genres: Indie, Rock
  • Vocals: Male vocal
  • Tempo: Midtempo
  • Mood/Feel: Cool, Moody, Upbeat, Uplifting
  • Lyric Themes: Friendship, Happiness, Hope, Love, Time
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar, Percussion, Synth, Harmonica

Cinematic Fit

  • Adventure: reflective journeys, late-night drives
  • Drama & Romance: memory flashes, reconciliations, quiet triumphs
  • Coming-of-Age: moments of clarity, small victories
  • Art House: atmospheric montages, visual poetry
  • Comedy: heartfelt transitions, closing credits warmth

Editorial Notes

  • Suggested 40s Excerpt: ~0:45–1:25 (if needed from full file)
  • Mix Tips: leave harmonica air; gentle tape-style compression enhances nostalgia
  • Alts: instrumental/harmonica-forward versions recommended for VO

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Diamonds” balances intimacy with lift. Its melodic hook and harmonica color make it highly cuttable for reflective montage, closing scenes, and brand stories with warmth and authenticity.

  • Best Use Cases: indie drama moments, memory montages, relationship beats
  • Cutdowns: clean 30/15/10 attainable around chorus entry and ring-outs
  • Dialogue-friendly: verses are sparse; easy to sit under VO

Lyrics

Wasn’t that a time? All those diamonds in the sky Wasn’t that a time? All those diamonds in the sky You held them like an ancient book Oh you held them like an ancient book All that’s said in just a look Wasn’t that a time? All those diamonds in the sky Oh you held them just like a child You held them just like a child All that’s said in just a smile Wasn’t that a time? All those diamonds in the sky You held them like a blue bird You held them like a blue bird All that’s said in just a word Wasn’t that a time? Oh wasn’t that a time? Wasn’t that a time? All those diamonds in the sky
Track Narrative:
“Diamonds” glows with quiet resolve—intimate verses and a warm, harmonica-colored lift that plays beautifully against reflective visuals and hopeful closure.

Día Perfecto — IndiviDuo

Día Perfecto cover art

Día Perfecto
by IndiviDuo

A bright, fast Country–Reggae–Soul fusion about claiming the “perfect day” for yourself — to swim in the sea, sing, dance until you drop, ditch work, and fight your fears head-on. “Día Perfecto” rides a buoyant groove of bass, drums, electric guitar, horns, and percussion with male and female vocals trading lines about freedom, empowerment, gratitude, and celebration. It’s tailor-made for beach days, road trips, vacation sequences, and feel-good stories about living fully in the present.

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OMR Cue Map

OMR Cue Map

Track: Dia Perfecto
Clean Intro: Yes (0:00 – immediate acoustic rhythmic entry)
Edit Points: 0:14 / 0:30 / 0:48 / 1:10 / 1:34 / 2:00 / 2:28 / 2:55 / 3:22
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:10 / 1:34–2:00 / 2:28–2:55
Use Case: Bright, feel-good Latin cue for daytime scenes, travel, and lifestyle storytelling. Strong for outdoor environments, community, and celebratory moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Día Perfecto

Song Profile

  • Key Signature: F Major
  • BPM: 74
  • Tempo: Fast
  • Genres: Country, Reggae, Soul
  • Vocals: Male & Female Vocal
  • Mood/Feel: Bright, Catchy, Confident, Cool, Positive, Upbeat
  • Lyric Themes: Freedom, Happiness, Empowerment, Energy, Celebration
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

Track Summary

“Día Perfecto” is a feel-good Country–Reggae–Soul hybrid that celebrates living fully in the present. The narrator decides that today is the perfect day to swim in the sea, sing, dance until they collapse, not go to work, and get “drunk on fantasy.” With male and female vocals over a sunny groove and horn accents, the song frames happiness as movement, courage, and gratitude: fighting fears, enjoying what you already have, and remembering that “todo lo que tengo es hoy” as long as you know where you’re headed. It’s both carefree and quietly empowering, making it highly syncable for visuals that radiate freedom and joy.

Sync Highlights

  • Perfect for beach days, vacations, road trips, and “out of office” sequences.
  • Great for feel-good ads or branded content about seizing the day, wellness, or lifestyle escapes.
  • Works for character arcs where someone finally chooses joy, self-care, or courage over routine and fear.
  • Spanish lyric and “da da da ru” hook give editors strong rhythmic and melodic anchors for cutting montage.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Día Perfecto

This track is especially strong wherever freedom, joy, and empowerment are central to the story. Its lyrics about dancing, not working, fighting fears, and enjoying the moment make it a natural fit for scenes where characters break routine, take a risk, or finally give themselves permission to enjoy life.

Scene Types

  • Beach, pool, or seaside sequences with friends or family enjoying a day off.
  • Vacation and travel montages, including resort, road trip, or backpacking visuals.
  • “Quit your job” or “today I choose me” turning points in dramedy or coming-of-age stories.
  • Festivals, street parties, or informal dance scenes full of color and movement.

Film/TV Fit

  • Romance & Romantic Comedy
  • Dramedy & Feel-Good Features
  • Coming-of-Age
  • Travel, Lifestyle & Wellness series

Why It Works

  • On-the-nose language about “el día perfecto,” dancing, not working, and enjoying what you have.
  • Fast, upbeat groove and catchy “da da da ru” hook make it an editor-friendly choice for joyful montage.
  • Male/female vocal blend keeps it broadly relatable and well-suited to ensemble casts.
Track Narrative:
“Día Perfecto” follows someone who declares that today will be different. Instead of working or worrying, they decide to swim in the sea, sing out loud, dance until they collapse, and get lost in melody. They frame the day as the perfect moment to fight their fears, believe that they can reach their dreams, and enjoy everything they already have. Happiness becomes simple: clarity about where they’re going, the courage to take the day for themselves, and the freedom to breathe, smile, and exist fully in the present. It’s a small, radiant act of rebellion against stress and routine.

Lyrics: Día Perfecto

Hoy me baño en el mar, hoy me atrevo a cantar, me emborracho de fantasía Da da da ru, da da da ru rá Hoy es el día perfecto pa' salir, salir a luchar sin miedo, por todo aquello que quiero Este es el día perfecto para vivir y pa' disfrutar con todo aquello que tengo No necesito mucho, todo lo que tengo es hoy si tengo claro a donde voy Hoy me baño en el mar, hoy me atrevo a cantar, me emborracho de fantasía Da da da ru, da da da ru rá Bailo hasta desmayar, no voy a trabajar, hoy me pierdo en la melodía Da da da ru, da da da ru na Hoy es el día perfecto pa' creer que puedo llegar Y si lo sueño, puedo hacerlo Este es el día perfecto para combatir sin piedad aquellos miedos que tengo No necesito mucho, todo lo que tengo es hoy Si tengo claro a donde voy Hoy me baño en el mar, hoy me atrevo a cantar, me emborracho de fantasía Da da da ru, da da da ru na Bailo hasta desmayar, no voy a trabajar, hoy me pierdo en la melodía Da da da ru, da da da ru na Hoy es el día perfecto para sonreír sin pensar No necesito mil razones, puedo respirar Hoy me baño en el mar, hoy me atrevo a cantar, me emborracho de fantasía Da da da ru, da da da ru na Bailo hasta desmayar, no voy a trabajar, hoy me pierdo en la melodía Da da da ru, da da da ru na Hoy me baño en el mar, hoy me atrevo a cantar, me emborracho de fantasía Da da da ru, da da da ru na Bailo hasta desmayar, no voy a trabajar, hoy me pierdo en la melodía Da da da ru, da da da ru na
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Country, Reggae, Pop, and Soul influences into cinematic, story-driven songs. Their music often centers on connection, freedom, creativity, and emotional transformation, carried by warm arrangements and expressive vocals.

From intimate ballads to sun-drenched, feel-good tracks like “Día Perfecto,” their catalog works across romance, dramedy, coming-of-age, and travel narratives — especially where joy, courage, and seizing the moment are front and center on screen.

Styles: Latin Pop, Country–Reggae–Soul, Singer/Songwriter • Strengths: Emotional storytelling, melodic hooks, uplifting grooves • Typical Uses: Romance, Dramedy, Coming-of-Age, travel and lifestyle stories with a sunny, empowering feel

Diciembre

Diciembre cover art

Diciembre
by Pavlo Carta

Cinematic and serene — “Diciembre” by Pavlo Carta captures winter’s introspection through delicate melodic phrasing and emotional restraint. A sync-ready fit for scenes of reflection, quiet beauty, or turning-point stillness with global instrumental nuance.

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OMR Cue Map

OMR Cue Map

Track: Diciembre
Clean Intro: Yes (0:00 – soft tonal entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:45–2:12 / 2:40–3:08
Use Case: Reflective, seasonal cue for memory, nostalgia, and emotional transitions. Strong for year-end storytelling, quiet reflection, and intimate moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Diciembre

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 120
  • Energy: Mid-Tempo
  • Genres: Dance, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Minimal, Moody, Percussive, Rhythmic, Upbeat
  • Cinematic Fit: Action, Art House, Crime, Indie, Mystery
  • Type: One Stop

Production Details

  • Composer: Pavlo Carta
  • Instrumentation: Violoncellos, Distortions, Acusticos FX
  • Concept: Aire, Fuego, Agua, Tierra
  • Produced By: Hxney Produccion, A Coruña, España
  • Mastered By: Ricky Lorenzo, TribalRecord Argentina
  • Recorded At: A Coruña, Galicia, España

Artists

  • Composer & Performer: Pavlo Carta
  • Instruments: Violocellos (acoustic & electric), Distortion, Synthesizer, Percussion

Instrumentation

  • Bass
  • Percussion
  • Synth
  • Cello (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Diciembre” by Pavlo Carta is cinematic and serene, capturing winter’s introspection through delicate melodic phrasing and emotional restraint. A sync-ready fit for scenes of reflection, quiet beauty, or turning-point stillness with global instrumental nuance.

Best Use Cases

  • Art House: Enhances visual poetry and symbolic storytelling
  • Indie & Mystery: Ideal for moody transitions and ambient tension
  • Crime: Supports investigative or psychological sequences
  • Action: Adds rhythmic drive to stylized motion

Sync Appeal

  • One Stop: Simplified licensing
  • Instrumental: Flexible for dialogue-driven scenes
  • Global Texture: Unique cello phrasing and acoustic FX
  • Atmospheric Mood: Evokes introspection and movement
  • Uptempo Rhythm: Balanced pacing with emotional depth

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Diciembre” meditates in motion — Pavlo Carta weaves global instrumental textures into sync moments of memory, visual poetry, and quiet resolve.

Did It Feel Like This

Did It Feel Like This cover art

Did It Feel Like This
by Lee Palmer

Warm and reflective — “Did It Feel Like This” by Lee Palmer blends Americana ease with lyrical memory, bringing soul-tinged phrasing into spacious groove. A sync-ready fit for moments of late-night rumination, quiet regret, or scenes rooted in emotional authenticity.

