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OMR MUSIC PRODUCTION

  • HOME
    • LICENSE REQUEST
    • FAQ
    • NEWSLETTERS
    • BLOG
    • DISCLAIMERS
  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
    • CURATED COLLECTIONS
  • HOM3r
  • DISCO CATALOG
  • SOUND FORGE
  • MUSIC SUPERVISORS
  • ARTISTS
    • ARTIST SUBMISSION & AGREEMENT
    • VIEW ARTIST AGREEMENT
  • CONTACT

TITLES — B

Discover cinematic tracks beginning with the letter B — built for emotion, storytelling, and sync-forward placement. From brooding ballads to bold instrumentals, this collection is ready for film, television, and visual media.

← Back to Main Catalog

BABY SLEEPS — PheeLion

Baby Sleeps cover art

Baby Sleeps
by PheeLion

A dreamy, atmospheric instrumental that floats between reflection and motion. “Baby Sleeps” pulses with gentle synths, piano tones, and subtle percussion — creating a meditative mood perfect for emotional transitions, modern drama, or late-night contemplation.

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OMR Cue Map

Track: Baby Sleeps
Clean Intro: Yes (0:00 – soft, delicate instrumental entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Tender, intimate cue for quiet moments, care, and emotional closeness. Ideal for family scenes, reflection, and gentle transitions with warmth and sensitivity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Baby Sleeps

Artist: PheeLion
Genre: Electronic, Indie
Instruments: Percussion, Piano, Synth
Lyric Themes: —
Mood: Atmospheric, Dreamy, Minimal, Moody, Reflective, Rhythmic
Tempo: Midtempo • BPM: 110 • Key: E♭ Minor
Vocal: Instrumental • Type: One Stop

Track Summary

A slow-blooming ambient piece where texture and rhythm breathe in quiet harmony. “Baby Sleeps” drifts between pulse and stillness — ideal for emotive storytelling and contemplative visuals.

Sync Highlights

  • Perfect for reflective transitions, emotional fades, or quiet resolve scenes
  • Soft rhythmic structure complements narrative pacing
  • Dreamlike texture fits indie drama, design, or nature pieces
  • Usable :30 / :60 edit points within repeating motifs

Sync Potential: Baby Sleeps

A cinematic minimalist tone piece that works beautifully in reflective drama, intimate storytelling, or upscale editorial content where emotional subtlety and atmosphere are key.

  • Late-night reflection or emotional closure scenes
  • Artful brand visuals or modern design documentaries
  • Slow-motion or macro product sequences
Track Narrative:
Soft and cinematic, “Baby Sleeps” unfolds like an exhale — the calm after motion. Synth and piano trade breaths, evoking stillness, reflection, and the quiet gravity of peace.
Instrumental:
Piano, synth, and percussion textures (no vocals). Designed for clarity, warmth, and seamless integration into emotional or ambient visual contexts.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental or alternate mixes and we’ll confirm availability.
PheeLion

PheeLion

PheeLion crafts cinematic electronic music defined by texture, restraint, and atmosphere. Her instrumentals float between pulse and stillness—combining delicate synth layers with emotional depth, perfect for modern visual storytelling.

Styles: Electronic, Indie, Ambient • Strengths: Mood sculpting, rhythmic subtlety, emotional tone • Typical Uses: Indie film, design documentaries, artful commercials, reflective storytelling

Back to Canada — Instrumental

Back to Canada cover art

Back to Canada
by Kiki Ferrer

Crisp, cinematic, and groove-forward — “Back to Canada” is an instrumental journey wrapped in rhythm and tone. Kiki Ferrer crafts layered movement and reflective pacing that captures the tension and release of departure and return.

Full Track:

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OMR Cue Map

Track: Back to Canada
Clean Intro: Yes (0:00 – clean instrumental entry with rhythmic/melodic tone)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Warm, travel-driven cue for return, reflection, and forward movement. Strong for montage, journey sequences, and scenes centered on homecoming or transition.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Track Narrative
  • Instrumental
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: Back to Canada

Artist: Kiki Ferrer
Genre: Rock, Jazz, Funk
Vocal Style: Instrumental
Energy Level: Midtempo
Key Signature: D Minor
Tempo: 104 BPM
Mood Tags: Angry Swagger, Confident, Cool, Upbeat, Tension
Cinematic Fit: Adventure, Coming-of-Age, Crime, Drama, Fantasy, Mystery, Romance
Type: One Stop

Track Summary

[Track Title Here] is a swaggering, groove-forward instrumental that blends rock, jazz, and funk with cinematic flair. Featuring electric guitar and percussion solos, it delivers confident energy and rhythmic tension—perfect for scenes that demand boldness and emotional grit.

Sync Highlights

  • Electric guitar and percussion solos add dynamic edge
  • Instrumental format ideal for voiceover, montage, and action scenes
  • Midtempo pacing supports narrative flexibility
  • Perfect for crime, fantasy, and coming-of-age visuals
  • Cool, confident tone enhances cinematic storytelling

Production Credits

  • Produced By: Elmer Ferrer, Dayan Abad
  • Engineered By: Dayan Abad, Kiki Ferrer/li>
  • Recorded & Mixed At: El Gao Records
  • Mastered At: El Gao Records
  • Published By: El Gao Records

Artists

  • Electric Guitar: Elmer Ferrer, Dayan Abad
  • Percussion: Kiki Ferrer
  • Bass Guitar: Santi Greco

Licensing & Contact

For sync inquiries, stems, or instrumental versions:
Contact: OMR Music Production
Email: info@omrmusicproduction.com
Website: OMR Music Production

Sync Potential: Back to Canada

Back to Canada is crisp, cinematic, and groove-forward — an instrumental journey wrapped in rhythm and tone. Kiki Ferrer’s layered movement and reflective pacing capture the tension and release of departure and return, making it a compelling choice for emotionally charged visual storytelling.

Ideal Sync Uses

  • Film & TV: Travel montages, emotional transitions, character intros
  • Streaming Series: Coming-of-age arcs, dramatic turning points, urban narratives
  • Documentaries: Cultural journeys, personal stories, reflective themes
  • Commercials: Automotive, fashion, tech, lifestyle brands with edge and elegance
  • Trailers: Adventure, drama, mystery, and romance-driven stories

Why It Works

  • Midtempo groove supports narrative flexibility and emotional pacing
  • Electric guitar and percussion solos add cinematic tension and swagger
  • Instrumental format ideal for voiceover, montage, and transitional scenes
  • Cool, confident tone enhances modern storytelling and brand identity
  • Perfect for visuals that explore movement, memory, and transformation
Track Narrative:
“Back to Canada” plays like a road trip through memory and change — a layered instrumental that grooves with intention and emotional nuance. Kiki Ferrer blends percussion-driven pulse with reflective tonal shifts, making it ideal for travel montages, transitional scenes, or character re-entry with quiet confidence.

BACK TO HOUSTON — The Green Door

Back to Houston cover art

Back to Houston
by The Green Door

Gritty, restless, and full of motion, “Back to Houston” rides like a late-night freight through broken romance, false starts, and rough-edged survival. With a midtempo pulse, dark retro energy, and a swaggering rock-and-roll backbone, The Green Door delivers a track built for road scenes, troubled characters, and dusty emotional reckoning.

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OMR Cue Map

Track: Back to Houston
Clean Intro: Yes (0:00 – immediate instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, subtle button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Smooth, grounded cue for travel, return, and reflective movement. Strong for montage, transition scenes, and moments tied to place and personal journey.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-friendly rock with attitude, momentum, and emotional wear. Their sound blends punk urgency, classic rock swagger, and moody retro texture into tracks that feel lived-in, restless, and visually charged.

Built for scenes that need movement, tension, and character, The Green Door’s music sits naturally in road stories, outlaw energy, relationship fallout, and rough-cut Americana visuals. The production leans direct and unvarnished, while still leaving room for strong lyrical hooks and edit-ready structure.

For supervisors, the appeal is immediate: dark mood, male vocal presence, strong rhythmic backbone, and a cinematic sense of travel, trouble, and consequence.

Sync Pitch Sheet: Back to Houston

Artist: The Green Door
Genre: Metal, Punk, Rock
Vocal Style: Male Vocal
Energy Level: Mid
Key Signature: C Minor
Tempo: 77 BPM
Mood Tags: Atmospheric, Dark, Moody, Retro, Upbeat
Lyric Themes: Identity, Love, Money, Relationship, Struggle
Cinematic Fit: Crime, Drama, Indie, Thriller, Western
Type: One Stop

Track Summary

Back to Houston is a rugged, locomotive-style rock track built on motion, grit, and emotional fallout. The song moves through broken promises, shifting destinations, and hard-lived romantic misfires, making it a strong fit for travel montages, outlaw character arcs, and scenes where hope and ruin travel side by side.

Sync Highlights

  • Midtempo groove with strong road-movie momentum
  • Male vocal delivery adds grit, character, and attitude
  • Dark retro tone works for Americana, outlaw, and indie visuals
  • Lyrical themes of struggle, identity, love, and money support narrative scenes
  • One-stop clearance makes it supervisor-friendly and easy to place

Best Scene Uses

  • Train, highway, or bus travel sequences with emotional tension underneath
  • Characters returning home after disappointment or betrayal
  • Dusty bar, border town, or Southern gothic visuals
  • Crime or indie-drama scenes involving romantic deception
  • Montages built around drifting, chasing, or running out of options

Sync Potential: Back to Houston

Artist: The Green Door
Genre: Rock, Punk, Alt Rock
Vocal Style: Male
Energy Level: Midtempo
Key Signature: C Minor
Tempo: 77 BPM
Mood Tags: Dark, Moody, Atmospheric, Retro, Driven
Cinematic Fit: Crime, Indie, Drama, Thriller, Western
Lyric Themes: Identity, Love, Money, Relationship, Struggle
Type: One Stop

Sync Highlights

  • Road-worn lyrical imagery gives the track immediate visual value
  • Rhythmic drive supports movement-heavy edits and travel sequences
  • Works especially well for flawed, restless, or morally grey characters
  • Balances grit and melody in a way that can sit under dialogue-driven drama
Stem Tracks:
Available upon request.
Track Narrative:
“Back to Houston” feels like a hard-mile return trip through memory, desire, and disillusionment. It carries the sound of a man chasing something familiar only to find that every stop offers another version of loss. Dark, dusty, and rhythmically steady, it is ideal for scenes of motion, regret, and characters who keep moving because standing still would mean facing the truth.
Lyrics:

Well I’m back on this track
Headed straight down to Houston, Texas
That’s where my baby said
That she would be waiting for me

Well conductor don’t you suffer
No bouts of misdirection
Churn the coal, turn the fire
Of the beast

Well my wallet is stacked
And I’m back in Houston, Texas
Straighten my suit
So baby you know what I mean

Spent some time in the mine
But now it’s just us
Ah, but now you say
You don’t remember me

So I’m back on this track
Heading straight on down to Memphis
There’s a soft little peach
Just hanging on the tree

Settle down on the farm
Where we first kissed
And there you are
In the arms of the Indian Chief

So I’m back on this track
Heading late but straight to Ole’ Miss
Mississippi, you’re the only one
Who’s ever loved me

Here I come, we’ll have some fun
And maybe marry
When I arrive
It’s some…
And then you rob me

So if you’re heading late
Better stay from where you’re coming
‘Cause there ain’t no road
That’s gonna set you free

Just a matchbox for my clothes
And I’m stuck running
And a guitar here
To spell out my disease

BACK TO LONELY — Lee Palmer

Back to Lonely cover art

Back to Lonely
by Lee Palmer

Soulful and introspective — “Back to Lonely” captures the ache of love lost and the quiet resignation of starting over alone. Lee Palmer delivers lyrical honesty wrapped in gentle phrasing and heartfelt delivery.

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OMR Cue Map

Track: Back to Lonely
Clean Intro: Yes (0:00 – immediate tonal/vocal entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Emotional, introspective cue for solitude, loss, and personal reflection. Strong for character-driven scenes, quiet emotional beats, and moments of isolation.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Back to Lonely

Artist: Lee Palmer
Genre: Blues, Country, Folk
Vocal Style: Male Vocal
Energy Level: Low
Key Signature: Ab Major
Tempo: 52 BPM
Mood Tags: Reflective, Sad, Chill, Relaxing
Lyric Themes: Loneliness, Love
Cinematic Fit: Comedy, Western
Type: One Stop

Track Summary

Back to Lonely is a slow-burning ballad that blends blues and country with lyrical vulnerability. Lee Palmer’s vocal delivery is intimate and honest, supported by rich instrumentation and a soulful electric guitar solo. The track evokes solitude and longing, making it ideal for scenes of emotional reflection and quiet resolve.

Sync Highlights

  • Low-energy pacing supports introspective and cinematic visuals
  • Male vocals convey emotional depth and sincerity
  • Electric guitar solo adds texture and tension
  • Perfect for Western landscapes, romantic setbacks, or character-driven drama
  • Lyrics explore universal themes of love and loneliness

Production Credits

  • Executive Producers: Lee Palmer, Elmer Ferrer
  • Lyrics: Lee Palmer
  • Arrangements: Lee Palmer, Elmer Ferrer
  • Music Composition: Lee Palmer
  • Sound Mixing: Elmer Ferrer at The Tone Catcher
  • Sound Engineers: Kevin Dietz, Elmer Ferrer
  • Mastering: Sam Williams

Artists

  • Vocals: Lee Palmer
  • Hammond Organ, Acoustic Piano, Accordion: Mark Lalama
  • Electric and Slide Guitar: Kevin Breit
  • Acoustic and Electric Bass: Alec Fraser Jr.
  • Drums: Al Cross

Guest Performances

  • Guitars, Baritone Guitar, Ukulele, Background Vocals: Elmer Ferrer
  • Percussion: Kiki Ferrer
  • Violin: Aaron Solomon
  • Tenor Sax: Turner King
  • Trumpet: Dave Dunlop

Sync Potential: Back to Lonely

Artist: Lee Palmer
Genre: Americana, Country, Singer-Songwriter
Vocal Style: Male
Energy Level: Slow to Midtempo
Key Signature: G Major
Tempo: 92 BPM
Mood Tags: Reflective, Melancholic, Honest, Nostalgic
Cinematic Fit: Drama, Romance, Coming-of-Age
Lyric Themes: Loneliness, Longing, Emotional Distance, Hope
Type: One Stop

Sync Highlights

  • Emotive male vocals convey vulnerability and depth
  • Organic instrumentation suits intimate or rural settings
  • Lyrics explore universal themes of isolation and connection
  • Ideal for scenes involving introspection, travel, or emotional turning points
Track Narrative:
“Back to Lonely” is a quiet reckoning — a song for the moment when love fades and solitude returns. Lee Palmer delivers a heartfelt performance that blends acoustic warmth with lyrical honesty, perfect for scenes of reflection, heartbreak, or emotional reset.
Lyrics:
I know it will
Like the back of my hand
Like only I can tell
Like a foggy day
That fog won't lift
It won't go away

I can't cry
And I can't laugh
I can't believe
We didn't last
Here I am
On familiar ground
Where I began

I'm back to lonely
Back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again

There's no way out
There's no way in
There's no way I feel
Like starting over again
I know the first step
I've... and move on
I'll never forget

I'm back to lonely
I'm back to blue
I'm back to feeling
Like I used to
My love is gone
I just can't win
I'm back to lonely
I'm back again
I'm back to lonely
Yeah

Backroad Medicine

Backroad Medicine cover art

Backroad Medicine
by Mattie Leon

Folk-rock and full of heart — “Backroad Medicine” is a lyrical escape from digital noise and emotional clutter. Mattie Leon delivers a warm, harmony-rich anthem for healing, unplugging, and rediscovering the natural world.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Backroad Medicine
Clean Intro: Yes (0:00 – clean vocal/instrumental entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, light button ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Roots-driven vocal cue for healing, reflection, and personal journey. Strong for road scenes, character growth, and moments tied to recovery and emotional grounding.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Backroad Medicine

Artist: Mattie Leon
Genre: Folk, Rock, Singer-Songwriter
Vocal Style: Male Vocal
Energy Level: Midtempo
Key Signature: C# Major
Tempo: 87 BPM
Mood Tags: Bright, Fun, Happy, Hopeful, Light, Positive, Reflective, Romantic, Upbeat, Uplifting, Warm
Lyric Themes: Nature, Identity, Struggle, Escape, Time, Adventure, Fear, Home, Love
Cinematic Fit: Drama, Historical, Romance, War
Type: One Stop

Track Summary

Backroad Medicine is a harmony-rich folk-rock anthem that celebrates healing through nature and introspection. Mattie Leon’s warm vocals and acoustic textures offer a lyrical escape from digital noise and emotional clutter. The track’s hopeful tone and midtempo rhythm make it ideal for scenes of personal growth, romantic discovery, and rural adventure.

Sync Highlights

  • Midtempo pacing supports uplifting and reflective storytelling
  • Male vocals convey sincerity and emotional clarity
  • Acoustic and electric guitar blend adds warmth and drive
  • Perfect for scenes of escape, healing, and rediscovery
  • Lyrics explore timeless themes with poetic depth

Production Credits

  • Words & Music: Mattie Leon
  • Produced & Mixed: Mattie Leon
  • Mastered: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

Sync Potential: Backroad Medicine

Ideal Use Cases:

  • Opening or closing scenes in romantic dramas
  • Montages of personal growth, travel, or healing
  • Historical flashbacks or rural Americana visuals
  • Moments of escape, solitude, or rediscovery
  • Nature documentaries or outdoor lifestyle content

Why It Works:

  • Warm acoustic textures evoke emotional authenticity
  • Midtempo rhythm supports narrative pacing without overpowering
  • Lyrics speak to timeless themes: identity, love, and escape
  • One-stop clearance simplifies licensing for editors and supervisors
  • Versatile fit across genres: drama, romance, historical, and war

Comparable Syncs:

  • “The Secret Life of Walter Mitty” – introspective travel scenes
  • “A Walk in the Woods” – nature-driven storytelling
  • “This Is Us” – emotional flashbacks and family moments

Licensing Notes:
Fully cleared for sync. All rights held by Mattie Leon. Contact via OMR Music Production for licensing inquiries.

Track Narrative:
“Backroad Medicine” is a sonic retreat — a folk-rock gem about stepping away from screens and stepping into sunlight. With acoustic textures and three-part harmonies, Mattie Leon captures the healing power of nature and the quiet clarity of solitude.
Lyrics:
I think I need a little country air or something
Lately I’ve been struggling
The weight of every day has got me miserable

Maybe if I leave my phone inside
Step out to the UV light
Maybe I can start to heal inside
Surrounded by some natural things

I can only last so long
Sifting through illusions
Wilting like a rose inside these four walls
Backroad Medicine
The cure for my confusion
Step outside and clear my mind with natural things

I think I need a little time for me
Dip my toes in a mountain stream
Live a little carelessly with no distractions
Dirt road lead the way
I don’t care if it takes all day cause
These eyes are starved for change
It’s all they're after

I can only last so long
Sifting through illusions
Wilting like a rose inside these four walls
Backroad Medicine
The cure for my confusion
Step outside and clear my mind with natural things

I’m tired of being no one
Everybody’s doing so much better than I’m doing
And it’s all I ever hear about

I can only last so long
Sifting through illusions
Wilting like a rose inside these four walls
Backroad Medicine
The cure for my confusion
Step outside and clear my mind with natural things

Bad

Bad cover art

Bad
by Kelsey Kindall

“Bad” is a fast, moody pop/R&B track in A Minor at 140 BPM, driven by bass, drums, percussion, and synth. With a cool, rhythmic, atmospheric feel and a lyric centered on recklessness, pain, self-conflict, and emotional overload, it fits scenes of impulsive release, nightlife tension, inner chaos, and character moments where escape feels tempting but costly.

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OMR Cue Map

OMR Cue Map

Track: Bad
Clean Intro: Yes (0:00)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: No, pop/R&B tail
Loopable: Moderate
Best Loop Candidates: 0:28–0:56 / 0:56–1:24 / 1:10–1:38
Use Case: Fast pop/R&B cue for emotional recklessness, nightlife release, self-conflict, impulsive decisions, relationship strain, and scenes where escape and consequence collide.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling. Whether capturing late-night energy, internal struggle, or moments of self-realization, her voice carries both the tension and the release.

Her work is especially effective in contemporary drama, youth-driven narratives, lifestyle storytelling, and scenes where emotion is not explained — but felt.

Sync Pitch Sheet: Bad

Song Profile

  • Genres: Pop, R&B
  • Key Signature: A Minor
  • BPM: 140
  • Tempo: Fast
  • Vocals: Female Vocal
  • Moods: Atmospheric, Cool, Minimal, Moody, Rhythmic, Upbeat
  • Lyric Themes: Energy, Pain
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Percussion
  • Synth

Sync Potential

“Bad” is built for scenes where a character is caught between impulse and self-awareness. Its fast pop/R&B pulse, moody production, and emotionally conflicted lyric make it a strong fit for nightlife, personal spirals, relationship tension, and moments where a character is trying to outrun what they feel.

Scene Types

  • Nightlife release and reckless choices
  • Character spirals or emotional overload
  • Relationship conflict and self-questioning
  • Fast-cut personal montage
  • Scenes balancing confidence with vulnerability
Lyrics:

I got some pent-up energy
Recklessness sounds so good to me
Another drink and I could be out my mind
Don't wanna talk
I'd rather be
Living in my own fantasy
Don't wanna deal with everything on my mind

Something's gotta give I'm tired of fighting myself
Now I am begging for help

Don't wanna be bad but I make mistakes
And I'm trying to get back
Get my head on straight
I'm in over my head
Get me out of my head
What did I miss
Have I gone insane
A moment of bliss
Then comes the pain
I'm in over my head
Get me out of my head

I got some pent-up energy
About to go blow off some steam
A simple fix to remedy what's inside

A crazy way to live
I'm tired of fighting myself
So something's gotta give

Don't wanna be bad but I make mistakes
And I'm trying to get back
Get my head on straight
I'm in over my head
Get me out of my head
What did I miss
Have I gone insane
A moment of bliss
Then comes the pain
I'm in over my head
Get me out of my head

Two sides to every story
One winner takes the glory
Who's it gonna be?
Which version of me
One's bad but one is boring
One's right and one's alluring
Who's it gonna be?
Which version of me
Don't wanna be
Bad
Track Narrative:
“Bad” feels like the moment when emotional pressure becomes motion. The track moves with speed, confidence, and self-conflict, capturing a character who knows they are making mistakes but cannot fully stop the momentum. It is bright enough for energy, dark enough for consequence, and rhythmic enough to carry a scene forward.

Stem Tracks

Stem availability can be confirmed upon request.

Badger in the Bag

Badger in the Bag cover art

Badger in the Bag
by Kristin Sweetland

Quirky and kinetic — “Badger in the Bag” is a genre-bending instrumental packed with rhythmic twists and sonic character. Captain Dirt & The Skirt deliver a sync-friendly track full of playful tension and cinematic flair.

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OMR Cue Map

OMR Cue Map

Track: Badger in the Bag
Clean Intro: Yes (0:00 – immediate rhythmic entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Quirky, energetic cue for comedic tension, mischief, and offbeat character moments. Strong for light chaos, playful sequences, and scenes with unexpected twists.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Badger in the Bag

Artist: Captain Dirt & The Skirt
Genre: Folk, World
Vocal Style: Instrumental
Energy Level: Midtempo
Key Signature: F Major
Tempo: 93 BPM
Mood Tags: Romantic, Warm, Dreamy, Hopeful, Positive, Reflective, Atmospheric
Lyric Themes: —
Cinematic Fit: Action, Adventure, Art House, Crime, Drama, Indie, Romance, Thriller
Type: One Stop

Track Summary

[Track Title Here] is a lush and lyrical instrumental that blends folk and world textures into a cinematic soundscape. With acoustic guitar and violin solos, the track evokes warmth, romance, and introspection—perfect for scenes that explore emotional depth, natural beauty, or quiet transformation.

Sync Highlights

  • Midtempo pacing supports reflective and romantic storytelling
  • Instrumental format ideal for voiceover, montage, and transitional scenes
  • Acoustic guitar and violin solos add emotional resonance
  • Perfect for indie films, art house drama, and nature-driven visuals
  • Atmospheric tone enhances scenes of solitude, connection, and memory

Production Credits

  • Written By: Lyndell Montgomery & Kristin Sweetland
  • Produced By: David Travers-Smith & Captain Dirt & The Skirt
  • Recorded, Mixed & Mastered By: David Travers-Smith at Found Sound, Toronto, ON
  • Published By: © Arbora Vita Music 2013

Artists

  • Acoustic Guitar: Kristin Sweetland
  • Violin: Lyndell Montgomery
Licensing Contact:
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Badger in the Bag

Ideal Use Cases:

  • Romantic montages and emotional transitions
  • Nature documentaries and travel sequences
  • Indie film scenes with introspective or hopeful tone
  • Art house and drama projects needing atmospheric depth
  • Voiceover-friendly background for commercials and PSAs

Why It Works:

  • Instrumental format allows flexible placement under dialogue
  • Midtempo pacing suits a wide range of cinematic moods
  • Organic instrumentation adds authenticity and warmth
  • Emotional resonance through acoustic guitar and violin solos
  • One-stop clearance simplifies licensing process

Licensing Status: One Stop – All rights cleared for sync

Contact: [Insert licensing contact or email here]

Track Narrative:
“Badger in the Bag” is a sonic chase — unpredictable, playful, and full of rhythmic mischief. With its offbeat charm and instrumental storytelling, it’s perfect for sync scenes that need quirky tension, animated energy, or whimsical suspense.

Bad Idea

Bad Idea cover art

Bad Idea
by Kelsey Kindall

“Bad Idea” is a slow-grooving pop/reggae track in C Minor at 82 BPM, built around bass, percussion, and synth. Catchy, confident, moody, and rhythmic, it turns impulsive energy into a playful anthem about breaking routine, letting go of fear, and choosing the kind of imperfect moments that become unforgettable memories.

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OMR Cue Map

OMR Cue Map

Track: Bad Idea
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, relaxed rhythmic tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00
Use Case: Playful pop/reggae cue for spontaneous decisions, carefree rebellion, lifestyle montage, youth-driven scenes, and moments where a character chooses excitement over caution.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Bad Idea

Song Profile

  • Genres: Pop, Reggae
  • Key Signature: C Minor
  • BPM: 82
  • Tempo: Slow
  • Vocals: Female Vocal
  • Moods: Catchy, Confident, Moody, Rhythmic, Upbeat
  • Lyric Themes: Fear, Fun, Life, Money, Power
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Synth

Sync Potential

“Bad Idea” works especially well for scenes where a character decides that being careful has become boring. Its pop/reggae groove, confident vocal, and lyric about choosing fun over overthinking make it a strong fit for lifestyle campaigns, youth-driven comedy, spontaneous road trips, playful rebellion, and scenes where a small risk becomes the beginning of a great memory.

