• HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — C

Experience cinematic tracks beginning with the letter C — crafted to underscore emotion, elevate narrative, and deliver sync-ready depth. From contemplative compositions to captivating crescendos, each piece is primed for screen moments and storytelling.

← Back to Main Catalog

Cab

Cab cover art

Cab
by Samuel Williams

Funky and fluid — “Cab” is a groove-forward instrumental that blends jazz phrasing with urban motion. Samuel Williams delivers sync-ready energy through keys, rhythm, and melodic swagger, ideal for scenes of nightlife, travel, or stylish confidence.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cab
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Atmospheric, understated cue for urban movement, late-night tone, and introspection. Strong for city scenes, transitions, and moments of quiet observation.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • SaMantics Creator

Samuel Williams is a Toronto-based bassist and composer whose musical vision blends jazz, soul, and spoken word into a genre-bending experience. As the creative force behind SaMantics, Williams explores themes of identity, resilience, and social consciousness through groove-driven compositions and poetic storytelling.

A fixture in Canada’s jazz and indie scenes, Williams has performed at major festivals including the Toronto Jazz Festival and The Rex, earning acclaim for his expressive playing and innovative arrangements. His music is both introspective and outward-looking, inviting listeners into a space of reflection and rhythm.

Williams is also a collaborator and educator, working with emerging artists and community programs to foster creative growth. His work bridges generations and genres, offering a fresh voice rooted in tradition but unafraid to challenge convention.

With SaMantics and beyond, Samuel Williams continues to shape a musical narrative that is bold, honest, and deeply human.

Sync Pitch Sheet: Cab

🎶 Song Profile

  • Key Signature: Bb Minor
  • Beats Per Minute: 75
  • Energy Level: Low - Medium
  • Genre: Funk, Jazz, Party, Rock, Soul
  • Vocal Genre: Instrumental
  • Instrumental Solos: Bass, Electric Guitar, Drums
  • Moods: Dramatic, Energetic, Happy, Reflective, Tense, Upbeat
  • Cinematic Fit: Drama, Fantasy, Romance, Thriller

🎛️ Song Production Details

  • Executive Producer: Samuel Williams
  • Music Composition: Samuel Williams
  • Arrangement: Samuel Williams
  • Recording: Samuel Williams
  • Mixing & Mastering: Samuel Williams

🎸 Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion

📌 Sync Tags

  • Genre: Party, Jazz, Funk, Rock, Soul
  • Mood/Feel: Reflective, Tension, Uplifting
  • Tempo: Midtempo
  • Type: One Stop
  • Vocals: Instrumental

📞 Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cab

Funky and fluid — “Cab” is a groove-forward instrumental that blends jazz phrasing with urban motion. Samuel Williams delivers sync-ready energy through keys, rhythm, and melodic swagger, ideal for scenes of nightlife, travel, or stylish confidence.

🎯 Ideal Sync Uses

  • Nightlife sequences or city transitions
  • Stylish intros or fashion montages
  • Romantic strolls or reflective travel scenes
  • Fantasy or thriller moments with rhythmic tension
  • Drama with emotional undertones and groove

🎵 Why It Works

  • Genre: Funk, Jazz, Party, Rock, Soul
  • Instrumentation: Bass, Drums, Electric Guitar, Horns, Percussion
  • Vocal Style: Instrumental
  • Mood: Reflective, Tense, Uplifting
  • Tempo: Midtempo (75 BPM)
  • Energy: Low to Medium
  • Sync Flexibility: Drama, Fantasy, Romance, Thriller

📞 Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Cab” cruises with groove and grit — Samuel Williams blends jazz textures with rhythmic swagger to create a sync-ready instrumental perfect for urban motion, stylish intros, or late-night transitions.

Calmplexities

Calmplexities cover art

Calmplexities
by HYP

“Calmplexities” unfolds at 88 BPM in A# minor, delivering a restrained cinematic groove built on subtle motion and tonal depth. Layered textures and steady pacing support scenes driven by internal tension, contemplation, and emotional nuance—reinforcing narrative without competing with dialogue or visual focus.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Calmplexities
Clean Intro: Yes (0:00 – soft ambient/tonal entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Subtle, atmospheric cue for introspection, emotional nuance, and quiet complexity. Strong for dialogue beds, reflective scenes, and moments that require depth without distraction.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Instrumental Notes:
Fully instrumental and one-stop, “Calmplexities” offers a cinematic midtempo underscore defined by restraint, depth, and editorial flexibility—ideal for introspective storytelling, investigative pacing, and emotionally layered scenes under picture.

Calzada & D

Calzada & D cover art

Calzada & D
by Carlos Miyares

Sophisticated and syncopated — “Calzada & D” is a jazz instrumental that blends Cuban phrasing with cinematic elegance. Carlos Miyares delivers a moody, sync-ready composition ideal for scenes of reflection, sophistication, or emotional depth.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Calzada D
Clean Intro: Yes (0:00 – immediate jazz/latin instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Smooth, rhythm-driven cue for urban culture, movement, and stylish atmosphere. Strong for montage, city scenes, and sequences that blend sophistication with groove.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Calzada & D

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 56
  • Energy Level: Low
  • Genre: Ballad, Jazz, World
  • Vocal Genre: Instrumental
  • Instrumental Solos: Drums, Piano, Saxophone
  • Moods: Bright, Carefree, Chill, Confident, Cool, Dramatic, Dreamy, Light, Positive, Quirky, Reflective, Retro, Romantic, Warm
  • Cinematic Fit: Adventure, Comedy, Drama, Mystery, Romance

Production Details

  • Composer: Carlos Miyares
  • Arrangement: Carlos Miyares
  • Direction & Production: Chucho Valdés & Carlos Miyares
  • Executive Producer: Maya Maria Garcia
  • Recording, Mixing & Mastering: Ing. Orestes Aguila
  • Production Assistant: Yoanys Perez
  • Recording Assistants: Rebeca Alderete Bauta & Onel Cuellar Jimenez

Instrumentation

  • Tenor Sax: Carlos Miyares
  • Double Bass: Lázaro Rivero Alarcón “Fino”
  • Piano: Tony Rodríguez
  • Drums: Oliver Valdés Rey
  • Percussion: Yaroldy Abreu Rubles

Sync Tags

  • Genre: Jazz, World
  • Instrument: Horns, Saxophone
  • Mood/Feel: Carefree, Romantic, Bright, Confident, Cool, Warm, Dreamy, Light, Positive, Quirky, Reflective, Retro
  • Tempo: Midtempo
  • Type: One Stop
  • Vocals: Instrumental

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Calzada & D

Sophisticated and syncopated — “Calzada & D” is a jazz instrumental that blends Cuban phrasing with cinematic elegance. Carlos Miyares delivers a moody, sync-ready composition ideal for scenes of reflection, sophistication, or emotional depth.

Ideal Sync Uses

  • Romantic or reflective moments in drama or mystery
  • Stylized travel sequences or cultural montages
  • Retro or vintage-themed visuals
  • Adventure scenes with emotional nuance
  • Comedic interludes with a warm, quirky tone

Why It Works

  • Genre: Ballad, Jazz, World
  • Instrumentation: Horns, Saxophone
  • Vocal Style: Instrumental
  • Mood: Carefree, Romantic, Bright, Confident, Cool, Warm, Dreamy, Light, Positive, Quirky, Reflective, Retro
  • Tempo: Midtempo (56 BPM)
  • Energy: Low
  • Sync Flexibility: Adventure, Comedy, Drama, Mystery, Romance

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Calzada & D” is a jazz meditation — a saxophone-led instrumental that flows with Cuban phrasing and emotional nuance. Carlos Miyares delivers a sync-ready composition full of sophistication and cinematic depth, ideal for scenes of introspection, elegance, or cultural resonance.

Campfire Stargaze

Campfire Stargaze cover art

Campfire Stargaze
by HYP

“Campfire Stargaze” moves at 85 BPM in Eb major, blending a calm pulse with warm, cinematic atmosphere. Its open harmonic space and gentle forward motion make it ideal for reflective scenes, night-sky visuals, and transition sequences—supporting dialogue and storytelling while letting the picture breathe.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Campfire Stargaze (Sync Version)
Clean Intro: Yes (0:00 – soft acoustic/melodic entry)
Edit Points: 0:09 / 0:18 / 0:27 / 0:36 / 0:45 / 0:54 / 1:03 / 1:12
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:09–0:27 / 0:18–0:36 / 0:36–0:54
Use Case: Warm, intimate cue for connection, nostalgia, and quiet reflection. Strong for outdoor scenes, friendship moments, and sequences that evoke calm and emotional closeness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP creates groove-forward instrumentals that balance rhythmic motion and cinematic space. His productions emphasize clarity, warmth, and editorial flexibility—supporting visuals while leaving room for dialogue and sound design.

“Campfire Stargaze” leans into this aesthetic with a calm pulse and open, luminous harmony—built for reflective scenes and atmospheric pacing under picture.

Sync Pitch Sheet: Campfire Stargaze

Song Profile

  • Key Signature: Eb Major
  • BPM: 85
  • Energy: Midtempo (calm, steady motion)
  • Genres: Cinematic underscore, electronic
  • Vocals: Instrumental
  • Moods: Warm, Atmospheric, Reflective, Calm, Luminous
  • Lyric Themes: N/A (Instrumental)
  • Type: One Stop

Instrumentation

  • Rhythmic foundation (steady pulse)
  • Harmonic bed (major-key warmth)
  • Textural layers (cinematic atmosphere)

Audio Preview

Sync Potential

“Campfire Stargaze” provides warm, spacious motion ideal for scenes that emphasize atmosphere, connection, and reflective pacing without dramatic intensity.

Scene Types

  • Night-sky, campfire, or quiet outdoor visuals
  • Character reflection and emotional processing
  • Scenic transitions and establishing shots
  • Travel or “moving through place” montages
  • Dialogue-forward scenes needing gentle support

Why It Works

  • 85 BPM supports relaxed pacing and smooth editorial flow.
  • Eb major tonality adds warmth and uplift without becoming “pop.”
  • Open arrangement leaves room for dialogue and sound design.
  • Cinematic restraint keeps focus on picture while reinforcing mood.
Track Narrative:
“Campfire Stargaze” feels like quiet warmth under a wide sky—steady, luminous, and cinematically calm.
Instrumental Notes:
Fully instrumental and one-stop, “Campfire Stargaze” offers a warm, spacious underscore with gentle momentum—ideal for reflective scenes, scenic pacing, and dialogue-friendly atmosphere under picture.

Stem Tracks

Contact OMR for available stems (rhythmic foundation, harmonic layers, atmospheric textures, full mix) and custom edit requests for trailers, promos, and project-specific versions.

Canción Bonita — IndiviDuo

Canción Bonita cover art

Canción Bonita
by IndiviDuo

An uptempo, warm Country–Pop–Singer/Songwriter track about the search for the “beautiful song” that can move someone to tears. “Canción Bonita” follows a writer hunting inspiration in alleyways, guitar strings, and late afternoon light, blending acoustic guitar, rhythm section, and heartfelt vocal into a bright, reflective groove. It’s tailor-made for creative-process stories, romance, and scenes where music itself is the bridge between hearts.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Canción Bonita
Clean Intro: Yes (0:00 – immediate melodic/vocal entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18
Use Case: Warm, romantic Latin cue for connection, joy, and emotional uplift. Strong for travel, romance, and scenes that celebrate intimacy and atmosphere.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Canción Bonita

Song Profile

  • Key Signature: A Minor
  • BPM: 118
  • Tempo: Uptempo
  • Genres: Country, Pop, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Bright, Quirky, Reflective, Warm
  • Lyric Themes: Connection, Creativity, Inspiration
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

“Canción Bonita” is an uptempo ode to songwriting and emotional connection. The narrator roams alleyways, chases inspiration in the wind, and digs through the “drawer of thoughts” to find a song that will move someone deeply. The track combines rhythmic acoustic guitar, warm groove, and an earnest vocal to celebrate the intimate bond between artist, muse, and listener.

Sync Highlights

  • Perfect for scenes featuring musicians, writers, and creative process arcs.
  • Great for romantic or nostalgic moments where a song becomes “your song.”
  • Uptempo feel gives editors energy while the lyric keeps it thoughtful and emotional.
  • Works as both source music (performance, rehearsal) and non-diegetic underscore.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Canción Bonita

This track is especially strong wherever music, creativity, or emotional expression are central to the story. It’s a natural fit for arcs about finding one’s voice, writing the “one song” that matters, or using music to bridge distance between two people.

Scene Types

  • Songwriting and studio sequences, performance rehearsals, creative montages.
  • Romantic scenes where a character writes or plays a song for someone special.
  • City-walk montages, alleyway strolls, and “searching for inspiration” visuals.
  • Coming-of-age arcs where an artist discovers their sound or their audience.

Film/TV Fit

  • Romance & Romantic Dramedy
  • Music-driven series and films
  • Coming-of-Age
  • Drama / Indie features

Why It Works

  • Directly references songwriting, melodies, and poetic inspiration—very on-the-nose for music stories.
  • Warm, upbeat feel keeps emotional scenes light but meaningful.
  • Spanish lyric adds cultural and tonal specificity while remaining highly relatable.
Track Narrative:
“Canción Bonita” follows a songwriter determined to craft a song that truly reaches someone’s heart. She wanders through alleyways, listens to the wind, and digs into her own memories and sensations until words and chords finally come together. The song becomes both a love letter and an invitation into a private world of illusions, feelings, and melody — a reminder that the right song can carry someone somewhere they’ve never been.

Lyrics: Canción Bonita

Aunque me lleve tiempo, lo intentaré Tal vez nada vuelva a ser igual Frases de puño y letra escribiré y una melodía nacerá Hará que te emociones y tal vez te haga llorar a un mundo de ilusiones, yo te quiero llevar Y busco inspiración en callejones y canto hasta sentirte más cerquita y encuentro en el rincón de mis sensaciones una canción bonita Acordes y poesía convivirán La música es a veces soledad Las cuerdas de mi guitarra revelarán el ritmo que se esconde en la ciudad Hará que te emociones y tal vez te haga llorar a un mundo de ilusiones, yo te quiero llevar Y busco inspiración en callejones y canto hasta sentirte más cerquita y encuentro en el rincón de mis sensaciones una canción bonita ay ay ay ay ay ay y busco inspiración en callejones y canto hasta sentirte más cerquita y encuentro en el rincón de mis sensaciones una canción bonita Y busco poesías en el viento, suspiro hasta que cae la tardecita y saco del cajón de mis pensamientos una canción bonita y saco del cajón de mis pensamientos una canción bonita.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Country, and Pop influences into cinematic, story-driven songs. Their music often centers on connection, distance, creativity, and emotional transformation, carried by warm arrangements and expressive vocals.

From intimate ballads to rhythmically driven, uptempo tracks like “Canción Bonita,” their catalog works across romance, drama, and coming-of-age narratives, especially where music and emotion intersect on screen.

Styles: Latin Pop, Country-inflected Singer/Songwriter • Strengths: Emotional storytelling, melodic hooks, cinematic acoustic textures • Typical Uses: Romance, Dramedy, Coming-of-Age, music and creative-process stories

Can't Wait to Find Out

Can't Wait to Find Out cover art

Can't Wait to Find Out
by Mattie Leon

Tender and uplifting — “Can’t Wait to Find Out” charts the vulnerability of new love through lyrical wonder and emotive folk-pop delivery. Mattie Leon blends hopeful tone and sincere phrasing, perfect for sync scenes of romantic possibility, first steps into intimacy, or joyful rediscovery of connection.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Can’t Wait to Find Out
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, light resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Bright, curious vocal cue for discovery, anticipation, and forward motion. Strong for montage, character exploration, and scenes driven by curiosity and optimism.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Can't Wait to Find Out

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 132
  • Energy Level: Up-tempo
  • Genre: Indie, Punk
  • Vocals: Male
  • Moods: Bright, Moody, Positive, Reflective, Upbeat, Uplifting
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
  • Lyric Themes: Fear, Hope, Identity, Life, Love

Production Details

  • Words & Music: Mattie Leon
  • Produced by: Mattie Leon
  • Mixed by: Josh Bowman
  • Mastered by: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums

Sync Tags

  • Genre: Indie
  • Instrument: Acoustic Guitar, Bass, Drums, Electric Guitar
  • Lyric Themes: Hope, Identity, Life, Love, Fear
  • Mood/Feel: Bright, Upbeat, Uplifting, Moody, Positive, Reflective
  • Tempo: Uptempo
  • Type: One Stop
  • Vocals: Male Vocal

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Can't Wait to Find Out

“Can’t Wait to Find Out” is a lyrical embrace — Mattie Leon captures the wonder and uncertainty of new love with poetic phrasing and melodic warmth. A sync-ready ballad for scenes of romantic discovery, emotional vulnerability, or heartfelt connection.

Ideal Sync Uses

  • Coming-of-age moments or emotional breakthroughs
  • Romantic scenes with heartfelt dialogue
  • Indie drama transitions or reflective montages
  • Opening or closing credits with lyrical resonance
  • Scenes exploring identity, hope, or personal growth

Why It Works

  • Genre: Indie, Punk
  • Instrumentation: Acoustic Guitar, Electric Guitar, Bass, Drums
  • Vocal Style: Male Vocal
  • Mood: Bright, Moody, Positive, Reflective, Upbeat, Uplifting
  • Tempo: Uptempo (132 BPM)
  • Energy: High
  • Lyric Themes: Fear, Hope, Identity, Life, Love
  • Sync Flexibility: Coming-of-Age, Drama, Indie, Romance

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Can’t Wait to Find Out” is a lyrical embrace — Mattie Leon captures the wonder and uncertainty of new love with poetic phrasing and melodic warmth. A sync-ready ballad for scenes of romantic discovery, emotional vulnerability, or heartfelt connection.

🎤 Lyrics

Don't think about the hours they'll be racing away Just be there in the moment Knowing that you'll never get it back again Thrown into the fire and you'll make some mistakes but they'll be the only thing you're sure that was right right till your dying day You'll learn what love is all about Maybe you're just Just what I need Maybe you're the best thing that happens to me I can't wait to find out I'm giving this love all that I've got Is there more room in this heart than I thought? I can't wait to find out Oh man your life is over with a wink and a gun but later when it's quiet he whispers in my ear "Your life has just begun" I don't know how to take it I don't know what to say I can barely take care of myself So of course I'm afraid To learn what love is all about Maybe you're just Just what I need Maybe you're the best thing that happens to me I can't wait to find out I'm giving this love all that I've got Is there more room in this heart than I thought? I can't wait to find out Will I love you like I've been loved? Hope that I can always give you enough Will I love you like I've been loved? Hope that I can always give you enough

Can't Hide the Lonely

Can't Hide the Lonely cover art

Can't Hide the Lonely
by Mattie Leon

Raw and emotionally charged — “Can’t Hide the Lonely” by Mattie Leon dives into heartbreak and the quiet persistence of solitude. Intimate vocals and sparse arrangement suit sync scenes of relationship fallout, internal struggle, or soul-baring reflection with cinematic vulnerability.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Can’t Hide the Lonely
Clean Intro: Yes (0:00 – immediate vocal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45
Use Case: Emotional, introspective vocal cue for isolation, vulnerability, and inner conflict. Strong for character-driven drama, reflective scenes, and moments of emotional exposure.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Can't Hide the Lonely

Song Profile

  • Key Signature: Eb Minor
  • Beats Per Minute: 87
  • Energy Level: Midtempo
  • Genre: Country, Indie
  • Vocals: Male
  • Moods: Positive, Reflective, Upbeat
  • Cinematic Fit: Art House, Drama, Indie, Romance
  • Lyric Themes: Loneliness

Production Details

  • Words & Music: Mattie Leon
  • Produced & Mixed by: Mattie Leon
  • Mastered by: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Sync Tags

  • Genre: Country, Indie
  • Instrument: Acoustic Guitar, Bass, Drums, Electric Guitar, Percussion
  • Lyric Themes: Loneliness
  • Mood/Feel: Upbeat, Positive, Reflective
  • Tempo: Midtempo
  • Type: One Stop
  • Vocals: Male Vocal

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Can't Hide the Lonely

“Can’t Hide the Lonely” carries the emotional gravity of heartbreak and interior ache. Mattie Leon’s vocal delivery is unguarded and evocative, making the track ideal for sync scenes of relationship unraveling, personal reckoning, or emotional solitude.

Ideal Sync Uses

  • Breakup scenes or emotional turning points
  • Indie drama with themes of isolation or vulnerability
  • Romantic tension or unresolved longing
  • Art house visuals with lyrical introspection
  • Montages exploring loneliness or personal growth

Why It Works

  • Genre: Country, Indie
  • Instrumentation: Acoustic Guitar, Electric Guitar, Bass, Drums, Percussion
  • Vocal Style: Male Vocal
  • Mood: Positive, Reflective, Upbeat
  • Tempo: Midtempo (87 BPM)
  • Energy: Moderate
  • Lyric Themes: Loneliness
  • Sync Flexibility: Art House, Drama, Indie, Romance

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Can’t Hide the Lonely” carries the emotional gravity of heartbreak and interior ache. Mattie Leon’s vocal delivery is unguarded and evocative, making the track ideal for sync scenes of relationship unraveling, personal reckoning, or emotional solitude.

Lyrics

If I’m still here dipping into wine Talking about her on a Sunday night I’m lonely Probably lonely If I’m still here saying "I’m fine You don’t need to worry about me all the time” I’m lonely Probably lonely She moved on the minute that she walked away And everybody’s worried about me You can hold a smile for a couple frames But you can’t hide the lonely If you reach out at 3AM and I get back before the message ends I’m lonely Probably lonely It’s a little too loud Say it again Tell me how good being single is I’m lonely Oh ya I’m lonely She moved on the minute that she walked away And everybody’s worried about me You can hold a smile for a couple frames But you can’t hide the lonely And if I ever try to tell you that I’ve found Someone new that does it for me now I’m just trying to keep her name out of my mouth We both know She moved on the minute that she walked away And everybody’s worried about me You can hold a smile for a couple frames But you can’t hide the lonely

Cantor — IndiviDuo

Cantor cover art

Cantor
by IndiviDuo

A midtempo, retro-tinged Funk–Reggae groove about heartbreak, escape, and the healing pull of music. “Cantor” finds the narrator at the bar asking for another song and another rum to drown the pain, while she dances alone under the moon and he burns his sorrows under the sun. Horns, guitars, and a laid-back rhythm section keep the mood upbeat and quirky, even as the lyric admits that when she left, the color drained from life in Lisbon and Paris.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Cantor
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Atmospheric, reflective cue for introspection, spiritual tone, and emotional depth. Strong for cinematic transitions, contemplative scenes, and moments of quiet resonance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Cantor

Song Profile

  • Key Signature: A Major
  • BPM: 97
  • Tempo: Midtempo
  • Genres: Funk, Reggae
  • Vocals: Male & Female Vocals
  • Mood/Feel: Fun, Happy, Positive, Quirky, Retro, Upbeat
  • Lyric Themes: Heartbreak, Loss, Love, Regret, Time
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Horns
  • Percussion
  • Synth

Track Summary

“Cantor” tells the story of someone nursing heartbreak at the bar, asking the singer (“cantor”) for another song and a little more rum to numb the pain. While she dances alone under the moon, he burns his sorrows under the sun, repeating a simple plea: “dame tu corazón, cariño mío.” When she left, the color drained from his world, turning days in Lisbon and Paris gray. The groove stays warm and playful, giving editors a rare blend of emotional loss and feel-good, retro rhythm.

Sync Highlights

  • Great for bar, cantina, or beach-side scenes where characters drink, dance, and process heartbreak.
  • Works for sequences that balance sadness with humor or resilience—someone hurting, but still moving.
  • Funk–Reggae pocket with horns and guitars feels lively while the lyric carries emotional depth.
  • References to Lisbon, Paris, sun, and moon provide visual hooks for travel and memory-based storytelling.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cantor

This track is ideal for scenes where heartbreak is present but the tone stays warm, social, and slightly humorous: late-night bars, locals dancing, drinks flowing, and someone trying to forget. The contrast between upbeat groove and bittersweet lyric makes it highly flexible for dramedy and character-driven romance.

Scene Types

  • Bar, cantina, or small-club scenes with live music and dancing.
  • Montages of someone traveling or drifting through cities after a breakup.
  • Sunset or beach-party sequences where a character is outwardly festive but inwardly hurting.
  • Moments where a character asks the band for “one more song” to avoid going home.

Film/TV Fit

  • Drama / Dramedy
  • Romance
  • Indie & Art House
  • Travel, destination, and festival-set stories

Why It Works

  • Juxtaposes emotional heartbreak with a fun, retro, danceable groove.
  • Visually rich references (moon, sun, Lisbon, Paris) support location-based storytelling.
  • Conversational call for another song and more rum plays naturally as an in-world source cue.
Track Narrative:
“Cantor” opens at the bar with a simple request: another song and a little rum to kill the pain. The narrator watches her dance alone under the moon while he burns away his sadness under the sun. He begs for her heart—promising to be her singer, her “cantor”—and admits that when she left, the magic vanished and the color drained from his world. Days in Lisbon and Paris turned gray, but he keeps singing, keeps drinking, and keeps trying to burn off the hurt under the same unrelenting sun.

Lyrics: Cantor

Cantor, deme otra canción y un vasito de ron pa’ mata’ el dolor Mi amor, tenme compasión ven a bailar conmigo... hasta que salga el sol Ella baila sola bajo la luna Yo aquí ahogando mis penas bajo el sol Su mirada quema como ninguna Voy quemando mis penas bajo el sol Dame tu corazón cariño mío... dame tu corazón Quiero ser tu cantor cariño mío... yo seré tu cantor Dame tu corazón cariño mío... dame tu corazón Quiero ser tu cantor cariño mío... yo seré tu cantor Debo confesar que cuando te fuiste Se perdió la magia y se fue el color Cada día se hizo gris, en Lisboa y en París Voy quemando mis penas bajo el sol
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, Country, Funk, and Reggae colors into story-driven songs. Their arrangements often pair warm guitars and rhythm grooves with close male–female vocals, giving each track a built-in conversational, cinematic feel.

In “Cantor,” they lean into a retro, barroom-tinged groove—telling the story of someone drinking, dancing, and singing their way through heartbreak. Across their catalog, IndiviDuo’s blend of rhythmic lift and emotional depth makes their music a strong fit for romance, dramedy, travel, and character-focused film and TV.

Styles: Latin-inflected Pop, Funk, Reggae, Singer/Songwriter • Strengths: Dual vocals, melodic hooks, emotionally clear storytelling • Typical Uses: Romance, Dramedy, Travel & Nightlife, character-driven drama

CAPTURED

Captured cover art

Captured
by Ezekiel Hampton

“Captured” is a rhythmic dance-electronic track with a male vocal that blends escape, fate, desire, and forward motion. With bass, percussion, and synth driving a cool uptempo frame, the song feels ideal for pursuit, risk, ambition, and scenes where freedom and consequence remain in direct tension.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Cantor (Alt Version)
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Atmospheric, reflective cue for introspection, spiritual tone, and emotional depth. Strong for cinematic transitions, contemplative scenes, and moments of quiet resonance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Captured

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 120
  • Energy: High
  • Genres: Dance, Electronic
  • Vocals: Male Vocal
  • Moods: Atmospheric, Cool, Rhythmic, Upbeat
  • Lyric Themes: Destiny, Escape, Money, Success
  • Cinematic Fit: Crime, Drama, Indie, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Captured” is built for scenes where freedom, ambition, and consequence remain tightly bound together. Its male vocal and uptempo electronic pulse make it especially effective for pursuit, escape plans, risky aspiration, and sequences where desire and danger move in parallel.

Ideal Sync Uses

  • Crime: escape, money, running against consequence
  • Drama: longing for freedom, destiny under pressure
  • Indie: aspiration, irony, self-made pursuit
  • Thriller: movement, pursuit, edge of surrender

Scene Suggestions

  • Character moving toward freedom before it slips away
  • Montage built around escape, desire, or a self-made future
  • Scene where risk and ambition feel inseparable
  • Stylized pursuit with emotional undertow

Why It Works

  • Male vocal adds direct tension and narrative perspective
  • Electronic pulse supports movement and clean editorial pace
  • Cool atmosphere keeps the song modern and controlled
  • Escape/success themes make it especially useful for ambition under pressure
Stem Tracks:
Available upon request.
Lyrics:
if all you’re after
can wash away in rain
a cry in laughter
is all that will remain

the tales of old
have set my course
we can run
wrapped in shiny gold
the fortune told
of a new sun
the day my lips can taste honey
the day my wallet don’t need money

before I’m captured
before I surrender
i only ask for
your grace for the future

the tales of old
have set my course
we can run
wrapped in shiny gold
the fortune told
of a new sun
the day my lips can taste honey
the day my wallet don’t need money
find a truth that won’t sound funny.
Track Narrative:
“Captured” feels like running toward a future that still might disappear before it can be held. It carries motion, ambition, and a sharp awareness that freedom always seems to arrive under threat of being lost.

Cards on the Table

Cards on the Table cover art

Cards on the Table
by Ezekiel Hampton

“Cards on the Table” is an atmospheric dance-pop vocal balancing emotional vulnerability with rhythmic lift. Built from synth textures, pulsing percussion, bass movement, and an emotionally exposed male vocal, the track moves through desire, devastation, longing, and fragile connection with cinematic momentum and late-night emotional energy.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Cards on the Table
Clean Intro: Yes (0:00 – atmospheric synth pulse and vocal immediately establish emotional tone)
Edit Points: 0:16 / 0:32 / 0:48 / 1:05 / 1:22 / 1:39 / 1:56 / 2:14 / 2:32
Button Ending: No, sustained emotional tail
Loopable: High
Best Loop Candidates: 0:32–1:05 / 1:05–1:39 / 1:56–2:32
Use Case: Emotional dance-pop cue for relationship fallout, vulnerable confrontation, romantic tension, late-night emotional release, introspective movement sequences, and scenes where longing collides with unresolved emotional damage.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Ezekiel Hampton

Singer • Producer • Atmospheric Electronic Storyteller

Ezekiel Hampton creates emotionally cinematic electronic music blending ambient textures, rhythmic movement, synth-driven atmosphere, and intimate vocal writing. His sound moves between dreamlike reflection and emotionally charged modern pop.