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OMR Cue Map

Track: Did It Feel Like This
Clean Intro: Yes (0:00 – immediate tonal entry)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:42 / 2:05 / 2:28 / 2:50
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:02 / 1:20–1:42 / 2:05–2:28
Use Case: Emotional pop cue for relationships, vulnerability, and personal reflection. Strong for dialogue-driven scenes and character-focused storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Did It Feel Like This

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 105
  • Energy: Medium
  • Genres: Blues, Pop, Singer-Songwriter
  • Vocals: Female, Male
  • Moods: Reflective, Chill, Hopeful, Love, Relaxing
  • Cinematic Fit: Drama, Romance
  • Lyric Themes: Heartbreak, Love, Time
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics & Composition: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Sound Mixing: Elmer Ferrer at The Tone Catcher
  • Sound Engineers: Kevin Dietz, Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer, Mary McKay
  • Hammond Organ, Acoustic Piano, Accordion: Mark Lalama
  • Electric & Slide Guitar: Kevin Briet
  • Acoustic & Electric Bass: Alec Fraser Jr.
  • Drums: Al Cross

Guest Performances

  • Guitars, Baritone Guitar, Ukulele, Background Vocals: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Violin: Aaron Solomon
  • Tenor Sax: Turner King
  • Trumpet: Dave Dunlop

Instrumentation

  • Percussion
  • Electric Guitar (solo)

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Did It Feel Like This” by Lee Palmer blends Americana ease with lyrical memory, bringing soul-tinged phrasing into spacious groove. A sync-ready fit for moments of late-night rumination, quiet regret, or scenes rooted in emotional authenticity.

Best Use Cases

  • Drama: Emotional turning points, relationship tension, personal reflection
  • Romance: Scenes of longing, heartbreak, or quiet connection
  • Indie Films: Character-driven storytelling with lyrical depth
  • Montages: Slow-paced transitions, memory sequences, or introspective visuals

Sync Appeal

  • One Stop: Easy licensing
  • Dual Vocals: Male and female voices add emotional range
  • Midtempo Groove: Supports pacing for reflective scenes
  • Lyric Themes: Heartbreak, Love, Time — universal and cinematic
  • Organic Instrumentation: Rich textures with acoustic and electric blend

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Did It Feel Like This” quietly aches — Lee Palmer delivers melodic introspection and blues-tinged texture for sync scenes wrapped in emotional memory and twilight pacing.

Lyrics

Do you remember your first love The only one you thought of Did it feel like this Did it feel like this Do you remember your first kiss Is it something that you miss Did it feel like this? Did it feel like this? Did it feel like this? Do you recollect? Was it this intense? Did it feel like this? Do you remember the first time You laid your heart out on the line Did it feel like this Did it feel like this Did it feel like this? Ooh Do you recollect? Was it this intense? Ooh Did it feel like this? Do you remember the first time You laid your heart out on the line? Did it feel like this? Did it feel like this? Did it feel like this? Did it feel like this? Ooh Ooh, ooh, ooh, ooh

Different Kind of Faith — Male Vocal

Different Kind of Faith cover art

Different Kind of Faith
by Ran de Casa

Reflective hip hop/R&B with spiritual lift — “Different Kind of Faith” moves in a moody pocket, where synth pads and steady drums frame introspective verses about identity, purpose, and unity. Built for thoughtful montage, resolve, and late-night motion.

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OMR Cue Map

Track: Different Kind of Faith
Clean Intro: Yes (0:00 – minimal tonal entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:45–2:12 / 2:40–3:08
Use Case: Thoughtful, introspective cue for personal journey, belief, and transformation. Strong for indie storytelling, internal conflict, and reflective pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Male Vocal • One-Stop
  • Track Narrative

Sync Pitch Sheet: Different Kind of Faith

Song Details

  • Key Signature: G Minor
  • BPM: 149
  • Tempo: Slow
  • Genre: Hip hop/rap, R&B
  • Vocals: Male Vocal
  • Mood/Feel: Moody, Rhythmic, Upbeat
  • Type: One-Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Lyric Themes

  • Discovery, Identity, Strength, Success, Unity

Sync Notes

  • Moody hip hop/R&B with spiritual overtones — great for purpose and identity arcs.
  • Spacious production supports VO and reflective montage pacing.
  • Chant phrases create strong edit points for teasers and promos.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Different Kind of Faith blends moody hip hop and R&B with a reflective core — ideal for scenes about conviction, change, and stepping into purpose.

Ideal Sync Uses

  • Drama / Indie: Resolve, night drives, pivotal choices
  • Documentary: Faith journeys, recovery, identity arcs
  • Advertising: Mission-focused brand spots, cause-led campaigns
  • Sports: Visualization sequences, calm-before-the-storm edits

Why It Works

  • Vocal clarity and roomy mix sit under dialogue/VO
  • Hooky chant moments offer natural cut points
  • Theme of faith vs. action travels across genres

Lyrics

Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Wayo Sula Oye Up to Allah Oye Wanted a sign oh yeah Or who she would find somewhere Opening your eyes, oh yeah Opening your mind, oh yeah Planning with God, oh no ha ha ha ha Oh yeah Back to the church again, nothing worth the gain, yeah life is worth in it, 'bout to turn it in, yeah Planet didn't go moving kind of slow, but I'm grown, so I know it won't start until I do Oh oh, let me get it back, everything I lack, yeah I'ma work for that, can't afford the gas, yeah working hard to live, living just to work, like, is there more to this? need a sec to see it first Sula, oh yeah Up to Allah Oh yeah, wanted a sign... Oh yeah, or who she would find somewhere Why would you wait a long time? Do you wanna wait, who wanna wait Why would you wait a long time? Do you wanna wait If you wanna stay, then you wanna wait, why? If you wanna ride, will you come inside my mental real estate, spiritual abate, man, taking off with God, hope he puts me on, on my If you wanna stay, do you wanna wait, wait? If you wanna ride, will you come inside my mental real estate, spiritual abate, man, taking off with God, hope he puts me on, on my Oh yeah, opening your mind Oh yeah, planning with God, oh no Do you wanna wait a long time? Why would you wanna wait? who wanna wait?
Track Narrative:
“Different Kind of Faith” rides a moody hip hop/R&B groove — synth and drums frame a vocal about conviction, patience, and action. Reflective yet uplifting, it carries scenes through doubt to determination.

Did You Ever Love Me

Did You Ever Love Me cover art

Did You Ever Love Me
by Kelsey Kindall

“Did You Ever Love Me” is a moody indie-pop track in A Minor at 132 BPM, blending piano, synth, guitar, bass, drums, and percussion beneath a vulnerable female vocal. Reflective, sad, rhythmic, and atmospheric, it fits scenes of romantic doubt, emotional aftermath, loneliness, regret, and the painful realization that a relationship may have meant more to one person than the other.

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OMR Cue Map

OMR Cue Map

Track: Did You Ever Love Me
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, emotional unresolved tail
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Emotional indie-pop cue for heartbreak, relationship doubt, regret, romantic disillusionment, post-breakup reflection, and scenes where a character realizes they were more invested than the other person.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Did You Ever Love Me

Song Profile

  • Genres: Indie, Pop
  • Key Signature: A Minor
  • BPM: 132
  • Tempo: Midtempo / rhythmic emotional pulse
  • Vocals: Female Vocal
  • Moods: Atmospheric, Dreamy, Minimal, Moody, Reflective, Rhythmic, Sad
  • Lyric Themes: Loneliness, Love, Regret, Relationship, Struggle
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Piano
  • Synth

Sync Potential

“Did You Ever Love Me” is built for scenes where romantic uncertainty turns into painful clarity. Its A Minor emotional pull, rhythmic indie-pop production, and vulnerable vocal make it especially strong for breakup aftermath, memory sequences, late-night reflection, and relationship stories built around imbalance, regret, and realization.

Scene Types

  • Breakup aftermath and emotional reckoning
  • Relationship imbalance or one-sided love
  • Late-night reflection and regret
  • Coming-of-age romantic disappointment
  • Personal boundary-setting after heartbreak

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

I was the miss you led
I built you up in my head
Lived in the too-far ahead
You were fine playing pretend
Did you ever love me
Or did you say it cause you're lonely
You were all I ever needed
For you, I was just convenient
Now I'm picking up the pieces I was so naive
Did you ever love me?

How do we end something that was never started
Would go but there's nothing to leave
Wish I could go back and tell her to be guarded
But now I have fallen too deep
Did you ever love me
Or did you say it cause you're lonely
You were all I ever needed
For you, I was just convenient
Now I'm picking up the pieces I was so naive
Did you ever love me?

You're standing in the way
You gotta give me space
I gave you the grace
You never repaid
What a waste of time
I fell so behind
It's time to draw the line
You were never mine

You're standing in the way
You gotta give me space
I gave you the grace
You never repaid
What a waste of time
I fell so behind
It's time to draw the line
You were never mine
Did you ever love me
Did you ever love me
Track Narrative:
“Did You Ever Love Me” sits in the emotional space after the illusion breaks. It captures the ache of realizing that love may have been convenience, loneliness, or timing rather than truth. The track carries sadness, dignity, and self-protection, making it ideal for scenes where a character stops asking for proof and starts drawing a line.

Digital Age

Digital Age cover art

Digital Age
by OMR Music Production

Energetic and satirical — “Digital Age” by OMR Music Production wraps retro-pop beatwork in commentary-laced lyricism. Ideal for sync scenes of tech irony, commercial parody, or montage-driven fast-cuts charged by rhythmic wit and modern critique.

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OMR Cue Map

OMR Cue Map

Track: Digital Age
Clean Intro: Yes (0:00 – immediate electronic pulse)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12 / 1:20
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:12
Use Case: Modern electronic cue for tech, innovation, and forward momentum. Strong for montage, digital environments, and high-energy visual pacing.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Digital Age

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 105
  • Energy: Moderate
  • Genres: Cinematic, Horror, Indie, Rock, Electronic, Hip hop/rap
  • Vocals: Male
  • Moods: Confident, Cool, Dark, Moody, Tension
  • Cinematic Fit: Action, Adventure, Crime, Horror, Drama, Mystery, Sci-Fi, Thriller, War
  • Lyric Themes: Identity, Struggle, Conflict, Relationship, Connection, Love, Fear
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell, Maria Leahy
  • Guitar & Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer

Instrumentation

  • Bass
  • Drums (solo)
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Digital Age” by OMR Music Production delivers a confident, moody soundscape layered with tension and lyrical depth. With cinematic textures and genre-blending production, it’s a powerful fit for scenes exploring identity, conflict, and emotional complexity.

Best Use Cases

  • Thriller & Horror: Suspenseful build-ups, eerie transitions, psychological tension
  • Drama & Mystery: Character introspection, emotional unraveling, relational conflict
  • Action & Sci-Fi: Futuristic montages, tech-driven sequences, chase scenes
  • Crime & War: Tactical planning, moral ambiguity, intense confrontations

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocals: Gritty and expressive delivery
  • Midtempo Pulse: Ideal for pacing tension and narrative flow
  • Lyric Themes: Identity, Fear, Connection — emotionally resonant and cinematic
  • Hybrid Instrumentation: Synth, drums, and bass create a modern, edgy atmosphere

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Digital Age” sparks satire and groove — OMR Music Production spins lyric irony into upbeat syncable flow fit for scenes of modern absurdity or commentary montage.

