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    • LICENSE REQUEST
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  • EXPLORE
    • PLAYLISTS
    • FULL TRACK LIBRARY
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    • ARTIST SUBMISSION & AGREEMENT
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CARRYING TOO MUCH — Elmer Ferrer

Carrying Too Much cover art

Carrying Too Much
by Elmer Ferrer

Carrying Too Much feels weighed down by pressure that never fully releases. Its ambient-electronic textures, steady pulse, and restrained tension create the sense of a character moving forward while burdened by something unresolved. The cue is atmospheric rather than explosive, making it especially effective for scenes of emotional strain, slow-building suspense, internal conflict, or moments when the story carries more pressure than anyone is willing to say out loud.

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OMR Cue Map

OMR Cue Map

Track: Carrying Too Much
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft unresolved tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Pressurized ambient cue for emotional burden, slow-burn suspense, internal conflict, unresolved weight, and restrained dramatic movement.

OMR Cue Map

Track: Carrying Too Much
Clean Intro: Yes (0:00)
Edit Points: 0:15 / 0:30 / 0:45 / 1:00 / 1:15 / 1:30 / 1:45 / 2:00
Button Ending: No, soft unresolved tail
Loopable: High
Best Loop Candidates: 0:30–1:00 / 1:00–1:30 / 1:15–1:45
Use Case: Pressurized ambient cue for emotional burden, slow-burn suspense, internal conflict, unresolved weight, and restrained dramatic movement.

Assets

  • Sync Pitch Sheet
  • Sync Potential
  • Stem Tracks
  • Instrumental
  • Track Narrative
  • Artist Bio
Elmer Ferrer

Guitarist • Composer • Producer

Elmer Ferrer is a Cuban-Canadian guitarist, composer, and producer known for blending traditional Cuban musical influences with contemporary sounds across blues, R&B, rock, cinematic, and world music.

With contributions to over 300 recordings and film soundtracks, Ferrer has performed internationally at major festivals and collaborated with a diverse range of artists.

His work has earned Latin Grammy nominations and a Goya Award for Best Score, reflecting both his technical mastery and emotional depth as a composer and performer.

Sync Pitch Sheet: Carrying Too Much

Song Details

  • Energy: Medium / Pressurized
  • Genres: Ambient, Electronic
  • Vocals: Instrumental
  • Key: A Major
  • BPM: 125
  • Moods: Atmospheric, Tension
  • Cinematic Fit: Drama, Thriller, Crime, Mystery, Indie
  • Type: One Stop

Production Details

  • Executive Producers: Elmer Ferrer, Donald G. Beauchamp, Gregory Buchanan, Sergio Simone
  • Music Composition: Elmer Ferrer
  • Recording, Production, Mixing & Mastering: Elmer Ferrer

Instrumentation

  • Bass
  • Drums
  • Electric Guitar
  • Synth

Licensing Contact

OMR Music Production
info@omrmusicproduction.com
omrmusicproduction.com

Sync Potential

Carrying Too Much is built for emotional and narrative pressure. Its ambient tension and steady motion make it an excellent choice for scenes where a character is under strain, withholding the truth, or moving through circumstances that feel heavier than they can manage.

Ideal Sync Uses

  • Drama: emotional overload and internal conflict
  • Thriller: slow-burn suspense and pressure buildup
  • Crime: morally burdened movement or tense aftermath
  • Mystery: concealed tension and unresolved weight
  • Indie: reflective scenes with quiet emotional strain

Scene Suggestions

  • Character walking alone under emotional or narrative weight
  • Montage of mounting stress or accumulating consequences
  • Quiet scene where tension is present but not discussed
  • Slow build before a difficult conversation or reveal
Track Narrative:
Carrying Too Much feels like momentum under weight. The cue suggests a person or situation pushing forward while burdened by more than can comfortably be held. Its atmosphere is tense but contained, making it ideal for scenes where pressure accumulates quietly and the emotional cost is starting to show.

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