His productions often explore longing, isolation, desire, emotional fracture, and fragile connection while maintaining strong rhythmic momentum and visual pacing. The result is music suited for modern relationship storytelling, reflective movement sequences, and emotionally immersive cinematic worlds.

Sync Pitch Sheet: Cards on the Table

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 133 BPM
  • Genres: Dance, Pop
  • Tempo: Uptempo
  • Vocals: Male vocal
  • Moods: Atmospheric, Bright, Cool, Dreamy, Positive, Rhythmic, Upbeat, Uplifting
  • Lyric Themes: Desire, Love, Pain, Relationship, Struggle
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Track Summary

“Cards on the Table” combines emotional vulnerability with atmospheric dance-pop production. Its synth textures, rhythmic pulse, and emotionally exposed vocal performance create a track suited for modern relationship storytelling, emotional release, reflective nightlife sequences, and scenes where emotional tension unfolds beneath movement and momentum.

Sync Highlights

  • Emotionally exposed male vocal with strong cinematic atmosphere.
  • Dance-pop energy supports movement-driven visual pacing.
  • Dreamy synth textures create emotional immersion without overpowering dialogue.
  • Excellent fit for modern drama, romance, and emotionally reflective nightlife scenes.

Sync Potential

“Cards on the Table” by Ezekiel Hampton works exceptionally well for scenes centered on emotional vulnerability, fractured relationships, longing, emotional fallout, and attempts at reconnection. Its atmospheric dance-pop production and rhythmic emotional lift allow it to function across both intimate emotional storytelling and movement-oriented cinematic pacing.

Scene Types

  • Relationship confrontation scenes
  • Late-night driving or city movement sequences
  • Emotionally charged romantic montage work
  • Modern streaming drama pacing
  • Reflective nightlife, memory, or emotional release sequences

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics

you’re the one who wanted love

don’t let me go
i can’t stay here
put to rest all the demons (inside)

you’re the one who wanted love

don’t let me go
i can’t stay here
put to rest all the demons (inside)

oh the elation
reciprocation
the devastation
in your eyes

can you hear me now?
can i reach you now?

what were you expecting?
what did you think would happen?
if i could fix, would you let me?
destroy again, destroy again with me

Track Narrative:
“Cards on the Table” feels like emotional honesty unfolding in real time beneath glowing synth textures and rhythmic forward motion. The vocal carries longing, regret, desire, and emotional exposure while the production maintains momentum and atmosphere. It’s the sound of two people trying to reach each other through emotional wreckage, uncertainty, and unresolved history — cinematic, intimate, and rhythmically alive.

COME UP SHORT

Come Up Short cover art

Come Up Short
by Ezekiel Hampton

“Come Up Short” is a slow-burning electronic instrumental built on atmosphere, intimacy, and emotional restraint. With bass, percussion, and synth shaping a moody, dreamy frame, the track feels ideal for late-night reflection, romantic uncertainty, and scenes where longing and vulnerability need space to breathe.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Come Up Short
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Subtle, introspective cue for tension, hesitation, and emotional restraint. Strong for character-driven moments, unresolved conflict, and scenes that carry quiet uncertainty.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Come Up Short

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 80
  • Energy: Low
  • Genres: Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dreamy, Hopeful, Moody, Reflective, Romantic, Sexy
  • Cinematic Fit: Romance, Drama, Indie, Art House
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Come Up Short” is built for scenes of longing, private vulnerability, and emotional nearness that never fully resolves. Its instrumental structure and slow dreamy mood make it especially effective for romantic hesitation, intimate aftermath, and reflective moments where the feeling is present but the outcome remains uncertain.

Ideal Sync Uses

  • Romance: longing, hesitation, sensual distance, intimate uncertainty
  • Drama: emotional restraint, vulnerable pause, unresolved feeling
  • Indie: late-night reflection, quiet intimacy, subtle ache
  • Art House: mood-driven intimacy, atmospheric desire, suspended emotion

Scene Suggestions

  • Late-night scene where attraction and distance exist together
  • Reflective sequence after an emotional or romantic setback
  • Quiet intimate moment that never fully resolves into confession
  • Montage built around longing, absence, or restrained desire

Why It Works

  • Instrumental format keeps the cue open and highly flexible under dialogue
  • Slow pulse gives the scene room to breathe emotionally
  • Dreamy romantic tone supports intimacy without becoming sentimental
  • Minimal electronic palette adds modern atmosphere while staying understated
Stem Tracks:
Available upon request.
Track Narrative:
“Come Up Short” feels like the quiet space where desire, reflection, and emotional hesitation overlap. It carries intimacy and distance together, making the scene feel private, vulnerable, and unresolved in a human way.

CARRYING TOO MUCH — Elmer Ferrer

Carrying Too Much cover art

Carrying Too Much
by Elmer Ferrer

Carrying Too Much feels weighed down by pressure that never fully releases. Its ambient-electronic textures, steady pulse, and restrained tension create the sense of a character moving forward while burdened by something unresolved. The cue is atmospheric rather than explosive, making it especially effective for scenes of emotional strain, slow-building suspense, internal conflict, or moments when the story carries more pressure than anyone is willing to say out loud.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Carrying Too Much
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft unresolved tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Pressurized ambient cue for emotional burden, slow-burn suspense, internal conflict, unresolved weight, and restrained dramatic movement.

OMR Cue Map

Track: Carrying Too Much
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft unresolved tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Pressurized ambient cue for emotional burden, slow-burn suspense, internal conflict, unresolved weight, and restrained dramatic movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Carrying Too Much

Song Details

  • Energy: Medium / Pressurized
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 125
  • Moods: Atmospheric, Tension
  • Cinematic Fit: Drama, Thriller, Crime, Mystery, Indie
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Carrying Too Much is built for emotional and narrative pressure. Its ambient tension and steady motion make it an excellent choice for scenes where a character is under strain, withholding the truth, or moving through circumstances that feel heavier than they can manage.

Ideal Sync Uses

  • Drama: emotional overload and internal conflict
  • Thriller: slow-burn suspense and pressure buildup
  • Crime: morally burdened movement or tense aftermath
  • Mystery: concealed tension and unresolved weight
  • Indie: reflective scenes with quiet emotional strain

Scene Suggestions

  • Character walking alone under emotional or narrative weight
  • Montage of mounting stress or accumulating consequences
  • Quiet scene where tension is present but not discussed
  • Slow build before a difficult conversation or reveal
Track Narrative:
Carrying Too Much feels like momentum under weight. The cue suggests a person or situation pushing forward while burdened by more than can comfortably be held. Its atmosphere is tense but contained, making it ideal for scenes where pressure accumulates quietly and the emotional cost is starting to show.

Carta Para Casa

Carta Para Casa cover art

Carta Para Casa
by Marito Marques

Nostalgic and lyrical — “Carta Para Casa” by Marito Marques blends folk instrumentation with heartfelt pacing. Evoking the longing of distance and the comfort of memory, this track is ideal for sync scenes of travel, reflection, or emotional reunion.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Carta Para Casa
Clean Intro: Yes (0:00 – immediate warm acoustic/tonal entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Warm, intimate cue for nostalgia, homecoming, and emotional connection. Strong for travel, reflective montage, and scenes centered on memory, distance, and return.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Marito Marques

Drummer • Composer • Producer

Marito Marques is a Grammy-nominated drummer, composer, and producer whose musical journey bridges continents and cultures. Born in Portugal and based in Toronto, Marques is known for his dynamic performances and genre-defying compositions that blend jazz, world music, and contemporary sounds.

He began playing drums at age 5 and quickly rose to prominence, performing with the National Youth Orchestra of Portugal and later studying at Humber College in Canada. Marques has collaborated with international artists including Ivan Lins, Hilario Duran, and Larnell Lewis, showcasing his versatility and global appeal.

His solo albums, such as Magic Everywhere and Immerse, feature rich sonic landscapes and have earned critical acclaim. Marques is also a sought-after session musician and producer, contributing to projects across jazz, pop, and classical genres.

With a passion for rhythm and innovation, Marito Marques continues to push musical boundaries, inspiring audiences around the world.

Sync Pitch Sheet: Carta Para Casa

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 83
  • Energy Level: Moderate Tempo
  • Genre: Jazz, Singer-Songwriter
  • Vocals: Male
  • Moods: Reflective, Warm
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Indie
  • Lyric Themes: Heartbreak, Home, Longing, Love, Loneliness, Nostalgia
  • Type: One Stop

Production Details

  • Producer & Arranger: Marito Marques
  • Music Composition: Marito Marques
  • Lyrics: Marito Marques

Artists

  • Percussion: Marito Marques
  • All Other Artists: Available Upon Request

Instrumentation

  • Keyboard
  • Piano
  • Percussion
  • Instrumental Solos: Harmonica, Piano

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Carta Para Casa

This evocative midtempo track blends jazz and singer-songwriter elements with a warm, reflective mood. With its heartfelt lyrics and cinematic instrumentation, it’s an ideal fit for emotionally resonant scenes.

Best Use Cases

  • Film: Coming-of-age moments, family drama, nostalgic flashbacks
  • TV: Emotional montages, character introspection, homecoming scenes
  • Advertising: Travel, heritage, emotional storytelling
  • Documentary: Personal journeys, cultural identity, reflections on home

Why It Works

  • Authentic Emotion: Lyrics and melody evoke longing and love
  • Universal Themes: Home, heartbreak, nostalgia
  • Flexible Instrumentation: Harmonica and piano solos add cinematic depth
  • One Stop: Easy clearance for sync licensing

Comparable Syncs

  • “Letter to Home” scenes in indie dramas
  • Quiet emotional beats in series like This Is Us or Modern Love
  • Art house films with introspective tone

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Carta Para Casa” translates to “Letter for Home” — and that’s exactly what this instrumental feels like. Marito Marques uses musical phrasing to convey heartache, hope, and memory. Perfect for sync scenes where emotion flows quietly, without words.
Lyrics:
Quando o meu pensamento
Perde um copo de vinho
O meu coração chama as lágrimas
Isso quer dizer que eu estou com saudades de casa
Com saudades de mim
E escrevo a carta
Que nunca escrevi
Escrevo em papel mate
Para não mais esquecer
O quanto gosto de ti

Quando as horas não passam
Porque o tempo não quer
Os sonhos demoram
E eu quero adormecer
Isso quer dizer
Que eu estou
Com saudades de casa
Com falta de amor
Escrevo a carta que nunca escrevi
Escrevo em papel matei
Para não mais esquecer
O quanto gosto de ti

Castles Made of Dreams

Castles Made of Dreams cover art

Castles Made of Dreams
by OMR Music Production

Ethereal and cinematic — “Castles Made of Dreams” builds a soundscape of imagination and emotion. OMR Music Production blends ambient textures, melodic arcs, and dreamy pacing, perfect for sync scenes of wonder, reflection, or visual storytelling that leans into beauty and mystery.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Castles Made of Dreams
Clean Intro: Yes (0:00 – soft ambient/melodic entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Dreamlike, atmospheric cue for imagination, introspection, and emotional escape. Strong for montage, fantasy elements, and scenes that blur memory and possibility.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Castles Made of Dreams

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 101
  • Energy Level: Moderate High
  • Genre: Ballad, Country, Folk, Indie, Pop
  • Vocals: Female
  • Moods: Reflective, Somber, Sad
  • Cinematic Fit: Comedy, Fantasy, Drama, Romance
  • Lyric Themes: Heartbreak, Hope, Dream, Strength, Love
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming, Recording, Production, Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Kira Braun
  • Guitar, Bass, Programming, Keys: Elmer Ferrer

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Percussion
  • Strings
  • Instrumental Solos: None

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Castles Made of Dreams

This emotionally rich ballad blends country, folk, and indie pop with a vintage flair. With its female vocal performance and cinematic instrumentation, it’s a powerful choice for scenes that explore heartbreak, hope, and inner strength.

Best Use Cases

  • Film: Romantic drama, fantasy sequences, emotional turning points
  • TV: Character retrospectives, breakup scenes, personal growth arcs
  • Advertising: Empowerment campaigns, nostalgic storytelling, legacy brands
  • Documentary: Stories of resilience, dreams pursued, emotional journeys

Why It Works

  • Emotive Lyrics: Themes of heartbreak, hope, and self-discovery
  • Timeless Sound: Acoustic textures and string arrangements evoke vintage warmth
  • Female Vocal: Adds vulnerability and depth to cinematic moments
  • One Stop: Streamlined licensing for sync opportunities

Comparable Syncs

  • Romantic montages in films like La La Land or About Time
  • Fantasy sequences in shows like Anne with an E or Outlander
  • Emotional arcs in series like Grey’s Anatomy or Virgin River

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Castles Made of Dreams” conjures musical architecture out of light and longing. Its cinematic flow lends itself to sync moments of visual magic, emotional depth, or storytelling that feels elevated and timeless.

Lyrics

VERSE 1 I COULDN’T BE YOUR MYSTERY WORE MY HEART OUT ON MY SLEEVE YOU HAD NO CAUSE TO QUESTION ME I WAS IN LOVE WITH YOU THE DAY I TURNED AND SAID GOODBYE THE LAST TEARS FALLING FROM MY EYES THAT DAY I LOOKED INSIDE MYSELF AND FELL IN LOVE WITH ME WHEN NIGHTTIME COVERED UP THE SUN AND FATE DECIDED WE WERE DONE I FILLED THE SKY WITH BRIGHT LIT STARS AND SAW INSIDE MYSELF CHORUS I SAW CASTLES MADE OF DREAMS WERE NEVER WHAT THEY SEEMED WHEN NIGHT FALLS INTO DAY OUR DREAMS ALL FADE AWAY I SAW CASTLES MADE OF STONE STANDING HARD AND ALL ALONE TARNISHED SILVER CONSUMED BY RUST THEIR BEAUTY TURNED TO DUST INTERLUDE VERSE 2 YOU LED ME DOWN THAT GARDEN PATH WHERE NOTHING EVER SEEMED TO LAST GOING NOWHERE REALLY FAST I BLINDLY FOLLOWED YOU I WATCHED YOU TURN MY BLUE SKIES GRAY STOLE MY DREAMS AND RAN AWAY WITH CRUMBLING WALLS I STILL CAN SAY THAT I WILL LOVE AGAIN BRIDGE I’M WATCHING YOU WATCHING ME EXPECTING LIES WILL SET YOU FREE SOME THINGS YOU JUST CAN’T JUSTIFY BUT KNOW MY SILENCE DOESN’T LIE CHORUS OUTRO

Catch Me

Catch Me cover art

Catch Me
by Kelsey Kindall

“Catch Me” is a cool, rhythmic pop/world track in F Minor at 100 BPM, built around bass, drums, percussion, and synth. With confident female vocals and a lyric centered on self-worth, independence, and setting the bar higher, it works well for scenes of empowered confidence, romantic pursuit, lifestyle energy, and characters choosing themselves first.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Catch Me
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, rhythmic pop tail
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Confident pop/world cue for self-worth, romantic pursuit, empowered lifestyle scenes, social confidence, and moments where a character expects someone else to rise to their level.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Catch Me

Song Profile

  • Genres: Pop, World
  • Key Signature: F Minor
  • BPM: 100
  • Tempo: Midtempo
  • Vocals: Female Vocal
  • Moods: Cool, Minimal, Moody, Rhythmic, Upbeat
  • Lyric Themes: Confidence, Energy, Power, Relationship, Strength
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Sync Potential

“Catch Me” is built for confident, contemporary scenes where the character has already chosen self-worth over chasing validation. Its rhythmic pop/world groove and cool vocal delivery make it strong for lifestyle edits, relationship confidence, flirtation with boundaries, and scenes where someone demands more effort rather than more excuses.

Scene Types

  • Empowered character moments
  • Confident lifestyle montage
  • Romantic pursuit and playful tension
  • Friend-group or city-night scenes
  • Self-worth and boundary-setting sequences

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

Won't beg you to come over
Having fun on my own
Uber Eats on the way
Mask on my face
Barely touch my phone
What you gonna add
Filled to the brim with love
I'm sitting back
Gonna relax
Yeah I'm good alone

I used to go out on the weekend
Looking for a thrill
But it was never real
Decided I am done competing
Don't have a void to fill
And I never will

Catch me
Don't waste my energy
Come on and chase me
Don't let me down
Show up impress me
Dig in
Roll up your sleeves
Talk to me nice and sweet
I'm listening now

I won't ask you for a favor
Won't beg you for your time
If you don't wanna try
Those are hills I won't die on
But your friend just might
I'm not playing games
Not in the mood to train
You can step away
Don't want you to be fake
Don't wanna have to make you want me

I used to go out on the weekend
Looking for a thrill
But it was never real
Decided I am done competing
Don't have a void to fill
And I never will

Catch me
Don't waste my energy
Come on and chase me
Don't let me down
Show up and impress me
Dig in
Roll up your sleeves
Talk to me nice and sweet
I'm listening now

Oh my Gosh, she walks like she pays her own bills
Mama let's make a deal
Oh my God
I'ma pull up in my pick up
Tell me what time I should pick up
If you call it a date babe
I'll pay for the dinner
Oh no no no
So baby quit running, making me feel like nothing
Baby don't you know I gotta chase something
You got it I want it
So let's get the whole thing jumping

Catch me
Don't waste my energy
Come on and chase me
Don't let me down
Show up and impress me
Dig in
Roll up your sleeves
Talk to me nice and sweet
I'm listening now
Track Narrative:
“Catch Me” feels like a character stepping out of need and into self-possession. The track is playful, cool, and confident, but underneath the groove is a clear emotional boundary: do not waste my time, do not drain my energy, and do not expect access without effort. It is built for scenes where confidence is attractive because it is earned.

CATCHING THE CROW

Catching the Crow cover art

Catching the Crow
by Radagast the Brown

“Catching the Crow” is a sharp-edged electronic/R&B track with a male vocal that blends reflective darkness, rhythm, and confrontation. With bass, percussion, piano, and synth shaping a tense but controlled atmosphere, the song feels ideal for conflict, inherited pain, and scenes where a character rejects a destructive pattern.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Catching the Crow
Clean Intro: Yes (0:00 – immediate atmospheric/tonal entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Dark, cinematic cue for tension, pursuit, and psychological unease. Strong for thriller sequences, investigative scenes, and moments driven by mystery and movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Emotional Momentum • Cinematic Edge

Radagast the Brown creates immersive, sync-ready songs that fuse electronic texture, emotional depth, and cinematic movement. His work often blends reflective lyricism with modern rhythmic production, making it especially effective for film and television scenes that need atmosphere and momentum at once.

For supervisors, the appeal is immediate: distinctive sonic identity, emotional clarity, and arrangements that support both visual pacing and character-driven storytelling.

Sync Pitch Sheet: Catching the Crow

Song Profile

  • Key Signature: Eb Major
  • Beats Per Minute: 93
  • Energy: Moderate
  • Genres: Electronic, R&B
  • Vocals: Male Vocal
  • Moods: Bright, Cool, Reflective, Rhythmic, Upbeat
  • Lyric Themes: Conflict, Family, Relationship, Strength, Struggle
  • Cinematic Fit: Drama, Crime, Thriller, Indie
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Piano
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Catching the Crow” is built for scenes of confrontation, family fracture, and refusal to perpetuate inherited damage. Its rhythmic clarity and lyrical edge make it especially effective when a character moves from submission toward defiance or self-definition.

Ideal Sync Uses

  • Drama: family conflict, breaking cycles, emotional refusal
  • Crime: tension, reckoning, hard-earned separation from the past
  • Thriller: pressure, pursuit of truth, internal opposition
  • Indie: identity under strain, reflective confrontation

Scene Suggestions

  • Character rejecting a destructive legacy or family pattern
  • Conflict scene where personal resolve hardens into action
  • Montage built around breaking from pain or inherited damage
  • Dark reflective sequence with movement and emotional resistance

Why It Works

  • Male vocal gives the song direct emotional and narrative weight
  • Piano and synth add reflective tension without overcrowding
  • Rhythmic backbone supports scenes with forward pressure
  • Lyrical stance makes it effective for conflict and self-separation themes
Stem Tracks:
Available upon request.
Lyrics:
A history, comatose, a ministry, a lethal dose
What have we done to inherit chains of pain remains in vain
A mystery, a grandiose, with trickery we diagnose
Ever the same we cherish uniformity to proceed
To proceed

You and I, day and night, fight or flight until we die
Sweetest sin, begin again, joining in this requiem
Dire, dire, free from the fire, wilting wire
Solo, I go, catching the crow with knife in tow
Dire, dire, free from the fire, wilting wire
Solo, I go, catching the crow with knife in tow

No
I won't be part of this in any way
Born underneath the soil in the grave
I won't be part of this in any way
Born underneath the soil in the grave
No

The symmetry of golden noose, repeated plays have come unloosed
Shaking the trees, we banish, leave a family disease
A sentiment once brilliant, still on the mend become unbent
Rooting the seeds of sorrow, burn the dross we find in our loss

You and I, day and night, fight or flight until we die
Sweetest sin, begin again, joining in this requiem
Dire, dire, free from the fire, wilting wire
Solo, I go, catching the crow with knife in tow
Dire, dire, free from the fire, wilting wire
Solo, I go, catching the crow with knife in tow

No
I won't be part of this in any way
Born underneath the soil in the grave
I won't be part of this in any way
Born underneath the soil in the grave
No

Live just for yourself
and that makes you not fit to live with

Dire, dire, free from the fire, wilting wire
Solo, I go, catching the crow with knife in tow
Dire, dire, free from the fire, wilting wire
Solo, I go, catching the crow with knife in tow

No
I won't be part of this in any way
Born underneath the soil in the grave
I won't be part of this in any way
Born underneath the soil in the grave

Dire, dire
Solo, I go
Dire, dire
Solo, I go

Guided by candlelight
Father's going to fix the fight
Guided by candlelight
Father's going to fix the fight
Guided by candlelight
Mother's going to fix the fight
Guided by candlelight
Father's going to fix the fight
Guided by candle
Track Narrative:
“Catching the Crow” feels like someone moving through inherited damage with clear eyes and a hard refusal to keep carrying it. It holds tension, grief, and rebellion together, giving the scene a sense of conflict that is both personal and generational.

Cat's in the Ship

Cat's in the Ship cover art

Cat's in the Ship
by Elmer Ferrer

“Cat's in the Ship” is a midtempo ambient-electronic instrumental with a dark, moody, and mysterious atmosphere. Built around synth textures and restrained movement, it works well for suspense, strange discoveries, psychological tension, sci-fi unease, and scenes where something feels quietly out of place.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cat's in the Ship
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: No, atmospheric tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Mysterious ambient-electronic cue for sci-fi unease, psychological tension, quiet discovery, dark atmosphere, and scenes where the mood needs to feel strange, suspended, and unresolved.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Cat's in the Ship

Song Profile

  • Genres: Ambient, Electronic
  • Tempo: Midtempo
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Moody, Mysterious
  • Type: One Stop

Instrumentation

  • Synth

Sync Potential

“Cat's in the Ship” by Elmer Ferrer is built for mysterious, atmospheric scene work. Its dark synth-driven pulse and moody electronic restraint make it especially useful for suspense, sci-fi atmosphere, psychological mystery, and moments where the image needs quiet unease rather than overt action.

Scene Types

  • Sci-fi unease and strange discoveries
  • Mystery investigation sequences
  • Psychological tension
  • Dark atmospheric transitions
  • Dialogue-safe suspense underscore
Track Narrative:
“Cat's in the Ship” moves through a strange, shadowed atmosphere — part mystery, part unease, part suspended discovery. Its synth-based minimalism creates the feeling of entering an unfamiliar space where something is present but not yet understood.
Instrumental Notes:
Synth-based ambient-electronic instrumental with a dark, moody, mysterious tone. Designed for atmospheric pacing, suspense support, sci-fi unease, and restrained dramatic movement.

Stem Tracks

Stem availability can be confirmed upon request.

Caught Up

Caught Up cover art

Caught Up
by Mattie Leon

Reflective and rhythmically charged — “Caught Up” by Mattie Leon captures emotional complexity through layered folk-pop instrumentation and lyrical depth. Perfect for sync scenes involving vulnerability, indecision, or romantic introspection with a modern acoustic edge.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Caught Up
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, light resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Energetic, emotionally driven vocal cue for momentum, connection, and rising tension. Strong for montage, relationship arcs, and scenes that build toward emotional payoff.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Caught Up

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 88
  • Energy Level: Midtempo
  • Genre: Indie, Punk, Soul
  • Vocals: Male
  • Moods: Cool, Dreamy, Minimal, Moody, Quirky, Rhythmic, Sexy, Upbeat
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Indie, Romance
  • Lyric Themes: Time, Relationship, Struggle, Love, Fear
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered: At Mojito Mastering

Artists

  • Lead Vocals, Guitar, Bass, Organ: Mattie Leon
  • Drums: Mike Leon
  • Lead Guitar: Nelson Sobral

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth
  • Instrumental Solo: Electric Guitar

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Caught Up

Reflective and rhythmically charged — “Caught Up” by Mattie Leon captures emotional complexity through layered folk-pop instrumentation and lyrical depth. Perfect for sync scenes involving vulnerability, indecision, or romantic introspection with a modern acoustic edge.

Best Use Cases

  • Film: Indie romance, coming-of-age drama, emotional transitions
  • TV: Relationship tension, introspective moments, character flashbacks
  • Advertising: Lifestyle brands, modern love campaigns, moody fashion
  • Documentary: Personal stories, emotional growth, time and memory

Why It Works

  • Modern Soul Vibe: Blends indie and soul with a dreamy, rhythmic feel
  • Emotional Lyrics: Themes of love, fear, and struggle resonate deeply
  • Distinctive Mood: Cool and quirky with cinematic tension
  • One Stop: Streamlined licensing for sync opportunities

Comparable Syncs

  • Romantic tension scenes in shows like Normal People or High Fidelity
  • Indie film moments with emotional ambiguity
  • Stylized drama sequences with moody lighting and minimal dialogue

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Caught Up” wrestles with internal tension and emotional honesty. Mattie Leon’s vocal delivery anchors a track built for sync scenes where things hang in the balance — the quiet before decisions, the echoes of memory, the weight of vulnerability.

Lyrics

How much longer? How much longer my love? Can we put each other down before we can't even live with ourselves. You say it's too wrong to give up on this after so long. But you know that I'm still caught up in your love you're daring that I always will be too afraid to leave you. So much waiting with so much weighing on us. You could tie me to the ground and complain I'm moving too much. And it would be so wrong if there were no reason to hold on. But you know that I'm still caught up in your love you're daring that I always will be too afraid to leave you.

CAVES LEAD TO CANYONS

Caves Lead to Canyons cover art

Caves Lead to Canyons
by Radagast the Brown

“Caves Lead to Canyons” is a shadowy, tension-laced instrumental built on atmosphere, pulse, and slow revelation. With its blend of percussion, strings, and synth, the track creates a dark, mysterious sense of movement that feels ideal for psychological tension, subterranean imagery, and scenes where the environment carries the suspense.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Caves Lead to Canyons
Clean Intro: Yes (0:00 – soft ambient/tonal entry)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20
Use Case: Expansive, cinematic cue for exploration, transformation, and emotional journey. Strong for landscape-driven storytelling, montage, and scenes that evolve from introspection to openness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Atmosphere • Tension • Cinematic Sound Design

Radagast the Brown creates immersive, sync-ready music that blends ambient depth, rhythmic tension, and cinematic texture. His work moves easily between mystery, psychological unease, abstract motion, and reflective darkness, making it highly adaptable for modern visual storytelling.

For supervisors, the appeal is immediate: rich atmosphere, distinctive sonic identity, and instrumental flexibility that supports scene-building without overwhelming dialogue or pacing.

Sync Pitch Sheet: Caves Lead to Canyons

Song Profile

  • Key Signature: C Minor
  • Beats Per Minute: 115
  • Energy: Moderate
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Minimal, Moody, Mysterious, Reflective, Rhythmic, Tension
  • Cinematic Fit: Thriller, Mystery, Sci-Fi, Drama, Art House
  • Type: One Stop, Soundtrack

Instrumentation

  • Percussion
  • Strings
  • Synth

Audio Preview

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Caves Lead to Canyons” is a tension-rich instrumental built for suspense, discovery, and spatial storytelling. Its restrained rhythmic drive and dark atmospheric palette make it especially effective for sequences where uncertainty, geography, or emotional pressure need to accumulate gradually.

Ideal Sync Uses

  • Thriller: Slow tension, pursuit, unease, hidden danger
  • Mystery: Investigation, discovery, subterranean atmosphere, revelation
  • Sci-Fi: Unknown terrain, alien environments, psychological exploration
  • Drama: Internal tension, isolation, reflective movement under pressure
  • Art House: Abstract motion, environmental storytelling, mood-led sequences

Scene Suggestions

  • Characters moving through dark terrain, tunnels, or unstable environments
  • Investigation sequence where clues emerge slowly through atmosphere
  • Psychological montage with creeping pressure and minimal dialogue
  • Wide environmental shots where the setting itself feels ominous

Why It Works

  • Instrumental format keeps it flexible for dialogue and editorial shaping
  • Rhythmic undercurrent creates motion without becoming aggressive
  • Dark ambient palette adds depth, mystery, and spatial tension
  • Minimal structure supports suspense and gradual narrative development
Stem Tracks:
Available upon request.
Track Narrative:
“Caves Lead to Canyons” feels like moving deeper into a place that keeps opening into something larger and more uncertain. It carries the tension of hidden space, slow discovery, and the sense that every step forward reveals a new layer of mystery.