Lyrics

VERSE 1 I’M WATCHING TV OR IS IT WATCHING ME LIVING IN AN AGE OF TECHNOLOGY HIDE BEHIND A SCREEN BE WHO I WANT TO BE ROMANCING THE MIND NEVER SEE ANYBODY VERSE 2 DIGITAL AGE HIGHSPEED REVOLUTION A CYBER STAGE 8K RESOLUTION AUTOMATIC ELECTRONIC GLAMOUR CHARASMATIC SIMULATED POWER CHORUS I STILL BELIEVE IN HUMANITY OR IS IT A FEAR OF MY VANITY TRYING TO CLING TO MY DIGNITY WHILE STANDING AT THE DOORSTEP OF INSANITY VERSE 3 ARE YOU REALLY THERE THE ANSWER TO MY PRAYER DOES SHE REALLY EXIST A NUMBER IN THE MIST VIRTUAL HOOK UPS LOVE YOU FROM A DISTANCE ACTS AND REGRETS THE PATH OF LEAST RESISTANCE DEAR PRUDENCE, WON’T YOU COME OUT TO PLAY DEAR PRUDENCE, GREET THE BRAND-NEW DAY VERSE 4 COMPUTER AGE A DIGITAL STAGE INFORMATION OVERLOAD SELF-CONSUMING RAGE INNOVATION CONCEPTUAL BREAKTHROUGH CONSERVATION SCIENTIFIC DEBUT

DIME DONDE — Amhed Mitchel

Dime Dónde cover art

Dime Dónde
by Amhed Mitchel

Bright, romantic, and playful — “Dime Dónde” blends Latin and World textures with acoustic guitar and rhythmic percussion. Carried by heartfelt female vocals, the track radiates joy and intimacy while capturing themes of longing, connection, and love. Its upbeat yet tender mood makes it perfect for syncs that need both warmth and rhythm.

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OMR Cue Map

OMR Cue Map

Track: Dime Donde
Clean Intro: Yes (0:00 – immediate tonal entry, vocal-ready)
Edit Points: 0:14 / 0:30 / 0:48 / 1:10 / 1:34 / 2:00 / 2:28 / 2:55 / 3:22
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:10 / 1:34–2:00 / 2:28–2:55
Use Case: Emotional Latin vocal cue for longing, connection, and relationship-driven storytelling. Strong for intimate scenes, reflective dialogue, and culturally grounded narratives.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Dime Dónde

Artist: Amhed Mitchel
Genre: Latin, World
Instruments: Acoustic guitar, Percussion
Vocal Style: Female Vocal
Energy Level: Slow
Key Signature: G Major
Tempo: 82 BPM
Mood Tags: Bright, Cool, Fun, Happy, Light, Playful, Positive, Quirky, Rhythmic, Romantic, Upbeat
Lyric Themes: Connection, Longing, Love, Romance, Together
Type: One Stop

Cinematic Fit

  • Romance: Intimate dinners, sunset embraces, first kisses, or reunions.
  • Comedy: Lighthearted romantic mix-ups or quirky cultural moments.
  • Coming of Age: Young love, summer adventures, or moments of discovery.
  • Drama: Emotional confessions, relationship crossroads, or heartfelt reflections.
  • Adventure: Travel montages, cultural explorations, or sunlit journeys.

Sync Potential: Dime Dónde

A playful yet heartfelt Latin/World song with romantic female vocals. Perfect for romance-driven storylines, cultural montages, or lighthearted travel sequences. Works beautifully in film, TV, or advertising where warmth, intimacy, and rhythm are key.

Sync Highlights

  • Romantic lyrics with universal appeal
  • Latin acoustic instrumentation provides cultural authenticity
  • Female vocal adds tenderness and charm
  • Slow tempo but rhythmic groove — ideal for dance or intimate sequences
  • Versatile for romance, lifestyle, or travel placements
Track Narrative:
“Dime Dónde” is a romantic pursuit set to music. With playful energy and heartfelt vocals, it speaks of longing to reconnect and the irresistible pull of love. Its Latin/world textures make it cinematic and emotionally resonant, fitting perfectly into stories of passion, travel, or lighthearted romance.
Lyrics:
La la la la la
Dime dónde te podría besar sin que nadie se antoje de eso.
Que en silencio pudiera tocarte y que nadie nos vea.
Dime dónde podría tenerte completa en mis brazos.
Y dime dónde estarás esta noche pa' yo ir a robarte un abrazo.
Solo quiero ese beso que hizo que te amara tanto.
Y que ahora me tiene buscándote por todos lados.
Si solo me dijeras, corazón, en qué lugar te encontraré,
si en una playa o en un café sabré de ti.
Si solo me dijeras dónde irás, allí podría preguntar
si tú me amas todavía como yo.
Si solo me dijeras dónde vas te iría a buscar.
Te iría a buscar, te iría a buscar.
Si solo me dijeras dónde estás, te iría a buscar.
Te iría a buscar.
Dime dónde estarías sentada en la tarde para enamorarte.
Pa' contarte canciones que hice junto a mi guitarra.
Solo dime si vas a la Luna para ir a buscarte.
Si solo me dijeras, corazón, en qué lugar te encontraré,
si en una playa o en un café sabré de ti.
Si solo me dijeras dónde irás, allí podría preguntar
si tú me amas todavía como yo.
Si solo me dijeras dónde vas, te iría a buscar.
Te iría a buscar, te iría a buscar.
Si solo me dijeras dónde vas, te iría a buscar.
Te iría a buscar.
Si solo me dijeras dónde están tus besos.
Dónde están tus besos, yo te iré a buscar.
Pero dime, pero dime, dónde están tus besos.
dónde están tus besos, yo te iré a buscar.
Pero dime, pero dime,
Yo te iré a buscar.

Stem Tracks: Dime Dónde

Instrumentals, alt mixes, and cutdowns available upon request. Contact OMR Music Production for options and delivery.

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer and composer known for blending modern jazz language with Afro-Cuban rhythmic roots. Relocating to Toronto in the mid-2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Distant Heart

Distant Heart cover art

Distant Heart
by OMR Music Production

Lush and wistful — “Distant Heart” by OMR Music Production blends cinematic orchestration with lyrical longing. A sync-ready match for scenes of emotional distance, memory echo, or slow-build tension across visual narrative and romantic introspection.

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OMR Cue Map

OMR Cue Map

Track: Distant Heart
Clean Intro: Yes (0:00 – soft ambient entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:36–1:20 / 1:45–2:12 / 2:40–3:08
Use Case: Atmospheric, emotional cue for distance, memory, and quiet introspection. Strong for montage, separation themes, and internal reflection.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Distant Heart

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 120
  • Energy: Low
  • Genres: Pop, Country, Cinematic, Rock, Ballad, Singer-songwriter
  • Vocals: Male
  • Moods: Powerful, Confident, Hopeful, Positive, Reflective, Sad
  • Cinematic Fit: Romance, Sci-Fi
  • Lyric Themes: Relationship, Longing, Connection, Heartbreak, Love
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone, Donald Beauchamp
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar & Bass Guitar: Elmer Ferrer
  • Percussion: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Percussion

Audio Preview

Full Track

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Distant Heart” by OMR Music Production blends cinematic orchestration with lyrical longing. A sync-ready match for scenes of emotional distance, memory echo, or slow-build tension across visual narrative and romantic introspection.

Best Use Cases

  • Romance: Emotional reunions, longing gazes, heartfelt monologues
  • Sci-Fi: Futuristic love stories, time-travel reflections, cosmic solitude
  • Drama: Character-driven arcs, emotional flashbacks, relationship tension
  • Montages: Memory sequences, transitions, inner conflict

Sync Appeal

  • One Stop: Simplified licensing
  • Male Vocals: Emotional and expressive delivery
  • Uptempo Flow: Supports pacing for emotional build
  • Lyric Themes: Longing, Connection, Heartbreak — universally resonant
  • Organic Instrumentation: Bass, drums, and percussion provide cinematic depth

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Distant Heart” expands through emotion — OMR Music Production shapes syncable resonance for stories reaching across time, place, and feeling.

Lyrics

VERSE 1 Thunderstruck on a moonlit night Stars aligned ‘neath a bright moonlight Pulling on your heart like gravity Closer, and closer, to me VERSE 2 Like an island in a world of bliss I search the horizon for what I miss Your smile beyond the setting sun Infinite skies but nowhere to run CHORUS Distant heart, come home to me Worlds apart, never let you be Love has a start but never ends Oh distant heart til we meet again VERSE 3 Memories of you, my reality Trapped in a love that slipped away I want to love you like I’ll live forever Love you like I’ll die today. VERSE 4 Passing suns warm my lonely heart Fading moons still keep us apart Northern lights in the skies above Guide me closer, and closer to you CHORUS BRIDGE SOLOS VERSE 5 Like Venus and Mars dancing round the sun Love filled a void were there once was none I follow you through the galaxies Closer and closer to me. VERSE 6 Stars don’t shine in the daylight They come to life in the black of night Like the future that can’t be seen I found your heart in infinity

DKOF — Ran de Casa

DKOF cover art

DKOF
by Ran de Casa

“DKOF” is a fast-moving hip hop track with bright rhythmic momentum, confident vocal delivery, and a unifying lyrical core. At 149 BPM in G Minor, it blends bass, percussion, and synth into a modern, energetic sound that balances urgency with uplift. Themes of unity, power, connection, and struggle give it both social weight and cinematic flexibility, while the repeated refrain and one-stop structure provide strong edit points for promos, montage use, and episode transitions.

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OMR Cue Map

Track: DKOF
Clean Intro: Yes (0:00 – immediate rhythmic pulse)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12
Button Ending: Yes, punchy ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:04
Use Case: Dark, rhythmic tension cue for action, pursuit, and high-intensity sequences. Strong for fast-paced edits and kinetic visual storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: DKOF

Song Profile

  • Key Signature: G Minor
  • BPM: 149
  • Tempo: Fast
  • Genres: Hip Hop / Rap
  • Vocals: Male vocal
  • Mood/Feel: Bright, Confident, Cool, Positive, Rhythmic, Romantic, Upbeat
  • Lyric Themes: Connection, Death, Power, Unity
  • Type: One stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Track Summary

“DKOF” combines urgency and uplift in a fast hip hop frame that feels both socially aware and emotionally connective. Its repeated “unified” refrain gives the track a clear thematic anchor, while the bright rhythmic motion keeps it propulsive and edit-friendly. The balance of conviction, momentum, and lyrical purpose makes it especially strong for contemporary narratives that need energy with meaning.

Sync Highlights

  • Repeated refrain creates strong hook points and natural edit anchors.
  • Fast rhythmic pace supports montage, movement, and rising momentum.
  • Bright energy keeps the track cinematic without turning overly aggressive.
  • Unity-centered lyric theme broadens use beyond pure swagger placements.
  • One-stop ending provides a clean editorial out for promos and scene closes.

Sync Potential: DKOF

DRAMA

A driven, contemporary track that supports emotionally charged storytelling with energy and purpose.

Why it fits

The track’s tension between struggle and unity gives it real narrative weight. It can support scenes that are forward-moving but still emotionally grounded.

Especially good for

  • Personal resolve after conflict
  • Community-driven turning points
  • Urban character progression
  • Determined ensemble movement
  • Post-crisis regrouping scenes

COMING OF AGE

A strong fit for identity formation, solidarity, and stepping into purpose.

Why it fits

Themes of connection, belief, and becoming align well with stories about growth, self-definition, and finding your place within something larger.

Especially good for

  • Young adult empowerment arcs
  • Friend-group unity moments
  • Campus or street identity sequences
  • Speaking up for the first time
  • Moving from isolation to belonging

INDIE

Contemporary, expressive, and character-centered with enough rhythmic lift to stay memorable.

Why it fits

The track feels personal rather than generic. It carries a point of view, which makes it strong for indie film and series scenes that need both style and specificity.

Especially good for

  • Stylized urban transitions
  • Character-led montage scenes
  • Dialogue-light relationship sequences
  • Independent spirit storytelling
  • Reflective movement through city environments

ROMANCE

Not traditionally romantic, but surprisingly useful for relational scenes built on connection and unity rather than softness.

Why it fits

The emotional tone is more about bond, shared motion, and mutual purpose than intimacy alone, which can work well in modern relationship storytelling.