Scene Types

  • Carefree lifestyle and youth-driven montage
  • Spontaneous travel or road-trip moments
  • Playful rebellion and “live a little” scenes
  • Friend-group comedy or mischief
  • Characters choosing experience over caution

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

Life is unfair but what is worse is when you don't have fun
Rather compare yourself to someone else and work too hard
You say one day you'll get to play but now's the time to grind
You're saving money just to leave it here after you die

Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories

I think I've finally made my peace about what people think
And when I stopped trying so hard good things have come to me
Not power hungry but it would be fun to take a bite
I'd climb the ladder just to prove I'm not afraid of heights

Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories

Why don't we go do something exciting
Life was never meant to be so stale
Why don't we go do something exciting
Life was never meant to be so stale

Hold your breath
Count to Ten
Then go on Three
One Two Three
Bad ideas make the best kinda memories
Track Narrative:
“Bad Idea” feels like the moment a character stops waiting for permission to have a life. The track carries a loose, confident energy — playful but not careless, reflective but still ready to move. It is about escaping the stale rhythm of comparison, overwork, and delayed joy, and choosing the kind of imperfect decision that turns into a story worth remembering.

BAD TRIP — PheeLion

Bad Trip cover art

Bad Trip
by PheeLion

Hypnotic and disorienting in the best way — “Bad Trip” is a dark, funk-laced descent into electronic surrealism. PheeLion’s layered synths and mantra-like vocals blur perception and reality, crafting an evocative, cinematic soundscape that captures inner tension and psychedelic unease.

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OMR Cue Map

OMR Cue Map

Track: Bad Trip
Clean Intro: Yes (0:00 – immediate tonal/atmospheric entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:12–0:36 / 0:36–1:00 / 1:00–1:24
Use Case: Dark, unsettling cue for disorientation, tension, and psychological unease. Strong for thriller, surreal moments, and scenes that blur perception and reality.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Bad Trip

Artist: PheeLion
Genre: Dance, Funk
Instruments: Keyboard, Percussion, Synth
Lyric Themes: Identity
Mood: Dark, Moody
Tempo: Fast • BPM: 139 • Key: F Major
Vocal: Female Vocal • Type: One Stop

Track Summary

A hypnotic, psychedelic dance-funk track where mantras twist into rhythm. The lyrics cycle through perception and confusion while the synth groove builds tension — equal parts surreal and seductive.

Sync Highlights

  • Great for psychological drama, surreal sequences, or club scenes
  • Works in stylized fashion, noir, or avant-garde visual settings
  • Perfect tension cue between sensuality and unease
  • Strong percussive phrasing for modern rhythm edits

Sync Potential: Bad Trip

Perfect for dark, stylish syncs that explore disorientation, identity, and perception. “Bad Trip” lends itself to psychological thrillers, neo-noir moments, and immersive fashion sequences.

  • Nightclub or hallucination scenes
  • Fashion or perfume campaign with surreal tone
  • Stylized tension or mental unraveling sequences
Track Narrative:
A mind in motion, repeating its mantras — trapped in rhythm, seeking clarity. “Bad Trip” explores the thin line between control and chaos, seduction and confusion, through hypnotic beats and looping self-reflection.
Lyrics:

perception
deception
conception
election

No one no one had a bad trip
It was all very good
I I think I'm I think I'm having a bad trip
No one no one no one had a bad trip
It was all very good
perception
conception
deception
I I I think I'm having a a bad trip
The moment,
the moment,
the moment,
the moment
is now
perception
deception
conception
election

No one no one had a bad trip
It was all very good
I I think I'm having a a bad trip
No one no one no one had a bad trip
He was all very good
No, I I mean I really think I'm I'm really think I'm having a bad trip.
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request alternate mixes and we’ll confirm availability.
PheeLion

PheeLion

PheeLion’s music moves through the shadows of electronic funk and hypnotic pop. Her blend of dark rhythms, mantra-like vocals, and tactile synth design invites listeners into cinematic, emotionally complex worlds.

Styles: Electronic, Dance, Funk • Strengths: Vocal atmosphere, groove control, sonic tension • Typical Uses: Psychological thrillers, fashion visuals, surreal drama, modern noir

Bangin' Butter

Bangin' Butter cover art

Bangin' Butter
by HYP

Smooth, moody, and rhythm-forward, “Bangin' Butter” rides a D# minor midtempo groove with deep bass, keys, and atmospheric synths. It feels like late-night confidence: cool, sexy, and slightly dangerous, perfect for elevated urban visuals, stylish character moments, and intimate, slow-burn scenes.

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OMR Cue Map

OMR Cue Map

Track: Bangin Butter (Sync Version)
Clean Intro: Yes (0:00 – immediate rhythmic entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48
Use Case: Funky, high-energy cue for swagger, rhythm, and playful attitude. Strong for montage, character-driven movement, and scenes built around groove and personality.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
HYP

HYP — Producer • Composer

HYP builds groove-heavy, cinematic instrumentals that pull from hip hop, electronic, and global textures. Focused on bass, rhythm, and atmosphere, HYP’s tracks are tailor-made for editors who need modern, moody beds that still feel musical and elevated.

From late-night cityscapes to intimate character studies, HYP’s catalogue leans into reflective cool, making it ideal for contemporary series, films, and branded content where vibe and pacing are central to the storytelling.

Sync Pitch Sheet: Bangin' Butter

Song Profile

  • Key Signature: D# Minor
  • Beats Per Minute: 91
  • Energy: Midtempo (head-nod groove)
  • Genres: Hip hop / Rap
  • Vocals: Instrumental
  • Moods: Atmospheric, Cool, Moody, Reflective, Rhythmic, Sexy
  • Lyric Themes: Instrumental — reads as late-night swagger, sensual tension, inner monologue
  • Type: One Stop

Instrumentation

  • Deep, punchy bass
  • Hip hop percussion and drums
  • Keys and piano motifs
  • Synth leads and pads with smoky, atmospheric tone

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Bangin' Butter” is a sleek, midtempo hip hop instrumental that brings moody atmosphere and confident swagger without crowding dialogue. Its deep low end and sensual, rhythmic feel make it an ideal choice for elevated urban stories, intimate character beats, and stylish, late-night environments.

Scene Types

  • Nighttime city drives and skyline shots
  • Clubs, lounges, bars, and rooftop socials
  • Slow-burn romance and flirtation sequences
  • Cool-character walk-ups, entrances, and exits
  • Luxury lifestyle, fashion, and product visuals

Film/TV Fit

  • Drama and crime series
  • Character-driven urban stories
  • Fashion, beauty, and lifestyle campaigns
  • Branded content needing modern, sexy, rhythmic energy

Why It Works

  • 91 BPM midtempo gives a confident, head-nod feel that supports picture without rushing it.
  • Instrumental hip hop aesthetic reads current and stylish while leaving space for VO and dialogue.
  • Atmospheric and moody tonality is perfect for late-night scenes, secrets, and sensual tension.
  • One-stop clearance simplifies licensing for fast-turn TV, film, and brand projects.
Track Narrative:
“Bangin' Butter” moves like a slow, confident glide through the city after dark. The bass and drums lock into a hypnotic groove while keys and synth textures paint a smoky, sensual atmosphere. It feels like the soundtrack to unspoken tension, quiet plotting, or a character fully in their element, giving editors a flexible bed for cool, intimate, or high-style sequences.
Instrumental Notes:
Fully instrumental with no vocal lines or hooks, this track is easy to tuck under dialogue and voice-over. Strong rhythmic identity in the drums and bass keeps the cue feeling purposeful, while the melodic and harmonic elements stay sparse enough to avoid competing with story beats.

Stem Tracks

Contact OMR for available stems (drums and percussion, bass, keys/synths, and full mix) plus alternate edits for teasers, cutdowns, and loopable sections.

Básico, No Básico y Dirigido — Instrumental

Básico, No Básico y Dirigido cover art

Básico, No Básico y Dirigido
by Elmer Ferrer

Sophisticated and rhythmically rich — “Básico, No Básico y Dirigido” is a masterclass in instrumental storytelling. Elmer Ferrer blends jazz, Latin, and cinematic textures into a sync-ready composition full of movement and musical architecture.

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OMR Cue Map

OMR Cue Map

Track: Básico No Básico y Dirigido
Clean Intro: Yes (0:00 – immediate tonal/ambient entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Minimal, atmospheric cue for tension, focus, and understated movement. Strong for dialogue beds, investigative scenes, and moments requiring subtle forward drive.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music. Ferrer’s technical precision and emotional depth make his playing instantly recognizable.

Known for blending traditional Cuban rhythms with contemporary sounds, Ferrer continues to push boundaries through new collaborations and projects. His dedication to musical excellence ensures his influence will resonate for years to come.

Sync Pitch Sheet: No Básico y Dirigido

Artist: Elmer Ferrer
Genre: Rock, Jazz, Funk
Vocal Style: Instrumental
Energy Level: Moderate
Key Signature: E Minor
Tempo: 101 BPM
Mood Tags: Confident, Cool, Upbeat, Energetic, Fun, Gritty, Retro, Tension, Serious
Lyric Themes: —
Cinematic Fit: Action, Crime, Adventure, Drama, Thriller
Type: One Stop

Track Summary

No Básico y Dirigido is a rhythmically rich and harmonically bold instrumental that blends jazz, rock, and funk into a sync-ready composition. With electric guitar, percussion, and piano solos, the track delivers tension, swagger, and cinematic punch—ideal for scenes that demand grit, movement, and musical architecture.

Sync Highlights

  • Midtempo groove supports action and dramatic pacing
  • Instrumental format ideal for underscore and montage
  • Electric guitar and percussion solos add edge and complexity
  • Perfect for crime thrillers, urban drama, and retro-styled sequences
  • One-stop clearance simplifies licensing process

Production Credits

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer, Kevin Dietz
  • Production: Elmer Ferrer
  • Mixing: John Bailey
  • Mastering: Peter Letros

Artists

  • Electric Guitar & Keys: Elmer Ferrer
  • Bass Guitar: Marc Rogers
  • Percussion: Chendy Leon
  • Drums: Larnell Lewis
  • Horns: Yumar Bonachea
  • Cello: Rachel Pomedli
  • Violin: Drew Jurecka

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: No Básico y Dirigido

Ideal Use Cases:

  • Urban crime dramas and high-stakes thrillers
  • Action sequences with rhythmic intensity
  • Retro-styled montages and stylized transitions
  • Adventure scenes with tension and swagger
  • Commercials needing cool, confident energy

Why It Works:

  • Midtempo groove supports dynamic pacing
  • Electric guitar and percussion solos add grit and complexity
  • Jazz-rock fusion creates a unique sonic identity
  • Instrumental format ideal for underscore and voiceover
  • One-stop clearance simplifies licensing process

Licensing Status: One Stop – All rights cleared for sync

Contact for Licensing

OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com

Track Narrative:
“Básico, No Básico y Dirigido” is a layered instrumental that moves with precision and soul. Elmer Ferrer orchestrates a dynamic blend of electric guitar, strings, and brass — ideal for sync scenes that demand elegance, complexity, and emotional lift.

Bat Snake Tiger — Thadeus Gonzalez

Bat Snake Tiger cover art

Bat Snake Tiger
by Thadeus Gonzalez

A nocturnal chase of rhythm and temptation — Bat Snake Tiger prowls with sharp riffs, haunting vocals, and a hypnotic groove. Perfect for sequences where attraction and danger intertwine.

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OMR Cue Map

OMR Cue Map

Track: Bat Snake Tiger
Clean Intro: Yes (0:00 – immediate rhythmic/tonal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Aggressive, stylized cue for action, combat, and heightened intensity. Strong for fight sequences, high-stakes movement, and scenes driven by power and confrontation.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Bat Snake Tiger

Song Profile

  • Genres: Punk, Rock
  • Vocals: Male vocal
  • Tempo: Uptempo
  • Mood/Feel: Confident, Cool, Moody, Powerful, Upbeat
  • Lyric Themes: Connection, Desire, Dream, Fear, Love
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar

Cinematic Fit

  • Action & Thriller: pursuit scenes, attraction-tension sequences
  • Fantasy & Mystery: dreamlike montages, surreal transitions
  • Drama: connection, temptation, and emotional reveal scenes
  • Video Game: character encounters, mission buildup, stylized combat
  • Romance: shadowed attraction, forbidden chemistry

Editorial Notes

  • Suggested 40s Excerpt: ~0:50–1:30 (verse-to-chorus rise; strong percussive hooks)
  • Mix Tips: leave low-end punch clean; highlight vocal reverb tail for cinematic lift
  • Alts: rhythm guitar bed and drum stem loop well under dialogue

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Bat Snake Tiger” moves with primal energy — sleek, confident, and shadowed by desire. Its seductive tension and rising rhythm make it ideal for sequences that balance allure and danger, movement and mystery.

Best Use Cases

  • Action & Thriller: pursuit or standoff sequences with rhythmic visual pacing
  • Crime: underground clubs, nightlife scenes, or power-shift reveals
  • Drama: charged interactions and close-up tension builds
  • Fantasy or Neo-Noir: surreal attraction, dreamlike transitions
  • Brand Spots: luxury, edge, and night-driven campaigns

Sync Appeal

  • One Stop: easy licensing through OMR Music Production
  • Male Vocal: smoky, confident tone adds cinematic character
  • Instrumentation: tight groove with dynamic shifts; ideal for edit cues
  • Tempo: uptempo drive for visually rhythmic storytelling
  • Mood: dark, alluring, modern edge

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Lyrics

Do I gotta chase you in the woods, yeah? You got hollow bones beneath your burning eyes. You caught me breaking, stealing, thieving your pharaoh. What's a girl like you run alone tonight? And now you've got me drowning. And now you've got me underneath. You got me slowly wanting. I need some relief. If I could catch your... Rat. Snake. Tiger. I never met a creature quite like you, girl, you girl. So beautiful, so haunting on the loose. Your hips speak so fast I fall behind. Your wings glistening dark in the limelights. There's an echo I can't let go when I'm solo that I can't reach up to touch your claws tonight. And now you've got me dreaming. And now you've got me falling asleep. You've got me slowly wanting. I need some relief. If I could catch your... You take me away, somewhere under the moon. So far away, where I can feel you. I never met a creature quite like you, girl, you girl. So beautiful, so haunting on the loose. I never met a creature quite like you, girl, you girl. So beautiful and brutal to watch you move. Watch you move. Watch you move. Watch you move. Hey hey!
Track Narrative:
“Bat Snake Tiger” is primal pursuit turned melody — sleek guitars, shadowed rhythm, and a vocal that stalks and seduces in equal measure. Ideal for scenes of tension, mystery, or forbidden attraction.

Battle Hymn

Battle Hymn cover art

Battle Hymn
by Kristin Sweetland

Haunting and historical — “Battle Hymn” is a lyrical meditation on conflict, memory, and the ghosts of war. Kristin Sweetland blends folk textures with cinematic depth, crafting a track that echoes with reverence and emotional weight.

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OMR Cue Map

OMR Cue Map

Track: Battle Hymn
Clean Intro: Yes (0:00 – immediate vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30
Use Case: Powerful, anthemic vocal cue for resilience, unity, and emotional intensity. Strong for dramatic montage, conflict resolution, and scenes that build toward strength and triumph.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Battle Hymn

Artist: Kristin Sweetland
Genre: Singer-Songwriter, Folk
Vocal Style: Female Vocal
Energy Level: Midtempo
Key Signature: D Major
Tempo: 103 BPM
Mood Tags: Reflective
Lyric Themes: Conflict, Power, Rebellion, Struggle, Survival
Cinematic Fit: Adventure, Art House, Drama, Historical, Indie, Romance, War
Type: One Stop

Track Summary

Battle Hymn is haunting and historical — a lyrical meditation on conflict, memory, and the ghosts of war. Kristin Sweetland blends folk textures with cinematic depth, crafting a track that echoes with reverence and emotional weight. Acoustic guitar and brass solos add a timeless, evocative quality ideal for dramatic and historical storytelling.

Sync Highlights

  • Midtempo pacing supports emotional and narrative flexibility
  • Female vocals convey vulnerability and strength
  • Acoustic guitar and brass solos add cinematic resonance
  • Perfect for war dramas, historical flashbacks, and indie romance
  • Lyrics explore themes of survival, rebellion, and power

Production Credits

  • Written By: Kristin Sweetland
  • Produced By: Ken Whiteley
  • Engineered By: Nik Tjelios
  • Recorded & Mixed At: Casa Wroxton Studio, Toronto, ON (2002)
  • Mastered At: Music Lane Mastering, Markham, ON
  • Published By: © Arbora Vita Music 2002

Artists

  • Acoustic Guitar & Vocals: Kristin Sweetland
  • Vocals: Stephen Fearing
  • Fretless Bass: George Koller
  • Drums: Davide Direnzo
  • Cello: Roman Borys
  • Trumpet: Sarah McElcheran

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Battle Hymn

Why it works for sync:

  • Historical resonance: Written in the shadow of Manassas, Virginia, the song evokes Civil War imagery and emotional depth.
  • Emotive instrumentation: Acoustic guitar, cello, and trumpet solos provide cinematic texture ideal for period dramas and indie films.
  • Universal themes: Lyrics explore survival, rebellion, and power — perfect for scenes of conflict, transformation, or reflection.
  • Flexible mood: Reflective tone with midtempo pacing suits both introspective montages and dramatic turning points.
  • One-stop clearance: Immediate licensing available through OMR Music Production.

Best suited for:

  • Historical dramas and war films
  • Indie romance and art house cinema
  • Documentaries on survival, rebellion, or legacy
  • TV series with flashback or memory sequences
  • Trailers needing emotional build and lyrical gravitas

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available.

Track Narrative:
“Battle Hymn” was written in the shadow of Manassas, Virginia — a Civil War battlefield steeped in memory. Kristin Sweetland channels the ghosts of history through acoustic textures and lyrical reverence, crafting a song that feels timeless and cinematic.
Lyrics:
All gather round, it has finally begun
Over the roar of a thirty pound gun
Down through the valley we follow the road
Golden the sun on our blue velvet coats

Once, twice, three times they call
Cavalry ride and the battery roll
They say either way we’ll be heroes by dawn
Godspeed everyone

Singing Gloria… Gloria…

Under the ceiling of shot and shell
I bang the drum slowly, they rebel yell
Trumpets they blow as the Brigadier comes
We all sing the Battle Cry Freedom

Once twice three times they sound
Darker the night the more crimson the ground
Out on the hillside so many young lay
Called to an early grave

Singing Gloria… Gloria…

In thick air of morning I watch it alone
Smitten by thunderbolts, coatsleeves and bones
President said that tomorrow we’ll know
Got the wolf by the ears and we can’t let him go

In the name of our lord
Star, stripe, saber and sword
Never remember and never we learn
Towers burn

Singing Gloria… Gloria…

Beacon — Instrumental

Beacon cover art

Beacon
by Rich Brown

Atmospheric and expressive — “Beacon” glows with harmonic depth and rhythmic subtlety. Rich Brown’s instrumental composition pulses with ambient jazz textures and emotional clarity, ideal for sync scenes of reflection, movement, or quiet resolve.

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OMR Cue Map

Track: Beacon
Clean Intro: Yes (0:00 – ambient tonal entry, no hard transient)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20
Use Case: Atmospheric, guiding cue for reflection, hope, and subtle emotional lift. Ideal for transitional scenes, introspection, and moments that suggest direction or clarity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Beacon

Artist: Rich Brown
Genre: Jazz
Vocal Style: Instrumental
Energy Level: Medium
Key Signature: F# Minor
Tempo: 94 BPM
Mood Tags: Carefree, Light, Minimal, Chill, Energetic, Happy, Relaxing
Lyric Themes: —
Cinematic Fit: Adventure, Crime, Drama, Mystery
Type: One Stop

Track Summary

Beacon is atmospheric and expressive — a jazz instrumental that glows with harmonic depth and rhythmic subtlety. Rich Brown’s composition pulses with ambient textures and emotional clarity, ideal for sync scenes of reflection, movement, or quiet resolve.

Sync Highlights

  • Midtempo groove supports narrative flexibility
  • Instrumental format ideal for underscore and voiceover
  • Bass guitar solo adds emotional weight and melodic motion
  • Perfect for crime dramas, indie films, and transitional scenes
  • Minimalist tone enhances introspective and stylish visuals

Production Credits

  • Executive Producer: Rich Brown
  • Music Composition: Rich Brown
  • Recording: —
  • Production: Rich Brown
  • Mixing & Mastering: —

Artists

  • Electric & Acoustic Bass: Rich Brown

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Beacon

Scene Types:

  • Urban nightscapes with introspective pacing
  • Montage sequences in indie dramas or crime thrillers
  • Stylized transitions in mystery or adventure series
  • Moments of quiet revelation or emotional clarity
  • Character-driven scenes with minimal dialogue

Why It Works:

  • Midtempo rhythm supports narrative flexibility
  • Instrumental format allows seamless integration with voiceover
  • Jazz textures evoke sophistication and emotional nuance
  • Minimalist production enhances cinematic intimacy
  • Solo bass guitar adds melodic depth and character

Ideal For:

  • Streaming series (e.g., Netflix, HBO, FX)
  • Feature films and indie shorts
  • Commercials with a relaxed or stylish tone
  • Documentaries exploring urban life or personal journeys
  • Podcast intros/outros with a chill vibe

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Track Narrative:
“Beacon” is a sonic signal — a guiding light through ambient jazz phrasing and layered emotion. Rich Brown builds a meditative groove that feels both grounded and expansive, perfect for sync moments of transition, solitude, or quiet revelation.

Beat Back

Beat Back cover art

Beat Back
by OMR Music Production

Percussive and pulse-pounding — “Beat Back” is a sync-ready instrumental built for action, tension, and cinematic drive. OMR Music Production delivers a track that hits hard and moves fast, perfect for chase scenes, fight sequences, or high-stakes drama.

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OMR Cue Map

Track: Beat Back
Clean Intro: Yes (0:00 – immediate rhythmic entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Hard-hitting, rhythmic cue for confrontation, momentum, and competitive energy. Strong for action, sports, and scenes driven by intensity and pushback.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Beat Back

Artist: OMR Music Production
Genre: Funk, Party, Vintage
Vocal Style: Male Vocal
Energy Level: Moderate – High
Key Signature: F Major
Tempo: 106 BPM
Mood Tags: Bright, Confident, Cool, Energetic, Fun, Happy, Playful, Positive, Quirky, Retro, Upbeat, Uplifting
Lyric Themes: Dream, Fear, Time, Hope
Cinematic Fit: Crime, Comedy, Romance
Type: One Stop

Track Summary

Beat Back is a groove-heavy, retro-funk anthem that radiates joy and swagger. With punchy horns, tight drums, and soulful vocals, it’s built for scenes that need movement, charm, and a touch of vintage cool. Perfect for feel-good moments, comedic montages, or stylish transitions.

Sync Highlights

  • Midtempo funk groove ideal for rhythmic editing
  • Male vocals deliver playful and uplifting energy
  • Vintage instrumentation adds nostalgic flair
  • Perfect for romantic comedies, buddy capers, or retro-styled ads
  • Lyrics explore themes of resilience and hope with quirky charm

Production Credits

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Production: Elmer Ferrer
  • Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Michael Dunston
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Horns: Yumar Bonachea

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Beat Back

Scene Types:

  • Opening credits with swagger and style
  • Comedic montages or quirky character intros
  • Romantic chase scenes with playful tension
  • Crime capers with retro flair
  • Feel-good transitions or party sequences

Why It Works:

  • Vintage funk groove energizes any scene
  • Male vocals deliver charisma and confidence
  • Horn section adds punch and rhythmic lift
  • Lyrics blend hope, time, and quirky resilience
  • Perfect for upbeat, stylish, or nostalgic storytelling

Ideal For:

  • Streaming series (e.g., Netflix, Hulu, Amazon)
  • Romantic comedies and buddy films
  • Commercials with retro or playful tone
  • Trailers needing bold, rhythmic energy
  • Animated features or stylized shorts

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Track Narrative:
“Beat Back” is built for motion — a rhythmic engine that drives tension, urgency, and cinematic momentum. With layered percussion and syncopated pulse, it’s ideal for action scenes, chase sequences, or high-stakes transitions.
Lyrics:
Yeah, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey,
You're living among the dead
Beat back your blues, babe
And be your superhero
Beat back the blues, babe
And save your day
Beat back your blues, babe
Countin' down to zero
Beat back the blues, babe
'Til you find a sunny day
Feedback, yeah (feedback)
Feedback (feedback)
Whoa-oh-oh
You better (feedback)
Come on, come on (feedback)
Yeah (feedback)
Mm-hmm
The ringing in your ears
It just never stops
Meltin' into tears
Inside these ticking clocks
Livin' with dreams and fears
Until the curtain drops
The hope of future years
Lost in the secret box
Beat back your blues, babe
And be a superhero
Beat back the blues, babe
And save your day
Hey!
Beat back your blues, babe
Countin' down to zero
Beat back the blues, babe
'Til you find a sunny day
Hey! (Beat back!)
Hey! (Beat back!)
Beat it back! (Beat back!)
Oh yeah, yeah, yeah
Come on and feed back (feed back)
Feed back the blues (feed back)
Feed it back, huh? (feed back)
Oh-oh-oh-oh-oh
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
Your natural existence
I'm stuck ruminating
Your past is resistance
You've been calculating
Our recent coexistence
I keep advocating
The path of leap resistance
Feedback
Oh, beat it back
Feedback
You better beat it back
Feedback
Hey, hey
Feedback
Come on, feedback
Feedback
Hey
Feedback
Come on
Beat back, come on, beat back, beat back
You better, come on, beat back
Talkin' about, talkin' about, talkin' about
Beat it back, beat back, oh, beat it back
Beat back, you better beat it, beat it
Beat back, beat back the blues, hey, ha, well

Begin Again

Begin Again cover art

Begin Again
by Lucian Kano Balmer

“Begin Again” feels like a sunlit reset — lyrical strings, warm bass, and a gentle folk–jazz sway that leans romantic and hopeful. It’s tailor-made for second chances, fresh starts, and quietly joyful scenes where characters choose connection, optimism, and a brighter way forward.

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OMR Cue Map

OMR Cue Map

Track: Begin Again
Clean Intro: Yes (0:00 – soft melodic entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Hopeful, emotional cue for renewal, transition, and fresh starts. Strong for montage, personal growth, and scenes that move from reflection into forward momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Lucian Kano Balmer

Lucian Kano Balmer — Violinist • Composer

Lucian Kano Balmer crafts violin-led instrumentals that sit at the crossroads of folk, classical, and jazz-inflected world music. His pieces focus on melody, warmth, and emotional storytelling, making them especially suited for character-driven film and TV.

Signature strengths include expressive string writing, organic ensemble interplay, and an intuitive sense of arc that gently guides scenes through romance, reflection, and renewal.

Sync Pitch Sheet: Begin Again

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 126
  • Energy: Midtempo
  • Genres: Folk, Jazz, World
  • Vocals: Instrumental
  • Moods: Romantic, Bright, Uplifting, Happy, Retro, Positive, Quirky
  • Type: One Stop

Instrumentation

  • Lyrical lead strings
  • Warm, supportive bass
  • Light rhythmic motion with a subtle jazz tilt

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Begin Again” is a natural fit for romantic and emotionally hopeful storytelling — scenes of reunion, quiet joy, or characters taking a small but important step toward a new chapter. Its bright, slightly retro charm keeps things light while still feeling genuine.

Scene Types

  • Reconnection and second-chance romance moments
  • Happy montages — cafés, streets, markets, everyday joy
  • Soft resolution after conflict or misunderstanding
  • End-of-episode “things are looking up” sequences

Film/TV Fit

  • Romance
  • Drama
  • Coming-of-Age
  • Art House / Indie

Why It Works

  • 126 BPM offers steady momentum without feeling rushed.
  • G Major tonality reads optimistic and open-hearted.
  • Folk/Jazz/World blend gives character and warmth without stealing focus.
  • Instrumental-only keeps dialogue, VO, and sound design clear.
Track Narrative:
“Begin Again” feels like the moment a character lets themselves smile again — a stroll through a familiar street that suddenly looks new, a hesitant hand held, or a quiet decision to move forward. Its romantic, uplifting tone wraps scenes in gentle optimism and the sense that this time, things might actually work.
Instrumental Notes:
Fully instrumental with melodic strings and bass-driven support. No vocals or lyrics, leaving ample room for dialogue, narration, and nuanced sound design while still providing a clear emotional throughline.