Cayo Oueso Breeze

Cayo Oueso Breeze cover art

Cayo Oueso Breeze
by Pat Carey

Tropical and cinematic — “Cayo Oueso Breeze” glides with jazz textures and relaxed phrasing. Pat Carey delivers a mellow instrumental built for sync scenes of coastal motion, cultural charm, or ambient warmth. Perfect for travel sequences, market walk-throughs, or stylish transitions.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cayo Hueso Breeze
Clean Intro: Yes (0:00 – immediate light jazz/latin entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean relaxed ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Breezy, laid-back cue for coastal settings, leisure, and relaxed atmosphere. Strong for travel scenes, lifestyle montage, and moments that evoke warmth, ease, and movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Cayo Oueso Breeze

Song Profile

  • Key Signature: A Major
  • Beats Per Minute: 71
  • Energy Level: Slow to Medium Tempo
  • Genre: Jazz
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Confident, Light, Positive, Reflective, Tension
  • Cinematic Fit: Adventure, Drama, Mystery, Romance
  • Lyric Themes: N/A
  • Type: One Stop

Production Details

  • Produced By: Pat Carey, Steve Grisbrook
  • Recorded At: Iridescent Music Studio
  • Engineered & Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Saxophones (Soprano, Tenor, Baritone): Pat Carey
  • Guitar: Ted Quinlan
  • Bass: Garth Vogan
  • Piano: Jason Jestadt
  • Drums: Tom Jestadt
  • Trumpet: Howard Moore

Instrumentation

  • Drums
  • Horns
  • Keyboard
  • Saxophone
  • Instrumental Solos: Electric Guitar, Drums, Piano, Saxophone

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cayo Oueso Breeze

Tropical and cinematic — “Cayo Oueso Breeze” glides with jazz textures and relaxed phrasing. Pat Carey delivers a mellow instrumental built for sync scenes of coastal motion, cultural charm, or ambient warmth.

Best Use Cases

  • Film: Travel montages, romantic strolls, mystery transitions
  • TV: Stylish intros, reflective moments, cultural exploration
  • Advertising: Luxury brands, tropical destinations, lifestyle campaigns
  • Documentary: Jazz history, Caribbean culture, artistic journeys

Why It Works

  • Instrumental Jazz: No vocals, ideal for underscoring dialogue or visuals
  • Emotional Range: Bright, romantic, and subtly tense
  • Solo Variety: Saxophone, piano, guitar, and drums offer dynamic sync moments
  • One Stop: Streamlined licensing for immediate use

Comparable Syncs

  • Stylized transitions in shows like Better Call Saul or White Lotus
  • Romantic tension in indie films and art house cinema
  • Travel sequences with ambient jazz scoring

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Cayo Oueso Breeze” moves with mellow flair — a Cuban-inspired instrumental full of rhythmic ease and sync appeal. Pat Carey channels seaside motion and emotional warmth, perfect for scenes of ambient travel, cross-cultural charm, or elevated transitions.

Celebrate

Celebrate cover art

Celebrate
by Melodic Yoza

Joyful and vibrant — “Celebrate” by Melodic Yoza brings reggae-infused uplift with spirited vocals and island groove. With energy built for party scenes, positive montage moments, or feel-good syncs of togetherness and triumph, this track delivers sunlit rhythm with magnetic soul.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Celebrate
Clean Intro: Yes (0:00 – immediate upbeat rhythmic entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12
Button Ending: Yes, strong celebratory ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48
Use Case: Bright, high-energy cue for celebration, victory, and joyful momentum. Strong for montage, event scenes, and moments centered on achievement and shared excitement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Celebrate

🎧 Song Profile

  • Beats Per Minute: 116
  • Key: C Major
  • Genre: Hip Hop, Party, Pop
  • Vocals: Male
  • Instrumental Solo: Brass
  • Moods: Anthemic, Catchy, Confident, Dramatic, Energetic, Fun, Happy, Hopeful, Party, Positive, Rhythmic, Swagger, Upbeat, Uplifting
  • Cinematic Themes: Adventure, Comedy, Drama, Fantasy, Romance
  • Type: One Stop

🎤 Featuring Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

🎚️ Producers

  • Mario Donaldson

✍️ Writers

  • Adam Martin
  • Alexandra Soumalias
  • Anthony Robert-Frigon
  • Bobby Brass
  • Isax-Richard Howse
  • Jeni Fujita
  • John Park (존박)
  • JRDN
  • Julian Casey Lynch
  • Mario Donaldson
  • Osopian Agie
  • Samuel Gerongco
  • Sean Burgess
  • Shane Moore
  • Wayne Henry

🔊 Audio Preview

Full Track

Snippet Preview

📞 Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential:
“Celebrate” is a high-energy, genre-blending anthem that radiates joy, swagger, and rhythmic vitality. With its uptempo beat (116 BPM), brass solo, and male vocals, the track is ideal for scenes that demand movement, celebration, and emotional uplift.
  • Advertising: Perfect for campaigns promoting lifestyle brands, travel, beverages, or tech with a youthful, confident vibe.
  • Film/TV: Fits scenes of triumph, parties, road trips, romantic breakthroughs, or comedic montages.
  • Streaming Promos: Great for upbeat trailers or series intros with themes of adventure, fantasy, or drama.
  • Sports: Energizing backdrop for highlight reels, victory moments, or team celebrations.
  • Reality TV: Ideal for makeover reveals, contestant wins, or group challenges with high emotional payoff.

Its universal themes of happiness, life, and celebration make it a versatile sync choice across genres and formats.

Track Narrative:
“Celebrate” invites the listener into joy, movement, and cultural uplift — Melodic Yoza’s vocals bring rhythmic confidence and emotional sparkle. The track channels reggae bounce and communal energy, ideal for sync scenes of triumph, summer light, or collective radiance.

🎤 Lyrics

[Intro] Azamatellu As I would say Oh yeah [Verse 1] Tomorrow never promised today So listen what the general say Please don't wait for my funeral day for you to come out and play Hey shorty swing my way (My way) Let's live, live life everyday (Everyday) Don't worry what the world might say All you got to do is come out and (Okay) [Pre-Chorus] Sing, sing, sing, sing celebrate Everybody do the loco motion Sing, sing, sing, sing celebrate Let's party on the ocean Sing, sing, sing, sing celebrate Let's get this ting in motion ‘Cause tomorrow waits for no one [Chorus] Celebrate while we alive, woah So much to celebrate In our lives Azamatellu As I would say See pop shows near Toronto Get tickets as low as $6 You might also like Hey Yoz Melodic Yoza Trowdown Melodic Yoza Mud GodKing Zeus [Verse 2] They say life too short don't Every man got to face his own fate And I know that you can relate So let me take you on a great escape Hey DJ drop that bass (That bass) Let me see some smiling face (Your face) Let’s do it with style and grace (Oh yeah) Party the night away [Pre-Chorus] Sing, sing, sing, sing celebrate Everybody do the loco motion Sing, sing, sing, sing celebrate Let's party on the ocean Sing, sing, sing, sing celebrate Let's get this ting in motion ‘Cause tomorrow waits for no one [Chorus] Celebrate while we alive, woah So much to celebrate In our lives Azamatellu As I would say [Refrain] Woah, woah, woah, woah, woah Before we go, oh Before we go Woah, woah, woah, woah, woah Before we go, oh We gon live some life [Bridge] (Dont cry for me when I'm gone) ‘Cause tomorrow waits for no one (Let’s have ourselves a celebration) [Chorus] Celebrate while we alive, woah So much to celebrate In our lives Azamatellu As I would say [Chorus] Celebrate while we alive, woah (Woah, woah, woah, woah, woah) So much to celebrate (Woah, woah, woah, woah, woah) In our lives Azamatellu As I would say (Woah, woah, woah, woah, woah) Before we go ‘cause tomorrow waits for no one Woah, woah, woah, woah, woah Before we go, we gon’ live some life

Celebrate

Celebrate cover art

Celebrate
by Paul Reddick

Joyful and gritty — “Celebrate” is a blues-infused anthem of resilience and release. Paul Reddick brings soulful vocals and raw instrumentation to a track that’s perfect for scenes of triumph, transformation, or emotional catharsis.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Celebrate (Paul Reddick)
Clean Intro: Yes (0:00 – immediate blues/vocal entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Gritty, blues-driven cue for celebration with edge, character, and attitude. Strong for bar scenes, personality-driven moments, and sequences where triumph carries weight and texture.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Celebrate

Joyful and gritty — “Celebrate” is a blues-infused anthem of resilience and release. Paul Reddick brings soulful vocals and raw instrumentation to a track that’s perfect for scenes of triumph, transformation, or emotional catharsis.

Song Details

  • Key Signature: A Minor
  • Tempo: 102 BPM (Mid-tempo)
  • Energy: Uplifting
  • Vocals: Male
  • Genre: Blues, Americana, Roots
  • Mood: Soulful, Triumphant

Cinematic Themes

  • Drama
  • Documentary
  • Coming-of-Age
  • Feel-Good
  • Transformation
  • Road Trip
  • Family

Lyric Themes

  • Resilience
  • Freedom
  • Joy
  • Reflection
  • Hope

Instrumentation

  • Harmonica
  • Drums
  • Electric Guitar
  • Organ
  • Bass

Production Credits

  • Composer: Paul Reddick
  • Producer: Colin Linden
  • Engineers: Colin Linden, John Whynot
  • Mastering: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams

Featured Artists

  • Paul Reddick – Harmonica, Vocals
  • Colin Linden – Guitar, Mandolin, Background Vocals
  • Gary Craig – Drums
  • John Dymond – Bass
  • Richard Bell – Organ

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Celebrate

Joyful and gritty — “Celebrate” is a blues-infused anthem of resilience and release. Paul Reddick brings soulful vocals and raw instrumentation to a track that’s perfect for scenes of triumph, transformation, or emotional catharsis.

Ideal Sync Uses

  • Feel-good drama or documentary scenes
  • Montages of personal growth or celebration
  • Road trip sequences with emotional depth
  • Closing credits with a soulful tone
  • Scenes of reflection, healing, or reunion

Why It Works

  • Mid-tempo: 102 BPM supports uplifting pacing
  • Instrumentation: Harmonica, drums, organ, electric guitar
  • Vocal tone: Male lead with soulful grit
  • Mood: Triumphant, reflective, emotional
  • Genre: Blues, Americana, Roots

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Celebrate” is a blues anthem of resilience — Paul Reddick blends soulful grit and raw instrumentation into a track that radiates triumph and emotional release. Uplifting, grounded, and built for scenes of transformation, reflection, or hard-won joy.
Lyrics:

Celebrate yourself yourself
Celebrate your voice your voice
Celebrate your luck your luck
Celebrate and rejoice rejoice

Rejoice in the goodness the goodness
Rejoice in the chance the chance
Rejoice in the hours the hours
Rejoice in the dance the dance

Dance with the love the love
Dance with the truth the truth
Dance with the dance the dance
Dance with the groove the groove

Groove on the water the water
Groove in the fire the fire
Groove in the beauty the beauty
Groove with desire desire

Celebrate yourself yourself
Celebrate your voice your voice
Celebrate your luck your luck
Celebrate and rejoice rejoice

Rejoice in the goodness the goodness
Rejoice in the chance your chance
Rejoice in the hours so many hours
Rejoice in the dance the dance

Dance with the love the love
Dance with the truth the truth
Dance with the dance the dance
Dance with the groove the groove

Groove with the love the love
Groove in the fire the fire
Groove in the beauty the beauty
Groove with desire desire

Celebremos la Vida — IndiviDuo

Celebremos la Vida cover art

Celebremos la Vida
by IndiviDuo

A midtempo, feel-good Latin–Funk song about choosing joy, gratitude, and healing even when life feels heavy. “Celebremos la Vida” moves from moments of doubt and emotional weight into an accordion-lifted celebration, with male and female vocals trading lines over acoustic and electric guitars, bass, drums, and percussion. It is tailor-made for scenes of dancing, community, emotional turning points, and life-affirming celebrations.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Celebremos la Vida
Clean Intro: Yes (0:00 – immediate rhythmic/vocal entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong celebratory ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Uplifting, vibrant Latin cue for celebration, unity, and emotional joy. Strong for montage, event scenes, and moments that emphasize connection, culture, and shared experience.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Celebremos la Vida

Song Profile

  • Key Signature: C Major
  • BPM: 96
  • Tempo: Midtempo
  • Genres: Funk, Latin
  • Vocals: Male & Female Vocal
  • Mood/Feel: Catchy, Confident, Fun, Happy, Positive, Retro, Upbeat, Uplifting
  • Lyric Themes: Gratitude, Happiness, Hope, Life, Celebration
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Track Summary

“Celebremos la Vida” is a midtempo Latin–Funk celebration song that begins in a place of sadness and fear, then opens into joy and emotional release. The narrator admits to feeling weighed down, unable to see the good, and “con el alma de luto,” but an uplifting illusion arrives “con el viento” and the sound of the accordion becomes a cue to toast the past, let go of pain, and dance. The blend of male and female vocals, acoustic and electric guitars, rhythm section, and festive Latin groove makes this a natural fit for scenes of healing, community, and life-affirming celebration.

Sync Highlights

  • Perfect for scenes where characters shift from sadness or burnout into joy, movement, and connection.
  • Ideal for dance, party, festival, or family-and-friends celebration moments with a Latin flavor.
  • Works for travel, lifestyle, and “embrace life” montages in series, films, and branded content.
  • Spanish lyric adds authenticity and cultural specificity while the core themes (gratitude, healing, joy) remain universal.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Celebremos la Vida

This track is especially strong wherever renewal, gratitude, and emotional release are at the heart of the story. Its arc—from feeling low and overwhelmed to dancing, toasting, and “celebrating life”—makes it ideal for transformative moments and scenes where characters decide to move forward with hope.

Scene Types

  • Celebration sequences: birthdays, reunions, neighborhood parties, rooftop gatherings, and nightlife.
  • Montages of characters letting go of stress: quitting a job, changing direction, or starting fresh.
  • Travel, road trip, or city-walk sequences set in Latin American or Latin-influenced environments.
  • Feel-good resolutions where tension breaks and people come together to dance and toast what they’ve lived.

Film/TV Fit

  • Romance & Romantic Comedy
  • Drama & Dramedy
  • Coming-of-Age
  • Travel, Lifestyle & Culinary series

Why It Works

  • The lyric explicitly addresses sadness, fear, and feeling “con el agua hasta el cuello,” then pivots to dancing, toasting, and celebrating life—very on-the-nose for emotional turnaround scenes.
  • Midtempo groove offers energy without overpowering dialogue, supporting both montage and in-scene use.
  • Male/female vocal blend broadens relatability and works well over ensemble casts.
Track Narrative:
“Celebremos la Vida” follows a narrator who admits to feeling sad, afraid, and weighed down by life, unable to see what they already have and feeling as if the water is up to their neck. Then, like a breeze, an illusion arrives with the sound of an accordion, reminding them of everything they have lived and survived. The song invites them — and everyone listening — to let go of old wounds, raise a glass to the past, and step onto the dance floor with emotion, joy, and gratitude. It’s an invitation to stop crying, move your body, and actively celebrate being alive.

Lyrics: Celebremos la Vida

A veces me pongo triste y no quiero Salir a vivir mi vida con miedo El alma de luto y sin sombrero Y siento que soy un ave de mal agüero Entonces una ilusión llega con el viento Escucho aquel acordeón y me acuerdo Que ya es hora de brindar por tantas cosas vividas Tienes que soltar para curar las heridas Vamos a bailar on emoción y alegría Deja de llorar y celebremos la vida A veces no aprecio todo lo que yo tengo Me olvido mirar pa' bajo y me quejo Me pierdo y no puedo ver lo bueno Y siento que tengo el agua hasta el cuello Entonces una ilusión llega con el viento Escucho aquel acordeón y me acuerdo Que ya es hora de brindar por tantas cosas vividas Tienes que soltar para curar las heridas Vamos a bailar on emoción y alegría Deja de llorar y celebremos la vida Si tu vida va en subida No te rindas nunca mi amor Tu camina.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, and acoustic influences into cinematic, story-driven songs. Their music often centers on connection, distance, creativity, and emotional transformation, carried by warm arrangements and expressive vocals.

From intimate ballads to rhythmically driven, feel-good tracks like “Celebremos la Vida,” their catalog works across romance, drama, and coming-of-age narratives, especially where joy, resilience, and community are front and center on screen.

Styles: Latin Pop, Latin–Funk, Singer/Songwriter • Strengths: Emotional storytelling, melodic hooks, cinematic acoustic textures • Typical Uses: Romance, Dramedy, Coming-of-Age, travel and lifestyle stories with a warm Latin feel

Change the Locks

Change the Locks cover art

Change the Locks
by Thadeus Gonzalez

“Change the Locks” is an uptempo country-rock vocal with acoustic grit, electric edge, and a reflective emotional core. Built around themes of regret, identity, change, and relational strain, it carries the sound of someone confronting their own patterns while still pushing forward with restless hope.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Change the Locks
Clean Intro: Yes (0:00 – immediate country-rock vocal/guitar identity)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, resolved rock ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:15–1:45 / 1:45–2:15
Use Case: Country-rock vocal cue for regret, relationship strain, self-reckoning, messy personal change, blue-collar drama, road-worn reflection, and scenes where a character is trying to turn themselves around.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Rock Vocalist • Songwriter • Grit-Forward Performer

Thadeus Gonzalez delivers hard-edged rock with punk urgency, country-rock grit, and an emotionally direct vocal presence. His sound is built for attitude, movement, and raw character energy.

His tracks carry a lived-in quality that fits scenes of rebellion, regret, road-worn survival, personal chaos, and defiant self-reckoning.

Additional artist bio details can be added here if you want a fuller official OMR bio.

Sync Pitch Sheet: Change the Locks

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 118 BPM
  • Genres: Country, Rock
  • Tempo: Uptempo
  • Vocals: Male vocal
  • Moods: Hopeful, Minimal, Positive, Reflective
  • Lyric Themes: Change, Connection, Identity, Regret, Struggle
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

“Change the Locks” is a country-rock vocal about regret, fractured connection, and the difficult work of self-recognition. The track balances an uptempo pulse with a reflective emotional center, making it especially useful for scenes where a character is confronting old habits, damaged relationships, and the possibility of change.

Sync Highlights

  • Male vocal with raw, reflective character energy.
  • Country-rock instrumentation supports grounded drama and road scenes.
  • Strong thematic fit for regret, identity, and personal reckoning.
  • One-stop status supports streamlined clearance.

Sync Potential

“Change the Locks” by Thadeus Gonzalez works well for grounded, character-driven scenes where regret and self-awareness are beginning to surface. Its country-rock feel, acoustic-electric blend, and reflective male vocal make it a strong fit for blue-collar drama, relationship fallout, road sequences, and scenes where someone is trying to understand what keeps going wrong.

Scene Types

  • Relationship fallout and reconciliation attempts
  • Character self-reckoning scenes
  • Road-worn montage sequences
  • Blue-collar or small-town drama
  • Hopeful but imperfect turning-point moments

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics

Lyrics available upon request. Add approved full lyrics here if you want them displayed on the public track page.

Track Narrative:
“Change the Locks” sits at the intersection of regret and forward motion. The song feels like a character staring directly at the damage they have caused while still trying to find a way back to themselves. Its country-rock pulse gives the track movement, while the vocal keeps it personal, flawed, and human. It is ideal for scenes where change is possible, but not yet easy.

Chaconne

Chaconne cover art

Chaconne
by Kristin Sweetland

Delicate and layered — “Chaconne” by Kristin Sweetland unfolds with cinematic grace and introspective elegance, drawing inspiration from Bach’s iconic Partita no. 2. Ideal for sync scenes of emotional evolution, poetic solitude, or the tension between destiny and choice woven across sweeping arcs.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Chaconne
Clean Intro: Yes (0:00 – immediate classical/tonal entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: Yes, strong resolved ending
Loopable: Partial
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Elegant, classical cue for drama, tension, and emotional gravity. Strong for period scenes, dramatic arcs, and moments that require sophistication and depth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Chaconne

🎧 Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 88
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar, Violin
  • Moods: Hopeful, Light, Positive, Reflective, Romantic, Warm
  • Cinematic Themes: Art House, Fantasy
  • Type: One Stop

🎚️ Production Details

  • Based on J.S. Bach’s “Chaconne, Partita no. 2 in D minor”
  • Arranged by Kristin Sweetland
  • String Arrangement by Ken Whiteley
  • Produced by Ken Whiteley
  • Engineered by Nik Tjelios
  • Recorded & Mixed at Casa Wroxton Studio, Toronto (2002)
  • Mastered at Music Lane Mastering, Markham, Ontario
  • © Arbora Vita Music 2002

Artists

  • Kristin Sweetland – Acoustic Guitar
  • Anne Lindsay – Violin
  • Roman Borys – Cello

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential:
“Chaconne” is a cinematic instrumental piece that evokes emotional depth and poetic introspection. With its roots in Bach’s Partita no. 2 and a modern folk arrangement, it blends acoustic guitar and strings into a warm, reflective soundscape.
  • Film/TV: Ideal for scenes of personal transformation, quiet revelation, or emotional resolution in dramas, fantasy, or art house films.
  • Documentaries: Suitable for nature, history, or biographical segments requiring a contemplative and elegant tone.
  • Advertising: Works well for campaigns focused on heritage, craftsmanship, wellness, or emotional storytelling.
  • Streaming Promos: A graceful backdrop for trailers or intros with themes of memory, romance, or artistic journey.
  • Short Films: Enhances visual storytelling with subtlety and emotional resonance.

Its midtempo pacing and instrumental purity make “Chaconne” a versatile choice for sync placements that require warmth, depth, and timeless beauty.

Track Narrative:
“Chaconne” drapes syncable emotion — Kristin Sweetland composes cinematic delicacy for scenes of transformation, loss, or the shadowed intersection of fate and grace.

Changed Man

Changed Man cover art

Changed Man
by Lee Palmer

Rugged and introspective — “Changed Man” by Lee Palmer blends acoustic Americana with lyrical resolve. With steady rhythm and reflective phrasing, this track suits sync moments of personal reckoning, growth, or cinematic closure rooted in real-world grit.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Changed Man
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Reflective, character-driven vocal cue for transformation, redemption, and personal growth. Strong for dramatic arcs, introspection, and scenes that mark change and realization.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Changed Man

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 110
  • Energy: Medium
  • Genres: Country, Pop
  • Vocals: Male
  • Instrumental Solos: Acoustic Guitar, Harmonica
  • Moods: Carefree, Hopeful, Relaxing, Uplifting
  • Cinematic Fit: Romance, Western
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Alec Fraser
  • Lyrics: Lee Palmer
  • Music Composition: Lee Palmer
  • Pre-Production Demos & Final Mix: Elmer Ferrer
  • Sound Engineer: James Paul
  • Mastering: Sam Williams

Artists

  • Lee Palmer – Acoustic Guitar and Vocals
  • Neil Donnell – Background Vocals
  • Roly Platt – Acoustic and Electric Harmonica
  • Burke Carroll – All Things Slide
  • Alec Fraser – Upright Bass, Session Leader
  • Al Cross – All Things Percussion
  • Elmer Ferrer – Acoustic and Spanish Guitars

Audio Preview

Full Track

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential:
“Changed Man” is a heartfelt, midtempo roots-pop ballad that explores themes of regret, redemption, and personal growth. With its warm acoustic instrumentation and reflective lyrics, the track is ideal for emotionally resonant storytelling.
  • Film/TV: Perfect for scenes of introspection, reconciliation, or character transformation in dramas, westerns, or romantic narratives.
  • Advertising: Works well for campaigns focused on second chances, legacy, or emotional connection—especially in family, insurance, or wellness sectors.
  • Documentaries: Suitable for biographical or historical segments that highlight personal journeys or life-changing decisions.
  • Streaming Promos: A strong fit for trailers or series intros with themes of change, reflection, or rural Americana.
  • Reality TV: Enhances moments of breakthrough, redemption arcs, or heartfelt backstories.

Its blend of acoustic guitar, harmonica, and male vocals gives “Changed Man” a timeless quality that supports both modern and classic visual narratives.

Track Narrative:
“Changed Man” stands firm in its message — Lee Palmer delivers a modern roots ballad that suits sync sequences of self-reflection, redemption, or quietly turning the page on the past.

Lyrics

It's never too late to learn to rebuild bridges I've burned To pave a new road To take a new turn If my efforts should fail I'll know that I've tried There'll be fewer regrets When it's my time to die And I'm a changed man I've got a new plan To walk that high road To a new land I'm gonna set things right Yes I am Throw the dice and pay the price I'm a changed man After Grandmother's fall She didn't know me at all Yeah, when Grandaddy died I wasn't there for his last call I thought they'd live forever When we laid them to rest I felt I owed it to them To do my very best And I'm a changed man I've got a new plan To walk that high road To a new land I'm going to set things right, yeah if I can Throw the dice and pay the price Try again and don't think twice And get the most out of this life I'm a changed man I'm a changed man

Abeng

Chant of the Exiled
by Rich Brown

“Chant of the Exiled” is a meditative yet propulsive jazz-fusion piece that blends spiritual resonance with rhythmic complexity. Rich Brown’s electric bass anchors the composition with deep, resonant tones, while layered percussion and ambient textures evoke a sense of ritual, migration, and inner strength. The track unfolds like a sonic invocation—perfect for sync scenes involving cultural introspection, spiritual awakening, or cinematic tension with emotional depth.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Chant of the Exiled Abeng
Clean Intro: Yes (0:00 – ambient tonal entry with subtle rhythmic texture)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Atmospheric, world-influenced cue for tension, cultural depth, and emotional weight. Strong for cinematic storytelling, historical tone, and scenes that evoke displacement, identity, and resilience.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Chant of the Exiled

Artist: Rich Brown
Genre: Jazz-Fusion / Solo Bass
Vocal Style: Instrumental
Energy Level: Midtempo
Key Signature: G Minor
Tempo: 146 BPM
Mood Tags: Meditative, Spiritual, Cinematic
Cinematic Fit: Drama, Documentary, Cultural, Reflective Scenes
Type: One Stop

Track Summary

Chant of the Exiled is a solo bass meditation by Rich Brown, blending spiritual resonance with rhythmic depth. The track evokes themes of displacement, resilience, and ancestral memory—ideal for sync placements that require emotional gravity and cultural introspection.

Sync Highlights

  • Solo bass textures for intimate or reflective scenes
  • Spiritual undertones for cultural or historical narratives
  • Ambient pacing suitable for documentaries or poetic transitions

Licensing Info

  • One Stop: All rights pre-cleared
  • Instrumental: No lyrics
  • Broadcast Ready: Mixed and mastered

Production Credits

  • Executive Producers: Ruchen Mahishmatish & Paul J. Youngman
  • Music Composition: Rich Brown
  • Recording: Jeremy Darby
  • Music Production: Rich Brown
  • Mixing & Mastering: Adam Tune

Contact

For licensing inquiries:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com/contact

Sync Potential: Chant of the Exiled

Artist: Rich Brown
Duration: 4:06
Genres: Jazz-Fusion / Solo Bass
Vocal Style: Instrumental
Key Signature: G Minor
Tempo: Midtempo
Energy Level: Meditative, Spiritual
Instrumentation: Solo Electric Bass
Moods: Reflective, Ancestral, Introspective, Poetic

Cinematic Fit

  • Drama
  • Documentary
  • Cultural Exploration
  • Spiritual Journey
  • Reflective Scenes

Sync Scenarios

  • Documentaries on diaspora, identity, or heritage
  • Opening scenes with spiritual or emotional tone
  • Montages of personal reflection or cultural memory
  • Closing credits with meditative resonance
  • Art house films with poetic pacing and minimalism

Contact: info@omrmusicproduction.com

Track Narrative:
“Chant of the Exiled” is a spiritual invocation — a solo bass composition that channels ancestral echoes and meditative depth. Rich Brown’s performance is both intimate and expansive, weaving rhythmic motifs with emotional gravity. Ideal for sync scenes that explore identity, displacement, or quiet resilience, this track offers a sonic space for reflection, memory, and cultural reverence.

CHASE

Chase cover art

Chase
by Ezekiel Hampton

“Chase” is an atmospheric dance-electronic instrumental that blends dreamy cool with quirky forward motion. With bass, percussion, and synth carrying a clean uptempo pulse, the track feels ideal for pursuit, stylish movement, and scenes that need momentum without turning overtly aggressive.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Chase
Clean Intro: Yes (0:00 – immediate rhythmic/tonal entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04 / 1:12
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48
Use Case: High-energy, driving cue for action, pursuit, and urgency. Strong for chase sequences, tension builds, and scenes that demand momentum and intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Chase

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 133
  • Energy: High
  • Genres: Dance, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dreamy, Quirky
  • Cinematic Fit: Comedy, Crime, Indie, Thriller
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Chase” is built for motion, pursuit, and stylized kinetic scenes that need pace without blunt force. Its instrumental structure and dreamy-cool energy make it especially effective for playful pursuit, sleek movement, and sequences that need forward motion with personality.