Especially good for

  • Two-person against-the-world sequences
  • Reconnection after hardship
  • Relationship montage with edge
  • Shared resolve scenes
  • Modern romance with momentum
Track Narrative:
A call toward unity in the middle of pressure. “DKOF” moves like a rallying pulse, balancing confrontation, faith, and connection while insisting that strength is collective as much as personal.

Lyrics: DKOF

Deadly battle Black was battle Can you battle? Deadly battle Black was battle Can you battle? What you waiting? This a different kind of race Integrated for a different kind of phase Who stepped in? Tell them make a way But don't run 'cause they shooting anyway, ya Oh my god, any one that you pray to Peace and love to the ones in the credo Future looking like the past, do it take two The deep roots caught the start, this level stay cool Deadly battle Black was battle Can you battle? Deadly battle Black was battle Can you battle? Space, you and I, unified, hey You know I, unified, hey You and I, unified, hey You know I, unified, hey Live right, nothing less, thanks and I get respect This life, nothing next, this the one to get correct Just mine, nothing left, this the one to give my best Next one, nothing left, this the one can't lose the bet Tell your family, everything, you throw someone near to break Life make a lot of ways, but I'm standing tall and straight Talk to me, when you talk to me God Straight talking, lost in silence Straight talking, no curving in the ride Talk to me, talk to me now Talk to me, talk to me God Straight talking, talk to me now
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Ran de Casa

Ran de Casa

Ran de Casa creates modern hip hop that blends rhythmic confidence, reflective lyricism, and contemporary cinematic tone. His tracks often move between power, identity, unity, and self-definition, making them well-suited for sync placements that need energy with meaning.

Styles: Hip Hop / Rap • Strengths: rhythmic momentum, character-driven writing, modern urban tone • Typical Uses: drama, coming-of-age, crime, indie, sports

Do Not Disturb

Do Not Disturb cover art

Do Not Disturb
by Kelsey Kindall

“Do Not Disturb” is a slow, moody pop/R&B track in F Minor at 80 BPM, built around bass, drums, percussion, and synth. With a cool, minimal, reflective feel and a lyric centered on reclaiming peace, power, and emotional boundaries, it fits scenes of self-protection, post-relationship strength, recovery, and choosing silence over chaos.

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OMR Cue Map

OMR Cue Map

Track: Do Not Disturb
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, cool unresolved R&B tail
Loopable: Moderate
Best Loop Candidates: 0:40–1:20 / 1:00–1:40 / 1:20–2:00
Use Case: Moody pop/R&B cue for boundary-setting, post-relationship recovery, emotional self-protection, reclaiming power, and scenes where a character chooses silence, peace, and distance over being pulled back into pain.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Do Not Disturb

Song Profile

  • Genres: Pop, R&B
  • Key Signature: F Minor
  • BPM: 80
  • Tempo: Slow
  • Vocals: Female Vocal
  • Moods: Atmospheric, Cool, Minimal, Moody, Reflective, Rhythmic
  • Lyric Themes: Power, Relationship, Strength, Struggle, Success
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Sync Potential

“Do Not Disturb” is built for scenes where emotional recovery turns into self-command. Its slow pop/R&B groove, cool minimal production, and boundary-setting lyric make it a strong fit for post-breakup strength, personal reclamation, quiet confidence, and scenes where a character blocks out the noise to finally hear their own voice.

Scene Types

  • Post-relationship recovery
  • Boundary-setting and emotional protection
  • Quiet confidence and self-reclamation
  • Personal transformation after manipulation or hurt
  • Late-night solitude with strength underneath

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

I was in too deep
You knew I wouldn't fight it
Tricks up your sleeve
Didn't know where you were hiding
Your casualty
Must do this every Friday
Add a victim to your victory

I found my peace and then my power
And I want the same for you, but you're a coward

I've been blocking out the world
So sick of getting hurt
You'll get what you deserve
I'm on Do Not Disturb

I've been blocking out the world

I was in too deep
I was young and excited
Lost parts of me
Now I'm trying to find them
I know I said words I never meant
But you are far from innocent
You would lose your mind, role reversal
Cause you're so out of line, you're a circle

I found my peace and then my power
And I want the same for you, but you're a coward

I've been blocking out the world
So sick of getting hurt
You'll get what you deserve
I'm on Do Not Disturb

I've been blocking out the world

I'm blocking out the noise
That kept me paranoid
I can hear my own voice
I'm blocking out the noise
That kept me paranoid
Finally, hear my own voice

I've been blocking out the world
So sick of getting hurt
You'll get what you deserve
I'm on Do Not Disturb

I've been blocking out the world
Track Narrative:
“Do Not Disturb” feels like the moment after emotional damage turns into clarity. The track is quiet but not weak, restrained but not passive. Its lyric and production create a controlled atmosphere of separation, self-protection, and recovered power — ideal for scenes where a character stops explaining, stops answering, and finally chooses peace.

Do What I Does

Do What I Does cover art

Do What I Does
by Lee Palmer

Confident and funky — “Do What I Does” by Lee Palmer fires groove-forward guitars and clever lyrical swagger into motion. It’s ready to fuel sync scenes of playful cool, mischief, or everyday strut under a blues-pop sun.

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OMR Cue Map

OMR Cue Map

Track: Do What I Does
Clean Intro: Yes (0:00 – immediate beat entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12
Button Ending: Yes, punchy ending
Loopable: High
Best Loop Candidates: 0:16–0:32 / 0:24–0:48 / 0:48–1:04
Use Case: Confident, swagger-driven hip-hop cue for attitude, identity, and urban storytelling. Strong for character introductions and bold visual moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Do What I Does

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 112
  • Energy: Medium
  • Genres: Country, Folk
  • Vocals: Male
  • Moods: Hopeful, Relaxing, Uplifting
  • Cinematic Fit: Comedy, Western
  • Lyric Themes: Faith, Struggle, Adventure, Ambition, Love
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Composition: Lee Palmer
  • Pre-Production & Final Mix: Elmer Ferrer
  • Sound Engineer: James Paul
  • Mastering: Sam Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Upright Bass & Session Leader: Alec Fraser
  • Percussion: Al Cross
  • Acoustic & Spanish Guitars: Elmer Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar (solo)
  • Harmonica (solo)

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Pitch Sheet: Do What I Does

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 112
  • Energy: Medium
  • Genres: Country, Folk
  • Vocals: Male
  • Moods: Hopeful, Relaxing, Uplifting
  • Cinematic Fit: Comedy, Western
  • Lyric Themes: Faith, Struggle, Adventure, Ambition, Love
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics & Composition: Lee Palmer
  • Pre-Production & Final Mix: Elmer Ferrer
  • Sound Engineer: James Paul
  • Mastering: Sam Williams

Artists

  • Acoustic Guitar & Vocals: Lee Palmer
  • Background Vocals: Neil Donnell
  • Harmonica: Roly Platt
  • Slide Guitar: Burke Carroll
  • Upright Bass & Session Leader: Alec Fraser
  • Percussion: Al Cross
  • Acoustic & Spanish Guitars: Elmer Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar (solo)
  • Harmonica (solo)

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Do What I Does” plays it cool — Lee Palmer delivers syncable swagger with bluesy bounce and no apologies, perfect for charismatic mischief and laid-back charm.

Lyrics

When I was a kid I did what I done When I was a kid I did what I done I kept the wind at my back My head in the clouds Always on the run I got a long way to go To get where I was I got a long way to go To get where I was I'm gonna be who I am Love what I do And do what I does I never looked ahead I left it all behind I never looked ahead I left it all behind I didn't know a lick I did what I did All within a rhyme I got the long way to go To get where I was I got a long way to go, get where I was I'm gonna be who I am, love what I do, do what I does I never had a cent I didn't worry none I never had a cent I didn't worry none I lived day to day I laughed and I loved I lost and I won I got a long way to go To get where I was I got a long way to go To get where I was I'm gonna be who I am Love what I do And do what I does I'm gonna be who I am Love what I do Do what I love Take it home, boys

Dog Catcher

Dog Catcher cover art

Dog Catcher
by Paul Reddick

Raw and raucous — “Dog Catcher” by Paul Reddick snarls with lyrical fire and dark-toned rhythm, bringing swampy groove into cinematic rebellion. Perfect for sync scenes of chase, mischief, or gritty showdown where blues meets underworld swagger.

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OMR Cue Map

Track: A Fruitful Year
Track: Dog Catcher
Clean Intro: Yes (0:00 – immediate tonal entry)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:42 / 2:05
Button Ending: Yes, resolved ending
Loopable: Moderate
Best Loop Candidates: 0:28–1:02 / 1:20–1:42
Use Case: Light, quirky cue for humor, offbeat storytelling, and character-driven comedy. Strong for playful scenes and unconventional moments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Dog Catcher

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 64
  • Energy: Slow-tempo
  • Genre: Blues
  • Vocals: Male
  • Moods: Emotive, Moody, Quirky, Reflective, Sad
  • Cinematic Themes: Action, Adventure, Art House, Coming-of-Age, Crime, Drama, Mystery, Thriller, Western
  • Lyric Themes: Fear, Freedom, Identity, Power, Struggle
  • Type: One Stop

Production Details

  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams
  • Producer & Engineer: Colin Linden
  • Mastering Engineer: John Whynot
  • Composer: Paul Reddick

Artists

  • Harmonica, Loops, Vocals: Paul Reddick
  • Bass, Guitar, Harmony, Mandolin, Background Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Drums, Percussion: Stephen Hodges

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Dog Catcher” bites with swagger — Paul Reddick delivers blues soaked with tension, groove, and growling defiance perfect for sync scenes of heat and trouble. Its gritty textures and slow-burning pulse make it ideal for moody storytelling and character-driven drama.

Best Use Cases

  • Crime & Thriller: Suspenseful build-ups, chase scenes, psychological tension
  • Drama: Personal struggle, identity crisis, emotional depth
  • Western: Gritty landscapes, outlaw narratives, rural mystique
  • Art House: Experimental visuals, introspective moments, abstract storytelling

Sync Appeal

  • One Stop: Simplified licensing
  • Male Vocals: Raw and expressive
  • Slow Tempo: Enhances tension and atmosphere
  • Lyric Themes: Freedom, Power, Identity, Struggle, Fear
  • Organic Blues Elements: Harmonica, loops, and textured percussion

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Dog Catcher” bites with swagger — Paul Reddick delivers blues soaked with tension, groove, and growling defiance perfect for sync scenes of heat and trouble.

Lyrics

Dogcatcher dogcatcher Why won’t you let me be Dogcatcher dogcatcher Please won’t you set me free You been keepin me on the run I can’t get no business done It’s not my idea of fun No more Dogcatcher dogcatcher Why can’t you leave me alone Dogcatcher dogcatcher Why can’t you throw me a bone I’ve been runnin through the neighbourhood I’ve been actin like a good dog should This feelin won’t do me no good Oh no Dogcatcher dogcatcher Please understand my case Dogcatcher dogcatcher Please look me in the face I may not be what I appear I might be something you hold dear I’m not tryin to cause you no fear No Dogcatcher dogcatcher Choke on a bone sometime Dogcatcher dogcatcher You don’t live a life like mine You might think you’re pretty bright But I don’t think you’re always right One day you may wake up in fright Oh to find Dogcatcher dogcatcher Someone comin after you

Donde Vive Lo Que No Pasa

Donde Vive Lo Que No Pasa cover art

Donde Vive Lo Que No Pasa
by Elmer Ferrer

Elegant and enigmatic — “Donde Vive Lo Que No Pasa” by Elmer Ferrer blends atmospheric jazz phrasing with cinematic motion and emotional complexity. This instrumental invites sync scenes of inner landscape, abstract storylines, or reflective sequences across evocative rhythm and shadowed harmony.