Stem Tracks

Contact OMR for available stems (strings, bass, and full mix) and alternate edits.

Believe in Him

Believe in Him cover art

Believe in Him
by Pheelion

A cinematic blend of ambient, electronic, and world textures layered with faith-filled lyrics and ethereal female vocals. “Believe in Him” evokes light, reflection, and the quiet strength of devotion — perfect for introspective, dramatic, or inspirational moments on screen.

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OMR Cue Map

Track: Believe in Him
Clean Intro: Yes (0:00 – immediate vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30
Use Case: Emotional, faith-driven vocal cue for belief, resilience, and inner strength. Strong for dramatic arcs, redemption moments, and scenes centered on conviction and hope.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Pheelion — Composer • Pianist • Producer

Pheelion’s compositions intertwine gospel-inspired melodies with cinematic electronic layers, crafting immersive soundscapes of reflection and faith. His music uplifts and anchors, ideal for emotional storytelling, spirituality, and redemption arcs in film and TV.

Known for his clarity of tone and atmospheric production, Pheelion transforms devotion into dynamic sound worlds built for the screen.

Sync Pitch Sheet: Believe in Him

Song Profile

  • Key Signature: F Minor
  • Beats Per Minute: 110
  • Energy: Midtempo
  • Genres: Ambient, Dance, Electronic, World
  • Vocals: Female vocal
  • Moods: Atmospheric, Dramatic, Light, Minimal, Mysterious, Reflective, Rhythmic, Tension, Warm
  • Lyric Themes: Faith, Hope, Love
  • Type: One Stop

Instrumentation

  • Percussion
  • Synth layers

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Believe in Him” bridges atmosphere and emotion — a reflective, midtempo cue ideal for spiritual awakening, quiet resilience, or scenes of healing and introspection. Its layered textures, steady pulse, and faith-driven lyrics give editors a versatile emotional tool.

Scene Types

  • Spiritual or emotional breakthroughs
  • Moments of faith and redemption
  • Reflective montage or transitions
  • Inspirational documentary sequences

Film/TV Fit

  • Drama
  • Art House
  • Coming-of-Age
  • Indie

Why It Works

  • Female vocal warmth enhances emotional depth
  • Atmospheric layering supports visual storytelling
  • Faith, Hope, Love themes create universal resonance
  • Midtempo pulse adds cinematic momentum
Track Narrative:
“Believe in Him” moves with a graceful blend of devotion and atmosphere — a meditation in sound. Pheelion’s use of electronic pulse and airy vocals draws the listener toward inner strength, hope, and the calm after uncertainty.
Let us hold fast the confession of our hope without wavering. For he who promised is faithful. Therefore I tell you, whatever you ask for in prayer, believe that you have received it, and it will be yours. For nothing will be impossible with God. He will cover you with his feathers, and under his wings you will find refuge. His faithfulness will be your shield and your rampart. For he will command his angels concerning you, to guard you in all your ways, so that you will not strike your foot against a stone.

Stem Tracks

Contact OMR for available stems and alternate mixes.

Be Somebody — Syd & I

Be Somebody cover art

Be Somebody
by Syd & I

Uplifting electronic pop with a reflective, seaside calm. “Be Somebody” rides a midtempo groove, warm synths, and a dreamy female vocal into a story about self-worth, identity, and taking the long road to becoming someone you actually like. It lands in that hopeful, confident space that works beautifully for transformation arcs, self-discovery journeys, and feel-good coming-into-your-own moments.

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OMR Cue Map

Track: Be Somebody
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:36–1:00 / 1:00–1:24
Use Case: Empowering vocal cue for ambition, identity, and personal drive. Strong for montage, character transformation, and scenes centered on growth and determination.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Be Somebody

Artist: Syd & I
Genre: Electronic
Instruments: Bass, Percussion, Synth
Lyric Themes: Change, Confidence, Desire, Identity, Time
Mood: Atmospheric, Bright, Sexy, Upbeat, Cool, Dreamy, Rhythmic
Tempo: Midtempo • BPM: 95 • Key: B♭ Major
Vocal: Female vocal • Type: One stop

Track Summary

A hopeful, midtempo electronic track that balances introspection with quiet confidence. Gentle waves of synth and bass support a vocal about wanting to become “somebody worth the climb,” making this a natural choice for scenes of personal growth, reflection at the shoreline, and characters stepping into their own skin.

Sync Highlights

  • Perfect for self-improvement arcs, new beginnings, and self-acceptance moments
  • Clear lyrical hooks around “wanted to be somebody” and “it takes time” for emotional edit points
  • Production is modern and spacious, easy to play under dialogue or VO
  • Works equally well for grounded drama, YA, and aspirational lifestyle content

Sync Potential: Be Somebody

“Be Somebody” is a versatile cue for character-driven stories where someone is trying to grow into a better version of themselves without losing who they are. The combination of bright topline and dreamy, rhythmic bed makes it ideal for inspirational but still grounded sequences.

  • Coming-of-age films and series focused on identity, confidence, and finding your path
  • Beach, surf, or coastal visuals where inner dialogue meets wide horizons
  • Makeover, training, or personal transformation montages (fitness, creative practice, new city)
  • Brand spots about resilience, self-belief, and “becoming your best self”
  • End-credits or final-act moments where a character chooses themselves over external validation
Track Narrative:
Standing at the edge of the ocean, facing the waves and the weight of expectation, “Be Somebody” follows a character who refuses to change just to be seen. Instead, they commit to becoming someone they genuinely like, even if it takes time. The music mirrors that arc: from uncertainty to a quiet, hard-won confidence that feels perfect for stories about self-worth and choosing your own pace.
Lyrics: Waves crash harder Now that I'm standing at the beach Face myself and this world with uncertainty I always wanted to be somebody somebody who I really love to know But I know it takes time to be somebody I truly like When the clouds are darker when you're only looking from beneath Don't want to change myself in order to be seen I always wanted to be somebody, somebody who'd really love to be me Be somebody, somebody to keep But it takes time to be somebody worth the climb
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request alt mixes (instrumental, vox-only, beat-only, TV mix).
Syd & I

Syd & I

Syd & I craft modern electronic songs that live between intimacy and uplift. Blending dreamy synth textures with clear, sync-ready toplines, they excel at scoring the inner lives of characters in motion, from late-night doubts to sunrise breakthroughs.

Styles: Electronic, Indie Pop • Strengths: Emotional but restrained vocals, modern production, strong lyrical hooks • Typical Uses: Coming-of-age and YA drama, lifestyle and wellness brands, reflective montage sequences

BFF FOREVER

BFF Forever cover art

BFF Forever
by Ezekiel Hampton

“BFF Forever” is a bold dance-electronic track with a male vocal that mixes confidence, confrontation, and satirical bite. With bass, drums, keys, percussion, and synth driving a big retro-leaning pulse, the song feels ideal for swagger, betrayal, sharp social tension, and scenes where charisma and contempt live side by side.

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OMR Cue Map

OMR Cue Map

Track: BFF Forever
Clean Intro: Yes (0:00 – immediate melodic entry)
Edit Points: 0:09 / 0:18 / 0:27 / 0:36 / 0:45 / 0:54 / 1:03 / 1:12
Button Ending: Yes, light button ending
Loopable: High
Best Loop Candidates: 0:09–0:27 / 0:18–0:36 / 0:36–0:54
Use Case: Bright, upbeat cue for friendship, lighthearted moments, and youthful energy. Strong for montage, lifestyle scenes, and sequences centered on connection and fun.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: BFF Forever

Song Profile

  • Key Signature: D Minor
  • Beats Per Minute: 120
  • Energy: High
  • Genres: Dance, Electronic
  • Vocals: Male Vocal
  • Moods: Anthemic, Catchy, Confident, Cool, Fun, Positive, Powerful, Retro, Upbeat, Uplifting
  • Lyric Themes: Betrayal, Identity, Power, Rebellion, Struggle
  • Cinematic Fit: Comedy, Drama, Crime, Indie
  • Type: One Stop

Instrumentation

  • Bass
  • Drums
  • Keyboard
  • Percussion
  • Synth

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“BFF Forever” is built for scenes of social tension, sharp irony, and confidence masking contempt. Its male vocal and big dance-electronic pulse make it especially effective for rivalry, betrayal, swagger-heavy montage, and moments where charm and hostility are deliberately entangled.

Ideal Sync Uses

  • Comedy: biting confidence, social satire, stylized confrontation
  • Drama: betrayal, social fracture, charismatic conflict
  • Crime: swagger, duplicity, poisonous charm
  • Indie: attitude, irony, identity through defiance

Scene Suggestions

  • Stylized confrontation with irony and attitude
  • Montage built around betrayal, rivalry, or social toxicity
  • Character entrance carrying charm and threat at once
  • Sequence where charisma becomes a weapon

Why It Works

  • Male vocal gives the song direct attitude and bite
  • Dance-electronic pulse makes scenes feel alive and stylized
  • Retro confidence supports swagger without flattening nuance
  • Lyrical edge makes it especially effective for betrayal and rebellion themes
Stem Tracks:
Available upon request.
Lyrics:
Now hush, you're sinking like a saint into the catacomb,
dropping words into your coat and vertigo,
resting on the laurels of the fanatical, orbital,
sell your soul to feel the hole

And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

Now hush, there's one thing left to ask and yes I gotta know
From all the spinning in my heavy vertigo
Selling out the game only be worth it all, ethical,
it comes the pride before the fall

And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

You snake oil, lick your lips, poison medicine man
You snake oil, lick your lips, poison medicine man

And when I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much

It's like I go to sleep and be so many things
But when I wake up, I can't remember
And if you show me something
Is this something magical?

When I see you come around,
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
'Cause the fire's loud
I'm always one ear to the ground
When you gonna shut your mouth?
When you gonna shut your mouth?
You talk too much
You talk too much
You talk too much.
Track Narrative:
“BFF Forever” feels like charisma turned corrosive. It carries fun, menace, sarcasm, and power together, making the scene feel glossy on the surface and poisonous underneath.

BI-POLAROID

BI-POLAROID cover art

Bi-Polaroid
by Normal Machine

Visceral and raw — “BI-POLAROID” captures emotional fragmentation and haunting introspection. Normal Machine dives into mental chaos with vulnerable verses and spiraling repetition, built for scenes of unraveling, despair, and fragile identity.

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OMR Cue Map

OMR Cue Map

Track: Bi Polaroid
Clean Intro: Yes (0:00 – immediate tonal/atmospheric entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Stylized, modern cue for identity, attitude, and visual edge. Strong for fashion, nightlife, and scenes that blend confidence with introspective tone.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Experimental Sound Collective • Post Industrial • Sonic Explorers

Normal Machine is a boundary-pushing music collective known for its immersive soundscapes and post-industrial sonic meditations. Blending analog textures, digital noise, and rhythmic experimentation, the group creates music that challenges conventions and invites deep listening.

Emerging from underground scenes in Canada and Europe, Normal Machine has released a series of conceptual albums including Lullaby and Machine Music 15.0, each exploring themes of technology, decay, and rebirth. Their work is often described as cinematic, haunting, and hypnotic.

The group’s live performances are immersive experiences, combining visual projections, modular synths, and unconventional instruments. They’ve appeared at experimental music festivals and art installations, captivating audiences with their raw, visceral energy.

Normal Machine continues to evolve, pushing the limits of sound and form while remaining rooted in a philosophy of sonic exploration and emotional resonance.

Sync Pitch Sheet: Bi-Polaroid

Artist: Normal Machine
Genre: Electronic, Pop
Vocal Style: Female Vocal
Energy Level: Medium – High
Key Signature: D Minor
Tempo: 126 BPM
Mood Tags: Atmospheric, Upbeat, Intense, Moody, Powerful, Rhythmic
Lyric Themes: Faith, Loss, Home
Cinematic Fit: Drama, Horror, Indie, Mystery, Thriller
Type: One Stop

Track Summary

Bi-Polaroid is a sonic descent into emotional duality — a powerful blend of electronic textures and pop sensibility. With haunting vocals and driving rhythms, it’s built for scenes of psychological tension, identity unraveling, and cinematic introspection. Ideal for thrillers, indie dramas, and stylized horror.

Sync Highlights

  • Uptempo beat drives urgency and emotional motion
  • Female vocals deliver raw vulnerability and intensity
  • Electric guitar and synth solos add cinematic edge
  • Lyrics explore faith, loss, and longing for home
  • Perfect for scenes of inner conflict, mystery, or transformation

Production Credits

Available upon request

Artists

Available upon request

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Bi-Polaroid

Scene Types:

  • Psychological unraveling or identity crisis
  • Stylized horror transitions or dream sequences
  • Indie drama moments of emotional collapse
  • Thriller scenes with rising tension or internal conflict
  • Mystery montages or flashback sequences

Why It Works:

  • Uptempo beat drives urgency and emotional motion
  • Female vocals convey vulnerability and intensity
  • Electric guitar and synth solos add cinematic edge
  • Lyrics explore faith, loss, and longing for home
  • Atmospheric production enhances psychological depth

Ideal For:

  • Streaming series (e.g., Netflix, HBO, A24)
  • Indie films and psychological thrillers
  • Stylized horror or mystery trailers
  • Documentaries exploring mental health or identity
  • Experimental shorts or visual art installations

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Track Narrative:
“BI-POLAROID” spirals through emotional distortion and lyrical vulnerability — a sonic portrait of mental fragmentation and inner chaos. Normal Machine crafts a track that feels both intimate and cinematic, built for scenes of unraveling, identity crisis, or psychological tension.
Lyrics:
Take over, I've been running way too long
Take over, I know I'm doing something wrong
I hear them call me the devil knocking
I let them in a long time ago, so
Take over, tell me that you'll bring me home

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I listen to these translations
Hear them, don't know what they're saying
I don't know what they're saying

Take me, take it all
Tell me that you'll take me
Tell me that you'll bring me home

Take over, I'm begging them to take control
I'm melting into a puddle on the floor
And I hear it rippling on my neck
But you're here in my heart
And tell me what to say, what to say
Where are you?

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I fell in love, I called for God
I prayed, I wasted 21
I drowned myself in alcohol
I lost it all, I need you now

I listen to these translations
Hear them, don't know what they're saying
I don't know what they're saying

Take me, take it all
Tell me that you'll take me
Tell me that you'll bring me home

Take me, take it all
Tell me what to say, what to say
Where are you?

I fell in love, I called for God
I prayed, I wasted 21
I lost it all, I need you now
I lost it all, I need you now

Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?
Where are you?

Big Not Small

Big Not Small cover art

Big Not Small
by Paul Reddick

Bluesy and bold — “Big Not Small” is a swaggering anthem of self-worth and defiance. Paul Reddick delivers gritty vocals and driving rhythm, perfect for sync scenes of rebellion, confidence, or personal breakthrough.

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OMR Cue Map

OMR Cue Map

Track: Big Not Small (Explicit)
Clean Intro: Yes (0:00 – immediate vocal/tonal entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Bold, blues-driven vocal cue for swagger, confidence, and character presence. Strong for gritty drama, character introductions, and scenes built around attitude and individuality.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Big Not Small

Artist: Paul Reddick
Genre: Blues, Rock, Soul
Vocal Style: Male Vocal
Energy Level: Midtempo
Key Signature: A Minor
Tempo: 82 BPM
Mood Tags: Swagger, Upbeat, Cool, Moody
Lyric Themes: Time, Strength, Energy, Success, Love
Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery, Thriller
Type: One Stop

Track Summary

Big Not Small is a blues-rock declaration — a gritty groove that celebrates standing tall and pushing back. Paul Reddick’s vocals cut through with conviction, making this track ideal for sync scenes of rebellion, empowerment, or personal reckoning.

Sync Highlights

  • Midtempo swagger supports confident and moody visuals
  • Male vocals deliver grit and emotional weight
  • Perfect for crime dramas, coming-of-age stories, and stylized action
  • Lyrics explore strength, time, and personal triumph
  • One-stop clearance simplifies licensing

Production Credits

  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams
  • Producer, Composer, Engineer: Colin Linden
  • Mastering Engineer: John Whynot
  • Composer: Paul Reddick

Artists

  • Harmonica, Loops, Vocals: Paul Reddick
  • Guitar, Bass, Mandolin, Background Vocals: Colin Linden
  • Drums: Bryan Owings, Gary Craig
  • Bass: John Dymond, Larry Taylor
  • Violin: Kathleen Edwards
  • Organ, Piano: Richard Bell
  • Drums, Percussion: Stephen Hodges

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Big Not Small

Why this track works for sync:

  • Swagger & Soul: The gritty blues-rock vibe delivers attitude and authenticity, perfect for scenes of rebellion or personal triumph.
  • Midtempo Groove: At 82 BPM, it supports introspective pacing or confident walk-ups in drama, thriller, or crime genres.
  • Male Vocal Presence: Paul Reddick’s voice adds emotional weight and rawness, ideal for character-driven narratives.
  • Lyric Themes: Strength, time, energy, and love — universal concepts that resonate across genres.
  • One-Stop Clearance: Simplifies licensing for editors and music supervisors.

Best Scene Matches

  • Opening credits with a moody strut
  • Montage of personal growth or transformation
  • Stylized crime or mystery sequences
  • Art house moments of introspection
  • Coming-of-age turning points

Comparable Sync Styles

  • Black Keys meets Tom Waits
  • Vintage blues with cinematic grit
  • Modern soul-rock with emotional depth

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com

Track Narrative:
“Big Not Small” is a blues-rock declaration — a gritty groove that celebrates standing tall and pushing back. Paul Reddick’s vocals cut through with conviction, making this track ideal for sync scenes of rebellion, empowerment, or personal reckoning.
Lyrics:
It’s big not small
Like a train not an automobile
Gonna need some time
It’s a real good deal
It’s slow not quick
With a long delay
It’s laying in the shade
Sleeping through the day
It’s laying in the shade
Sleeping through the day

It’s good not bad
It’s pleasing and worthy
It’s bonafide baby
It’s sweet lowdown and earthy
It’s laying in the shade
Sleeping through the day
It’s laying in the shade
Sleeping through the day

It’s love not like
That other kind of thing
Make you feel so good
Make your heart want to sing
It’s big not small
Like John the Conqueror
Gotta mojo too
It’s ready for you
It’s ready for you
It’s ready for you
It’s ready for you

Bite It — Thadeus Gonzalez

Bite It cover art

Bite It
by Thadeus Gonzalez

Mid-tempo punk/rock with clenched-fist energy — jagged guitars, pounding drums, and a confrontational vocal built for fight beats, rebel swagger, and high-impact edits.

Full Track

Snippet Preview (~0:40–1:20 feel)

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OMR Cue Map

OMR Cue Map

Track: Bite It
Clean Intro: Yes (0:00 – immediate rhythmic/vocal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Edgy, high-energy cue for attitude, confrontation, and bold character moments. Strong for action, fashion, and scenes driven by confidence and intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez is a dynamic vocalist, guitarist, and songwriter from the San Francisco/Oakland Bay Area, celebrated for emotionally charged performances and a genre-blending sound spanning metal, punk, and alternative rock.

From Electric Sister to solo releases (Utopian Society, Silver Inside, Opposite Faces, and Street Fights Are Starting to Hurt), his work pairs lyrical depth with sonic grit — a natural fit for sync in film, television, and visual media.

Touring across the U.S. and U.K., SXSW performances, and collaborations with top producers have cemented his reputation as one of rock’s most compelling and cinematic voices.

Sync Pitch Sheet: Bite It

Song Profile

  • Genres: Punk, Rock
  • Vocals: Male vocal
  • Tempo: Midtempo
  • Mood/Feel: Confident, Energetic, Intense, Powerful, Upbeat
  • Lyric Themes: Conflict, Fear, Power, Struggle, Time
  • Type: One Stop
  • Instruments: Bass, Drums, Electric Guitar

Cinematic Fit

  • Action & Thriller: fight beats, gear-up cuts, smash-ins
  • Crime: standoffs, intimidation walks, underground scenes
  • Sports: hype reels, locker-room intensity, comeback edits
  • Trailers/Promos: hit-point cards, title stings, end tags
  • Drama: breaking points, defiance, rule-breaking turns

Editorial Notes

  • Suggested 40s Excerpt: ~0:40–1:20 (tight groove into chantable hook; strong edit hits)
  • Mix Tips: preserve drum transients; tame 2–4 kHz fizz for VO space
  • Alts: riff-only and drum-bass beds loop cleanly for cutdowns

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Bite It” roars with clenched-jaw intent — a punchy rhythm section and serrated guitars that cut through busy edits. Its call-out chorus and relentless drive sell conflict, grit, and momentum.

Best Use Cases

  • Action & Crime: alley confrontations, chase clips, gear-ups
  • Sports: warm-ups, walkouts, highlight reels
  • Promos/Trailers: smash cuts, card hits, end stingers
  • Series Moments: rebellion beats, rule-breaking decisions

Sync Appeal

  • One Stop: simplified clearance through OMR
  • Male Vocal: aggressive, direct delivery for defiant tone
  • Tempo: mid-tempo weight that still feels urgent
  • Instrumentation: guitar-driven with clean drum transients for edit hits

For licensing inquiries, contact OMR Music Production or visit omrmusicproduction.com.

Lyrics

Out of control, out of my soul, you've got me digging in holes, no fucking gold The blood hits boil, it all kicks in, you got me dragging the chains in the hell that we're in Out of my mind, can't keep the time, got me gambling again, repentance a sin Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will fight it, thrash it Hey, hey, it's all that you can't say Hey, hey, I'll rip that smile off your face Out of control, losing my soul, got me walking on coals, love overflows All this wretch that I've been living in, got me tied as a slave in Hades again Losing my mind, bell starts to chime, always ringing again, it's the hell that we're in Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will bite it, thrash it Hey, hey, it's all that you can't say Hey, hey, I'll rip that smile off your face Fuck it up! Hey, hey, it's all that you can't say Hey, hey, I'll rip that smile off your face Hey, hey, it's all that you can't say Hey, hey, I'll rip that smile off your face Out of my mind, can't keep the time, got me gambling again, repentance a sin Broken glass where I stand, cuts all again, and you stand to defend, but I can't pretend that I will bite it, thrash it Fuck it up
Track Narrative:
“Bite It” channels chaos into control — crunching riffs and a locked, heavy groove that drive scenes of confrontation, revolt, and relentless forward motion.

Bittersweet

Bittersweet cover art

Bittersweet
by Kelsey Kindall

“Bittersweet” is a slow, atmospheric pop/electronic track in F Minor at 86 BPM. Built around piano, synth, bass, and percussion, it captures emotional evolution, identity shifts, and internal conflict. Dreamy yet grounded, it works for introspective moments where growth comes with tension and clarity comes with cost.

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OMR Cue Map

OMR Cue Map

Track: Bittersweet
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, emotional fade
Loopable: Moderate
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00
Use Case: Emotional reflection, identity shifts, coming-of-age realizations, internal conflict, and moments where clarity arrives with emotional weight.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Kelsey Kindall

Kelsey Kindall

Kelsey Kindall brings a modern pop and R&B sensibility shaped around emotional honesty, rhythmic confidence, and cinematic vocal presence. Her sound lives in the space between control and release — where vulnerability meets attitude and introspection meets movement.

With a tone that can feel both intimate and expansive, her music naturally supports scenes of personal conflict, emotional momentum, and character-driven storytelling.

Sync Pitch Sheet: Bittersweet

Song Profile

  • Genres: Electronic, Pop
  • Key Signature: F Minor
  • BPM: 86
  • Tempo: Slow
  • Vocals: Female Vocal
  • Moods: Atmospheric, Dark, Dreamy, Minimal, Moody, Rhythmic
  • Lyric Themes: Change, Discovery, Identity, Life, Struggle
  • Type: One Stop

Instrumentation

  • Bass
  • Percussion
  • Piano
  • Synth

Sync Potential

“Bittersweet” is a strong fit for scenes built around change, self-recognition, identity shifts, and the emotional cost of growing into a different version of oneself. Its slow tempo, dark dreamy production, and reflective vocal delivery make it ideal for coming-of-age drama, personal transformation, and intimate montage.

Scene Types

  • Coming-of-age reflection
  • Personal transformation montage
  • Identity and self-recognition scenes
  • Emotional aftermath
  • Quiet internal conflict

Stem Tracks

Stem availability can be confirmed upon request.

Lyrics:

I blinked three years went by
And I hardly recognize the girl I left behind
I look so different now but I can't figure out what's changed
The heaviness sinks in
A great awakening
I feel more than I have before
Afraid I'm crumbling so I keep on digging in
My mind and soul are still at war

I think I'm happy till I see a memory
With a smile that I don't recognize
I think I'm better off I found some clarity
So how come I keep on losing sight
It's bittersweet
It's bittersweet
It's bitter
Track Narrative:
“Bittersweet” feels like looking back and realizing the person in the memory no longer fully exists. The track carries the emotional contradiction of growth — clarity mixed with grief, change mixed with uncertainty, and progress that still leaves something unresolved. Its slow, atmospheric pulse makes it ideal for scenes where a character is not breaking down, but quietly understanding what has changed.

BLACK EYE ON A TIGER — Thadeus Gonzalez

Black Eye On a Tiger cover

Black Eye On a Tiger
by Thadeus Gonzalez

Punk-edged rock with metal bite: “Black Eye On a Tiger” hits with confident vocals, grinding bass, and riff-forward guitars. In A# minor at 97 BPM, it delivers moody propulsion—perfect for identity crises, faith-under-fire beats, volatile relationships, and struggle-to-strength arcs. Tight, punchy, and sync-ready.

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OMR Cue Map

OMR Cue Map

Track: Black Eye on a Tiger
Clean Intro: Yes (0:00 – immediate gritty tonal entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, strong button ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Gritty, blues-rock cue for conflict, resilience, and aftermath. Strong for fight sequences, recovery moments, and scenes that carry emotional and physical impact.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio
Thadeus Gonzalez

Vocalist • Guitarist • Rock Visionary

Thadeus Gonzalez delivers cinematic rock with punk attitude and metal weight—songs that cut through with narrative clarity and hook-heavy riffs. Built for picture, his catalogue spans brooding tension to cathartic release.

From club stages to festival bills, Thadeus brings a seasoned presence and a story-forward pen—ideal for editors seeking momentum with emotional stakes.

Sync Pitch Sheet: Black Eye On a Tiger

Song Profile

  • Key Signature: A# minor
  • Beats Per Minute: 97
  • Energy: Uptempo, tight pocket
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Confident, Moody, Powerful, Reflective, Upbeat
  • Lyric Themes: Faith, Identity, Regret, Relationship, Struggle
  • Type: One Stop

Production Details

  • Instrumentation: Bass, Drums, Electric Guitar
  • Feel: Riff-driven verses with muscular, hook-forward choruses
  • Edit-Friendly Sections: 0:00–0:20 intro bed • 0:20–0:48 verse • 0:48–1:15 chorus (clean cut) • 1:15 sting

Audio Preview

Full Track

Snippet Preview (0:48–1:15)

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Black Eye On a Tiger

Muscular guitars and a no-quit vocal posture make this a natural for scenes of tension, regret, and renewed resolve. It’s built for character pivots—when faith and identity are tested and the next swing decides everything.