Ideal Sync Uses

  • Comedy: playful pursuit, stylish kinetic motion
  • Crime: sleek movement, modern pursuit, urban pace
  • Indie: quirky travel, stylized montage, cool motion
  • Thriller: low-stakes pursuit, controlled tension, moving setup

Scene Suggestions

  • Stylized chase or pursuit sequence with attitude
  • Fast-moving montage that needs cool pulse instead of aggression
  • Urban movement scene with sleek, modern rhythm
  • Playful pursuit that mixes tension and personality

Why It Works

  • Instrumental format keeps the cue flexible and dialogue-safe
  • Uptempo pulse supports motion immediately
  • Dreamy-cool tone adds style without melodrama
  • Minimal palette helps the track sit cleanly under picture
Stem Tracks:
Available upon request.
Track Narrative:
“Chase” feels like forward motion with a wink. It carries speed, cool, and a touch of oddity, making the scene feel quick, stylish, and just slightly off-center in the best way.

Chill Getarans

Chill Getarans cover art

Chill Getarans
by HYP

“Chill Getarans” glides on a G minor, 91 BPM groove that blends electronic, hip hop, and soul flavours into a minimal, swaggering bed. Deep bass, tight percussion, and sleek synth work create a confident, atmospheric space that’s perfect for stylish transitions, character cool-down moments, and reflective night-time sequences.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Chill Getarans (Sync Version)
Clean Intro: Yes (0:00 – immediate mellow rhythmic entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Laid-back, groove-driven cue for relaxed atmosphere, lifestyle scenes, and subtle motion. Strong for dialogue beds, montage, and moments that require calm, modern energy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP builds groove-heavy, cinematic instrumentals that pull from hip hop, electronic, soul, and global textures. Focused on bass, rhythm, and atmosphere, HYP’s tracks are tailor-made for editors who need modern, moody beds that still feel musical and elevated.

From late-night cityscapes to intimate character studies and lifestyle imagery, HYP’s catalogue leans into confident cool and reflective swagger, making it ideal for contemporary series, films, and branded content where vibe and pacing are central to the storytelling.

Sync Pitch Sheet: Chill Getarans

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 91
  • Energy: Midtempo (laid-back but driven)
  • Genres: Electronic, Hip hop / Rap, Soul
  • Vocals: Instrumental
  • Moods: Atmospheric, Confident, Minimal, Reflective, Rhythmic, Swagger
  • Lyric Themes: Instrumental — reads as focused cool, inner calibration, low-key swagger
  • Type: One Stop

Instrumentation

  • Deep, steady bass
  • Minimal but punchy percussion
  • Sleek synth textures and leads

Audio Preview

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.

Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Chill Getarans” delivers a minimal, swaggering midtempo bed that feels both modern and understated. Its electronic, hip hop, and soul blend makes it ideal for scenes where confident energy needs to stay cool and controlled, supporting picture with groove and atmosphere rather than big melodic moves.

Scene Types

  • Slow-motion walks, confident entrances, and exits
  • Night-time city visuals and ambient street scenes
  • Montages of focus, work, or quiet plotting
  • Stylish lifestyle, fashion, and product shots
  • Reflective solo moments with an edge of swagger

Film/TV Fit

  • Drama and character-driven series
  • Urban, street, and lifestyle storytelling
  • Fashion, tech, and design-driven branded content
  • Series needing modern, minimal hip hop/soul beds

Why It Works

  • 91 BPM midtempo keeps motion smooth and controlled, perfect for cool, composed characters.
  • Minimal arrangement leaves ample space for dialogue, VO, and sound design.
  • Electronic / hip hop / soul hybrid feels contemporary and tasteful, not aggressive.
  • Atmospheric and confident tone supports scenes of focus, style, and quiet power.
Track Narrative:
“Chill Getarans” plays like the internal soundtrack of a character who is always one step ahead. The groove is lean and uncluttered, with bass and percussion doing most of the talking while synth textures sketch in a moody, reflective skyline. It’s a natural fit for scenes of quiet confidence, calculated moves, and stylish downtime between big story beats.
Instrumental Notes:
Fully instrumental with no topline or lyric content, “Chill Getarans” is easy to place under dialogue and voice-over. The rhythmic elements are clear and propulsive, while the harmonic content stays minimal, allowing editors to ride the groove low in the mix or feature it more prominently without overwhelming the scene.

Stem Tracks

Contact OMR for available stems (bass, drums/percussion, synths, and full mix) and alternate edits optimized for teasers, cutdowns, loops, and specific runtime needs.

Chirapangua

Chirapangua cover art

Chirapangua
by Marito Marques

Rhythmic and expressive — “Chirapangua” channels folkloric instrumentation with cinematic flair. Marito Marques blends organic textures and sync-friendly pacing to create an instrumental perfect for scenes of cultural celebration, movement, and vibrant storytelling.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Chiripangula
Clean Intro: Yes (0:00 – immediate rhythmic/world-influenced entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Energetic, world-driven cue for movement, culture, and vibrant storytelling. Strong for travel scenes, montage, and sequences that highlight rhythm, place, and dynamic energy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Marito Marques

Drummer • Composer • Producer

Marito Marques is a Grammy-nominated drummer, composer, and producer whose musical journey bridges continents and cultures. Born in Portugal and based in Toronto, Marques is known for his dynamic performances and genre-defying compositions that blend jazz, world music, and contemporary sounds.

He began playing drums at age 5 and quickly rose to prominence, performing with the National Youth Orchestra of Portugal and later studying at Humber College in Canada. Marques has collaborated with international artists including Ivan Lins, Hilario Duran, and Larnell Lewis, showcasing his versatility and global appeal.

His solo albums, such as Magic Everywhere and Immerse, feature rich sonic landscapes and have earned critical acclaim. Marques is also a sought-after session musician and producer, contributing to projects across jazz, pop, and classical genres.

With a passion for rhythm and innovation, Marito Marques continues to push musical boundaries, inspiring audiences around the world.

Sync Pitch Sheet: Chirapangua

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 122
  • Energy: Moderate (Medium Tempo)
  • Genres: Funk, Jazz
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar, Brass, Synthesizer
  • Moods: Bright, Cinematic, Dreamy, Energetic, Fun, Happy, Hopeful, Playful, Reflective, Rhythmic, Swagger, Upbeat, Uplifting
  • Cinematic Fit: Adventure, Animation, Art House, Indie
  • Type: One Stop

Production Details

  • Producer & Arranger: Marito Marques
  • Music Composition: Marito Marques
  • Lyrics: Marito Marques

Artists

  • Percussion: Marito Marques
  • All Other Artists: Available Upon Request

Instrumentation

  • Horns
  • Keyboard
  • Percussion
  • Piano
  • Saxophone

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Chirapangua” is a sync-ready instrumental that blends folkloric textures with cinematic polish. Its rhythmic pulse and vibrant instrumentation make it ideal for scenes that celebrate movement, culture, and emotional uplift.

Ideal Sync Uses

  • Adventure & Travel: Perfect for montages, road trips, and cultural explorations.
  • Animation & Indie Films: Adds playful energy and emotional depth to visual storytelling.
  • Art House & Festival Circuits: Supports reflective and rhythmic pacing with global flair.
  • Commercials: Uplifting and energetic tone fits lifestyle, fashion, and tech brands.
  • Streaming Series: Great for transitional scenes, intros, or cultural backdrops.

Why It Works

  • Instrumental Format: No vocals means flexible placement across genres and moods.
  • Organic Percussion: Adds authenticity and movement without overpowering dialogue.
  • Cinematic Arrangement: Builds atmosphere while remaining sync-friendly.
  • Uptempo Energy: Keeps scenes dynamic and engaging.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Chirapangua” radiates rhythmic charm — Marito Marques offers an instrumental rooted in movement and atmosphere, made for sync use in scenes of travel, tradition, or cultural vibrancy.

Chock Full of Trouble

Chock Full of Trouble cover art

Chock Full of Trouble
by Lee Palmer

Bold and narrative-driven — “Chock Full of Trouble” by Lee Palmer delivers Americana grit and groove with character-rich lyrics and punchy acoustic instrumentation. Great for sync scenes of barroom reflection, slow-burn drama, or blue-collar resilience set to a steady rhythm.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Chock Full of Trouble
Clean Intro: Yes (0:00 – immediate vocal/blues entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Gritty, character-driven blues cue for conflict, tension, and personality. Strong for bar scenes, drama with attitude, and moments where trouble is brewing or unfolding.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Chock Full of Trouble

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 64
  • Energy: Low
  • Genres: Blues, Rock, Singer/Songwriter
  • Vocals: Male Vocal
  • Instrumental Solos: Electric Guitar, Saxophone
  • Moods: Angry, Hopeful, Serious
  • Cinematic Fit: Comedy, Crime, Drama, Mystery, Western
  • Type: One Stop

Production Details

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Music Composition: Lee Palmer
  • Lyrics: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Sound Mixing: Elmer Ferrer at The Tone Catcher
  • Sound Engineers: Kevin Dietz, Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Hammond Organ, Acoustic Piano, Accordion: Mark Lalama
  • Electric & Slide Guitar: Kevin Briet
  • Acoustic & Electric Bass: Alec Fraser Jr.
  • Drums: Al Cross

Guest Performances

  • Guitars, Baritone Guitar, Ukulele, Background Vocals: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Violin: Aaron Solomon
  • Tenor Sax: Turner King
  • Trumpet: Dave Dunlop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Lyric Themes

  • Life
  • Struggle
  • Family

Audio Preview

Your browser does not support the audio element.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Chock Full of Trouble” delivers a gritty, rootsy vibe with lyrical depth and emotional weight. Its low-energy blues-rock arrangement and moody tone make it a strong candidate for sync placements that require authenticity, tension, or character-driven storytelling.

Ideal Sync Uses

  • Drama & Mystery: Supports introspective scenes, emotional turning points, and rural realism.
  • Crime & Western: Adds texture to gritty landscapes, slow-burn tension, and character arcs.
  • Comedy: Works well with dry humor, ironic juxtapositions, or quirky character moments.
  • Indie Films: Enhances narrative depth with a singer-songwriter sensibility.
  • Streaming Series: Ideal for transitional scenes, flashbacks, or emotional reveals.

Why It Works

  • Authentic Vocal Delivery: Lee Palmer’s voice brings lived-in emotion and grit.
  • Organic Instrumentation: Real instruments and solos create timeless sonic appeal.
  • Lyric Themes: Life, struggle, and family resonate across genres and formats.
  • Midtempo Pace: Allows for flexible placement without overpowering visuals.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Chock Full of Trouble” walks the line between weary grit and dry wit — a track built for dialogue-heavy sync moments, character introspection, or rural realism that needs musical texture.

Lyrics

We all know it's true
Don't talk about it much
Might reach out to a friend
For a comforting touch
Might see it coming from a mile away
It could appear from out of nowhere
Make for a real bad day

Life can be
Chock full of trouble
Life can be
Chock full of trouble
Life can be
Chock full of trouble
Forever and a day
Life can be
Shot full of trouble
When trouble's headed your way

Excuse me for talking
About times being tough
All you have to do is look around
See everybody got their own stuff
You're always on the go
Never a moment's rest
Yeah, everybody's got their something
They'd like to get off their chest

And life can be
Shocked full of trouble
Life can be
Shocked full of trouble
Life can be
Shocked full of trouble
Forever and a day
Life can be chock full of trouble
When trouble's headed your way

Life can be charcoal or trouble
Life can be charcoal or trouble
Life can be charcoal or trouble
Forever and a day
Life can be a typhoon of trouble
When trouble's headed your way

Yeah, it's all about your head space
Rising above the clutter
Bein' there for your family, your friends, and your significant other
That storm's gonna pass
And it's too late for runnin'
Long as we're still standin'
There's better days a-comin'

Full of trouble
A child full of trouble

CHOCOLATE CAKE — Purple Fox & the Heebie Jeebies

Chocolate Cake cover art

Chocolate Cake
by Purple Fox & the Heebie Jeebies

A fast, feel-good funk romp with playful vocals and party-ready swagger. “Chocolate Cake” serves bright guitars, hand-clap bounce, and a smile-on-impact hook—tailor-made for family fun, food spots, celebrations, and montage moments that need instant joy.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Chocol
Clean Intro: Yes (0:00 – immediate rhythmic/tonal entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Smooth, groove-driven cue for modern lifestyle, movement, and subtle energy. Strong for montage, fashion, and scenes that require rhythm without overpowering dialogue.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Chocolate Cake

Artist: Purple Fox & the Heebie Jeebies
Genre: Funk, World
Instruments: Acoustic guitar
Lyric Themes: Celebration, Desire, Happiness, Party
Mood: Bright, Energetic, Fun, Happy, Playful, Positive, Quirky, Upbeat, Uplifting
Tempo: Fast • BPM: 147 • Key: D Major
Vocal: Female vocal • Type: One Stop

Track Summary

A cheeky, high-tempo funk jam with a wink. Acoustic-guitar strums ride a danceable backbeat while a memorable punch-line lyric lands the smile—perfect for food fun, party scenes, and lively family content.

Sync Highlights

  • Instantly quotable hook for comedic tags and end-cards
  • Upbeat groove supports montage, reveal moments, and celebration beats
  • Clean, family-friendly tone works across kids, food, and lifestyle brands

Sync Potential: Chocolate Cake

Built for celebratory visuals and playful storytelling—think birthday promos, food spots, party scenes, school events, and family-brand campaigns that crave bounce and a grin.

  • Food & dessert ads, bakery openings, cooking content
  • Kids & family promos, party montages, celebration bumpers
  • Wholesome lifestyle, community events, festival highlights
Track Narrative:
A sugar-rush of rhythm and wordplay. The groove pops, the guitar grins, and the vocal lands a punch-line that doubles as a feel-good button—sweet, simple, and delightfully repeatable.
Lyrics: What's the best thing to put in a chocolate cake Your Teeth
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alternate or mix-minus versions.
Purple Fox & the Heebie Jeebies

Purple Fox & the Heebie Jeebies

A funk-soul collective delivering upbeat, family-positive grooves with real-musician feel and modern polish. Purple Fox & the Heebie Jeebies blend contagious hooks, rhythm-section punch, and audience-participation chants that translate effortlessly on screen.

Styles: Funk, R&B, Soul • Strengths: Call-and-response hooks, clean edits, kid-friendly swagger • Typical Uses: Family brands, food & celebration content, community campaigns, upbeat montages

Christmas Isn’t Christmas Without You

Christmas Isn’t Christmas Without You cover art

Christmas Isn't Christmas Without You
by Mattie Leon

Nostalgic and heartwarming — “Christmas Isn’t Christmas Without You” by Mattie Leon captures the ache of absence wrapped in seasonal warmth. With acoustic intimacy and melodic sincerity, this track suits sync scenes of holiday longing, family memory, or sentimental celebration.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Christmas Isn’t Christmas Without You
Clean Intro: Yes (0:00 – immediate vocal/holiday entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, warm resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Warm, emotional holiday cue for nostalgia, longing, and connection. Strong for seasonal storytelling, family moments, and scenes centered on love, absence, and reunion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Christmas Isn't Christmas Without You

Song Profile

  • Key Signature: B Major
  • Beats Per Minute: 79
  • Energy: Midtempo
  • Genres: Folk, Singer-Songwriter, Soul
  • Vocals: Male Vocal
  • Moods: Atmospheric, Dreamy, Minimal, Moody, Reflective, Rhythmic, Sad
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
  • Lyric Themes: Christmas, Connection, Family, Fear, Love
  • Type: One Stop

Production Details

  • Words by: Mattie Leon
  • Music by: Mattie Leon, Mike Leon, Nelson Sobral
  • Produced, Recorded & Mixed by: Mattie Leon
  • Mastered by: Reuben Ghose

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Audio Preview

Your browser does not support the audio element.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Christmas Isn't Christmas Without You” is a heartfelt seasonal ballad that captures the emotional weight of absence and connection during the holidays. Its slow tempo and atmospheric production make it ideal for scenes that explore longing, memory, and the quiet tension of love and distance.

Ideal Sync Uses

  • Drama & Romance: Perfect for emotional turning points, holiday reunions, or reflective montages.
  • Coming-of-Age Films: Supports scenes of growth, nostalgia, and family tension.
  • Indie Productions: Adds depth and authenticity to character-driven storytelling.
  • Holiday Specials: Evokes the bittersweet side of Christmas with lyrical intimacy.

Why It Works

  • Emotive Male Vocal: Mattie Leon’s delivery is intimate and resonant.
  • Minimalist Arrangement: Leaves space for dialogue and visual storytelling.
  • Seasonal Theme: Directly references Christmas, enhancing placement potential.
  • Universal Emotions: Themes of love, fear, and family resonate across genres.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Christmas Isn’t Christmas Without You” wraps longing in melody — Mattie Leon crafts a seasonal ballad ready for sync scenes of homecoming, family memory, or emotional closure in festive surroundings.
Lyrics:
COLD CHECK
TIRED CHECK
GONNA GO OUT OF MY MIND
CHECK ON THE FORECAST AGAIN
HELL OF A STORM TONIGHT
IF IT FREEZES RAIN
YOU KNOW WHAT I'LL DO
BUY EVERY BAG OF SALT
FROM HERE TO SASKATOON
CAUSE CHRISTMAS ISN'T CHRISTMAS WITHOUT YOU

SCARED CHECK
STRESSED CHECK
WHAT IF YOU'RE WAITING ALONE
WATCHING AN UNREAD TEXT
YOU SENT ME AN HOUR AGO
TRAFFIC'S A MESS
IT WON'T EVEN MOVE
BUT I'LL GET OUT AND WALK BACK
ON THE QEW
CHRISTMAS ISN'T CHRISTMAS WITHOUT YOU

IF THE POWER GOES OUT
LIGHT THE CANDLES AGAIN
I'LL BE BACK BABY
SOON AS I CAN
CHRISTMAS ISN'T CHRISTMAS
CHRISTMAS ISN'T CHRISTMAS
CHRISTMAS ISN'T CHRISTMAS WITHOUT YOU

CHUTES AND SNAKES — Josh Friedman

Chutes and Snakes cover art

Chutes and Snakes
by Josh Friedman

Quirky, minimal acoustic guitar with light hand-percussion ticks and taps. Warm, reflective phrases and a midtempo sway make it a playful, VO-friendly underscore for curious reveals, crafty transitions, and feel-good lifestyle cuts.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Chutes and Snakes
Clean Intro: Yes (0:00 – immediate quirky/tonal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, playful resolved ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Quirky, offbeat cue for playful tension, unpredictability, and character-driven moments. Strong for comedy, light suspense, and scenes that balance humor with subtle unease.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Chutes and Snakes

Artist: Josh Friedman
Genre: Blues, Folk
Instruments: Acoustic guitar, Percussion
Lyric Themes: —
Mood: Hopeful, Light, Minimal, Quirky, Reflective, Warm
Tempo: Midtempo • BPM: 93 • Key: G Major
Vocal: Instrumental • Type: One Stop

Track Summary

A nimble acoustic figure and soft hand-percussion create a curious, gently propulsive groove. Warm overtones and tidy cadences keep edits clean while inviting a playful, reflective mood.

Sync Highlights

  • Quirky lift for map hops, reveals, and crafty transitions
  • Minimal, VO-friendly texture with natural phrase endings
  • Cozy tonal palette for lifestyle, DIY, maker, and food prep
  • Easy :15/:30/:60 trims at cadence closures

Sync Potential: Chutes and Snakes

Made for light comedy beats, lifestyle and travel vignettes, hands-on DIY sequences, and premium brand spots seeking warm, quirky motion without rhythmic clutter.

  • Stop-motion, assembly, and step-by-step builds
  • Curious closeups, tactile product shots
  • Playful scene-to-scene transitions and reveals
Track Narrative:
A friendly guitar motif snakes forward as light percussion nudges the pace. It smiles through scene changes, adds gentle humor, and lands with clean, confident cadences.
Instrumental:
Acoustic guitar with subtle hand-percussion (no vocals). Mix-ready master with clear transients and smooth decay for clean cuts and fades.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Josh Friedman

Josh Friedman

Composer-guitarist with a warm acoustic voice and cinematic instincts. Known for quirky lift, edit-smart phrasing, and VO-friendly textures that carry scenes with ease.

Styles: Blues, Folk, Singer/Songwriter, Classical • Strengths: Minimal textures, lyrical motion, clean cadences • Typical Uses: Lifestyle, Light comedy, DIY/Maker, Travel, Premium brand storytelling

Cielito Mío — IndiviDuo

Cielito Mío cover art

Cielito Mío
by IndiviDuo

A bright, romantic Country–Rock track driven by acoustic guitar, electric textures, and an upbeat rhythm. “Cielito Mío” follows a narrator searching endlessly for the one who changed everything—a love so powerful it becomes both need and compass. Confident, warm, and energetic, it’s a perfect fit for heartfelt romance arcs, reunion scenes, and sunlit, emotional storytelling.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Cielito Mio
Clean Intro: Yes (0:00 – immediate melodic/latin entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18
Use Case: Warm, melodic Latin cue for romance, nostalgia, and cultural atmosphere. Strong for travel, intimate scenes, and moments that emphasize connection, heritage, and emotional warmth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Cielito Mío

Song Profile

  • Key Signature: A Major
  • BPM: 136
  • Tempo: Uptempo
  • Genres: Country, Rock
  • Vocals: Female & Male Vocal
  • Mood/Feel: Confident, Hopeful, Positive, Romantic, Upbeat, Reflective
  • Lyric Themes: Dream, Love, Devotion
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Cielito Mío” blends Country warmth with Rock energy, telling the story of a love so profound that the narrator would walk endlessly just to be near them. Full of longing, light, and devotion, the track evokes big-hearted romance with a cinematic sweep—sun-drenched streets, emotional chases, and the dream of reunion.

Sync Highlights

  • Ideal for passionate romance arcs, heartfelt confessions, and reunion moments.
  • Great for travel sequences, emotional walks, and scenes of searching or longing.
  • Uplifting feel works well in positive turning points and relationship breakthroughs.
  • Both intimate and energetic—easy to use under dialogue or montage.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cielito Mío

This track shines wherever love, longing, and devotion drive the story. Its upbeat pulse and romantic lyric make it especially strong for heartfelt sequences in film and television.

Scene Types

  • Romantic chases, searches, and “running to find you” moments.
  • Sunset or sunrise montages, driving scenes, emotional travel.
  • Reunion scenes after separation or misunderstanding.
  • Moments of realization—when a character understands who they truly love.

Film/TV Fit

  • Romance
  • Dramedy
  • Coming-of-Age
  • Hope & Redemption arcs
  • Latin or cross-cultural storytelling

Why It Works

  • Energetic tempo keeps emotional scenes uplifting and forward-moving.
  • Lyrics speak directly to devotion, longing, and searching—editor gold for romance.
  • Warm acoustic textures with rock backbone give it cinematic versatility.
Track Narrative:
“Cielito Mío” tells the story of a love that becomes a guiding star. The narrator wanders through days of silence, dreams of sunlight, and follows emotional breadcrumbs hoping to reunite. The world becomes a stage without a curtain if the beloved doesn’t return. It’s a heartfelt, cinematic journey of longing, devotion, and the belief that love is worth every mile walked.

Lyrics: Cielito Mío

Casualidad ese día cuando te vi, fue sin pensar y el azar te trajo hasta a mí Días de silencio y de canción, voy buscándote sin dirección Caminaría por ti, cielito mío, te doy mi silencio por tu voz Pasaría las noches soñando con el sol Y si no vuelves a mí, cielito mío, soy un escenario sin telón Entregaría la vida tan solo por tu amor Necesidad desde el día que te conocí, debí recordar tu mirada de principio a fin Días de silencio y de canción, voy buscándote sin dirección Caminaría por ti, cielito mío, te doy mi silencio por tu voz Pasaría las noches soñando con el sol Y si no vuelves a mí, cielito mío, soy un escenario sin telón Entregaría la vida tan solo por tu amor Caminaría por ti, cielito mío Sin ti yo paso las noches soñando con el sol Y si no vuelves a mí, cielito mío, soy un escenario sin telón Entregaría la vida tan solo por tu amor Caminaría por ti.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
IndiviDuo

IndiviDuo

IndiviDuo blends Country, Latin, Pop, and Rock influences into emotionally charged, cinematic storytelling. Their music often explores love, devotion, transformation, and human connection through expressive vocals and warm acoustic textures.

With tracks like “Cielito Mío,” they deliver uplifting, heartfelt energy ideal for romance-driven narratives, heartfelt moments, and stories built around searching, longing, or reunion.

Styles: Country–Pop–Rock, Latin-infused Singer/Songwriter • Strengths: Duet vocals, emotional clarity, strong hooks • Typical Uses: Romance, Dramedy, Coming-of-Age, emotional turning points

CIELO Y TIERRA — Elmer Ferrer

Cielo y Tierra cover art

Cielo y Tierra
by Elmer Ferrer

Cielo y Tierra feels open, warm, and gently uplifting. Built around acoustic and electric guitar, the cue moves with a light, reflective grace that suggests distance, memory, and quiet optimism all at once. Its folk and world textures create a cinematic sense of place, making it ideal for travel sequences, reflective montage, emotional reconnection, or scenes where a character feels suspended between longing and hope.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cielo Y Tierra
Clean Intro: Yes (0:00)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: Yes (clean resolve)
Loopable: Moderate
Best Loop Candidates: 0:18–0:54 / 0:54–1:30 / 1:12–1:48
Use Case: Emotional, atmospheric cue suited for expansive visuals, reflective journeys, cultural landscapes, and scenes bridging inner emotion with physical environment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Cielo y Tierra

Song Details

  • Energy: Low / Warm
  • Genres: Folk, World
  • Vocals: Instrumental
  • Key: E Major
  • BPM: 90
  • Moods: Atmospheric, Dreamy, Hopeful, Light, Minimal, Reflective, Warm
  • Cinematic Fit: Drama, Travel, Romance, Indie, Coming of Age
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Acoustic Guitar
  • Electric Guitar

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Cielo y Tierra creates a spacious emotional atmosphere grounded in warmth and reflection. Its guitar-led texture makes it ideal for scenic storytelling, emotional transition, and moments where a character feels connected to place, memory, or possibility.

Ideal Sync Uses

  • Drama: emotional reflection with hope beneath the surface
  • Travel: wide scenic montage and journey sequences
  • Romance: quiet connection and emotional openness
  • Indie / Coming of Age: personal transition and reflective growth

Scene Suggestions

  • Character looking out across an open landscape or city view
  • Travel montage with emotional resonance rather than urgency
  • Quiet moment of reconnection or inner clarity
  • Scene where hope begins to emerge after uncertainty
Track Narrative:
Cielo y Tierra feels like standing between distance and belonging. Its guitar textures carry warmth and light, while the reflective mood leaves space for memory, hope, and emotional perspective. The cue is strongest in scenes where place and feeling become inseparable.

Cigua Por Tangos

Cigua Por Tangos cover art

Cigua Por Tangos
by Kiki Ferrer

Percussive and evocative — “Cigua Por Tangos” by Kiki Ferrer is a rhythmic tapestry that blends flamenco-style phrasing with cinematic sensibility. Driven by hand percussion and pulsing melodic fragments, this instrumental suits sync scenes of cultural motion, emotional buildup, and expressive choreography.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cigua por Tangos
Clean Intro: Yes (0:00 – immediate flamenco/latin instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong rhythmic ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Passionate, rhythmic flamenco cue for intensity, culture, and expressive movement. Strong for dance sequences, dramatic tension, and scenes that highlight emotion through rhythm and performance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: Cigua Por Tangos

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 75
  • Energy: Moderate
  • Genres: Holiday, Latin, Jazz, World
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar, Drums
  • Moods: Carefree, Romantic, Bright, Uplifting, Warm, Reflective, Light, Minimal, Positive, Quirky
  • Cinematic Fit: Fantasy, Romance, Western
  • Type: One Stop, Soundtrack

Production Details

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Guitar & Ukulele: Elmer Ferrer
  • Bass: Ivan Ruiz
  • Drums: Kiki Ferrer

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Piano

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Cigua Por Tangos is a rhythmic and cinematic instrumental that blends flamenco phrasing with Latin percussion and melodic minimalism. Its evocative textures and moderate energy make it ideal for sync placements in scenes that require:

  • Fantasy: Magical realism, folkloric transitions, cultural rituals
  • Romance: Intimate moments, expressive dance, emotional buildup
  • Western: Regional landscapes, horseback travel, reflective solitude
  • Choreography: Flamenco, tango, or contemporary movement sequences
  • Travel & Culture: Documentaries, culinary journeys, heritage storytelling

With its acoustic guitar and percussion-driven arrangement, the track offers a warm and uplifting mood that suits both narrative and commercial sync. The absence of vocals allows for flexible overlay with voiceovers or dialogue.

Recommended Use: Opening credits, transitional montages, cultural interludes, dance sequences, romantic vignettes.

Track Narrative:
“Cigua Por Tangos” captures motion and momentum — Kiki Ferrer crafts a score-ready instrumental fit for sync scenes of choreographic expression, folkloric movement, and transitional drama framed by regional flair.

CITY GIRL — Godgifu

City Girl cover art

City Girl
by Godgifu

“City Girl” is a midtempo indie-electronic vocal track that blends brightness, emotional tension, and forward motion into a distinctly urban character cue. Godgifu pairs cool rhythmic momentum with lyrics of loneliness, fear, and inner fracture, creating a track that feels ideal for scenes of movement, isolation, and identity under pressure.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: City Girl
Clean Intro: Yes, immediate tonal entry with urban atmospheric pull
Edit Points: 0:17 / 0:34 / 0:51 / 1:09 / 1:26 / 1:43 / 2:00 / 2:17
Button Ending: Likely no, better suited for fade or natural tail use
Loopable: High
Best Loop Candidates: 0:17–0:51 / 0:34–1:09 / 1:09–1:43
Use Case: Urban emotional movement cue for scenes of loneliness, pressure, and personal navigation through city life. Strong for coming-of-age drama, reflective montage, and character-driven storytelling with forward pulse.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic • Indie • Dark Alternative • Cinematic Vocal

Godgifu creates atmospheric, emotionally layered music that moves between electronic pulse, indie edge, and cinematic mood. The sound is modern and immersive, built from dark textures, rhythmic restraint, and vocal tones that feel both intimate and otherworldly.