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OMR Cue Map

OMR Cue Map

Track: Donde Vive Lo Que No Pasa
Clean Intro: Yes (0:00 – soft tonal entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40 / 3:08
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:45–2:12
Use Case: Poetic, introspective cue for memory, absence, and emotional stillness. Strong for reflective storytelling and art house visuals.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: Donde Vive Lo Que No Pasa

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 85
  • Energy: Moderate
  • Genres: Ambient, Cinematic, Classical, Latin, Ballad, Folk, Indie, Singer/Songwriter
  • Vocals: Instrumental
  • Moods: Atmospheric, Uplifting, Hopeful, Reflective, Somber, Sad
  • Cinematic Fit: Crime, Fantasy, Horror, Drama, Mystery, Romance
  • Type: One Stop

Production Details

  • Executive Producer: Elmer Ferrer
  • Composer & Producer: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz, Drew Jurecka, Taras Blyzniuk
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Guitar: Elmer Ferrer
  • Synth Bass: Marc Rogers
  • Drums: Larnell Lewis
  • Percussion: Chendy Leon
  • Horns: Yumar Bonachea
  • Saxophone & Flute: Rob Christian
  • Oboe & English Horn: Melissa Scott
  • Bassoon: Michael Quigley
  • Cello: Rachel Pomedli
  • Violin: Drew Jurecka, Lyn Kuo
  • Viola: Rebekah Wolkstein
  • French Horn: Taran Plamondon

Instrumentation

  • Bass
  • Drums
  • Piano
  • Strings
  • Synth
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Donde Vive Lo Que No Pasa” by Elmer Ferrer is a cinematic instrumental that evokes introspection and emotional depth. With its ambient textures and classical instrumentation, the track is ideal for scenes that explore inner conflict, mystery, or poetic reflection. Its layered arrangement and subtle Latin undertones make it versatile across genres and moods.

Best Use Cases

  • Drama: Emotional turning points, character introspection
  • Mystery & Thriller: Atmospheric tension, psychological depth
  • Fantasy: Magical realism, dream sequences
  • Romance: Quiet longing, intimate moments
  • Art House: Abstract visuals, non-linear storytelling

Sync Appeal

  • One Stop: Streamlined licensing
  • Instrumental: Flexible for voiceover and dialogue
  • Midtempo Flow: Supports pacing for reflective scenes
  • Genre Blend: Ambient, Classical, Latin, Cinematic
  • Emotional Range: Hopeful, Somber, Sad, Reflective

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Donde Vive Lo Que No Pasa” lingers in sonic dimension — Elmer Ferrer evokes syncable depth for cinematic reflection and non-linear tone, where feeling outweighs form.

DON'T GIVE UP THE DANCE

Don't Give Up the Dance cover art

Don't Give Up the Dance
by Ezekiel Hampton

“Don't Give Up the Dance” is an atmospheric instrumental that balances dreamy uplift with cool reflection. With percussion, piano, and synth shaping a hopeful but moody electronic frame, the track feels ideal for perseverance, emotional continuation, and scenes where staying in motion becomes its own form of resilience.

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OMR Cue Map

Track: Don't Give Up the Dance
Clean Intro: Yes (0:00 – rhythmic groove entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20
Button Ending: Yes, punchy ending
Loopable: High
Best Loop Candidates: 0:20–0:40 / 0:30–0:50 / 0:50–1:10
Use Case: Energetic groove-driven cue for movement, rhythm, and performance-based visuals. Strong for dance, montage, and upbeat sequences.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Don't Give Up the Dance

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 120
  • Energy: High
  • Genres: Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Bright, Cool, Dreamy, Hopeful, Moody, Reflective, Uplifting
  • Cinematic Fit: Drama, Indie, Romance, Lifestyle
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Don't Give Up the Dance” is built for emotional perseverance, reflective continuation, and scenes where staying open or in motion carries the meaning. Its instrumental structure makes it especially effective for montage, lifestyle movement, and interior scenes that need lift without lyrical specificity.

Ideal Sync Uses

  • Drama: resilience, continuation, emotional resolve
  • Indie: introspective motion, soft perseverance
  • Romance: fragile hope, emotional continuity
  • Lifestyle: movement, mood, reflective uplift

Scene Suggestions

  • Montage built around continuing despite doubt or fatigue
  • Reflective movement scene with hopeful undertow
  • Character regaining emotional balance through motion
  • Stylized transitional sequence with uplift and atmosphere

Why It Works

  • Instrumental format makes it highly flexible for picture
  • Piano and synth add emotional warmth and atmosphere
  • Dreamy uplift supports hope without losing nuance
  • Uptempo pace keeps scenes moving while staying reflective
Stem Tracks:
Available upon request.
Track Narrative:
“Don't Give Up the Dance” feels like choosing motion over collapse. It carries brightness and emotional cool in equal measure, making the scene feel resilient, open, and quietly determined.

DOORS IN DREAMS

Doors in Dreams cover art

Doors in Dreams
by Radagast the Brown

“Doors in Dreams” is a bright instrumental with confident electronic lift and clean forward momentum. With percussion and synth driving the track, it feels ideal for modern movement, possibility, and sequences that need upbeat energy with a slightly surreal edge.

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OMR Cue Map

Track: Doors in Dreams
Clean Intro: Yes (0:00 – atmospheric entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:36–1:20 / 1:45–2:12
Use Case: Surreal ambient cue for dream sequences, abstract visuals, and internal exploration. Strong for psychological and conceptual storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Doors in Dreams

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 119
  • Energy: High
  • Genres: Dance, Electronic
  • Vocals: Instrumental
  • Moods: Bright, Confident, Cool, Positive, Upbeat, Uplifting
  • Cinematic Fit: Lifestyle, Comedy, Indie, Sci-Fi
  • Type: One Stop

Instrumentation

  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Doors in Dreams” is built for scenes of possibility, forward motion, and bright stylized energy. Its instrumental electronic structure makes it especially effective for montage, modern movement, playful momentum, and sequences that need an upbeat dream-state atmosphere.

Ideal Sync Uses

  • Lifestyle: movement, polish, upbeat pace
  • Comedy: playful confidence, clean forward energy
  • Indie: possibility, movement, cool optimism
  • Sci-Fi: stylized motion, upbeat speculative tone

Scene Suggestions

  • Montage built around momentum, motion, or reinvention
  • Stylized sequence with bright surreal undertone
  • Character movement scene with confident modern energy
  • Transition that needs lift, openness, and pace

Why It Works

  • Instrumental format makes it highly flexible and easy to edit
  • Bright upbeat pulse supports forward motion immediately
  • Minimal palette keeps the cue clean under picture
  • Dreamy-positive tone adds possibility without emotional clutter
Stem Tracks:
Available upon request.
Track Narrative:
“Doors in Dreams” feels like stepping into motion before fully knowing what waits on the other side. It carries optimism, rhythm, and clean electronic lift in a way that makes the scene feel open, bright, and alive with possibility.

DOWN — Elmer Ferrer

Down cover art

Down
by Elmer Ferrer

Down carries a dark, grounded energy, driven by a steady rhythmic bed and a moody electronic-rock texture. The cue feels internal rather than explosive, as though tension is simmering beneath the surface instead of breaking outward. Its atmospheric weight and restrained momentum make it well suited for scenes of emotional pressure, uneasy movement, late-night driving, or moments when a character is descending further into uncertainty.

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OMR Cue Map

OMR Cue Map

Track: Down
Clean Intro: Yes (0:00)
Edit Points: 0:17 / 0:34 / 0:51 / 1:08 / 1:25 / 1:42 / 1:59
Button Ending: No, sustained tail
Loopable: High
Best Loop Candidates: 0:17–0:51 / 0:51–1:25 / 1:08–1:42
Use Case: Dark, grounded cue for emotional descent, internal conflict, quiet pressure, and scenes where the tone needs to feel heavy, restrained, and slowly intensifying.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Down

Song Details

  • Energy: Medium / Steady
  • Genres: Electronic, Rock, Singer-songwriter
  • Vocals: Instrumental
  • Key: A# Major
  • BPM: 123
  • Moods: Atmospheric, Dark, Moody
  • Cinematic Fit: Drama, Crime, Thriller, Indie
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Down is built on dark atmosphere and understated forward motion. Its moody electronic-rock foundation makes it especially effective for scenes that need tension, emotional heaviness, or a sense of internal descent without becoming overtly aggressive.

Ideal Sync Uses

  • Drama: emotional pressure, private unraveling, difficult aftermath
  • Crime: urban movement, morally gray tension, late-night unease
  • Thriller: low-level suspense, internal danger, quiet pursuit
  • Indie: moody character-driven transitions and reflective tension

Scene Suggestions

  • Character driving alone at night with rising emotional weight
  • Slow walk into an uncertain or dangerous situation
  • Interior scene where pressure builds without confrontation
  • Montage of personal decline, doubt, or uneasy reflection
Track Narrative:
Down feels like a gradual descent into something unresolved. Its steady pulse and dark tonal bed suggest movement without release, as though a character is pushing forward while carrying a weight that keeps pulling inward. The cue works best when tension needs to simmer rather than explode, letting mood and momentum do the storytelling.

DRAGON'S BLOOD — Godgifu

Dragon's Blood cover art

Dragon's Blood
by Godgifu

“Dragon’s Blood” is a fast-moving atmospheric electronic vocal track driven by power, tension, and transformation. Godgifu combines rhythmic propulsion with moody textures and a commanding vocal presence, creating a cue that feels controlled, intense, and built for modern action, crime, and character-driven escalation.

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OMR Cue Map

Track: Dragon’s Blood
Clean Intro: Yes, immediate rhythmic and tonal entry with fast pulse
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06 / 2:20
Button Ending: No, sustained tail better suited for fade
Loopable: High
Best Loop Candidates: 0:28–0:56 / 0:42–1:10 / 1:10–1:38
Use Case: High-energy, atmospheric electronic cue for scenes of transformation, pressure, and forward motion. Strong for stylized action, modern crime, and character-driven sequences where intensity builds with control rather than chaos.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic • Indie • Dark Alternative • Cinematic Vocal

Godgifu creates atmospheric, emotionally layered music that moves between electronic pulse, indie edge, and cinematic mood. The sound is modern and immersive, built from dark textures, rhythmic restraint, and vocal tones that feel both intimate and otherworldly.

For supervisors, the appeal is clear: moody emotional depth, forward momentum, female vocal presence, and a strong fit for scenes involving identity, power, transformation, and controlled intensity.

Sync Pitch Sheet: Dragon’s Blood

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 140
  • Energy: High
  • Genres: Electronic, Indie
  • Vocals: Female Vocal
  • Instrumentation: Bass, Drums, Percussion, Synth
  • Moods: Atmospheric, Upbeat
  • Lyric Themes: Death, Fear, Power, Struggle, Success
  • Cinematic Fit: Action, Crime, Drama, Indie, Art House, Coming of Age
  • Type: One Stop

Track Summary

Dragon’s Blood is a fast, atmospheric electronic vocal cue that channels power, fear, struggle, and transformation into a highly controlled, forward-moving sync track. It is especially effective for scenes that build pressure without losing shape or clarity.

Sync Highlights

  • Fast pulse with controlled intensity and strong editorial movement
  • Female vocal presence adds personality without losing edge
  • Excellent fit for stylized action, crime, and transformation sequences
  • Atmospheric production gives the track tension without chaos

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Dragon’s Blood is built for forward-driving visual storytelling. Its fast tempo, power-laced lyrics, and controlled electronic atmosphere make it especially effective for scenes involving transformation, escalation, and movement under pressure.