Ideal Sync Uses

  • Identity crises and relationship ultimatums
  • Gritty city montages; late-night drives after a blowup
  • Fight-camp or rehab training beats
  • Promos needing a moody yet forward-driving edge

Why It Works

  • Hooky Riffs: Memorable guitar figures anchor the emotion.
  • Editorial Space: Lean trio arrangement leaves room for VO/SFX.
  • Clear Arcs: Verses brood, choruses lift—easy cut points.
  • One Stop: Fast clearance for tight deadlines.
Track Narrative:
A lean, riff-forward confession about cracks in faith and identity—and the stubborn will to push through. “Black Eye On a Tiger” sits under volatile relationships, hard truths, and the moment a character decides to get back up.
Lyrics:

Some slowly give up then they fade to grey
Some are also saying that they're so full of faith
There's a reason why they're never done
making up their minds
it's a vexing haul, to get through it all

We could pop some pills, make it all go away
Twenty five days there's no reason to pray
I don't think this is the way our lives should go down
Cause we don’t understand, what happens when

I'm fascinated enough with you
That you keep me holding on
The final cut, the final stance,
leaves me in a dark room

Feeling, like black eye on a tiger
everytime we catch up, I let go
I can't deal with the things you know
There's a reason why I always leave the things I found

Black Lavender

Black Lavender cover art

Black Lavender
by Kristin Sweetland

Like the unfolding of a cinematic epic steeped in folklore and memory — “Black Lavender” carries a haunting, poetic resonance. Kristin Sweetland delivers lyrical mysticism wrapped in folk-laced cadence and dramatic delivery.

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OMR Cue Map

OMR Cue Map

Track: Black Lavender
Clean Intro: Yes (0:00 – soft vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45
Use Case: Dark, intimate vocal cue for emotional tension, longing, and vulnerability. Strong for drama, romantic complexity, and scenes that carry a subtle sense of unease.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Black Lavender

Artist: Kristin Sweetland
Genre: Country, Folk, Singer-Songwriter
Vocal Style: Female Vocal
Energy Level: Up Tempo
Key Signature: Bb Minor
Tempo: 136 BPM
Mood Tags: Romantic, Positive, Reflective
Lyric Themes: Nature, Death, Family, Relationship, Love
Cinematic Fit: Adventure, Art House, Drama, Fantasy, Historical, Indie, War
Type: One Stop

Track Summary

Black Lavender is a poetic and emotionally rich folk ballad. With its lyrical mysticism and evocative instrumentation, it’s ideal for sync scenes that explore memory, longing, and spiritual depth. Kristin Sweetland’s voice carries timeless warmth and vulnerability.

Sync Highlights

  • Up-tempo folk rhythm supports emotional and narrative pacing
  • Female vocals offer intimacy and lyrical storytelling
  • Perfect for historical dramas, fantasy, and indie films
  • Lyrics explore love, death, and nature with poetic depth
  • One-stop clearance simplifies licensing

Production Credits

  • Written by: Kristin Sweetland
  • Produced by: Ken Whiteley
  • Engineered by: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto (2002)
  • Mastered at: Music Lane Mastering, Markham, Ontario
  • © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Acoustic Guitar, Vocals
  • Rebecca Campbell: Harmony Vocals
  • Stephen Fearing: Acoustic Guitar
  • George Koller: String Bass
  • Roman Borys: Cello
  • Ken Whiteley: Accordion, Tambourine
  • Ben Grossman: Frame Drum

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Black Lavender

Why this track works for sync:

  • Poetic Depth: Lyrical themes of nature, death, and love evoke timeless emotion and spiritual resonance.
  • Up-tempo Folk Energy: At 136 BPM, the rhythm supports movement, montage, and emotional pacing.
  • Female Vocal Intimacy: Kristin Sweetland’s delivery is haunting and heartfelt — ideal for reflective or mythic scenes.
  • Instrumental Solos: Acoustic guitar and accordion add cinematic texture and authenticity.
  • One-Stop Clearance: Streamlined licensing for editors and supervisors.

Best Scene Matches

  • Fantasy or historical drama sequences
  • Spiritual or folkloric montages
  • Indie film moments of reflection or transformation
  • Adventure scenes with emotional undertones
  • War-time memory or family legacy themes

Comparable Sync Styles

  • Joni Mitchell meets Loreena McKennitt
  • Poetic folk with cinematic soul
  • Acoustic storytelling with mystical flair

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Track Narrative:
“Black Lavender” unfolds like a mythic tale — poetic, mysterious, and steeped in emotional depth. Kristin Sweetland’s delivery evokes ancient memory and lyrical mysticism, perfect for sync scenes of longing, folklore, or spiritual reflection.
Lyrics:
I remember, loving brother
Lives we lived before
Over mountains we did wander
O hey ya hey ya hey ya

Our dear mother our dear father
Lay them down below
Ride that glory train forever
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Leave now in the midnight cold
Before the riders come
Bag of bread and bag of gold
Oh hey ya hey ya hey ya

Never shall we make a sound
They will never know
Shoes upon the hollowed ground
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Forests deep and winding river
Winter wind and snow
Oceans rise and earth will quiver
O hey ya hey ya hey ya

Come now brother lay beside
As hearts begin to slow
Roses red and vines will hide us
All the while black lavender grows

Heya shaya
Heya Bar
Mi amore bravios bar
La gilabna canta
La lavanda negra cultiva

Chorus translation:
Oh Sister
Oh Brother
My loving wild nomadic brother
The lady singer sings a deep song
The black lavender grows

Black Nimbus — Instrumental

Black Nimbus cover art

Black Nimbus
by Rich Brown

Dark and cinematic — “Black Nimbus” pulses with tension, mystery, and rhythmic complexity. Rich Brown’s instrumental composition blends jazz textures with atmospheric depth, ideal for sync scenes of suspense, noir, or psychological drama.

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OMR Cue Map

OMR Cue Map

Track: Black Nimbus
Clean Intro: Yes (0:00 – ambient tonal entry, no hard transient)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20
Use Case: Dark, atmospheric cue for tension, mystery, and looming presence. Strong for thriller, suspense, and scenes that build unease or psychological weight.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Black Nimbus

Artist: Rich Brown
Genre: Funk, Jazz, Indie
Vocal Style: Instrumental
Energy Level: Medium – High
Key Signature: E Minor
Tempo: 130 BPM
Mood Tags: Romantic, Atmospheric, Cool, Uplifting, Dramatic, Positive, Reflective, Tension
Lyric Themes: —
Cinematic Fit: Crime, Drama, Fantasy, Mystery, Thriller
Type: One Stop

Track Summary

Black Nimbus is a slow-burning storm — a jazz-infused instrumental that builds tension and atmosphere. Rich Brown crafts a moody soundscape perfect for psychological thrillers, noir sequences, or scenes of emotional unraveling. With bass, piano, and sax solos, the track pulses with cinematic depth and rhythmic complexity.

Sync Highlights

  • Uptempo rhythm supports suspense and dramatic pacing
  • Instrumental format ideal for underscore and voiceover
  • Bass, piano, and sax solos add emotional and melodic texture
  • Perfect for crime dramas, fantasy thrillers, and indie films
  • Atmospheric tone enhances scenes of tension and transformation

Production Credits

  • Executive Producer: Rich Brown
  • Music Composition: Rich Brown
  • Recording: —
  • Production: Rich Brown
  • Mixing & Mastering: —

Artists

  • Electric Bass: Rich Brown
  • Alto Saxophone: Luis Deniz
  • Piano & Synth: David Virelles
  • Drums: Larnell Lewis

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Black Nimbus

Ideal Use Cases:

  • Crime & Mystery: Underscore for investigative sequences, noir montages, or psychological tension
  • Drama: Emotional turning points, introspective scenes, or character development arcs
  • Fantasy & Thriller: Atmospheric build-ups, magical realism, or suspenseful transitions
  • TV & Streaming: Background score for series intros, episode cliffhangers, or moody interludes
  • Film Trailers: Teasers for indie films, dramatic shorts, or festival submissions
  • Commercials: High-end fashion, luxury tech, or cinematic branding campaigns

Why It Works:

  • Instrumental format allows flexible placement under dialogue or visuals
  • Jazz-funk fusion adds sophistication and emotional depth
  • Solo sections (bass, piano, sax) offer dynamic editing points
  • 130 BPM supports rhythmic pacing without overpowering scenes
  • One-stop clearance streamlines licensing for editors and supervisors

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available.

Track Narrative:
“Black Nimbus” is a slow-burning storm — a jazz-infused instrumental that builds tension and atmosphere. Rich Brown crafts a moody soundscape perfect for psychological thrillers, noir sequences, or scenes of emotional unraveling.

Blaming the Former

Blaming the Former cover art

Blaming the Former
by Justin Enco

Reflective and emotionally raw — “Blaming the Former” explores the lingering ache of past relationships and the quiet hope of reconnection. Justin Enco delivers heartfelt vocals and melodic phrasing that resonate with longing and vulnerability.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Blaming the Former
Clean Intro: Yes (0:00 – clean instrumental/vocal entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Reflective indie cue for conflict, regret, and emotional complexity. Strong for dialogue-driven scenes, relationship tension, and moments of introspection and accountability.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Composer • Guitarist

Justin Enco is a dynamic singer-songwriter and guitarist whose music blends heartfelt lyrics with driving melodies. As the frontman of the Justin Enco Band, he’s built a reputation for passionate performances and genre-blurring songwriting that spans rock, folk, and Americana.

Based in Florida, Enco has performed across the U.S., including unplugged sets at Barnes & Noble and appearances on CBS Channel 12. His songs like “Long Drive Home” and “Blaming the Former” showcase his ability to connect deeply with audiences through raw emotion and storytelling.

Enco’s collaborations with the Poor Life Decisions Band have brought fresh energy to his sound, with covers of classics like “Everybody Wants to Rule the World” and “Kiss” by Prince. His work continues to evolve, reflecting a commitment to authenticity and musical exploration.

Sync Pitch Sheet: Blaming the Former

Artist: Justin Enco Band
Genre: Folk, Pop, Rock, Singer-Songwriter
Vocal Style: Male Vocal
Energy Level: Midtempo
Key Signature: B Major
Tempo: 90 BPM
Mood Tags: Dreamy, Hopeful, Reflective
Lyric Themes: Relationship, Connection, Time, Love
Cinematic Fit: Art House, Coming-of-Age, Drama, Historical, Indie, Mystery, Romance, Thriller
Type: One Stop

Track Summary

Blaming the Former is a heartfelt reflection on love and memory, delivered with sincerity and warmth. Reminiscent of Elliott Smith and Nick Drake, Justin Enco’s vocals glide over acoustic textures and subtle pop-rock rhythms. Ideal for scenes of emotional growth, romantic tension, or nostalgic flashbacks.

Sync Highlights

  • Midtempo pacing supports introspective and romantic scenes
  • Male vocals add emotional authenticity and lyrical depth
  • Acoustic and electric guitar blend creates a timeless feel
  • Perfect for coming-of-age stories, indie dramas, and historical romance
  • One-stop clearance simplifies licensing for editors and supervisors

Production Credits

  • Lyrics: Justin Enco
  • Recorded/Mixed At: Purgatory Recording Studio, Sunrise, FL
  • Engineered & Mixed By: Michael Waxman
  • Mastered At: Heavy Air Studio, Miami, FL (Javier Carrion)

Artists

  • Vocals & Acoustic Guitar: Justin Enco
  • Keyboards: Michael Waxman
  • Electric & Acoustic Guitar: Dan Warner
  • Bass Guitar: Javier Carrion
  • Drums: David Nizri

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Blaming the Former

Ideal Use Cases:

  • Coming-of-Age: Emotional turning points, self-discovery, and youthful nostalgia
  • Drama & Romance: Breakups, reconciliations, and heartfelt confessions
  • Indie & Art House: Introspective montages, poetic transitions, and character-driven scenes
  • Historical & Mystery: Reflective flashbacks, memory sequences, and quiet tension
  • TV & Streaming: Background score for romantic arcs, indie series, or dramatic episodes
  • Trailers: Festival films, emotional shorts, or narrative teasers

Why It Works:

  • Male vocals deliver emotional authenticity and lyrical resonance
  • Midtempo pacing supports reflective and romantic storytelling
  • Acoustic instrumentation evokes warmth and timelessness
  • Reminiscent of Elliott Smith and Nick Drake — ideal for indie sync
  • One-stop clearance ensures fast and easy licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available.

Track Narrative:
“Blaming the Former” is a lyrical reckoning — a song that wrestles with memory, regret, and the fragile hope of reconciliation. Justin Enco’s delivery is intimate and sincere, making this track ideal for sync scenes of emotional reflection, romantic tension, or personal growth.
Lyrics:
Should I count the days
Or should I change my ways
And should I call you up
Thinking about you

You're running in my head
Counting thoughts instead
It's not to see you
Make me smile again

And if we start
There is no over
Wasting time
Blaming the former

And I want
To see if you do
Feel this too

I think that everyday
Would be my way to say
Glad to see you
How I miss your face

The sunlight in my day
I could never stay away
We know each other
Yet we play this game

And if we start
There is no over
Wasting time
Blaming the former

And I want
To see if you do
Feel this too

So I'll walk for now
It's you I care about
Falling faster
Wanting to be with you

So careful we could be
When it's just you and me
Understanding me
Before we walk away

Why don't we say it today
Before we walk away
Before we walk away
I only say it today

Blind River Bound

Blind River Bound cover art

Blind River Bound
by Paul Reddick

Blues-soaked and full of drift — “Blind River Bound” charts a tale of restlessness, heartbreak, and invisible sorrow. Paul Reddick feat. The Sidemen delivers evocative phrasing and a steady groove, perfect for scenes of motion, loss, or small-town escape.

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OMR Cue Map

OMR Cue Map

Track: Blind River Bound
Clean Intro: Yes (0:00 – immediate blues-driven entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Gritty, blues-rooted cue for journey, struggle, and perseverance. Strong for road scenes, character-driven storytelling, and moments of resilience and movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: "Blind River Bound" by Paul Reddick

Song Profile

  • Key Signature: G Major
  • Beats Per Minute: 82
  • Energy: Midtempo
  • Genre: Folk, Singer-Songwriter
  • Vocals: Male
  • Mood/Feel: Warm, Hopeful, Light, Positive, Reflective
  • Lyric Themes: Heartbreak, Identity, Loneliness, Longing, Loss
  • Cinematic Themes: Art House, Coming-of-Age, Drama, Historical, Romance, Western
  • Tempo: Slow
  • Type: One Stop

Production Details

  • Executive Producer: John Cook
  • Mastered By: John Whynot
  • Mixed By: King Williams
  • Recorded By: Ken Friesen
  • Written By: Colin Linden

Artists & Instrumentation

  • Paul Reddick: Harmonica, Vocals
  • Greg Marshak: Acoustic Bass, Electric Bass
  • Colin Linden: Dobro, Electric Guitar, Harmony Vocals, Mandolin, 12-String Guitar
  • Kyle Ferguson: Electric Guitar, Steel Guitar, Twelve-String Guitar
  • Vince Maccarone: Drums
  • Richard Bell: Organ, Piano

Contact Info

  • John Cook – johncook@omrmusicproduction.com
  • Artist Info: Paul Reddick Bio

Sync Potential Panel: Blind River Bound

Ideal Sync Uses

  • Drama scenes exploring heartbreak, identity, or longing
  • Coming-of-age stories with emotional depth and reflection
  • Historical or Western settings with themes of solitude or escape
  • Romantic moments tinged with melancholy or hope
  • Art house films with poetic or introspective tone

Scene Fit Examples

  • Opening sequences showing small-town landscapes or quiet roads
  • Flashbacks revealing emotional wounds or personal history
  • Montages of travel, transition, or inner reckoning
  • Character walking away from a relationship or past life
  • Closing scenes that resolve with quiet strength or reflection

Why It Works

  • Slow tempo and mid-energy groove create a cinematic sense of drift
  • Male vocals and harmonica deliver emotional authenticity
  • Warm, hopeful tone contrasts with themes of loss and longing
  • Folk and singer-songwriter style suits period pieces and indie drama
  • One-stop clearance makes licensing simple and efficient

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Blind River Bound” feels like driving through a ghost town with heartbreak riding shotgun. Paul Reddick feat. The Sidemen capture aching solitude with regional detail and emotional drift. Ideal for cinematic depictions of rural blues, quiet departures, or characters swallowed by loss.
Lyrics:
You can hear that whistle blowing all over town
You can hear that whistle blowing all over town
Everybody knows that my baby's Blind River bound

She left this morning I couldn't even say a word
She left this morning I couldn't even say a word
It was nothin that she knew just something that she thought she heard

Was a restless wind knocked me from door to door
Was a restless wind knocked me from door to door
I've been lonesome but I've never felt like this before

There's no good place no good place to have the blues
There's no good place no good place to have the blues
But here in Espanola everybody sees right through you

I close my eyes I try to pass the time with sleep
I close my eyes I try to pass the time with sleep
But whatever I do your face is all I see

I can hear them whispering they might as well shout out loud
I can hear them whispering but they might as well shout out loud
Nobody wants to know you when your baby's Blind River Bound

Blink of an Eye — Renée Astaria

Blink of an Eye cover art

Blink of an Eye
by Renée Astaria

“Blink of an Eye” is a bright, forward-moving Country track built on acoustic guitar, steady drums, and uplifting rhythmic drive. Lyrically, it reflects on time, risk, and escape — recognizing how fleeting everything is and choosing freedom over self-destruction. Its optimistic momentum and universal perspective make it a strong fit for transition moments, realization scenes, and reflective but hopeful storytelling.

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OMR Cue Map

OMR Cue Map

Track: Blink of an Eye
Clean Intro: Yes (0:00 – soft melodic/ambient entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20
Button Ending: Yes, gentle resolved ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Light, reflective cue for fleeting moments, transitions, and emotional nuance. Strong for montage, subtle scene changes, and moments that pass quickly but carry meaning.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Blink of an Eye

Song Profile

  • Key Signature: A Major
  • BPM: 97
  • Tempo: Midtempo
  • Genres: Country
  • Vocals: Female vocal
  • Mood/Feel: Bright, Rhythmic, Upbeat, Uplifting
  • Lyric Themes: Escape, Time
  • Type: One stop

Instrumentation

  • Acoustic guitar
  • Bass
  • Drums
  • Electric guitar
  • Percussion

Track Summary

“Blink of an Eye” frames personal change through the lens of time — recognizing how small moments carry lasting weight. With its warm country palette and steady forward pulse, the track supports scenes of realization, release, and perspective, where characters step away from distraction and move toward clarity.

Sync Highlights

  • Great for reflective transitions and life-perspective moments.
  • Midtempo groove supports travel, landscape, and forward-motion montages.
  • Uplifting tone keeps scenes hopeful rather than heavy.
  • Country instrumentation feels organic and grounded for storytelling.

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Blink of an Eye

“Blink of an Eye” works best in stories that emphasize perspective — moments where characters recognize how quickly things change and decide to let go of what no longer serves them. Its optimistic country feel keeps scenes light while still carrying emotional meaning.

Scene Types

  • Personal realization or “wake-up” moments.
  • Travel or road sequences emphasizing passage of time.
  • Montages showing growth after escape from unhealthy patterns.
  • End-of-chapter or reset moments leading into a new direction.

Film/TV Fit

  • Drama
  • Coming-of-age stories
  • Heartland / character-driven series
  • Indie features
  • Branded storytelling focused on perspective and growth

Why It Works

  • Universal theme of time passing resonates across genres.
  • Bright, organic sound supports emotional clarity.
  • Midtempo pace allows flexible editing and dialogue support.
  • One-stop, female vocal country track with broad usability.
Track Narrative:
“Blink of an Eye” follows a narrator who realizes that pain, inspiration, and freedom all exist within the same fleeting timeline. By stepping back from self-destruction and distraction, the song lands on acceptance — acknowledging that endings and risks are inevitable, but clarity comes from perspective.

Lyrics: Blink of an Eye

Every time I think that it will end I find more inspiration in the end from you You're my muse Ever since the day that I met you, you keep me driving deeper to improve with you I can't lose Through all the pleasure and the pain that I thought would drain me I thought I'd lose, lose to you But I've escaped my self-destruction I've escaped your distraction Now I'm good, free of you Riding the edge of the cliff, taking all the risks The fall is inescapable, we try not to slip The end is inevitable, freefall or slow burn It really don't matter anyway It's just a blink of an eye in universal time It's universal time Universal time, blink of an eye You are nothing more than a speck on the windshield to be washed away by the rain And it only takes one look, one small gesture to give it all away permanently Riding the edge of the cliff, taking all the risks The fall is inescapable, we try not to slip The end is inevitable, clean cut or slow burn It really don't matter anyway It's just a blink of an eye in universal time Universal time, blink of an eye It's universal time Universal time, blink of an eye Riding the edge of the cliff, taking all the risks The fall is inescapable, we try not to slip The end is inevitable, clean cut or slow burn It really don't matter anyway It's just a blink of an eye It's universal time.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request instrumental or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria writes emotionally grounded songs that blend organic instrumentation with cinematic awareness. Her work often reflects on time, freedom, and perspective — music that supports moments of clarity and personal evolution.

With a natural storytelling voice and strong melodic sense, her catalog fits character-driven narratives where growth, escape, and realization drive the story forward.

Styles: Country, pop-leaning cinematic • Strengths: Reflective lyricism, organic instrumentation, emotional clarity • Typical Uses: Drama, coming-of-age, reflective montages, growth arcs

Block of Wood

Block of Wood cover art

Block of Wood
by Paul Reddick

Bluesy and poetic — “Block of Wood” is a lyrical metaphor for emotional resilience and heartbreak. Paul Reddick delivers raw vocals and evocative phrasing, perfect for scenes of solitude, reflection, or quiet strength.

Full Track

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OMR Cue Map

OMR Cue Map

Track: Block of Wood
Clean Intro: Yes (0:00 – immediate blues/tonal entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Raw, blues-driven cue for grit, stubbornness, and character tension. Strong for drama, grounded storytelling, and scenes centered on resistance or emotional weight.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Block of Wood

Artist: Paul Reddick
Genre: Blues, Rock
Vocal Style: Male Vocal
Energy Level: Midtempo
Key Signature: E Minor
Tempo: 114 BPM
Mood Tags: Bright, Confident, Upbeat, Quirky, Retro
Lyric Themes: Heartbreak, Strength, Struggle, Longing, Love
Cinematic Fit: Action, Adventure, Art House, Comedy, Coming-of-Age, Crime, Drama, Mystery
Type: One Stop

Track Summary

Block of Wood is a gritty blues-rock anthem with swagger and soul. Paul Reddick’s vocals and harmonica drive a quirky, retro groove that’s perfect for sync scenes needing confidence, tension, or emotional punch. Ideal for crime dramas, coming-of-age stories, and stylized indie films.

Sync Highlights

  • Midtempo rhythm supports dynamic editing and pacing
  • Male vocals and harmonica add emotional grit and character
  • Lyrics explore heartbreak, resilience, and longing
  • Perfect for stylized action, mystery, or offbeat comedy
  • One-stop clearance simplifies licensing

Production Credits

  • Produced By: Colin Linden
  • Recorded By: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed By: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered By: John Whynot

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Linden: Guitars, Banjo, Electric Bass, Baritone Guitar
  • Bryan Owings: Drums
  • Dave Roe: Upright Bass

Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Sync Potential: Block of Wood

Why it works for sync:

  • Emotional Grit: Lyrics explore heartbreak, resilience, and longing—perfect for scenes of personal struggle or emotional turning points.
  • Retro Swagger: Quirky, bluesy groove with harmonica and electric guitar evokes vintage cool and confident attitude.
  • Versatile Mood: Bright yet introspective tone fits both upbeat montages and reflective moments.
  • Cinematic Fit: Ideal for crime dramas, coming-of-age stories, indie comedies, and stylized action sequences.
  • One-Stop Clearance: Simplifies licensing for editors and music supervisors.

Suggested Sync Uses

  • Opening credits with swagger and attitude
  • Montage of personal transformation or struggle
  • Stylized chase or confrontation scene
  • Character walking away from heartbreak
  • Indie film transitions or quirky interludes

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Contact for Licensing

Licensing Contact:
OMR Music Production
Website: www.omrmusicproduction.com
Email: info@omrmusicproduction.com
One-stop clearance available for immediate sync.

Track Narrative:
“Block of Wood” is a blues meditation on heartbreak and endurance. Paul Reddick crafts a metaphor-rich lyric that evokes drifting, searching, and emotional weight — ideal for sync scenes of solitude, resilience, or quiet reckoning.
Lyrics:
You sure did do did do me no good
You sure did do me darlin did do me no good
You cut my heart in two
Like it was a solid block of wood

I’m standing standing baby where I might not have withstood
You know I’m standing standing baby where I might not have withstood
I’m standing steady steady darling
Like it was a solid block of wood

Like a ship out on the ocean like Noah’s ark out on the flood
Like a ship out on the ocean like Nora’s ark out on the flood
You know I’m drifting yes I’m drifting
Like it was a solid block of wood

I’m searching for you darling like a hound dog through the wood
I’m hard on your trail baby like a hound dog through the wood
So hard for you darling
Like a solid block of wood

Blue Eventide

Blue Eventide cover art

Blue Eventide
by Paul Reddick

Lyrically sparse and beautifully atmospheric — “Blue Eventide” moves with a hush of twilight resolve. Paul Reddick captures the quiet poetry of closure, casting metaphor and mantra into slow-burning blues ideal for cinematic dusk and emotional release.

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OMR Cue Map

OMR Cue Map

Track: Blue Eventide (Explicit)
Clean Intro: Yes (0:00 – immediate blues/vocal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45
Use Case: Moody, blues-driven vocal cue for reflection, late-night tone, and emotional depth. Strong for drama, introspective scenes, and moments of quiet intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Eventide

Song Profile

  • Artist: Paul Reddick
  • Genre: Folk, Indie
  • Vocals: Male
  • Key Signature: Ab Major
  • Tempo: 86 BPM
  • Energy: Mid-tempo
  • Mood: Cool, Minimal, Warm
  • Lyric Themes: Adventure, Longing, Change, Nostalgia, Connection, Time
  • Cinematic Fit: Adventure, Art House, Coming-of-Age, Drama, Romance, Western
  • Type: One Stop

Production Credits

  • Composer: Paul Reddick
  • Producer, Engineer, Mixing: Colin Linden
  • Mastering: John Whynot
  • Mastering Assistants: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams
  • Recording Engineers: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael

Artists

  • Paul Reddick: Harmonica, Loops, Vocals
  • Colin Linden: Bass, Guitar, Mandolin, Harmony Vocals
  • Bryan Owings, Gary Craig: Drums
  • John Dymond, Larry Taylor: Bass
  • Kathleen Edwards: Violin
  • Richard Bell: Organ, Piano
  • Stephen Hodges: Drums, Percussion

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Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Blue Eventide

Ideal for: Emotional transitions, twilight scenes, poetic closures, and reflective montages.