For supervisors, the appeal is clear: moody emotional depth, female vocal presence, modern rhythmic momentum, and a strong fit for scenes involving identity, longing, isolation, transformation, and psychologically layered storytelling.

Sync Pitch Sheet: City Girl

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 112
  • Energy: Medium
  • Genres: Electronic, Indie
  • Vocals: Female Vocal
  • Instrumentation: Bass, Drums, Electric Guitar, Percussion, Synth
  • Moods: Bright, Cool, Moody, Positive, Reflective, Upbeat, Uplifting
  • Lyric Themes: Fear, Loneliness, Pain
  • Cinematic Fit: Coming of Age, Drama, Indie, Art House, Romance, Swagger & Confidence
  • Type: One Stop

Track Summary

City Girl is a midtempo indie-electronic vocal cue that pairs emotional heaviness with lift, movement, and brightness. Its mix of loneliness, pressure, and cool urban energy makes it especially effective for scenes where characters keep moving even while carrying something unresolved inside.

Sync Highlights

  • Emotional complexity with forward momentum
  • Urban tone makes it strong for city-based storytelling
  • Female vocal presence adds identity and emotional intimacy
  • Bright-meets-moody dynamic creates strong contrast under picture

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

City Girl is built for emotionally layered urban storytelling. Its cool pulse, reflective brightness, and themes of loneliness and pain make it especially effective for scenes where characters are navigating identity, pressure, and isolation while staying in motion.

Ideal Sync Uses

  • Coming of Age: Independence, transition, self-definition, young adult alienation
  • Drama: Emotional masking, pressure beneath the surface, quiet struggle
  • Indie: Urban realism, character movement, introspective storytelling
  • Art House: Emotional contradiction, layered city imagery, visual interpretation
  • Romance: Distance, fragility, emotional disconnection
  • Swagger & Confidence: Surface-level composure, cool city presence, performative independence

Scene Suggestions

  • Character walking alone through the city after a rupture or setback
  • New-life or new-city montage with unease beneath the momentum
  • Scenes of surface confidence masking private loneliness
  • Night driving, rainy streets, and urban reflective transitions
  • Character navigating adulthood, identity, and emotional pressure in motion

Why It Works

  • Balances heaviness and uplift in a highly usable sync lane
  • Urban tone gives it immediate visual application
  • Midtempo pulse supports montage and movement without overwhelm
  • Feels modern, cinematic, and emotionally mixed rather than one-note
Stem Tracks:
Available upon request.
Track Narrative:
“City Girl” feels like movement through emotional weather. It carries the image of someone trying to stay upright in a crowded world that somehow still feels cold and empty. Bright on the surface and wounded underneath, it belongs in scenes where isolation, identity, and urban momentum coexist at the same time.
Lyrics:
Raising a hand to catch a ride
Blinded by the rain
A stranger in your skin
A shelter of shadows in your mind
Isolate the pain
Stalking you by each breath

Somehow it's colder inside
And yet so crowded
A desolation unlike anything you felt
City girl
Sharp corners jutting out at every turn
Tell me how could you expect any different
No one can pacify you now
Are you drinking alone? Preferably, yes

Cause it's somehow colder inside
And yet so crowded
A desolation unlike anything you felt
City girl
Fast trapped in desperation
The Dolores screaming Fog and Blowup simulation
City girl
You're queen of empty streets
The constellation lost within your mother's eyes

Cause it's somehow colder inside
And yet so crowded
A desolation unlike anything you felt
City girl
Just a nightmare all along
Deafening sirens pleading you to return
City girl
City girl
City girl

Cause it's somehow colder inside
And yet so crowded
A desolation unlike anything you felt
City girl
Just a nightmare all along
Deafening sirens pleading you to return
City girl
You're queen of empty streets
The constellation lost within your mother's eyes
City girl
Fast trapped in desperation
The Dolores screaming Fog and Blowup simulation
City girl
City girl

City Song — Tiffany Joy

City Song cover art

City Song
by Tiffany Joy

“City Song” celebrates the pulse, beauty, and contradictions of urban life through Tiffany Joy’s warm and vivid storytelling. Blending Country and Singer‑Songwriter sensibilities, she paints the city as both muse and safe haven — where dreams, love, and rhythm all collide. Upbeat, reflective, and brimming with optimism, it’s a track that evokes connection and belonging amid the motion of modern life.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: City Song
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Warm, reflective vocal cue for urban life, introspection, and emotional movement. Strong for city montage, character-driven storytelling, and scenes that balance motion with inner reflection.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: City Song

Song Profile

  • Key Signature: Ab Major
  • BPM: 90
  • Tempo: Midtempo
  • Genres: Country, Singer/Songwriter
  • Vocals: Female Vocal
  • Mood/Feel: Bright, Upbeat, Positive, Reflective
  • Lyric Themes: Identity, Dream, Love, Home
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

“City Song” is a love letter to the energy and heart of city life. Combining earthy guitars with a steady midtempo rhythm, Tiffany Joy reflects on finding peace in chaos and belonging in the motion. Its lyrical optimism pairs with a warm, organic production that balances reflection and vibrance — perfect for scenes of hope, togetherness, or self‑discovery within an urban backdrop.

Sync Highlights

  • Ideal for cityscape montages, travel sequences, or “returning home” scenes.
  • Natural under dialogue — fits inspiring or introspective transitions.
  • Applicable in stories of personal renewal, community, or rediscovery.
  • Works beautifully in uplifting drama and heartfelt romance segments.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: City Song

A bright and emotionally grounded track, “City Song” suits modern cinematic storytelling centered on belonging, growth, and optimism. Its rhythmic energy and heartfelt tone make it a great fit for diverse visual moods and projects.

Scene Types

  • Opening or closing city montages.
  • Reconnection scenes between friends or lovers.
  • Moments of finding peace or inspiration in chaos.
  • Returning home after being away — rediscovery themes.

Film/TV Fit

  • Drama
  • Romance
  • Coming-of-Age
  • Urban Stories & Travel Docs

Why It Works

  • Upbeat yet emotionally grounded — ideal for montage or transition scenes.
  • Organic acoustic instrumentation keeps it authentic and relatable.
  • Positive energy complements themes of hope, connection, and identity.
Track Narrative:
“City Song” tells the story of finding stillness and self in the motion of urban life. The city becomes both muse and mirror — messy, alive, and full of grace. Through vivid imagery and layered melody, Tiffany Joy celebrates imperfect beauty and emotional grounding, discovering that home isn’t a place; it’s a feeling carried within.

Lyrics: City Song

Can't you see you're holding me, you're healing me in your crowded streets Funny I should find such peace when the city never sleeps Broken glass and cigarettes, some may say it's such a mess, but I I see perfection way you fly, You float just like an arrow across my mind The city never dies The way you crude, You sing just like a sparrow, and I'll come home to you I'll come home to you Someday La da da da da, la da da da da, oh yeah yeah La da da da da da da da da da da da da da La da da da da oh yeah yeah I'm all wrapped up in your beat A bobbing heads and pounding feet Seems like every face I meet knows they're lucky to be here I may wander far it seems to chase on love my crooked dreams, but even cross an ocean, I can hear you calling me way you fly, You float just like an arrow across my mind The city never dies The way you crude, you sing just like a sparrow, and I'll come home to you I'll come home to you The way you fly, you float just like an arrow across my mind The city never dies The way you crude, you'll sing just like a sparrow and I'll come home to you I'll come home to you I'll come home to you I'll come home to you I'll come home to you I'll come home to you I'll come home to you someday
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Tiffany Joy

Tiffany Joy

Tiffany Joy blends Pop, Country, and Soul influences into an emotionally rich singer/songwriter sound that radiates warmth and authenticity. Her songs explore themes of optimism, identity, and emotional connection — mixing heartfelt lyrics with organic musicianship.

With her expressive voice and acoustic‑driven production, Tiffany Joy’s music shines in cinematic moments of reflection, discovery, and belonging. Each track is an invitation to feel deeply and see beauty in the everyday.

Styles: Country, Singer/Songwriter • Strengths: Emotional sincerity, vivid imagery, soulful tone • Typical Uses: Drama, Romance, Hopeful Transitions, Coming‑of‑Age arcs

Classic Casanova — IndiviDuo

Classic Casanova cover art

Classic Casanova
by IndiviDuo

An uptempo, bright Pop track about giddy, playful romance and mutual infatuation. “Classic Casanova” blends groovy bass, drums, electric guitar, and percussion with a charismatic female vocal that slips between English and Spanish. The lyric celebrates a flirty, modern love story where Casanova and “Lolita” meet over “tropical guitar,” making it a natural fit for romantic comedy, dating, nightlife, and feel-good relationship stories.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Classic Casanova
Clean Intro: Yes (0:00 – immediate rhythmic/vocal entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, smooth resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Stylish, romantic cue for charm, seduction, and confident character energy. Strong for nightlife, romance, and scenes that highlight personality, allure, and smooth sophistication.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Classic Casanova

Song Profile

  • Key Signature: D# Minor
  • BPM: 125
  • Tempo: Uptempo
  • Genres: Pop
  • Vocals: Female Vocal
  • Mood/Feel: Bright, Upbeat, Fun, Happy, Retro, Positive, Quirky
  • Lyric Themes: Happiness, Connection, Desire, Romance, Love
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion

Track Summary

“Classic Casanova” is an uptempo, flirty Pop track that captures the rush of new love. The narrator is wide awake, thinking about someone “in the morning,” feeling tingles in their hands, and getting swept up in a rollercoaster of emotion. With its “tropical guitar,” playful references to Casanova and “Lolita,” and a bright, hooky chorus, the song leans into romantic fun rather than heavy drama. It is rhythm-driven, melodic, and highly syncable for romance-forward stories, dating sequences, and upbeat, modern love narratives.

Sync Highlights

  • Perfect for romantic comedy and dramedy scenes centered on crushes, new relationships, or mutual infatuation.
  • Works for dating-app montages, first dates, and “falling head over heels” sequences.
  • Uptempo groove, retro-tinged pop feel, and a catchy chorus make it ideal for montage and marketing cuts.
  • English lyric with Spanish phrases adds an extra layer of charm and character while staying accessible.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Classic Casanova

This track is especially strong wherever flirtation, fun, and electric chemistry are central to the story. Its playful back-and-forth and “I’m in love babe” refrain make it an obvious choice for scenes where characters are either falling for each other or fully enjoying a new relationship high.

Scene Types

  • Meet-cute moments, first dates, and “crush montage” sequences.
  • Couples dancing, getting ready for a night out, or driving with the windows down.
  • Romantic comedy set-pieces where the chemistry is obvious and the tone is playful and bright.
  • Nightlife, party, or bar scenes where attraction and connection are in the foreground.

Film/TV Fit

  • Romantic Comedy & Dramedy
  • Young Adult & Coming-of-Age
  • Dating and relationship-focused series
  • Lighthearted drama and feel-good features

Why It Works

  • Directly supports themes of attraction, love, and commitment in a fun, non-heavy way.
  • Uptempo pop energy keeps scenes buoyant and forward-moving, great for editing and pacing.
  • Quirky lyrical details (“tropical guitar,” “I’m your Casanova, I’m your Lolita”) add personality and sync very well with visually playful storytelling.
Track Narrative:
“Classic Casanova” tells the story of someone who has fallen hard and fast. They see their lover in the morning and stay up all night thinking about them, surprised by how strong and disarming the feelings are. The relationship is a “rollercoaster” that always takes them higher, framed in playful language about Casanova and “Lolita,” “cara bonita,” and a small but joyful home. It is a snapshot of that exhilarating stage of love where everything feels new, a little reckless, and completely irresistible.

Lyrics: Classic Casanova

I see you in the morning It keeps me up all night And it’s true and alarming You’re always on my mind Classic Casanova how you’ve won me over With your tropical guitar I see you it’s so true Contigo quiero cantar I’m in love babe Even though your house is Chiquita I’m your Casanova, I’m your Lolita You’re enough babe Let me see your cara bonita I’m your Casanova, I’m your Lolita I’m in love babe Even though your house is Chiquita I’m your Casanova, I’m your Lolita I’m in love babe And I wanna shout it out loud I see you in the morning I’m trying to understand It’s so new and disarming The tingle in my hands Every time I hold you what a rollercoaster You always take me high It’s so pure I’m so sure There’s no night like tonight I’m in love babe Even though your house is Chiquita I’m your Casanova, I’m your Lolita I’m in love babe And I wanna shout it out loud I’m your Casanova I’ll be Lolita I’m your Casanova I’ll be Lolita.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed for a specific brief.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership that blends Latin, Pop, and acoustic influences into cinematic, story-driven songs. Their music often centers on connection, distance, creativity, and emotional transformation, carried by warm arrangements and expressive vocals.

From intimate ballads to rhythmically driven, feel-good tracks like “Classic Casanova,” their catalog works across romance, drama, and coming-of-age narratives, especially where joy, flirtation, and emotional spark are front and center on screen.

Styles: Latin Pop, Pop, Singer/Songwriter • Strengths: Emotional storytelling, melodic hooks, cinematic acoustic textures • Typical Uses: Romance, Dramedy, Coming-of-Age, dating and lifestyle stories with a warm, playful feel

Circo de la Nada

Circo de la Nada cover art

Circo de la Nada
by Pavlo Carta

Theatrical and enigmatic — “Circo de la Nada” by Pavlo Carta blends eclectic instrumentation with cinematic flair. Driven by rhythmic variety and melodic abstraction, this instrumental supports sync scenes of surrealism, emotional performance, or character introspection with artistic nuance.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Circo de la Nada
Clean Intro: Yes (0:00 – immediate quirky/tonal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, playful resolved ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Whimsical, theatrical cue for eccentric characters, surreal moments, and playful unpredictability. Strong for comedy, stylized sequences, and scenes that lean into imagination and oddity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Cellist • Composer • Sonic Explorer

Pavlo Carta is a genre-defying cellist and composer whose music fuses classical technique with punk, folk, and experimental soundscapes. Known for his electrifying performances and loop-driven compositions, Carta transforms the cello into a vessel of raw emotion and sonic innovation.

Based in Italy, Carta has performed on national television and at underground venues across Europe, captivating audiences with his visceral style and magnetic stage presence. His work often incorporates live looping, percussion, and ambient textures, creating immersive musical experiences.

Carta’s discography includes albums like Polvo Cósmico and Volumen 2, which showcase his ability to blend poetic lyricism with avant-garde instrumentation. He is a frequent collaborator with filmmakers, dancers, and multimedia artists, expanding the boundaries of cello performance.

With a fearless approach to sound and storytelling, Pavlo Carta continues to redefine what it means to be a modern cellist.

Sync Pitch Sheet: Circo de la Nada

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 120
  • Energy: Low – Medium
  • Genres: World, Folk, Indie
  • Vocals: Instrumental
  • Instrumental Solos: Cello
  • Moods: Bright, Upbeat, Uplifting, Fun, Happy, Playful, Positive, Quirky, Rhythmic
  • Cinematic Fit: Art House, Drama, Fantasy, Historical, Horror, Mystery, Thriller
  • Type: One Stop

Production Details

  • Produzione: Ricky Lorenzo, TribalRecord BsAs Argentina
  • Music Composition: Pavlo Cartaginese

Artists

  • Pavlo Cartaginese: Violoncello, Chitarra, Basso, Pianoforte, Sintetizzatore, Batteria

Instrumentation

  • Keyboard
  • Strings

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Circo de la Nada is a theatrical and enigmatic instrumental that blends eclectic textures with cinematic flair. Its rhythmic variety and melodic abstraction make it a strong candidate for sync placements that require emotional depth, surrealism, or artistic nuance.

  • Art House: Experimental visuals, abstract storytelling, symbolic transitions
  • Drama: Character introspection, emotional turning points, reflective scenes
  • Fantasy: Magical realism, dream sequences, folkloric imagery
  • Historical: Period montages, cultural rituals, archival reimaginings
  • Horror & Mystery: Psychological tension, eerie ambiance, suspenseful pacing
  • Thriller: Investigative montages, slow reveals, stylized movement

The cello-led arrangement and low-to-medium energy profile allow the track to support both narrative and atmospheric sync. Its instrumental nature ensures flexibility for dialogue overlays and voiceovers.

Recommended Use: Opening credits, theatrical transitions, character studies, surreal interludes, emotional climaxes.

Track Narrative:
“Circo de la Nada” creates an atmospheric playground of sound — Pavlo Carta uses rhythm, texture, and dynamic movement to echo theatrical emotion and visual spectacle through music.

Classically Trapped — HYP

Classically Trapped cover art

Classically Trapped
by HYP

“Classically Trapped” is a dark, swagger-forward instrumental that blends modern hip-hop pulse with electronic drive and a cinematic sense of precision. Uptempo and rhythmic, it carries an icy confidence — the kind of track that feels tailored for sharp edits, high-stakes motion, and characters who move with control. Heavy bass, tight percussion, and sleek synth layers make it ideal for scenes where menace and cool composure live side by side.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Classically Trapped
Clean Intro: Yes (0:00 – immediate classical/tonal entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: Yes, strong resolved ending
Loopable: Partial
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Tense, sophisticated cue for drama, conflict, and controlled intensity. Strong for character-driven tension, strategic scenes, and moments where elegance meets pressure.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Classically Trapped

Song Profile

  • Key Signature: G Minor
  • BPM: 130
  • Tempo: Uptempo
  • Genres: Dance, Electronic, Hip Hop / Rap
  • Vocals: Instrumental
  • Mood/Feel: Confident, Cool, Dark, Moody, Rhythmic, Swagger
  • Type: One stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Track Summary

“Classically Trapped” drives with tight rhythmic precision and a dark, confident energy. Electronic textures and hip-hop pulse combine into a sleek, sync-ready bed that supports fast edits, controlled intensity, and modern tension. The uptempo pace adds propulsion while the tonal mood keeps it shadowy and cool.

Sync Highlights

  • Uptempo energy supports action pacing and quick-cut editing.
  • Dark swagger tone fits high-stakes, stylish, and clandestine scenes.
  • Instrumental format offers maximum flexibility under dialogue and VO.
  • Clean rhythmic grid makes it easy to cut, loop, and build tension.

Sync Potential: Classically Trapped

“Classically Trapped” excels in visually stylish, high-control sequences where confidence carries an edge. It’s ideal for modern tension: slick movement, shadowy intention, and momentum that never loses its composure.

Scene Types

  • Heist planning, surveillance, and stealth-forward action.
  • Runway, nightlife, luxury, and high-style montage sequences.
  • Sports training, warm-ups, and pre-competition build-up.
  • Fast-cut trailers, promos, and branded content with attitude.

Film / TV Fit

  • Crime & Thriller Series
  • Action & Heist Content
  • Reality Competition / Elimination Shows
  • Fashion, Lifestyle, and Luxury Advertising

Why It Works

  • Uptempo pulse drives scenes without overt melody clutter.
  • Dark, cool tone supports tension and swagger simultaneously.
  • Electronic-hip-hop blend feels modern, sharp, and versatile.

Instrumental: Classically Trapped

“Classically Trapped” plays like controlled acceleration — a tight rhythmic engine with a shadowy, confident posture. The percussion locks into a crisp grid while the bass provides weight and swagger, and the synth layers add a sleek, nocturnal sheen. Cinematically, it’s perfect for sequences where the character is in command: calculated movement, precise decisions, and danger handled with composure. The track’s uptempo pace supports fast cuts and kinetic visuals while staying cool enough to sit under dialogue when needed.
Track Narrative:
“Classically Trapped” captures the tension of precision — the feeling of being locked into a plan, a role, or a moment you can’t escape. It’s stylish and dark, driven by momentum and restraint, where every move is deliberate and every risk feels calculated.
HYP

HYP

HYP creates modern, sync-ready instrumentals that blend hip-hop foundation with electronic edge and cinematic restraint. Their tracks are built for pacing — driving scenes with rhythm, mood, and clean edit points that support picture without overpowering narrative.

Styles: Hip Hop / Rap, Electronic, Dance • Strengths: Dark swagger, rhythmic precision, modern texture • Typical Uses: Crime, Action, Fashion, Trailers, Sports & Competition

CLEAR AND DIFFUSED — Elmer Ferrer

Clear and Diffused cover art

Clear and Diffused
by Elmer Ferrer

Clear and Diffused moves with quiet restraint and tonal ambiguity, combining minimal percussion and atmospheric synth textures to create a sense of suspended tension. The cue feels both present and distant, offering clarity without resolution. Its balance of light and shadow makes it especially effective for scenes that require subtle unease, reflective space, and psychological undercurrents without overt musical direction.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Clear and Diffused
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00
Use Case: Light ambient cue for clarity, emotional reset, reflection, and open atmospheric scenes where the tone needs to feel spacious, calm, and gently evolving.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Clear and Diffused

  • Energy: Slow / Restrained / Suspended
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Key: C Major
  • BPM: 66
  • Moods: Atmospheric, Dark, Dramatic, Minimal, Moody, Mysterious, Reflective, Tension
  • Tonal Character: Ambiguous / Light vs Dark Contrast
  • Cinematic Fit: Thriller, Drama, Mystery, Psychological, Sci-Fi
  • Type: One Stop

Sync Potential

Clear and Diffused is a highly flexible atmospheric cue built on minimal structure and tonal contrast. Its ability to sit between light and dark makes it especially useful for scenes that require emotional ambiguity, subtle tension, or reflective space without forcing interpretation.

  • Best for: investigative scenes, psychological tension, quiet reveals
  • Dialogue-safe: Yes — minimal arrangement leaves space
  • Editorial flexibility: High — loopable, clean transitions
  • Emotional range: reflective → uneasy → restrained tension
Track Narrative:
Clear and Diffused exists in a space between clarity and uncertainty. It suggests awareness without resolution, presence without direction. The cue moves gently but never fully settles, making it ideal for moments where something is understood, but not yet revealed.

Clementine

Clementine cover art

Clementine
by Kristin Sweetland

Ethereal and emotive — “Clementine” by Kristin Sweetland pairs intimate lyricism with cinematic instrumentation. A syncable ballad that suits scenes of romantic reflection, internal dialogue, and quiet revelation set against natural or emotional landscapes.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Clementine
Clean Intro: Yes (0:00 – gentle vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30
Use Case: Warm, intimate vocal cue for nostalgia, tenderness, and emotional connection. Strong for character moments, reflective scenes, and storytelling centered on memory and closeness.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Clementine

Song Profile

  • Key Signature: E Major
  • Beats Per Minute: 104
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter, Country
  • Vocals: Female Vocal
  • Instrumental Solos: Acoustic Guitar, Mandolin
  • Moods: Romantic, Bright, Warm, Positive, Reflective
  • Cinematic Themes: Art House, Drama, Historical, Indie, Mystery, Romance, Thriller
  • Lyric Themes: Death, Family, Loss, Love
  • Type: One Stop

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Acoustic Guitar, Vocals
  • Rebecca Campbell: Harmony Vocals
  • George Koller: String Bass
  • Ken Whiteley: Mandolin

Instrumentation

  • Acoustic Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Clementine is a poignant and lyrical folk ballad that evokes themes of memory, loss, and enduring love. With its acoustic instrumentation and female vocal delivery, the track is well-suited for emotionally resonant sync placements across a variety of genres.

  • Drama: Family revelations, emotional turning points, quiet reflection
  • Romance: Tender moments, nostalgic flashbacks, heartfelt reunions
  • Historical: Period storytelling, rural landscapes, generational memory
  • Indie: Character-driven scenes, poetic transitions, nature imagery
  • Mystery & Thriller: Melancholic tension, slow reveals, atmospheric pacing
  • Art House: Symbolic visuals, dream sequences, emotional abstraction

The midtempo rhythm and warm acoustic textures provide a gentle emotional arc, making it ideal for scenes that require subtlety and depth. The lyrical themes of death, family, and love offer rich narrative alignment for film and television.

Recommended Use: Closing credits, memory montages, character introspection, rural transitions, poetic voiceovers.

Track Narrative:
“Clementine” glows with restraint and elegance — Kristin Sweetland delivers a track meant for sync scenes of quiet resolve, tender realization, or poetic transition underscored by nature and feeling.

Lyrics

Dead in the river that runs From the quicksilver moon to the slow Georgia sun Alone she lay cold she lay bare The girl with the Spanish moss hair It’s a curious scene that happened between A hazel eyed maiden a quick southern stream Where red bellied loon and sycamore twine Her body fell into the brine Clementine, Clementine You were a darling, a daughter of mine I’ll dream you a raven released by the dawn But where have you gone Down came her father all tired from the fields To wash his brown hands by the water There where the river rolls out to the sea Lay still his child in the reeds Oh my darling, oh my darling He wept thick salt tears ’till the dim light of morning So deep his sorrow Their fate so entwined His body fell into the brine Clementine, Clementine You were a darling a daughter of mine There where the river runs up to the sky We’ll meet in the sweet by and by Dead in the river that runs From the quicksilver moon to the slow Georgia sun Alone she lay cold she lay bare The girl with the Spanish moss hair Clementine, Clementine You were a darling a daughter of mine Go as you are, stay as you are And rise up your hand to the bright morning star

Climb — Tiffany Joy

Climb cover art

Climb
by Tiffany Joy

“Climb” is an uplifting Pop/Singer-Songwriter anthem filled with hope, desire, and personal power. Tiffany Joy blends bright acoustic textures with a driving midtempo groove, delivering a story about connection that feels fated, exciting, and transformative. With poetic imagery and an emotional ascent toward intimacy, the track radiates warmth and optimism — a perfect sonic companion for scenes of new love, rediscovery, and forward movement.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Climb
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Uplifting, motivational vocal cue for perseverance, growth, and emotional ascent. Strong for montage, inspirational arcs, and scenes that build toward achievement and breakthrough.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Climb

Song Profile

  • Key Signature: G Major
  • BPM: 97
  • Tempo: Midtempo
  • Genres: Pop, Singer/Songwriter
  • Vocals: Female vocal
  • Mood/Feel: Bright, Upbeat, Hopeful, Positive, Reflective
  • Lyric Themes: Power, Desire, Hope
  • Type: One stop

Instrumentation

  • Acoustic guitar
  • Bass
  • Drums
  • Electric guitar
  • Percussion

Track Summary

“Climb” builds around the intoxicating excitement of a connection that feels destined. Acoustic strums, warm percussion, and melodic electric guitar uplift Tiffany Joy’s expressive vocal as she wrestles with hope, desire, and the magnetic pull of someone who inspires her. The recurring “throw me down that rope of hope” motif gives the track a cinematic sense of ascent and longing.

Sync Highlights

  • Ideal for new-love arcs, hopeful turning points, and emotional breakthroughs.
  • Midtempo energy fits montages, discovery scenes, and travel sequences.
  • Poetic lyrics enhance reflective or romantic storytelling.
  • Warm instrumentation plays well under dialogue or VO.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Climb

Warm, uplifting, and emotionally forward, “Climb” elevates scenes that center on connection, inspiration, and rediscovery. The steady midtempo drive and acoustic foundation make it flexible for both dialogue-driven storytelling and sweeping visual sequences.

Scene Types

  • Romantic realizations, first sparks, or destined-feeling encounters.
  • Hopeful montages of growth, travel, or return.
  • Reflective moments of choosing love, vulnerability, or a new path.
  • Scenes with poetic VO or emotionally expressive inner monologue.

Film/TV Fit

  • Romance & Coming-of-Age
  • Drama with emotional or inspirational arcs
  • Indie Film & Streaming Series
  • Lifestyle & Travel-themed content

Why It Works

  • Hopeful tone lifts emotional stakes without overpowering scenes.
  • Midtempo rhythm provides movement for montage editing.
  • Imagery-rich lyrics add cinematic depth and symbolism.
Track Narrative:
“Climb” tells the story of a powerful emotional awakening — the moment someone arrives in your life and suddenly everything feels more vibrant, more possible, more meaningful. As desire settles “quickly in the soul,” the narrator finds herself more “herself” than ever before, pulled toward a future full of potential. The symbolic rope becomes a lifeline of hope, drawing her upward toward connection.

Lyrics: Climb

had to throw it in anticipation desire quickly settling in my soul And it's you complex and beautiful You fill me with the hope that makes me whole And I am more me than ever before, and powerful and craving more As I fight to find what lies in store, could it be I have fallen? And if I taste of you and I, my soul will linger long to tie you up in me Oh, why don't you throw me down that rope of hope and watch me climb my way to you I'm gonna climb my way to you And I said, hey, hey, look what you started A handsome how do you do led me astray Oh no, no, no, no, I shouldn't be here 'Cause I've got worlds to see and shows to play And I am fine for a moment in time till a thought of you creeps in my mind Your poetry, it makes me high, could it be you have got me? And if I taste of you and I, my soul will linger long to tie you up in me Oh, why don't you throw me down that rope of hope and watch me climb my way to you I'm gonna climb my way to you And all I'm trying to say Is that I'm glad that you're here now Well let's not throw this away 'Cause there's something more than chance here And if I taste of you and I, my soul will linger long to tie you up in me Oh, why don't you throw me down that rope of hope and watch me climb my way to you And if I taste of you and I, my soul will linger long to tie you up in me Oh, why don't you throw me down that rope of hope and watch me climb my way to you And if I taste of you and I, my soul will linger long to tie you up in me Oh, why don't you throw me down that rope of hope and watch me climb my way to you Oh, I'm gonna climb my way

Climbing Up the Hill

Climbing Up the Hill cover art

Climbing Up the Hill
by Paul Reddick

Steady and narrative — “Climbing Up the Hill” by Paul Reddick fuses roots blues with lyrical momentum. With moody atmosphere and textured vocals, this track works for sync scenes of perseverance, grit, journeying forward, or overcoming quiet hardship.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Climbing Up the Hill
Clean Intro: Yes (0:00 – immediate blues/vocal entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Gritty, determined blues cue for perseverance, struggle, and forward momentum. Strong for character-driven arcs, journey sequences, and scenes that emphasize resilience and effort.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Climbing Up the Hill

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 69
  • Energy: Slow-tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Instrumental Solos: Harmonica, 12-String Guitar, Accordion
  • Moods: Sad, Minimal, Quirky, Reflective
  • Cinematic Themes: Art House, Coming-of-Age, Drama, Historical, Romance, Western
  • Lyric Themes: Happiness, Hope, Identity, Love, Discovery
  • Type: One Stop

Production Details

  • Produced by: Colin Linden
  • Recorded by: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed by: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered by: John Whynot

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Linden: 12-String Guitar, National Steel Guitar
  • Garth Hudson: Accordion

Instrumentation

  • Acoustic Guitar
  • Keyboard

Audio Preview

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Climbing Up the Hill is a contemplative and emotionally resonant folk track that captures the quiet persistence of personal growth. With its slow tempo, male vocal delivery, and minimal instrumentation, the song is ideal for scenes that explore introspection, transformation, and solitude.