Ideal Sync Uses

  • Action: Build-up, preparation, controlled movement, stylized escalation
  • Crime: Tension, power shifts, night driving, underworld momentum
  • Drama: Breaking point, consequence, emotionally charged movement
  • Indie: Character-driven intensity, artful tension, visual propulsion
  • Art House: Symbolic transformation, movement through pressure, interpretive intensity
  • Coming of Age: Hard-edged transformation, identity through adversity

Scene Suggestions

  • Characters moving toward confrontation or irreversible choice
  • Stylized driving or pursuit with emotional undertow
  • Montage of escalation, pressure, and transformation
  • Modern crime or thriller sequences with controlled energy
  • Scenes where inner fear and outward force collide

Why It Works

  • Fast but disciplined energy makes it highly editor-friendly
  • Strong thematic language supports power and consequence
  • Atmospheric production gives depth without clutter
  • Ideal for scenes that need intensity with shape and control
Stem Tracks:
Available upon request.
Track Narrative:
“Dragon’s Blood” feels like acceleration into something irreversible. It carries the tension of pressure building beneath control, where fear, power, and transformation collide. There’s a sense of forward momentum that never fully releases, only tightens, making it ideal for scenes where characters move toward confrontation, consequence, or a point of no return.
Lyrics:
Spider, a damsel in distress, so stranded and alone, she barely thinks for herself
Now everyone that doubts her sees a hopeless mess
How long will she pretend? How much more will they lend?

Can't be fooled by these lies anymore, as the venom boils over
No one can ride the beast
This isn't fun anymore!
Someone get me off of this ride!
There's something happening on the outside

I cry out to the stars and wait for them to take me in
All I want is to never set my feet on the earth again

Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!

Flowing through these veins, swallowed by the sky
Lost all of its meaning in the eye of the storm
This isn't fun anymore!
Someone get me off of this ride!
There's something happening on the outside

Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!

In the eye of the storm, laughing at the face of death
Melting heart of brass! With no man in the way!
We'll dig a heart of pride! No games left to play

Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!

Get in the car, there is nowhere left to hide
Engines are fired up, now choose to fly or die
Here we go down into the belly of the beast
Piercing the heart wide open, bleeding it out dry!

Flowing through these veins, swallowed by the sky
Lost all of its meaning in the eye of the storm
Laughing at the face of death, with no man in the way!
We'll dig a heart of pride! No games left to play.

Dream Big (Jackie’s Song)

Dream Big (Jackie’s Song) cover art

Dream Big
by OMR Music Production

Hopeful and heartfelt — “Dream Big (Jackie’s Song)” by OMR Music Production threads inspirational lyricism through soft piano and cinematic lift. Designed for sync scenes of triumph, reflection, or tribute, it carries emotional clarity and vision with delicate strength.

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OMR Cue Map

OMR Cue Map

Track: Dream Big
Clean Intro: Yes (0:00 – uplifting tonal entry)
Edit Points: 0:12 / 0:28 / 0:44 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20
Button Ending: Yes, resolved ending
Loopable: High
Best Loop Candidates: 0:28–1:00 / 1:20–2:00
Use Case: Inspirational cue for growth, ambition, and achievement. Strong for montage, branding, and aspirational storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Dream Big (Jackie’s Song)

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 132
  • Energy: Low–Medium
  • Genres: Pop, Ballad, Rock
  • Vocals: Male
  • Moods: Bright, Retro, Uplifting, Somber, Sad
  • Cinematic Fit: Drama, Fantasy, Romance
  • Lyric Themes: Connection, Hope, Dream, Strength, Success
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: John Dominelli, Sergio Simone
  • Music Composition, Programming, Recording, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Hartsell
  • Guitar & Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Dream Big (Jackie’s Song)” by OMR Music Production is a heartfelt ballad that blends lyrical optimism with cinematic warmth. Its emotional arc and uplifting tone make it ideal for scenes of personal triumph, tribute, or quiet resilience. With its blend of pop and acoustic textures, the track supports storytelling that centers on hope, legacy, and inner strength.

Best Use Cases

  • Drama: Emotional turning points, character growth, legacy moments
  • Romance: Intimate reflections, heartfelt connection
  • Fantasy: Dream sequences, magical realism, inspirational arcs
  • Documentary: Personal stories, immigrant journeys, tribute segments

Sync Appeal

  • One Stop: Easy licensing
  • Male Vocals: Warm and expressive delivery
  • Uptempo Flow: Supports pacing for emotional build
  • Lyric Themes: Dream, Strength, Success, Hope
  • Organic Instrumentation: Acoustic guitar, synth, and percussion blend

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Dream Big (Jackie’s Song)” offers emotional rise — OMR Music Production crafts lyrical clarity and compositional warmth for scenes of courage, tribute, or personal legacy.

Lyrics

VERSE 1 AT TWELVE, SHE ARRIVED, DREAMS IN HAND IN CANADA, SHE’D MAKE HER STAND FOREIGN GIRL, UNKNOWN WORLD WIDE-OPEN SKY, SHE’D LEARN TO FLY WINTER CAME, SO COLD AND WHITE SHE FOUND A STRENGTH, HER INNER FIGHT AS YEARS PASSED BY, SHE GREW UP STRONG IN THIS LAND WHERE SHE BELONGED CHORUS DREAM BIG, OH LITTLE ONE DREAM BIG IN THIS VAST PLACE DREAM BIG ITS THERE FOR YOU IN THE END, WIN THIS RACE DREAM BIG, OH LITTLE GIRL DREAM BIG, IN THIS BIG WORLD DREAM BIG, YOUR HEART UNFURLED IN YOUR DREAMS, CONQUER THE WORLD VERSE 2 WHERE DREAMS ARE, THEY’LL SOFTLY TREAD TRIALS AND SMILES, THEIR BOND WILL SPREAD SIDE BY SIDE, WE ARE ONE THROUGH DARK OF NIGHT TO THE RISING SUN SEASONS CHANGED AND LIFE MOVED ON SHE TOOK IT ALL AND KNEW SHE WON HER VOW TO RISE, HER HEART ABLAZE TOGETHER THEY’D DEFEAT THIS PLACE CHORUS BRIDGE WITH EVERY CHALLENGE, SHE FOUND HER WAY SYMPHONY OF HOPE IN THE LIGHT OF DAY ECHOES PAST A NEW SONG PLAYED IN THE LAND OF DREAMS, SHE DANCED AND SWAYED, DANCED AND SWAYED GUITAR SOLO CHORUS

Dreamer — Syd & I

Dreamer cover art

Dreamer
by Syd & I

A mesmerizing blend of electronic, soul, and subtle reggae textures, “Dreamer” floats through a cosmic, introspective space. With its midtempo pulse, dreamy synth beds, and a hypnotic female vocal, the track feels like drifting between realities—a perfect match for themes of identity, discovery, and the fire awakening inside a character who's finally seeing beyond the limits of their world.

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OMR Cue Map

OMR Cue Map

Track: Dreamer
Clean Intro: Yes (0:00 – soft tonal entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:36–1:20 / 1:45–2:12
Use Case: Emotional indie cue for longing, identity, and personal journey. Strong for reflective storytelling and character arcs.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Dreamer

Artist: Syd & I
Genre: Electronic, Reggae, Soul
Instruments: Bass, Drums, Percussion, Synth
Lyric Themes: Identity, Life, Energy, Time, Discovery
Mood: Atmospheric, Cool, Dreamy, Moody, Mysterious, Reflective, Rhythmic, Sexy
Tempo: Midtempo • BPM: 97 • Key: E Minor
Vocal: Female vocal • Type: One Stop

Track Summary

A celestial, dream-state journey where electronic pulses melt into soulful topline energy. “Dreamer” feels like slipping into another dimension—perfect for cosmic visuals, inner transformation, surreal sequences, and anything that blurs the line between the physical world and the imaginative one.

Sync Highlights

  • Ideal for dream sequences, slow-motion cosmic visuals, introspective montage
  • Mysterious, floating vocal tone works beautifully under narration and VO
  • Midtempo rhythmic pocket gives editors predictable structure
  • Lyrics revolve around wonder, inner fire, and discovery—highly usable for thematic sync

Sync Potential: Dreamer

“Dreamer” is built for any scene where the world expands. Whether the moment is cosmic, spiritual, psychological, or metaphorical, the track opens emotional space and heightens imagination.

  • Cosmic documentaries, astronomy visuals, portal/awakening scenes
  • YA and fantasy sequences where characters discover hidden abilities
  • Wellness, meditation, and breathwork brand campaigns
  • Surreal slow-motion visuals, neon dreamscapes, psychedelic transitions
  • Late-night reflection scenes, windows-open moments, rooftop stargazing
Track Narrative:
“Dreamer” begins in a quiet room at night, where strange lights in the sky hint at something greater. As the music opens up, so does the narrator’s inner universe—expanding into visions of time, gravity, and a newly awakened fire within. It’s a journey of identity and cosmic discovery, perfect for moments when a character finally sees the world—and themselves—clearly.
Lyrics: It's night and my window's open in the sky three small lights like fireflies and they circle and slide across my eyes Norish light with the candles flirting all my life's been nothing with this pain that's burning but tonight something in me's changing Would you like to see something? Would you really like to see it? What all this is meant to be So we race across time pulled by the gravity of one trillion suns Kaleidoscope out of body eyes wide open, a new spectrum and everything stops Snowlight but I see it all distinctly when born in the sky the three lights surrounding, taking a flight Here I am nothing, space in my mind What a sight, approaching like a sparrow life's path dropping fast pulling out my arrows, tingling through Now I know never made from my home So we race across time pulled by the gravity of one trillion suns Kaleidoscope out of body eyes wide open, the fire inside me The fire inside me
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumentals, vox-only, beat-only, or TV mixes.
Syd & I

Syd & I

Syd & I create sonic dreamscapes infused with soul, electronic movement, and emotionally charged storytelling. Their sound plays like a window into the subconscious—balancing intimacy, awe, and cosmic wonder.

Styles: Electronic, Soul, Indie • Strengths: Dream-state vocals, atmospheric production, thematic clarity • Typical Uses: Fantasy, sci-fi, YA, wellness visuals, cinematic dream sequences

Dreamin’ Dreamin’

Dreamin' Dreamin' cover art

Dreamin' Dreamin'
by Paul Reddick

Lush and evocative — “Dreamin’ Dreamin’” by Paul Reddick feat. The Sidemen floats through smoky blues and ambient dreamscape. Its harmonica-laced textures and lyrical pull set the mood for sync scenes of yearning, altered reality, or late-night wanderings where inner thoughts unfold like fog.

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OMR Cue Map

OMR Cue Map

Track: Dreamin’ Dreamin’
Clean Intro: Yes (0:00 – immediate groove entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10
Button Ending: Yes, resolved ending
Loopable: High
Best Loop Candidates: 0:20–0:40 / 0:30–0:50
Use Case: Retro, feel-good groove for nostalgia, lifestyle, and light storytelling. Strong for montage and upbeat character-driven scenes.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Dreamin’ Dreamin’

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 88
  • Energy: Midtempo
  • Genres: Blues, Funk, Soul
  • Vocals: Male
  • Moods: Moody, Reflective
  • Cinematic Fit: Art House, Coming-of-Age, Crime, Drama, Mystery, Romance, Thriller, Western
  • Lyric Themes: Dream, Longing, Loss, Love
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Paul Reddick & The Sidemen

Artists

  • Vocals & Harmonica: Paul Reddick
  • Acoustic & Electric Bass: Greg Marshak
  • Dobro, Electric Guitar, Mandolin, Harmony Vocals, 12-String Guitar: Colin Linden
  • Drums: Vince Maccarone
  • Electric Guitar, Steel Guitar, 12-String Guitar: Kyle Ferguson
  • Organ & Piano: Richard Bell

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Dreamin’ Dreamin’” by Paul Reddick is a moody, blues-infused track that evokes longing and introspection. With its soulful instrumentation and reflective tone, it’s a natural fit for scenes that explore emotional depth, personal struggle, or quiet revelation. The track’s organic textures and lyrical vulnerability make it ideal for cinematic storytelling.