Scene Suggestions

  • Farewell moments with slow pacing and visual intimacy
  • Coming-of-age realizations or personal growth arcs
  • Romantic dissolves or nostalgic flashbacks
  • Western landscapes at dusk or solitary travel sequences
  • Art house visuals with minimal dialogue and ambient tone

Why It Works

  • Lyrics: Evocative and open-ended, perfect for universal emotional resonance
  • Instrumentation: Sparse and warm, allowing space for dialogue or visual storytelling
  • Vocal Delivery: Gentle and expressive, ideal for introspective scenes
  • Tempo: Mid-tempo pacing supports cinematic timing without overpowering
  • Mood: Cool and minimal, adaptable across genres and emotional tones

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Blue Eventide” drifts with lyrical surrender — soft repetition and image-laced phrasing fold into poetic closure. Paul Reddick channels dusk’s echo with gentle delivery and spacious sound. Built for scenes of farewells, twilight realizations, or emotional transitions that unfold slowly and honestly.
Lyrics:
Travel on blue eventide cast your shadow by
It’s all too well to never know
and never wonder why

Gentle is the closing easy in its stride
That holds the sweet declining
travel on blue eventide

Gentle is the closing easy in its stride
That holds the sweet declining
travel on blue eventide

Travel on blue eventide cast your shadow by
It’s all too well to never know
and never wonder why
and never wonder why

and never wonder why
and never wonder why

Blue Ice

Blue Ice cover art

Blue Ice
by Elmer Ferrer

“Blue Ice” is a minimal ambient-electronic instrumental built around cold synth atmosphere, reflective space, and a darkly restrained emotional tone. Its sparse texture and icy stillness make it well suited for quiet tension, isolation, memory, mystery, emotional distance, and subtle dramatic underscore.

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OMR Cue Map

OMR Cue Map

Track: Blue Ice
Clean Intro: Yes (0:00)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:20–2:00
Use Case: Minimal ambient cue for cold atmosphere, quiet tension, emotional isolation, memory, mystery, and reflective dramatic underscore.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer celebrated for his versatility and innovation. Born in Cuba, Ferrer was immersed in the island’s rich musical traditions from a young age, shaping his eclectic and expressive guitar style.

With contributions to over 300 CDs, DVDs, and film soundtracks, Ferrer’s career spans blues, R&B, rock, and world music. He’s performed at major festivals worldwide, often in front of crowds exceeding 90,000, and collaborated with a wide array of international artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, cementing his reputation as one of the most dynamic voices in modern guitar music.

Sync Pitch Sheet: Blue Ice

Song Profile

  • Genres: Ambient, Electronic
  • Tempo: Slow / Free-floating ambient pace
  • Vocals: Instrumental
  • Moods: Atmospheric, Dark, Light, Minimal, Reflective, Sad
  • Type: One Stop

Instrumentation

  • Synth

Sync Potential

“Blue Ice” by Elmer Ferrer is a sparse ambient-electronic instrumental designed for scenes that need emotional distance, quiet tension, and a cold atmospheric undercurrent. Its minimal synth palette leaves room for dialogue, visual pacing, and restrained dramatic movement.

Scene Types

  • Isolation and emotional distance
  • Memory and reflection sequences
  • Cold mystery or psychological atmosphere
  • Quiet aftermath scenes
  • Dialogue-safe dramatic underscore
Track Narrative:
“Blue Ice” feels suspended in a frozen emotional space — sparse, reflective, and quietly tense. Its minimal synth texture creates a sense of distance and stillness, making it effective for scenes where a character is processing loss, uncertainty, memory, or the emotional weight of something left unresolved.
Instrumental Notes:
Minimal synth-based ambient instrumental with a cold, reflective tone. Designed for subtle dramatic underscore, emotional distance, sparse visual storytelling, and dialogue-friendly scene support.

Stem Tracks

Stem availability can be confirmed upon request.

Blue Wings

Blue Wings cover art

Blue Wings
by Paul Reddick

Poetic and blues-laced — “Blue Wings” drifts through metaphor and memory with lyrical grace. Paul Reddick delivers a soulful meditation on longing and flight, perfect for scenes of emotional transition, reflection, or quiet escape.

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OMR Cue Map

OMR Cue Map

Track: Blue Wings
Clean Intro: Yes (0:00 – immediate tonal/blues entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:14–0:42 / 0:42–1:10 / 1:10–1:38
Use Case: Reflective, blues-driven cue for longing, distance, and emotional release. Strong for character-driven scenes, travel reflection, and moments of quiet introspection.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Blue Wings

Song Profile

  • Artist: Paul Reddick
  • Genre: Folk, Singer-Songwriter
  • Vocals: Male
  • Key Signature: A Major
  • Tempo: 77 BPM
  • Energy: Mid-tempo
  • Mood: Atmospheric, Dreamy, Minimal, Moody, Reflective, Sad
  • Lyric Themes: Home, Love, Time
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Historical, Romance, Western
  • Type: One Stop

Production Credits

  • Written By: Paul Reddick, Colin Linden, Kate Schutt
  • Produced & Mixed By: Colin Linden
  • Mastered By: John Whynot
  • Recorded By: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Linden: Guitars, Banjo, Electric Bass, Baritone Guitar
  • Bryan Owings: Drums
  • Chris Carmichael: Strings

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Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Blue Wings

Ideal for: Reflective transitions, poetic closures, historical flashbacks, and emotional solitude.

Scene Suggestions

  • Departure scenes with slow pacing and visual intimacy
  • Coming-of-age moments or personal revelations
  • Romantic dissolves or memory-driven montages
  • Western landscapes at dusk or solitary travel sequences
  • Art house visuals with minimal dialogue and ambient tone

Why It Works

  • Lyrics: Poetic and metaphor-rich, evoking longing and emotional lift
  • Instrumentation: Acoustic textures with strings and percussion, ideal for cinematic layering
  • Vocal Delivery: Soulful and gentle, perfect for introspective scenes
  • Tempo: Mid-tempo pacing supports emotional timing without distraction
  • Mood: Atmospheric and dreamy, adaptable across genres and emotional tones

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Blue Wings” is a lyrical flight — a blues-folk meditation on longing, memory, and emotional lift. Paul Reddick’s delivery is gentle and evocative, making this track ideal for sync scenes of departure, reflection, or quiet transformation.
Lyrics:
Long it was a weary way
Won’t you go and stroll with me?
Little by little and was by was
Some pleasure to see

Mary had a red dress red dress red dress
Oh with thoughts that grew by night
The train it’s coming and it’s never late
Hold me tight

Let this world go as she will
So full of sweet surprise
The train it sings upon blue wings
Dark advice

Sugar bird don’t you weep no more
Sugar bird don’t weep no more
Round and round
Round and round we go

Who passes by when I am gone?
Hands wet with the dew of flowers
Try to never travel such roads of love
Minutes like hours

See yonder sun how steady she run
I’m going home on the morning train
Sing song girls ringing in the dawn
Colour of flame

Blues for Duke — Instrumental

Blues for Duke cover art

Blues for Duke
by Pat Carey

A tribute steeped in jazz legacy — “Blues for Duke” is Pat Carey’s soulful homage to Duke Ellington, blending saxophone-led phrasing with moody textures and cinematic depth. This instrumental composition moves with reverence, tension, and sync-ready elegance.

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OMR Cue Map

OMR Cue Map

Track: Blues for Duke
Clean Intro: Yes (0:00 – immediate jazz/blues instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean jazz-style ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Smooth, classic jazz/blues cue for sophistication, nightlife, and relaxed atmosphere. Strong for lounge scenes, upscale environments, and character-driven moments with style.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Blues for Duke

Song Profile

  • Artist: Pat Carey
  • Genre: Blues, Jazz, Vintage
  • Vocals: Instrumental
  • Key Signature: Eb Major
  • Tempo: 77 BPM
  • Energy: Low – Moderate
  • Mood: Bright, Confident, Cool, Fun, Happy, Light, Positive, Quirky, Reflective, Retro, Romantic, Upbeat, Tension
  • Cinematic Fit: Action, Crime, Drama, Mystery, Thriller
  • Type: One Stop

Production Credits

  • Executive Producers: Iridescent Music Company Inc.
  • Composers: Pat Carey, Jason Jestadt
  • Recording: Alec Fraser
  • Production: Pat Carey, Alec Fraser, Jason Jestadt
  • Mixing: Alec Fraser
  • Mastering: Andy Krehm

Artists

  • Pat Carey: Saxophones
  • Ted Quinlan: Acoustic and Electric Guitars
  • Tyler Yarema: Piano
  • Kieran Overs: Acoustic Bass
  • Tom Jestadt: Drums

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Blues for Duke

“Blues for Duke” is a cinematic jazz homage that blends soulful saxophone with moody textures and harmonic tension. Its instrumental nature and evocative phrasing make it ideal for sync placements across a range of genres.

Ideal Sync Uses

  • Genres: Action, Crime, Drama, Mystery, Thriller
  • Scene Types: Noir sequences, emotional introspection, urban tension, reflective montages
  • TV/Film: Detective dramas, period pieces, jazz-themed biopics, suspense thrillers
  • Commercials: Luxury brands, vintage fashion, upscale spirits, classic cars
  • Documentaries: Music history, cultural retrospectives, urban storytelling

Why It Works

  • Instrumental Format: No vocals means flexible overlay for dialogue-heavy scenes
  • Tempo & Mood: Midtempo pace with low-moderate energy supports tension and introspection
  • Authentic Jazz Texture: Real instruments and solos evoke timeless sophistication
  • One-Stop Licensing: Cleared for immediate sync use

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Blues for Duke” is a cinematic jazz homage — a slow-burning instrumental that channels the spirit of Duke Ellington through saxophone, piano, and harmonic tension. Pat Carey leads a masterful ensemble through moody phrasing and sync-ready depth, ideal for scenes of mystery, noir, or emotional gravity.

Blues for Myles — Instrumental

Blues for Myles cover art

Blues for Myles
by Pat Carey

Soulful and expressive — “Blues for Myles” is a saxophone-led instrumental that pays tribute with warmth and melodic grace. Pat Carey blends jazz phrasing and blues textures into a sync-ready composition full of reverence and emotional lift.

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OMR Cue Map

OMR Cue Map

Track: Blues for Myles
Clean Intro: Yes (0:00 – immediate jazz/blues instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean jazz-style ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Smooth, expressive jazz/blues cue for mood, sophistication, and emotional nuance. Strong for lounge scenes, reflective moments, and character-driven storytelling with style.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Blues for Myles

Song Profile

  • Artist: Pat Carey
  • Genre: Jazz, Vintage
  • Vocals: Instrumental
  • Key Signature: C Major
  • Tempo: 115 BPM
  • Energy: Moderate
  • Mood: Carefree, Bright, Upbeat, Positive, Uplifting
  • Cinematic Fit: Action, Adventure, Comedy, Drama, Romance
  • Type: One Stop

Production Credits

  • Produced By: Pat Carey, Steve Grisbrook
  • Recorded At: Iridescent Music Studio
  • Engineered & Mixed By: Steve Grisbrook
  • Mastered By: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Pat Carey: Soprano, Tenor & Baritone Saxophones
  • Ted Quinlan: Guitar
  • Garth Vogan: Bass
  • Jason Jestadt: Piano
  • Tom Jestadt: Drums
  • Howard Moore: Trumpet

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Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Blues for Myles

“Blues for Myles” is a saxophone-led instrumental that blends jazz phrasing with blues textures, creating a soulful and expressive tribute. Its warm tone and melodic grace make it ideal for sync placements that require emotional depth, nostalgic resonance, or a sense of heartfelt reflection.

Ideal Sync Scenarios

  • Drama: Legacy scenes, emotional turning points, character reflection
  • Romance: Intimate moments, quiet connection, memory sequences
  • Comedy: Lighthearted transitions, quirky character intros
  • Adventure: Scenic montages, travel sequences, soulful interludes
  • Action: Stylized slow-motion, aftermath scenes, mood resets

Why It Works

  • Instrumental Format: No vocals—perfect for underscoring dialogue or visuals
  • Midtempo Groove: 115 BPM keeps it engaging without overpowering
  • Emotional Range: Bright, uplifting, yet dramatic and reflective
  • Solo Sections: Saxophone, piano, guitar, and drums offer edit flexibility
  • One Stop: Easy clearance for licensing

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Blues for Myles” is a heartfelt instrumental tribute — a saxophone-driven piece that blends jazz warmth with blues depth. Pat Carey’s phrasing evokes memory and emotion, making it ideal for sync scenes of reflection, legacy, or quiet reverence.

Blues in Eh

Blues in Eh cover art

Blues In Eh
by Lee Palmer

Playful and rootsy — “Blues in Eh” puts a Canadian spin on classic blues tropes. Lee Palmer blends sharp lyrics and grooving instrumentation with wry humor, crafting a tune perfect for scenes of lighthearted rebellion, road trip vibes, or musical introspection.

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OMR Cue Map

OMR Cue Map

Track: Blues in Eh
Clean Intro: Yes (0:00 – immediate blues instrumental entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18
Use Case: Laid-back, blues-driven cue for character, humor, and regional tone. Strong for light drama, personality-driven scenes, and moments with subtle attitude and charm.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Storyteller • Soulful Roots

Lee Palmer is a celebrated Canadian singer-songwriter known for his soulful voice and evocative songwriting. His music blends blues, country, folk, and rock into a rich, rootsy sound that resonates deeply with listeners.

Born and raised in Toronto, Ontario, Palmer’s musical journey began in his teens with a guitar and a passion for storytelling. His debut album, One Take: Live at Canterbury, recorded live with top Toronto roots musicians, set the tone for a career defined by authenticity and emotional depth.

With albums like 60 Clicks, Bridge, and Rootsy Bluesy, Palmer explores themes of love, loss, and life’s complexities. His introspective lyrics and genre-blending style draw influence from legends like Bob Dylan, John Hiatt, and J.J. Cale.

Collaborating with producer Alec Fraser Jr., Palmer has crafted critically acclaimed works that showcase his growth and versatility. His live performances are intimate and engaging, inviting audiences into his musical world.

Sync Pitch Sheet: Blues in Eh

Song Profile

  • Genres: Blues, Roots, Singer/Songwriter
  • Tempo: Midtempo
  • Vocals: Male Vocal
  • Moods: Playful, Soulful, Reflective
  • Lyric Themes: Humor, Identity, Rebellion, Introspection
  • Type: One Stop

Instrumentation

  • Electric Guitar
  • Acoustic Guitar
  • Bass
  • Drums

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Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com

Sync Potential: Blues in Eh

Ideal Sync Scenarios

  • Road trip montages with a quirky or rebellious tone
  • Scenes of personal reflection or identity exploration
  • Canadian-themed storytelling or cultural vignettes
  • Lighthearted bar scenes or musical interludes
  • Indie film moments with soulful, rootsy atmosphere

Comparable Artists / Vibe

  • John Hiatt
  • J.J. Cale
  • Bob Dylan (roots-era)

Licensing & Sync Contact

OMR Music Production
info@omrmusicproduction.com

Track Narrative:
“Blues in Eh” feels like boots-on-gravel and maple syrup in your flask — a blues groove with Canadian soul. Lee Palmer serves lyrical grit, regional charm, and easy musicianship in equal measure. Ideal for sync scenes with charm, wanderlust, and hometown swagger.
Lyrics:
I got the blues in A, six strings in my fingers
Lookin' for a lick in a place where it lingers by the way
I got the blues in A, that's a Canadian E-H-A
I got the blues in A, I got the blues in A

And I'm giggin' in Toronto
Playing for the door and all the drinks I can swallow
By the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A
Take it away Dennis

I got the blues in A and I'm jammin' at the Joyce
Dancin' with the sisters and hangin' with the boys
By the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A, that baseline gold

I got the blues in A, six strings in my fingers
Baby, I'm looking for a place where it lingers by the way
I got the blues in A
That's a Canadian E-H-A
I got the blues in A

Blueserenity

Blueserenity cover art

Blueserenity
by Pat Carey

Smooth and contemplative — “Blueserenity” is a saxophone-led instrumental that glides through jazz phrasing and ambient textures. Pat Carey crafts a meditative groove ideal for sync scenes of reflection, emotional clarity, or late-night solitude.

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OMR Cue Map

OMR Cue Map

Track: Blueserenity
Clean Intro: Yes (0:00 – immediate jazz/blues instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, smooth resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Smooth, relaxed jazz/blues cue for calm, sophistication, and emotional ease. Strong for lounge settings, reflective moments, and scenes with understated elegance.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Blueserenity

Song Profile

  • Artist: Pat Carey
  • Genre: Jazz
  • Vocals: Instrumental
  • Key Signature: C Minor
  • Tempo: 135 BPM
  • Energy: Fast Tempo
  • Mood: Bright, Confident, Cool, Fun, Happy, Light, Playful, Positive, Quirky, Upbeat, Warm
  • Cinematic Fit: Art House, Comedy, Drama, Romance
  • Type: One Stop

Production Credits

  • Composers: Pat Carey, J. Langley
  • Produced By: Jake Langley
  • Recorded & Mixed By: Sal Mormando at Kaleidoscope Sound
  • Engineered & Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Pat Carey: Tenor Saxophone
  • Mat Langley: Guitar
  • Kyle Koenler: Hammond B3 Organ
  • Michael Fonfara: Piano, Rhodes Piano
  • Joe Strasser: Drums

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Sync Potential: Blueserenity

Overview:
“Blueserenity” is a saxophone-led jazz instrumental that blends ambient textures with soulful phrasing. Its midtempo groove and warm tone make it ideal for cinematic scenes requiring emotional depth, introspection, or romantic nuance.

Ideal Sync Uses

  • Film: Drama, Romance, Art House, Indie
  • TV: Character development scenes, emotional transitions, late-night montages
  • Commercials: Luxury brands, wellness products, boutique hotels
  • Streaming: Background for playlists like “Jazz for Focus” or “Evening Chill”

Scene Suggestions

  • Reflective walk through city streets at night
  • Quiet moment of realization or healing
  • Romantic dinner or slow dance
  • Montage of personal growth or transformation

Why It Works

  • Instrumental: No lyrics to compete with dialogue
  • Warm Mood: Evokes comfort, confidence, and emotional clarity
  • Flexible Tempo: Midtempo pacing suits both drama and light-hearted scenes
  • Solo Features: Saxophone, guitar, and organ solos add cinematic texture

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Blueserenity” is a sonic exhale — a jazz instrumental that floats through emotional stillness and harmonic ease. Pat Carey’s saxophone leads a gentle ensemble through spacious phrasing and cinematic calm, perfect for sync scenes of introspection, healing, or quiet resolution.

Boisdale

Boisdale cover art

Boisdale
by Carlos Miyares

Lush and expressive — “Boisdale” is a saxophone-driven instrumental that blends Cuban jazz phrasing with cinematic elegance. Carlos Miyares crafts a moody, sync-ready composition ideal for scenes of reflection, sophistication, or emotional depth.

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OMR Cue Map

Track: Boisdale
Clean Intro: Yes (0:00 – immediate jazz/soul instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Smooth, stylish jazz/soul cue for upscale settings, nightlife, and refined atmosphere. Strong for lounge scenes, character-driven moments, and elegant environments.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Composer • Cuban Jazz Visionary

Carlos Miyares born in Santiago de Cuba in 1980, is a renowned saxophonist whose expressive sound and technical brilliance have earned him a place among the most respected figures in contemporary jazz. He began his musical journey at age seven, initially studying piano before switching to saxophone under Maestro Raul Cordies.

Influenced by jazz legends like Wayne Shorter, John Coltrane, Johnny Griffin, and Dexter Gordon, Miyares developed a style that blends emotional depth with Cuban musical heritage. His performances are celebrated for their intensity, nuance, and improvisational mastery.

Over the years, Carlos has collaborated with numerous artists and performed at international jazz festivals. Notably, he spent five years working with the legendary pianist Chucho Valdés, contributing to the Grammy-winning album *Chucho’s Steps* (Best Latin Jazz Album, 2010).

Today, Carlos Miyares stands as a leading voice in Latin jazz, continuing to innovate and inspire through his music and mentorship. His artistry reflects a deep commitment to tradition, evolution, and excellence.

Sync Pitch Sheet: Boisdale

Song Profile

  • Artist: Carlos Miyares
  • Genre: Ballad, Jazz
  • Vocals: Instrumental
  • Key Signature: Bb Major
  • Tempo: 88 BPM
  • Energy: Low-Medium
  • Mood: Bright, Confident, Cool, Hopeful, Light, Positive, Reflective, Romantic, Upbeat, Uplifting
  • Cinematic Fit: Action, Adventure, Animation, Drama, Romance
  • Type: One Stop

Production Credits

  • Direction, Arrangements & Composition: Carlos Miyares
  • Production Assistant: Yoanys Perez
  • Sound Engineer: Ana Laura Vilaragut
  • Mixing: Ana Laura Vilaragut & Carlos Miyares
  • Mastering: Ana Laura Vilaragut

Artists

  • Carlos Miyares: Tenor Sax
  • Alejandro Delgado: Trumpet
  • Miguel Angel WiWi Garcia: Piano
  • Rafael Paseiro: Bass
  • Rodney Barreto: Drums
  • Adel Gonzalez: Percussion

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OMR Music Production
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Sync Potential: Boisdale

Overview:
“Boisdale” is a lush, saxophone-driven jazz ballad that blends Cuban phrasing with cinematic elegance. Its low-medium energy and romantic tone make it ideal for scenes of reflection, sophistication, or emotional depth.

Ideal Sync Uses

  • Film: Drama, Romance, Animation, Adventure
  • TV: Emotional transitions, cultural storytelling, romantic interludes
  • Commercials: Travel, luxury goods, boutique experiences
  • Streaming: Background for playlists like “Jazz Ballads” or “Evening Reflections”

Scene Suggestions

  • Slow-motion walk through a historic city
  • Quiet moment of introspection or healing
  • Romantic rooftop dinner
  • Animated montage of cultural celebration

Why It Works

  • Instrumental: No lyrics to compete with dialogue
  • Romantic Mood: Evokes warmth, elegance, and emotional clarity
  • Midtempo Flow: Supports both dramatic and light-hearted pacing
  • Solo Features: Saxophone, piano, and drums add cinematic texture

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Boisdale” is a jazz meditation — a saxophone-led instrumental that flows with Cuban phrasing and emotional nuance. Carlos Miyares delivers a sync-ready composition full of sophistication and cinematic depth, ideal for scenes of introspection, elegance, or cultural resonance.

Boom Salute

Boom Salute cover art

Boom Salute
by Melodic Yoza

High-energy and genre-bending — “Boom Salute” fuses reggae soul-hop with lyrical swagger and rhythmic punch. Melodic Yoza delivers a sync-ready anthem built for scenes of celebration, defiance, or cultural pride.

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OMR Cue Map

Track: Boom Salute
Clean Intro: Yes (0:00 – immediate rhythmic entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48
Use Case: Bold, high-energy cue for celebration, swagger, and rhythmic impact. Strong for montage, entrances, and scenes driven by confidence and movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
Melodic Yoza

Reggae, Soul, Hip-Hop Artist • Lyricist • Performer

Melodic Yoza is a genre-blending artist whose sound fuses reggae, soul, and hip-hop into a vibrant and uplifting musical experience. With roots in Jamaica and a creative base in Toronto, Yoza’s music celebrates unity, resilience, and the power of love.

His breakout single “Countri Boi Kingston” hit #1 on ReverbNation’s reggae charts, and his follow-up tracks like “Celebrate” and “Where The Love Go” have earned acclaim for their infectious rhythms and socially conscious lyrics.

Melodic Yoza’s performances are high-energy and soul-stirring, often featuring live instrumentation and powerful vocal delivery. He’s been featured on platforms like CP24 and has collaborated with artists across genres, including Frankie Payne and DJ Ananymous.

With a mission to inspire and uplift, Melodic Yoza continues to push boundaries and spread positivity through his music and message.

Sync Pitch Sheet: Boom Saluet

Song Profile

  • Artist: Melodic Yoza
  • Genre: Reggae, Folk, Indie, Hip Hop
  • Vocals: Male
  • Key Signature: G Major
  • Tempo: 84 BPM
  • Energy: Medium Tempo
  • Mood: Catchy, Confident, Fun, Hopeful, Positive, Rhythmic, Swagger, Upbeat, Uplifting
  • Cinematic Fit: Adventure, Comedy, Coming-of-Age, Drama, Romance
  • Lyric Themes: Energy, Happiness, Love, Relationship, Strength
  • Type: One Stop

Production Credits

  • Featuring: Adam Martin, Blakkamoore, Jeni Fujita, JRDN, NEFE, Oso & Shane Free
  • Producers: Mario Donaldson
  • Writers: Adam Martin, Alexandra Soumalias, Anthony Robert-Frigon, Bobby Brass, Isax-Richard Howse, Jeni Fujita, John Park (존박), JRDN, Julian Casey Lynch, Mario Donaldson, Osopian Agie, Samuel Gerongco, Sean Burgess, Shane Moore & Wayne Henry

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OMR Music Production
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Sync Potential: Boom Salute

Overview:
High-energy and genre-bending — “Boom Salute” fuses reggae soul-hop with lyrical swagger and rhythmic punch. Melodic Yoza delivers a sync-ready anthem built for scenes of celebration, defiance, or cultural pride.

Ideal Sync Uses

  • Film: Coming-of-age, Adventure, Comedy, Urban Drama
  • TV: Youth-focused series, cultural showcases, victory moments
  • Commercials: Streetwear, energy drinks, lifestyle brands
  • Streaming: Playlists like “Global Beats” or “Feel-Good Hip Hop”

Scene Suggestions

  • Triumphant entrance or arrival
  • Celebration montage or street festival
  • Urban dance sequence or rooftop party
  • Moments of personal empowerment or swagger

Why It Works

  • Male Vocals: Charismatic delivery with rhythmic confidence
  • Genre Blend: Reggae, hip hop, and indie folk create a unique sonic identity
  • Lyric Themes: Love, strength, happiness, and energy resonate across formats
  • Medium Tempo: Versatile pacing for both chill and upbeat scenes

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Boom Salute” is a sonic celebration — a genre-blending anthem that channels pride, rhythm, and lyrical fire. Melodic Yoza delivers a track built for sync scenes of cultural swagger, urban motion, or triumphant arrival.
Lyrics:
[Intro]
One, one, one
Bodoobye, bodoobye, bodoobye...
Number one, one, one
I salute you

[Verse 1]
Have you ever met a girl who was looking so nice...
Just to make her to be your wife...
Man, she’s a go getter...
When you coming from the place with the finest weather

[Pre-Chorus]
She’s a special friend of mine...
She makes me come alive...

[Chorus]
Oh, oh here she come
I boom salute you girl, you’re the one
It been that way since day one...
You’re my number one, one, one

[Verse 2]
She goes 0 to 100 put a smile on my face...
Chill up on the beach a drink coconut water...
‘Cuse she is just the truth

[Pre-Chorus]
She makes me come alive...
‘Cause she gets me every time

[Chorus]
Oh, oh here she come
I boom salute you girl, you’re the one...
You’re my number one, one, one

Boopsie Erratic — Instrumental

Boopsie Erratic cover art

Boopsie Erratic
by Normal Machine

Hypnotic and edgy — “Boopsie Erratic” pulses with synth energy, digital distortion, and rhythmic glitch. Normal Machine strips back the vocals to let the sonic chaos breathe, perfect for sync scenes of motion, fragmentation, or stylish rebellion.