  • Art House: Symbolic visuals, poetic transitions, emotional abstraction
  • Coming-of-Age: Self-discovery, quiet rebellion, reflective turning points
  • Drama: Family tension, personal loss, emotional breakthroughs
  • Historical: Rural landscapes, generational memory, period storytelling
  • Romance: Longing, distance, quiet connection
  • Western: Solitary travel, frontier imagery, reflective solitude

The track’s lyrical themes—hope, identity, love, and discovery—align well with character-driven narratives. Its understated production allows for seamless integration with dialogue and voiceover.

Recommended Use: Transitional montages, closing credits, character introspection, rural sequences, emotional flashbacks.

Track Narrative:
“Climbing Up the Hill” is built for storytelling — Paul Reddick traces progress, conflict, and persistence through melodic weight and lyrical grip.
Lyrics:
Climbing up that lonesome hill
All is calm and all is still
Just a little and you will be home
All that’s gone is gone for good
Trying to do the things you should
Winding through the neighbourhood alone

Never used to wonder neither bothered why
Now you’re looking down the road
And up on to the sky
Soaring in the silence overtop the trees
A red tail rides a rising breeze
Beyond these mysteries

Never used to wonder neither bothered why
Now you’re looking down the road
And up on to the sky
Soaring in the silence overtop the trees
A red tail rides a rising breeze
Beyond these mysteries

Sometimes all that things have been
They aren’t always what they seem
Like some kind of crazy dream of love
Like some kind of crazy dream of love

Close to You

Close to You cover art

Close to You
by Amhed Mitchel

Warm and atmospheric — “Close to You” by Amhed Mitchel floats between ambient keys, rhythmic softness, and slow-burning melodic phrasing. Ideal for sync scenes of emotional healing, quiet intimacy, or abstract visual transitions requiring subtle texture and introspective mood.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Close to You
Clean Intro: Yes (0:00 – immediate vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45
Use Case: Intimate, emotional vocal cue for connection, closeness, and vulnerability. Strong for romantic scenes, relationship moments, and storytelling centered on emotional intimacy and presence.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer renowned for his expressive style and musical versatility. Born in Cuba and mentored by his father—a respected drummer—Amhed developed a deep connection to rhythm from an early age.

By the 1980s, he was performing with Cuban legends like Chucho Valdes. After relocating to Toronto in 2006, Amhed quickly became a fixture in the Canadian music scene, known for blending traditional Cuban rhythms with modern jazz and fusion.

His drumming is often described as pianistic—rich in tonal variety and dynamic nuance. Amhed’s collaborations span genres and continents, and his performances are marked by precision, soul, and innovation.

Beyond the stage, Amhed is a passionate educator, mentoring young musicians and sharing his rhythmic insights. His artistry and dedication continue to shape the sound of contemporary music.

Sync Pitch Sheet: Close to You

Song Profile

  • Artist: Amhed Mitchel
  • Genres: Ambient
  • Vocals: Instrumental
  • Instrumentation: Piano, Percussion, Synth
  • Moods: Atmospheric, Reflective, Introspective, Warm
  • Tempo: Slow
  • Type: One Stop
  • Cinematic Fit: Drama, Romance, Art House, Abstract Visuals

Audio Preview

Full Track

Snippet Preview

Track Description

Warm and atmospheric — “Close to You” by Amhed Mitchel floats between ambient keys, rhythmic softness, and slow-burning melodic phrasing. Ideal for sync scenes of emotional healing, quiet intimacy, or abstract visual transitions requiring subtle texture and introspective mood.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Close to You is a warm and atmospheric instrumental that blends ambient keys, soft percussion, and slow-burning melodic phrasing. Its introspective tone and emotional subtlety make it ideal for scenes that require quiet intimacy or reflective pacing.

  • Drama: Emotional healing, personal reflection, quiet transitions
  • Romance: Intimate moments, gentle connection, post-conflict resolution
  • Art House: Abstract visuals, poetic pacing, symbolic movement
  • Fantasy: Dreamlike sequences, surreal landscapes, magical realism
  • Indie: Character-driven storytelling, emotional nuance, scenic solitude

The track’s ambient nature and slow tempo allow for seamless integration with voiceovers, dialogue, and visual transitions. Its emotional warmth and minimalism make it a versatile choice for both narrative and commercial sync.

Recommended Use: Closing credits, transitional montages, emotional flashbacks, nature sequences, introspective moments.

Track Narrative:
“Close to You” carries an instrumental intimacy — Amhed Mitchel weaves piano, percussion, and emotive space into a palette perfect for filmic introspection, afterglow, or quiet visual rhythm.

Coeur-Age

Coeur-Age cover art

Coeur-Age
by Kristin Sweetland

Poetic and cinematic — “Coeur-Age” by Kristin Sweetland offers ambient depth with emotional pacing. Delicate phrasing and layered instrumentation support sync scenes of stillness, courage, or contemplative movement across inner or outer landscapes.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Coeur Age
Clean Intro: Yes (0:00 – soft vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30
Use Case: Soft, emotional vocal cue for introspection, memory, and quiet connection. Strong for reflective scenes, personal storytelling, and moments that carry subtle emotional depth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Coeur-Age

Song Profile

  • Key Signature: G Minor
  • Beats Per Minute: 84
  • Energy: Mid Tempo
  • Genres: Ambient
  • Vocals: Instrumental
  • Instrumental Solos: Acoustic Guitar, Other Winds
  • Moods: Atmospheric, Uplifting, Hopeful, Light, Positive, Reflective
  • Cinematic Themes: Adventure, Art House, Fantasy, Historical, Mystery, Romance, Sci-Fi, Thriller
  • Type: One Stop

Production Details

  • Composer: Kristin Sweetland
  • Produced/Engineered by: Chris Stringer
  • Recorded at: Union Sound Company
  • Mastered by: Jeff Elliot at Fedge Album Mastering
  • Copyright: © 2024 Arbora Vita Music

Artists

  • Kristin Sweetland: Electric Guitar, Wurlitzer, Omnichord, Porchboard Stomp

Instrumentation

  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Coeur-Age is a poetic and cinematic ambient instrumental that evokes emotional pacing and quiet strength. With its layered textures and contemplative phrasing, the track is ideal for sync placements that explore inner transformation, nature, and surreal landscapes.

  • Adventure: Exploratory sequences, nature immersion, personal quests
  • Art House: Symbolic visuals, emotional abstraction, experimental pacing
  • Fantasy: Magical realism, dreamscapes, ethereal transitions
  • Historical: Period montages, cultural rituals, reflective storytelling
  • Mystery & Thriller: Atmospheric tension, slow reveals, psychological depth
  • Romance: Quiet connection, emotional longing, scenic intimacy
  • Sci-Fi: Futuristic landscapes, introspective space, ambient technology

The track’s ambient nature and mid-tempo flow allow it to support both narrative and visual sync. Its instrumental format ensures flexibility for voiceovers and dialogue overlays.

Recommended Use: Opening credits, transitional montages, nature sequences, emotional interludes, dreamlike visuals.

Track Narrative:
“Coeur-Age” translates to “heart-age” or “heart of courage” — Kristin Sweetland crafts a contemplative instrumental ready for sync moments of quiet strength, emotional transition, or nature-infused reflection.

COME CLOSER — Amhed Mitchel

Come Closer cover art

Come Closer
by Amhed Mitchel (ft. Joseph Anidjar)

A velvet-groove instrumental in D minor at 90 BPM — “Come Closer” leans on pocket-tight drums, warm bass, and lyrical featured guitar lines. It’s intimate and modern with a late-night glow, equally suited to romance, reflective drama, and elegant city sequences.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Come Closer (ft. Joseph Anidjar)
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Intimate, emotionally driven vocal cue for connection, vulnerability, and relational tension. Strong for romantic scenes, close character moments, and storytelling centered on emotional proximity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Come Closer

Artist: Amhed Mitchel (ft. Joseph Anidjar)
Genre: Jazz, Soul, Fusion
Instruments: Electric Guitar, Bass, Drums, Electric Piano/Keys, Light Percussion
Vocal Style: Instrumental (Guitar-led)
Energy Level: Midtempo
Key Signature: D Minor
Tempo: 90 BPM
Mood Tags: Warm, Intimate, Romantic, Reflective, Cool, Groovy, Dreamy
Type: One Stop

Cinematic Fit

  • Romance: Candlelit scenes, soft-focus montages, slow-dance moments.
  • Drama: Quiet reconciliations, late-night drives, introspective turns.
  • Crime: Smooth stakeouts, upscale lounges, sleek city night glide.
  • Coming of Age: First crush energy, rooftop talks, formative nights.
  • Art House: Textural close-ups, neon reflections, poetic pacing.

Sync Potential: Come Closer

A dialogue-friendly groove with a lyrical guitar top-line. The 90 BPM pocket and modular sections make it easy to cut for montage, travel, and night-interior sequences across film, TV, and premium brand ads.

Sync Highlights

  • Guitar-led melody reads clearly under dialogue.
  • Midtempo feel supports romantic/reflective pacing.
  • Warm harmonic palette complements night exteriors.
  • Loopable sections for cutdowns, teasers, and stings.
  • Fits prestige drama, upscale lifestyle, and modern noir.
Track Narrative:
A city after midnight — “Come Closer” moves like a whispered invitation. Bass and drums keep the streetlight pulse while guitar sketches tender phrases in the dark, landing squarely between romance and reflective cool.

Stem Tracks: Come Closer

Instrumentals, alt mixes, and cutdowns available upon request. Contact OMR Music Production for options and delivery.

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban-Canadian drummer and composer known for blending modern jazz language with Afro-Cuban rhythmic roots. Relocating to Toronto in the mid-2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

COAST O'CLOCK — Ran de Casa

COAST O'CLOCK
by Ran de Casa

“Coast O’Clock” is a midtempo Hip Hop/Reggae crossover with confident flow, rhythmic bounce, and reflective undertones. At 95 BPM in G Minor, it blends bass, percussion, and synth into a smooth but purposeful groove centered on identity, belief, and forward motion. Its conversational delivery and steady cadence make it ideal for narrative-driven scenes, lifestyle montages, and grounded character progression.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Coast O’Clock
Clean Intro: Yes (0:00 – immediate laid-back instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, relaxed resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Easygoing, coastal groove cue for leisure, travel, and lifestyle scenes. Strong for montage, beach settings, and moments that evoke relaxation, warmth, and effortless movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Coast O'Clock

Song Profile

  • Key: G Minor
  • BPM: 95
  • Tempo: Midtempo
  • Genres: Hip Hop / Reggae / Dance
  • Vocals: Male
  • Mood/Feel: Confident, Cool, Moody, Rhythmic
  • Lyric Themes: Faith, Identity, Power, Struggle, Success
  • Type: One stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Track Summary

A reflective yet confident midtempo groove that blends conversational delivery with rhythmic consistency. The track balances introspection and forward motion, making it ideal for narrative-driven scenes where character perspective and progression are central. Its steady cadence supports dialogue while maintaining emotional presence.

Sync Highlights

  • Midtempo groove supports dialogue without crowding the scene.
  • Conversational vocal flow enhances narrative-driven sequences.
  • Consistent rhythm allows for easy looping and edit flexibility.
  • Subtle build maintains engagement without overpowering visuals.
  • One-stop ending provides clean editorial out points.

Sync Potential: Coast O'Clock

DRAMA

Why it fits: Reflective storytelling layered over confident delivery supports grounded, character-driven narratives.

  • Personal turning point scenes
  • Internal reflection moments
  • Life decision sequences
  • Character growth arcs
  • Real-world struggle storytelling

COMING OF AGE

Why it fits: Themes of identity, belief, and self-direction align with personal evolution and independence.

  • Young adult progression
  • Breaking away moments
  • Self-discovery arcs
  • First major life decisions
  • Identity formation sequences

CRIME

Why it fits: Subtle grit and realism support grounded urban environments without overpowering dialogue.

  • Street-level lifestyle scenes
  • Urban day-in-the-life sequences
  • Low-intensity tension builds
  • Environmental storytelling
  • Character movement through territory

INDIE

Why it fits: Conversational tone and understated groove make it ideal for intimate, character-first storytelling.

  • Indie film transitions
  • Dialogue-driven scenes
  • Montage with narrative voice
  • Urban realism storytelling
  • Subtle emotional builds
A grounded perspective on growth, belief, and responsibility. The narrator reflects on choices, setbacks, and self-determination, balancing personal ambition with awareness of the world around him. It’s a forward-moving mindset shaped by experience and intention.

Lyrics: Coast O'Clock

Prezi, Prezi, Prezi, Prezi, Prezi, Prezi, Prezi, Prezi What up, welcome to the beat and uh I'm up Thankful for the chance to speak to you and yup Here to celebrate belief, a vision everybody don't see I mean You know, shepherd in the sheep and uh we know Chief got to serve the peace and uh I'm on Here to do what we need My shift next like I pressed Z So I'm coming up on mine Then Corona took me up out that line Black turn to red the roulette of my life Had to take a bet on myself this time Double down on me speaking my mind Triple down on three points I'm behind Mama always told me it's free to be kind Don't lie and you won't have to rewind Well my I'mma make it on me Defense won't let them take it on me Almost gave in to what it's gonna be Then I remember that this shit is on me Who else? Last play of the game on me Last ace of his name, homie At the end of the day on me No holiday so it's no short weeks I mean Of course I've been dying to rap Baby build a life off the tracks Train left a good while back I'm pretty good with math You feel me? Touchscreen sensitive more than Siri Virtual dispensing of the real me They cost so what could the appeal be? Move faster right before the kill scene Flow clean custodian of the drill team No mean on average he's a real piece Lowkey, really should say he's filthy He wins and fan is what you will be You in the back, in the back, in the back... I'm trying to bump up your mind, bump up your time Want you to come up and bump up your grind Collect the high, reach for the sky Don't let an uh-oh upset the vibe Bump up your mind, bump up your time Run up or jump up however you like Go past the sign, enter your prime Blind till you come up and grow up a lie All that shit, fold that shit right there Hold that light, photosynthesis I'm focused, I'm on this right here Government favors the rich in America They can't vote, they can't pick they mayor So you see you got a job right here Rock the vote, send before November Music and politics campaign Influence but in different spheres What's your main is it in the mirror? I don't know I'll just stay right here Safe to stay in the lane you're in Safe to stay what's been consistent Frito-Lay keep on bagging chips You in the back You in the back in the back in the back
Stems available upon request.

Ran de Casa blends hip hop, reggae, and modern production into a cinematic sound rooted in identity, movement, and perspective. His music carries both confidence and reflection, making it well-suited for narrative storytelling across film and television.

Collide

Collide cover art

Collide
by Thadeus Gonzalez

“Collide” is a moody, powerful rock vocal with punk-metal weight and a relationship-driven emotional core. Built around desire, connection, tension, and uncertainty, the track carries the sound of two people caught between attraction and impact.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Collide
Clean Intro: Yes (0:00 – immediate moody rock vocal/guitar identity)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, resolved rock ending
Loopable: Moderate
Best Loop Candidates: 0:30–1:00 / 1:15–1:45 / 1:45–2:15
Use Case: Powerful rock vocal cue for romantic tension, emotional uncertainty, relationship friction, late-night longing, and scenes where desire and conflict are on a collision course.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Rock Vocalist • Songwriter • Grit-Forward Performer

Thadeus Gonzalez delivers hard-edged rock with punk urgency, metal weight, and an emotionally direct vocal presence. His sound is built for attitude, movement, romantic friction, and raw character energy.

His tracks carry a lived-in quality that fits scenes of desire, relationship pressure, rebellion, road-worn survival, and emotionally charged self-reckoning.

Sync Pitch Sheet: Collide

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 102 BPM
  • Genres: Metal, Punk, Rock
  • Tempo: Midtempo
  • Vocals: Male vocal
  • Moods: Confident, Moody, Powerful
  • Lyric Themes: Connection, Desire, Life, Love, Relationship
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Electric Guitar

Track Summary

“Collide” is a midtempo rock vocal built around emotional intensity, desire, and unresolved connection. Its powerful guitar-driven foundation and moody vocal performance make it a strong fit for relationship tension, romantic uncertainty, internal conflict, and scenes where attraction and damage are moving toward impact.

Sync Highlights

  • Strong male vocal with emotional urgency.
  • Powerful rock sound suited for romantic conflict and dramatic tension.
  • Midtempo pacing supports both dialogue-adjacent drama and montage use.
  • One-stop status supports streamlined clearance.

Sync Potential

“Collide” by Thadeus Gonzalez works well for scenes where emotional attraction is complicated by fear, conflict, or uncertainty. Its moody rock tone and powerful vocal delivery make it useful for modern drama, relationship fallout, bar scenes, late-night drives, and moments where a character is trying not to crash into the thing they want most.

Scene Types

  • Relationship tension and romantic conflict
  • Late-night driving or emotionally charged montage
  • Bar, club, garage, or live-band scenes
  • Internal struggle and desire-driven decisions
  • Modern drama with rock attitude and emotional weight

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics

Lyrics available upon request. Add approved full lyrics here if you want them displayed on the public track page.

Track Narrative:
“Collide” captures the moment before emotional impact. It is a relationship song built on desire, uncertainty, and the fear of what happens when two people get too close. The guitars give it weight, the vocal gives it urgency, and the lyric world keeps circling the question of whether connection will heal the damage or deepen it.

COME UP SHORT

Come Up Short cover art

Come Up Short
by Ezekiel Hampton

“Come Up Short” is a slow-burning electronic instrumental built on atmosphere, intimacy, and emotional restraint. With bass, percussion, and synth shaping a moody, dreamy frame, the track feels ideal for late-night reflection, romantic uncertainty, and scenes where longing and vulnerability need space to breathe.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Come Up Short
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Subtle, introspective cue for tension, hesitation, and emotional restraint. Strong for character-driven moments, unresolved conflict, and scenes that carry quiet uncertainty.

OMR Cue Map

Track: Come Up Short
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Subtle, introspective cue for tension, hesitation, and emotional restraint. Strong for character-driven moments, unresolved conflict, and scenes that carry quiet uncertainty.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Come Up Short

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 80
  • Energy: Low
  • Genres: Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Dreamy, Hopeful, Moody, Reflective, Romantic, Sexy
  • Cinematic Fit: Romance, Drama, Indie, Art House
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Come Up Short” is built for scenes of longing, private vulnerability, and emotional nearness that never fully resolves. Its instrumental structure and slow dreamy mood make it especially effective for romantic hesitation, intimate aftermath, and reflective moments where the feeling is present but the outcome remains uncertain.

Ideal Sync Uses

  • Romance: longing, hesitation, sensual distance, intimate uncertainty
  • Drama: emotional restraint, vulnerable pause, unresolved feeling
  • Indie: late-night reflection, quiet intimacy, subtle ache
  • Art House: mood-driven intimacy, atmospheric desire, suspended emotion

Scene Suggestions

  • Late-night scene where attraction and distance exist together
  • Reflective sequence after an emotional or romantic setback
  • Quiet intimate moment that never fully resolves into confession
  • Montage built around longing, absence, or restrained desire

Why It Works

  • Instrumental format keeps the cue open and highly flexible under dialogue
  • Slow pulse gives the scene room to breathe emotionally
  • Dreamy romantic tone supports intimacy without becoming sentimental
  • Minimal electronic palette adds modern atmosphere while staying understated
Stem Tracks:
Available upon request.
Track Narrative:
“Come Up Short” feels like the quiet space where desire, reflection, and emotional hesitation overlap. It carries intimacy and distance together, making the scene feel private, vulnerable, and unresolved in a human way.

Common Ground

Common Ground cover art

Common Ground
by Mattie Leon

Honest and melodic — “Common Ground” by Mattie Leon delivers emotional sincerity and lyrical clarity through acoustic storytelling. With warm tone and thoughtful pacing, this track supports sync moments of reconciliation, mutual understanding, or internal growth.

Full Track

Your browser does not support the audio element.

Snippet Preview:

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Common Ground
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, warm resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Warm, emotionally grounded vocal cue for connection, reconciliation, and understanding. Strong for relationship arcs, reflective scenes, and moments that bring characters together.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Common Ground

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 74
  • Energy: Midtempo
  • Genres: Ballad, Folk, Indie, Singer-Songwriter
  • Vocals: Male Vocal
  • Instrumental Solos: Acoustic Guitar, Strings
  • Moods: Warm, Hopeful, Positive, Reflective
  • Cinematic Themes: Coming-of-Age, Crime, Drama, Indie, Mystery, Thriller
  • Lyric Themes: Unity, Connection, Relationship, Strength, Struggle
  • Type: One Stop

Production Details

  • Words & Music: Mattie Leon
  • Produced & Mixed by: Mattie Leon
  • Mastered by: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Strings
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Common Ground

Honest and melodic — “Common Ground” by Mattie Leon delivers emotional sincerity and lyrical clarity through acoustic storytelling. With warm tone and thoughtful pacing, this track supports sync moments of:

  • Reconciliation
  • Mutual understanding
  • Internal growth
  • Shared humanity
  • Emotional turning points
  • Soft-spoken hope

Its cinematic fit spans genres such as Coming-of-Age, Drama, Indie, Mystery, Crime, and Thriller. The track’s acoustic intimacy and lyrical depth make it ideal for scenes requiring emotional resonance and character connection.

Recommended Use: Dialogue-driven scenes, montage sequences, reflective transitions, or character reunions.

Track Narrative:
“Common Ground” explores vulnerability through voice and acoustic atmosphere — Mattie Leon shapes a ballad built for sync moments of shared humanity, emotional turning points, or soft-spoken hope.
Lyrics:
This ain’t a sermon
Despite the sound
No there’s already too much of that going around
We keep drifting like two brothers
Who’ve grown angry and too proud to ever find
Some common ground

Nothing’s perfect
Nothing’s clean
There are things you love that don’t make sense to me
But what good does it do to push you out
We need to find
Some common ground

I gave up I thought there’s nothing left to say
I got heated I got carried away
If you can’t listen then I’ll try to hear you out
So we can find
Some common ground

The world is working
Against you and me
Ya it pulls us to the fringes and extremes
I can barely recognize you now
We need to find
Some common ground

I gave up I thought there’s nothing left to say
I got heated I got carried away
If you can’t listen then I’ll try to hear you out
So we can find
Some common ground

If I can hold my tongue you can hold your tongue too
With a little bit of luck
We’ll be over this soon

When it’s over
That’s when we’ll see
Just how pointless all this arguing has been
I don’t want to wake up years from now
And wish we fought for common ground

Concrete

Cover art for OMR Music Production — Concrete

Concrete
by OMR Music Production

Melancholic and cinematic — “Concrete” blends ambient textures with delicate piano and orchestrated phrasing. Built for scenes of introspection, loss, quiet strength, or emotional transition framed by urban imagery or interior solitude.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Concrete
Clean Intro: Yes (0:00 – immediate atmospheric/tonal entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Dark, grounded cue for urban tension, isolation, and introspection. Strong for city scenes, psychological drama, and moments that carry weight, stillness, and underlying pressure.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Music Production logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Concrete

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 140
  • Energy: Very High
  • Genres: Cinematic, Grunge, Horror, Rock
  • Vocals: Male Vocal
  • Moods: Angry, Confident, Uplifting, Reflective, Hopeful, Tension
  • Cinematic Fit: Horror, Drama, Thriller
  • Lyric Themes: Happiness, Hope, Identity, Individuality, Struggle
  • Type: One Stop

Production Details

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Piano
  • Synth/Textures

Audio Preview

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Concrete

Raw and relentless — “Concrete” channels urban grit and emotional intensity through distorted guitars and pounding rhythms. With its cinematic tension and lyrical edge, this track supports sync moments of:

  • Urban survival
  • Identity struggle
  • Emotional breakdowns
  • Rebellion and resistance
  • Dark introspection
  • Psychological suspense

Its sonic aggression and lyrical themes make it ideal for Horror, Drama, and Thriller scenes — especially those requiring emotional weight, character isolation, or gritty realism.

Recommended Use: Chase sequences, psychological montages, urban flashbacks, or climactic confrontations.

Stem Tracks

Contact OMR for stems and alt mixes.

Track Narrative:
“Concrete” flows with subtle strength — OMR Music Production shapes a piece that fits urban poetry, cinematic melancholy, or quiet climaxes that rely on emotional weight and stillness.

Lyrics

VERSE 1 HAVEN’T SEEN THE SUN FOR FORTY DAYS UNDERNEATH A DARK GREY HUNGRY HAZE PHOTOS PAINTED ON A SILVER SCREEN YELLOW CHECKERED NEW YORK TAXIS VERSE 2 MINDLESS ZOMBIES CREEPING BY CARDBOARD CONDO HOTELS, GETTING HIGH HAVE TO KEEP MY HEAD AIMED TO THE GROUND DON’T DISTURB WHAT’S CREEPING AROUND CHORUS (REPEAT 2X) LIVING IN A CONCRETE JUNGLE THRIVING IN A CONCRETE MAZE SCHEMING IN A CONCRETE JUNGLE GOT ME FEELING HEARTLESS WEAR A STONE COLD HEARTLESS GAZE (second time) VERSE 3 HUNGRY PREDATORS LIE IN WAIT VORACIOUS HEATHENS CONJUGATE MISTER, SISTER, ARE QUITE A PAIR MAINLINED, STREAMLINED IN THEIR LAIR VERSE 4 FACES OF ADDICTION LINE THE WAY TOO DARK TO TELL THE TIME OF DAY POVERTY PORN SMACKS YOU IN THE FACE IS THIS THE FUTURE OF THE HUMAN RACE CHORUS (REPEAT 2X) VERSE 5 BEGGARS, THIEVES, SHARE A DIME BULLS & BEARS, COMMITTING CRIMES SECRET & LIES, FROM THE WALL AS LIBERTY WATCHES OVER ALL VERSE 6 RAINBOWS DIE IN THE LAND OF GRAY COLORS THRIVE FROM A CAN OF SPRAY CROWDLESS VOICES SING THE PRAISE THAT SETS THE CONCRETE WALLS ABLAZE

Constellation 149

Constellation 149 cover art

Constellation 149
by Rich Brown

Cosmic and groove-driven — “Constellation 149” by Rich Brown explores bass-forward phrasing layered with rhythmic textures and jazz inflections. Built for sync scenes of space, city motion, cerebral tone, or visual abstraction where musical intricacy meets ambient propulsion.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Constellation 149
Clean Intro: Yes (0:00 – ambient tonal entry, no hard transient)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20
Use Case: Expansive, atmospheric cue for wonder, isolation, and introspection. Strong for cinematic landscapes, space themes, and scenes that evoke scale, distance, and quiet emotional depth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Constellation 149

Song Profile

  • Key Signature: F Major
  • Beats Per Minute: 76
  • Energy: Medium
  • Genres: Funk, Jazz
  • Vocals: Instrumental
  • Instrumental Solos: Bass Guitar, Drums, Piano, Saxophone
  • Moods: Carefree, Bright, Confident, Cool, Hopeful, Light, Positive, Reflective, Romantic, Uplifting, Tension
  • Cinematic Fit: Crime, Drama, Mystery, Thriller
  • Type: One Stop

Production Details

  • Executive Producer: Rich Brown
  • Music Composition: Rich Brown
  • Recording: —
  • Music Production: Rich Brown
  • Mixing & Mastering: —

Artists

  • Electric Bass: Rich Brown
  • Alto Saxophone: Luis Deniz
  • Piano: Robi Botos
  • Fender Rhodes: David Virelles
  • Drums: Larnell Lewis

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Horns
  • Percussion
  • Piano
  • Saxophone
  • Synth
  • Trumpet

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Constellation 149

Cosmic and groove-driven — “Constellation 149” by Rich Brown explores bass-forward phrasing layered with rhythmic textures and jazz inflections. Built for sync scenes of:

  • Space and abstraction
  • City motion and urban rhythm
  • Cerebral tone and introspection
  • Visual complexity and montage
  • Stylized transitions and ambient propulsion

The track’s instrumental depth and genre fusion make it ideal for Crime, Drama, Mystery, and Thriller settings — especially those requiring musical intricacy and emotional nuance.

Recommended Use: Stylized city sequences, character reflection, investigative montages, or transitional scenes with rhythmic sophistication.

Track Narrative:
“Constellation 149” spins melodic architecture across jazz currents and spatial motion — Rich Brown’s instrumental floats across sync scenes of introspection, dynamic travel, or rhythmic complexity with cerebral edge.