Best Use Cases

  • Drama: Emotional tension, character solitude, reflective moments
  • Crime & Mystery: Noir sequences, investigative montages
  • Romance: Lost love, bittersweet memories
  • Western: Dusty landscapes, lone rider scenes
  • Art House: Abstract visuals, poetic transitions

Sync Appeal

  • One Stop: Streamlined licensing
  • Male Vocals: Raw and expressive
  • Midtempo Groove: Supports pacing for introspective scenes
  • Lyric Themes: Dream, Longing, Loss, Love
  • Authentic Blues Texture: Harmonica, dobro, and electric guitar

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Track Narrative:
“Dreamin’ Dreamin’” dissolves into mood — Paul Reddick feat. The Sidemen create syncable atmosphere for ethereal scenes, hazy introspection, or cinematic longing.

Lyrics

Oh the clouds are rollin rollin Gettin dizzy dizzy You know I'm gamblin gamblin I believe I'm losin losin Oh yeah I'm dreamin Oh yeah I'm dreamin The sky is ragged ragged Honey are you tellin tellin Can I hear you callin callin I believe I'm losin losin Oh yeah I'm dreamin Oh yeah I'm dreamin The one I'm lovin lovin I believe she leavin leavin This one I'm ridin ridin Oh the song I'm singin singin Oh yeah I'm dreamin Oh yeah I'm dreamin Oh yeah I'm dreamin Oh yeah I'm dreamin

Dreaming On Your Feet

Dreaming On Your Feet cover art

Dreaming On Your Feet
by Mattie Leon

Reflective and resilient — “Dreaming On Your Feet” by Mattie Leon is a heartfelt indie-pop anthem about perseverance and emotional growth. With shimmering guitars and uplifting vocals, it’s sync-ready for scenes of personal transformation, youthful adventure, or romantic introspection.

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OMR Cue Map

OMR Cue Map

Track: Dreaming on Your Feet
Clean Intro: Yes (0:00 – soft tonal entry with immediate emotional atmosphere)
Edit Points: 0:12 / 0:28 / 0:44 / 1:02 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40 / 3:00
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:28–1:02 / 1:20–2:00 / 2:00–2:40
Use Case: Dreamlike, emotionally fluid cue for introspective movement, memory-driven storytelling, and quiet transformation. Strong for montage, internal reflection, and scenes where the character is present physically but mentally elsewhere.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Track Narrative:
“Dreaming On Your Feet” is a cinematic indie-pop reflection on resilience and emotional growth. Mattie Leon’s vocals soar over shimmering guitars, capturing the spirit of pushing forward even when the path is uncertain.

Stem Tracks

Stream or download stem files for mixing, editing, or sync placement. Includes vocals, guitars, and bass.

Vocals Stem
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Lyrics

Dancing in your revelry It's like dreaming on your feet You're all I'll ever need When I close my eyes it's you and I we live and die together Oh there's something in the way you put your love on display With your body next to mine heart to heart keeping time You and I were born to dance together like embers over fire Dancing in your revelry It's like dreaming on your feet You're all I'll ever need When I close my eyes it's you and I we live and die together Oh don't let the morning come let's anchor down the rising sun Living one night at a time River dark Midnight shine You and I were born to dance together like embers over fire Dancing in your revelry It's like dreaming on your feet You're all I'll ever need When I close my eyes it's you and I we live and die together Oh the night is getting old grab your things let's get you home Maybe one more glass of wine one more dance in

Drinking Cacasha on Caraiva — HYP

Drinking Cacasha on Caraiva cover art

Drinking Cacasha on Caraiva
by HYP

“Drinking Cacasha on Caraiva” blends funk, rock, and soul into a breezy, coastal groove that feels like sunset energy and warm air in motion. Atmospheric and dreamy with a cool, reflective lift, the track carries a celebratory spirit without going over the top. A playful female vocal motif functions like a chant — rhythmic, memorable, and perfect for travel-forward scenes, connection moments, and carefree montage sequences.

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OMR Cue Map

OMR Cue Map

Track: Drinking Cachaça on Caraíva
Clean Intro: Yes (0:00 – immediate acoustic/percussive entry)
Edit Points: 0:14 / 0:30 / 0:48 / 1:10 / 1:34 / 2:00 / 2:28 / 2:55 / 3:22
Button Ending: Yes, resolved musical ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:10 / 1:34–2:00 / 2:28–2:55
Use Case: Warm, sun-soaked Brazilian cue for beach environments, travel, and relaxed lifestyle storytelling. Strong for coastal scenes, social moments, and montage built around escape, culture, and atmosphere.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Drinking Cacasha on Caraiva

Song Profile

  • Key Signature: E Minor
  • BPM: 95
  • Tempo: Midtempo
  • Genres: Funk, Rock, Soul
  • Vocals: Female vocal
  • Mood/Feel: Atmospheric, Cool, Dreamy, Hopeful, Reflective
  • Lyric Themes: Adventure, Celebration, Connection, Energy, Fun, Happiness, Unity
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Track Summary

“Drinking Cacasha on Caraiva” captures a sun-soaked, communal vibe with a funk-rock-soul groove that feels relaxed but alive. The chant-like female vocal motif acts as a rhythmic hook, creating a carefree, travel-ready identity that supports montages, beach-town sequences, and lifestyle storytelling where connection and celebration sit under a dreamy atmosphere.

Sync Highlights

  • Midtempo groove supports montage pacing and lifestyle visuals.
  • Vocal motif is catchy without dominating dialogue-driven scenes.
  • Funk-rock-soul blend feels warm, organic, and contemporary.
  • Great for travel, friendship, community, and celebration sequences.

Sync Potential: Drinking Cacasha on Caraiva

With its breezy groove, dreamy atmosphere, and chant-like vocal hook, “Drinking Cacasha on Caraiva” fits scenes rooted in togetherness, movement, and warm-location energy. It plays especially well in travel-forward storytelling, communal celebration, and reflective “good times” sequences.

Scene Types

  • Beach-town arrivals, sunset walks, and coastal establishing shots.
  • Friend-group montages: laughter, drinks, dancing, and shared moments.
  • Road trips, travel reels, and adventure sequences with a mellow pulse.
  • Hopeful reflection moments that still feel light and connected.

Film / TV Fit

  • Travel & Lifestyle Series
  • Coming-of-Age & Friendship Storylines
  • Feel-Good Comedy / Dramedy Montages
  • Brand Spots (summer, community, togetherness)

Why It Works

  • Atmospheric groove enhances visuals without overwhelming narrative.
  • Chant hook gives identity and memorability for short placements.
  • Warm instrumentation supports authentic, human connection scenes.
Track Narrative:
“Drinking Cacasha on Caraiva” feels like a shared memory unfolding in real time — the kind of night where the air is warm, the conversation is easy, and the moment stretches longer than expected. It balances celebration and reflection, capturing unity through rhythm and atmosphere rather than words.

Lyrics: Drinking Cacasha on Caraiva

pa pa ra pa pa pa pa ya pa ra pa pa ra pa ya pa ra da pa ra pa pa pa ya pa ra pa ya pa pa ra pa pa pa pa ya pa ra pa pa ra pa ya pa ra da pa ra pa pa pa ya pa ra pa ya
HYP

HYP

HYP blends contemporary groove, cinematic texture, and sync-ready structure across a range of styles from hip-hop and electronic to funk and soul. Their tracks are designed to support picture — balancing rhythm and atmosphere with clean, edit-friendly pacing.

Styles: Funk, Soul, Rock, Hip Hop / Rap • Strengths: Groove-forward energy, atmospheric tone, placement versatility • Typical Uses: Travel, Lifestyle, Friendship, Celebration, Montage Sequences

Dropping Anchors in Waters Uninvited

Dropping Anchors in Waters Uninvited cover art

Dropping Anchors in Waters Uninvited
by Radagast the Brown

Atmospheric and minimal, “Dropping Anchors in Waters Uninvited” moves with quiet weight and reflective stillness. Built from restrained synth textures and a steady ambient pulse, the track is ideal for slow-burn scenes, interior tension, memory, distance, and cinematic moments where the emotional current sits just below the surface.

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OMR Cue Map

OMR Cue Map

Track: Dropping Anchors in Waters Uninvited
Clean Intro: Yes (0:00 – immediate ambient tonal entry with minimal synth texture)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft ambient fade
Loopable: High
Best Loop Candidates: 0:32–1:20 / 1:20–2:08
Use Case: Minimal, reflective ambient cue centered on quiet tension, emotional distance, and slow-burn atmosphere. Strong for psychological interiors, unresolved transitions, lonely environments, and dialogue-friendly scenes where mood needs to carry the frame without overt melodic emphasis.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Ambient Composer • Electronic Minimalist • Cinematic Atmosphere

Radagast the Brown creates ambient and electronic works shaped around atmosphere, restraint, and emotional ambiguity. His compositions often function as cinematic environments rather than conventional songs, giving editors and supervisors flexible material for interior scenes, slow-burn transitions, and visually driven storytelling.

With an emphasis on minimal synth textures, reflective pacing, and tonal space, Radagast’s music is especially suited for psychological drama, speculative imagery, memory sequences, and scenes where subtle emotional pressure matters more than overt musical statement.

His instrumental catalog offers dialogue-friendly underscore with strong editorial flexibility, making it useful for supervisors seeking modern ambient cues that can support picture without crowding it.

Sync Pitch Sheet: Dropping Anchors in Waters Uninvited

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 129
  • Energy: Low–Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Dreamy, Minimal, Reflective
  • Cinematic Fit: Drama, Mystery, Thriller, Art House, Sci-Fi
  • Lyric Themes: —
  • Type: One Stop

Instrumentation

  • Synth
  • Ambient electronic textures
  • Minimal tonal movement

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Dropping Anchors in Waters Uninvited” is a restrained ambient electronic instrumental that provides emotional atmosphere without demanding attention. Its minimal synth palette and reflective tone make it highly useful for scenes where tension, memory, or uncertainty needs to sit beneath the visual narrative.

Ideal Sync Uses

  • Drama: Quiet emotional distance, unresolved transitions, interior conflict
  • Mystery: Slow-burn discovery, ambiguous movement, uncertain atmosphere
  • Thriller: Subtle unease, psychological pressure, restrained suspense
  • Sci-Fi: Isolation, vast spaces, futuristic stillness
  • Art House: Abstract movement, reflective pacing, visual contemplation

Scene Suggestions

  • Character alone in an unfamiliar environment
  • Slow visual transition between emotional states
  • Dreamlike montage or memory sequence
  • Dialogue scene requiring subtle tonal support
  • Opening or closing sequence with unresolved mood

Why It Works

  • Minimal instrumentation keeps it dialogue-friendly
  • Atmospheric texture supports visual storytelling without crowding the scene
  • Reflective tone allows emotional flexibility
  • Loopable structure gives editors practical placement options

Stem Tracks

Stem availability to be confirmed. Potential stem groupings may include synth bed, ambient texture, tonal pulse, and effects layer.