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OMR Cue Map

Track: Boopsie Erratic
Clean Intro: Yes (0:00 – immediate quirky/tonal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, playful button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Quirky, offbeat cue for eccentric characters, playful tension, and unpredictable moments. Strong for comedy, light chaos, and scenes that lean into personality and oddity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Experimental Sound Collective • Post Industrial • Sonic Explorers

Normal Machine is a boundary-pushing music collective known for its immersive soundscapes and post-industrial sonic meditations. Blending analog textures, digital noise, and rhythmic experimentation, the group creates music that challenges conventions and invites deep listening.

Emerging from underground scenes in Canada and Europe, Normal Machine has released a series of conceptual albums including Lullaby and Machine Music 15.0, each exploring themes of technology, decay, and rebirth. Their work is often described as cinematic, haunting, and hypnotic.

The group’s live performances are immersive experiences, combining visual projections, modular synths, and unconventional instruments. They’ve appeared at experimental music festivals and art installations, captivating audiences with their raw, visceral energy.

Normal Machine continues to evolve, pushing the limits of sound and form while remaining rooted in a philosophy of sonic exploration and emotional resonance.

Sync Pitch Sheet: Boopsie Erratic

Song Profile

  • Artist: Normal Machine
  • Genre: Electronic, Funk, Hip Hop
  • Vocals: Instrumental
  • Key Signature: D Minor
  • Tempo: 80 BPM
  • Energy: Mid Tempo
  • Mood: Bright, Catchy, Confident, Cool, Energetic, Fun, Happy, Party, Playful, Positive, Swagger, Upbeat, Uplifting
  • Cinematic Fit: Action, Adventure, Animation, Art House, Coming-of-Age, Indie, Sci-Fi, Thriller, Video Game
  • Type: One Stop

Production Credits

  • Composers & Producers: Available Upon Request
  • Recording, Mixing, Mastering: Available Upon Request

Artists

  • Instrumentation: Bass, Drums, Percussion, Synth
  • Performers: Available Upon Request

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OMR Music Production
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Sync Potential: Boopsie Erratic

“Boopsie Erratic” is a glitch-laced instrumental designed for visual frenzy. Normal Machine removes the vocal thread to spotlight electronic tension, rhythm twitch, and flicker-sync mood. Built for fashion-forward edits, thriller montages, or digital unravelings.

Ideal Sync Uses

  • Film & TV: Sci-Fi, Thriller, Coming-of-Age, Indie, Art House
  • Advertising: Fashion, Tech, Gaming, Lifestyle, Youth Culture
  • Video Games: Futuristic, Action, Puzzle, Rhythm-based
  • Trailers & Promos: High-energy, stylized, glitchy, rebellious
  • Animation: Experimental, surreal, motion-driven visuals

Why It Works

  • Tempo: 80 BPM — ideal for mid-tempo pacing and rhythmic editing
  • Mood: Bright, Confident, Cool, Swagger, Upbeat
  • Instrumentation: Bass, Drums, Percussion, Synth — modern and sync-friendly
  • Genre Blend: Electronic + Funk + Hip Hop — versatile and edgy
  • Vocal-Free: Instrumental format allows flexible overlays and voiceovers

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Boopsie Erratic” is a glitch-laced instrumental designed for visual frenzy. Normal Machine removes the vocal thread to spotlight electronic tension, rhythm twitch, and flicker-sync mood. Built for fashion-forward edits, thriller montages, or digital unravelings.

BORDERLAND — The Green Door

Borderland cover art

Borderland
by The Green Door

Atmospheric and restless, “Borderland” feels like a cinematic crossing into the unknown—part journey song, part inner search. With reflective retro texture, steady midtempo momentum, and dreamlike lyric imagery, The Green Door delivers a track built for transition, discovery, and characters moving toward something they do not yet fully understand.

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OMR Cue Map

Track: Borderland
Clean Intro: Yes (0:00 – ambient tonal entry, no hard transient)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20
Use Case: Expansive, atmospheric cue for isolation, tension, and vast landscapes. Strong for western tone, frontier storytelling, and scenes that evoke distance, uncertainty, and quiet intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, atmosphere, and momentum. Their sound blends indie-rock texture, retro grit, and cinematic movement—built for characters in transition, pursuit, or emotional drift.

Ideal for supervisors looking for music that feels visual and story-aware, their tracks carry strong rhythmic shape, evocative lyric imagery, and clear emotional tone without losing edge.

Sync Pitch Sheet: Borderland

Artist: The Green Door
Genre: Indie, Rock
Vocal Style: Male Vocal
Energy Level: Mid
Key Signature: B Minor
Tempo: 109 BPM
Mood Tags: Atmospheric, Bright, Dreamy, Minimal, Reflective, Retro
Lyric Themes: Adventure, Change, Destiny, Discovery, Dream
Cinematic Fit: Drama, Indie, Mystery, Sci-Fi, Coming of Age
Type: One Stop

Track Summary

Borderland is a reflective, motion-driven indie rock track that feels suspended between travel, transformation, and revelation. Its lyric imagery suggests crossing thresholds—literal and emotional—making it a strong fit for stories centered on change, pursuit, or awakening.

Sync Highlights

  • Dreamy, forward-moving feel suits travel and transition scenes
  • Male vocal delivery gives the track personality without overpowering the atmosphere
  • Retro-minimal production works well under montage and narrative visuals
  • Themes of discovery, destiny, and change support character-driven storytelling
  • One-stop clearance keeps the track easy to pitch and place

Best Scene Uses

  • Departure scenes and literal crossings into unfamiliar territory
  • Road, rail, or journey montages with emotional undertow
  • Coming-of-age sequences built around uncertainty and choice
  • Indie drama moments where a character follows instinct over logic
  • Dreamlike mystery or low-key sci-fi visuals with a human center

Sync Potential: Borderland

Artist: The Green Door
Genre: Indie Rock, Alternative Rock
Vocal Style: Male
Energy Level: Midtempo
Key Signature: B Minor
Tempo: 109 BPM
Mood Tags: Atmospheric, Reflective, Dreamy, Retro, Minimal
Cinematic Fit: Drama, Indie, Mystery, Sci-Fi, Coming of Age
Lyric Themes: Adventure, Change, Destiny, Discovery, Dream
Type: One Stop

Sync Highlights

  • Visual lyric language gives the song immediate scene-setting value
  • Steady motion makes it useful for montage and travel-led edits
  • Balances atmosphere and accessibility in a supervisor-friendly way
  • Works especially well for stories about crossing into a new phase or world
Stem Tracks:
Available upon request.
Track Narrative:
“Borderland” feels like a crossing point between what is known and what is waiting to be discovered. It carries the tension of movement, intuition, and unseen direction—ideal for characters stepping into uncertainty, chasing change, or slowly realizing that the way forward is not the one everyone else takes.
Lyrics:

Lyrics:

Take a trip to the borderland
On a bullet train
With a mind full of borderline
And a hand full of change

Pay the toll and they save you a place
But never you'll know of the conductor's name
That's wrote on every passenger's face

Open up your eyes
Not everyone pays for the ride
But some say there's a freer way inside

Off the train on the pale brown sand
Crow calls a warning
With feathers spread like open hands
And eyes like a dream

It beckons you to the edge of town
But never you'll know where direction is found
Until you're digging underground

Open up your eyes
Everybody takes the ride
But some say there's a nearer way inside

Borealis

Borealis cover art

Borealis
by Rich Brown

Ethereal and expansive — “Borealis” is a bass-forward jazz instrumental that evokes the luminous mystery of the Northern Lights. Rich Brown weaves ambient grooves and harmonic texture into a contemplative piece ideal for sync moments of awe, elegance, and atmospheric wonder.

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OMR Cue Map

Track: Borealis
Clean Intro: Yes (0:00 – ambient tonal entry, no hard transient)
Edit Points: 0:20 / 0:40 / 1:00 / 1:20 / 1:40 / 2:00 / 2:20 / 2:40
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:20–1:00 / 1:00–1:40 / 1:40–2:20
Use Case: Luminous, atmospheric cue for wonder, reflection, and natural beauty. Ideal for expansive visuals, introspective moments, and scenes that evoke awe and quiet emotional lift.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Bassist • Composer • Educator

Rich Brown is one of Canada’s most celebrated electric bassists, known for his deep groove, technical mastery, and genre-crossing versatility. With a career spanning jazz, fusion, and world music, Brown has become a vital voice in contemporary bass playing.

He has performed and recorded with a wide range of artists including James Blood Ulmer, Rudresh Mahanthappa, Steve Coleman, and Dapp Theory. His solo projects, such as Abeng, showcase his compositional depth and rhythmic innovation, blending Caribbean influences with modern jazz.

Brown is also a respected educator, sharing his insights through workshops, masterclasses, and online platforms. His teaching emphasizes time, groove, and creative expression, inspiring a new generation of bassists.

Whether on stage, in the studio, or in the classroom, Rich Brown continues to push the boundaries of electric bass and redefine its role in modern music.

Sync Pitch Sheet: Borealis

Song Profile

  • Artist: Rich Brown
  • Genre: Electronic, Horror
  • Vocals: Instrumental
  • Key Signature: C Minor
  • Tempo: 95 BPM
  • Energy: Medium
  • Mood: Atmospheric, Emotive, Hopeful, Light, Minimal, Moody, Reflective, Somber
  • Cinematic Fit: Adventure, Drama, Fantasy, Horror, Sci-Fi, War
  • Type: One Stop

Production Credits

  • Executive Producer: Rich Brown
  • Composer: Rich Brown
  • Recording: —
  • Production: Rich Brown
  • Mixing & Mastering: —

Artists

  • Instrumentation: Piano, Synth
  • Solo Instrument: Bass Guitar
  • Performer: Rich Brown

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Licensing Contact:
OMR Music Production
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Sync Potential: Borealis

Ethereal and expansive — “Borealis” is a bass-forward instrumental that evokes the luminous mystery of the Northern Lights. Rich Brown weaves ambient grooves and harmonic texture into a contemplative piece ideal for sync moments of awe, elegance, and atmospheric wonder.

Ideal Sync Uses

  • Film & TV: Drama, Fantasy, Horror, Sci-Fi, War
  • Documentaries: Nature, Space, Human Experience
  • Advertising: Luxury, Wellness, Technology, Environmental
  • Video Games: Atmospheric, Exploration, Puzzle, Strategy
  • Trailers & Promos: Emotional arcs, cinematic transitions, reflective tone

Why It Works

  • Tempo: 95 BPM — supports mid-tempo pacing and emotional build
  • Mood: Atmospheric, Emotive, Somber, Reflective
  • Instrumentation: Piano, Synth, Bass Guitar — rich and cinematic
  • Genre Blend: Electronic + Horror — moody and evocative
  • Vocal-Free: Instrumental format allows flexible overlays and voiceovers

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Borealis” shimmers with mystery and motion — Rich Brown blends bass clarity with expansive phrasing, echoing the visual spell of auroras. This piece lends gravity and elegance to visual storytelling, perfect for transitions, nature scenes, or emotional quiet with cosmic reach.

BOUND — The Green Door

Bound cover art

Bound
by The Green Door

“Bound” is a lonely, road-worn rock track built on distance, regret, and the ache of returning to a place that no longer holds comfort. With its retro grit and atmospheric pacing, the song is ideal for homecoming scenes, solitary travel, and narratives where endurance matters more than hope.

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OMR Cue Map

Track: Bound
Clean Intro: Yes (0:00 – soft instrumental/vocal entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:14–0:42 / 0:42–1:10 / 1:10–1:38
Use Case: Emotional, atmospheric cue for connection, restraint, and internal tension. Strong for character-driven scenes, relational dynamics, and moments of quiet emotional pull.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for movement, regret, distance, and emotional storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving travel, solitude, return, and characters carrying more than they can set down.

Sync Pitch Sheet: Bound

Song Profile

  • Key Signature: E Minor
  • Beats Per Minute: 114
  • Energy: Moderate
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Moods: Atmospheric, Moody, Retro
  • Lyric Themes: —
  • Cinematic Fit: Drama, Western, Indie, Crime
  • Type: One Stop

Instrumentation

  • Acoustic Guitar
  • Bass
  • Drums
  • Electric Guitar

Track Summary

Bound is a weathered homecoming track driven by loneliness, fatigue, and the pull of return. Its steady rhythm and plainspoken emotional weight make it especially effective for scenes of travel, regret, and characters moving toward something they already know cannot heal them.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Bound is built for narratives of return, endurance, and emotional isolation. Its road-worn tone and repeated destination hook make it especially effective for night travel, solitary movement, and scenes where home is less a comfort than an unavoidable truth.

Ideal Sync Uses

  • Drama: Loneliness, regret, return, emotional resignation
  • Western: Long ride home, weathered traveler, frontier solitude
  • Indie: Character-driven travel montage, reflective movement
  • Crime: Return after fallout, aftermath journey, worn-down escape

Scene Suggestions

  • Character traveling alone toward a difficult homecoming
  • Rain-soaked road montage with fatigue and reflection
  • Return sequence where no reunion is waiting on the other end
  • Closing scene of continued movement despite emotional exhaustion

Why It Works

  • Repeated hook gives editors a strong emotional anchor
  • Acoustic texture adds worn, human realism
  • Male vocal carries fatigue and determination in equal measure
  • Steady tempo supports travel and montage-driven editing
Stem Tracks:
Available upon request.
Track Narrative:
“Bound” feels like a man riding toward a place he already knows will not save him. It carries the weight of regret, weather, and miles, making it ideal for scenes where movement continues long after hope has thinned out.
Lyrics:
I ride hard across the plain
each night in the pouring rain as I go
I'm bound for home

six months and I'm a dreadful sight
head to toe covered in grime as I go
I'm bound for home

and I know no one's waiting there for me
and I know I'll forever be lonely
and I know that I'm going home

long days alone tonight
regrets follow close behind as I go
I'm bound for home

and I'm such a lonesome man, but I'm gonna do it the best that I can
so I'm bound for home

and I know no one's waiting there for me
and I know I'll forever be lonely
and I know that I'm going home

and I know no one's waiting there for me
and I know I'll forever be lonely
and I know that I'm going home

Bowery

Bowery cover art

Bowery
by Mattie Leon

Soulful and cinematic — “Bowery” is a heartfelt ballad that blends folk-rock storytelling with emotional depth. Mattie Leon delivers evocative vocals and lyrical imagery perfect for sync scenes of longing, memory, or quiet transformation.

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OMR Cue Map

OMR Cue Map

Track: Bowery
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, subtle button ending
Loopable: Partial
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Gritty, urban vocal cue for character, place, and lived-in storytelling. Strong for city scenes, introspection, and moments grounded in personal narrative and environment.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Bowery

Song Profile

  • Artist: Mattie Leon
  • Genre: Folk, Indie, Singer-Songwriter
  • Vocals: Male
  • Key Signature: C# Major
  • Tempo: 99 BPM
  • Energy: Midtempo
  • Mood: Hopeful, Positive, Reflective, Romantic, Upbeat, Warm
  • Cinematic Fit: Art House, Drama, Indie, Romance
  • Lyric Themes: Desire, Love, Pain, Regret, Struggle
  • Type: One Stop

Production Credits

  • Words & Music: Mattie Leon
  • Produced By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered By: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

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Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Bowery

“Bowery” is a soulful, cinematic ballad that blends folk-rock storytelling with emotional depth. Its evocative male vocals and lyrical imagery make it a strong candidate for sync scenes involving:

  • Romantic tension — longing, vulnerability, emotional turning points
  • Reflective moments — memory, personal growth, quiet transformation
  • Drama sequences — emotional conflict, introspection, resolution
  • Indie film montages — warm tones, hopeful transitions, character development

With its midtempo energy, warm acoustic textures, and heartfelt lyrics, “Bowery” fits seamlessly into cinematic genres such as:

  • Art House
  • Drama
  • Indie
  • Romance

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Bowery” is a lyrical walk through memory — Mattie Leon’s vocals carry emotional weight and melodic grace. Built for sync scenes of reflection, romantic tension, or quiet resolve, this track blends folk-rock warmth with cinematic storytelling.
Lyrics:
Oh the night is young
and we're still breathing
You fill up your lungs with kerosene
I get burned in your desire
and you get left with all this doubt in me

Bowery
I know the man that you deserve and need
I know the love that you keep building me
I know the man that I've become
It's not a man that you could love

Oh your violent tongue
of retribution
Oh your painted lips of deep cerise
I can't brave another night
living in a world with your beautiful misery

Why would you love someone
that pushes you away
Why would you love someone
that dresses you in shame
Why would you love someone
that fails you in the day and in the night
There's nothing left for you and I

Boy

Boy cover art

Boy
by Mattie Leon

Deeply emotional and unflinchingly personal — “Boy” unpacks the heartbreak of parental separation and longing. Mattie Leon offers lyrical clarity, vulnerability, and melodic restraint that speak to custody, sacrifice, and the emotional landscape of fatherhood.

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OMR Cue Map

OMR Cue Map

Track: Boy
Clean Intro: Yes (0:00 – immediate vocal/instrumental entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, gentle button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Warm, emotional vocal cue for youth, identity, and personal reflection. Strong for coming-of-age moments, character development, and scenes centered on growth and memory.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Singer-Songwriter • Multi-Instrumentalist • Producer

Mattie Leon is a Toronto-based singer-songwriter whose music blends folk, soul, and pop into a heartfelt and melodic experience. Known for his rich vocals and introspective lyrics, Leon crafts songs that explore love, growth, and the human condition.

His EPs and albums, including In Natural Light and Backroad Medicine, showcase his evolution as a songwriter and producer. Leon’s sound is both timeless and contemporary, drawing comparisons to artists like James Taylor and Amos Lee while remaining uniquely his own.

A regular performer at venues across Canada, Mattie Leon captivates audiences with his warm stage presence and emotionally resonant performances. His live shows often feature stripped-down acoustic arrangements that highlight the depth of his songwriting.

Whether in the studio or on stage, Mattie Leon continues to build a loyal following with music that speaks to the soul and celebrates the beauty of everyday moments.

Sync Pitch Sheet: Boy

Song Profile

  • Artist: Mattie Leon
  • Genre: Indie, Pop
  • Vocals: Male
  • Key Signature: Ab Major
  • Tempo: 106 BPM
  • Energy: Midtempo
  • Mood: Bright, Reflective, Rhythmic, Upbeat
  • Cinematic Fit: Coming-of-Age, Drama, Indie, Romance
  • Lyric Themes: Family, Love, Time
  • Type: One Stop

Production Credits

  • Words & Music: Mattie Leon
  • Produced By: Mattie Leon
  • Mixed By: Josh Bowman
  • Mastered By: Reuben at Mojito Mastering

Artists

  • All Instruments: Mattie Leon
  • Drums: Mike Leon

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Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Boy

“Boy” is a deeply emotional and unflinchingly personal track that explores the heartbreak of parental separation and longing. With lyrical clarity and melodic restraint, Mattie Leon captures the ache of custody, sacrifice, and fatherhood. This makes the song a compelling fit for scenes that require emotional resonance and narrative intimacy.

  • Family drama
  • Coming-of-age moments
  • Romantic retrospection
  • Courtroom or final act scenes

With its midtempo rhythm, bright yet reflective tone, and heartfelt lyrics, “Boy” is ideal for cinematic genres such as:

  • Coming-of-Age
  • Drama
  • Indie
  • Romance

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Boy” balances emotional weight with melodic gentleness — a cinematic confessional of separation, longing, and fatherhood’s ache. Mattie Leon channels a raw, poetic account of custody and disconnect, ideal for final acts, courtroom scenes, or intimate storytelling steeped in family tension and heart.
Lyrics:
Our years were young
back when we found brazen love
Bold, adolescent blood
running out of each of us

We bet our lives
surrounded by each parent's side
Let our hearts decide
with these youthful eyes

Then an older love
crept up into both of us
Had us a child to love
lost what the feeling was

And I swear to you
if there was one thing I could do
it would be to feel for you
Wish I could feel for you

Don't you push me out before I'm gone
You're looking for a reason
To keep me out the places I belong
Let me take that boy I made back home

I can barely breathe
bank account on hold and freeze
Lawyers and their families
try to keep the boy from me

And I see your face
and all the ways it seems to've changed
Hurting me for hurtin sake
Who could raise you up that way?

Branches

Branches cover art

Branches
by Kristin Sweetland

Quirky and cinematic — “Branches” is a genre-blending instrumental that dances between folk, gypsy-jazz, and theatrical flair. Captain Dirt & The Skirt deliver a sync-ready composition full of character, ideal for scenes of whimsy, motion, or eccentric charm.

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OMR Cue Map

Track: Branches
Clean Intro: Yes (0:00 – immediate quirky/tonal entry)
Edit Points: 0:11 / 0:22 / 0:33 / 0:44 / 0:55 / 1:06 / 1:17 / 1:28 / 1:39
Button Ending: Yes, playful button ending
Loopable: High
Best Loop Candidates: 0:11–0:33 / 0:22–0:44 / 0:44–1:06
Use Case: Offbeat, characterful cue for quirky moments, light tension, and playful storytelling. Strong for comedy, eccentric characters, and scenes with a whimsical edge.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Branches

Song Profile

  • Artist: Kristin Sweetland
  • Genre: Folk, Indie
  • Vocals: Instrumental
  • Key Signature: E Minor
  • Tempo: 94 BPM
  • Energy: Midtempo
  • Mood: Atmospheric, Moody, Reflective, Romantic
  • Cinematic Fit: Adventure, Art House, Drama, Fantasy, Indie, Romance
  • Lyric Themes: —
  • Type: One Stop

Production Credits

  • Written By: Lyndell Montgomery and Kristin Sweetland
  • Produced By: David Travers-Smith and Captain Dirt & The Skirt
  • Recorded/Mixed/Mastered: David Travers-Smith at Found Sound, Toronto, ON
  • Copyright: © Arbora Vita Music 2013

Artists

  • Electric Guitar, Spoken Word: Kristin Sweetland
  • Bass, Violin, Viola: Lyndell Montgomery
  • Drums: Gary Craig

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Branches

“Branches” is a genre-blending instrumental that dances between folk, gypsy-jazz, and theatrical flair. With its quirky pacing and cinematic textures, it’s ideal for scenes that require eccentric charm, emotional nuance, or whimsical motion.

  • Fantasy sequences — magical realism, enchanted landscapes, surreal transitions
  • Art house montages — visual poetry, abstract storytelling, mood-driven edits
  • Indie drama — reflective moments, emotional solitude, character introspection
  • Adventure scenes — travel, discovery, playful exploration

With its midtempo rhythm, instrumental solos, and atmospheric tone, “Branches” fits seamlessly into cinematic genres such as:

  • Adventure
  • Art House
  • Drama
  • Fantasy
  • Indie
  • Romance

Licensing Contact:
OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Branches” is a sync gem — playful instrumentation and theatrical pacing make this instrumental ideal for quirky montages, animated sequences, or offbeat storytelling. Captain Dirt & The Skirt blend genre and mood with flair, delivering a track full of character and cinematic bounce.

Breathless Girls

Breathless Girls cover art

Breathless Girls
by Paul Reddick

Atmospheric and poetic — “Breathless Girls” is a haunting blues meditation on memory, longing, and emotional fragility. Paul Reddick delivers sparse instrumentation and evocative phrasing, ideal for sync scenes of introspection, romantic loss, or quiet mystery.

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OMR Cue Map

OMR Cue Map

Track: Breathless Girls
Clean Intro: Yes (0:00 – immediate blues/vocal entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Gritty, blues-driven vocal cue for swagger, nightlife, and raw character energy. Strong for bar scenes, attitude-driven moments, and sequences with edge and personality.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Breathless Girls

Song Profile

  • Artist: Paul Reddick
  • Genre: Folk, Singer-Songwriter
  • Vocals: Male
  • Key Signature: C Major
  • Tempo: 68 BPM
  • Energy: Slow-tempo
  • Mood: Atmospheric, Dark, Minimal, Moody, Reflective
  • Cinematic Fit: Art House, Coming-of-Age, Drama, Romance
  • Lyric Themes: Happiness, Love, Nature, Time, Together
  • Type: One Stop

Production Credits

  • Produced By: Colin Linden
  • Recorded By: Colin Linden, John Whynot, George Seara, Justin Puig, Chris Carmichael
  • Studios: Pinhead Recorders (Toronto & Nashville), Phase One Studios (Toronto), Levon Helm Studio (Woodstock, NY), Sound City Studio (Los Angeles)
  • Mixed By: Colin Linden at Pinhead Recorders (Toronto)
  • Mastered By: John Whynot

Artists

  • Paul Reddick: Harmonica, Vocals
  • Colin Linden: Guitars
  • John Whynot: Piano
  • Stephen Hodges: Drums, Percussion, Tubular Bells
  • Darrell Leonard: Trumpet, Horn Arrangements
  • Joe Sublette, Jim McMillen: Saxophone
  • Jim Thompson: Trombone

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Breathless Girls

Atmospheric and poetic — “Breathless Girls” is a haunting blues meditation on memory, longing, and emotional fragility. Paul Reddick delivers sparse instrumentation and evocative phrasing, ideal for sync scenes of introspection, romantic loss, or quiet mystery.

Ideal Sync Scenarios

  • Art house and indie drama sequences
  • Coming-of-age montages with emotional depth
  • Romantic flashbacks or breakup scenes
  • Slow-motion or dreamlike visuals
  • Nature-themed or time-lapse cinematography
  • Quiet tension in mystery or noir storytelling

Why It Works

  • Minimal instrumentation allows space for dialogue and visuals
  • Moody tone enhances emotional resonance
  • Evocative lyrics support themes of time, love, and nature
  • Slow tempo suits reflective pacing and cinematic transitions

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Breathless Girls” floats through emotional haze — Paul Reddick’s delivery is sparse and haunting, evoking memory, fragility, and romantic loss. Ideal for sync scenes of quiet tension, poetic introspection, or nonlinear storytelling.
Lyrics:
Breathless girls
And the wintergreen
And the whippin wind
And the notes go down
And the voices rise
And the man who walks
And the blouses white
And the waves roll in
Gathered there together
No shoes upon their feet
They wade the waterlilies
Warm and bittersweet
And their eyes are closed
And the feathergrass
And the table’s set
And the noonday sun
And the rising tide
And the purified
And the linen’s dried
And the ribbon’s tied

BREAK THE ICE — Purple Fox and the Heebie Jeebies

Break the Ice cover art

Break the Ice
by Purple Fox and the Heebie Jeebies

Upbeat, confident, and instantly catchy — “Break the Ice” blends crunchy guitars with a swaggering backbeat and a chantable hook. It’s a cut-friendly cue for movement, montage, and first-meet scenes.

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OMR Cue Map

Track: Break the Ice
Clean Intro: Yes (0:00 – immediate rhythmic/vocal entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy button ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Upbeat, confident cue for introductions, social tension release, and playful interaction. Strong for character meet-cutes, light comedy, and scenes that shift from awkward to engaging.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Break the Ice

Artist: Purple Fox and the Heebie Jeebies
Genre: Metal, Punk, Rock   •   Vocal: Male
Key: F Major   •   Tempo: 82 BPM (Slow/Mid pocket)
Mood: Confident, Cool, Fun, Positive, Retro, Upbeat
Lyric Themes: Connection, Fun, Happiness, Individuality, Relationship
Cinematic Fit: Action, Adventure, Animation, Art House, Children
Type: One Stop

Track Summary

Riff-forward rock with a swaggering groove and a chantable hook (“Come on let’s break the ice”). Clean edit points, a steady pocket, and positive tone make it ideal for meet-cutes, gearing-up, and movement montages.