CONTROL UNDER CHAOS — Elmer Ferrer

Control Under Chaos cover art

Control Under Chaos
by Elmer Ferrer

Control Under Chaos balances tension and precision through a driving rhythm built on bass, percussion, electric guitar, and synth. The cue feels sleek and composed even while momentum builds, creating the sense that someone is navigating disorder with calm authority. Its blend of dance, electronic, and funk elements makes it well suited for investigative sequences, high-stakes planning, tactical movement, or moments where composure prevails despite rising pressure.

Full Track
Your browser does not support the audio element.
Snippet Preview
Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Control Under Chaos
Clean Intro: Yes (0:00)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52
Button Ending: No, driving tail
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:48–1:20 / 1:04–1:36
Use Case: Controlled tension cue for action-lite sequences, strategic movement, investigative pacing, and scenes where pressure builds beneath a composed surface.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Control Under Chaos

Song Details

  • Energy: Medium / Driving
  • Genres: Dance, Electronic, Funk
  • Vocals: Instrumental
  • Key: A Minor
  • BPM: 76
  • Moods: Atmospheric, Confident, Cool, Rhythmic
  • Cinematic Fit: Thriller, Crime, Action, Heist, Spy
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Control Under Chaos captures the feeling of calm precision inside a rapidly shifting situation. Its rhythmic confidence and stylish groove make it ideal for scenes where characters operate with control while the world around them becomes unpredictable.

Ideal Sync Uses

  • Crime / Heist: strategic planning and execution
  • Thriller: controlled tension and tactical movement
  • Spy / Action: sleek operations and stealth sequences
  • Drama: moments of composure under pressure

Scene Suggestions

  • Team coordinating a carefully planned operation
  • Character maintaining control while events escalate
  • Stylized montage of strategic preparation
  • Confident walk into a high-stakes confrontation
Track Narrative:
Control Under Chaos moves like steady hands on the wheel while the road twists ahead. Its groove carries composure and quiet authority, suggesting a character who knows exactly what they are doing—even when everything around them threatens to fall apart.

Copper Kettle

Cover art for Kristin Sweetland — Copper Kettle

Copper Kettle
by Kristin Sweetland

Haunting and rustic — “Copper Kettle” by Kristin Sweetland delivers storytelling with depth and spirit. Acoustic melodies wrap around evocative vocals; ideal for scenes of tradition, rebellion, or poetic landscape woven through folk memory.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Copper Kettle
Clean Intro: Yes (0:00 – gentle vocal/acoustic entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30
Use Case: Warm, rustic vocal cue for nostalgia, storytelling, and intimate reflection. Strong for period scenes, personal narratives, and moments that evoke memory, simplicity, and emotional warmth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Music Production logo

Guitarist • Photographer • Storyteller

Kristin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Copper Kettle

Song Profile

  • Key Signature: F# Minor
  • Beats Per Minute: 99
  • Energy: Mid Tempo
  • Genres: Folk, Singer-Songwriter
  • Vocals: Female Vocal
  • Instrumental Solos: Electric Guitar, Violin
  • Moods: Bright, Upbeat, Warm, Positive, Reflective
  • Cinematic Fit: Drama, Historical, Indie, Mystery, Thriller
  • Lyric Themes: Death, Loneliness, Escape, Love, Fear
  • Type: One Stop

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Acoustic Guitar, Vocals
  • Rebecca Campbell: Harmony Vocals
  • Ken Whiteley: Electric Guitar
  • George Koller: Acoustic Bass Guitar
  • Davide Direnzo: Drums
  • Anne Lindsay: Fiddle
  • Ben Grossman: Percussion

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Violin
  • Percussion

Audio Preview

Snippet Preview

Your browser does not support the audio element.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Copper Kettle

Lyrical and haunting — “Copper Kettle” by Kristin Sweetland blends folk tradition with poetic introspection. Its acoustic warmth and emotional depth support sync moments of:

  • Historical memory
  • Personal escape
  • Quiet rebellion
  • Emotional solitude
  • Romantic longing
  • Spiritual reflection

With its cinematic fit for Drama, Historical, Indie, Mystery, and Thriller genres, the track’s melodic storytelling and lyrical vulnerability make it ideal for scenes requiring emotional resonance and character depth.

Recommended Use: Period sequences, character flashbacks, emotional turning points, or scenes of internal conflict and resolution.

Stem Tracks

Contact OMR for stems and alt mixes.

Track Narrative:
“Copper Kettle” stirs rebellion into melody — Kristin Sweetland reimagines folk poetry into syncable expression fit for scenes of heritage, longing, or quietly defiant purpose.
Lyrics:
Don’t come here love
He has thrown me away as the carrion
Now those blackened angels fly me
Up to the garden in the holy sky

Never will I fall again
Over and over the fields of a man
What is all that sweet work worth
Just to fall into the dark and sordid canyons of the earth

Light the copper kettle
Fill it up with rain
God’ll make whiskey
From the water and the grain.
Oh lonely I know you well
I know you better than I know myself

Don’t come here love
My heart is the darkest of stations
He has come to drive the train
From the pistol in my pocket to the bullet in my brain

Never will I fall again
Over and over the oceans of him
For up above the earthly air
I am the queen of the beautiful nowhere

Light the copper kettle
Fill it up with rain
God’ll make whiskey
From the water and the grain
Oh lonely I know you well
I know you better than I know myself

Bring me a bed of ashes
A shroud of gold and a crown of lapis
Let me go, let me go
Where the holy water rivers flow
For I am the fire and I am the metal
Bring me the copper kettle

Light the copper kettle
Fill it up with rain
God’ll make whiskey
From the water and the grain
Oh lonely I know you well
I know you better than I know myself

Corrente e double (presto) 1

Corrente e double (presto) 1 cover art

Corrente e double (presto) 1
by Nato

A bright, swift, and elegant string-driven classical cue built around the lively character of the corrente. At 114 BPM in D major, this presto variation brings motion, lightness, and a hopeful forward energy — perfect for transitions, character momentum, thoughtful optimism, and elevated period movement.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Corrente e Double Presto
Clean Intro: Yes (0:00 – immediate classical/energetic entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30
Button Ending: Yes, sharp resolved ending
Loopable: Partial
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Fast-paced classical cue for urgency, precision, and heightened energy. Strong for chase sequences, comedic timing, and scenes that require sharp, rhythmic movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato crafts cinematic instrumentals that blend classical forms with world and modern textures, bringing a fresh, emotional edge to traditional structures like the allemande, corrente, and other dance forms. His work mixes strings, rhythmic phrasing, and nuanced dynamics to create scores that feel both timeless and contemporary.

With a focus on mood, colour, and pacing, Nato’s compositions are built for picture — supporting nuanced storytelling, character emotion, and artful editorial choices across film, television, and premium content.

Sync Pitch Sheet: Corrente e double (presto) 1

Song Profile

  • Key Signature: D Major
  • BPM: 114
  • Energy: Fast, light, forward-moving
  • Genre: Classical
  • Vocals: Instrumental
  • Moods: Bright, Dramatic, Hopeful, Light, Positive, Reflective, Sad
  • Type: One Stop

Instrumentation

  • Lead and supporting strings
  • Dance-inspired phrasing and ornamentation

Audio Preview

Full Track

Snippet Preview

Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

This presto corrente variation brings motion and optimism — ideal for moments where characters move with purpose, where environments shift quickly, or where the story needs lightness without losing emotional weight. It can support both joyful and bittersweet tones with equal sensitivity.

Scene Types

  • Period interior movement, stairways, galleries, corridors
  • Fast-paced transitions, time-lapse study scenes
  • Character momentum: walking, preparing, packing, searching
  • Reflective but forward-moving emotional beats

Film/TV Fit

  • Drama
  • Romance
  • Period/Historical
  • Art House / Indie

Why It Works

  • 114 BPM offers energetic pacing without overwhelming dialogue.
  • Pure string palette blends naturally with score and ambience.
  • Reflective + hopeful tone fits transitional narrative sequences.
Track Narrative:
“Corrente e double (presto) 1” feels like a moment of elegant movement — a character weaving through an environment, thoughts racing but hopeful. The presto pacing brings urgency, but the major-key writing keeps things light and emotionally open. It’s a cue about taking steps, physically or emotionally, with purpose.
Instrumental Notes:
Fully instrumental and string-driven, this cue supports dialogue and VO effortlessly. The texture stays light and agile, leaving room for sound design while providing emotional direction.

Stem Tracks

Contact OMR for available stems (lead strings, ensemble strings, alternate edits) and tailored score support.

Corrente e double (presto) 2

Corrente e double (presto) 2 cover art

Corrente e double (presto) 2
by Nato

A more propulsive, modern-tinged corrente that layers strings with percussion and subtle synth colour. At 132 BPM in A major, it’s bright, quirky, and forward-driving, able to play as upbeat and positive while still carrying reflective or bittersweet undertones when needed.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Corrente e Double Presto (Alt Version)
Clean Intro: Yes (0:00 – immediate classical/energetic entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30
Button Ending: Yes, sharp resolved ending
Loopable: Partial
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Fast-paced classical cue for urgency, precision, and heightened energy. Strong for chase sequences, comedic timing, and scenes that require sharp, rhythmic movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Nato — Violinist • Classical & World Composer

Nato crafts cinematic instrumentals that blend classical forms with world and modern textures, bringing a fresh, emotional edge to traditional structures like the allemande, corrente, and other dance forms. His work mixes strings, percussion, and subtle synth elements to create scores that feel both timeless and contemporary.

With a focus on mood, colour, and pacing, Nato’s compositions are built for picture — supporting nuanced storytelling, character emotion, and artful editorial choices across film, television, and premium content.

Sync Pitch Sheet: Corrente e double (presto) 2

Song Profile

  • Key Signature: A Major
  • BPM: 132
  • Energy: Fast, playful, driving
  • Genre: Classical
  • Vocals: Instrumental
  • Moods: Bright, Positive, Quirky, Reflective, Sad
  • Type: One Stop

Instrumentation

  • Lead and ensemble strings
  • Percussion providing rhythmic lift and urgency
  • Synth elements adding modern colour and edge

Audio Preview

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.

Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Corrente e double (presto) 2” turns the classical corrente into a fast, slightly quirky kinetic cue that can drive montage, movement, and playful tension. The mix of strings, percussion, and synth makes it ideal for projects that want period elegance with a contemporary, energetic twist.

Scene Types

  • Energetic transitions, quick-cuts, and montage
  • Playful social sequences, clever scheming, or plotting
  • Characters in motion: racing through streets, corridors, or crowds
  • Reflective but urgent moments where time feels tight

Film/TV Fit

  • Drama
  • Romance
  • Period/Historical with a modern twist
  • Art House / Indie and stylized series

Why It Works

  • 132 BPM brings real drive and momentum for fast-paced editorial.
  • Hybrid palette (strings + percussion + synth) bridges classical and modern worlds.
  • Quirky but emotional tone lets it play both playful and bittersweet.
  • Instrumental format keeps it clean under dialogue and VO.
Track Narrative:
“Corrente e double (presto) 2” feels like the moment when plans are set in motion — quick steps, clever moves, and a sense that time is running just a little faster than usual. The A major tonality keeps things bright and open, while the modern touches suggest a story that straddles tradition and the present day.
Instrumental Notes:
Entirely instrumental, this cue combines agile strings with rhythmic and subtle synth support. The mix leaves room for dialogue and FX while still giving editors a strong sense of groove and direction.

Stem Tracks

Contact OMR for available stems (strings only, rhythm/percussion, synth layers, full mix) and any bespoke edit requests.

Corrente E Double (Presto 1)

Corrente E Double Presto 1 cover art

Corrente E Double (Presto 1)
by Nato

“Corrente E Double (Presto 1)” is a bright, expressive classical string instrumental with dramatic lift, reflective elegance, and agile emotional movement. Its midtempo pulse and refined string writing make it useful for period drama, graceful montage, intellectual tension, historical reflection, and scenes requiring classical poise with forward motion.

Full Track
Snippet Preview
License Request
OMR Cue Map

OMR Cue Map

Track: Corrente E Double (Presto 1)
Clean Intro: Yes (0:00 – immediate classical string entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, resolved classical ending
Loopable: Moderate
Best Loop Candidates: 0:24–0:48 / 0:48–1:12 / 1:12–1:36
Use Case: Classical string cue for period drama, refined movement, intellectual tension, courtly scenes, historical reflection, graceful montage, and emotional transitions requiring elegance and momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Nato

Composer • Classical Instrumentalist • Cinematic String Voice

Nato brings classical string writing into a sync-ready cinematic frame, balancing technical elegance with emotional immediacy. His work lends itself to refined storytelling, historical atmosphere, reflective drama, and graceful visual motion.

Additional official artist bio details can be added here if desired.

Sync Pitch Sheet: Corrente E Double (Presto 1)

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 114 BPM
  • Genre: Classical
  • Tempo: Midtempo
  • Vocals: Instrumental
  • Moods: Bright, Dramatic, Hopeful, Light, Positive, Reflective, Sad
  • Type: One Stop

Instrumentation

  • Strings

Track Summary

“Corrente E Double (Presto 1)” is a classical string instrumental with bright motion, dramatic articulation, and reflective emotional shading. Its refined string language gives editors a strong option for historical, elegant, dramatic, or intellectually driven scenes that need movement without modern production elements.

Sync Highlights

  • Instrumental classical cue with no lyrics to compete with dialogue.
  • Strong fit for period drama, historical storytelling, and refined montage.
  • Bright yet reflective mood supports emotional complexity.
  • One-stop status supports streamlined clearance.

Sync Potential

“Corrente E Double (Presto 1)” by Nato is ideal for scenes needing classical elegance, string-driven movement, and emotional refinement. Its balance of brightness, drama, and reflection makes it useful for period pieces, upscale settings, historical flashbacks, intellectual tension, and sequences where visual grace is central.

Scene Types

  • Period drama and historical storytelling
  • Elegant montage or refined visual transitions
  • Gallery, museum, academic, or courtly settings
  • Reflective character scenes with classical sophistication
  • Light dramatic tension with graceful movement

Stem Tracks

Stem availability can be confirmed upon request.

Track Narrative:
“Corrente E Double (Presto 1)” moves with classical brightness and dramatic precision. Its string-driven character evokes refinement, reflection, and emotional motion, making it a strong cue for scenes where history, elegance, intellect, or restrained feeling must remain visually alive.

Counting Lifelines

Counting Lifelines cover art

Counting Lifelines
by Justin Enco Band

Thoughtful and roots-rich — “Counting Lifelines” by Justin Enco Band channels reflection and emotional terrain through crisp instrumentation and resonant lyricism. A track ideal for visual stories of introspection, reunions, or life transitions across rustic or cinematic landscapes.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Counting Lifelines
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Emotional, driving vocal cue for resilience, struggle, and personal stakes. Strong for dramatic arcs, montage, and scenes that build toward emotional breakthrough and determination.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Lifelines

Song Profile

  • Key Signature: B Major
  • Beats Per Minute: 130
  • Energy: Uptempo
  • Genres: Country, Folk, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Bright, Upbeat, Warm, Hopeful, Positive, Reflective
  • Cinematic Fit: Coming of Age, Drama, Fantasy, Indie, Mystery, Romance, Thriller
  • Lyric Themes: Change, Struggle, Identity, Loneliness, Time
  • Type: One Stop
  • Reminiscent Of: Damien Rice, Iron & Wine, Bon Iver, Sufjan Stevens, Jose Gonzalez

Production Details

  • Produced by: Justin Enco & Michael Waxman
  • Lyrics: Justin Enco
  • Recorded at: Purgatory Recording, Sunrise, FL
  • Engineered & Mixed by: Michael Waxman
  • Mastered by: Vic Anosini at Sony Studios, New York, NY

Artists

  • Justin Enco: Vocals, Acoustic Guitars, Backing Vocals, Arrangements
  • Michael Waxman: Backing Vocals, Piano, Organs, Programming
  • Dan Warner: Electric & Acoustic Guitars
  • Mike Burney: Bass Guitar
  • Brett Segal: Drums & Percussion

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Audio Preview

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Counting Lifelines

Poignant and melodic — “Counting Lifelines” by Justin Enco Band captures emotional honesty through acoustic textures and lyrical vulnerability. This track supports sync moments of:

  • Personal transformation
  • Emotional reawakening
  • Loneliness and resilience
  • Character introspection
  • Coming-of-age transitions
  • Quiet hope and reflection

With its cinematic fit for Drama, Indie, Mystery, Romance, and Thriller, the song’s heartfelt delivery and lyrical depth make it ideal for scenes requiring emotional gravity and narrative growth.

Recommended Use: Reflective montages, character flashbacks, emotional turning points, or scenes of solitude and self-discovery.

Track Narrative:
“Counting Lifelines” traces the path of personal reflection — Justin Enco Band brings melodic warmth and lyrical honesty to stories of memory, journey, and emotional reawakening.

Lyrics

Said it all before You always want more and more But I know the nature of this game This is not the same You cry 'cause you're alone No one cares, there's no one on the phone Attention disappears As you hide in your tears You walk the streets at night Loneliness is your stage fright But you've been there before Now you're counting eggs and knocking on mountain doors Time for change, time to kiss this all goodbye Rearrange Well I know that you're trying, you're trying, you're trying but Feeling sorry won't get you very far Counting life lines don't make you who you are So you hit the ground This bliss is dead and reality can't be found But you never know And who you are or where you're supposed to go So now maybe you learn And this backdrop's hot enough to burn But with no concern One more wrong turn It's time for change Time to kiss this all goodbye And rearrange Well I know that you're trying, you're trying, you're trying but Feeling sorry Won't wanna get you very far Counting lifelines Don't make you who you are Who you are Who you are And feeling sorry won't get you very far Counting lifelines, I'll make you who you are Feeling sorry won't get you very far Counting lifelines

Countri Boy Kingston

Countri Boy Kingston cover art

Countri Boy Kingston
by Melodic Yoza

High-energy and island-rooted — “Countri Boi Kingston” by Melodic Yoza brings rugged rhythm, lyrical swagger, and reggae fusion with sync-worthy charisma. Built for scenes of street movement, coastal swagger, montage energy, or character-defining pulse.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Countri Boi Kingston
Clean Intro: Yes (0:00 – immediate rhythmic/vocal entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30
Button Ending: Yes, strong rhythmic ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Upbeat, Caribbean-influenced cue for culture, lifestyle, and vibrant energy. Strong for travel, street scenes, and moments that highlight rhythm, identity, and movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Countri Boi Kingston

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 88
  • Energy: Midtempo
  • Genres: Hip Hop, Indie, Party, Pop, R&B
  • Vocals: Male Vocal
  • Moods: Carefree, Catchy, Confident, Cool, Fun, Positive, Rhythmic, Swagger, Upbeat, Uplifting
  • Cinematic Fit: Action, Drama, Fantasy
  • Lyric Themes: Conflict, Identity, Strength, Struggle, Survival
  • Type: One Stop

Featuring Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park, JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

High-energy and island-rooted — “Countri Boi Kingston” by Melodic Yoza brings rugged rhythm, lyrical swagger, and reggae fusion with sync-worthy charisma. Built for scenes of street movement, coastal swagger, montage energy, or character-defining pulse.

  • Scene Types: Urban drama, character intros, street montage, cultural celebration
  • Visual Pairings: Fast cuts, street fashion, beach vibes, protest energy, youth empowerment
  • Genre Fit: Action, Drama, Fantasy
  • Target Platforms: Film, TV, Streaming Series, Sports Highlights, Fashion Ads, Travel Content
  • Sync Appeal: Swagger-rich vocals, rhythmic drive, and cultural authenticity
Track Narrative:
“Countri Boy Kingston” reps movement and presence — Melodic Yoza blends Kingston swagger, lyrical cadence, and rhythmic flair for scenes of streetwise rise, cultural dynamism, or sharp, syncable fire.
Lyrics:
Have you ever been to Kingston when the roads them block
And the guns them come out and it a politicians clash
Countri boi out here on some Kingston rock
Hey countri boi
Am down here in Kingston (Yeah)
Countri boi
In the middle of Kingston (Where you at now)
Countri boi (Yeah, yeah)
Am down here in Kingston (Down here in Kingston)
Just a countri boi (Yeah)
In the middle of Kingston (In the middle of Kingston)

In the concrete jungle where we meet
Down in Kingston street where I play my beat
Down inna Kingston, I won′t fall asleep
Ah ah sey don't fall asleep
′Cause I've been up a down hell street
And the people I saw and the people I meet
Just make me wanna stand up on my feet
Soldier for life
Inna Kingston

Countri Bunkan

Countri Bunkan cover art

Countri Bunkan
by Melodic Yoza

Anthemic and rhythmic — “Countri Bunkan” by Melodic Yoza delivers sharp cadence and bass-heavy groove rooted in cultural identity. The track suits sync scenes of character motion, geographic contrast, or rhythmic urban montage with flair and street-side charisma.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Countri Bunkan
Clean Intro: Yes (0:00 – immediate rhythmic/tonal entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30
Button Ending: Yes, strong rhythmic ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Energetic, rhythm-driven cue for culture, movement, and vibrant storytelling. Strong for montage, street scenes, and sequences that highlight identity, pace, and dynamic energy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Countri Bunkan

Song Profile

  • Key Signature: Eb Major
  • Beats Per Minute: 75
  • Tempo: Fast
  • Genres: Hip Hop, Reggae
  • Vocals: Male Vocal
  • Moods: Catchy, Dramatic, Hopeful, Love, Moody, Reflective, Rhythmic
  • Cinematic Fit: Crime, Drama, Mystery, Romance
  • Lyric Themes: Change, Connection, Identity, Success, Celebration
  • Type: One Stop

Featuring Artists

  • Adam Martin
  • Blakkamoore
  • Jeni Fujita
  • JRDN
  • NEFE
  • Oso
  • Shane Free

Production Details

  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park, JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore, Wayne Henry

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Anthemic and rhythmic — “Countri Bunkan” by Melodic Yoza delivers sharp cadence and bass-heavy groove rooted in cultural identity. The track suits sync scenes of character motion, geographic contrast, or rhythmic urban montage with flair and street-side charisma.

  • Scene Types: Urban drama, cultural tension, romantic mystery, underground movement
  • Visual Pairings: Street shots, emotional flashbacks, cityscapes, protest marches, intimate moments
  • Genre Fit: Crime, Drama, Mystery, Romance
  • Target Platforms: Film, TV, Streaming Series, Fashion Editorials, Travel Documentaries
  • Sync Appeal: Bass-driven rhythm, lyrical depth, and cinematic contrast
Track Narrative:
“Countri Bunkan” moves with force — Melodic Yoza harnesses bounce and lyrical power for sync scenes of underground motion, rebellious confidence, or culturally-charged narrative flow.

Lyrics

[Intro] You know, coming from the country It ain’t always easy Living this city life So I say Hold tight don't let go This is the life that I know From mi little and a grow Them use to be like boy wey yu a go [Chorus 1] Hey, countri bunkan go back where you come from Talking ‘bout you gunman That is such a dumb plan Gwaan go beat drum pan try and be someone He didn't pass his common entrance Could not get an entrance, put off in a section And did I even mention his revelation Was like a life sentence, yea Then I heard he go This is the life I know Yoza wey him sey This is the life I know Yoza wey him sey This is the life I know Whoa, whoa Now, now, now, now, now, now Whine it up and let it go Mama tell mi boy stone yu no fi throw Reminisce about them day of flying kites My slingshot gigs and my yo-yo Mi gone See upcoming R&B shows Get tickets for your favorite artists You might also like Mista Music Melodic Yoza Ghetto Echo Melodic Yoza Mud GodKing Zeus [Verse 1] Don't wanna live my life with regrets But these are the days I can forget Since my mommy left I been out of breath Some perfect stranger try to take disrespect Yes, I went to school without a lunch box Remember when they use to call me dunce bat But look how the dunce youth bounce back Damn snap now what’s that cool Mama say boy you so much baddaretion I’m too hard ears, why you won't listen And move me away with my auntie out in Kingston And tell me Yoz you got to change your occupation I found myself in the valley of decisions And my decision is to fulfill my vision And hit the world with this music revelation ‘Cause no matter what they do They can't stop the countri bunkan [Chorus 2] Hey, countri bunkan Go back where you come from Talking bout you, gunman That is such a dumb plan Gwaan go beat drum pan Try and be someone He didn't pass his common entrance Could not entrance, put off in a section And did I even mention his revelation Was like a life sentence yea Then I heard he go This is the life I know Yoza wey him sey This is the life I know Yoza wey him sey This is the life I know Whoa, whoa Now, now, now, now, now, now Whine it up and let it go Mama tell mi boy stone yu no fi throw Reminisce about those days When Barry G used to play all over the radio I'm a pro [Verse 2] Twenty years of overnight success From sound splash right back to Sumfest And all these years man, I did invest But them no press so I've got to express, oh yes I've been to many of soundclash When DJ used to put soundbox on truck back Fi reach a dance just to get a one chat Damn, snap that's way back cool Tippa Lee and Rapper Roberts combination Lieutenant Stitchie used to do it on stereo one And Papa Levi used to rock it on the version Mi god mi king his name is Yoshua Yo him inspire me to be a mic chanter So I mask with the mic around the ample fire Countri boi in town and it’s a take over [Chorus 3] Hey, countri bunkan go back where you come from Talking ‘bout you gunman That is such a dumb plan Gwaan go beat drum pan try and be someone He didn't pass his common entrance Could not get an entrance, put off in a section And did I even mention his revelation Was like a life sentence, yea Then I heard he go This is the life I know Yoza wey him sey This is the life I know Yoza wey him sey This is the life I know Whoa, whoa Now, now, now, now, now, now Whine it up and let it go Mama tell mi boy stone yu no fi throw Reminisce about them day of flying kites My slingshot gigs and my yo-yo Mi gone [Outro] And all my countri bunkans You know we all got it somedays And we gon' work this out Some way

Country Girls

Country Girls cover art

Country Girls
by Dane Hartsell

Upbeat and radio-ready — “Country Girls” by Dane Hartsell wraps modern country charm with catchy hooks and lyrical swagger. The track fits sync scenes of warm-weather fun, rural pride, or lighthearted romance with roots pop polish.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Country Girls
Clean Intro: Yes (0:00 – immediate vocal/acoustic entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Warm, upbeat country cue for lifestyle, romance, and lighthearted storytelling. Strong for rural settings, montage, and scenes that highlight charm, connection, and easygoing energy.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Guitarist • Producer

Dane Hartsell is a talented Canadian singer-songwriter, guitarist, and producer known for his soulful voice and emotive songwriting. His music blends elements of rock, pop, and blues, creating a unique sound that resonates with a wide audience.

Born and raised in Canada, Hartsell developed a passion for music at a young age. He began playing guitar in his early teens, inspired by a diverse range of artists and genres. His early exposure to music laid the foundation for his eclectic style and deep appreciation for musical storytelling.

Hartsell’s career took off with the release of his debut album, which showcased his ability to craft heartfelt lyrics and memorable melodies. His music quickly gained traction, earning him a dedicated fan base and critical acclaim. Known for his dynamic live performances, Hartsell has played at numerous venues and festivals, captivating audiences with his powerful voice and engaging stage presence.

Dane Hartsell continues to evolve as an artist, consistently pushing the boundaries of his musical abilities. His recent projects reflect his ongoing commitment to creating authentic and impactful music. With a growing discography and a reputation for excellence, Hartsell is poised to make a lasting impact on the music industry.

Sync Pitch Sheet: Country Girls

Song Profile

  • Key Signature: A Minor
  • Beats Per Minute: 93
  • Tempo: Midtempo
  • Energy: Moderate
  • Genres: Country, Rock, Pop
  • Vocals: Male Vocal
  • Moods: Upbeat, Confident, Fun, Hopeful, Reflective, Positive
  • Cinematic Fit: Adventure, Drama, Romance, Western
  • Lyric Themes: Party, Time, Relationship, Success, Love
  • Type: One Stop

Song Production Details

  • Executive Producers: Dane Hartsell
  • Lyrics: Dane Hartsell, Jeff Dalziel
  • Music Composition: Dane Hartsell, Jeff Dalziel
  • Recording: Mike Langford
  • Production: Mike Langford
  • Mixing: Mike Langford
  • Mastering: Peter Letros

Artists & Instrumentation

  • Vocals: Dane Michael Hartsell
  • Guitar: Dane Hartsell
  • Bass Guitar: Dane Hartsell
  • Drums: Mike Langford
  • Instrumental Solos: Electric Guitar

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Upbeat and radio-ready — “Country Girls” by Dane Hartsell wraps modern country charm with catchy hooks and lyrical swagger. The track fits sync scenes of warm-weather fun, rural pride, or lighthearted romance with roots pop polish.

  • Scene Types: Summer parties, road trips, romantic montages, small-town celebrations
  • Visual Pairings: Pickup trucks, bonfires, sunset drives, country fairs, lakeside moments
  • Genre Fit: Adventure, Drama, Romance, Western
  • Target Platforms: Film, TV, Streaming Series, Lifestyle Ads, Travel Vlogs
  • Sync Appeal: Feel-good energy, melodic charm, and rural authenticity
Track Narrative:
“Country Girls” walks the line between rural swagger and melodic charm — Dane Hartsell spins a track that catches ears and frames small-town scenes with radio shine.