Track Narrative:
“Dropping Anchors in Waters Uninvited” feels like entering a place that was never meant to be disturbed. Its ambient synth textures move slowly and deliberately, creating a sense of emotional suspension and quiet unease. The track is built for scenes where the image carries the action and the music deepens the feeling — reflective, minimal, and subtly cinematic.

DUEL IN THE SUN — The Green Door

Duel in the Sun cover art

Duel in the Sun
by The Green Door

“Duel in the Sun” is a moody, atmospheric track built on emotional fracture, identity tension, and intimate conflict. Led by a female vocal and dreamlike phrasing, the song feels both fragile and confrontational — ideal for scenes where love, selfhood, and emotional confusion collide.

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OMR Cue Map

OMR Cue Map

Track: Duel in the Sun
Clean Intro: Yes (0:00 – sparse tonal entry with immediate tension)
Edit Points: 0:12 / 0:24 / 0:40 / 0:56 / 1:15 / 1:38 / 2:02 / 2:28 / 2:55 / 3:22
Button Ending: Yes, dramatic resolved ending
Loopable: Moderate
Best Loop Candidates: 0:24–0:56 / 1:15–1:38 / 2:02–2:28
Use Case: Cinematic tension cue for standoff, confrontation, and high-stakes moments. Strong for western-inspired scenes, dramatic build, and sequences driven by anticipation and conflict.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for atmosphere, emotional conflict, and visual storytelling.

For supervisors, the appeal is immediate: strong emotional tone, female vocal character, and a natural fit for scenes involving fractured intimacy, identity tension, and dreamlike emotional instability.

Sync Pitch Sheet: Duel in the Sun

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 95
  • Energy: Moderate
  • Genres: Indie, Punk, Rock
  • Vocals: Female Vocal
  • Moods: Atmospheric, Dreamy, Moody, Reflective
  • Lyric Themes: Heartbreak, Identity, Love, Strength, Struggle
  • Cinematic Fit: Drama, Indie, Romance, Mystery
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

Duel in the Sun is a dreamy, emotionally charged track built around love, identity fracture, and psychological tension. Its female vocal and shifting lyrical perspective make it especially effective for intimate conflict, unstable relationships, and scenes where emotional truth feels blurred or doubled.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Duel in the Sun is built for scenes of fractured intimacy, emotional projection, and unstable identity. Its dreamlike female vocal and inward lyrical tension make it especially effective for psychologically charged relationships, difficult closeness, and moments where tenderness and threat coexist.

Ideal Sync Uses

  • Drama: Relationship fracture, emotional confusion, inner conflict
  • Indie: Dream-state intimacy, psychologically layered character scenes
  • Romance: Troubled closeness, desire mixed with instability
  • Mystery: Identity doubling, emotional unease, unstable perception

Scene Suggestions

  • Intimate scene where emotional truth is shifting or unclear
  • Character confrontation framed through memory or psychological overlap
  • Dreamlike montage built around identity confusion and attraction
  • Slow, tense exchange where vulnerability and danger blur together

Why It Works

  • Female vocal adds emotional nuance and distinct character
  • Dreamy mood supports layered, internal storytelling
  • Moderate pace gives space for performance and dialogue
  • Lyrical ambiguity creates strong sync value for psychologically complex scenes
Stem Tracks:
Available upon request.
Track Narrative:
“Duel in the Sun” feels like standing inside someone else’s emotional weather. It moves through intimacy, doubt, and self-fracture with a dreamlike pull, making it ideal for scenes where love and identity are no longer easy to separate.
Lyrics:
In your heart, in your room
In the hollows of your eyes
Come come ahead, it's all in our heads
In the shadows of your world

When I'm held up in your house
Don't go ahead, turn on you
On you
In the hollows of your eyes

In your eyes
Holding you, someone who is true
In your eyes
Not you

You're an angel in your heart
There's a demon in your mind
Don't go ahead, who are you?

Like we're crawling on the ground
And the sun is in the sky
Don't go ahead, it's on you
On you

Don't fall, come on in
Don't fall ahead
Who are you?
Don't fall
Don't fall ahead
I'm not you, in your head

In your eyes
Holding you, they are all of you
In your eyes
I am you.

Dull — Fake Your Own Death

Dull cover art

Dull
by Fake Your Own Death

“Dull” blends post-punk grit with reflective, moody lyricism — a slow-burn rock track that pairs emotional weight with an undercurrent of restless momentum. Its steady pulse, atmospheric guitars, and inward-looking narrative make it a strong fit for scenes of self-reflection, change, or quiet emotional conflict.

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OMR Cue Map

OMR Cue Map

Track: Dull
Clean Intro: Yes (0:00 – minimal tonal entry)
Edit Points: 0:18 / 0:36 / 0:58 / 1:20 / 1:45 / 2:12 / 2:40
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:36–1:20 / 1:45–2:12
Use Case: Subdued, minimal cue for emotional flatness, detachment, and quiet tension. Strong for introspective scenes, dialogue-heavy moments, and understated storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Dull

Song Profile

  • Key Signature: G Major
  • BPM: 90
  • Tempo: Midtempo
  • Genres: Metal, Punk, Rock
  • Vocals: Male vocal
  • Mood/Feel: Confident, Hopeful, Moody, Positive, Powerful, Reflective, Uplifting
  • Lyric Themes: Celebration, Life, Love, Success, Time
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Track Summary

“Dull” carries a moody, midtempo pulse that blends introspection with a subtle sense of uplift. Its gritty emotional tone and poetic lyrics create an atmosphere of restless self-awareness — ideal for scenes exploring personal struggle, late-night contemplation, or quiet breakthroughs.

Sync Highlights

  • Perfect for narrative drama, character-driven storytelling, and introspective sequences.
  • Moody atmosphere sits well under dialogue or slow-motion montage.
  • Lyrics about life, time, and emotional fatigue support thematic storytelling.
  • Rock edge provides texture without overwhelming the scene.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Dull

With its reflective lyrics and moody alt-rock weight, “Dull” sits comfortably in scenes centered on internal conflict, emotional crossroads, or the quiet exhaustion of everyday life. The track’s steady beat and evocative vocal delivery give editors a strong backbone for visually introspective moments.

Scene Types

  • Late-night thinking, driving, or wandering sequences.
  • Emotional montage—processing, reflecting, or re-centering.
  • Indie drama shots requiring poetic realism.
  • Character studies exploring burnout or renewal.

Film/TV Fit

  • Drama
  • Indie
  • Mystery
  • Thriller
  • Video Game (narrative / indie titles)

Why It Works

  • Emotionally complex without being overwhelming.
  • Lyrics support themes of time, confusion, and searching.
  • Rock energy adds weight but stays controlled.
  • Midtempo pacing works for dialogue-light sequences.
Track Narrative:
“Dull” follows a narrator wrestling with stagnation, self-doubt, and the slow erosion of meaning — yet refusing to give in. Beneath the cynicism and blurred nights lies a drive to keep moving forward. The song captures the messy middle between who someone is and who they want to be.

Lyrics: Dull

So forget to speak we forget to run silent to conceive would you just watch me stumble to the bar When everything seems dull Do you watch the numbers all pile up? Do you wonder where I go when I don't answer the phone? and your eyes roll like a clown But I celebrate you You'll learn just how to learn you're better than me But I'll see through your concern I can't break free and I'll never give it up Never give it up Life is too dull to fall in love Time is a balloon I wanna be everywhere and everyone never wake up and it's poetry to always be a drunk You laugh at me but the joke is all of us There's nothing but stories and stories are stories Use it up, swallow up Then I'll celebrate you You'll learn just how to learn You're better than me but I'll see through your concern You won't break me and I'll never give it up She's sitting there her mind is just a whirl She's full of madness She's a complicated girl She offers me a sip and says follow me To the end of the world.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Fake Your Own Death

Fake Your Own Death

Fake Your Own Death delivers dark-edged, cinematic post-punk built for atmosphere-heavy storytelling. Their music blends brooding guitars, hypnotic rhythms, and emotionally introspective lyrics, creating soundscapes that elevate scenes of tension, isolation, late-night reflection, and psychological unraveling.

With tracks that explore themes of identity, time, disconnection, and emotional survival, the band offers editors and directors a powerful palette for dramas, thrillers, indie features, and character-driven series. Their sound is immersive — moody without becoming murky, energetic without overpowering — making it a natural fit for modern cinematic work.

Styles: Post-Punk, Rock, Indie • Strengths: Moody atmosphere, lyrical depth, cinematic edge • Typical Uses: Drama, Thriller, Indie Film, Mystery, Late-Night Sequences, Character Arcs

Dusk

Dusk cover art

Dusk
by Lucian Kano Balmer

Warm, uplifting, and gently reflective, “Dusk” blends folk–world strings, soft bass, light percussion, and inviting keyboard harmonies into a glowing end-of-day cue. It carries the emotional ease of golden hour: a sense of calm possibility, renewed clarity, and the soft optimism that arrives just before night settles in.

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OMR Cue Map

OMR Cue Map

Track: Dusk
Clean Intro: Yes (0:00 – atmospheric entry with gradual tonal build)
Edit Points: 0:16 / 0:32 / 0:52 / 1:12 / 1:36 / 2:00 / 2:28 / 2:55
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:32–1:12 / 1:36–2:00 / 2:28–2:55
Use Case: Atmospheric transitional cue for day-to-night movement, emotional shifts, and cinematic pacing. Strong for montage, scene transitions, and reflective visual storytelling.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Lucian Kano Balmer

Lucian Kano Balmer — Violinist • Composer

Lucian Kano Balmer writes expressive, melody-forward instrumentals that blend folk, classical, and world influences into emotionally nuanced soundscapes. His music centers on warmth, reflection, and lyrical phrasing — ideal for narrative film and television.

Known for his intimate violin tone and organic ensemble textures, Balmer’s compositions illuminate character arcs, memory, and understated transformation on screen.

Sync Pitch Sheet: Dusk

Song Profile

  • Key Signature: D Minor
  • BPM: 106
  • Energy: Midtempo
  • Genres: Folk, World
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Uplifting, Positive, Reflective
  • Type: One Stop

Instrumentation

  • Strings with warm lyrical motion
  • Soft bass foundation
  • Gentle percussion for pacing
  • Light keyboard textures for glow and resonance

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Full Track

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

A warm, midtempo cue with romantic and reflective brightness, “Dusk” is ideal for sequences that sit at the crossroads of transition — the end of a good day, a quiet emotional shift, or the moment a character steps into something new with optimism.

Scene Types

  • Golden-hour montage or evening wind-down
  • Quiet romantic moments or soft reunions
  • Reflective character transitions
  • Light, hopeful travel or movement sequences

Film/TV Fit

  • Romance
  • Drama
  • Coming-of-Age
  • Art House / Indie

Why It Works

  • 106 BPM gives editors rhythmic ease and natural pacing
  • Instrumental palette keeps dialogue unobstructed
  • Romantic + uplifting tone is highly sync-friendly
  • Folk/World colors feel warm, human, and cinematic
Track Narrative:
“Dusk” moves like a quiet emotional exhale — a gentle, glowing moment where the world softens and a character finds peace, clarity, or renewed optimism. Warm strings and steady rhythm make it ideal for closing arcs, reflective transitions, or scenes where something heartfelt settles in.
Instrumental Notes:
Fully instrumental — no lyrical or vocal components. Clear melodic phrasing supports emotional storytelling without competing with VO or dialogue.

Stem Tracks

Contact OMR for available stems (strings, percussion, keyboards, bass, and full mix).

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