Sync Highlights

  • Chorus hook is instantly legible for trailers, teasers, and cutdowns
  • Drives walk-in, team-up, and “first conversation” scenes
  • Works under VO; guitars and backbeat carry energy without clutter
  • Kid- and family-friendly attitude for brand/series spots

Key Scene Uses

  • Stylized walk/hero-strut and city movement
  • Training/gearing-up montage with attitude
  • Playful chase or discovery sequences
  • End-credits lift for youth/family titles

Sync Potential: Break the Ice

Positive rock swagger with clear structure and strong cut points. One-stop clearance streamlines licensing for promos, episodic TV, ads, and kid-forward series.

  • Hook supports campaign slogans and VO buttons
  • Energetic but not abrasive — broad demo fit
  • Easy instrumental/alt-mix potential for dialogue ducking
Track Narrative:
A confident icebreaker anthem. Guitars and groove set a forward stride while the lyric invites courage and connection. Ideal when characters take initiative — crossing the room, starting a conversation, or rallying a team.
Lyrics:
Come on let’s break the ice
Come on let’s break the ice

I’m rockin’ in my red shoes
They really kick out the blues
There’s just no way you can lose,
When you rock the red shoes

There’s something new in the air
You’re dancing like you don’t care
I’m getting outta my chair,
And heading straight over there

I’m walking right up to you
It’s just the right thing to do
The only ones in the room,
It’s time to make your debut

Come on let’s break the ice
Come on let’s break the ice
Come on let’s break the ice
The ice, the ice
The ice, the ice

You’re someone I wanna know
I’m not sure how this should go
I could tell you a joke, but I think I might choke

I’m looking right at a star
I hope you know who you are
The way you play that guitar, is coming straight from the heart

Come on let’s break the ice
Come on let’s break the ice
Come on let’s break the ice
The ice, the ice, the ice
Stem Tracks:
Stems not currently posted. If needed for a specific brief, please request instrumental/alt mixes and we’ll confirm availability.
Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies

Purple Fox and the Heebie Jeebies fuse rock energy with feel-good hooks and a message of connection and confidence. Their catalog leans positive and empowering, with riff-forward arrangements and clean edit points that translate naturally to film, TV, and brand work.

On “Break the Ice”, they deliver a bold, chantable chorus and a steady pocket that sits perfectly beneath movement, montage, and character-meet scenes — all with one-stop simplicity for licensing.

Styles: Rock, Punk, Alt Pop • Strengths: Big hooks, steady pocket, VO-friendly mixes • Typical Uses: Action/Adventure montage, Animation openings, Comedy transitions, Children’s programming

Breathe One More Breath — Renée Astaria

Breathe One More Breath cover art

Breathe One More Breath
by Renée Astaria

“Breathe One More Breath” is a fast, emotionally resonant reggae/soul track built around a compassionate, end-of-life message — holding on for one more moment, one more breath, one more chance to shine. The lyric carries grief, love, forgiveness, and presence in a way that can play as both intimate and uplifting, depending on context. With a steady, propulsive groove at 139 BPM and a heartfelt female vocal, it’s a powerful choice for goodbye sequences, hospital or bedside scenes, memorial reflections, and moments where characters choose tenderness over fear.

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OMR Cue Map

Track: Breathe One More Breath
Clean Intro: Yes (0:00 – soft atmospheric/vocal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:15–0:45 / 0:45–1:15 / 1:15–1:45
Use Case: Emotional, atmospheric cue for vulnerability, endurance, and quiet resilience. Strong for dramatic arcs, reflective moments, and scenes that carry emotional weight and recovery.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Sync Pitch Sheet: Breathe One More Breath

Song Profile

  • Key Signature: D Major
  • BPM: 139
  • Tempo: Fast
  • Genres: Reggae, Soul
  • Vocals: Female vocal
  • Mood/Feel: Hopeful, Reflective, Sad
  • Lyric Themes: Life, Love, Time
  • Type: One stop

Instrumentation

  • Bass
  • Drums
  • Electric guitar
  • Percussion
  • Synth

Track Summary

“Breathe One More Breath” is a compassionate, emotionally direct song about holding on to life’s final moments — asking for one more breath, one more instant of connection, and a last chance to shine. The lyric emphasizes forgiveness, love, and presence, while the fast reggae/soul pulse keeps the track moving forward rather than collapsing into sadness.

Sync Highlights

  • Ideal for goodbye sequences, bedside moments, memorial reflections, and grief-with-love storytelling.
  • Fast pulse can support montage pacing while lyric delivers emotional weight.
  • Message of forgiveness and “nothing to fear” can underscore acceptance and peace.
  • One-stop clearance; emotionally explicit lyric (best for scenes that want direct meaning).

Licensing & Sync Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Breathe One More Breath

This song is best when the story can hold direct, emotional language about mortality, presence, and love. It can play as a tender goodbye, a moment of acceptance, or a montage where characters sit with grief but choose to stay connected for “one more breath.”

Scene Types

  • Hospital / bedside scenes emphasizing love, forgiveness, and time running short.
  • Memory montages: family photos, home videos, flashbacks tied to “one more moment.”
  • Funeral / memorial sequences that focus on gratitude and peace rather than devastation.
  • End-of-episode emotional closes where the lyric can “say the thing out loud.”
  • Character voiceover reflections on life, love, and letting go.

Film/TV Fit

  • Drama
  • Family/relationship drama (non-comedic)
  • Medical drama
  • Faith-adjacent / inspirational storytelling (when appropriate)
  • Human-interest / emotional branded storytelling (if the subject matches)

Why It Works

  • Lyric is explicit and emotionally clear — strong for scenes that want direct meaning.
  • 139 BPM gives editors motion while the vocal carries the emotional focal point.
  • Reggae/soul groove can keep the tone hopeful even in heavy narrative moments.
  • One-stop clearance streamlines placement decisions.
Track Narrative:
“Breathe One More Breath” is a plea for presence at the edge of loss — a narrator asking someone they love to hold on, to take one more breath, and to allow a final shared moment to shine. It frames goodbye through forgiveness and gratitude: pain can end, peace can come, but today still matters — because love is felt in eyes, hands, and the brief time we have.

Lyrics: Breathe One More Breath

This may be your last day here on this earth I'm blessed I came to sing to you See the smiling tears of your loved ones' eyes You're forgiven, it's clear, there is nothing to fear All they wish for is a bit more of your time, a bit more of your time Just breathe one more breath, heart, hold on Just breathe in that moment, heart, hold on, a moment to shine Breathe one more breath, heart, hold on Just breathe one more breath I wonder what the hearts will say when you are gone I know that you'll be free of pain and be at peace But for today you bless with the look of your eyes, the touch of your hands, every one of our lives Are just one sweet moment to breathe one more breath Breathe one more breath, heart, hold on Breathe one more breath, heart, hold on Just live as one more moment, one moment of your life Breathe one more breath, heart, hold on Breathe one more breath what the heart will say Breathe one more breath in Just, just breathe in life Give us that moment to shine Breathe one more breath, heart, hold on Breathe one more breath, heart, hold on Breathe one more breath Breathe one more breath, heart, hold on Breathe one more breath, heart, hold on Breathe one more breath, hold on Shine, hold on Breathe one more breath of your life, hold on Breathe one more breath, heart, hold on Breathe one more breath, heart, hold on Breathe one more breath, heart, hold on Just breathe one more breath, hold on.
Stem Tracks:
Stems not currently posted. Contact OMR Music Production to request stems, instrumentals, or alternate mixes if needed.
Renée Astaria

Renée Astaria

Renée Astaria delivers emotionally direct, cinematic-leaning songs that combine modern production with human, character-first storytelling. Her work ranges from uplifting confidence to tender vulnerability, with a strong sense of pacing and clarity that helps editors place vocal music with intention.

Across genres, her writing tends to focus on life moments — resilience, love, time, and transformation — creating tracks that can underline pivotal decisions, intimate scenes, and emotionally charged transitions.

Styles: Cinematic pop edge • Soul influence • Reggae/soul groove when suited • Strengths: Clear emotional messaging, confident female vocal, strong arc • Typical Uses: Drama pivots, relationship beats, memorial reflections, hopeful finales

BRIDGES — Amhed Mitchel (Instrumental)

Bridges cover art

Bridges
by Amhed Mitchel (feat. Michael Rodriguez)

“Bridges” balances warmth and drama — midtempo jazz textures led by piano, saxophone, and percussion. Reflective yet positive, the track flows with romantic energy and sync‑ready elegance for storytelling moments of connection and resolve.

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OMR Cue Map

Track: Bridges (ft. Michael Rodriguez)
Clean Intro: Yes (0:00 – smooth jazz instrumental entry)
Edit Points: 0:14 / 0:28 / 0:42 / 0:56 / 1:10 / 1:24 / 1:38 / 1:52 / 2:06
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:14–0:42 / 0:28–0:56 / 0:56–1:24
Use Case: Smooth, expressive jazz cue for connection, transition, and emotional flow. Strong for reflective scenes, urban storytelling, and moments that bridge tension and resolution.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Bridges

Song Details

  • Tempo: Midtempo
  • Genre: Jazz
  • Vocals: Instrumental
  • Mood/Feel: Dramatic, Light, Positive, Reflective, Romantic, Warm
  • Type: One‑Stop

Instrumentation

  • Percussion
  • Piano
  • Saxophone

Sync Notes

  • Best fit: Drama, romance, character arcs, reflective transitions, lifestyle storytelling.
  • Tone: Emotional yet light, positive, and warm.
  • Mix: Piano and sax lead with supportive rhythm, leaving room for dialogue.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Bridges is a midtempo jazz instrumental with warmth and drama, ideal for emotional storytelling with reflective transitions and romantic arcs.

Ideal Sync Uses

  • Drama: Emotional turning points, heartfelt revelations
  • Romance: Intimate or reflective moments
  • Coming‑of‑Age: Growth, connection, and discovery sequences
  • Lifestyle / Travel: Scenic or reflective transitions

Why It Works

  • Balances warmth and drama for versatile sync use
  • Piano and saxophone offer lyrical, emotional resonance
  • Midtempo pacing fits a wide variety of scenes
Track Narrative:
“Bridges” builds connections in sound — saxophone and piano trade lyrical reflections over a warm, midtempo jazz pulse. Romantic and positive, the track balances dramatic arcs with light energy, delivering cinematic resonance for sync.

Bright Morning Stars

Bright Morning Stars cover art

Bright Morning Stars
by Kristin Sweetland

Kristin Sweetland’s rendition of “Bright Morning Stars” carries the timeless beauty of an old spiritual, weaving themes of hope, remembrance, and quiet reverence. Gentle phrasing and folk-laced cadence build a ballad of new dawns and sacred roots.

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Track: Bright Morning Stars
Clean Intro: Yes (0:00 – gentle vocal/tonal entry)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00 / 2:15
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:15–0:45 / 0:30–1:00 / 1:00–1:30
Use Case: Uplifting, soulful vocal cue for hope, renewal, and emotional elevation. Strong for dramatic arcs, inspirational moments, and scenes that move toward light and resolution.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Bright Morning Stars

Song Profile

  • Artist: Kristin Sweetland
  • Genre: Country, Singer-Songwriter
  • Vocals: Female
  • Key Signature: F Major
  • Tempo: 75 BPM
  • Energy: Mid Tempo
  • Mood: Romantic, Warm, Hopeful, Light, Positive, Reflective
  • Cinematic Fit: Adventure, Art House, Drama, Fantasy, Indie, Romance
  • Lyric Themes: Family, Hope, Life, Love, Time
  • Type: One Stop

Production Credits

  • Written By: Traditional
  • Produced By: Ken Whiteley
  • Engineered By: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto, Ontario (2002)
  • Mastered: Music Lane Mastering, Markham, Ontario
  • Copyright: © Arbora Vita Music 2002

Artists

  • Kristin Sweetland: Acoustic Guitar, Vocals
  • Stephen Fearing: Harmony Vocals
  • Rebecca Campbell: Harmony Vocals
  • George Koller: Fretless Bass

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Bright Morning Stars

Kristin Sweetland’s rendition of “Bright Morning Stars” carries the timeless beauty of an old spiritual, weaving themes of hope, remembrance, and quiet reverence. Gentle phrasing and folk-laced cadence build a ballad of new dawns and sacred roots.

Ideal Sync Uses

  • Opening or closing scenes in indie dramas
  • Reflective moments in documentaries or biopics
  • Fantasy or art house sequences with emotional depth
  • Romantic montages or scenes of healing and connection
  • Period pieces or spiritual journeys

Why It Works

  • Emotional Tone: Warm, hopeful, and introspective
  • Authenticity: Rooted in traditional folk with modern production
  • Versatility: Fits a wide range of cinematic genres from drama to fantasy
  • Vocal Performance: Soulful female lead with rich harmonies
  • Instrumentation: Acoustic guitar, fretless bass, and subtle harmonies create a timeless soundscape

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Bright Morning Stars” is a spiritual sunrise — Kristin Sweetland’s rendition blends folk cadence with sacred stillness. Ideal for sync scenes of remembrance, healing, or quiet revelation, this track evokes timeless hope and emotional grace.
Lyrics:
Bright morning stars are rising
Bright morning stars are rising
Bright morning stars are rising
Day is a-breaking in my soul

Oh where are our dear fathers?
Oh where are our dear fathers?
Oh where are our dear fathers?
They're down in the valley a-praying

Oh where are our dear mothers?
Oh where are our dear mothers?
Oh where are our dear mothers?
They’ve gone to heaven a-shouting

Bright Sun

Bright Sun cover art

Bright Sun
by OMR Music Production

Upbeat and radiant — “Bright Sun” is a feel-good anthem built for scenes of joy, motion, and discovery. OMR Music Production delivers a sync-ready track full of warmth, rhythm, and cinematic charm, ideal for lifestyle, travel, or family-forward storytelling.

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OMR Cue Map

OMR Cue Map

Track: Bright Sun
Clean Intro: Yes (0:00 – immediate upbeat instrumental entry)
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20
Button Ending: Yes, light button ending
Loopable: High
Best Loop Candidates: 0:10–0:30 / 0:20–0:40 / 0:40–1:00
Use Case: Bright, uplifting cue for positivity, movement, and lighthearted energy. Strong for montage, lifestyle scenes, and moments that convey warmth and optimism.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio
OMR Logo

Studio • Sound Design • Sonic Innovation

OMR Music Production is a cutting-edge studio and creative hub dedicated to crafting immersive sound experiences. Known for its precision, innovation, and genre-defying approach, OMR bridges the worlds of music, technology, and art.

Founded by a collective of producers and engineers, OMR specializes in high-fidelity recording, mixing, and mastering across genres—from cinematic scores and electronic landscapes to acoustic sessions and experimental sound design.

The studio’s signature aesthetic combines analog warmth with digital clarity, offering artists a space to explore and elevate their sonic identity. OMR’s work has been featured in film, television, and international music releases.

With a commitment to artistic excellence and technical mastery, OMR Music Production continues to shape the future of sound.

Sync Pitch Sheet: Bright Sun

Song Profile

  • Artist: OMR Music Production
  • Genre: Party, Country, Holiday, Electronic, Reggae, Indie, Gospel, Funk, Pop, R&B, Rock, Soul
  • Vocals: Male
  • Key Signature: Bb Major
  • Tempo: 105 BPM
  • Energy: High
  • Mood: Carefree, Confident, Upbeat, Retro, Uplifting
  • Cinematic Fit: Comedy, Crime, Romance
  • Lyric Themes: Nature, Happiness, Love
  • Type: One Stop

Production Credits

  • Executive Producers: Donald G. Beauchamp, Gregory Buchanan, Elmer Ferrer, Sergio Simone
  • Lyrics: Sergio Simone
  • Music Composition: Elmer Ferrer
  • Programming: Elmer Ferrer
  • Recording: Elmer Ferrer
  • Music Production: Elmer Ferrer
  • Mixing & Mastering: Elmer Ferrer

Artists

  • Vocals: Dane Michael Hartsell
  • Guitar: Elmer Ferrer
  • Bass Guitar: Elmer Ferrer
  • Drums: Kiki Ferrer
  • Accordion: Aldo Simone
  • Electric Wind Instrument: Sergio Simone
  • Tenor Sax: Sergio Simone

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential: Bright Sun

“Bright Sun” radiates joy and movement, blending vibrant instrumentation with a feel-good groove. Its genre-bending style and high energy make it a versatile sync candidate for scenes that celebrate life, love, and spontaneity.

Ideal Sync Uses

  • Travel montages and road trip sequences
  • Feel-good lifestyle or fashion ads
  • Romantic comedy intros or endings
  • Crime capers with a retro twist
  • Holiday specials or celebratory scenes

Why It Works

  • Genre Fusion: A colorful mix of pop, reggae, gospel, and funk
  • Vocal Style: Confident male lead with infectious charm
  • Instrumentation: Accordion, sax, and electric wind instrument add unique flair
  • Mood: Carefree, upbeat, and uplifting
  • Sync Flexibility: Perfect for comedy, romance, and crime genres

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Bright Sun” beams with optimism — a sync-friendly track that captures the joy of movement, discovery, and emotional lift. OMR Music Production blends crisp rhythm and melodic charm into a soundtrack perfect for travel montages, lifestyle scenes, or moments of personal breakthrough.
Lyrics:
VERSE 1
IT’S A GOOD DAY TO RISE
PLACES TO GO
SIGHTS ON THE PRIZE
SUNSHINE IN THE WINDOW

VERSE 2
IT’S A GOOD DAY TO LIVE
PLACES TO GO
LOVING TO GIVE
SUNSHINE IN THE WINDOW

CHORUS
BRIGHT SUN
IT IS A BRIGHT SUN

VERSE 3
FORTY SHADES OF YELLOW
FORTY SHADES OF RED
COLORS OF THE RAINBOW
EXPLODING IN MY HEAD

VERSE 4
TREES FLOATING ON THE HILLS
CARPET ON THE LAKE
ROLLING ON THE WAVES
SURFING ON THE WAKE

CHORUS
BRIGHT SUN
IT IS A BRIGHT SUN

INTERLUDE

VERSE 5
THERE’S A SKIP IN YOUR STEP
BIRDS IN THE SKY
A SMILE ON YOUR FACE
A SPARKLE IN YOUR EYE

VERSE 6
NOTHING ON MY MIND
FEELING KIND OF FREE
LIGHT’S HERE TO STAY
SUNSHINE IN THE WINDOW

CHORUS (REPEAT TO OUTRO)
BRIGHT SUN
IT IS A BRIGHT SUN

BRING MY LOVE BACK SOON — Tom Conneely and the Paradise Birds

Bring My Love Back Soon cover art

Bring My Love Back Soon
by Tom Conneely and the Paradise Birds

Warm, wistful, and cinematic — “Bring My Love Back Soon” drifts through desert nights and star-filled skies, blending folk-pop charm with vintage soul. The acoustic textures and evocative lyrics paint a picture of love lost across time and open space.

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OMR Cue Map

Track: Bring My Love Back Soon (Short Edit)
Clean Intro: Yes (0:00 – immediate vocal entry)
Edit Points: 0:08 / 0:16 / 0:24 / 0:32 / 0:40 / 0:48 / 0:56 / 1:04
Button Ending: Yes, clean resolved ending
Loopable: High
Best Loop Candidates: 0:08–0:24 / 0:16–0:32 / 0:32–0:48
Use Case: Emotional, classic vocal cue for longing, romance, and emotional resolution. Strong for romantic scenes, reunion moments, and storytelling centered on love and return.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Lyrics
  • Track Narrative
  • Artist Bio

Tom Conneely and the Paradise Birds

Tom Conneely and the Paradise Birds craft a lush blend of folk, pop, and vintage soul rooted in timeless storytelling. Their sound evokes desert winds, open skies, and heartfelt connection — a sonic landscape where nostalgia and hope meet.

Drawing influence from 70s singer-songwriters and modern indie visionaries, the band’s songs balance lyrical sincerity with melodic warmth. Acoustic textures intertwine with subtle percussion, strings, and bass to create emotionally resonant performances ideal for film and television.

Known for their cinematic songwriting, Tom and the Birds channel both intimacy and expanse — equally at home in quiet acoustic scenes or sweeping Americana montages. Their music celebrates light, love, and the persistence of memory.

Sync Pitch Sheet: Bring My Love Back Soon

Artist: Tom Conneely and the Paradise Birds
Genre: Folk, Pop, Vintage
Vocal Style: Male Vocal
Energy Level: Uptempo
Key Signature: A Major
Tempo: 119 BPM
Mood Tags: Happy, Light, Positive, Uplifting
Lyric Themes: Heartbreak, Home, Love, Nature, Time
Cinematic Fit: Drama, Romance, Indie, Coming of Age
Type: One Stop

Track Summary

“Bring My Love Back Soon” radiates warmth and longing, fusing nostalgic folk energy with a light, rhythmic pulse. Its natural imagery and heartfelt repetition create a timeless feel — perfect for sequences of travel, reflection, or hopeful reunion.

Sync Highlights

  • Uptempo yet intimate folk-pop delivery fits indie dramas or heartfelt road scenes
  • Male vocals convey sincerity and optimism
  • Organic percussion and strings add cinematic texture
  • Ideal for stories of reconnection, growth, or emotional distance
  • Positive tonality balances longing with hope

Sync Potential: Bring My Love Back Soon

Artist: Tom Conneely and the Paradise Birds
Genre: Indie Folk, Vintage Pop
Vocal Style: Male
Energy Level: Bright Uptempo
Key Signature: A Major
Tempo: 119 BPM
Mood Tags: Light, Nostalgic, Uplifting, Organic
Cinematic Fit: Drama, Romance, Coming-of-Age, Indie
Lyric Themes: Love, Longing, Hope, Journey, Connection
Type: One Stop

Sync Highlights

  • Perfect for sequences involving reunion, memory, or cross-country travel
  • Warm acoustic instrumentation suits romantic or reflective atmospheres
  • Uplifting tone balances emotional narrative arcs
  • Flexible for film, TV, or ad use needing gentle optimism
Track Narrative:
“Bring My Love Back Soon” feels like a letter to the horizon — a musical prayer for reunion beneath the desert sky. Its rhythm moves like wind through open space, carrying warmth, longing, and the quiet confidence that love will find its way home.
Lyrics:
Let's just call me your friend
Meantime I love you while
Love you in the morning
Love you in the cold
The darkness of the desert
Close the hanging moon
Hear the coyote cry
Bring my love back soon

Yucca, it breathes
Sky folds
Wind, it whispers
Bring my love back home
Bring my love back soon
Bring my heart back too

Bring my love back soon
Bring my heart back too
See those stars, watch 'em run
Watch those stars, see 'em run

See those stars, watch 'em run
Watch those stars, see 'em run
Bring my love back soon
Bring my heart back too

Bring my love back soon
Bring my heart back too
Run, run, run
Run, run, run
Run, run, run
Run, run, run

BROKEN STEP — Amhed Mitchel (Instrumental)

Broken Step cover art

Broken Step
by Amhed Mitchel (feat. Alain Perez)

Funk‑jazz‑soul fusion bursting with groove — “Broken Step” hits a midtempo stride (Key: C Minor; 74 BPM) led by bass, keyboards, and synth textures. Playful, sexy, and upbeat, the track radiates energy and sync‑friendly swagger.

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OMR Cue Map

Track: Broken Step (ft. Alain Perez)
Clean Intro: Yes (0:00 – immediate rhythmic/jazz entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Rhythmic, jazz-driven cue for movement, sophistication, and creative energy. Strong for montage, urban storytelling, and scenes built around flow and momentum.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental • One‑Stop
  • Track Narrative
  • Artist Bio

Drummer • Composer • Jazz Architect

Amhed Mitchel is a Cuban‑Canadian drummer and composer known for blending modern jazz language with Afro‑Cuban rhythmic roots. Relocating to Toronto in the mid‑2000s, he has since become a fixture on the Canadian scene, collaborating widely and contributing a distinctive, melodic approach to rhythm.

His performances are marked by dynamic nuance and tonal variety, often described as pianistic in articulation. Beyond the stage, Amhed is an educator and mentor to emerging artists.

Sync Pitch Sheet: Broken Step

Song Details

  • Key Signature: C Minor
  • BPM: 74
  • Tempo: Midtempo
  • Genre: Funk, Jazz, Soul
  • Vocals: Instrumental
  • Mood/Feel: Bright, Catchy, Cool, Driving, Energetic, Fun, Happy, Playful, Positive, Quirky, Rhythmic, Sexy, Upbeat
  • Type: One‑Stop

Instrumentation

  • Bass
  • Drums
  • Keyboard
  • Percussion
  • Synth

Sync Notes

  • Best fit: Energetic promos, lifestyle content, playful sequences, urban montages, party or nightlife scenes.
  • Tone: Fun, upbeat, quirky, with cool swagger.
  • Mix: Bass and rhythm drive with synth textures; space available for dialogue.

Licensing Contact

OMR Music Production
licensing@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Broken Step bursts with funky jazz‑soul playfulness, midtempo energy, and catchy rhythmic swagger — ideal for lively, stylish, and upbeat sync placements.

Ideal Sync Uses

  • Comedy / Indie: Playful sequences, quirky montages
  • Lifestyle: Urban energy, nightlife, food & drink content
  • Sports: Warm‑ups, highlight reels with swagger
  • Advertising: Bright, happy campaigns with youthful energy

Why It Works

  • Groove‑heavy bass and rhythm drive create infectious energy
  • Funk/jazz/soul blend makes it versatile for multiple genres
  • Playful and sexy tones add unique sync character
Track Narrative:
“Broken Step” struts with funky confidence — bass and drums lock the groove while keyboards and synths add playful color. Bright, sexy, and rhythmic, it’s sync‑ready for upbeat visuals that demand energy and flair.

Brooklyn Boogaloo

Brooklyn Boogaloo cover art

Brooklyn Boogaloo
by Pat Carey

Funky and cinematic — “Brooklyn Boogaloo” is a groove-laced instrumental that blends jazz phrasing with urban swagger. Pat Carey delivers sync-ready energy through saxophone, keys, and rhythm section, ideal for scenes of motion, nightlife, or stylish confidence.

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OMR Cue Map

Track: Brooklyn Boogaloo
Clean Intro: Yes (0:00 – immediate funk/jazz groove entry)
Edit Points: 0:12 / 0:24 / 0:36 / 0:48 / 1:00 / 1:12 / 1:24 / 1:36 / 1:48
Button Ending: Yes, punchy groove ending
Loopable: High
Best Loop Candidates: 0:12–0:36 / 0:24–0:48 / 0:48–1:12
Use Case: Funky, groove-driven cue for urban energy, swagger, and movement. Strong for montage, city scenes, and sequences built around rhythm and attitude.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Saxophonist • Arranger • Blues Legend

Pat Carey is a renowned Canadian saxophonist best known for his long-standing role in the legendary Downchild Blues Band. With a career spanning decades, Carey has become a cornerstone of the Canadian blues scene, celebrated for his soulful tone, dynamic solos, and masterful arrangements.

A founding member of the Maple Blues Revue, Carey has performed with countless artists and ensembles, bringing his signature sound to stages across North America and beyond. His contributions to recordings and live performances have earned him multiple Maple Blues Awards and widespread acclaim.

Beyond performance, Carey is a respected arranger and educator, mentoring emerging musicians and shaping the future of Canadian blues. His work reflects a deep love for jazz, R&B, and classic blues traditions.

Pat Carey continues to inspire with every note, solidifying his legacy as one of Canada’s most influential saxophonists.