Lyrics

And nuggets down and red cups up Party in the back of my pickup truck Country girls will knock me off my feet So stay with me down in Florida Country girl you know I adore you Perfect for a country boy like me I'm callin' now This goes out to you, talkin' 'bout Country girls of the world We don't back down, shoot around in this old town Country girls of the world We like to party, shoot the carty Get ready 'til the sun comes up, so get down From the country roads down to Mississippi To the shining lights of New York City Country girls make me feel right at home One step forward, two steps back Rolling around town in my Cadillac Driving down these good old country roads I'm callin' now Just goes out to you, talkin' 'bout Country girls of the world They don't back down, shoot around in this old town Country girls of the world They like to party, shoot Picardy Get ready 'til the sun comes up, so get down All I want in this world is to run away with a country girl 'Cause country girls are the best damn girls in the world Life's like some Country girls of the world They don't back down, shoot around in this old town Yeah, country girls of the world They like to party, shoot picardy Get ready 'til the sun comes up, so get down Yeah, get down, yeah

Courage Over Fear

Courage Over Fear cover art

Courage Over Fear
by Justin Enco Band

Anthemic and emotionally grounded — “Courage Over Fear” by Justin Enco Band pairs roots instrumentation with lyrical conviction. The track fits sync scenes of overcoming adversity, personal breakthrough, or cinematic moments built around strength and resolve.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Courage Over Fear
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Uplifting, powerful vocal cue for resilience, bravery, and emotional breakthrough. Strong for montage, inspirational arcs, and scenes that build toward triumph and personal strength.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Courage Over Fear

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 82
  • Tempo: Slow
  • Energy: Midtempo
  • Genres: Folk, Rock, Singer-Songwriter
  • Vocals: Male Vocal
  • Moods: Atmospheric, Hopeful, Moody, Reflective, Sad
  • Cinematic Fit: Action, Adventure, Drama, Fantasy, Sports
  • Lyric Themes: Struggle, Connection, Time, Destiny
  • Type: One Stop
  • Reminiscent Of: Damien Rice, Iron & Wine, Bon Iver, Sufjan Stevens, Jose Gonzalez

Song Production Details

  • Produced By: Justin Enco & Michael Waxman
  • Lyrics: Justin Enco
  • Recorded At: Purgatory Recording, Sunrise, FL
  • Engineered & Mixed: Michael Waxman
  • Mastering: Vic Anosini at Sony Studios, New York, NY

Artists & Instrumentation

  • Vocals, Acoustic Guitars, Backing Vocals, Arrangements: Justin Enco
  • Piano, Organs, Programming: Michael Waxman
  • Electric Guitars: Matt Winfree
  • Bass Guitar: Mike Burney
  • Drums & Percussion: Brett Segal

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Anthemic and emotionally grounded — “Courage Over Fear” by Justin Enco Band pairs roots instrumentation with lyrical conviction. The track fits sync scenes of overcoming adversity, personal breakthrough, or cinematic moments built around strength and resolve.

  • Scene Types: Character transformation, emotional climax, sports triumph, fantasy journey
  • Visual Pairings: Slow-motion sequences, sunrise shots, reflective montages, training arcs
  • Genre Fit: Action, Adventure, Drama, Fantasy, Sports
  • Target Platforms: Film, TV, Streaming Series, Inspirational Ads, Documentary Features
  • Sync Appeal: Melodic grit, emotional clarity, and cinematic depth
Track Narrative:
“Courage Over Fear” marches with conviction — Justin Enco Band gives voice to inner strength, channeling melodic grit and emotional clarity for sync scenes built on rising courage and grounded determination.
Lyrics:
Hold on to
The other thing you want to
Hold down the candles burned so long
Not mistaken
We all wait and wait
Something we wouldn't recognize
And destiny has spoken
And we've awoken
The path that we all lead and choose

Don't worry
'Bout what you missed
And don't hurry
We have time for this
Everything was spinning
Everything was so clear
In this world we're winning
Courage over fear

And waves are crashing
They're hitting the bottom
And so are people who've seen better days
So lost and lonely
Now they can't handle much
Wake up friends, it's time for a new page

And some memories
They seem otten
Know somewhere that you'll live on
Don't worry about what you missed
Don't hurry, we have time for this
Everything was spinning
Everything was so clear
In this world we're winning
Courage over fear

Everything was spinning
Everything was so clear
In this world we're winning
Courage over fear

Cover Band

Cover Band cover art

Cover Band
by Mattie Leon

Thoughtful and layered — “Cover Band” by Mattie Leon pulls lyrical detail into melodic resonance. Framed in Americana textures and reflective tone, it’s perfect for sync moments about identity, past dreams, or reaching for the real beneath the role.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cover Band
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18
Use Case: Upbeat, energetic vocal cue for live performance, social scenes, and youthful energy. Strong for party sequences, montage, and moments that highlight fun, connection, and spontaneity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Cover Band

Song Profile

  • Key Signature: C# Major
  • Beats Per Minute: 93
  • Tempo: Slow
  • Energy: Midtempo
  • Genres: Indie, Punk, Reggae, Rock
  • Vocals: Male Vocal
  • Moods: Bright, Confident, Cool, Driving, Energetic, Fun, Positive, Upbeat
  • Cinematic Fit: Art House, Drama, Indie, Video Game
  • Lyric Themes: Identity, Power, Rebellion, Success
  • Type: One Stop

Song Production Details

  • Words By: Mattie Leon
  • Music By: Mattie Leon, Mike Leon, Nelson Sobral
  • Produced & Recorded By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered By: Reuben Ghose

Artists & Instrumentation

  • All Instruments: Mattie Leon
  • Drums: Mike Leon
  • Instrumentation: Bass, Drums, Electric Guitar

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Cover Band” by Mattie Leon channels indie grit and punk spirit with a rebellious edge. The track is ideal for sync scenes that explore artistic defiance, creative struggle, or the tension between authenticity and conformity.

  • Scene Types: Indie drama, creative rebellion, underground performance, character introspection
  • Visual Pairings: DIY venues, backstage moments, urban grit, artistic montages
  • Genre Fit: Art House, Drama, Indie, Video Game
  • Target Platforms: Film, TV, Streaming Series, Indie Games, Youth Culture Ads
  • Sync Appeal: Raw energy, lyrical defiance, and genre-blending cool
Track Narrative:
“Cover Band” lays bare the tension between persona and passion — Mattie Leon spins a tale for scenes of compromise, rediscovery, and the quiet search for authenticity.

🎤 Lyrics

Every night I have the same conversation Side stage, someone raves, says "you know what you should do? Let me tell you" "There's a fortune that you could be making if you played stuff everybody knows they would love you they would love you" It's hard enough to keep the fire burning now cover bands are booking nights at Massey Hall Abuse it and you lose it when it comes to music Music Town ain't musical at all Once more so you understand I don't play in a cover band I'm not covering anything Take the money on easy street singing somebody's masterpiece no thanks, babe, not for me There's nothing wrong with a good reproduction but it hurts when the government funds it I'll tell you what do we do? Every wedding night Every rock club Every festival they've all got one they've got two some kind of tribute It's hard enough to keep the fire burning now cover bands are booking nights at Massey Hall Abuse it and you lose it when it comes to music Music Town ain't musical at all Once more so you understand I don't play in a cover band I'm not covering anything Take the money on easy street singing somebody's masterpiece no thanks, babe, not for me I can't help that this whole world is upside down knock off the Mona Lisa sell it to the crowd Am I jealous? Ya, I guess that's how this sounds Once more so you understand I don't play in a cover band I'm not covering anything Take the money on easy street singing somebody's masterpiece no thanks, babe, not for me

Creciendo

Creciendo cover art

Creciendo
by Tiffany Joy

“Creciendo” is an emotive Latin–jazz–reggae fusion that follows a journey from heartbreak and isolation to self-acceptance and inner strength. Driven by an uptempo groove in G major, female vocals move from darkness and doubt to the realization that love has always lived within — a powerful fit for scenes of identity, resilience, and personal rebirth.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Creciendo
Clean Intro: Yes (0:00 – immediate vocal/latin entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Uplifting, emotionally driven Latin cue for growth, resilience, and transformation. Strong for montage, inspirational storytelling, and scenes that build toward personal or emotional expansion.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Tiffany Joy

Tiffany Joy

Tiffany Joy is a powerful vocalist and songwriter whose music blends Latin, reggae, world and jazz influences into a warm, emotionally rich sound. Known both as a solo artist and as one half of the duet Individuo, she brings depth, clarity, and expressive soul to every performance.

Her bilingual lyricism and cinematic vocal presence make her an ideal fit for storytelling-driven sync work, from reflective drama to uplifting, inspirational scenes. Tiffany’s music often explores themes of identity, connection, growth, and inner resilience—delivered through a voice that is both intimate and globally resonant.

Styles: Latin, Reggae, World, Jazz • Strengths: Emotional vocal delivery, bilingual lyricism, warm rhythmic feel, narrative depth • Typical Uses: Drama, Romance, Coming-of-Age, Inspirational, Art House and International storytelling

Sync Pitch Sheet: Creciendo

Song Profile

  • Key Signature: G Major
  • BPM: 128
  • Tempo: Uptempo
  • Genres: Jazz, Latin, Reggae
  • Vocals: Female Vocal
  • Mood/Feel: Dark minimal, Moody, Reflective, Sad (with an ultimately hopeful turn)
  • Lyric Themes: Connection, Hope, Identity, Love, Strength
  • Type: One Stop

Instrumentation

  • Percussion

Track Summary

A moody yet propulsive Latin–jazz–reggae track that traces a path from emotional shutdown to inner awakening. “Creciendo” begins in rain-soaked streets and foreign-land solitude, then slowly blossoms into self-love and renewed faith in connection. The uptempo feel supports forward motion even as the lyrics sit in deep introspection.

Sync Highlights

  • Uptempo but emotionally heavy — ideal where movement and introspection need to coexist.
  • Spanish lyrics about walls, mirrors, and growth give editors clear metaphorical hooks.
  • Strong arc from darkness to empowerment fits transformational story beats.
  • Easy to carve into shorter emotional lifts around key lyric lines (e.g., “Estoy creciendo por la vida”).

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Creciendo” lives squarely in the world of inner change: breaking down emotional walls, redefining identity, and discovering that love begins within. Its blend of darkness and uplift makes it a strong choice for visually rich, character-driven storytelling.

Film/TV Fit (Cinematic Themes)

  • DRAMA
  • COMING-OF-AGE
  • ROMANCE
  • ART HOUSE
  • INSPIRATIONAL

Ideal Scene Uses

  • A character alone in a new city, struggling with who they were and who they’re becoming.
  • Mirror moments where someone finally recognizes the person they’d hoped to be.
  • Montages of rebuilding life after a breakup or major setback.
  • Quiet yet kinetic city walks in the rain, neon reflections, late-night self-discovery.
  • Brand or lifestyle pieces about resilience, self-worth, and choosing your own path.

Why It Works

  • Uptempo rhythm keeps visuals moving even while lyrics go deep.
  • Spanish-language vocal adds authenticity and emotional weight.
  • Clear emotional arc from rejection of love to internal acceptance aligns with transformational narratives.
  • One-stop simplifies clearance across film, TV, and branded content.
Stem Tracks:
Stems are not currently posted. For briefs requiring instrumental, vocal-only, or rhythm-only versions, please contact OMR Music Production to confirm availability and turnaround.
Track Narrative:
“Creciendo” opens in the rain — heart guarded, walls high, and belief in love abandoned. As the story unfolds, the singer confronts her own reflection and the loneliness of a “tierra extranjera,” slowly realizing that the love she thought she’d lost has always been inside her. By the final lines, those walls fall, and the song becomes a declaration of growth: walking through life not as someone hiding from love, but as someone lit from within by it.
Lyrics: Estoy cruzando por las calles y la lluvia cae Hoy la lluvia cae Mi corazón fue una vez lleno de alegría pero por un amor real Ahora que todo está roto, no tengo la fuerza pa' creer en el amor Levanté muros, cercando mi corazón Ya no puedo retirar, he renunciado en el amor No quiero creer que existe Aquí estoy tan sola, tan sola en una tierra extranjera, tratando de escoger quien quiero ser A veces logra dibujarse en el espejo la imagen de quien soñé Siento que todo está creciendo y tengo la fuerza pa' creer en el amor Boto los muros que cercaron mi corazón Ahora sé que el amor está adentro de mí y puedo ver el mundo brillando por la luz de amor Ya no puedo negar que el amor siempre estuvo ahí Y puedo sentirlo en mí Puedo sentirlo en mí, yeah Estoy creciendo por la vida.

Creeping Jenny

Creeping Jenny cover art

Creeping Jenny
by Kristin Sweetland

Atmospheric and poetic — “Creeping Jenny” by Kristin Sweetland blends moody guitar and lyrical mystery with cinematic folk depth. Built for sync scenes of emotional drift, nature-focused solitude, or dreamlike transitions with slow-burning texture.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Creeping Jenny
Clean Intro: Yes (0:00 – immediate eerie/tonal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, subtle resolved ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Creeping, suspenseful cue for tension, unease, and slow-building intrigue. Strong for thriller, mystery, and scenes that require a subtle but persistent sense of discomfort.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Creeping Jenny

Song Profile

  • Key Signature: F# Major
  • Beats Per Minute: 88
  • Energy: Mid Tempo
  • Genres: Country, Folk
  • Vocals: Female Vocal
  • Instrumental Solos: Banjo, Violin
  • Moods: Warm, Positive, Reflective
  • Cinematic Fit: Drama, Historical, Indie, Thriller
  • Lyric Themes: Death, Time, Loneliness, Love, Fear
  • Type: One Stop

Production Details

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed at: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered at: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Acoustic Guitar, Vocals
  • Rebecca Campbell: Harmony Vocals
  • Ken Whiteley: Acoustic Guitar, Banjo, String Bass
  • Anne Lindsay: Fiddle

Instrumentation

  • Acoustic Guitar
  • Bass
  • Strings

Audio Preview

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Creeping Jenny

Scene Fit

  • Drama: Evokes emotional depth and character introspection
  • Historical: Atmospheric tone complements period settings
  • Indie: Authentic and intimate, ideal for indie storytelling
  • Thriller: Haunting lyric themes add tension and mystery

Mood Matching

  • Warm and reflective tone suits transitional or contemplative scenes
  • Positive energy with underlying melancholy enhances emotional arcs
  • Midtempo pacing supports montage, travel, or memory sequences

Lyric Relevance

  • Explores themes of death, fear, and time—ideal for loss or transformation
  • Loneliness and love motifs resonate with character-driven narratives
  • Imagery of nature and haunting presence fits supernatural or gothic settings

Instrumental Appeal

  • Banjo and fiddle solos offer authentic folk textures
  • Acoustic guitar and string bass provide cinematic warmth
  • Organic instrumentation suitable for rural, Appalachian, or vintage visuals

Licensing Advantage

  • One-stop licensing simplifies clearance
  • High-quality production and mastering ensure sync-ready audio
  • Available preview: Listen here
Track Narrative:
“Creeping Jenny” blossoms slowly — Kristin Sweetland gives voice to quiet beauty and complexity through lyrical elegance and atmospheric weight.

Lyrics

I will never go back I will never go Deep in the vines and Virginia pines Up in the shadows of the Shenandoah Out she comes when the night winds blows Down from the mountain the river flows If you look you’ll surely see The ghost of the Creeping Jenny The fire Is drawing nearer Getting wider Getting deeper Run faster Or Jenny Be the bride of the mountainside At only six and twenty Hear her voice in the whispering breeze See her breath on the quivering leaves In the ivy she makes her bed Jenny lies down with the copperheads Hold your ears or you’re gonna hear Turn your head so you never see her Those who spy in her hallowed eyes Roam the mountain all their lives The fire Is drawing nearer Getting wider Getting deeper Run faster Or Jenny Be the bride of the mountainside At only six and twenty Out she comes when the season’s turning Crimson red as the mountain burning Winds her way through the hickory broom Little white hare in the blood of the moon I have never seen her face I swear I’ve never seen her face Don’t call me cause I won’t go Back to the shadows of the Shenandoah The fire Is drawing nearer Getting wider Getting deeper Run faster Or Jenny Fall down cold in the red earth clay We all of us must die one day I will never go back I will never go Deep in the vines and Virginia pines Up in the shadows of the Shenandoah Out she comes when the night winds blows Down from the mountain as the river flows If you look you’ll surely see The ghost of the Creeping Jenny

Cross My Mind

Cross My Mind cover art

Cross My Mind
by Justin Enco Band

Reflective and heartfelt — “Cross My Mind” by Justin Enco Band blends warm instrumentation with lyrical sincerity. Ideal for sync scenes of remembrance, quiet revelation, or reconnecting across time and memory.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cross My Mind
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, soft resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Reflective, emotional vocal cue for memory, longing, and introspection. Strong for relationship storytelling, montage, and scenes that revolve around thoughts of connection and absence.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Cross My Mind

Song Profile

  • Key Signature: D Major
  • Beats Per Minute: 102
  • Energy: Midtempo
  • Genres: Folk, Indie, Rock
  • Vocals: Male Vocal
  • Moods: Upbeat, Reflective
  • Cinematic Fit: Coming of Age, Drama, Fantasy, Indie, Mystery, Romance, Thriller
  • Lyric Themes: Change, Life, Unity, Love
  • Type: One Stop
  • Reminiscent Of: Damien Rice, Iron & Wine, Bon Iver, Sufjan Stevens, Jose Gonzalez

Production Details

  • Produced by: Justin Enco & Michael Waxman
  • Lyrics: Justin Enco
  • Recorded at: Purgatory Recording, Sunrise, FL
  • Engineered & Mixed by: Michael Waxman
  • Mastered by: Vic Anosini at Sony Studios, New York, NY

Artists

  • Justin Enco: Vocals, Acoustic Guitars, Backing Vocals, Arrangements
  • Michael Waxman: Piano, Organs, Programming
  • Matt Winfree: Electric Guitars
  • Mike Burney: Bass Guitar
  • Brett Segal: Drums & Percussion

Instrumentation

  • Acoustic Guitar
  • Electric Guitar
  • Bass
  • Drums
  • Percussion

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cross My Mind

Scene Fit

  • Coming of Age: Ideal for moments of growth, transition, or self-discovery
  • Drama: Supports emotional arcs and character introspection
  • Fantasy: Evokes wonder and memory across surreal or magical settings
  • Indie: Authentic tone matches independent storytelling aesthetics
  • Mystery: Reflective mood enhances tension and revelation
  • Romance: Perfect for scenes of longing, reconnection, or quiet intimacy
  • Thriller: Adds emotional depth to suspenseful or psychological moments

Mood Matching

  • Upbeat yet reflective tone balances hope and nostalgia
  • Midtempo pacing suits montage, travel, or memory recall sequences
  • Warm instrumentation complements scenes of reunion or quiet revelation

Lyric Relevance

  • Explores themes of change, unity, and love—ideal for transformative narratives
  • Emotional sincerity fits scenes of remembrance or reconnection
  • Versatile lyrics adaptable to both personal and universal storytelling

Instrumental Appeal

  • Acoustic and electric guitars provide rich harmonic layers
  • Drums and percussion add dynamic movement and texture
  • Organic instrumentation suits naturalistic or nostalgic visuals

Licensing Advantage

  • One-stop licensing simplifies clearance
  • High-quality production and mastering ensure sync-ready audio
  • Available preview: Listen here
Track Narrative:
“Cross My Mind” holds the shape of memory — Justin Enco Band blends melodic clarity with honest lyrics for sync scenes of late-night reflection, memory recall, or reunion.

Lyrics

Don't worry about me, I'm feeling alright This might seem wrong, this might seem right Just some random thoughts I've been neglecting Don't mean to be rude or disrespecting No intent for harm, I'm just reflecting Ideas and needs and madness for the weight of the world The absurd shooting in the schools and malls People going crazy trying to build safe walls and halls Where we know our children will be protected We gotta slow down, we gotta make a change Protect one another from going insane Little love and understanding can last a lifetime So live another day Let's find another way All this pressure in the end And everyone pretends And where did this all go And how much do we know Lead me to this rhyme The thoughts that cross my mind The thoughts that cross my mind Sin and war is a battle for control People's minds are turning, restraining no more We're destroying each other and the land we live in Et ignorance and all it brings us down When love will shine, we'll make the world go round Stop to see the light, or be otten Live another day, let's find another way All this pressure in the end And everyone pretends But where did this all go? And how much do we know? Lead me to this rhyme The thoughts that cross my mind The thoughts that cross Don't hate We'll smile in time We'll smile in time Don't break Don't cross my mind

Cual Gitanos — IndiviDuo

Cual Gitanos cover art

Cual Gitanos
by IndiviDuo

A midtempo, feel-good Latin–Electronic–Singer/Songwriter track about life on the road and finding love through music. “Cual Gitanos” traces the journey from big solo dreams of fame to the joy of traveling and singing together “like gypsies,” brightening hearts along the way. With acoustic and electric guitars, keys, and buoyant percussion, it’s perfect for travel, performance, and adventure-driven romance stories.

Full Track

Snippet Preview

License Request
OMR Cue Map

OMR Cue Map

Track: Cual Gitanos
Clean Intro: Yes (0:00 – immediate flamenco/latin entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong rhythmic ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Passionate, rhythm-driven flamenco cue for culture, intensity, and expressive movement. Strong for dance, dramatic tension, and scenes that highlight emotional energy through performance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Cual Gitanos

Song Profile

  • Key Signature: A Major
  • BPM: 95
  • Tempo: Midtempo
  • Genres: Electronic, Latin, Singer/Songwriter, Ballad
  • Vocals: Female & Male Vocal (duet)
  • Mood/Feel: Bright, Hopeful, Light, Positive, Reflective, Upbeat
  • Lyric Themes: Adventure, Connection, Discovery, Dream, Happiness
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar
  • Keyboard
  • Percussion

Track Summary

“Cual Gitanos” is a joyful travelogue of two musicians roaming the world together. What begins as a dream of solo fame turns into something more grounded and beautiful: walking hand in hand, singing “de a dos,” and brightening hearts wherever they go. The track’s midtempo groove, light electronic touches, and Latin-pop feel make it ideal for stories about adventure, music, and partnership.

Sync Highlights

  • Perfect for road trips, tour montages, and “life on the road” sequences.
  • Speaks directly to inspiration, creativity, and making music together.
  • Warm, upbeat feel suits optimistic travel, festival, and performance moments.
  • Great for couple-on-the-road or artist-partnership storylines.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cual Gitanos

This track is a natural fit for scenes that celebrate freedom, movement, and the joy of shared creative life. Its story of traveling “cual gitanos” (“like gypsies”) makes it especially well-suited for road movies, artist journeys, and unconventional love stories.

Scene Types

  • Tour bus, van, or car travel sequences across cities and landscapes.
  • Busking, street performance, and festival scenes.
  • Montages of a couple or duo leaving one life behind to pursue music.
  • “We didn’t become famous, but we’re happy” reflective end-scenes.

Film/TV Fit

  • Adventure & Travel
  • Romance / Romantic Dramedy
  • Music-driven series and films
  • Art House / Indie road movies
  • Coming-of-Age (creative / bohemian arcs)

Why It Works

  • Directly references travel, inspiration, and making music around the world.
  • Midtempo groove with a light, upbeat tone is easy to cut picture to.
  • Duet vocals emphasize partnership and shared journey.
  • Positive, reflective lyric supports hopeful endings and “choosing joy” beats.
Track Narrative:
“Cual Gitanos” begins with a young artist leaving California for the South, chasing big dreams of fame with a guitar, two suitcases, and a notebook of songs. Along the way, they meet a musical partner who changes everything. The measure of success shifts—from being “grande y famoso” to walking together, singing for others, and “alegrando corazones.” It’s a gentle, joyful reframing of what it means to live a life in music.

Lyrics: Cual Gitanos

Dejé mi mundo entero en California y me fui pal sur, con mi guitarra, dos maletas y un vestido de colores De Bogotá hasta Buenos Aires, yo volé en el cielo azul, con mi guitarra, mil preguntas y un cuaderno con canciones Quería ser grande y ser famoso, quería ser la revelación y todo el mundo cantaría algún día mis canciones Cuando te conocí fuiste para mí y un mundo nuevo descubrí y prometí jamás soltar tu mano Es que en cualquier rincón nace una canción, vamos buscando inspiración Andamos por el mundo cual gitanos Bella, la vida es tan bella, cantando así de a dos Tu música me atropella, me alegra el corazón Es que en cualquier rincón nace una canción, vamos buscando inspiración Andamos por el mundo cual gitanos No soy muy grande ni soy famoso, tampoco fui revelación Felices vamos de la mano, alegrando corazones Cuando te conocí fuiste para mí y un mundo nuevo descubrí y prometí jamás soltar tu mano Es que en cualquier rincón nace una canción, vamos buscando inspiración Andamos por el mundo cual gitanos Bella, la vida es tan bella, cantando así de a dos Tu música me atropella, me alegra el corazón Es que en cualquier rincón nace una canción, vamos buscando inspiración Andamos por el mundo, por el mundo, por el mundo cual gitanos Bye bye.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
IndiviDuo

IndiviDuo

IndiviDuo is a vocal and songwriting partnership whose music blends Latin, Electronic, and acoustic singer/songwriter elements into cinematic, heart-forward stories. Their songs frequently explore travel, connection, and the creative life shared between two people.

Tracks like “Cual Gitanos” embody their bohemian, road-driven side—capturing the joy, uncertainty, and quiet triumphs of choosing music and partnership over conventional ideas of success.

Styles: Latin Pop, Acoustic/Electronic Singer/Songwriter • Strengths: Duet chemistry, narrative lyrics, warm rhythmic grooves • Typical Uses: Adventure & Travel, Romance, music-life stories, indie road films

Cyber Crime

Cyber Crime cover art

Cyber Crime
by The Free Spirits

Groovy and satirical — “Cyber Crime” by The Free Spirits pulses with funk-inflected guitar, rhythmic drive, and lyrical wit. The track suits sync scenes of digital chaos, quirky investigation, or comic chase sequences marked by musical bite and edge.

Full Track

Your browser does not support the audio element.

Snippet Preview

Your browser does not support the audio element.
License Request
OMR Cue Map

OMR Cue Map

Track: Cyber Crime
Clean Intro: Yes (0:00 – immediate electronic/tonal entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30
Button Ending: Yes, sharp resolved ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Dark, tech-driven cue for digital tension, surveillance, and modern thriller environments. Strong for hacking scenes, investigative sequences, and moments driven by urgency and technological intrigue.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Indie Folk-Rock Collective• Composers • Evolutionary Sound

The Free Spirits are a Toronto-based indie folk-rock collective known for their uplifting harmonies, eclectic instrumentation, and soulful storytelling. Blending flute, electric guitar, vocals, and full-band arrangements, their sound is both earthy and expansive—rooted in compassion and community.

Led by Shari Tallon and featuring collaborators like Taylor Abrahamse and Chris Birkett, The Free Spirits have performed at venues across Ontario and Quebec, including Horseshoe Tavern, Docville Movie Set, and the Wintersong Music Festival. Their concerts are celebrations of joy, unity, and musical exploration.

Their album releases and video shoots—such as the Evolutionary Music Co-op New Year’s Eve performance—highlight their commitment to artistic growth and spiritual connection. With a growing catalog and vibrant live presence, The Free Spirits continue to inspire audiences across Canada.

The Free Spirits are a movement of music, heart, and healing.

Sync Pitch Sheet: Cyber Crime

Song Profile

  • Key Signature: B Minor
  • Beats Per Minute: 125
  • Energy: Medium
  • Genres: Pop, Rock
  • Vocals: Male Vocal
  • Instrumental Solos: Electric Guitar, Flute, Piano
  • Moods: Bright, Upbeat, Quirky, Fun, Positive, Uplifting
  • Cinematic Fit: Action, Comedy, Crime, Drama, Sports
  • Lyric Themes: Identity
  • Type: One Stop

Production Details

  • Written by: Chris Birkett & Shari Tallon
  • Producer & Arranger: Chris Birkett

Artists

  • Chris Birkett: Vocals, Guitars, Bass, Drums, Percussion, Keys, Organ, Horns
  • Shari Tallon: Vocals, Piano, Flute, Tin Whistles, Organ

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Flute
  • Piano
  • Organ
  • Horns
  • Tin Whistles

Audio Preview

Full Track

Snippet Preview

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Cyber Crime

Scene Fit

  • Action: High-energy rhythm supports chase scenes and digital combat
  • Comedy: Quirky tone and satirical lyrics enhance humorous sequences
  • Crime: Funk-inflected groove suits investigative montages and tech heists
  • Drama: Bright instrumentation adds contrast to urban or character-driven tension
  • Sports: Upbeat pacing energizes training, competition, or highlight reels

Mood Matching

  • Uplifting and fun vibe fits scenes of celebration, mischief, or digital chaos
  • Bright and quirky tone enhances stylized or animated storytelling
  • Medium energy and uptempo beat support montage and transitional sequences

Lyric Relevance

  • Explores identity in the digital age—ideal for tech-themed narratives
  • Satirical lyrics add wit and commentary to modern surveillance or cyber culture
  • Playful phrasing suits ironic or self-aware storytelling

Instrumental Appeal

  • Electric guitar solos deliver punch and attitude
  • Flute and piano add unexpected melodic charm
  • Layered percussion and bass create rhythmic drive

Licensing Advantage

  • One-stop licensing simplifies clearance
  • High-quality production ensures sync-ready audio
  • Available preview: Listen here
Track Narrative:
“Cyber Crime” plays with sound and satire — The Free Spirits craft sync-ready funk with a wink for moments of digital drama, comic tension, or urban pace.

Lyrics

Be careful what you do -be careful what you say You're being listened to If your point of view goes against the grain You're being listening too - you're being listened to All the times of having fun Thinking I was here on my own all alone Private life is not the same When someone's listening on your phone You're not alone You're being listened to Being listened to Listened to All the time It's a cyber crime When you get a call and it's just a pre-record You're being listened to So many messages that turn out to be fraud 'cause you're being listened to You're being listened to Taping up the camera but I can't stop he audio If you want a private life You gotta keep away from your phone You're not alone You're being listened to Being listened to Listened to Even scrambled messages are hacked by those who can Algorithms tracking you dictating how you should stand That's the plan You're being listened to Being listened to Listened to

Some images ©

  • Log out