Sync Pitch Sheet: Brooklyn Boogaloo

Song Profile

  • Artist: Pat Carey
  • Genre: Party, Jazz, Soul
  • Vocals: Instrumental
  • Key Signature: G Major
  • Tempo: 117 BPM
  • Energy: Medium Tempo
  • Mood: Bright, Cool, Fun, Happy, Light, Playful, Positive, Quirky, Retro, Upbeat, Uplifting
  • Cinematic Fit: Action, Adventure, Comedy, Drama, Romance
  • Lyric Themes: N/A
  • Type: One Stop

Production Credits

  • Composers: Pat Carey, J. Langley
  • Produced By: Jake Langley
  • Recorded & Mixed By: Sal Mormando at Kaleidoscope Sound
  • Engineered & Mixed: Steve Grisbrook
  • Mastered: Andy Krehm – Silverbirch Productions, Toronto, ON
  • Graphic Design: Katrina Lockhart – Graphic Print Inc.

Artists

  • Tenor Saxophone: Pat Carey
  • Guitar: Mat Langley
  • Hammond B3 Organ: Kyle Koenler
  • Piano, Rhodes Piano: Michael Fonfara
  • Drums: Joe Strasser

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OMR Music Production
info@omrmusicproduction.com
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Sync Potential: Brooklyn Boogaloo

“Brooklyn Boogaloo” struts with swagger — a groove-laced instrumental that blends jazz chops with funk rhythm and cinematic flair. Pat Carey’s saxophone leads a vibrant ensemble through playful, upbeat, and retro textures perfect for sync scenes that demand motion, style, and attitude.

Ideal Sync Uses

  • Urban chase scenes or stylish crime sequences
  • Opening credits for comedy or drama series
  • Retro-themed commercials or fashion promos
  • Montages of nightlife, dancing, or street culture
  • Romantic interludes with a playful twist

Why It Works

  • Genre Blend: Jazz, soul, and party vibes with cinematic polish
  • Instrumentation: Saxophone, organ, piano, and drums create a rich, funky texture
  • Mood: Bright, quirky, and confident
  • Sync Flexibility: Ideal for action, comedy, drama, and romance
  • Retro Appeal: Evokes classic boogaloo energy with modern production

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Brooklyn Boogaloo” struts with swagger — Pat Carey’s instrumental blends jazz chops with funk rhythm and cinematic flair. Built for sync scenes of urban motion, nightlife, or stylish confidence, this track grooves with attitude and polish.

Buenos Aires

Buenos Aires cover art

Buenos Aires
by Kiki Ferrer

Rhythmic and folkloric — “Buenos Aires” is a Latin jazz instrumental that blends Cuban phrasing with playful syncopation. Kiki Ferrer delivers a vibrant composition full of character, ideal for sync scenes of travel, cultural flair, or animated storytelling.

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OMR Cue Map

Track: Buenos Aires
Clean Intro: Yes (0:00 – immediate Latin-influenced instrumental entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, clean rhythmic ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:26–0:52 / 0:52–1:18
Use Case: Warm, rhythmic cue for travel, culture, and vibrant atmosphere. Strong for city scenes, montage, and sequences that evoke movement, place, and character.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Percussionist • Composer • Educator

Kiki Ferrer is a renowned Cuban percussionist whose rhythmic mastery and expressive style have made him a standout figure in Latin jazz and world music. Born in Sancti Spiritus, Ferrer was immersed in Cuba’s rich musical traditions from an early age, shaping his dynamic and versatile approach to percussion.

Over the years, Ferrer has collaborated with legendary artists such as Jerry González, Alain Pérez, and Ketama, performing on stages across Europe and the Americas. His work spans genres—from flamenco to funk—and showcases his ability to blend traditional Afro-Cuban rhythms with contemporary sounds.

In addition to his performance career, Ferrer is a dedicated educator, offering percussion clinics and masterclasses that inspire the next generation of musicians. His solo projects and recordings reflect a deep commitment to musical innovation and cultural fusion.

Sync Pitch Sheet: Buenos Aires

Song Profile

  • Artist: Kiki Ferrer
  • Genre: Party, Holiday, Latin, World
  • Vocals: Male
  • Key Signature: C Major
  • Tempo: 110 BPM
  • Energy: Moderate
  • Mood: Carefree, Confident, Cool, Uplifting, Upbeat, Fun, Happy, Party, Playful, Positive, Quirky
  • Cinematic Fit: Comedy, Romance
  • Lyric Themes: N/A
  • Type: One Stop

Production Credits

  • Executive Producer: Elmer Ferrer
  • Music Composition: Elmer Ferrer & Dayan Abad
  • Recording: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Production: Elmer Ferrer & Dayan Abad
  • Mixing: El Gao Records (Dayan Abad & Kiki Ferrer)
  • Mastering: El Gao Records (Dayan Abad & Kiki Ferrer)

Artists

  • Tres, Bass, Hand Clapping: Dayan Abad
  • Chekere y Campana: Pedro Pablo Rodriquez
  • Flute: Roque Martinez
  • Vocals and Backing Vocals: Akinsola Elegbede
  • Percussion: Kiki Ferrer

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Buenos Aires

“Buenos Aires” is a rhythmic celebration of Latin jazz and folkloric charm. With vibrant percussion and playful phrasing, Kiki Ferrer’s composition brings cultural flair and upbeat energy to any visual story. It’s a perfect match for scenes that pulse with life, color, and movement.

Ideal Sync Uses

  • Travel and cultural documentaries
  • Animated sequences or character introductions
  • Romantic comedies with international flair
  • Festival scenes or celebratory montages
  • Lifestyle and fashion campaigns with Latin influence

Why It Works

  • Authenticity: Rooted in Latin rhythms and folkloric instrumentation
  • Instrumentation: Flute, percussion, and tres guitar create a rich sonic palette
  • Mood: Carefree, happy, and culturally vibrant
  • Sync Flexibility: Ideal for comedy, romance, and animated storytelling
  • Vocal Style: Male lead with playful backing vocals

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Buenos Aires” is a sync-ready instrumental full of folkloric charm and rhythmic storytelling. Kiki Ferrer blends Latin jazz textures with playful phrasing, ideal for scenes of cultural celebration, animated motion, or vibrant character intros.

BUILT-IN OBSOLESCENCE — Godgifu

Built-In Obsolescence cover art

Built-In Obsolescence
by Godgifu

“Built-In Obsolescence” is a fast-moving atmospheric electronic vocal track shaped by identity, longing, and emotional detachment. Godgifu blends dreamy textures, moody pulse, and a female vocal presence into a cue that feels introspective yet propulsive, ideal for modern character drama, urban isolation, and scenes where inner conflict moves in step with forward motion.

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OMR Cue Map

Track: Built-In Obsolescence
Clean Intro: Yes, atmospheric opening with immediate tonal identity
Edit Points: 0:10 / 0:20 / 0:30 / 0:40 / 0:50 / 1:00 / 1:10 / 1:20 / 1:30 / 1:40
Button Ending: No, more suitable for fade or natural tail usage
Loopable: High
Best Loop Candidates: 0:20–0:40 / 0:40–1:00 / 1:00–1:20
Use Case: Atmospheric identity cue for scenes of longing, disconnection, urban solitude, and emotionally complex movement. Strong for indie drama, reflective montage, and modern character storytelling with forward pulse.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Electronic • Indie • Dark Alternative • Cinematic Vocal

Godgifu creates atmospheric, emotionally layered music that moves between electronic pulse, indie edge, and cinematic mood. The sound is modern and immersive, built from dark textures, rhythmic restraint, and vocal tones that feel both intimate and otherworldly.

For supervisors, the appeal is clear: moody emotional depth, female vocal presence, modern rhythmic momentum, and a strong fit for scenes involving identity, longing, isolation, transformation, and psychologically layered storytelling.

Sync Pitch Sheet: Built-In Obsolescence

Song Profile

  • Key Signature: C Major
  • Beats Per Minute: 144
  • Energy: Medium-High
  • Genres: Electronic, Indie
  • Vocals: Female Vocal
  • Instrumentation: Bass, Percussion, Synth
  • Moods: Atmospheric, Dreamy, Moody
  • Lyric Themes: Connection, Identity, Loneliness, Love
  • Cinematic Fit: Drama, Indie, Art House, Romance, Coming of Age, Mystery
  • Type: One Stop

Track Summary

Built-In Obsolescence is a dreamy, fast-moving electronic vocal cue that captures emotional dependence, loneliness, and the struggle for separation from a powerful bond. It carries introspective weight without losing momentum, making it highly effective for modern visual storytelling built around identity, longing, and transformation.

Sync Highlights

  • Fast pulse with atmospheric depth creates movement without chaos
  • Female vocal adds emotional intimacy and modern identity
  • Strong fit for stylized drama, indie film, and reflective montage
  • Usable under picture where emotion and forward motion need to coexist

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Built-In Obsolescence is built for emotionally layered modern storytelling. Its dreamy electronic textures, lyrical vulnerability, and rhythmic movement make it especially effective for scenes centered on longing, emotional detachment, fractured identity, and solitude in motion.

Ideal Sync Uses

  • Drama: Emotional distance, inner conflict, relationship strain
  • Indie: Character-driven storytelling, urban solitude, introspective motion
  • Art House: Visual metaphor, emotional ambiguity, symbolic montage
  • Romance: Longing, disconnection, unresolved attachment
  • Coming of Age: Identity struggle, emotional separation, self-definition
  • Mystery: Subtle unease, emotional uncertainty, psychological distance

Scene Suggestions

  • Character walking alone through the city after emotional rupture
  • Montage of separation, memory, or unresolved connection
  • Late-night introspection with movement and visual tension
  • Scenes where a character tries to detach from someone or something overwhelming
  • Stylized emotional transition with modern pulse

Why It Works

  • Balances introspection and momentum in a very usable sync lane
  • Dreamy vocal presence gives emotional clarity without overpowering the scene
  • Modern electronic-indie texture feels current and cinematic
  • Strong thematic fit for identity, longing, and emotional separation
Stem Tracks:
Available upon request.
Track Narrative:
“Built-In Obsolescence” feels like someone trying to separate from a bond that has already shaped who they are. It moves with emotional pull and quiet urgency, capturing the strange tension between longing for connection and needing to break free. The result is intimate, atmospheric, and deeply suited to scenes where identity and attachment are in conflict.
Lyrics:
Falling out of the depths
Into the daybreak
With a ghost of myself
Clinging to the sun

Maybe it's all in my head
That I can't do anything without you
Tired of the reticence
Weary of waiting for the last word

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

Cherish all the preciousness
Of solitude
Cut the umbilicus
That binds me to you

Maybe it's all in my head
That I can't go anywhere without you
Tired of the reticence
Weary of waiting for the last word

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

In transition to perfection
Infinitesimal with a ghost
In the vacuum swept away
By the expanse of you

In transition to wish you well but
You send away
How could I ever compete
With the ocean of you

In transition to wish you well but
You send away
How could I ever compete
With the ocean of you

BUFFALO SON — The Green Door

Buffalo Son cover art

Buffalo Son
by The Green Door

“Buffalo Son” is a swagger-heavy outlaw rock track built on grit, legend, and self-made identity. The Green Door drives the song with confidence and velocity, blending dark retro attitude with a chant-like hook that feels made for character entrances, defiant momentum, and mythic Americana.

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OMR Cue Map

Track: Buffalo Son
Clean Intro: Yes (0:00 – immediate tonal/atmospheric entry)
Edit Points: 0:16 / 0:32 / 0:48 / 1:04 / 1:20 / 1:36 / 1:52 / 2:08
Button Ending: No, soft tail ending
Loopable: High
Best Loop Candidates: 0:16–0:48 / 0:32–1:04 / 1:04–1:36
Use Case: Expansive, cinematic cue for western tone, isolation, and emotional depth. Strong for landscape-driven storytelling, slow-burn drama, and scenes that evoke distance and identity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Rock • Grit • Cinematic Drive

The Green Door delivers raw-edged, sync-ready rock with narrative edge, swagger, and momentum. Their sound blends punk urgency, retro attitude, and cinematic tension into tracks built for defiance, character, and hard-driving visual storytelling.

For supervisors, the appeal is immediate: strong rhythmic drive, memorable hooks, male vocal presence, and a natural fit for scenes involving outlaw energy, mythmaking, rebellion, and consequence.

Sync Pitch Sheet: Buffalo Son

Song Details

  • Key Signature: E Minor
  • Beats Per Minute: 143
  • Energy: High
  • Genres: Metal, Punk, Rock
  • Vocals: Male Vocal
  • Instrumentation: Bass, Drums, Electric Guitar
  • Moods: Catchy, Confident, Cool, Dark, Driving, Fun, Gritty, Moody, Positive, Quirky, Retro, Swagger, Upbeat
  • Lyric Themes: Life, Regret
  • Cinematic Fit: Action, Crime, Drama, Western, Indie
  • Type: One Stop

Track Summary

Buffalo Son is a bold, mythic rock track that plays like a self-written legend. Fueled by swagger, survival, and outlaw identity, it is built for character-forward scenes where confidence and danger move side by side.

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Buffalo Son is built for big-character scenes. Its chant-like refrain, gritty confidence, and driving momentum make it especially effective for introductions, antihero swagger, outlaw mythology, and scenes where a character defines himself against the world.

Ideal Sync Uses

  • Action: Character entrance, pursuit, confrontation
  • Crime: Outlaw identity, revenge setup, criminal mythology
  • Drama: Hard-lived reflection, self-definition, regret with attitude
  • Western: Frontier energy, modern outlaw grit, mythic Americana

Scene Suggestions

  • Antihero introduction with swagger and tension
  • Dusty road, bar, or back-country montage
  • Character reflecting on violence, consequence, or reputation
  • Stylized sequence built around legend, memory, or revenge

Why It Works

  • Strong repeated hook is memorable and edit-friendly
  • Driving rock pulse supports momentum-heavy visuals
  • Male vocal adds character and narrative identity
  • Balances swagger and darkness in a way that feels cinematic
Stem Tracks:
Available upon request.
Track Narrative:
“Buffalo Son” feels like a man naming himself before the world gets the chance. It carries the energy of road-worn legend, regret worn like armor, and a refusal to be broken. Built on grit, swagger, and hard-earned momentum, it belongs in scenes where identity is forcefully claimed, not politely explained.
Lyrics:
And I am a buffalo son
And I'm on the road so long
And I drank with Garrett
And I dream whiskey red

And I saw a county war
And I settle my score
And I wrote my own damn law
And I won't see twenty one

I'm a buffalo son
Never gonna bring me down
I'm a buffalo son
Never gonna bring me down

And I heard them call my name
And I asked who are they
And I saw it all turn red
And I'll never really be dead

I'm a buffalo son
Never gonna bring me down
I'm a buffalo son
Never gonna bring me down

BUOY BLUES FOR THE FISHERS OF MEN

Buoy Blues for the Fishers of Men cover art

Buoy Blues for the Fishers of Men
by Radagast the Brown

“Buoy Blues for the Fishers of Men” is an ambient-electronic instrumental with moody propulsion and a subtle maritime drift. With percussion, piano, strings, and synth creating a steady current, it feels ideal for movement through uncertainty, reflective travel, and scenes where atmosphere and forward motion need to coexist.

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OMR Cue Map

Track: Buoy Blues for the Fishers of Men
Clean Intro: Yes (0:00 – ambient tonal entry with subtle texture)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft ambient tail
Loopable: High
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Reflective, atmospheric cue for solitude, contemplation, and maritime tone. Strong for coastal scenes, introspection, and moments shaped by distance and quiet emotional depth.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio

Electronic Texture • Rhythmic Identity • Cinematic Motion

Radagast the Brown creates immersive, sync-ready music that blends electronic texture, rhythmic momentum, and cinematic atmosphere. His work moves fluidly between instrumental mood pieces and vocal-driven tracks, making it highly adaptable for modern film, television, and visual storytelling.

For supervisors, the appeal is immediate: distinctive sonic identity, clean rhythmic architecture, and arrangements that support movement, tension, and emotion without sacrificing editorial flexibility.

Sync Pitch Sheet: Buoy Blues for the Fishers of Men

Song Profile

  • Key Signature: Bb Major
  • Beats Per Minute: 120
  • Energy: Moderate to High
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Moods: Atmospheric, Moody
  • Cinematic Fit: Drama, Indie, Thriller, Art House
  • Type: One Stop

Instrumentation

  • Percussion
  • Piano
  • Strings
  • Synth

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

“Buoy Blues for the Fishers of Men” is built for scenes that move through uncertainty with a steady emotional undertow. Its ambient-electronic blend makes it especially effective for travel, atmosphere-led sequences, and reflective motion where the destination matters less than the feeling of being carried forward.

Ideal Sync Uses

  • Drama: emotional travel, uncertainty, steady forward pull
  • Indie: reflective movement, mood-driven transition
  • Thriller: low-burning tension, subtle propulsion
  • Art House: atmosphere-first pacing, meditative motion

Scene Suggestions

  • Travel or passage sequence shaped more by mood than action
  • Montage with reflective forward movement and muted tension
  • Scene set near water, distance, or emotional drift
  • Transition where the frame needs motion without urgency

Why It Works

  • Piano and strings give the cue emotional depth
  • Percussion adds motion without aggression
  • Ambient-electronic blend makes it versatile and modern
  • Moody tone supports introspection and atmosphere equally well
Stem Tracks:
Available upon request.
Track Narrative:
“Buoy Blues for the Fishers of Men” feels like moving through open emotional water without ever fully seeing the shore. It carries motion, atmosphere, and uncertainty together in a way that makes the scene feel suspended and quietly alive.

Burial at Sea

Burial at Sea cover art

Burial at Sea
by Kristin Sweetland

Nautical and poetic — “Burial at Sea” sails between longing and myth. Kristin Sweetland’s haunting delivery and lyrical depth evoke oceanic memory, layered metaphor, and emotional surrender. A hypnotic ballad ready for sync scenes of farewell, ritual, or otherworldly romance.

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OMR Cue Map

Track: Burial at the Sea
Clean Intro: Yes (0:00 – soft atmospheric/vocal entry)
Edit Points: 0:18 / 0:36 / 0:54 / 1:12 / 1:30 / 1:48 / 2:06 / 2:24
Button Ending: No, soft tail ending
Loopable: Partial
Best Loop Candidates: 0:18–0:54 / 0:36–1:12 / 1:12–1:48
Use Case: Haunting, emotional cue for loss, remembrance, and quiet intensity. Strong for dramatic scenes, farewell moments, and storytelling centered on reflection and emotional weight.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Guitarist • Photographer • Storyteller

Kistin Sweetland is a multifaceted artist whose creative journey spans music, photography, and storytelling. A true nomadic soul, she has spent years traveling across North America, weaving her experiences into poetic lyrics, intricate guitar work, and evocative imagery.

Born in London, Ontario, Sweetland’s musical path began with a cherry red Peavey Stratocaster and a spark ignited by the film Satisfaction. She studied songwriting and performance at the University of Victoria and debuted her original work at the BC Festival of the Arts. Her albums, including Root, Heart & Crown and Own Sweet Time, showcase a blend of folk, rock, classical, and world music influences.

As a photographer, Sweetland is known for her self-portrait series Adventures in Sweetland, capturing the emotional essence of her travels. Her visual storytelling complements her music, creating a rich, immersive artistic experience.

She has toured extensively across Canada, the U.S., and Europe, collaborating with producers like Ken Whiteley and David Travers-Smith. Sweetland is also one half of the duo Captain Dirt & The Skirt, blending bluegrass, gypsy-jazz, and classical influences into a genre-defying sound.

With a career rooted in exploration and passion, Kristin Sweetland continues to inspire through her music, photography, and storytelling.

Sync Pitch Sheet: Burial at Sea

Song Profile

  • Artist: Kristin Sweetland
  • Genre: Singer-Songwriter
  • Vocals: Female
  • Key Signature: F Major
  • Tempo: 54 BPM
  • Energy: Slow Tempo
  • Mood: Sad, Warm, Hopeful, Reflective
  • Cinematic Fit: Adventure, Art House, Drama, Fantasy, Thriller
  • Lyric Themes: Death, Love, Romance, Adventure, Betrayal
  • Type: One Stop

Production Credits

  • Produced By: Ken Whiteley
  • Engineered By: Nik Tjelios
  • Recorded & Mixed: Casa Wroxton Studio, Toronto, Ontario (2006–2007)
  • Mastered: Music Lane Inc., Uxbridge, Ontario
  • Written By: Kristin Sweetland – Arbora Vita Music 2007 (SOCAN)

Artists

  • Kristin Sweetland: Vocals, Acoustic Guitar
  • George Koller: Double Bass
  • Ken Whiteley: Accordion
  • Anne Lindsay: Violin
  • Roman Borys: Cello

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OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Burial at Sea

Nautical and poetic — “Burial at Sea” sails between longing and myth. Kristin Sweetland’s haunting delivery and lyrical depth evoke oceanic memory, layered metaphor, and emotional surrender. A hypnotic ballad ready for sync scenes of farewell, ritual, or otherworldly romance.

Ideal Sync Uses

  • Farewell scenes or emotional departures
  • Fantasy sequences involving water, myth, or memory
  • Art house montages with poetic pacing
  • Romantic or tragic flashbacks
  • Thriller moments with emotional undercurrent

Why It Works

  • Slow tempo: 54 BPM supports reflective and cinematic pacing
  • Instrumentation: Acoustic guitar, strings, and synth create a layered, emotional texture
  • Vocal tone: Female lead with lyrical vulnerability
  • Mood: Sad, warm, hopeful, and reflective
  • Genre: Singer-songwriter with cinematic depth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Burial at Sea” reads like a message in a bottle — cryptic, tender, and mournful. Kristin Sweetland conjures characters, seas, and shadows through lyrical metaphor and poetic pacing. A fitting companion to sequences of emotional drift, passage, or lyrical dreamscape.
Lyrics:
Call to me the captain
Bury me at sea
Wash away my body
And this language painted over me
I’ll write the words for you
The things you might have said...

Your lips could bloom a crocus
In the darkened February of my head
Over ships of folded paper
Does the blackened raven fly
Scavenging both life and limb
With eyes that shift from side to side

There never was a time
When you’d watch over me like he
And when I said I love you
You’d say, you are far too innocent for me

So bring to me the maiden
Let me shake her hand
Hair as black as leather
And fresh from Never Neverland
That pirate on the ship
Might have strapped holsters to her hips
But later in the shadows
She raised a tender finger to his lips

Burning Fuse

Burning Fuse cover art

Burning Fuse
by Paul Reddick

Raw and electric — “Burning Fuse” ignites with blues grit and lyrical fire. Paul Reddick delivers a track full of tension, swagger, and emotional combustion, ideal for sync scenes of rebellion, pursuit, or inner turmoil.

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OMR Cue Map

Track: Burning Fuse (Explicit)
Clean Intro: Yes (0:00 – immediate blues/vocal entry)
Edit Points: 0:13 / 0:26 / 0:39 / 0:52 / 1:05 / 1:18 / 1:31 / 1:44 / 1:57
Button Ending: Yes, strong resolved ending
Loopable: High
Best Loop Candidates: 0:13–0:39 / 0:39–1:05 / 1:05–1:31
Use Case: Tense, blues-driven cue for urgency, conflict, and impending escalation. Strong for dramatic build-ups, confrontation scenes, and moments charged with pressure and intensity.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Lyrics
  • Track Narrative
  • Artist Bio

Blues Poet • Harmonica Virtuoso • Sonic Visionary

For over three decades Paul Reddick has carved a singular path through the blues landscape—equal parts poet, songwriter, and sonic visionary. Known for his haunting harmonica work, evocative lyrics, and atmospheric songcraft, Reddick’s music transcends genre conventions, offering a rich emotional palette tailor-made for film and television.

A Juno-nominated artist and former frontman of the acclaimed band The Sidemen, Reddick has built an enduring career on his ability to fuse traditional blues roots with contemporary storytelling. His songs are intimate yet cinematic—stories told in whispers, growls, and shadows, where every note carries the weight of memory.

Often described as “blues noir,” Reddick’s music is smoky, hypnotic, and emotionally resonant. Whether it’s a sparse ballad steeped in longing or a gritty groove that prowls with tension, his work is grounded in character, mood, and place.

Now part of the OMR Music Production roster, Paul Reddick’s extensive catalog is available for sync licensing—offering filmmakers and music supervisors a versatile soundscape that enhances storytelling with authenticity and emotional depth.

Sync Pitch Sheet: Burning Fuse

Raw and electric — “Burning Fuse” ignites with blues grit and lyrical fire. Paul Reddick delivers a track full of tension, swagger, and emotional combustion, ideal for sync scenes of rebellion, pursuit, or inner turmoil.

Song Details

  • Key Signature: F Major
  • Tempo: 99 BPM (Mid-tempo)
  • Energy: Moderate
  • Vocals: Male
  • Genre: Blues, Folk, Indie
  • Mood: Moody, Retro

Cinematic Themes

  • Action
  • Adventure
  • Art House
  • Coming-of-Age
  • Crime
  • Drama
  • Mystery
  • Thriller

Lyric Themes

  • Fear
  • Love
  • Power
  • Success
  • Time

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Percussion
  • Synth

Production Credits

  • Composer: Paul Reddick
  • Producer: Colin Linden
  • Engineers: Colin Linden, John Whynot
  • Mastering: Barry McClellan, Chris Stringer, Don Murnaghan, King Williams

Featured Artists

  • Paul Reddick – Harmonica, Loops, Vocals
  • Colin Linden – Bass, Guitar, Mandolin, Background Vocals
  • Bryan Owings & Gary Craig – Drums
  • John Dymond & Larry Taylor – Bass
  • Kathleen Edwards – Violin
  • Richard Bell – Organ, Piano
  • Stephen Hodges – Drums, Percussion

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential: Burning Fuse

Raw and electric — “Burning Fuse” ignites with blues grit and lyrical fire. Paul Reddick delivers a track full of tension, swagger, and emotional combustion, ideal for sync scenes of rebellion, pursuit, or inner turmoil.

Ideal Sync Uses

  • Crime dramas and mystery thrillers
  • Action or chase sequences
  • Coming-of-age moments with edge
  • Art house scenes with emotional tension
  • Montages of defiance, escape, or transformation

Why It Works

  • Mid-tempo: 99 BPM supports rhythmic tension and pacing
  • Instrumentation: Bass, drums, electric guitar, synth, percussion
  • Vocal tone: Male lead with bluesy grit
  • Mood: Moody, retro, cinematic
  • Genre: Blues, Folk, Indie

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Track Narrative:
“Burning Fuse” is a blues ignition — Paul Reddick channels lyrical heat and sonic tension into a track built for sync scenes of pursuit, defiance, or emotional combustion. Raw, rhythmic, and ready to explode.
Lyrics:
Oh love it burns just like a fuse
Oh learn to run or learn to lose
Take your time and seal your fate
Feel the flames of learning late
Oh ain’t no cover can be found
Oh listen brother just cover ground
Been tried by water been tried by fire
Who so never told told a lie
Slip away soft and low
Where she stops you will never know
If I ever live this business down
I’ll be rising on up from the underground

Oh well
Oh well
Oh well

Oh love it burns just like a fuse
Oh learn to run or learn to lose
Oh learn to run or learn to lose
Oh love it burns just like a fuse
Been tried by water been tried by fire
Who so never told told a lie
Take your time and seal your fate
Feel the flames of learning late

Oh well
Oh well
Oh well
Oh well

Oh love it burns just like a fuse
Oh learn to run or learn to lose
Oh learn to run or learn to lose

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